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Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes
by Charles Madison Curry
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How to use myths. We may sum up the conclusions thus: Select those myths that tell stories of dramatic force and that have sound ethical worth. So far as possible let these be the ones most familiar in literary allusion and in common speech. Present the myth as you would any other folk story. Since myth naturally comes along a little later than fairy stories, probably beginning not earlier than the third grade, the discussion of its meanings may take a wider range. Keep the poetic elements of the story prominent, as in most of the examples following.

SUGGESTIONS

For the soundest and most illuminating discussion of the values and proper use of myths in education see Edward Howard Griggs, Moral Education, chap, xxi, "The Ethical Value of Mythology and Folk-Lore." For some good suggestions and lists consult Ezra Allen, "The Pedagogy of Myth in the Grades," Pedagogical Seminary, Vol. VIII, p. 258. A very interesting plan for the use of myths may be found in two articles by O. O. Norris, "Myths and the Teaching of Myths," The American Schoolmaster, Vol. IX, p. 96 and p. 145. Consult also MacClintock, Literature in the Elementary School, chap, vii, and McMurry, Special Method in Reading, pp. 92-105.

The first nine myths in this section came originally from Greek mythology. The Romans adopted the mythology of the Greeks, but changed the names of the gods. English-speaking peoples have usually used these Latin versions. Hence in the following Greek myths the Roman names of the gods are used. In this note the Greek name is usually given in parenthesis after the Roman.

According to mythology, Saturn once ruled the universe. After a great war he was overthrown and the universe was divided into three kingdoms, each governed by one of his sons. Jupiter (Zeus) ruled the heavens and the earth; Neptune (Poseidon) ruled the sea; and Pluto (Dis) ruled Hades, or Tartarus, the gloomy region of the dead in a cavern far under the surface of the earth. The home of Jupiter and the many other gods of heaven was represented as being the top of Mount Olympus, in Thessaly. Here each of the gods of heaven had a separate dwelling, but all assembled at times in the palace of Jupiter. Sometimes these gods went to earth, through a gate of clouds kept by goddesses called the Seasons.

The relations between these divinities were much like those between people on earth. Some had greater power than others, and rivalries and quarrels frequently arose. Jupiter, the supreme ruler, governed by wisdom as well as by the power of his thunderbolt. He had three sisters: Juno, Vesta, and Ceres. Juno (Hera) was the wife of Jupiter and the noblest of the goddesses. Vesta (Hestia), the goddess of health, was not married. Ceres (Demeter), the goddess of agriculture, was the mother of Proserpine, who became wife of Pluto and queen of Hades. Minerva (Athena), goddess of wisdom and Jupiter's favorite daughter, had no mother, as she sprang fully armed from Jupiter's head. Venus (Aphrodite) was goddess of beauty and mother of Cupid, god of love. Two other goddesses were Diana (Artemis), modest virgin goddess of the moon, who protects brute creation, and Hebe, cup-bearer to the gods. Among the greatest of the gods were three sons of Jupiter: Apollo, Mars, and Vulcan. Apollo, or Phoebus, was god of the sun and patron of music, archery, and prophecy. Mars (Ares) was god of war, and Vulcan (Hephaestus), the lame god of fire, was the blacksmith of the gods.



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This version of the myth of Ceres and Proserpine is taken by permission of the author and the publishers from Stories of Long Ago, by Grace H. Kupfer. (Copyright. D. C. Heath & Co., Boston.) "Of all the beautiful fictions of Greek mythology," said Aubrey DeVere, "there are few more exquisite than the story of Proserpine, and none deeper in symbolical meaning." That portion of its meaning fitted to the understanding of children is indicated in the final paragraphs of Miss Kupfer's version. Teachers should realize that "the fable has, however, its moral significance also, being connected with that great mystery of Joy and Grief, of Life and of Death, which pressed so heavily on the mind of Pagan Greece, and imparts to the whole of her mythology a profound interest, spiritual as well as philosophical. It was the restoration of Man, not of flowers, the victory over Death, not over Winter, with which that high Intelligence felt itself to be really concerned." Hawthorne's version of this story appears in Tanglewood Tales as "The Pomegranate Seeds."

A STORY OF THE SPRINGTIME

GRACE H. KUPFER

PART I

In the blue Mediterranean Sea, which washes the southern shore of Europe, lies the beautiful island of Sicily. Long, long ago, there lived on this island a goddess named Ceres. She had power to make the earth yield plentiful crops of grain, or to leave it barren; and on her depended the food, and therefore the life of all the people on the great, wide earth.

Ceres had one fair young daughter, whom she loved very dearly. And no wonder, for Proserpine was the sunniest, happiest girl you could imagine.

Her face was all white and pink, like apple blossoms in spring, and there was just enough blue in her eyes to give you a glimpse of an April morning sky. Her long, golden curls reminded you of the bright sunlight. In fact there was something so young and fair and tender about the maiden that if you could imagine anything so strange as the whole springtime, with all its loveliness, changed into a human being, you would have looked but an instant at Proserpine and said, "She is the Spring."

Proserpine spent the long, happy days in the fields, helping her mother, or dancing and singing among the flowers, with her young companions.

Way down under the earth, in the land of the dead, lived dark King Pluto; and the days were very lonely for him with only shadows to talk to. Often and often, he had tried to urge some goddess to come and share his gloomy throne; but not the richest jewels or wealth could tempt any one of them to leave the bright sunlight above and dwell in the land of shades.

One day Pluto came up to earth and was driving along in his swift chariot, when, behind some bushes, he heard such merry voices and musical laughter that he drew rein, and stepping down, parted the bushes to see who was on the other side. There he saw Proserpine standing in the center of a ring of laughing young girls who were pelting her with flowers.

The stern old king felt his heart beat quicker at sight of all these lovely maidens, and he singled out Proserpine, and said to himself, "She shall be my queen. That fair face can make even dark Hades light and beautiful." But he knew it would be useless to ask the girl for her consent; so, with a bold stride, he stepped into the midst of the happy circle.

The young girls, frightened at his dark, stern face, fled to right and left. But Pluto grasped Proserpine by the arm and carried her to his chariot, and then the horses flew along the ground, leaving Proserpine's startled companions far behind.

King Pluto knew that he must hasten away with his prize, lest Ceres should discover her loss; and to keep out of her path, he drove his chariot a roundabout way. He came to a river; but as he neared its banks, it suddenly began to bubble and swell and rage, so that Pluto did not dare to drive through its waters. To go back another way would mean great loss of time; so with his scepter he struck the ground thrice. It opened, and, in an instant, horses, chariot, and all, plunged into the darkness below.

But Proserpine knew that the nymph of the stream had recognized her, and had tried to save her by making the waters of the stream rise. So, just as the ground was closing over her, the girl seized her girdle and threw it far out into the river. She hoped that in some way the girdle might reach Ceres and help her to find her lost daughter.

PART II

In the evening Ceres returned to her home; but her daughter, who usually came running to meet her, was nowhere to be seen. Ceres searched for her in all the rooms, but they were empty. Then she lighted a great torch from the fires of a volcano, and went wandering among the fields, looking for her child. When morning broke, and she had found no trace of Proserpine, her grief was terrible to see.

On that sad day, Ceres began a long, long wandering. Over land and sea she journeyed, bearing in her right hand the torch which had been kindled in the fiery volcano.

All her duties were neglected, and everywhere the crops failed, and the ground was barren and dry. Want and famine took the place of wealth and plenty throughout the world. It seemed as though the great earth grieved with the mother for the loss of beautiful Proserpine.

When the starving people came to Ceres and begged her to resume her duties and to be their friend again, Ceres lifted her great eyes, wearied with endless seeking, and answered that until Proserpine was found, she could think only of her child, and could not care for the neglected earth. So all the people cried aloud to Jupiter that he should bring Proserpine back to her mother, for they were sadly in need of great Ceres' help.

At last, after wandering over all the earth in her fruitless search, Ceres returned to Sicily. One day, as she was passing a river, suddenly a little swell of water carried something to her feet. Stooping to see what it was, she picked up the girdle which Proserpine had long ago thrown to the water nymph.

While she was looking at it, with tears in her eyes, she heard a fountain near her bubbling louder and louder, until at last it seemed to speak. And this is what it said:

"I am the nymph of the fountain, and I come from the inmost parts of the earth, O Ceres, great mother! There I saw your daughter seated on a throne at the dark king's side. But in spite of her splendor, her cheeks were pale and her eyes were heavy with weeping. I can stay no longer now, O Ceres, for I must leap into the sunshine. The bright sky calls me, and I must hasten away."

Then Ceres arose and went to Jupiter and said, "I have found the place where my daughter is hidden. Give her back to me, and the earth shall once more be fruitful, and the people shall have food."

Jupiter was moved, both by the mother's sorrow and by the prayers of the people on earth; and he said that Proserpine might return to her home if she had tasted no food while in Pluto's kingdom.

So the happy mother hastened down into Hades. But alas! that very day Proserpine had eaten six pomegranate seeds; and for every one of those seeds she was doomed each year to spend a month underground.

For six months of the year Ceres is happy with her daughter. At Proserpine's coming, flowers bloom and birds sing and the earth everywhere smiles its welcome to its young queen.

Some people say that Proserpine really is the springtime, and that while she is with us all the earth seems fair and beautiful. But when the time comes for Proserpine to rejoin King Pluto in his dark home underground, Ceres hides herself and grieves through all the weary months until her daughter's return.

Then the earth, too, is somber and sad. The leaves fall to the ground, as though the trees were weeping for the loss of the fair, young queen; and the flowers hide underground, until the eager step of the maiden, returning to earth, awakens all nature from its winter sleep.



256

Because of his beautiful idealism and the artistic nature of his work, Hawthorne (1804-1864) is one of America's most loved story-tellers. His stories are never idle tales, for each one reveals secret motives and impulses that determine human action. This characteristic makes his works wholesome and inspiring for both children and adults. Four volumes of his short stories, intended primarily for children, are classics for the upper grades. Grandfather's Chair is a group of stories about life in New England in early times. True Stories from History and Biography makes the child acquainted with such historical characters as Franklin and Newton. A Wonder-Book for Girls and Boys and Tanglewood Tales are Hawthorne's versions of old Greek myths.

