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Asking pardon for a slight digression I will first say a word or two about the absentees in not an ill-natured way before coming to the essence of the play.
It so happens that during the past few years the countries that furnished us with visits from the chivalrous Anderssen, the hospitable and princely Kolisch, the distinguished and retiring Szen, the singularly modest Paulsen, the courteous and gallant Lowenthal, the amiable, unassuming, and as some think incomparable Zukertort, and the genuine and in many respects greatest of all chess artists, Steinitz, have also domiciled with us two more recent additions of chess experts, who arrived at the age when chess players most excel, and playing under conditions of time and clocks most favourable to them have each in turn achieved such remarkable successes, that native players have retired entirely to the shade, and a forty year Bird (competitor of Buckle, Staunton, Anderssen, Morphy and Steinitz, and still the most successful representative of the rapid amusement school), and a thirty year Blackburne, perhaps the greatest all round chess genius who ever lived fade into significance before these foreign champions who, with the most commendable energy, combined with unbounded confidence and assurance, attempt to, and well nigh succeed in placing chess influence at their feet with a Boss the shows determination openly and unequivocally expressed. The control of most of the London chess columns, and a large number of the Provincial is also in foreign hands and proves a very powerful weapon in advancing personal interests.
NOTE. The chess of the Daily News, Evening News and Post, Standard, Field, and Telegraph and nearly all the Provincial papers are conducted by German players. No leading British player has a regular chess column.
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Gunsberg, the elder of the two (slightly it is feared on the wane though still champion of many columns) and Lasker twenty-four years of age, still at his height, are both wonderful performers, and enjoy a vast popularity among their race, and in certain circles, but in the long run it is not unlikely that either will feel extremely dissatisfied if he can maintain for half the time the sustained reputation of the oldest English players who so contentedly and modestly at present occupy their retired back seats, and there are not wanting reasons to believe that both Gunsberg and Lasker became most anxious to enter for the prizes in the Belfast competition at the very time when it was finally determined to confine it to four leading national representatives.
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NORTH OF IRELAND (BELFAST) CHESS CONGRESS, MASTERS' COMPETITION.
The proceedings opened at the Central Hall, Rosemary Street, Belfast, on Monday, with an admirable address from Dr. Barnett, who wished the players a happy and harmonious time and extended to them a hearty welcome.
No.1. Bird against Blackburne offered an Evans Gambit. This game was the only one played without clocks; both players seemed at ease, and glad to be free from the formality and encumbrance of time regulators and it is a happy omen that it proved one of the most interesting in the programme:
The following is the complete list of the masters' games:
J. H. Blackburne, H. E. Bird, T. J. Lee, and J. Mason
1 Bird Blackburne Evans declined 64 moves Drawn 2 Lee Mason Petroff 75 " Mason 3 Bird Lee Queens Pawn counter 47 " Drawn 4 Blackburne Mason Vienna 44 " Blackburne 5 Lee Blackburne Kt KB3 PQ4 48 " Blackburne 6 Mason Bird KP and QP 62 " Mason 7 Blackburne Bird Ruy Lopez Kt Q5 47 " Bird 8 Mason Lee KP and QP 18 " Drawn 9 Lee Bird PQ4 37 " Bird 10 Mason Blackburne Ruy Lopez 28 " Draw 11 Blackburne Lee Ruy Lopez 43 " Blackburne 12 Bird Mason Two Knights Def 38 " Mason 13 Lee Mason Kt KB3 PKB4 35 " Mason 14 Bird Blackburne KP1 KPB2 42 " Draw 15 Bird Lee KP one 73 " Draw 16 Blackburne Mason Giuoco Piano 30 " Draw 17 Mason Bird Sicilian 27 " Bird 18 Lee Blackburne Four Kts 20 " Draw
No.1 is the best and most instructive; No.17 was the most lively and entertaining. Of the eight draws, two are legitimate, the other six being unworthy the name of games.
That Lee when out of the running, directed a care and energy against Bird which he did not against Blackburne and Mason will be readily observable by a comparison of the games, especially No. 9, 15, and 18; in the last he indeed made no attempt to win at all, and a draw is the utmost he seems ever to have hoped for in the other.
In the final score Bird, Blackburne and Mason were even in their play, but Bird only scored 2 out of 3 with Lee, whilst the others gained 2 1/2 out of 3 against him, this difference of half a game placed Bird third only.
The two last games, the 17th and 18th, were finished about the same time; thus, when Bird had won from Mason (doing his best in a game which in no way effected his position) Blackburne and Lee agreed to draw, which was a disappointment to the spectators, and of course, to Bird, who was entitled to, and would have liked to have seen the game played out.
These games present a very striking contrast. We particularly commend the last, and the other draw to the consideration of all who would wish to see chess continued as a noble and worthy game. Bird by consenting to a draw with Mason could at once have given him the first prize.
No.17. Game played in the Masters' Tournament, 23rd September, 1892, between Messrs. James Mason and H. E. Bird:
White Black MASON H. E. BIRD 1 P to K4 P to QB4 2 Kt to KB3 Kt to QB3 3 P to Q4 P takes P 4 Kt takes P P to Q3 5 Kt to QB3 B to Q2 6 Kt takes Kt B takes Kt 7 B to Q3 P to K3 8 Castles P to KKt3 9 P to B4 P to KR4 10 P to B5 Kt P takes P 11 P takes P Q to Kt3 ch 12 K to R square Castles 13 P takes P P takes P 14 Q to K2 P to K4 15 B to K4 Kt to K2 16 B to Kt5 P to Q4 17 B takes Kt B takes B 18 B to B5 ch K to Kt square 19 P to QKt3 P to K5 20 Kt to R4 Q to B2 21 P to B4 Q to K4 22 P takes P B to Q3 23 P to Kt3 B takes P 24 QR to B square P to K6 ch 25 K to Kt square QR to KKt square 26 R to B3 B takes R 27 Q takes B R to KB square Resigns.
No.18. Game played in the Masters' Tournament, 23rd September, 1892, between Messrs. F. J. Lee and J. H. Blackburne:
A Contrast.
White Black LEE BLACKBURNE 1 P to K4 P to K4 2 Kt to QB3 Kt to KB3 3 Kt to B3 Kt to B3 4 P to QR3 B to K2 5 P to Q4 P to Q3 6 B to K2 Castles 7 Castles B to Kt5 8 P to Q5 Kt to Kt square 9 P to R3 B to R4 10 Kt to KR2 B to Kt3 11 B to Q3 QKt to Q2 12 B to K3 Kt to B4 13 P to B3 Kt takes B 14 P takes Kt Kt to Q2 15 P to KKt4 P to QR3 16 Kt to K2 B to Kt4 17 B to B2 B to R5 18 B to K3 B to Kt4 19 B to B2 B to R5 20 B to K3 B to Kt4 Drawn.
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GAMES AT THE BELFAST CHESS CONGRESS IN THE QUADRANGULAR COMPETITION BETWEEN J. H. Blackburne, H. E. Bird, F. J. Lee, and J. Mason, Sept. 12th to Sept. 23rd, 1892.
Of the eighteen games competed for by the above, eight are worthy to be placed in a first class collection. They are—No. 1, "Evans Gambit Declined," (Bird v. Blackburne) which is thought in some respects the best, as illustrating the styles and resources of the two players, besides containing many instructive phases. No. 4, "A Vienna Opening," between Blackburne and Mason, was a game of considerable enterprise and interest, though the latter missed an ingenious and promising opportunity, which would have given him a considerable advantage, sufficient for so careful and reliable a player (who seldom misses chances) to have won. No. 7, a Kt to Q5 defence to the Ruy Lopez) a form not approved by the authorities, condemned once more by Mr. Hoffer, in the Field, but passed without comment by Mr. Mason in the B. C. M.) was a popular game with the spectators and was won by Bird, defending against Blackburne, who also succeeded in No. 17 on the last day against Mason with a Sicilian in a short and decisive game, pleasing and amusing to the lookers on who liked to see a lively and decisive game. No. 9, "A Queen's Pawn opening" produced fine combinations and critical positions and a brilliant finish (Bird scoring from Lee). No. 11, "A Two Knight's Defence" terminated in a clever and meritorious victory for Mason as second player over Bird.
The above six games were the most entertaining of the series, viz.—l, 4, 7, 9, 11 & 17.
No. 5 Lee and Blackburne, Kt to KB3, and No. 12, Blackburne and Lee, a Ruy Lopez were steady, but rather dull, but furnished excellent specimens of Blackburne's skill and masterly conduct of end games.
Next to the foregoing eight games in order of interest were No. 3, Bird and Lee. Counter Queen's Pawn opening and No. 13, Bird and Blackburne KP one, these, though both drawn, were steady, well-played and instructive games. In No. 2, Lee and Mason, a Petroff, the former should have drawn, but lost on his 75th move. In No. 6, Mason was at a decided disadvantage with Bird who committed an ingenious suicide in a game he could have drawn.
In No. 13, a Kt to KB3 opening, P KB4 reply. Lee had much the better game with a Pawn more against Mason, but made a palpable blunder at his 34th move and resigned.
No. 8, a tame draw in 18 moves, Mason and Lee 10, Mason and Blackburne, 28 moves, not much better 16, Blackburne and Mason 30 moves, of no interest, and No. 18, the last game 20 moves between Lee and Blackburne, from which something was expected, but which baffles polite description, and cannot be dignified by the name of, or as a game, completes the list. This was a Four Knights game, 15 Blackburne and Mason a Giuoco Piano 30 moves was a lamentable specimen of wood shifting.
The following game presented some very instructive positions towards the close:
Game played in the Masters' Tournament, 16th September, 1892, between Messrs. H. E. Bird and F. J. Lee.
