p-books.com
Cynthia's Chauffeur
by Louis Tracy
Previous Part     1  2  3  4  5  6
Home - Random Browse

So it came to pass that on Friday evening, while Medenham was driving from Cavendish Square to Charing Cross, Cynthia was crossing London on a converging line from St. Pancras to the Savoy Hotel. Strange, indeed, was the play of Fate's shuttle that it should have so nearly reunited the unseen threads of their destinies! Again, a trifling circumstance conspired to detain Vanrenen in London. One of his business associates in Paris, rendered impatient by the failure of the great man to return as quickly as he had promised, arrived in England by the afternoon service from the Gare du Nord, and was actually standing in the foyer of the hotel when Vanrenen entered with the others. As a result of this meeting, the journey to Paris arranged for Saturday was postponed till Sunday, and on this trivial base was destined to be built a very remarkable edifice.

It chanced that Mrs. Leland, too, decided to have a day in London, and she and Cynthia went out early. They returned to lunch at the hotel, and the girl, pleading lack of appetite, slipped out alone to buy a copy of Milton's poems. From the book-seller's she wandered into the Embankment Gardens.

She was a dutiful daughter, and had resolved to obey without question her father's stern command not to enter again into communication with a man of whom he so strongly disapproved. But she was not content, for all that, and the dripping trees and rain-sodden flowers seemed now to accord with her distraught mood. The fine, though not bright, interval that had tempted her forth soon gave way to another shower, and she ran for shelter into the Charing Cross Station of the Metropolitan Railway. She stood in one of the doorways looking out disconsolately over the river, when a taxicab drove up and deposited its occupant at the station. Then some unbidden impulse led her to hail the driver.

"Take me to Cavendish Square," she said.

"What number, miss?" he asked.

"No number. Just drive slowly round the square and return to the Savoy Hotel."

He eyed her curiously, but made no comment. Soon she was speeding up Regent Street, bent on gratifying the truly curious whim of seeing what manner of residence it was that Fitzroy occupied in London. Fate had failed in her weaving during the previous evening, but on the present occasion she combined warp and weft without any error.

The cab was crawling past the Fairholme mansion, and Cynthia's astonished eyes were regarding its style and general air of magnificence with some degree of heart-sinking—for it did then seem to be true that Mrs. Devar's original estimate of Fitzroy was correct—when a man sprang out of another taxi in front of the door, and glanced at her while in the very act of running up the steps. Recognition was mutual. Dale muttered under his breath a wholly unjustifiable assumption as to his future state, halted dubiously, and then signaled to Cynthia's driver to stop. He strode towards her across the road, and thrust his head through the open window.

"Of course, miss," he said roughly, "you don't know what has happened?"

"No," she said, too greatly surprised to resent his strange manner.

"Well," he growled, "somebody's been nearly killed on your account, that's all."

"Somebody," she repeated, and her lips went white.

"Yes, you ought to guess well enough who it is. He and that rotten Frenchman fought a duel this morning on the sands near Calais, and Marinny as good as murdered him."

Dale's heart was sore against her as the cause of his master's plight, but even in his own distress he was quick to see the shrinking terror in the girl's eyes.

"Are you speaking of Mr. Fitzroy?" she demanded. "Are you telling the truth? Oh, for Heaven's sake, man, tell me what you mean."

"I mean what I say, miss," said he more softly. "I have left him almost at death's door in an hotel at Calais. That damned Frenchman ... I beg your pardon, miss, but I can't contain myself when I think of him—ran a sword through him this morning, and would have killed him outright if he hadn't been stopped by some other gentlemen. And now, there he is, a-lying in the hotel, with a doctor and a nurse trying to coax the life back into him, while I had to scurry back here to tell his people."

Some women might have shrieked and fainted—not so Cynthia. At that instant there was one thing to be done, and one only. She saw the open road, and took it without faltering or thought as to the future.

"When is the next train to Calais?" she asked.

"At nine o'clock to-night, miss."

"Oh, God!" she wailed under her breath.

Dale's voice grew even more sympathetic.

