As we sat together by the drawing-room table, to pass the last few moments en famille, it never occurred to me that a sad moment was impending. On the contrary, the most trivial thoughts were filling my brain. Which driver was going to drive the carriage and which the cart? Which of us would sit with Papa, and which with Karl Ivanitch? Why must I be kept forever muffled up in a scarf and padded boots?

"Am I so delicate? Am I likely to be frozen?" I thought to myself. "I wish it would all come to an end, and we could take our seats and start."

"To whom shall I give the list of the children's linen?" asked Natalia Savishna of Mamma as she entered the room with a paper in her hand and her eyes red with weeping.

"Give it to Nicola, and then return to say good-bye to them," replied Mamma. The old woman seemed about to say something more, but suddenly stopped short, covered her face with her handkerchief, and left the room. Something seemed to prick at my heart when I saw that gesture of hers, but impatience to be off soon drowned all other feeling, and I continued to listen indifferently to Papa and Mamma as they talked together. They were discussing subjects which evidently interested neither of them. What must be bought for the house? What would Princess Sophia or Madame Julie say? Would the roads be good?—and so forth.

Foka entered, and in the same tone and with the same air as though he were announcing luncheon said, "The carriages are ready." I saw Mamma tremble and turn pale at the announcement, just as though it were something unexpected.

Next, Foka was ordered to shut all the doors of the room. This amused me highly. As though we needed to be concealed from some one! When every one else was seated, Foka took the last remaining chair. Scarcely, however, had he done so when the door creaked and every one looked that way. Natalia Savishna entered hastily, and, without raising her eyes, sat own on the same chair as Foka. I can see them before me now-Foka's bald head and wrinkled, set face, and, beside him, a bent, kind figure in a cap from beneath which a few grey hairs were straggling. The pair settled themselves together on the chair, but neither of them looked comfortable.

I continued preoccupied and impatient. In fact, the ten minutes during which we sat there with closed doors seemed to me an hour. At last every one rose, made the sign of the cross, and began to say good-bye. Papa embraced Mamma, and kissed her again and again.

"But enough," he said presently. "We are not parting for ever."

"No, but it is-so-so sad!" replied Mamma, her voice trembling with emotion.

When I heard that faltering voice, and saw those quivering lips and tear-filled eyes, I forgot everything else in the world. I felt so ill and miserable that I would gladly have run away rather than bid her farewell. I felt, too, that when she was embracing Papa she was embracing us all. She clasped Woloda to her several times, and made the sign of the cross over him; after which I approached her, thinking that it was my turn. Nevertheless she took him again and again to her heart, and blessed him. Finally I caught hold of her, and, clinging to her, wept—wept, thinking of nothing in the world but my grief.

As we passed out to take our seats, other servants pressed round us in the hall to say good-bye. Yet their requests to shake hands with us, their resounding kisses on our shoulders, [The fashion in which inferiors salute their superiors in Russia.] and the odour of their greasy heads only excited in me a feeling akin to impatience with these tiresome people. The same feeling made me bestow nothing more than a very cross kiss upon Natalia's cap when she approached to take leave of me. It is strange that I should still retain a perfect recollection of these servants' faces, and be able to draw them with the most minute accuracy in my mind, while Mamma's face and attitude escape me entirely. It may be that it is because at that moment I had not the heart to look at her closely. I felt that if I did so our mutual grief would burst forth too unrestrainedly.

I was the first to jump into the carriage and to take one of the hinder seats. The high back of the carriage prevented me from actually seeing her, yet I knew by instinct that Mamma was still there.

"Shall I look at her again or not?" I said to myself. "Well, just for the last time," and I peeped out towards the entrance-steps. Exactly at that moment Mamma moved by the same impulse, came to the opposite side of the carriage, and called me by name. Hearing her voice behind me. I turned round, but so hastily that our heads knocked together. She gave a sad smile, and kissed me convulsively for the last time.

When we had driven away a few paces I determined to look at her once more. The wind was lifting the blue handkerchief from her head as, bent forward and her face buried in her hands, she moved slowly up the steps. Foka was supporting her. Papa said nothing as he sat beside me. I felt breathless with tears—felt a sensation in my throat as though I were going to choke, just as we came out on to the open road I saw a white handkerchief waving from the terrace. I waved mine in return, and the action of so doing calmed me a little. I still went on crying, but the thought that my tears were a proof of my affection helped to soothe and comfort me.

After a little while I began to recover, and to look with interest at objects which we passed and at the hind-quarters of the led horse which was trotting on my side. I watched how it would swish its tail, how it would lift one hoof after the other, how the driver's thong would fall upon its back, and how all its legs would then seem to jump together and the back-band, with the rings on it, to jump too—the whole covered with the horse's foam. Then I would look at the rolling stretches of ripe corn, at the dark ploughed fields where ploughs and peasants and horses with foals were working, at their footprints, and at the box of the carriage to see who was driving us; until, though my face was still wet with tears, my thoughts had strayed far from her with whom I had just parted—parted, perhaps, for ever. Yet ever and again something would recall her to my memory. I remembered too how, the evening before, I had found a mushroom under the birch-trees, how Lubotshka had quarrelled with Katenka as to whose it should be, and how they had both of them wept when taking leave of us. I felt sorry to be parted from them, and from Natalia Savishna, and from the birch-tree avenue, and from Foka. Yes, even the horrid Mimi I longed for. I longed for everything at home. And poor Mamma!—The tears rushed to my eyes again. Yet even this mood passed away before long.



XV — CHILDHOOD

HAPPY, happy, never-returning time of childhood! How can we help loving and dwelling upon its recollections? They cheer and elevate the soul, and become to one a source of higher joys.

Sometimes, when dreaming of bygone days, I fancy that, tired out with running about, I have sat down, as of old, in my high arm-chair by the tea-table. It is late, and I have long since drunk my cup of milk. My eyes are heavy with sleep as I sit there and listen. How could I not listen, seeing that Mamma is speaking to somebody, and that the sound of her voice is so melodious and kind? How much its echoes recall to my heart! With my eyes veiled with drowsiness I gaze at her wistfully. Suddenly she seems to grow smaller and smaller, and her face vanishes to a point; yet I can still see it—can still see her as she looks at me and smiles. Somehow it pleases me to see her grown so small. I blink and blink, yet she looks no larger than a boy reflected in the pupil of an eye. Then I rouse myself, and the picture fades. Once more I half-close my eyes, and cast about to try and recall the dream, but it has gone.

I rise to my feet, only to fall back comfortably into the armchair.

"There! You are failing asleep again, little Nicolas," says Mamma. "You had better go to by-by."

"No, I won't go to sleep, Mamma," I reply, though almost inaudibly, for pleasant dreams are filling all my soul. The sound sleep of childhood is weighing my eyelids down, and for a few moments I sink into slumber and oblivion until awakened by some one. I feel in my sleep as though a soft hand were caressing me. I know it by the touch, and, though still dreaming, I seize hold of it and press it to my lips. Every one else has gone to bed, and only one candle remains burning in the drawing-room. Mamma has said that she herself will wake me. She sits down on the arm of the chair in which I am asleep, with her soft hand stroking my hair, and I hear her beloved, well-known voice say in my ear:

"Get up, my darling. It is time to go by-by."

No envious gaze sees her now. She is not afraid to shed upon me the whole of her tenderness and love. I do not wake up, yet I kiss and kiss her hand.

"Get up, then, my angel."

She passes her other arm round my neck, and her fingers tickle me as they move across it. The room is quiet and in half-darkness, but the tickling has touched my nerves and I begin to awake. Mamma is sitting near me—that I can tell—and touching me; I can hear her voice and feel her presence. This at last rouses me to spring up, to throw my arms around her neck, to hide my head in her bosom, and to say with a sigh:

"Ah, dear, darling Mamma, how much I love you!"

She smiles her sad, enchanting smile, takes my head between her two hands, kisses me on the forehead, and lifts me on to her lap.

"Do you love me so much, then?" she says. Then, after a few moments' silence, she continues: "And you must love me always, and never forget me. If your Mamma should no longer be here, will you promise never to forget her—never, Nicolinka? and she kisses me more fondly than ever.

"Oh, but you must not speak so, darling Mamma, my own darling Mamma!" I exclaim as I clasp her knees, and tears of joy and love fall from my eyes.

How, after scenes like this, I would go upstairs, and stand before the ikons, and say with a rapturous feeling, "God bless Papa and Mamma!" and repeat a prayer for my beloved mother which my childish lips had learnt to lisp-the love of God and of her blending strangely in a single emotion!

After saying my prayers I would wrap myself up in the bedclothes. My heart would feel light, peaceful, and happy, and one dream would follow another. Dreams of what? They were all of them vague, but all of them full of pure love and of a sort of expectation of happiness. I remember, too, that I used to think about Karl Ivanitch and his sad lot. He was the only unhappy being whom I knew, and so sorry would I feel for him, and so much did I love him, that tears would fall from my eyes as I thought, "May God give him happiness, and enable me to help him and to lessen his sorrow. I could make any sacrifice for him!" Usually, also, there would be some favourite toy—a china dog or hare—stuck into the bed-corner behind the pillow, and it would please me to think how warm and comfortable and well cared-for it was there. Also, I would pray God to make every one happy, so that every one might be contented, and also to send fine weather to-morrow for our walk. Then I would turn myself over on to the other side, and thoughts and dreams would become jumbled and entangled together until at last I slept soundly and peacefully, though with a face wet with tears.