White Black LEE BIRD 1 P to Q4 P to Q4 2 Kt to KB3 P to K3 3 P to B4 Kt to KB3 4 P to K3 QKt to Q2 5 B to Q3 B to K2 6 Kt to B3 Castles 7 Castles R to K square 8 P to QKt3 P to B3 9 B to Kt2 B to Q3 10 Q to B2 P takes P 11 P takes P B to Kt square 12 Kt to K2 Q to R4 13 P to B5 P to K4 14 B to B3 Q to Q square 15 Kt to Kt3 P takes P 16 B takes P Kt to K4 17 B takes Kt B takes B 18 Kt takes B R takes Kt 19 KR to Q square Q to K2 20 QR to B square B to Kt5 21 P to B3 B to K3 22 R to K square P to KKt3 23 P to B4 R to Q4 24 P to K4 R to Q5 25 P to B5 QR to Q square! 26 P to K5! Kt to Kt5 27 P takes B R takes B 28 P takes P ch Q takes P 29 Kt to K4 Q to KB5 30 Q to QB4 ch K to Kt2 31 P to KKt3 Q to R3 32 R to B2 R to Q8. Good 33 Q to K2 R takes R ch 34 Q takes R Q to K6 ch 35 K to B square Q to KB6 ch 36 R to KB2 Q to R8 ch 37 K to K2 Q takes K8 ch Resigns.
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THE NORTH OF IRELAND (Belfast & Holywood) CHESS CONGRESS MASTERS QUADRANGULAR OOMPETITION. H. E. Bird, J. H. Blackburne, F. Lee, and J. Mason.
FIRST ROUND.
September 12—Blackburne drew with Bird, Lee v. Mason adjourned after forty-two moves. Resumed on Thursday, Mason won.
September 13—Bird drew with Lee, Blackburne beat Mason.
September 14—Blackburne beat Lee, Mason beat Bird.
SECOND ROUND.
September 15—Bird beat Blackburne, Lee drew with Mason.
September 16—Bird beat Lee; Blackburne drew with Mason.
September 19—Bird lost to Mason, Blackburne beat Lee.
THIRD ROUND.
September 20—Bird drew to Blackburne, Lee lost to Mason.
September 22—Bird drew with Lee, Blackburne drew with Mason.
September 23—Bird beat Mason, Blackburne v. Lee, drawn.
Blackburne won 2 out of 3 from Mason. Mason " 2 " 3 " Bird. Bird " 2 " 3 " Blackburne. These three scores being equal.
Blackburne and Mason each won 2 1/2 out of 3 with Lee, but Bird only 2 out of 3.
Final score—J. H. Blackburne... ... 5 1/2 J. Mason ... ... ... 5 1/2 H. E. Bird ... ... 5 F. J. Lee ... ... ... 2 ——— 18
GAME No. 7.—RUY LOPEZ ATTACK. Kt to Queen's fifth Defence (Bird.) Note. This defence is condemned by all authorities. The following was considered the game of the Tournament and must be admired:
White Black White Black BLACKBURNE BIRD BLACKBURNE BIRD 1 P to K4 P to K4 25 P takes P B to B5 2 Kt to KB3 QKt to B3 26 B to K2 B takes B 3 B to Kt5 Kt to Q5 27 R takes B P to Q4 4 Kt takes Kt P takes Kt 28 P takes P R takes R 5 P to Q3 P to KR4 29 Kt takes R P takes P 6 P to QB3 B to B4 30 Kt to Q4 R to K square 7 Castles P to QB3 31 P to B5 R to K5 8 B to R4 P to Q3 32 Kt to K6 ch K to Q3 9 Q to K square Q to B3 33 Kt to Kt7 R takes P 10 K to R square Kt to R3 34 P to B6 Kt to B2 11 P to KB3 P to R5 35 Kt to B5 ch K to K4 12 B to B2 B to Q2 36 Kt takes P P to Q5 13 P takes P B takes P 37 Kt to Kt6 ch K to K5 14 Kt to B3 Castles QR 38 K to Kt square R to Kt7 15 B to K3 QR to K square 39 P to KR4 P takes P en pas 16 B takes B Q takes B 40 P takes P P to Q6 17 Q to B2 Q takes Q 41 R to K square ch K to B4 18 R takes Q P to KKt4 42 Kt to K7 ch K takes P 19 P to QKt4 P to KB4 43 Kt to Q5 ch K to B4 20 R to K2 P to Kt5 44 Kt to K3 ch K to Kt3 21 P to KB4 KR to B square 45 Kt to B4 R takes P 22 R to KB square K to B2 46 R to Q square P to Kt4 23 B to Q square B to K3 47 Kt to Q2 Kt to Kt4 24 R to QB2 P takes P 48 K to B square Kt takes P
Mr. Blackburne might as the annotators observe well have resigned here, he did so on the 73rd move.
This was also a game of great interest which Black should have been contented to draw after his ill-judged and fanciful 29th move had destroyed his chance of winning.
White Black White Black MASON BIRD MASON BIRD 1 P to K4 P to Q4 16 B takes Kt Q takes B 2 P takes P Q takes P 17 P to QKt4 P to QR4 3 Kt to QB3 Q to Q square 18 Kt to B2 P takes P 4 P to Q4 P to KKt3 19 Kt takes P Q to Q3 5 B to KB4 B to Kt2 20 Q to K2 P to QB4 6 Kt to Kt5 Kt to QR3 21 P takes P Q takes P 7 P to QB3 P to QB3 22 QR to QB square QR to Q square 8 Kt to R3 Kt to B2 23 KR to Q square Q to R4 9 Kt to B3 Kt to B3 24 B to K3 R takes R ch 10 P to KR3 KKt to Q4 25 Q takes R R to Q square 11 B to Q2 Castles 26 Kt to Q4 Q to K4 12 B to Q3 R to K square 27 Q to K square Kt takes Kt 13 Castles Kt to K3 28 P takes Kt Q to K5 14 R to K square P to QKt4 29 P to KB3 Q takes B ch 15 B to K4 B to QKt2 30 Q takes Q B takes P
Mason played the opening of this the following game with spirit and originality, but missed advantageous opportunities at moves 14 and 18, and Blackburne remaining with a superior position and Pawn more won easily in the end game.
White Black White Black BLACKBURNE MASON BLACKBURNE MASON 1 P to K4 P to K4 11 QKt to B4 B to R3 ch 2 Kt to QB3 Kt to KB3 12 P to Q3 QR to K square 3 P to B4 P to Q4 13 P to KKt3 Q to Kt5 4 BP takes P Kt takes P 14 K to Kt2 R takes P 5 Q to B3 P to KB4 15 P takes Kt Q takes Q ch 6 Kt to R3 Kt to QB3 16 K takes Q P takes P ch 7 B to Kt5 Q to R5 ch 17 K to Kt2 P to Kt4 8 K to B B to B4 18 Kt takes P R takes Kt 9 Kt takes P Castles 19 Kt to R3 R to Kt3 10 B takes Kt P takes B 20 B to B4 B to K7
White Black White Black BIRD LEE BIRD LEE 1 P to K3 P to K4 31 P to R3 R to KB2 2 P to QKt3 P to Q4 32 K to R2 Q to Q 3 B to Kt2 B to Q3 33 R to QB P to QR4 4 Kt to KB3 Q to K2 34 R to KKt P takes P 5 P to B4 P to QB3 35 P takes P Q to K2 6 P takes P P takes P 36 B to B5 Q to Q 7 Kt to B3 Kt to KB3 37 B to Q4 Q to K2 8 Kt to Kt5 Kt to B3 38 B to B3 B to R3 9 Kt takes B ch Q takes Kt 39 Q to R3 B to K7 10 B to Kt5 P to K5 40 P to KKt5 BP takes P 11 Kt to K5 Castles 41 P takes P P to Q5 12 B takes Kt P takes B 42 B takes P R takes B 13 R to QB B to Kt2 43 P takes R P takes P 14 Castles Kt to Q2 44 R to B2 P to Kt5 15 P to B4 Kt takes Kt 45 Q to Kt3 B to B6 16 B takes Kt Q to K2 46 R to QR R takes P 17 B to Q4 KR to K 47 R to R8 ch K to R2 18 Q to Kt4 P to B3 48 K to Kt Q takes P 19 R to B5 P to QR3 49 Q to R4 ch K to Kt3 20 KR to QB QR to B 50 R to KR8 P to Kt6 21 P to B5 K to R 51 Q to R7 ch K to B3 22 R to KB R to B2 52 Q to R4 ch K to Kt3 23 R to KB4 Q to B2 53 Q to R7 ch K to B3 24 Q to R3 R to KB 54 Q to R4 ch K to Kt3 25 P to KKt4 K to Kt 55 Q to R7 ch K to B3 26 Q to Kt3 P to R3 56 Q to R4 ch R to Kt4 27 P to Kt4 R to Q2 57 Q to B4 ch K to Kt3 28 R to QB R to QR 58 R takes B P takes R 29 P to KR4 Q to K2 59 Q to K4 ch R to B4 30 R to B5 R to KB 60 Q to K6 ch R to B3
Lee for once in this Tournament worked his very hardest and his 41st move was of the highest order. Bird's attack seemed irresistible.
And the game was drawn after 73 moves.
The games in the amateur competitions for spirit and liveliness contrasted in many instances with some in the Masters' Tournament, and we would gladly have given a larger selection of them had they reached us a little earlier.
The proceedings of the North of Ireland Congress and its play were worthy of a special work.
White Black White Black R. S. GAMBLE R. BOYD R. S. GAMBLE R. BOYD 1 P to K4 P to K4 19 P to Q5 P to QB4 2 Kt to KB3 Kt to QB3 20 R to K4 P to B3 3 B to QKt5 B to B4 21 B to B4 QR to K square 4 P to QB3 Kt to KB3 22 QR to K square P to KKt4 5 P to Q4 P takes P 23 B to R2 K to R square 6 P to K5 Kt to KKt5 24 P to KKt4 Kt to R5 7 P takes P B to QKt3 25 Kt takes Kt P takes Kt 8 Castles Castles 26 Q to R6 B to Q square 9 P to KR3 Kt to KR3 27 R to K6 B to Kt2 10 B to K3 Kt to KB4 28 Q to R5 B to K2 11 Q to Q3 P to Q3 29 Q to KB5 B to Q square 12 B takes Kt P takes B 30 B takes P R to KKt square 13 B to Kt5 Q to Q2 31 Kt to K4 B to B square 14 P takes P P takes P 32 Kt takes P R takes R 15 Kt to QB3 P to QR4 33 R takes R Q to KB2 16 R to K square B to QKt2 34 B to K5 B to B2 17 P to Kt3 B to R3 35 Kt takes R ch B takes B 18 Q to Q2 B to B2 and wins.
