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Emmy Lou - Her Book and Heart
by George Madden Martin
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Emily felt drawn to her, for since being deserted she was not enjoying recesses herself.

"Yes," she said, "they do"; and the next day another pair, Emily and the new-comer, joined the promenade about the basement.

The new pupil's name was Margaret; that is, since it stopped being Maggie. Emily confessed to having once been Emmy herself, with a middle name of Lou besides, and after that they told each other everything. Margaret loved to read and had lately come to own a certain book which she brought to lend Emily, and over its pages they drew together. The book was called "Percy's Reliques."

Beside the common way lies the Ballad Age, but Emily would have passed, unknowing, had not Margaret, drawing the branches aside, revealed it; and into the sylvan glades she stepped, pipes and tabret luring, with life and self at once in tune.

And then Margaret told her something, "if she would never, never tell"—Margaret wrote things herself.

It was about this time that Rosalie was moved to seek Emily, as of old, to relate a Romantic Situation. She warned her that it would be sad, but Emily did not mind that. She loved sad things these days, and even found an exultation in them if they were very, very sad.

Rosalie took her aside to tell it: "There was a bride, ready, even to her veil, and he, the bridegroom, never came—he was dead."

Rosalie called this a Romantic Situation. Emily admitted it, feeling, however, that it was more, though she could not tell Rosalie that. It—it was like the poetry in the book, only poetry would not have left it there!

"O mither, mither mak my bed O mak it saft and narrow; Since my love died for me to-day, Ise die for him to-morrowe."

"It's about a teacher right here in the High School," Rosalie went on to tell.

Then it was true. "Which one?" asked Emily.

But that Rosalie did not know.

It was like poetry. But then life was all turning to poetry now. One climbed the stairs to the mansard now with winged feet, for Rhetoric is concerned with metaphor and simile, and Rhetoric treats of rhyme. There is a sudden meaning in Learning since it leads to a desired end.

Poetry is everywhere around. The prose light of common day is breaking into prismatic rays. Into the dusty highway of Ancient History all at once sweeps the pageantry of Mythology. Philemon bends above old Baucis at the High School gate, though hitherto they have been sycamores. Olympus is just beyond the clouds. The Elysian Fields lie only the surrender of the will away, if one but droops, with absent eye, head propped on hand, and dreams——

But Emily, all at once, is conscious that Miss Beaton's eyes are on her, at which she moves suddenly and looks up. But this mild-eyed teacher with the sweet, strong smile is but gazing absently down on her the while she talks.

Emily likes Miss Beaton, the teacher of History. Her skirts trail softly and her hair is ruddy where it is not brown; she forgets, and when she rises her handkerchief is always fluttering to the floor. Emily loves to be the one to jump and pick it up. Miss Beaton's handkerchiefs are fine and faintly sweet and softly crumpled, and Emily loves the smile when Miss Beaton's absent gaze comes back and finds her waiting.

But to-day, what is this she is saying? Who is the beautiful youth she is telling about? Adonis? Beloved, did she say, and wounded? Wounded unto death, but loved and never forgotten, and from whose blood sprang the windswept petals of anemone——

Miss Beaton's gaze comes back to her school-room and she takes up the book. The story is told.

Emily had not known that her eyes had filled—tears come so unlooked-for these days—until the ring on Miss Beaton's hand glistened and the facets of its jewel broke into gleams.

She caught her breath, she sat up suddenly, for she knew—all at once she knew—it was Miss Beaton who had been the bride, and the ring was the sign.

She loved Miss Beaton with a sudden rapture, and henceforth gazed upon her with secret adoration. She made excuses to consult books in Miss Beaton's room, that she might be near her; she dreamed, and the sweetness and the sadness of it centred about Miss Beaton.

She told Rosalie. "Why, of course, I guessed her right at first," said Rosalie; but she said it jealously, for she, too, was secretly adoring Miss Beaton.

