While buried in these shadows, I allowed my favorite poets and text-books to accumulate dust. I even ground them under my feet in excess of wrath. "You wretched dreamers!" I said to them; "you who teach me only suffering, miserable shufflers of words, charlatans, if you know the truth, fools, if you speak in good faith, liars in either case, who make fairy-tales of the woes of the human heart. I will burn the last one of you!"

Then tears came to my aid and I perceived that there was nothing real but my grief. "Very well," I cried, in my delirium, "tell me, good and bad genii, counselors for good or evil, tell me what to do! Choose an arbiter and let him speak."

I seized an old Bible which lay on my table, and read the first passage that caught my eye.

"Reply to me, thou book of God!" I said, "what word hast thou for me?" My eye fell on this passage in Ecclesiastes, Chapter IX:

For all this I considered in my heart even to declare all this, that the righteous and the wise, and their works, are in the hand of God; no man knoweth either love or hatred by all that is before them.

All things come alike to all: there is one event to the righteous, and to the wicked; to the good and to the clean, and to the unclean; to him that sacrificeth, and to him that sacrificeth not: as is the good, so is the sinner; and he that sweareth, as he that feareth an oath.

This is an evil among all things that are done under the sun, that there is one event unto all: yea, also the heart of the sons of men is full of evil, and madness is in their heart while they live, and after that they go to the dead.

When I read these words I was astounded; I did not know that there was such a sentiment in the Bible. "And thou, too, as all others, thou book of hope!"

What do the astronomers think when they predict, at a given hour and place, the passage of a comet, that most eccentric of celestial travellers? What do the naturalists think when they reveal the myriad forms of life concealed in a drop of water? Do they think they have invented what they see and that their lenses and microscopes make the law of nature? What did the first law-giver think when, seeking for the corner-stone in the social edifice, angered doubtless by some idle importunity, he struck the tables of brass and felt in his bowels the yearning for a law of retaliation? Did he, then, invent justice? And the first who plucked the fruit planted by his neighbor and who fled cowering under his mantle, did he invent shame? And he who, having overtaken that same thief who had robbed him of the product of his toil, forgave him his sin, and, instead of raising his hand to smite him, said, "Sit thou down and eat thy fill;" when, after thus returning good for evil, he raised his eyes toward Heaven and felt his heart quivering, tears welling from his eyes, and his knees bending to the earth, did he invent virtue? Oh, Heaven! here is a woman who speaks of love and who deceives me; here is a man who speaks of friendship and counsels me to seek consolation in debauchery; here is another woman who weeps and would console me with the flesh; here is a Bible that speaks of God and says: "Perhaps; but nothing is of any real importance."

I ran to the open window: "Is it true that you are empty?" I cried, looking up at the pale expanse of sky which spread above me. "Reply, reply! Before I die, grant that I may clasp in these arms of mine something more than a dream!"

Profound silence reigned. As I stood with arms outstretched, eyes lost in space, a swallow uttered a plaintive cry; in spite of myself I followed it with my eyes; while the swallow disappeared from sight like a flash, a little girl passed singing.



CHAPTER VIII

THE SEARCH FOR HEALING

Yet I was unwilling to yield.

Before taking life on its pleasant side—a side which to me seemed rather sinister—I resolved to test everything. I remained thus for some time, a prey to countless sorrows, tormented by terrible dreams.

The great obstacle to my cure was my youth. Wherever I happened to be, whatever my occupation, I could think of nothing but women; the sight of a woman made me tremble.

It had been my fate—a fate as rare as happy—to give to love my unsullied youth. But the result of this was that all my senses united in idealizing love; there was the cause of my unhappiness. For not being able to think of anything but women, I could not help turning over in my head, day and night, all the ideas of debauchery, of false love and of feminine treason, with which my mind was filled. For me to possess a woman was to love her; I thought of nothing but women, but I believed no more in the possibility of true love.

All this suffering inspired me with a sort of rage. At times I was tempted to imitate the monks and starve my body in order to conquer my senses; at times I felt like rushing out into the street to throw myself at the feet of the first woman I met and vow to her eternal love.

God is my witness that I did all in my power to cure myself. Preoccupied from the first with the idea that the society of men was the haunt of vice and hypocrisy, where all were like my mistress, I resolved to separate myself from them and live in complete isolation. I resumed my neglected studies, and plunged into history, poetry, and anatomy. There happened to be on the fourth floor of the same house an old and learned German. I determined to learn his language; the German was poor and friendless, and willingly accepted the task of instructing me. My perpetual state of distraction worried him. How many times he waited in patient astonishment while I, seated near him with a smoking lamp between us, sat with my arms crossed on my book, lost in revery, oblivious of his presence and of his pity.

"My dear sir," said I to him one day, "all this is useless, but you are the best of men. What a task you have undertaken! You must leave me to my fate; we can do nothing, neither you nor I."

I do not know that he understood my meaning, but he grasped my hand and there was no more talk of German.

I soon realized that solitude, instead of curing me, was doing me harm, and so I completely changed my system. I went into the country, and galloped through the woods with the huntsmen; I would ride until I was out of breath, trying to cure myself with fatigue, and when, after a day of sweat in the fields, I reached my bed in the evening smelling of powder and the stable, I would bury my head in the pillow, roll about under the covers and cry: "Phantom, phantom! are you not satiated? Will you not leave me for one single night?"

But why these vain efforts? Solitude sent me to nature, and nature to love. Standing in the street of Mental Observation, I saw myself pale and wan, surrounded by corpses, and, drying my hands on my bloody apron, stifled by the odor of putrefaction, I turned my head in spite of myself, and saw floating before my eyes green harvests, balmy fields, and the pensive harmony of the evening. "No," said I, "science can not console me; rather will I plunge into this sea of irresponsive nature and die there myself by drowning. I will not war against my youth; I will live where there is life, or at least die in the sunlight." I began to mingle with the throngs at Sevres and Chaville, and stretch myself on flowery swards in secluded groves. Alas! all the forests and fields cried to me:

"What do you seek here? We are young, poor child! We wear the colors of hope."

Then I returned to the city; I lost myself in its obscure streets; I looked up at the lights in its windows, into those mysterious family nests; I watched the passing carriages; I saw man jostling against man. Oh, what solitude! How sad the smoke on those roofs! What sorrow in those tortuous streets where all are hurrying hither and thither, working and sweating, where thousands of strangers rub against your elbows; a sewer where society is of bodies only, while souls are solitary and alone, where all who hold out a hand to you are prostitutes! "Become corrupt, corrupt, and you will cease to suffer!" This has been the cry of all cities unto man; it is written with charcoal on the walls, on the streets with mud, on men's faces with extravasated blood.

At times, when seated in the corner of some salon I watched the women as they danced, some rosy, some blue, and others white, their arms bare and their hair gathered gracefully about their shapely heads, looking like cherubim drunk with light, floating in spheres of harmony and beauty, I would think: "Ah, what a garden, what flowers to gather, to breathe! Ah! Marguerites, Marguerites! What will your last petal say to him who plucks it? A little, a little, but not all. That is the moral of the world, that is the end of your smiles. It is over this terrible abyss that you are walking in your spangled gauze; it is on this hideous reality you run like gazelles on the tips of your little toes!"

"But why take things so seriously?" said Desgenais. "That is something that is never seen. You complain because bottles become empty? There are many casks in the vaults, and many vaults in the hills. Give me a dainty fish-hook gilded with sweet words, a drop of honey for bait, and quick! catch in the stream of oblivion a pretty consoler, as fresh and slippery as an eel; you will still have the hook when the fish shall have glided from your hands. Youth must pass away, and if I were you I would carry off the queen of Portugal rather than study anatomy."

Such was the advice of Desgenais. I made my way home with swollen heart, my face concealed under my cloak. I kneeled at the side of my bed and my poor heart dissolved in tears. What vows! what prayers! Galileo struck the earth, crying: "Nevertheless it moves!" Thus I struck my heart.



CHAPTER IX

BACCHUS, THE CONSOLER

Suddenly, in the midst of black despair, youth and chance led me to commit an act that decided my fate.

I had written my mistress that I wished never to see her again; I kept my word, but I passed the nights under her window, seated on a bench before her door. I could see the lights in her room, I could hear the sound of her piano, at times I saw something that looked like a shadow through the partially drawn curtains.

One night as I was seated on the bench, plunged in frightful melancholy, I saw a belated workman staggering along the street. He muttered a few words in a dazed manner and then began to sing. So much was he under the influence of liquor that he walked at times on one side of the gutter and then on the other. Finally he fell upon a bench facing another house opposite me. There he lay still, supported on his elbows, and slept profoundly.

