[Asterism] There is considerable doubt respecting the Pharaoh meant—whether the Pharaoh, whose daughter adopted Moses, or the Pharaoh who was drowned in the Red Sea. The tale suits the latter king far better than it does the first.

Pharsa'lia (The), a Latin epic in ten books, by Lucan, the subject being the fall and death of Pompey. It opens with the passage of Caesar across the Rubĭcon. This river formed the boundary of his province, and his crossing it was virtually a declaration of war (bk. i.). Pompey is appointed by the senate general of the army to oppose him (bk. v.). Caesar retreats to Thessaly; Pompey follows (bk. vi.), and both prepare for war. Pompey, being routed in the battle of Pharsalia, flees (bk. vii.), and seeking protection in Egypt, is met by Achillas, the Egyptian general, who murders him, cuts off his head, and casts his body into the sea (bk. viii.). Cato leads the residue of Pompey's army to Cyrēnê, in Africa (bk. ix.); and Caesar, in pursuit of Pompey, landing at Alexandria, is hospitably entertained by Cleopatra (bk. x.). While here, he tarries in luxurious dalliance, the palace is besieged by Egyptians, and Caesar with difficulty escapes to Pharos. He is closely pursued, hemmed in on all sides, and leaps into the sea. With his imperial robe held between his teeth, his commentaries in his left hand, and his sword in his right, he buffets the waves. A thousand javelins are hurled at him, but touch him not. He swims for empire, he swims for life; 'tis Caesar and his fortunes that the waves bear on. He reaches his fleet; is received by his soldiers with thundering applause. The stars in their courses fought for Caesar. The sea-gods were with him, and Egypt with her host was a by-word and a scorn.

[Asterism] Bk. ix. contains the account of the African serpents, by far the most celebrated passage of the whole poem. The following is a pretty close translation of the passage in question. It would have occupied too much room to give their onslaught also:—

Here all the serpent deadly brood appears; First the dull Asp its swelling neck uprears; The huge Hemor'rhoïs, vampire of the blood; Chersy'ders, that pollute both field and flood; The Water-serpent, tyrant of the lake; The hooded Cobra; and the Plantain snake; Here with distended jaws the Prester strays; And Seps, whose bite both flesh and bone decays; The Amphisbaena with its double head, One on the neck, and one of tail instead; The horned Cerastês; and the Hammodyte, Whose sandy hue might balk the keenest sight; A feverish thirst betrays the Dipsas' sting; The Scytăla, its slough that casts in spring; The Natrix here the crystal streams pollutes; Swift thro' the air the venomed Javelin shoots; Here the Parēas, moving on its tail, Marks in the sand its progress by its trail; The speckled Cenchris darts its devious way, Its skin with spots as Theban marble gay; The hissing Sibīla; and Basilisk, With whom no living thing its life would risk, Where'er it moves none else would dare remain, Tyrant alike and terror of the plain.

E. C. B.

In this battle Pompey had 45,000 legionaries, 7000 horse, and a large number of auxiliaries. Caesar had 22,000 legionaries, and 1000 horse. Pompey's battle cry was Herculês invictus! That of Caesar was Venus victrix! Caesar won the battle.

Phebe (2 syl.), a shepherdess beloved by the shepherd Silvius. While Rosalind was in boy's clothes, Phebe fell in love with the stranger, and made a proposal of marriage; but when Rosalind appeared in her true character, and gave her hand to Orlando, Phebe was content to accept her old love, Silvius.—Shakespeare, As You Like It (1600).

Phedre (or PHAEDRA), daughter of Minos, king of Crete, and wife of Theseus. She conceived a criminal love for Hippolytos, her step-son, and, being repulsed by him, accused him to her husband of attempting to dishonor her. Hippolytos was put to death, and Phaedra, wrung with remorse, strangled herself.

This has been made the subject of tragedy by Eurip'idês in Greek, Sen'eca in Latin, Racine in French (1677). "Phèdre" was the great part of Mdlle. Rachel; she first appeared in this character in 1838.

(Pradon, under the patronage of the duchess de Bouillon and the duc de Nevers, produced, in 1677, his tragedy of Phèdre in opposition to that of Racine. The duke even tried to hiss down Racine's play, but the public judgment was more powerful than the duke; and, while it pronounced decidedly for Racine's chef d'oeuvre, it had no tolerance for Pradon's production.)

Phelis "the Fair," the wife of Sir Guy, earl of Warwick.

Phid'ias (The French), (1) Jean Goujon; also called "The Correggio of Sculptors." He was slain in the St. Bartholomew Massacre (1510-1572). (2) J. B. Pigalle (1714-1785).

Phil (Little), the lad of John Davies, the old fisherman.—Sir W. Scott, Redgauntlet (time, George III.).

Philaminte (3 syl.), wife of Chrysale, the bourgeois, and mother of Armande, Henrietta, Ariste, and Bélise.—Molière, Les Femmes Savantes (1672).

Philan'der, of Holland, was a guest at the house of Arge'o, baron of Servia, and the baron's wife, Gabri'na, fell in love with him. Philander fled the house, and Gabrina told her husband he had abused her, and had fled out of fear of him. He was pursued, overtaken, and cast into a dungeon. One day Gabrina visited him there and asked him to defend her against a wicked knight. This he undertook to do, and Gabrina posted him in a place where he could make his attack. Philander slew the knight, but discovered that it was Argeo. Gabrina now declared she would give him up to justice unless he married her; and Philander, to save his life, did so. But in a very short time the infamous woman tired of her toy, and cut him off by poison.—Ariosto, Orlando Furioso (1516).

Philander, a dawdling lover; so called from Philander, the Dutch knight mentioned above, who was wooed by Gabrina. To "philander" is to hang about a woman in a half-hearted way; to toy.

Yes, I'll baste you together, you and your Philander.—W. Congreve, The Way of the World (1700).

Philander, prince of Cyprus, passionately in love with the Princess Ero'ta.—Beaumont and Fletcher, The Laws of Candy (1647).

Philanthropist (The), John Howard (1726-1790).

Philario, an Italian, at whose house Posthumus made his silly wager with Iachimo. (See POSTHUMUS.)—Shakespeare, Cymbeline (1605).

Philario, an Italian improvisatore, who remained faithful to Fazio even in disgrace.—Dean Milman, Fazio (1815).

Philaster (Prince), heir to the crown of Messi'na. Euphra'sia, who was in love with Philaster, disguised herself as a boy, and, assuming for the nonce the name of Bellario, entered the prince's service. Philaster, who was in love with the Princess Arethu'sa, transferred Bellario to her service, and then grew jealous of Arethusa's love for the young page.—Beaumont and Fletcher, Philaster, or Love Lies a-bleeding (? 1622).

There is considerable resemblance between Euphrasia and "Viola" in Twelfth Night (Shakespeare, 1614).

Philax, cousin of the Princess Imis. The fay Pagan shut them up in the "Palace of Revenge," a superb crystal palace, containing every delight except the power of leaving it. In the course of a few years Imis and Philax longed as much for a separation as at one time they had wished for a union.—Comtesse D'Aunoy, Fairy Tales ("Palace of Revenge," 1682).

Phile'mon (3 syl.), an aged rustic who, with his wife, Baucis, hospitably received Jupiter and Mercury, after every one else had refused to receive them. The gods sent an inundation to destroy the inhospitable people, but saved Baucis and Philemon, and converted their cottage into a magnificent temple. At their own request the aged couple died on the same day, and were changed into two trees, which stood before the temple.—Greek Mythology.

Philinte (2 syl.), friend of Alceste (2 syl.)[TN-88]—Molière, Le Misanthrope (1666).

Philip, father of William Swidger. His favorite expression was, "Lord, keep my memory green. I am 87."—C. Dickens, The Haunted Man (1848).

Philip, the butler of Mr. Peregrine Lovel; a hypocritical, rascally servant, who pretends to be most careful of his master's property, but who in reality wastes it most recklessly, and enriches himself with it most unblushingly. Being found out, he is summarily dismissed.—Rev. J. Townley, High Life Below Stairs (1759).

Philip (Father), sacristan of St. Mary's.—Sir W. Scott, The Monastery (time, Elizabeth).

Philip Augustus, king of France, introduced by Sir W. Scott in The Talisman (time, Richard I.).

Philip Nolan, officer in U. S. Navy, condemned by president of court martial for complicity with Aaron Burr, and for swearing at the United States, "never to hear the name of the United States again." He is passed from one man-of-war to another, never allowed to converse upon national affairs, to see a U. S. newspaper or read a history of the United States, until homesick and heartsick, after an exile of fifty-five years, he dies, praying for the country that had disowned him.—Edward Everett Hale, The Man Without a Country (1863).

Philip Nye, brought up for the Anglican Church, but became a Presbyterian, and afterwards an independent. He was noted for the cut of his beard.

This reverend brother, like a goat, Did wear a tail upon his throat. But set in such a curious frame, As if 'twere wrought in filograin, And cut so even, as if 't had been Drawn with a pen upon his chin.

S. Butler, On Philip Nye's Thanksgiving Beard (1652).

Philip Ogden, lover and hero in Blanche Willis Howard's One Summer. He is nearly blinded by the point of Leigh's umbrella at their first meeting, and after an idyllic courtship they are wedded (1875).

Philip Quarl, a castaway-sailor, who becomes a hermit. His "man Friday" is a chimpanzee.—Philip Quarl (1727).

Philip's Four Daughters. We are told, in Acts xxi. 9, that Philip, the deacon or evangelist, had four daughters which did prophesy.

Helen, the mother of great Constantine, Nor yet St. Philip's daughters, were like thee [Joan of Arc].

Shakespeare, 1 Henry VI. act i. sc. 2 (1589).

Philippe, a parched and haggard wretch, infirm and bent beneath a pile of years, yet shrewd and cunning, greedy of gold, malicious, and looked upon by the common people as an imp of darkness. It was this old villain who told Thancmar that the provost of Bruges was the son of a serf on Thancmar's estates.—S. Knowles, The Provost of Bruges (1836).

Philippe Egalité, (4 syl.), Louis Philippe, duc d'Orléans (1747-1793).

Philipson (The elder), John, earl of Oxford, an exiled Lancastrian, who goes to France disguised as a merchant.

Arthur Philipson, Sir Arthur de Vere, son of the earl of Oxford, whom he accompanies to the court of King René of Provence.—Sir W. Scott, Anne of Geierstein (time, Edward IV.).

Phil'isides (3 syl.), Sir Philip Sidney (1554-1586).

It was the harp of Phil'isides, now dead.... And now in heaven a sign it doth appear, The Harp well known beside the Northern Bear.

Spenser, The Ruins of Time (1591).

[Asterism] Phili[p] Sid[ney], with the Greek termination, makes Phili-sides. Bishop Hall calls the word Phil-is'-ides: "Which sweet Philis'ides fetched of late from France."

Philistines, a title complacently bestowed, in England and America, by the advance-guard in literature and art, on the Conservatives. The French equivalent is "les bourgeois."

Demonstrative and offensive whiskers, which are the special inheritance of the British Philistines.—Mrs. Oliphant, Phoebe, Junr., i. 2.

Phillips (Jessie), the title and chief character of a novel by Mrs. Trollope, the object being an attack on the new poor-law system (1843).

Phillis, a drama written in Spanish, by Lupercio Leonardo, of Argensola.—Cervantes, Don Quixote (1605-15).

