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Conscience
by Hector Malot
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And what struck them were the same observations, turning always in the same circle, applied to the same subjects and persons:

Caffie's name irritated him; Madame Dammauville's angered him; Florentin's made him positively unhappy.

As for the two former, she might have prevented the pronunciation of them when she saw the effect they infallibly produced on him.

But she could not prevent the utterance of Florentin's name, even had she wished it. How could she tell her mother never to speak the name of him who was constantly in their thoughts?

In spite of Saniel's efforts and solicitations, supported by Nougarede's, Florentin had embarked for New Caledonia, whence he wrote as often as he could. His letters related all his sufferings in the terrible galleys, where he was confined during the voyage, and since his arrival they were a series of long complaints, continued from one to the other, like a story without end, turning always on the same subject, his physical sufferings, his humiliation, his discouragement, and his disgust in the midst of the unfortunates whose companion he was.

The arrival of these letters filled the mother and sister with anguish that lasted for several days; and this anguish, that neither of them could dissimulate, angered Saniel.

"What would you do if he were dead?" he asked Phillis.

"Would it not be better for him?"

"But he will return."

"In what condition?"

"Are we the masters of fate?"

"We weep, we do not complain."

But he complained of the weeping faces that surrounded him, the tears they concealed from him, the sighs they stifled. Ordinarily he was tender and affectionate to his mother-in-law, with attention and deference which in some ways seemed affected, as if he were so by will rather than by natural sentiment; but at these times he forgot this tenderness, and treated her with hardness so unjust, that more than once Madame Cormier spoke of it to her daughter.

"How can your husband, who is so good to me, be so merciless regarding Florentin? One would say that our sadness produces on him the effect of a reproach that we would address to him."

One day when things had gone farther than usual, she had the courage to speak to him plainly: "Forgive me for burdening you with the weariness of our disgrace," she said to him. "When I complain of everything, of men and things, you should remember that you are the exception, you who have done everything to save him."

But these few words which she believed would calm the irritation of her son-in-law, had on the contrary exasperated him; he left her, furious.

"I do not understand your husband at all," she said to her daughter. "Will you not explain to me what the matter is with him?"

How could she give her mother the explanation that she could not give herself? Having reached an unfathomable abyss, she dared not even lean over to look into its depths; and instead of going on in the path where she was pledged in spite of herself, she made every effort to return, or at least to stop.

What good would it do to find out why he was so peculiar, and what it was that he took so much pains to conceal? This could only be idle curiosity on her part, for which she would be punished sooner or later.

Turning these thoughts over continually in her mind she lost her gayety, her power to resist blows of fate, such as the small trials of life, which formerly made her courageous; her vigorous elasticity sunk under the heavy weight with which it was charged, and her smiling eyes now more often expressed anxiety than happiness and confidence.

In spite of her watchfulness over herself she was not able to hide the change from Saniel, for it manifested itself in everything—in her face formerly so open, but which now bore the imprint of a secret sadness; in her concentrated manner, in her silence and abstraction.

What was the matter with her? He questioned her, and she replied with the prudence that she used in all her conversation with him. He examined her medically, but found nothing to indicate a sickly condition which would justify the change in her.

If she did not wish to answer his questions, and he had the proof that she did not wish to; if, on the other hand, she was not ill, and he was convinced that she was not—there must be something serious the matter to make the woman whom but lately he read so easily become an enigma that made him uneasy.

And this thing—if it were that whose crushing weight he himself carried on his bent shoulders? She divined, she understood, if not all, at least a part of the truth.

What an extraordinary situation was hers, and one which might truly destroy her reason.

Nothing to fear from others, everything from himself. Justice, law, the world—on all sides he was let alone; nothing was asked of him; that which was owed was paid; but he by a sickly aberration was going to awake the dead who slept in their tomb, from which no one thought of taking them, and to make spectres of them which he alone saw and heard.

And he believed himself strong. Fool that he was, and still more foolish to have taken such a charge when by the exercise of his will he did not place himself in a condition to carry it! To will! But he had not learned how to will.