Do in after life the freshness and light-heartedness, the craving for love and for strength of faith, ever return which we experience in our childhood's years? What better time is there in our lives than when the two best of virtues—innocent gaiety and a boundless yearning for affection—are our sole objects of pursuit?

Where now are our ardent prayers? Where now are our best gifts—the pure tears of emotion which a guardian angel dries with a smile as he sheds upon us lovely dreams of ineffable childish joy? Can it be that life has left such heavy traces upon one's heart that those tears and ecstasies are for ever vanished? Can it be that there remains to us only the recollection of them?



XVI — VERSE-MAKING

RATHER less than a month after our arrival in Moscow I was sitting upstairs in my Grandmamma's house and doing some writing at a large table. Opposite to me sat the drawing master, who was giving a few finishing touches to the head of a turbaned Turk, executed in black pencil. Woloda, with out-stretched neck, was standing behind the drawing master and looking over his shoulder. The head was Woloda's first production in pencil and to-day—Grandmamma's name-day—the masterpiece was to be presented to her.

"Aren't you going to put a little more shadow there?" said Woloda to the master as he raised himself on tiptoe and pointed to the Turk's neck.

"No, it is not necessary," the master replied as he put pencil and drawing-pen into a japanned folding box. "It is just right now, and you need not do anything more to it. As for you, Nicolinka," he added, rising and glancing askew at the Turk, "won't you tell us your great secret at last? What are you going to give your Grandmamma? I think another head would be your best gift. But good-bye, gentlemen," and taking his hat and cardboard he departed.

I too had thought that another head than the one at which I had been working would be a better gift; so, when we were told that Grandmamma's name-day was soon to come round and that we must each of us have a present ready for her, I had taken it into my head to write some verses in honour of the occasion, and had forthwith composed two rhymed couplets, hoping that the rest would soon materialise. I really do not know how the idea—one so peculiar for a child—came to occur to me, but I know that I liked it vastly, and answered all questions on the subject of my gift by declaring that I should soon have something ready for Grandmamma, but was not going to say what it was.

Contrary to my expectation, I found that, after the first two couplets executed in the initial heat of enthusiasm, even my most strenuous efforts refused to produce another one. I began to read different poems in our books, but neither Dimitrieff nor Derzhavin could help me. On the contrary, they only confirmed my sense of incompetence. Knowing, however, that Karl Ivanitch was fond of writing verses, I stole softly upstairs to burrow among his papers, and found, among a number of German verses, some in the Russian language which seemed to have come from his own pen.

To L

Remember near Remember far, Remember me. To-day be faithful, and for ever— Aye, still beyond the grave—remember That I have well loved thee.

"KARL MAYER."

These verses (which were written in a fine, round hand on thin letter-paper) pleased me with the touching sentiment with which they seemed to be inspired. I learnt them by heart, and decided to take them as a model. The thing was much easier now. By the time the name-day had arrived I had completed a twelve-couplet congratulatory ode, and sat down to the table in our school-room to copy them out on vellum.

Two sheets were soon spoiled—not because I found it necessary to alter anything (the verses seemed to me perfect), but because, after the third line, the tail-end of each successive one would go curving upward and making it plain to all the world that the whole thing had been written with a want of adherence to the horizontal—a thing which I could not bear to see.

The third sheet also came out crooked, but I determined to make it do. In my verses I congratulated Grandmamma, wished her many happy returns, and concluded thus:

"Endeavouring you to please and cheer, We love you like our Mother dear."

This seemed to me not bad, yet it offended my ear somehow.

"Lo-ve you li-ike our Mo-ther dear," I repeated to myself. "What other rhyme could I use instead of 'dear'? Fear? Steer? Well, it must go at that. At least the verses are better than Karl Ivanitch's."

Accordingly I added the last verse to the rest. Then I went into our bedroom and recited the whole poem aloud with much feeling and gesticulation. The verses were altogether guiltless of metre, but I did not stop to consider that. Yet the last one displeased me more than ever. As I sat on my bed I thought:

"Why on earth did I write 'like our Mother dear'? She is not here, and therefore she need never have been mentioned. True, I love and respect Grandmamma, but she is not quite the same as—Why DID I write that? What did I go and tell a lie for? They may be verses only, yet I needn't quite have done that."

At that moment the tailor arrived with some new clothes for us.

"Well, so be it!" I said in much vexation as I crammed the verses hastily under my pillow and ran down to adorn myself in the new Moscow garments.

They fitted marvellously-both the brown jacket with yellow buttons (a garment made skin-tight and not "to allow room for growth," as in the country) and the black trousers (also close-fitting so that they displayed the figure and lay smoothly over the boots).

"At last I have real trousers on!" I thought as I looked at my legs with the utmost satisfaction. I concealed from every one the fact that the new clothes were horribly tight and uncomfortable, but, on the contrary, said that, if there were a fault, it was that they were not tight enough. For a long while I stood before the looking-glass as I combed my elaborately pomaded head, but, try as I would, I could not reduce the topmost hairs on the crown to order. As soon as ever I left off combing them, they sprang up again and radiated in different directions, thus giving my face a ridiculous expression.

Karl Ivanitch was dressing in another room, and I heard some one bring him his blue frockcoat and under-linen. Then at the door leading downstairs I heard a maid-servant's voice, and went to see what she wanted. In her hand she held a well-starched shirt which she said she had been sitting up all night to get ready. I took it, and asked if Grandmamma was up yet.

"Oh yes, she has had her coffee, and the priest has come. My word, but you look a fine little fellow!" added the girl with a smile at my new clothes.

This observation made me blush, so I whirled round on one leg, snapped my fingers, and went skipping away, in the hope that by these manoeuvres I should make her sensible that even yet she had not realised quite what a fine fellow I was.

However, when I took the shirt to Karl I found that he did not need it, having taken another one. Standing before a small looking-glass, he tied his cravat with both hands—trying, by various motions of his head, to see whether it fitted him comfortably or not—and then took us down to see Grandmamma. To this day I cannot help laughing when I remember what a smell of pomade the three of us left behind us on the staircase as we descended.

Karl was carrying a box which he had made himself, Woloda, his drawing, and I my verses, while each of us also had a form of words ready with which to present his gift. Just as Karl opened the door, the priest put on his vestment and began to say prayers.

During the ceremony Grandmamma stood leaning over the back of a chair, with her head bent down. Near her stood Papa. He turned and smiled at us as we hurriedly thrust our presents behind our backs and tried to remain unobserved by the door. The whole effect of a surprise, upon which we had been counting, was entirely lost. When at last every one had made the sign of the cross I became intolerably oppressed with a sudden, invincible, and deadly attack of shyness, so that the courage to, offer my present completely failed me. I hid myself behind Karl Ivanitch, who solemnly congratulated Grandmamma and, transferring his box from his right hand to his left, presented it to her. Then he withdrew a few steps to make way for Woloda. Grandmamma seemed highly pleased with the box (which was adorned with a gold border), and smiled in the most friendly manner in order to express her gratitude. Yet it was evident that, she did not know where to set the box down, and this probably accounts for the fact that she handed it to Papa, at the same time bidding him observe how beautifully it was made.

His curiosity satisfied, Papa handed the box to the priest, who also seemed particularly delighted with it, and looked with astonishment, first at the article itself, and then at the artist who could make such wonderful things. Then Woloda presented his Turk, and received a similarly flattering ovation on all sides.

It was my turn now, and Grandmamma turned to me with her kindest smile. Those who have experienced what embarrassment is know that it is a feeling which grows in direct proportion to delay, while decision decreases in similar measure. In other words the longer the condition lasts, the more invincible does it become, and the smaller does the power of decision come to be.

My last remnants of nerve and energy had forsaken me while Karl and Woloda had been offering their presents, and my shyness now reached its culminating point, I felt the blood rushing from my heart to my head, one blush succeeding another across my face, and drops of perspiration beginning to stand out on my brow and nose. My ears were burning, I trembled from head to foot, and, though I kept changing from one foot to the other, I remained rooted where I stood.

"Well, Nicolinka, tell us what you have brought?" said Papa. "Is it a box or a drawing?"

There was nothing else to be done. With a trembling hand held out the folded, fatal paper, but my voiced failed me completely and I stood before Grandmamma in silence. I could not get rid of the dreadful idea that, instead of a display of the expected drawing, some bad verses of mine were about to be read aloud before every one, and that the words "our Mother dear" would clearly prove that I had never loved, but had only forgotten, her. How shall I express my sufferings when Grandmamma began to read my poetry aloud?—when, unable to decipher it, she stopped half-way and looked at Papa with a smile (which I took to be one of ridicule)?—when she did not pronounce it as I had meant it to be pronounced?—and when her weak sight not allowing her to finish it, she handed the paper to Papa and requested him to read it all over again from the beginning? I fancied that she must have done this last because she did not like to read such a lot of stupid, crookedly written stuff herself, yet wanted to point out to Papa my utter lack of feeling. I expected him to slap me in the face with the verses and say, "You bad boy! So you have forgotten your Mamma! Take that for it!" Yet nothing of the sort happened. On the contrary, when the whole had been read, Grandmamma said, "Charming!" and kissed me on the forehead. Then our presents, together with two cambric pocket-handkerchiefs and a snuff-box engraved with Mamma's portrait, were laid on the table attached to the great Voltairian arm-chair in which Grandmamma always sat.

