But Joan's ability to receive consolation was quite as ready as her grief had at first been impetuous; the sobs which seemed to be breaking her heart ceased all at once; new thoughts, more gentle, less lugubrious, took possession of the young queen's mind; the trace of tears vanished, and a smile lit up her liquid eyes like the sun's ray following on rain. This change, anxiously awaited, was soon observed by Joan's chamberwoman: she stole to the queen's room, and falling on her knees, in accents of flattery and affection, she offered her first congratulations to her lovely mistress. Joan opened her arms and held her in a long embrace, for Dona Cancha was far more to her than a lady-in-waiting; she was the companion of infancy, the depositary of all her secrets, the confidante of her most private thoughts. One had but to glance at this young girl to understand the fascination she could scarcely fail to exercise over the queen's mind. She had a frank and smiling countenance, such as inspires confidence and captivates the mind at first sight. Her face had an irresistible charm, with clear blue eyes, warm golden hair, mouth bewitchingly turned up at the corners, and delicate little chin. Wild, happy, light of heart, pleasure and love were the breath of her being; her dainty refinement, her charming inconstancies, all made her at sixteen as lovely as an angel, though at heart she was corrupt. The whole court was at her feet, and Joan felt more affection for her than for her own sister.

"Well, my dear Cancha," she murmured, with a sigh, "you find me very sad and very unhappy!"

"And you find me, fair queen," replied the confidante, fixing an admiring look on Joan,—"you find me just the opposite, very happy that I can lay at your feet before anyone else the proof of the joy that the people of Naples are at this moment feeling. Others perhaps may envy you the crown that shines upon your brow, the throne which is one of the noblest in the world, the shouts of this entire town that sound rather like worship than homage; but I, madam, I envy you your lovely black hair, your dazzling eyes, your more than mortal grace, which make every man adore you."

"And yet you know, my Cancha, I am much to be pitied both as a queen and as a woman: when one is fifteen a crown is heavy to wear, and I have not the liberty of the meanest of my subjects—I mean in my affections; for before I reached an age when I could think I was sacrificed to a man whom I can never love."

"Yet, madam," replied Cancha in a more insinuating voice, "in this court there is a young cavalier who might by virtue of respect, love, and devotion have made you forget the claims of this foreigner, alike unworthy to be our king and to be your husband."

The queen heaved a heavy sigh.

"When did you lose your skill to read my heart?" she cried. "Must I actually tell you that this love is making me wretched? True, at the very first this unsanctioned love was a keen joy: a new life seemed to wake within my heart; I was drawn on, fascinated by the prayers, the tears, and the despair of this man, by the opportunities that his mother so easily granted, she whom I had always looked upon as my own mother; I have loved him.... O my God, I am still so young, and my past is so unhappy. At times strange thoughts come into my mind: I fancy he no longer loves me, that he never did love me; I fancy he has been led on by ambition, by self-interest, by some ignoble motive, and has only feigned a feeling that he has never really felt. I feel myself a coldness I cannot account for; in his presence I am constrained, I am troubled by his look, his voice makes me tremble: I fear him; I would sacrifice a year of my life could I never have listened to him."

These words seemed to touch the young confidante to the very depths of her soul; a shade of sadness crossed her brow, her eyelids dropped, and for some time she answered nothing, showing sorrow rather than surprise. Then, lifting her head gently, she said, with visible embarrassment—

"I should never have dared to pass so severe a judgment upon a man whom my sovereign lady has raised above other men by casting upon him a look of kindness; but if Robert of Cabane has deserved the reproach of inconstancy and ingratitude, if he has perjured himself like a coward, he must indeed be the basest of all miserable beings, despising a happiness which other men might have entreated of God the whole time of their life and paid for through eternity. One man I know, who weeps both night and day without hope or consolation, consumed by a slow and painful malady, when one word might yet avail to save him, did it come from the lips of my noble mistress."

"I will not hear another word," cried Joan, suddenly rising; "there shall be no new cause for remorse in my life. Trouble has come upon me through my loves, both lawful and criminal; alas! no longer will I try to control my awful fate, I will bow my head without a murmur. I am the queen, and I must yield myself up for the good of my subjects."

"Will you forbid me, madam," replied Dona Cancha in a kind, affectionate tone—"will you forbid me to name Bertrand of Artois in your presence, that unhappy man, with the beauty of an angel and the modesty of a girl? Now that you are queen and have the life and death of your subjects in your own keeping, will you feel no kindness towards an unfortunate one whose only fault is to adore you, who strives with all his mind and strength to bear a chance look of yours without dying of his joy?"

"I have struggled hard never to look on him," cried the queen, urged by an impulse she was not strong enough to conquer: then, to efface the impression that might well have been made on her friend's mind, she added severely, "I forbid you to pronounce his name before me; and if he should ever venture to complain, I bid you tell him from me that the first time I even suspect the cause of his distress he will be banished for ever from my presence."

"Ah, madam, dismiss me also; for I shall never be strong enough to do so hard a bidding: the unhappy man who cannot awake in your heart so much as a feeling of pity may now be struck down by yourself in your wrath, for here he stands; he has heard your sentence, and come to die at your feet."

The last words were spoken in a louder voice, so that they might be heard from outside, and Bertrand of Artois came hurriedly into the room and fell on his knees before the queen. For a long time past the young lady-in-waiting had perceived that Robert of Cabane had, through his own fault, lost the love of Joan; for his tyranny had indeed become more unendurable to her than her husband's.

Dona Cancha had been quick enough to perceive that the eyes of her young mistress were wont to rest with a kind of melancholy gentleness on Bertrand, a young man of handsome appearance but with a sad and dreamy expression; so when she made up her mind to speak in his interests, she was persuaded that the queen already loved him. Still, a bright colour overspread Joan's face, and her anger would have fallen on both culprits alike, when in the next room a sound of steps was heard, and the voice of the grand seneschal's widow in conversation with her son fell on the ears of the three young people like a clap of thunder. Dona Cancha, pale as death, stood trembling; Bertrand felt that he was lost—all the more because his presence compromised the queen; Joan only, with that wonderful presence of mind she was destined to preserve in the most difficult crises of her future life, thrust the young man against the carved back of her bed, and concealed him completely beneath the ample curtain: she then signed to Cancha to go forward and meet the governess and her son.

But before we conduct into the queen's room these two persons, whom our readers may remember in Joan's train about the bed of King Robert, we must relate the circumstances which had caused the family of the Catanese to rise with incredible rapidity from the lowest class of the people to the highest rank at court. When Dona Violante of Aragon, first wife of Robert of Anjou, became the mother of Charles, who was later on the Duke of Calabria, a nurse was sought for the infant among the most handsome women of the people. After inspecting many women of equal merit as regards beauty, youth and health, the princess's choice lighted on Philippa, a young Catanese woman, the wife of a fisherman of Trapani, and by condition a laundress. This young woman, as she washed her linen on the bank of a stream, had dreamed strange dreams: she had fancied herself summoned to court, wedded to a great personage, and receiving the honours of a great lady. Thus when she was called to Castel Nuovo her joy was great, for she felt that her dreams now began to be realised. Philippa was installed at the court, and a few months after she began to nurse the child the fisherman was dead and she was a widow. Meanwhile Raymond of Cabane, the major-domo of King Charles II's house, had bought a negro from some corsairs, and having had him baptized by his own name, had given him his liberty; afterwards observing that he was able and intelligent, he had appointed him head cook in the king's kitchen; and then he had gone away to the war. During the absence of his patron the negro managed his own affairs at the court so cleverly, that in a short time he was able to buy land, houses, farms, silver plate, and horses, and could vie in riches with the best in the kingdom; and as he constantly won higher favour in the royal family, he passed on from the kitchen to the wardrobe. The Catanese had also deserved very well of her employers, and as a reward for the care she had bestowed on the child, the princess married her to the negro, and he, as a wedding gift, was granted the title of knight.

From this day forward, Raymond of Cabane and Philippa the laundress rose in the world so rapidly that they had no equal in influence at court. After the death of Dona Violante, the Catanese became the intimate friend of Dona Sandra, Robert's second wife, whom we introduced to our readers at the beginning of this narrative. Charles, her foster son, loved her as a mother, and she was the confidante of his two wives in turn, especially of the second wife, Marie of Valois. And as the quondam laundress had in the end learned all the manners and customs of the court, she was chosen at the birth of Joan and her sister to be governess and mistress over the young girls, and at this juncture Raymond was created major-domo. Finally, Marie of Valois on her deathbed commended the two young princesses to her care, begging her to look on them as her own-daughters. Thus Philippa the Catanese, honoured in future as foster mother of the heiress to the throne of Naples, had power to nominate her husband grand seneschal, one of the seven most important offices in the kingdom, and to obtain knighthood for her sons. Raymond of Cabane was buried like a king in a marble tomb in the church of the Holy Sacrament, and there was speedily joined by two of his sons. The third, Robert, a youth of extraordinary strength and beauty, gave up an ecclesiastical career, and was himself made major-domo, his two sisters being married to the Count of Merlizzi and the Count of Morcone respectively. This was now the state of affairs, and the influence of the grand seneschal's widow seemed for ever established, when an unexpected event suddenly occurred, causing such injury as might well suffice to upset the edifice of her fortunes that had been raised stone by stone patiently and slowly: this edifice was now undermined and threatened to fall in a single day. It was the sudden apparition of Friar Robert, who followed to the court of Rome his young pupil, who from infancy had been Joan's destined husband, which thus shattered all the designs of the Catanese and seriously menaced her future. The monk had not been slow to understand that so long as she remained at the court, Andre would be no more than the slave, possibly even the victim, of his wife. Thus all Friar Robert's thoughts were obstinately concentrated on a single end, that of getting rid of the Catanese or neutralising her influence. The prince's tutor and the governess of the heiress had but to exchange one glance, icy, penetrating, plain to read: their looks met like lightning flashes of hatred and of vengeance. The Catanese, who felt she was detected, lacked courage to fight this man in the open, and so conceived the hope of strengthening her tottering empire by the arts of corruption and debauchery. She instilled by degrees into her pupil's mind the poison of vice, inflamed her youthful imagination with precocious desires, sowed in her heart the seeds of an unconquerable aversion for her husband, surrounded the poor child with abandoned women, and especially attached to her the beautiful and attractive Dona Cancha, who is branded by contemporary authors with the name of a courtesan; then summed up all these lessons in infamy by prostituting Joan to her own son. The poor girl, polluted by sin before she knew what life was, threw her whole self into this first passion with all the ardour of youth, and loved Robert of Cabane so violently, so madly, that the Catanese congratulated herself on the success of her infamy, believing that she held her prey so fast in her toils that her victim would never attempt to escape them.

