Thus, usually, when he was ask'd to sing, He gave the different nations something national; 'T was all the same to him—'God save the king,' Or 'Ca ira,' according to the fashion all: His muse made increment of any thing, From the high lyric down to the low rational: If Pindar sang horse-races, what should hinder Himself from being as pliable as Pindar?

In France, for instance, he would write a chanson; In England a six canto quarto tale; In Spain, he'd make a ballad or romance on The last war—much the same in Portugal; In Germany, the Pegasus he 'd prance on Would be old Goethe's (see what says De Stael); In Italy he 'd ape the 'Trecentisti;' In Greece, he sing some sort of hymn like this t' ye:

THE ISLES OF GREECE.

The isles of Greece, the Isles of Greece! Where burning Sappho loved and sung, Where grew the arts of war and peace, Where Delos rose, and Phoebus sprung! Eternal summer gilds them yet, But all, except their sun, is set.

The Scian and the Teian muse, The hero's harp, the lover's lute, Have found the fame your shores refuse; Their place of birth alone is mute To sounds which echo further west Than your sires' 'Islands of the Blest.'

The mountains look on Marathon— And Marathon looks on the sea; And musing there an hour alone, I dream'd that Greece might still be free; For standing on the Persians' grave, I could not deem myself a slave.

A king sate on the rocky brow Which looks o'er sea-born Salamis; And ships, by thousands, lay below, And men in nations;—all were his! He counted them at break of day— And when the sun set where were they?

And where are they? and where art thou, My country? On thy voiceless shore The heroic lay is tuneless now— The heroic bosom beats no more! And must thy lyre, so long divine, Degenerate into hands like mine?

'T is something, in the dearth of fame, Though link'd among a fetter'd race, To feel at least a patriot's shame, Even as I sing, suffuse my face; For what is left the poet here? For Greeks a blush—for Greece a tear.

Must we but weep o'er days more blest? Must we but blush?—Our fathers bled. Earth! render back from out thy breast A remnant of our Spartan dead! Of the three hundred grant but three, To make a new Thermopylae!

What, silent still? and silent all? Ah! no;—the voices of the dead Sound like a distant torrent's fall, And answer, 'Let one living head, But one arise,—we come, we come!' 'T is but the living who are dumb.

In vain—in vain: strike other chords; Fill high the cup with Samian wine! Leave battles to the Turkish hordes, And shed the blood of Scio's vine! Hark! rising to the ignoble call— How answers each bold Bacchanal!

You have the Pyrrhic dance as yet, Where is the Pyrrhic phalanx gone? Of two such lessons, why forget The nobler and the manlier one? You have the letters Cadmus gave— Think ye he meant them for a slave?

Fill high the bowl with Samian wine! We will not think of themes like these! It made Anacreon's song divine: He served—but served Polycrates— A tyrant; but our masters then Were still, at least, our countrymen.

The tyrant of the Chersonese Was freedom's best and bravest friend; That tyrant was Miltiades! O! that the present hour would lend Another despot of the kind! Such chains as his were sure to bind.

Fill high the bowl with Samian wine! On Suli's rock, and Parga's shore, Exists the remnant of a line Such as the Doric mothers bore; And there, perhaps, some seed is sown, The Heracleidan blood might own.

Trust not for freedom to the Franks— They have a king who buys and sells; In native swords, and native ranks, The only hope of courage dwells; But Turkish force, and Latin fraud, Would break your shield, however broad.

Fill high the bowl with Samian wine! Our virgins dance beneath the shade— I see their glorious black eyes shine; But gazing on each glowing maid, My own the burning tear-drop laves, To think such breasts must suckle slaves

Place me on Sunium's marbled steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep; There, swan-like, let me sing and die: A land of slaves shall ne'er be mine— Dash down yon cup of Samian wine!

Thus sung, or would, or could, or should have sung, The modern Greek, in tolerable verse; If not like Orpheus quite, when Greece was young, Yet in these times he might have done much worse: His strain display'd some feeling—right or wrong; And feeling, in a poet, is the source Of others' feeling; but they are such liars, And take all colours—like the hands of dyers.

But words are things, and a small drop of ink, Falling like dew, upon a thought, produces That which makes thousands, perhaps millions, think; 'T is strange, the shortest letter which man uses Instead of speech, may form a lasting link Of ages; to what straits old Time reduces Frail man, when paper—even a rag like this, Survives himself, his tomb, and all that 's his.

And when his bones are dust, his grave a blank, His station, generation, even his nation, Become a thing, or nothing, save to rank In chronological commemoration, Some dull MS. oblivion long has sank, Or graven stone found in a barrack's station In digging the foundation of a closet, May turn his name up, as a rare deposit.

And glory long has made the sages smile; 'T is something, nothing, words, illusion, wind— Depending more upon the historian's style Than on the name a person leaves behind: Troy owes to Homer what whist owes to Hoyle: The present century was growing blind To the great Marlborough's skill in giving knocks, Until his late life by Archdeacon Coxe.

Milton 's the prince of poets—so we say; A little heavy, but no less divine: An independent being in his day— Learn'd, pious, temperate in love and wine; But, his life falling into Johnson's way, We 're told this great high priest of all the Nine Was whipt at college—a harsh sire—odd spouse, For the first Mrs. Milton left his house.

All these are, certes, entertaining facts, Like Shakspeare's stealing deer, Lord Bacon's bribes; Like Titus' youth, and Caesar's earliest acts; Like Burns (whom Doctor Currie well describes); Like Cromwell's pranks;—but although truth exacts These amiable descriptions from the scribes, As most essential to their hero's story, They do not much contribute to his glory.

All are not moralists, like Southey, when He prated to the world of 'Pantisocracy;' Or Wordsworth unexcised, unhired, who then Season'd his pedlar poems with democracy; Or Coleridge, long before his flighty pen Let to the Morning Post its aristocracy; When he and Southey, following the same path, Espoused two partners (milliners of Bath).

Such names at present cut a convict figure, The very Botany Bay in moral geography; Their loyal treason, renegado rigour, Are good manure for their more bare biography. Wordsworth's last quarto, by the way, is bigger Than any since the birthday of typography; A drowsy frowzy poem, call'd the 'Excursion.' Writ in a manner which is my aversion.

He there builds up a formidable dyke Between his own and others' intellect; But Wordsworth's poem, and his followers, like Joanna Southcote's Shiloh, and her sect, Are things which in this century don't strike The public mind,—so few are the elect; And the new births of both their stale virginities Have proved but dropsies, taken for divinities.

But let me to my story: I must own, If I have any fault, it is digression— Leaving my people to proceed alone, While I soliloquize beyond expression; But these are my addresses from the throne, Which put off business to the ensuing session: Forgetting each omission is a loss to The world, not quite so great as Ariosto.

I know that what our neighbours call 'longueurs' (We 've not so good a word, but have the thing In that complete perfection which ensures An epic from Bob Southey every spring), Form not the true temptation which allures The reader; but 't would not be hard to bring Some fine examples of the epopee, To prove its grand ingredient is ennui.

We learn from Horace, 'Homer sometimes sleeps;' We feel without him, Wordsworth sometimes wakes,— To show with what complacency he creeps, With his dear 'Waggoners,' around his lakes. He wishes for 'a boat' to sail the deeps— Of ocean?—No, of air; and then he makes Another outcry for 'a little boat,' And drivels seas to set it well afloat.

If he must fain sweep o'er the ethereal plain, And Pegasus runs restive in his 'Waggon,' Could he not beg the loan of Charles's Wain? Or pray Medea for a single dragon? Or if, too classic for his vulgar brain, He fear'd his neck to venture such a nag on, And he must needs mount nearer to the moon, Could not the blockhead ask for a balloon?

'Pedlars,' and 'Boats,' and 'Waggons!' Oh! ye shades Of Pope and Dryden, are we come to this? That trash of such sort not alone evades Contempt, but from the bathos' vast abyss Floats scumlike uppermost, and these Jack Cades Of sense and song above your graves may hiss— The 'little boatman' and his 'Peter Bell' Can sneer at him who drew 'Achitophel'!

T' our tale.—The feast was over, the slaves gone, The dwarfs and dancing girls had all retired; The Arab lore and poet's song were done, And every sound of revelry expired; The lady and her lover, left alone, The rosy flood of twilight's sky admired;— Ave Maria! o'er the earth and sea, That heavenliest hour of Heaven is worthiest thee!

Ave Maria! blessed be the hour! The time, the clime, the spot, where I so oft Have felt that moment in its fullest power Sink o'er the earth so beautiful and soft, While swung the deep bell in the distant tower, Or the faint dying day-hymn stole aloft, And not a breath crept through the rosy air, And yet the forest leaves seem'd stirr'd with prayer.

Ave Maria! 't is the hour of prayer! Ave Maria! 't is the hour of love! Ave Maria! may our spirits dare Look up to thine and to thy Son's above! Ave Maria! oh that face so fair! Those downcast eyes beneath the Almighty dove— What though 't is but a pictured image?—strike— That painting is no idol,—'t is too like.

Some kinder casuists are pleased to say, In nameless print—that I have no devotion; But set those persons down with me to pray, And you shall see who has the properest notion Of getting into heaven the shortest way; My altars are the mountains and the ocean, Earth, air, stars,—all that springs from the great Whole, Who hath produced, and will receive the soul.

Sweet hour of twilight!—in the solitude Of the pine forest, and the silent shore Which bounds Ravenna's immemorial wood, Rooted where once the Adrian wave flow'd o'er, To where the last Caesarean fortress stood, Evergreen forest! which Boccaccio's lore And Dryden's lay made haunted ground to me, How have I loved the twilight hour and thee!

The shrill cicadas, people of the pine, Making their summer lives one ceaseless song, Were the sole echoes, save my steed's and mine, And vesper bell's that rose the boughs along; The spectre huntsman of Onesti's line, His hell-dogs, and their chase, and the fair throng Which learn'd from this example not to fly From a true lover,—shadow'd my mind's eye.

O, Hesperus! thou bringest all good things— Home to the weary, to the hungry cheer, To the young bird the parent's brooding wings, The welcome stall to the o'erlabour'd steer; Whate'er of peace about our hearthstone clings, Whate'er our household gods protect of dear, Are gather'd round us by thy look of rest; Thou bring'st the child, too, to the mother's breast.