Emily had been trying to ask Margaret something, but each time the question stuck in her throat. Now she gathered courage.

It was spring, and the High School populace turned out at recess to promenade the yard. On the third round about the gravel, in the farthest corner where a lilac bush topping the fence from next door lent a sort of screen and privacy, Emily caught Margaret by the arm and held her back. After that there was no retreat; she had to speak.

"How—how do you do it?" she asked.

"What?" asked Margaret.

"Write?" said Emily, holding to Margaret tight—she had never before thus laid bare the secrets of her soul.

"Oh," said Margaret, and her lips parted and her face lighted as she and Emily gazed into each other's eyes, "you just feel it and then you write."

There was a time when Emily would have asked, "Feel what?" "It" as used by Margaret was indefinite, but Emily understood. You just feel it and then you write.

In her study hour Emily took her pencil and, with Latin Grammar as barrier and blind to an outside world, bent over her paper. She did not speak them, those whispers hunting the rhyme: she only felt them, and they spoke.

She did not know, she did not dream that she was finding the use, the purpose for it all, these years of the climb toward knowledge. Some day it would dawn on her that we only garner to give out.

Creare—creatum, she had repeated in class from her Latin Grammar, but she did not understand the meaning then. In the beginning God made, and Man is in the image of God. She had found the answer to her discontent; for to create, to give out, is the law.

She wrote on, head bent, cheek flushed, leaning absorbed above the paper in her book.

On the way home she whispered that which had written itself, while her feet kept time to the rhythm. It was Beautiful and Sad, and it was True:

"The bride and her maidens sat in her bower——"

She nodded to William loitering near the High School gate, and hurried on. She did not want company just now:

"And they 'broidered a snow-white veil, And their laughter was sweet as the orange flower That breathed on the soft south gale."

But here William caught up with her. She had thought he would take the hint, but he didn't, going with her to her very gate. But once inside, she drew a long breath. The cherry buds were swelling and the sky was blue. She took up her verse where William had interrupted:

"The bride and her maidens sit in her bower, And they stitch at a winding-sheet; And they weep as the breath of the orange flower——"

Emily is so absorbed at the dinner-table that Aunt Cordelia is moved to argue about it. She sha'n't go to school if she does not eat her dinner when she gets home. "And that beautiful slice of good roast beef untouched," says Aunt Cordelia.

Emily frowned, being intent on that last line, which is not written yet. She is hunting the rhyme for winding-sheet.

What is this Aunt Cordelia is saying? "Eat—meat——"

How can Aunt Cordelia?—it throws one off—it upsets one.

Hattie chanced to be criticising Miss Beaton the next day, saying that she required too little of her classes. "But then she is more concerned getting ready to be married, I reckon," said Hattie.

"Oh," said Emily, "Hattie!" She was shocked, almost hurt, with Hattie. "Don't you know about it?" she went on to explain. "She was going to be married and—he—he never came—he was dead."

"No such thing," said Hattie. "He runs a feed store next my father's office. We've got cards. It's the day after school's out."

"Then—which—" asked Emily falteringly.

"Why, I heard that the first of the year," said Hattie. "It was Miss Carmichael that happened to."

Emily went off to herself. She felt bitter and cross and disposed to blame Miss Beaton. She never wanted to see or to hear of Miss Beaton again.

Upstairs she took from her Latin Grammar a pencilled paper, interlined and much erased, and tore it into bits—viciously little bits. Then she went and put them in the waste-paper basket.

"You just feel it and then you write," Margaret had said, and Emily was feeling again, and deeply; later she wrote.

It was gloomy, that which wrote itself on the paper, nor did it especially apply to the case in point, "but then," she reminded herself, bitterly recalling the faithlessness of Hattie, of Rosalie, of Miss Beaton, "it's True."