"The Princess Barbara Ilinitsha!" announced one of the two footmen who used to stand behind Grandmamma's carriage, but Grandmamma was looking thoughtfully at the portrait on the snuff-box, and returned no answer.

"Shall I show her in, madam?" repeated the footman.



XVII — THE PRINCESS KORNAKOFF

"Yes, show her in," said Grandmamma, settling herself as far back in her arm-chair as possible. The Princess was a woman of about forty-five, small and delicate, with a shrivelled skin and disagreeable, greyish-green eyes, the expression of which contradicted the unnaturally suave look of the rest of her face. Underneath her velvet bonnet, adorned with an ostrich feather, was visible some reddish hair, while against the unhealthy colour of her skin her eyebrows and eyelashes looked even lighter and redder that they would other wise have done. Yet, for all that, her animated movements, small hands, and peculiarly dry features communicated something aristocratic and energetic to her general appearance. She talked a great deal, and, to judge from her eloquence, belonged to that class of persons who always speak as though some one were contradicting them, even though no one else may be saying a word. First she would raise her voice, then lower it and then take on a fresh access of vivacity as she looked at the persons present, but not participating in the conversation, with an air of endeavouring to draw them into it.

Although the Princess kissed Grandmamma's hand and repeatedly called her "my good Aunt," I could see that Grandmamma did not care much about her, for she kept raising her eyebrows in a peculiar way while listening to the Princess's excuses why Prince Michael had been prevented from calling, and congratulating Grandmamma "as he would like so-much to have done." At length, however, she answered the Princess's French with Russian, and with a sharp accentuation of certain words.

"I am much obliged to you for your kindness," she said. "As for Prince Michael's absence, pray do not mention it. He has so much else to do. Besides, what pleasure could he find in coming to see an old woman like me?" Then, without allowing the Princess time to reply, she went on: "How are your children my dear?"

"Well, thank God, Aunt, they grow and do their lessons and play—particularly my eldest one, Etienne, who is so wild that it is almost impossible to keep him in order. Still, he is a clever and promising boy. Would you believe it, cousin," (this last to Papa, since Grandmamma altogether uninterested in the Princess's children, had turned to us, taken my verses out from beneath the presentation box, and unfolded them again), "would you believe it, but one day not long ago—" and leaning over towards Papa, the Princess related something or other with great vivacity. Then, her tale concluded, she laughed, and, with a questioning look at Papa, went on:

"What a boy, cousin! He ought to have been whipped, but the trick was so spirited and amusing that I let him off." Then the Princess looked at Grandmamma and laughed again.

"Ah! So you WHIP your children, do you" said Grandmamma, with a significant lift of her eyebrows, and laying a peculiar stress on the word "WHIP."

"Alas, my good Aunt," replied the Princess in a sort of tolerant tone and with another glance at Papa, "I know your views on the subject, but must beg to be allowed to differ with them. However much I have thought over and read and talked about the matter, I have always been forced to come to the conclusion that children must be ruled through FEAR. To make something of a child, you must make it FEAR something. Is it not so, cousin? And what, pray, do children fear so much as a rod?"

As she spoke she seemed, to look inquiringly at Woloda and myself, and I confess that I did not feel altogether comfortable.

"Whatever you may say," she went on, "a boy of twelve, or even of fourteen, is still a child and should be whipped as such; but with girls, perhaps, it is another matter."

"How lucky it is that I am not her son!" I thought to myself.

"Oh, very well," said Grandmamma, folding up my verses and replacing them beneath the box (as though, after that exposition of views, the Princess was unworthy of the honour of listening to such a production). "Very well, my dear," she repeated "But please tell me how, in return, you can look for any delicate sensibility from your children?"

Evidently Grandmamma thought this argument unanswerable, for she cut the subject short by adding:

"However, it is a point on which people must follow their own opinions."

The Princess did not choose to reply, but smiled condescendingly, and as though out of indulgence to the strange prejudices of a person whom she only PRETENDED to revere.

"Oh, by the way, pray introduce me to your young people," she went on presently as she threw us another gracious smile.

Thereupon we rose and stood looking at the Princess, without in the least knowing what we ought to do to show that we were being introduced.

"Kiss the Princess's hand," said Papa.

"Well, I hope you will love your old aunt," she said to Woloda, kissing his hair, "even though we are not near relatives. But I value friendship far more than I do degrees of relationship," she added to Grandmamma, who nevertheless, remained hostile, and replied:

"Eh, my dear? Is that what they think of relationships nowadays?"

"Here is my man of the world," put in Papa, indicating Woloda; "and here is my poet," he added as I kissed the small, dry hand of the Princess, with a vivid picture in my mind of that same hand holding a rod and applying it vigorously.

"WHICH one is the poet?" asked the Princess.

"This little one," replied Papa, smiling; "the one with the tuft of hair on his top-knot."

"Why need he bother about my tuft?" I thought to myself as I retired into a corner. "Is there nothing else for him to talk about?"

I had strange ideas on manly beauty. I considered Karl Ivanitch one of the handsomest men in the world, and myself so ugly that I had no need to deceive myself on that point. Therefore any remark on the subject of my exterior offended me extremely. I well remember how, one day after luncheon (I was then six years of age), the talk fell upon my personal appearance, and how Mamma tried to find good features in my face, and said that I had clever eyes and a charming smile; how, nevertheless, when Papa had examined me, and proved the contrary, she was obliged to confess that I was ugly; and how, when the meal was over and I went to pay her my respects, she said as she patted my cheek; "You know, Nicolinka, nobody will ever love you for your face alone, so you must try all the more to be a good and clever boy."

Although these words of hers confirmed in me my conviction that I was not handsome, they also confirmed in me an ambition to be just such a boy as she had indicated. Yet I had my moments of despair at my ugliness, for I thought that no human being with such a large nose, such thick lips, and such small grey eyes as mine could ever hope to attain happiness on this earth. I used to ask God to perform a miracle by changing me into a beauty, and would have given all that I possessed, or ever hoped to possess, to have a handsome face.



XVIII — PRINCE IVAN IVANOVITCH

When the Princess had heard my verses and overwhelmed the writer of them with praise, Grandmamma softened to her a little. She began to address her in French and to cease calling her "my dear." Likewise she invited her to return that evening with her children. This invitation having been accepted, the Princess took her leave. After that, so many other callers came to congratulate Grandmamma that the courtyard was crowded all day long with carriages.

"Good morning, my dear cousin," was the greeting of one guest in particular as he entered the room and kissed Grandmamma's hand, He was a man of seventy, with a stately figure clad in a military uniform and adorned with large epaulettes, an embroidered collar, and a white cross round the neck. His face, with its quiet and open expression, as well as the simplicity and ease of his manners, greatly pleased me, for, in spite of the thin half-circle of hair which was all that was now left to him, and the want of teeth disclosed by the set of his upper lip, his face was a remarkably handsome one.

Thanks to his fine character, handsome exterior, remarkable valour, influential relatives, and, above all, good fortune, Prince, Ivan Ivanovitch had early made himself a career. As that career progressed, his ambition had met with a success which left nothing more to be sought for in that direction. From his earliest youth upward he had prepared himself to fill the exalted station in the world to which fate actually called him later; wherefore, although in his prosperous life (as in the lives of all) there had been failures, misfortunes, and cares, he had never lost his quietness of character, his elevated tone of thought, or his peculiarly moral, religious bent of mind. Consequently, though he had won the universal esteem of his fellows, he had done so less through his important position than through his perseverance and integrity. While not of specially distinguished intellect, the eminence of his station (whence he could afford to look down upon all petty questions) had caused him to adopt high points of view. Though in reality he was kind and sympathetic, in manner he appeared cold and haughty—probably for the reason that he had forever to be on his guard against the endless claims and petitions of people who wished to profit through his influence. Yet even then his coldness was mitigated by the polite condescension of a man well accustomed to move in the highest circles of society. Well-educated, his culture was that of a youth of the end of the last century. He had read everything, whether philosophy or belles lettres, which that age had produced in France, and loved to quote from Racine, Corneille, Boileau, Moliere, Montaigne, and Fenelon. Likewise he had gleaned much history from Segur, and much of the old classics from French translations of them; but for mathematics, natural philosophy, or contemporary literature he cared nothing whatever. However, he knew how to be silent in conversation, as well as when to make general remarks on authors whom he had never read—such as Goethe, Schiller, and Byron. Moreover, despite his exclusively French education, he was simple in speech and hated originality (which he called the mark of an untutored nature). Wherever he lived, society was a necessity to him, and, both in Moscow and the country he had his reception days, on which practically "all the town" called upon him. An introduction from him was a passport to every drawing-room; few young and pretty ladies in society objected to offering him their rosy cheeks for a paternal salute; and people even in the highest positions felt flattered by invitations to his parties.

The Prince had few friends left now like Grandmamma—that is to say, few friends who were of the same standing as himself, who had had the same sort of education, and who saw things from the same point of view: wherefore he greatly valued his intimate, long-standing friendship with her, and always showed her the highest respect.