Soft hour! which wakes the wish and melts the heart Of those who sail the seas, on the first day When they from their sweet friends are torn apart; Or fills with love the pilgrim on his way As the far bell of vesper makes him start, Seeming to weep the dying day's decay; Is this a fancy which our reason scorns? Ah! surely nothing dies but something mourns!

When Nero perish'd by the justest doom Which ever the destroyer yet destroy'd, Amidst the roar of liberated Rome, Of nations freed, and the world overjoy'd, Some hands unseen strew'd flowers upon his tomb: Perhaps the weakness of a heart not void Of feeling for some kindness done, when power Had left the wretch an uncorrupted hour.

But I 'm digressing; what on earth has Nero, Or any such like sovereign buffoons, To do with the transactions of my hero, More than such madmen's fellow man—the moon's? Sure my invention must be down at zero, And I grown one of many 'wooden spoons' Of verse (the name with which we Cantabs please To dub the last of honours in degrees).

I feel this tediousness will never do— 'T is being too epic, and I must cut down (In copying) this long canto into two; They 'll never find it out, unless I own The fact, excepting some experienced few; And then as an improvement 't will be shown: I 'll prove that such the opinion of the critic is From Aristotle passim.—See poietikes.



CANTO THE FOURTH.

Nothing so difficult as a beginning In poesy, unless perhaps the end; For oftentimes when Pegasus seems winning The race, he sprains a wing, and down we tend, Like Lucifer when hurl'd from heaven for sinning; Our sin the same, and hard as his to mend, Being pride, which leads the mind to soar too far, Till our own weakness shows us what we are.

But Time, which brings all beings to their level, And sharp Adversity, will teach at last Man,—and, as we would hope,—perhaps the devil, That neither of their intellects are vast: While youth's hot wishes in our red veins revel, We know not this—the blood flows on too fast; But as the torrent widens towards the ocean, We ponder deeply on each past emotion.

As boy, I thought myself a clever fellow, And wish'd that others held the same opinion; They took it up when my days grew more mellow, And other minds acknowledged my dominion: Now my sere fancy 'falls into the yellow Leaf,' and Imagination droops her pinion, And the sad truth which hovers o'er my desk Turns what was once romantic to burlesque.

And if I laugh at any mortal thing, 'T is that I may not weep; and if I weep, 'T is that our nature cannot always bring Itself to apathy, for we must steep Our hearts first in the depths of Lethe's spring, Ere what we least wish to behold will sleep: Thetis baptized her mortal son in Styx; A mortal mother would on Lethe fix.

Some have accused me of a strange design Against the creed and morals of the land, And trace it in this poem every line: I don't pretend that I quite understand My own meaning when I would be very fine; But the fact is that I have nothing plann'd, Unless it were to be a moment merry, A novel word in my vocabulary.

To the kind reader of our sober clime This way of writing will appear exotic; Pulci was sire of the half-serious rhyme, Who sang when chivalry was more Quixotic, And revell'd in the fancies of the time, True knights, chaste dames, huge giants, kings despotic: But all these, save the last, being obsolete, I chose a modern subject as more meet.

How I have treated it, I do not know; Perhaps no better than they have treated me Who have imputed such designs as show Not what they saw, but what they wish'd to see: But if it gives them pleasure, be it so; This is a liberal age, and thoughts are free: Meantime Apollo plucks me by the ear, And tells me to resume my story here.

Young Juan and his lady-love were left To their own hearts' most sweet society; Even Time the pitiless in sorrow cleft With his rude scythe such gentle bosoms; he Sigh'd to behold them of their hours bereft, Though foe to love; and yet they could not be Meant to grow old, but die in happy spring, Before one charm or hope had taken wing.

Their faces were not made for wrinkles, their Pure blood to stagnate, their great hearts to fail; The blank grey was not made to blast their hair, But like the climes that know nor snow nor hail They were all summer: lightning might assail And shiver them to ashes, but to trail A long and snake-like life of dull decay Was not for them—they had too little day.

They were alone once more; for them to be Thus was another Eden; they were never Weary, unless when separate: the tree Cut from its forest root of years—the river Damm'd from its fountain—the child from the knee And breast maternal wean'd at once for ever,— Would wither less than these two torn apart; Alas! there is no instinct like the heart—

The heart—which may be broken: happy they! Thrice fortunate! who of that fragile mould, The precious porcelain of human clay, Break with the first fall: they can ne'er behold The long year link'd with heavy day on day, And all which must be borne, and never told; While life's strange principle will often lie Deepest in those who long the most to die.

'Whom the gods love die young,' was said of yore, And many deaths do they escape by this: The death of friends, and that which slays even more— The death of friendship, love, youth, all that is, Except mere breath; and since the silent shore Awaits at last even those who longest miss The old archer's shafts, perhaps the early grave Which men weep over may be meant to save.

Haidee and Juan thought not of the dead— The heavens, and earth, and air, seem'd made for them: They found no fault with Time, save that he fled; They saw not in themselves aught to condemn: Each was the other's mirror, and but read Joy sparkling in their dark eyes like a gem, And knew such brightness was but the reflection Of their exchanging glances of affection.

The gentle pressure, and the thrilling touch, The least glance better understood than words, Which still said all, and ne'er could say too much; A language, too, but like to that of birds, Known but to them, at least appearing such As but to lovers a true sense affords; Sweet playful phrases, which would seem absurd To those who have ceased to hear such, or ne'er heard,—

All these were theirs, for they were children still, And children still they should have ever been; They were not made in the real world to fill A busy character in the dull scene, But like two beings born from out a rill, A nymph and her beloved, all unseen To pass their lives in fountains and on flowers, And never know the weight of human hours.

Moons changing had roll'd on, and changeless found Those their bright rise had lighted to such joys As rarely they beheld throughout their round; And these were not of the vain kind which cloys, For theirs were buoyant spirits, never bound By the mere senses; and that which destroys Most love, possession, unto them appear'd A thing which each endearment more endear'd.

O beautiful! and rare as beautiful But theirs was love in which the mind delights To lose itself when the old world grows dull, And we are sick of its hack sounds and sights, Intrigues, adventures of the common school, Its petty passions, marriages, and flights, Where Hymen's torch but brands one strumpet more, Whose husband only knows her not a wh—re.

Hard words; harsh truth; a truth which many know. Enough.—The faithful and the fairy pair, Who never found a single hour too slow, What was it made them thus exempt from care? Young innate feelings all have felt below, Which perish in the rest, but in them were Inherent—what we mortals call romantic, And always envy, though we deem it frantic.

This is in others a factitious state, An opium dream of too much youth and reading, But was in them their nature or their fate: No novels e'er had set their young hearts bleeding, For Haidee's knowledge was by no means great, And Juan was a boy of saintly breeding; So that there was no reason for their loves More than for those of nightingales or doves.

They gazed upon the sunset; 't is an hour Dear unto all, but dearest to their eyes, For it had made them what they were: the power Of love had first o'erwhelm'd them from such skies, When happiness had been their only dower, And twilight saw them link'd in passion's ties; Charm'd with each other, all things charm'd that brought The past still welcome as the present thought.

I know not why, but in that hour to-night, Even as they gazed, a sudden tremor came, And swept, as 't were, across their hearts' delight, Like the wind o'er a harp-string, or a flame, When one is shook in sound, and one in sight; And thus some boding flash'd through either frame, And call'd from Juan's breast a faint low sigh, While one new tear arose in Haidee's eye.

That large black prophet eye seem'd to dilate And follow far the disappearing sun, As if their last day! of a happy date With his broad, bright, and dropping orb were gone; Juan gazed on her as to ask his fate— He felt a grief, but knowing cause for none, His glance inquired of hers for some excuse For feelings causeless, or at least abstruse.

She turn'd to him, and smiled, but in that sort Which makes not others smile; then turn'd aside: Whatever feeling shook her, it seem'd short, And master'd by her wisdom or her pride; When Juan spoke, too—it might be in sport— Of this their mutual feeling, she replied— 'If it should be so,—but—it cannot be— Or I at least shall not survive to see.'

Juan would question further, but she press'd His lip to hers, and silenced him with this, And then dismiss'd the omen from her breast, Defying augury with that fond kiss; And no doubt of all methods 't is the best: Some people prefer wine—'t is not amiss; I have tried both; so those who would a part take May choose between the headache and the heartache.

One of the two, according to your choice, Woman or wine, you 'll have to undergo; Both maladies are taxes on our joys: But which to choose, I really hardly know; And if I had to give a casting voice, For both sides I could many reasons show, And then decide, without great wrong to either, It were much better to have both than neither.

Juan and Haidee gazed upon each other With swimming looks of speechless tenderness, Which mix'd all feelings, friend, child, lover, brother, All that the best can mingle and express When two pure hearts are pour'd in one another, And love too much, and yet can not love less; But almost sanctify the sweet excess By the immortal wish and power to bless.

Mix'd in each other's arms, and heart in heart, Why did they not then die?—they had lived too long Should an hour come to bid them breathe apart; Years could but bring them cruel things or wrong; The world was not for them, nor the world's art For beings passionate as Sappho's song; Love was born with them, in them, so intense, It was their very spirit—not a sense.

They should have lived together deep in woods, Unseen as sings the nightingale; they were Unfit to mix in these thick solitudes Call'd social, haunts of Hate, and Vice, and Care: How lonely every freeborn creature broods! The sweetest song-birds nestle in a pair; The eagle soars alone; the gull and crow Flock o'er their carrion, just like men below.

Now pillow'd cheek to cheek, in loving sleep, Haidee and Juan their siesta took, A gentle slumber, but it was not deep, For ever and anon a something shook Juan, and shuddering o'er his frame would creep; And Haidee's sweet lips murmur'd like a brook A wordless music, and her face so fair Stirr'd with her dream, as rose-leaves with the air.

Or as the stirring of a deep dear stream Within an Alpine hollow, when the wind Walks o'er it, was she shaken by the dream, The mystical usurper of the mind— O'erpowering us to be whate'er may seem Good to the soul which we no more can bind; Strange state of being! (for 't is still to be) Senseless to feel, and with seal'd eyes to see.