A year passed by before Joan, conquered by her infatuation, conceived the smallest suspicion of her lover's sincerity. He, more ambitious than affectionate, found it easy to conceal his coldness under the cloak of a brotherly intimacy, of blind submission, and of unswerving devotion; perhaps he would have deceived his mistress for a longer time had not Bertrand of Artois fallen madly in love with Joan. Suddenly the bandage fell from the young girl's eyes; comparing the two with the natural instinct of a woman beloved which never goes astray, she perceived that Robert of Cabane loved her for his own sake, while Bertrand of Artois would give his life to make her happy. A light fell upon her past: she mentally recalled the circumstances that preceded and accompanied her earliest love; and a shudder went through her at the thought that she had been sacrificed to a cowardly seducer by the very woman she had loved most in the world, whom she had called by the name of mother.

Joan drew back into herself, and wept bitterly. Wounded by a single blow in all her affections, at first her grief absorbed her; then, roused to sudden anger, she proudly raised her head, for now her love was changed to scorn. Robert, amazed at her cold and haughty reception of him, following on so great a love, was stung by jealousy and wounded pride. He broke out into bitter reproach and violent recrimination, and, letting fall the mask, once for all lost his place in Joan's heart.

His mother at last saw that it was time to interfere: she rebuked her son, accusing him of upsetting all her plans by his clumsiness.

"As you have failed to conquer her by love," she said, "you must now subdue her by fear. The secret of her honour is in our hands, and she will never dare to rebel. She plainly loves Bertrand of Artois, whose languishing eyes and humble sighs contrast in a striking manner with your haughty indifference and your masterful ways. The mother of the Princes of Tarentum, the Empress of Constantinople, will easily seize an occasion of helping on the princess's love so as to alienate her more and more from her husband: Cancha will be the go between, and sooner or later we shall find Bertrand at Joan's feet. Then she will be able to refuse us nothing."

While all this was going on, the old king died, and the Catanese, who had unceasingly kept on the watch for the moment she had so plainly foreseen, loudly called to her son, when she saw Bertrand slip into Joan's apartment, saying as she drew him after her—

"Follow me, the queen is ours."

It was thus that she and her son came to be there. Joan, standing in the middle of the chamber, pallid, her eyes fixed on the curtains of the bed, concealed her agitation with a smile, and took one step forward towards her governess, stooping to receive the kiss which the latter bestowed upon her every morning. The Catanese embraced her with affected cordiality, and turning, to her son, who had knelt upon one knee, said, pointing to Robert—

"My fair queen, allow the humblest of your subjects to offer his sincere congratulations and to lay his homage at your feet."

"Rise, Robert," said Joan, extending her hand kindly, and with no show of bitterness. "We were brought up together, and I shall never forget that in our childhood—I mean those happy days when we were both innocent—I called you my brother."

"As you allow me, madam," said Robert, with an ironical smile, "I too shall always remember the names you formerly gave me."

"And I," said the Catanese, "shall forget that I speak to the Queen of Naples, in embracing once more my beloved daughter. Come, madam, away with care: you have wept long enough; we have long respected your grief. It is now time to show yourself to these good Neapolitans who bless Heaven continually for granting them a queen so beautiful and good; it is time that your favours fall upon the heads of your faithful subjects, and my son, who surpasses all in his fidelity, comes first to ask a favour of you, in order that he may serve you yet more zealously."

Joan cast on Robert a withering look, and, speaking to the Catanese, said with a scornful air—

"You know, madam, I can refuse your son nothing."

"All he asks," continued the lady, "is a title which is his due, and which he inherited from his father—the title of Grand Seneschal of the Two Sicilies: I trust, my daughter, you will have no difficulty in granting this."

"But I must consult the council of regency."

"The council will hasten to ratify the queen's wishes," replied Robert, handing her the parchment with an imperious gesture: "you need only speak to the Count of Artois."

And he cast a threatening glance at the curtain, which had slightly moved.

"You are right," said the queen at once; and going up to a table she signed the parchment with a trembling hand.

"Now, my daughter, I have come in the name of all the care I bestowed on your infancy, of all the maternal love I have lavished on you, to implore a favour that my family will remember for evermore."

The queen recoiled one step, crimson with astonishment and rage; but before she could find words to reply, the lady continued in a voice that betrayed no feeling—

"I request you to make my son Count of Eboli."

"That has nothing to do with me, madam; the barons of this kingdom would revolt to a man if I were on my own authority to exalt to one of the first dignities the son of a—-"

"A laundress and a negro; you would say, madam?" said Robert, with a sneer. "Bertrand of Artois would be annoyed perhaps if I had a title like his."

He advanced a step towards the bed, his hand upon the hilt of his sword.

"Have mercy, Robert!" cried the queen, checking him: "I will do all you ask."

And she signed the parchment naming him Count of Eboli.

"And now," Robert went on impudently, "to show that my new title is not illusory, while you are busy about signing documents, let me have the privilege of taking part in the councils of the crown: make a declaration that, subject to your good pleasure, my mother and I are to have a deliberative voice in the council whenever an important matter is under discussion."

"Never!" cried Joan, turning pale. "Philippa and Robert, you abuse my weakness and treat your queen shamefully. In the last few days I have wept and suffered continually, overcome by a terrible grief; I have no strength to turn to business now. Leave me, I beg: I feel my strength gives way."

"What, my daughter," cried the Catanese hypocritically, "are you feeling unwell? Come and lie down at once." And hurrying to the bed, she took hold of the curtain that concealed the Count of Artois.

The queen uttered a piercing cry, and threw herself before Philippa with the fury of a lioness. "Stop!" she cried in a choking voice; "take the privilege you ask, and now, if you value your own life, leave me."

The Catanese and her son departed instantly, not even waiting to reply, for they had got all they wanted; while Joan, trembling, ran desperately up to Bertrand, who had angrily drawn his dagger, and would have fallen upon the two favourites to take vengeance for the insults they had offered to the queen; but he was very soon disarmed by the lovely shining eyes raised to him in supplication, the two arms cast about him, and the tears shed by Joan: he fell at her feet and kissed them rapturously, with no thought of seeking excuse for his presence, with no word of love, for it was as if they had loved always: he lavished the tenderest caresses on her, dried her tears, and pressed his trembling lips upon her lovely head. Joan began to forget her anger, her vows, and her repentance: soothed by the music of her lover's speech, she returned uncomprehending monosyllables: her heart beat till it felt like breaking, and once more she was falling beneath love's resistless spell, when a new interruption occurred, shaking her roughly out of her ecstasy; but this time the young count was able to pass quietly and calmly into a room adjoining, and Joan prepared to receive her importunate visitor with severe and frigid dignity.

The individual who arrived at so inopportune a moment was little calculated to smooth Joan's ruffled brow, being Charles, the eldest son of the Durazzo family. After he had introduced his fair cousin to the people as their only legitimate sovereign, he had sought on various occasions to obtain an interview with her, which in all probability would be decisive. Charles was one of those men who to gain their end recoil at nothing; devoured by raging ambition and accustomed from his earliest years to conceal his most ardent desires beneath a mask of careless indifference, he marched ever onward, plot succeeding plot, towards the object he was bent upon securing, and never deviated one hair's-breadth from the path he had marked out, but only acted with double prudence after each victory, and with double courage after each defeat. His cheek grew pale with joy; when he hated most, he smiled; in all the emotions of his life, however strong, he was inscrutable. He had sworn to sit on the throne of Naples, and long had believed himself the rightful heir, as being nearest of kin to Robert of all his nephews. To him the hand of Joan would have been given, had not the old king in his latter days conceived the plan of bringing Andre from Hungary and re-establishing the elder branch in his person, though that had long since been forgotten. But his resolution had never for a moment been weakened by the arrival of Andre in the kingdom, or by the profound indifference wherewith Joan, preoccupied with other passion, had always received the advances of her cousin Charles of Durazzo. Neither the love of a woman nor the life of a man was of any account to him when a crown was weighed in the other scale of the balance.

During the whole time that the queen had remained invisible, Charles had hung about her apartments, and now came into her presence with respectful eagerness to inquire for his cousin's health. The young duke had been at pains to set off his noble features and elegant figure by a magnificent dress covered with golden fleur-de-lys and glittering with precious stones. His doublet of scarlet velvet and cap of the same showed up, by their own splendour, the warm colouring of his skin, while his face seemed illumined by his black eyes that shone keen as an eagle's.

Charles spoke long with his cousin of the people's enthusiasm on her accession and of the brilliant destiny before her; he drew a hasty but truthful sketch of the state of the kingdom; and while he lavished praises on the queen's wisdom, he cleverly pointed out what reforms were most urgently needed by the country; he contrived to put so much warmth, yet so much reserve, into his speech that he destroyed the disagreeable impression his arrival had produced. In spite of the irregularities of her youth and the depravity brought about by her wretched education, Joan's nature impelled her to noble action: when the welfare of her subjects was concerned, she rose above the limitations of her age and sex, and, forgetting her strange position, listened to the Duke of Durazzo with the liveliest interest and the kindliest attention. He then hazarded allusions to the dangers that beset a young queen, spoke vaguely of the difficulty in distinguishing between true devotion and cowardly complaisance or interested attachment; he spoke of the ingratitude of many who had been loaded with benefits, and had been most completely trusted. Joan, who had just learned the truth of his words by sad experience, replied with a sigh, and after a moment's silence added—

"May God, whom I call to witness for the loyalty and uprightness of my intentions, may God unmask all traitors and show me my true friends! I know that the burden laid upon me is heavy, and I presume not on my strength, but I trust that the tried experience of those counsellors to whom my uncle entrusted me, the support of my family, and your warm and sincere friendship above all, my dear cousin, will help me to accomplish my duty."

