She thrust the paper between the leaves of her book, which she took in her hand, and walked with her stateliest air into the next room, where Lush immediately arose, awaiting her approach. When she was four yards from him, it was hardly an instant that she paused to say in a high tone, while she swept him with her eyelashes—

"Tell Mr. Grandcourt that his arrangements are just what I desired"—passing on without haste, and leaving Lush time to mingle some admiration of her graceful back with that half-amused sense of her spirit and impertinence, which he expressed by raising his eyebrows and just thrusting his tongue between his teeth. He really did not want her to be worse punished, and he was glad to think that it was time to go and lunch at the club, where he meant to have a lobster salad.

What did Gwendolen look forward to? When her husband returned he found her equipped in her riding-dress, ready to ride out with him. She was not again going to be hysterical, or take to her bed and say she was ill. That was the implicit resolve adjusting her muscles before she could have framed it in words, as she walked out of the room, leaving Lush behind her. She was going to act in the spirit of her message, and not to give herself time to reflect. She rang the bell for her maid, and went with the usual care through her change of toilet. Doubtless her husband had meant to produce a great effect on her: by-and-by perhaps she would let him see an effect the very opposite of what he intended; but at present all that she could show was a defiant satisfaction in what had been presumed to be disagreeable. It came as an instinct rather than a thought, that to show any sign which could be interpreted as jealousy, when she had just been insultingly reminded that the conditions were what she had accepted with her eyes open, would be the worst self-humiliation. She said to herself that she had not time to-day to be clear about her future actions; all she could be clear about was that she would match her husband in ignoring any ground for excitement. She not only rode, but went out with him to dine, contributing nothing to alter their mutual manner, which was never that of rapid interchange in discourse; and curiously enough she rejected a handkerchief on which her maid had by mistake put the wrong scent—a scent that Grandcourt had once objected to. Gwendolen would not have liked to be an object of disgust to this husband whom she hated: she liked all disgust to be on her side.

But to defer thought in this way was something like trying to talk without singing in her own ears. The thought that is bound up with our passion is as penetrative as air—everything is porous to it; bows, smiles, conversation, repartee, are mere honeycombs where such thoughts rushes freely, not always with a taste of honey. And without shutting herself up in any solitude, Gwendolen seemed at the end of nine or ten hours to have gone through a labyrinth of reflection, in which already the same succession of prospects had been repeated, the same fallacious outlets rejected, the same shrinking from the necessities of every course. Already she was undergoing some hardening effect from feeling that she was under eyes which saw her past actions solely in the light of her lowest motives. She lived back in the scenes of her courtship, with the new bitter consciousness of what had been in Grandcourt's mind—certain now, with her present experience of him, that he had a peculiar triumph in conquering her dumb repugnance, and that ever since their marriage he had had a cold exultation in knowing her fancied secret. Her imagination exaggerated every tyrannical impulse he was capable of. "I will insist on being separated from him"—was her first darting determination; then, "I will leave him whether he consents or not. If this boy becomes his heir, I have made an atonement." But neither in darkness nor in daylight could she imagine the scenes which must carry out those determinations with the courage to feel them endurable. How could she run away to her own family—carry distress among them, and render herself an object of scandal in the society she had left behind her? What future lay before her as Mrs. Grandcourt gone back to her mother, who would be made destitute again by the rupture of the marriage for which one chief excuse had been that it had brought that mother a maintenance? She had lately been seeing her uncle and Anna in London, and though she had been saved from any difficulty about inviting them to stay in Grosvenor Square by their wish to be with Rex, who would not risk a meeting with her, the transient visit she had had from them helped now in giving stronger color to the picture of what it would be for her to take refuge in her own family. What could she say to justify her flight? Her uncle would tell her to go back. Her mother would cry. Her aunt and Anna would look at her with wondering alarm. Her husband would have power to compel her. She had absolutely nothing that she could allege against him in judicious or judicial ears. And to "insist on separation!" That was an easy combination of words; but considered as an action to be executed against Grandcourt, it would be about as practicable as to give him a pliant disposition and a dread of other people's unwillingness. How was she to begin? What was she to say that would not be a condemnation of herself? "If I am to have misery anyhow," was the bitter refrain of her rebellious dreams, "I had better have the misery that I can keep to myself." Moreover, her capability of rectitude told her again and again that she had no right to complain of her contract, or to withdraw from it.

And always among the images that drove her back to submission was Deronda. The idea of herself separated from her husband, gave Deronda a changed, perturbing, painful place in her consciousness: instinctively she felt that the separation would be from him too, and in the prospective vision of herself as a solitary, dubiously-regarded woman, she felt some tingling bashfulness at the remembrance of her behavior towards him. The association of Deronda with a dubious position for herself was intolerable. And what would he say if he knew everything? Probably that she ought to bear what she had brought on herself, unless she were sure that she could make herself a better woman by taking any other course. And what sort of woman was she to be—solitary, sickened of life, looked at with a suspicious kind of pity?—even if she could dream of success in getting that dreary freedom. Mrs. Grandcourt "run away" would be a more pitiable creature than Gwendolen Harleth condemned to teach the bishop's daughters, and to be inspected by Mrs. Mompert.

One characteristic trait in her conduct is worth mentioning. She would not look a second time at the paper Lush had given her; and before ringing for her maid she locked it up in a traveling-desk which was at hand, proudly resolved against curiosity about what was allotted to herself in connection with Gadsmere—feeling herself branded in the minds of her husband and his confidant with the meanness that would accept marriage and wealth on any conditions, however dishonorable and humiliating.

Day after day the same pattern of thinking was repeated. There came nothing to change the situation—no new elements in the sketch—only a recurrence which engraved it. The May weeks went on into June, and still Mrs. Grandcourt was outwardly in the same place, presenting herself as she was expected to do in the accustomed scenes, with the accustomed grace, beauty, and costume; from church at one end of the week, through all the scale of desirable receptions, to opera at the other. Church was not markedly distinguished in her mind from the other forms of self-presentation, for marriage had included no instruction that enabled her to connect liturgy and sermon with any larger order of the world than that of unexplained and perhaps inexplicable social fashions. While a laudable zeal was laboring to carry the light of spiritual law up the alleys where law is chiefly known as the policeman, the brilliant Mrs. Grandcourt, condescending a little to a fashionable rector and conscious of a feminine advantage over a learned dean, was, so far as pastoral care and religious fellowship were concerned, in as complete a solitude as a man in a lighthouse.

Can we wonder at the practical submission which hid her constructive rebellion? The combination is common enough, as we know from the number of persons who make us aware of it in their own case by a clamorous unwearied statement of the reasons against their submitting to a situation which, on inquiry, we discover to be the least disagreeable within their reach. Poor Gwendolen had both too much and too little mental power and dignity to make herself exceptional. No wonder that Deronda now marked some hardening in a look and manner which were schooled daily to the suppression of feeling.

For example. One morning, riding in Rotten Row with Grandcourt by her side, she saw standing against the railing at the turn, just facing them, a dark-eyed lady with a little girl and a blonde boy, whom she at once recognized as the beings in all the world the most painful for her to behold. She and Grandcourt had just slackened their pace to a walk; he being on the outer side was the nearer to the unwelcome vision, and Gwendolen had not presence of mind to do anything but glance away from the dark eyes that met hers piercingly toward Grandcourt, who wheeled past the group with an unmoved face, giving no sign of recognition.

Immediately she felt a rising rage against him mingling with her shame for herself, and the words, "You might at least have raised your hat to her," flew impetuously to her lips—but did not pass them. If as her husband, in her company, he chose to ignore these creatures whom she herself had excluded from the place she was filling, how could she be the person to reproach him? She was dumb.

It was not chance, but her own design, that had brought Mrs. Glasher there with her boy. She had come to town under the pretext of making purchases—really wanting educational apparatus for her children, and had had interviews with Lush in which she had not refused to soothe her uneasy mind by representing the probabilities as all on the side of her ultimate triumph. Let her keep quiet, and she might live to see the marriage dissolve itself in one way or other—Lush hinted at several ways—leaving the succession assured to her boy. She had had an interview with Grandcourt, too, who had as usual told her to behave like a reasonable woman, and threatened punishment if she were troublesome; but had, also as usual, vindicated himself from any wish to be stingy, the money he was receiving from Sir Hugo on account of Diplow encouraging him to be lavish. Lydia, feeding on the probabilities in her favor, devoured her helpless wrath along with that pleasanter nourishment; but she could not let her discretion go entirely without the reward of making a Medusa-apparition before Gwendolen, vindictiveness and jealousy finding relief in an outlet of venom, though it were as futile as that of a viper already flung on the other side of the hedge. Hence, each day, after finding out from Lush the likely time for Gwendolen to be riding, she had watched at that post, daring Grandcourt so far. Why should she not take little Henleigh into the Park?