Phillis, a pastoral name for a maiden.

Where Corydon and Thyrsis met, Are at their savory dinner set, Of herbs and other country messes, Which the neat-handed Phillis dresses.

Milton, L'Allegro (1638).

Phillis, "the Exigent," asked "Damon thirty sheep for a kiss;" next day, she promised him thirty[TN-89] kisses for a sheep;" the third day, she would have given "thirty sheep for a kiss;" and the fourth day, Damon bestowed his kisses for nothing on Lizette.—C. Rivière Dufresny, La Coquette de Village (1715).

Philo, a Pharisee, one of the Jewish sanhedrim, who hated Caiaphas, the high priest, for being a Sadducee. Philo made a vow in the judgment hall, that he would take no rest till Jesus was numbered with the dead. In bk. xiii. he commits suicide, and his soul is carried to hell by Obaddon, the angel of death.—Klopstock, The Messiah, iv. (1771).

Philoc'lea, one of the heroines in Sir Philip Sidney's "Arcadia." It has been sought to identify her with Lady Penelopê Devereux, with whom Sidney was thought to be in love.

Philocte'tes (4 syl.) one of the Argonauts, who was wounded in the foot while on his way to Troy. An oracle declared to the Greeks that Troy could not be taken "without the arrows of Herculês," and as Herculês at death had given them to Philoctētês, the Greek chiefs sent for him, and he repaired to Troy in the tenth and last year of the siege.

All dogs have their day, even rabid ones. Sorrowful, incurable Philoctetês Marat, without whom Troy cannot be taken.—Carlyle.

Philomel, daughter of Pandīon, king of Attica. She was converted into a nightingale.

Philosopher (The), Marcus Aurelius Antoninus, the Roman emperor, was so called by Justin Martyr (121, 161-180).

Leo VI., emperor of the East (866, 886-911).

Porphyry, the Neoplatonist (223-304).

Alfred or Alured, surnamed "Anglicus," was also called "The Philosopher" (died 1270).

Philosopher of China, Confucius (B.C. 551-479).

Philosopher of Ferney, Voltaire, who lived at Ferney, near Geneva, for the last twenty years of his life (1694-1778).

Philosopher of Malmesbury, Thomas Hobbs, author of Leviathan. He was born at Malmesbury (1588-1679).

Philosopher of Persia (The), Abou Ebn Sina, of Shiraz (died 1037).

Philosopher of Sans Souci, Frederick the Great of Prussia (1712, 1740-1786).

[Asterism] Frederick, elector of Saxony, was called "The Wise" (1463, 1544-1554).

Philosopher of Wimbledon (The), John Horne Tooke, author of the Diversions of Purley. He lived at Wimbledon, near London (1736-1812).

(For the philosophers of the different Greek sects, as the Cynic, Cyrenaic, Eleac, Eleatic, Epicurean, Haraclitian, Ionic, Italic, Megaric, Peripatetic, Sceptic, Socratic, Stoic, etc., see Dictionary of Phrase and Fable, 680-1.)

Philosophers (The five English): (1) Roger Bacon, author of Opus Majus (1214-1292;[TN-90] (2) Sir Francis Bacon, author of Novum Orgănum (1561-1626); (3) the Hon. Robert Boyle (1627-1691;[TN-91] (4) John Locke, author of a treatise on the Human Understanding and Innate Ideas (1632-1704); (5) Sir Isaac Newton, author of Princip'ia (1641-1727).

Philosophy (The Father of), (1) Albrecht von Haller, of Berne (1708-1777). (2) Roger Bacon is also so called (1214-1292).

Philosophy (The Father of Inductive), Francis Bacon [Lord Verulam] (1561-1626).

Philosophy (The Father of Roman), Cicero, the orator (B.C.) 106-43).[TN-92]

Philosophy (The Nursing Mother of). Mde. de Boufflers was so called by Marie Antoinette.

Phil'ostrate (3 syl.), master of the revels to Theseus (2 syl.) king of Athens.—Shakespeare, Midsummer Night's Dream (1592).

Philo'tas, son of Parmenio, and commander of the Macedonian cavalry. He was charged with plotting against Alexander the Great. Being put to the rack, he confessed his guilt, and was stoned to death.

The king may doom to me a thousand tortures, Ply me with fire, and rack me like Philotas, Ere I will stoop to idolize his pride.

N. Lee, Alexander the Great, i. 1 (1678).

Philot'ime (4 syl., "love of glory"), daughter of Mammon, whom the money-god offers to Sir Guyon for a wife; but the knight declines the honor, saying he is bound by love-vows to another.—Spenser, Faëry Queen, ii. 7 (1590).

Philot'imus, Ambition personified. (Greek, Philo-tīmus, "ambitious, covetous of honor.")—Phineas Fletcher, The Purple Island, viii. (1633).

Philotimus, steward of the house in the suite of Gargantua.—Rabelais, Gargantua, i. 18 (1533).

Philpot (Senior), an avaricious old hunks, and father of George Philpot. The old city merchant cannot speak a sentence without bringing in something about money. "He wears square-toed shoes with little tiny buckles, a brown coat with small brass buttons.... His face is all shrivelled and pinched with care, and he shakes his head like a mandarin upon a chimney-piece" (act i. 1).

When I was very young, I performed the part of "Old Philpot," at Brighton, with great success, and next evening I was introduced into a club-room full of company. On hearing my name announced, one of the gentlemen laid down his pipe, and taking up his glass, said, "Here's to your health, young gentleman, and to your father's, too. I had the pleasure of seeing him last night in the part of 'Philpot,' and a very nice, clever old gentleman he is. I hope, young sir, you may one day be as good an actor as your worthy father."—Munden.

George Philpot. The profligate son of old Philpot, destined for Maria Wilding, but the betrothal is broken off, and Maria marries Beaufort. George wants to pass for a dashing young blade, but is made the dupe of every one. "Bubbled at play; duped by a girl to whom he paid his addresses; cudgelled by a rake; laughed at by his cronies; snubbed by his father, and despised by every one."—Murphy, The Citizen (1757 or 1761).

Philtra, a lady of large fortune, betrothed to Bracĭdas; but, seeing the fortune of Amĭdas daily increasing, and that of Bracidas getting smaller and smaller, she forsook the declining fortune of her first lover, and attached herself to the more prosperous younger brother.—Spenser, Faëry Queen, v. 4 (1596).

Phineus [Fi'.nuce], a blind soothsayer, who was tormented by the harpies. Whenever a meal was set before him, the harpies came and carried it off, but the Argonauts delivered him from these pests in return for his information respecting the route they were to take in order to obtain the golden fleece. (See TIRESIAS.)

Tiresias and Phineus, prophets old.

Milton, Paradise Lost, iii. 36 (1665).

Phiz, the pseudonym of Hablot K. Browne, who illustrated the Pickwick Papers (1836), Nicholas Nickleby, and most of Charles Dickens's works of fiction. He also illustrated the Abbotsford edition of the Waverley Novels.

Phleg'rian Size, gigantic. Phlegra, or the Phlegrae'an plain, in Macedon, is where the giants attacked the gods, and were defeated by Hercŭlés. Drayton makes the diphthong ae a short i:

Whose only love surprised those of the Phlegrian size, The Titanois, that once against high heaven durst rise.

Polyolbion, vi. (1612).

Phobbs. Captain and Mrs. Phobbs, with Mrs. Major Phobbs, a widow, sister-in-law to the captain, in Lend Me Five Shillings, by J. M. Morton.

Pho'cion, husband of Euphra'sia, "the Grecian daughter."—A. Murphy, The Grecian Daughter (1772).

Pho'cyas, general of the Syrian army in the siege of Damascus. Phocyas was in love with Eudo'cia, daughter of Eu'menês, the governor, but when he asked the governor's consent, Eumenês sternly refused to give it. After gaining several battles, Phocyas fell into the hands of the Arabs, and consented to join their army to revenge himself on Eumenês. The Arabs triumphed, and Eudocia was taken captive, but she refused to wed a traitor. Ultimately, Phocyas died, and Eudocia entered a convent.—John Hughes, Siege of Damascus (1720).

Phoebe, village girl seduced and afterward married by Barry Crittenden. He takes her to the cottage allotted him by his father, and introduces her to his mother and sisters. She tries diligently to adapt herself to her new sphere until she becomes jealous of a woman whom she imagines Barry once fancied, and now loves. Phoebe flees secretly to her mother's cottage, taking her child with her, and refuses to return to her husband, until accident reveals the causelessness of her jealousy.—Miriam Coles Harris, Phoebe (1884).

Phoebus, the sun-god. Phoebe (2 syl.), the moon-goddess.—Greek Mythology.

Phoebus's Son. Pha'ĕton obtained permission of his father to drive the sun-car for one day, but, unable to guide the horses, they left their usual track, the car was overturned, and both heaven and earth were threatened with destruction. Jupiter struck Phaeton with his thunderbolt, and he fell headlong into the Po.

... like Phoebus fayrest childe, That did presume his father's fiery wayne, And flaming mouths of steeds unwonted wilde, Thro' highest heaven with weaker hand to rayne; ... He leaves the welkin way most beaten playne, And, wrapt with whirling wheels, inflamed the skyen With fire not made to burne, but fayrely for to shyne.

Spenser, Faëry Queen, i. 4, 10 (1590).

Phoebus. Gaston de Foix was so called, from his great beauty (1488-1512).

Phoebus (Captain), the betrothed of Fleur de Marie. He also entertains a base love for Esmeralda, the beautiful gypsy girl.—Victor Hugo, Notre Dame de Paris (1831).

Phoenix (The), is said to live 500 (or 1,000) years, when it makes a nest of spices, burns itself to ashes, and comes forth with renewed life for another similar period. There never was but one phoenix.

The bird of Arabye ... Can never dye, And yet there is none, But only one, A phoenix ... Plinni showeth al In his Story Natural, What he doth finde Of the phoenix kinde.

J. Skelton, Philip Sparow (time, Henry VIII.).

Phoenix Tree, the raisin, an Arabian tree. Floro says: "There never was but one, and upon it the phoenix sits."—Dictionary (1598).

Pliny thinks the tree on which the phoenix was supposed to perch is the date tree (called in Greek phoinix), adding that "the bird died with the tree, and revived of itself as the tree revived."—Nat. Hist., xiii. 4.

Now I will believe That there are unicorns; that in Arabia There is one tree, the phoenix' throne; one phoenix At this hour reigning there.

Shakespeare, The Tempest, act iii. sc. 3 (1609).

Phorcus, "the old man of the sea." He had three daughters, with only one eye and one tooth between 'em.—Greek Mythology.

This is not "the old man of the sea" mentioned in the Arabian Nights ("Sindbad the Sailor").

Phor'mio, a parasite, who is "all things to all men."—Terence, Phormio.

Phosphor, the light-bringer or morning star; also called Hespĕrus, and by Homer and Hesiod Heôs-phŏros.

Bright Phosphor, fresher for the night, Sweet Hesper-Phosphor, double name.

Tennyson, In Memoriam, cxxi. (1850).

Phos'phorus, a knight called by Tennyson "Morning Star," but, in the History of Prince Arthur, "Sir Persaunt of India, or the Blue Knight." One of the four brothers who kept the passages to Castle Perilous.—Tennyson, Idylls ("Gareth and Lynette"); Sir T. Malory, History of Prince Arthur, i. 131 (1470).