"My sincerest prayer is that you may succeed, my fair cousin, and I will not darken with doubts and fears a time that ought to be given up to joy; I will not mingle with the shouts of gladness that rise on all sides to proclaim you queen, any vain regrets over that blind fortune which has placed beside the woman whom we all alike adore, whose single glance would make a man more blest than the angels, a foreigner unworthy of your love and unworthy of your throne."

"You forget, Charles," said the queen, putting out her hand as though to check his words, "Andre is my husband, and it was my grandfather's will that he should reign with me."

"Never!" cried the duke indignantly; "he King of Naples! Nay, dream that the town is shaken to its very foundations, that the people rise as one man, that our church bells sound a new Sicilian vespers, before the people of Naples will endure the rule of a handful of wild Hungarian drunkards, a deformed canting monk, a prince detested by them even as you are beloved!"

"But why is Andre blamed? What has he done?"

"What has he done? Why is he blamed, madam? The people blame him as stupid, coarse, a savage; the nobles blame him for ignoring their privileges and openly supporting men of obscure birth; and I, madam,"—here he lowered his voice, "I blame him for making you unhappy."

Joan shuddered as though a wound had been touched by an unkind hand; but hiding her emotion beneath an appearance of calm, she replied in a voice of perfect indifference—

"You must be dreaming, Charles; who has given you leave to suppose I am unhappy?"

"Do not try to excuse him, my dear cousin," replied Charles eagerly; "you will injure yourself without saving him."

The queen looked fixedly at her cousin, as though she would read him through and through and find out the meaning of his words; but as she could not give credence to the horrible thought that crossed her mind, she assumed a complete confidence in her cousin's friendship, with a view to discovering his plans, and said carelessly—

"Well, Charles, suppose I am not happy, what remedy could you offer me that I might escape my lot?"

"You ask me that, my dear cousin? Are not all remedies good when you suffer, and when you wish for revenge?"

"One must fly to those means that are possible. Andre will not readily give up his pretensions: he has a party of his own, and in case of open rupture his brother the King of Hungary may declare war upon us, and bring ruin and desolation upon our kingdom."

The Duke of Duras faintly smiled, and his countenance assumed a sinister expression.

"You do not understand me," he said.

"Then explain without circumlocution," said the queen, trying to conceal the convulsive shudder that ran through her limbs.

"Listen, Joan," said Charles, taking his cousin's hand and laying it upon his heart: "can you feel that dagger?"

"I can," said Joan, and she turned pale.

"One word from you—and—"

"Yes?"

"To-morrow you will be free."

"A murder!" cried Joan, recoiling in horror: "then I was not deceived; it is a murder that you have proposed."

"It is a necessity," said the duke calmly: "today I advise; later on you will give your orders."

"Enough, wretch! I cannot tell if you are more cowardly or more rash: cowardly, because you reveal a criminal plot feeling sure that I shall never denounce you; rash, because in revealing it to me you cannot tell what witnesses are near to hear it all."

"In any case, madam, since I have put myself in your hands, you must perceive that I cannot leave you till I know if I must look upon myself as your friend or as your enemy."

"Leave me," cried Joan, with a disdainful gesture; "you insult your queen."

"You forget, my dear cousin, that some day I may very likely have a claim to your kingdom."

"Do not force me to have you turned out of this room," said Joan, advancing towards the door.

"Now do not get excited, my fair cousin; I am going: but at least remember that I offered you my hand and you refused it. Remember what I say at this solemn moment: to-day I am the guilty man; some day perhaps I may be the judge."

He went away slowly, twice turning his head, repeating in the language of signs his menacing prophecy. Joan hid her face in her hands, and for a long time remained plunged in dismal reflections; then anger got the better of all her other feelings, and she summoned Dona Cancha, bidding her not to allow anybody to enter, on any pretext whatsoever.

This prohibition was not for the Count of Artois, for the reader will remember that he was in the adjoining room.



CHAPTER III

Night fell, and from the Molo to the Mergellina, from the Capuano Castle to the hill of St. Elmo, deep silence had succeeded the myriad sounds that go up from the noisiest city in the world. Charles of Durazzo, quickly walking away from the square of the Correggi, first casting one last look of vengeance at the Castel Nuovo, plunged into the labyrinth of dark streets that twist and turn, cross and recross one another, in this ancient city, and after a quarter of an hour's walking, that was first slow, then very rapid, arrived at his ducal palace near the church of San Giovanni al Mare. He gave certain instructions in a harsh, peremptory tone to a page who took his sword and cloak. Then Charles shut himself into his room, without going up to see his poor mother, who was weeping, sad and solitary over her son's ingratitude, and like every other mother taking her revenge by praying God to bless him.

The Duke of Durazzo walked up and down his room several times like a lion in a cage, counting the minutes in a fever of impatience, and was on the point of summoning a servant and renewing his commands, when two dull raps on the door informed him that the person he was waiting for had arrived. He opened at once, and a man of about fifty, dressed in black from head to foot, entered, humbly bowing, and carefully shut the door behind him. Charles threw himself into an easy-chair, and gazing fixedly at the man who stood before him, his eyes on the ground and his arms crossed upon his breast in an attitude of the deepest respect and blind obedience, he said slowly, as though weighing each word—

"Master Nicholas of Melazzo, have you any remembrance left of the services I once rendered you?"

The man to whom these words were addressed trembled in every limb, as if he heard the voice of Satan come to claim his soul; then lifting a look of terror to his questioner's face, he asked in a voice of gloom—

"What have I done, my lord, to deserve this reproach?"

"It is not a reproach: I ask a simple question."

"Can my lord doubt for a moment of my eternal gratitude? Can I forget the favours your Excellency showed me? Even if I could so lose my reason and my memory, are not my wife and son ever here to remind me that to you we owe all our life, our honour, and our fortune? I was guilty of an infamous act," said the notary, lowering his voice, "a crime that would not only have brought upon my head the penalty of death, but which meant the confiscation of my goods, the ruin of my family, poverty and shame for my only son—that very son, sire, for whom I, miserable wretch, had wished to ensure a brilliant future by means of my frightful crime: you had in your hands the proofs of this!

"I have them still."

"And you will not ruin me, my lord," resumed the notary, trembling; "I am at your feet, your Excellency; take my life and I will die in torment without a murmur, but save my son since you have been so merciful as to spare him till now; have pity on his mother; my lord, have pity!"

"Be assured," said Charles, signing to him to rise; "it is nothing to do with your life; that will come later, perhaps. What I wish to ask of you now is a much simpler, easier matter."

"My lord, I await your command."

"First," said the duke, in a voice of playful irony, "you must draw up a formal contract of my marriage."

"At once, your Excellency."

"You are to write in the first article that my wife brings me as dowry the county of Alba, the jurisdiction of Grati and Giordano, with all castles, fiefs, and lands dependent thereto."

"But, my lord—" replied the poor notary, greatly embarrassed.

"Do you find any difficulty, Master Nicholas?"

"God forbid, your Excellency, but—"

"Well, what is it?"

"Because, if my lord will permit, because there is only one person in Naples who possesses that dowry your Excellency mentions."

"And so?"

"And she," stammered the notary, embarrassed more and more, "—she is the queen's sister."

"And in the contract you will write the name of Marie of Anjou."

"But the young maiden," replied Nicholas timidly, "whom your Excellency would marry is destined, I thought, under the will of our late king of blessed memory, to become the wife of the King of Hungary or else of the grandson of the King of France."

"Ah, I understand your surprise: you may learn from this that an uncle's intentions are not always the same as his nephew's."

"In that case, sire, if I dared—if my lord would deign to give me leave—if I had an opinion I might give, I would humbly entreat your Excellency to reflect that this would mean the abduction of a minor."

"Since when did you learn to be scrupulous, Master Nicholas?"

These words were uttered with a glance so terrible that the poor notary was crushed, and had hardly the strength to reply—

"In an hour the contract will be ready."

"Good: we agree as to the first point," continued Charles, resuming his natural tone of voice. "You now will hear my second charge. You have known the Duke of Calabria's valet for the last two years pretty intimately?"

"Tommaso Pace; why, he is my best friend."

"Excellent. Listen, and remember that on your discretion the safety or ruin of your family depends. A plot will soon be on foot against the queen's husband; the conspirators no doubt will gain over Andre's valet, the man you call your best friend; never leave him for an instant, try to be his shadow; day by day and hour by hour come to me and report the progress of the plot, the names of the plotters."

"Is this all your Excellency's command?"

"All."

The notary respectfully bowed, and withdrew to put the orders at once into execution. Charles spent the rest of that night writing to his uncle the Cardinal de Perigord, one of the most influential prelates at the court of Avignon. He begged him before all things to use his authority so as to prevent Pope Clement from signing the bull that would sanction Andre's coronation, and he ended his letter by earnestly entreating his uncle to win the pope's consent to his marriage with the queen's sister.

"We shall see, fair cousin," he said as he sealed his letter, "which of us is best at understanding where our interest lies. You would not have me as a friend, so you shall have me as an enemy. Sleep on in the arms of your lover: I will wake you when the time comes. I shall be Duke of Calabria perhaps some day, and that title, as you well know, belongs to the heir to the throne."

