This digression will explain, not only the long feud as to precedence which the guild of drapers maintained for two centuries against the guild of furriers and also of mercers (each claiming the right to walk first, as being the most important guild in Paris), but it will also serve to explain the importance of the Sieur Lecamus, a furrier honored with the custom of two queens, Catherine de' Medici and Mary Stuart, also the custom of the parliament,—a man who for twenty years was the syndic of his corporation, and who lived in the street we have just described.

The house of Lecamus was one of three which formed the three angles of the open space at the end of the pont au Change, where nothing now remains but the tower of the Palais de Justice, which made the fourth angle. On the corner of this house, which stood at the angle of the pont au Change and the quai now called the quai aux Fleurs, the architect had constructed a little shrine for a Madonna, which was always lighted by wax-tapers and decked with real flowers in summer and artificial ones in winter. On the side of the house toward the rue du Pont, as on the side toward the rue de la Vieille-Pelleterie, the upper story of the house was supported by wooden pillars. All the houses in this mercantile quarter had an arcade behind these pillars, where the passers in the street walked under cover on a ground of trodden mud which kept the place always dirty. In all French towns these arcades or galleries are called les piliers, a general term to which was added the name of the business transacted under them,—as "piliers des Halles" (markets), "piliers de la Boucherie" (butchers).

These galleries, a necessity in the Parisian climate, which is so changeable and so rainy, gave this part of the city a peculiar character of its own; but they have now disappeared. Not a single house in the river bank remains, and not more than about a hundred feet of the old "piliers des Halles," the last that have resisted the action of time, are left; and before long even that relic of the sombre labyrinth of old Paris will be demolished. Certainly, the existence of such old ruins of the middle-ages is incompatible with the grandeurs of modern Paris. These observations are meant not so much to regret the destruction of the old town, as to preserve in words, and by the history of those who lived there, the memory of a place now turned to dust, and to excuse the following description, which may be precious to a future age now treading on the heels of our own.

The walls of this house were of wood covered with slate. The spaces between the uprights had been filled in, as we may still see in some provincial towns, with brick, so placed, by reversing their thickness, as to make a pattern called "Hungarian point." The window-casings and lintels, also in wood, were richly carved, and so was the corner pillar where it rose above the shrine of the Madonna, and all the other pillars in front of the house. Each window, and each main beam which separated the different storeys, was covered with arabesques of fantastic personages and animals wreathed with conventional foliage. On the street side, as on the river side, the house was capped with a roof looking as if two cards were set up one against the other,—thus presenting a gable to the street and a gable to the water. This roof, like the roof of a Swiss chalet, overhung the building so far that on the second floor there was an outside gallery with a balustrade, on which the owners of the house could walk under cover and survey the street, also the river basin between the bridges and the two lines of houses.

These houses on the river bank were very valuable. In those days a system of drains and fountains was still to be invented; nothing of the kind as yet existed except the circuit sewer, constructed by Aubriot, provost of Paris under Charles the Wise, who also built the Bastille, the pont Saint-Michel and other bridges, and was the first man of genius who ever thought of the sanitary improvement of Paris. The houses situated like that of Lecamus took from the river the water necessary for the purposes of life, and also made the river serve as a natural drain for rain-water and household refuse. The great works that the "merchants' provosts" did in this direction are fast disappearing. Middle-aged persons alone can remember to have seen the great holes in the rue Montmartre, rue du Temple, etc., down which the waters poured. Those terrible open jaws were in the olden time of immense benefit to Paris. Their place will probably be forever marked by the sudden rise of the paved roadways at the spots where they opened,—another archaeological detail which will be quite inexplicable to the historian two centuries hence. One day, about 1816, a little girl who was carrying a case of diamonds to an actress at the Ambigu, for her part as queen, was overtaken by a shower and so nearly washed down the great drainhole in the rue du Temple that she would have disappeared had it not been for a passer who heard her cries. Unluckily, she had let go the diamonds, which were, however, recovered later at a man-hole. This event made a great noise, and gave rise to many petitions against these engulfers of water and little girls. They were singular constructions about five feet high, furnished with iron railings, more or less movable, which often caused the inundation of the neighboring cellars, whenever the artificial river produced by sudden rains was arrested in its course by the filth and refuse collected about these railings, which the owners of the abutting houses sometimes forgot to open.

The front of this shop of the Sieur Lecamus was all window, formed of sashes of leaded panes, which made the interior very dark. The furs were taken for selection to the houses of rich customers. As for those who came to the shop to buy, the goods were shown to them outside, between the pillars,—the arcade being, let us remark, encumbered during the day-time with tables, and clerks sitting on stools, such as we all remember seeing some fifteen years ago under the "piliers des Halles." From these outposts, the clerks and apprentices talked, questioned, answered each other, and called to the passers,—customs which the great Walter Scott has made use of in his "Fortunes of Nigel."

The sign, which represented an ermine, hung outside, as we still see in some village hostelries, from a rich bracket of gilded iron filagree. Above the ermine, on one side of the sign, were the words:—

LECAMVS

FURRIER

TO MADAME LA ROYNE ET DU ROY NOSTRE SIRE.

On the other side of the sign were the words:—

TO MADAME LA ROYNE-MERE

AND MESSIEURS DV PARLEMENT.

The words "Madame la Royne-mere" had been lately added. The gilding was fresh. This addition showed the recent changes produced by the sudden and violent death of Henri II., which overturned many fortunes at court and began that of the Guises.

The back-shop opened on the river. In this room usually sat the respectable proprietor himself and Mademoiselle Lecamus. In those days the wife of a man who was not noble had no right to the title of dame, "madame"; but the wives of the burghers of Paris were allowed to use that of "mademoiselle," in virtue of privileges granted and confirmed to their husbands by the several kings to whom they had done service. Between this back-shop and the main shop was the well of a corkscrew-staircase which gave access to the upper story, where were the great ware-room and the dwelling-rooms of the old couple, and the garrets lighted by skylights, where slept the children, the servant-woman, the apprentices, and the clerks.

This crowding of families, servants, and apprentices, the little space which each took up in the building where the apprentices all slept in one large chamber under the roof, explains the enormous population of Paris then agglomerated on one-tenth of the surface of the present city; also the queer details of private life in the middle ages; also, the contrivances of love which, with all due deference to historians, are found only in the pages of the romance-writers, without whom they would be lost to the world. At this period very great seigneurs, such, for instance, as Admiral de Coligny, occupied three rooms, and their suites lived at some neighboring inn. There were not, in those days, more than fifty private mansions in Paris, and those were fifty palaces belonging to sovereign princes, or to great vassals, whose way of living was superior to that of the greatest German rulers, such as the Duke of Bavaria and the Elector of Saxony.