The street was deserted, a dry wind stirred the dust here and there; the moon shone through a rift in the clouds and lighted the spot where the man slept. So I found myself tete-a-tete with this boor, who, not suspecting my presence, was sleeping on that stone bench as peacefully as if in his own bed.

The man served to divert my grief; I arose to leave him in full possession, but returned and resumed my seat. I could not leave that fateful door, at which I would not have knocked for an empire. Finally, after walking up and down a few times, I stopped before the sleeper.

"What sleep!" I said. "Surely this man does not dream. His clothes are in tatters, his cheeks are wrinkled, his hands hardened with toil; he is some unfortunate who does not have a meal every day. A thousand gnawing cares, a thousand mortal sorrows await his return to consciousness; nevertheless, this evening he had money in his pocket, and entered a tavern where he purchased oblivion. He has earned enough in a week to enjoy a night of slumber, and perhaps has purchased it at the expense of his children's supper. Now his mistress can betray him, his friend can glide like a thief into his hut; I could shake him by the shoulder and tell him that he is being murdered, that his house is on fire; he would turn over and continue to sleep."

"And I—I do not sleep," I continued, pacing up and down the street, "I do not sleep, I who have enough in my pocket at this moment to purchase sleep for a year. I am so proud and so foolish that I dare not enter a tavern, and it seems I do not understand that if unfortunates enter there, it is to come out happy. O God! grapes crushed beneath the foot suffice to dissipate the deepest sorrow and to break the invisible threads that the fates weave about our pathway. We weep like women, we suffer like martyrs; in our despair it seems that the world is crumbling under our feet, and we sit down in tears as did Adam at Eden's gate. And to cure our griefs we have but to make a movement of the hand and moisten our throats. How contemptible our sorrow since it can be thus assuaged! We are surprised that Providence does not send angels to grant our prayers; it need not take the trouble, for it has seen our woes, it knows our desires, our pride and bitterness, the ocean of evil that surrounds us, and is content to hang a small black fruit along our paths. Since that man sleeps so soundly on his bench, why do not I sleep on mine? My rival is doubtless passing the night with my mistress; he will leave her at daybreak; she will accompany him to the door and they will see me asleep on my bench. Their kisses will not awaken me, and they will shake me by the shoulder; I will turn over on the other side and sleep on."

Thus, inspired by fierce joy, I set out in quest of a tavern. As it was past midnight some were closed; this put me in a fury. "What!" I cried, "even that consolation is refused me!" I ran hither and thither knocking at the doors of taverns, crying: "Wine! Wine!"

At last I found one open; I called for a bottle, and without caring whether it was good or bad, I gulped it down; a second followed, and then a third. I dosed myself as with medicine, and forced the wine down as if it had been prescribed by some physician to save my life.

The heavy fumes of the liquor, doubtless adulterated, mounted to my head. As I had gulped it down at a breath, drunkenness seized me promptly; I felt that I was becoming muddled, then I experienced a lucid moment, then confusion followed. Then consciousness left me, I leaned my elbows on the table and said adieu to myself.

But I had a confused idea that I was not alone in the tavern. At the other end of the room stood a hideous group with haggard faces and harsh voices. Their dress indicated that they belonged to the poorer class, but were not bourgeois; in short, they belonged to that ambiguous class, the vilest of all, which has neither fortune nor occupation, which never works except at some criminal plot, a class which, neither poor nor rich, combines the vices of one with the misery of the other.

They were quarrelling over a dirty pack of cards. Among them was a girl who appeared to be very young and very pretty, was decently clad, and resembled her companions in no way, except in the harshness of her voice, which was as rough and broken as if it had performed the office of public crier. She looked at me closely, as if astonished to see me in such a bad place, for I was elegantly attired. Little by little she approached my table and seeing that all the bottles were empty, smiled. I saw that she had fine teeth of brilliant whiteness; I took her hand and begged her to be seated; she consented with good grace and asked what we should have for supper.

I looked at her without saying a word, while my eyes began to fill with tears; she observed my emotion and inquired the cause. I could not reply. She understood that I had some secret sorrow and forebore any attempt to learn the cause; with her handkerchief she dried my tears from time to time as we dined.

There was something about this girl at once repulsive and sweet, a singular boldness mingled with pity, that I could not understand. If she had taken my hand in the street she would have inspired a feeling of horror in me; but it seemed so strange that a creature I had never seen should come to me, and, without a word, proceed to order supper and dry my tears with her handkerchief, that I was rendered speechless; it revolted, yet charmed me. What I had done had been done so quickly that I seemed to have obeyed some impulse of despair. Perhaps I was a fool, or the victim of some supernatural caprice.

"Who are you?" I suddenly cried out; "what do you want of me? How do you know who I am? Who told you to dry my tears? Is this your vocation and do you think I desire you? I would not touch you with the tip of my finger. What are you doing here? Reply at once. Is it money you want? What price do you put on your pity?"

I arose and tried to go out, but my feet refused to support me. At the same time my eyes failed me, a mortal weakness took possession of me and I fell over a stool.

"You are not well," she said, taking me by the arm, "you have drunk, like the child that you are, without knowing what you were doing. Sit down in this chair and wait until a cab passes. You will tell me where you live and I will order the driver to take you home to your mother, since," she added, "you really find me ugly."

As she spoke I raised my eyes. Perhaps my drunkenness deceived me, or perhaps I had not seen her face clearly before, but suddenly I detected in that unfortunate girl a fatal resemblance to my mistress. I shuddered at the sight. There is a certain shudder that affects the hair; some say it is death passing over the head, but it was not death that passed over mine.

It was the malady of the age, or rather was it that girl herself; and it was she who, with her pale, halfmocking features and rasping voice, came and sat with me at the end of the tavern room.

The moment I perceived her resemblance to my mistress a frightful idea occurred to me; it took irresistible possession of my muddled mind, and I put it into execution at once.

I escorted that girl to my home; and I arranged my room just as I had been wont to do when my mistress was with me, for I was dominated by a certain recollection of past joys.

Having arranged my room to my satisfaction, I gave myself up to the intoxication of despair. I probed my heart to the bottom in order to sound its depths. A Tyrolean song that my loved one used to sing began to run through my head:

Altra volta gieri biele, Blanch' a rossa com' un flore, Ma ora no. Non son piu biele Consumatis dal' amore.

[Once I was beautiful, white and rosy as a flower; but now I am not. I am no longer beautiful, consumed by the fire of love.]

I listened to the echo of that song as it reverberated through the desert of my heart. I said: "Behold the happiness of man; behold my little Paradise; behold my queen Mab, a girl from the streets. My mistress is no better. Behold what is found at the bottom of the glass when the nectar of the gods has been drained; behold the corpse of love."

The unfortunate creature heard me singing and began to sing herself. I turned pale; for that harsh and rasping voice, coming from the lips of one who resembled my mistress, seemed a symbol of my experience. It sounded like a gurgle in the throat of debauchery. It seemed to me that my mistress, having been unfaithful, must have such a voice. I was reminded of Faust who, dancing at the Brocken with a young sorceress, saw a red mouse emerge from her throat.

"Stop!" I cried. I arose and approached her.

Let me ask you, O men of the time, bent upon pleasure, who attend the balls and the opera and who, upon retiring this night, will seek slumber with the aid of some threadbare blasphemy of old Voltaire, some sensible satire by Paul Louis Courier, or some essay on economics, you who dally with the cold substance of that monstrous water-lily that Reason has planted in the hearts of our cities-let me ask, if by some chance this obscure book falls into your hands, not to smile with noble disdain or shrug your shoulders. Be not too sure that I complain of an imaginary evil; be not too sure that human reason is the most beautiful of faculties, that there is nothing real here below but quotations on the Bourse, gambling in the salon, wine on the table, the glow of health, indifference toward others, and the pleasures of the night.

For some day, across your stagnant life, a gust of wind will blow. Those beautiful trees, that you water with the stream of oblivion, Providence will destroy; despair will overtake you, heedless ones, and tears will dim your eyes. I will not say that your mistresses will deceive you—that would not grieve you so much as the loss of a horse—but you can lose on the Bourse. For the first plunge is not the last, and even if you do not gamble, bethink you that your moneyed tranquillity, your golden happiness, are in the care of a banker who may fail. In short, I tell you, frozen as you are, you are capable of loving something; some fibre of your being can be torn and you can give vent to cries that will resemble a moan of pain. Some day, wandering about the muddy streets, when daily material joys shall have failed, you will find yourself seated disconsolately on a deserted bench at midnight.