[Asterism] It is evidently a blunder to call the Blue Knight "Morning Star," and the Green Knight "Evening Star." In the old romance, the combat with the "Green Knight," is at dawn, and with the "Blue Knight" at nightfall. The error arose from not bearing in mind that our forefathers began the day with the preceding eve, and ended it at sunset.

Phraortes (3 syl.), a Greek admiral.—Sir W. Scott, Count Robert of Paris (time, Rufus).

Phry'ne (2 syl.), an Athenian courtezan of surpassing beauty. Apellês's celebrated picture of "Venus Anadyomĕnê" was drawn from Phrynê, who entered the sea with hair dishevelled for a model. The "Cnidian Venus" of Praxitĕlês was also taken from the same model.

Some say Campaspê was the academy figure of the "Venus Anadyomenê." Pope has a poem called Phryne.

Phyllis, a Thracian, who fell in love with Demoph'oön. After some months of mutual affection, Demophoon was obliged to sail for Athens, but promised to return within a month. When a month had elapsed, and Demophoon did not put in an appearance, Phyllis so mourned for him that she was changed into an almond tree, hence called by the Greeks Phylia. In time, Demophoon returned, and, being told the fate of Phyllis, ran to embrace the tree, which though bare and leafless at the time, was instantly covered with leaves, hence called Phylla by the Greeks.

Let Demophoon tell Why Phyllis by a fate untimely fell.

Ovid, Art of Love, iii.

Phyllis, a country girl in Virgil's third and fifth Eclogues. Hence a rustic maiden. Also spelt Phillis (q.v.).

Phyllis, in Spenser's eclogue, Colin Clout's Come Home Again, is Lady Carey, wife of Sir George Carey (afterwards Lord Hunsdon, 1596). Lady Carey was Elizabeth, the second of the six daughters of Sir John Spenser, of Althorpe, ancestor of the noble houses of Spenser and Marlborough.

No less praiseworthy are the sisters three, The honor of the noble family Of which I, meanest, boast myself to be, ... Phyllis, Charyllis, and sweet Amaryllis: Phyllis the fair is eldest of the three.

Spenser, Colin Clout's Come Home Again (1594).

Phyllis and Brunetta, rival beauties. Phyllis procured for a certain festival some marvellous fabric of gold brocade in order to eclipse her rival, but Brunetta dressed the slave who bore her train, in a robe of the same material and cut in precisely the same fashion, while she herself wore simple black. Phyllis died of mortification.—The Spectator (1711, 1712, 1714).

Phynnodderee, a Manx spirit, similar to the Scotch brownie. Phynnodderee is an outlawed fairy, who absented himself from Fairy-court on the great levée day of the harvest moon. Instead of paying his respects to King Oberon, he remained in the glen of Rushen, dancing with a pretty Manx maid whom he was courting.

Physic a Farce is (His). Sir John Hill began his career as an apothecary in St. Martin's Lane, London; became author, and amongst other things wrote farces. Grarrick said of him:

For physic and farces, his equal there scarce is: His farces are physic, his physic a farce is.

Physician (The Beloved), St. Luke, the evangelist (Col. iv. 14).

Physicians (The prince of), Avicenna, the Arabian (980-1037).

Physigna'thos, king of the frogs, and son of Pelus ("mud"). Being wounded in the battle of the frogs and mice by Troxartas, the mouse king, he flees ingloriously to a pool, "and half in anguish of the flight, expires" (bk. iii. 112). The word means "puffed chaps."

Great Physignathos I from Pelus' race, Begot in fair Hydromedê's embrace.

Parnell, Battle of the Frogs and Mice, i. (about 1712).

Pibrac (Seigneur de), poet and diplomatist, author of Cinquante Quatrains (1574). Gorgibus bids his daughter to study Pibrac instead of trashy novels and poetry.

Lisez-moi, comme il faut, au lieu de ces sornettes, Les Quatrains de Pibrac, et les doctes Tablettes Du conseiller Matthieu; l'ouvrage est de valeur, ... La Guide des pécheurs est encore un bon livre.

Molière, Sganarelle, i. 1 (1660).

(Pierre Matthieu, poet and historian, wrote Quatrains de la Vanité du Monde, 1629.)

Picanninies (4 syl.), little children; the small fry of a village.—West Indian Negroes.

There were at the marriage the picanninies and the Joblilies, but not the Grand Panjandrum.—Yonge.

Pic'atrix, the pseudonym of a Spanish monk; author of a book on demonology.

When I was a student ... that same Rev. Picatrix ... was wont to tell us that devils did naturally fear the bright flashes of swords as much as he feared the splendor of the sun.—Rabelais, Pantag'ruel, iii. 23 (1545).

Picciola, flower that, springing up in the court-yard of his prison, cheers and elevates the lonely life of the prisoner whom X. B. Saintine makes the hero of his charming tale, Picciola (1837).

Piccolino, an opera by Mons. Guiraud (1875); libretto by MM. Sardou and Nuittier. This opera was first introduced to an English audience in 1879. The tale is this: Marthé, an orphan girl adopted by a Swiss pastor, is in love with Frédéric Auvray, a young artist, who "loved and left his love." Marthé plods through the snow from Switzerland to Rome to find her young artist, but, for greater security, puts on boy's clothes, and assumes the name of Piccolino. She sees Frédéric, who knows her not; but, struck with her beauty, makes a drawing of her. Marthé discovers that the faithless Frédéric is paying his addresses to Elena (sister of the Duke Strozzi). She tells the lady her love-tale; and Frédéric, deserted by Elena, forbids Piccolino (Marthé) to come into his presence again. The poor Swiss wanderer throws herself into the Tiber, but is rescued. Frédéric repents, and the curtain falls on a reconciliation and approaching marriage.

Pickel-Herringe (5 syl.), a popular name among the Dutch for a buffoon; a corruption of pickle-härin ("a hairy sprite"), answering to Ben Jonson's Puck-hairy.

Pickle (Peregrine), a savage, ungrateful spendthrift, fond of practical jokes, delighting in tormenting others; but suffering with ill temper the misfortunes which result from his own wilfulness. His ingratitude to his uncle, and his arrogance to Hatchway and Pipes, are simply hateful.—T. Smollett, The Adventures of Peregrine Pickle (1751).

Pickwick (Samuel), the chief character of The Pickwick Papers, a novel by C. Dickens. He is general chairman of the Pickwick Club. A most verdant, benevolent elderly gentleman, who, as member of a club instituted "for the purpose of investigating the source of the Hampstead ponds," travels about with three members of the club, to whom he acts as guardian and adviser. The adventures they encounter form the subject of the Posthumous Papers of the Pickwick Club (1836).

The original of Seymour's picture of "Pickwick" was a Mr. John Foster (not the biographer of Dickens, but a friend of Mr. Chapman's, the publisher). He lived at Richmond, and was "a fat old beau," noted for his "drab tights and black gaiters."

Pickwickian Sense (In a), an insult whitewashed. Mr. Pickwick accused Mr. Blotton of acting in "a vile and calumnious manner;" whereupon Mr. Blotton retorted by calling Mr. Pickwick "a humbug," But it finally was made to appear that both had used the offensive words only in a parliamentary sense, and that each entertained for the other "the highest regard and esteem." So the difficulty was easily adjusted, and both were satisfied.

Lawyers and politicians daily abuse each other in a Pickwickian sense.—Bowditch.

Pic'rochole, king of Lernê, noted for his choleric temper, his thirst for empire, and his vast but ill-digested projects.—Rabelais, Gargantua, i. (1533).

Supposed to be a satire on Charles V. of Spain.

Picrochole's Counsellors. The duke of Smalltrash, the earl of Swashbuckler, and Captain Durtaille, advised King Picrochole to leave a small garrison at home, and to divide his army into two parts—to send one south, and the other north. The former was to take Portugal, Spain, Italy, Germany (but was to spare the life of Barbarossa), to take the islands of the Mediterranean, the Morea, the Holy Land, and all Lesser Asia. The northern army was to take Belgium, Denmark, Prussia, Poland, Russia, Norway, Sweden, sail across the Sandy Sea, and meet the other half at Constantinople, when king Picrochole was to divide the nations amongst his great captains. Echephron said he had heard about a pitcher of milk which was to make its possessor a nabob, and give him for wife a sultan's daughter; only the poor fellow broke his pitcher, and had to go supperless to bed. (See BOBADIL.)—Rabelais, Pantagruel, i. 33 (1533).

A shoemaker bought a ha'p'orth of milk; with this he intended to make butter, the butter was to buy a cow, the cow was to have a calf, the calf was to be sold, and the man to become a nabob; only the poor dreamer cracked the jug, and spilt the milk and had to go supperless to bed.—Pantagruel, i. 33.

Picts, the Caledonians or inhabitants of Albin, i.e. northern Scotland. The Scots came from Scotia, north of Ireland, and established themselves under Kenneth M'Alpin in 843.

The etymology of "Picts" from the Latin picti ("painted men") is about equal to Stevens's etymology of the word "brethren" from tabernacle "because we breathe-therein.[TN-93]

Picture (The), a drama by Massinger (1629). The story of this play (like that of the Twelfth Night, by Shakespeare) is taken from the novelette of Bandello, of Piedmont, who died 1555.

Pi'cus, a soothsayer and augur; husband of Canens. In his prophetic art he made use of a woodpecker (picus), a prophetic bird sacred to Mars. Circé fell in love with him, and as he did not requite her advances, she changed him into a woodpecker, whereby he still retained his prophetic power.

"There is Picus," said Maryx. "What a strange thing is tradition! Perhaps it was in this very forest that Circê, gathering her herbs, saw the bold friend of Mars on his fiery courser, and tried to bewitch him, and, failing, metamorphosed him so. What, I wonder, ever first wedded that story to the woodpecker?"—Ouida, Ariadnê, i. 11.

Pied Horses, Motassem had 130,000 pied horses, which he employed to carry earth to the plain of Catoul; and having raised a mound of sufficient height to command a view of the whole neighborhood, he built thereon the royal city of Shamarah'.—Khondemyr, Khelassat al Akhbar (1495).

The Hill of the Pied Horses, the site of the palace of Alkoremmi, built by Motassem, and enlarged by Vathek.

Pied Piper of Hamelin (3 syl.), a piper named Bunting, from his dress. He undertook, for a certain sum of money, to free the town of Hamelin, in Brunswick, of the rats which infested it; but when he had drowned all the rats in the river Weser, the townsmen refused to pay the sum agreed upon. The piper, in revenge, collected together all the children of Hamelin, and enticed them by his piping into a cavern in the side of the mountain Koppenberg, which instantly closed upon them, and 130 went down alive into the pit (June 26, 1284). The street through which Bunting conducted his victims was Bungen, and from that day to this no music is ever allowed to be played in this particular street.—Verstegan, Restitution of Decayed Intelligence (1634).

Robert Browning has a poem entitled The Pied Piper.

Erichius, in his Exodus Hamelensis, maintains the truth of this legend; but Martin Schoock, in his Fabula Hamelensis, contends that it is a mere myth.

"Don't forget to pay the piper" is still a household expression in common use.

[Asterism] The same tale is told of the fiddler of Brandenberg. The children were led to the Marienberg, which opened upon them and swallowed them up.