White Black R. A. WILLIAMS LT. COL. CHALLICE 1 P to K4 P to Q4 2 P takes P Q takes P 3 Kt to QB3 Q to Q square 4 P to Q4 Kt to KB3 5 B to K2 B to B4 6 B to K3 P to K3 7 P to QR3 B to K2 8 Kt to KB3 Castles 9 Kt to K5 Kt to K5 10 B to B3 Kt takes Kt 11 P takes Kt P to QB3 12 P to KKt4 B to Kt3 13 Q to Q2 Q to B2 14 P to KR4 P to KR3 15 P to R5 B to R2 16 P to Kt5 P takes P 17 KR to Kt B to Q3 18 Kt to Q3 P to B3 19 K to K2 Kt to Q2 20 R to Kt2 QR to K1 21 P to R6 P take P 22 QR to R square K to Kt2 23 R takes P K takes R 24 B take P ch and mates in three moves.
Game played in the Championship Tournament (Tie) between Messrs. E. A. Robinson and W. L. Harvey, September 27th, 1892:
White Black W. L. HARVEY E. A. ROBINSON 1 P to K4 P to K4 2 Kt to KB3 Kt to QB3 3 B to Kt5 Kt to KB3 4 P to Q3 P to Q3 5 P to B3 P to QR3 6 B to R4 B to Q2 7 Kt to Q2 P to KKt3 8 Kt to B square
Steinitz favours this continuation, which however is considered to lose time for White's attack.
8 B to Kt2 9 B to B2 Kt to K2 10 B to K3
10 B to KKt5 at once seems to be much better.
10 Kt to Kt5 11 B to KKt5 P to KB3 12 B to R4 B to K3 13 P to KR3 Kt to R3 14 Q to Q2 Kt to B2 15 Kt to K3 Q to Q2 16 P to Q4 P to B3 17 P to Q5
17 P to QB4 is preferable at this point.
17 P takes P 18 P takes P B to B4 19 B takes B
Turning the chances in favour of Black. If 19 Kt takes B, leaving Bishops of different colours, there is all appearance of a draw.
19 Kt takes B 20 P to KKt4 Kt takes B 21 Kt takes Kt Kt to Kt4 22 Q to K2 Castles KR (one hour) 23 Castles QR P to QKt4 24 Kt (on R4) to Kt2 Q to QB2 25 P to KR4 Kt to B2 26 P to R5 P to Kt4 27 Kt to B5
Threatening trouble by P to R6, followed by Kt to Kt7, &c.
27 P to R3 28 Q to K4 (!) Kt to Q square 29 Kt (on Kt2) to K3 Kt to Kt2 30 Kt takes B Q takes Kt 31 Q to Kt6
The position here bristles with interest. Examination will show that Black is in more serious danger than lies on the surface.
31 P to KB4 32 Kt takes P R takes Kt
Judiciously giving up the exchange and Pawn to escape the fatal attack threatened on Rook's file.
33 P takes R R to B square 34 R to R2 R to B3 35 Q to K8 ch K to R2 36 P to KB4 Kts P takes P 37 R (on R2!) to R square
The other R to R square, doubling, seems much stronger. If then R x P, 38 Q to Kt6 ch! From this point White plays a weak game.
37 R takes P 38 Q to Kt6 ch Q takes Q 39 P takes Q ch K takes P 40 P to QKt4 P to K5 41 R (Q sq) to Kt sq ch R interposes 42 K to Q2 Kt to Q square 43 R takes R ch P takes R 44 R to R8
After this it is only a matter of time. The Pawns cannot be stopped.
44 Kt to B2 45 R to Kt8 ch K to R2 46 R to K8 P to K6 ch 47 K to K2 K to Kt3 48 R to K6 ch K to B4 49 R to K7 Kt to K4 50 R to K8 P to Kt5 51 R to B8 ch
Driving him where he wants to go!
51 K to K5 52 R to B6 P to B6 ch 53 K to Q sq P to Kt6 54 R to B8 P to Kt7 55 R to Kt8 P to B7 Resigns.
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BLINDFOLD CHESS
The Arabs are the first we read of among the people of the East who excelled in playing chess without seeing the board. The introduction to one of Dr. Lee's manuscripts in his Oriental collection, relates examples of the early Mohammedan doctors, and even of companions and followers of the Prophet, who either themselves played chess or were spectators of the game. Some of them also are said to have played behind their back, i.e. without looking at the board, and it may not be generally known that the manuscript in the British Museum 16,856 copied in 1612, which is a translation and abridgment of an older work in Arabic, contains a full chapter with a lengthy description, combined with maxims and advice for playing chess without seeing the board. Al Suli, who died A.D. 946, and Ali Shatranji, at Timur's Court, 1377 A.D. (the chess giants of their respective ages), were each highly proficient in Blindfold Chess. A man named Buzecca, in 1266, on the invitation of Guido du Novelli, the friend and munificent patron of Dante, and who was Master of Ravenna, gave an exhibition of his powers at Florence, which occasioned much surprise and admiration.
The unknown author of the famous and unique manuscript, bequeathed by Major Price, the eminent Orientalist, to the Asiatic Society, which has formed the subject of so much discussion among the learned, parades his own chess prowess, in a manner not unworthy of some great chess exponents of the present age. "And many a one," he says in his preface, "has experienced a relief from sorrow and affliction in consequence of this magic recreation"; and this same fact has been asserted by the celebrated physician Muhammad Zakaria Razi, in his book entitled: "The Essence of Things": "And such is likewise the opinion of the physician Ali Bin Firdaus, as I shall notice more fully towards the end of the present works, for the composing of which I am in the hope of receiving my reward from God, who is Most High and Most Glorious."
The philosopher continues: "I have passed my life since the age of fifteen years among all the masters of chess living in my time, and since that period till now, when I have arrived at middle age, I have travelled through Irak Arab, and Irak Ajam, and Khurasan, and the regions of Mawara al Nahr (Transoxania), and I have there met with many a master in this art, and I have played with all of them, and through the favour of Him who is Adorable and Most High I come off victorious."
"Likewise in playing without seeing the board I have overcome most opponents, nor had they the power to cope with me. I the humble sinner now addressing you, have frequently played with one opponent over the board and at the same time I have carried on four different games, with as many adversaries, without seeing the board, whilst I conversed freely with my friends all along, and through the Divine favour I conquered them all. Also in the great chess, I have invented sundry positions as well as several openings, which no one else ever imagined or contrived."
Notwithstanding the accounts and allusions to Blindfold Chess here referred to, it would seem to have been generally unknown to us at the time when Philidor performed his intellectual feat of playing two games blindfold, and one over the board, on several occasions at the St. James Street Chess Club, about a century ago. The club which was held at Parsloes Hotel, was formed in 1770, and its members comprised many prominent, celebrated, and distinguished men: Pitt, Earl of Chatham, C. J. Fox, Rockingham, St. John, Mansfield, Wedderburn, Sir G. Elliott, and other well-known names are recorded among the visitors and spectators there. Whilst the players who contended against Philidor at the slightest shade of odds included Sir Abraham Janssens, the Hon. Henry Conway, Count Bruhl, Mr. George Atwood (mathematician and one of Pitt's financial secretaries), Dr. Black, the Rev. Mr. Boudler, and Mr. Cotter. Stamma, of Aleppo, engaged in London on works of translation, and who was one of the best chess players, was matched against Philidor, but won only one out of eight games. These contests took place at Slaughter's Coffee House, in St. Martin's Lane, long a principal meeting place for leading chess players. Philidor does not seem to have tried more than two games blindfold, but such was the astonishment they caused at the time, that doubts were expressed whether such an intellectual feat would ever be repeated; and certainly from the tenor of press notices of the event, and Philidor's own memoranda, it seems that it could not have been contemplated or conceived that performances on the scale we have witnessed in our days by Louis Paulsen, 1; Paul Morphy, 2; J. H. Blackburne, 3; and Dr. J. H. Zukertort, 4, would become, comparatively speaking, so common in a future generation. The following article, from a newspaper of the period, was thought to reflect with tolerable accuracy the general impression prevailing at the time in regard to these performances.
The World, a London newspaper in its issue of the 28th May, 1783, makes the following remarks upon Philidor's performance of playing two games simultaneously without sight of the board. It scarcely, however, comes up to our American cousin's views of Morphy in 1858, just three-quarters of a century later. It says: "This brief article is the record of more than sport and fashion, it is a phenomenon in the history of man and so should be hoarded among the best samples of human memory, till memory shall be no more. The ability of fixing on the mind the entire plan of two chess tables without seeing either, with the multiplied vicissitudes of two and thirty pieces in possible employment on each table, is a wonder of such magnitude as could not be credible without repeated experience of the fact."
Philidor himself notes also, being of opinion that an entire collection of the games he has played without looking over the chess board would not be of any service to amateurs, he will only publish a few parties which he has played against three players at once, subjoining the names of his respectable adversaries in order to prove and transmit to posterity a fact of which future ages might otherwise entertain some doubt.
During the years 1855-6 and 7, Louis Paulsen at Chicago, and other cities in the west of America, first accomplished the feat of playing ten games at chess simultaneously, without seeing the board or pieces, now familiarly called Blindfold Chess; and at Bristol, in 1861, and at Simpson's Divan, London, in the same year, he repeated the performance, on the last occasion meeting twelve very powerful opponents.