O men of marble! sublime egoists, inimitable reasoners, who have never given way to despair or made a mistake in arithmetic, if this ever happens to you, at the hour of your ruin you will remember Abelard when he lost Heloise. For he loved her more than you love your horses, your money, or your mistresses; and in losing her he lost more than your monarch Satan would lose in falling again from the battlements of Heaven. He loved her with a love of which the gazettes do not speak, the shadow of which your wives and your daughters do not perceive in our theatres and in our books. He passed half of his life kissing her white forehead, teaching her to sing the psalms of David and the canticles of Saul; he had but her on earth alone; and God consoled him.

Believe me, when in your distress you think of Abelard you will not look with the same eye upon the rich blasphemy of Voltaire and the badinage of Courier; you will feel that human reason can cure illusions but can not heal sorrows; that God has use for Reason but that He has not made her a sister of Charity. You will find that when the heart of man said: "I believe in nothing, for I see nothing," it did not speak the last word on the subject. You will look about you for something like hope, you will shake the doors of churches to see if they still swing, but you will find them walled up; you will think of becoming Trappists, and destiny will mock at you, and for reply will give you a bottle of wine and a courtesan.

And if you drink the wine, and take the courtesan, you will learn how such things come to pass.



PART II



CHAPTER I

AT THE CROSSWAYS

Upon awaking the following morning I experienced a feeling of such deep disgust with myself, and felt so degraded in my own eyes that a horrible temptation assailed me. Then I sat down and looked gloomily about the room, my eyes resting mechanically on a brace of pistols that decorated the walls.

When the suffering mind stretches its hands, so to speak, toward annihilation, when the soul forms some violent resolution, there seems to be an independent physical horror in the act of touching the cold steel of some deadly weapon; the fingers stiffen in anguish, the arm grows cold and hard. Nature recoils as the condemned walks to death. I can not express what I experienced, unless it was as if my pistol had said to me: "Think what you are about to do."

Since then I have often wondered what would have happened to me if the girl had departed immediately. Doubtless the first flush of shame would have subsided; sadness is not despair, and God has joined them in order that the one should not leave us alone with the other. Once relieved of the presence of that woman, my heart would have become calm. There would remain only repentance, for the angel of pardon has forbidden man to kill. But I was doubtless cured for life; debauchery was once for all driven from my door, and I would never again know the feeling of disgust with which its first visit had inspired me.

But it happened otherwise. The struggle which was going on within, the poignant reflections which overwhelmed me, the disgust, the fear, the wrath, even (for I experienced all these emotions at the same time), all these fatal powers nailed me to my chair; and, while I was thus a prey to dangerous delirium, the creature, standing before my mirror, thought of nothing but how best to arrange her dress and fix her hair, smiling the while. This lasted more than a quarter of an hour, during which I had almost forgotten her. Finally some slight noise attracted my attention to her, and turning about with impatience I ordered her to leave the room in such a tone that she at once opened the door and threw me a kiss before going out.

At the same moment some one rang the bell of the outer door. I arose precipitately, and had only time to open the closet door and motion the creature into it, when Desgenais entered the room with two friends.

The great currents that are found in the middle of the ocean resemble certain events in life. Fatality, Chance, Providence, what matters the name? Those who quarrel over the word admit the fact. Such are not those who, speaking of Napoleon or Caesar, say:

"He was a man of Providence." They apparently believe that heroes merit the attention which Heaven shows them, and that the color of purple attracts gods as well as bulls.

As to what rules the course of these little events, or what objects and circumstances, in appearance the least important, lead to changes in fortune, there is not, to my mind, a deeper cause and opportunity for thought. For something in our ordinary actions resembles the little blunted arrows we shoot at targets; little by little we make of our successive deeds an abstract and regular entity that we call our prudence or our will. Then comes a gust of wind, and lo! the smallest of these arrows, the very lightest and most ineffective, is wafted beyond our vision, beyond the very horizon to the dwelling-place of God himself.

What a strange feeling of unrest seizes us then! What becomes of those phantoms of tranquil pride, the will and prudence? Force itself, that mistress of the world, that sword of man in the combat of life, in vain do we brandish it over our heads in wrath, in vain do we seek to ward off with it a blow which threatens us; an invisible power turns aside the point, and all the impetus of effort, deflected into space, serves only to precipitate our fall.

Thus, at the moment I was hoping to cleanse myself from the sin I had committed, perhaps to inflict the penalty, at the very instant when a great horror had taken possession of me, I learned that I had to sustain a dangerous test.

Desgenais was in good humor; stretching himself out on my sofa he began to chaff me about my appearance, which indicated, he said, that I had not slept well. As I was little disposed to indulge in pleasantry I begged him to spare me.

He appeared to pay no attention to me, but, warned by my tone, soon broached the subject that had brought him to me. He informed me that my mistress had not only two lovers at a time, but three; that is to say, she had treated my rival as badly as she had treated me; the poor boy, having discovered her inconstancy, made a great ado and all Paris knew it. At first I did not catch the meaning of Desgenais's words, as I was not listening attentively; but when he had repeated his story three times in detail I was so stupefied that I could not reply. My first impulse was to laugh, for I saw that I had loved the most unworthy of women; but it was no less true that I loved her still. "Is it possible?" was all I could say.

Desgenais's friends confirmed all he had said. My mistress had been surprised in her own house between two lovers, and a scene ensued that all Paris knew by heart. She was disgraced, obliged to leave Paris or remain exposed to the most bitter taunts.

It was easy for me to see that in all this ridicule a great part was directed at me, not only on account of my duel in connection with this woman, but from my whole conduct in regard to her. To say that she deserved severest censure, that she had perhaps committed far worse sins than those she was charged with, was but to make me feel that I had been one of her dupes.

All this did not please me; but Desgenais had undertaken the task of curing me of my love, and was prepared to treat my disease heroically. A long friendship, founded on mutual services, gave him certain rights, and as his motive appeared praiseworthy I allowed him to have his way.

Not only did he not spare me, but when he saw my trouble and my shame increase, he pressed me the harder. My impatience was so obvious that he could not continue, so he stopped and remained silent—a course that irritated me still more.

In my turn I began to ask questions; I paced to and fro in my room. Although the recital of the story was well-nigh insupportable, I wished to hear it again. I tried to assume a smiling face and tranquil air, but in vain. Desgenais suddenly became silent after having shown himself to be a most virulent gossip. While I was pacing up and down my room he looked at me calmly, as if I were a caged fox.

I can not express my state of mind. That a woman who had so long been the idol of my heart, and who, since I had lost her, had caused me such deep affliction, the only one I had ever loved, for whom indeed I might sorrow till death, should become suddenly a shameless wretch, the subject of coarse jests, of universal censure and scandal! It seemed to me that I felt on my shoulder the brand of a glowing iron and that I was marked with a burning stigma.

The more I reflected, the more the darkness thickened about me. From time to time I turned my head and saw a cold smile or a curious glance. Desgenais did not leave me; he knew very well what he was doing, and saw that I might go to any lengths in my present desperate condition.

When he found that he had brought me to the desired point, he did not hesitate to deal the finishing stroke.

"Does that story displease you?" he asked. "The best is yet to come. My dear Octave, the scene I have described took place on a certain night when the moon was shining brightly. While the two lovers were quarrelling over their fair one, and talking of cutting her throat as she sat before the fire, down in the street a certain shadow was seen to pass up and down before the house, a shadow that resembled you so closely that it was decided it must be you."

"Who says so?" I asked, "who saw me in the street?"

"Your mistress herself; she told it to every one who cared to listen, just as cheerfully as we tell you her story. She claims that you love her still, that you keep guard at her door, in short—everything you can think of; but you ought to know that she talks about you publicly."

I have never been able to lie, for whenever I have tried to disguise the truth my face has betrayed me. 'Amour propre', the shame of confessing my weakness before witnesses induced me, however, to make the effort. "It is very true that I was in the street," I thought, "but had I known that my mistress was as bad as she is, I should not have been there."

Finally I persuaded myself that I had not been seen distinctly; I attempted to deny it. A deep flush suffused my face and I felt the futility of my feint. Desgenais smiled.

"Take care," said he, "take care, do not go too far."

"But," I protested, "how did I know it, how could I know—"

Desgenais compressed his lips as if to say:

"You knew enough."

I stopped short, mumbling the remnant of my sentence. My blood became so hot that I could not continue.

"I in the street bathed in tears, in despair, and during that time that encounter within! What! that very night! Mocked by her! Surely, Desgenais, you are dreaming. Is it true? Can it be possible? What can you know about it?"

Thus talking at haphazard, I lost my head and an irresistible feeling of wrath began to rise within me. Finally I sat down exhausted.