[Asterism] When Lorch was infested with ants, a hermit led the multitudinous insects by his pipe into a lake, where they perished. As the inhabitants refused to pay the stipulated price, he led their pigs the same dance, and they, too, perished in the lake.

Next year, a charcoal-burner cleared the same place of crickets; and when the price agreed upon was withheld, he led the sheep of the inhabitants into the lake.

The third year came a plague of rats, which an old man of the mountain piped away and destroyed. Being refused his reward, he piped the children of Lorch into the Tannenberg.

[Asterism] About 200 years ago, the people of Ispahan were tormented with rats, when a little dwarf named Giouf, not above two feet high, promised, on the payment of a certain sum of money, to free the city of all its vermin in an hour. The terms were agreed to, and Giouf, by tabor and pipe, attracted every rat and mouse to follow him to the river Zenderou, where they were all drowned. Next day, the dwarf demanded the money; but the people gave him several bad coins, which they refused to change. Next day, they saw with horror an old black woman, fifty feet high, standing in the market-place with a whip in her hand. She was the genie Mergian Banou, the mother of the dwarf. For four days she strangled daily fifteen of the principal women, and on the fifth day led forty others to a magic tower, into which she drove them, and they were never after seen by mortal eye.—T. S. Gueulette, Chinese Tales ("History of Prince Kader-Bilah," 1723).

[Asterism] The syrens of classic story had, by their weird spirit-music, a similar irresistible influence.

(Weird music is called Alpleich or Elfenseigen.[TN-94]

Pierre [Peer], a blunt, bold, outspoken man, who heads a conspiracy to murder the Venetian senators, and induces Jaffier to join the gang. Jaffier (in order to save his wife's father, Priuli), reveals the plot, under promise of free pardon; but the senators break their pledge, and order the conspirators to torture and death. Jaffier, being free, because he had turned "king's evidence" stabs Pierre, to prevent his being broken on the wheel, and then kills himself.—T. Otway, Venice Preserved (1682).

Pierre, a very inquisitive servant of M. Darlemont, who long suspects his master has played falsely with his ward, Julio, count of Harancour.—Thomas Holcroft, The Deaf and Dumb (1785).

Pierre Alphonse (Rabbi Moïse Sephardi), a Spanish Jew converted to Christianity in 1062.

All stories that recorded are By Pierre Alfonse he knew by heart.

Longfellow, The Wayside Inn (prelude).

Pierre du Coignet or Coignères, an advocate-general in the reign of Philippe de Valois, who stoutly opposed the encroachments of the Church. The monks, in revenge, nicknamed those grotesque figures in stone (called "gargoyles"), pierres du coignet. At Notre Dame de Paris there were at one time gargoyles used for extinguishing torches, and the smoke added not a little to their ugliness.

You may associate them with Master Pierre du Coignet, ... which perform the office of extinguishers.—Rabelais, Gargantua and Pantagruel (1533-45).

Pierrot [Pe'-er-ro], a character in French pantomime, representing a man in stature and a child in mind. He is generally the tallest and thinnest man in the company, and appears with his face and hair thickly covered with flour. He wears a white gown, with very long sleeves, and a row of big buttons down the front. The word means "Little Peter."

Piers and Palinode, two shepherds in Spenser's fifth eclogue, representing the Protestant and the Catholic priest.

Piers or Percy again appears in ecl. x. with Cuddy, a poetic shepherd. This noble eclogue has for its subject "poetry." Cuddy complains that poetry has no patronage or encouragement, although it comes by inspiration. He says no one would be so qualified as Colin to sing divine poetry, if his mind were not so depressed by disappointed love.—Spenser, The Shepheardes Calendar (1579).

Pie'tro (2 syl.), the putative father of Pompilia. This paternity was a fraud to oust the heirs of certain property which would otherwise fall to them.—R. Browning, The Ring and the Book, ii. 580.

Pig. Phaedrus tells a tale of a popular actor who imitated the squeak of a pig. A peasant said to the audience that he would himself next night challenge and beat the actor. When the night arrived, the audience unanimously gave judgment in favor of the actor, saying that his squeak was by far the better imitation; but the peasant presented to them a real pig, and said, "Behold, what excellent judges are ye!"

Pigal (Mons. de), the dancing-master who teaches Alice Bridgenorth.—Sir W. Scott, Peveril of the Peak (time, Charles II.).

Pigeon and Dove (The). Prince Constantio was changed into a pigeon, and the Princess Constantia into a dove, because they loved, but were always crossed in love. Constantio found that Constantia was sold by his mother for a slave, and in order to follow her, he was converted into a pigeon. Constantia was seized by a giant, and in order to escape him was changed into a dove. Cupid then took them to Paphos, and they became "examples of a tender and sincere passion; and ever since have been the emblems of love and constancy."—Comtesse D'Aunoy, Fairy Tales ("The Pigeon and Dove," 1682).

Pigmy, a dwarf. (See PYGMY.)

Pigott Diamond (The), brought from India by Lord Pigott. It weighs 82-1/4 carats. In 1818 it came into the hands of Messrs. Rundell and Bridge.

Pigrogrom'itus, a name alluded to by Sir Andrew Ague-cheek.

In sooth thou wast in very gracious fooling last night when thou spokest of Pigrogromitus, of the Vapian passing the equinoctial of Queubus. 'Twas very good, i' faith.—Shakespeare, Twelfth Night, act ii. sc. 3 (1614).

Pigwig'gen, a fairy knight, whose amours with Queen Mab, and furious combat with Oberon, form the subject of Drayton's Nymphidia (1593).

Pike (Gideon), valet to old Major Bellenden.—Sir W. Scott, Old Mortality (time, Charles II.).

Pila'tus (Mount), in Switzerland. The legend is that Pontius Pilate, being banished to Gaul by the Emperor Tiberius, wandered to this mount, and flung himself into a black lake at the summit of the hill, being unable to endure the torture of conscience for having given up the Lord to crucifixion.

Pilgrim Fathers. They were 102 puritans (English, Scotch, and Dutch), who went, in December, 1620, in a ship called the Mayflower, to North America, and colonized Maine, New Hampshire, Vermont, Massachusetts, and Connecticut. These states they called "New England." New Plymouth (near Boston) was the second colony planted by the English in the New World.

Men in the middle of life, austere and grave in deportment.... God had sifted three kingdoms to find the wheat for this planting.

Longfellow, Courtship of Miles Standish, iv. (1858).

Pilgrim—Palmer. Pilgrims had dwellings, palmers had none. Pilgrims went at their own charge, palmers professed willing poverty, and lived on charity. Pilgrims might return to a secular life, palmers could not. Pilgrims might hold titles and follow trades, palmers were wholly "religious" men.

Pilgrim to Compostella. Some pilgrims on their way to Compostella, stopped at a hospice in La Calzāda. The daughter of the innkeeper solicited a young Frenchman to spend the night with her, but he refused; so she put in his wallet a silver cup, and when he was on the road, she accused him to the alcaydê of theft. As the property was found in his possession, the alcaydê ordered him to be hung. His parents went on their way to Compostella, and returned after eight days, but what was their amazement to find their son alive on the gibbet, and uninjured. They went instantly to tell the alcaydê; but the magistrate replied, "Woman, you are mad! I would just as soon believe these pullets, which I am about to eat, are alive, as that a man who has been gibbeted eight days is not dead." No sooner had he spoken than the two pullets actually rose up alive. The alcaydê was frightened out of his wits, and was about to rush out of doors, when the heads and feathers of the birds came scampering in to complete the resuscitation. The cock and hen were taken in grand procession to St. James's Church of Compostella, where they lived seven years, and the hen hatched two eggs, a cock and a hen, which lived just seven years, and did the same. This has continued to this day, and pilgrims receive feathers from these birds as holy relics; but no matter how many feathers are given away, the plumage of the sacred fowls is never deficient.

[Asterism] This legend is also seriously related by Bishop Patrick, Parable of the Pilgrims, xxxv. 430-4. Udal ap Rhys repeats it in his Tour through Spain and Portugal, 35-8. It is inserted in the Acta Sanctorum, vi. 45. Pope Calixtus II. mentions it among the miracles of Santiago.

Pilgrim (A Passionate), American who visits England, as one seeks the home he has loved throughout a tedious exile. It is like the return of a weary child to his mother's arms, as night comes on. He lingers upon each feature of the landscape as upon the face of his beloved, and counts the rest of the world but "a garish" place.—Henry James, Jr., A Passionate Pilgrim.

Pilgrim's Progress (The), by John Bunyan. Pt. i., 1670; pt. ii., 1684. This is supposed to be a dream, and to allegorize the life of a Christian, from his conversion to his death. His doubts are giants, his sins a pack, his Bible a chart, his minister, Evangelist, his conversion a flight from the City of Destruction, his struggle with besetting sins a fight with Apollyon, his death a toilsome passage over a deep stream, and so on.

The second part is Christiana and her family led by Greatheart through the same road, to join Christian who had gone before.

Pillar of the Doctors (La Colonne des Docteurs), William de Champeaux (*-1121).

Pilot (The), an important character and the title of a nautical burletta by E. Fitzball, based on the novel so called by J. Fenimore Cooper, of New York. "The pilot" turns out to be the brother of Colonel Howard, of America. He happened to be in the same vessel which was taking out the colonel's wife and only son. The vessel was wrecked, but "the pilot" (whose name was John Howard) saved the infant boy, and sent him to England to be brought up, under the name of Barnstable. When young Barnstable was a lieutenant in the British navy, Colonel Howard seized him as a spy, and commanded him to be hung to the yardarm of an American frigate, called the Alacrity. At this crisis, "the pilot" informed the colonel that Barnstable was his own son, and the father arrived just in time to save him from death.

Pilpay', the Indian AEsop. His compilation was in Sanskrit, and entitled Pantschatantra.

It was rumored he could say ... All the "Fables" of Pilpay.

Longfellow, The Wayside Inn (prelude).

Pilum'nus, the patron god of bakers and millers, because he was the first person who ever ground corn.

Then there was Pilumnus, who was the first to make cheese, and became the god of bakers.—Ouida, Ariadnê, i. 40.

Pinabello, son of Anselmo (king of Maganza). Marphi'sa overthrew him, and told him he could not wipe out the disgrace till he had unhorsed a thousand dames and a thousand knights. Pinabello was slain by Brad'amant.—Ariosto, Orlando Furioso (1516).

Pinac, the lively, spirited fellow-traveller of Mirabel, "the wild goose." He is in love with the sprightly Lillia-Bianca, a daughter of Nantolet.—Beaumont and Fletcher, The Wild Goose Chase (1652).

Pinch, a schoolmaster and conjuror, who tries to exorcise Antiph'olus (act iv. sc. 4).—Shakespeare, Comedy of Errors (1593).

Pinch (Tom), clerk to Mr. Pecksniff "architect and land surveyor." Simple as a child, green as a salad, and honest as truth itself. Very fond of story-books, but far more so of the organ. It was the seventh heaven to him to pull out the stops for the organist's assistant at Salisbury Cathedral; but when allowed, after service, to finger the notes himself, he lived in a dreamland of unmitigated happiness. Being dismissed from Pecksniff's office, Tom was appointed librarian to the Temple Library, and his new catalogue was a perfect model of workmanship.

Ruth Pinch, a true-hearted, pretty girl, who adores her brother, Tom, and is the sunshine of his existence. She marries John Westlock.—C. Dickens, Martin Chuzzlewit (1844).