In his two volumes of Greek myths, Hawthorne does not hold to the plot or style of the original stories; but here, as in all his work, he shows how incidents in life determine human character. The following quotation from the Preface to A Wonder-Book for Girls and Boys explains in Hawthorne's own words the nature of his version of the myths: "He [the author] does not plead guilty to a sacrilege in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, and to imbue with its own morality."

The story "The Paradise of Children," taken from A Wonder-Book for Girls and Boys, is Hawthorne's version of the Greek myth of Pandora's Box, which is an attempt to explain how pain and suffering came to humanity. According to the Greek myth, Jupiter was angry when he learned that Prometheus, one of the Titans, had given men fire stolen from heaven. That men might not have this blessing without an affliction to compensate, the gods filled a box with ills, but put Hope also in the box. Then, fearing that neither Prometheus nor his brother Epimetheus would open the box, they created Pandora. Mercury, the messenger of Jupiter, carried Pandora and the box as a gift to Epimetheus, and the curiosity of Pandora led her to open the box.

THE PARADISE OF CHILDREN

NATHANIEL HAWTHORNE

Long, long ago, when this old world was in its tender infancy, there was a child named Epimetheus, who never had either father or mother; and, that he might not be lonely, another child, fatherless and motherless like himself, was sent from a far country to live with him and be his playfellow and helpmate. Her name was Pandora.

The first thing that Pandora saw, when she entered the cottage where Epimetheus dwelt, was a great box. And almost the first question which she put to him, after crossing the threshold, was this,—

"Epimetheus, what have you in that box?"

"My dear little Pandora," answered Epimetheus, "that is a secret, and you must be kind enough not to ask any questions about it. The box was left here to be kept safely, and I do not myself know what it contains."

"But who gave it to you?" asked Pandora. "And where did it come from?"

"That is a secret, too," replied Epimetheus.

"How provoking!" exclaimed Pandora, pouting her lip. "I wish the great, ugly box were out of the way!"

"Oh, come, don't think of it any more," cried Epimetheus. "Let us run out of doors, and have some nice play with the other children."

It is thousands of years since Epimetheus and Pandora were alive; and the world, nowadays, is a very different sort of thing from what it was in their time. Then, everybody was a child. There needed no fathers and mothers to take care of the children; because there was no danger, nor trouble of any kind, and no clothes to be mended, and there was always plenty to eat and drink. Whenever a child wanted his dinner, he found it growing on a tree; and, if he looked at the tree in the morning, he could see the expanding blossom of that night's supper; or, at eventide, he saw the tender bud of to-morrow's breakfast. It was a very pleasant life, indeed. No labor to be done, no tasks to be studied; nothing but sports and dances, and sweet voices of children talking, or caroling like birds, or gushing out in merry laughter, throughout the livelong day.

What was most wonderful of all, the children never quarreled among themselves; neither had they any crying fits; nor, since time first began, had a single one of these little mortals ever gone apart into a corner, and sulked. Oh, what a good time was that to be alive in! The truth is, those ugly little winged monsters, called Troubles, which are now almost as numerous as mosquitoes, had never yet been seen on the earth. It is probable that the very greatest disquietude which a child had ever experienced was Pandora's vexation at not being able to discover the secret of the mysterious box.

This was at first only the faint shadow of a Trouble; but, every day, it grew more and more substantial, until, before a great while, the cottage of Epimetheus and Pandora was less sunshiny than those of the other children.

"Whence can the box have come?" Pandora continually kept saying to herself and to Epimetheus. "And what in the world can be inside of it!"

"Always talking about this box!" said Epimetheus, at last; for he had grown extremely tired of the subject. "I wish, dear Pandora, you would try to talk of something else. Come, let us go and gather some ripe figs, and eat them under the trees, for our supper. And I know a vine that has the sweetest and juiciest grapes you ever tasted."

"Always talking about grapes and figs!" cried Pandora, pettishly.

"Well, then," said Epimetheus, who was a very good-tempered child, like a multitude of children in those days, "let us run out and have a merry time with our playmates."

"I am tired of merry times, and don't care if I never have any more!" answered our pettish little Pandora. "And, besides, I never do have any. This ugly box! I am so taken up with thinking about it all the time. I insist upon your telling me what is inside of it."

"As I have already said, fifty times over, I do not know!" replied Epimetheus, getting a little vexed. "How, then, can I tell you what is inside?"

"You might open it," said Pandora, looking sideways at Epimetheus, "and then we could see for ourselves."

"Pandora, what are you thinking of?" exclaimed Epimetheus.

And his face expressed so much horror at the idea of looking into a box which had been confided to him on the condition of his never opening it, that Pandora thought it best not to suggest it any more. Still, however, she could not help thinking and talking about the box.

"At least," said she, "you can tell me how it came here."

"It was left at the door," replied Epimetheus, "just before you came, by a person who looked very smiling and intelligent, and who could hardly forbear laughing as he put it down. He was dressed in an odd kind of a cloak, and had on a cap that seemed to be made partly of feathers, so that it looked almost as if it had wings."

"What sort of a staff had he?" asked Pandora.

"Oh, the most curious staff you ever saw!" cried Epimetheus. "It was like two serpents twisting around a stick, and was carved so naturally that I, at first, thought the serpents were alive."

"I know him," said Pandora, thoughtfully. "Nobody else has such a staff. It was Quicksilver; and he brought me hither, as well as the box. No doubt he intended it for me; and, most probably, it contains pretty dresses for me to wear, or toys for you and me to play with, or something very nice for us both to eat!"

"Perhaps so," answered Epimetheus, turning away. "But until Quicksilver comes back and tells us so, we have neither of us any right to lift the lid of the box."

"What a dull boy he is!" muttered Pandora, as Epimetheus left the cottage. "I do wish he had a little more enterprise!"

For the first time since her arrival, Epimetheus had gone out without asking Pandora to accompany him. He went to gather figs and grapes by himself, or to seek whatever amusement he could find, in other society than his little playfellow's. He was tired to death of hearing about the box, and heartily wished that Quicksilver, or whatever was the messenger's name, had left it at some other child's door, where Pandora would never have set eyes on it. So perseveringly as she did babble about this one thing! The box, the box, and nothing but the box! It seemed as if the box were bewitched, and as if the cottage were not big enough to hold it, without Pandora's continually stumbling over it, and making Epimetheus stumble over it likewise, and bruising all four of their shins.

Well, it was really hard that poor Epimetheus should have a box in his ears from morning till night; especially as the little people of the earth were so unaccustomed to vexations, in those happy days, that they knew not how to deal with them. Thus, a small vexation made as much disturbance, then, as a far bigger one would in our own times.

After Epimetheus was gone, Pandora stood gazing at the box. She had called it ugly, above a hundred times; but, in spite of all that she had said against it, it was positively a very handsome article of furniture, and would have been quite an ornament to any room in which it should be placed. It was made of a beautiful kind of wood, with dark and rich veins spreading over its surface, which was so highly polished that little Pandora could see her face in it. As the child had no other looking-glass, it is odd that she did not value the box, merely on this account.

The edges and corners of the box were carved with most wonderful skill. Around the margin there were figures of graceful men and women, and the prettiest children ever seen, reclining or sporting amid a profusion of flowers and foliage; and these various objects were so exquisitely represented, and were wrought together in such harmony, that flowers, foliage, and human beings seemed to combine into a wreath of mingled beauty. But here and there, peeping forth from behind the carved foliage, Pandora once or twice fancied that she saw a face not so lovely, or something or other that was disagreeable, and which stole the beauty out of all the rest. Nevertheless, on looking more closely, and touching the spot with her finger, she could discover nothing of the kind. Some face, that was really beautiful, had been made to look ugly by her catching a sideway glimpse at it.

The most beautiful face of all was done in what is called high relief, in the center of the lid. There was nothing else, save the dark, smooth richness of the polished wood, and this one face in the center, with a garland of flowers about its brow. Pandora had looked at this face a great many times, and imagined that the mouth could smile if it liked, or be grave when it chose, the same as any living mouth. The features, indeed, all wore a very lively and rather mischievous expression, which looked almost as if it needs must burst out of the carved lips, and utter itself in words.

Had the mouth spoken, it would probably have been something like this:

"Do not be afraid, Pandora! What harm can there be in opening the box? Never mind that poor, simple Epimetheus! You are wiser than he, and have ten times as much spirit. Open the box, and see if you do not find something very pretty!"

The box, I had almost forgotten to say, was fastened; not by a lock, nor by any other such contrivance, but by a very intricate knot of gold cord. There appeared to be no end to this knot, and no beginning. Never was a knot so cunningly twisted, nor with so many ins and outs, which roguishly defied the skilfullest fingers to disentangle them. And yet, by the very difficulty that there was in it, Pandora was the more tempted to examine the knot, and just see how it was made. Two or three times, already, she had stooped over the box, and taken the knot between her thumb and forefinger, but without positively trying to undo it.

"I really believe," said she to herself, "that I begin to see how it was done. Nay, perhaps I could tie it up again, after undoing it. There would be no harm in that, surely. Even Epimetheus would not blame me for that. I need not open the box, and should not, of course, without the foolish boy's consent, even if the knot were untied."

It might have been better for Pandora if she had had a little work to do, or anything to employ her mind upon, so as not to be so constantly thinking of this one subject. But children led so easy a life, before any Troubles came into the world, that they had really a great deal too much leisure. They could not be forever playing at hide-and-seek among the flower-shrubs, or at blind-man's-buff with garlands over their eyes, or at whatever other games had been found out while Mother Earth was in her babyhood. When life is all sport, toil is the real play. There was absolutely nothing to do. A little sweeping and dusting about the cottage, I suppose, and the gathering of fresh flowers (which were only too abundant everywhere), and arranging them in vases,—and poor little Pandora's day's work was over. And then, for the rest of the day, there was the box!