"My friend," said Desgenais, "do not take the thing so seriously. The solitary life you have been leading for the last two months has made you ill; I see you have need of distraction. Come to supper with me this evening, and tomorrow morning we will go to the country."

The tone in which he said this hurt me more than anything else; in vain I tried to control myself. "Yes," I thought, "deceived by that woman, poisoned by horrible suggestions, having no refuge either in work or in fatigue, having for my only safeguard against despair and ruin a sacred but frightful grief. O God! it is that grief, that sacred relic of my sorrow, that has just crumbled in my hands! It is no longer, my love, it is my despair that is insulted. Mockery! She mocks at me as I weep!" That appeared incredible to me. All the memories of the past crowded about my heart when I thought of it. I seemed to see the spectres of our nights of love; they hung over a bottomless, eternal abyss, black as chaos, and from the bottom of that abyss arose a shriek of laughter, sweet but mocking, that said: "Behold your reward!"

Had I been told that the world mocked at me I would have replied: "So much the worse for it," and I should not have been angry; but at the same time I was told that my mistress was a shameless wretch. Thus, on one side, the ridicule was public, vouched for, stated by two witnesses who, before telling what they knew, must have felt that the world was against me; and, on the other hand, what reply could I make? How could I escape? What could I do when the centre of my life, my heart itself, was ruined, killed, annihilated. What could I say when the woman for whom I had braved all, ridicule as well as blame, for whom I had borne a load of misery, whom I loved, and who loved another, of whom I demanded no love, of whom I desired nothing but permission to weep at her door, no favor but that of vowing my youth to her memory and of writing her name, her name alone, on the tomb of my hopes!—Ah! when I thought of it, I felt the hand of death heavy upon me. That woman mocked me, it was she who first pointed her finger at me, singling me out to the idle crowd which surrounded her; it was she, it was those lips erstwhile so many times pressed to mine, it was that body, that soul of my life, my flesh and my blood, it was from that source the injury came; yea, the last pang of all, the most cowardly and the most bitter, the pitiless laugh that sneers in the face of grief.

The more I thought of it the more enraged I became. Did I say enraged? I do not know what passion possessed me. What I do know is that an inordinate desire for vengeance entered into my soul. How could I revenge myself on a woman? I would have paid any price for a weapon that could be used against her. But I had none, not even the one she had employed; I could not pay her in her own coin.

Suddenly I noticed a shadow moving behind the curtain before the closet. I had forgotten my prisoner.

"Listen to me!" I cried, rising, "I have loved, I have loved like a fool. I deserve all the ridicule you have subjected me to. But, by Heaven! I will show you something that will prove to you that I am not such a fool as you think."

With these words I pulled aside the curtain and exposed the interior of the closet. The girl was trying to conceal herself in a corner.

"Go in, if you choose," I said to Desgenais; "you who call me a fool for loving a woman, see how your teaching has affected me. Do you think I passed last night under the windows of—? But that is not all," I added, "that is not all I have to say. You give a supper to-night and to-morrow go to the country; I am with you, and shall not leave you from now on. We will not separate, but will pass the entire day together. Are you with me? Agreed! I have tried to make of my heart the mausoleum of my love, but I will bury my love in another tomb."

With these words I sat down, marvelling how indignation can solace grief and restore happiness. Whoever is astonished to learn that, from that day, I completely changed my course of life does not know the heart of man, and does not understand that a young man of twenty may hesitate before taking a step, but does not retreat when he has once taken it.



CHAPTER II

THE CHOSEN WAY

The first steps in debauchery resemble vertigo, for one feels a sort of terror mingled with sensuous delight, as if peering downward from some giddy—height. While shameful, secret dissipation ruins the noblest of men, in the frank and open defiance of conventionality there is something that compels respect even in the most depraved. He who goes at nightfall, muffled in his cloak, to sully his life in secret, and clandestinely to shake off the hypocrisy of the day, resembles an Italian who strikes his enemy from behind, not daring to provoke him to open quarrel. There are assassinations in the dark corners of the city under shelter of the night. He who goes his way without concealment says: "Every one does it and conceals it; I do it and do not conceal it." Thus speaks pride, and once that cuirass has been buckled on, it glitters with the refulgent light of day.

It is said that Damocles saw a sword suspended over his head. Thus libertines seem to have something over their heads which says: "Go on, but remember, I hang not by a thread." Those masked carriages that are seen during Carnival are the faithful images of their life. A dilapidated open wagon, flaming torches lighting up painted faces; some laugh, some sing. Among them you see what appear to be women; they are in fact what once were women, with human semblance. They are caressed and insulted; no one knows who they are or what their names. They float and stagger under the flaming torches in an intoxication that thinks of nothing, and over which, it is said, a pitying God watches.

But if the first impression be astonishment, the second is horror, and the third pity. There is evident so much force, or rather such an abuse of force, that often the noblest characters and the strongest constitutions are ruined. The life appears hardy and dangerous to these; they would make prodigies of themselves; bound to debauchery as Mazeppa to his horse, they gallop, making Centaurs of themselves and seeing neither the bloody trail that the shreds of their flesh leave, nor the eyes of the wolves that gleam in hungry pursuit, nor the desert, nor the vultures.

Launched into that life by the circumstances that I have recounted, I must now describe what I saw there.

Before I had a close view of one of those famous gatherings called theatrical masked balls, I had heard the debauchery of the Regency spoken of, and a reference to the time when a queen of France appeared disguised as a violet-seller. I found there flower-merchants disguised as vivandieres. I expected to find libertinism there, but in fact I found none at all. One sees only the scum of libertinism, some blows, and drunken women lying in deathlike stupor on broken bottles.

Ere I saw debauchery at table I had heard of the suppers of Heliogabolus and of the philosophy of Greece, which made the pleasures of the senses a kind of natural religion. I expected to find oblivion or something like joy; I found there the worst thing in the world: ennui trying to live, and some Englishmen who said: "I do this or that, and so I amuse myself. I have spent so many sovereigns, and have procured so much pleasure." And thus they wear out their life on that grindstone.

I had known nothing of courtesans when I heard of Aspasia, who sat on the knees of Alcibiades while discussing philosophy with Socrates. I expected to find something bold and insolent, but gay, free, and vivacious, something with the sparkle of champagne; I found a yawning mouth, a fixed eye, and light fingers.

Before I saw titled courtesans I had read Boccaccio and Bandello; above all, I had read Shakespeare. I had dreamed of those beautiful triflers; of those cherubim of hell. A thousand times I had drawn those heads so poetically foolish, so enterprising in audacity, heads of harebrained mistresses who wreck a romance with a glance, and who pass through life by waves and by pulsations, like the sirens of the tides. I thought of the fairies of the modern tales, who are always drunk with love if not with wine. I found, instead, writers of letters, exact arrangers of assignations, who practised lying as an art and cloaked their baseness under hypocrisy, whose only thought was to give themselves for profit and to forget.

Ere first I looked on the gaming-table I had heard of floods of gold, of fortunes made in a quarter of an hour, and of a lord of the court of Henry IV, who won on one card a hundred thousand louis. I found a narrow room where workmen who had but one shirt rented a suit for the evening for twenty sous, police stationed at the door, and starving wretches staking a crust of bread against a pistol-shot.

Unknown to me were those dance-halls, public or other, open to any of those thirty thousand women who are permitted to sell themselves in Paris; I had heard of the saturnalia of all ages, of every imaginable orgy, from Babylon to Rome, from the temple of Priapus to the Parc-aux-Cerfs, and I have always seen written on the sill of that door the word, "Pleasure." I found nothing suggestive of pleasure, but in its place another word; and it has always seemed ineffaceable, not graven in that glorious metal that takes the sun's light, but in the palest of all, the cold colors of which seem tinted by the moonlight silver.

The first time I saw a mob, it was a depressing morning—Ash Wednesday, near Courtille. A cold, fine rain had been falling since the evening before; the streets were covered with pools of water. Carriages with blinds down were strung out hither and thither, crowding between hedges of hideous men and women standing on the sidewalks. That sinister wall of spectators had tigerish eyes, red with wine, gleaming with hatred. The carriage-wheels splashed mud over them, but they did not move. I was standing on the front seat of an open carriage; from time to time a man in rags would step out from the wall, hurl a torrent of abuse at us, then cover us with a cloud of flour. Mud would soon follow; yet we kept on our way toward the Isle of Love and the pretty wood of Romainville, consecrated by so many sweet kisses. One of my friends fell from his seat into the mud, narrowly escaping death on the paving. The people threw themselves on him to overpower him, and we were obliged to hasten to his assistance. One of the trumpeters who preceded us on horseback was struck on the shoulder by a paving-stone; the flour had given out. I had never heard of anything like that.