The phenomenon Paul Morphy, from New Orleans, when twenty years of age only, conducted eight games blindfold at Birmingham, in August, 1858, losing one to Dr. Salmon of Dublin, drawing with Mr. Alderman Thomas Avery, and winning the remaining six. Morphy at Paris, in March, 1859, repeated the performance, and won all eight games; his play was superb, and all agree has never been surpassed, if equalled, and drew forth press notice even more gushing than that bestowed upon his predecessor Philidor.
J. H. Blackburne appeared in 1862, and with Louis Paulsen, the pioneer of the art upon the extended scale, was engaged by the British Chess Association at their International Gathering, in 1862, to give blindfold exhibitions; each played ten games with great success, amid much appreciation. Mr. Blackburne's subsequent thirty years blindfold chess is too well known to require comment, he is admitted to be second to none in the exposition of the art, some even claim superiority for him over all others.
Dr. Zukertort, on the 21st December, 1876, at the St. George's Chess Club, contended blindfold with sixteen competitors, comprising the best players that could be found to oppose him. From a physiological point of view Zukertort's powers appear the most extraordinary, because his abstraction for chess was far less pronounced, and his mind seemed to be of a more varied and even discursive kind. It would scarcely have been less surprising to have seen players like Staunton, Buckle, or Der Lasa performing blindfold chess.
The number of players of all grades of chess force who now can play without seeing the board is amazing; a tournament for blindfold play only could well be held. The faculty of playing chess blindfold is thought to apply mostly to those who have extraordinary retentive memories of a peculiar kind, and great powers of abstraction very slightly brought into action or diverted by other pursuits. This seems to be confirmed in considering the great chess exponents who have played blindfold, and those who have not, a comparison has been adduced but which might seem invidious to expatiate on.
NOTE. Sachieri, a Jesuit of Turin, who lived in the 17th century, had a most surprising memory. He could play at chess with three different persons without seeing one of the three boards, his representative only telling him every move of the adversary. Sachieri would direct him what man to play, and converse with company all the time. If there happened a dispute about the place of a man, he could repeat every move made by both parties from the beginning of the game, in order to ascertain where the man ought to stand. He could deliver a sermon an hour long in the same words and order in which he heard it. This is very remarkable, as the Italian sermons are unmethodical and unconnected, and full of sentences and maxims.
Blackburne does the same. At one of the few blindfold performances I have witnessed by him, viz., at Montreal, in 1889, during our adjournment to dinner the positions had become disarranged, but Blackburne on resumption called over all the eight games, with great facility, and perfect accuracy, the resumption being delayed not more than five minutes.
The Razi referred to above (called by our medieval writers Rhasis) was a celebrated physician of Bagdad, where he died about A.D. 922.
The Author of the British Museum M.S. says:
"Some men from long practice, have arrived at such a degree of perfection in this art, as to have played blindfold at four or five boards at one and the same time, and never to have committed a mistake in any of the games." He further tells us that—"some have been known to have recited poetry, or told amusing stories, or conversed with the company present, during the progress of the contest." In another sentence he says—"I have seen it written in a book, that one man played blindfold at ten boards simultaneously, and gained all the games; he even corrected many errors committed by his opponents and friends, in describing the moves.
It was a saying in the East, "He plays at chess like Al Suli." So that many believed him to be the inventor of this game, but erroneously.
The Arabians say that a certain great man showed one of his friends his garden, full of fine flowers, and said to him, "Did you ever see a finer sight than this? Yes," he replied, "Al Suli's game at chess is more beautiful than this garden and everything that is in it."
Al Suli died A. D. 946.
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The writer is not enamoured of blindfold play, preferring not to attempt to do that without his eyes, which he can do better with. "Blindfold Play" the term used nowadays, or "playing behind your back," as one of the old Arabian manuscripts has it, seems not the most happy expression for the art, playing "Sans Voir" or without sight of chess board or pieces clearly expresses it. Good players, actually blind, may be mentioned, the writer has played with such, in a simultaneous exhibition of chess play at Sheffield, a game against two blind boys from the Asylum, proved one of the best contested and most interesting in the series, and these bright but afflicted lads evidently, with their kind attendant, derived the greatest pleasure from the meeting.
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THE GAME OF CHESS
Elaborate and learned works have appeared treating on the supposed origin of chess. Oriental manuscripts, Eastern fables, and the early poets have been quoted to prove its antiquity, and it would not be easy to name any subject upon which so much valuable labour and antiquarian research has been bestowed, with so little harmonious or agreed result as to opinions concerning the first source of this wonderful game.
That chess reached Persia from India in the first half of the Sixth century, during the reign of Chosroes, is well attested, and concurred in by all historians from the Arabian and Persian writers, the beautiful and accomplished Greek Princess Anna Comnena, and the Asiatic Society's famous manuscript to Dr. Hyde and Sir William Jones, and Sir Frederick Madden and Professor Duncan Forbes, China, also, admits the receipt of chess from India in the year 537, and got it about the same time as Persia.
Whatever difference of opinion may exist as to the exact spot from whence chess first sprung, its Asiatic origin is undoubted. The elephant, ship, or boat in the game was illustrative of its mode of warfare. The identity of the pieces in the ancient game with ours of the present day affords striking confirmation of it, whilst the most competent and esteemed authorities who have devoted the greatest attention and research to the subject deem the evidence of language conclusive proof that the Persian Chatrang, which we first hear of under date of about 540 A.D., was derived from the ancient Hindu Chaturanga, found described in original Sanskrit records.
It is generally assumed on very fair inferences that the Arabians were expert chess players, and also excelled in blindfold play. The game was known among them in the days of the prophet, 590 to 632, who finding some engaged at chess asked them, "What images are these which you are so intent upon?" For they seemed to have been new to him, the game having been very lately introduced into Arabia from Persia. Nice gradations of skill were observed among them, and thirteen degrees of odds are enumerated among them down to the rook. To give any odds beyond the rook, says one of the manuscripts, can apply only to women, children, and tyros. For instance, a man to whom even a first-class player can afford to give the odds of a rook and a knight has no claim to be ranked among chess players. In fact the two rooks in chess are like the two hands in the human body, and the two knights are, as it were, the feet. Now that man has very little to boast of on the score of manhood and valour who tells you that he has given a sound thrashing to another man who had only one hand and one foot. It may be observed, however, that proportionately to the value of all the pieces in the old game, as compared with the present, the rook and knight would be equivalent to queen and rook with us.
The earliest Greek reference brought to notice is in a laconic correspondence between the Emperor Nicephorus of Constantinople, successor to the Princess Irene, and the famous Harun Ar Rashid of Bagdad, the fifth of the Abbasside dynasty, in 802, which mentions Pawn and Rook, implying that his predecessor in paying tribute resembled rather the former for weakness than the latter for strength; but it had probably been known among the Greeks before the death of Justinian, in 565, as he was contemporary with Chosroes, and these rulers were at peace and in friendly terms of communication, allowing interpretations of their respective records, which seem to have been of mutual interest.
All the writers who assert that the ancient Greeks and Romans were unacquainted with chess have overlooked the Roman edict of 115 B.C., in which both chess and Draughts were specially exempted from prohibition.
Such consideration as can be found devoted to the game or games of the Egyptians mainly relates to hypothesis and conjectures in regard to the inscriptions recorded to have been discovered on tombs and the temples generally, and especially on the wall of the great palace of Medinet Abu at Egyptian Thebes, which, according to the most approved authorities, derived from the scrolls, relates to the time of Ramesses Meiammun the 16th, out of the 17 monarchs of the 18th dynasty, who as is supposed, reigned from 1559 to 1493 B.C., and constructed Medinet Abu, and is pronounced most likely to be the monarch represented on its walls. His title is Ramses, and he is considered to have been the grandfather of Sesostris 1st of the 19th dynasty, whose reign is stated as from 1473 to 1418 B.C.
Some discussion arose in chess circles in 1872 in reference to Mr. Disraeli's mention of chess in one of his books. Chapter 16 of "Alroy" begins—"Two stout soldiers were playing chess in a coffee-house," and Mr. Disraeli inserts on this the following note (80). On the walls of the palace of Amenoph II, called Medinet Abuh, at Egyptian Thebes, the King is represented playing chess with the Queen. This monarch reigned long before the Trojan war.
A writer, who styled himself the author of Fossil Chess, in criticising the above, refers to Sir Gardiner Wilkinson's work, "A popular account of the ancient Egyptians, which declares the game to resemble draughts, the pieces being uniform in pattern." The same critic further remarks, "In the same work may be found some account of the paintings in the tomb of Beni Hassan, presumably the oldest in Egypt, dating back from the time of Osirtasen I, twenty centuries before the Christian era, and eight hundred years anterior to the reign of Rameses III, by whom the temple of Medinet Abuh was commenced, and who is the Rameses portrayed on its walls. An unaccountable error on Mr. Disraeli's part in the same note assigns its erection to Amenoph II, who lived 1414 B.C.
The eminent and revered writer and statesman may not have selected the supposed best authorities for his dates, but the sapient critic indulges in a strange admixture of misconception. However, Egyptian chronology is not fully agreed upon, even Manetho and Herodotus differ some 120 years as to the time of Sesostris, and Bishop Warburton, we read, was highly indignant with a scholar, one Nicholas Man, who argued for the identity of Osiris and Sesostris after he (the bishop) had said they were to be distinguished. Respecting English origin, all authorities down to the end of the Eighteenth century agreed in ascribing the first knowledge of chess to the time of William the Conqueror, or to that of the return of the first Crusaders.
Perhaps, however, it reached us in the days of Charlemagne, and may well have done so through Alcuin of York, his friend and tutor in the reigns of Offa and of Egbert.
Al Walid, 705-715; Harun, 786-809; the great Al Mamun, 813 to 833; and Tamerlane, 1375 to 1400, are monarchs who honoured their chess opponents when beaten. Charlemagne, 768-814, seems also to have taken defeat good-humouredly, and Queen Elizabeth, who liked chess, philosophised upon it. Canute, William the Conqueror, and Henry the Eighth, like the famous Ras, of Abyssinia, whom Salt and Buckle inform us of, preferred to win.