"Was you a-thinking of going to him, miss?" he asked.

"Would that I could fly there," she moaned.

He scratched the back of his ear, for it was by such means that Dale sought inspiration.

"Dash it all!" he cried. "I wish I had seen you half an hour earlier. There is a train that leaves Charing Cross at twenty minutes past two. It goes by way of Folkestone and Boulogne, and from Boulogne one can get easy to Calais. Anyhow, what's the use of talkin'—it is too late."

Cynthia glanced at her watch. It was just twenty-five minutes to three.

"How far is Folkestone?" was the immediate demand generated by her practical American brain.

"Seventy-two miles," said the chauffeur, who knew his roads out of London.

"And what time does the boat leave?"

A light irradiated his face, and he swore volubly.

"We can do it!" he shouted. "By the Lord, we can do it! Are you game?"

Game? The light that leaped to her eyes was sufficient answer. He tore open the door of the cab, roaring to the driver:

"Round that corner to the right—quick—then into the mews at the back!"

Within two minutes the Mercury was attracting the attention of the police as it whirled through the traffic towards Westminster Bridge. Dale's face was set like a block of granite. He had risked a good deal in leaving his master at the point of death at Calais; he was now risking more, far more, in rushing back to Calais again without having discharged the duty which had dragged him from that master's bedside. But he thought he had secured the best physician London could bring to the sufferer's aid, and the belief sustained him in an action that was almost heroic. He was a simple-minded fellow, with a marked taste for speed in both animals and machinery, but he had hit on one well-defined trait in human nature when he decided that if a man is dying for the sake of a woman the presence of that woman may cure when all else will fail.



CHAPTER XVI

THE END OF ONE TOUR: THE BEGINNING OF ANOTHER

Cynthia found him lying in a darkened room. The nurse had just raised some of the blinds; a dismal day was drawing to its close, and more light was needed ere she could distinguish marked bottles, and doses, and the rest of the appurtenances of dangerous illness.

An English nurse would have forbidden the presence of a stranger; this French one acted with more discretion if less of strict science.

"Madam is his sister, perhaps?" she whispered.

"No."

"A relative, then?"

"No; a woman who loves him."

That heartbroken admission told the whole tale to the quick-witted Frenchwoman. There had been a duel; one man was seriously injured; the other, she had heard, was also receiving medical attention in another hotel—the temoins, wistful to avoid the interrogation of the law, had so arranged—and here was the woman who had caused the quarrel.

Well, such was the will of Providence! These things had been since man and woman were expelled from Paradise—for the nurse, though a devout Catholic, suspected that Genesis had suppressed certain details of the first fratricide—and would continue, she supposed, until the Millennium.

She nodded cheerfully.

"There is every reason to hope, but he must not be disturbed—not excited, that is," she added, seeing the wan agony in Cynthia's face.

The girl tiptoed to the side of the bed. Medenham's eyes were closed, but he was muttering something. She bent and kissed his forehead, and a strange smile broke through the tense lines of pain. Even in his semi-conscious state he felt the touch of those exquisite lips.

"My Lady Alice!" he said.

She choked back a sob. He was dreaming of "Comus"—standing with her in the ruined banqueting hall of Ludlow Castle.

"Yes, your Lady Alice," she breathed.

A slight quiver shook him.

"Don't tell Cynthia," he said brokenly. "She must never know.... Ah, if I hadn't slipped, I would have quieted his viperish tongue.... But Cynthia must not know!"

"Oh, my dear, my dear, Cynthia does know! It is you who know not. Kind Heaven, let him live! Grant that I may tell him all that I know!"

She could not help it; the words welled forth of their own accord; but the nurse touched her arm gently.

"It is a little fever," she whispered with ready sympathy. "Soon it will pass. He will sleep, and, when he awakes, it is perhaps permissible that you should speak to him."