The Medusa-apparition was made effective beyond Lydia's conception by the shock it gave Gwendolen actually to see Grandcourt ignoring this woman who had once been the nearest in the world to him, along with the children she had borne him. And all the while the dark shadow thus cast on the lot of a woman destitute of acknowledged social dignity, spread itself over her visions of a future that might be her own, and made part of her dread on her own behalf. She shrank all the more from any lonely action. What possible release could there be for her from this hated vantage ground, which yet she dared not quit, any more than if fire had been raining outside it? What release, but death? Not her own death. Gwendolen was not a woman who could easily think of her own death as a near reality, or front for herself the dark entrance on the untried and invisible. It seemed more possible that Grandcourt should die:—and yet not likely. The power of tyranny in him seemed a power of living in the presence of any wish that he should die. The thought that his death was the only possible deliverance for her was one with the thought that deliverance would never come—the double deliverance from the injury with which other beings might reproach her and from the yoke she had brought on her own neck. No! she foresaw him always living, and her own life dominated by him; the "always" of her young experience not stretching beyond the few immediate years that seemed immeasurably long with her passionate weariness. The thought of his dying would not subsist: it turned as with a dream-change into the terror that she should die with his throttling fingers on her neck avenging that thought. Fantasies moved within her like ghosts, making no break in her more acknowledged consciousness and finding no obstruction in it: dark rays doing their work invisibly in the broad light.

Only an evening or two after that encounter in the Park, there was a grand concert at Klesmer's, who was living rather magnificently now in one of the large houses in Grosvenor Place, a patron and prince among musical professors. Gwendolen had looked forward to this occasion as one on which she was sure to meet Deronda, and she had been meditating how to put a question to him which, without containing a word that she would feel a dislike to utter, would yet be explicit enough for him to understand it. The struggle of opposite feelings would not let her abide by her instinct that the very idea of Deronda's relation to her was a discouragement to any desperate step towards freedom. The next wave of emotion was a longing for some word of his to enforce a resolve. The fact that her opportunities of conversation with him had always to be snatched in the doubtful privacy of large parties, caused her to live through them many times beforehand, imagining how they would take place and what she would say. The irritation was proportionate when no opportunity came; and this evening at Klesmer's she included Deronda in her anger, because he looked as calm as possible at a distance from her, while she was in danger of betraying her impatience to every one who spoke to her. She found her only safety in a chill haughtiness which made Mr. Vandernoodt remark that Mrs. Grandcourt was becoming a perfect match for her husband. When at last the chances of the evening brought Deronda near her, Sir Hugo and Mrs. Raymond were close by and could hear every word she said. No matter: her husband was not near, and her irritation passed without check into a fit of daring which restored the security of her self-possession. Deronda was there at last, and she would compel him to do what she pleased. Already and without effort rather queenly in her air as she stood in her white lace and green leaves she threw a royal permissiveness into her way of saying, "I wish you would come and see me to-morrow between five and six, Mr. Deronda."

There could be but one answer at that moment: "Certainly," with a tone of obedience.

Afterward it occurred to Deronda that he would write a note to excuse himself. He had always avoided making a call at Grandcourt's. He could not persuade himself to any step that might hurt her, and whether his excuse were taken for indifference or for the affectation of indifference it would be equally wounding. He kept his promise. Gwendolen had declined to ride out on the plea of not feeling well enough having left her refusal to the last moment when the horses were soon to be at the door—not without alarm lest her husband should say that he too would stay at home. Become almost superstitious about his power of suspicious divination, she had a glancing forethought of what she would do in that case—namely, have herself denied as not well. But Grandcourt accepted her excuse without remark, and rode off.

Nevertheless when Gwendolen found herself alone, and had sent down the order that only Mr. Deronda was to be admitted, she began to be alarmed at what she had done, and to feel a growing agitation in the thought that he would soon appear, and she should soon be obliged to speak: not of trivialities, as if she had no serious motive in asking him to come: and yet what she had been for hours determining to say began to seem impossible. For the first time the impulse of appeal to him was being checked by timidity, and now that it was too late she was shaken by the possibility that he might think her invitation unbecoming. If so, she would have sunk in his esteem. But immediately she resisted this intolerable fear as an infection from her husband's way of thinking. That he would say she was making a fool of herself was rather a reason why such a judgment would be remote from Deronda's mind. But that she could not rid herself from this sudden invasion of womanly reticence was manifest in a kind of action which had never occurred to her before. In her struggle between agitation and the effort to suppress it, she was walking up and down the length of the two drawing-rooms, where at one end a long mirror reflected her in her black dress, chosen in the early morning with a half-admitted reference to this hour. But above this black dress her head on its white pillar of a neck showed to advantage. Some consciousness of this made her turn hastily and hurry to the boudoir, where again there was a glass, but also, tossed over a chair, a large piece of black lace which she snatched and tied over her crown of hair so as completely to conceal her neck, and leave only her face looking out from the black frame. In this manifest contempt of appearance, she thought it possible to be freer from nervousness, but the black lace did not take away the uneasiness from her eyes and lips.

She was standing in the middle of the room when Deronda was announced, and as he approached her she perceived that he too for some reason was not his usual self. She could not have defined the change except by saying that he looked less happy than usual, and appeared to be under some effort in speaking to her. And yet the speaking was the slightest possible. They both said, "How do you do?" quite curtly; and Gwendolen, instead of sitting down, moved to a little distance, resting her arms slightly on the tall back of a chair, while Deronda stood where he was,—both feeling it difficult to say any more, though the preoccupation in his mind could hardly have been more remote than it was from Gwendolen's conception. She naturally saw in his embarrassment some reflection of her own. Forced to speak, she found all her training in concealment and self-command of no use to her and began with timid awkwardness—

"You will wonder why I begged you to come. I wanted to ask you something. You said I was ignorant. That is true. And what can I do but ask you?"

And at this moment she was feeling it utterly impossible to put the questions she had intended. Something new in her nervous manner roused Deronda's anxiety lest there might be a new crisis. He said with the sadness of affection in his voice—

"My only regret is, that I can be of so little use to you." The words and the tone touched a new spring in her, and she went on with more sense of freedom, yet still not saying anything she had designed to say, and beginning to hurry, that she might somehow arrive at the right words.

"I wanted to tell you that I have always been thinking of your advice, but is it any use?—I can't make myself different, because things about me raise bad feelings—and I must go on—I can alter nothing—it is no use."

She paused an instant, with the consciousness that she was not finding the right words, but began again hurriedly, "But if I go on I shall get worse. I want not to get worse. I should like to be what you wish. There are people who are good and enjoy great things—I know there are. I am a contemptible creature. I feel as if I should get wicked with hating people. I have tried to think that I would go away from everybody. But I can't. There are so many things to hinder me. You think, perhaps, that I don't mind. But I do mind. I am afraid of everything. I am afraid of getting wicked. Tell me what I can do."

She had forgotten everything but that image of her helpless misery which she was trying to make present to Deronda in broken allusive speech—wishing to convey but not express all her need. Her eyes were tearless, and had a look of smarting in their dilated brilliancy; there was a subdued sob in her voice which was more and more veiled, till it was hardly above a whisper. She was hurting herself with the jewels that glittered on her tightly-clasped fingers pressed against her heart.

The feeling Deronda endured in these moments he afterward called horrible. Words seemed to have no more rescue in them than if he had been beholding a vessel in peril of wreck—the poor ship with its many-lived anguish beaten by the inescapable storm. How could he grasp the long-growing process of this young creature's wretchedness?—how arrest and change it with a sentence? He was afraid of his own voice. The words that rushed into his mind seemed in their feebleness nothing better than despair made audible, or than that insensibility to another's hardship which applies precept to soothe pain. He felt himself holding a crowd of words imprisoned within his lips, as if the letting them escape would be a violation of awe before the mysteries of our human lot. The thought that urged itself foremost was—"Confess everything to your husband; have nothing concealed:"—the words carried in his mind a vision of reasons which would have needed much fuller expressions for Gwendolen to apprehend them, but before he had begun those brief sentences, the door opened and the husband entered.

Grandcourt had deliberately gone out and turned back to satisfy a suspicion. What he saw was Gwendolen's face of anguish framed black like a nun's, and Deronda standing three yards from her with a look of sorrow such as he might have bent on the last struggle of life in a beloved object. Without any show of surprise Grandcourt nodded to Deronda, gave a second look at Gwendolen, passed on, and seated himself easily at a little distance crossing his legs, taking out his handkerchief and trifling with it elegantly.