After all, I am not quite sure that the box was not a blessing to her in its way. It supplied her with such a variety of ideas to think of, and to talk about, whenever she had anybody to listen! When she was in good humor, she could admire the bright polish of its sides, and the rich border of beautiful faces and foliage that ran all around it. Or, if she chanced to be ill-tempered, she could give it a push, or kick it with her naughty little foot. And many a kick did the box—(but it was a mischievous box, as we shall see, and deserved all it got)—many a kick did it receive. But, certain it is, if it had not been for the box, our active-minded little Pandora would not have known half so well how to spend her time as she now did.

For it was really an endless employment to guess what was inside. What could it be, indeed? Just imagine, my little hearers, how busy your wits would be, if there were a great box in the house, which, as you might have reason to suppose, contained something new and pretty for your Christmas or New-Year's gifts. Do you think that you should be less curious than Pandora? If you were alone with the box, might you not feel a little tempted to lift the lid? But you would not do it. Oh, fie! No, no! Only, if you thought there were toys in it, it would be so very hard to let slip an opportunity of taking just one peep! I know not whether Pandora expected any toys; for none had yet begun to be made, probably, in those days, when the world itself was one great plaything for the children that dwelt upon it. But Pandora was convinced that there was something very beautiful and valuable in the box; and therefore she felt just as anxious to take a peep as any of these girls, here around me, would have felt. And, possibly, a little more so; but of that I am not quite so certain.

On this particular day, however, which we have so long been talking about, her curiosity grew so much greater than it usually was, that, at last, she approached the box. She was more than half determined to open it, if she could. Ah, naughty Pandora!

First, however, she tried to lift it. It was heavy; quite too heavy for the slender strength of a child, like Pandora. She raised one end of the box a few inches from the floor, and let it fall again, with a pretty loud thump. A moment afterwards, she almost fancied that she heard something stir, inside of the box. She applied her ear as closely as possible, and listened. Positively, there did seem to be a kind of stifled murmur, within! Or was it merely the singing in Pandora's ears? Or could it be the beating of her heart? The child could not quite satisfy herself whether she had heard anything or no. But, at all events, her curiosity was stronger than ever.

As she drew back her head, her eyes fell upon the knot of gold cord.

"It must have been a very ingenious person who tied this knot," said Pandora to herself. "But I think I could untie it, nevertheless. I am resolved, at least, to find the two ends of the cord."

So she took the golden knot in her fingers, and pried into its intricacies as sharply as she could. Almost without intending it, or quite knowing what she was about, she was soon busily engaged in attempting to undo it. Meanwhile, the bright sunshine came through the open window; as did likewise the merry voices of the children, playing at a distance, and perhaps the voice of Epimetheus among them. Pandora stopped to listen. What a beautiful day it was! Would it not be wiser if she were to let the troublesome knot alone, and think no more about the box, but run and join her little playfellows, and be happy?

All this time, however, her fingers were half unconsciously busy with the knot; and, happening to glance at the flower-wreathed face on the lid of the enchanted box, she seemed to perceive it slyly grinning at her.

"That face looks very mischievous," thought Pandora. "I wonder whether it smiles because I am doing wrong! I have the greatest mind in the world to run away!"

But just then, by the merest accident, she gave the knot a kind of a twist, which produced a wonderful result. The gold cord untwined itself, as if by magic, and left the box without a fastening.

"This is the strangest thing I ever knew!" said Pandora. "What will Epimetheus say? And how can I possibly tie it up again?"

She made one or two attempts to restore the knot, but soon found it quite beyond her skill. It had disentangled itself so suddenly that she could not in the least remember how the strings had been doubled into one another; and when she tried to recollect the shape and appearance of the knot, it seemed to have gone entirely out of her mind. Nothing was to be done, therefore, but let the box remain as it was, until Epimetheus should come in.

"But," said Pandora, "when he finds the knot untied, he will know that I have done it. How shall I make him believe that I have not looked into the box?"

And then the thought came into her naughty little heart, that, since she would be suspected of having looked into the box, she might just as well do so, at once. Oh, very naughty and very foolish Pandora! You should have thought only of doing what was right, and of leaving undone what was wrong, and not of what your playfellow Epimetheus would have said or believed. And so perhaps she might, if the enchanted face on the lid of the box had not looked so bewitchingly persuasive at her, and if she had not seemed to hear, more distinctly than before, the murmur of small voices within. She could not tell whether it was fancy or no; but there was quite a little tumult of whispers in her ear,—or else it was her curiosity that whispered:

"Let us out, dear Pandora,—pray let us out! We will be such nice pretty playfellows for you! Only let us out!"

"What can it be?" thought Pandora. "Is there something alive in the box? Well!—yes!—I am resolved to take just one peep! Only one peep; and then the lid shall be shut down as safely as ever! There cannot possibly be any harm in just one little peep!"

But it is now time for us to see what Epimetheus was doing.

This was the first time, since his little playmate had come to dwell with him, that he had attempted to enjoy any pleasure in which she did not partake. But nothing went right; nor was he nearly so happy as on other days. He could not find a sweet grape or a ripe fig (if Epimetheus had a fault, it was a little too much fondness for figs); or, if ripe at all, they were over-ripe, and so sweet as to be cloying. There was no mirth in his heart, such as usually made his voice gush out, of its own accord, and swell the merriment of his companions. In short, he grew so uneasy and discontented, that the other children could not imagine what was the matter with Epimetheus. Neither did he himself know what ailed him, any better than they did. For you must recollect that at the time we are speaking of, it was everybody's nature, and constant habit, to be happy. The world had not yet learned to be otherwise. Not a single soul or body, since these children were first sent to enjoy themselves on the beautiful earth, had ever been sick, or out of sorts.

At length, discovering that, somehow or other, he put a stop to all the play, Epimetheus judged it best to go back to Pandora, who was in a humor better suited to his own. But, with a hope of giving her pleasure, he gathered some flowers, and made them into a wreath, which he meant to put upon her head. The flowers were very lovely,—roses, and lilies, and orange-blossoms, and a great many more, which left a trail of fragrance behind, as Epimetheus carried them along; and the wreath was put together with as much skill as could reasonably be expected of a boy. The fingers of little girls, it has always appeared to me, are the fittest to twine flower-wreaths; but boys could do it, in those days, rather better than they can now.

And here I must mention that a great black cloud had been gathering in the sky, for some time past, although it had not yet overspread the sun. But, just as Epimetheus reached the cottage door, this cloud began to intercept the sunshine, and thus to make a sudden and sad obscurity.

He entered softly; for he meant, if possible, to steal behind Pandora, and fling the wreath of flowers over her head, before she should be aware of his approach. But, as it happened, there was no need of his treading so very lightly. He might have trod as heavily as he pleased,—as heavily as a grown man,—as heavily, I was going to say, as an elephant,—without much probability of Pandora's hearing his footsteps. She was too intent upon her purpose. At the moment of his entering the cottage, the naughty child had put her hand to the lid, and was on the point of opening the mysterious box. Epimetheus beheld her. If he had cried out, Pandora would probably have withdrawn her hand, and the fatal mystery of the box might never have been known.

But Epimetheus himself, although he said very little about it, had his own share of curiosity to know what was inside. Perceiving that Pandora was resolved to find out the secret, he determined that his playfellow should not be the only wise person in the cottage. And if there were anything pretty or valuable in the box, he meant to take half of it to himself. Thus, after all his sage speeches to Pandora about restraining her curiosity, Epimetheus turned out to be quite as foolish, and nearly as much in fault, as she. So, whenever we blame Pandora for what happened, we must not forget to shake our heads at Epimetheus likewise.

As Pandora raised the lid, the cottage grew very dark and dismal; for the black cloud had now swept quite over the sun, and seemed to have buried it alive. There had, for a little while past, been a low growling and muttering, which all at once broke into a heavy peal of thunder. But Pandora, heeding nothing of all this, lifted the lid nearly upright, and looked inside. It seemed as if a sudden swarm of winged creatures brushed past her, taking flight out of the box, while, at the same instant, she heard the voice of Epimetheus, with a lamentable tone, as if he were in pain.

"Oh, I am stung!" cried he. "I am stung! Naughty Pandora; why have you opened this wicked box?"

Pandora let fall the lid, and, starting up, looked about her, to see what had befallen Epimetheus. The thunder-cloud had so darkened the room that she could not very clearly discern what was in it. But she heard a disagreeable buzzing, as if a great many huge flies, or gigantic mosquitoes, or those insects which we call dor-bugs and pinching-dogs, were darting about. And, as her eyes grew more accustomed to the imperfect light, she saw a crowd of ugly little shapes, with bats' wings, looking abominably spiteful, and armed with terribly long stings in their tails. It was one of these that had stung Epimetheus. Nor was it a great while before Pandora herself began to scream, in no less pain and affright than her playfellow, and making a vast deal more hubbub about it. An odious little monster had settled on her forehead, and would have stung her I know not how deeply, if Epimetheus had not run and brushed it away.

Now, if you wish to know what these ugly things might be, which had made their escape out of the box, I must tell you that they were the whole family of earthly Troubles. There were evil Passions; there were a great many species of Cares; there were more than a hundred and fifty Sorrows; there were Diseases, in a vast number of miserable and painful shapes; there were more kinds of Naughtiness than it would be of any use to talk about. In short, everything that has since afflicted the souls and bodies of mankind had been shut up in the mysterious box, and given to Epimetheus and Pandora to be kept safely, in order that the happy children of the world might never be molested by them. Had they been faithful to their trust, all would have gone well. No grown person would ever have been sad, nor any child have had cause to shed a single tear, from that hour until this moment.

