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Dawn O'Hara, The Girl Who Laughed
by Edna Ferber
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"How wonderfully you understand her, and how right you are! Her knowing seems to make it as it should be, doesn't it? I am braver already, for the knowledge of it. It shall make no difference between us?"

"There is no difference, Dawn," said he.

"No. It is only in the story-books that they sigh, and groan and utter silly nonsense. We are not like that. Perhaps, after a bit, you will meet some one you care for greatly—not plump, or blond, or German, perhaps, but still—"

"Doch you are flippant?"

"I must say those things to keep the tears back. You would not have me wailing here in the street. Tell me just one thing, and there shall be no more fluttering breaths and languishing looks. Tell me, when did you begin to care?"

We had reached Knapfs' door-step. The short winter day was already drawing to its close. In the half-light Von Gerhard's eyes glowed luminous.

"Since the day I first met you at Norah's," he said, simply.

I stared at him, aghast, my ever-present sense of humor struggling to the surface. "Not—not on that day when you came into the room where I sat in the chair by the window, with a flowered quilt humped about my shoulders! And a fever-sore twisting my mouth! And my complexion the color of cheese, and my hair plastered back from my forehead, and my eyes like boiled onions!"

"Thank God for your gift of laughter," Von Gerhard said, and took my hand in his for one brief moment before he turned and walked away.

Quite prosaically I opened the big front door at Knapfs' to find Herr Knapf standing in the hallway with his:

"Nabben', Frau Orme."

And there was the sane and soothing scent of Wienerschnitzel and spluttering things in the air. And I ran upstairs to my room and turned on all the lights and looked at the starry-eyed creature in the mirror. Then I took the biggest, newest photograph of Norah from the mantel and looked at her for a long, long minute, while she looked back at me in her brave true way.

"Thank you, dear," I said to her. "Thank you. Would you think me stagey and silly if I were to kiss you, just once, on your beautiful trusting eyes?"

A telephone bell tinkled downstairs and Herr Knapf stationed himself at the foot of the stairs and roared my name.

When I had picked up the receiver: "This is Ernst," said the voice at the other end of the wire. "I have just remembered that I had asked you down-town for supper."

"I would rather thank God fasting," I replied, very softly, and hung the receiver on its hook.



CHAPTER XII. BENNIE THE CONSOLER

In a corner of Frau Nirlanger's bedroom, sheltered from draughts and glaring light, is a little wooden bed, painted blue and ornamented with stout red roses that are faded by time and much abuse. Every evening at eight o'clock three anxious-browed women hold low-spoken conclave about the quaint old bed, while its occupant sleeps and smiles as he sleeps, and clasps to his breast a chewed-looking woolly dog. For a new joy has come to the sad little Frau Nirlanger, and I, quite by accident, was the cause of bringing it to her. The queer little blue bed, with its faded roses, was brought down from the attic by Frau Knapf, for she is one of the three foster mothers of the small occupant of the bed. The occupant of the bed is named Bennie, and a corporation formed for the purpose of bringing him up in the way he should go is composed of: Dawn O'Hara Orme, President and Distracted Guardian; Mrs. Konrad Nirlanger, Cuddler-in-chief and Authority on the Subject of Bennie's Bed-time; Mr. Blackie Griffith, Good Angel, General Cut-up and Monitor off'n Bennie's Neckties and Toys; Dr. Ernst von Gerhard, Chief Medical Adviser, and Sweller of the Exchequer, with the Privilege of Selecting All Candies. Members of the corporation meet with great frequency evenings and Sundays, much to the detriment of a certain Book-in-the-making with which Dawn O'Hara Orme was wont to struggle o' evenings.

Bennie had been one of those little tragedies that find their way into juvenile court. Bennie's story was common enough, but Bennie himself had been different. Ten minutes after his first appearance in the court room everyone, from the big, bald judge to the newest probation officer, had fallen in love with him. Somehow, you wanted to smooth the hair from his forehead, tip his pale little face upward, and very gently kiss his smooth, white brow. Which alone was enough to distinguish Bennie, for Juvenile court children, as a rule, are distinctly not kissable.

Bennie's mother was accused of being unfit to care for her boy, and Bennie was temporarily installed in the Detention Home. There the superintendent and his plump and kindly wife had fallen head over heels in love with him, and had dressed him in a smart little Norfolk suit and a frivolous plaid silk tie. There were delays in the case, and postponement after postponement, so that Bennie appeared in the court room every Tuesday for four weeks. The reporters, and the probation officers and policemen became very chummy with Bennie, and showered him with bright new pennies and certain wonderful candies. Superintendent Arnett of the Detention Home was as proud of the boy as though he were his own. And when Bennie would look shyly and questioningly into his face for permission to accept the proffered offerings, the big superintendent would chuckle delightedly. Bennie had a strangely mobile face for such a baby, and the whitest, smoothest brow I have ever seen.

The comedy and tears and misery and laughter of the big, white-walled court room were too much for Bennie. He would gaze about with puzzled blue eyes; then, giving up the situation as something too vast for his comprehension, he would fall to drawing curly-cues on a bit of paper with a great yellow pencil presented him by one of the newspaper men.

Every Tuesday the rows of benches were packed with a motley crowd of Poles, Russians, Slavs, Italians, Greeks, Lithuanians—a crowd made up of fathers, mothers, sisters, brothers, aunts, uncles, neighbors, friends, and enemies of the boys and girls whose fate was in the hands of the big man seated in the revolving chair up in front. But Bennie's mother was not of this crowd; this pitiful, ludicrous crowd filling the great room with the stifling, rancid odor of the poor. Nor was Bennie. He sat, clear-eyed and unsmiling, in the depths of a great chair on the court side of the railing and gravely received the attentions of the lawyers, and reporters and court room attaches who had grown fond of the grave little figure.

Then, on the fifth Tuesday, Bennie's mother appeared. How she had come to be that child's mother God only knows—or perhaps He had had nothing to do with it. She was terribly sober and frightened. Her face was swollen and bruised, and beneath one eye there was a puffy green-and-blue swelling. Her sordid story was common enough as the probation officer told it. The woman had been living in one wretched room with the boy. Her husband had deserted her. There was no food, and little furniture. The queer feature of it, said the probation officer, was that the woman managed to keep the boy fairly neat and clean, regardless of her own condition, and he generally had food of some sort, although the mother sometimes went without food for days. Through the squalor and misery and degradation of her own life Bennie had somehow been kept unsullied, a thing apart.

"H'm!" said judge Wheeling, and looked at Bennie. Bennie was standing beside his mother. He was very quiet, and his eyes were smiling up into those of the battered creature who was fighting for him. "I guess we'll have to take you out of this," the judge decided, abruptly. "That boy is too good to go to waste."

The sodden, dazed woman before him did not immediately get the full meaning of his words. She still stood there, swaying a bit, and staring unintelligently at the judge. Then, quite suddenly, she realized it. She took a quick step forward. Her hand went up to her breast, to her throat, to her lips, with an odd, stifled gesture.

"You ain't going to take him away! From me! No, you wouldn't do that, would you? Not for—not for always! You wouldn't do that—you wouldn't—"

Judge Wheeling waved her away. But the woman dropped to her knees.

"Judge, give me a chance! I'll stop drinking. Only don't take him away from me! Don't, judge, don't! He's all I've got in the world. Give me a chance. Three months! Six months! A year!"

"Get up!" ordered judge Wheeling, gruffly, "and stop that! It won't do you a bit of good."

And then a wonderful thing happened. The woman rose to her feet. A new and strange dignity had come into her battered face. The lines of suffering and vice were erased as by magic, and she seemed to grow taller, younger, almost beautiful. When she spoke again it was slowly and distinctly, her words quite free from the blur of the barroom and street vernacular.

"I tell you you must give me a chance. You cannot take a child from a mother in this way. I tell you, if you will only help me I can crawl back up the road that I've traveled. I was not always like this. There was another life, before—before—Oh, since then there have been years of blackness, and hunger, and cold and—worse! But I never dragged the boy into it. Look at him!"

Our eyes traveled from the woman's transfigured face to that of the boy. We could trace a wonderful likeness where before we had seen none. But the woman went on in her steady, even tone.

"I can't talk as I should, because my brain isn't clear. It's the drink. When you drink, you forget. But you must help me. I can't do it alone. I can remember how to live straight, just as I can remember how to talk straight. Let me show you that I'm not all bad. Give me a chance. Take the boy and then give him back to me when you are satisfied. I'll try—God only knows how I'll try. Only don't take him away forever, Judge! Don't do that!"

Judge Wheeling ran an uncomfortable finger around his collar's edge.

"Any friends living here?"

"No! No!"

"Sure about that?"

"Quite sure."