I hardly dared to look at the Prince, since the honour paid him on all sides, the huge epaulettes, the peculiar pleasure with which Grandmamma received him, and the fact that he alone, seemed in no way afraid of her, but addressed her with perfect freedom (even being so daring as to call her "cousin"), awakened in me a feeling of reverence for his person almost equal to that which I felt for Grandmamma herself.

On being shown my verses, he called me to his side, and said:

"Who knows, my cousin, but that he may prove to be a second Derzhavin?" Nevertheless he pinched my cheek so hard that I was only prevented from crying by the thought that it must be meant for a caress.

Gradually the other guests dispersed, and with them Papa and Woloda. Thus only Grandmamma, the Prince, and myself were left in the drawing-room.

"Why has our dear Natalia Nicolaevna not come to-day" asked the Prince after a silence.

"Ah, my friend," replied Grandmamma, lowering her voice and laying a hand upon the sleeve of his uniform, "she would certainly have come if she had been at liberty to do what she likes. She wrote to me that Peter had proposed bringing her with him to town, but that she had refused, since their income had not been good this year, and she could see no real reason why the whole family need come to Moscow, seeing that Lubotshka was as yet very young and that the boys were living with me—a fact, she said, which made her feel as safe about them as though she had been living with them herself."

"True, it is good for the boys to be here," went on Grandmamma, yet in a tone which showed clearly that she did not think it was so very good, "since it was more than time that they should be sent to Moscow to study, as well as to learn how to comport themselves in society. What sort of an education could they have got in the country? The eldest boy will soon be thirteen, and the second one eleven. As yet, my cousin, they are quite untaught, and do not know even how to enter a room."

"Nevertheless" said the Prince, "I cannot understand these complaints of ruined fortunes. He has a very handsome income, and Natalia has Chabarovska, where we used to act plays, and which I know as well as I do my own hand. It is a splendid property, and ought to bring in an excellent return."

"Well," said Grandmamma with a sad expression on her face, "I do not mind telling you, as my most intimate friend, that all this seems to me a mere pretext on his part for living alone, for strolling about from club to club, for attending dinner-parties, and for resorting to—well, who knows what? She suspects nothing; you know her angelic sweetness and her implicit trust of him in everything. He had only to tell her that the children must go to Moscow and that she must be left behind in the country with a stupid governess for company, for her to believe him! I almost think that if he were to say that the children must be whipped just as the Princess Barbara whips hers, she would believe even that!" and Grandmamma leant back in her arm-chair with an expression of contempt. Then, after a moment of silence, during which she took her handkerchief out of her pocket to wipe away a few tears which had stolen down her cheeks, she went, on:

"Yes, my friend, I often think that he cannot value and understand her properly, and that, for all her goodness and love of him and her endeavours to conceal her grief (which, however as I know only too well, exists). She cannot really be happy with him. Mark my words if he does not—" Here Grandmamma buried her face in the handkerchief.

"Ah, my dear old friend," said the Prince reproachfully. "I think you are unreasonable. Why grieve and weep over imagined evils? That is not right. I have known him a long time, and feel sure that he is an attentive, kind, and excellent husband, as well as (which is the chief thing of all) a perfectly honourable man."

At this point, having been an involuntary auditor of a conversation not meant for my ears, I stole on tiptoe out of the room, in a state of great distress.



XIX — THE IWINS

"Woloda, Woloda! The Iwins are just coming." I shouted on seeing from the window three boys in blue overcoats, and followed by a young tutor, advancing along the pavement opposite our house.

The Iwins were related to us, and of about the same age as ourselves. We had made their acquaintance soon after our arrival in Moscow. The second brother, Seriosha, had dark curly hair, a turned-up, strongly pronounced nose, very bright red lips (which, never being quite shut, showed a row of white teeth), beautiful dark-blue eyes, and an uncommonly bold expression of face. He never smiled but was either wholly serious or laughing a clear, merry, agreeable laugh. His striking good looks had captivated me from the first, and I felt an irresistible attraction towards him. Only to see him filled me with pleasure, and at one time my whole mental faculties used to be concentrated in the wish that I might do so. If three or four days passed without my seeing him I felt listless and ready to cry. Awake or asleep, I was forever dreaming of him. On going to bed I used to see him in my dreams, and when I had shut my eyes and called up a picture of him I hugged the vision as my choicest delight. So much store did I set upon this feeling for my friend that I never mentioned it to any one. Nevertheless, it must have annoyed him to see my admiring eyes constantly fixed upon him, or else he must have felt no reciprocal attraction, for he always preferred to play and talk with Woloda. Still, even with that I felt satisfied, and wished and asked for nothing better than to be ready at any time to make any sacrifice for him. Likewise, over and above the strange fascination which he exercised upon me, I always felt another sensation, namely, a dread of making him angry, of offending him, of displeasing him. Was this because his face bore such a haughty expression, or because I, despising my own exterior, over-rated the beautiful in others, or, lastly (and most probably), because it is a common sign of affection? At all events, I felt as much fear, of him as I did love. The first time that he spoke to me I was so overwhelmed with sudden happiness that I turned pale, then red, and could not utter a word. He had an ugly habit of blinking when considering anything seriously, as well as of twitching his nose and eyebrows. Consequently every one thought that this habit marred his face. Yet I thought it such a nice one that I involuntarily adopted it for myself, until, a few days after I had made his acquaintance, Grandmamma suddenly asked me whether my eyes were hurting me, since I was winking like an owl! Never a word of affection passed between us, yet he felt his power over me, and unconsciously but tyrannically, exercised it in all our childish intercourse. I used to long to tell him all that was in my heart, yet was too much afraid of him to be frank in any way, and, while submitting myself to his will, tried to appear merely careless and indifferent. Although at times his influence seemed irksome and intolerable, to throw it off was beyond my strength.

I often think with regret of that fresh, beautiful feeling of boundless, disinterested love which came to an end without having ever found self-expression or return. It is strange how, when a child, I always longed to be like grown-up people, and yet how I have often longed, since childhood's days, for those days to come back to me! Many times, in my relations with Seriosha, this wish to resemble grown-up people put a rude check upon the love that was waiting to expand, and made me repress it. Not only was I afraid of kissing him, or of taking his hand and saying how glad I was to see him, but I even dreaded calling him "Seriosha" and always said "Sergius" as every one else did in our house. Any expression of affection would have seemed like evidence of childishness, and any one who indulged in it, a baby. Not having yet passed through those bitter experiences which enforce upon older years circumspection and coldness, I deprived myself of the pure delight of a fresh, childish instinct for the absurd purpose of trying to resemble grown-up people.

I met the Iwins in the ante-room, welcomed them, and then ran to tell Grandmamma of their arrival with an expression as happy as though she were certain to be equally delighted. Then, never taking my eyes off Seriosha, I conducted the visitors to the drawing-room, and eagerly followed every movement of my favourite. When Grandmamma spoke to and fixed her penetrating glance upon him, I experienced that mingled sensation of pride and solicitude which an artist might feel when waiting for revered lips to pronounce a judgment upon his work.

With Grandmamma's permission, the Iwins' young tutor, Herr Frost, accompanied us into the little back garden, where he seated himself upon a bench, arranged his legs in a tasteful attitude, rested his brass-knobbed cane between them, lighted a cigar, and assumed the air of a man well-pleased with himself. He was a German, but of a very different sort to our good Karl Ivanitch. In the first place, he spoke both Russian and French correctly, though with a hard accent Indeed, he enjoyed—especially among the ladies—the reputation of being a very accomplished fellow. In the second place, he wore a reddish moustache, a large gold pin set with a ruby, a black satin tie, and a very fashionable suit. Lastly, he was young, with a handsome, self-satisfied face and fine muscular legs. It was clear that he set the greatest store upon the latter, and thought them beyond compare, especially as regards the favour of the ladies. Consequently, whether sitting or standing, he always tried to exhibit them in the most favourable light. In short, he was a type of the young German-Russian whose main desire is to be thought perfectly gallant and gentlemanly.

In the little garden merriment reigned. In fact, the game of "robbers" never went better. Yet an incident occurred which came near to spoiling it. Seriosha was the robber, and in pouncing upon some travellers he fell down and knocked his leg so badly against a tree that I thought the leg must be broken. Consequently, though I was the gendarme and therefore bound to apprehend him, I only asked him anxiously, when I reached him, if he had hurt himself very much. Nevertheless this threw him into a passion, and made him exclaim with fists clenched and in a voice which showed by its faltering what pain he was enduring, "Why, whatever is the matter? Is this playing the game properly? You ought to arrest me. Why on earth don't you do so?" This he repeated several times, and then, seeing Woloda and the elder Iwin (who were taking the part of the travellers) jumping and running about the path, he suddenly threw himself upon them with a shout and loud laughter to effect their capture. I cannot express my wonder and delight at this valiant behaviour of my hero. In spite of the severe pain, he had not only refrained from crying, but had repressed the least symptom of suffering and kept his eye fixed upon the game! Shortly after this occurrence another boy, Ilinka Grap, joined our party. We went upstairs, and Seriosha gave me an opportunity of still further appreciating and taking delight in his manly bravery and fortitude. This was how it was.