But—and you may see by this how a wrong act of any one mortal is a calamity to the whole world—by Pandora's lifting the lid of that miserable box, and by the fault of Epimetheus, too, in not preventing her, these Troubles have obtained a foothold among us, and do not seem very likely to be driven away in a hurry. For it was impossible, as you will easily guess, that the two children should keep the ugly swarm in their own little cottage. On the contrary, the first thing that they did was to fling open the doors and windows, in hopes of getting rid of them; and, sure enough, away flew the winged Troubles all abroad, and so pestered and tormented the small people, everywhere about, that none of them so much as smiled for many days afterwards. And what was very singular, all the flowers and dewy blossoms on earth, not one of which had hitherto faded, now began to droop and shed their leaves, after a day or two. The children, moreover, who before seemed immortal in their childhood, now grew older, day by day, and came soon to be youths and maidens, and men and women by and by, and aged people, before they dreamed of such a thing.

Meanwhile, the naughty Pandora, and hardly less naughty Epimetheus, remained in their cottage. Both of them had been grievously stung, and were in a good deal of pain, which seemed the more intolerable to them because it was the very first pain that had ever been felt since the world began. Of course, they were entirely unaccustomed to it, and could have no idea what it meant. Besides all this, they were in exceedingly bad humor, both with themselves and with one another. In order to indulge it to the utmost, Epimetheus sat down sullenly in a corner with his back towards Pandora; while Pandora flung herself upon the floor and rested her head on the fatal and abominable box. She was crying bitterly, and sobbing as if her heart would break.

Suddenly there was a gentle little tap on the inside of the lid.

"What can that be?" cried Pandora, lifting her head.

But either Epimetheus had not heard the tap, or was too much out of humor to notice it. At any rate, he made no answer.

"You are very unkind," said Pandora, sobbing anew, "not to speak to me!"

Again the tap! It sounded like the tiny knuckles of a fairy's hand, knocking lightly and playfully on the inside of the box.

"Who are you?" asked Pandora, with a little of her former curiosity. "Who are you, inside of this naughty box?"

A sweet little voice spoke from within,

"Only lift the lid, and you shall see."

"No, no," answered Pandora, again beginning to sob. "I have had enough of lifting the lid! You are inside of the box, naughty creature, and there you shall stay! There are plenty of your ugly brothers and sisters already flying about the world. You need never think that I shall be so foolish as to let you out!"

She looked towards Epimetheus, as she spoke, perhaps expecting that he would commend her for her wisdom. But the sullen boy only muttered that she was wise a little too late.

"Ah," said the sweet little voice again, "you had much better let me out. I am not like those naughty creatures that have stings in their tails. They are no brothers and sisters of mine, as you would see at once, if you were only to get a glimpse of me. Come, come, my pretty Pandora! I am sure you will let me out!"

And, indeed, there was a kind of cheerful witchery in the tone that made it almost impossible to refuse anything which this little voice asked. Pandora's heart had insensibly grown lighter at every word that came from within the box. Epimetheus, too, though still in the corner, had turned half round, and seemed to be in rather better spirits than before.

"My dear Epimetheus," cried Pandora, "have you heard this little voice?"

"Yes, to be sure I have," answered he, but in no very good humor as yet. "And what of it?"

"Shall I lift the lid again?" asked Pandora.

"Just as you please," said Epimetheus. "You have done so much mischief already that perhaps you may as well do a little more. One other Trouble, in such a swarm as you have let adrift about the world, can make no very great difference."

"You might speak a little more kindly!" murmured Pandora, wiping her eyes.

"Ah, naughty boy!" cried the little voice within the box, in an arch and laughing tone. "He knows he is longing to see me. Come, my dear Pandora, lift up the lid. I am in a great hurry to comfort you. Only let me have some fresh air, and you shall soon see that matters are not quite so dismal as you think them."

"Epimetheus," exclaimed Pandora, "come what may, I am resolved to open the box."

"And, as the lid seems very heavy," cried Epimetheus, running across the room, "I will help you!"

So, with one consent, the two children again lifted the lid. Out flew a sunny and smiling little personage, and hovered about the room, throwing a light wherever she went. Have you never made the sunshine dance into the dark corners by reflecting it from a bit of looking-glass? Well, so looked the winged cheerfulness of this fairy-like stranger amid the gloom of the cottage. She flew to Epimetheus, and laid the least touch of her finger on the inflamed spot where the Trouble had stung him, and immediately the anguish of it was gone. Then she kissed Pandora on the forehead, and her hurt was cured likewise.

After performing these good offices, the bright stranger fluttered sportively over the children's heads, and looked so sweetly at them, that they both began to think it not so very much amiss to have opened the box, since, otherwise, their cheery guest must have been kept a prisoner among those naughty imps with stings in their tails.

"Pray, who are you, beautiful creature?" inquired Pandora.

"I am to be called Hope!" answered the sunshiny figure. "And because I am such a cheery little body, I was packed into the box to make amends to the human race for that swarm of ugly Troubles which was destined to be let loose among them. Never fear! we shall do pretty well, in spite of them all."

"Your wings are colored like the rainbow!" exclaimed Pandora. "How very beautiful!"

"Yes, they are like the rainbow," said Hope, "because, glad as my nature is, I am partly made of tears as well as smiles."

"And will you stay with us," asked Epimetheus, "forever and ever?"

"As long as you need me," said Hope, with her pleasant smile,—"and that will be as long as you live in the world,—I promise never to desert you. There may come times and seasons, now and then, when you will think that I have utterly vanished. But again, and again, and again, when perhaps you least dream of it, you shall see the glimmer of my wings on the ceiling of your cottage. Yes, my dear children, and I know something very good and beautiful that is to be given you hereafter!"

"Oh, tell us," they exclaimed—"tell us what it is!"

"Do not ask me," replied Hope, putting her finger on her rosy mouth. "But do not despair, even if it should never happen while you live on this earth. Trust in my promise, for it is true."

"We do trust you!" cried Epimetheus and Pandora, both in one breath.

And so they did; and not only they, but so has everybody trusted Hope, that has since been alive. And, to tell you the truth, I cannot help being glad—(though, to be sure, it was an uncommonly naughty thing for her to do)—but I cannot help being glad that our foolish Pandora peeped into the box. No doubt—no doubt—the Troubles are still flying about the world, and have increased in multitude, rather than lessened, and are a very ugly set of imps, and carry most venomous stings in their tails. I have felt them already, and expect to feel them more as I grow older. But then that lovely and lightsome little figure of Hope! What in the world could we do without her? Hope spiritualizes the earth; Hope makes it always new; and, even in the earth's best and brightest aspect, Hope shows it to be only the shadow of an infinite bliss hereafter!



257

"The Miraculous Pitcher," taken from A Wonder-Book for Girls and Boys, is Hawthorne's version of the Greek myth of Baucis and Philemon. The two mysterious visitors are Jupiter and Mercury, who, according to the Greek myth, visited earth in disguise and were entertained by Baucis and Philemon.

THE MIRACULOUS PITCHER

NATHANIEL HAWTHORNE

One evening, in times long ago, old Philemon and his old wife Baucis sat at their cottage door, enjoying the calm and beautiful sunset. They had already eaten their frugal supper, and intended now to spend a quiet hour or two before bedtime. So they talked together about their garden and their cow, and their bees, and their grape-vine, which clambered over the cottage-wall, and on which the grapes were beginning to turn purple. But the rude shouts of children and the fierce barking of dogs, in the village near at hand, grew louder and louder, until, at last, it was hardly possible for Baucis and Philemon to hear each other speak.

"Ah, wife," cried Philemon, "I fear some poor traveler is seeking hospitality among our neighbors yonder, and, instead of giving him food and lodging, they have set their dogs at him, as their custom is!"

"Well-a-day!" answered old Baucis, "I do wish our neighbors felt a little more kindness for their fellow-creatures. And only think of bringing up their children in this naughty way, and patting them on the head when they fling stones at strangers!"

"Those children will never come to any good," said Philemon, shaking his white head. "To tell you the truth, wife, I should not wonder if some terrible thing were to happen to all the people in the village, unless they mend their manners. But, as for you and me, so long as Providence affords us a crust of bread, let us be ready to give half to any poor, homeless stranger that may come along and need it."

"That's right, husband!" said Baucis. "So we will!"

These old folks, you must know, were quite poor, and had to work pretty hard for a living. Old Philemon toiled diligently in his garden, while Baucis was always busy with her distaff, or making a little butter and cheese with their cow's milk, or doing one thing and another about the cottage. Their food was seldom anything but bread, milk, and vegetables, with sometimes a portion of honey from their beehive, and now and then a bunch of grapes, that had ripened against the cottage wall. But they were two of the kindest old people in the world, and would cheerfully have gone without their dinners, any day, rather than refuse a slice of their brown loaf, a cup of nice milk, and a spoonful of honey, to the weary traveler who might pause before their door. They felt as if such guests had a sort of holiness, and that they ought, therefore, to treat them better and more bountifully than their own selves.

Their cottage stood on a rising ground, at some short distance from a village, which lay in a hollow valley, that was about half a mile in breadth. This valley, in past ages, when the world was new, had probably been the bed of a lake. There, fishes had glided to and fro in the depths, and water-weeds had grown along the margin, and trees and hills had seen their reflected images in the broad and peaceful mirror. But, as the waters subsided, men had cultivated the soil, and built houses on it, so that it was now a fertile spot, and bore no traces of the ancient lake, except a very small brook, which meandered through the midst of the village, and supplied the inhabitants with water. The valley had been dry land so long that oaks had sprung up, and grown great and high, and perished with old age, and been succeeded by others, as tall and stately as the first. Never was there a prettier or more fruitful valley. The very sight of the plenty around them should have made the inhabitants kind and gentle and ready to show their gratitude to Providence by doing good to their fellow-creatures.