"Now see here; I'm going to give you your chance. I shall take this boy away from you for a year. In that time you will stop drinking and become a decent, self-supporting woman. You will be given in charge of one of these probation officers. She will find work for you, and a good home, and she'll stand by you, and you must report to her. If she is satisfied with you at the end of the year, the boy goes back to you."

"She will be satisfied," the woman said, simply. She stooped and taking Bennie's face between her hands kissed him once. Then she stepped aside and stood quite still, looking after the little figure that passed out of the court room with his hand in that of a big, kindly police officer. She looked until the big door had opened and closed upon them.

Then—well, it was just another newspaper story. It made a good one. That evening I told Frau Nirlanger about it, and she wept, softly, and murmured: "Ach, das arme baby! Like my little Oscar he is, without a mother." I told Ernst about him too, and Blackie, because I could not get his grave little face out of my mind. I wondered if those who had charge of him now would take the time to bathe the little body, and brush the soft hair until it shone, and tie the gay plaid silk tie as lovingly as "Daddy" Arnett of the Detention Home had done.

Then it was that I, quite unwittingly, stepped into Bennie's life.

There was an anniversary, or a change in the board of directors, or a new coat of paint or something of the kind in one of the orphan homes, and the story fell to me. I found the orphan home to be typical of its kind—a big, dreary, prison-like structure. The woman at the door did not in the least care to let me in. She was a fish-mouthed woman with a hard eye, and as I told my errand her mouth grew fishier and the eye harder. Finally she led me down a long, dark, airless stretch of corridor and departed in search of the matron, leaving me seated in the unfriendly reception room, with its straight-backed chairs placed stonily against the walls, beneath rows of red and blue and yellow religious pictures.

Just as I was wondering why it seemed impossible to be holy and cheerful at the same time, there came a pad-padding down the corridor. The next moment the matron stood in the doorway. She was a mountainous, red-faced woman, with warts on her nose.

"Good-afternoon," I said, sweetly. ("Ugh! What a brute!") I thought. Then I began to explain my errand once more. Criticism of the Home? No indeed, I assured her. At last, convinced of my disinterestedness she reluctantly guided me about the big, gloomy building. There were endless flights of shiny stairs, and endless stuffy, airless rooms, until we came to a door which she flung open, disclosing the nursery. It seemed to me that there were a hundred babies—babies at every stage of development, of all sizes, and ages and types. They glanced up at the opening of the door, and then a dreadful thing happened.

Every child that was able to walk or creep scuttled into the farthest corners and remained quite, quite still with a wide-eyed expression of fear and apprehension on every face.

For a moment my heart stood still. I turned to look at the woman by my side. Her thin lips were compressed into a straight, hard line. She said a word to a nurse standing near, and began to walk about, eying the children sharply. She put out a hand to pat the head of one red-haired mite in a soiled pinafore; but before her hand could descend I saw the child dodge and the tiny hand flew up to the head, as though in defense.

"They are afraid of her!" my sick heart told me. "Those babies are afraid of her! What does she do to them? I can't stand this. I'm going."

I mumbled a hurried "Thank you," to the fat matron as I turned to leave the big, bare room. At the head of the stairs there was a great, black door. I stopped before it—God knows why!—and pointed toward it.

"What is in that room?" I asked. Since then I have wondered many times at the unseen power that prompted me to put the question.

The stout matron bustled on, rattling her keys as she walked.

"That—oh, that's where we keep the incorrigibles."

"May I see them?" I asked, again prompted by that inner voice.

"There is only one." She grudgingly unlocked the door, using one of the great keys that swung from her waist. The heavy, black door swung open. I stepped into the bare room, lighted dimly by one small window. In the farthest corner crouched something that stirred and glanced up at our entrance. It peered at us with an ugly look of terror and defiance, and I stared back at it, in the dim light. During one dreadful, breathless second I remained staring, while my heart stood still. Then—"Bennie!" I cried. And stumbled toward him. "Bennie—boy!"

The little unkempt figure, in its soiled knickerbocker suit, the sunny hair all uncared for, the gay plaid tie draggled and limp, rushed into my arms with a crazy, inarticulate cry.

Down on my knees on the bare floor I held him close—close! and his arms were about my neck as though they never should unclasp.

"Take me away! Take me away!" His wet cheek was pressed against my own streaming one. "I want my mother! I want Daddy Arnett! Take me away!"

I wiped his cheeks with my notebook or something, picked him up in my arms, and started for the door. I had quite forgotten the fat matron.

"What are you doing?" she asked, blocking the doorway with her huge bulk.

"I'm going to take him back with me. Please let me! I'll take care of him until the year is up. He shan't bother you any more."

"That is impossible," she said, coldly. "He has been sent here by the court, for a year, and he must stay here. Besides, he is a stubborn, uncontrollable child."

"Uncontrollable! He's nothing of the kind! Why don't you treat him as a child should be treated, instead of like a little animal? You don't know him! Why, he's the most lovable—I And he's only a baby! Can't you see that? A baby!"

She only stared her dislike, her little pig eyes grown smaller and more glittering.

"You great—big—thing!" I shrieked at her, like an infuriated child. With the tears streaming down my cheeks I unclasped Bennie's cold hands from about my neck. He clung to me, frantically, until I had to push him away and run.

The woman swung the door shut, and locked it. But for all its thickness I could hear Bennie's helpless fists pounding on its panels as I stumbled down the stairs, and Bennie's voice came faintly to my ears, muffled by the heavy door, as he shrieked to me to take him away to his mother, and to Daddy Arnett.

I blubbered all the way back in the car, until everyone stared, but I didn't care. When I reached the office I made straight for Blackie's smoke-filled sanctum. When my tale was ended he let me cry all over his desk, with my head buried in a heap of galley-proofs and my tears watering his paste-pot. He sat calmly by, smoking. Finally he began gently to philosophize. "Now girl, he's prob'ly better off there than he ever was at home with his mother soused all the time. Maybe he give that warty matron friend of yours all kinds of trouble, yellin' for his ma."

I raised my head from the desk. "Oh, you can talk! You didn't see him. What do you care! But if you could have seen him, crouched there—alone—like a little animal! He was so sweet—and lovable—and—and—he hadn't been decently washed for weeks—and his arms clung to me—I can feel his hands about my neck!—"

I buried my head in the papers again. Blackie went on smoking. There was no sound in the little room except the purr-purring of Blackie's pipe. Then:

"I done a favor for Wheeling once," mused he.

I glanced up, quickly. "Oh, Blackie, do you think—"

"No, I don't. But then again, you can't never tell. That was four or five years ago, and the mem'ry of past favors grows dim fast. Still, if you're through waterin' the top of my desk, why I'd like t' set down and do a little real brisk talkin' over the phone. You're excused."

Quite humbly I crept away, with hope in my heart.

To this day I do not know what secret string the resourceful Blackie pulled. But the next afternoon I found a hastily scrawled note tucked into the roll of my typewriter. It sent me scuttling across the hall to the sporting editor's smoke-filled room. And there on a chair beside the desk, surrounded by scrap-books, lead pencils, paste-pot and odds and ends of newspaper office paraphernalia, sat Bennie. His hair was parted very smoothly on one side, and under his dimpled chin bristled a very new and extremely lively green-and-red plaid silk tie.

The next instant I had swept aside papers, brushes, pencils, books, and Bennie was gathered close in my arms. Blackie, with a strange glow in his deep-set black eyes regarded us with an assumed disgust.

"Wimmin is all alike. Ain't it th' truth? I used t' think you was different. But shucks! It ain't so. Got t' turn on the weeps the minute you're tickled or mad. Why say, I ain't goin' t' have you comin' in here an' dampenin' up the whole place every little while! It's unhealthy for me, sittin' here in the wet."

"Oh, shut up, Blackie," I said, happily. "How in the world did you do it?"

"Never you mind. The question is, what you goin' t' do with him, now you've got him? Goin' t' have a French bunny for him, or fetch him up by hand? Wheeling appointed a probation skirt to look after the crowd of us, and we got t' toe the mark."

"Glory be!" I ejaculated. "I don't know what I shall do with him. I shall have to bring him down with me every morning, and perhaps you can make a sporting editor out of him."

"Nix. Not with that forehead. He's a high-brow. We'll make him dramatic critic. In the meantime, I'll be little fairy godmother, an' if you'll get on your bonnet I'll stake you and the young 'un to strawberry shortcake an' chocolate ice cream."

So it happened that a wondering Frau Knapf and a sympathetic Frau Nirlanger were called in for consultation an hour later. Bennie was ensconced in my room, very wide-eyed and wondering, but quite content. With the entrance of Frau Nirlanger the consultation was somewhat disturbed. She made a quick rush at him and gathered him in her hungry arms.