Gwendolen had shrunk and changed her attitude on seeing him, but she did not turn or move from her place. It was not a moment in which she could feign anything, or manifest any strong revulsion of feeling: the passionate movement of her last speech was still too strong within her. What she felt beside was a dull despairing sense that her interview with Deronda was at an end: a curtain had fallen. But he, naturally, was urged into self-possession and effort by susceptibility to what might follow for her from being seen by her husband in this betrayal of agitation; and feeling that any pretence of ease in prolonging his visit would only exaggerate Grandcourt's possible conjectures of duplicity, he merely said—

"I will not stay longer now. Good bye."

He put out his hand, and she let him press her poor little chill fingers; but she said no good-bye.

When he had left the room, Gwendolen threw herself into a seat, with an expectation as dull as her despair—the expectation that she was going to be punished. But Grandcourt took no notice: he was satisfied to have let her know that she had not deceived him, and to keep a silence which was formidable with omniscience. He went out that evening, and her plea of feeling ill was accepted without even a sneer.

The next morning at breakfast he said, "I am going yachting to the Mediterranean."

"When?" said Gwendolen, with a leap of heart which had hope in it.

"The day after to-morrow. The yacht is at Marseilles. Lush is gone to get everything ready."

"Shall I have mamma to stay with me, then?" said Gwendolen, the new sudden possibility of peace and affection filling her mind like a burst of morning light.

"No; you will go with me."



CHAPTER XLIX.

Ever in his soul That larger justice which makes gratitude Triumphed above resentment. 'Tis the mark Of regal natures, with the wider life. And fuller capability of joy:— Not wits exultant in the strongest lens To show you goodness vanished into pulp Never worth "thank you"—they're the devil's friars, Vowed to be poor as he in love and trust, Yet must go begging of a world that keeps Some human property.

Deronda, in parting from Gwendolen, had abstained from saying, "I shall not see you again for a long while: I am going away," lest Grandcourt should understand him to imply that the fact was of importance to her.

He was actually going away under circumstances so momentous to himself that when he set out to fulfill his promise of calling on her, he was already under the shadow of a solemn emotion which revived the deepest experience of his life.

Sir Hugo had sent for him to his chambers with the note—"Come immediately. Something has happened:" a preparation that caused him some relief when, on entering the baronet's study, he was received with grave affection instead of the distress which he had apprehended.

"It is nothing to grieve you, sir?" said Deronda, in a tone rather of restored confidence than question, as he took the hand held out to him. There was an unusual meaning in Sir Hugo's look, and a subdued emotion in his voice, as he said—

"No, Dan, no. Sit down. I have something to say."

Deronda obeyed, not without presentiment. It was extremely rare for Sir Hugo to show so much serious feeling.

"Not to grieve me, my boy, no. At least, if there is nothing in it that will grieve you too much. But I hardly expected that this—just this—would ever happen. There have been reasons why I have never prepared you for it. There have been reasons why I have never told you anything about your parentage. But I have striven in every way not to make that an injury to you."

Sir Hugo paused, but Deronda could not speak. He could not say, "I have never felt it an injury." Even if that had been true, he could not have trusted his voice to say anything. Far more than any one but himself could know of was hanging on this moment when the secrecy was to be broken. Sir Hugo had never seen the grand face he delighted in so pale—the lips pressed together with such a look of pain. He went on with a more anxious tenderness, as if he had a new fear of wounding.

"I have acted in obedience to your mother's wishes. The secrecy was her wish. But now she desires to remove it. She desires to see you. I will put this letter into your hands, which you can look at by-and-by. It will merely tell you what she wishes you to do, and where you will find her."

Sir Hugo held out a letter written on foreign paper, which Deronda thrust into his breast-pocket, with a sense of relief that he was not called on to read anything immediately. The emotion on Daniel's face had gained on the baronet, and was visibly shaking his composure. Sir Hugo found it difficult to say more. And Deronda's whole soul was possessed by a question which was the hardest in the world to utter. Yet he could not bear to delay it. This was a sacramental moment. If he let it pass, he could not recover the influences under which it was possible to utter the words and meet the answer. For some moments his eyes were cast down, and it seemed to both as if thoughts were in the air between them. But at last Deronda looked at Sir Hugo, and said, with a tremulous reverence in his voice—dreading to convey indirectly the reproach that affection had for years been stifling—

"Is my father also living?"

The answer came immediately in a low emphatic tone—"No."

In the mingled emotions which followed that answer it was impossible to distinguish joy from pain.

Some new light had fallen on the past for Sir Hugo too in this interview. After a silence in which Deronda felt like one whose creed is gone before he has religiously embraced another, the baronet said, in a tone of confession—

"Perhaps I was wrong, Dan, to undertake what I did. And perhaps I liked it a little too well—having you all to myself. But if you have had any pain which I might have helped, I ask you to forgive me."

"The forgiveness has long been there," said Deronda "The chief pain has always been on account of some one else—whom I never knew—whom I am now to know. It has not hindered me from feeling an affection for you which has made a large part of all the life I remember."

It seemed one impulse that made the two men clasp each other's hand for a moment.



BOOK VII.—THE MOTHER AND THE SON

CHAPTER L.

"If some mortal, born too soon, Were laid away in some great trance—the ages Coming and going all the while—till dawned His true time's advent; and could then record The words they spoke who kept watch by his bed, Then I might tell more of the breath so light Upon my eyelids, and the fingers warm Among my hair. Youth is confused; yet never So dull was I but, when that spirit passed, I turned to him, scarce consciously, as turns A water-snake when fairies cross his sleep." —BROWNING: Paracelsus.

This was the letter which Sir Hugo put into Deronda's hands:—

TO MY SON, DANIEL DERONDA.

My good friend and yours, Sir Hugo Mallinger, will have told you that I wish to see you. My health is shaken, and I desire there should be no time lost before I deliver to you what I have long withheld. Let nothing hinder you from being at the Albergo dell' Italia in Genoa by the fourteenth of this month. Wait for me there. I am uncertain when I shall be able to make the journey from Spezia, where I shall be staying. That will depend on several things. Wait for me—the Princess Halm-Eberstein. Bring with you the diamond ring that Sir Hugo gave you. I shall like to see it again.—Your unknown mother,

LEONORA HALM-EBERSTEIN.

This letter with its colorless wording gave Deronda no clue to what was in reserve for him; but he could not do otherwise than accept Sir Hugo's reticence, which seemed to imply some pledge not to anticipate the mother's disclosures; and the discovery that his life-long conjectures had been mistaken checked further surmise. Deronda could not hinder his imagination from taking a quick flight over what seemed possibilities, but he refused to contemplate any of them as more likely than another, lest he should be nursing it into a dominant desire or repugnance, instead of simply preparing himself with resolve to meet the fact bravely, whatever it might turn out to be.

In this state of mind he could not have communicated to any one the reason for the absence which in some quarters he was obliged to mention beforehand, least of all to Mordecai, whom it would affect as powerfully as it did himself, only in rather a different way. If he were to say, "I am going to learn the truth about my birth," Mordecai's hope would gather what might prove a painful, dangerous excitement. To exclude suppositions, he spoke of his journey as being undertaken by Sir Hugo's wish, and threw as much indifference as he could into his manner of announcing it, saying he was uncertain of its duration, but it would perhaps be very short.

"I will ask to have the child Jacob to stay with me," said Mordecai, comforting himself in this way, after the first mournful glances.

"I will drive round and ask Mrs. Cohen to let him come," said Mirah.

"The grandmother will deny you nothing," said Deronda. "I'm glad you were a little wrong as well as I," he added, smiling at Mordecai. "You thought that old Mrs. Cohen would not bear to see Mirah."

"I undervalued her heart," said Mordecai. "She is capable of rejoicing that another's plant blooms though her own be withered."

"Oh, they are dear good people; I feel as if we all belonged to each other," said Mirah, with a tinge of merriment in her smile.

"What should you have felt if that Ezra had been your brother?" said Deronda, mischievously—a little provoked that she had taken kindly at once to people who had caused him so much prospective annoyance on her account.

Mirah looked at him with a slight surprise for a moment, and then said, "He is not a bad man—I think he would never forsake any one." But when she uttered the words she blushed deeply, and glancing timidly at Mordecai, turned away to some occupation. Her father was in her mind, and this was a subject on which she and her brother had a painful mutual consciousness. "If he should come and find us!" was a thought which to Mirah sometimes made the street daylight as shadowy as a haunted forest where each turn screened for her an imaginary apparition.