I began to understand the time and comprehend the spirit of the age.



CHAPTER III

AFRICAN HOSPITALITY

Desgenais had planned a reunion of young people at his country house. The best wines, a splendid table, gaming, dancing, hunting, nothing was lacking. Desgenais was rich and generous. He combined an antique hospitality with modern ways. Moreover one could always find in his house the best books; his conversation was that of a man of learning and culture. He was a problem.

I took with me a taciturn humor that nothing could overcome; he respected it scrupulously. I did not reply to his questions and he dropped the subject; he was satisfied that I had forgotten my mistress. I went to the chase and appeared at the table, and was as convivial as the best; he asked no more.

One of the most unfortunate tendencies of inexperienced youth is to judge of the world from first impressions; but it must be confessed that there is a race of men who are also very unhappy; a race which says to youth: "You are right in believing in evil, for we know what it is." I have heard, for example, a curious thing spoken of, a medium between good and evil, a certain arrangement between heartless women and men worthy of them—apparently love, but in reality a passing sentiment. They speak of love as of an engine constructed by a wagon-builder or a building-contractor. They said to me: "This and that are agreed upon, such and such phrases are spoken, and certain others are repeated in reply; letters are written in a prescribed manner, you kneel in a certain attitude." All is regulated as in a parade.

This made me laugh. Unfortunately for me, I can not tell a woman whom I despise that I love her, even when I know that it is only a convention and that she will not be deceived by it. I have never bent my knee to the ground when my heart did not go with it. So that class of women known as facile is unknown to me, or if I allow myself to be taken with them, it is without knowing it, and through innate simplicity.

I can understand that one's soul can be put aside, but not that it should be handled. That there is some pride in this, I confess, but I do not intend either to boast or abase myself. Above all things I hate those women who laugh at love, and I permit them to reciprocate the sentiment; there will never be any dispute between us.

Such women are beneath courtesans, for courtesans may lie as well as they; but courtesans are capable of love, and these women are not. I remember a woman who loved me, and who said to a man many times richer than I, with whom she was living: "I am weary of you, I am going to my lover." That woman is worth more than many others who are not despised by society.

I passed the entire season with Desgenais, and learned that my mistress had left France; that news left in my heart a feeling of languor which I could not overcome.

At the sight of that world which surrounded and was so new to me, I experienced at first a kind of bizarre curiosity, at once sad and profound, which made me look timorously at things as does a restless horse. Then an incident occurred which made a deep impression on me.

Desgenais had with him a very beautiful woman who loved him much. One evening as I was walking with him I told him that I considered her admirable, as much on account of her attachment for him as because of her beauty. In short, I praised her highly and with warmth, giving him to understand that he ought to be happy.

He made no reply. It was his manner, for he was the dryest of men. That night when all had retired, and I had been in bed some fifteen minutes I heard a knock at my door. I supposed it was some one of my friends who could not sleep, and invited him to enter.

There appeared before my astonished eyes a woman, very pale, carrying a bouquet in her hands, to which was attached a piece of paper bearing these words "To Octave, from his friend Desgenais."

I had no sooner read these words than a flash of light came to me. I understood the meaning of this action of Desgenais in making me this African gift. It made me think. The poor woman was weeping and did not dare dry her tears for fear I would see them. I said to her: "You may return and fear nothing."

She replied that if she should return Desgenais would send her back to Paris. "Yes," I replied, "you are beautiful and I am susceptible to temptation, but you weep, and your tears not being shed for me, I care nothing for the rest. Go, therefore, and I will see to it that you are not sent back to Paris."

One of my peculiarities is that meditation, which with many is a firm and constant quality of the mind, is in my case an instinct independent of the will, and seizes me like a fit of passion. It comes to me at intervals in its own good time, regardless of my will and in almost any place. But when it comes I can do nothing against it. It takes me whither it pleases by whatever route seems good to it.

When the woman had left, I sat up.

"My friend," I said to myself, "behold what has been sent you. If Desgenais had not seen fit to send you his mistress he would not have been mistaken, perhaps, in supposing that you might fall in love with her.

"Have you well considered it? A sublime and divine mystery is accomplished. Such a being costs nature the most vigilant maternal care; yet man, who would cure you, can think of nothing better than to offer you lips which belong to him in order to teach you how to cease to love.

"How was it accomplished? Others than you have doubtless admired her, but they ran no risk. She might employ all the seduction she pleased; you alone were in danger.

"It must be that Desgenais has a heart, since he lives. In what respect does he differ from you. He is a man who believes in nothing, fears nothing, who knows no care or ennui, perhaps, and yet it is clear that a scratch on the finger would fill him with terror, for if his body abandons him, what becomes of him? He lives only in the body. What sort of creature is he who treats his soul as the flagellants treat their bodies? Can one live without a head?

"Think of it. Here is a man who possesses one of the most beautiful women in the world; he is young and ardent; he finds her beautiful and tells her so; she replies that she loves him. Some one touches him on the shoulder and says to him: 'She is unfaithful.' Nothing more, he is sure of himself. If some one had said: 'She is a poisoner,' he would, perhaps have continued to love her, he would not have given her a kiss less; but she is unfaithful, and it is no more a question of love with him than of the star of Saturn.

"What is there in that word? A word that is merited, positive, withering, at will. But why? It is still but a word. Can you kill a body with a word?

"And if you love that body? Some one pours a glass of wine and says to you: 'Do not love that, for you can get four for six francs.' And it may intoxicate you!

"But Desgenais loves his mistress, since he keeps her; he must, therefore, have a peculiar fashion of loving? No, he has not; his fashion of loving is not love, and he cares no more for the woman who merits affection than for her who is unworthy. He loves no one, simply and truly.

"What has led him to this? Was he born thus? To love is as natural as to eat and to drink. He is not a man. Is he a dwarf or a giant? Is he always so impassive? Upon what does he feed, what beverage does he drink? Behold him at thirty like old Mithridates; poisons are his familiar friends.

"There is the great secret, my child, the key you must grasp. By whatever process of reasoning debauchery may be defended, it will be proven that it is natural at a given day, hour, or night, but not to-morrow nor every day. There is not a nation on earth which has not considered woman either the companion and consolation of man or the sacred instrument of life, and has not under either of these two forms honored her. And yet here is an armed warrior who leaps into the abyss that God has dug with His own hands between man and brute; as well might he deny that fact. What mute Titan is this who dares repress under the kisses of the body the love of the soul, and place on human lips the stigma of the brute, the seal of eternal silence?

"There is a word that should be studied. In it you hear the faint moan of those dismal labyrinths we know as secret societies, mysteries that the angels of destruction whisper in the ear of night as it descends upon the earth. That man is better or worse than God has made him. He is like a sterile woman, in whom nature has not completed her work, or there is distilled in the shadow of his life some venomous poison.

"Ah! yes, neither occupation nor study has been able to cure you, my friend. To forget and to learn, that is your device. You turn the leaves of dead books; you are too young for antiquities. Look about you, the pale throng of men surrounds you. The eyes of life's sphynx glitter in the midst of divine hieroglyphics; decipher the book of life! Courage, scholar, launch out on the Styx, the deathless flood, and let the waves of sorrow waft you to oblivion or to God."



CHAPTER IV

MARCO

"All the good there was in it, supposing there was some good in it, was that false pleasures were the seeds of sorrow and of bitterness which fatigued me to the point of exhaustion." Such are the simple words spoken with reference to his youth by a man who was the most manly of any who have lived—St. Augustine. Of those who have done as I, few would say those words; all have them in their hearts; I have found no others in mine.

Returning to Paris in the month of December, I passed the winter attending pleasure parties, masquerades, suppers, rarely leaving Desgenais, who was delighted with me: not so was I with him. The more I went about, the more unhappy I became. It seemed to me after a short time that the world which had at first appeared so strange would hamper me, so to speak, at every step; yet where I had expected to see a spectre, I discovered, upon closer inspection, a shadow.

Desgenais asked what ailed me.

"And you?" I asked. "What is the matter with you? Have you lost some relative? Or do you suffer from some wound?"

At times he seemed to understand and did not question me. Occasionally we sat down at a cafe table and drank until our heads swam; or in the middle of the night took horses and rode ten or twelve leagues into the country; returning to the bath, then to table, then to gambling, then to bed; and on reaching mine, I fell on my knees and wept. That was my evening prayer.

Strange to say, I took pride in passing for what I was not, I boasted of being worse than I really was, and experienced a sort of melancholy pleasure in doing so. When I had actually done what I claimed, I felt nothing but ennui, but when I invented an account of some folly, some story of debauchery, or a recital of an orgy with which I had nothing to do, it seemed to me that my heart was better satisfied, although I know not why.