She dream'd of being alone on the sea-shore, Chain'd to a rock; she knew not how, but stir She could not from the spot, and the loud roar Grew, and each wave rose roughly, threatening her; And o'er her upper lip they seem'd to pour, Until she sobb'd for breath, and soon they were Foaming o'er her lone head, so fierce and high— Each broke to drown her, yet she could not die.

Anon—she was released, and then she stray'd O'er the sharp shingles with her bleeding feet, And stumbled almost every step she made; And something roll'd before her in a sheet, Which she must still pursue howe'er afraid: 'T was white and indistinct, nor stopp'd to meet Her glance nor grasp, for still she gazed, and grasp'd, And ran, but it escaped her as she clasp'd.

The dream changed:—in a cave she stood, its walls Were hung with marble icicles, the work Of ages on its water-fretted halls, Where waves might wash, and seals might breed and lurk; Her hair was dripping, and the very balls Of her black eyes seem'd turn'd to tears, and mirk The sharp rocks look'd below each drop they caught, Which froze to marble as it fell,—she thought.

And wet, and cold, and lifeless at her feet, Pale as the foam that froth'd on his dead brow, Which she essay'd in vain to clear (how sweet Were once her cares, how idle seem'd they now!), Lay Juan, nor could aught renew the beat Of his quench'd heart; and the sea dirges low Rang in her sad ears like a mermaid's song, And that brief dream appear'd a life too long.

And gazing on the dead, she thought his face Faded, or alter'd into something new— Like to her father's features, till each trace— More like and like to Lambro's aspect grew— With all his keen worn look and Grecian grace; And starting, she awoke, and what to view? O! Powers of Heaven! what dark eye meets she there? 'T is—'t is her father's—fix'd upon the pair!

Then shrieking, she arose, and shrieking fell, With joy and sorrow, hope and fear, to see Him whom she deem'd a habitant where dwell The ocean-buried, risen from death, to be Perchance the death of one she loved too well: Dear as her father had been to Haidee, It was a moment of that awful kind— I have seen such—but must not call to mind.

Up Juan sprung to Haidee's bitter shriek, And caught her falling, and from off the wall Snatch'd down his sabre, in hot haste to wreak Vengeance on him who was the cause of all: Then Lambro, who till now forbore to speak, Smiled scornfully, and said, 'Within my call, A thousand scimitars await the word; Put up, young man, put up your silly sword.'

And Haidee clung around him; 'Juan, 't is— 'T is Lambro—'t is my father! Kneel with me— He will forgive us—yes—it must be—yes. O! dearest father, in this agony Of pleasure and of pain—even while I kiss Thy garment's hem with transport, can it be That doubt should mingle with my filial joy? Deal with me as thou wilt, but spare this boy.'

High and inscrutable the old man stood, Calm in his voice, and calm within his eye— Not always signs with him of calmest mood: He look'd upon her, but gave no reply; Then turn'd to Juan, in whose cheek the blood Oft came and went, as there resolved to die; In arms, at least, he stood, in act to spring On the first foe whom Lambro's call might bring.

'Young man, your sword;' so Lambro once more said: Juan replied, 'Not while this arm is free.' The old man's cheek grew pale, but not with dread, And drawing from his belt a pistol, he Replied, 'Your blood be then on your own head.' Then look'd dose at the flint, as if to see 'T was fresh—for he had lately used the lock— And next proceeded quietly to cock.

It has a strange quick jar upon the ear, That cocking of a pistol, when you know A moment more will bring the sight to bear Upon your person, twelve yards off, or so; A gentlemanly distance, not too near, If you have got a former friend for foe; But after being fired at once or twice, The ear becomes more Irish, and less nice.

Lambro presented, and one instant more Had stopp'd this Canto, and Don Juan's breath, When Haidee threw herself her boy before; Stern as her sire: 'On me,' she cried, 'let death Descend—the fault is mine; this fatal shore He found—but sought not. I have pledged my faith; I love him—I will die with him: I knew Your nature's firmness—know your daughter's too.'

A minute past, and she had been all tears, And tenderness, and infancy; but now She stood as one who champion'd human fears— Pale, statue-like, and stern, she woo'd the blow; And tall beyond her sex, and their compeers, She drew up to her height, as if to show A fairer mark; and with a fix'd eye scann'd Her father's face—but never stopp'd his hand.

He gazed on her, and she on him; 't was strange How like they look'd! the expression was the same; Serenely savage, with a little change In the large dark eye's mutual-darted flame; For she, too, was as one who could avenge, If cause should be—a lioness, though tame. Her father's blood before her father's face Boil'd up, and proved her truly of his race.

I said they were alike, their features and Their stature, differing but in sex and years; Even to the delicacy of their hand There was resemblance, such as true blood wears; And now to see them, thus divided, stand In fix'd ferocity, when joyous tears And sweet sensations should have welcomed both, Show what the passions are in their full growth.

The father paused a moment, then withdrew His weapon, and replaced it; but stood still, And looking on her, as to look her through, 'Not I,' he said, 'have sought this stranger's ill; Not I have made this desolation: few Would bear such outrage, and forbear to kill; But I must do my duty—how thou hast Done thine, the present vouches for the past.

'Let him disarm; or, by my father's head, His own shall roll before you like a ball!' He raised his whistle, as the word he said, And blew; another answer'd to the call, And rushing in disorderly, though led, And arm'd from boot to turban, one and all, Some twenty of his train came, rank on rank; He gave the word,—'Arrest or slay the Frank.'

Then, with a sudden movement, he withdrew His daughter; while compress'd within his clasp, 'Twixt her and Juan interposed the crew; In vain she struggled in her father's grasp— His arms were like a serpent's coil: then flew Upon their prey, as darts an angry asp, The file of pirates; save the foremost, who Had fallen, with his right shoulder half cut through.

The second had his cheek laid open; but The third, a wary, cool old sworder, took The blows upon his cutlass, and then put His own well in; so well, ere you could look, His man was floor'd, and helpless at his foot, With the blood running like a little brook From two smart sabre gashes, deep and red— One on the arm, the other on the head.

And then they bound him where he fell, and bore Juan from the apartment: with a sign Old Lambro bade them take him to the shore, Where lay some ships which were to sail at nine. They laid him in a boat, and plied the oar Until they reach'd some galliots, placed in line; On board of one of these, and under hatches, They stow'd him, with strict orders to the watches.

The world is full of strange vicissitudes, And here was one exceedingly unpleasant: A gentleman so rich in the world's goods, Handsome and young, enjoying all the present, Just at the very time when he least broods On such a thing is suddenly to sea sent, Wounded and chain'd, so that he cannot move, And all because a lady fell in love.

Here I must leave him, for I grow pathetic, Moved by the Chinese nymph of tears, green tea! Than whom Cassandra was not more prophetic; For if my pure libations exceed three, I feel my heart become so sympathetic, That I must have recourse to black Bohea: 'T is pity wine should be so deleterious, For tea and coffee leave us much more serious,

Unless when qualified with thee, Cogniac! Sweet Naiad of the Phlegethontic rill! Ah! why the liver wilt thou thus attack, And make, like other nymphs, thy lovers ill? I would take refuge in weak punch, but rack (In each sense of the word), whene'er I fill My mild and midnight beakers to the brim, Wakes me next morning with its synonym.

I leave Don Juan for the present, safe— Not sound, poor fellow, but severely wounded; Yet could his corporal pangs amount to half Of those with which his Haidee's bosom bounded? She was not one to weep, and rave, and chafe, And then give way, subdued because surrounded; Her mother was a Moorish maid, from Fez, Where all is Eden, or a wilderness.

There the large olive rains its amber store In marble fonts; there grain, and flower, and fruit, Gush from the earth until the land runs o'er; But there, too, many a poison-tree has root, And midnight listens to the lion's roar, And long, long deserts scorch the camel's foot, Or heaving whelm the helpless caravan; And as the soil is, so the heart of man.

Afric is all the sun's, and as her earth Her human day is kindled; full of power For good or evil, burning from its birth, The Moorish blood partakes the planet's hour, And like the soil beneath it will bring forth: Beauty and love were Haidee's mother's dower; But her large dark eye show'd deep Passion's force, Though sleeping like a lion near a source.

Her daughter, temper'd with a milder ray, Like summer clouds all silvery, smooth, and fair, Till slowly charged with thunder they display Terror to earth, and tempest to the air, Had held till now her soft and milky way; But overwrought with passion and despair, The fire burst forth from her Numidian veins, Even as the Simoom sweeps the blasted plains.

The last sight which she saw was Juan's gore, And he himself o'ermaster'd and cut down; His blood was running on the very floor Where late he trod, her beautiful, her own; Thus much she view'd an instant and no more,— Her struggles ceased with one convulsive groan; On her sire's arm, which until now scarce held Her writhing, fell she like a cedar fell'd.

A vein had burst, and her sweet lips' pure dyes Were dabbled with the deep blood which ran o'er; And her head droop'd as when the lily lies O'ercharged with rain: her summon'd handmaids bore Their lady to her couch with gushing eyes; Of herbs and cordials they produced their store, But she defied all means they could employ, Like one life could not hold, nor death destroy.

Days lay she in that state unchanged, though chill— With nothing livid, still her lips were red; She had no pulse, but death seem'd absent still; No hideous sign proclaim'd her surely dead; Corruption came not in each mind to kill All hope; to look upon her sweet face bred New thoughts of life, for it seem'd full of soul— She had so much, earth could not claim the whole.

The ruling passion, such as marble shows When exquisitely chisell'd, still lay there, But fix'd as marble's unchanged aspect throws O'er the fair Venus, but for ever fair; O'er the Laocoon's all eternal throes, And ever-dying Gladiator's air, Their energy like life forms all their fame, Yet looks not life, for they are still the same.

She woke at length, but not as sleepers wake, Rather the dead, for life seem'd something new, A strange sensation which she must partake Perforce, since whatsoever met her view Struck not on memory, though a heavy ache Lay at her heart, whose earliest beat still true Brought back the sense of pain without the cause, For, for a while, the furies made a pause.

She look'd on many a face with vacant eye, On many a token without knowing what; She saw them watch her without asking why, And reck'd not who around her pillow sat; Not speechless, though she spoke not; not a sigh Relieved her thoughts; dull silence and quick chat Were tried in vain by those who served; she gave No sign, save breath, of having left the grave.