"Du baby du!" she cried. "Du Kleiner! And she was down on her knees, and somehow her figure had melted into delicious mother-curves, with Bennie's head just fitting into that most gracious one between her shoulder and breast. She cooed to him in a babble of French and German and English, calling him her lee-tel Oscar. Bennie seemed miraculously to understand. Perhaps he was becoming accustomed to having strange ladies snatch him to their breasts.

"So," said Frau Nirlanger, looking up at us. "Is he not sweet? He shall be my lee-tel boy, nicht? For one small year he shall be my own boy. Ach, I am but lonely all the long day here in this strange land. You will let me care for him, nicht? And Konrad, he will be very angry, but that shall make no bit of difference. Eh, Oscar?"

And so the thing was settled, and an hour later three anxious-browed women were debating the weighty question of eggs or bread-and-milk for Bennie's supper. Frau Nirlanger was for soft-boiled eggs as being none too heavy after orphan asylum fare; I was for bread-and-milk, that being the prescribed supper dish for all the orphans and waifs that I had ever read about, from "The Wide, Wide World" to "Helen's Babies," and back again. Frau Knapf was for both eggs and bread-and-milk with a dash of meat and potatoes thrown in for good measure, and a slice or so of Kuchen on the side. We compromised on one egg, one glass of milk, and a slice of lavishly buttered bread, and jelly. It was a clean, sweet, sleepy-eyed Bennie that we tucked between the sheets. We three women stood looking down at him as he lay there in the quaint old blue-painted bed that had once held the plump little Knapfs.

"You think anyway he had enough supper? mused the anxious-browed Frau Knapf.

"To school he will have to go, yes?" murmured Frau Nirlanger, regretfully.

I tucked in the covers at one side of the bed, not that they needed tucking, but because it was such a comfortable, satisfying thing to do.

"Just at this minute," I said, as I tucked, "I'd rather be a newspaper reporter than anything else in the world. As a profession 'tis so broadenin', an' at the same time, so chancey."



CHAPTER XIII. THE TEST

Some day the marriageable age for women will be advanced from twenty to thirty, and the old maid line will be changed from thirty to forty. When that time comes there will be surprisingly few divorces. The husband of whom we dream at twenty is not at all the type of man who attracts us at thirty. The man I married at twenty was a brilliant, morbid, handsome, abnormal creature with magnificent eyes and very white teeth and no particular appetite at mealtime. The man whom I could care for at thirty would be the normal, safe and substantial sort who would come in at six o'clock, kiss me once, sniff the air twice and say: "Mm! What's that smells so good, old girl? I'm as hungry as a bear. Trot it out. Where are the kids?"

These are dangerous things to think upon. So dangerous and disturbing to the peace of mind that I have decided not to see Ernst von Gerhard for a week or two. I find that seeing him is apt to make me forget Peter Orme; to forget that my duty begins with a capital D; to forget that I am dangerously near the thirty year old mark; to forget Norah, and Max, and the Spalpeens, and the world, and everything but the happiness of being near him, watching his eyes say one thing while his lips say another.

At such times I am apt to work myself up into rather a savage frame of mind, and to shut myself in my room evenings, paying no heed to Frau Nirlanger's timid knocking, or Bennie's good-night message. I uncover my typewriter and set to work at the thing which may or may not be a book, and am extremely wretched and gloomy and pessimistic, after this fashion:

"He probably wouldn't care anything about you if you were free. It is just a case of the fruit that is out of reach being the most desirable. Men don't marry frumpy, snuffy old things of thirty, or thereabouts. Men aren't marrying now-a-days, anyway. Certainly not for love. They marry for position, or power, or money, when they do marry. Think of all the glorious creatures he meets every day—women whose hair, and finger-nails and teeth and skin are a religion; women whose clothes are a fine art; women who are free to care only for themselves; to rest, to enjoy, to hear delightful music, and read charming books, and eat delicious food. He doesn't really care about you, with your rumpled blouses, and your shabby gloves and shoes, and your somewhat doubtful linen collars. The last time you saw him you were just coming home from the office after a dickens of a day, and there was a smudge on the end of your nose, and he told you of it, laughing. But you didn't laugh. You rubbed it off, furiously, and you wanted to cry. Cry! You, Dawn O'Hara! Begorra! 'Tis losin' your sense av humor you're after doin'! Get to work."

After which I would fall upon the book in a furious, futile fashion, writing many incoherent, irrelevant paragraphs which I knew would be cast aside as worthless on the sane and reasoning to-morrow.

Oh, it had been easy enough to talk of love in a lofty, superior impersonal way that New Year's day. Just the luxury of speaking of it at all, after those weeks of repression, sufficed. But it is not so easy to be impersonal and lofty when the touch of a coat sleeve against your arm sends little prickling, tingling shivers racing madly through thousands of too taut nerves. It is not so easy to force the mind and tongue into safe, sane channels when they are forever threatening to rush together in an overwhelming torrent that will carry misery and destruction in its wake. Invariably we talk with feverish earnestness about the book; about my work at the office; about Ernst's profession, with its wonderful growth; about Norah, and Max and the Spalpeens, and the home; about the latest news; about the weather; about Peter Orme—and then silence.

At our last meeting things took a new and startling turn. So startling, so full of temptation and happiness-that-must-not-be, that I resolved to forbid myself the pain and joy of being, near him until I could be quite sure that my grip on Dawn O'Hara was firm, unshakable and lasting.

Von Gerhard sports a motor-car, a rakish little craft, built long and low, with racing lines, and a green complexion, and a nose that cuts through the air like the prow of a swift boat through water. Von Gerhard had promised me a spin in it on the first mild day. Sunday turned out to be unexpectedly lamblike, as only a March day can be, with real sunshine that warmed the end of one's nose instead of laughing as it tweaked it, as the lying February sunshine had done.

"But warmly you must dress yourself," Von Gerhard warned me, "with no gauzy blouses or sleeveless gowns. The air cuts like a knife, but it feels good against the face. And a little road-house I know, where one is served great steaming plates of hot oyster stew. How will that be for a lark, yes?"

And so I had swathed myself in wrappings until I could scarcely clamber into the panting little car, and we had darted off along the smooth lake drives, while the wind whipped the scarlet into our cheeks, even while it brought the tears to our eyes. There was no chance for conversation, even if Von Gerhard had been in talkative mood, which he was not. He seemed more taciturn than usual, seated there at the wheel, looking straight ahead at the ribbon of road, his eyes narrowed down to mere keen blue slits. I realized, without alarm, that he was driving furiously and lawlessly, and I did not care. Von Gerhard was that sort of man. One could sit quite calmly beside him while he pulled at the reins of a pair of runaway horses, knowing that he would conquer them in the end.

Just when my face began to feel as stiff and glazed as a mummy's, we swung off the roadway and up to the entrance of the road-house that was to revive us with things hot and soupy.

"Another minute," I said, through stiff lips, as I extricated myself from my swathings, "and I should have been what Mr. Mantalini described as a demnition body. For pity's sake, tell 'em the soup can't be too hot nor too steaming for your lady friend. I've had enough fresh air to last me the remainder of my life. May I timidly venture to suggest that a cheese sandwich follow the oyster stew? I am famished, and this place looks as though it might make a speciality of cheese sandwiches."

"By all means a cheese sandwich. Und was noch? That fresh air it has given you an appetite, nicht wahr?" But there was no sign of a smile on his face, nor was the kindly twinkle of amusement to be seen in his eyes—that twinkle that I had learned to look for.

"Smile for the lady," I mockingly begged when we had been served. "You've been owlish all the afternoon. Here, try a cheese sandwich. Now, why do you suppose that this mustard tastes so much better than the kind one gets at home?"

Von Gerhard had been smoking a cigarette, the first that I had ever seen in his fingers. Now he tossed it into the fireplace that yawned black and empty at one side of the room. He swept aside the plates and glasses that stood before him, leaned his arms on the table and deliberately stared at me.

"I sail for Europe in June, to be gone a year—probably more," he said.

"Sail!" I echoed, idiotically; and began blindly to dab clots of mustard on that ridiculous sandwich.

"I go to study and work with Gluck. It is the opportunity of a lifetime. Gluck is to the world of medicine what Edison is to the world of electricity. He is a wizard, a man inspired. You should see him—a little, bent, grizzled, shabby old man who looks at you, and sees you not. It is a wonderful opportunity, a—"

The mustard and the sandwich and the table and Von Gerhard's face were very indistinct and uncertain to my eyes, but I managed to say: "So glad—congratulate you—very happy—no doubt fortunate—"

Two strong hands grasped my wrists. "Drop that absurd mustard spoon and sandwich. Na, I did not mean to frighten you, Dawn. How your hands tremble. So, look at me. You would like Vienna, Kindchen. You would like the gayety, and the brightness of it, and the music, and the pretty women, and the incomparable gowns. Your sense of humor would discern the hollowness beneath all the pomp and ceremony and rigid lines of caste, and military glory; and your writer's instinct would revel in the splendor, and color and romance and intrigue."