Whenever I joined a party of pleasure-seekers and visited some spot made sacred by tender associations I became stupid, went off by myself, looked gloomily at the trees and bushes as if I would like to trample them under my feet. Upon my return I would remain silent for hours.

The baleful idea that truth is nudity beset me on every occasion.

"The world," I said to myself, "is accustomed to call its disguise virtue, its chaplet religion, its flowing mantle convenience. Honor and Morality are man's chambermaids; he drinks in his wine the tears of the poor in spirit who believe in him; while the sun is high in the heavens he walks about with downcast eye; he goes to church, to the ball, to the assembly, and when evening has come he removes his mantle and there appears a naked bacchante with the hoofs of a goat."

But such thoughts aroused a feeling of horror, for I felt that if the body was under the clothing, the skeleton was under the body. "Is it possible that that is all?" I asked in spite of myself. Then I returned to the city, I saw a little girl take her mother's arm, and I became like a child.

Although I had followed my friends into all manner of dissipation, I had no desire to resume my place in the world of society. The sight of women caused me intolerable pain; I could not touch a woman's hand without trembling. I had decided never to love again.

Nevertheless I returned from the ball one evening so sick at heart that I feared that it was love. I happened to have had beside me at supper the most charming and the most distinguished woman whom it had ever been my good fortune to meet. When I closed my eyes to sleep I saw her image before me. I thought I was lost, and I at once resolved that I would avoid meeting her again. A sort of fever seized me, and I lay on my bed for fifteen days, repeating over and over the lightest words I had exchanged with her.

As there is no spot on earth where one can be so well-known by his neighbors as in Paris, it was not long before the people of my acquaintance who had seen me with Desgenais began to accuse me of being a great libertine. In that I admired the discernment of the world: in proportion as I had passed for inexperienced and sensitive at the time of my rupture with my mistress, I was now considered corrupt and hardened. Some one had just told me that it was clear I had never loved that woman, that I had doubtless merely played at love, thereby paying me a compliment which I really did not deserve; but the truth of it was that I was so swollen with vanity I was charmed with it.

My desire was to pass as blase, even while I was filled with desires and my exalted imagination was carrying me beyond all limits. I began to say that I could not make any headway with the women; my head was filled with chimeras which I preferred to realities. In short, my unique pleasure consisted in altering the nature of facts. If a thought were but extraordinary, if it shocked common sense, I became its ardent champion at the risk of advocating the most dangerous sentiments.

My greatest fault was imitation of everything that struck me, not by its beauty but by its strangeness, and not wishing to confess myself an imitator I resorted to exaggeration in order to appear original. According to my idea, nothing was good or even tolerable; nothing was worth the trouble of turning the head, and yet when I had become warmed up in a discussion it seemed as if there was no expression in the French language strong enough to sustain my cause; but my warmth would subside as soon as my opponents ranged themselves on my side.

It was a natural consequence of my conduct. Although disgusted with the life I was leading I was unwilling to change it:

Simigliante a quells 'nferma Che non puo trovar posa in su le piume, Ma con dar volta suo dolore scherma.—DANTE.

Thus I tortured my mind to give it change, and I fell into all these vagaries in order to get away from myself.

But while my vanity was thus occupied, my heart was suffering, so that ever within me were a man who laughed and a man who wept. It was a perpetual struggle between my head and my heart. My own mockeries frequently caused me great pain and my deepest sorrows aroused a desire to burst into laughter.

One day a man boasted of being proof against superstitious fears, in fact, fear of every kind. His friends put a human skeleton in his bed and then concealed themselves in an adjoining room to wait for his return. They did not hear any noise, but in the morning they found him dressed and sitting on the bed playing with the bones; he had lost his reason.

I might be that man but for the fact that my favorite bones are those of a well-beloved skeleton; they are the debris of my first love, all that remains of the past.

But it must not be supposed that there were no joyous moments in all this maddened whirl. Among Desgenais's companions were several young men of distinction and a number of artists. We sometimes passed together delightful evenings imagining ourselves libertines. One of them was infatuated with a beautiful singer, who charmed us with her fresh and expressive voice. How many times we sat listening to her while supper was waiting! How many times, when the flagons had been emptied, one of us held a volume of Lamartine and read aloud in a voice choked by emotion! Every other thought disappeared. The hours passed by unheeded. What strange "libertines" we were! We did not speak a word and there were tears in our eyes.

Desgenais especially, habitually the coldest and dryest of men, was inexplicable on such occasions; he delivered himself of such extraordinary sentiments that he might have been a poet in delirium. But after these effusions he would be seized with furious joy. When warmed by wine he would break everything within reach; the genius of destruction stalked forth in him armed to the teeth. I have seen him pickup a chair and hurl it through a closed window.

I could not help making a study of this singular man. He appeared to me the exact type of a class which ought to exist somewhere but which was unknown to me. One could never tell whether his outbursts were the despair of a man sick of life, or the whim of a spoiled child.

During the fete, in particular, he was in such a state of nervous excitement that he acted like a schoolboy. Once he persuaded me to go out on foot with him, muffled in grotesque costumes, with masks and instruments of music. We promenaded all night, in the midst of the most frightful din of horrible sounds. We found a driver asleep on his box and unhitched his horses; then, pretending we had just come from the ball, set up a great cry. The coachman started up, cracked his whip, and his horses started off on a trot, leaving him seated on the box. That same evening we had passed through the Champs Elysees; Desgenais, seeing another carriage passing, stopped it after the manner of a highwayman; he intimidated the coachman by threats and forced him to climb down and lie flat on his stomach. He opened the carriage door and found within a young man and a lady motionless with fright. He whispered to me to imitate him, and we began to enter one door and go out by the other, so that in the obscurity the poor young people thought they saw a procession of bandits going through their carriage.

As I understand it, the men who say that the world gives experience ought to be astonished if they are believed. The world is merely a number of whirlpools, each one independent of the others; they circle in groups like flocks of birds. There is no resemblance between the different quarters of the same city, and the denizen of the Chaussee d'Antin has as much to learn at Marais as at Lisbon. It is true that these various whirlpools are traversed, and have been since the beginning of the world, by seven personages who are always the same: the first is called hope; the second, conscience; the third, opinion; the fourth, desire; the fifth, sorrow; the sixth, pride; and the seventh, man.

"But," the reader objects, "where are the women in all this?"

Oh! creatures who bear the name of women and who have passed like dreams through a life that was itself a dream, what shall I say of you? Where there is no shadow of hope can there be memory? Where shall I seek for it? What is there more dumb in human memory? What is there more completely forgotten than you?

If I must speak of women I will mention two; here is one of them:

I ask what would be expected of a poor sewing-girl, young and pretty, about eighteen, with a romantic affair on her hands that is purely a question of love; with little knowledge of life and no idea of morals; eternally sewing near a window before which processions were not allowed to pass by order of the police, but near which a dozen young women prowled who were licensed and recognized by these same police; what could you expect of her, when after wearying her hands and eyes all day long on a dress or a hat, she leans out of that window as night falls? That dress she has sewed, that hat she has trimmed with her poor and honest hands in order to earn a supper for the household, she sees passing along the street on the head or on the body of a notorious woman. Thirty times a day a hired carriage stops before the door, and there steps out a dissolute character, numbered as is the hack in which she rides, who stands before a glass and primps, taking off and putting on the results of many days' work on the part of the poor girl who watches her. She sees that woman draw from her pocket gold in plenty, she who has but one louis a week; she looks at her feet and her head, she examines her dress and eyes her as she steps into her carriage; and then, what can you expect? When night has fallen, after a day when work has been scarce, when her mother is sick, she opens her door, stretches out her hand and stops a passerby.

Such is the story of a girl I once knew. She could play the piano, knew something of accounts, a little designing, even a little history and grammar, and thus a little of everything. How many times have I regarded with poignant compassion that sad work of nature, mutilated by society! How many times have I followed in the darkness the pale and vacillating gleams of a spark flickering in abortive life! How many times have I tried to revive the fire that smouldered under those ashes! Alas! her long hair was the color of ashes, and we called her Cendrillon.

I was not rich enough to help her; Desgenais, at my request, interested himself in the poor creature; he made her learn over again all of which she had a slight knowledge. But she could make no appreciable progress. When her teacher left her she would fold her arms and for hours look silently across the public square. What days! What misery! One day I threatened that if she did not work she should have no money; she silently resumed her task, and I learned that she stole out of the house a few minutes later. Where did she go? God knows. Before she left I asked her to embroider a purse for me. I still have that sad relic, it hangs in my room, a monument of the ruin that is wrought here below.