Her handmaids tended, but she heeded not; Her father watch'd, she turn'd her eyes away; She recognized no being, and no spot, However dear or cherish'd in their day; They changed from room to room—but all forgot— Gentle, but without memory she lay; At length those eyes, which they would fain be weaning Back to old thoughts, wax'd full of fearful meaning.

And then a slave bethought her of a harp; The harper came, and tuned his instrument; At the first notes, irregular and sharp, On him her flashing eyes a moment bent, Then to the wall she turn'd as if to warp Her thoughts from sorrow through her heart re-sent; And he begun a long low island song Of ancient days, ere tyranny grew strong.

Anon her thin wan fingers beat the wall In time to his old tune; he changed the theme, And sung of love; the fierce name struck through all Her recollection; on her flash'd the dream Of what she was, and is, if ye could call To be so being; in a gushing stream The tears rush'd forth from her o'erclouded brain, Like mountain mists at length dissolved in rain.

Short solace, vain relief!—thought came too quick, And whirl'd her brain to madness; she arose As one who ne'er had dwelt among the sick, And flew at all she met, as on her foes; But no one ever heard her speak or shriek, Although her paroxysm drew towards its dose;— Hers was a phrensy which disdain'd to rave, Even when they smote her, in the hope to save.

Yet she betray'd at times a gleam of sense; Nothing could make her meet her father's face, Though on all other things with looks intense She gazed, but none she ever could retrace; Food she refused, and raiment; no pretence Avail'd for either; neither change of place, Nor time, nor skill, nor remedy, could give her Senses to sleep—the power seem'd gone for ever.

Twelve days and nights she wither'd thus; at last, Without a groan, or sigh, or glance, to show A parting pang, the spirit from her past: And they who watch'd her nearest could not know The very instant, till the change that cast Her sweet face into shadow, dull and slow, Glazed o'er her eyes—the beautiful, the black— O! to possess such lustre—and then lack!

She died, but not alone; she held within A second principle of life, which might Have dawn'd a fair and sinless child of sin; But closed its little being without light, And went down to the grave unborn, wherein Blossom and bough lie wither'd with one blight; In vain the dews of Heaven descend above The bleeding flower and blasted fruit of love.

Thus lived—thus died she; never more on her Shall sorrow light, or shame. She was not made Through years or moons the inner weight to bear, Which colder hearts endure till they are laid By age in earth: her days and pleasures were Brief, but delightful—such as had not staid Long with her destiny; but she sleeps well By the sea-shore, whereon she loved to dwell.

That isle is now all desolate and bare, Its dwellings down, its tenants pass'd away; None but her own and father's grave is there, And nothing outward tells of human clay; Ye could not know where lies a thing so fair, No stone is there to show, no tongue to say What was; no dirge, except the hollow sea's, Mourns o'er the beauty of the Cyclades.

But many a Greek maid in a loving song Sighs o'er her name; and many an islander With her sire's story makes the night less long; Valour was his, and beauty dwelt with her: If she loved rashly, her life paid for wrong— A heavy price must all pay who thus err, In some shape; let none think to fly the danger, For soon or late Love is his own avenger.

But let me change this theme which grows too sad, And lay this sheet of sorrows on the shelf; I don't much like describing people mad, For fear of seeming rather touch'd myself— Besides, I 've no more on this head to add; And as my Muse is a capricious elf, We 'll put about, and try another tack With Juan, left half-kill'd some stanzas back.

Wounded and fetter'd, 'cabin'd, cribb'd, confined,' Some days and nights elapsed before that he Could altogether call the past to mind; And when he did, he found himself at sea, Sailing six knots an hour before the wind; The shores of Ilion lay beneath their lee— Another time he might have liked to see 'em, But now was not much pleased with Cape Sigaeum.

There, on the green and village-cotted hill, is (Flank'd by the Hellespont and by the sea) Entomb'd the bravest of the brave, Achilles; They say so (Bryant says the contrary): And further downward, tall and towering still, is The tumulus—of whom? Heaven knows! 't may be Patroclus, Ajax, or Protesilaus— All heroes, who if living still would slay us.

High barrows, without marble or a name, A vast, untill'd, and mountain-skirted plain, And Ida in the distance, still the same, And old Scamander (if 't is he) remain; The situation seems still form'd for fame— A hundred thousand men might fight again With case; but where I sought for Ilion's walls, The quiet sheep feeds, and the tortoise crawls;

Troops of untended horses; here and there Some little hamlets, with new names uncouth; Some shepherds (unlike Paris) led to stare A moment at the European youth Whom to the spot their school-boy feelings bear; A turk, with beads in hand and pipe in mouth, Extremely taken with his own religion, Are what I found there—but the devil a Phrygian.

Don Juan, here permitted to emerge From his dull cabin, found himself a slave; Forlorn, and gazing on the deep blue surge, O'ershadow'd there by many a hero's grave; Weak still with loss of blood, he scarce could urge A few brief questions; and the answers gave No very satisfactory information About his past or present situation.

He saw some fellow captives, who appear'd To be Italians, as they were in fact; From them, at least, their destiny he heard, Which was an odd one; a troop going to act In Sicily (all singers, duly rear'd In their vocation) had not been attack'd In sailing from Livorno by the pirate, But sold by the impresario at no high rate.

By one of these, the buffo of the party, Juan was told about their curious case; For although destined to the Turkish mart, he Still kept his spirits up—at least his face; The little fellow really look'd quite hearty, And bore him with some gaiety and grace, Showing a much more reconciled demeanour, Than did the prima donna and the tenor.

In a few words he told their hapless story, Saying, 'Our Machiavellian impresario, Making a signal off some promontory, Hail'd a strange brig—Corpo di Caio Mario! We were transferr'd on board her in a hurry, Without a Single scudo of salario; But if the Sultan has a taste for song, We will revive our fortunes before long.

'The prima donna, though a little old, And haggard with a dissipated life, And subject, when the house is thin, to cold, Has some good notes; and then the tenor's wife, With no great voice, is pleasing to behold; Last carnival she made a deal of strife By carrying off Count Cesare Cicogna From an old Roman princess at Bologna.

'And then there are the dancers; there 's the Nini, With more than one profession, gains by all; Then there 's that laughing slut the Pelegrini, She, too, was fortunate last carnival, And made at least five hundred good zecchini, But spends so fast, she has not now a paul; And then there 's the Grotesca—such a dancer! Where men have souls or bodies she must answer.

'As for the figuranti, they are like The rest of all that tribe; with here and there A pretty person, which perhaps may strike, The rest are hardly fitted for a fair; There 's one, though tall and stiffer than a pike, Yet has a sentimental kind of air Which might go far, but she don't dance with vigour; The more 's the pity, with her face and figure.

'As for the men, they are a middling set; The musico is but a crack'd old basin, But being qualified in one way yet, May the seraglio do to set his face in, And as a servant some preferment get; His singing I no further trust can place in: From all the Pope makes yearly 't would perplex To find three perfect pipes of the third sex.

'The tenor's voice is spoilt by affectation, And for the bass, the beast can only bellow; In fact, he had no singing education, An ignorant, noteless, timeless, tuneless fellow; But being the prima donna's near relation, Who swore his voice was very rich and mellow, They hired him, though to hear him you 'd believe An ass was practising recitative.

''T would not become myself to dwell upon My own merits, and though young—I see, Sir—you Have got a travell'd air, which speaks you one To whom the opera is by no means new: You 've heard of Raucocanti?—I 'm the man; The time may come when you may hear me too; You was not last year at the fair of Lugo, But next, when I 'm engaged to sing there—do go.

'Our baritone I almost had forgot, A pretty lad, but bursting with conceit; With graceful action, science not a jot, A voice of no great compass, and not sweet, He always is complaining of his lot, Forsooth, scarce fit for ballads in the street; In lovers' parts his passion more to breathe, Having no heart to show, he shows his teeth.'

Here Raucocanti's eloquent recital Was interrupted by the pirate crew, Who came at stated moments to invite all The captives back to their sad berths; each threw A rueful glance upon the waves (which bright all From the blue skies derived a double blue, Dancing all free and happy in the sun), And then went down the hatchway one by one.

They heard next day—that in the Dardanelles, Waiting for his Sublimity's firman, The most imperative of sovereign spells, Which every body does without who can, More to secure them in their naval cells, Lady to lady, well as man to man, Were to be chain'd and lotted out per couple, For the slave market of Constantinople.

It seems when this allotment was made out, There chanced to be an odd male, and odd female, Who (after some discussion and some doubt, If the soprano might be deem'd to be male, They placed him o'er the women as a scout) Were link'd together, and it happen'd the male Was Juan,—who, an awkward thing at his age, Pair'd off with a Bacchante blooming visage.

With Raucocanti lucklessly was chain'd The tenor; these two hated with a hate Found only on the stage, and each more pain'd With this his tuneful neighbour than his fate; Sad strife arose, for they were so cross-grain'd, Instead of bearing up without debate, That each pull'd different ways with many an oath, 'Arcades ambo,' id est—blackguards both.

Juan's companion was a Romagnole, But bred within the March of old Ancona, With eyes that look'd into the very soul (And other chief points of a 'bella donna'), Bright—and as black and burning as a coal; And through her dear brunette complexion shone Great wish to please—a most attractive dower, Especially when added to the power.

But all that power was wasted upon him, For sorrow o'er each sense held stern command; Her eye might flash on his, but found it dim; And though thus chain'd, as natural her hand Touch'd his, nor that—nor any handsome limb (And she had some not easy to withstand) Could stir his pulse, or make his faith feel brittle; Perhaps his recent wounds might help a little.

No matter; we should ne'er too much enquire, But facts are facts: no knight could be more true, And firmer faith no ladye—love desire; We will omit the proofs, save one or two: 'T is said no one in hand 'can hold a fire By thought of frosty Caucasus;' but few, I really think; yet Juan's then ordeal Was more triumphant, and not much less real.

Here I might enter on a chaste description, Having withstood temptation in my youth, But hear that several people take exception At the first two books having too much truth; Therefore I 'll make Don Juan leave the ship soon, Because the publisher declares, in sooth, Through needles' eyes it easier for the camel is To pass, than those two cantos into families.

'T is all the same to me; I 'm fond of yielding, And therefore leave them to the purer page Of Smollett, Prior, Ariosto, Fielding, Who say strange things for so correct an age; I once had great alacrity in wielding My pen, and liked poetic war to wage, And recollect the time when all this cant Would have provoked remarks which now it shan't.