She took it to Hattie from some feeling that she was mixed up in this thing. Hattie closed her Algebra, keeping her finger in the place, while she took the paper and looked at it. She did not seem impressed or otherwise, but read it aloud in a matter-of-fact tone:

"A flower sprang from the earth one day And nodded and blew in a blithesome way, And the warm sun filled its cup! A careless hand broke it off and threw It idly down where it lately grew, And the same sun withered it up."

"'Up,'" said Hattie, "what's the up for? You don't need it."

"It's—it's for the rhyme," said Emily.

"It's redundancy," said Hattie.



VENUS OR MINERVA?

It was gratifying to be attached to a name again. As a Freshman, personality had been lost in the High School by reason of overwhelming numbers. The under-world seems always to be over-populated and valued accordingly. But progress in the High School, by rigorous enforcement of the survival of the fittest, brings ultimately a chance for identity. Emmy Lou, a survivor, found a personality awaiting her in her Sophomore year. Henceforth she was to be Miss MacLauren.

The year brought further distinction. Along in the term Miss MacLauren received notification that she had been elected to membership in the Platonian Society.

"On account of recognised literary qualifications," the note set forth.

Miss MacLauren read the note with blushes, and because of the secret joy its perusal afforded, she re-read it in private many times more. The first-fruits of fame are sweet; and as an Athenian might have regarded an invitation into Olympus, so Miss MacLauren looked upon this opening into Platonia.

As a Freshman, on Friday afternoons, she had noted certain of the upper pupils strolling about the building after dismissal, clothed, in lieu of hats and jackets, with large importance. She had learned that they were Platonians, and from the out-courts of the un-elect she had watched them, in pairs and groups, mount the stairs with laughter and chatter and covert backward glances. She did not wonder, she would have glanced backward, too, for wherein lies the satisfaction of being elect, but in a knowledge of the envy of those less privileged?

And mounting the stairs to the mansard, their door had shut upon the Platonians; it was a secret society.

And now this door stood open to Miss MacLauren.

She took her note to Hattie and to Rosalie, who showed a polite but somewhat forced interest.

"Of course if you have time for that sort of thing," said Hattie.

"As if there was not enough of school and learning, now, Emily," said Rosalie.

Miss MacLauren felt disconcerted, the bubble of her elation seemed pricked, until she began to think about it. Hattie and Rosalie were not asked to become Platonians; did they make light of the honour because it was not their honour?

Each seeks to be victor in some Field of Achievement, but each is jealous of the other's Field. Hattie thought Rosalie frivolous, and Rosalie scribbled notes under the nose of Hattie's brilliant recitations. Miss MacLauren, on the neutral ground of a non-combatant, was expected by each to furnish the admiration and applause.

Hattie's was the Field of Learning, and she stood, with obstacles trod under heel, crowned with honours. Hattie meant to be valedictorian some day, nor did Miss MacLauren doubt Hattie would be.

Rosalie's was a different Field. Hers was strewn with victims; victims whose names were Boys.

It was Rosalie's Field, Miss MacLauren, in her heart, longed to enter. But how did Rosalie do it? She raised her eyes and lowered them, and the victims fell. But everyone could not be a Rosalie.

And Hattie looked pityingly upon Rosalie's way of life, and Rosalie laughed lightly at Hattie.

Miss MacLauren admired Hattie, but, secretly, she envied Rosalie. If she had known how, she herself would have much preferred Boys to Brains; one is only a Minerva as second choice.

To be sure there was William. Oh, William! He is taken for granted, and besides, Miss MacLauren is becoming sensitive because there was no one but William.

The next day she was approached by Hattie and Rosalie, who each had a note. They mentioned it casually, but Hattie's tone had a ring. Was it satisfaction? And Rosalie's laugh was touched with gratification, for the notes were official, inviting them, too, to become Platonians.

"Thinking it over," said Hattie, "I'll join; one owes something to class-spirit."

"It's so alluring—the sound," said Rosalie. "A secret anything."

Miss MacLauren, thinking it over, herself, after she reached home that day, suddenly laughed.