But here is another case:

It was about ten in the evening when, after a riotous day, we repaired to Desgenais's, who had left us some hours before to make his preparations. The orchestra was ready and the room filled when we arrived.

Most of the dancers were girls from the theatres.

As soon as we entered I plunged into the giddy whirl of the waltz. That delightful exercise has always been dear to me; I know of nothing more beautiful, more worthy of a beautiful woman and a young man; all dances compared with the waltz are but insipid conventions or pretexts for insignificant converse. It is truly to possess a woman, in a certain sense, to hold her for a half hour in your arms, and to draw her on in the dance, palpitating in spite of herself, in such a way that it can not be positively asserted whether she is being protected or seduced. Some deliver themselves up to the pleasure with such modest voluptuousness, with such sweet and pure abandon, that one does not know whether he experiences desire or fear, and whether, if pressed to the heart, they would faint or break in pieces like the rose. Germany, where that dance was invented, is surely the land of love.

I held in my arms a superb danseuse from an Italian theatre who had come to Paris for the carnival; she wore the costume of a Bacchante with a robe of panther's skin. Never have I seen anything so languishing as that creature. She was tall and slender, and while dancing with extreme rapidity, had the appearance of allowing herself to be led; to see her one would think that she would tire her partner, but such was not the case, for she moved as if by enchantment.

On her bosom rested an enormous bouquet, the perfume of which intoxicated me. She yielded to my encircling arms as would an Indian vine, with a gentleness so sweet and so sympathetic that I seemed enveloped with a perfumed veil of silk. At each turn there could be heard a light tinkling from her metal girdle; she moved so gracefully that I thought I beheld a beautiful star, and her smile was that of a fairy about to vanish from human sight. The tender and voluptuous music of the dance seemed to come from her lips, while her head, covered with a wilderness of black tresses, bent backward as if her neck was too slender to support its weight.

When the waltz was over I threw myself on a chair; my heart beat wildly: "Oh, heaven!" I murmured, "how can it be possible? Oh, superb monster! Oh! beautiful reptile! How you writhe, how you coil in and out, sweet adder, with supple and spotted skin! Thy cousin the serpent has taught thee to coil about the tree of life holding between thy lips the apple of temptation. Oh! Melusina! Melusina! The hearts of men are thine. You know it well, enchantress, with your soft languor that seems to suspect nothing! You know very well that you ruin, that you destroy; you know that he who touches you will suffer; you know that he dies who basks in your smile, who breathes the perfume of your flowers and comes under the magic influence of your charms; that is why you abandon yourself so freely, that is why your smile is so sweet, your flowers so fresh; that is why you place your arms so gently on our shoulders. Oh, heaven! what is your will with us?"

Professor Halle has said a terrible thing: "Woman is the nervous part of humanity, man the muscular." Humboldt himself, that serious thinker, has said that an invisible atmosphere surrounds the human nerves.

I do not quote the dreamers who watch the wheeling flight of Spallanzani's bat, and who think they have found a sixth sense in nature. Such as nature is, her mysteries are terrible enough, her powers mighty enough—that nature which creates us, mocks at us, and kills us—without our seeking to deepen the shadows that surround us. But where is the man who thinks he has lived that will deny woman's power over us? Has he ever taken leave of a beautiful dancer with trembling hands? Has he ever felt that indefinable enervating magnetism which, in the midst of the dance, under the influence of music, and the warmth, making all else seem cold, that comes from a young woman, electrifying her and leaping from her to him as the perfume of aloes from the swinging censer?

I was struck with stupor. I was familiar with that sensation similar to drunkenness which characterizes love; I knew that it was the aureole which crowned my well-beloved. But that she should excite such heart-throbs, that she should evoke such phantoms with nothing but her beauty, her flowers, her motley costume, and a certain trick of dancing she had learned from some merry-andrew; and that without a word, without a thought, without even appearing to know it! What was chaos, if it required seven days to make such a being?

It was not love, however, that I felt, and I do not know how to describe it unless I call it thirst. For the first time I felt vibrating in my body a cord that was not attuned to my heart. The sight of that beautiful animal had aroused a responsive roar from another animal in my nature. I felt sure I could never tell that woman that I loved her, or that she pleased me, or even that she was beautiful; there was nothing on my lips but a desire to kiss her, and say to her: "Make a girdle of those listless arms and lean that head on my breast; place that sweet smile on my lips." My body loved hers; I was under the influence of beauty as of wine.

Desgenais passed and asked what I was doing there.

"Who is that woman?" I asked.

"What woman? Of whom do you speak?"

I took his arm and led him into the hall. The Italian saw us coming and smiled. I stopped and stepped back.

"Ah!" said Desgenais, "you have danced with Marco?"

"Who is Marco?" I asked.

"Why, that idle creature who is laughing over there. Does she please you?"

"No," I replied, "I have waltzed with her and wanted to know her name; I have no further interest in her."

Shame led me to speak thus, but when Desgenais turned away I followed him.

"You are very prompt," he said, "Marco is no ordinary woman. She was almost the wife of M. de———, ambassador to Milan. One of his friends brought her here. Yet," he added, "you may rest assured I shall speak to her. We shall not allow you to die so long as there is any hope for you or any resource left untried. It is possible that she will remain to supper."

He left me, and I was alarmed to see him approach her. But they were soon lost in the crowd.

"Is it possible," I murmured; "have I come to this? Oh! heavens! is this what I am going to love? But after all," I thought, "my senses have spoken, but not my heart."

Thus I tried to calm myself. A few minutes later Desgenais tapped me on the shoulder.

"We shall go to supper at once," said he. "You will give your arm to Marco."

"Listen," I said; "I hardly know what I am experiencing. It seems to me I see limping Vulcan covering Venus with kisses while his beard smokes with the fumes of the forge. He fixes his staring eyes on the dazzling skin of his prey. His happiness in the possession of his prize makes him laugh for joy, and at the same time shudder with happiness, and then he remembers his father, Jupiter, seated on high among the gods."

Desgenais looked at me but made no reply; taking me by the arm he led me away.

"I am tired," he said, "and I am sad; this noise wearies me. Let us go to supper, that will refresh us."

The supper was splendid, but I could not touch it.

"What is the matter with you?" asked Marco.

I sat like a statue, making no reply and looking at her from head to foot with amazement.

She began to laugh, and Desgenais, who could see us from his table, joined her. Before her was a large crystal glass cut in the shape of a chalice, which reflected the glittering lights on its thousand sparkling facets, shining like the prism and revealing the seven colors of the rainbow. She listlessly extended her arm and filled it to the brim with Cyprian and a sweetened Oriental wine which I afterward found so bitter on the deserted Lido.

"Here," she said, presenting it to me, "per voi, bambino mio."

"For you and for me," I said, presenting her my glass in turn.

She moistened her lips while I emptied my glass, unable to conceal the sadness she seemed to read in my eyes.

"Is it not good?" she asked.

"No," I replied.

"Perhaps your head aches?"

"No."

"Or you are tired?"

"No."

"Ah! then it is the ennui of love?"

With these words she became serious, for in spite of herself, in speaking of love, her Italian heart beat the faster.

A scene of folly ensued. Heads were becoming heated, cheeks were assuming that purple hue with which wine suffuses the face as if to prevent shame appearing there. A confused murmur, like to that of a rising sea, could be heard all over the room; here and there eyes would become inflamed, then fixed and empty; I know not what wind stirred above this drunkenness. A woman rises, as in a tranquil sea the first wave that feels the tempest's breath foams up to announce it; she makes a sign with her hand to command silence, empties her glass at a gulp and with the same movement undoes her hair, which falls in shining tresses over her shoulders; she opens her mouth as if to start a drinking-song; her eyes are half closed. She breathes with an effort; twice a harsh sound comes from her throat; a mortal pallor overspreads her features and she drops into her chair.

Then came an uproar which lasted an hour. It was impossible to distinguish anything, either laughter, songs, or cries.

"What do you think of it?" asked Desgenais.

"Nothing," I replied. "I have stopped my ears and am looking at it."

In the midst of this Bacchanalian orgy the beautiful Marco remained mute, drinking nothing and leaning quietly on her bare arm. She seemed neither astonished nor affected by it.

"Do you not wish to do as they?" I asked. "You have just offered me Cyprian wine; why do you not drink some yourself?"

With these words I poured out a large glass full to the brim. She raised it to her lips and then placed it on the table, and resumed her listless attitude.