As boys love rows, my boyhood liked a squabble; But at this hour I wish to part in peace, Leaving such to the literary rabble: Whether my verse's fame be doom'd to cease While the right hand which wrote it still is able, Or of some centuries to take a lease, The grass upon my grave will grow as long, And sigh to midnight winds, but not to song.

Of poets who come down to us through distance Of time and tongues, the foster-babes of Fame, Life seems the smallest portion of existence; Where twenty ages gather o'er a name, 'T is as a snowball which derives assistance From every flake, and yet rolls on the same, Even till an iceberg it may chance to grow; But, after all, 't is nothing but cold snow.

And so great names are nothing more than nominal, And love of glory 's but an airy lust, Too often in its fury overcoming all Who would as 't were identify their dust From out the wide destruction, which, entombing all, Leaves nothing till 'the coming of the just'- Save change: I 've stood upon Achilles' tomb, And heard Troy doubted; time will doubt of Rome.

The very generations of the dead Are swept away, and tomb inherits tomb, Until the memory of an age is fled, And, buried, sinks beneath its offspring's doom: Where are the epitaphs our fathers read? Save a few glean'd from the sepulchral gloom Which once-named myriads nameless lie beneath, And lose their own in universal death.

I canter by the spot each afternoon Where perish'd in his fame the hero-boy, Who lived too long for men, but died too soon For human vanity, the young De Foix! A broken pillar, not uncouthly hewn, But which neglect is hastening to destroy, Records Ravenna's carnage on its face, While weeds and ordure rankle round the base.

I pass each day where Dante's bones are laid: A little cupola, more neat than solemn, Protects his dust, but reverence here is paid To the bard's tomb, and not the warrior's column. The time must come, when both alike decay'd, The chieftain's trophy, and the poet's volume, Will sink where lie the songs and wars of earth, Before Pelides' death, or Homer's birth.

With human blood that column was cemented, With human filth that column is defiled, As if the peasant's coarse contempt were vented To show his loathing of the spot he soil'd: Thus is the trophy used, and thus lamented Should ever be those blood-hounds, from whose wild Instinct of gore and glory earth has known Those sufferings Dante saw in hell alone.

Yet there will still be bards: though fame is smoke, Its fumes are frankincense to human thought; And the unquiet feelings, which first woke Song in the world, will seek what then they sought; As on the beach the waves at last are broke, Thus to their extreme verge the passions brought Dash into poetry, which is but passion, Or at least was so ere it grew a fashion.

If in the course of such a life as was At once adventurous and contemplative, Men, who partake all passions as they pass, Acquire the deep and bitter power to give Their images again as in a glass, And in such colours that they seem to live; You may do right forbidding them to show 'em, But spoil (I think) a very pretty poem.

O! ye, who make the fortunes of all books! Benign Ceruleans of the second sex! Who advertise new poems by your looks, Your 'imprimatur' will ye not annex? What! must I go to the oblivious cooks, Those Cornish plunderers of Parnassian wrecks? Ah! must I then the only minstrel be, Proscribed from tasting your Castalian tea!

What! can I prove 'a lion' then no more? A ball-room bard, a foolscap, hot-press darling? To bear the compliments of many a bore, And sigh, 'I can't get out,' like Yorick's starling; Why then I 'll swear, as poet Wordy swore (Because the world won't read him, always snarling), That taste is gone, that fame is but a lottery, Drawn by the blue-coat misses of a coterie.

O! 'darkly, deeply, beautifully blue,' As some one somewhere sings about the sky, And I, ye learned ladies, say of you; They say your stockings are so (Heaven knows why, I have examined few pair of that hue); Blue as the garters which serenely lie Round the Patrician left-legs, which adorn The festal midnight, and the levee morn.

Yet some of you are most seraphic creatures— But times are alter'd since, a rhyming lover, You read my stanzas, and I read your features: And—but no matter, all those things are over; Still I have no dislike to learned natures, For sometimes such a world of virtues cover; I knew one woman of that purple school, The loveliest, chastest, best, but—quite a fool.

Humboldt, 'the first of travellers,' but not The last, if late accounts be accurate, Invented, by some name I have forgot, As well as the sublime discovery's date, An airy instrument, with which he sought To ascertain the atmospheric state, By measuring 'the intensity of blue:' O, Lady Daphne! let me measure you!

But to the narrative:—The vessel bound With slaves to sell off in the capital, After the usual process, might be found At anchor under the seraglio wall; Her cargo, from the plague being safe and sound, Were landed in the market, one and all, And there with Georgians, Russians, and Circassians, Bought up for different purposes and passions.

Some went off dearly; fifteen hundred dollars For one Circassian, a sweet girl, were given, Warranted virgin; beauty's brightest colours Had deck'd her out in all the hues of heaven: Her sale sent home some disappointed bawlers, Who bade on till the hundreds reach'd eleven; But when the offer went beyond, they knew 'T was for the Sultan, and at once withdrew.

Twelve negresses from Nubia brought a price Which the West Indian market scarce would bring; Though Wilberforce, at last, has made it twice What 't was ere Abolition; and the thing Need not seem very wonderful, for vice Is always much more splendid than a king: The virtues, even the most exalted, Charity, Are saving—vice spares nothing for a rarity.

But for the destiny of this young troop, How some were bought by pachas, some by Jews, How some to burdens were obliged to stoop, And others rose to the command of crews As renegadoes; while in hapless group, Hoping no very old vizier might choose, The females stood, as one by one they pick'd 'em, To make a mistress, or fourth wife, or victim:

All this must be reserved for further song; Also our hero's lot, howe'er unpleasant (Because this Canto has become too long), Must be postponed discreetly for the present; I 'm sensible redundancy is wrong, But could not for the muse of me put less in 't: And now delay the progress of Don Juan, Till what is call'd in Ossian the fifth Juan.



CANTO THE FIFTH.

When amatory poets sing their loves In liquid lines mellifluously bland, And pair their rhymes as Venus yokes her doves, They little think what mischief is in hand; The greater their success the worse it proves, As Ovid's verse may give to understand; Even Petrarch's self, if judged with due severity, Is the Platonic pimp of all posterity.

I therefore do denounce all amorous writing, Except in such a way as not to attract; Plain—simple—short, and by no means inviting, But with a moral to each error tack'd, Form'd rather for instructing than delighting, And with all passions in their turn attack'd; Now, if my Pegasus should not be shod ill, This poem will become a moral model.

The European with the Asian shore Sprinkled with palaces; the ocean stream Here and there studded with a seventy-four; Sophia's cupola with golden gleam; The cypress groves; Olympus high and hoar; The twelve isles, and the more than I could dream, Far less describe, present the very view Which charm'd the charming Mary Montagu.

I have a passion for the name of 'Mary,' For once it was a magic sound to me; And still it half calls up the realms of fairy, Where I beheld what never was to be; All feelings changed, but this was last to vary, A spell from which even yet I am not quite free: But I grow sad—and let a tale grow cold, Which must not be pathetically told.

The wind swept down the Euxine, and the wave Broke foaming o'er the blue Symplegades; 'T is a grand sight from off 'the Giant's Grave To watch the progress of those rolling seas Between the Bosphorus, as they lash and lave Europe and Asia, you being quite at ease; There 's not a sea the passenger e'er pukes in, Turns up more dangerous breakers than the Euxine.

'T was a raw day of Autumn's bleak beginning, When nights are equal, but not so the days; The Parcae then cut short the further spinning Of seamen's fates, and the loud tempests raise The waters, and repentance for past sinning In all, who o'er the great deep take their ways: They vow to amend their lives, and yet they don't; Because if drown'd, they can't—if spared, they won't.

A crowd of shivering slaves of every nation, And age, and sex, were in the market ranged; Each bevy with the merchant in his station: Poor creatures! their good looks were sadly changed. All save the blacks seem'd jaded with vexation, From friends, and home, and freedom far estranged; The negroes more philosophy display'd,— Used to it, no doubt, as eels are to be flay'd.

Juan was juvenile, and thus was full, As most at his age are, of hope and health; Yet I must own he looked a little dull, And now and then a tear stole down by stealth; Perhaps his recent loss of blood might pull His spirit down; and then the loss of wealth, A mistress, and such comfortable quarters, To be put up for auction amongst Tartars,

Were things to shake a stoic; ne'ertheless, Upon the whole his carriage was serene: His figure, and the splendour of his dress, Of which some gilded remnants still were seen, Drew all eyes on him, giving them to guess He was above the vulgar by his mien; And then, though pale, he was so very handsome; And then—they calculated on his ransom.

Like a backgammon board the place was dotted With whites and blacks, in groups on show for sale, Though rather more irregularly spotted: Some bought the jet, while others chose the pale. It chanced amongst the other people lotted, A man of thirty rather stout and hale, With resolution in his dark grey eye, Next Juan stood, till some might choose to buy.

He had an English look; that is, was square In make, of a complexion white and ruddy, Good teeth, with curling rather dark brown hair, And, it might be from thought or toil or study, An open brow a little mark'd with care: One arm had on a bandage rather bloody; And there he stood with such sang-froid, that greater Could scarce be shown even by a mere spectator.

But seeing at his elbow a mere lad, Of a high spirit evidently, though At present weigh'd down by a doom which had O'erthrown even men, he soon began to show A kind of blunt compassion for the sad Lot of so young a partner in the woe, Which for himself he seem'd to deem no worse Than any other scrape, a thing of course.

'My boy!' said he, 'amidst this motley crew Of Georgians, Russians, Nubians, and what not, All ragamuffins differing but in hue, With whom it is our luck to cast our lot, The only gentlemen seem I and you; So let us be acquainted, as we ought: If I could yield you any consolation, 'T would give me pleasure.—Pray, what is your nation?'

When Juan answer'd—'Spanish!' he replied, 'I thought, in fact, you could not be a Greek; Those servile dogs are not so proudly eyed: Fortune has play'd you here a pretty freak, But that 's her way with all men, till they 're tried; But never mind,—she 'll turn, perhaps, next week; She has served me also much the same as you, Except that I have found it nothing new.'