I shrugged my shoulders in assumed indifference. "Can't you convey all this to me without grasping my wrists like a villain in a melodrama? Besides, it isn't very generous or thoughtful of you to tell me all this, knowing that it is not for me. Vienna for you, and Milwaukee and cheese sandwiches for me. Please pass the mustard."

But the hold on my wrists grew firmer. Von Gerhard's eyes were steady as they gazed into mine. "Dawn, Vienna, and the whole world is waiting for you, if you will but take it. Vienna—and happiness—with me—"

I wrenched my wrists free with a dreadful effort and rose, sick, bewildered, stunned. My world—my refuge of truth, and honor, and safety and sanity that had lain in Ernst von Gerhard's great, steady hands, was slipping away from me. I think the horror that I felt within must have leaped to my eyes, for in an instant Von Gerhard was beside me, steadying me with his clear blue eyes. He did not touch the tips of my fingers as he stood there very near me. From the look of pain on his face I knew that I had misunderstood, somehow.

"Kleine, I see that you know me not," he said, in German, and the saying it was as tender as is a mother when she reproves a child that she loves. "This fight against the world, those years of unhappiness and misery, they have made you suspicious and lacking in trust, is it not so? You do not yet know the perfect love that casts out all doubt. Dawn, I ask you in the name of all that is reasoning, and for the sake of your happiness and mine, to divorce this man Peter Orme—this man who for almost ten years has not been your husband—who never can be your husband. I ask you to do something which will bring suffering to no one, and which will mean happiness to many. Let me make you happy—you were born to be happy—you who can laugh like a girl in spite of your woman's sorrows—"

But I sank into a chair and hid my face in my hands so that I might be spared the beauty and the tenderness of his eyes. I tried to think of all the sane and commonplace things in life. Somewhere in my inner consciousness a cool little voice was saying, over and over again:

"Now, Dawn, careful! You've come to the crossroads at last. Right or left? Choose! Now, Dawn, careful!" and the rest of it all over again.

When I lifted my face from my hands at last it was to meet the tenderness of Von Gerhard's gaze with scarcely a tremor.

"You ought to know," I said, very slowly and evenly, "that a divorce, under these circumstances, is almost impossible, even if I wished to do what you suggest. There are certain state laws—"

An exclamation of impatience broke from him. "Laws! In some states, yes. In others, no. It is a mere technicality—a trifle! There is about it a bit of that which you call red tape. It amounts to nothing—to that!" He snapped his fingers. "A few months' residence in another state, perhaps. These American laws, they are made to break."

"Yes; you are quite right," I said, and I knew in my heart that the cool, insistent little voice within had not spoken in vain. "But there are other laws—laws of honor and decency, and right living and conscience—that cannot be broken with such ease. I cannot marry you. I have a husband."

"You can call that unfortunate wretch your husband! He does not know that he has a wife. He will not know that he has lost a wife. Come, Dawn—small one—be not so foolish. You do not know how happy I will make you. You have never seen me except when I was tortured with doubts and fears. You do not know what our life will be together. There shall be everything to make you forget—everything that thought and love and money can give you. The man there in the barred room—"

At that I took his dear hands in mine and held them close as I miserably tried to make him hear what that small, still voice had told me.

"There! That is it! If he were free, if he were able to stand before men that his actions might be judged fairly and justly, I should not hesitate for one single, precious moment. If he could fight for his rights, or relinquish them, as he saw fit, then this thing would not be so monstrous. But, Ernst, can't you see? He is there, alone, in that dreadful place, quite helpless, quite incapable, quite at our mercy. I should as soon think of hurting a little child, or snatching the pennies from a blind man's cup. The thing is inhuman! It is monstrous! No state laws, no red tape can dissolve such a union."

"You still care for him!"

"Ernst!"

His face was very white with the pallor of repressed emotion, and his eyes were like the blue flame that one sees flashing above a bed of white-hot coals.

"You do care for him still. But yes! You can stand there, quite cool—but quite—and tell me that you would not hurt him, not for your happiness, not for mine. But me you can hurt again and again, without one twinge of regret."

There was silence for a moment in the little bare dining-room—a miserable silence on my part, a bitter one for Ernst. Then Von Gerhard seated himself again at the table opposite and smiled one of the rare smiles that illumined his face with such sweetness.

"Come, Dawn, almost we are quarreling—we who were to have been so matter-of-fact and sensible. Let us make an end of this question. You will think of what I have said, will you not? Perhaps I was too abrupt, too brutal. Ach, Dawn, you know not how I—Very well, I will not."

With both hands I was clinging to my courage and praying for strength to endure this until I should be alone in my room again.

"As for that poor creature who is bereft of reason, he shall lack no care, no attention. The burden you have borne so long I shall take now upon my shoulders."

He seemed so confident, so sure. I could bear it no longer. "Ernst, if you have any pity, any love for me, stop! I tell you I can never do this. Why do you make it so terribly hard for me! So pitilessly hard! You always have been so strong, so sure, such a staff of courage."

"I say again, and again, and again, you do not care."

It was then that I took my last vestige of strength and courage together and going over to him, put my two hands on his great shoulders, looking up into his drawn face as I spoke.

"Ernst, look at me! You never can know how much I care. I care so much that I could not bear to have the shadow of wrong fall upon our happiness. There can be no lasting happiness upon a foundation of shameful deceit. I should hate myself, and you would grow to hate me. It always is so. Dear one, I care so much that I have the strength to do as I would do if I had to face my mother, and Norah tonight. I don't ask you to understand. Men are not made to understand these things; not even a man such as you, who are so beautifully understanding. I only ask that you believe in me—and think of me sometimes—I shall feel it, and be helped. Will you take me home now, Dr. von Gerhard?"

The ride home was made in silence. The wind was colder, sharper. I was chilled, miserable, sick. Von Gerhard's face was quite expressionless as he guided the little car over the smooth road. When we had stopped before my door, still without a word, I thought that he was going to leave me with that barrier of silence unbroken. But as I stepped stiffly to the curbing his hands closed about mine with the old steady grip. I looked up quickly, to find a smile in the corners of the tired eyes.

"You—you will let me see you—sometimes?"

But wisdom came to my aid. "Not now. It is better that we go our separate ways for a few weeks, until our work has served to adjust the balance that has been disturbed. At the end of that time I shall write you, and from that time until you sail in June we shall be just good comrades again. And once in Vienna—who knows?—you may meet the plump blond Fraulein, of excellent family—"

"And no particular imagination—"

And then we both laughed, a bit hysterically, because laughter is, after all, akin to tears. And the little green car shot off with a whir as I turned to enter my new world of loneliness.



CHAPTER XIV. BENNIE AND THE CHARMING OLD MAID

There followed a blessed week of work—a "human warious" week, with something piquant lurking at every turn. A week so busy, so kaleidoscopic in its quick succession of events that my own troubles and grievances were pushed into a neglected corner of my mind and made to languish there, unfed by tears or sighs.

News comes in cycles. There are weeks when a city editor tears his hair in vain as he bellows for a first-page story. There follow days so bristling with real, live copy that perfectly good stuff which, in the ordinary course of events might be used to grace the front sheet, is sandwiched away between the marine intelligence and the Elgin butter reports.

Such a week was this. I interviewed everything from a red-handed murderer to an incubator baby. The town seemed to be running over with celebrities. Norberg, the city editor, adores celebrities. He never allows one to escape uninterviewed. On Friday there fell to my lot a world-famous prima donna, an infamous prize-fighter, and a charming old maid. Norberg cared not whether the celebrity in question was noted for a magnificent high C, or a left half-scissors hook, so long as the interview was dished up hot and juicy, with plenty of quotation marks, a liberal sprinkling of adjectives and adverbs, and a cut of the victim gracing the top of the column.

It was long past the lunch hour when the prima donna and the prize-fighter, properly embellished, were snapped on the copy hook. The prima donna had chattered in French; the prize-fighter had jabbered in slang; but the charming old maid, who spoke Milwaukee English, was to make better copy than a whole chorus of prima donnas, or a ring full of fighters. Copy! It was such wonderful stuff that I couldn't use it.

It was with the charming old maid in mind that Norberg summoned me.

"Another special story for you," he cheerfully announced.

No answering cheer appeared upon my lunchless features. "A prize-fighter at ten-thirty, and a prima donna at twelve. What's the next choice morsel? An aeronaut with another successful airship? or a cash girl who has inherited a million?"

Norberg's plump cheeks dimpled. "Neither. This time it is a nice German old maid."

"Eloped with the coachman, no doubt?"

"I said a nice old maid. And she hasn't done anything yet. You are to find out how she'll feel when she does it."