It was at dinner. Uncle Charlie looked up at his niece, whom he knew as Emmy Lou, not, as yet, having met Miss MacLauren. He had heard her laugh before, but not just that way; generally she had laughed because other people laughed. Now she seemed to be doing it of herself. There is a difference.

Emmy Lou was thinking of the changed point of view of Hattie and Rosalie, "It's—it's funny—" she explained, in answer to Uncle Charlie's look.

"No!" said Uncle Charlie. "And you see it? Well!"

What on earth was Uncle Charlie talking about?

"I congratulate you," he continued. "It will never be so hard again."

"What?" asked Emmy Lou.

"Anything," said Uncle Charlie.

What was he talking about?

"A sense of humour," said Uncle Charlie, as though one had spoken.

Emma Lou smiled absently. Some of Uncle Charlie's joking which she was used to accepting as mystifying.

But it was funny about Rosalie and Hattie; she was smiling again, and she felt patronisingly superior to them both.

Miss MacLauren was still feeling her superiority as she went to school the next morning. It made her pleased with herself. It was a frosty morning; she drew long breaths, she felt buoyant, and scarcely conscious of the pavements under her feet.

At the corner she met William with another boy. She knew this other boy, but that was all; he had never shown any disposition to have her know him better. But this morning things were different. William and the other boy joined her, William taking her books, while they all walked along together.

Miss MacLauren felt the boy take a sidewise look at her. Something told her she was looking well, and an intuitive consciousness that the boy, stealing a look at her, thought so too, made Miss MacLauren look better.



Her spirits soared intoxicatingly. This was a new sensation. Miss MacLauren did not know herself, the sound of her gay chatting and laughter was strange in her ears. Perhaps it was an unexpected revelation to the others, too. William was not looking pleased, but the other boy was looking at her.

Something made Miss MacLauren feel daring. She looked up—suddenly—at the other boy—square. To be sure, she looked down quicker, that part being involuntary, as well as the blush that followed. The blush was disconcerting, but the sensation, on the whole, was pleasurable.

At the High School gate, Miss MacLauren raised her eyes again. The lowering and the blush could be counted on; the only hard part was to get them raised.

She was blushing as she turned to go in, she was laughing, too, to hide the blush. And this was the Elixir of which Rosalie drank; it mounted to the brain. Intuitively, Miss MacLauren knew, if she could, she would drink of it again. She looked backward over her shoulder; the boy was looking backward, too. Hattie had said that Rosalie was frivolous, that her head was turned; no wonder her head was turned.

The next Friday, the three newly elect mounted the stairs to the Platonian doorway.

Lofty altitudes are expected to be chilly, and the elevation of the mansard was as nothing to the mental heights upon which Platonia was established. Platonian welcome had an added chilliness, besides, by reason of its formality.

The new members hastily found seats.

On a platform sat Minerva, enthroned; no wonder, for she was a Senior as well as a President. The lesser lights, on either side, it developed, were Secretary and Treasurer; they looked coldly important. The other Platonians sat around.

The Society was asked to come to order. The Society came to order. There was no settling, and re-settling and rustling, and tardy subsidal, as in the class-room, perhaps because the young ladies, in this case, wanted the order.

It went on, though Miss MacLauren was conscious that, for her part, she comprehended very little of what it was all about, though it sounded impressive. You called it Parliamentary Ruling. To an outsider, this seemed almost to mean the longest way round to an end that everybody had seen from the beginning. Parliamentary Ruling also seemed apt to lead its followers into paths unexpected even by them, from which they did not know how to get out, and it also led to revelations humiliating to new members.

The report of the Treasurer was called for.

It showed a deficit.

"Even with the initiation fees and dues from new members?" asked the President.

Even so.

"Then," said the President, "we'll have to elect some more. Any new names for nomination?"

Names, it seemed, were unflatteringly easy to supply, and were rapidly put up and voted upon for nomination.