The kitchen of the Lecamus family was beneath the back-shop and looked out upon the river. It had a glass door opening upon a sort of iron balcony, from which the cook drew up water in a bucket, and where the household washing was done. The back-shop was made the dining-room, office, and salon of the merchant. In this important room (in all such houses richly panelled and adorned with some special work of art, and also a carved chest) the life of the merchant was passed; there the joyous suppers after the work of the day was over, there the secret conferences on the political interests of the burghers and of royalty took place. The formidable corporations of Paris were at that time able to arm a hundred thousand men. Therefore the opinions of the merchants were backed by their servants, their clerks, their apprentices, their workmen. The burghers had a chief in the "provost of the merchants" who commanded them, and in the Hotel de Ville, a palace where they possessed the right to assemble. In the famous "burghers' parlor" their solemn deliberations took place. Had it not been for the continual sacrifices which by that time made war intolerable to the corporations, who were weary of their losses and of the famine, Henri IV., that factionist who became king, might never perhaps have entered Paris.

Every one can now picture to himself the appearance of this corner of old Paris, where the bridge and quai still are, where the trees of the quai aux Fleurs now stand, but where no trace remains of the period of which we write except the tall and famous tower of the Palais de Justice, from which the signal was given for the Saint Bartholomew. Strange circumstance! one of the houses standing at the foot of that tower then surrounded by wooden shops, that, namely, of Lecamus, was about to witness the birth of facts which were destined to prepare for that night of massacre, which was, unhappily, more favorable than fatal to Calvinism.

At the moment when our history begins, the audacity of the new religious doctrines was putting all Paris in a ferment. A Scotchman named Stuart had just assassinated President Minard, the member of the Parliament to whom public opinion attributed the largest share in the execution of Councillor Anne du Bourg; who was burned on the place de Greve after the king's tailor—to whom Henri II. and Diane de Poitiers had caused the torture of the "question" to be applied in their very presence. Paris was so closely watched that the archers compelled all passers along the street to pray before the shrines of the Madonna so as to discover heretics by their unwillingness or even refusal to do an act contrary to their beliefs.

The two archers who were stationed at the corner of the Lecamus house had departed, and Cristophe, son of the furrier, vehemently suspected of deserting Catholicism, was able to leave the shop without fear of being made to adore the Virgin. By seven in the evening, in April, 1560, darkness was already falling, and the apprentices, seeing no signs of customers on either side of the arcade, were beginning to take in the merchandise exposed as samples beneath the pillars, in order to close the shop. Christophe Lecamus, an ardent young man about twenty-two years old, was standing on the sill of the shop-door, apparently watching the apprentices.

"Monsieur," said one of them, addressing Christophe and pointing to a man who was walking to and fro under the gallery with an air of indecision, "perhaps that's a thief or a spy; anyhow, the shabby wretch can't be an honest man; if he wanted to speak to us he would come over frankly, instead of sidling along as he does—and what a face!" continued the apprentice, mimicking the man, "with his nose in his cloak, his yellow eyes, and that famished look!"

When the stranger thus described caught sight of Christophe alone on the door-sill, he suddenly left the opposite gallery where he was then walking, crossed the street rapidly, and came under the arcade in front of the Lecamus house. There he passed slowly along in front of the shop, and before the apprentices returned to close the outer shutters he said to Christophe in a low voice:—

"I am Chaudieu."

Hearing the name of one of the most illustrious ministers and devoted actors in the terrible drama called "The Reformation," Christophe quivered as a faithful peasant might have quivered on recognizing his disguised king.

"Perhaps you would like to see some furs? Though it is almost dark I will show you some myself," said Christophe, wishing to throw the apprentices, whom he heard behind him, off the scent.

With a wave of his hand he invited the minister to enter the shop, but the latter replied that he preferred to converse outside. Christophe then fetched his cap and followed the disciple of Calvin.

Though banished by an edict, Chaudieu, the secret envoy of Theodore de Beze and Calvin (who were directing the French Reformation from Geneva), went and came, risking the cruel punishment to which the Parliament, in unison with the Church and Royalty, had condemned one of their number, the celebrated Anne du Bourg, in order to make a terrible example. Chaudieu, whose brother was a captain and one of Admiral Coligny's best soldiers, was a powerful auxiliary by whose arm Calvin shook France at the beginning of the twenty two years of religious warfare now on the point of breaking out. This minister was one of the hidden wheels whose movements can best exhibit the wide-spread action of the Reform.

Chaudieu led Christophe to the water's edge through an underground passage, which was like that of the Marion tunnel filled up by the authorities about ten years ago. This passage, which was situated between the Lecamus house and the one adjoining it, ran under the rue de la Vieille-Pelleterie, and was called the Pont-aux-Fourreurs. It was used by the dyers of the City to go to the river and wash their flax and silks, and other stuffs. A little boat was at the entrance of it, rowed by a single sailor. In the bow was a man unknown to Christophe, a man of low stature and very simply dressed. Chaudieu and Christophe entered the boat, which in a moment was in the middle of the Seine; the sailor then directed its course beneath one of the wooden arches of the pont au Change, where he tied up quickly to an iron ring. As yet, no one had said a word.

"Here we can speak without fear; there are no traitors or spies here," said Chaudieu, looking at the two as yet unnamed men. Then, turning an ardent face to Christophe, "Are you," he said, "full of that devotion that should animate a martyr? Are you ready to endure all for our sacred cause? Do you fear the tortures applied to the Councillor du Bourg, to the king's tailor,—tortures which await the majority of us?"

"I shall confess the gospel," replied Lecamus, simply, looking at the windows of his father's back-shop.

The family lamp, standing on the table where his father was making up his books for the day, spoke to him, no doubt, of the joys of family and the peaceful existence which he now renounced. The vision was rapid, but complete. His mind took in, at a glance, the burgher quarter full of its own harmonies, where his happy childhood had been spent, where lived his promised bride, Babette Lallier, where all things promised him a sweet and full existence; he saw the past; he saw the future, and he sacrificed it, or, at any rate, he staked it all. Such were the men of that day.

"We need ask no more," said the impetuous sailor; "we know him for one of our saints. If the Scotchman had not done the deed he would kill us that infamous Minard."

"Yes," said Lecamus, "my life belongs to the church; I shall give it with joy for the triumph of the Reformation, on which I have seriously reflected. I know that what we do is for the happiness of the peoples. In two words: Popery drives to celibacy, the Reformation establishes the family. It is time to rid France of her monks, to restore their lands to the Crown, who will, sooner or later, sell them to the burghers. Let us learn to die for our children, and make our families some day free and prosperous."

The face of the young enthusiast, that of Chaudieu, that of the sailor, that of the stranger seated in the bow, lighted by the last gleams of the twilight, formed a picture which ought the more to be described because the description contains in itself the whole history of the times—if it is, indeed, true that to certain men it is given to sum up in their own persons the spirit of their age.

The religious reform undertaken by Luther in Germany, John Knox in Scotland, Calvin in France, took hold especially of those minds in the lower classes into which thought had penetrated. The great lords sustained the movement only to serve interests that were foreign to the religious cause. To these two classes were added adventurers, ruined noblemen, younger sons, to whom all troubles were equally acceptable. But among the artisan and merchant classes the new faith was sincere and based on calculation. The masses of the poorer people adhered at once to a religion which gave the ecclesiastical property to the State, and deprived the dignitaries of the Church of their enormous revenues. Commerce everywhere reckoned up the profits of this religious operation, and devoted itself body, soul, and purse, to the cause.