The next day and on the following days a remarkable change took place in the behaviour of Charles towards Andre: he showed him signs of great friendliness, cleverly flattering his inclinations, and even persuading Friar Robert that, far from feeling any hostility in the matter of Andre's coronation, his most earnest desire was that his uncle's wishes should be respected; and that, though he might have given the impression of acting contrary to them, it had only been done with a view to appeasing the populace, who in their first excitement might have been stirred up to insurrection against the Hungarians. He declared with much warmth that he heartily detested the people about the queen, whose counsels tended to lead her astray, and he promised to join Friar Robert in the endeavour to get rid of Joan's favourites by all such means as fortune might put at his disposal. Although the Dominican did not believe in the least in the sincerity of his ally's protestations, he yet gladly welcomed the aid which might prove so useful to the prince's cause, and attributed the sudden change of front to some recent rupture between Charles and his cousin, promising himself that he would make capital out of his resentment. Be that as it might, Charles wormed himself into Andre's heart, and after a few days one of them could hardly be seen without the other. If Andre went out hunting, his greatest pleasure in life, Charles was eager to put his pack or his falcons at his disposal; if Andre rode through the town, Charles was always ambling by his side. He gave way to his whims, urged him to extravagances, and inflamed his angry passions: in a word, he was the good angel—or the bad one—who inspired his every thought and guided his every action.

Joan soon understood this business, and as a fact had expected it. She could have ruined Charles with a single word; but she scorned so base a revenge, and treated him with utter contempt. Thus the court was split into two factions: the Hungarians with Friar Robert at their head and supported by Charles of Durazzo; on the other side all the nobility of Naples, led by the Princes of Tarentum. Joan, influenced by the grand seneschal's widow and her two daughters, the Countesses of Terlizzi and Morcone, and also by Dona Cancha and the Empress of Constantinople, took the side of the Neapolitan party against the pretensions of her husband. The partisans of the queen made it their first care to have her name inscribed upon all public acts without adding Andre's; but Joan, led by an instinct of right and justice amid all the corruption of her court, had only consented to this last after she had taken counsel with Andre d'Isernia, a very learned lawyer of the day, respected as much for his lofty character as for his great learning. The prince, annoyed at being shut out in this way, began to act in a violent and despotic manner. On his own authority he released prisoners; he showered favours upon Hungarians, and gave especial honours and rich gifts to Giovanni Pipino, Count of Altanuera, the enemy of all others most dreaded and detested by the Neapolitan barons. Then the Counts of San Severino, Mileto, Terlizzi and Balzo, Calanzaro and Sant' Angelo, and most of the grandees, exasperated by the haughty insolence of Andre's favourite, which grew every day more outrageous, decided that he must perish, and his master with him, should he persist in attacking their privileges and defying their anger.

Moreover, the women who were about Joan at the court egged her on, each one urged by a private interest, in the pursuit of her fresh passion. Poor Joan,—neglected by her husband and betrayed by Robert of Cabane— gave way beneath the burden of duties beyond her strength to bear, and fled for refuge to the arms of Bertrand of Artois, whose love she did not even attempt to resist; for every feeling for religion and virtue had been destroyed in her own set purpose, and her young inclinations had been early bent towards vice, just as the bodies of wretched children are bent and their bones broken by jugglers when they train them. Bertrand himself felt an adoration for her surpassing ordinary human passion. When he reached the summit of a happiness to which in his wildest dreams he had never dared to aspire, the young count nearly lost his reason. In vain had his father, Charles of Artois (who was Count of Aire, a direct descendant of Philip the Bold, and one of the regents of the kingdom), attempted by severe admonitions to stop him while yet on the brink of the precipice: Bertrand would listen to nothing but his love for Joan and his implacable hatred for all the queen's enemies. Many a time, at the close of day, as the breeze from Posilippo or Sorrento coming from far away was playing in his hair, might Bertrand be seen leaning from one of the casements of Castel Nuovo, pale and motionless, gazing fixedly from his side of the square to where the Duke of Calabria and the Duke of Durazzo came galloping home from their evening ride side by side in a cloud of dust. Then the brows of the young count were violently contracted, a savage, sinister look shone in his blue eyes once so innocent, like lightning a thought of death and vengeance flashed into his mind; he would all at once begin to tremble, as a light hand was laid upon his shoulder; he would turn softly, fearing lest the divine apparition should vanish to the skies; but there beside him stood a young girl, with cheeks aflame and heaving breast, with brilliant liquid eyes: she had come to tell how her past day had been spent, and to offer her forehead for the kiss that should reward her labours and unwilling absence. This woman, dictator of laws and administrator of justice among grave magistrates and stern ministers, was but fifteen years old; this man; who knew her griefs, and to avenge them was meditating regicide, was not yet twenty: two children of earth, the playthings of an awful destiny!

Two months and a few days after the old king's death, on the morning of Friday the 28th of March of the same year, 1343, the widow of the grand seneschal, Philippa, who, had already contrived to get forgiven for the shameful trick she had used to secure all her son's wishes, entered the queen's apartments, excited by a genuine fear, pale and distracted, the bearer of news that spread terror and lamentation throughout the court: Marie, the queen's younger sister, had disappeared.

The gardens and outside courts had been searched for any trace of her; every corner of the castle had been examined; the guards had been threatened with torture, so as to drag the truth from them; no one had seen anything of the princess, and nothing could be found that suggested either flight or abduction. Joan, struck down by this new blow in the midst of other troubles, was for a time utterly prostrated; then, when she had recovered from her first surprise, she behaved as all people do if despair takes the place of reason: she gave orders for what was already done to be done again, she asked the same questions that could only bring the same answers, and poured forth vain regrets and unjust reproaches. The news spread through the town, causing the greatest astonishment: there arose a great commotion in the castle, and the members of the regency hastily assembled, while couriers were sent out in every direction, charged to promise 12,000 ducats to whomsoever should discover the place where the princess was concealed. Proceedings were at once taken against the soldiers who were on guard at the fortress at the time of the disappearance.

Bertrand of Artois drew the queen apart, telling her his suspicions, which fell directly upon Charles of Durazzo; but Joan lost no time in persuading him of the improbability of his hypothesis: first of all, Charles had never once set his foot in Castel Nuovo since the day of his stormy interview with the queen, but had made a point of always leaving Andre by the bridge when he came to the town with him; besides, it had never been noticed, even in the past, that the young duke had spoken to Marie or exchanged looks with her: the result of all attainable evidence was that no stranger had entered the castle the evening before except a notary named Master Nicholas of Melazzo, an old person, half silly, half fanatical, for whom Tommaso Pace, valet de chambre to the Duke of Calabria, was ready to answer with his life. Bertrand yielded to the queen's reasoning, and day by day advanced new suggestions, each less probable than the last, to draw his mistress on to feel a hope that he was far from feeling himself.

But a month later, and precisely on the morning of Monday the 30th of April, a strange and unexpected scene took place, an exhibition of boldness transcending all calculations. The Neapolitan people were stupefied in astonishment, and the grief of Joan and her friends was changed to indignation. Just as the clock of San Giovanni struck twelve, the gate of the magnificent palace of the Durazzo flung open its folding doors, and there came forth to the sound of trumpets a double file of cavaliers on richly caparisoned horses, with the duke's arms on their shields. They took up their station round the house to prevent the people outside from disturbing a ceremony which was to take place before the eyes of an immense crowd, assembled suddenly, as by a miracle, upon the square. At the back of the court stood an altar, and upon the steps lay two crimson velvet cushions embroidered with the fleur-de-lys of France and the ducal crown. Charles came forward, clad in a dazzling dress, and holding by the hand the queen's sister, the Princess Marie, at that time almost thirteen years of age. She knelt down timidly on one of the cushions, and when Charles had done the same, the grand almoner of the Duras house asked the young duke solemnly what was his intention in appearing thus humbly before a minister of the Church. At these words Master Nicholas of Melazzo took his place on the left of the altar, and read in a firm, clear voice, first, the contract of marriage between Charles and Marie, and then the apostolic letters from His Holiness the sovereign pontiff, Clement VI, who in his own name removing all obstacles that might impede the union, such as the age of the young bride and the degrees of affinity between the two parties, authorised his dearly beloved son Charles, Duke of Durazzo and Albania, to take in marriage the most illustrious Marie of Anjou, sister of Joan, Queen of Naples and Jerusalem, and bestowed his benediction on the pair.

The almoner then took the young girl's hand, and placing it in that of Charles, pronounced the prayers of the Church. Charles, turning half round to the people, said in a loud voice—

"Before God and man, this woman is my wife."

"And this man is my husband," said Marie, trembling.

"Long live the Duke and Duchess of Durazzo!" cried the crowd, clapping their hands. And the young pair, at once mounting two beautiful horses and followed by their cavaliers and pages, solemnly paraded through the town, and re-entered their palace to the sound of trumpets and cheering.

When this incredible news was brought to the queen, her first feeling was joy at the recovery of her sister; and when Bertrand of Artois was eager to head a band of barons and cavaliers and bent on falling upon the cortege to punish the traitor, Joan put up her hand to stop him with a very mournful look.

"Alas!" she said sadly, "it is too late. They are legally married, for the head of the Church—who is moreover by my grandfather's will the head of our family—has granted his permission. I only pity my poor sister; I pity her for becoming so young the prey of a wretched man who sacrifices her to his own ambition, hoping by this marriage to establish a claim to the throne. O God! what a strange fate oppresses the royal house of Anjou! My father's early death in the midst of his triumphs; my mother's so quickly after; my sister and I, the sole offspring of Charles I, both before we are women grown fallen into the hands of cowardly men, who use us but as the stepping-stones of their ambition!" Joan fell back exhausted on her chair, a burning tear trembling on her eyelid.

"This is the second time," said Bertrand reproachfully, "that I have drawn my sword to avenge an insult offered to you, the second time I return it by your orders to the scabbard. But remember, Joan, the third time will not find me so docile, and then it will not be Robert of Cabane or Charles of Durazzo that I shall strike, but him who is the cause of all your misfortunes."

"Have mercy, Bertrand! do not you also speak these words; whenever this horrible thought takes hold of me, let me come to you: this threat of bloodshed that is drummed into my ears, this sinister vision that haunts my sight; let me come to you, beloved, and weep upon your bosom, beneath your breath cool my burning fancies, from your eyes draw some little courage to revive my perishing soul. Come, I am quite unhappy enough without needing to poison the future by an endless remorse. Tell me rather to forgive and to forget, speak not of hatred and revenge; show me one ray of hope amid the darkness that surrounds me; hold up my wavering feet, and push me not into the abyss."