Ilinka was the son of a poor foreigner who had been under certain obligations to my Grandpapa, and now thought it incumbent upon him to send his son to us as frequently as possible. Yet if he thought that the acquaintance would procure his son any advancement or pleasure, he was entirely mistaken, for not only were we anything but friendly to Ilinka, but it was seldom that we noticed him at all except to laugh at him. He was a boy of thirteen, tall and thin, with a pale, birdlike face, and a quiet, good-tempered expression. Though poorly dressed, he always had his head so thickly pomaded that we used to declare that on warm days it melted and ran down his neck. When I think of him now, it seems to me that he was a very quiet, obliging, and good-tempered boy, but at the time I thought him a creature so contemptible that he was not worth either attention or pity.

Upstairs we set ourselves to astonish each other with gymnastic tours de force. Ilinka watched us with a faint smile of admiration, but refused an invitation to attempt a similar feat, saying that he had no strength.

Seriosha was extremely captivating. His face and eyes glowed with laughter as he surprised us with tricks which we had never seen before. He jumped over three chairs put together, turned somersaults right across the room, and finally stood on his head on a pyramid of Tatistchev's dictionaries, moving his legs about with such comical rapidity that it was impossible not to help bursting with merriment.

After this last trick he pondered for a moment (blinking his eyes as usual), and then went up to Ilinka with a very serious face.

"Try and do that," he said. "It is not really difficult."

Ilinka, observing that the general attention was fixed upon him, blushed, and said in an almost inaudible voice that he could not do the feat.

"Well, what does he mean by doing nothing at all? What a girl the fellow is! He has just GOT to stand on his head," and Seriosha, took him by the hand.

"Yes, on your head at once! This instant, this instant!" every one shouted as we ran upon Ilinka and dragged him to the dictionaries, despite his being visibly pale and frightened.

"Leave me alone! You are tearing my jacket!" cried the unhappy victim, but his exclamations of despair only encouraged us the more. We were dying with laughter, while the green jacket was bursting at every seam.

Woloda and the eldest Iwin took his head and placed it on the dictionaries, while Seriosha, and I seized his poor, thin legs (his struggles had stripped them upwards to the knees), and with boisterous, laughter held them uptight—the youngest Iwin superintending his general equilibrium.

Suddenly a moment of silence occurred amid our boisterous laughter—a moment during which nothing was to be heard in the room but the panting of the miserable Ilinka. It occurred to me at that moment that, after all, there was nothing so very comical and pleasant in all this.

"Now, THAT'S a boy!" cried Seriosha, giving Ilinka a smack with his hand. Ilinka said nothing, but made such desperate movements with his legs to free himself that his foot suddenly kicked Seriosha in the eye: with the result that, letting go of Ilinka's leg and covering the wounded member with one hand, Seriosha hit out at him with all his might with the other one. Of course Ilinka's legs slipped down as, sinking exhausted to the floor and half-suffocated with tears, he stammered out:

"Why should you bully me so?"

The poor fellow's miserable figure, with its streaming tears, ruffled hair, and crumpled trousers revealing dirty boots, touched us a little, and we stood silent and trying to smile.

Seriosha was the first to recover himself.

"What a girl! What a gaby!" he said, giving Ilinka a slight kick. "He can't take things in fun a bit. Well, get up, then."

"You are an utter beast! That's what YOU are!" said Ilinka, turning miserably away and sobbing.

"Oh, oh! Would it still kick and show temper, then?" cried Seriosha, seizing a dictionary and throwing it at the unfortunate boy's head. Apparently it never occurred to Ilinka to take refuge from the missile; he merely guarded his head with his hands.

"Well, that's enough now," added Seriosha, with a forced laugh. "You DESERVE to be hurt if you can't take things in fun. Now let's go downstairs."

I could not help looking with some compassion at the miserable creature on the floor as, his face buried in the dictionary, he lay there sobbing almost as though he were in a fit.

"Oh, Sergius!" I said. "Why have you done this?"

"Well, you did it too! Besides, I did not cry this afternoon when I knocked my leg and nearly broke it."

"True enough," I thought. "Ilinka is a poor whining sort of a chap, while Seriosha is a boy—a REAL boy."

It never occurred to my mind that possibly poor Ilinka was suffering far less from bodily pain than from the thought that five companions for whom he may have felt a genuine liking had, for no reason at all, combined to hurt and humiliate him.

I cannot explain my cruelty on this occasion. Why did I not step forward to comfort and protect him? Where was the pitifulness which often made me burst into tears at the sight of a young bird fallen from its nest, or of a puppy being thrown over a wall, or of a chicken being killed by the cook for soup?

Can it be that the better instinct in me was overshadowed by my affection for Seriosha and the desire to shine before so brave a boy? If so, how contemptible were both the affection and the desire! They alone form dark spots on the pages of my youthful recollections.



XX — PREPARATIONS FOR THE PARTY

To judge from the extraordinary activity in the pantry, the shining cleanliness which imparted such a new and festal guise to certain articles in the salon and drawing-room which I had long known as anything but resplendent, and the arrival of some musicians whom Prince Ivan would certainly not have sent for nothing, no small amount of company was to be expected that evening.

At the sound of every vehicle which chanced to pass the house I ran to the window, leaned my head upon my arms, and peered with impatient curiosity into the street.

At last a carriage stopped at our door, and, in the full belief that this must be the Iwins, who had promised to come early, I at once ran downstairs to meet them in the hall.

But, instead of the Iwins, I beheld from behind the figure of the footman who opened the door two female figures-one tall and wrapped in a blue cloak trimmed with marten, and the other one short and wrapped in a green shawl from beneath which a pair of little feet, stuck into fur boots, peeped forth.

Without paying any attention to my presence in the hall (although I thought it my duty, on the appearance of these persons to salute them), the shorter one moved towards the taller, and stood silently in front of her. Thereupon the tall lady untied the shawl which enveloped the head of the little one, and unbuttoned the cloak which hid her form; until, by the time that the footmen had taken charge of these articles and removed the fur boots, there stood forth from the amorphous chrysalis a charming girl of twelve, dressed in a short muslin frock, white pantaloons, and smart black satin shoes. Around her, white neck she wore a narrow black velvet ribbon, while her head was covered with flaxen curls which so perfectly suited her beautiful face in front and her bare neck and shoulders behind that I, would have believed nobody, not even Karl Ivanitch, if he, or she had told me that they only hung so nicely because, ever since the morning, they had been screwed up in fragments of a Moscow newspaper and then warmed with a hot iron. To me it seemed as though she must have been born with those curls.

The most prominent feature in her face was a pair of unusually large half-veiled eyes, which formed a strange, but pleasing, contrast to the small mouth. Her lips were closed, while her eyes looked so grave that the general expression of her face gave one the impression that a smile was never to be looked for from her: wherefore, when a smile did come, it was all the more pleasing.

Trying to escape notice, I slipped through the door of the salon, and then thought it necessary to be seen pacing to and fro, seemingly engaged in thought, as though unconscious of the arrival of guests.

BY the time, however, that the ladies had advanced to the middle of the salon I seemed suddenly to awake from my reverie and told them that Grandmamma was in the drawing room, Madame Valakhin, whose face pleased me extremely (especially since it bore a great resemblance to her daughter's), stroked my head kindly.

Grandmamma seemed delighted to see Sonetchka, She invited her to come to her, put back a curl which had fallen over her brow, and looking earnestly at her said, "What a charming child!"

Sonetchka blushed, smiled, and, indeed, looked so charming that I myself blushed as I looked at her.

"I hope you are going to enjoy yourself here, my love," said Grandmamma. "Pray be as merry and dance as much as ever you can. See, we have two beaux for her already," she added, turning to Madame Valakhin, and stretching out her hand to me.

This coupling of Sonetchka and myself pleased me so much that I blushed again.

Feeling, presently, that, my embarrassment was increasing, and hearing the sound of carriages approaching, I thought it wise to retire. In the hall I encountered the Princess Kornakoff, her son, and an incredible number of daughters. They had all of them the same face as their mother, and were very ugly. None of them arrested my attention. They talked in shrill tones as they took off their cloaks and boas, and laughed as they bustled about—probably at the fact that there were so many of them!

Etienne was a boy of fifteen, tall and plump, with a sharp face, deep-set bluish eyes, and very large hands and feet for his age. Likewise he was awkward, and had a nervous, unpleasing voice. Nevertheless he seemed very pleased with himself, and was, in my opinion, a boy who could well bear being beaten with rods.

For a long time we confronted one another without speaking as we took stock of each other. When the flood of dresses had swept past I made shift to begin a conversation by asking him whether it had not been very close in the carriage.

"I don't know," he answered indifferently. "I never ride inside it, for it makes me feel sick directly, and Mamma knows that. Whenever we are driving anywhere at night-time I always sit on the box. I like that, for then one sees everything. Philip gives me the reins, and sometimes the whip too, and then the people inside get a regular—well, you know," he added with a significant gesture "It's splendid then."

"Master Etienne," said a footman, entering the hall, "Philip wishes me to ask you where you put the whip."

"Where I put it? Why, I gave it back to him."

"But he says that you did not."

"Well, I laid it across the carriage-lamps!"

"No, sir, he says that you did not do that either. You had better confess that you took it and lashed it to shreds. I suppose poor Philip will have to make good your mischief out of his own pocket." The footman (who looked a grave and honest man) seemed much put out by the affair, and determined to sift it to the bottom on Philip's behalf.