But suddenly a Platonian was upon her feet; she had been counting. The membership was limited and they had over-stepped that limit. The nominations were unconstitutional.

The Treasurer, at this, was upon her feet, reading from the Constitution: "The revenues of said Society may be increased only by payment of dues by new members"—she paused, and here reminded them that the Society was in debt.

Discussion waxed hot. A constitution had been looked upon as invulnerable.

At last a Platonian arose. She called attention to the fact that time was passing, and moved that the matter be tabled, and the Society proceed with the programme for the day.

Fiercer discussion ensued at this. "Business before pleasure," said a sententious member. "What's a programme to a matter concerning the Constitution itself?"

The sponsor for the motion grew sarcastic. It developed later she was on the programme. Since the business of the Society was only useful as a means of conducting the programme, which was the primary object of the Society's being, she objected to the classing of the programme as unimportant.

But the programme was postponed. When people begin to handle red tape, there is always a chance that they get enmeshed in its voluminous tangles.

It was dark when the Society adjourned. Platonians gave up dinner and Friday afternoons to the cause, but what Platonian doubted it being worth it?

Miss MacLauren and Hattie walked home together. At the corner they met a boy. It was the other boy whose name, as it chanced, was Chester. He joined them and they walked along together. Something made Miss MacLauren's cheek quite red; it was her blush when the boy joined them.

A few steps farther on, they met Miss Kilrain, the new teacher at the High School. It was just as Miss MacLauren was laughing an embarrassed laugh to hide the blush. Miss Kilrain looked at them coldly, one was conscious of her disapproval.

Miss Kilrain's name had been up that very afternoon in the Society for honorary membership. All teachers were made honorary members.

With the Sophomore year, High School pupils had met several new things. Higher Education was one of them. They met it in the person of Miss Kilrain. It looked forbidding. She lowered her voice in speaking of it, and brought the words forth reverently, coupling it with another impressively uttered thing, which she styled Modern Methods.

Miss Kilrain walked mincingly on the balls of her feet. She frequently called the attention of her classes to this, which was superfluous, for so ostentatiously did she do her walking, one could not but be aware of some unnatural quality in her gait. But Miss Kilrain, that they might remember to do the same, reminded her classes so often, they all took to walking on their heels. Human nature is contrary.

Miss Kilrain also breathed from her diaphragm, and urged her pupils to try the same.

"Don't you do it," Rosalie cautioned Emmy Lou. "Look at her waist."

Miss Kilrain came into the High School with some other new things—the new text-books.

There had been violent opposition to the new books, and as violent fight for them. The papers had been full of it, and Emmy Lou had read the particulars of it.

A Mr. Bryan had been in favour of the change. Emmy Lou remembered him, as a Principal, way back in the beginning of things. Mr. Bryan was quoted in the papers as saying:

"Modern methods are the oil that lubricates the wheels of progress."

Professor Koenig, who was opposed to the change, was Principal at the High School. He said that the text-books in use were standards, and that the Latin Series were classics.

"Just what is a classic?" Emmy Lou had asked, looking up from the paper.

Uncle Charlie had previously been reading it himself.

"Professor Koenig is one," said he.

Professor Koenig was little, his beard was grizzled, and the dome of his head was bald. He wore gold spectacles, and he didn't always hear, at which times he would bend his head sideways and peer through his glasses. "Hey?" Professor Koenig would say. But he knew, one felt that he knew, and that he was making his classes know, too. One was conscious of something definite behind Professor Koenig's way of closing the book over one forefinger and tapping upon it with the other. It was a purpose.

What, then, did Uncle Charlie mean by calling Professor Koenig a classic?

"Just what does it mean, exactly—classic?" persisted Emmy Lou.

"That which we are apt to put on the shelf," said Uncle Charlie.

Oh—Emmy Lou had thought he was talking about Professor Koenig; he meant the text-books—she understood now, of course.

But the old books went and the new ones came, and Miss Kilrain came with them.