But, we are sorry to say, the people of this lovely village were not worthy to dwell in a spot on which Heaven had smiled so beneficently. They were a very selfish and hard-hearted people, and had no pity for the poor, nor sympathy with the homeless. They would only have laughed had anybody told them that human beings owe a debt of love to one another, because there is no other method of paying the debt of love and care which all of us owe to Providence. You will hardly believe what I am going to tell you. These naughty people taught their children to be no better than themselves, and used to clap their hands, by way of encouragement, when they saw the little boys and girls run after some poor stranger, shouting at his heels, and pelting him with stones. They kept large and fierce dogs, and whenever a traveler ventured to show himself in the village street, this pack of disagreeable curs scampered to meet him, barking, snarling, and showing their teeth. Then they would seize him by his leg, or by his clothes, just as it happened; and if he were ragged when he came, he was generally a pitiable object before he had time to run away. This was a very terrible thing to poor travelers, as you may suppose, especially when they chanced to be sick, or feeble, or lame, or old. Such persons (if they once knew how badly these unkind people, and their unkind children and curs, were in the habit of behaving) would go miles and miles out of their way rather than try to pass through the village again.

What made the matter seem worse, if possible, was that when rich persons came in their chariots, or riding on beautiful horses, with their servants in rich liveries attending on them, nobody could be more civil and obsequious than the inhabitants of the village. They would take off their hats, and make the humblest bows you ever saw. If the children were rude, they were pretty certain to get their ears boxed; and as for the dogs, if a single cur in the pack presumed to yelp, his master instantly beat him with a club, and tied him up without any supper. This would have been all very well, only it proved that the villagers cared much about the money that a stranger had in his pocket, and nothing whatever for the human soul, which lives equally in the beggar and the prince.

So now you can understand why old Philemon spoke so sorrowfully when he heard the shouts of the children and the barking of the dogs at the further extremity of the village street. There was a confused din, which lasted a good while, and seemed to pass quite through the breadth of the valley.

"I never heard the dogs so loud!" observed the good old man.

"Nor the children so rude!" answered his good old wife.

They sat shaking their heads, one to another, while the noise came nearer and nearer; until, at the foot of the little eminence on which their cottage stood, they saw two travelers approaching on foot. Close behind them came the fierce dogs, snarling at their very heels. A little farther off, ran a crowd of children, who sent up shrill cries, and flung stones at the two strangers, with all their might. Once or twice, the younger of the two men (he was a slender and very active figure) turned about, and drove back the dogs with a staff which he carried in his hand. His companion, who was a very tall person, walked calmly along, as if disdaining to notice either the naughty children or the pack of curs, whose manners the children seemed to imitate.

Both of the travelers were very humbly clad, and looked as if they might not have money enough in their pockets to pay for a night's lodging. And this, I am afraid, was the reason why the villagers had allowed their children and dogs to treat them so rudely.

"Come, wife," said Philemon to Baucis, "let us go and meet these poor people. No doubt they feel almost too heavy-hearted to climb the hill."

"Go you and meet them," answered Baucis, "while I make haste within doors and see whether we can get them anything for supper. A comfortable bowl of bread and milk would do wonders towards raising their spirits."

Accordingly, she hastened into the cottage. Philemon, on his part, went forward and extended his hand with so hospitable an aspect that there was no need of saying, what nevertheless he did say, in the heartiest tone imaginable,—

"Welcome, strangers! welcome!"

"Thank you!" replied the younger of the two, in a lively kind of way, notwithstanding his weariness and trouble. "This is quite another greeting than we have met with yonder, in the village. Pray, why do you live in such a bad neighborhood?"

"Ah," observed old Philemon, with a quiet and benign smile, "Providence put me here, I hope, among other reasons, in order that I may make you what amends I can for the inhospitality of my neighbors."

"Well said, old father!" said the traveler, laughing; "and, if the truth must be told, my companion and myself need some amends. Those children (the little rascals!) have bespattered us finely with their mud-balls; and one of the curs has torn my cloak, which was ragged enough already. But I took him across the muzzle with my staff; and I think you may have heard him yelp, even thus far off."

Philemon was glad to see him in such good spirits; nor, indeed, would you have fancied, by the traveler's look and manner, that he was weary with a long day's journey, besides being disheartened by rough treatment at the end of it. He was dressed in rather an odd way, with a sort of cap on his head, the brim of which stuck out over both ears. Though it was a summer evening, he wore a cloak, which he kept wrapt closely about him, perhaps because his under garments were shabby. Philemon perceived, too, that he had on a singular pair of shoes; but, as it was now growing dusk, and as the old man's eyesight was none the sharpest, he could not precisely tell in what the strangeness consisted. One thing, certainly, seemed queer. The traveler was so wonderfully light and active, that it appeared as if his feet sometimes rose from the ground of their own accord, or could only be kept down by an effort.

"I used to be light-footed, in my youth," said Philemon to the traveler. "But I always found my feet grow heavier towards nightfall."

"There is nothing like a good staff to help one along," answered the stranger; "and I happen to have an excellent one, as you see."

This staff, in fact, was the oddest-looking staff that Philemon had ever beheld. It was made of olive-wood, and had something like a little pair of wings near the top. Two snakes, carved in the wood, were represented as twining themselves about the staff, and were so very skillfully executed that old Philemon (whose eyes, you know, were getting rather dim) almost thought them alive, and that he could see them wriggling and twisting.

"A curious piece of work, sure enough!" said he. "A staff with wings! It would be an excellent kind of stick for a little boy to ride astride of!"

By this time, Philemon and his two guests had reached the cottage door.

"Friends," said the old man, "sit down and rest yourselves here on this bench. My good wife Baucis has gone to see what you can have for supper. We are poor folks; but you shall be welcome to whatever we have in the cupboard."

The younger stranger threw himself carelessly on the bench, letting his staff fall as he did so. And here happened something rather marvelous, though trifling enough, too. The staff seemed to get up from the ground of its own accord, and, spreading its little pair of wings, it half hopped, half flew, and leaned itself against the wall of the cottage. There it stood quite still, except that the snakes continued to wriggle. But, in my private opinion, old Philemon's eyesight had been playing him tricks again.

Before he could ask any questions, the elder stranger drew his attention from the wonderful staff by speaking to him.

"Was there not," asked the stranger, in a remarkably deep tone of voice, "a lake, in very ancient times, covering the spot where now stands yonder village?"

"Not in my day, friend," answered Philemon; "and yet I am an old man, as you see. There were always the fields and meadows, just as they are now, and the old trees, and the little stream murmuring through the midst of the valley. My father, nor his father before him, ever saw it otherwise, so far as I know; and doubtless it will still be the same when old Philemon shall be gone and forgotten!"

"That is more than can be safely foretold," observed the stranger; and there was something very stern in his deep voice. He shook his head, too, so that his dark and heavy curls were shaken with the movement. "Since the inhabitants of yonder village have forgotten the affections and sympathies of their nature, it were better that the lake should be rippling over their dwellings again!"

The traveler looked so stern that Philemon was really almost frightened; the more so, that, at his frown, the twilight seemed suddenly to grow darker, and that, when he shook his head, there was a roll as of thunder in the air.

But, in a moment afterwards, the stranger's face became so kindly and mild that the old man quite forgot his terror. Nevertheless, he could not help feeling that this elder traveler must be no ordinary personage, although he happened now to be attired so humbly, and to be journeying on foot. Not that Philemon fancied him a prince in disguise, or any character of that sort; but rather some exceedingly wise man, who went about the world in this poor garb, despising wealth and all worldly objects, and seeking everywhere to add a mite to his wisdom. This idea appeared the more probable, because, when Philemon raised his eyes to the stranger's face, he seemed to see more thought there, in one look, than he could have studied out in a lifetime.

While Baucis was getting the supper, the travelers both began to talk very sociably with Philemon. The younger, indeed, was extremely loquacious, and made such shrewd and witty remarks, that the good old man continually burst out a-laughing, and pronounced him the merriest fellow whom he had seen for many a day.

"Pray, my young friend," said he, as they grew familiar together, "what may I call your name?"

"Why, I am very nimble, as you see," answered the traveler. "So, if you call me Quicksilver, the name will fit tolerably well."

"Quicksilver? Quicksilver!" repeated Philemon, looking in the traveler's face, to see if he were making fun of him. "It is a very odd name! And your companion there? Has he as strange a one?"

"You must ask the thunder to tell you it!" replied Quicksilver, putting on a mysterious look. "No other voice is loud enough."

This remark, whether it were serious or in jest, might have caused Philemon to conceive a very great awe of the elder stranger, if, on venturing to gaze at him, he had not beheld so much beneficence in his visage. But, undoubtedly, here was the grandest figure that ever sat so humbly beside a cottage door. When the stranger conversed, it was with gravity, and in such a way that Philemon felt irresistibly moved to tell him everything which he had most at heart. This is always the feeling that people have, when they meet with any one wise enough to comprehend all their good and evil, and to despise not a tittle of it.

But Philemon, simple and kind-hearted old man that he was, had not many secrets to disclose. He talked, however, quite garrulously, about the events of his past life, in the whole course of which he had never been a score of miles from this very spot. His wife Baucis and himself had dwelt in the cottage from their youth upward, earning their bread by honest labor, always poor, but still contented. He told what excellent butter and cheese Baucis made and how nice were the vegetables which he raised in his garden. He said, too, that, because they loved one another so very much, it was the wish of both that death might not separate them, but that they should die, as they had lived, together.

As the stranger listened, a smile beamed over his countenance, and made its expression as sweet as it was grand.

"You are a good old man," said he to Philemon, "and you have a good old wife to be your helpmeet. It is fit that your wish be granted."

And it seemed to Philemon, just then, as if the sunset clouds threw up a bright flash from the west, and kindled a sudden light in the sky.

Baucis had now got supper ready, and coming to the door, began to make apologies for the poor fare which she was forced to set before her guests.

"Had we known you were coming," said she, "my good man and myself would have gone without a morsel, rather than you should lack a better supper. But I took the most part of to-day's milk to make cheese; and our last loaf is already half eaten. Ah me! I never feel the sorrow of being poor, save when a poor traveler knocks at our door."

"All will be very well; do not trouble yourself, my good dame," replied the elder stranger, kindly. "An honest hearty welcome to a guest works miracles with the fare, and is capable of turning the coarsest food to nectar and ambrosia."