Such altercations as this were repeated as often as any fresh wrong arose from the side of Andre or his party; and in proportion as the attacks made by Bertrand and his friends gained in vehemence—and we must add, in justice—so did Joan's objections weaken. The Hungarian rule, as it became more and more arbitrary and unbearable, irritated men's minds to such a point that the people murmured in secret and the nobles proclaimed aloud their discontent. Andre's soldiers indulged in a libertinage which would have been intolerable in a conquered city: they were found everywhere brawling in the taverns or rolling about disgustingly drunk in the gutters; and the prince, far from rebuking such orgies, was accused of sharing them himself. His former tutor, who ought to have felt bound to drag him away from so ignoble a mode of life, rather strove to immerse him in degrading pleasures, so as to keep him out of business matters; without suspecting it, he was hurrying on the denouement of the terrible drama that was being acted behind the scenes at Castel Nuovo. Robert's widow, Dona Sancha of Aragon, the good and sainted lady whom our readers may possibly have forgotten, as her family had done, seeing that God's anger was hanging over her house, and that no counsels, no tears or prayers of hers could avail to arrest it, after wearing mourning for her husband one whole year, according to her promise, had taken the veil at the convent of Santa Maria delta Croce, and deserted the court and its follies and passions, just as the prophets of old, turning their back on some accursed city, would shake the dust from off their sandals and depart. Sandra's retreat was a sad omen, and soon the family dissensions, long with difficulty suppressed, sprang forth to open view; the storm that had been threatening from afar broke suddenly over the town, and the thunderbolt was shortly to follow.

On the last day of August 1344, Joan rendered homage to Americ, Cardinal of Saint Martin and legate of Clement VI, who looked upon the kingdom of Naples as being a fief of the Church ever since the time when his predecessors had presented it to Charles of Anjou, and overthrown and excommunicated the house of Suabia. For this solemn ceremony the church of Saint Clara was chosen, the burial-place of Neapolitan kings, and but lately the tomb of the grandfather and father of the young queen, who reposed to right and left of the high altar. Joan, clad in the royal robe, with the crown upon her head, uttered her oath of fidelity between the hands of the apostolic legate in the presence of her husband, who stood behind her simply as a witness, just like the other princes of the blood. Among the prelates with their pontifical insignia who formed the brilliant following of the envoy, there stood the Archbishops of Pisa, Bari, Capua, and Brindisi, and the reverend fathers Ugolino, Bishop of Castella, and Philip, Bishop of Cavaillon, chancellor to the queen. All the nobility of Naples and Hungary were present at this ceremony, which debarred Andre from the throne in a fashion at once formal and striking. Thus, when they left the church the excited feelings of both parties made a crisis imminent, and such hostile glances, such threatening words were exchanged, that the prince, finding himself too weak to contend against his enemies, wrote the same evening to his mother, telling her that he was about to leave a country where from his infancy upwards he had experienced nothing but deceit and disaster.

Those who know a mother's heart will easily guess that Elizabeth of Poland was no sooner aware of the danger that threatened her son than she travelled to Naples, arriving there before her coming was suspected. Rumour spread abroad that the Queen of Hungary had come to take her son away with her, and the unexpected event gave rise to strange comments: the fever of excitement now blazed up in another direction. The Empress of Constantinople, the Catanese, her two daughters, and all the courtiers, whose calculations were upset by Andre's departure, hurried to honour the arrival of the Queen of Hungary by offering a very cordial and respectful reception, with a view to showing her that, in the midst of a court so attentive and devoted, any isolation or bitterness of feeling on the young prince's part must spring from his pride, from an unwarrantable mistrust, and his naturally savage and untrained character. Joan received her husband's mother with so much proper dignity in her behaviour that, in spite of preconceived notions, Elizabeth could not help admiring the noble seriousness and earnest feeling she saw in her daughter-in-law. To make the visit more pleasant to an honoured guest, fetes and tournaments were given, the barons vying with one another in display of wealth and luxury. The Empress of Constantinople, the Catanese, Charles of Duras and his young wife, all paid the utmost attention to the mother of the prince. Marie, who by reason of her extreme youth and gentleness of character had no share in any intrigues, was guided quite as much by her natural feeling as by her husband's orders when she offered to the Queen of Hungary those marks of regard and affection that she might have felt for her own mother. In spite, however, of these protestations of respect and love, Elizabeth of Poland trembled for her son, and, obeying a maternal instinct, chose to abide by her original intention, believing that she should never feel safe until Andre was far away from a court in appearance so friendly but in reality so treacherous. The person who seemed most disturbed by the departure, and tried to hinder it by every means in his power, was Friar Robert. Immersed in his political schemes, bending over his mysterious plans with all the eagerness of a gambler who is on the point of gaining, the Dominican, who thought himself on the eve of a tremendous event, who by cunning, patience, and labour hoped to scatter his enemies and to reign as absolute autocrat, now falling suddenly from the edifice of his dream, stiffened himself by a mighty effort to stand and resist the mother of his pupil. But fear cried too loud in the heart of Elizabeth for all the reasonings of the monk to lull it to rest: to every argument he advanced she simply said that while her son was not king and had not entire unlimited power, it was imprudent to leave him exposed to his enemies. The monk, seeing that all was indeed lost and that he could not contend against the fears of this woman, asked only the boon of three days' grace, at the end of which time, should a reply he was expecting have not arrived, he said he would not only give up his opposition to Andre's departure, but would follow himself, renouncing for ever a scheme to which he had sacrificed everything.

Towards the end of the third day, as Elizabeth was definitely making her preparations for departure, the monk entered radiant. Showing her a letter which he had just hastily broken open, he cried triumphantly—

"God be praised, madam! I can at last give you incontestable proofs of my active zeal and accurate foresight."

Andre's mother, after rapidly running through the document, turned her eyes on the monk with yet some traces of mistrust in her manner, not venturing to give way to her sudden joy.

"Yes, madam," said the monk, raising his head, his plain features lighted up by his glance of intelligence—"yes, madam, you will believe your eyes, perhaps, though you would never believe my words: this is not the dream of an active imagination, the hallucination of a credulous mind, the prejudice of a limited intellect; it is a plan slowly conceived, painfully worked out, my daily thought and my whole life's work. I have never ignored the fact that at the court of Avignon your son had powerful enemies; but I knew also that on the very day I undertook a certain solemn engagement in the prince's name, an engagement to withdraw those laws that had caused coldness between the pope and Robert; who was in general so devoted to the Church, I knew very well that my offer would never be rejected, and this argument of mine I kept back for the last. See, madam, my calculations are correct; your enemies are put to shame and your son is triumphant."

Then turning to Andre, who was just corning in and stood dumbfounded at the threshold on hearing the last words, he added—

"Come, my son, our prayers are at last fulfilled: you are king."

"King!" repeated Andre, transfixed with joy, doubt, and amazement.

"King of Sicily and Jerusalem: yes, my lord; there is no need for you to read this document that brings the joyful, unexpected news. You can see it in your mother's tears; she holds out her arms to press you to her bosom; you can see it in the happiness of your old teacher; he falls on his knees at your feet to salute you by this title, which he would have paid for with his own blood had it been denied to you much longer."

"And yet," said Elizabeth, after a moment's mournful reflection, "if I obey my presentiments, your news will make no difference to our plans for departure."

"Nay, mother," said Andre firmly, "you would not force me to quit the country to the detriment of my honour. If I have made you feel some of the bitterness and sorrow that have spoiled my own young days because of my cowardly enemies, it is not from a poor spirit, but because I was powerless, and knew it, to take any sort of striking vengeance for their secret insults, their crafty injuries, their underhand intrigues. It was not because my arm wanted strength, but because my head wanted a crown. I might have put an end to some of these wretched beings, the least dangerous maybe; but it would have been striking in the dark; the ringleaders would have escaped, and I should never have really got to the bottom of their infernal plots. So I have silently eaten out my own heart in shame and indignation. Now that my sacred rights are recognised by the Church, you will see, my mother, how these terrible barons, the queen's counsellors, the governors of the kingdom, will lower their heads in the dust: for they are threatened with no sword and no struggle; no peer of their own is he who speaks, but the king; it is by him they are accused, by the law they shall be condemned, and shall suffer on the scaffold."

"O my beloved son," cried the queen in tears, "I never doubted your noble feelings or the justice of your claims; but when your life is in danger, to what voice can I listen but the voice of fear? what can move my counsels but the promptings of love?"

"Mother, believe me, if the hands and hearts alike of these cowards had not trembled, you would have lost your son long ago."

"It is not violence that I fear, my son, it is treachery."

"My life, like every man's, belongs to God, and the lowest of sbirri may take it as I turn the corner of the street; but a king owes something to his people."

The poor mother long tried to bend the resolution of Andre by reason and entreaties; but when she had spoken her last word and shed her last tear, she summoned Bertram de Baux, chief-justice of the kingdom, and Marie, Duchess of Durazzo. Trusting in the old man's wisdom and the girl's innocence, she commended her son to them in the tenderest and most affecting words; then drawing from her own hand a ring richly wrought, and taking the prince aside, she slipped it upon his finger, saying in a voice that trembled with emotion as she pressed him to her heart—

"My son, as you refuse to come with me, here is a wonderful talisman, which I would not use before the last extremity. So long as you wear this ring on your finger, neither sword nor poison will have power against you."

"You see then, mother," said the prince, smiling, "with this protection there is no reason at all to fear for my life."

"There are other dangers than sword or poison," sighed the queen.

"Be calm, mother: the best of all talismans is your prayer to God for me: it is the tender thought of you that will keep me for ever in the path of duty and justice; your maternal love will watch over me from afar, and cover me like the wings of a guardian angel."