She came in mincingly on the balls of her feet the opening day of school, and took her place on the rostrum of the chapel with The Faculty. Once one would have said with "the teachers," but in the High School one knew them as The Faculty. Miss Kilrain took her place with them, but she was not of them; the High School populace, gazing up from the groundling's point of view, in serried ranks below, felt that. It was as though The Faculty closed in upon themselves and left Miss Kilrain, with her Modern Methods, outside and alone.

But Miss Kilrain showed a proper spirit, and proceeded to form her intimacies elsewhere; Miss Kilrain grew quite intimate and friendly with certain of the girls.

And now her name had come up for honorary membership in the Platonian Society.

"We've always extended it to The Faculty," a member reminded them.

"Besides, she won't bother us," remarked another. "They never come."

Miss Kilrain was accorded the honour.

But she surprised them. She did come; she came tripping up on the balls of her feet the very next Friday. They heard her deprecating little cough as she came up the stairs. When one was little, one had played "Let's pretend." But in the full illusion of the playing, if grown-up people had appeared, the play stopped—short.

It was like that, now—the silence.

"Oh," said Miss Kilrain, in the doorway, "go on, or I'll go away."

They went on lamely enough, but they never went on again. Miss Kilrain, ever after, went on for them, and perforce, they followed.

But to-day they went on. The secretary had been reading a communication. It was from the Literary Society of the Boy's High School, proposing a debate between the two; it was signed by the secretary, who chanced to be a boy whose name was Chester.

Miss MacLauren, in spite of herself, grew red; she had been talking about the Platonians and their debates with him quite recently.

The effect of the note upon the Platonians was visible. A tremendous fluttering agitated the members. It was a proposition calculated to agitate them.

Rosalie was on that side opposed to the matter. Why was obvious, for Rosalie preferred to shine before boys, and she would not shine in debate.

Hattie was warmly in favour of it, for she was one who would shine.

Miss MacLauren did not express herself, but when it came to the vote, Miss MacLauren said "Aye."

The "Ayes" had it.

Then, all at once, the Platonians became aware of Miss Kilrain, whom they had momentarily forgotten. Miss Kilrain was sitting in deprecating silence, and the Platonians had a sudden consciousness that it was the silence of disapproval. She sat with the air and the compressed lips of one who could say much, but since her opinion is not asked——

But just before adjournment Miss Kilrain's lips unclosed, as she arose apologetically and begged permission to address the chair. She then acknowledged her pleasure at the compliment of her membership, and expressed herself as gratified with the earnestness with which some of the members were regarding this voluntarily chosen opportunity for self-improvement. These she was sorry to see were in the minority; as for herself, she must express disapproval of the proposed Debate with the young gentlemen of the Male High School. It could but lead to frivolity and she was sorry to see so many in favour of it. Young ladies whose minds are given to boys and frivolity, are not the material of which to make a literary society.

As she spoke, Miss Kilrain looked steadily at two members sitting side by side. Both had voted for the Debate, and both had been seen by Miss Kilrain, one, at least, laughing frivolously, in company with—a boy. The two members, moving uneasily beneath Miss Kilrain's gaze, were Hattie and Miss MacLauren.

Miss Kilrain then went on to say, that she had taught in another school, a school where the ideals of Higher Education were being realised by the use of Modern Methods. The spirit of this school had been Earnestness, and this spirit had found voice in a school paper. As a worthier field for the talent she recognised in the Platonian Society, Miss Kilrain now proposed this society start a paper, which should be the organ for the School.

It was only a suggestion, but did it appeal to the talent she recognised before her, they could bear in mind that she stood ready to assist them, with the advice and counsel of one experienced in the work.

Going down stairs, Miss Kilrain put her arm about one of the girls, and said it was a thing she admired, an earnest young spirit. The girl was Rosalie, who blushed and looked embarrassed.