CHAPTER XLII

THE POWER OF HYPNOTISM

The relative calm that Saniel had felt since his marriage he owed to Phillis; to the strength, the confidence, the peace that he drew from her. Phillis without strength, without confidence, without interior peace, such as she was now, could not give him what she no longer had herself, and he returned to the distracted condition that preceded his marriage, and felt the same anguish, the same agitation, the same madness. The beautiful relations, worldly consideration, success, decorations, honors, were good for others; but for his happiness he required the tranquillity and serenity of his wife, and her good moral health which passed into him when she slept on his shoulder. In that case there were no sudden awakenings, no sleeplessness; at the sound of her gentle respiration he was reassured, and the spectres remained in their tomb.

But now that this respiration was agitated, and he no longer felt in her this tranquillity and serenity, he was no longer calm; she was weak and uneasy, and she communicated her fever to him, not her sleep.

"You do not sleep. Why do you not sleep?"

"And you?"

He must know.

He persisted in his questions, but she was always on her guard, so that he was unable to draw anything from her, checked as he was by the fear of betraying himself, which seemed easy at the point he believed she had reached. An awkward word, too much persistence, would let a flood of light into her mind.

He also affected to speak as a physician when questioning her, and to look for medical explanations of her condition.

"If you do not sleep it is because you suffer. What is this suffering? From what does it proceed?"

Having no reasons to give to justify it, since she did not even dare to speak of her brother, she denied it obstinately.

"But nothing is the matter with me, I assure you," she repeated. "What do you think is the matter?"

"That is what I ask you."

"Then I ask you: What do you think I conceal from you?"

He could not say that he suspected her of concealing anything from him.

"You do not watch yourself properly."

"I can do nothing."

"I will force you to watch yourself and to speak."

"How?"

"By putting you to sleep."

The threat was so terrible that she was beside herself.

"Do not do that!" she cried.

They looked at each other for a few moments in silence, both equally frightened, she at the threat, he at what he would learn from her. But to show this fright was on his side to let loose another proof even more grave.

"Why should I not seek to discover in every way the cause of this uneasiness which escapes my examination as well as yours? For that somnambulism offers us an excellent way."

"But since I am not ill, what more could I tell you when I am asleep than when I am awake?"

"We shall see."

"It is an experiment that I ask you not to attempt. Would you try a poison on me?"

"Somnambulism is not a poison."

"Who knows?"

"Those who have made use of it."

"But you have not."

"Still I know enough to know that you will run no danger in my hands."

She believed that he opened a door of escape to her.

"Never mind, I am too much afraid. If you ever want to make me talk in a state of forced somnambulism, ask one of your 'confreres' in whom you have confidence to put me to sleep."

Before a 'confrere' she was certain he would not ask her dangerous questions.

He understood that she wished to escape him.

"Afraid of what?" he asked. "That I shall ask you questions about the past, concerning your life before we knew each other, and demand a confession that would wound my love?"

"O Victor!" she cried, distracted. "What more cruel wound could you give me than these words? My confession! It comprises three words: I love you; I have never loved any one but you; I shall never love any one but you. I have no past; my life began with my love."

He could not press it without showing the importance that he attached to it.

"I do not insist," he said; "it is a way like any other, but better. You do not wish it, and we will not talk of it."

But he yielded too quickly for her to hope that he renounced his project, and she remained under the influence of a stupefying terror. What would she say if he made her talk? Everything, possibly. She did not even know what thoughts were hidden in the depths of her brain, and she knew absolutely nothing of this forced somnambulism with which she was threatened.

At this time the works of the school of Nancy on sleep, hypnotism, and suggestion, had not yet been published, or at least the book which served as their starting-point was not known, and she knew nothing of processes that were employed to provoke the hypnotic sleep. As soon as her husband left the house she looked for some book in the library that would enlighten her. But the dictionary that she found gave only obscure or confused instructions in which she floundered. The only exact point that struck her was the method employed to produce sleep; to make the subject look at a brilliant object placed from fifteen to twenty centimetres in front of the eyes. If this were true she had no fear of ever being put to sleep.

However, she was not reassured; and when a few days later at a dinner she found herself seated next to one of her husband's 'confreres', who she knew interested himself in somnambulism, she had the courage to conquer her usual timidity concerning medicine, and questioned him.

"Are there not persons with certain diseases who can be put into a state of somnambulism?"