"A welcome you shall have," cried Baucis, "and likewise a little honey that we happen to have left, and a bunch of purple grapes besides."

"Why, Mother Baucis, it is a feast!" exclaimed Quicksilver, laughing, "an absolute feast! And you shall see how bravely I will play my part at it! I think I never felt hungrier in my life."

"Mercy on us!" whispered Baucis to her husband. "If the young man has such a terrible appetite, I am afraid there will not be half enough supper!"

They all went into the cottage.

And now, my little auditors, shall I tell you something that will make you open your eyes very wide? It is really one of the oddest circumstances in the whole story. Quicksilver's staff, you recollect, had set itself up against the wall of the cottage. Well, when its master entered the door, leaving this wonderful staff behind, what should it do but immediately spread its little wings, and go hopping and fluttering up the doorsteps! Tap, tap, went the staff, on the kitchen floor; nor did it rest until it had stood itself on end, with the greatest gravity and decorum, beside Quicksilver's chair. Old Philemon, however, as well as his wife, was so taken up in attending to their guests, that no notice was given to what the staff had been about.

As Baucis had said, there was but a scanty supper for two hungry travelers. In the middle of the table was the remnant of a brown loaf, with a piece of cheese on one side of it, and a dish of honeycomb on the other. There was a pretty good bunch of grapes for each of the guests. A moderately sized earthen pitcher, nearly full of milk, stood at a corner of the board; and when Baucis had filled two bowls, and set them before the strangers, only a little milk remained in the bottom of the pitcher. Alas! it is a very sad business, when a bountiful heart finds itself pinched and squeezed among narrow circumstances. Poor Baucis kept wishing that she might starve for a week to come, if it were possible, by so doing, to provide these hungry folks a more plentiful supper.

And, since the supper was so exceedingly small, she could not help wishing that their appetites had not been quite so large. Why, at their very first sitting down, the travelers both drank off all the milk in their two bowls, at a draught.

"A little more milk, kind Mother Baucis, if you please," said Quicksilver. "The day has been hot, and I am very much athirst."

"Now, my dear people," answered Baucis, in great confusion, "I am so sorry and ashamed! But the truth is, there is hardly a drop more milk in the pitcher. O husband! husband! why didn't we go without our supper?"

"Why, it appears to me," cried Quicksilver, starting up from the table and taking the pitcher by the handle, "it really appears to me that matters are not quite so bad as you represent them. Here is certainly more milk in the pitcher."

So saying, and to the vast astonishment of Baucis, he proceeded to fill, not only his own bowl, but his companion's likewise, from the pitcher, that was supposed to be almost empty. The good woman could scarcely believe her eyes. She had certainly poured out nearly all the milk, and had peeped in afterwards, and seen the bottom of the pitcher, as she set it down upon the table.

"But I am old," thought Baucis to herself, "and apt to be forgetful. I suppose I must have made a mistake. At all events, the pitcher cannot help being empty now, after filling the bowls twice over."

"What excellent milk!" observed Quicksilver, after quaffing the contents of the second bowl. "Excuse me, my kind hostess, but I must really ask you for a little more."

Now Baucis had seen, as plainly as she could see anything, that Quicksilver had turned the pitcher upside down, and consequently had poured out every drop of milk, in filling the last bowl. Of course, there could not possibly be any left. However, in order to let him know precisely how the case was, she lifted the pitcher, and made a gesture as if pouring milk into Quicksilver's bowl, but without the remotest idea that any milk would stream forth. What was her surprise, therefore, when such an abundant cascade fell bubbling into the bowl, that it was immediately filled to the brim, and overflowed upon the table! The two snakes that were twisted about Quicksilver's staff (but neither Baucis nor Philemon happened to observe this circumstance) stretched out their heads, and began to lap up the spilt milk.

And then what a delicious fragrance the milk had! It seemed as if Philemon's only cow must have pastured, that day, on the richest herbage that could be found anywhere in the world. I only wish that each of you, my beloved little souls, could have a bowl of such nice milk at supper-time!

"And now a slice of your brown loaf, Mother Baucis," said Quicksilver, "and a little of that honey!"

Baucis cut him a slice, accordingly; and though the loaf, when she and her husband ate of it, had been rather too dry and crusty to be palatable, it was now as light and moist as if but a few hours out of the oven. Tasting a crumb, which had fallen on the table, she found it more delicious than bread ever was before, and could hardly believe that it was a loaf of her own kneading and baking. Yet, what other loaf could it possibly be?

But, oh, the honey! I may just as well let it alone, without trying to describe how exquisitely it smelt and looked. Its color was that of the purest and most transparent gold; and it had the odor of a thousand flowers; but of such flowers as never grew in an earthly garden, and to seek which the bees must have flown high above the clouds. The wonder is, that, after alighting on a flower-bed of so delicious fragrance and immortal bloom, they should have been content to fly down again to their hive in Philemon's garden. Never was such honey tasted, seen, or smelt. The perfume floated around the kitchen, and made it so delightful, that, had you closed your eyes, you would instantly have forgotten the low ceiling and smoky walls, and have fancied yourself in an arbor, with celestial honeysuckles creeping over it.

Although good Mother Baucis was a simple old dame, she could not but think that there was something rather out of the common way in all that had been going on. So, after helping the guests to bread and honey, and laying a bunch of grapes by each of their plates, she sat down by Philemon, and told him what she had seen, in a whisper.

"Did you ever hear the like?" asked she.

"No, I never did," answered Philemon, with a smile. "And I rather think, my dear old wife, you have been walking about in a sort of a dream. If I had poured out the milk, I should have seen through the business at once. There happened to be a little more in the pitcher than you thought,—that is all."

"Ah, husband," said Baucis, "say what you will, these are very uncommon people."

"Well, well," replied Philemon, still smiling, "perhaps they are. They certainly do look as if they had seen better days; and I am heartily glad to see them making so comfortable a supper."

Each of the guests had now taken his bunch of grapes upon his plate. Baucis (who rubbed her eyes, in order to see the more clearly) was of opinion that the clusters had grown larger and richer, and that each separate grape seemed to be on the point of bursting with ripe juice. It was entirely a mystery to her how such grapes could ever have been produced from the old stunted vine that climbed against the cottage wall.

"Very admirable grapes, these!" observed Quicksilver, as he swallowed one after another, without apparently diminishing his cluster. "Pray, my good host, whence did you gather them?"

"From my own vine," answered Philemon. "You may see one of its branches twisting across the window, yonder. But wife and I never thought the grapes very fine ones."

"I never tasted better," said the guest. "Another cup of this delicious milk, if you please, and I shall then have supped better than a prince."

This time, old Philemon bestirred himself, and took up the pitcher; for he was curious to discover whether there was any reality in the marvels which Baucis had whispered to him. He knew that his good old wife was incapable of falsehood, and that she was seldom mistaken in what she supposed to be true; but this was so very singular a case that he wanted to see into it with his own eyes. On taking up the pitcher, therefore, he slyly peeped into it, and was fully satisfied that it contained not so much as a single drop. All at once, however, he beheld a little white fountain, which gushed up from the bottom of the pitcher, and speedily filled it to the brim with foaming and deliciously fragrant milk. It was lucky that Philemon, in his surprise, did not drop the miraculous pitcher from his hand.

"Who are ye, wonder-working strangers?" cried he, even more bewildered than his wife had been.

"Your guests, my good Philemon, and your friends," replied the elder traveler, in his mild, deep voice, that had something at once sweet and awe-inspiring in it. "Give me likewise a cup of the milk; and may your pitcher never be empty for kind Baucis and yourself, any more than for the needy wayfarer!"

The supper being now over, the strangers requested to be shown to their place of repose. The old people would gladly have talked with them a little longer, and have expressed the wonder which they felt, and their delight at finding the poor and meager supper prove so much better and more abundant than they hoped. But the elder traveler had inspired them with such reverence that they dared not ask him any questions. And when Philemon drew Quicksilver aside, and inquired how under the sun a fountain of milk could have got into an old earthen pitcher, this latter personage pointed to his staff.

"There is the whole mystery of the affair," quoth Quicksilver; "and if you can make it out, I'll thank you to let me know. I can't tell what to make of my staff. It is always playing such odd tricks as this; sometimes getting me a supper, and quite as often stealing it away. If I had any faith in such nonsense, I should say the stick was bewitched!"

He said no more, but looked so slyly in their faces, that they rather fancied he was laughing at them. The magic staff went hopping at his heels, as Quicksilver quitted the room. When left alone, the good old couple spent some little time in conversation about the events of the evening, and then lay down on the floor, and fell fast asleep. They had given up their sleeping-room to the guests, and had no other bed for themselves, save these planks, which I wish had been as soft as their own hearts.

The old man and his wife were stirring, betimes, in the morning, and the strangers likewise arose with the sun, and made their preparations to depart. Philemon hospitably entreated them to remain a little longer, until Baucis could milk the cow, and bake a cake upon the hearth, and, perhaps, find them a few fresh eggs, for breakfast. The guests, however, seemed to think it better to accomplish a good part of their journey before the heat of the day should come on. They, therefore, persisted in setting out immediately, but asked Philemon and Baucis to walk forth with them a short distance, and show them the road which they were to take.

So they all four issued from the cottage, chatting together like old friends. It was very remarkable, indeed, how familiar the old couple insensibly grew with the elder traveler, and how their good and simple spirits melted into his, even as two drops of water would melt into the illimitable ocean. And as for Quicksilver, with his keen, quick, laughing wits, he appeared to discover every little thought that but peeped into their minds, before they suspected it themselves. They sometimes wished, it is true, that he had not been quite so quick-witted, and also that he would fling away his staff, which looked so mysteriously mischievous, with the snakes always writhing about it. But then, again, Quicksilver showed himself so very good-humored, that they would have been rejoiced to keep him in their cottage, staff, snakes, and all, every day, and the whole day long.