That meeting was the last of the Platonian gatherings that might be called personally conducted. The Platonians hardly knew whether they wanted a paper or not, when they found themselves full in the business of making one. Miss Kilrain was the head and front of things. She marshalled her forces with the air of one who knows what she wants. Her forces were that part of the Society which had voted against the Debate. Miss Kilrain was one of those who must lead, at something; if she could not be leader on the rostrum, she descended to the ranks.

Miss MacLauren was deeply interested, and felt she had a right to be, for these things, newspapers and such, were in her family. Considering her recognised literary qualifications, she even had secret aspirations toward a position on the staff. On a scrap of paper in class she had surreptitiously tried her hand on a tentative editorial, after this fashion:

"It is our desire to state at the start that this paper does not intend to dabble in the muddy pool of politics."

Miss MacLauren heartily indorsed the proposed paper, and like Miss Kilrain, felt that it would be a proper field for unused talent.

But her preference for a staff position was not consulted. Rosalie, however, became part of that body. Rosalie was a favourite with Miss Kilrain. Hattie, the hitherto shining light, was detailed to secure subscribers; was this all that honours in Algebra, Latin, and Chemistry could do for one?

Miss MacLauren found herself on a committee for advertisements. By means of advertisements, Miss Kilrain proposed to make the paper pay for itself.

The treasurer, because of a proper anxiety over this question of expenditure, was chairman; in private life the treasurer was Lucy—Lucy Berry.

"Write to this address," said Miss Kilrain to the committee, giving them a slip of paper. "I met one of the firm when he was in the city last week to see a friend of mine, Professor Bryan, on business." Miss Kilrain, always gave the details of her private happenings to her listeners. "Just mention my name in writing, and say I told you to ask for an advertisement."

The Chairman gave the slip to Miss MacLauren to attend to. Miss MacLauren had seen the name before on all the new text-books this year introduced into the High School.

"How will I write this?" Emmy Lou inquired of Uncle Charlie that night. "This letter to the International School Book Company?"

"What's that?" asked Uncle Charlie.

Emmy Lou explained.

Uncle Charlie looked interested. "Here to see Professor Bryan, was he? H'm. Moving against Koenig faster even than I predicted."

Miss Kilrain had instructed her committee further as to what to do.

"You meet me on Saturday," said Lucy to Emily, "and we will do Main Street together."

She met Lucy on Saturday. Lucy had a list of places.

"You—you're chairman," said Emmy Lou, "you ask——"

It was at the door of the first place on the list, a large, open doorway, and it and the sidewalk were blocked with boxes and hogsheads and men rolling things into drays.

Lucy and Emmy Lou went in; they went on going in, back through a lane between sacks and things stacked high; it was dark and cellar-like, and smelled of sugar and molasses. At last they reached a glass door, which was open. Emmy Lou stopped and held back, so did Lucy.

"You—you're chairman—" said Emmy Lou. It was mean, she felt it was mean, she never felt meaner.

Lucy went forward; she was pretty, her cheeks were bright and her hair waved up curly despite its braiding. She was blushing.

A lot of men were at desks, dozens of men it seemed at first, though really there were four, three standing, one in his shirt sleeves. They looked up.

The fourth man was in a revolving chair; he was in shirt sleeves, too, and had a cigar in his mouth; his face was red, and his hat was on the back of his head.

"Well?" said the man, revolving just enough to see them. He looked cross.

Lucy explained. Her cheeks were very red now.

At first the man was testy, he did not seem to understand.

Lucy's cheeks were redder, so Emmy Lou came forward, thinking she might make it plainer. She was blushing, too. They both explained; they both gazed at the man eagerly while they explained; they both looked pretty, but then they did not know that.

The man wheeled round a little more and listened. Then he got up. He pushed his hat back and scratched his head and nodded as he surveyed them. Then he put a hand in pocket and pursed his lips as he looked down on them.

"And what am I to get, if I give you the advertisement?" asked the man. He was smiling jocosely, and here he pinched Lucy's cheek playfully between a thumb and forefinger.