But among the young men of the French bourgeoisie the Protestant movement found that noble inclination to sacrifices of all kinds which inspires youth, to which selfishness is, as yet, unknown. Eminent men, sagacious minds, discerned the Republic in the Reformation; they desired to establish throughout Europe the government of the United Provinces, which ended by triumphing over the greatest Power of those times,—Spain, under Philip the Second, represented in the Low Countries by the Duke of Alba. Jean Hotoman was then meditating his famous book, in which this project is put forth,—a book which spread throughout France the leaven of these ideas, which were stirred up anew by the Ligue, repressed by Richelieu, then by Louis XIV., always protected by the younger branches, by the house of Orleans in 1789, as by the house of Bourbon in 1589. Whoso says "Investigate" says "Revolt." All revolt is either the cloak that hides a prince, or the swaddling-clothes of a new mastery. The house of Bourbon, the younger sons of the Valois, were at work beneath the surface of the Reformation.

At the moment when the little boat floated beneath the arch of the pont au Change the question was strangely complicated by the ambitions of the Guises, who were rivalling the Bourbons. Thus the Crown, represented by Catherine de' Medici, was able to sustain the struggle for thirty years by pitting the one house against the other house; whereas later, the Crown, instead of standing between various jealous ambitions, found itself without a barrier, face to face with the people: Richelieu and Louis XIV. had broken down the barrier of the Nobility; Louis XV. had broken down that of the Parliaments. Alone before the people, as Louis XVI. was, a king must inevitably succumb.

Christophe Lecamus was a fine representative of the ardent and devoted portion of the people. His wan face had the sharp hectic tones which distinguish certain fair complexions; his hair was yellow, of a coppery shade; his gray-blue eyes were sparkling. In them alone was his fine soul visible; for his ill-proportioned face did not atone for its triangular shape by the noble mien of an elevated mind, and his low forehead indicated only extreme energy. Life seemed to centre in his chest, which was rather hollow. More nervous than sanguine, Cristophe's bodily appearance was thin and threadlike, but wiry. His pointed noise expressed the shrewdness of the people, and his countenance revealed an intelligence capable of conducting itself well on a single point of the circumference, without having the faculty of seeing all around it. His eyes, the arching brows of which, scarcely covered with a whitish down, projected like an awning, were strongly circled by a pale-blue band, the skin being white and shining at the spring of the nose,—a sign which almost always denotes excessive enthusiasm. Christophe was of the people,—the people who devote themselves, who fight for their devotions, who let themselves be inveigled and betrayed; intelligent enough to comprehend and serve an idea, too upright to turn it to his own account, too noble to sell himself.

Contrasting with this son of Lecamus, Chaudieu, the ardent minister, with brown hair thinned by vigils, a yellow skin, an eloquent mouth, a militant brow, with flaming brown eyes, and a short and prominent chin, embodied well the Christian faith which brought to the Reformation so many sincere and fanatical pastors, whose courage and spirit aroused the populations. The aide-de-camp of Calvin and Theodore de Beze contrasted admirably with the son of the furrier. He represented the fiery cause of which the effect was seen in Christophe.

The sailor, an impetuous being, tanned by the open air, accustomed to dewy nights and burning days, with closed lips, hasty gestures, orange eyes, ravenous as those of a vulture, and black, frizzled hair, was the embodiment of an adventurer who risks all in a venture, as a gambler stakes all on a card. His whole appearance revealed terrific passions, and an audacity that flinched at nothing. His vigorous muscles were made to be quiescent as well as to act. His manner was more audacious than noble. His nose, though thin, turned up and snuffed battle. He seemed agile and capable. You would have known him in all ages for the leader of a party. If he were not of the Reformation, he might have been Pizarro, Fernando Cortez, or Morgan the Exterminator,—a man of violent action of some kind.

The fourth man, sitting on a thwart wrapped in his cloak, belonged, evidently, to the highest portion of society. The fineness of his linen, its cut, the material and scent of his clothing, the style and skin of his gloves, showed him to be a man of courts, just as his bearing, his haughtiness, his composure and his all-embracing glance proved him to be a man of war. The aspect of this personage made a spectator uneasy in the first place, and then inclined him to respect. We respect a man who respects himself. Though short and deformed, his manners instantly redeemed the disadvantages of his figure. The ice once broken, he showed a lively rapidity of decision, with an indefinable dash and fire which made him seem affable and winning. He had the blue eyes and the curved nose of the house of Navarre, and the Spanish cut of the marked features which were in after days the type of the Bourbon kings.

In a word, the scene now assumed a startling interest.

"Well," said Chaudieu, as young Lecamus ended his speech, "this boatman is La Renaudie. And here is Monsiegneur the Prince de Conde," he added, motioning to the deformed little man.

Thus these four men represented the faith of the people, the spirit of the Scriptures, the mailed hand of the soldier, and royalty itself hidden in that dark shadow of the bridge.

"You shall now know what we expect of you," resumed the minister, after allowing a short pause for Christophe's astonishment. "In order that you may make no mistake, we feel obliged to initiate you into the most important secrets of the Reformation."

The prince and La Renaudie emphasized the minister's speech by a gesture, the latter having paused to allow the prince to speak, if he so wished. Like all great men engaged in plotting, whose system it is to conceal their hand until the decisive moment, the prince kept silence—but not from cowardice. In these crises he was always the soul of the conspiracy; recoiling from no danger and ready to risk his own head; but from a sort of royal dignity he left the explanation of the enterprise to his minister, and contented himself with studying the new instrument he was about to use.

"My child," said Chaudieu, in the Huguenot style of address, "we are about to do battle for the first time with the Roman prostitute. In a few days either our legions will be dying on the scaffold, or the Guises will be dead. This is the first call to arms on behalf of our religion in France, and France will not lay down those arms till they have conquered. The question, mark you this, concerns the nation, not the kingdom. The majority of the nobles of the kingdom see plainly what the Cardinal de Lorraine and his brother are seeking. Under pretext of defending the Catholic religion, the house of Lorraine means to claim the crown of France as its patrimony. Relying on the Church, it has made the Church a formidable ally; the monks are its support, its acolytes, its spies. It has assumed the post of guardian to the throne it is seeking to usurp; it protects the house of Valois which it means to destroy. We have decided to take up arms because the liberties of the people and the interests of the nobles are equally threatened. Let us smother at its birth a faction as odious as that of the Burgundians who formerly put Paris and all France to fire and sword. It required a Louis XI. to put a stop to the quarrel between the Burgundians and the Crown; and to-day a prince de Conde is needed to prevent the house of Lorraine from re-attempting that struggle. This is not a civil war; it is a duel between the Guises and the Reformation,—a duel to the death! We will make their heads fall, or they shall have ours."