Pinchbeck. Sham doctor and matrimonial agent in John Brougham's play, Playing With Fire.

Pinchbeck (Lady), with whom Don Juan placed Leila to be brought up.

Olden she was—but had been very young; Virtuous she was—and had been, I believe ... She merely now was amiable and witty.

Byron, Don Juan, xii. 43, 47 (1824).

Pinchwife (Mr.), the town husband of a raw country girl, wholly unpractised in the ways of the world, and whom he watches with ceaseless anxiety.

Lady Drogheda ... watched her town husband assiduously as Mr. Pinchwife watched his country wife.—Macaulay.

Mrs. Pinchwife, the counterpart of Molière's "Agnes," in his comedy entitled L'école des Femmes. Mrs. Pinchwife is a young woman wholly unsophisticated in affairs of the heart.—Wycherly, The Country Wife (1675).

[Asterism] Garrick altered Wycherly's comedy to The Country Girl.

Pindar (Peter), the pseudonym of Dr. John Wolcot (1738-1819).

Pindar (The British), Thomas Gray (1716-1771). On his monument in Westminster Abbey is inscribed these lines:

No more the Grecian muse unrivalled reigns; To Britain let the nations homage pay: She felt a Homer's fire in Milton's strains, A Pindar's rapture in the lyre of Gray.

Pindar (The French), (1) Jean Dorat (1507-1588); (2) Ponce Denis Lebrun (1719-1807).

Pindar (The Italian), Gabriello Chiabrera (1552-1637).

Pindar of England. Cowley was preposterously called by the duke of Buckingham "The Pindar, Horace and Virgil of England." Posterity has not endorsed this absurd eulogium (1618-1667).

Pindar of Wakefield (The), George-a-Green, pinner of the town of Wakefield—that is, keeper of the public pound for the confinement of estrays.—The History of George-a-Green, Pindar of the Town of Wakefield (time, Elizabeth).

Pindo'rus and Aride'us, the two heralds of the Christian army in the siege of Jerusalem.—Tasso, Jerusalem Delivered (1575).

Pine-Bender (The), Sinis, the Corinthian robber who used to fasten his victims to two pine trees bent towards the earth, and leave them to be torn to pieces by the rebound.

Pingree (Nancy), called "Old Lady Pingree" because of her pride and black lace turban. She lives by herself in the lower part of the old Pingree house, and is so poor that to give an egg to the lodgers above stairs is an act of self-denying generosity. She has money and burial-clothes laid away for her funeral, yet when the neighbor upstairs dies, Nancy "lends" it to the daughter to keep her mother out of the Potter's field. A sudden rise in property brings Nancy a few hundreds, and enables her to face death with calm certainty of an independent burial in the Pingree lot.—Mary E. Wilkins, A Humble Romance, and Other Stories (1887).

Pinkerton (Miss), a most majestic lady, tall as a grenadier, and most proper. Miss Pinkerton kept an academy for young ladies on Chiswick Mall. She was "the Semiramis of Hammersmith, the friend of Dr. Johnson, and the correspondent of Mrs. Chapone." This very distinguished lady "had a Roman nose, and wore a solemn turban." Amelia Sedley was educated at Chiswick Mall academy, and Rebecca Sharp was a pupil-teacher there.—Thackeray, Vanity Fair, i. (1848).

Pinnit (Orson), keeper of the bears.—Sir W. Scott, Kenilworth (time, Elizabeth).

Pinto (Ferdinand Mendez), a Portuguese traveller, whose "voyages" were at one time wholly discredited, but have since been verified (1509-1583).

Ferdinand Mendez Pinto was but a type of thee, thou liar of the first magnitude.—W. Congreve, Love for Love (1695).

Pious (The), Ernst I., founder of the house of Gotha (1601-1674).

Robert, son of Hugues Capet (971, 996-1031).

Eric IX. of Sweden (*, 1155-1161).

Pip, the hero of Dickens's novel called Great Expectations. His family name was Pirrip, and his Christian name Philip. He was enriched by a convict named Abel Magwitch; and was brought up by Joe Gargery, a smith, whose wife was a woman of thunder and lightning, storm and tempest. Magwitch, having made his escape to Australia, became a sheep farmer, grew very rich, and deposited [pounds]500 a year with Mr. Jaggers, a lawyer, for the education of Pip, and to make a gentleman of him. Ultimately, Pip married Estella, the daughter of Magwitch, but adopted from infancy by Miss Havisham, a rich banker's daughter. His friend, Herbert Pocket, used to call him "Handel."—C. Dickens, Great Expectations (1860).

Pipchin (Mrs.), an exceedingly "well-connected lady," living at Brighton, where she kept an establishment for the training of enfants. Her "respectability" chiefly consisted in the circumstance of her husband having broken his heart in pumping water out of some Peruvian mines (that is, in having invested in these mines and been let in). Mrs. Pipchin was an ill-favored old woman, with mottled cheeks and grey eyes. She was given to buttered toast and sweetbreads, but kept her enfants on the plainest possible fare.—C. Dickens, Dombey and Son (1846).

Piper (Tom), one of the characters in a morris-dance.

So have I seen Tom Piper stand upon our village green, Backed with the May-pole.

William Browne, Shepherd's Pipe (1614).

Piper (Paddy, the), an Irish piper, supposed to have been eaten by a cow. Going along one night during the "troubles," he knocked his head against the body of a dead man dangling from a tree. The sight of the "iligant" boots was too great a temptation: and as they refused to come off without the legs, Paddy took them too, and sought shelter for the night in a cowshed. The moon rose, and Paddy, mistaking the moon-light for the dawn, started for the fair, having drawn on the boots and left the "legs" behind. At daybreak, some of the piper's friends went in search of him, and found, to their horror, that the cow, as they supposed, had devoured him with the exception of his legs—clothes, bags, and all. They were horror-struck, and of course the cow was condemned to be sold; but while driving her to the fair, they were attracted by the strains of a piper coming towards them. The cow startled, made a bolt, with a view, as it was supposed, of making a meal on another piper. "Help, help!" they shouted; when Paddy himself ran to their aid. The mystery was soon explained over a drop of the "cratur," and the cow was taken home again.—S. Lover, Legends and Stories of Ireland (1834).

Piper of Hamelin (The Pied), Bunting, who first charmed the rats of Hamelin into the Weser, and then allured the children (to the number of 130) to Koppenberg Hill, which opened upon them. (See PIED PIPER OF HAMELIN.)

Piperman, the factotum of Chalomel, chemist and druggist. He was "so handy" that he was never at his post; and being "so handy," he took ten times the trouble of doing anything that another would need to bestow. For the self-same reason, he stumbled and blundered about, muddled and marred everything he touched, and being a Jack-of-all-trades was master of none.

There has been an accident because I am so handy. I went to the dairy at a bound, came back at other, and fell down in the open street, where I spilt the milk. I tried to bale it up—no go. Then I ran back or ran home, I forget which, and left the money somewhere; and then, in fact, I have been four times to and fro, because I am so handy.—J. R. Ware, Piperman's Predicament.

Pipes (Tom), a retired boatswain's mate, living with Commodore Trunnion to keep the servants in order. Tom Pipes is noted for his taciturnity.—Tobias Smollett, The Adventures of Peregrine Pickle (1751).

(The incident of Tom Pipes concealing in his shoe his master's letter to Emilia was suggested by Ovid.[TN-95]

Cum possit solea chartas celare ligatas, Et vincto blandas sub pede ferre notas,[TN-96]

Art of Love.

Pippa. Peasant maid who sings in tripping through the streets on the morning of her holiday. The song reaches the windows of those who sorrow, doubt and sin, and thus influences other lives than her own.—Robert Browning, Pippa Passes (1842).

Pirate (The), a novel by Sir W. Scott (1821). In this novel we are introduced to the wild sea scenery of the Shetlands; the primitive manners of the old udaller, Magnus Troil, and his fair daughters Minna and Brenda; lovely pictures, drawn with nice discrimination, and most interesting.

[Asterism] A udaller is one who holds his lands on allodial tenure.

Pirner (John), a fisherman at Old St. Ronan's.—Sir W. Scott, St. Ronan's Well (time, George III.).

Pisa. The banner of Pisa is a cross on a crimson field, said to have been brought from heaven by Michael the archangel, and delivered by him to St. Efeso, the patron saint of that city.

Pisanio, servant of Posthu'mus. Being sent to murder Imogen, the wife of Posthumus, he persuades her to escape to Milford Haven in boy's clothes, and sends a bloody napkin to Posthumus, to make him believe that she has been murdered. Ultimately, Imogen becomes reconciled to her husband. (See POSTHUMUS.)—Shakespeare, Cymbeline (1605).

Pisis'tratos, of Athens, being asked by his wife to punish with death a young man who had dared to kiss their daughter, replied, "How shall we requite those who wish us evil, if we condemn to death those who love us?" This anecdote is referred to by Dantê, in his Purgatory, xv.—Valerius Maximus, Memorable Acts and Sayings, v.

Pisis'tratos and His Two Sons. The history of Pisistratos and his two sons is repeated in that of Cosmo de Medici, of Florence, and his two grandsons. It would be difficult to find a more striking parallel, whether we regard the characters or the incidents of the two families.

Pisistratos was a great favorite of the Athenian populace; so was Cosmo de Medici with the populace of Florence. Pisistratos was banished, but, being recalled by the people, was raised to sovereign power in the republic of Athens; so Cosmo was banished, but, being recalled by the people, was raised to supreme power in the republic of Florence. Pisistratos was just and merciful, a great patron of literature, and spent large sums of money in beautifying Athens with architecture; the same may be said of Cosmo de Medici. To Pisistratos we owe the poems of Homer in a connected form; and to Cosmo we owe the best literature of Europe, for he spent fortunes in the copying of valuable MSS. The two sons of Pisistratos were Hipparchos and Hippias; and the two grandsons of Cosmo were Guiliano and Lorenzo. Two of the most honored citizens of Athens (Harmodios and Aristogīton) conspired against the sons of Pisistratos—Hipparchos was assassinated, but Hippias escaped; so Francesco Pazzi and the archbishop of Pisa conspired against the grandsons of Cosmo—Guiliano was assassinated, but Lorenzo escaped. In both cases it was the elder brother who fell, and the younger who escaped. Hippias quelled the tumult, and succeeded in placing himself at the head of Athens; so did Lorenzo in Florence.

Pistol, in The Merry Wives of Windsor and the two parts of Henry IV., is the ancient or ensign of Captain Sir John Falstaff. Peto is his lieutenant, and Bardolph his corporal. Peto being removed, (probably killed), we find in Henry V., Pistol is lieutenant, Bardolph ancient, and Nym corporal. Pistol is also introduced as married to Mistress Nell Quickly, hostess of the tavern in Eastcheap. Both Pistol and his wife die before the play is over; so does Sir John Falstaff; Bardolph and Nym are both hanged. Pistol is a model bully, wholly unprincipled, and utterly despicable; but he treats his wife kindly, and she is certainly fond of him.—Shakespeare.

Pistris, the sea-monster sent to devour Androm'eda. It had a dragon's head and a fish's tail.—Aratus, Commentaries.