"It was formerly believed by the public and by many physicians that only persons afflicted with hysteria and nervous troubles could be put to sleep in this way, but it was a mistake; artificial somnambulism may be produced on many subjects who are perfectly healthy."

"Is the will preserved in sleep?"

"The subject only preserves the spontaneity and will that his hypnotizer leaves him, who at his pleasure makes him sad, gay, angry, or tender, and plays with his soul as with an instrument."

"But that is frightful."

"Curious, at least. It is certain that there is a local paralysis of such or such a cell, the study of which is the starting-point of many interesting discoveries."

"When he wakes, does the subject remember what he has said?"

"There is a difference of opinion on this point. Some say yes, and others no. As for me, I believe the memory depends upon the degree of sleep: with a light sleep there is remembrance, but with a profound sleep the subject does not remember what he has said or heard or done."

She would have liked to continue, and her companion, glad to talk of what interested him, would willingly have said more, but she saw her husband at the other end of the table watching them by fits and starts, and fearing that he would suspect the subject of their conversation she remained silent.

What she had just learned seemed to her frightful. But, at least, as she would not let herself be hypnotized she had nothing to fear; and remembering what she had read, she promised herself that she would never let him place her in a position where he could put her to sleep. It was during the sleep that the will of the hypnotizer controlled that of the subject, not before.

Resting on this belief, and also on his not having again spoken of sending her to sleep, she was reassured. Was not this a sign that he accepted her opposition and renounced his idea of provoked somnambulism?

But she deceived herself.

One night when she had gone to bed at her usual hour while he remained at his work, she awoke suddenly and saw him standing near her, looking at her with eyes whose fixed stare frightened her.

"What is the matter? What do you want?"

"Nothing, I want nothing; I am going to bed."

In spite of the strangeness of his glance she did not persist; questions would have taught her nothing. And besides, now that he no longer went to bed at the same time as she did, there was nothing extraordinary in his attitude.

But a few days from that she woke again in the night with a feeling of distress, and saw him leaning over her as if he would envelop her in his arms.

This time, frightened as she was, she had the strength to say nothing, but her anguish was the more intense. Did he then wish to hypnotize her while she slept? Was it possible? Then the dictionary had deceived her?

In truth it was while she slept that Saniel tried to transform her natural into an artificial sleep. Would he succeed? He knew nothing about it, for the experience was new. But he risked it.

The first time, instead of putting her into a state of somnambulism, he awoke her; the second, he succeeded no better; the third, when he saw that after a certain time she did not open her eyes, he supposed that she was asleep. To assure himself, he raised her arm, which remained in the air until he placed it on the bed. Then taking her two hands, he turned them backward, and withdrawing his own, the impulsion which he gave lasted until he checked it. Her face had an expression of calmness and tranquillity that it had not had for a long time; she was the pretty Phillis of other days, with the sprightly glance.

"To-morrow I will make you sleep at the same time," he said, "and you will talk."

The next night he put her to sleep even more easily, but when he questioned her she resisted.

"No," she said, "I will not speak; it is horrible. I will not, I cannot."

He insisted, but she would not.

"Very well, so be it," he said; "not to-day, to-morrow. But to-morrow I wish you to speak, and you shall not resist me; I will it!"

If he did not insist it was not only because he knew that habit was necessary to make her submit to his will without being able to defend herself, but because he was ignorant whether, when she awoke, she had any memory of what happened in her sleep, which was an important point.

The next night she was the same as she had been the previous evening, and nothing indicated that she was conscious of her provoked sleep, any more than what she said in this sleep. He could then continue.

This time she went to sleep sooner and more easily than usual, and her face took the expression of tranquillity and repose he had seen the night before. Would she answer? And if she consented, would she speak sincerely, without attempting to weaken or falsify the truth? Emotion made his voice tremble when he put the first question; it was his life, his peace, the happiness of both which decided him.

"Where do you suffer?" he asked.

"I do not suffer."

"Yet you are agitated, often melancholy or uneasy; you do not sleep well. What troubles you?"

"I am afraid."

"Afraid of what? Of whom?"

"Of you!"

He trembled.

"Afraid of me! Do you think that I could hurt you?"

"No."

His tightened heart relaxed.

"Then why are you afraid?"

"Because there are things in you that frighten me."

"What things? Be exact."

"The change that has taken place in your temper, your character, and your habits."