'Pray, sir,' said Juan, 'if I may presume, What brought you here?'—'Oh! nothing very rare— Six Tartars and a drag-chain.'—'To this doom But what conducted, if the question's fair, Is that which I would learn.'—'I served for some Months with the Russian army here and there, And taking lately, by Suwarrow's bidding, A town, was ta'en myself instead of Widdin.'

'Have you no friends?'—'I had—but, by God's blessing, Have not been troubled with them lately. Now I have answer'd all your questions without pressing, And you an equal courtesy should show.' 'Alas!' said Juan, ''t were a tale distressing, And long besides.'—'Oh! if 't is really so, You 're right on both accounts to hold your tongue; A sad tale saddens doubly, when 't is long.

'But droop not: Fortune at your time of life, Although a female moderately fickle, Will hardly leave you (as she 's not your wife) For any length of days in such a pickle. To strive, too, with our fate were such a strife As if the corn-sheaf should oppose the sickle: Men are the sport of circumstances, when The circumstances seem the sport of men.'

''T is not,' said Juan, 'for my present doom I mourn, but for the past;—I loved a maid:'- He paused, and his dark eye grew full of gloom; A single tear upon his eyelash staid A moment, and then dropp'd; 'but to resume, 'T is not my present lot, as I have said, Which I deplore so much; for I have borne Hardships which have the hardiest overworn,

'On the rough deep. But this last blow-' and here He stopp'd again, and turn'd away his face. 'Ay,' quoth his friend, 'I thought it would appear That there had been a lady in the case; And these are things which ask a tender tear, Such as I, too, would shed if in your place: I cried upon my first wife's dying day, And also when my second ran away:

'My third-'—'Your third!' quoth Juan, turning round; 'You scarcely can be thirty: have you three?' 'No—only two at present above ground: Surely 't is nothing wonderful to see One person thrice in holy wedlock bound!' 'Well, then, your third,' said Juan; 'what did she? She did not run away, too,—did she, sir?' 'No, faith.'—'What then?'—'I ran away from her.'

'You take things coolly, sir,' said Juan. 'Why,' Replied the other, 'what can a man do? There still are many rainbows in your sky, But mine have vanish'd. All, when life is new, Commence with feelings warm, and prospects high; But time strips our illusions of their hue, And one by one in turn, some grand mistake Casts off its bright skin yearly like the snake.

''T is true, it gets another bright and fresh, Or fresher, brighter; but the year gone through, This skin must go the way, too, of all flesh, Or sometimes only wear a week or two;— Love 's the first net which spreads its deadly mesh; Ambition, Avarice, Vengeance, Glory, glue The glittering lime-twigs of our latter days, Where still we flutter on for pence or praise.'

'All this is very fine, and may be true,' Said Juan; 'but I really don't see how It betters present times with me or you.' 'No?' quoth the other; 'yet you will allow By setting things in their right point of view, Knowledge, at least, is gain'd; for instance, now, We know what slavery is, and our disasters May teach us better to behave when masters.'

'Would we were masters now, if but to try Their present lessons on our Pagan friends here,' Said Juan,—swallowing a heart-burning sigh: 'Heaven help the scholar whom his fortune sends here!' 'Perhaps we shall be one day, by and by,' Rejoin'd the other, when our bad luck mends here; Meantime (yon old black eunuch seems to eye us)

'But after all, what is our present state? 'T is bad, and may be better—all men's lot: Most men are slaves, none more so than the great, To their own whims and passions, and what not; Society itself, which should create Kindness, destroys what little we had got: To feel for none is the true social art Of the world's stoics—men without a heart.'

Just now a black old neutral personage Of the third sex stept up, and peering over The captives, seem'd to mark their looks and age, And capabilities, as to discover If they were fitted for the purposed cage: No lady e'er is ogled by a lover, Horse by a blackleg, broadcloth by a tailor, Fee by a counsel, felon by a jailor,

As is a slave by his intended bidder. 'T is pleasant purchasing our fellow-creatures; And all are to be sold, if you consider Their passions, and are dext'rous; some by features Are bought up, others by a warlike leader, Some by a place—as tend their years or natures; The most by ready cash—but all have prices, From crowns to kicks, according to their vices.

The eunuch, having eyed them o'er with care, Turn'd to the merchant, and begun to bid First but for one, and after for the pair; They haggled, wrangled, swore, too—so they did! As though they were in a mere Christian fair Cheapening an ox, an ass, a lamb, or kid; So that their bargain sounded like a battle For this superior yoke of human cattle.

At last they settled into simple grumbling, And pulling out reluctant purses, and Turning each piece of silver o'er, and tumbling Some down, and weighing others in their hand, And by mistake sequins with paras jumbling, Until the sum was accurately scann'd, And then the merchant giving change, and signing Receipts in full, began to think of dining.

I wonder if his appetite was good? Or, if it were, if also his digestion? Methinks at meals some odd thoughts might intrude, And conscience ask a curious sort of question, About the right divine how far we should Sell flesh and blood. When dinner has opprest one, I think it is perhaps the gloomiest hour Which turns up out of the sad twenty-four.

Voltaire says 'No:' he tells you that Candide Found life most tolerable after meals; He 's wrong—unless man were a pig, indeed, Repletion rather adds to what he feels, Unless he 's drunk, and then no doubt he 's freed From his own brain's oppression while it reels. Of food I think with Philip's son, or rather Ammon's (ill pleased with one world and one father);

I think with Alexander, that the act Of eating, with another act or two, Makes us feel our mortality in fact Redoubled; when a roast and a ragout, And fish, and soup, by some side dishes back'd, Can give us either pain or pleasure, who Would pique himself on intellects, whose use Depends so much upon the gastric juice?

The other evening ('t was on Friday last)— This is a fact and no poetic fable— Just as my great coat was about me cast, My hat and gloves still lying on the table, I heard a shot—'t was eight o'clock scarce past— And, running out as fast as I was able, I found the military commandant Stretch'd in the street, and able scarce to pant.

Poor fellow! for some reason, surely bad, They had slain him with five slugs; and left him there To perish on the pavement: so I had Him borne into the house and up the stair, And stripp'd and look'd to—But why should I ad More circumstances? vain was every care; The man was gone: in some Italian quarrel Kill'd by five bullets from an old gun-barrel.

I gazed upon him, for I knew him well; And though I have seen many corpses, never Saw one, whom such an accident befell, So calm; though pierced through stomach, heart, and liver, He seem'd to sleep,—for you could scarcely tell (As he bled inwardly, no hideous river Of gore divulged the cause) that he was dead: So as I gazed on him, I thought or said—

'Can this be death? then what is life or death? Speak!' but he spoke not: 'Wake!' but still he slept:— 'But yesterday and who had mightier breath? A thousand warriors by his word were kept In awe: he said, as the centurion saith, "Go," and he goeth; "come," and forth he stepp'd. The trump and bugle till he spake were dumb— And now nought left him but the muffled drum.'

And they who waited once and worshipp'd—they With their rough faces throng'd about the bed To gaze once more on the commanding clay Which for the last, though not the first, time bled: And such an end! that he who many a day Had faced Napoleon's foes until they fled,— The foremost in the charge or in the sally, Should now be butcher'd in a civic alley.

The scars of his old wounds were near his new, Those honourable scars which brought him fame; And horrid was the contrast to the view— But let me quit the theme; as such things claim Perhaps even more attention than is due From me: I gazed (as oft I have gazed the same) To try if I could wrench aught out of death Which should confirm, or shake, or make a faith;

But it was all a mystery. Here we are, And there we go:—but where? five bits of lead, Or three, or two, or one, send very far! And is this blood, then, form'd but to be shed? Can every element our elements mar? And air—earth—water—fire live—and we dead? We whose minds comprehend all things? No more; But let us to the story as before.

The purchaser of Juan and acquaintance Bore off his bargains to a gilded boat, Embark'd himself and them, and off they went thence As fast as oars could pull and water float; They look'd like persons being led to sentence, Wondering what next, till the caique was brought Up in a little creek below a wall O'ertopp'd with cypresses, dark-green and tall.

Here their conductor tapping at the wicket Of a small iron door, 't was open'd, and He led them onward, first through a low thicket Flank'd by large groves, which tower'd on either hand: They almost lost their way, and had to pick it— For night was dosing ere they came to land. The eunuch made a sign to those on board, Who row'd off, leaving them without a word.

As they were plodding on their winding way Through orange bowers, and jasmine, and so forth (Of which I might have a good deal to say, There being no such profusion in the North Of oriental plants, 'et cetera,' But that of late your scribblers think it worth Their while to rear whole hotbeds in their works Because one poet travell'd 'mongst the Turks)—

As they were threading on their way, there came Into Don Juan's head a thought, which he Whisper'd to his companion:—'t was the same Which might have then occurr'd to you or me. 'Methinks,' said he, 'it would be no great shame If we should strike a stroke to set us free; Let 's knock that old black fellow on the head, And march away—'t were easier done than said.'

'Yes,' said the other, 'and when done, what then? How get out? how the devil got we in? And when we once were fairly out, and when From Saint Bartholomew we have saved our skin, To-morrow 'd see us in some other den, And worse off than we hitherto have been; Besides, I 'm hungry, and just now would take, Like Esau, for my birthright a beef-steak.

'We must be near some place of man's abode;— For the old negro's confidence in creeping, With his two captives, by so queer a road, Shows that he thinks his friends have not been sleeping; A single cry would bring them all abroad: 'T is therefore better looking before leaping— And there, you see, this turn has brought us through, By Jove, a noble palace!—lighted too.'

It was indeed a wide extensive building Which open'd on their view, and o'er the front There seem'd to be besprent a deal of gilding And various hues, as is the Turkish wont,— A gaudy taste; for they are little skill'd in The arts of which these lands were once the font: Each villa on the Bosphorus looks a screen New painted, or a pretty opera-scene.

And nearer as they came, a genial savour Of certain stews, and roast-meats, and pilaus, Things which in hungry mortals' eyes find favour, Made Juan in his harsh intentions pause, And put himself upon his good behaviour: His friend, too, adding a new saving clause, Said, 'In Heaven's name let's get some supper now, And then I 'm with you, if you 're for a row.'