"Charmingly lucid," commented I, made savage by the pangs of hunger.

Norberg proceeded to outline the story with characteristic vigor, a cigarette waggling from the corner of his mouth.

"Name and address on this slip. Take a Greenfield car. Nice old maid has lived in nice old cottage all her life. Grandfather built it himself about a hundred years ago. Whole family was born in it, and married in it, and died in it, see? It's crammed full of spinning-wheels and mahogany and stuff that'll make your eyes stick out. See? Well, there's no one left now but the nice old maid, all alone. She had a sister who ran away with a scamp some years ago. Nice old maid has never heard of her since, but she leaves the gate ajar or the latch-string open, or a lamp in the window, or something, so that if ever she wanders back to the old home she'll know she's welcome, see?"

"Sounds like a moving picture play," I remarked.

"Wait a minute. Here's the point. The city wants to build a branch library or something on her property, and the nice old party is so pinched for money that she'll have to take their offer. So the time has come when she'll have to leave that old cottage, with its romance, and its memories, and its lamp in the window, and go to live in a cheap little flat, see? Where the old four-poster will choke up the bedroom—"

"And the parlor will be done in red and green," I put in, eagerly, "and where there will be an ingrowing sideboard in the dining-room that won't fit in with the quaint old dinner-set at all, and a kitchenette just off that, in which the great iron pots and kettles that used to hold the family dinners will be monstrously out of place—"

"You're on," said Norberg.

Half an hour later I stood before the cottage, set primly in the center of a great lot that extended for half a square on all sides. A winter-sodden, bare enough sight it was in the gray of that March day. But it was not long before Alma Pflugel, standing in the midst of it, the March winds flapping her neat skirts about her ankles, filled it with a blaze of color. As she talked, a row of stately hollyhocks, pink, and scarlet, and saffron, reared their heads against the cottage sides. The chill March air became sweet with the scent of heliotrope, and Sweet William, and pansies, and bridal wreath. The naked twigs of the rose bushes flowered into wondrous bloom so that they bent to the ground with their weight of crimson and yellow glory. The bare brick paths were overrun with the green of growing things. Gray mounds of dirt grew vivid with the fire of poppies. Even the rain-soaked wood of the pea-frames miraculously was hidden in a hedge of green, over which ran riot the butterfly beauty of the lavender, and pink, and cerise blossoms. Oh, she did marvelous things that dull March day, did plain German Alma Pflugel! And still more marvelous were the things that were to come.

But of these things we knew nothing as the door was opened and Alma Pflugel and I gazed curiously at one another. Surprise was writ large on her honest face as I disclosed my errand. It was plain that the ways of newspaper reporters were foreign to the life of this plain German woman, but she bade me enter with a sweet graciousness of manner.

Wondering, but silent, she led the way down the dim narrow hallway to the sitting-room beyond. And there I saw that Norberg had known whereof he spoke.

A stout, red-faced stove glowed cheerfully in one corner of the room. Back of the stove a sleepy cat opened one indolent eye, yawned shamelessly, and rose to investigate, as is the way of cats. The windows were aglow with the sturdy potted plants that flower-loving German women coax into bloom. The low-ceilinged room twinkled and shone as the polished surfaces of tables and chairs reflected the rosy glow from the plethoric stove. I sank into the depths of a huge rocker that must have been built for Grosspapa Pflugel's generous curves. Alma Pflugel, in a chair opposite, politely waited for this new process of interviewing to begin, but relaxed in the embrace of that great armchair I suddenly realized that I was very tired and hungry, and talk-weary, and that here; was a great peace. The prima donna, with her French, and her paint, and her pearls, and the prizefighter with his slang, and his cauliflower ear, and his diamonds, seemed creatures of another planet. My eyes closed. A delicious sensation of warmth and drowsy contentment stole over me.

"Do listen to the purring of that cat!" I murmured. "Oh, newspapers have no place in this. This is peace and rest."

Alma Pflugel leaned forward in her chair. "You—you like it?"

"Like it! This is home. I feel as though my mother were here in this room, seated in one of those deep chairs, with a bit of sewing in her hand; so near that I could touch her cheek with my fingers."

Alma Pflugel rose from her chair and came over to me. She timidly placed her hand on my arm. "Ah, I am so glad you are like that. You do not laugh at the low ceilings, and the sunken floors, and the old-fashioned rooms. You do not raise your eyes in horror and say: 'No conveniences! And why don't you try striped wall paper? It would make those dreadful ceilings seem higher.' How nice you are to understand like that!"

My hand crept over to cover her own that lay on my arm. "Indeed, indeed I do understand," I whispered. Which, as the veriest cub reporter can testify, is no way to begin an interview.

A hundred happy memories filled the little low room as Alma Pflugel showed me her treasures. The cat purred in great content, and the stove cast a rosy glow over the scene as the simple woman told the story of each precious relic, from the battered candle-dipper on the shelf, to the great mahogany folding table, and sewing stand, and carved bed. Then there was the old horn lantern that Jacob Pflugel had used a century before, and in one corner of the sitting-room stood Grossmutter Pflugel's spinning-wheel. Behind cupboard doors were ranged the carefully preserved blue-and-white china dishes, and on the shelf below stood the clumsy earthen set that Grosspapa Pflugel himself had modeled for his young bride in those days of long ago. In the linen chest there still lay, in neat, fragrant folds, piles of the linen that had been spun on that time-yellowed spinning-wheel. And because of the tragedy in the honest face bent over these dear treasures, and because she tried so bravely to hide her tears, I knew in my heart that this could never be a newspaper story.

"So," said Alma Pflugel at last, and rose and walked slowly to the window and stood looking out at the wind-swept garden. That window, with its many tiny panes, once had looked out across a wilderness, with an Indian camp not far away. Grossmutter Pflugel had sat at that window many a bitter winter night, with her baby in her arms, watching and waiting for the young husband who was urging his ox-team across the ice of Lake Michigan in the teeth of a raging blizzard.

The little, low-ceilinged room was very still. I looked at Alma Pflugel standing there at the window in her neat blue gown, and something about the face and figure—or was it the pose of the sorrowful head?—seemed strangely familiar. Somewhere in my mind the resemblance haunted me. Resemblance to—what? Whom?

"Would you like to see my garden?" asked Alma Pflugel, turning from the window. For a moment I stared in wonderment. But the honest, kindly face was unsmiling. "These things that I have shown you, I can take with me when I—go. But there," and she pointed out over the bare, wind-swept lot, "there is something that I cannot take. My flowers! You see that mound over there, covered so snug and warm with burlap and sacking? There my tulips and hyacinths sleep. In a few weeks, when the covering is whisked off—ah, you shall see! Then one can be quite sure that the spring is here. Who can look at a great bed of red and pink and lavender and yellow tulips and hyacinths, and doubt it? Come."

With a quick gesture she threw a shawl over her head, and beckoned me. Together we stepped out into the chill of the raw March afternoon. She stood a moment, silent, gazing over the sodden earth. Then she flitted swiftly down the narrow path, and halted before a queer little structure of brick, covered with the skeleton of a creeping vine. Stooping, Alma Pflugel pulled open the rusty iron door and smiled up at me.

"This was my grandmother's oven. All her bread she baked in this little brick stove. Black bread it was, with a great thick crust, and a bitter taste. But it was sweet, too. I have never tasted any so good. I like to think of Grossmutter, when she was a bride, baking her first batch of bread in this oven that Grossvater built for her. And because the old oven was so very difficult to manage, and because she was such a young thing—only sixteen!—I like to think that her first loaves were perhaps not so successful, and that Grosspapa joked about them, and that the little bride wept, so that the young husband had to kiss away the tears."

She shut the rusty, sagging door very slowly and gently. "No doubt the workmen who will come to prepare the ground for the new library will laugh and joke among themselves when they see the oven, and they will kick it with their heels, and wonder what the old brick mound could have been."

There was a little twisted smile on her face as she rose—a smile that brought a hot mist of tears to my eyes. There was tragedy itself in that spare, homely figure standing there in the garden, the wind twining her skirts about her.

"You should but see the children peering over the fence to see my flowers in the summer," she said. The blue eyes wore a wistful, far-away look. "All the children know my garden. It blooms from April to October. There I have my sweet peas; and here my roses—thousands of them! Some are as red as a drop of blood, and some as white as a bridal wreath. When they are blossoming it makes the heart ache, it is so beautiful."

She had quite forgotten me now. For her the garden was all abloom once more. It was as though the Spirit of the Flowers had touched the naked twigs with fairy fingers, waking them into glowing life for her who never again was to shower her love and care upon them.