"And how do these changes make you uneasy?"

"They indicate a serious situation."

"What situation?"

"I do not know; I have never stated exactly."

"Why not?"

"Because I was afraid; and I closed my eyes so that I might not see."

"See what?"

"The explanation of all that is mysterious in your life."

"When did you notice the mystery in my life?"

"At the time of Caffie's death; and before, when you told me that you could kill him without any remorse."

"Do you know who killed Caffie?"

"No."

His relief was so great that for several moments he forgot to continue his interrogations. Then he went on: "And after?"

"A little before Madame Dammauville's death, when you became irritable and furious without cause; when you told me to go because you did not wish to see Madame Dammauville; when, the night before her death, you were so tender, and asked me not to judge you without recalling that hour."

"Yet you have judged me."

"Never. When worry urged me, my love checked me."

"What provoked this uneasiness outside of these facts?"

"Your manner of living since our marriage; your accesses of anger and of tenderness; your fear of being observed; your agitation at night; your complaints—"

"I talked?" he cried.

"Never distinctly; you groan often, and moan, pronouncing broken words without sense, unintelligible—"

His anguish was violent; when he recovered he continued:

"What is it in this way of living that has made you uneasy?"

"Your constant care not to commit yourself—"

"Commit myself how?"

"I do not know—"

"What else?"

"The anger that you show, or the embarrassment, when the name of Caffie is pronounced, Madame Dammauville's, and Florentin's—"

"And you conclude that my anger on hearing these three names—"

"Nothing—I am afraid—"



CHAPTER XLIII

THE TERRIBLE REVELATION

This confession threw him into a state of confusion and agitation, for if it did not go beyond what he feared, yet it revealed a terrible situation.

Clearly, as in an open book, he read her; if she did not know all, she was but one step from the truth, and if she had not taken this step, it was because her love restrained her. If her love had been less strong, less powerful, she certainly would not have withstood the proofs that pressed on her from all sides.

But because she had held back so long, he must not conclude that the struggle would be continued in this way, and that a more violent blow, a stronger proof than the others, would not open her eyes in spite of herself.

It only needed an imprudence, a carelessness on his part, and unluckily he could no longer be relied on.

From what he had just learned it would be easy to watch himself closely, and to avoid dangerous subjects, those that she described to him; but if he could guard his words and looks during the day, neither saying nor letting anything appear that was an accusation, not confirming the suspicions against which she struggled, he could not do it at night.

He had not talked, and when she answered negatively to his question, she lifted a terribly heavy weight from his heart. But he had groaned and moaned, he had pronounced broken words without sense and unintelligible, and there was the danger.

What was necessary to make these sighs, these groans, these broken and unintelligible words become distinct and take a meaning? A nothing, an accident, since his real cerebral tendency placed him up to a certain point in a somnambulistic state. Was this tendency congenital with him or acquired? He did not know. Before the agitated nights after Madame Dammauville's death and Florentin's condemnation, the idea had never occurred to him that he might talk in his sleep. But now he had the proof that the vague fears which had tormented him on this subject were only too well founded; he had talked, and if the words that escaped were not now comprehensible, they might become so.

Without having made a special study of sleep, natural or induced, he knew that in the case of natural somnambulists a hypnotic sleep is easily produced, and that while holding a conversation with a subject who talks in his sleep one may readily hypnotize him. Without doubt he need not fear this from Phillis; but it was possible that some night when incoherent words escaped him she would not be able to resist the temptation to enter into a conversation with him, and to lead him to confess what she wished to know—what the love that she felt for her brother would drive her to wish to learn.

If this opportunity presented itself, would the love for her brother or for her husband carry her away? If she questioned him, what would he not say?

For the first time he asked himself if he had done right to marry, and if, on the contrary, he had not committed a mad imprudence in introducing a woman into a life so tormented as his. He had asked calmness from this woman, and now she brought him terror.

To tell the truth, she was dangerous only at night; and if he found a way to occupy another room he would have nothing to fear from her during the day, on condition that he held himself rigorously on the defensive. Loving him as she did, she would resist the curiosity that drew her; if uneasiness drove her, her love would restrain her, as she herself had said; little by little this uneasiness and curiosity, being no longer excited, would die out, and they would again enjoy the sweet days that followed their marriage.