"Well said!" cried the prince.

"In this crisis, Christophe," said La Renaudie, "we mean to neglect nothing which shall strengthen our party,—for there is a party in the Reformation, the party of thwarted interests, of nobles sacrificed to the Lorrains, of old captains shamefully treated at Fontainebleau, from which the cardinal has banished them by setting up gibbets on which to hang those who ask the king for the cost of their equipment and their back-pay."

"This, my child," resumed Chaudieu, observing a sort of terror in Christophe, "this it is which compels us to conquer by arms instead of conquering by conviction and by martyrdom. The queen-mother is on the point of entering into our views. Not that she means to abjure; she has not reached that decision as yet; but she may be forced to it by our triumph. However that may be, Queen Catherine, humiliated and in despair at seeing the power she expected to wield on the death of the king passing into the hands of the Guises, alarmed at the empire of the young queen, Mary, niece of the Lorrains and their auxiliary, Queen Catherine is doubtless inclined to lend her support to the princes and lords who are now about to make an attempt which will deliver her from the Guises. At this moment, devoted as she may seem to them, she hates them; she desires their overthrow, and will try to make use of us against them; but Monseigneur the Prince de Conde intends to make use of her against all. The queen-mother will, undoubtedly, consent to all our plans. We shall have the Connetable on our side; Monseigneur has just been to see him at Chantilly; but he does not wish to move without an order from his masters. Being the uncle of Monseigneur, he will not leave him in the lurch; and this generous prince does not hesitate to fling himself into danger to force Anne de Montmorency to a decision. All is prepared, and we have cast our eyes on you as the means of communicating to Queen Catherine our treaty of alliance, the drafts of edicts, and the bases of the new government. The court is at Blois. Many of our friends are with it; but they are to be our future chiefs, and, like Monseigneur," he added, motioning to the prince, "they must not be suspected. The queen-mother and our friends are so closely watched that it is impossible to employ as intermediary any known person of importance; they would instantly be suspected and kept from communicating with Madame Catherine. God sends us at this crisis the shepherd David and his sling to do battle with Goliath of Guise. Your father, unfortunately for him a good Catholic, is furrier to the two queens. He is constantly supplying them with garments. Get him to send you on some errand to the court. You will excite no suspicion, and you cannot compromise Queen Catherine in any way. All our leaders would lose their heads if a single imprudent act allowed their connivance with the queen-mother to be seen. Where a great lord, if discovered, would give the alarm and destroy our chances, an insignificant man like you will pass unnoticed. See! The Guises keep the town so full of spies that we have only the river where we can talk without fear. You are now, my son, like a sentinel who must die at his post. Remember this: if you are discovered, we shall all abandon you; we shall even cast, if necessary, opprobrium and infamy upon you. We shall say that you are a creature of the Guises, made to play this part to ruin us. You see therefore that we ask of you a total sacrifice."

"If you perish," said the Prince de Conde, "I pledge my honor as a noble that your family shall be sacred for the house of Navarre; I will bear it on my heart and serve it in all things."

"Those words, my prince, suffice," replied Christophe, without reflecting that the conspirator was a Gascon. "We live in times when each man, prince or burgher, must do his duty."

"There speaks the true Huguenot. If all our men were like that," said La Renaudie, laying his hand on Christophe's shoulder, "we should be conquerors to-morrow."

"Young man," resumed the prince, "I desire to show you that if Chaudieu preaches, if the nobleman goes armed, the prince fights. Therefore, in this hot game all stakes are played."

"Now listen to me," said La Renaudie. "I will not give you the papers until you reach Beaugency; for they must not be risked during the whole of your journey. You will find me waiting for you there on the wharf; my face, voice, and clothes will be so changed you cannot recognize me, but I shall say to you, 'Are you a guepin?' and you will answer, 'Ready to serve.' As to the performance of your mission, these are the means: You will find a horse at the 'Pinte Fleurie,' close to Saint-Germain l'Auxerrois. You will there ask for Jean le Breton, who will take you to the stable and give you one of my ponies which is known to do thirty leagues in eight hours. Leave by the gate of Bussy. Breton has a pass for me; use it yourself, and make your way by skirting the towns. You can thus reach Orleans by daybreak."

"But the horse?" said young Lecamus.

"He will not give out till you reach Orleans," replied La Renaudie. "Leave him at the entrance of the faubourg Bannier; for the gates are well guarded, and you must not excite suspicion. It is for you, friend, to play your part intelligently. You must invent whatever fable seems to you best to reach the third house to the left on entering Orleans; it belongs to a certain Tourillon, glove-maker. Strike three blows on the door, and call out: 'On service from Messieurs de Guise!' The man will appear to be a rabid Guisist; no one knows but our four selves that he is one of us. He will give you a faithful boatman,—another Guisist of his own cut. Go down at once to the wharf, and embark in a boat painted green and edged with white. You will doubtless land at Beaugency to-morrow about mid-day. There I will arrange to find you a boat which will take you to Blois without running any risk. Our enemies the Guises do not watch the rivers, only the landings. Thus you will be able to see the queen-mother to-morrow or the day after."

"Your words are written there," said Christophe, touching his forehead.

Chaudieu embraced his child with singular religious effusion; he was proud of him.

"God keep thee!" he said, pointing to the ruddy light of the sinking sun, which was touching the old roofs covered with shingles and sending its gleams slantwise through the forest of piles among which the water was rippling.

"You belong to the race of the Jacques Bonhomme," said La Renaudie, pressing Christophe's hand.

"We shall meet again, monsieur," said the prince, with a gesture of infinite grace, in which there was something that seemed almost friendship.

With a stroke of his oars La Renaudie put the boat at the lower step of the stairway which led to the house. Christophe landed, and the boat disappeared instantly beneath the arches of the pont au Change.



II. THE BURGHERS

Christophe shook the iron railing which closed the stairway on the river, and called. His mother heard him, opened one of the windows of the back shop, and asked what he was doing there. Christophe answered that he was cold and wanted to get in.

"Ha! my master," said the Burgundian maid, "you went out by the street-door, and you return by the water-gate. Your father will be fine and angry."

Christophe, bewildered by a confidence which had just brought him into communication with the Prince de Conde, La Renaudie, and Chaudieu, and still more moved at the prospect of impending civil war, made no answer; he ran hastily up from the kitchen to the back shop; but his mother, a rabid Catholic, could not control her anger.

"I'll wager those three men I saw you talking with are Ref—"

"Hold your tongue, wife!" said the cautious old man with white hair who was turning over a thick ledger. "You dawdling fellows," he went on, addressing three journeymen, who had long finished their suppers, "why don't you go to bed? It is eight o'clock, and you have to be up at five; besides, you must carry home to-night President de Thou's cap and mantle. All three of you had better go, and take your sticks and rapiers; and then, if you meet scamps like yourselves, at least you'll be in force."

"Are we going to take the ermine surcoat the young queen has ordered to be sent to the hotel des Soissons? there's an express going from there to Blois for the queen-mother," said one of the clerks.