* * * * *

Well, it was permissible. The age of miracles had not passed for those two. Even the experienced doctor marveled at the strength of a man who at four o'clock in the morning could have a sword driven through the tissues in perilous proximity to the right lung, and yet, at nine o'clock on that same night, was able to announce an unalterable resolution to get up and dress for breakfast next day. That, of course, was a pleasing fiction intended for Cynthia's benefit. It served its purpose admirably. The kindly nurse displayed an unexpected firmness in leading her to her own room, there to eat and sleep.

For Cynthia had an ordeal to face. Many things had been said in the car during that mad rush to Folkestone, and on board the steamer which ferried Dale and herself to Boulogne she had wrung from the taciturn chauffeur a full, true, and particular account of Medenham, his family, and his doings throughout as much of his life as Dale either knew or guessed. By the time they reached Boulogne she had made up her mind with a characteristic decision. One long telegram to her father, another to Lord Fairholme, caused heart-burning and dismay not alone in certain apartments of the Savoy Hotel, but in the aristocratic aloofness of Cavendish Square and Curzon Street. As a result, two elderly men, a younger one, in the person of the Marquis of Scarland, and two tearful women—Lady St. Maur and Mrs. Leland—met at Charing Cross about one o'clock in the morning to travel by special train and steamer. Another woman telegraphed from Shropshire saying that baby was better, and that she would follow by the first steamer on Sunday. Mrs. Devar did not await developments. She fled, dinnerless, to some burrow in Bayswater.

These alarums and excursions were accompanied by the ringing of telephones and the flight of carriages back and forth through muddy London, and Cynthia was called on to deal with a whole sheaf of telegrams which demanded replies either to Dover or to Scarland Towers in Shropshire.

With a man like Vanrenen at one end, however, and a woman like his daughter at the other, it might be fairly assumed that even the most complex skein of circumstances might be resolved from its tangle. As a matter of curious coincidence, the vessel which carried Marigny to England passed in mid-Channel its sister ship conveying the grief-stricken party of relatives to France. It happened, too, that the clouds from the Atlantic elected to hover over Britain rather than France, and when Cynthia stood on the quay to meet the incoming steamer, a burst of sunshine from the east gave promise of a fine if somewhat blustery day.

Five pairs of eyes sought her face anxiously while the vessel was warping to the quay opposite the Gare Maritime. They looked there for tidings, and they were not disappointed.

"That's all right," said Vanrenen with an unwonted huskiness in his voice. "Cynthia wouldn't smile if she hadn't good news."

"Thank God for that!" muttered the Earl, bending his head to examine a landing ticket, the clear type of which he was utterly unable to read.

"I never thought for a minute that any Frenchman could kill George," cried Scarland cheerfully.

But the two women said nothing, could see nothing, and the white-faced but smiling Cynthia standing near the shoreward end of the gangway had vanished in a sudden mist.

Of course, Marigny was right when he foresaw that Vanrenen could not meet either Medenham or any of his relatives for five minutes without his "poor little cobweb of intrigue" being dissipated once and forever.

With the marvelous insight that every woman possesses when dealing with the affairs of the man she loves, Cynthia combined the eloquence of an orator with the practiced skill of a clever lawyer in revealing each turn and twist of the toils which had enveloped her since that day in Paris when her father happened to suggest in Marigny's hearing that she might utilize his hired car for a tour in England, while he concluded the business that was detaining him in the French Capital. Nothing escaped her; she unraveled every knot; Medenham's few broken words, supplemented by the letter to his brother-in-law which he told her to obtain from Dale, threw light on all the dark places.

But the gloom had fled. It was a keenly interested, almost light-hearted, little party that walked through the sunshine to the Hotel de la Plage.

* * * * *

Dale, abashed, sheepish, yet oddly confident that all was for the best in a queer world, met the Earl of Fairholme later in the day; his lordship, who had been pining for someone to pitch into, addressed him sternly.

"This is a nice game you've been playing," he said. "I always thought you were a man of steady habits, a little given to horse-racing perhaps, but otherwise a decent member of the community."

"So I was before I met Viscount Medenham, my lord," was the daring answer. For Dale was no fool, and he had long since seen how certain apparently hostile forces had adapted themselves to new conditions.