Some talk of an appeal unto some passion, Some to men's feelings, others to their reason; The last of these was never much the fashion, For reason thinks all reasoning out of season. Some speakers whine, and others lay the lash on, But more or less continue still to tease on, With arguments according to their 'forte;' But no one dreams of ever being short.-

But I digress: of all appeals,—although I grant the power of pathos, and of gold, Of beauty, flattery, threats, a shilling,—no Method 's more sure at moments to take hold Of the best feelings of mankind, which grow More tender, as we every day behold, Than that all-softening, overpowering knell, The tocsin of the soul—the dinner-bell.

Turkey contains no bells, and yet men dine; And Juan and his friend, albeit they heard No Christian knoll to table, saw no line Of lackeys usher to the feast prepared, Yet smelt roast-meat, beheld a huge fire shine, And cooks in motion with their clean arms bared, And gazed around them to the left and right With the prophetic eye of appetite.

And giving up all notions of resistance, They follow'd close behind their sable guide, Who little thought that his own crack'd existence Was on the point of being set aside: He motion'd them to stop at some small distance, And knocking at the gate, 't was open'd wide, And a magnificent large hall display'd The Asian pomp of Ottoman parade.

I won't describe; description is my forte, But every fool describes in these bright days His wondrous journey to some foreign court, And spawns his quarto, and demands your praise— Death to his publisher, to him 't is sport; While Nature, tortured twenty thousand ways, Resigns herself with exemplary patience To guide-books, rhymes, tours, sketches, illustrations.

Along this hall, and up and down, some, squatted Upon their hams, were occupied at chess; Others in monosyllable talk chatted, And some seem'd much in love with their own dress. And divers smoked superb pipes decorated With amber mouths of greater price or less; And several strutted, others slept, and some Prepared for supper with a glass of rum.

As the black eunuch enter'd with his brace Of purchased Infidels, some raised their eyes A moment without slackening from their pace; But those who sate ne'er stirr'd in anywise: One or two stared the captives in the face, Just as one views a horse to guess his price; Some nodded to the negro from their station, But no one troubled him with conversation.

He leads them through the hall, and, without stopping, On through a farther range of goodly rooms, Splendid but silent, save in one, where, dropping, A marble fountain echoes through the glooms Of night which robe the chamber, or where popping Some female head most curiously presumes To thrust its black eyes through the door or lattice, As wondering what the devil a noise that is.

Some faint lamps gleaming from the lofty walls Gave light enough to hint their farther way, But not enough to show the imperial halls, In all the flashing of their full array; Perhaps there 's nothing—I 'll not say appals, But saddens more by night as well as day, Than an enormous room without a soul To break the lifeless splendour of the whole.

Two or three seem so little, one seems nothing: In deserts, forests, crowds, or by the shore, There solitude, we know, has her full growth in The spots which were her realms for evermore; But in a mighty hall or gallery, both in More modern buildings and those built of yore, A kind of death comes o'er us all alone, Seeing what 's meant for many with but one.

A neat, snug study on a winter's night, A book, friend, single lady, or a glass Of claret, sandwich, and an appetite, Are things which make an English evening pass; Though certes by no means so grand a sight As is a theatre lit up by gas. I pass my evenings in long galleries solely, And that 's the reason I 'm so melancholy.

Alas! man makes that great which makes him little: I grant you in a church 't is very well: What speaks of Heaven should by no means be brittle, But strong and lasting, till no tongue can tell Their names who rear'd it; but huge houses fit ill— And huge tombs worse—mankind, since Adam fell: Methinks the story of the tower of Babel Might teach them this much better than I 'm able.

Babel was Nimrod's hunting-box, and then A town of gardens, walls, and wealth amazing, Where Nabuchadonosor, king of men, Reign'd, till one summer's day he took to grazing, And Daniel tamed the lions in their den, The people's awe and admiration raising; 'T was famous, too, for Thisbe and for Pyramus, And the calumniated queen Semiramis.

That injured Queen by chroniclers so coarse Has been accused (I doubt not by conspiracy) Of an improper friendship for her horse (Love, like religion, sometimes runs to heresy): This monstrous tale had probably its source (For such exaggerations here and there I see) In writing 'Courser' by mistake for 'Courier:' I wish the case could come before a jury here.

But to resume,—should there be (what may not Be in these days?) some infidels, who don't, Because they can't find out the very spot Of that same Babel, or because they won't (Though Claudius Rich, Esquire, some bricks has got, And written lately two memoirs upon't), Believe the Jews, those unbelievers, who Must be believed, though they believe not you,

Yet let them think that Horace has exprest Shortly and sweetly the masonic folly Of those, forgetting the great place of rest, Who give themselves to architecture wholly; We know where things and men must end at best: A moral (like all morals) melancholy, And 'Et sepulchri immemor struis domos' Shows that we build when we should but entomb us.

At last they reach'd a quarter most retired, Where echo woke as if from a long slumber; Though full of all things which could be desired, One wonder'd what to do with such a number Of articles which nobody required; Here wealth had done its utmost to encumber With furniture an exquisite apartment, Which puzzled Nature much to know what Art meant.

It seem'd, however, but to open on A range or suite of further chambers, which Might lead to heaven knows where; but in this one The movables were prodigally rich: Sofas 't was half a sin to sit upon, So costly were they; carpets every stitch Of workmanship so rare, they made you wish You could glide o'er them like a golden fish.

The black, however, without hardly deigning A glance at that which wrapt the slaves in wonder, Trampled what they scarce trod for fear of staining, As if the milky way their feet was under With all its stars; and with a stretch attaining A certain press or cupboard niched in yonder— In that remote recess which you may see— Or if you don't the fault is not in me,—

I wish to be perspicuous; and the black, I say, unlocking the recess, pull'd forth A quantity of clothes fit for the back Of any Mussulman, whate'er his worth; And of variety there was no lack— And yet, though I have said there was no dearth, He chose himself to point out what he thought Most proper for the Christians he had bought.

The suit he thought most suitable to each Was, for the elder and the stouter, first A Candiote cloak, which to the knee might reach, And trousers not so tight that they would burst, But such as fit an Asiatic breech; A shawl, whose folds in Cashmire had been nurst, Slippers of saffron, dagger rich and handy; In short, all things which form a Turkish Dandy.

While he was dressing, Baba, their black friend, Hinted the vast advantages which they Might probably attain both in the end, If they would but pursue the proper way Which fortune plainly seem'd to recommend; And then he added, that he needs must say, ''T would greatly tend to better their condition, If they would condescend to circumcision.

'For his own part, he really should rejoice To see them true believers, but no less Would leave his proposition to their choice.' The other, thanking him for this excess Of goodness, in thus leaving them a voice In such a trifle, scarcely could express 'Sufficiently' (he said) 'his approbation Of all the customs of this polish'd nation.

'For his own share—he saw but small objection To so respectable an ancient rite; And, after swallowing down a slight refection, For which he own'd a present appetite, He doubted not a few hours of reflection Would reconcile him to the business quite.' 'Will it?' said Juan, sharply: 'Strike me dead, But they as soon shall circumcise my head!

'Cut off a thousand heads, before-'—'Now, pray,' Replied the other, 'do not interrupt: You put me out in what I had to say. Sir!—as I said, as soon as I have supt, I shall perpend if your proposal may Be such as I can properly accept; Provided always your great goodness still Remits the matter to our own free-will.'

Baba eyed Juan, and said, 'Be so good As dress yourself-' and pointed out a suit In which a Princess with great pleasure would Array her limbs; but Juan standing mute, As not being in a masquerading mood, Gave it a slight kick with his Christian foot; And when the old negro told him to 'Get ready,' Replied, 'Old gentleman, I 'm not a lady.'

'What you may be, I neither know nor care,' Said Baba; 'but pray do as I desire: I have no more time nor many words to spare.' 'At least,' said Juan, 'sure I may enquire The cause of this odd travesty?'—'Forbear,' Said Baba, 'to be curious; 't will transpire, No doubt, in proper place, and time, and season: I have no authority to tell the reason.'

'Then if I do,' said Juan, 'I 'll be-'—'Hold!' Rejoin'd the negro, 'pray be not provoking; This spirit 's well, but it may wax too bold, And you will find us not top fond of joking.' 'What, sir!' said Juan, 'shall it e'er be told That I unsex'd my dress?' But Baba, stroking The things down, said, 'Incense me, and I call Those who will leave you of no sex at all.

'I offer you a handsome suit of clothes: A woman's, true; but then there is a cause Why you should wear them.'—'What, though my soul loathes The effeminate garb?'—thus, after a short pause, Sigh'd Juan, muttering also some slight oaths, 'What the devil shall I do with all this gauze?' Thus he profanely term'd the finest lace Which e'er set off a marriage-morning face.

And then he swore; and, sighing, on he slipp'd A pair of trousers of flesh-colour'd silk; Next with a virgin zone he was equipp'd, Which girt a slight chemise as white as milk; But tugging on his petticoat, he tripp'd, Which—as we say—or, as the Scotch say, whilk (The rhyme obliges me to this; sometimes Monarchs are less imperative than rhymes)—

Whilk, which (or what you please), was owing to His garment's novelty, and his being awkward: And yet at last he managed to get through His toilet, though no doubt a little backward: The negro Baba help'd a little too, When some untoward part of raiment stuck hard; And, wrestling both his arms into a gown, He paused, and took a survey up and down.

One difficulty still remain'd—his hair Was hardly long enough; but Baba found So many false long tresses all to spare, That soon his head was most completely crown'd, After the manner then in fashion there; And this addition with such gems was bound As suited the ensemble of his toilet, While Baba made him comb his head and oil it.

And now being femininely all array'd, With some small aid from scissors, paint, and tweezers, He look'd in almost all respects a maid, And Baba smilingly exclaim'd, 'You see, sirs, A perfect transformation here display'd; And now, then, you must come along with me, sirs, That is—the Lady:' clapping his hands twice, Four blacks were at his elbow in a trice.

'You, sir,' said Baba, nodding to the one, 'Will please to accompany those gentlemen To supper; but you, worthy Christian nun, Will follow me: no trifling, sir; for when I say a thing, it must at once be done. What fear you? think you this a lion's den? Why, 't is a palace; where the truly wise Anticipate the Prophet's paradise.

'You fool! I tell you no one means you harm.' 'So much the better,' Juan said, 'for them; Else they shall feel the weight of this my arm, Which is not quite so light as you may deem. I yield thus far; but soon will break the charm If any take me for that which I seem: So that I trust for everybody's sake, That this disguise may lead to no mistake.'