"No," said his master, "the queen-mother's bill amounts to three thousand crowns; it is time to get the money, and I am going to Blois myself very soon."

"Father, I do not think it right at your age and in these dangerous times to expose yourself on the high-roads. I am twenty-two years old, and you ought to employ me on such errands," said Christophe, eyeing the box which he supposed contained the surcoat.

"Are you glued to your seats?" cried the old man to his apprentices, who at once jumped up and seized their rapiers, cloaks, and Monsieur de Thou's furs.

The next day the Parliament was to receive in state, as its president, this illustrious judge, who, after signing the death warrant of Councillor du Bourg, was destined before the close of the year to sit in judgment on the Prince de Conde!

"Here!" said the old man, calling to the maid, "go and ask friend Lallier if he will come and sup with us and bring the wine; we'll furnish the victuals. Tell him, above all, to bring his daughter."

Lecamus, the syndic of the guild of furriers, was a handsome old man of sixty, with white hair, and a broad, open brow. As court furrier for the last forty years, he had witnessed all the revolutions of the reign of Francois I. He had seen the arrival at the French court of the young girl Catherine de' Medici, then scarcely fifteen years of age. He had observed her giving way before the Duchesse d'Etampes, her father-in-law's mistress; giving way before the Duchesse de Valentinois, the mistress of her husband the late king. But the furrier had brought himself safely through all the chances and changes by which court merchants were often involved in the disgrace and overthrow of mistresses. His caution led to his good luck. He maintained an attitude of extreme humility. Pride had never caught him in its toils. He made himself so small, so gentle, so compliant, of so little account at court and before the queens and princesses and favorites, that this modesty, combined with good-humor, had kept the royal sign above his door.

Such a policy was, of course, indicative of a shrewd and perspicacious mind. Humble as Lecamus seemed to the outer world, he was despotic in his own home; there he was an autocrat. Most respected and honored by his brother craftsmen, he owed to his long possession of the first place in the trade much of the consideration that was shown to him. He was, besides, very willing to do kindnesses to others, and among the many services he had rendered, none was more striking than the assistance he had long given to the greatest surgeon of the sixteenth century, Ambroise Pare, who owed to him the possibility of studying for his profession. In all the difficulties which came up among the merchants Lecamus was always conciliating. Thus a general good opinion of him consolidated his position among his equals; while his borrowed characteristics kept him steadily in favor with the court.

Not only this, but having intrigued for the honor of being on the vestry of his parish church, he did what was necessary to bring him into the odor of sanctity with the rector of Saint-Pierre aux Boeufs, who looked upon him as one of the men most devoted to the Catholic religion in Paris. Consequently, at the time of the convocation of the States-General he was unanimously elected to represent the tiers etat through the influence of the clergy of Paris,—an influence which at that period was immense. This old man was, in short, one of those secretly ambitious souls who will bend for fifty years before all the world, gliding from office to office, no one exactly knowing how it came about that he was found securely and peacefully seated at last where no man, even the boldest, would have had the ambition at the beginning of life to fancy himself; so great was the distance, so many the gulfs and the precipices to cross! Lecamus, who had immense concealed wealth, would not run any risks, and was silently preparing a brilliant future for his son. Instead of having the personal ambition which sacrifices the future to the present, he had family ambition,—a lost sentiment in our time, a sentiment suppressed by the folly of our laws of inheritance. Lecamus saw himself first president of the Parliament of Paris in the person of his grandson.

Christophe, godson of the famous historian de Thou, was given a most solid education; but it had led him to doubt and to the spirit of examination which was then affecting both the Faculties and the students of the universities. Christophe was, at the period of which we are now writing, pursuing his studies for the bar, that first step toward the magistracy. The old furrier was pretending to some hesitation as to his son. Sometimes he seemed to wish to make Christophe his successor; then again he spoke of him as a lawyer; but in his heart he was ambitious of a place for this son as Councillor of the Parliament. He wanted to put the Lecamus family on a level with those old and celebrated burgher families from which came the Pasquiers, the Moles, the Mirons, the Seguiers, Lamoignon, du Tillet, Lecoigneux, Lescalopier, Goix, Arnauld, those famous sheriffs and grand-provosts of the merchants, among whom the throne found such strong defenders.

Therefore, in order that Christophe might in due course of time maintain his rank, he wished to marry him to the daughter of the richest jeweller in the city, his friend Lallier, whose nephew was destined to present to Henri IV. the keys of Paris. The strongest desire rooted in the heart of the worthy burgher was to use half of his fortune and half of that of the jeweller in the purchase of a large and beautiful seignorial estate, which, in those days, was a long and very difficult affair. But his shrewd mind knew the age in which he lived too well to be ignorant of the great movements which were now in preparation. He saw clearly, and he saw justly, and knew that the kingdom was about to be divided into two camps. The useless executions in the Place de l'Estrapade, that of the king's tailor and the more recent one of the Councillor Anne du Bourg, the actual connivance of the great lords, and that of the favorite of Francois I. with the Reformers, were terrible indications. The furrier resolved to remain, whatever happened, Catholic, royalist, and parliamentarian; but it suited him, privately, that Christophe should belong to the Reformation. He knew he was rich enough to ransom his son if Christophe was too much compromised; and on the other hand if France became Calvinist his son could save the family in the event of one of those furious Parisian riots, the memory of which was ever-living with the bourgeoisie,—riots they were destined to see renewed through four reigns.

But these thoughts the old furrier, like Louis XI., did not even say to himself; his wariness went so far as to deceive his wife and son. This grave personage had long been the chief man of the richest and most populous quarter of Paris, that of the centre, under the title of quartenier,—the title and office which became so celebrated some fifteen months later. Clothed in cloth like all the prudent burghers who obeyed the sumptuary laws, Sieur Lecamus (he was tenacious of that title which Charles V. granted to the burghers of Paris, permitting them also to buy baronial estates and call their wives by the fine name of demoiselle, but not by that of madame) wore neither gold chains nor silk, but always a good doublet with large tarnished silver buttons, cloth gaiters mounting to the knee, and leather shoes with clasps. His shirt, of fine linen, showed, according to the fashion of the time, in great puffs between his half-opened jacket and his breeches. Though his large and handsome face received the full light of the lamp standing on the table, Christophe had no conception of the thoughts which lay buried beneath the rich and florid Dutch skin of the old man; but he understood well enough the advantage he himself had expected to obtain from his affection for pretty Babette Lallier. So Christophe, with the air of a man who had come to a decision, smiled bitterly as he heard of the invitation to his promised bride.

When the Burgundian cook and the apprentices had departed on their several errands, old Lecamus looked at his wife with a glance which showed the firmness and resolution of his character.

"You will not be satisfied till you have got that boy hanged with your damned tongue," he said, in a stern voice.

"I would rather see him hanged and saved than living and a Huguenot," she answered, gloomily. "To think that a child whom I carried nine months in my womb should be a bad Catholic, and be doomed to hell for all eternity!"