"Before you left him, you mean," growled the Earl. "What sort of sense was there in letting him fight a duel?—it could have been stopped in fifty different ways."

"Yes, my lord, but I never suspicioned a word of it till he went off in the cab with them——"

The Earl held up a warning finger.

"Hush," he said, "this is France, remember, and you are the foreigner here. Where is my son's car?"

"In the garage at Folkestone, my lord."

"Well, you had better cross by an early boat to-morrow and bring it here. You understand all the preliminaries, I suppose? Find out from the Customs people what deposit is necessary, and come to me for the money."

So it happened that when Medenham was able to take his first drive in the open air, the Mercury awaited him and Cynthia at the door of the hotel. It positively sparkled in the sunlight; never was car more spick and span. The brasswork scintillated, each cylinder was rhythmical, and a microscope would not have revealed one speck of dust on body or upholstery.

* * * * *

On a day in July—for everybody agreed that not even a marriage should be allowed to interfere with the Scottish festival of St. Grouse—that same shining Mercury with the tonneau decorously cased in glass for the hour, drew up at the edge of a red carpet laid down from curb to stately porch of St. George's, Hanover Square, and Dale turned a grinning face to the doorway when Viscount Medenham led his bride down the steps through a shower of rice and good wishes.

Wedding breakfasts and receptions are all "much of a muchness," as the Mad Hatter said to another Alice, and it was not until the Mercury was speeding north by west to Scarland Towers, "lent to the happy pair for the honeymoon" while Betty took the children to recuperate at the seaside, that Cynthia felt she was really married.

"I have a bit of news for you," said her husband, taking a letter from his pocket. "I received a letter by this morning's post. A heap of others remain unopened till you and I have time to go through them; but this one caught my attention, and I read it while I was dressing."

He had an excellent excuse for putting his arm round her waist while he held the open sheet so that both might peruse it at the same time. It ran:

MY DEAR VISCOUNT—Of course I meant to kill you, but fate decided otherwise. Indeed, with my usual candor, which by this time you may have learned to admire, I may add that only the special kind of dog's luck which attaches itself to members of my family, saved me from being killed by you. But that is ancient history now.

I am glad to hear that your wound was not really serious. There was no sense in merely crippling you—my only chance lay in procuring your untimely demise. Having failed, however, I want to tell you, with the utmost sincerity, that I never had the slightest intention of carrying out my abominable threat in regard to the fair lady who is now Viscountess Medenham. Were you other than a heavy-witted and thick-skinned Briton, you would have known that I was goading you into issuing a challenge.

This piece of information is my wedding present; it is all I can give, because, metaphorically speaking, I haven't a sou!

I am, as you see, domiciled in Brussels, where my car is attached by an unsympathetic hotel proprietor. Still, I am devoid of rancor, and mean to keep a sharp eye for a well-favored and well-dowered wife; such a one, in fact, as you managed to snap up under my very nose.

With a thousand compliments, I am,

Yours very sincerely, EDOUARD MARIGNY.

P.S.—Devar went "steerage" to the United States when he heard of our affair. He thought it was all up with you, and with him.

"The wretch!" murmured Cynthia. "Can he really believe even yet that I would have married him?"

"I don't care tuppence what he believes," said Medenham, giving her a reassuring hug. "Indeed, I have a mind to write and ask him how much he owes in that hotel. Don't you see, my dear, that if it hadn't been for Marigny there was a chance that I might have left you at Bristol."

"Never!" cooed Cynthia.

"Well, now I have got you, I am beginning to imagine all sorts of terrible possibilities which might have parted us. I remember thinking, when my foot slipped...."

"Oh, don't!" she murmured. "I can't bear to hear of that. Sometimes, in Calais, I awoke screaming, and then I knew I had seen it in my dreams.... There, you have disarranged my hat!... But I don't think much of your budget, anyhow; mine is a great deal more to the point. My father told me this morning that he is sure he will feel very lonely now. He never meant, he said, to put anyone in my dear mother's place, but he will miss me so greatly—that, perhaps, Mrs. Leland——"

"By Jove," cried Medenham, "that will be splendid! I like Mrs. Leland. At one time, do you know, I rather fancied she might become my step-mother, now it seems I shall have to greet her as a mother-in-law. She was bound to come into the family one way or another. When is it to be?"