Out of delicacy I pretended to notice nothing and turned aside, but the other footmen present gathered round and looked approvingly at the old servant.

"Hm—well, I DID tear it in pieces," at length confessed Etienne, shrinking from further explanations. "However, I will pay for it. Did you ever hear anything so absurd?" he added to me as he drew me towards the drawing-room.

"But excuse me, sir; HOW are you going to pay for it? I know your ways of paying. You have owed Maria Valericana twenty copecks these eight months now, and you have owed me something for two years, and Peter for—"

"Hold your tongue, will you!" shouted the young fellow, pale with rage, "I shall report you for this."

"Oh, you may do so," said the footman. "Yet it is not fair, your highness," he added, with a peculiar stress on the title, as he departed with the ladies' wraps to the cloak-room. We ourselves entered the salon.

"Quite right, footman," remarked someone approvingly from the ball behind us.

Grandmamma had a peculiar way of employing, now the second person singular, now the second person plural, in order to indicate her opinion of people. When the young Prince Etienne went up to her she addressed him as "YOU," and altogether looked at him with such an expression of contempt that, had I been in his place, I should have been utterly crestfallen. Etienne, however, was evidently not a boy of that sort, for he not only took no notice of her reception of him, but none of her person either. In fact, he bowed to the company at large in a way which, though not graceful, was at least free from embarrassment.

Sonetchka now claimed my whole attention. I remember that, as I stood in the salon with Etienne and Woloda, at a spot whence we could both see and be seen by Sonetchka, I took great pleasure in talking very loud (and all my utterances seemed to me both bold and comical) and glancing towards the door of the drawing-room, but that, as soon as ever we happened to move to another spot whence we could neither see nor be seen by her, I became dumb, and thought the conversation had ceased to be enjoyable. The rooms were now full of people—among them (as at all children's parties) a number of elder children who wished to dance and enjoy themselves very much, but who pretended to do everything merely in order to give pleasure to the mistress of the house.

When the Iwins arrived I found that, instead of being as delighted as usual to meet Seriosha, I felt a kind of vexation that he should see and be seen by Sonetchka.



XXI — BEFORE THE MAZURKA

"HULLO, Woloda! So we are going to dance to-night," said Seriosha, issuing from the drawing-room and taking out of his pocket a brand new pair of gloves. "I suppose it IS necessary to put on gloves?"

"Goodness! What shall I do? We have no gloves," I thought to myself. "I must go upstairs and search about." Yet though I rummaged in every drawer, I only found, in one of them, my green travelling mittens, and, in another, a single lilac-coloured glove, a thing which could be of no use to me, firstly, because it was very old and dirty, secondly, because it was much too large for me, and thirdly (and principally), because the middle finger was wanting—Karl having long ago cut it off to wear over a sore nail.

However, I put it on—not without some diffident contemplation of the blank left by the middle finger and of the ink-stained edges round the vacant space.

"If only Natalia Savishna had been here," I reflected, "we should certainly have found some gloves. I can't go downstairs in this condition. Yet, if they ask me why I am not dancing, what am I to say? However, I can't remain here either, or they will be sending upstairs to fetch me. What on earth am I to do?" and I wrung my hands.

"What are you up to here?" asked Woloda as he burst into the room. "Go and engage a partner. The dancing will be beginning directly."

"Woloda," I said despairingly, as I showed him my hand with two fingers thrust into a single finger of the dirty glove, "Woloda, you, never thought of this."

"Of what?" he said impatiently. "Oh, of gloves," he added with a careless glance at my hand. "That's nothing. We can ask Grandmamma what she thinks about it," and without further ado he departed downstairs. I felt a trifle relieved by the coolness with which he had met a situation which seemed to me so grave, and hastened back to the drawing-room, completely forgetful of the unfortunate glove which still adorned my left hand.

Cautiously approaching Grandmamma's arm-chair, I asked her in a whisper:

"Grandmamma, what are we to do? We have no gloves."

"What, my love?"

"We have no gloves," I repeated, at the same time bending over towards her and laying both hands on the arm of her chair.

"But what is that?" she cried as she caught hold of my left hand. "Look, my dear!" she continued, turning to Madame Valakhin. "See how smart this young man has made himself to dance with your daughter!"

As Grandmamma persisted in retaining hold of my hand and gazing with a mock air of gravity and interrogation at all around her, curiosity was soon aroused, and a general roar of laughter ensued.

I should have been infuriated at the thought that Seriosha was present to see this, as I scowled with embarrassment and struggled hard to free my hand, had it not been that somehow Sonetchka's laughter (and she was laughing to such a degree that the tears were standing in her eyes and the curls dancing about her lovely face) took away my feeling of humiliation. I felt that her laughter was not satirical, but only natural and free; so that, as we laughed together and looked at one another, there seemed to begin a kind of sympathy between us. Instead of turning out badly, therefore, the episode of the glove served only to set me at my ease among the dreaded circle of guests, and to make me cease to feel oppressed with shyness. The sufferings of shy people proceed only from the doubts which they feel concerning the opinions of their fellows. No sooner are those opinions expressed (whether flattering or the reverse) than the agony disappears.

How lovely Sonetchka looked when she was dancing a quadrille as my vis-a-vis, with, as her partner, the loutish Prince Etienne! How charmingly she smiled when, en chaine, she accorded me her hand! How gracefully the curls, around her head nodded to the rhythm, and how naively she executed the jete assemble with her little feet!

In the fifth figure, when my partner had to leave me for the other side and I, counting the beats, was getting ready to dance my solo, she pursed her lips gravely and looked in another direction; but her fears for me were groundless. Boldly I performed the chasse en avant and chasse en arriere glissade, until, when it came to my turn to move towards her and I, with a comic gesture, showed her the poor glove with its crumpled fingers, she laughed heartily, and seemed to move her tiny feet more enchantingly than ever over the parquetted floor.

How well I remember how we formed the circle, and how, without withdrawing her hand from mine, she scratched her little nose with her glove! All this I can see before me still. Still can I hear the quadrille from "The Maids of the Danube" to which we danced that night.

The second quadrille, I danced with Sonetchka herself; yet when we went to sit down together during the interval, I felt overcome with shyness and as though I had nothing to say. At last, when my silence had lasted so long that I began to be afraid that she would think me a stupid boy, I decided at all hazards to counteract such a notion.

"Vous etes une habitante de Moscou?" I began, and, on receiving an affirmative answer, continued. "Et moi, je n'ai encore jamais frequente la capitale" (with a particular emphasis on the word "frequente"). Yet I felt that, brilliant though this introduction might be as evidence of my profound knowledge of the French language, I could not long keep up the conversation in that manner. Our turn for dancing had not yet arrived, and silence again ensued between us. I kept looking anxiously at her in the hope both of discerning what impression I had produced and of her coming to my aid.

"Where did you get that ridiculous glove of yours?" she asked me all of a sudden, and the question afforded me immense satisfaction and relief. I replied that the glove belonged to Karl Ivanitch, and then went on to speak ironically of his appearance, and to describe how comical he looked in his red cap, and how he and his green coat had once fallen plump off a horse into a pond.

The quadrille was soon over. Yet why had I spoken ironically of poor Karl Ivanitch? Should I, forsooth, have sunk in Sonetchka's esteem if, on the contrary, I had spoken of him with the love and respect which I undoubtedly bore him?

The quadrille ended, Sonetchka said, "Thank you," with as lovely an expression on her face as though I had really conferred, upon her a favour. I was delighted. In fact I hardly knew myself for joy and could not think whence I derived such case and confidence and even daring.

"Nothing in the world can abash me now," I thought as I wandered carelessly about the salon. "I am ready for anything."

Just then Seriosha came and requested me to be his vis-a-vis.

"Very well," I said. "I have no partner as yet, but I can soon find one."

Glancing round the salon with a confident eye, I saw that every lady was engaged save one—a tall girl standing near the drawing-room door. Yet a grown-up young man was approaching her-probably for the same purpose as myself! He was but two steps from her, while I was at the further end of the salon. Doing a glissade over the polished floor, I covered the intervening space, and in a brave, firm voice asked the favour of her hand in the quadrille. Smiling with a protecting air, the young lady accorded me her hand, and the tall young man was left without a partner. I felt so conscious of my strength that I paid no attention to his irritation, though I learnt later that he had asked somebody who the awkward, untidy boy was who, had taken away his lady from him.



XXII — THE MAZURKA

AFTERWARDS the same young man formed one of the first couple in a mazurka. He sprang to his feet, took his partner's hand, and then, instead of executing the pas de Basques which Mimi had taught us, glided forward till he arrived at a corner of the room, stopped, divided his feet, turned on his heels, and, with a spring, glided back again. I, who had found no partner for this particular dance and was sitting on the arm of Grandmamma's chair, thought to myself:

"What on earth is he doing? That is not what Mimi taught us. And there are the Iwins and Etienne all dancing in the same way-without the pas de Basques! Ah! and there is Woloda too! He too is adopting the new style, and not so badly either. And there is Sonetchka, the lovely one! Yes, there she comes!" I felt immensely happy at that moment.