Chess, as it is now played, came down to us from the Fifteenth century, when the queen of present powers was introduced, and the extensions and improvements in the moves of the bishops and the pawns and in castling effected, and which made the game exactly what it now is. It has been so practised for four hundred years without the slightest deviation or alteration, and with so much continued satisfaction and advanced appreciation that any change or modification suggested, however trifling, has been at once discouraged and rejected, and additions proposed in the 17th century (Carrera), 18th (Duke of Rutland), and 19th (Bird) were regarded with no favour, and the objection that the game was difficult enough already.
During the present century (especially in the second half) chess has become vastly popular. The game is innocent and intellectual, and affords the utmost scope for art and strategy, and for its practice we have about five hundred clubs and institutions, compared with the one club in St. James' Street, and Slaughter's, in St. Martin's Lane, which existed in the last century, during the height of Philidor's career, and two of the first half dozen. Chess clubs started found rest on Irish soil, the first so early as the year 1819.
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PHILIDOR,
BORN 1726, DREUX, NEAR PARIS, DIED 1795, IN LONDON.
Philidor's ascendancy and popularity in the last century, owing to his remarkable and perhaps unprecedented supremacy combined with the liberality of his treatment and the chivalry and enthusiasm of his opponents, tended to create an entirely new era in chess and its support. An interest became aroused of a most important character, unknown in any previous age in England, and which, though not fully maintained after his death, and least of all among the higher classes who ranked so largely among his patrons, was yet destined to have a marked and lasting influence on the future development and progress of the game, most apparent at first in England, but later nearly equally manifested in Germany, since in America and other countries, and not exclusively confined to any country, class, or creed.
Several auspicious circumstances had greatly contributed to aid Philidor in his London career. Prominent among which were his introduction to Lord Sandwich at the Hague. His patronage through the same source by the Duke of Cumberland and the never ceasing liberality of General Conway, the inestimable Count Bruhl, the Dowager Lady Holland, and the gallant Sir Gilbert Elliot of Gibraltar fame.
Of the players who encountered Philidor, Sir Abraham Janssens, who died in 1775, seems to have been the best, Mr. George Atwood, a mathematician, one of Pitt's secretaries came next, he was of a class which we should call third or two grades of odds below Philidor, a high standard of excellence to which but few amateurs attain.
Some indication of the varied and important character of Philidor's patronage is afforded by the names on the cover of his edition of 1777, dedicated to the Duke of Cumberland.
Twenty-six ladies of title grace the list, including the historic chess names of Devonshire, Northumberland, Bedford, Marlborough, Rutland, with upwards of 300 male names comprising heads of the Church, men illustrious at the bar and on the bench, statesmen, politicians, cabinet ministers, and many most distinguished in science, both in England and in France, with a long list of our nobility. Devonshire is the earliest name mentioned in old Chronicles connected with English chess, Olgar or Orgar, Earl of Devonshire is recorded to have been playing chess with his daughter Elstreth or Elpida when King Edgar's messenger Athelwold arrived to ascertain the truth of the reports of her extraordinary beauty. Northumberland is mentioned two centuries later as a house in which chess was played. Caxton's "Booke of Chesse," Bruges 1474, said by some to be the first book printed in London, was dedicated to the Duke of Clarence, Rowbotham's, 1561, to the Earl of Leicester, Lucy, Countess of Bedford accepted dedication of A. Saul's quaint work, 1597 and and Barbiere's edition of the same, 1640. The early love poem of Lydgate, emblematical of chess was dedicated to the admirers of the game, and the Duke of Rutland in the last century took sufficient interest in it to devise an extension of chess.
NOTE. The names of the subscribers on Philidor's Analysis of Chess, 1777, include Lord Sandwich and the Duke of Cumberland for 10 and 50 copies respectively.
The Duchess of Argyle, the Duchess of Bedford, the Duchess of Buccleuch, R. H. Lady de Beauclerk, Viscountess Beauchamp, Miss Sophia Bristow, Marchioness of Carmarthen, Marchioness of Lothian, Duchess of Montrose, Duchess of Devonshire, Countess of Derby, Lady Derby, Madame Dillon, La Countesse de Forbach, Dowager Lady Hunt, Dowager Lady Holland, La Countesse de Hurst, Miss Jennings, the Duchess of Manchester, the Countess of Ossery, the Countess of Powis, Lady Payne, the Marchioness of Rockingham, the Right Hon. Lady Cecil Rice, the Countess Spencer, Lady Frances Scott, Miss Mary Sankey, Miss West, and the Countess of Pembroke.
Notwithstanding the enormous advance in chess, appreciation and practice generally, we have never since been able to boast of a list at all of this kind. There are Dukes Argyle, Athol, Ancaster, Bedford, Bolton, Buccleuch, Cumberland, Devonshire, Leeds, Manchester, Marlborough, Montague, Northumberland, Richmond, Roxburgh; Marquis Carmarthen, Rockingham; Earl Ashburnham, Besborough, Dartmouth, Egremont, Gower, Holderness, Northington, Ossory, Powis, Spencer, Shelburne, Waldegrave; Lords, E. Bentinck, Bateman, Barrington, Beauchamp, Breadalbane, G. Cavendish, John Cavendish, Clifford, Denbigh, Fitzmaurice, Fitzwilliam, Falmouth, Harrowby, Hillsborough, Irwine, Kerry, Kinnaird, March, Mountstenart, North, Oxford, Palmerston, Polnarth, Robert Spencer, Temple, Tyrunnell, Warwick, Willoughby de Broke, Amherst, Petre.
Among statesmen and politicians we find such names as the Earl of Chatham, Pitt, C. J. Fox, Lord Godolphin, Lord Sunderland, St. John and Wedderburn.
Prominent as players as well as supporters were General Conway, Count Bruhl, the French Ambassador, Duke de Mirepois, the Turkish Ambassador, Dr. Black, Sir Abram Janssens, G. Atwood, (one of Pitts' secretaries), Mr. Jennings, Mr. Cotter, and the Rev. Mr. Bouldeer.
Voltaire and Roussca were friends of Philidor, so also was David Garrick the actor; supporters in the musical world were numerous. A combination of high appreciation for chess and music combined is often found.
Philidor died in 1795. Sir Abram Janssens had already departed in 1775, as the recognized best player and one of the greatest enthusiasts, his loss left a great void in chess, Scandigh, Benedict, Prout and Asfra are musicians with whom we have ourselves played chess.
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THE CARLOVINGIAN DYNASTY
In A.D. 757 Constantine Capronymus, Emperor of the East sent to King Pepin as a rare present the first organ ever seen in France.
CHARLEMAGNE'S WAGER
The romance of Guerin de Montglave turns wholly upon a game of chess at which Charlemagne had lost his Kingdom to Guerin.
The short dialogue which preceded this game on which so great a stake depended, as narrated by the hero of the story to his sons is characteristic, and has thus been modernized by the Compte de Tressan, "I bet," said the Emperor to me "that you would not play your expectation against me on this chess board, unless I were to propose some very high stake." "Done, replied I, I will play then, provided only you bet against me your Kingdom of France." "Very good, let us see," cried Charlemagne, who fancied himself to be strong at chess. We play forthwith, I win his Kingdom, he falls a laughing at it, but I swear by St. Martin and all the Saints of Aquitain, that he must needs pay me by some sort of compensation or other. The Emperor therefore by way of equivalent surrenders to Guerin, all right to the City of Montglave, (Lyons), then in the hands of Saracens which is forthwith conquered by the hero, who afterwards names Mabolette the Soldan's daughter.
The earliest chess anecdote in France is given by Augustus, Duke of Luneburg in his great work on chess. It is extracted from an old Bavarian Chronicle, then in Library of Marcus Welsor, and states that Okarius, Okar or Otkar, Prince of Bavaria had a son of great promise, residing at the Court of King Pepin. One day Pepin's son when playing at chess with the young Prince of Bavaria, became so enraged at the latter for having repeatedly beaten him that he hit him on the temple with one of his rooks so as to kill him on the spot. This anecdote is confirmed in another Bavarian Chronicle, and in the Guirinalia 1060. The acts of Saint Guirin by Metellus of Tegernsee. The murder of Okar happened during the reign of Pepin 752 to 768.
In another romance containing the history of Les Quatre Fils Aymsn, we read that Duke Richard of Normandy was playing at chess with Ivonnet, son of Regnant, (Rinalde) when he was arrested by the officers of Regnant, who said to him, "Aryse up Duke Rycharde, for in despite of Charlemagne who loveth you so much, ye shall be hanged now. When Duke Rycharde saw that these sergeantes had him thus by the arms and held in his hande a lively (dame) of ivory where at he wolde have given a mate to Yennet he withdrew his arme and gave to one of the sergeantes such a strike with it into the forehead that he made him tumble over and over at his feete, and then he tooke rocke and smote another at all opon his head that he all loost it to the brayne.
THE HABITS AND IDIOSYNCRACIES OF CHESS PLAYERS (MYSELF)
NOTE. Speaking as a chess player, Bird is used, for matters common or general, the editorial us or we is adopted, but when expressing my own individual knowledge or opinion only, I is preferred.
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The temperaments of chess players vary, some get easily disconcerted, disturbed and even distracted; others seem little affected by passing events, a few, apparently not at all: some even like a gallery and don't object to reasonable conversation; by conversations or little interruptions which would pass unheeded by a McDonnell or a Bird, or perhaps a Zukertortian would sadly disconcert a Buckle or a Morphy, make Staunton angry, and drive a Gossip to despair.
The attitude as well as the deportment and demeanour of chess players at the board shows many varieties: Anderssen and Captain Mackenzie were statuesque; Staunton, not quite so tall as the Rev. J. Owen, seeming to be soaring up aloft. Harrwitz not quite so small as Gunsberg, seemed sinking to the ground, but the story that he once disappeared overawed by Staunton's style and manner of moving, and was, after a search, found under the table, is a mere canard of Staunton's which need not be too confidently accepted. Harrwitz disliked being called a small German by Staunton because it savoured too strongly of the sausage element, saying if he makes sausage meat of me I will make mincemeat of him.