Deronda felt what was her involuntary allusion, and understood the blush. How could he be slow to understand feelings which now seemed nearer than ever to his own? for the words of his mother's letter implied that his filial relation was not to be freed from painful conditions; indeed, singularly enough that letter which had brought his mother nearer as a living reality had thrown her into more remoteness for his affections. The tender yearning after a being whose life might have been the worse for not having his care and love, the image of a mother who had not had all her dues, whether of reverence or compassion, had long been secretly present with him in his observation of all the women he had come near. But it seemed now that this picturing of his mother might fit the facts no better than his former conceptions about Sir Hugo. He wondered to find that when this mother's very hand-writing had come to him with words holding her actual feeling, his affections had suddenly shrunk into a state of comparative neutrality toward her. A veiled figure with enigmatic speech had thrust away that image which, in spite of uncertainty, his clinging thought had gradually modeled and made the possessor of his tenderness and duteous longing. When he set off to Genoa, the interest really uppermost in his mind had hardly so much relation to his mother as to Mordecai and Mirah.

"God bless you, Dan!" Sir Hugo had said, when they shook hands. "Whatever else changes for you, it can't change my being the oldest friend you have known, and the one who has all along felt the most for you. I couldn't have loved you better if you'd been my own-only I should have been better pleased with thinking of you always as the future master of the Abbey instead of my fine nephew; and then you would have seen it necessary for you to take a political line. However—things must be as they may." It was a defensive movement of the baronet's to mingle purposeless remarks with the expression of serious feeling.

When Deronda arrived at the Italia in Genoa, no Princess Halm-Eberstein was there; but on the second day there was a letter for him, saying that her arrival might happen within a week, or might be deferred a fortnight and more; she was under circumstances which made it impossible for her to fix her journey more precisely, and she entreated him to wait as patiently as he could.

With this indefinite prospect of suspense on matters of supreme moment to him, Deronda set about the difficult task of seeking amusement on philosophic grounds, as a means of quieting excited feeling and giving patience a lift over a weary road. His former visit to the superb city had been only cursory, and left him much to learn beyond the prescribed round of sight-seeing, by spending the cooler hours in observant wandering about the streets, the quay, and the environs; and he often took a boat that he might enjoy the magnificent view of the city and harbor from the sea. All sights, all subjects, even the expected meeting with his mother, found a central union in Mordecai and Mirah, and the ideas immediately associated with them; and among the thoughts that most filled his mind while his boat was pushing about within view of the grand harbor was that of the multitudinous Spanish Jews centuries ago driven destitute from their Spanish homes, suffered to land from the crowded ships only for a brief rest on this grand quay of Genoa, overspreading it with a pall of famine and plague—dying mothers and dying children at their breasts—fathers and sons a-gaze at each other's haggardness, like groups from a hundred Hunger-towers turned out beneath the midday sun. Inevitably dreamy constructions of a possible ancestry for himself would weave themselves with historic memories which had begun to have a new interest for him on his discovery of Mirah, and now, under the influence of Mordecai, had become irresistibly dominant. He would have sealed his mind against such constructions if it had been possible, and he had never yet fully admitted to himself that he wished the facts to verify Mordecai's conviction: he inwardly repeated that he had no choice in the matter, and that wishing was folly—nay, on the question of parentage, wishing seemed part of that meanness which disowns kinship: it was a disowning by anticipation. What he had to do was simply to accept the fact; and he had really no strong presumption to go upon, now that he was assured of his mistake about Sir Hugo. There had been a resolved concealment which made all inference untrustworthy, and the very name he bore might be a false one. If Mordecai was wrong—if he, the so-called Daniel Deronda, were held by ties entirely aloof from any such course as his friend's pathetic hope had marked out?—he would not say "I wish"; but he could not help feeling on which side the sacrifice lay.

Across these two importunate thoughts, which he resisted as much as one can resist anything in that unstrung condition which belongs to suspense, there came continually an anxiety which he made no effort to banish—dwelling on it rather with a mournfulness, which often seems to us the best atonement we can make to one whose need we have been unable to meet. The anxiety was for Gwendolen. In the wonderful mixtures of our nature there is a feeling distinct from that exclusive passionate love of which some men and women (by no means all) are capable, which yet is not the same with friendship, nor with a merely benevolent regard, whether admiring or compassionate: a man, say—for it is a man who is here concerned—hardly represents to himself this shade of feeling toward a woman more nearly than in words, "I should have loved her, if——": the "if" covering some prior growth in the inclinations, or else some circumstances which have made an inward prohibitory law as a stay against the emotions ready to quiver out of balance. The "if" in Deronda's case carried reasons of both kinds; yet he had never throughout his relations with Gwendolen been free from the nervous consciousness that there was something to guard against not only on her account but on his own—some precipitancy in the manifestations of impulsive feeling—some ruinous inroad of what is but momentary on the permanent chosen treasure of the heart—some spoiling of her trust, which wrought upon him now as if it had been the retreating cry of a creature snatched and carried out of his reach by swift horsemen or swifter waves, while his own strength was only a stronger sense of weakness. How could his feelings for Gwendolen ever be exactly like his feelings for other women, even when there was one by whose side he desired to stand apart from them? Strangely the figure entered into the pictures of his present and future; strangely (and now it seemed sadly) their two lots had come in contact, hers narrowly personal, his charged with far-reaching sensibilities, perhaps with durable purposes, which were hardly more present to her than the reasons why men migrate are present to the birds that come as usual for the crumbs and find them no more. Not that Deronda was too ready to imagine himself of supreme importance to a woman; but her words of insistance that he must "remain near her—must not forsake her"—continually recurred to him with the clearness and importunity of imagined sounds, such as Dante has said pierce us like arrows whose points carry the sharpness of pity—

"Lamenti saettaron me diversi Ca che di piefermti avean gli strali?"

Day after day passed, and the very air of Italy seemed to carry the consciousness that war had been declared against Austria, and every day was a hurrying march of crowded Time toward the world-changing battle of Sadowa. Meanwhile, in Genoa, the noons were getting hotter, the converging outer roads getting deeper with white dust, the oleanders in the tubs along the wayside gardens looking more and more like fatigued holiday-makers, and the sweet evening changing her office—scattering abroad those whom the midday had sent under shelter, and sowing all paths with happy social sounds, little tinklings of mule-bells and whirrings of thrumbed strings, light footsteps and voices, if not leisurely, then with the hurry of pleasure in them; while the encircling heights, crowned with forts, skirted with fine dwellings and gardens, seemed also to come forth and gaze in fullness of beauty after their long siesta, till all strong color melted in the stream of moonlight which made the Streets a new spectacle with shadows, both still and moving, on cathedral steps and against the facades of massive palaces; and then slowly with the descending moon all sank in deep night and silence, and nothing shone but the port lights of the great Lanterna in the blackness below, and the glimmering stars in the blackness above. Deronda, in his suspense, watched this revolving of the days as he might have watched a wonderful clock where the striking of the hours was made solemn with antique figures advancing and retreating in monitory procession, while he still kept his ear open for another kind of signal which would have its solemnity too: He was beginning to sicken of occupation, and found himself contemplating all activity with the aloofness of a prisoner awaiting ransom. In his letters to Mordecai and Hans, he had avoided writing about himself, but he was really getting into that state of mind to which all subjects become personal; and the few books he had brought to make him a refuge in study were becoming unreadable, because the point of view that life would make for him was in that agitating moment of uncertainty which is close upon decision.

Many nights were watched through by him in gazing from the open window of his room on the double, faintly pierced darkness of the sea and the heavens; often in struggling under the oppressive skepticism which represented his particular lot, with all the importance he was allowing Mordecai to give it, as of no more lasting effect than a dream—a set of changes which made passion to him, but beyond his consciousness were no more than an imperceptible difference of mass and shadow; sometimes with a reaction of emotive force which gave even to sustained disappointment, even to the fulfilled demand of sacrifice, the nature of a satisfied energy, and spread over his young future, whatever it might be, the attraction of devoted service; sometimes with a sweet irresistible hopefulness that the very best of human possibilities might befall him—the blending of a complete personal love in one current with a larger duty; and sometimes again in a mood of rebellion (what human creature escapes it?) against things in general because they are thus and not otherwise, a mood in which Gwendolen and her equivocal fate moved as busy images of what was amiss in the world along with the concealments which he had felt as a hardship in his own life, and which were acting in him now under the form of an afflicting doubtfulness about the mother who had announced herself coldly and still kept away.