Cynthia laughed delightedly.

"Father looked so confused when I asked him. Say, wouldn't it be a joke if Simmonds brought them to Scarland Towers one day, and they were announced by some solemn footman as 'Mr. and Mrs. Vanrenen'?"

"Cynthia, you know," he teased her.

"I don't know, but I am a good guesser," she said.

And she was.

THE END



A FEW OF GROSSET & DUNLAP'S Great Books at Little Prices

QUINCY ADAMS SAWYER. A Picture of New England Home Life. With illustrations by C. W. Reed, and Scenes Reproduced from the Play.

One of the best New England stories ever written. It is full of homely human interest ... there is a wealth of New England village character, scenes and incidents ... forcibly, vividly and truthfully drawn. Few books have enjoyed a greater sale and popularity. Dramatized, it made the greatest rural play of recent times.

THE FURTHER ADVENTURES OF QUINCY ADAMS SAWYER. By Charles Felton Pidgin. Illustrated by Henry Roth.

All who love honest sentiment, quaint and sunny humor, and homespun philosophy will find these "Further Adventures" a book after their own heart.

HALF A CHANCE. By Frederic S. Isham. Illustrated by Herman Pfeifer.

The thrill of excitement will keep the reader in a state of suspense, and he will become personally concerned from the start, as to the central character, a very real man who suffers, dares—and achieves!

VIRGINIA OF THE AIR LANES. By Herbert Quick. Illustrated by William R. Leigh.

The author has seized the romantic moment for the airship novel, and created the pretty story of "a lover and his lass" contending with an elderly relative for the monopoly of the skies. An exciting tale of adventure in midair.

THE GAME AND THE CANDLE. By Eleanor M. Ingram. Illustrated by P. D. Johnson.

The hero is a young American, who, to save his family from poverty, deliberately commits a felony. Then follow his capture and imprisonment, and his rescue by a Russian Grand Duke. A stirring story, rich in sentiment.

THE MUSIC MASTER. By Charles Klein. Illustrated by John Rae.

This marvelously vivid narrative turns upon the search of a German musician in New York for his little daughter. Mr. Klein has well portrayed his pathetic struggle with poverty, his varied experiences in endeavoring to meet the demands of a public not trained to an appreciation of the classic, and his final great hour when, in the rapidly shifting events of a big city, his little daughter, now a beautiful young woman, is brought to his very door. A superb bit of fiction, palpitating with the life of the great metropolis. The play in which David Warfield scored his highest success.

DR. LAVENDAR'S PEOPLE. By Margaret Deland. Illustrated by Lucius Hitchcock.

Mrs. Deland won so many friends through Old Chester Tales that this volume needs no introduction beyond its title. The lovable doctor is more ripened in this later book, and the simple comedies and tragedies of the old village are told with dramatic charm.

OLD CHESTER TALES. By Margaret Deland. Illustrated by Howard Pyle.

Stories portraying with delightful humor and pathos a quaint people in a sleepy old town. Dr. Lavendar, a very human and lovable "preacher," is the connecting link between these dramatic stories from life.

HE FELL IN LOVE WITH HIS WIFE. By E. P. Roe. With frontispiece.

The hero is a farmer—a man with honest, sincere views of life. Bereft of his wife, his home is cared for by a succession of domestics of varying degrees of inefficiency until, from a most unpromising source, comes a young woman who not only becomes his wife but commands his respect and eventually wins his love. A bright and delicate romance, revealing on both sides a love that surmounts all difficulties and survives the censure of friends as well as the bitterness of enemies.

THE YOKE. By Elizabeth Miller.

Against the historical background of the days when the children of Israel were delivered from the bondage of Egypt, the author has sketched a romance of compelling charm. A biblical novel as great as any since "Ben Hur."