The more I studied that Marco, the more singular she appeared; she took pleasure in nothing and did not seem to be annoyed by anything. It appeared as difficult to anger her as to please her; she did what was asked of her, but no more. I thought of the genius of eternal repose, and I imagined that if that pale statue should become somnambulant it would resemble Marco.

"Are you good or bad?" I asked. "Are you sad or gay? Are you loved? Do you wish to beloved? Are you fond of money, of pleasure, of what? Horses, the country, balls? What pleases you? Of what are you dreaming?"

To all these questions the same smile on her part, a smile that expressed neither joy nor sorrow, but which seemed to say, "What does it matter?" and nothing more.

I held my lips to hers; she gave me a listless kiss and then passed her handkerchief over her mouth.

"Marco," I said, "woe to him who loves you."

She turned her dark eyes on me, then turned them upward, and raising her finger with that Italian gesture which can not be imitated, she pronounced that characteristic feminine word of her country:

"Forse!"

And then dessert was served. Some of the party had departed, some were smoking, others gambling, and a few still at table; some of the women danced, others slept. The orchestra returned; the candles paled and others were lighted. I recalled a supper of Petronius, where the lights went out around the drunken masters, and the slaves entered and stole the silver. All the while songs were being sung in various parts of the room, and three Englishmen, three of those gloomy figures for whom the Continent is a hospital, kept up a most sinister ballad that must have been born of the fogs of their marshes.

"Come," said I to Marco, "let us go."

She arose and took my arm.

"To-morrow!" cried Desgenais to me, as we left the hall.

When approaching Marco's house, my heart beat violently and I could not speak. I could not understand such a woman; she seemed to experience neither desire nor disgust, and I could think of nothing but the fact that my hand was trembling and hers motionless.

Her room was, like her, sombre and voluptuous; it was dimly lighted by an alabaster lamp. The chairs and sofa were as soft as beds, and there was everywhere suggestion of down and silk. Upon entering I was struck with the strong odor of Turkish pastilles, not such as are sold here on the streets, but those of Constantinople, which are more powerful and more dangerous. She rang, and a maid appeared. She entered an alcove without a word, and a few minutes later I saw her leaning on her elbow in her habitual attitude of nonchalance.

I stood looking at her. Strange to say, the more I admired her, the more beautiful I found her, the more rapidly I felt my desires subside. I do not know whether it was some magnetic influence or her silence and listlessness. I lay down on a sofa opposite the alcove, and the coldness of death settled on my soul.

The pulsation of the blood in the arteries is a sort of clock, the ticking of which can be heard only at night. Man, free from exterior attractions, falls back upon himself; he hears himself live. In spite of my fatigue I could not close my eyes; those of Marco were fixed on me; we looked at each other in silence, gently, so to speak.

"What are you doing there?" she asked.

She heaved a gentle sigh that was almost a plaint.

I turned my head and saw that the first gleams of morning light were shining through the window.

I arose and opened the window; a bright light penetrated every corner of the room. The sky was clear.

I motioned to her to wait. Considerations of prudence had led her to choose an apartment some distance from the centre of the city; perhaps she had other quarters, for she sometimes received a number of visitors. Her lover's friends sometimes visited her, and this room was doubtless only a petite maison; it overlooked the Luxembourg, the gardens of which extended as far as my eye could reach.

As a cork held under water seems restless under the hand which holds it, and slips through the fingers to rise to the surface, thus there stirred in me a sentiment that I could neither overcome nor escape. The gardens of the Luxembourg made my heart leap and banished every other thought. How many times had I stretched myself out on one of those little mounds, a sort of sylvan school, while I read in the cool shade some book filled with foolish poetry! For such, alas, were the extravagances of my childhood. I saw many souvenirs of the past among those leafless trees and faded lawns. There, when ten years of age, I had walked with my brother and my tutor, throwing bits of bread to some of the poor half-starved birds; there, seated under a tree, I had watched a group of little girls as they danced, and felt my heart beat in unison with the refrain of their childish song. There, returning from school, I had followed a thousand times the same path, lost in meditation upon some verse of Virgil and kicking the pebbles at my feet.

"Oh, my childhood! You are there!" I cried. "Oh, heaven! now I am here."

I turned around. Marco was asleep, the lamp had gone out, the light of day had changed the aspect of the room; the hangings which had at first appeared blue were now a faded yellow, and Marco, the beautiful statue, was livid as death.

I shuddered in spite of myself; I looked at the alcove, then at the garden; my head became drowsy and fell on my breast. I sat down before an open secretary near one of the windows. A piece of paper caught my eye; it was an open letter and I looked at it mechanically. I read it several times before I thought what I was doing. Suddenly a gleam of intelligence came to me, although I could not understand everything. I picked up the paper and read what follows, written in an unskilled hand and filled with errors in spelling:

"She died yesterday. She began to fail at twelve the night before. She called me and said: 'Louison, I am going to join my companion; go to the closet and take down the cloth that hangs on a nail; it is the mate of the other.' I fell on my knees and wept, but she took my hand and said: 'Do not weep, do not weep!' And she heaved such a sigh—"

The rest was torn, I can not describe the impression that sad letter made on me; I turned it over and saw on the other side Marco's address and the date that of the evening previous.

"Is she dead? Who is dead?" I cried going to the alcove. "Dead! Who?"

Marco opened her eyes. She saw me with the letter in my hand.

"It is my mother," she said, "who is dead. You are not coming?"

As she spoke she extended her hand.

"Silence!" I said, "sleep, and leave me to myself."

She turned over and went to sleep. I looked at her for some time to assure myself that she would not hear me, and then quietly left the house.



CHAPTER V

SATIETY

One evening I was seated before the fire with Desgenais. The window was open; it was one of the early days in March, a harbinger of spring.

It had been raining, and a light odor came from the garden.

"What shall we do this spring?" I asked. "I do not care to travel."

"I shall do what I did last year," replied Desgenais. "I shall go to the country when the time comes."

"What!" I replied. "Do you do the same thing every year? Are you going to begin life over again this year?"

"What would you expect me to do?"

"What would I expect you to do?" I cried, jumping to my feet. "That is just like you. Ah! Desgenais, how all this wearies me! Do you never tire of this sort of life?"

"No," he replied.

I was standing before an engraving of the Magdalen in the desert. Involuntarily I joined my hands.

"What are you doing?" asked Desgenais.

"If I were an artist," I replied, "and wished to represent melancholy, I would not paint a dreamy girl with a book in her hands."

"What is the matter with you this evening?" he asked, smiling.

"No, in truth," I continued, "that Magdalen in tears has a spark of hope in her bosom; that pale and sickly hand on which she supports her head, is still sweet with the perfume with which she anointed the feet of her Lord. You do not understand that in that desert there are thinking people who pray. This is not melancholy."

"It is a woman who reads," he replied dryly.

"And a happy woman," I continued, "with a happy book."

Desgenais understood me; he saw that a profound sadness had taken possession of me. He asked if I had some secret cause of sorrow. I hesitated, but did not reply.

"My dear Octave," he said, "if you have any trouble, do not hesitate to confide in me. Speak freely and you will find that I am your friend!"

"I know it," I replied, "I know I have a friend; that is not my trouble."

He urged me to explain.

"But what will it avail," I asked, "since neither of us can help matters? Do you want the fulness of my heart or merely a word and an excuse?"

"Be frank!" he said.

"Very well," I replied, "you have seen fit to give me advice in the past and now I ask you to listen to me as I have listened to you. You ask what is in my heart, and I am about to tell you.

"Take the first comer and say to, him: 'Here are people who pass their lives drinking, riding, laughing, gambling, enjoying all kinds of pleasures; no barrier restrains them, their law is their pleasure, women are their playthings; they are rich. They have no cares, not one. All their days are days of feasting.' What do you think of it? Unless that man happened to be a severe bigot, he would probably reply that it was the greatest happiness that could be imagined.

"'Then take that man into the centre of the whirl, place him at a table with a woman on either side, a glass in his hand, a handful of gold every morning and say to him: 'This is your life. While you sleep near your mistress, your horses neigh in the stables; while you drive your horses along the boulevards, your wines are ripening in your vaults; while you pass away the night drinking, the bankers are increasing your wealth. You have but to express a wish and your desires are gratified. You are the happiest of men. But take care lest some night of carousal you drink too much and destroy the capacity of your body for enjoyment. That would be a serious misfortune, for all the ills that afflict human flesh can be cured, except that. You ride some night through the woods with joyous companions; your horse falls and you are thrown into a ditch filled with mud, and it may be that your companions, in the midst of their happy shoutings will not hear your cry of anguish; it may be that the sound of their trumpets will die away in the distance while you drag your broken limbs through the deserted forest.