But at last she was come. One morning in his third week of waiting there was a new kind of knock at the door. A servant in Chasseurs livery entered and delivered in French the verbal message that, the Princess Halm-Eberstein had arrived, that she was going to rest during the day, but would be obliged if Monsieur would dine early, so as to be at liberty at seven, when she would be able to receive him.



CHAPTER LI.

She held the spindle as she sat, Errina with the thick-coiled mat Of raven hair and deepest agate eyes, Gazing with a sad surprise At surging visions of her destiny— To spin the byssus drearily In insect-labor, while the throng Of gods and men wrought deeds that poets wrought in song.

When Deronda presented himself at the door of his mother's apartment in the Italia he felt some revival of his boyhood with its premature agitations. The two servants in the antechamber looked at him markedly, a little surprised that the doctor their lady had come to consult was this striking young gentleman whose appearance gave even the severe lines of an evening dress the credit of adornment. But Deronda could notice nothing until, the second door being opened, he found himself in the presence of a figure which at the other end of the large room stood awaiting his approach.

She was covered, except as to her face and part of her arms, with black lace hanging loosely from the summit of her whitening hair to the long train stretching from her tall figure. Her arms, naked to the elbow, except for some rich bracelets, were folded before her, and the fine poise of her head made it look handsomer than it really was. But Deronda felt no interval of observation before he was close in front of her, holding the hand she had put out and then raising it to his lips. She still kept her hand in his and looked at him examiningly; while his chief consciousness was that her eyes were piercing and her face so mobile that the next moment she might look like a different person. For even while she was examining him there was a play of the brow and nostril which made a tacit language. Deronda dared no movement, not able to conceive what sort of manifestation her feeling demanded; but he felt himself changing color like a girl, and yet wondering at his own lack of emotion; he had lived through so many ideal meetings with his mother, and they had seemed more real than this! He could not even conjecture in what language she would speak to him. He imagined it would not be English. Suddenly, she let fall his hand, and placed both hers on his shoulders, while her face gave out a flash of admiration in which every worn line disappeared and seemed to leave a restored youth.

"You are a beautiful creature!" she said, in a low melodious voice, with syllables which had what might be called a foreign but agreeable outline. "I knew you would be." Then she kissed him on each cheek, and he returned the kisses. But it was something like a greeting between royalties.

She paused a moment while the lines were coming back into her face, and then said in a colder tone, "I am your mother. But you can have no love for me."

"I have thought of you more than of any other being in the world," said Deronda, his voice trembling nervously.

"I am not like what you thought I was," said the mother decisively, withdrawing her hands from his shoulders, and folding her arms as before, looking at him as if she invited him to observe her. He had often pictured her face in his imagination as one which had a likeness to his own: he saw some of the likeness now, but amidst more striking differences. She was a remarkable looking being. What was it that gave her son a painful sense of aloofness?—Her worn beauty had a strangeness in it as if she were not quite a human mother, but a Melusina, who had ties with some world which is independent of ours.

"I used to think that you might be suffering," said Deronda, anxious above all not to wound her. "I used to wish that I could be a comfort to you."

"I am suffering. But with a suffering that you can't comfort," said the Princess, in a harder voice than before, moving to a sofa where cushions had been carefully arranged for her. "Sit down." She pointed to a seat near her; and then discerning some distress in Deronda's face, she added, more gently, "I am not suffering at this moment. I am at ease now. I am able to talk."

Deronda seated himself and waited for her to speak again. It seemed as if he were in the presence of a mysterious Fate rather than of the longed-for mother. He was beginning to watch her with wonder, from the spiritual distance to which she had thrown him.

"No," she began: "I did not send for you to comfort me. I could not know beforehand—I don't know now—what you will feel toward me. I have not the foolish notion that you can love me merely because I am your mother, when you have never seen or heard of me in all your life. But I thought I chose something better for you than being with me. I did not think I deprived you of anything worth having."

"You cannot wish me to believe that your affection would not have been worth having," said Deronda, finding that she paused as if she expected him to make some answer.

"I don't mean to speak ill of myself," said the princess, with proud impetuosity, "But I had not much affection to give you. I did not want affection. I had been stifled with it. I wanted to live out the life that was in me, and not to be hampered with other lives. You wonder what I was. I was no princess then." She rose with a sudden movement, and stood as she had done before. Deronda immediately rose too; he felt breathless.

"No princess in this tame life that I live in now. I was a great singer, and I acted as well as I sang. All the rest were poor beside me. Men followed me from one country to another. I was living a myriad lives in one. I did not want a child."

There was a passionate self-defence in her tone. She had cast all precedent out of her mind. Precedent had no excuse for her and she could only seek a justification in the intensest words she could find for her experience. She seemed to fling out the last words against some possible reproach in the mind of her son, who had to stand and hear them—clutching his coat-collar as if he were keeping himself above water by it, and feeling his blood in the sort of commotion that might have been excited if he had seen her going through some strange rite of a religion which gave a sacredness to crime. What else had she to tell him? She went on with the same intensity and a sort of pale illumination in her face.

"I did not want to marry. I was forced into marrying your father—forced, I mean, by my father's wishes and commands; and besides, it was my best way of getting some freedom. I could rule my husband, but not my father. I had a right to be free. I had a right to seek my freedom from a bondage that I hated."

She seated herself again, while there was that subtle movement in her eyes and closed lips which is like the suppressed continuation of speech. Deronda continued standing, and after a moment or two she looked up at him with a less defiant pleading as she said—

"And the bondage I hated for myself I wanted to keep you from. What better could the most loving mother have done? I relieved you from the bondage of having been born a Jew."

"Then I am a Jew?" Deronda burst out with a deep-voiced energy that made his mother shrink a little backward against her cushions. "My father was a Jew, and you are a Jewess?"

"Yes, your father was my cousin," said the mother, watching him with a change in her look, as if she saw something that she might have to be afraid of.

"I am glad of it," said Deronda, impetuously, in the veiled voice of passion. He could not have imagined beforehand how he would have come to say that which he had never hitherto admitted. He could not have dreamed that it would be in impulsive opposition to his mother. He was shaken by a mixed anger which no reflection could come soon enough to check, against this mother who it seemed had borne him unwillingly, had willingly made herself a stranger to him, and—perhaps—was now making herself known unwillingly. This last suspicion seemed to flash some explanation over her speech.

But the mother was equally shaken by an anger differently mixed, and her frame was less equal to any repression. The shaking with her was visibly physical, and her eyes looked the larger for her pallid excitement as she said violently—

"Why do you say you are glad? You are an English gentleman. I secured you that."

"You did not know what you secured me. How could you choose my birthright for me?" said Deronda, throwing himself sideways into his chair again, almost unconsciously, and leaning his arm over the back, while he looked away from his mother.

He was fired with an intolerance that seemed foreign to him. But he was now trying hard to master himself and keep silence. A horror had swept in upon his anger lest he should say something too hard in this moment which made an epoch never to be recalled. There was a pause before his mother spoke again, and when she spoke her voice had become more firmly resistant in its finely varied tones:

"I chose for you what I would have chosen for myself. How could I know that you would have the spirit of my father in you? How could I know that you would love what I hated?—if you really love to be a Jew." The last words had such bitterness in them that any one overhearing might have supposed some hatred had arisen between the mother and son.

But Deronda had recovered his fuller self. He was recalling his sensibilities to what life had been and actually was for her whose best years were gone, and who with the signs of suffering in her frame was now exerting herself to tell him of a past which was not his alone but also hers. His habitual shame at the acceptance of events as if they were his only, helped him even here. As he looked at his mother silently after her last words, his face regained some of its penetrative calm; yet it seemed to have a strangely agitating influence over her: her eyes were fixed on him with a sort of fascination, but not with any repose of maternal delight.

"Forgive me, if I speak hastily," he said, with diffident gravity. "Why have you resolved now on disclosing to me what you took care to have me brought up in ignorance of? Why—since you seem angry that I should be glad?"

"Oh—the reasons of our actions!" said the Princess, with a ring of something like sarcastic scorn. "When you are as old as I am, it will not seem so simple a question—'Why did you do this?' People talk of their motives in a cut and dried way. Every woman is supposed to have the same set of motives, or else to be a monster. I am not a monster, but I have not felt exactly what other women feel—or say they feel, for fear of being thought unlike others. When you reproach me in your heart for sending you away from me, you mean that I ought to say I felt about you as other women say they feel about their children. I did not feel that. I was glad to be freed from you. But I did well for you, and I gave you your father's fortune. Do I seem now to be revoking everything?—Well, there are reasons. I feel many things that I cannot understand. A fatal illness has been growing in me for a year. I shall very likely not live another year. I will not deny anything I have done. I will not pretend to love where I have no love. But shadows are rising round me. Sickness makes them. If I have wronged the dead—I have but little time to do what I left undone."