Pithyrian [Pi.thirry.an], a pagan of Antioch. He had one daughter, named Mara'na, who was a Christian. A young dragon of most formidable character infested the city of Antioch, and demanded a virgin to be sent out daily for its meal. The Antioch'eans cast lots for the first victim, and the lot fell on Marana, who was led forth in grand procession as the victim of the dragon. Pithyrian, in distraction, rushed into a Christian church, and fell before an image which attracted his attention, at the base of which was the real arm of a saint. The sacristan handed the holy relic to Pithyrian, who kissed it, and then restored it to the sacristan; but the servitor did not observe that a thumb was missing. Off ran Pithyrian with the thumb, and joined his daughter. On came the dragon, with tail erect, wings extended, and mouth wide open, when Pithyrian threw into the gaping jaws the "sacred thumb." Down fell the tail, the wings drooped, the jaws were locked, and up rose the dragon into the air to the height of three miles, when it blew up into a myriad pieces. So the lady was rescued, Antioch delivered; and the relic, minus a thumb, testifies the fact of this wonderful miracle.—Southey, The Young Dragon (Spanish legend).

Pitt Diamond (The), the sixth largest cut diamond in the world. It weighed 410 carats uncut, and 136-3/4 carats cut. It once belonged to Mr. Pitt, grandfather of the famous earl of Chatham. The duke of Orleans, regent of France, bought it for [pounds]135,000, whence it is often called "The Regent." The French republic sold it to Treskon, a merchant of Berlin. Napoleon I. bought it to ornament his sword. It now belongs to the king of Prussia. (See DIAMONDS.)

Pizarro, a Spanish adventurer, who made war on Atali'ba, inca of Peru. Elvi'ra, mistress of Pizarro, vainly endeavored to soften his cruel heart. Before the battle, Alonzo, the husband of Cora, confided his wife and child to Rolla, the beloved friend of the inca. The Peruvians were on the point of being routed, when Rolla came to the rescue, and redeemed the day; but Alonzo was made a prisoner of war. Rolla, thinking Alonzo to be dead, proposed to Cora; but she declined his suit, and having heard that her husband had fallen into the hands of the Spaniards, she implored Rolla to set him free. Accordingly, he entered the prison where Alonzo was confined, and changed clothes with him, but Elvira liberated him on condition that he would kill Pizarro. Rolla found his enemy sleeping in his tent, spared his life, and made him his friend. The infant child of Cora being lost, Rolla recovered it, and was so severely wounded in this heroic act that he died. Pizarro was slain in combat by Alonzo; Elvira retired to a convent; and the play ends with a grand funeral march, in which the dead body of Rolla is borne to the tomb.—Sheridan, Pizarro (1814).

(Sheridan's drama of Pizarro is taken from that of Kotzebue, but there are several alterations: Thus, Sheridan makes Pizarro killed by Alonzo, which is a departure both from Kotzebue and also from historic truth. Pizarro lived to conquer Peru, and was assassinated in his palace at Lima, by the son of his friend, Almagro.)

Pizarro, "the ready tool of fell Velasquez' crimes."—R. Jephson, Braganza (1775).

Pizarro, the governor of the State prison, in which Fernando Florestan was confined. Fernando's young wife, in boy's attire, and under the name of Fidelio, became the servant of Pizarro, who, resolving to murder Fernando, sent Fidelio and Rocco (the jailer) to dig his grave. Pizarro was just about to deal the fatal blow, when the minister of state arrived, and commanded the prisoner to be set free.—Beethoven, Fidelio (1791).

Place'bo, one of the brothers of January, the old baron of Lombardy. When January held a family conclave to know whether he should marry, Placebo told him "to please himself, and do as he liked."—Chaucer, Canterbury Tales ("The Merchant's Tale," 1388).

Placid (Mr.), a hen-pecked husband, who is roused at last to be somewhat more manly, but could never be better than "a boiled rabbit without oyster sauce." (See PLIANT.)

Mrs. Placid, the lady paramount of the house, who looked quite aghast if her husband expressed a wish of his own, or attempted to do an independent act.—Inchbald, Every One Has His Fault (1794).

Plac'idas, the exact fac-simile of his friend, Amias. Having heard of his friend's captivity, he went to release him, and being detected in the garden, was mistaken by Corflambo's dwarf for Amias. The dwarf went and told Paea'na (the daughter of Corflambo, "fair as ever yet saw living eye, but too loose of life and eke of love too light"). Placidas was seized and brought before the lady, who loved Amias, but her love was not requited. When Placidas stood before her, she thought he was Amias, and great was her delight to find her love returned. She married Placidas, reformed her ways, "and all men much admired the change, and spake her praise."—Spenser, Faëry Queen, iv. 8, 9 (1596).

Plagiary (Sir Fretful), a playwright, whose dramas are mere plagiarisms from "the refuse of obscure volumes." He pretends to be rather pleased with criticism, but is sorely irritated thereby. Richard Cumberland (1732-1811), noted for his vanity and irritability, was the model of this character.—Sheridan, The Critic, i. 1 (1779).

Herrick, who had no occasion to steal, has taken this image from Suckling, and spoilt it in the theft. Like Sir Fretful Plagiary, Herrick had not skill to steal with taste.—R. Chambers, English Literature, i. 134.

William Parsons [1736-1795] was the original "Sir Fretful Plagiary," and from his delineation most of our modern actors have borrowed their idea.—Life of Sheridan.

Plaids et Gieux sous l'Ormel, a society formed by the troubadours of Picardy in the latter half of the twelfth century. It consisted of knights and ladies of the highest rank, exercised and approved in courtesy, who assumed an absolute judicial power in matters of the most delicate nature; trying with the most consummate ceremony, all causes in love brought before their tribunals.

This was similar to the "Court of Love," established about the same time, by the troubadours of Provence.—Universal Magazine (March, 1792).

Plain (The), the level floor of the National Convention of France, occupied by the Girondists, or moderate republicans.

The red republicans occupied the higher seats, called "the mountain." By a figure of speech, the Girondist party was called "the plain," and the red republican party "the mountain."

Plain and Perspicuous Doctor (The), Walter Burleigh (1275-1357).

Plain Dealer (The), a comedy by William Wycherly (1677).

The countess of Drogheda ... inquired for the Plain Dealer. "Madam," said Mr. Fairbeard, ... "there he is," pushing Mr. Wycherly towards her.—Cibber, Lives of the Poets, iii. 252.

(Wycherly married the countess in 1680. She died soon afterwards, leaving him the whole of her fortune.)

Plantagenet (Lady Edith), a kinswoman of Richard I. She marries the prince royal of Scotland (called Sir Kenneth, knight of the Leopard, or David, earl of Huntingdon).—Sir W. Scott, The Talisman (time, Richard I.).

Plato. The mistress of this philosopher was Archianassa; of Aristotle, Hepyllis; and of Epicurus, Leontium. (See LOVERS.)

Plato (The German), Friedrich Heinrich Jacobi (1743-1819).

Plato (The Jewish), Philo Judaeus (fl. 30-40).

Plato (The Puritan), John Howe (1630-1706).

Plato and the Bees. It is said that when Plato was an infant, bees settled on his lips while he was asleep, indicating that he would become famous for his "honeyed words." The same story is told of Sophoclês also.

And as when Plato did i' the cradle thrive, Bees to his lips brought honey from the hive; So to this boy [Dor'idon] they came—I know not whether They brought or from his lips did honey gather.

W. Browne, Brittania's Pastorals, ii. (1613).

Plato and Homer. Plato greatly admired Homer, but excluded him from his ideal republic.

Plato, 'tis true, great Homer doth commend, Yet from his common-weal did him exile.

Lord Brooke, Inquisition upon Fame, etc. (1554-1628).

Plato and Poets.

Plato, anticipating the Reviewers, From his "republic," banished without pity The poets.

Longfellow, The Poet's Tale.

Platonic Puritan (The), John Howe, the puritan divine (1630-1706).

Plausible (Counsellor) and Serjeant Eitherside, two pleaders in The Man of the World, by C. Macklin (1764).

Pleasant (Mrs.) in The Parson's Wedding, by Tom Killigrew (1664).

Pleasures of Hope, a poem in two parts by Thomas Campbell (1799). It opens with a comparison between the beauty of scenery, and the ideal enchantments of fancy, in which hope is never absent, but can sustain the seaman on his watch, the soldier on his march, and Byron in his perilous adventures. The hope of a mother, the hope of a prisoner, the hope of the wanderer, the grand hope of the patriot, the hope of regenerating uncivilized nations, extending liberty, and ameliorating the condition of the poor. Pt. ii. speaks of the hope of love, and the hope of a future state, concluding with the episode of Conrad and Ellenore. Conrad was a felon, transported to New South Wales, but, though "a martyr to his crimes, was true to his daughter." Soon, he says, he shall return to the dust from which he was taken;

But not, my child, with life's precarious fire, The immortal ties of Nature shall expire; These shall resist the triumph of decay, When time is o'er, and worlds have passed away. Cold in the dust this perished heart may lie, But that which warmed it once shall never die— That spark, unburied in its mortal frame, With living light, eternal, and the same, Shall beam on Joy's interminable years, Unveiled by darkness, unassuaged by tears.

Pt. ii.

Pleasures of Imagination, a poem in three books, by Akenside (1744). All the pleasures of imagination arise from the perception of greatness, wonderfulness, or beauty. The beauty of greatness—witness the pleasures of mountain scenery, of astronomy, of infinity. The pleasure of what is wonderful—witness the delight of novelty, of the revelations of science, of tales of fancy. The pleasure of beauty, which is always connected with truth—the beauty of color, shape, and so on, in natural objects; the beauty of mind and the moral faculties. Bk. ii. contemplates accidental pleasures arising from contrivance and design, emotion and passion, such as sorrow, pity, terror, and indignation. Bk. iii. Morbid imagination the parent of vice; the benefits of a well-trained imagination.

Pleasures of Memory, a poem in two parts, by Samuel Rogers (1793). The first part is restricted to the pleasure of memory afforded by the five senses, as that arising from visiting celebrated places, and that afforded by pictures. Pt. ii. goes into the pleasures of the mind, as imagination and memory of past griefs and dangers. The poem concludes with the supposition that in the life to come this faculty will be greatly enlarged. The episode is this: Florio, a young sportsman, accidentally met Julia in a grot, and followed her home, when her father, a rich squire, welcomed him as his guest, and talked with delight of his younger days, when hawk and hound were his joy of joys. Florio took Julia for a sail on the lake, but the vessel was capsized, and, though Julia was saved from the water, she died on being brought to shore. It was Florio's delight to haunt the places which Julia frequented.

Her charm around the enchantress Memory threw, A charm that soothes the mind and sweetens too.

Pt. ii.

Pleiads (The), a cluster of seven stars in the constellation Taurus, and applied to a cluster of seven celebrated contemporaries. The stars were the seven daughters of Atlas: Maĭa, Electra, Taygĕtê, (4 syl.), Asterŏpê, Merŏpê, Alcyŏnê and Celēno.

The Pleiad of Alexandria consisted of Callimachos, Apollonios Rhodios, Arātos, Homer the Younger, Lycophron, Nicander, and Theocrĭtos. All of Alexandria, in the time of Ptolemy Philadelphos.

The Pleiad of Charlemagne consisted of Alcuin, called "Albīnus;" Angilbert, called "Homer;" Adelard, called "Augustine;" Riculfe, called "Damaetas;" Varnefrid; Eginhard; and Charlemagne himself, who was called "David."