Staunton pretended sometimes not to see Harrwitz, and would look round the room and even under the chairs for him when he was sitting at his elbow, which greatly annoyed Harrwitz, who, however, sometimes got a turn, and was not slow to retaliate. In a game one day, Staunton materially damaged his own prospects by playing very tamely and feebly, and testily complained—"I have lost a move." Harrwitz told the waiter to stop his work, and search the room until he had found Staunton's lost move, and his manner of saying it caused a degree of merriment by no means pleasing to the English Champion.
Staunton was considered full-blooded, and his amiable French opponent, who used to play for 5 pounds a game no doubt thought he expressed himself favorably and forcibly when he said he is one very nice, charmant man, but he is a "—— fool."
Staunton's celebrated stories about Lowenthal and Williams, though very amusing to chess ears, I omit for obvious reasons, though extremely funny as Staunton originally told them, and as MacDonnell repeats them, they are probably not strictly founded on fact, and are lacking of the respect to which the memories of two such amiable and chivalrous chess players as Williams and Lowenthal are entitled.
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STAKES AT CHESS
The question of stakes or money terms upon which chess is played is a question of the first importance in the interests of chess, and a few notes of my experience upon the subject may not be inappropriate. After about three months looking on at chess play in 1844, at Raymond's Coffee House near the City Road Gate, where Dr. Michaelson of the Morning Post, and Mr. Finley, a farrier, were the respective giants, and a cup of coffee the usual stake, I learned the moves at chess, and receiving the odds of a Queen for a few games, I happened one day to hear with astonishment that the gentleman conceding me the odds was not as I supposed, the champion of the world, but that better players could be found at Goodes, Ludgate Hill, and Simpson's in the Strand. To the former I soon resorted and found Kling, Kuiper and Muckle, the principal professionals there; a nominal fee of sixpence being the charge per game, and Staunton, the champion had played many games at that rate. It was some weeks before I mustered resolution to visit Simpson's spacious and handsome hall, but, once arrived there, I made myself at home. Lowe, Williams and Finch were the attendant players there, and extensively they were supported. From each received the Queen soon improving to the odds of the Knight, and then playing even with them. Buckle alone, who did not mind hard work, essayed to give me Pawn and move, but for a short time only. One shilling a game has always been the recognized stake at Simpson's, and also at St. Georges the principal London Chess Club, but there have been exceptions, John Cochrane and Bird, the Rev. G. A. MacDonnell and Bird, and S. Boden and Bird never played for anything, and these ranked among the most popular of games, and the players were favourite opponents. In 1873, Wisker was holder of the British Chess Association Challenge Cup, but had never seen or played with Bird, who had been for six years out of chess. An accidental meeting by them, and the presence and intervention of Lowenthal and Boden, led to the Wisker and Bird four matches, the first for 5 pounds, and the other for credit of victory only. Anderssen and Bird always played 5/- a game, Zukertort and Bird 2/6, Steinitz and Bird's first sixteen games were without stakes, their match of 1866-7 for 25 pounds only. Before the year 1866, 10 pounds or 20 pounds a side was a convenient and common stake for a match. Staunton and Harrwitz, Staunton and Horwitz, Morphy and Anderssen, Steinitz and Blackburne, Steinitz and Zukertort, and Falkbeer and Bird were all within these figures. The Championship match in 1843, England and France, between Staunton and St. Amant was for 100 pounds a side, but the English player had to go to Paris, and the match was a long one, and it was hoped even at that time that future matches would be mainly for the honour of victory, and that the entire money in the case would be a reasonable sum to liberally cover the players' time and expenses. Morphy reluctantly played for 100 pounds a side in 1858, but his matches with Anderssen, Harrwitz and others were for merely nominal stakes. In 1866 a bad example was set in the case of Steinitz and Anderssen, when 100 pounds a side was played for, and although Steinitz and Blackburne, and Zukertort and Blackburne were matches for 60 pounds a side the stakes were only thus limited to the amount which could be conveniently obtained from backers at the time. So stakes progressed until Steinitz and Zukertort actually played for 400 pounds a side, a sum neither party could afford to lose, even though they could tax their chess supporters for it. Any chance of a return match which Zukertort so much desired, became impossible, hence the extraordinary depression of the great chess victor in two of the most important Internationals ever held, viz., Paris in 1878, and Criterion, London, 1883.
There is too much reason to fear that the result of this match, and Zukertort's sensitiveness to supposed coolness towards him afterwards mainly contributed to cause his premature break up and untimely end. I always advised him before the match, in justice to himself, to stipulate for a time limit of 20 or 25 moves an hour, and not to play for more than 100 pounds a side, the previous extreme maximum for the greatest matches, happy for him if he had observed this rule; as he himself admitted. Zukertort lived in the Walworth Road just past my single eleven years lodging —5 Heygate Street; and he voluntarily confided many matters to me during the last twelve months of his life, which was for certain reasons fortunate. His two beautiful daughters, the sole care of his life, are now provided for, one nine years of age, and the other thirteen years of age, are being educated at or near Berlin by Zukertort's mother and his married sister.
Returning to stakes, I have met here and there with an amateur who has had scruples and preferred not even playing for the shilling.
Buckle, Lord Lyttleton, and many eminent in chess, were strongly in favour of the customary small stake, and I have seen dignitaries of the Church, and spotless amateurs, pocket their shillings with as much gusto as the poor and much abused professional. It is a kind of voucher to mark the score.
Professor Ruskin and others who have referred to this question, saw no objection to the time-honoured stake, and it has been the rule at the greatest clubs, for, by fixing a custom, it was hoped to keep the stakes within prescribed limit. It must be admitted that the difference between one shilling and 25 pounds, 50 pounds or 100 pounds on a game is far too large.
Since the growth of the foreign demands for stakes, not thought of in the days of Philidor, La Bourdonnais, McDonnell, Staunton and Morphy, squaring between players, has been asserted, viz.— in 1878, 1885, and 1887, besides which it has always seemed to me that as the stakes go up the play goes down, and it certainly would be difficult to name a match in which so few interesting games took place as that between Steinitz and Zukertort for 400 pounds a side, played in the United States at New York, St. Louis and New Orleans in 1886.
A sedate and rather severe looking stranger challenged Bird to a game of chess once, just when Bird had finished a long sitting with a strong player, and was in rather a lively mood. "A stake, I suppose," said Bird. "No, I don't like stakes," said the stranger. "Then suppose we say a chop, or even a basin of soup, fried sole, or box of cigars." The stranger looked awful for a moment but dismayed by the good temper of his vis a vis, suddenly relaxed and conformed to the usual rule, and as the love tales conclude was happy ever afterwards.
It is best to understand that the stake on each game is a shilling, not to say simply we play for a shilling. Once, after an eight hours sitting, a countryman after losing twenty games blandly handed Mr. F. one shilling for the sitting, and could not be induced to part with more.
Stakes at chess must not be confounded with the favourite "Comestible." Missing Word calls it by that name. Meat is sometimes pronounced by some we know almost like mate. An Irishman addressing the cook instead of the mate once on board of a vessel, said, " Are you the mate?" and was met with the reply, "No, I am the man what cooks the mate." It was remarked after a game that many checks were given without any mate being obtained.
Another says, "The Queen in chess does all the work, yet the King gets all the checks."
Mr. C. B., the well-known enthusiast, but not always successful chess player dining with a friend at Simpson's one day, the latter recurred to the changes which had taken place there and expressed regret that the Grand chess Divan had been transformed into a dining room. "Faix," said Mr. C. B. as he took up a toothpick," It's the first time in my life that I ever felt disposed to say grace after mate in this room."
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SLOW PLAY
Some players are very slow, hence one was called the "Telegraph" and others by appropriate names of which I recollect best "West Australian" and the "Flying Dutchman." About forty years ago there were eight young and rising players nearly approaching first class, they were S. S. Boden, the Rev. W. Audrey, Captain Cunningham, G. W. Medley, J. Medley, C. T. Smith, A. Simons and H. E. Bird. Three of these, remarkable for ingenuity and sudden surprises had familiar appellations. One was termed "The Snake," another that "Old Serpent," I was "The enemy of the human race." A well known looker on who used to lean over the board and talk a great deal was called "The Coroner" because it was said he not only held an inquest on the board, but also sat upon the body.
One wrote— "I saw them sitting at a board Like statues at a show, And I myself was also bored To find them move too slow."
Paulsen once after an hour's reflection moved his King one square only, a lady observed "that it seemed a great time for such a little move."
Three consultation games were played at one of the County meetings which lasted together 48 hours, two were drawn and one adjourned.
Some games in matches between Staunton and Williams, and Paulsen and Kolisch about forty years ago were unduly protracted. Against Medley the last named (Kolisch) took two hours for three moves and this had much to do with the initiation of the time limit with the encumbrances of sand glasses and clocks which the majority of players still approve of.
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DINNER AND CHESS
At Purssell's, people used to eat chops, smoke cigars or pipes, play chess, and talk cricket all at the same time, which seems to contradict the assumption that it is impossible to do two things at once. Some say they cannot play chess before dinner, others not after dinner. Too much dinner is considered a fair excuse for losing at chess, but no dinner at all is not a valid plea.
According to the Rev. A. B. Skipworth, who should be an authority on the subject, professional chess players are not supposed to dine at all, but our great friend, the genial Mars, dissents from this view. Staunton, Boden, Steinitz, Mars and Skipworth himself are essentially diners, and Bird has been accused of a tendency that way.
The professionals so called are very few, compared with former years, yet they find the beef for many a Chess Editor, who barely supplies the salt.