'Blockhead! come on, and see,' quoth Baba; while Don Juan, turning to his comrade, who Though somewhat grieved, could scarce forbear a smile Upon the metamorphosis in view,— 'Farewell!' they mutually exclaim'd: 'this soil Seems fertile in adventures strange and new; One 's turn'd half Mussulman, and one a maid, By this old black enchanter's unsought aid.'

'Farewell!' said Juan: 'should we meet no more, I wish you a good appetite.'—'Farewell!' Replied the other; 'though it grieves me sore; When we next meet we 'll have a tale to tell: We needs must follow when Fate puts from shore. Keep your good name; though Eve herself once fell.' 'Nay,' quoth the maid, 'the Sultan's self shan't carry me, Unless his highness promises to marry me.

And thus they parted, each by separate doors; Baba led Juan onward room by room Through glittering galleries and o'er marble floors, Till a gigantic portal through the gloom, Haughty and huge, along the distance lowers; And wafted far arose a rich perfume: It seem'd as though they came upon a shrine, For all was vast, still, fragrant, and divine.

The giant door was broad, and bright, and high, Of gilded bronze, and carved in curious guise; Warriors thereon were battling furiously; Here stalks the victor, there the vanquish'd lies; There captives led in triumph droop the eye, And in perspective many a squadron flies: It seems the work of times before the line Of Rome transplanted fell with Constantine.

This massy portal stood at the wide close Of a huge hall, and on its either side Two little dwarfs, the least you could suppose, Were sate, like ugly imps, as if allied In mockery to the enormous gate which rose O'er them in almost pyramidic pride: The gate so splendid was in all its features, You never thought about those little creatures,

Until you nearly trod on them, and then You started back in horror to survey The wondrous hideousness of those small men, Whose colour was not black, nor white, nor grey, But an extraneous mixture, which no pen Can trace, although perhaps the pencil may; They were mis-shapen pigmies, deaf and dumb— Monsters, who cost a no less monstrous sum.

Their duty was—for they were strong, and though They look'd so little, did strong things at times— To ope this door, which they could really do, The hinges being as smooth as Rogers' rhymes; And now and then, with tough strings of the bow, As is the custom of those Eastern climes, To give some rebel Pacha a cravat; For mutes are generally used for that.

They spoke by signs—that is, not spoke at all; And looking like two incubi, they glared As Baba with his fingers made them fall To heaving back the portal folds: it scared Juan a moment, as this pair so small With shrinking serpent optics on him stared; It was as if their little looks could poison Or fascinate whome'er they fix'd their eyes on.

Before they enter'd, Baba paused to hint To Juan some slight lessons as his guide: 'If you could just contrive,' he said, 'to stint That somewhat manly majesty of stride, 'T would be as well, and (though there 's not much in 't) To swing a little less from side to side, Which has at times an aspect of the oddest;— And also could you look a little modest,

''T would be convenient; for these mutes have eyes Like needles, which may pierce those petticoats; And if they should discover your disguise, You know how near us the deep Bosphorus floats; And you and I may chance, ere morning rise, To find our way to Marmora without boats, Stitch'd up in sacks—a mode of navigation A good deal practised here upon occasion.'

With this encouragement, he led the way Into a room still nobler than the last; A rich confusion form'd a disarray In such sort, that the eye along it cast Could hardly carry anything away, Object on object flash'd so bright and fast; A dazzling mass of gems, and gold, and glitter, Magnificently mingled in a litter.

Wealth had done wonders—taste not much; such things Occur in Orient palaces, and even In the more chasten'd domes of Western kings (Of which I have also seen some six or seven), Where I can't say or gold or diamond flings Great lustre, there is much to be forgiven; Groups of bad statues, tables, chairs, and pictures, On which I cannot pause to make my strictures.

In this imperial hall, at distance lay Under a canopy, and there reclined Quite in a confidential queenly way, A lady; Baba stopp'd, and kneeling sign'd To Juan, who though not much used to pray, Knelt down by instinct, wondering in his mind, What all this meant: while Baba bow'd and bended His head, until the ceremony ended.

The lady rising up with such an air As Venus rose with from the wave, on them Bent like an antelope a Paphian pair Of eyes, which put out each surrounding gem; And raising up an arm as moonlight fair, She sign'd to Baba, who first kiss'd the hem Of her deep purple robe, and speaking low, Pointed to Juan who remain'd below.

Her presence was as lofty as her state; Her beauty of that overpowering kind, Whose force description only would abate: I 'd rather leave it much to your own mind, Than lessen it by what I could relate Of forms and features; it would strike you blind Could I do justice to the full detail; So, luckily for both, my phrases fail.

Thus much however I may add,—her years Were ripe, they might make six-and-twenty springs; But there are forms which Time to touch forbears, And turns aside his scythe to vulgar things, Such as was Mary's Queen of Scots; true—tears And love destroy; and sapping sorrow wrings Charms from the charmer, yet some never grow Ugly; for instance—Ninon de l'Enclos.

She spake some words to her attendants, who Composed a choir of girls, ten or a dozen, And were all clad alike; like Juan, too, Who wore their uniform, by Baba chosen; They form'd a very nymph-like looking crew, Which might have call'd Diana's chorus 'cousin,' As far as outward show may correspond; I won't be bail for anything beyond.

They bow'd obeisance and withdrew, retiring, But not by the same door through which came in Baba and Juan, which last stood admiring, At some small distance, all he saw within This strange saloon, much fitted for inspiring Marvel and praise; for both or none things win; And I must say, I ne'er could see the very Great happiness of the 'Nil Admirari.'

'Not to admire is all the art I know (Plain truth, dear Murray, needs few flowers of speech) To make men happy, or to keep them so' (So take it in the very words of Creech)— Thus Horace wrote we all know long ago; And thus Pope quotes the precept to re-teach From his translation; but had none admired, Would Pope have sung, or Horace been inspired?

Baba, when all the damsels were withdrawn, Motion'd to Juan to approach, and then A second time desired him to kneel down, And kiss the lady's foot; which maxim when He heard repeated, Juan with a frown Drew himself up to his full height again, And said, 'It grieved him, but he could not stoop To any shoe, unless it shod the Pope.'

Baba, indignant at this ill-timed pride, Made fierce remonstrances, and then a threat He mutter'd (but the last was given aside) About a bow-string—quite in vain; not yet Would Juan bend, though 't were to Mahomet's bride: There 's nothing in the world like etiquette In kingly chambers or imperial halls, As also at the race and county balls.

He stood like Atlas, with a world of words About his ears, and nathless would not bend: The blood of all his line 's Castilian lords Boil'd in his veins, and rather than descend To stain his pedigree a thousand swords A thousand times of him had made an end; At length perceiving the 'foot' could not stand, Baba proposed that he should kiss the hand.

Here was an honourable compromise, A half-way house of diplomatic rest, Where they might meet in much more peaceful guise; And Juan now his willingness exprest To use all fit and proper courtesies, Adding, that this was commonest and best, For through the South the custom still commands The gentleman to kiss the lady's hands.

And he advanced, though with but a bad grace, Though on more thorough-bred or fairer fingers No lips e'er left their transitory trace; On such as these the lip too fondly lingers, And for one kiss would fain imprint a brace, As you will see, if she you love shall bring hers In contact; and sometimes even a fair stranger's An almost twelvemonth's constancy endangers.

The lady eyed him o'er and o'er, and bade Baba retire, which he obey'd in style, As if well used to the retreating trade; And taking hints in good part all the while, He whisper'd Juan not to be afraid, And looking on him with a sort of smile, Took leave, with such a face of satisfaction As good men wear who have done a virtuous action.

When he was gone, there was a sudden change: I know not what might be the lady's thought, But o'er her bright brow flash'd a tumult strange, And into her dear cheek the blood was brought, Blood-red as sunset summer clouds which range The verge of Heaven; and in her large eyes wrought, A mixture of sensations might be scann'd, Of half voluptuousness and half command.

Her form had all the softness of her sex, Her features all the sweetness of the devil, When he put on the cherub to perplex Eve, and paved (God knows how) the road to evil; The sun himself was scarce more free from specks Than she from aught at which the eye could cavil; Yet, somehow, there was something somewhere wanting, As if she rather order'd than was granting.

Something imperial, or imperious, threw A chain o'er all she did; that is, a chain Was thrown as 't were about the neck of you,— And rapture's self will seem almost a pain With aught which looks like despotism in view: Our souls at least are free, and 't is in vain We would against them make the flesh obey— The spirit in the end will have its way.

Her very smile was haughty, though so sweet; Her very nod was not an inclination; There was a self-will even in her small feet, As though they were quite conscious of her station— They trod as upon necks; and to complete Her state (it is the custom of her nation), A poniard deck'd her girdle, as the sign She was a sultan's bride (thank Heaven, not mine!).

'To hear and to obey' had been from birth The law of all around her; to fulfill All phantasies which yielded joy or mirth, Had been her slaves' chief pleasure, as her will; Her blood was high, her beauty scarce of earth: Judge, then, if her caprices e'er stood still; Had she but been a Christian, I 've a notion We should have found out the 'perpetual motion.'

Whate'er she saw and coveted was brought; Whate'er she did not see, if she supposed It might be seen, with diligence was sought, And when 't was found straightway the bargain closed; There was no end unto the things she bought, Nor to the trouble which her fancies caused; Yet even her tyranny had such a grace, The women pardon'd all except her face.

Juan, the latest of her whims, had caught Her eye in passing on his way to sale; She order'd him directly to be bought, And Baba, who had ne'er been known to fail In any kind of mischief to be wrought, At all such auctions knew how to prevail: She had no prudence, but he had; and this Explains the garb which Juan took amiss.

His youth and features favour'd the disguise, And, should you ask how she, a sultan's bride, Could risk or compass such strange phantasies, This I must leave sultanas to decide: Emperors are only husbands in wives' eyes, And kings and consorts oft are mystified, As we may ascertain with due precision, Some by experience, others by tradition.

But to the main point, where we have been tending:— She now conceived all difficulties past, And deem'd herself extremely condescending When, being made her property at last, Without more preface, in her blue eyes blending Passion and power, a glance on him she cast, And merely saying, 'Christian, canst thou love?' Conceived that phrase was quite enough to move