Elizabeth sobbed as she embraced her son, and when she left him she felt her heart was breaking. At last she made up her mind to go, and was escorted by the whole court, who had never changed towards her for a moment in their chivalrous and respectful devotion. The poor mother, pale, trembling, and faint, leaned heavily upon Andre's arm, lest she should fall. On the ship that was to take her for ever from her son, she cast her arms for the last time about his neck, and there hung a long time, speechless, tearless, and motionless; when the signal for departure was given, her women took her in their arms half swooning. Andre stood on the shore with the feeling of death at his heart: his eyes were fixed upon the sail that carried ever farther from him the only being he loved in the world. Suddenly he fancied he beheld something white moving a long way off: his mother had recovered her senses by a great effort, and had dragged herself up to the bridge to give a last signal of farewell: the unhappy lady knew too well that she would never see her son again.

At almost the same moment that Andre's mother left the kingdom, the former queen of Naples, Robert's widow, Dona Sancha, breathed her last sigh. She was buried in the convent of Santa Maria delta Croce, under the name of Clara, which she had assumed on taking her vows as a nun, as her epitaph tells us, as follows:

"Here lies, an example of great humility, the body of the sainted sister Clara, of illustrious memory, otherwise Sancha, Queen of Sicily and Jerusalem, widow of the most serene Robert, King of Jerusalem and Sicily, who, after the death of the king her husband, when she had completed a year of widowhood, exchanged goods temporary for goods eternal. Adopting for the love of God a voluntary poverty, and distributing her goods to the poor, she took upon her the rule of obedience in this celebrated convent of Santa Croce, the work of her own hands, in the year 1344, on the gist of January of the twelfth indiction, where, living a life of holiness under the rule of the blessed Francis, father of the poor, she ended her days religiously in the year of our Lord 1345, on the 28th of July of the thirteenth indiction. On the day following she was buried in this tomb."

The death of Dona Sancha served to hasten on the catastrophe which was to stain the throne of Naples with blood: one might almost fancy that God wished to spare this angel of love and resignation the sight of so terrible a spectacle, that she offered herself as a propitiatory sacrifice to redeem the crimes of her family.



CHAPTER IV

Eight days after the funeral of the old queen, Bertrand of Artois came to Joan, distraught, dishevelled, in a state of agitation and confusion impossible to describe.

Joan went quickly up to her lover, asking him with a look of fear to explain the cause of his distress.

"I told you, madam," cried the young baron excitedly, "you will end by ruining us all, as you will never take any advice from me."

"For God's sake, Bertrand, speak plainly: what has happened? What advice have I neglected?"

"Madam, your noble husband, Andre of Hungary, has just been made King of Jerusalem and Sicily, and acknowledged by the court of Avignon, so henceforth you will be no better than his slave."

"Count of Artois, you are dreaming."

"No, madam, I am not dreaming: I have this fact to prove the truth of my words, that the pope's ambassadors are arrived at Capua with the bull for his coronation, and if they do not enter Castel Nuovo this very evening, the delay is only to give the new king time to make his preparations."

The queen bent her head as if a thunderbolt had fallen at her feet.

"When I told you before," said the count, with growing fury, "that we ought to use force to make a stand against him, that we ought to break the yoke of this infamous tyranny and get rid of the man before he had the means of hurting you, you always drew back in childish fear, with a woman's cowardly hesitation."

Joan turned a tearful look upon her lover.

"God, my God!" she cried, clasping her hands in desperation, "am I to hear for ever this awful cry of death! You too, Bertrand, you too say the word, like Robert of Cabane, like Charles of Duras? Wretched man, why would you raise this bloody spectre between us, to check with icy hand our adulterous kisses? Enough of such crimes; if his wretched ambition makes him long to reign, let him be king: what matters his power to me, if he leaves me with your love?"

"It is not so sure that our love will last much longer."

"What is this, Bertrand? You rejoice in this merciless torture."

"I tell you, madam, that the King of Naples has a black flag ready, and on the day of his coronation it will be carried before him."

"And you believe," said Joan, pale as a corpse in its shroud, "—you believe that this flag is a threat?"

"Ay, and the threat begins to be put in execution."

The queen staggered, and leaned against a table to save herself from falling.

"Tell me all," she cried in a choking voice; "fear not to shock me; see, I am not trembling. O Bertrand, I entreat you!"

"The traitors have begun with the man you most esteemed, the wisest counsellor of the crown, the best of magistrates, the noblest-hearted, most rigidly virtuous——"

"Andrea of Isernia!"

"Madam, he is no more."

Joan uttered a cry, as though the noble old man had been slain before her eyes: she respected him as a father; then, sinking back, she remained profoundly silent.

"How did they kill him?" she asked at last, fixing her great eyes in terror on the count.

"Yesterday evening, as he left this castle, on the way to his own home, a man suddenly sprang out upon him before the Porta Petruccia: it was one of Andre's favourites, Conrad of Gottis chosen no doubt because he had a grievance against the incorruptible magistrate on account of some sentence passed against him, and the murder would therefore be put down to motives of private revenge. The cowardly wretch gave a sign to two or three companions, who surrounded the victim and robbed him of all means of escape. The poor old man looked fixedly at his assassin, and asked him what he wanted. 'I want you to lose your life at my hands, as I lost my case at yours!' cried the murderer, and leaving him no time to answer, he ran him through with his sword. Then the rest fell upon the poor man, who did not even try to call for help, and his body was riddled with wounds and horribly mutilated, and then left bathed in its blood."

"Terrible!" murmured the queen, covering her face.

"It was only their first effort; the proscription lists are already full: Andre must needs have blood to celebrate his accession to the throne of Naples. And do you know, Joan, whose name stands first in the doomed list?"

"Whose?" cried the queen, shuddering from head to foot.

"Mine," said the count calmly.

"Yours!" cried Joan, drawing herself up to her full height; "are you to be killed next! Oh, be careful, Andre; you have pronounced your own death-sentence. Long have I turned aside the dagger pointing to your breast, but you put an end to all my patience. Woe to you, Prince of Hungary! the blood which you have spilt shall fall on your own head."

As she spoke she had lost her pallor; her lovely face was fired with revenge, her eyes flashed lightning. This child of sixteen was terrible to behold; she pressed her lover's hand with convulsive tenderness, and clung to him as if she would screen him with her own body.

"Your anger is awakened too late," said he gently and sadly; for at this moment Joan seemed so lovely that he could reproach her with nothing. "You do not know that his mother has left him a talisman preserving him from sword and poison?"

"He will die," said Joan firmly; the smile that lighted up her face was so unnatural that the count was dismayed, and dropped his eyes.

The next day the young Queen of Naples, lovelier, more smiling than ever, sitting carelessly in a graceful attitude beside a window which looked out on the magnificent view of the bay, was busy weaving a cord of silk and gold. The sun had run nearly two-thirds of his fiery course, and was gradually sinking his rays in the clear blue waters where Posilippo's head is reflected with its green and flowery crown. A warm, balmy breeze that had passed over the orange trees of Sorrento and Amalfi felt deliciously refreshing to the inhabitants of the capital, who had succumbed to torpor in the enervating softness of the day. The whole town was waking from a long siesta, breathing freely after a sleepy interval; the Molo was covered with a crowd of eager people dressed out in the brightest colours; the many cries of a festival, joyous songs, love ditties sounded from all quarters of the vast amphitheatre, which is one of the chief marvels of creation; they came to the ears of Joan, and she listened as she bent over her work, absorbed in deep thought. Suddenly, when she seemed most busily occupied, the indefinable feeling of someone near at hand, and the touch of something on her shoulder, made her start: she turned as though waked from a dream by contact with a serpent, and perceived her husband, magnificently dressed, carelessly leaning against the back of her chair. For a long time past the prince had not come to his wife in this familiar fashion, and to the queen the pretence of affection and careless behaviour augured ill. Andre did not appear to notice the look of hatred and terror that had escaped Joan in spite of herself, and assuming the best expression of gentleness as that his straight hard features could contrive to put on in such circumstances as these, he smilingly asked—

"Why are you making this pretty cord, dear dutiful wife?"

"To hang you with, my lord," replied the queen, with a smile.

Andre shrugged his shoulders, seeing in the threat so incredibly rash nothing more than a pleasantry in rather bad taste. But when he saw that Joan resumed her work, he tried to renew the conversation.

"I admit," he said, in a perfectly calm voice, "that my question is quite unnecessary: from your eagerness to finish this handsome piece of work, I ought to suspect that it is destined for some fine knight of yours whom you propose to send on a dangerous enterprise wearing your colours. If so, my fair queen, I claim to receive my orders from your lips: appoint the time and place for the trial, and I am sure beforehand of carrying off a prize that I shall dispute with all your adorers."

"That is not so certain," said Joan, "if you are as valiant in war as in love." And she cast on her husband a look at once seductive and scornful, beneath which the young man blushed up to his eyes.

"I hope," said Andre, repressing his feelings, "I hope soon to give you such proofs of my affection that you will never doubt it again."

"And what makes you fancy that, my lord?"

"I would tell you, if you would listen seriously."

"I am listening."

"Well, it is a dream I had last night that gives me such confidence in the future."

"A dream! You surely ought to explain that."

"I dreamed that there was a grand fete in the town: an immense crowd filled the streets like an overflowing torrent, and the heavens were ringing with their shouts of joy; the gloomy granite facades were hidden by hangings of silk and festoons of flowers; the churches were decorated as though for some grand ceremony. I was riding side by side with you." Joan made a haughty movement: "Forgive me, madam, it was only a dream: I was on your right, riding a fine white horse, magnificently caparisoned, and the chief-justice of the kingdom carried before me a flag unfolded in sign of honour. After riding in triumph through the main thoroughfares of the city, we arrived, to the sound of trumpets and clarions, at the royal church of Saint Clara, where your grandfather and my uncle are buried, and there, before the high altar, the pope's ambassador laid your hand in mine and pronounced a long discourse, and then on our two heads in turn placed the crown of Jerusalem and Sicily; after which the nobles and the people shouted in one voice, 'Long live the King and Queen of Naples!' And I, wishing to perpetuate the memory of so glorious a day, proceeded to create knights among the most zealous in our court."