But in the present circumstances this way was difficult to find, for to propose another room to Phillis would be equal to telling her that he was afraid of her, and consequently it would give her a new mystery to study. He reflected, and starting with the idea that the proposition of two rooms must come from Phillis, he arranged a plan which, it seemed to him, would accomplish what he wished.

Ignorant of the fact that she had been hypnotized, and not remembering that she had talked, without doubt Phillis still feared that he would hypnotize her; he would threaten it again, and surely she would find a way to defend herself and escape from him.

This is what happened. The next day, when he told her decidedly that he wished to put her to sleep in order that he might learn what troubled her, she showed the same fright as on the first time.

"All that you have asked of me, everything that you have desired, I have wished as you and with you; but I will never consent to this."

"Your resistance is absurd; I will not yield to it."

"You shall not put me to sleep against my will."

"Easily."

"It is not possible."

Without replying, he took a book from the library, and turning over the leaves, he read: "Is it possible to make a sleeping person, without awaking him, pass from the natural to the hypnotic sleep? The thing is possible, at least with certain subjects."

Then handing her the book:

"You see that to put you to sleep artificially I need only the opportunity of finding you sleeping naturally. It is very simple."

"That would be odious."

"Those are merely words."

He threw her into such a state of terror that she kept awake all night, and as he would not sleep for fear of talking, he felt that she exerted every faculty to keep awake. But had he not gone too far? And by this threat would he not drive her to some desperate act? If she should escape, if she deserted him—what would become of him without her? Was she not his whole life? But he reassured himself by saying that she loved him too much ever to consent to a separation. Without doubt, she herself would come to think as he wished her to think.

And yet when he returned home in the evening she told him that her mother was not well, and begged him to examine her. This examination proved that Madame Cormier was in her usual health; but she complained that her breath failed her—during the day she had feared syncope.

"If you are willing," Phillis said, "I will sleep near mamma. I am afraid of not hearing her at night, and she is suffering."

He began by refusing, then he consented to this arrangement; and to thank him for it she stayed with him in his office, affectionate, full of tenderness and caresses, until he went to his room.

He was then free to sleep or not; whether he groaned or talked she could not hear him, since there was no communicating door between his room and that of his mother-in-law; his voice certainly would not penetrate the partition.

Who could have told him on the night that he decided to marry, that he would come to such a pass—to be afraid, to hide himself from her who brought him the calmness of sleep; and that by his fault, by a chain of imprudences and stupidities, as if it were written that in everything he would owe his sufferings to himself, and that if he ever succumbed to the whirlwind that swept him along, it would be by his own deed, by his own hand? At last he had assured the tranquillity of his nights, and as a further precaution, although he did not fear that Phillis would enter his room while he slept, to surprise him—she who dared not look in the face what suspicion showed her—he locked his door. Naturally, Phillis could not always sleep with her mother; but he would find a way to suggest frankly their sleeping apart, and surely he could find one in the storehouse of medicine.

These cares and similar fears were not of a nature to dispose him to sleep, and besides for a long time he had suffered from an exasperating nervous insomnia. As the night was warm he thought a little fresh air would calm him, and he opened the window; if this freshness did not calm him, at least it would make him sleep.

Obliged to improvise a bed in her mother's room, Phillis placed it against the partition that separated her from her husband, but without preconcerted intention, simply by accident, because it was the only place where she could put the bed. A little after midnight an unusual noise awoke her; she sat up to listen and to recover herself. It seemed as if this noise came from her husband's room. Alarmed, she placed her ear against the partition. She was not deceived; they were stifled groans, moans that were repeated at short intervals.

Carefully yet quickly she left her bed, and as the dawn was already shining in the windows, she was able to leave the room without making any noise. Reaching the door of her husband's room she listened; she was not deceived; they were indeed groans, but louder and sadder than those she had so often heard during the night. She tried the door, but it was evidently locked on the inside. What was the matter with him? She must know, must go to him, and give him relief. She thought of knocking, of shaking the door; but as he did not reply when she tried to open it, it was because he did not hear or did not wish to hear. Then she thought of the terrace; from there she could see what happened, and if it were necessary she would break a pane to enter.