SAUL OF TARSUS. By Elizabeth Miller. Illustrated by Andre Castaigne.

The scenes of this story are laid in Jerusalem, Alexandria, Rome and Damascus. The Apostle Paul, the Martyr Stephen, Herod Agrippa and the Emperors Tiberius and Caligula are among the mighty figures that move through the pages. Wonderful descriptions, and a love story of the purest and noblest type mark this most remarkable religious romance.

WHEN A MAN MARRIES. By Mary Roberts Rinehart. Illustrated by Harrison Fisher and Mayo Bunker.

A young artist, whose wife had recently divorced him, finds that a visit is due from his Aunt Selina, an elderly lady having ideas about things quite apart from the Bohemian set in which her nephew is a shining light. The way in which matters are temporarily adjusted forms the motif of the story.

A farcical extravaganza, dramatized under the title of "Seven Days."

THE FASHIONABLE ADVENTURES OF JOSHUA CRAIG. By David Graham Phillips. Illustrated.

A young westerner, uncouth and unconventional, appears in political and social life in Washington. He attains power in politics, and a young woman of the exclusive set becomes his wife, undertaking his education in social amenities.

"DOC." GORDON. By Mary E. Wilkins-Freeman. Illustrated by Frank T. Merrill.

Against the familiar background of American town life, the author portrays a group of people strangely involved in a mystery. "Doc." Gordon, the one physician of the place, Dr. Elliot, his assistant, a beautiful woman and her altogether charming daughter are all involved in the plot. A novel of great interest.

HOLY ORDERS. By Marie Corelli.

A dramatic story, in which is pictured a clergyman in touch with society people, stage favorites, simple village folk, powerful financiers and others, each presenting vital problems to this man "in holy orders"—problems that we are now struggling with in America.

KATRINE. By Elinor Macartney Lane. With frontispiece.

Katrine, the heroine of this story, is a lovely Irish girl, of lowly birth, but gifted with a beautiful voice.

The narrative is based on the facts of an actual singer's career, and the viewpoint throughout is a most exalted one.

THE FORTUNES OF FIFI. By Molly Elliot Seawell. Illustrated by T. de Thulstrup.

A story of life in France at the time of the first Napoleon. Fifi, a glad, mad little actress of eighteen, is the star performer in a third rate Parisian theatre. A story as dainty as a Watteau painting.

SHE THAT HESITATES. By Harris Dickson. Illustrated by C. W. Relyea.

The scene of this dashing romance shifts from Dresden to St. Petersburg in the reign of Peter the Great, and then to New Orleans.

The hero is a French Soldier of Fortune, and the princess, who hesitates—but you must read the story to know how she that hesitates may be lost and yet saved.

HAPPY HAWKINS. By Robert Alexander Wason. Illustrated by Howard Giles.

A ranch and cowboy novel. Happy Hawkins tells his own story with such a fine capacity for knowing how to do it and with so much humor that the reader's interest is held in surprise, then admiration and at last in positive affection.

COMRADES. By Thomas Dixon, Jr. Illustrated by C. D. Williams.

The locale of this story is in California, where a few socialists establish a little community.

The author leads the little band along the path of disillusionment, and gives some brilliant flashes of light on one side of an important question.

TONO-BUNGAY. By Herbert George Wells.

The hero of this novel is a young man who, through hard work, earns a scholarship and goes to London.

Written with a frankness verging on Rousseau's, Mr. Wells still uses rare discrimination and the border line of propriety is never crossed. An entertaining book with both a story and a moral, and without a dull page—Mr. Wells's most notable achievement.

A HUSBAND BY PROXY. By Jack Steele.

A young criminologist, but recently arrived in New York city, is drawn into a mystery, partly through financial need and partly through his interest in a beautiful woman, who seems at times the simplest child and again a perfect mistress of intrigue. A baffling detective story.

LIKE ANOTHER HELEN. By George Horton. Illustrated by C. M. Relyea.