The mazurka came to an end, and already some of the guests were saying good-bye to Grandmamma. She was evidently tired, yet she assured them that she felt vexed at their early departure. Servants were gliding about with plates and trays among the dancers, and the musicians were carelessly playing the same tune for about the thirteenth time in succession, when the young lady whom I had danced with before, and who was just about to join in another mazurka, caught sight of me, and, with a kindly smile, led me to Sonetchka And one of the innumerable Kornakoff princesses, at the same time asking me, "Rose or Hortie?"

"Ah, so it's YOU!" said Grandmamma as she turned round in her armchair. "Go and dance, then, my boy."

Although I would fain have taken refuge behind the armchair rather than leave its shelter, I could not refuse; so I got up, said, "Rose," and looked at Sonetchka. Before I had time to realise it, however, a hand in a white glove laid itself on mine, and the Kornakoff girl stepped forth with a pleased smile and evidently no suspicion that I was ignorant of the steps of the dance. I only knew that the pas de Basques (the only figure of it which I had been taught) would be out of place. However, the strains of the mazurka falling upon my ears, and imparting their usual impulse to my acoustic nerves (which, in their turn, imparted their usual impulse to my feet), I involuntarily, and to the amazement of the spectators, began executing on tiptoe the sole (and fatal) pas which I had been taught.

So long as we went straight ahead I kept fairly right, but when it came to turning I saw that I must make preparations to arrest my course. Accordingly, to avoid any appearance of awkwardness, I stopped short, with the intention of imitating the "wheel about" which I had seen the young man perform so neatly.

Unfortunately, just as I divided my feet and prepared to make a spring, the Princess Kornakoff looked sharply round at my legs with such an expression of stupefied amazement and curiosity that the glance undid me. Instead of continuing to dance, I remained moving my legs up and down on the same spot, in a sort of extraordinary fashion which bore no relation whatever either to form or rhythm. At last I stopped altogether. Every-one was looking at me—some with curiosity, some with astonishment, some with disdain, and some with compassion, Grandmamma alone seemed unmoved.

"You should not dance if you don't know the step," said Papa's angry voice in my ear as, pushing me gently aside, he took my partner's hand, completed the figures with her to the admiration of every one, and finally led her back to, her place. The mazurka was at an end.

Ah me! What had I done to be punished so heavily?

*****

"Every one despises me, and will always despise me," I thought to myself. "The way is closed for me to friendship, love, and fame! All, all is lost!"

Why had Woloda made signs to me which every one saw, yet which could in no way help me? Why had that disgusting princess looked at my legs? Why had Sonetchka—she was a darling, of course!—yet why, oh why, had she smiled at that moment?

Why had Papa turned red and taken my hand? Can it be that he was ashamed of me?

Oh, it was dreadful! Alas, if only Mamma had been there she would never have blushed for her Nicolinka!

How on the instant that dear image led my imagination captive! I seemed to see once more the meadow before our house, the tall lime-trees in the garden, the clear pond where the ducks swain, the blue sky dappled with white clouds, the sweet-smelling ricks of hay. How those memories—aye, and many another quiet, beloved recollection—floated through my mind at that time!



XXIII — AFTER THE MAZURKA

At supper the young man whom I have mentioned seated himself beside me at the children's table, and treated me with an amount of attention which would have flattered my self-esteem had I been able, after the occurrence just related, to give a thought to anything beyond my failure in the mazurka. However, the young man seemed determined to cheer me up. He jested, called me "old boy," and finally (since none of the elder folks were looking at us) began to help me to wine, first from one bottle and then from another and to force me to drink it off quickly.

By the time (towards the end of supper) that a servant had poured me out a quarter of a glass of champagne, and the young man had straightway bid him fill it up and urged me to drink the beverage off at a draught, I had begun to feel a grateful warmth diffusing itself through my body. I also felt well-disposed towards my kind patron, and began to laugh heartily at everything. Suddenly the music of the Grosvater dance struck up, and every one rushed from the table. My friendship with the young man had now outlived its day; so, whereas he joined a group of the older folks, I approached Madame Valakhin to hear what she and her daughter had to say to one another.

"Just HALF-an-hour more?" Sonetchka was imploring her.

"Impossible, my dearest."

"Yet, only to please me—just this ONCE?" Sonetchka went on persuasively.

"Well, what if I should be ill to-morrow through all this dissipation?" rejoined her mother, and was incautious enough to smile.

"There! You DO consent, and we CAN stay after all!" exclaimed Sonetchka, jumping for joy.

"What is to be done with such a girl?" said Madame. "Well, run away and dance. See," she added on perceiving myself, "here is a cavalier ready waiting for you."

Sonetchka gave me her hand, and we darted off to the salon, The wine, added to Sonetchka's presence and gaiety, had at once made me forget all about the unfortunate end of the mazurka. I kept executing the most splendid feats with my legs—now imitating a horse as he throws out his hoofs in the trot, now stamping like a sheep infuriated at a dog, and all the while laughing regardless of appearances.

Sonetchka also laughed unceasingly, whether we were whirling round in a circle or whether we stood still to watch an old lady whose painful movements with her feet showed the difficulty she had in walking. Finally Sonetchka nearly died of merriment when I jumped half-way to the ceiling in proof of my skill.

As I passed a mirror in Grandmamma's boudoir and glanced at myself I could see that my face was all in a perspiration and my hair dishevelled—the top-knot, in particular, being more erect than ever. Yet my general appearance looked so happy, healthy, and good-tempered that I felt wholly pleased with myself.

"If I were always as I am now," I thought, "I might yet be able to please people with my looks." Yet as soon as I glanced at my partner's face again, and saw there not only the expression of happiness, health, and good temper which had just pleased me in my own, but also a fresh and enchanting beauty besides, I felt dissatisfied with myself again. I understood how silly of me it was to hope to attract the attention of such a wonderful being as Sonetchka. I could not hope for reciprocity—could not even think of it, yet my heart was overflowing with happiness. I could not imagine that the feeling of love which was filling my soul so pleasantly could require any happiness still greater, or wish for more than that that happiness should never cease. I felt perfectly contented. My heart beat like that of a dove, with the blood constantly flowing back to it, and I almost wept for joy.

As we passed through the hall and peered into a little dark store-room beneath the staircase I thought: "What bliss it would be if I could pass the rest of my life with her in that dark corner, and never let anybody know that we were there!"

"It HAS been a delightful evening, hasn't it?" I asked her in a low, tremulous voice. Then I quickened my steps—as much out of fear of what I had said as out of fear of what I had meant to imply.

"Yes, VERY!" she answered, and turned her face to look at me with an expression so kind that I ceased to be afraid. I went on:

"Particularly since supper. Yet if you could only know how I regret" (I had nearly said) "how miserable I am at your going, and to think that we shall see each other no more!"

"But why SHOULDN'T we?" she asked, looking gravely at the corner of her pocket-handkerchief, and gliding her fingers over a latticed screen which we were passing. "Every Tuesday and Friday I go with Mamma to the Iverskoi Prospect. I suppose you go for walks too sometimes?"

"Well, certainly I shall ask to go for one next Tuesday, and, if they won't take me I shall go by myself—even without my hat, if necessary. I know the way all right."

"Do you know what I have just thought of?" she went on. "You know, I call some of the boys who come to see us THOU. Shall you and I call each other THOU too? Wilt THOU?" she added, bending her head towards me and looking me straight in the eyes.

At this moment a more lively section of the Grosvater dance began.

"Give me your hand," I said, under the impression that the music and din would drown my exact words, but she smilingly replied, "THY hand, not YOUR hand." Yet the dance was over before I had succeeded in saying THOU, even though I kept conning over phrases in which the pronoun could be employed—and employed more than once. All that I wanted was the courage to say it.

"Wilt THOU?" and "THY hand" sounded continually in my ears, and caused in me a kind of intoxication I could hear and see nothing but Sonetchka. I watched her mother take her curls, lay them flat behind her ears (thus disclosing portions of her forehead and temples which I had not yet seen), and wrap her up so completely in the green shawl that nothing was left visible but the tip of her nose. Indeed, I could see that, if her little rosy fingers had not made a small, opening near her mouth, she would have been unable to breathe. Finally I saw her leave her mother's arm for an instant on the staircase, and turn and nod to us quickly before she disappeared through the doorway.

Woloda, the Iwins, the young Prince Etienne, and myself were all of us in love with Sonetchka and all of us standing on the staircase to follow her with our eyes. To whom in particular she had nodded I do not know, but at the moment I firmly believed it to be myself. In taking leave of the Iwins, I spoke quite unconcernedly, and even coldly, to Seriosha before I finally shook hands with him. Though he tried to appear absolutely indifferent, I think that he understood that from that day forth he had lost both my affection and his power over me, as well as that he regretted it.



XXIV — IN BED

"How could I have managed to be so long and so passionately devoted to Seriosha?" I asked myself as I lay in bed that night. "He never either understood, appreciated, or deserved my love. But Sonetchka! What a darling SHE is! 'Wilt THOU?'—'THY hand'!"

I crept closer to the pillows, imagined to myself her lovely face, covered my head over with the bedclothes, tucked the counterpane in on all sides, and, thus snugly covered, lay quiet and enjoying the warmth until I became wholly absorbed in pleasant fancies and reminiscences.