She found the window open and saw her husband on the bed, sleeping, his head turned toward her; she stopped and asked herself if she should cross the threshold and wake him.

At this moment, with closed lips, he pronounced several words more distinctly than those that had so many times escaped him: "Phillis—forgive."

He dreamed of her. Poor, dear Victor! for what did he wish her to pardon him? Doubtless for having threatened to hypnotize her:

Overcome by this proof of love she put her head through the opening of the window to give him a look before returning to her mother, but on seeing his face in the full white light of the morning, she was frightened; it expressed the most violent sorrow, the features convulsed with anguish and horror at the same time. Surely he was ill. She must wake him. Just as she took a step toward him he began to speak: "Your brother—or me?"

She stopped as if thunderstruck, then instinctively she drew back and clung to the window in the vestibule to keep herself from falling, repeating those two words that she had just heard, not understanding, not wishing to understand.

Instead of returning to her mother, trembling and holding on to the wall she entered the parlor and let herself fall into a chair, prostrated, crushed.

"Your brother—or me?"

This was, then, the truth, the frightful truth that she had never wished to see.

She stayed there until the noises in the street warned her that it was getting late, and she might be surprised. Then she returned to her mother.

"I am going out," she said; "I will return at half-past eight or nine o'clock."

"But your husband will not see you before going to the hospital."

"You will tell him that I have gone out."

She returned at half-past nine. Madame Cormier had finished dressing.

"At last you have come," she said.

But at sight of her daughter's face she saw that something had happened. "My God! What is the matter?" she asked, trembling.

"Something serious—very serious, but unfortunately it is irreparable. We must leave here, never to return."

"Your husband—"

"You must never speak to me of him. This the only thing I ask of you."

"Alas! I understand. It is what I foresaw, what I said would happen. You cannot bear the contempt that he shows us on account of your brother."

"We must hereafter be strangers to each other, and this is why we leave this house."

"My God! At my age, to drag my bones—"

"I have engaged a lodging at the Ternes; a wagon will come to take the furniture that belongs to us, what we brought here, only that. We will tell the concierge that we are going to the country. As for Josephine, you need not fear indiscreet questions, for I have given her a day off."

"But the money?"

"I have two hundred francs from the sale of my last picture; that is enough for the present. Before they are gone I shall have painted and sold another; do not worry, we shall have all we need."

All this was said in a hard but resolute tone.

A ring of the bell interrupted them. It was the express wagon.

"See that they do not take what does not belong to us," Phillis said. "While they fill their wagon I will write in the parlor."

At the end of an hour the wagon was ready. Madame Cormier entered the parlor to tell her daughter.

"I have finished," Phillis said.

Having placed her letter in an envelope, she laid it in full view on Saniel's desk.

"Now let us go," she said.

And as her mother sighed, while walking with difficulty

"Lean on me, dear mamma, you know I am strong."



CHAPTER XLIV

AFTER LONG YEARS

Saniel did not return until quite late in the afternoon. When he opened the door with his key he was surprised at not seeing his wife run to him and kiss him.

"She is painting," he said to himself, "she did not hear me."

He passed into the parlor, convinced that he would find her at her easel; but he did not see her, and the easel was not in its usual place, there nor anywhere else.

He knocked at the door of Madame Cormier's room; there was no reply; he knocked louder a second time, and after waiting a moment he entered. The room was empty; there was no bed, no furniture, no one.

Stupefied, he looked around him, then returning to the vestibule he called: "Phillis! Phillis!"

There was no reply. He ran to the kitchen, no one was there; he went into his office, no one there. But as he looked about him, he saw Phillis's letter on his desk, and his heart leaped; he grasped it eagerly, and opened it with a trembling hand. It was as follows:

"I have gone, never to return. My despair and disgust of life are such, that without my mother and the poor being who is so far away, I should kill myself; but in spite of the horror of my position I was obliged to reflect, and I do not wish to aggravate by folly the wickedness that is going on about me. My mother is no longer young; she is ill and has suffered cruelly. Not only do I owe it to her to brighten her old age by my presence, by the material and moral support that I can give her, but she must have faith that I am there to replace her, and to open my arms to her son, to my brother. The least that I can do for them is to wait courageously for him; and, however weary, terrible, or frightful my life may be hereafter, I shall bear it so that the unfortunate, the pariah, whom a pitiless fate has pursued, will find on his return a hearth, a home, a friend. This will be my only object, my reason for living; and in order to save myself from sluggishness and weariness, my thoughts will always be on the time when he will return, he whom I will call my child, and whom my love must save and cure. I know that long years separate me from that day, and that until it comes my broken heart will never have a moment of repose; but I shall employ this time in working for him, for the brother, for the child, for the cherished being who will come to me aged and desperate; and I wish that he may yet believe in something good, that he will not imagine everything in this world is unjust and infamous, for he will return to me weighed down by twenty years of shame, of degrading and undeserved shame. How will he bear these twenty years? What efforts must I not make to prove to him that he should not abandon himself to despair, and that life often offers the remedy, compassion to the most profound, to the most unjust human sorrows? How can I make him believe that? How lead his poor heart, closed to confidence, to feeling, to the tears that alone can relieve it? God who has so sorely tried me, without doubt will come to my aid, and will inspire me with words of consolation, will show me the path to follow, and give me the strength to persevere. Have I not already to thank Him for being alone in the world, outside of a mother and brother who will not betray me? I have no children, and I am spared the terror of seeing a soul growing in evil, an intelligence escaping from me to follow the path of infamy or dishonor. I leave, then, as I came. I was a poor girl, I go away a poor woman. I have taken the clothing and personal effects that I brought into our common home, nothing that was bought with your money; and I forbid you to interfere with my wish in this question of material things, as well as in my resolution to fly from you. Nothing can ever reunite us; nothing shall reunite us, no consideration, no necessity. I reject the past, this guilty past, the responsibility of which weighs so heavily on my conscience, and I should like to lose the memory of the detested time. It would be impossible for me to accept the struggle, or supplications, if you think it expedient to make any. I have cut our bonds, and hereafter we shall be as far apart as if one of us were dead, or even farther. Have no scruples, then, in leaving me alone to face a new life, a beginning that may appear difficult to one not situated as I am. The trials of former times were good for me, since they accustomed me to the difficulties of work. The desolation of to-day will sustain me, in the sense that having suffered all I can suffer, I no longer fear some discouraging catastrophe that will check me in my resolutions. In order not to compromise you, and more fully to become myself again, I shall take my family name—a dishonored name—but I shall bear it without shame. I shall live obscurely, absorbed in work and in trying to forget your existence; do the same yourself. If you think of the past, you will find, perhaps, that I am hard; yet this departure is not an egotistic desertion. I am no good to you, and the repose that you want would shun you hereafter in my presence. On the contrary, strive for forgetfulness, as I shall. If you contrive to wipe out of your life the part that is associated with me, perhaps you will be able to banish the remainder, and to recover some of the calm of other days. I can no longer remember that I have loved you, for my position is such that I have not the refuge of memory; at my age I must remain without a past as without a future; the consolation of the unfortunate is lost to me with everything else. I cannot rise out of my sorrow to try to find one hour when life was sweet to me; those hours, on the contrary, make me tremble, and I reproach myself for them as if they were a crime. Thus, whichever way I turn, I find only sadness and sharp regrets; everything is blighted, dishonored for me."

Standing in the middle of his office he read this hastily written letter breathlessly. Arrived at the end he looked about him vaguely. His chair was near his desk; he let himself fall into it and remained there prostrated, holding the letter in his shaking hand.

"Alone!"

It was an October afternoon, dark and muddy; in the Rue des Saints-Peres, in front of the houses that hide the Charity Hospital, coupes were standing, and their long line extended to the Boulevard Saint-Germain, where the coachmen, having left their seats, talked together like persons who were accustomed to meet each other. At half-past four o'clock, in the deepening twilight, men with grave looks and dark clothes—members of the Academy of Medicine—the Tuesday sitting over, issued from the porch, and entered their carriages. Some of them walked alone, briskly, in a great hurry; others demonstrated a skilful tardiness, stopping to talk politely to a journalist, and to give him notes of the day's meeting, or continuing, with a 'confrere' who was not an Academician, the conversation begun in the room of the 'pas-perdus'; it was the Bourse of consultations that was just closed. Not all the members of the Academy have, in truth, a long list of patients to visit; but each one has a vote to give, and they are those whom the candidates surround, trying to win them.