She began to weep.

"Old silly," said the furrier; "let him live, if only to convert him. You said, before the apprentices, a word which may set fire to our house, and roast us all, like fleas in a straw bed."

The mother crossed herself, and sat down silently.

"Now, then, you," said the old man, with a judicial glance at his son, "explain to me what you were doing on the river with—come closer, that I may speak to you," he added, grasping his son by the arm, and drawing him to him—"with the Prince de Conde," he whispered. Christophe trembled. "Do you suppose the court furrier does not know every face that frequents the palace? Think you I am ignorant of what is going on? Monseigneur the Grand Master has been giving orders to send troops to Amboise. Withdrawing troops from Paris to send them to Amboise when the king is at Blois, and making them march through Chartres and Vendome, instead of going by Orleans—isn't the meaning of that clear enough? There'll be troubles. If the queens want their surcoats, they must send for them. The Prince de Conde has perhaps made up his mind to kill Messieurs de Guise; who, on their side, expect to rid themselves of him. The prince will use the Huguenots to protect himself. Why should the son of a furrier get himself into that fray? When you are married, and when you are councillor to the Parliament, you will be as prudent as your father. Before belonging to the new religion, the son of a furrier ought to wait until the rest of the world belongs to it. I don't condemn the Reformers; it is not my business to do so; but the court is Catholic, the two queens are Catholic, the Parliament is Catholic; we must supply them with furs, and therefore we must be Catholic ourselves. You shall not go out from here, Christophe; if you do, I will send you to your godfather, President de Thou, who will keep you night and day blackening paper, instead of blackening your soul in company with those damned Genevese."

"Father," said Christophe, leaning upon the back of the old man's chair, "send me to Blois to carry that surcoat to Queen Mary and get our money from the queen-mother. If you do not, I am lost; and you care for your son."

"Lost?" repeated the old man, without showing the least surprise. "If you stay here you can't be lost; I shall have my eye on you all the time."

"They will kill me here."

"Why?"

"The most powerful among the Huguenots have cast their eyes on me to serve them in a certain matter; if I fail to do what I have just promised to do, they will kill me in open day, here in the street, as they killed Minard. But if you send me to court on your affairs, perhaps I can justify myself equally well to both sides. Either I shall succeed without having run any danger at all, and shall then win a fine position in the party; or, if the danger turns out very great, I shall be there simply on your business."

The father rose as if his chair was of red-hot iron.

"Wife," he said, "leave us; and watch that we are left quite alone, Christophe and I."

When Mademoiselle Lecamus had left them the furrier took his son by a button and led him to the corner of the room which made the angle of the bridge.

"Christophe," he said, whispering in his ear as he had done when he mentioned the name of the Prince of Conde, "be a Huguenot, if you have that vice; but be so cautiously, in the depths of your soul, and not in a way to be pointed at as a heretic throughout the quarter. What you have just confessed to me shows that the leaders have confidence in you. What are you going to do for them at court?"

"I cannot tell you that," replied Christophe; "for I do not know myself."

"Hum! hum!" muttered the old man, looking at his son, "the scamp means to hoodwink his father; he'll go far. You are not going to court," he went on in a low tone, "to carry remittances to Messieurs de Guise or to the little king our master, or to the little Queen Marie. All those hearts are Catholic; but I would take my oath the Italian woman has some spite against the Scotch girl and against the Lorrains. I know her. She has a desperate desire to put her hand into the dough. The late king was so afraid of her that he did as the jewellers do, he cut diamond by diamond, he pitted one woman against another. That caused Queen Catherine's hatred to the poor Duchesse de Valentinois, from whom she took the beautiful chateau of Chenonceaux. If it hadn't been for the Connetable, the duchess might have been strangled. Back, back, my son; don't put yourself in the hands of that Italian, who has no passion except in her brain; and that's a bad kind of woman! Yes, what they are sending you to do at court may give you a very bad headache," cried the father, seeing that Christophe was about to reply. "My son, I have plans for your future which you will not upset by making yourself useful to Queen Catherine; but, heavens and earth! don't risk your head. Messieurs de Guise would cut it off as easily as the Burgundian cuts a turnip, and then those persons who are now employing you will disown you utterly."

"I know that, father," said Christophe.

"What! are you really so strong, my son? You know it, and are willing to risk all?"

"Yes, father."

"By the powers above us!" cried the father, pressing his son in his arms, "we can understand each other; you are worthy of your father. My child, you'll be the honor of the family, and I see that your old father can speak plainly with you. But do not be more Huguenot than Messieurs de Coligny. Never draw your sword; be a pen man; keep to your future role of lawyer. Now, then, tell me nothing until after you have succeeded. If I do not hear from you by the fourth day after you reach Blois, that silence will tell me that you are in some danger. The old man will go to save the young one. I have not sold furs for thirty-two years without a good knowledge of the wrong side of court robes. I have the means of making my way through many doors."

Christophe opened his eyes very wide as he heard his father talking thus; but he thought there might be some parental trap in it, and he made no reply further than to say:—

"Well, make out the bill, and write a letter to the queen; I must start at once, or the greatest misfortunes may happen."

"Start? How?"

"I shall buy a horse. Write at once, in God's name."

"Hey! mother! give your son some money," cried the furrier to his wife.

The mother returned, went to her chest, took out a purse of gold, and gave it to Christophe, who kissed her with emotion.

"The bill was all ready," said his father; "here it is. I will write the letter at once."

Christophe took the bill and put it in his pocket.

"But you will sup with us, at any rate," said the old man. "In such a crisis you ought to exchange rings with Lallier's daughter."

"Very well, I will go and fetch her," said Christophe.

The young man was distrustful of his father's stability in the matter. The old man's character was not yet fully known to him. He ran up to his room, dressed himself, took a valise, came downstairs softly and laid it on a counter in the shop, together with his rapier and cloak.

"What the devil are you doing?" asked his father, hearing him.

Christophe came up to the old man and kissed him on both cheeks.

"I don't want any one to see my preparations for departure, and I have put them on a counter in the shop," he whispered.

"Here is the letter," said his father.

Christophe took the paper and went out as if to fetch his young neighbor.

A few moments after his departure the goodman Lallier and his daughter arrived, preceded by a servant-woman, bearing three bottles of old wine.

"Well, where is Christophe?" said old Lecamus.

"Christophe!" exclaimed Babette. "We have not seen him."

"Ha! ha! my son is a bold scamp! He tricks me as if I had no beard. My dear crony, what think you he will turn out to be? We live in days when the children have more sense than their fathers."

"Why, the quarter has long been saying he is in some mischief," said Lallier.

"Excuse him on that point, crony," said the furrier. "Youth is foolish; it runs after new things; but Babette will keep him quiet; she is newer than Calvin."