If I stared fixedly at the inside of the sheet above me I found that I could see her as clearly as I had done an hour ago could talk to her in my thoughts, and, though it was a conversation of irrational tenor, I derived the greatest delight from it, seeing that "THOU" and "THINE" and "for THEE" and "to THEE" occurred in it incessantly. These fancies were so vivid that I could not sleep for the sweetness of my emotion, and felt as though I must communicate my superabundant happiness to some one.

"The darling!" I said, half-aloud, as I turned over; then, "Woloda, are you asleep?"

"No," he replied in a sleepy voice. "What's the matter?"

"I am in love, Woloda—terribly in love with Sonetchka"

"Well? Anything else?" he replied, stretching himself.

"Oh, but you cannot imagine what I feel just now, as I lay covered over with the counterpane, I could see her and talk to her so clearly that it was marvellous! And, do you know, while I was lying thinking about her—I don't know why it was, but all at once I felt so sad that I could have cried."

Woloda made a movement of some sort.

"One thing only I wish for," I continued; "and that is that I could always be with her and always be seeing her. Just that. You are in love too, I believe. Confess that you are."

It was strange, but somehow I wanted every one to be in love with Sonetchka, and every one to tell me that they were so.

"So that's how it is with you? " said Woloda, turning round to me. "Well, I can understand it."

"I can see that you cannot sleep," I remarked, observing by his bright eyes that he was anything but drowsy. "Well, cover yourself over SO" (and I pulled the bedclothes over him), "and then let us talk about her. Isn't she splendid? If she were to say to me, 'Nicolinka, jump out of the window,' or 'jump into the fire,' I should say, 'Yes, I will do it at once and rejoice in doing it.' Oh, how glorious she is!"

I went on picturing her again and again to my imagination, and, to enjoy the vision the better, turned over on my side and buried my head in the pillows, murmuring, "Oh, I want to cry, Woloda."

"What a fool you are!" he said with a slight laugh. Then, after a moment's silence he added: "I am not like you. I think I would rather sit and talk with her."

"Ah! Then you ARE in love with her!" I interrupted.

"And then," went on Woloda, smiling tenderly, "kiss her fingers and eyes and lips and nose and feet—kiss all of her."

"How absurd!" I exclaimed from beneath the pillows.

"Ah, you don't understand things," said Woloda with contempt.

"I DO understand. It's you who don't understand things, and you talk rubbish, too," I replied, half-crying.

"Well, there is nothing to cry about," he concluded. "She is only a girl."



XXV — THE LETTER

ON the 16th of April, nearly six months after the day just described, Papa entered our schoolroom and told us that that night we must start with him for our country house. I felt a pang at my heart when I heard the news, and my thoughts at once turned to Mamma, The cause of our unexpected departure was the following letter:

"PETROVSKOE, 12th April.

"Only this moment (i.e. at ten o'clock in the evening) have I received your dear letter of the 3rd of April, but as usual, I answer it at once. Fedor brought it yesterday from town, but, as it was late, he did not give it to Mimi till this morning, and Mimi (since I was unwell) kept it from me all day. I have been a little feverish. In fact, to tell the truth, this is the fourth day that I have been in bed.

"Yet do not be uneasy. I feel almost myself again now, and if Ivan Vassilitch should allow me, I think of getting up to-morrow.

"On Friday last I took the girls for a drive, and, close to the little bridge by the turning on to the high road (the place which always makes me nervous), the horses and carriage stuck fast in the mud. Well, the day being fine, I thought that we would walk a little up the road until the carriage should be extricated, but no sooner had we reached the chapel than I felt obliged to sit down, I was so tired, and in this way half-an-hour passed while help was being sent for to get the carriage dug out. I felt cold, for I had only thin boots on, and they had been wet through. After luncheon too, I had alternate cold and hot fits, yet still continued to follow our ordinary routine.

"When tea was over I sat down to the piano to play a duct with Lubotshka, (you would be astonished to hear what progress she has made!), but imagine my surprise when I found that I could not count the beats! Several times I began to do so, yet always felt confused in my head, and kept hearing strange noises in my ears. I would begin 'One-two-three—' and then suddenly go on '-eight-fifteen,' and so on, as though I were talking nonsense and could not help it. At last Mimi came to my assistance and forced me to retire to bed. That was how my illness began, and it was all through my own fault. The next day I had a good deal of fever, and our good Ivan Vassilitch came. He has not left us since, but promises soon to restore me to the world.

"What a wonderful old man he is! While I was feverish and delirious he sat the whole night by my bedside without once closing his eyes; and at this moment (since he knows I am busy writing) he is with the girls in the divannaia, and I can hear him telling them German stories, and them laughing as they listen to him.

"'La Belle Flamande,' as you call her, is now spending her second week here as my guest (her mother having gone to pay a visit somewhere), and she is most attentive and attached to me, She even tells me her secret affairs. Under different circumstances her beautiful face, good temper, and youth might have made a most excellent girl of her, but in the society in which according to her own account, she moves she will be wasted. The idea has more than once occurred to me that, had I not had so many children of my own, it would have been a deed of mercy to have adopted her.

"Lubotshka had meant to write to you herself, but she has torn up three sheets of paper, saying: 'I know what a quizzer Papa always is. If he were to find a single fault in my letter he would show it to everybody.' Katenka is as charming as usual, and Mimi, too, is good, but tiresome.

"Now let me speak of more serious matters. You write to me that your affairs are not going well this winter, and that you wish to break into the revenues of Chabarovska. It seems to me strange that you should think it necessary to ask my consent. Surely what belongs to me belongs no less to you? You are so kind-hearted, dear, that, for fear of worrying me, you conceal the real state of things, but I can guess that you have lost a great deal at cards, as also that you are afraid of my being angry at that. Yet, so long as you can tide over this crisis, I shall not think much of it, and you need not be uneasy, I have grown accustomed to no longer relying, so far as the children are concerned, upon your gains at play, nor yet—excuse me for saying so—upon your income. Therefore your losses cause me as little anxiety as your gains give me pleasure. What I really grieve over is your unhappy passion itself for gambling—a passion which bereaves me of part of your tender affection and obliges me to tell you such bitter truths as (God knows with what pain) I am now telling you. I never cease to beseech Him that He may preserve us, not from poverty (for what is poverty?), but from the terrible juncture which would arise should the interests of the children, which I am called upon to protect, ever come into collision with our own. Hitherto God has listened to my prayers. You have never yet overstepped the limit beyond which we should be obliged either to sacrifice property which would no longer belong to us, but to the children, or—It is terrible to think of, but the dreadful misfortune at which I hint is forever hanging over our heads. Yes, it is the heavy cross which God has given us both to carry.

"Also, you write about the children, and come back to our old point of difference by asking my consent to your placing them at a boarding-school. You know my objection to that kind of education. I do not know, dear, whether you will accede to my request, but I nevertheless beseech you, by your love for me, to give me your promise that never so long as I am alive, nor yet after my death (if God should see fit to separate us), shall such a thing be done.

"Also you write that our affairs render it indispensable for you to visit St. Petersburg. The Lord go with you! Go and return as, soon as possible. Without you we shall all of us be lonely.

"Spring is coming in beautifully. We keep the door on to the terrace always open now, while the path to the orangery is dry and the peach-trees are in full blossom. Only here and there is there a little snow remaining, The swallows are arriving, and to-day Lubotshka brought me the first flowers. The doctor says that in about three days' time I shall be well again and able to take the open air and to enjoy the April sun. Now, au revoir, my dearest one. Do not be alarmed, I beg of you, either on account of my illness or on account of your losses at play. End the crisis as soon as possible, and then return here with the children for the summer. I am making wonderful plans for our passing of it, and I only need your presence to realise them."

The rest of the letter was written in French, as well as in a strange, uncertain hand, on another piece of paper. I transcribe it word for word:

"Do not believe what I have just written to you about my illness. It is more serious than any one knows. I alone know that I shall never leave my bed again. Do not, therefore, delay a minute in coming here with the children. Perhaps it may yet be permitted me to embrace and bless them. It is my last wish that it should be so. I know what a terrible blow this will be to you, but you would have had to hear it sooner or later—if not from me, at least from others. Let us try to, bear the Calamity with fortitude, and place our trust in the mercy of God. Let us submit ourselves to His will. Do not think that what I am writing is some delusion of my sick imagination. On the contrary, I am perfectly clear at this moment, and absolutely calm. Nor must you comfort yourself with the false hope that these are the unreal, confused feelings of a despondent spirit, for I feel indeed, I know, since God has deigned to reveal it to me—that I have now but a very short time to live. Will my love for you and the children cease with my life? I know that that can never be. At this moment I am too full of that love to be capable of believing that such a feeling (which constitutes a part of my very existence) can ever, perish. My soul can never lack its love for you; and I know that that love will exist for ever, since such a feeling could never have been awakened if it were not to be eternal. I shall no longer be with you, yet I firmly believe that my love will cleave to you always, and from that thought I glean such comfort that I await the approach of death calmly and without fear. Yes, I am calm, and God knows that I have ever looked, and do look now, upon death as no more than the passage to a better life. Yet why do tears blind my eyes? Why should the children lose a mother's love? Why must you, my husband, experience such a heavy and unlooked-for blow? Why must I die when your love was making life so inexpressibly happy for me?