One of the Academicians who appeared the last at the top of the steps was a man of great height but bent figure, with hollow cheeks and pale face lighted by pale blue eyes with a strange expression, both hard and desolate at the same time. He advanced alone, and his heavy gait and dragging step gave him the appearance of a man sixty years of age, while in other ways he retained a certain youthfulness. It was Saniel, twenty years older.

Without exchanging a bow or a hand-shake with any one, he descended to the pavement and walked to the boulevard, where he opened the door of a coups whose interior showed a complete ambulant library—a writing table with paper, ink, and lamp, pockets full of books and pamphlets.

Just as he was about to enter, a voice stopped him.

He turned; it was one of his old pupils, who had recently become a physician in the suburb of Gentilly.

"What is it?" asked Saniel.

"I want to ask you to come and assist me in a curious case of spasms, where your intervention may be decisive."

"Where?"

"At the Maison-Blanche, a poor woman. What day could you give me?"

"Is it urgent?"

"Yes."

"In that case I will go at once. Give the address to my coachman, and get in with me."

But at this moment a white-haired man dressed in chestnut velvet, wearing a felt hat and sabots, came toward them, accompanied by two young men with whom he discoursed in a loud tone while gesticulating. People turned to look at them, so original was the appearance of old Brigard, the same man from head to foot that he had always been.

He came to Saniel with outstretched hands, and Saniel, taking off his hat, received him with marked respect.

"Enchanted to meet you," Brigard said, "for I went to your office yesterday and did not find you."

"Why did you not send me word beforehand? If you need me I am at your disposal."

"Thanks, but happily I do not need your advice, neither for myself nor my family; it was simply that I wished to see you. Arriving at your house before your office hours, I waited in your reception-room and several patients came after me—a young woman who appeared to suffer cruelly, an old lady who was extremely anxious, and lastly a man who had some nervous disease that would not permit him to sit still. And, looking at them, I said to myself that as I was only making a friendly visit I would not remain and prolong the waiting of these unfortunates who counted the minutes, so I came away."

"May I ask to what do I owe the honor of this visit?"

The two young men who accompanied Brigard, and Saniel's old pupil discreetly withdrew.

"The desire to present you my congratulations. When I learned of your candidature to the Academy of Medicine I said to myself: Here is one who has no chance; friend Saniel has originality and force; he has succeeded brilliantly; but these qualities are not exactly academic. I was deceived. You have broken open the doors, which is the only way that I understand of entering these places. That is why I congratulate you. And, besides, I did you wrong formerly—"

"Wrong? You?"

"I accused you of believing yourself stronger than life; in truth you were. My compliments!"

After warmly pressing Saniel's hands, he went on his way with his two disciples, preaching to them.

The young doctor approached Saniel.

"He is an original," he said.

"A happy man!" was the only reply.

ETEXT EDITOR'S BOOKMARKS:

He did not sleep, so much the better! He would work more One does not judge those whom one loves She could not bear contempt The strong walk alone because they need no one We are so unhappy that our souls are weak against joy We weep, we do not complain

ETEXT EDITOR'S BOOKMARKS FOR THE ENTIRE CONSCIENCE:

As ignorant as a schoolmaster As free from prejudices as one may be, one always retains a few Confidence in one's self is strength, but it is also weakness Conscience is a bad weighing-machine Conscience is only an affair of environment and of education Find it more easy to make myself feared than loved For the rest of his life he would be the prisoner of his crime Force, which is the last word of the philosophy of life He did not sleep, so much the better! He would work more I believed in the virtue of work, and look at me! In his eyes everything was decided by luck Intelligent persons have no remorse It is the first crime that costs It is only those who own something who worry about the price Leant—and when I did not lose my friends I lost my money Leisure must be had for light reading, and even more for love Looking for a needle in a bundle of hay Neither so simple nor so easy as they at first appeared One does not judge those whom one loves People whose principle was never to pay a doctor Power to work, that was never disturbed or weakened by anything Reason before the deed, and not after Repeated and explained what he had already said and explained She could not bear contempt The strong walk alone because they need no one We are so unhappy that our souls are weak against joy We weep, we do not complain Will not admit that conscience is the proper guide of our action You love me, therefore you do not know me

THE END

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