"Ah, me! Well-a-day!" exclaimed Philemon, when they had walked a little way from their door. "If our neighbors only knew what a blessed thing it is to show hospitality to strangers, they would tie up all their dogs, and never allow their children to fling another stone."

"It is a sin and shame for them to behave so,—that it is!" cried good old Baucis, vehemently. "And I mean to go this very day and tell some of them what naughty people they are!"

"I fear," remarked Quicksilver, slyly smiling, "that you will find none of them at home."

The elder traveler's brow, just then, assumed such a grave, stern, and awful grandeur, yet serene withal, that neither Baucis nor Philemon dared to speak a word. They gazed reverently into his face, as if they had been gazing at the sky.

"When men do not feel towards the humblest stranger as if he were a brother," said the traveler, in tones so deep they sounded like those of an organ, "they are unworthy to exist on earth, which was created as the abode of a great human brotherhood!"

"And, by the by, my dear old people," cried Quicksilver, with the liveliest look of fun and mischief in his eyes, "where is this same village that you talk about? On which side of us does it lie? Methinks I do not see it hereabouts."

Philemon and his wife turned towards the valley, where, at sunset, only the day before, they had seen the meadows, the houses, the gardens, the clumps of trees, the wide, green-margined street, with children playing in it, and all the tokens of business, enjoyment, and prosperity. But what was their astonishment! There was no longer any appearance of a village! Even the fertile vale, in the hollow of which it lay, had ceased to have existence. In its stead, they beheld the broad, blue surface of a lake, which filled the great basin of the valley from brim to brim, and reflected the surrounding hills in its bosom, with as tranquil an image as if it had been there ever since the creation of the world. For an instant, the lake remained perfectly smooth. Then, a little breeze sprang up, and caused the water to dance, glitter, and sparkle in the early sunbeams, and to dash, with a pleasant rippling murmur, against the hither shore.

The lake seemed so strangely familiar, that the old couple were greatly perplexed, and felt as if they could only have been dreaming about a village having lain there. But, the next moment, they remembered the vanished dwellings, and the faces and characters of the inhabitants, far too distinctly for a dream. The village had been there yesterday, and now was gone!

"Alas!" cried these kind-hearted old people, "what has become of our poor neighbors!"

"They exist no longer as men and women," said the elder traveler, in his grand and deep voice, while a roll of thunder seemed to echo it at a distance. "There was neither use nor beauty in such a life as theirs; for they never softened or sweetened the hard lot of mortality by the exercise of kindly affections between man and man. They retained no image of the better life in their bosoms: therefore, the lake, that was of old, has spread itself forth again, to reflect the sky!"

"And as for those foolish people," said Quicksilver, with his mischievous smile, "they are all transformed to fishes. There needed but little change, for they were already a scaly set of rascals, and the coldest-blooded beings in existence. So, kind Mother Baucis, whenever you or your husband have an appetite for a dish of broiled trout, he can throw in a line, and pull out half a dozen of your old neighbors!"

"Ah," cried Baucis, shuddering, "I would not, for the world, put one of them on the gridiron!"

"No," added Philemon, making a wry face, "we could never relish them!"

"As for you, good Philemon," continued the elder traveler,—"and you, kind Baucis,—you, with your scanty means, have mingled so much heartfelt hospitality with your entertainment of the homeless stranger, that the milk became an inexhaustible fount of nectar, and the brown loaf and the honey were ambrosia. Thus, the divinities have feasted, at your board, off the same viands that supply their banquets on Olympus. You have done well, my dear old friends. Wherefore, request whatever favor you have most at heart, and it is granted."

Philemon and Baucis looked at one another, and then,—I know not which of the two it was who spoke, but that one uttered the desire of both their hearts.

"Let us live together, while we live, and leave the world at the same instant, when we die! For we have always loved one another!"

"Be it so!" replied the stranger, with majestic kindness. "Now, look towards your cottage!"

They did so. But what was their surprise on beholding a tall edifice of white marble, with a wide-open portal, occupying the spot where their humble residence had so lately stood!

"There is your home," said the stranger, beneficently smiling on them both. "Exercise your hospitality in yonder palace as freely as in the poor hovel to which you welcomed us last evening."

The old folks fell on their knees to thank him; but, behold! neither he nor Quicksilver was there.

So Philemon and Baucis took up their residence in the marble palace, and spent their time, with vast satisfaction to themselves, in making everybody jolly and comfortable who happened to pass that way. The milk-pitcher, I must not forget to say, retained its marvelous quality of being never empty, when it was desirable to have it full. Whenever an honest, good-humored, and free-hearted guest took a draught from this pitcher, he invariably found it the sweetest and most invigorating fluid that ever ran down his throat. But, if a cross and disagreeable curmudgeon happened to sip, he was pretty certain to twist his visage into a hard knot, and pronounce it a pitcher of sour milk!

Thus the old couple lived in their palace a great, great while, and grew older and older, and very old indeed. At length, however, there came a summer morning when Philemon and Baucis failed to make their appearance, as on other mornings, with one hospitable smile overspreading both their pleasant faces, to invite the guests of over-night to breakfast. The guests searched everywhere, from top to bottom of the spacious palace, and all to no purpose. But, after a great deal of perplexity, they espied, in front of the portal, two venerable trees, which nobody could remember to have seen there the day before. Yet there they stood, with their roots fastened deep into the soil, and a huge breadth of foliage overshadowing the whole front of the edifice. One was an oak, and the other a linden-tree. Their boughs—it was strange and beautiful to see—were intertwined together, and embraced one another, so that each tree seemed to live in the other's bosom, much more than in its own.

While the guests were marveling how these trees, that must have required at least a century to grow, could have come to be so tall and venerable in a single night, a breeze sprang up, and set their intermingled boughs astir. And then there was a deep, broad murmur in the air, as if the two mysterious trees were speaking.

"I am old Philemon!" murmured the oak.

"I am old Baucis!" murmured the linden-tree.

But, as the breeze grew stronger, the trees both spoke at once,—"Philemon! Baucis! Baucis! Philemon!"—as if one were both and both were one, and talking together in the depths of their mutual heart. It was plain enough to perceive that the good old couple had renewed their age, and were now to spend a quiet and delightful hundred years or so, Philemon as an oak, and Baucis as a linden-tree. And oh, what a hospitable shade did they fling around them! Whenever a wayfarer paused beneath it, he heard a pleasant whisper of the leaves above his head, and wondered how the sound should so much resemble words like these:—

"Welcome, welcome, dear traveler, welcome!"

And some kind soul, that knew what would have pleased old Baucis and old Philemon best, built a circular seat around both their trunks, where, for a great while afterwards, the weary, and the hungry, and the thirsty used to repose themselves, and quaff milk abundantly out of the miraculous pitcher.

And I wish, for all our sakes, that we had the pitcher here now!



258

One of the very satisfactory attempts to retell the classic myths for young readers is to be found in Gods and Heroes by R. E. Francillon. The stories are brought together into a "single saga, free from inconsistencies and contradictions." This gives the book all the charm of a single story made of many dramatic episodes. Francillon's version of the familiar tale of Narcissus and Echo follows by permission of the publishers. (Copyright. Ginn & Co., Boston.)

THE NARCISSUS

R. E. FRANCILLON

There was a very beautiful nymph named Echo, who had never, in all her life, seen anybody handsomer than the god Pan. You have read that Pan was the chief of all the Satyrs, and what hideous monsters the Satyrs were. So, when Pan made love to her, she very naturally kept him at a distance: and, as she supposed him to be no worse-looking than the rest of the world, she made up her mind to have nothing to do with love or lovemaking, and was quite content to ramble about the woods all alone.

But one day, to her surprise, she happened to meet with a young man who was as different from Pan as any creature could be. Instead of having a goat's legs and long hairy arms, he was as graceful as Apollo himself: no horns grew out of his forehead, and his ears were not long, pointed, and covered with hair, but just like Echo's own. And he was just as beautiful in face as he was graceful in form. I doubt if Echo would have thought even Apollo himself so beautiful.

The nymphs were rather shy, and Echo was the very shyest of them all. But she admired him so much she could not leave the spot, and at last she even plucked up courage enough to ask him, "What is the name of the most beautiful being in the whole world?"

"Whom do you mean?" asked he. "Yourself? If you want to know your own name, you can tell it better than I can."

"No," said Echo, "I don't mean myself. I mean you. What is your name?"

"My name is Narcissus," said he. "But as for my being beautiful—that is absurd."

"Narcissus!" repeated Echo to herself. "It is a beautiful name. Which of the nymphs have you come to meet here in these woods all alone? She is lucky—whoever she may be."

"I have come to meet nobody," said Narcissus. "But—am I really so beautiful? I have often been told so by other girls, of course; but really it is more than I can quite believe."

"And you don't care for any of those girls?"

"Why, you see," said Narcissus, "when all the girls one knows call one beautiful, there's no reason why I should care for one more than another. They all seem alike when they are all always saying just the same thing. Ah! I do wish I could see myself, so that I could tell if it was really true. I would marry the girl who could give me the wish of my heart—to see myself as other people see me. But as nobody can make me do that, why, I suppose I shall get on very well without marrying anybody at all."

Looking-glasses had not been invented in those days, so that Narcissus had really never seen even so much of himself as his chin.

"What!" cried Echo, full of hope and joy; "if I make you see your own face, you will marry me?"

"I said so," said he. "And of course what I say I'll do, I'll do."

"Then—come with me!"

Echo took him by the hand and led him to the edge of a little lake in the middle of the wood, full of clear water.

"Kneel down, Narcissus," said she, "and bend your eyes over the waterside. That lake is the mirror where Diana comes every morning to dress her hair, and in which, every night, the moon and the stars behold themselves. Look into that water, and see what manner of man you are!"

Narcissus kneeled down and looked into the lake. And, better than in any common looking-glass, he saw the reflected image of his own face—and he looked, and looked, and could not take his eyes away.

But Echo at last grew tired of waiting. "Have you forgotten what you promised me?" asked she. "Are you content now? Do you see now that what I told you is true?"