"And do you not remember the names of the chosen persons whom you judged worthy of your royal favours?"

"Assuredly, madam: Bertrand, Count of Artois."

"Enough, my lord; I excuse you from naming the rest: I always supposed you were loyal and generous, but you give me fresh proof of it by showing favour to men whom I most honour and trust. I cannot tell if your wishes are likely soon to be realised, but in any case feel sure of my perpetual gratitude."

Joan's voice did not betray the slightest emotion; her look had became kind, and the sweetest smile was on her lips. But in her heart Andre's death was from that moment decided upon. The prince, too much preoccupied with his own projects of vengeance, and too confident in his all-powerful talisman and his personal valour, had no suspicion that his plans could be anticipated. He conversed a long time with his wife in a chatting, friendly way, trying to spy out her secret, and exposing his own by his interrupted phrases and mysterious reserves. When he fancied that every cloud of former resentment, even the lightest, had disappeared from Joan's brow, he begged her to go with her suite on a magnificent hunting expedition that he was organising for the 20th of August, adding that such a kindness on her part would be for him a sure pledge of their reconciliation and complete forgetfulness of the past. Joan promised with a charming grace, and the prince retired fully satisfied with the interview, carrying with him the conviction that he had only to threaten to strike a blow at the queen's favourite to ensure her obedience, perhaps even her love.

But on the eve of the 20th of August a strange and terrible scene was being enacted in the basement storey of one of the lateral towers of Castel Nuovo. Charles of Durazzo, who had never ceased to brood secretly over his infernal plans, had been informed by the notary whom he had charged to spy upon the conspirators, that on that particular evening they were about to hold a decisive meeting, and therefore, wrapped in a black cloak, he glided into the underground corridor and hid himself behind a pillar, there to await the issue of the conference. After two dreadful hours of suspense, every second marked out by the beating of his heart, Charles fancied he heard the sound of a door very carefully opened; the feeble ray of a lantern in the vault scarcely served to dispel the darkness, but a man coming away from the wall approached him walking like a living statue. Charles gave a slight cough, the sign agreed upon. The man put out his light and hid away the dagger he had drawn in case of a surprise.

"Is it you, Master Nicholas?" asked the duke in a low voice.

"It is I, my lord."

"What is it?"

"They have just fixed the prince's death for tomorrow, on his way to the hunt."

"Did you recognise every conspirator?"

"Every one, though their faces were masked; when they gave their vote for death, I knew them by their voices."

"Could you point out to me who they are?"

"Yes, this very minute; they are going to pass along at the end of this corridor. And see, here is Tommaso Pace walking in front of them to light their way."

Indeed, a tall spectral figure, black from head to foot, his face carefully hidden under a velvet mask, walked at the end of the corridor, lamp in hand, and stopped at the first step of a staircase which led to the upper floors. The conspirators advanced slowly, two by two, like a procession of ghosts, appeared for one moment in the circle of light made by the torch, and again disappeared into shadow.

"See, there are Charles and Bertrand of Artois," said the notary; "there are the Counts of Terlizzi and Catanzaro; the grand admiral and grand seneschal, Godfrey of Marsan, Count of Squillace, and Robert of Cabane, Count of Eboli; the two women talking in a low voice with the eager gesticulations are Catherine of Tarentum, Empress of Constantinople, and Philippa the Catanese, the queen's governess and chief lady; there is Dona Cancha, chamberwoman and confidante of Joan; and there is the Countess of Morcone."

The notary stopped on beholding a shadow alone, its head bowed, with arms hanging loosely, choking back her sobs beneath a hood of black.

"Who is the woman who seems to drag herself so painfully along in their train?" asked the duke, pressing his companion's arm.

"That woman," said the notary, "is the queen." "Ah, now I see," thought Charles, breathing freely, with the same sort of satisfaction that Satan no doubt feels when a long coveted soul falls at length into his power.

"And now, my lord," continued Master Nicholas, when all had returned once more into silence and darkness, "if you have bidden me spy on these conspirators with a view to saving the young prince you are protecting with love and vigilance, you must hurry forward, for to-morrow maybe it will be too late."

"Follow me," cried the duke imperiously; "it is time you should know my real intention, and then carry out my orders with scrupulous exactness."

With these words he drew him aside to a place opposite to where the conspirators had just disappeared. The notary mechanically followed through a labyrinth of dark corridors and secret staircases, quite at a loss how to account for the sudden change that had come over his master—crossing one of the ante-chambers in the castle, they came upon Andre, who joyfully accosted them; grasping the hand of his cousin Duras in his affectionate manner, he asked him in a pressing way that would brook no refusal, "Will you be of our hunting party to-morrow, duke?"

"Excuse me, my lord," said Charles, bowing down to the ground; "it will be impossible for me to go to-morrow, for my wife is very unwell; but I entreat you to accept the best falcon I have."

And here he cast upon the notary a petrifying glance.

The morning of the 20th of August was fine and calm—the irony of nature contrasting cruelly with the fate of mankind. From break of day masters and valets, pages and knights, princes and courtiers, all were on foot; cries of joy were heard on every side when the queen arrived on a snow-white horse, at the head of the young and brilliant throng. Joan was perhaps paler than usual, but that might be because she had been obliged to rise very early. Andre, mounted on one of the most fiery of all the steeds he had tamed, galloped beside his wife, noble and proud, happy in his own powers, his youth, and the thousand gilded hopes that a brilliant future seemed to offer. Never had the court of Naples shown so brave an aspect: every feeling of distrust and hatred seemed entirely forgotten; Friar Robert himself, suspicious as he was by nature, when he saw the joyous cavalcade go by under his window, looked out with pride, and stroking his beard, laughed at his own seriousness.

Andre's intention was to spend several days hunting between Capua and Aversa, and only to return to Naples when all was in readiness for his coronation. Thus the first day they hunted round about Melito, and went through two or three villages in the land of Labore. Towards evening the court stopped at Aversa, with a view to passing the night there, and since at that period there was no castle in the place worthy of entertaining the queen with her husband and numerous court, the convent of St. Peter's at Majella was converted into a royal residence: this convent had been built by Charles II in the year of our Lord 1309.

While the grand seneschal was giving orders for supper and the preparation of a room for Andre and his wife, the prince, who during the whole day had abandoned himself entirely to his favourite amusement, went up on the terrace to enjoy the evening air, accompanied by the good Isolda, his beloved nurse, who loved him more even than his mother, and would not leave his side for a moment. Never had the prince appeared so animated and happy: he was in ecstasies over the beauty of the country, the clear air, the scent of the trees around; he besieged his nurse with a thousand queries, never waiting for an answer; and they were indeed long in coming, for poor Isolda was gazing upon him with that appearance of fascination which makes a mother absent-minded when her child is talking: Andre was eagerly telling her about a terrible boar he had chased that morning across the woods, how it had lain foaming at his feet, and Isolda interrupted him to say he had a grain of dust in his eye. Then Andre was full of his plans for the future, and Isolda stroked his fair hair, remarking that he must be feeling very tired. Then, heeding nothing but his own joy and excitement, the young prince hurled defiance at destiny, calling by all his gods on dangers to come forward, so that he might have the chance of quelling them, and the poor nurse exclaimed, in a flood of tears, "My child, you love me no longer."

Out of all patience with these constant interruptions, Andre scolded her kindly enough, and mocked at her childish fears. Then, paying no attention to a sort of melancholy that was coming over him, he bade her tell him old tales of his childhood, and had a long talk about his brother Louis, his absent mother, and tears were in his eyes when he recalled her last farewell. Isolda listened joyfully, and answered all he asked; but no fell presentiment shook her heart: the poor woman loved Andre with all the strength of her soul; for him she would have given up her life in this world and in the world to come; yet she was not his mother.

When all was ready, Robert of Cabane came to tell the prince that the queen awaited him; Andre cast one last look at the smiling fields beneath the starry heavens, pressed his nurse's hand to his lips and to his heart, and followed the grand seneschal slowly and, it seemed, with some regret. But soon the brilliant lights of the room, the wine that circulated freely, the gay talk, the eager recitals of that day's exploits served to disperse the cloud of gloom that had for a moment overspread the countenance of the prince. The queen alone, leaning on the table with fixed eyes and lips that never moved, sat at this strange feast pale and cold as a baleful ghost summoned from the tomb to disturb the joy of the party. Andre, whose brain began to be affected by the draughts of wine from Capri and Syracuse, was annoyed at his wife's look, and attributing it to contempt, filled a goblet to the brim and presented it to the queen. Joan visibly trembled, her lips moved convulsively; but the conspirators drowned in their noisy talk the involuntary groan that escaped her. In the midst of a general uproar, Robert of Cabane proposed that they should serve generous supplies of the same wine drunk at the royal table to the Hungarian guards who were keeping watch at the approaches to the convent, and this liberality evoked frenzied applause. The shouting of the soldiers soon gave witness to their gratitude for the unexpected gift, and mingled with the hilarious toasts of the banqueters. To put the finishing touch to Andre's excitement, there were cries on every side of "Long live the Queen! Long live His Majesty the King of Naples!"