Emmy Lou had kept her wits. She carried much paraphernalia under her arm. Miss Kilrain had posted them thoroughly as to their business.

"And what, then, do I get?" repeated the man.

Emmy Lou was producing a paper. "A receipt," said Emmy Lou.

The man shouted. So did the other men.

Emmy Lou and Lucy were bewildered.

"It's worth the price," said the man. He promised them the advertisement, and walked back through the cellar-like store with them to the outer door.

"Come again," said the man.

On the way to the next place they met Emmy Lou's Uncle Charlie. It was near his office. He was a pleasant person to meet downtown, as it usually meant a visit to a certain alluring candy-place. He was feeling even now in his change pocket as he came up.

"How now," said he; "and where to?"

Emmy Lou explained. She had not happened to mention this part about the paper at home.

"What?" said Uncle Charlie, "you have been—Say that over again——"

Emmy Lou said it over again.

No more advertisements were secured that morning. No more were solicited. Emmy Lou found herself going home with a lump in her throat. Uncle Charlie had never spoken to her in that tone before.

Lucy had gone on to her father's store, as Uncle Charlie had suggested she ask permission before she seek business farther.

There were others of Uncle Charlie's way of thinking. On Monday the Platonians were requested to meet Professor Koenig in his office. Professor Koenig was kindly but final. He had just heard of the paper and its methods. He had aimed to conduct his school on different lines. It was his request that the matter be dropped.

Miss Kilrain was indignant. She was excited; she was excited and unguarded. Miss Kilrain said more, perhaps, than she realised.

"He's only helping to pull the roof down on his own head," said Miss Kilrain; "it's only another proof of his inability to adapt himself to Modern Methods."

Next month was December. The High School adjourned for the holidays. But the Platonians were busy. They were preparing for a debate, a debate with the High School boys. Professor Koenig had thought the debate an excellent thing, and offered his library to the Society for use in preparation, saying that a friendly rivalry between the two schools would be an excellent and stimulating thing.

These days Miss Kilrain was holding aloof from the Society and its deteriorating tendencies. She shook her head and looked at the members sorrowfully.

The debate was set for the first Friday in the new year.

One morning in the holidays Uncle Charlie looked up from his paper. "You are going to have a new Principal," said he.

"New Principal—" said Emmy Lou, "and Professor Koenig?"

"Like other classics," said Uncle Charlie, "he is being put on the shelf. They have asked him to resign."

"And who is the new one?" asked Emmy Lou.

"The gentleman named as likely is Professor Bryan."

"Oh," said Emmy Lou, "no."

"I am of the opinion, therefore," said Uncle Charlie, "that the 'Platonian's Mercurial Gazette' will make its appearance yet."

"If it is Professor Bryan," said Emmy Lou, "there's no need of my working any more on the Debate."

"Why not?" said Uncle Charlie.

"If it's Mr. Bryan, he'll never let them come, he thinks they are awful things—boys."

Miss MacLauren was right about it; the debate did not take place. Platonian affairs seemed suddenly tame. Would a strictly feminine Olympus pall?

She came into Aunt Cordelia's room one afternoon. "There's to be a dancing club on Friday evenings," she explained, "and I'm invited."

Which was doubly true, for both William and Chester had asked her. She was used to having William say he'd come round and go along; she had had a boy join her and walk home—but this——

"You can't do it all," said Aunt Cordelia positively. "That Society keeps you till dark."



Emmy Lou knew when Aunt Cordelia's tones were final. She had feared this. She stood—fingering the window-curtain—irresolute. In her heart she felt her literary qualifications were not being appreciated in Platonian circles anyway. A dancing club—it sounded alluring. The window was near the bureau with its mirror—she stole a look. She was—yes—she knew now she was pretty.

Late that afternoon Miss MacLauren dropped a note in the post. It was a note tendering her resignation to the Platonian Society.

THE END

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