The varied transitions of tone with which this speech was delivered were as perfect as the most accomplished actress could have made them. The speech was in fact a piece of what may be called sincere acting; this woman's nature was one in which all feeling—and all the more when it was tragic as well as real—immediately became matter of conscious representation: experience immediately passed into drama, and she acted her own emotions. In a minor degree this is nothing uncommon, but in the Princess the acting had a rare perfection of physiognomy, voice, and gesture. It would not be true to say that she felt less because of this double consciousness: she felt—that is, her mind went through—all the more, but with a difference; each nucleus of pain or pleasure had a deep atmosphere of the excitement or spiritual intoxication which at once exalts and deadens. But Deronda made no reflection of this kind. All his thoughts hung on the purport of what his mother was saying; her tones and her wonderful face entered into his agitation without being noted. What he longed for with an awed desire was to know as much as she would tell him of the strange mental conflict under which it seemed he had been brought into the world; what his compassionate nature made the controlling idea within him were the suffering and the confession that breathed through her later words, and these forbade any further question, when she paused and remained silent, with her brow knit, her head turned a little away from him, and her large eyes fixed as if on something incorporeal. He must wait for her to speak again. She did so with strange abruptness, turning her eyes upon him suddenly, and saying more quickly—

"Sir Hugo has written much about you. He tells me you have a wonderful mind—you comprehend everything—you are wiser than he is with all his sixty years. You say you are glad to know that you were born a Jew. I am not going to tell you that I have changed my mind about that. Your feelings are against mine. You don't thank me for what I did. Shall you comprehend your mother, or only blame her?"

"There is not a fibre within me but makes me wish to comprehend her," said Deronda, meeting her sharp gaze solemnly. "It is a bitter reversal of my longing to think of blaming her. What I have been most trying to do for fifteen years is to have some understanding of those who differ from myself."

"Then you have become unlike your grandfather in that." said the mother, "though you are a young copy of him in your face. He never comprehended me, or if he did, he only thought of fettering me into obedience. I was to be what he called 'the Jewish woman' under pain of his curse. I was to feel everything I did not feel, and believe everything I did not believe. I was to feel awe for the bit of parchment in the mezuza over the door; to dread lest a bit of butter should touch a bit of meat; to think it beautiful that men should bind the tephillin on them, and women not,—to adore the wisdom of such laws, however silly they might seem to me. I was to love the long prayers in the ugly synagogue, and the howling, and the gabbling, and the dreadful fasts, and the tiresome feasts, and my father's endless discoursing about our people, which was a thunder without meaning in my ears. I was to care forever about what Israel had been; and I did not care at all. I cared for the wide world, and all that I could represent in it. I hated living under the shadow of my father's strictness. Teaching, teaching for everlasting—'this you must be,' 'that you must not be'—pressed on me like a frame that got tighter and tighter as I grew. I wanted to live a large life, with freedom to do what every one else did, and be carried along in a great current, not obliged to care. Ah!"—here her tone changed to one of a more bitter incisiveness—"you are glad to have been born a Jew. You say so. That is because you have not been brought up as a Jew. That separateness seems sweet to you because I saved you from it."

"When you resolved on that, you meant that I should never know my origin?" said Deronda, impulsively. "You have at least changed in your feeling on that point."

"Yes, that was what I meant. That is what I persevered in. And it is not true to say that I have changed. Things have changed in spite of me. I am still the same Leonora"—she pointed with her forefinger to her breast—"here within me is the same desire, the same will, the same choice, but"—she spread out her hands, palm upward, on each side of her, as she paused with a bitter compression of her lip, then let her voice fall into muffled, rapid utterance—"events come upon us like evil enchantments: and thoughts, feelings, apparitions in the darkness are events—are they not? I don't consent. We only consent to what we love. I obey something tyrannic"—she spread out her hands again—"I am forced to be withered, to feel pain, to be dying slowly. Do I love that? Well, I have been forced to obey my dead father. I have been forced to tell you that you are a Jew, and deliver to you what he commanded me to deliver."

"I beseech you to tell me what moved you—when you were young, I mean—to take the course you did," said Deronda, trying by this reference to the past to escape from what to him was the heart-rending piteousness of this mingled suffering and defiance. "I gather that my grandfather opposed your bent to be an artist. Though my own experience has been quite different, I enter into the painfulness of your struggle. I can imagine the hardship of an enforced renunciation."

"No," said the Princess, shaking her head and folding her arms with an air of decision. "You are not a woman. You may try—but you can never imagine what it is to have a man's force of genius in you, and yet to suffer the slavery of being a girl. To have a pattern cut out—'this is the Jewish woman; this is what you must be; this is what you are wanted for; a woman's heart must be of such a size and no larger, else it must be pressed small, like Chinese feet; her happiness is to be made as cakes are, by a fixed receipt.' That was what my father wanted. He wished I had been a son; he cared for me as a make-shift link. His heart was set on his Judaism. He hated that Jewish women should be thought of by the Christian world as a sort of ware to make public singers and actresses of. As if we were not the more enviable for that! That is a chance of escaping from bondage."

"Was my grandfather a learned man?" said Deronda, eager to know particulars that he feared his mother might not think of.

She answered impatiently, putting up her hand, "Oh, yes,—and a clever physician—and good: I don't deny that he was good. A man to be admired in a play—grand, with an iron will. Like the old Foscari before he pardons. But such men turn their wives and daughters into slaves. They would rule the world if they could; but not ruling the world, they throw all the weight of their will on the necks and souls of women. But nature sometimes thwarts them. My father had no other child than his daughter, and she was like himself."

She had folded her arms again, and looked as if she were ready to face some impending attempt at mastery.

"Your father was different. Unlike me—all lovingness and affection. I knew I could rule him; and I made him secretly promise me, before I married him, that he would put no hindrance in the way of my being an artist. My father was on his deathbed when we were married: from the first he had fixed his mind on my marrying my cousin Ephraim. And when a woman's will is as strong as the man's who wants to govern her, half her strength must be concealment. I meant to have my will in the end, but I could only have it by seeming to obey. I had an awe of my father—always I had had an awe of him: it was impossible to help it. I hated to feel awed—I wished I could have defied him openly; but I never could. It was what I could not imagine: I could not act it to myself that I should begin to defy my father openly and succeed. And I never would risk failure."

This last sentence was uttered with an abrupt emphasis, and she paused after it as if the words had raised a crowd of remembrances which obstructed speech. Her son was listening to her with feelings more and more highly mixed; the first sense of being repelled by the frank coldness which had replaced all his preconceptions of a mother's tender joy in the sight of him; the first impulses of indignation at what shocked his most cherished emotions and principles—all these busy elements of collision between them were subsiding for a time, and making more and more room for that effort at just allowance and that admiration of a forcible nature whose errors lay along high pathways, which he would have felt if, instead of being his mother, she had been a stranger who had appealed to his sympathy. Still it was impossible to be dispassionate: he trembled lest the next thing she had to say would be more repugnant to him than what had gone before: he was afraid of the strange coercion she seemed to be under to lay her mind bare: he almost wished he could say, "Tell me only what is necessary," and then again he felt the fascination which made him watch her and listen to her eagerly. He tried to recall her to particulars by asking—

"Where was my grandfather's home?"

"Here in Genoa, where I was married; and his family had lived here generations ago. But my father had been in various countries."

"You must surely have lived in England?"

"My mother was English—a Jewess of Portuguese descent. My father married her in England. Certain circumstances of that marriage made all the difference in my life: through that marriage my father thwarted his own plans. My mother's sister was a singer, and afterward she married the English partner of a merchant's house here in Genoa, and they came and lived here eleven years. My mother died when I was eight years old, and my father allowed me to be continually with my Aunt Leonora and be taught under her eyes, as if he had not minded the danger of her encouraging my wish to be a singer, as she had been. But this was it—I saw it again and again in my father:—he did not guard against consequences, because he felt sure he could hinder them if he liked. Before my aunt left Genoa, I had had enough teaching to bring out the born singer and actress within me: my father did not know everything that was done; but he knew that I was taught music and singing—he knew my inclination. That was nothing to him: he meant that I should obey his will. And he was resolved that I should marry my cousin Ephraim, the only one left of my father's family that he knew. I wanted not to marry. I thought of all plans to resist it, but at last I found that I could rule my cousin, and I consented. My father died three weeks after we were married, and then I had my way!" She uttered these words almost exultantly; but after a little pause her face changed, and she said in a biting tone, "It has not lasted, though. My father is getting his way now."