The First French Pleiad (sixteenth century): Ronsard, Joachim du Bellay, Antoine de Baïf, Remi-Belleau, Jodelle, Ponthus de Thiard, and the seventh is either Dorat or Amadis de Jamyn. All under Henri III.

The Second French Pleiad (seventeenth century): Rapin, Commire, Larue, Santeuil, Ménage, Dupérier, and Petit.

We have also our English clusters. There were those born in the second half of the sixteenth century: Spenser (1553), Drayton (1563), Shakespeare and Marlowe (1564), Ben Jonson (1574), Fletcher (1576), Massinger (1585), Beaumont (Fletcher's colleague) and Ford (1586). Besides these there were Tusser (1515), Raleigh (1552), Sir Philip Sidney (1554), Phineas Fletcher (1584), Herbert (1593), and several others.

Another cluster came a century later: Prior (1664), Swift (1667), Addison and Congreve (1672), Rowe (1673), Farquhar (1678), Young (1684), Gay and Pope (1688), Macklin (1690).

These were born in the latter half of the eighteenth century: Sheridan (1751), Crabbe (1754), Burns (1759), Rogers (1763), Wordsworth (1770), Scott (1771), Coleridge (1772), Southey (1774), Campbell (1777), Moore (1779), Byron (1788), Shelley and Keble (1792), and Keats (1796).

Butler (1600), Milton (1608), and Dryden (1630) came between the first and second clusters. Thomson (1700), Gray (1717), Collins (1720), Akenside (1721), Goldsmith (1728), and Cowper (1731), between the second and the third.

Pleonec'tes (4 syl.), Covetousness personified, in The Purple Island, by Phineas Fletcher (1633). "His gold his god" ... he "much fears to keep, much more to lose his lusting." Fully described in canto viii. (Greek, pleonektês, "covetous.")

Pleydell (Mr. Paulus), an advocate in Edinburgh, shrewd and witty. He was at one time the sheriff at Ellangowan.

Mr. Counsellor Pleydell was a lively, sharp-looking gentleman, with a professional shrewdness in his eye, and, generally speaking, a professional formality in his manner; but this he could slip off on a Saturday evening, when ... he joined in the ancient pastime of High Jinks.—Sir W. Scott, Guy Mannering, xxxix. (time, George II.).

Pliable, a neighbor of Christian, whom he accompanied as far as the "Slough of Despond," when he turned back.—Bunyan, Pilgrim's Progress, i. (1678).

Pliant (Sir Paul), a hen-pecked husband, who dares not even touch a letter addressed to himself till my lady has read it first. His perpetual oath is "Gadsbud!" He is such a dolt that he would not believe his own eyes and ears, if they bore testimony against his wife's fidelity and continency. (See PLACID.)

Lady Pliant, second wife of Sir Paul. "She's handsome, and knows it; is very silly, and thinks herself wise; has a choleric old husband" very fond of her, but whom she rules with spirit, and snubs "afore folk." My lady says, "If one has once sworn, it is most unchristian, inhuman, and obscene that one should break it." Her conduct with Mr. Careless is most reprehensible.—Congreve, The Double Dealer (1694).

Pliny (The German), or "Modern Pliny," Konrad von Gesner of Zurich, who wrote Historia Animalium, etc. (1516-1565).

Pliny of the East, Zakarija ibn Muhammed, surnamed "Kazwînî," from Kazwîn, the place of his birth. He is so called by De Sacy (1200-1283).

Plon-Plon, Prince Napoleon Joseph Charles Bonaparte, son of Jerome Bonaparte by his second wife (the Princess Frederica Catherine of Würtemberg). Plon-Plon is a euphonic corruption of Craint-Plomb ("fear-bullet"), a nickname given to the prince in the Crimēan war (1854-6).

Plornish, plasterer, Bleeding-heart Yard. He was a smooth-cheeked, fresh-colored, sandy-whiskered man of 30. Long in the legs, yielding at the knees, foolish in the face, flannel-jacketed and lime-whitened. He generally chimed in conversation by echoing the words of the person speaking. Thus, if Mrs. Plornish said to a visitor, "Miss Dorrit dursn't let him know;" he would chime in, "Dursn't let him know." "Me and Plornish says, 'Ho! Miss Dorrit;'" Plornish repeated, after his wife, "Ho! Miss Dorrit." "Can you employ Miss Dorrit?" Plornish repeated as an echo, "Employ Miss Dorrit?" (See PETER.)

Mrs. Plornish, the plasterer's wife. A young woman, somewhat slatternly in herself and her belongings, and dragged by care and poverty already into wrinkles. She generally began her sentences with, "Well, not to deceive you." Thus: "Is Mr. Plornish at home?" "Well, sir, not to deceive you, he's gone to look for a job." "Well, not to deceive you, ma'am, I take it kindly of you."—C. Dickens, Little Dorrit (1857).

Plotting Parlor (The). At Whittington, near Scarsdale, in Derbyshire, is a farmhouse where the earl of Devonshire (Cavendish), the earl of Danby (Osborne), and Baron Delamer (Booth), concerted the Revolution. The room in which they met is called "The Plotting Parlor."

Where Scarsdale's cliffs the swelling pastures bound, ... there let the farmer hail The sacred orchard which embowers his gate, And shew to strangers, passing down the vale, Where Cav'ndish, Booth, and Osborne sate When, bursting from their country's chain, ... They planned for freedom this her noblest reign.

Akenside, Ode XVIII. v. 3 (1767).

Plotwell (Mrs.), in Mrs. Centlivre's drama, The Beau's Duel (1703).

Plough of Cincinnatus. The Roman patriot of this name, when sought by the ambassadors sent to entreat him to assume command of state and army, was found ploughing his field. Leaving the plough in the furrow, he accompanied them to Rome, and after a victorious campaign returned to his little farm.

Plousina, called Hebê, endowed by the fairy Anguilletta with the gifts of wit, beauty, and wealth. Hebê still felt she lacked something, and the fairy told her it was love. Presently came to her father's court a young prince named Atimir, the two fell in love with each other, and the day of their marriage was fixed. In the interval, Atimir fell in love with Hebê's elder sister Iberia; and Hebê, in her grief, was sent to the Peaceable Island, where she fell in love with the ruling prince, and married him. After a time, Atimir and Iberia, with Hebê and her husband, met at the palace of the ladies' father, when the love between Atimir and Hebê revived. A duel was fought between the young princes, in which Atimir was slain, and the prince of the Peaceable Islands was severely wounded. Hebê, coming up, threw herself on Atimir's sword, and the dead bodies of Atimir and Hebê were transformed into two trees called "charms."—Countess D'Aunoy, Fairy Tales ("Anguilletta," 1682).

Plowman (Piers), the dreamer, who, falling asleep on the Malvern Hills, Worcestershire, saw in a vision pictures of the corruptions of society, and particularly of the avarice and wantonness of the clergy. This supposed vision is formed into a poetical satire of great vigor, fancy, and humor. It is divided into twenty parts, each part being called a passus, or separate vision.—William [or Robert] Langland, The Vision of Piers the Plowman (1362).

Plumdamas (Mr. Peter), grocer.—Sir W. Scott, Heart of Midlothian (time, George II.).

Plume (Captain), a gentleman and an officer. He is in love with Sylvia, a wealthy heiress, and, when he marries her, gives up his commission.—G. Farquhar, The Recruiting Officer (1705).

Plummer (Caleb), a little old toy-maker, in the employ of Gruff and Tackleton, toy merchants. He was spare, gray-haired, and very poor. It was his pride "to go as close to Natur' in his toys as he could for the money." Caleb Plummer had a blind daughter, who assisted him in his toy-making, and whom he brought up under the belief that he himself was young, handsome, and well off, and that the house they lived in was sumptuously furnished and quite magnificent. Every calamity he smoothed over, every unkind remark of their snarling employer he called a merry jest; so that the poor blind girl lived in a castle of the air, "a bright little world of her own." When merry or puzzled, Caleb used to sing something about "a sparkling bowl."

Bertha Plummer, the blind daughter of the toy-maker, who fancied her poor old father was a young fop, that the sack he threw across his shoulders was a handsome blue great-coat, and that their wooden house was a palace. She was in love with Tackleton, the toy merchant, whom she thought to be a handsome young prince; and when she heard that he was about to marry May Fielding, she drooped and was like to die. She was then disillusioned, heard the real facts, and said, "Why, oh, why did you deceive me thus? Why did you fill my heart so full, and then come like death, and tear away the objects of my love?" However, her love for her father was not lessened, and she declared that the knowledge of the truth was "sight restored." "It is my sight," she cried. "Hitherto I have been blind, but now my eyes are open. I never knew my father before, and might have died without ever having known him truly."

Edward Plummer, son of the toy-maker, and brother of the blind girl. He was engaged from boyhood to May Fielding, went to South America, and returned to marry her; but, hearing of her engagement to Tackleton, the toy merchant, he assumed the disguise of a deaf old man, to ascertain whether she loved Tackleton or not. Being satisfied that her heart was still his own, he married her, and Tackleton made them a present of the wedding-cake which he had ordered for himself.—C. Dickens, The Cricket on the Hearth (1845).

Plush (John), any gorgeous footman, conspicuous for his plush breeches and rainbow colors.

Plutarch (The Modern), Vayer, born at Paris. His name in full was Francis Vayer de la Mothe (1586-1672).

Pluto, the god of Hadês.

Brothers, be of good cheer, for this night we shall sup with Pluto.—Leonidas, To the Three Hundred at Thermopylae.

Plutus, the god of wealth.—Classic Mythology.

Within a heart, dearer than Plutus' mine.

Shakespeare, Julius Caesar, act iv. sc. 3 (1607).

Po (Tom), a ghost. (Welsh, bo, "a hobgoblin.")

He now would pass for spirit Po.

S. Butler, Hudibras, iii. 1 (1678).

Pocahontas, daughter of Powhatan, an Indian chief of Virginia, who rescued Captain John Smith when her father was on the point of killing him. She subsequently married John Rolfe, and was baptized under the name of Rebecca (1595-1617).—Old and New London, ii. 481 (1876).

The Indian Princess is the heroine of John Brougham's drama, Po-ca-hon-tas, or the Gentle Savage.

Pochet (Madame), the French "Mrs. Gamp."—Henri Monnier.

Pochi Dana'ri ("the pennyless"). So the Italians call Maximilian I., emperor of Germany (1459, 1493-1519).

Pocket (Mr. Matthew), a real scholar, educated at Harrow, and an honor-man at Cambridge, but, having married young, he had to take up the calling of "grinder" and literary fag for a living. Mr. Pocket, when annoyed, used to run his two hands into his hair, and seemed as if he intended to lift himself by it. His house was a hopeless muddle, the best meals and chief expense being in the kitchen. Pip was placed under the charge of this gentleman.

Mrs. Pocket (Belinda), daughter of a City knight, brought up to be an ornamental nonentity, helpless, shiftless, and useless. She was the mother of eight children, whom she allowed to "tumble up" as best they could, under the charge of her maid, Flopson. Her husband, who was a poor gentleman, found life a very uphill work.

Herbert Pocket, son of Mr. Matthew Pocket, and an insurer of ships. He was a frank, easy young man, lithe and brisk, but not muscular. There was nothing mean or secretive about him. He was wonderfully hopeful, but had not the stuff to push his way into wealth. He was tall, slim, and pale; had a languor which showed itself even in his briskness; was most amiable, cheerful, and communicative. He called Pip "Handel," because Pip had been a blacksmith, and Handel composed a piece of music entitled The Harmonious Blacksmith. Pip helped him to a partnership in an agency business.