Babette smiled; she loved Christophe, and was angry when anything was said against him. She was one of those daughters of the old bourgeoisie brought up under the eyes of a mother who never left her. Her bearing was gentle and correct as her face; she always wore woollen stuffs of gray, harmonious in tone; her chemisette, simply pleated, contrasted its whiteness against the gown. Her cap of brown velvet was like an infant's coif, but it was trimmed with a ruche and lappets of tanned gauze, that is, of a tan color, which came down on each side of her face. Though fair and white as a true blonde, she seemed to be shrewd and roguish, all the while trying to hide her roguishness under the air and manner of a well-trained girl. While the two servant-women went and came, laying the cloth and placing the jugs, the great pewter dishes, and the knives and forks, the jeweller and his daughter, the furrier and his wife, sat before the tall chimney-piece draped with lambrequins of red serge and black fringes, and were talking of trifles. Babette asked once or twice where Christophe could be, and the father and mother of the young Huguenot gave evasive answers; but when the two families were seated at table, and the two servants had retired to the kitchen, Lecamus said to his future daughter-in-law:—

"Christophe has gone to court."

"To Blois! Such a journey as that without bidding me good-bye!" she said.

"The matter was pressing," said the old mother.

"Crony," said the furrier, resuming a suspended conversation. "We are going to have troublous times in France. The Reformers are bestirring themselves."

"If they triumph, it will only be after a long war, during which business will be at a standstill," said Lallier, incapable of rising higher than the commercial sphere.

"My father, who saw the wars between the Burgundians and the Armagnacs told me that our family would never have come out safely if one of his grandfathers—his mother's father—had not been a Goix, one of those famous butchers in the Market who stood by the Burgundians; whereas the other, the Lecamus, was for the Armagnacs; they seemed ready to flay each other alive before the world, but they were excellent friends in the family. So, let us both try to save Christophe; perhaps the time may come when he will save us."

"You are a shrewd one," said the jeweller.

"No," replied Lecamus. "The burghers ought to think of themselves; the populace and the nobility are both against them. The Parisian bourgeoisie alarms everybody except the king, who knows it is his friend."

"You who are so wise and have seen so many things," said Babette, timidly, "explain to me what the Reformers really want."

"Yes, tell us that, crony," cried the jeweller. "I knew the late king's tailor, and I held him to be a man of simple life, without great talent; he was something like you; a man to whom they'd give the sacrament without confession; and behold! he plunged to the depths of this new religion,—he! a man whose two ears were worth all of a hundred thousand crowns apiece. He must have had secrets to reveal to induce the king and the Duchesse de Valentinois to be present at his torture."

"And terrible secrets, too!" said the furrier. "The Reformation, my friends," he continued in a low voice, "will give back to the bourgeoisie the estates of the Church. When the ecclesiastical privileges are suppressed the Reformers intend to ask that the vilain shall be imposed on nobles as well as on burghers, and they mean to insist that the king alone shall be above others—if indeed, they allow the State to have a king."

"Suppress the Throne!" ejaculated Lallier.

"Hey! crony," said Lecamus, "in the Low Countries the burghers govern themselves with burgomasters of their own, who elect their own temporary head."

"God bless me, crony; we ought to do these fine things and yet stay Catholics," cried the jeweller.

"We are too old, you and I, to see the triumph of the Parisian bourgeoisie, but it will triumph, I tell you, in times to come as it did of yore. Ha! the king must rest upon it in order to resist, and we have always sold him our help dear. The last time, all the burghers were ennobled, and he gave them permission to buy seignorial estates and take titles from the land without special letters from the king. You and I, grandsons of the Goix through our mothers, are not we as good as any lord?"

These words were so alarming to the jeweller and the two women that they were followed by a dead silence. The ferments of 1789 were already tingling in the veins of Lecamus, who was not yet so old but what he could live to see the bold burghers of the Ligue.

"Are you selling well in spite of these troubles?" said Lallier to Mademoiselle Lecamus.

"Troubles always do harm," she replied.

"That's one reason why I am so set on making my son a lawyer," said Lecamus; "for squabbles and law go on forever."

The conversation then turned to commonplace topics, to the great satisfaction of the jeweller, who was not fond of either political troubles or audacity of thought.



III. THE CHATEAU DE BLOIS

The banks of the Loire, from Blois to Angers, were the favorite resort of the last two branches of the royal race which occupied the throne before the house of Bourbon. That beautiful valley plain so well deserves the honor bestowed upon it by kings that we must here repeat what was said of it by one of our most eloquent writers:—

"There is one province in France which is never sufficiently admired. Fragrant as Italy, flowery as the banks of the Guadalquivir, beautiful especially in its own characteristics, wholly French, having always been French,—unlike in that respect to our northern provinces, which have degenerated by contact with Germany, and to our southern provinces, which have lived in concubinage with Moors, Spaniards, and all other nationalities that adjoined them. This pure, chaste, brave, and loyal province is Touraine. Historic France is there! Auvergne is Auvergne, Languedoc is only Languedoc; but Touraine is France; the most national river for Frenchmen is the Loire, which waters Touraine. For this reason we ought not to be surprised at the great number of historically noble buildings possessed by those departments which have taken the name, or derivations of the name, of the Loire. At every step we take in this land of enchantment we discover a new picture, bordered, it may be, by a river, or a tranquil lake reflecting in its liquid depths a castle with towers, and woods and sparkling waterfalls. It is quite natural that in a region chosen by Royalty for its sojourn, where the court was long established, great families and fortunes and distinguished men should have settled and built palaces as grand as themselves."

But is it not incomprehensible that Royalty did not follow the advice indirectly given by Louis XI. to place the capital of the kingdom at Tours? There, without great expense, the Loire might have been made accessible for the merchant service, and also for vessels-of-war of light draught. There, too, the seat of government would have been safe from the dangers of invasion. Had this been done, the northern cities would not have required such vast sums of money spent to fortify them,—sums as vast as were those expended on the sumptuous glories of Versailles. If Louis XIV. had listened to Vauban, who wished to build his great palace at Mont Louis, between the Loire and the Cher, perhaps the revolution of 1789 might never have taken place.

These beautiful shores still bear the marks of royal tenderness. The chateaus of Chambord, Amboise, Blois, Chenonceaux, Chaumont, Plessis-les-Tours, all those which the mistresses of kings, financiers, and nobles built at Veretz, Azay-le-Rideau, Usse, Villandri, Valencay, Chanteloup, Duretal, some of which have disappeared, though most of them still remain, are admirable relics which remind us of the marvels of a period that is little understood by the literary sect of the Middle-agists.

Among all these chateaus, that of Blois, where the court was then staying, is one on which the magnificence of the houses of Orleans and of Valois has placed its brilliant sign-manual,—making it the most interesting of all for historians, archaeologists, and Catholics. It was at the time of which we write completely isolated. The town, enclosed by massive walls supported by towers, lay below the fortress,—for the chateau served, in fact, as fort and pleasure-house. Above the town, with its blue-tiled, crowded roofs extending then, as now, from the river to the crest of the hill which commands the right bank, lies a triangular plateau, bounded to the west by a streamlet, which in these days is of no importance, for it flows beneath the town; but in the fifteenth century, so say historians, it formed quite a deep ravine, of which there still remains a sunken road, almost an abyss, between the suburbs of the town and the chateau.