Mr. Horton's powerful romance stands in a new field and brings an almost unknown world in reality before the reader—the world of conflict between Greek and Turk on the Island of Crete. The "Helen" of the story is a Greek, beautiful, desolate, defiant—pure as snow.

There is a certain new force about the story, a kind of master-craftsmanship and mental dominance that holds the reader.

THE MASTER OF APPLEBY. By Francis Lynde. Illustrated by T. de Thulstrup.

A novel tale concerning itself in part with the great struggle in the two Carolinas, but chiefly with the adventures therein of two gentlemen who loved one and the same lady.

A strong, masculine and persuasive story.

A MODERN MADONNA. By Caroline Abbot Stanley.

A story of American life, founded on facts as they existed some years ago in the District of Columbia. The theme is the maternal love and splendid courage of a woman.



THE NOVELS OF GEORGE BARR McCUTCHEON

GRAUSTARK.

A story of love behind a throne, telling how a young American met a lovely girl and followed her to a new and strange country. A thrilling, dashing narrative.

BEVERLY OF GRAUSTARK.

Beverly is a bewitching American girl who has gone to that stirring little principality—Graustark—to visit her friend the princess, and there has a romantic affair of her own.

BREWSTER'S MILLIONS.

A young man is required to spend one million dollars in one year in order to inherit seven. How he does it forms the basis of a lively story.

CASTLE CRANEYCROW.

The story revolves round the abduction of a young American woman, her imprisonment in an old castle and the adventures created through her rescue.

COWARDICE COURT.

An amusing social feud in the Adirondacks in which an English girl is tempted into being a traitor by a romantic young American, forms the plot.

THE DAUGHTER OF ANDERSON CROW.

The story centers about the adopted daughter of the town marshal in a western village. Her parentage is shrouded in mystery, and the story concerns the secret that deviously works to the surface.

THE MAN FROM BRODNEY'S.

The hero meets a princess in a far-away island among fanatically hostile Musselmen. Romantic love making amid amusing situations and exciting adventures.

NEDRA.

A young couple elope from Chicago to go to London traveling as brother and sister. They are shipwrecked and a strange mix-up occurs on account of it.

THE SHERRODS.

The scene is the Middle West and centers around a man who leads a double life. A most enthralling novel.

TRUXTON KING.

A handsome good natured young fellow ranges on the earth looking for romantic adventures and is finally enmeshed in most complicated intrigues in Graustark.



KATE DOUGLAS WIGGIN'S STORIES OF PURE DELIGHT

Full of originality and humor, kindliness and cheer

THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in two colors. Illustrations by Alice Barber Stephens.

One of the prettiest romances that has ever come from this author's pen is made to bloom on Christmas Eve in the sweet freshness of an old New England meeting house.

PENELOPE'S PROGRESS. Attractive cover design in colors.

Scotland is the background for the merry doings of three very clever and original American girls. Their adventures in adjusting themselves to the Scot and his land are full of humor.

PENELOPE'S IRISH EXPERIENCES. Uniform in style with "Penelope's Progress".

The trio of clever girls who rambled over Scotland cross the border to the Emerald Isle, and again they sharpen their wits against new conditions, and revel in the land of laughter and wit.

REBECCA OF SUNNYBROOK FARM.

One of the most beautiful studies of childhood—Rebecca's artistic, unusual and quaintly charming qualities stand out midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record.

NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn.

Some more quaintly amusing chronicles that carry Rebecca through various stages to her eighteenth birthday.

ROSE O' THE RIVER. With illustrations by George Wright.

The simple story of Rose, a country girl and Stephen a sturdy young farmer. The girl's fancy for a city man interrupts their love and merges the story into an emotional strain where the reader follows the events with rapt attention.

GROSSET & DUNLAP, 526 WEST 26TH ST., NEW YORK



* * * * *



Transcriber's note:

1. Minor changes have been made to correct typesetters' errors; otherwise, every effort has been made to remain true to the author's words and intent.

2. In the advertising pages, book titles that were underlined have been indicated by an equal sign (=) preceding and following the underlined text.

THE END

Previous Part     1  2  3  4  5  6
Home - Random Browse