She began to look more contemplatively again at her son, and presently said—

"You are like him—but milder—there is something of your own father in you; and he made it the labor of his life to devote himself to me: wound up his money-changing and banking, and lived to wait upon me—he went against his conscience for me. As I loved the life of my art, so he loved me. Let me look at your hand again: the hand with the ring on. It was your father's ring."

He drew his chair nearer to her and gave her his hand. We know what kind of a hand it was: her own, very much smaller, was of the same type. As he felt the smaller hand holding his, as he saw nearer to him the face that held the likeness of his own, aged not by time but by intensity, the strong bent of his nature toward a reverential tenderness asserted itself above every other impression and in his most fervent tone he said—

"Mother! take us all into your heart—the living and the dead. Forgive every thing that hurts you in the past. Take my affection."

She looked at him admiringly rather than lovingly, then kissed him on the brow, and saying sadly, "I reject nothing, but I have nothing to give," she released his hand and sank back on her cushions. Deronda turned pale with what seems always more of a sensation than an emotion—the pain of repulsed tenderness. She noticed the expression of pain, and said, still with melodious melancholy in her tones—

"It is better so. We must part again soon and you owe me no duties. I did not wish you to be born. I parted with you willingly. When your father died I resolved that I would have no more ties, but such as I could free myself from. I was the Alcharisi you have heard of: the name had magic wherever it was carried. Men courted me. Sir Hugo Mallinger was one who wished to marry me. He was madly in love with me. One day I asked him, 'Is there a man capable of doing something for love of me, and expecting nothing in return?' He said: 'What is it you want done?' I said, 'Take my boy and bring him up as an Englishman, and never let him know anything about his parents.' You were little more than two years old, and were sitting on his foot. He declared that he would pay money to have such a boy. I had not meditated much on the plan beforehand, but as soon as I had spoken about it, it took possession of me as something I could not rest without doing. At first he thought I was not serious, but I convinced him, and he was never surprised at anything. He agreed that it would be for your good, and the finest thing for you. A great singer and actress is a queen, but she gives no royalty to her son. All that happened at Naples. And afterward I made Sir Hugo the trustee of your fortune. That is what I did; and I had a joy in doing it. My father had tyrannized over me—he cared more about a grandson to come than he did about me: I counted as nothing. You were to be such a Jew as he; you were to be what he wanted. But you were my son, and it was my turn to say what you should be. I said you should not know you were a Jew."

"And for months events have been preparing me to be glad that I am a Jew," said Deronda, his opposition roused again. The point touched the quick of his experience. "It would always have been better that I should have known the truth. I have always been rebelling against the secrecy that looked like shame. It is no shame to have Jewish parents—the shame is to disown it."

"You say it was a shame to me, then, that I used that secrecy," said his mother, with a flash of new anger. "There is no shame attaching to me. I have no reason to be ashamed. I rid myself of the Jewish tatters and gibberish that make people nudge each other at sight of us, as if we were tattooed under our clothes, though our faces are as whole as theirs. I delivered you from the pelting contempt that pursues Jewish separateness. I am not ashamed that I did it. It was the better for you."

"Then why have you now undone the secrecy?—no, not undone it—the effects will never be undone. But why have you now sent for me to tell me that I am a Jew?" said Deronda, with an intensity of opposition in feeling that was almost bitter. It seemed as if her words had called out a latent obstinacy of race in him.

"Why?—ah, why?" said the Princess, rising quickly and walking to the other side of the room, where she turned round and slowly approached him, as he, too, stood up. Then she began to speak again in a more veiled voice. "I can't explain; I can only say what is. I don't love my father's religion now any more than I did then. Before I married the second time I was baptized; I made myself like the people I lived among. I had a right to do it; I was not like a brute, obliged to go with my own herd. I have not repented; I will not say that I have repented. But yet"—here she had come near to her son, and paused; then again retreated a little and stood still, as if resolute not to give way utterly to an imperious influence; but, as she went on speaking, she became more and more unconscious of anything but the awe that subdued her voice. "It is illness, I don't doubt that it has been gathering illness—my mind has gone back: more than a year ago it began. You see my gray hair, my worn look: it has all come fast. Sometimes I am in an agony of pain—I dare say I shall be to-night. Then it is as if all the life I have chosen to live, all thoughts, all will, forsook me and left me alone in spots of memory, and I can't get away: my pain seems to keep me there. My childhood—my girlhood—the day of my marriage—the day of my father's death—there seems to be nothing since. Then a great horror comes over me: what do I know of life or death? and what my father called 'right' may be a power that is laying hold of me—that is clutching me now. Well, I will satisfy him. I cannot go into the darkness without satisfying him. I have hidden what was his. I thought once I would burn it. I have not burned it. I thank God I have not burned it!"

She threw herself on her cushions again, visibly fatigued. Deronda, moved too strongly by her suffering for other impulses to act within him, drew near her, and said, entreatingly—

"Will you not spare yourself this evening? Let us leave the rest till to-morrow."

"No," she said decisively. "I will confess it all, now that I have come up to it. Often when I am at ease it all fades away; my whole self comes quite back; but I know it will sink away again, and the other will come—the poor, solitary, forsaken remains of self, that can resist nothing. It was my nature to resist, and say, 'I have a right to resist.' Well, I say so still when I have any strength in me. You have heard me say it, and I don't withdraw it. But when my strength goes, some other right forces itself upon me like iron in an inexorable hand; and even when I am at ease, it is beginning to make ghosts upon the daylight. And now you have made it worse for me," she said, with a sudden return of impetuosity; "but I shall have told you everything. And what reproach is there against me," she added bitterly, "since I have made you glad to be a Jew? Joseph Kalonymos reproached me: he said you had been turned into a proud Englishman, who resented being touched by a Jew. I wish you had!" she ended, with a new marvelous alternation. It was as if her mind were breaking into several, one jarring the other into impulsive action.

"Who is Joseph Kalonymos?" said Deronda, with a darting recollection of that Jew who touched his arm in the Frankfort synagogue.

"Ah! some vengeance sent him back from the East, that he might see you and come to reproach me. He was my father's friend. He knew of your birth: he knew of my husband's death, and once, twenty years ago, after he had been away in the Levant, he came to see me and inquire about you. I told him that you were dead: I meant you to be dead to all the world of my childhood. If I had said that your were living, he would have interfered with my plans: he would have taken on him to represent my father, and have tried to make me recall what I had done. What could I do but say you were dead? The act was done. If I had told him of it there would have been trouble and scandal—and all to conquer me, who would not have been conquered. I was strong then, and I would have had my will, though there might have been a hard fight against me. I took the way to have it without any fight. I felt then that I was not really deceiving: it would have come to the same in the end; or if not to the same, to something worse. He believed me and begged that I would give up to him the chest that my father had charged me and my husband to deliver to our eldest son. I knew what was in the chest—things that had been dinned in my ears since I had had any understanding—things that were thrust on my mind that I might feel them like a wall around my life—my life that was growing like a tree. Once, after my husband died, I was going to burn the chest. But it was difficult to burn; and burning a chest and papers looks like a shameful act. I have committed no shameful act—except what Jews would call shameful. I had kept the chest, and I gave it to Joseph Kalonymos. He went away mournful, and said, 'If you marry again, and if another grandson is born to him who is departed, I will deliver up the chest to him.' I bowed in silence. I meant not to marry again—no more than I meant to be the shattered woman that I am now."

She ceased speaking, and her head sank back while she looked vaguely before her. Her thought was traveling through the years, and when she began to speak again her voice had lost its argumentative spirit, and had fallen into a veiled tone of distress.

"But months ago this Kalonymos saw you in the synagogue at Frankfort. He saw you enter the hotel, and he went to ask your name. There was nobody else in the world to whom the name would have told anything about me."

"Then it is not my real name?" said Deronda, with a dislike even to this trifling part of the disguise which had been thrown round him.

"Oh, as real as another," said his mother, indifferently. "The Jews have always been changing their names. My father's family had kept the name of Charisi: my husband was a Charisi. When I came out as a singer, we made it Alcharisi. But there had been a branch of the family my father had lost sight of who called themselves Deronda, and when I wanted a name for you, and Sir Hugo said, 'Let it be a foreign name,' I thought of Deronda. But Joseph Kalonymos had heard my father speak of the Deronda branch, and the name confirmed his suspicion. He began to suspect what had been done. It was as if everything had been whispered to him in the air. He found out where I was. He took a journey into Russia to see me; he found me weak and shattered. He had come back again, with his white hair, and with rage in his soul against me. He said I was going down to the grave clad in falsehood and robbery—falsehood to my father and robbery of my own child. He accused me of having kept the knowledge of your birth from you, and having brought you up as if you had been the son of an English gentleman. Well, it was true; and twenty years before I would have maintained that I had a right to do it. But I can maintain nothing now. No faith is strong within me. My father may have God on his side. This man's words were like lion's teeth upon me. My father's threats eat into me with my pain. If I tell everything—if I deliver up everything—what else can be demanded of me? I cannot make myself love the people I have never loved—is it not enough that I lost the life I did love?"