It is not a desirable thing in England like it was in India, Arabia and Sweden to have the reputation of being great in chess, nor is it supposed now, as it was in the Arabian manuscript, the Treasure of the Sciences, and Olaus Magnus' work to imply any particular proof of wisdom and discretion or evidence of fitness for other things and one is not likely to secure a patron, or a post, much less a wife by it. An example of how professional chess players are regarded and can be treated now-a-days is afforded by the gradual extinction of the class, and absence of the only two young masters from their native country. The British Chess Magazine managers are not ignorant of the significance of the course which they have and are still taking against chess masters. The Rev. W. Wayte and the Rev. J. Owen, both of whom have known for forty years, were captains of the respective teams in a proposed monster match North v. South which took place at the Great Western Hotel, Birmingham, on the 28th of January last, the inception of which shows how enthusiasm and ability can be treated by those who assume the management and control of these contests. At the very outset before any disposition or inclination of any kind in the matter was evinced by the masters the self-appointed inceptors took upon themselves the very superfluous and invidious task of barring all professionals, and the Chairman who seems to have joined it recently, is the same chess patron who would not support my proposal for the Jubilee Tournament of 1887 (successfully carried out with the aid of the Times) on the ground "that it was not within the province of any player, however eminent and enthusiastic to usurp the functions of the executive appointed for the purpose (whether paid executive chose to take action or not). May we ask are the parties who agitated this monster tournament, those who were specially appointed for any such purpose. Who first thought of the happy idea of covering amateurs' expenses, and of excluding just those players likely to furnish the best and most instructive and amusing games, such in fact as the public most like to see.
Does this abundance of contests answer one good end, does it even divert attention from the fact that it is absorbing the funds, if not strictly taking the place of the 1892 International Chess Tournament which we are under engagement to our own public and still more to foreign chess players to provide in return for Breslau, Amsterdam and Dresden hospitality and meetings.
To return to dinners, next to them, headaches, stomach aches, and indigestion often explain the loss of a game, whilst an acute attack of gout is considered rather advantageous than otherwise.
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LOOKERS ON
I know players who have looked on at chess for years that have never been seen to engage in a game. Occasionally the occupiers of the earliest seats carry cigar cases, but more frequently they do not. Some talk over the game obtrusively which is not always convenient.
Such a one noticing that no money ever passed when Boden and Bird played, patronizingly said to the former, "Mr. Boden, I am so glad to find you do not care for 'filthy lucre.'" B. replied, "It is not to the 'filthy lucre' I object, but to the 'filthy looker on.'"
It is bad form for spectators to remove the pieces from the board without the consent of the players, even if it be done for the purpose of demonstrating more forcibly what move should be made.
One who never remained a spectator more than five minutes, observed, all he desired was to get a birds-eye view of Bird's position.
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EXCUSES
Boden and Bird were favourite opponents for 25 years and though very opposite in styles were, in the long run, singularly even in their series. It was the practice of both to resign at the proper moment. Bird, once it was thought, gave up too early. "Oh, it is hopeless," said he. "I have my misgivings, I cannot contend against such forebodings, one Boden is too much, for me."
One player, who rarely scored a game, was likened to a very great musical composer—"Beethoven"—(Beat often)!!
The excuse made for our old friend L., the hatter, that he was not playing in his best tile hardly applied. Buckle, with his proverbially 'bad hat', usually under the table, yet invariably played superbly.
A man of leather found his efforts to excel, bootless. The retired fishmonger Umpleby played but a (f) visionary game. The tailor complained that he played more like a goose than a bird.
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THE PIECES IN CHESS
Jokes have been sometimes made about the pieces used in chess. Even the calm and serene Mr. Lambe could not refrain from being facetious in reference to the conversion of a Pawn or private soldier into a Queen. Another remarked that the Queen works very hard for a lazy King who alone gets all the checks. Umpleby, the retired fishmonger in the chess story declared that he would have been the best player in the world, but for the Knights at chess which jumped about in the most unreasonable and absurd manner without rhyme or reason, here there and everywhere, and the lady who it was said was found engaged and playing with thirty-two men remained single ever afterwards. A rather boasting player once said, "I must win, I have a piece —a (of) head." One answered, "You would be more likely to win, if instead of a piece of a head, you had a whole head."
The Rooks occupy the corner squares, and may be played along either of the files of squares they command.
Mr. Serjeant Drytong whose legal acumen was acknowledged by all parties, was also distinguished for a pretty wit and great skill in our Royal Game.
On one occasion he appeared for the Defendant in an action brought by four persons to recover a sum of money lost by his client in a betting transaction. In the course of his speech the judge (C. J. Wontone) interrupting him asked, Do I understand you to say that the Plaintiffs were standing two and two at each end of the street in order to intercept the Defendant when he came out. Not exactly two and two, my lord, said the counsel, but as on a chess board. There was a Rook at every corner, only these, as I shall show, did not act upon the square.
Miss Rooster, on one occasion when her dearest friend, Miss Pullet called, was found so absorbed in studying a problem by the great Schwerlagerbier, that her visitor could not obtain even a sign of recognition. After various unsuccessful efforts to attract the attention of the fair enthusiast, Miss Pullet departed, and meeting an acquaintance immediately afterwards jocosely remarked that she had left Miss Rooster engaged with thirty-two men, whereby she acquired the reputation of being a dangerous coquette. To this thoughtless jest Miss Rooster ascribed the circumstance, that during the remainder of her life she walked in meditation fancy free.
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COVENT GARDEN INSPIRATION
We have already seen that the Chess Masters whom the Fortnightly Review have in a sense made immortal are Lowenthal, Rosenthal, Horwitz, Zukertort, Winawer and Hoffer, the writers seem to have forgotten his Lordship and Purssell's great philosopher who have furnished more fun than all the above put together, and where is the typical "P.F.G." (pale faced German), "California" and the "fidgetty W." and Hoffer's "Estimate of the value of English Players" (1887). Surely half the wit of these Fortnightly Review contributors could have made an article of these alone without the addition of more serious persons such as Steinitz, Blackburne and Bird.
"A foreign estimate of the value of English Chess Players from Covent Garden" was the title of a little skit which caused some amusement five or six years ago. It commenced with Blackburne 5 pounds for a blindfold performance, Gunsberg 2 pounds: 2 : 0 : 0 for a simultaneous performance, and ranges downwards till it comes to two pence for the price of Pollock's proverbial pint of porter. Bird could always be bought for a glass of whiskey hot and a pleasing nod, and Mason could be got rid of on an emergency for half-a-crown. Even poor Zukertort at the B. C. towards the last stood very low. One evening, after the ordinary dinner at this famous chess club, the whole of the Amateur Company, with no exception, adjourned to cards and billiards, Zukertort, Blackburne, Gunsberg and Bird remained alone in the chess room, the last named proposed a match between themselves, the others less enthusiastic did not fall in and after a desultory conversation of half-an-hour or so the little band dispersed.
The article about "Fleas and Nits" which well nigh led to the extinction of the Chess Monthly emanated from Covent Garden and was aimed at Mr. Steinitz.
Steinitz has perhaps been the subject of more jokes than any other chess player. From the day when he first assumed the responsibilities of chess editorship, and as some are wont to say "kept watch over The Field Office lest it should disappear before the morning," to the time when he unfortunately left us for America he was nearly always a fertile theme of amusement with the joke-loving members of the chess fraternity. We fancy we see him now with pen behind the ear pacing up and down the Divan rooms with horried start and whisper dread, saying, "O have you seen my article! How many K's in occur? and is there more than one H in editor?" He has improved since then and is a match for Hoffer. The clocks (implements of torture I call them) used for regulating the time consumed in chess matches have led to several facetious stories at Steinitz's expense, some, however, not too good natured. Still it was curious to see his gymnastics, mental and physical, between observance of the chess board and the time pieces on occasions when time run short and indeed sometimes when it did not.
A game between Steinitz and Rosenthal in the London Criterion Tournament of 1883 furnished an example which will doubtless be familiarly remembered by those present. With eight moves to make in about as many minutes in his excitement he had apparently unwillingly climbed the back of a chair and not till he had completed the requisite number within the hour and began to breathe freely did he seem conscious of where he was. Though anxious for a moment or so he succeeded in getting down very cleverly without mishap, not however escaping some signs of trepidation.
A St. Louis writer in 1886, after one of his games with Zukertort, described in true American fashion Steinitz's tall chair and short legs and his frantic efforts to regain terra firma, as the writer described it, to reach the American hemisphere. Steinitz's high appreciation of proficiency in the game and what is due to one who attains it was once illustrated before a great man at Vienna, who rebuked him for humming whilst playing at chess, saying, "Don't you know that I am the great Banker?" The reply was characteristic of Steinitz. "And don't you know that I am the Rothschild of chess?"
A beautiful chess position with Steinitz beats any work of art as Al Solis chess, in the opinion of the Caliph, one thousand years ago far excelled the flowers in his most beautiful garden and everything that was in it. More than this, Prime Ministers and Lord Chancellors, Liberal and Conservative, come and go but there is but one first Lord in chess, says Steinitz.
Steinitz was so much gratified with the reminder of mine at Simpson's, that three of the greatest minds ever known have had the same initials that he will pardon the little addition joke from Paternoster Row. The three mighty W.S.'s are Wilhelm Steinitz, William Shakespeare and Walter Scott. He was not so well pleased with the addition of the unnecessary missing words William Sykes.
Steinitz was introduced at a club once as the Champion. "Of what?" was the reply.
Steinitz has been known to grieve much when he has lost at chess; at Dundee, for example, in 1866 after his defeat by De Vere his friends became alarmed at his woe and disappearance. Again, after his fall to Rosenthal in a game he should have won at the Criterion in 1883, news were brought that he was on a seat in St. James' Park quite uncontrollable.
Steinitz is liberally disposed to others in mind and purse. The following brevities on chess are known to have been much admired by him, I therefore append them for his artistic eye.