The orgy lasted far into the night: the pleasures of the next day were discussed with enthusiasm, and Bertrand of Artois protested in a loud voice that if they were so late now some would not rise early on the morrow. Andre declared that, for his part, an hour or two's rest would be enough to get over his fatigue, and he eagerly protested that it would be well for others to follow his example. The Count of Terlizzi seemed to express some doubt as to the prince's punctuality. Andre insisted, and challenging all the barons present to see who would be up first, he retired with the queen to the room that had been reserved for them, where he very soon fell into a deep and heavy sleep. About two o'clock in the morning, Tommaso Pace, the prince's valet and first usher of the royal apartments, knocked at his master's door to rouse him for the chase. At the first knock, all was silence; at the second, Joan, who had not closed her eyes all night, moved as if to rouse her husband and warn him of the threatened danger; but at the third knock the unfortunate young man suddenly awoke, and hearing in the next room sounds of laughter and whispering, fancied that they were making a joke of his laziness, and jumped out of bed bareheaded, in nothing but his shirt, his shoes half on and half off. He opened the door; and at this point we translate literally the account of Domenico Gravina, a historian of much esteem. As soon as the prince appeared, the conspirators all at once fell upon him, to strangle him with their hands; believing he could not die by poison or sword, because of the charmed ring given him by his poor mother. But Andre was so strong and active, that when he perceived the infamous treason he defended himself with more than human strength, and with dreadful cries got free from his murderers, his face all bloody, his fair hair pulled out in handfuls. The unhappy young man tried to gain his own bedroom, so as to get some weapon and valiantly resist the assassins; but as he reached the door, Nicholas of Melazzo, putting his dagger like a bolt into the lock, stopped his entrance. The prince, calling aloud the whole time and imploring the protection of his friends, returned to the hall; but all the doors were shut, and no one held out a helping hand; for the queen was silent, showing no uneasiness about her husband's death.

But the nurse Isolda, terrified by the shouting of her beloved son and lord, leapt from her bed and went to the window, filling the house with dreadful cries. The traitors, alarmed by the mighty uproar, although the place was lonely and so far from the centre of the town that nobody could have come to see what the noise was, were on the point of letting their victim go, when Bertrand of Artois, who felt he was more guilty than the others, seized the prince with hellish fury round the waist, and after a desperate struggle got him down; then dragging him by the hair of his head to a balcony which gave upon the garden, and pressing one knee upon his chest, cried out to the others—

"Come here, barons: I have what we want to strangle him with."

And round his neck he passed a long cord of silk and gold, while the wretched man struggled all he could. Bertrand quickly drew up the knot, and the others threw the body over the parapet of the balcony, leaving it hanging between earth and sky until death ensued. When the Count of Terlizzi averted his eyes from the horrid spectacle, Robert of Cabane cried out imperiously—

"What are you doing there? The cord is long enough for us all to hold: we want not witnesses, we want accomplices!"

As soon as the last convulsive movements of the dying man had ceased, they let the corpse drop the whole height of the three storeys, and opening the doors of the hall, departed as though nothing had happened.

Isolda, when at last she contrived to get a light, rapidly ran to the queen's chamber, and finding the door shut on the inside, began to call loudly on her Andre. There was no answer, though the queen was in the room. The poor nurse, distracted, trembling, desperate, ran down all the corridors, knocked at all the cells and woke the monks one by one, begging them to help her look for the prince. The monks said that they had indeed heard a noise, but thinking it was a quarrel between soldiers drunken perhaps or mutinous, they had not thought it their business to interfere. Isolda eagerly, entreated: the alarm spread through the convent; the monks followed the nurse, who went on before with a torch. She entered the garden, saw something white upon the grass, advanced trembling, gave one piercing cry, and fell backward.

The wretched Andre was lying in his blood, a cord round his neck as though he were a thief, his head crushed in by the height from which he fell. Then two monks went upstairs to the queen's room, and respectfully knocking at the door, asked in sepulchral tones—

"Madam, what would you have us do with your husband's corpse?"

And when the queen made no answer, they went down again slowly to the garden, and kneeling one at the head, the other at the foot of the dead man, they began to recite penitential psalms in a low voice. When they had spent an hour in prayer, two other monks went up in the same way to Joan's chamber, repeating the same question and getting no answer, whereupon they relieved the first two, and began themselves to pray. Next a third couple went to the door of this inexorable room, and coming away perturbed by their want of success, perceived that there was a disturbance of people outside the convent, while vengeful cries were heard amongst the indignant crowd. The groups became more and more thronged, threatening voices were raised, a torrent of invaders threatened the royal dwelling, when the queen's guard appeared, lance in readiness, and a litter closely shut, surrounded by the principal barons of the court, passed through the crowd, which stood stupidly gazing. Joan, wrapped in a black veil, went back to Castel Nuovo, amid her escort; and nobody, say the historians, had the courage to say a word about this terrible deed.



CHAPTER V

The terrible part that Charles of Durazzo was to play began as soon as this crime was accomplished. The duke left the corpse two whole days exposed to the wind and the rain, unburied and dishonoured, the corpse of a man whom the pope had made King of Sicily and Jerusalem, so that the indignation of the mob might be increased by the dreadful sight. On the third he ordered it to be conveyed with the utmost pomp to the cathedral of Naples, and assembling all the Hungarians around the catafalque, he thus addressed them, in a voice of thunder:—

"Nobles and commoners, behold our king hanged like a dog by infamous traitors. God will soon make known to us the names of all the guilty: let those who desire that justice may be done hold up their hands and swear against murderers bloody persecution, implacable hatred, everlasting vengeance."

It was this one man's cry that brought death and desolation to the murderers' hearts, and the people dispersed about the town, shrieking, "Vengeance, vengeance!"

Divine justice, which knows naught of privilege and respects no crown, struck Joan first of all in her love. When the two lovers first met, both were seized alike with terror and disgust; they recoiled trembling, the queen seeing in Bertrand her husband's executioner, and he in her the cause of his crime, possibly of his speedy punishment. Bertrand's looks were disordered, his cheeks hollow, his eyes encircled with black rings, his mouth horribly distorted; his arm and forefinger extended towards his accomplice, he seemed to behold a frightful vision rising before him. The same cord he had used when he strangled Andre, he now saw round the queen's neck, so tight that it made its way into her flesh: an invisible force, a Satanic impulse, urged him to strangle with his own hands the woman he had loved so dearly, had at one time adored on his knees. The count rushed out of the room with gestures of desperation, muttering incoherent words; and as he shewed plain signs of mental aberration, his father, Charles of Artois, took him away, and they went that same evening to their palace of St. Agatha, and there prepared a defence in case they should be attacked.

But Joan's punishment, which was destined to be slow as well as dreadful, to last thirty-seven years and end in a ghastly death, was now only beginning. All the wretched beings who were stained with Andre's death came in turn to her to demand the price of blood. The Catanese and her son, who held in their hands not only the queen's honour but her life, now became doubly greedy and exacting. Dona Cancha no longer put any bridle on her licentiousness, and the Empress of Constantinople ordered her niece to marry her eldest son, Robert, Prince of Tarentum. Joan, consumed by remorse, full of indignation and shame at the arrogant conduct of her subjects, dared scarcely lift her head, and stooped to entreaties, only stipulating for a few days' delay before giving her answer: the empress consented, on condition that her son should come to reside at Castel Nuovo, with permission to see the queen once a day. Joan bowed her head in silence, and Robert of Tarentum was installed at the castle.

Charles of Durazzo, who by the death of Andre had practically become the head of the family, and, would, by the terms of his grandfather's will, inherit the kingdom by right of his wife Marie in the case of Joan's dying without lawful issue, sent to the queen two commands: first, that she should not dream of contracting a new marriage without first consulting him in the choice of a husband; secondly, that she should invest him at once with the title of Duke of Calabria. To compel his cousin to make these two concessions, he added that if she should be so ill advised as to refuse either of them, he should hand over to justice the proofs of the crime and the names of the murderers. Joan, bending beneath the weight of this new difficulty, could think of no way to avoid it; but Catherine, who alone was stout enough to fight this nephew of hers, insisted that they must strike at the Duke of Durazzo in his ambition and hopes, and tell him, to begin with—what was the fact—that the queen was pregnant. If, in spite of this news, he persisted in his plans, she would find some means or other, she said, of causing trouble and discord in her nephew's family, and wounding him in his most intimate affections or closest interests, by publicly dishonouring him through his wife or his mother.

Charles smiled coldly when his aunt came to tell him from the queen that she was about to bring into the world an infant, Andre's posthumous child. What importance could a babe yet unborn possibly have—as a fact, it lived only a few months—in the eyes of a man who with such admirable coolness got rid of people who stood in his wary, and that moreover by the hand of his own enemies? He told the empress that the happy news she had condescended to bring him in person, far from diminishing his kindness towards his cousin, inspired him rather with more interest and goodwill; that consequently he reiterated his suggestion, and renewed his promise not to seek vengeance for his dear Andre, since in a certain sense the crime was not complete should a child be destined to survive; but in case of a refusal he declared himself inexorable. He cleverly gave Catherine to understand that, as she had some interest herself in the prince's death, she ought for her own sake to persuade the queen to stop legal proceedings.

The empress seemed to be deeply impressed by her nephew's threatening attitude, and promised to do her best to persuade the queen to grant all he asked, on condition, however, that Charles should allow the necessary time for carrying through so delicate a business. But Catherine profited by this delay to think out her own plan of revenge, and ensure the means of certain success. After starting several projects eagerly and then regretfully abandoning them, she fixed upon an infernal and unheard-of scheme, which the mind would refuse to believe but for the unanimous testimony of historians. Poor Agnes of Duras, Charles's mother, had for some few days been suffering with an inexplicable weariness, a slow painful malady with which her son's restlessness and violence may have had not a little to do. The empress resolved that the first effect of her hatred was to fall upon this unhappy mother. She summoned the Count of Terlizzi and Dona Cancha, his mistress, who by the queen's orders had been attending Agnes since her illness began. Catherine suggested to the young chamberwoman, who was at that time with child, that she should deceive the doctor by representing that certain signs of her own condition really belonged to the sick woman, so that he, deceived by the false indications, should be compelled to admit to Charles of Durazzo that his mother was guilty and dishonoured. The Count of Terlizzi, who ever since he had taken part in the regicide trembled in fear of discovery, had nothing to oppose to the empress's desire, and Dona Cancha, whose head was as light as her heart was corrupt, seized with a foolish gaiety on any chance of taking her revenge on the prudery of the only princess of the blood who led a pure life at a court that was renowned for its depravity. Once assured that her accomplices would be prudent and obedient, Catherine began to spread abroad certain vague and dubious but terribly serious rumours, only needing proof, and soon after the cruel accusation was started it was repeated again and again in confidence, until it reached the ears of Charles.