"These are my poppies. Did you ever come out in the morning to find a hundred poppy faces smiling at you, and swaying and glistening and rippling in the breeze? There they are, scarlet and pink, side by side as only God can place them. And near the poppies I planted my pansies, because each is a lesson to the other. I call my pansies little children with happy faces. See how this great purple one winks his yellow eye, and laughs!"

Her gray shawl had slipped back from her face and lay about her shoulders, and the wind had tossed her hair into a soft fluff about her head.

"We used to come out here in the early morning, my little Schwester and I, to see which rose had unfolded its petals overnight, or whether this great peony that had held its white head so high only yesterday, was humbled to the ground in a heap of ragged leaves. Oh, in the morning she loved it best. And so every summer I have made the garden bloom again, so that when she comes back she will see flowers greet her.

"All the way up the path to the door she will walk in an aisle of fragrance, and when she turns the handle of the old door she will find it unlocked, summer and winter, day and night, so that she has only to turn the knob and enter."

She stopped, abruptly. The light died out of her face. She glanced at me, half defiantly, half timidly, as one who is not quite sure of what she has said. At that I went over to her, and took her work-worn hands in mine, and smiled down into the faded blue eyes grown dim with tears and watching.

"Perhaps—who knows?—the little sister may come yet. I feel it. She will walk up the little path, and try the handle of the door, and it will turn beneath her fingers, and she will enter."

With my arm about her we walked down the path toward the old-fashioned arbor, bare now except for the tendrils that twined about the lattice. The arbor was fitted with a wooden floor, and there were rustic chairs, and a table. I could picture the sisters sitting there with their sewing during the long, peaceful summer afternoons. Alma Pflugel would be wearing one of her neat gingham gowns, very starched and stiff, with perhaps a snowy apron edged with a border of heavy crochet done by the wrinkled fingers of Grossmutter Pflugel. On the rustic table there would be a bowl of flowers, and a pot of delicious Kaffee, and a plate of German Kaffeekuchen, and through the leafy doorway the scent of the wonderful garden would come stealing.

I thought of the cheap little flat, with the ugly sideboard, and the bit of weedy yard in the rear, and the alley beyond that, and the red and green wall paper in the parlor. The next moment, to my horror, Alma Pflugel had dropped to her knees before the table in the damp little arbor, her face in her hands, her spare shoulders shaking.

"Ich kann's nicht thun!" she moaned. "Ich kann nicht! Ach, kleine Schwester, wo bist du denn! Nachts und Morgens bete ich, aber doch kommst du nicht."

A great dry sob shook her. Her hand went to her breast, to her throat, to her lips, with an odd, stifled gesture.

"Do that again!" I cried, and shook Alma Pflugel sharply by the shoulder. "Do that again!"

Her startled blue eyes looked into mine. "What do you mean?" she asked.

"That—that gesture. I've seen it—somewhere—that trick of pressing the hand to the breast, to the throat, to the lips—Oh!"

Suddenly I knew. I lifted the drooping head and rumpled its neat braids, and laughed down into the startled face.

"She's here!" I shouted, and started a dance of triumph on the shaky floor of the old arbor. "I know her. From the moment I saw you the resemblance haunted me." And then as Alma Pflugel continued to stare, while the stunned bewilderment grew in her eyes, "Why, I have one-fourth interest in your own nephew this very minute. And his name is Bennie!"

Whereupon Alma Pflugel fainted quietly away in the chilly little grape arbor, with her head on my shoulder.

I called myself savage names as I chafed her hands and did all the foolish, futile things that distracted humans think of at such times, wondering, meanwhile, if I had been quite mad to discern a resemblance between this simple, clear-eyed gentle German woman, and the battered, ragged, swaying figure that had stood at the judge's bench.

Suddenly Alma Pflugel opened her eyes. Recognition dawned in them slowly. Then, with a jerk, she sat upright, her trembling hands clinging to me.

"Where is she? Take me to her. Ach, you are sure—sure?"

"Lordy, I hope so! Come, you must let me help you into the house. And where is the nearest telephone? Never mind; I'll find one."

When I had succeeded in finding the nearest drug store I spent a wild ten minutes telephoning the surprised little probation officer, then Frau Nirlanger, and finally Blackie, for no particular reason. I shrieked my story over the wire in disconnected, incoherent sentences. Then I rushed back to the little cottage where Alma Pflugel and I waited with what patience we could summon.

Blackie was the first to arrive. He required few explanations. That is one of the nicest things about Blackie. He understands by leaps and bounds, while others crawl to comprehension. But when Frau Nirlanger came, with Bennie in tow, there were tears, and exclamations, followed by a little stricken silence on the part of Frau Nirlanger when she saw Bennie snatched to the breast of this weeping woman. So it was that in the midst of the confusion we did not hear the approach of the probation officer and her charge. They came up the path to the door, and there the little sister turned the knob, and it yielded under her fingers, and the old door swung open; and so she entered the house quite as Alma Pflugel had planned she should, except that the roses were not blooming along the edge of the sunken brick walk.

She entered the room in silence, and no one could have recognized in this pretty, fragile creature the pitiful wreck of the juvenile court. And when Alma Pflugel saw the face of the little sister—the poor, marred, stricken face—her own face became terrible in its agony. She put Bennie down very gently, rose, and took the shaking little figure in her strong arms, and held it as though never to let it go again. There were little broken words of love and pity. She called her "Lammchen" and "little one," and so Frau Nirlanger and Blackie and I stole away, after a whispered consultation with the little probation officer.

Blackie had come in his red runabout, and now he tucked us into it, feigning a deep disgust.

"I'd like to know where I enter into this little drayma," he growled. "Ain't I got nothin' t' do but run around town unitin' long lost sisters an' orphans!"

"Now, Blackie, you know you would never have forgiven me if I had left you out of this. Besides, you must hustle around and see that they need not move out of that dear little cottage. Now don't say a word! You'll never have a greater chance to act the fairy godmother."

Frau Nirlanger's hand sought mine and I squeezed it in silent sympathy. Poor little Frau Nirlanger, the happiness of another had brought her only sorrow. And she had kissed Bennie good-by with the knowledge that the little blue-painted bed, with its faded red roses, would again stand empty in the gloom of the Knapf attic.

Norberg glanced up quickly as I entered the city room. "Get something good on that south side story?" he asked.

"Why, no," I answered. "You were mistaken about that. The—the nice old maid is not going to move, after all."



CHAPTER XV. FAREWELL TO KNAPFS

Consternation has corrugated the brows of the aborigines. Consternation twice confounded had added a wrinkle or two to my collection. We are homeless. That is, we are Knapfless—we, to whom the Knapfs spelled home.

Herr Knapf, mustache aquiver, and Frau Knapf, cheek bones glistening, broke the news to us one evening just a week after the exciting day which so changed Bennie's life. "Es thut uns sehr, sehr leid," Herr Knapf had begun. And before he had finished, protesting German groans mingled with voluble German explanations. The aborigines were stricken down. They clapped pudgy fists to knobby foreheads; they smote their breasts, and made wild gestures with their arms. If my protests were less frenzied than theirs, it was only because my knowledge of German stops at words of six syllables.

Out of the chaos of ejaculations and interrogation the reason for our expulsion at last was made clear. The little German hotel had not been remunerative. Our host and hostess were too hospitable and too polite to state the true reason for this state of affairs. Perhaps rents were too high. Perhaps, thought I, Frau Knapf had been too liberal with the butter in the stewed chicken. Perhaps there had been too many golden Pfannkuchen with real eggs and milk stirred into them, and with toothsome little islands of ruddy currant jelly on top. Perhaps there had been too much honest, nourishing food, and not enough boarding-house victuals. At any rate, the enterprise would have to be abandoned.

It was then that the bare, bright little dining room, with its queer prints of chin-chucking lieutenants, and its queerer faces, and its German cookery became very dear to me. I had grown to like Frau Knapf, of the shining cheek bones, and Herr Knapf, of the heavy geniality. A close bond of friendship had sprung up between Frau Nirlanger and me. I would miss her friendly visits, and her pretty ways, and her sparkling conversation. She and I had held many kimonoed pow-wows, and sometimes—not often—she had given me wonderful glimpses of that which she had left—of Vienna, the opera, the court, the life which had been hers. She talked marvelously well, for she had all the charm and vivacity of the true Viennese. Even the aborigines, bristling pompadours, thick spectacles, terrifying manner, and all, became as dear as old friends, now that I knew I must lose them.

The great, high-ceilinged room upstairs had taken on the look of home. The Blue-beard closet no longer appalled me. The very purpleness of the purple roses in the rug had grown beautiful in my eyes because they were part of that little domain which spelled peace and comfort and kindness. How could I live without the stout yellow brocade armchair! Its plethoric curves were balm for my tired bones. Its great lap admitted of sitting with knees crossed, Turk-fashion. Its cushioned back stopped just at the point where the head found needed support. Its pudgy arms offered rest for tired elbows; its yielding bosom was made for tired backs. Given the padded comfort of that stout old chair—a friendly, time-tried book between my fingers—a dish of ruddy apples twinkling in the fire-light; my mundane soul snuggled in content. And then, too, the book-in-the-making had grown in that room. It had developed from a weak, wobbling uncertainty into a lusty full-blooded thing that grew and grew until it promised soon to become mansize.