She had leaned forward a little in her low-toned pleading, that seemed like a smothered cry: her arms and hands were stretched out at full length, as if strained in beseeching, Deronda's soul was absorbed in the anguish of compassion. He could not mind now that he had been repulsed before. His pity made a flood of forgiveness within him. His single impulse was to kneel by her and take her hand gently, between his palms, while he said in that exquisite voice of soothing which expresses oneness with the sufferer—

"Mother, take comfort!"

She did not seem inclined to repulse him now, but looked down at him and let him take both her hands to fold between his. Gradually tears gathered, but she pressed her handkerchief against her eyes and then leaned her cheek against his brow, as if she wished that they should not look at each other.

"Is it not possible that I could be near you often and comfort you?" said Deronda. He was under that stress of pity that propels us on sacrifices.

"No, not possible," she answered, lifting up her head again and withdrawing her hand as if she wished him to move away. "I have a husband and five children. None of them know of your existence."

Deronda felt painfully silenced. He rose and stood at a little distance.

"You wonder why I married," she went on presently, under the influence of a newly-recurring thought. "I meant never to marry again. I meant to be free and to live for my art. I had parted with you. I had no bonds. For nine years I was a queen. I enjoyed the life I had longed for. But something befell me. It was like a fit of forgetfulness. I began to sing out of tune. They told me of it. Another woman was thrusting herself in my place. I could not endure the prospect of failure and decline. It was horrible to me." She started up again, with a shudder, and lifted screening hands like one who dreads missiles. "It drove me to marry. I made believe that I preferred being the wife of a Russian noble to being the greatest lyric actress of Europe; I made believe—I acted that part. It was because I felt my greatness sinking away from me, as I feel my life sinking now. I would not wait till men said, 'She had better go.'"

She sank into her seat again, and looked at the evening sky as she went on: "I repented. It was a resolve taken in desperation. That singing out of tune was only like a fit of illness; it went away. I repented; but it was too late. I could not go back. All things hindered, me—all things."

A new haggardness had come in her face, but her son refrained from again urging her to leave further speech till the morrow: there was evidently some mental relief for her in an outpouring such as she could never have allowed herself before. He stood still while she maintained silence longer than she knew, and the light was perceptibly fading. At last she turned to him and said—

"I can bear no more now." She put out her hand, but then quickly withdrew it saying, "Stay. How do I know that I can see you again? I cannot bear to be seen when I am in pain."

She drew forth a pocket-book, and taking out a letter said, "This is addressed to the banking-house in Mainz, where you are to go for your grandfather's chest. It is a letter written by Joseph Kalonymos: if he is not there himself, this order of his will be obeyed."

When Deronda had taken the letter, she said, with effort but more gently than before, "Kneel again, and let me kiss you."

He obeyed, and holding his head between her hands, she kissed him solemnly on the brow. "You see, I had no life left to love you with," she said, in a low murmur. "But there is more fortune for you. Sir Hugo was to keep it in reserve. I gave you all your father's fortune. They can never accuse me of robbery there."

"If you had needed anything I would have worked for you," said Deronda, conscious of disappointed yearning—a shutting out forever from long early vistas of affectionate imagination.

"I need nothing that the skill of man can give me," said his mother, still holding his head, and perusing his features. "But perhaps now I have satisfied my father's will, your face will come instead of his—your young, loving face."

"But you will see me again?" said Deronda, anxiously.

"Yes—perhaps. Wait, wait. Leave me now."



CHAPTER LII.

"La meme fermete qui sert a resister a l'amour sert aussi a le rendre violent et durable; et les personnes faibles qui sont toujours agitees des passions n'en sont presque jamais veritablement remplies." —LA ROCHEFOUCAULD.

Among Deronda's letters the next morning was one from Hans Meyrick of four quarto pages, in the small, beautiful handwriting which ran in the Meyrick family.

MY DEAR DERONDA,—In return for your sketch of Italian movements and your view of the world's affairs generally, I may say that here at home the most judicious opinion going as to the effects of present causes is that "time will show." As to the present causes of past effects, it is now seen that the late swindling telegrams account for the last year's cattle plague—which is a refutation of philosophy falsely so called, and justifies the compensation to the farmers. My own idea that a murrain will shortly break out in the commercial class, and that the cause will subsequently disclose itself in the ready sale of all rejected pictures, has been called an unsound use of analogy; but there are minds that will not hesitate to rob even the neglected painter of his solace. To my feeling there is great beauty in the conception that some bad judge might give a high price for my Berenice series, and that the men in the city would have already been punished for my ill-merited luck.

Meanwhile I am consoling myself for your absence by finding my advantage in it—shining like Hesperus when Hyperion has departed; sitting with our Hebrew prophet, and making a study of his head, in the hours when he used to be occupied with you—getting credit with him as a learned young Gentile, who would have been a Jew if he could —and agreeing with him in the general principle, that whatever is best is for that reason Jewish. I never held it my forte to be a severe reasoner, but I can see that if whatever is best is A, and B happens to be best, B must be A, however little you might have expected it beforehand. On that principle I could see the force of a pamphlet I once read to prove that all good art was Protestant. However, our prophet is an uncommonly interesting sitter—a better model than Rembrandt had for his Rabbi—and I never come away from him without a new discovery. For one thing, it is a constant wonder to me that, with all his fiery feeling for his race and their traditions, he is no straight-laced Jew, spitting after the word Christian, and enjoying the prospect that the Gentile mouth will water in vain for a slice of the roasted Leviathan, while Israel will be sending up plates for more, ad libitum, (You perceive that my studies had taught me what to expect from the orthodox Jew.) I confess that I have always held lightly by your account of Mordecai, as apologetic, and merely part of your disposition to make an antedeluvian point of view lest you should do injustice to the megatherium. But now I have given ear to him in his proper person, I find him really a sort of philosophical-allegorical-mystical believer, and yet with a sharp dialectic point, so that any argumentative rattler of peas in a bladder might soon be pricked in silence by him. The mixture may be one of the Jewish prerogatives, for what I know. In fact, his mind seems so broad that I find my own correct opinions lying in it quite commodiously, and how they are to be brought into agreement with the vast remainder is his affair, not mine. I leave it to him to settle our basis, never yet having seen a basis which is not a world-supporting elephant, more or less powerful and expensive to keep. My means will not allow me to keep a private elephant. I go into mystery instead, as cheaper and more lasting—a sort of gas which is likely to be continually supplied by the decomposition of the elephants. And if I like the look of an opinion, I treat it civilly, without suspicious inquiries. I have quite a friendly feeling toward Mordecai's notion that a whole Christian is three-fourths a Jew, and that from the Alexandrian time downward the most comprehensive minds have been Jewish; for I think of pointing out to Mirah that, Arabic and other incidents of life apart, there is really little difference between me and—Maimonides. But I have lately been finding out that it is your shallow lover who can't help making a declaration. If Mirah's ways were less distracting, and it were less of a heaven to be in her presence and watch her, I must long ago have flung myself at her feet, and requested her to tell me, with less indirectness, whether she wished me to blow my brains out. I have a knack of hoping, which is as good as an estate in reversion, if one can keep from the temptation of turning it into certainty, which may spoil all. My Hope wanders among the orchard blossoms, feels the warm snow falling on it through the sunshine, and is in doubt of nothing; but, catching sight of Certainty in the distance, sees an ugly Janus-faced deity, with a dubious wink on the hither side of him, and turns quickly away. But you, with your supreme reasonableness, and self-nullification, and preparation for the worst—you know nothing about Hope, that immortal, delicious maiden forever courted forever propitious, whom fools have called deceitful, as if it were Hope that carried the cup of disappointment, whereas it is her deadly enemy, Certainty, whom she only escapes by transformation. (You observe my new vein of allegory?) Seriously, however, I must be permitted to allege that truth will prevail, that prejudice will melt before it, that diversity, accompanied by merit, will make itself felt as fascination, and that no virtuous aspiration will be frustrated—all which, if I mistake not, are doctrines of the schools, and they imply that the Jewess I prefer will prefer me. Any blockhead can cite generalities, but the mind-master discerns the particular cases they represent.