Sarah Pocket, sister of Matthew Pocket, a little dry, brown, corrugated old woman, with a small face that might have been made of walnut-shell, and a large mouth, like a cat's without the whiskers.—C. Dickens, Great Expectations (1860).

Podgers (The), lickspittles of the great.—J. Hollingshead, The Birthplace of Podgers.

Podsnap (Mr.), "a too, too smiling large man, with a fatal freshness on him." Mr. Podsnap has "two little light-colored wiry wings, one on either side of his else bald head, looking as like his hair-brushes as his hair." On his forehead are generally "little red beads," and he wears "a large allowance of crumpled shirt-collar up behind."

Mrs. Podsnap, a "fine woman for Professor Owen: quantity of bone, neck, and nostrils like a rocking-horse, hard features, and majestic head-dress in which Podsnap has hung golden offerings."

Georgiana Podsnap, daughter of the above; called by her father "the young person." She is a harmless, inoffensive girl, "always trying to hide her elbows." Georgiana adores Mrs. Lammle, and when Mr. Lammle tries to marry the girl to Mr. Fledgeby, Mrs. Lammle induces Mr. Twemlow to speak to the father and warn him of the connection.

Poe (Edgar Allen). Poe's parents were actors, and in 1885, the actors of America erected a monument to the memory of the unhappy poet. The poem read at the dedication of the memorial was by William Winter.

"His music dies not, nor can ever die, Blown 'round the world by every wandering wind, The comet, lessening in the midnight sky, Still leaves its trail of glory far behind."

Poem in Marble (A), the Taj, a mausoleum of white marble, raised in Agra, by Shah Jehan, to his favorite, Shahrina Moomtaz-i-Mahul, who died in childbirth of her eighth child. It is also called "The Marble Queen of Sorrow."

Poet (The Quaker), Bernard Barton (1784-1849).

Poet Sire of Italy, Dantê Alighieri (1265-1321).

Poet Squab. John Dryden was so called by the earl of Rochester, on account of his corpulence (1631-1701).

Poet of France (The), Pierre Ronsard (1524-1585).

Poet of Poets, Percy Bysshe Shelley (1792-1822).

Poet of the Poor, the Rev. George Crabbe (1754-1832).

Poets (The prince of). Edmund Spenser is so called on his monument in Westminster Abbey (1553-1598).

Prince of Spanish Poets. So Cervantês calls Garcilaso de la Vega (1503-1536).

Poets of England.

Addison, Beaumont, Elizabeth Barrett Browning, Robert Browning, Burns, Butler, Byron, Campbell, Chatterton, Chaucer, Coleridge, Collins, Congreve, Cowley, Cowper, Crabbe, Drayton, Dryden, Fletcher, Ford, Gay, Goldsmith, Gray, Mrs. Hemans, Herbert, Herrick, Hood, Ben Jonson, Keats, Keble, Landor, Marlowe, Marvel, Massinger, Milton, Moore, Otway, Pope, Prior, Rogers, Rowe, Scott, Shakespeare, Shelley, Shenstone, Southey, Spenser, Thomson, Waller, Wordsworth, Young. With many others of less celebrity.

Poets' Corner, in the south transept of Westminster Abbey. No one knows who christened the corner thus. With poets are divines, philosophers, actors, novelists, architects and critics.

The "corner" contains a bust, statue, tablet, or monument, to five of our first-rate poets: viz., Chaucer (1400), Dryden (1700), Milton (1674), Shakespeare (1616), and Spenser (1598); and some seventeen of second or third class merit, as Addison, Beaumont (none to Fletcher), S. Butler, Campbell, Cowley, Cumberland, Drayton, Gay, Gray, Goldsmith, Ben Jonson, Macaulay, Prior, Rowe, Sheridan, Thomson and Wordsworth.

[Asterism] Dryden's monument was erected by Sheffield, duke of Buckingham. Wordsworth's statue was erected by a public subscription.

Poetry (The Father of), Orpheus (2 syl.) of Thrace.

Father of Dutch Poetry, Jakob Maerlant; also called "The Father of Flemish Poetry" (1235-1300).

Father of English Poetry, Geoffrey Chaucer (1328-1400).

Father of Epic Poetry, Homer.

He compares Richardson to Homer, and predicts for his memory the same honors which are rendered to the Father of Epic Poetry.—Sir W. Scott.

Poetry—Prose. Pope advised Wycherly "to convert his poetry into prose."

Poganuc, small Puritan town in New England as it was 100 years ago.—Harriet Beecher Stowe, Poganuc People (1876).

Po'gram (Elijah), one of the "master minds" of America, and a member of Congress. He was possessed with the idea that there was a settled opposition in the British mind against the institutions of his "free and enlightened country."—C. Dickens, Martin Chuzzlewit (1844).

Poinder (George), a city officer.—Sir W. Scott, Heart of Midlothian (time, George II.).

Poins, a companion of Sir John Falstaff.—Shakespeare, 1 and 2 Henry IV. (1597, 1598).

The chronicles of that day contain accounts of many a mad prank which [Lord Warwick, Addison's step-son] played ... [like] the lawless freaks of the madcap prince and Poins.—Thackeray.

Poison. It is said that Mithridātês VI., surnamed "the Great," had so fortified his constitution that poisons had no baneful effect on him (B.C. 131, 120-63).

Poison of Khaïbar. By this is meant the poison put into a leg of mutton by Zaïnab, a Jewess, to kill Mahomet while he was in the citadel of Kha'ïbar. Mahomet partook of the mutton, and suffered from the poison all through life.

Poisoners (Secret).

1. Of Ancient Rome: Locusta, employed by Agrippi'na to poison her husband, the Emperor Claudius. Nero employed the same woman to poison Britannicus and others.

2. Of English History: the countess of Somerset, who poisoned Sir Thomas Overbury in the Tower of London. She also poisoned others.

Villiers, duke of Buckingham, it is said poisoned King James I.

3. Of France: Lavoisin and Lavigoreux, French midwives and fortune-tellers.

Catherine de Medicis is said to have poisoned the mother of Henri IV. with a pair of wedding-gloves, and several others with poisoned fans.

The marquise de Brinvilliers, a young profligate Frenchwoman, was taught the art of secret poisoning by Sainte-Croix, who learnt it in Italy.—World of Wonders, vii. 203.

4. Of Italy: Pope Alexander VI. and his children, Caesar and Lucrezia [Borgia] were noted poisoners; so were Hieronyma Spara and Tofa'na.

Polexan'dre, an heroic romance by Gomberville (1632).

Policy (Mrs.), housekeeper at Holyrood Palace. She appears in the introduction.—Sir W. Scott, Fair Maid of Perth (time, Henry IV.).

Pol'idore (3 syl.), father of Valère.—Molière, Le Dépit Amoureux (1654).

Polinesso, duke of Albany, who falsely accused Geneura of incontinency, and was slain in single combat by Ariodantês.—Ariosto, Orlando Furioso (1516).

Polish Jew (The), also called THE BELLS, a melodrama by J. R. Ware, brought prominently into note by the acting of Henry Irving at the Lyceum. Mathis, a miller in a small German town, is visited on Christmas Eve by a Polish Jew, who comes through the snow in a sledge. After rest and refreshment he leaves for Nantzig, "four leagues off." Mathis follows him, kills him with an axe, and burns the body in a lime-kiln. He then pays his debts, becomes a prosperous and respected man, and is made burgomaster. On the wedding night of his only child, Annette, he dies of apoplexy, of which he had ample warning by the constant sound of sledge-bells in his ears. In his dream he supposes himself put into a mesmeric sleep in open court, when he confesses everything and is executed (1874).

Polixène, the name assumed by Madelon Gorgibus, a shopkeeper's daughter, as far more romantic and genteel than her baptismal name. Her cousin, Cathos, called herself Aminte (2 syl.).

Polix'enes (4 syl.), king of Bohemia, schoolfellow and old companion of Leontês, king of Sicily. While on a visit to the Sicilian king, Leontês grew jealous of him, and commanded Camillo to poison him; but Camillo only warned him of his danger, and fled with him to Bohemia. Polixenês's son, Flor'izel, fell in love with Perdĭta, the supposed daughter of a shepherd; but the king threatened Perdita and the shepherd with death unless this foolish suit were given up. Florizel and Perdita now fled to Sicily, where they were introduced to King Leontês, and it was soon discovered that Perdita was his lost daughter. Polixenês, having tracked the fugitives to Sicily, learned that Perdita was the king's daughter, and joyfully consented to the union he had before forbidden.—Shakespeare, The Winter's Tale (1604).

Poll Pineapple, the bumboat woman, once sailed in seaman's clothes with Lieutenant Belaye (2 syl.), in the Hot Cross-Bun. Jack tars generally greet each other with "Messmate, ho! what cheer?" but the greeting on the Hot Cross-Bun was always, "How do you do, my dear?" and never was any oath more naughty than "Dear me!" One day, Lieutenant Belaye came on board and said to his crew, "Here, messmates, is my wife, for I have just come from church." Whereupon they all fainted; and it was found the crew consisted of young women only, who had dressed like sailors to follow the fate of Lieutenant Belaye.—S. Gilbert, The Bab Ballads ("The Bumboat Woman's Story").

Pollente (3 syl.), a Saracen, lord of the Perilous Bridge. When his groom, Guizor, demands the "passage-penny" of Sir Artegal, the knight gives him a "stunning blow," saying, "Lo! knave, there's my hire;" and the groom falls down dead. Pollentê then comes rushing up at full speed, and both he and Sir Artegal fall into the river, fighting most desperately. At length Sir Artegal prevails, and the dead body of the Saracen is carried down "the blood-stained stream."—Spenser, Faëry Queen, v. 2 (1596).

Upton conjectures that "Pollente" is intended for Charles IX. of France, and his groom, "Guizor" (he says), means the duke of Guise, noted for the part he took in the St. Bartholomew Massacre.

Polly, daughter of Peachum. A pretty girl, who really loved Captain Macheath, married him, and remained faithful even when he disclaimed her. When the reprieve arrived, "the captain" confessed his marriage, and vowed to abide by Polly for the rest of his life.—J. Gay, The Beggar's Opera (1727).

Polly (Cousin), "a small, bright-eyed lady of indefatigable activity in sacrificing herself for the good of others.... In her trig person she embodied the several functions of housekeeper, nurse, confidante, missionary, parish-clerk, queen of the poultry-yard, and genealogist."—Constance Cary Harrison, Flower de Hundred (1890).

Polly, the idolized pet of "the Colonel," her grandfather. He will not let "Bob" marry her, but when the two elope together and present themselves as man and wife, on Christmas Day, and Polly's face "like a dew-bathed flower" is pressed to his, he yields and takes both to his big heart.—Thomas Nelson Page, In Ole Virginia (1887).

Polo'nius, a garralous[TN-97] old chamberlain, of Denmark, and father of Laer'tês and Ophelia; conceited, politic, and a courtier. Polonius conceals himself, to overhear what Hamlet says to his mother, and, making some unavoidable noise, startles the prince, who, thinking it is the king concealed, rushes blindly on the intruder, and kills him; but finds too late he has killed the chamberlain, and not Claudius, as he hoped and expected.—Shakespeare, Hamlet (1596).