Now all this was to be changed. And I knew that I would miss the easy German atmosphere of the place; the kindness they had shown me; the chattering, admiring Minna; the taffy-colored dachshund; the aborigines with their ill-smelling pipes and flappy slippers; the Wienerschnitzel; the crushed-looking wives and the masterful German husbands; the very darns in the table-cloths and the very nicks in the china.

We had a last family gathering in token of our appreciation of Herr and Frau Knapf. And because I had not seen him for almost three weeks; and because the time for his going was drawing so sickeningly near; and because I was quite sure that I had myself in hand; and because he knew the Knapfs, and was fond of them; and because-well, I invited Von Gerhard. He came, and I found myself dangerously glad to see him, so that I made my greeting as airy and frivolous as possible. Perhaps I overdid the airy business, for Von Gerhard looked at me for a long, silent minute, until the nonsense I had been chattering died on my lips, and I found myself staring up at him like a child that is apprehensive of being scolded for some naughtiness.

"Not so much chatter, small one," he said, unsmilingly. "This pretense, it is not necessary between you and me. So. You are ein bischen blasz, nicht? A little pale? You have not been ill, Dawn?"

"Ill? Never felt more chipper in my life," I made flippant answer, "and I adore these people who are forever telling one how unusually thin, or pale, or scrawny one is looking."

"Na, they are not to be satisfied, these women! If I were to tell you how lovely you look to me to-night you would draw yourself up with chill dignity and remind me that I am not privileged to say these things to you. So I discreetly mention that you are looking, interestingly pale, taking care to keep all tenderness out of my tones, and still you are not pleased." He shrugged despairing shoulders.

"Can't you strike a happy medium between rudeness and tenderness? After all, I haven't had a glimpse of your blond beauty for three weeks. And while I don't ask you to whisper sweet nothings, still, after twenty-one days—"

"You have been lonely? If only I thought that those weeks have been as wearisome to you—"

"Not lonely exactly," I hurriedly interrupted, "but sort of wishing that some one would pat me on the head and tell me that I was a good doggie. You know what I mean. It is so easy to become accustomed to thoughtfulness and devotion, and so dreadfully hard to be happy without it, once one has had it. This has been a sort of training for what I may expect when Vienna has swallowed you up."

"You are still obstinate? These three weeks have not changed you? Ach, Dawn! Kindchen!—"

But I knew that these were thin spots marked "Danger!" in our conversational pond. So, "Come," said I. "I have two new aborigines for you to meet. They are the very shiniest and wildest of all our shiny-faced and wild aborigines. And you should see their trousers and neckties! If you dare to come back from Vienna wearing trousers like these!—"

"And is the party in honor of these new aborigines?" laughed Von Gerhard. "You did not explain in your note. Merely you asked me to come, knowing that I cared not if it were a lawn fete or a ball, so long as I might again be with you."

We were on our way to the dining room, where the festivities were to be held. I stopped and turned a look of surprise upon him.

"Don't you know that the Knapfs are leaving? Did I neglect to mention that this is a farewell party for Herr and Frau Knapf? We are losing our home, and we have just one week in which to find another."

"But where will you go? And why did you not tell me this before?"

"I haven't an idea where I shall lay my poor old head. In the lap of the gods, probably, for I don't know how I shall find the time to interview landladies and pack my belongings in seven short days. The book will have to suffer for it. Just when it was getting along so beautifully, too."

There was a dangerous tenderness in Von Gerhard's eyes as he said: "Again you are a wanderer, eh—small one? That you, with your love of beautiful things, and your fastidiousness, should have to live in this way—in these boarding-houses, alone, with not even the comforts that should be yours. Ach, Kindchen, you were not made for that. You were intended for the home, with a husband, and kinder, and all that is truly worth while."

I swallowed a lump in my throat as I shrugged my shoulders. "Pooh! Any woman can have a husband and babies," I retorted, wickedly. "But mighty few women can write a book. It's a special curse."

"And you prefer this life—this existence, to the things that I offer you! You would endure these hardships rather than give up the nonsensical views which you entertain toward your—"

"Please. We were not to talk of that. I am enduring no hardships. Since I have lived in this pretty town I have become a worshiper of the goddess Gemutlichkeit. Perhaps I shan't find another home as dear to my heart as this has been, but at least I shan't have to sleep on a park bench, and any one can tell you that park benches have long been the favored resting place of genius. There is Frau Nirlanger beckoning us. Now do stop scowling, and smile for the lady. I know you will get on beautifully with the aborigines."

He did get on with them so beautifully that in less than half an hour they were swapping stories of Germany, of Austria, of the universities, of student life. Frau Knapf served a late supper, at which some one led in singing Auld Lang Syne, although the sounds emanating from the aborigines' end of the table sounded suspiciously like Die Wacht am Rhein. Following that the aborigines rose en masse and roared out their German university songs, banging their glasses on the table when they came to the chorus until we all caught the spirit of it and banged our glasses like rathskeller veterans. Then the red-faced and amorous Fritz, he of the absent Lena, announced his intention of entertaining the company. Made bold by an injudicious mixture of Herr Knapf's excellent beer, and a wonderful punch which Von Gerhard had concocted, Fritz mounted his chair, placed his plump hand over the spot where he supposed his heart to be, fastened his watery blue eyes upon my surprised and blushing countenance, and sang "Weh! Dass Wir Scheiden Mussen!" in an astonishingly beautiful barytone. I dared not look at Von Gerhard, for I knew that he was purple with suppressed mirth, so I stared stonily at the sardine sandwich and dill pickle on my plate, and felt myself growing hot and hysterical, and cold and tearful by turns.

At the end of the last verse I rose hastily and brought from their hiding-place the gifts which we of Knapfs' had purchased as remembrances for Herr and Frau Knapf. I had been delegated to make the presentation speech, so I grasped in one hand the too elaborate pipe that was to make Herr Knapf unhappy, and the too fashionable silk umbrella that was to appall Frau Knapf, and ascended the little platform at the end of the dining room, and began to speak in what I fondly thought to be fluent and highsounding German. Immediately the aborigines went off into paroxysms of laughter. They threw back their heads and roared, and slapped their thighs, and spluttered. It appeared that they thought I was making a humorous speech. At that discovery I cast dignity aside and continued my speech in the language of a German vaudeville comedian, with a dash of Weber and Field here and there. With the presentation of the silk umbrella Frau Knapf burst into tears, groped about helplessly for her apron, realized that it was missing from its accustomed place, and wiped her tears upon her cherished blue silk sleeve in the utter abandon of her sorrow. We drank to the future health and prosperity of our tearful host and hostess, and some one suggested drei mal drei, to which we responded in a manner to make the chin-chucking lieutenant tremble in his frame on the wall.

When it was all over Frau Nirlanger beckoned me, and she, Dr. von Gerhard and I stole out into the hall and stood at the foot of the stairway, discussing our plans for the future, and trying to smile as we talked of this plan and that. Frau Nirlanger, in the pretty white gown, was looking haggard and distrait. The oogly husband was still in the dining room, finishing the beer and punch, of which he had already taken too much.

"A tiny apartment we have taken," said Frau Nirlanger, softly. "It is better so. Then I shall have a little housework, a little cooking, a little marketing to keep me busy and perhaps happy." Her hand closed over mine. "But that shall us not separate," she pleaded. "Without you to make me sometimes laugh what should I then do? You will bring her often to our little apartment, not?" she went on, turning appealingly to Von Gerhard.

"As often as Mrs. Orme will allow me," he answered.

"Ach, yes. So lonely I shall be. You do not know what she has been to me, this Dawn. She is brave for two. Always laughing she is, and merry, nicht wahr? Meine kleine Soldatin, I call her.

"Soldatin, eh?" mused Von Gerhard. "Our little soldier. She is well named. And her battles she fights alone. But quite alone." His eyes, as they looked down on me from his great height had that in them which sent the blood rushing and tingling to my finger-tips. I brought my hand to my head in stiff military salute.

"Inspection satisfactory, sir?"

He laughed a rueful little laugh. "Eminently. Aber ganz befriedigend."

He was very tall, and straight and good to look at as he stood there in the hall with the light from the newel-post illuminating his features and emphasizing his blondness. Frau Nirlanger's face wore a drawn little look of pain as she gazed at him, and from him to the figure of her husband who had just emerged from the dining room, and was making unsteady progress toward us. Herr Nirlanger's face was flushed and his damp, dark hair was awry so that one lock straggled limply down over his forehead. As he approached he surveyed us with a surly frown that changed slowly into a leering grin. He lurched over and placed a hand familiarly on my shoulder.