So old and enthusiastic a chess player as Bird, and one who has travelled about so much professionally, and on chess, has naturally been the object of many pleasantries, and bon mots, although he escaped the Fortnightly Review writers, being regarded, at least by one of them as a very serious person, L'Anglais comme il faut of the Vienna Neue Frie Presse. The despised Britisher of custom house officers (who always chalk him away, hardly deigning to examine his luggage even). He has figured as the sea captain of the New York Sun, the farmer of the Rochester Press, the ladies chess professor of the Albany Argus, and the veteran of the Montreal Press, his vicissitudes have led him into strange places, among others to a wigwam of the Indians at Sarnia in 1860, and a representation of one in the Vienna Exhibition of 1873, when much to the amusement of Professor Anderssen and Baron Kolisch he received such a cordial reception from a lady who recognized him as an old friend and customer at Niagara falls, the lady in question being commonly termed a squaw (not a disrespectful word for a lady it is hoped). Bird has been in the Nest at Amsterdam, in the Bowery at New York, and in the accident ward at Vienna, and has witnessed many strange things and distressing circumstances, and has endured interviewers and Irish Home Rulers in America without a shudder, and has perhaps been asked more questions about chess than any man living, because he good naturedly always answers them, and has furnished matter enough in ten minutes for a two-column article. He has been accused of a partiality for whisky hot, especially when served by female hands, of ordering soles by special train at Nuremberg, though he only disposed or them at breakfast not knowing their price or from whence they came. Blackburne and Hoffer are responsible for the statement that he sat up through the night at Vienna preparing statistics, with nothing but his hat on. The allegation in the Field and elsewhere that he instructed the French President to fetch a cab for him on a busy fete day at the Champs de Elysees, in 1878, is not just, that genial and courteous gentleman having volunteered to do so under exceptional circumstances, and as all act of sympathy, and perhaps on account of Bird's play, who though suffering acutely from gout on that particular day won one of his two best games of Anderssen. If Bird had a carriage and pair to the barbers to get a shave (quite recently asserted) it was because he could not find a conveyance with one horse in time to reach his destination. When he made a late dinner solely off Pate de Foie Grass at the Marquis d'Andigny's banquet at St. Germains, Paris, in 1878, when there were any number of courses, he did so because be liked the flavour (certainly did not find it savourless) not comprehending the waiter's surprise or aware of its bilious tendency till afterwards. Even a king once dined off goose livers or something of the sort, and we have heard somewhere of a "feast of snails."
Even assuming glasses of Lager, 20 Schnaps, and 30 plates of bread and cheese were consumed at the village with the unpronounceable name 70 miles this side of Nuremberg, one intensely hot afternoon in July, 1883, on the eve of the International Tournament in that city when the train unpolitely went on, leaving him behind, Bird was not the only consumer nor responsible for the food famine, which the Field and the Illustrated Sporting and Dramatic say prevailed afterwards for the whole of the inhabitants of the place (fifty souls) including the old lady ill in bed, and her attendant who deserted her for the afternoon partook thereof.
Neither Steinitz nor Bird are funny men; the latter most reserved among his superiors, yet looks good humored. At the Anglo-American Hotel, Hamilton, in 1860, he was honored by a recognition each morning for a week from the Prince of Wales. At the second Universities chess match, Perrott's, Milk Street, 1874, a young gentleman introduced himself to Bird, and a pleasant chat was commenced, interrupted only by unreasonable intrusion. This gentleman to Bird's surprise who thus honoured him by interest in chess was H.R.H. Prince Leopold.
Professor Ruskin, Lord Randolph Churchill and many eminent men have supported Bird's chess efforts with much approval; in the far past J. P. Benjamin Esq., Q.C., and Sir Charles Russell enjoyed an occasional game. Chief Justice Cockburn, and Sir George Jessel seem to have liked chess. The list of highly distinguished men reported to admire the game is varied and significant.
Many working men have sought wrinkles from Bird; the late Mr. Bradlaugh at intervals extending over thirty years has ardently played occasionally chess or draught skirmishes with much zest. He was singularly agreeable and good tempered and a moderate player at both. Bird knew much of Ireland and the people twenty to thirty years ago. Isaac Butt was fond of chess but played it but indifferently. Chief Baron Pigott who also knew it presided in the long trial Bartlett v. Lewis, Overend, Gurney, etc., and seemed much surprised at a chess allusion. Said Butt to me, "Come, you are not playing chess with me." Whiteside and Sullivan two of the six Counsel on the other side, almost simultaneously replied, "A good thing for you brother Butt, for you would surely soon be checkmated."
The master hand who sketched Mason for the Fortnightly Review scarcely did full justice to his vocal ability, dancing proclivities and Christian friends, and Blackburne's marvellous oracles and dictums pass unnoticed. Tinsley Lee, Van Vliet, Muller and Jasnagrodzky all have their peculiarities which shall remain untouched, for they are young and sensitive, whilst the most amusing since the loss of Purssell's Lordship (next to the Philosopher who happily very much survives) is the extremely popular Monsieur.
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CHESS PATRONS
There have in recent years been annually about eight or ten chess patrons who have contributed more to promote high class chess than all the rest of her Majesty's subjects, and remarkable as it may appear, with one exception there is not one titled, or what would be deemed very distinguished name among them.
250 pounds to 300 pounds a year is an ample sum for necessary first class chess competitions, but nothing like that has been raised under present auspices in this great Metropolis since 1883, or on the average for many years. There are some who will buy chess books who would not care to play at least in a public room on any conditions; there are, on the other hand, some who drop their shillings freely at chess without the slightest instruction or improvement who would scorn to buy a chess book. Even "California" who greatly desired to improve and apparently cared little about expense, and with his double or quits propensity in play would not deign to notice a chess book. One said that this amateur possessed all the requisites of a loser playing very fastly, very badly and risking very rashly. One morning about twelve before chess hours at the Cafe International, New York, whilst writing I was accosted by a tall and fashionable looking American whom I had seen once or twice before playing with Mackenzie or Mason, but had never spoken to. "I see you are busy," said he. "It is not particularly pressing for the moment," said I, placing my work aside. He then commenced to interview me concerning Morphy, asking my opinion and description of him in every conceivable manner; Staunton, Buckle, Anderssen, Steinitz and Blackburne followed in rapid succession. All things temporal have an end and a welcome pause came in this case. Taking up a chess book lying by my side which happened to be a gilt copy of Chess Masterpieces, just out, he said, "How much might that book be?" "Oh! about a dollar," said I. He replied, "I guess that's a pretty tall book, but times are bad and I guess I cannot invest a dollar on that ere book." I found he was one of the non-purchasing class but had the gambling element. "I will play you a game for a dollar if you will give me the odds of a Rook." "I cannot give it you," said I, "but will try the Knight for the usual quarter." He would take nothing less than a Rook and for half-a-dollar, so I made the attempt and he seem'd to play far too well for the odds, kept his advantage for a time well and my prospects or the prospects of my half-dollar were not encouraging, the game toughened, however, and I got a passed Pawn. It was as Monsieur would say "nothing," but it seem'd to bother him immensely. He brought four pieces to stop that poor little Pawn when one would have done, utterly ignoring the policy of economy of force, his game consequently got disarranged and he lost, after about an hour's fighting, No. 1. He proposed another, played wretchedly, and lost No. 2; worse and worse he played always wanting to increase his stake, but I remained true to the classics and would not deviate from the time-honoured stake. As it was I had to draw seven dollars which my opponent parted with most pleasantly, asked me to have a cigar and a nerver, and said I was a wonderful player. He felt that he had a fair look in. Had he bought the book the bare possibility of an injudicious purchase might have preyed upon his mind; the book however was fairly priced. In New York the ten dollar game arose in this way, receiving Rook, Pawn and three moves, I lost on balance ten games, 5 dollars, and demanded double or quits which I was forced to comply with. Passed pawns bothered him also. I was New York Sun Chess Editor and not a chess book investor.
Some have been known to accumulate chess libraries which frequently get dispersed, a copy of Lolli sold for 5 pounds, another equally good for 2/6. The difference between two-pence and 170 pounds for Caxton represents the largest profit yet recorded on a chess book. A copy of Mr. Christie's little work on the Greek and Roman Theory (1799) should be valuable.
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STYLE IN CHESS
Some chess players make more lively games than others, and more interesting to watch, and it is curious what different styles can be discerned in the play of the greatest masters of assumed equal ability, a proof of the great versatility of the game; Anderssen was remarkable for ingenuity and invention, Morphy for intuitive genius and grace, Zukertort for scientific development and Staunton, Buckle, Steinitz and Mason for patience, care and power of utilizing to the utmost the smallest advantages winning by hairs breadth merely. The above represent distinctive schools at chess. Blackburne's play shews little resemblance to that of Bird, Tarrasch and Tchigorin are quite different in style, the former most learned and profound the latter most enterprising.
Lasker's play partakes somewhat of the characteristics of both, Burn and Gunsberg have each a style of their own, and Mackenzie was particularly grand and irresistible in his attacks, Bird is sometimes called the best player of bad games and he often makes a capital middle and splendid end game from an unscientific and erratic beginning. One enthusiast observed that there were only three parts of the game he could not play, viz., the beginning, the middle and the end.
The following is an illustration of four styles of play; the reader can supply real names to satisfy his own taste and imagination.
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STYLE AT CHESS
After a slumber of four years Bangs the fresh, the growing, the vigorous, has risen from his lair, and shaking the dew from his mane, has given utterance to a roar that no champion of chess can hear without a shudder. There is no doubt that he has gained at least a pawn in strength since 1868. Dr. Hooker too, the lightning player, now gives where he once received a Castle. Beach has returned to his native heath rich with the experience of Morphy's old haunt the Cafe de la Regence. Hall has toughened his sinews by many a desperate tug with the paladins of New York. Mackenzie himself has felt the force of his genius and gazed on his moves with astonishment. Between the styles of these four great players there is a notable difference. Bangs, like the lion, tears everything absolutely to fragments that comes within the reach of his claws. Hooker, like the eagle, soars screaming aloft sometimes to such a height that he loses himself but only to return with a desperate sense which Bangs himself can hardly withstand. Beach, more like the slow worm, insinuates gradually into the bowels of the enemy making his presence only felt by the effect, while Hall, on the contrary, rushes right onward like the locomotive scattering obstacles to right and left, and treating his antagonist with no more ceremony than if he were a cow strayed accidentally upon the track. |
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