He lifted his eyes at last. "Oh, beautiful creature that I am!" said he. "I am indeed the most divine creature in the whole wide world. I love myself madly. Go away. I want to be with my beautiful image, with myself, all alone. I can't marry you. I shall never love anybody but myself for the rest of my days." And he kneeled down and gazed at himself once more, while poor Echo had to go weeping away.

Narcissus had spoken truly. He loved himself and his own face so much that he could think of nothing else: he spent all his days and nights by the lake, and never took his eyes away. But unluckily his image, which was only a shadow in the water, could not love him back again. And so he pined away until he died. And when his friends came to look for his body, they found nothing but a flower, into which his soul had turned. So they called it the Narcissus, and we call it so still. And yet I don't know that it is a particularly conceited or selfish flower.

As for poor Echo, she pined away too. She faded and faded until nothing was left of her but her voice. There are many places where she can even now be heard. And she still has the same trick of saying to vain and foolish people whatever they say to themselves, or whatever they would like best to hear said to them. If you go where Echo is, and call out loudly, "I am beautiful!"—she will echo your very words.



259

"The Apple of Discord" is also taken, by permission of the publishers, from Francillon's Gods and Heroes. It is the story of how the world's first great war was brought about. Teachers who wish to use some of the stories from Homer's Iliad might well follow this story with some selected episodes from that work. The prose translation of the Iliad by Lang, Leaf, and Myers is the most satisfactory. Of versions adapted for children, Church's Story of the Iliad has long been a favorite.

THE APPLE OF DISCORD

R. E. FRANCILLON

Never was such a wedding-feast known as that of Peleus and Thetis. And no wonder; for Peleus was King of Thessaly, and Thetis was a goddess—the goddess who keeps the gates of the West, and throws them open for the chariot of the Sun to pass through when its day's journey is done.

Not only all the neighboring kings and queens came to the feast, but the gods and goddesses besides, bringing splendid presents to the bride and bridegroom. Only one goddess was not there, because she had not been invited; and she had not been invited for the best of all reasons. Her name was Ate, which means Mischief; and wherever she went she caused quarreling and confusion. Jupiter had turned her out of heaven for setting even the gods by the ears; and ever since then she had been wandering about the earth, making mischief, for they would not have her even in Hades.

"So they won't have Me at their feast!" she said to herself, when she heard the sound of the merriment to which she had not been bidden. "Very well; they shall be sorry. I see a way to make a bigger piece of mischief than ever was known."

So she took a golden apple, wrote some words upon it, and, keeping herself out of sight, threw it into the very middle of the feasters, just when they were most merry.

Nobody saw where the apple came from; but of course they supposed it had been thrown among them for frolic; and one of the guests, taking it up, read aloud the words written on it. The words were:

"FOR THE MOST BEAUTIFUL!"

—nothing more.

"What a handsome present somebody has sent me!" said Juno, holding out her hand for the apple.

"Sent you?" asked Diana. "What an odd mistake, to be sure! Don't you see it is for the most beautiful? I will thank you to hand me what is so clearly intended for Me."

"You seem to forget I am present!" said Vesta, making a snatch at the apple.

"Not at all!" said Ceres; "only I happen to be here, too. And who doubts that where I am there is the most beautiful?"

"Except where I am," said Proserpine.

"What folly is all this!" said Minerva, the wise. "Wisdom is the only true beauty; and everybody knows that I am the wisest of you all."

"But it's for the most beautiful!" said Venus. "The idea of its being for anybody but Me!"

Then every nymph and goddess present, and even every woman, put in her claim, until from claiming and disputing it grew to arguing and wrangling and downright quarreling: insults flew about, until the merriment grew into an angry din, the like of which had never been heard. But as it became clear that it was impossible for everybody to be the most beautiful, the claimants gradually settled down into three parties—some taking the side of Venus, others of Juno, others of Minerva.

"We shall never settle it among ourselves," said one, when all were fairly out of breath with quarreling. "Let the gods decide."

For the gods had been silent all the while; and now they looked at one another in dismay at such an appeal. Jupiter, in his heart, thought Venus the most beautiful; but how could he dare decide against either his wife Juno or his daughter Minerva? Neptune hated Minerva on account of their old quarrel; but it was awkward to choose between his daughter Venus and his sister Juno, of whose temper he, as well as Jupiter, stood in awe. Mars was ready enough to vote for Venus; but then he was afraid of a scandal. And so with all the gods—not one was bold enough to decide on such a terrible question as the beauty of three rival goddesses who were ready to tear out each other's eyes. For Juno was looking like a thundercloud, and Minerva like lightning, and Venus like a smiling but treacherous sea.

"I have it," said Jupiter at last. "Men are better judges of beauty than the gods are, who never see anything but its perfection. King Priam of Troy has a son named Paris, whose judgment as a critic I would take even before my own. I propose that you, Juno, and you, Minerva, and you, Venus, shall go together before Paris and submit yourselves to his decision, whatever it may be."

And so it was settled, for each of the three goddesses was equally sure that, whoever the judge might be, the golden apple was safe to be hers. The quarrel came to an end, and the feast ended pleasantly; but Ate, who had been watching and listening, laughed in her sleeve.

Troy, where King Priam reigned, was a great and ancient city on the shore of Asia: it was a sacred city, whose walls had been built by Neptune, and it possessed the Palladium, the image of Minerva, which kept it from all harm. Priam—who had been the friend of Hercules—and his wife Hecuba had many sons and daughters, all brave and noble princes and beautiful princesses; and of his sons, while the bravest and noblest was his first-born, Hector, the handsomest and most amiable was Paris, whom Jupiter had appointed to be the judge of beauty.

Paris, unlike his brothers, cared nothing for affairs of State, but lived as a shepherd upon Mount Ida with his wife Oenone, a nymph of that mountain, in perfect happiness and peace, loved and honored by the whole country round, which had given him the name of "Alexander," which means "The Helper." One would think that if anybody was safe from the mischief of Ate, it was he.

But one day, while he was watching his flocks and thinking of Oenone, there came to him what he took for three beautiful women—the most beautiful he had ever seen. Yet something told him they were more than mere women, or even than Oreads, before the tallest said—

"There is debate in Olympus which is the most beautiful of us three, and Jupiter has appointed you to be the judge between us. I am Juno, the queen of gods and men, and if you decide for me, I will make you king of the whole world."

"And I," said the second, "am Minerva, and you shall know everything in the whole universe if you decide for me."

"But I," said the third, "am Venus, who can give neither wisdom nor power; but if you decide for me, I will give you the love of the most beautiful woman that ever was or ever will be born."

Paris looked from one to the other, wondering to which he should award the golden apple, the prize of beauty. He did not care for power; he would be quite content to rule his sheep, and even that was not always easy. Nor did he care for wisdom or knowledge: he had enough for all his needs. Nor ought he to have desired any love but Oenone's. But then Venus was really the most beautiful of all the goddesses—the very goddess of beauty; no mortal could refuse anything she asked him, so great was her charm. So he took the apple and placed it in the hands of Venus without a word, while Juno and Minerva departed in a state of wrath with Paris, Venus, and each other, which made Ate laugh to herself more than ever.

Now the most beautiful woman in the whole world was Helen, step-daughter of King Tyndarus of Sparta, and sister of Castor and Pollux: neither before her nor after her has there been any to compare with her for beauty. Thirty-one of the noblest princes in Greece came to her father's Court at the same time to seek her in marriage, so that Tyndarus knew not what to do, seeing that, whomsoever he chose for his son-in-law, he would make thirty powerful enemies. The most famous among them were Ulysses, King of the island of Ithaca; Diomed, King of Aetolia; Ajax, King of Salamis, the bravest and strongest man in Greece; his brother Teucer; Philoctetes, the friend of Hercules; and Menelaus, King of Sparta. At last, as there was no other way of deciding among them, an entirely new idea occurred to Ulysses—namely, that Helen should be allowed to choose her own husband herself, and that, before she chose, all the rival suitors should make a great and solemn oath to approve her choice, and to defend her and her husband against all enemies thenceforth and forever. This oath they all took loyally and with one accord, and Helen chose Menelaus, King of Sparta, who married her with great rejoicing, and took her away to his kingdom.

And all would have gone well but for that wretched apple. For Venus was faithful to her promise that the most beautiful of all women should be the wife of Paris: and so Menelaus, returning from a journey, found that a Trojan prince had visited his Court during his absence, and had gone away, taking Helen with him to Troy. This Trojan prince was Paris, who, seeing Helen, had forgotten Oenone, and could think of nothing but her whom Venus had given him.

Then, through all Greece and all the islands, went forth the summons of King Menelaus, reminding the thirty princes of their great oath: and each and all of them, and many more, came to the gathering-place with all their ships and all their men, to help Menelaus and to bring back Helen. Such a host as gathered together at Aulis had never been seen since the world began; there were nearly twelve hundred ships and more than a hundred thousand men: it was the first time that all the Greeks joined together in one cause. There, besides those who had come for their oath's sake, were Nestor, the old King of Pylos—so old that he remembered Jason and the Golden Fleece, but, at ninety years old, as ready for battle as the youngest there; and Achilles, the son of Peleus and Thetis, scarcely more than a boy, but fated to outdo the deeds of the bravest of them all. The kings and princes elected Agamemnon, King of Mycenae and Argos, and brother of Menelaus, to be their general-in-chief; and he forthwith sent a herald to Troy to demand the surrender of Helen.

But King Priam was indignant that these chiefs of petty kingdoms should dare to threaten the sacred city of Troy: and he replied to the demand by a scornful challenge, and by sending out his summons also to his friends and allies. And it was as well answered as that of Menelaus had been. There came to his standard Rhesus, with a great army from Thrace; and Sarpedon, the greatest king in all Asia; and Memnon, king of Aethiopia, with twenty thousand men—the hundred thousand Greeks were not so many as the army of Priam. Then Agamemnon gave the order to sail for Troy: and Ate laughed aloud, for her apple had brought upon mankind the First Great War.

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