"We mus' part," he announced, dramatically. "O, weh! The bes' of frien's m'z part. Well, g'by, li'l interfering Teufel. F'give you, though, b'cause you're such a pretty li'l Teufel." He raised one hand as though to pat my check and because of the horror which I saw on the face of the woman beside me I tried to smile, and did not shrink from him. But with a quick movement Von Gerhard clutched the swaying figure and turned it so that it faced the stairs.

"Come Nirlanger! Time for hard-working men like you and me to be in bed. Mrs. Orme must not nod over her desk to-morrow, either. So good-night. Schlafen Sie wohl."

Konrad Nirlanger turned a scowling face over his shoulder. Then he forgot what he was scowling for, and smiled a leering smile.

"Pretty good frien's, you an' the li'l Teufel, yes? Guess we'll have to watch you, huh, Anna? We'll watch 'em, won't we?"

He began to climb the stairs laboriously, with Frau Nirlanger's light figure flitting just ahead of him. At the bend in the stairway she turned and looked down on us a moment, her eyes very bright and big. She pressed her fingers to her lips and wafted a little kiss toward us with a gesture indescribably graceful and pathetic. She viewed her husband's laborious progress, not daring to offer help. Then the turn in the stair hid her from sight.

In the dim quiet of the little hallway Von Gerhard held out his hands—those deft, manual hands—those steady, sure, surgeonly hands—hands to cling to, to steady oneself by, and because I needed them most just then, and because I longed with my whole soul to place both my weary hands in those strong capable ones and to bring those dear, cool, sane fingers up to my burning cheeks, I put one foot on the first stair and held out two chilly fingertips. "Good-night, Herr Doktor," I said, "and thank you, not only for myself, but for her. I have felt what she feels to-night. It is not a pleasant thing to be ashamed of one's husband."

Von Gerhard's two hands closed over that one of mine. "Dawn, you will let me help you to find comfortable quarters? You cannot tramp about from place to place all the week. Let us get a list of addresses, and then, with the machine, we can drive from one to the other in an hour. It will at least save you time and strength."

"Go boarding-house hunting in a stunning green automobile!" I exclaimed. From my vantage point on the steps I could look down on him, and there came over me a great longing to run my fingers gently through that crisp blond hair, and to bring his head down close against my breast for one exquisite moment. So—"Landladies and oitermobiles!" I laughed. "Never! Don't you know that if they got one glimpse, through the front parlor windows, of me stepping grand-like out of your green motor car, they would promptly over-charge me for any room in the house? I shall go room-hunting in my oldest hat, with one finger sticking out of my glove."

Von Gerhard shrugged despairing shoulders.

"Na, of what use is it to plead with you. Sometimes I wonder if, after all, you are not merely amusing yourself. Getting copy, perhaps, for the book, or a new experience to add to your already varied store."

Abruptly I turned to hide my pain, and began to ascend the stairs. With a bound Von Gerhard was beside me, his face drawn and contrite.

"Forgive me, Dawn! I know that you are wisest. It is only that I become a little mad, I think, when I see you battling alone like this, among strangers, and know that I have not the right to help you. I knew not what I was saying. Come, raise your eyes and smile, like the little Soldatin that you are. So. Now I am forgiven, yes?"

I smiled cheerily enough into his blue eyes. "Quite forgiven. And now you must run along. This is scandalously late. The aborigines will be along saying 'Morgen!' instead of 'Nabben'!' if we stay here much longer. Good-night."

"You will give me your new address as soon as you have found a satisfactory home?"

"Never fear! I probably shall be pestering you with telephone calls, urging you to have pity upon me in my loneliness. Now goodnight again. I'm as full of farewells as a Bernhardt." And to end it I ran up the stairs. At the bend, just where Frau Nirlanger had turned, I too stopped and looked over my shoulder. Von Gerhard was standing as I had left him, looking up at me. And like Frau Nirlanger, I wafted a little kiss in his direction, before I allowed the bend in the stairs to cut off my view. But Von Gerhard did not signify by look or word that he had seen it, as he stood looking up at me, one strong white hand resting on the broad baluster.



CHAPTER XVI. JUNE MOONLIGHT, AND A NEW BOARDINGHOUSE

There was a week in which to scurry about for a new home. The days scampered by, tripping over one another in their haste. My sleeping hours were haunted by nightmares of landladies and impossible boarding-house bedrooms. Columns of "To Let, Furnished or Unfurnished" ads filed, advanced, and retreated before my dizzy eyes. My time after office hours was spent in climbing dim stairways, interviewing unenthusiastic females in kimonos, and peering into ugly bedrooms papered with sprawly and impossible patterns and filled with the odors of dead-and-gone dinners. I found one room less impossible than the rest, only to be told that the preference was to be given to a man who had "looked" the day before.

"I d'ruther take gents only," explained the ample person who carried the keys to the mansion. "Gents goes early in the morning and comes in late at night, and that's all you ever see of 'em, half the time. I've tried ladies, an' they get me wild, always yellin' for hot water to wash their hair, or pastin' handkerchiefs up on the mirr'r or wantin' to butt into the kitchen to press this or that. I'll let you know if the gent don't take it, but I got an idea he will."

He did. At any rate, no voice summoned me to that haven for gents only. There were other landladies—landladies fat and German; landladies lean and Irish; landladies loquacious (regardless of nationality); landladies reserved; landladies husbandless, wedded, widowed, divorced, and willing; landladies slatternly; landladies prim; and all hinting of past estates wherein there had been much grandeur.

At last, when despair gripped me, and I had horrid visions of my trunk, hat-box and typewriter reposing on the sidewalk while I, homeless, sat perched in the midst of them, I chanced upon a room which commanded a glorious view of the lake. True, it was too expensive for my slim purse; true, the owner of it was sour of feature; true, the room itself was cavernous and unfriendly and cold-looking, but the view of the great, blue lake triumphed over all these, although a cautious inner voice warned me that that lake view would cover a multitude of sins. I remembered, later, how she of the sour visage had dilated upon the subject of the sunrise over the water. I told her at the time that while I was passionately fond of sunrises myself, still I should like them just as well did they not occur so early in the morning. Whereupon she of the vinegar countenance had sniffed. I loathe landladies who sniff.

My trunk and trusty typewriter were sent on to my new home at noon, unchaperoned, for I had no time to spare at that hour of the day. Later I followed them, laden with umbrella, boxes, brown-paper parcels, and other unfashionable moving-day paraphernalia. I bumped and banged my way up the two flights of stairs that led to my lake view and my bed, and my heart went down as my feet went up. By the time the cavernous bedroom was gained I felt decidedly quivery-mouthed, so that I dumped my belongings on the floor in a heap and went to the window to gaze on the lake until my spirits should rise. But it was a gray day, and the lake looked large, and wet and unsociable. You couldn't get chummy with it. I turned to my great barn of a room. You couldn't get chummy with that, either. I began to unpack, with furious energy. In vain I turned every gas jet blazing high. They only cast dim shadows in the murky vastness of that awful chamber. A whole Fourth of July fireworks display, Roman candles, sky-rockets, pin-wheels, set pieces and all, could not have made that room take on a festive air.

As I unpacked I thought of my cosy room at Knapfs', and as I thought I took my head out of my trunk and sank down on the floor with a satin blouse in one hand, and a walking boot in the other, and wanted to bellow with loneliness. There came to me dear visions of the friendly old yellow brocade chair, and the lamplight, and the fireplace, and Frau Nirlanger, and the Pfannkuchen. I thought of the aborigines. In my homesick mind their bumpy faces became things of transcendent beauty. I could have put my head on their combined shoulders and wept down their blue satin neckties. In my memory of Frau Knapf it seemed to me that I could discern a dim, misty halo hovering above her tightly wadded hair. My soul went out to her as I recalled the shining cheek-bones, and the apron, and the chickens stewed in butter. I would have given a year out of my life to have heard that good-natured, "Nabben'." One aborigine had been wont to emphasize his after-dinner arguments with a toothpick brandished fiercely between thumb and finger. The brandisher had always annoyed me. Now I thought of him with tenderness in my heart and reproached myself for my fastidiousness. I should have wept if I had not had a walking boot in one hand, and a satin blouse in the other. A walking boot is but a cold comfort. And my thriftiness denied my tears the soiling of the blouse. So I sat up on my knees and finished the unpacking.

Just before dinner time I donned a becoming gown to chirk up my courage, groped my way down the long, dim stairs, and telephoned to Von Gerhard. It seemed to me that just to hear his voice would instill in me new courage and hope. I gave the number, and waited.

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