It was on this plateau, with a double exposure to the north and south, that the counts of Blois built, in the architecture of the twelfth century, a castle where the famous Thibault de Tircheur, Thibault le Vieux, and others held a celebrated court. In those days of pure fuedality, in which the king was merely primus inter pares (to use the fine expression of a king of Poland), the counts of Champagne, the counts of Blois, those of Anjou, the simple barons of Normandie, the dukes of Bretagne, lived with the splendor of sovereign princes and gave kings to the proudest kingdoms. The Plantagenets of Anjou, the Lusignans of Poitou, the Roberts of Normandie, maintained with a bold hand the royal races, and sometimes simple knights like du Glaicquin refused the purple, preferring the sword of a connetable.

When the Crown annexed the county of Blois to its domain, Louis XII., who had a liking for this residence (perhaps to escape Plessis of sinister memory), built at the back of the first building another building, facing east and west, which connected the chateau of the counts of Blois with the rest of the old structures, of which nothing now remains but the vast hall in which the States-general were held under Henri III.

Before he became enamoured of Chambord, Francois I. wished to complete the chateau of Blois by adding two other wings, which would have made the structure a perfect square. But Chambord weaned him from Blois, where he built only one wing, which in his time and that of his grandchildren was the only inhabited part of the chateau. This third building erected by Francois I. is more vast and far more decorated than the Louvre, the chateau of Henri II. It is in the style of architecture now called Renaissance, and presents the most fantastic features of that style. Therefore, at a period when a strict and jealous architecture ruled construction, when the Middle Ages were not even considered, at a time when literature was not as clearly welded to art as it is now, La Fontaine said of the chateau de Blois, in his hearty, good-humored way: "The part that Francois I. built, if looked at from the outside, pleased me better than all the rest; there I saw numbers of little galleries, little windows, little balconies, little ornamentations without order or regularity, and they make up a grand whole which I like."

The chateau of Blois had, therefore, the merit of representing three orders of architecture, three epochs, three systems, three dominions. Perhaps there is no other royal residence that can compare with it in that respect. This immense structure presents to the eye in one enclosure, round one courtyard, a complete and perfect image of that grand presentation of the manners and customs and life of nations which is called Architecture. At the moment when Christophe was to visit the court, that part of the adjacent land which in our day is covered by a fourth palace, built seventy years later (by Gaston, the rebellious brother of Louis XIII., then exiled to Blois), was an open space containing pleasure-grounds and hanging gardens, picturesquely placed among the battlements and unfinished turrets of Francois I.'s chateau.

These gardens communicated, by a bridge of a fine, bold construction (which the old men of Blois may still remember to have seen demolished) with a pleasure-ground on the other side of the chateau, which, by the lay of the land, was on the same level. The nobles attached to the Court of Anne de Bretagne, or those of that province who came to solicit favors, or to confer with the queen as to the fate and condition of Brittany, awaited in this pleasure-ground the opportunity for an audience, either at the queen's rising, or at her coming out to walk. Consequently, history has given the name of "Perchoir aux Bretons" to this piece of ground, which, in our day, is the fruit-garden of a worthy bourgeois, and forms a projection into the place des Jesuites. The latter place was included in the gardens of this beautiful royal residence, which had, as we have said, its upper and its lower gardens. Not far from the place des Jesuites may still be seen a pavilion built by Catherine de' Medici, where, according to the historians of Blois, warm mineral baths were placed for her to use. This detail enables us to trace the very irregular disposition of the gardens, which went up or down according to the undulations of the ground, becoming extremely intricate around the chateau,—a fact which helped to give it strength, and caused, as we shall see, the discomfiture of the Duc de Guise.

The gardens were reached from the chateau through external and internal galleries, the most important of which was called the "Galerie des Cerfs" on account of its decoration. This gallery led to the magnificent staircase which, no doubt, inspired the famous double staircase of Chambord. It led, from floor to floor, to all the apartments of the castle.

Though La Fontaine preferred the chateau of Francois I. to that of Louis XII., perhaps the naivete of that of the good king will give true artists more pleasure, while at the same time they admire the magnificent structure of the knightly king. The elegance of the two staircases which are placed at each end of the chateau of Louis XII., the delicate carving and sculpture, so original in design, which abound everywhere, the remains of which, though time has done its worst, still charm the antiquary, all, even to the semi-cloistral distribution of the apartments, reveals a great simplicity of manners. Evidently, the court did not yet exist; it had not developed, as it did under Francois I. and Catherine de' Medici, to the great detriment of feudal customs. As we admire the galleries, or most of them, the capitals of the columns, and certain figurines of exquisite delicacy, it is impossible not to imagine that Michel Columb, that great sculptor, the Michel-Angelo of Brittany, passed that way for the pleasure of Queen Anne, whom he afterwards immortalized on the tomb of her father, the last duke of Brittany.

Whatever La Fontaine may choose to say about the "little galleries" and the "little ornamentations," nothing can be more grandiose than the dwelling of the splendid Francois. Thanks to I know not what indifference, to forgetfulness perhaps, the apartments occupied by Catherine de' Medici and her son Francois II. present to us to-day the leading features of that time. The historian can there restore the tragic scenes of the drama of the Reformation,—a drama in which the dual struggle of the Guises and of the Bourbons against the Valois was a series of most complicated acts, the plot of which was here unravelled.

The chateau of Francois I. completely crushes the artless habitation of Louis XII. by its imposing masses. On the side of the gardens, that is, toward the modern place des Jesuites, the castle presents an elevation nearly double that which it shows on the side of the courtyard. The ground-floor on this side forms the second floor on the side of the gardens, where are placed the celebrated galleries. Thus the first floor above the ground-floor toward the courtyard (where Queen Catherine was lodged) is the third floor on the garden side, and the king's apartments were four storeys above the garden, which at the time of which we write was separated from the base of the castle by a deep moat. The chateau, already colossal as viewed from the courtyard, appears gigantic when seen from below, as La Fontaine saw it. He mentions particularly that he did not enter either the courtyard or the apartments, and it is to be remarked that from the place des Jesuites all the details seem small. The balconies on which the courtiers promenaded; the galleries, marvellously executed; the sculptured windows, whose embrasures are so deep as to form boudoirs—for which indeed they served—resemble at that great height the fantastic decorations which scene-painters give to a fairy palace at the opera.

But in the courtyard, although the three storeys above the ground-floor rise as high as the clock-tower of the Tuileries, the infinite delicacy of the architecture reveals itself to the rapture of our astonished eyes. This wing of the great building, in which the two queens, Catherine de' Medici and Mary Stuart, held their sumptuous court, is divided in the centre by a hexagon tower, in the empty well of which winds up a spiral staircase,—a Moorish caprice, designed by giants, made by dwarfs, which gives to this wonderful facade the effect of a dream. The baluster of this staircase forms a spiral connecting itself by a square landing to five of the six sides of the tower, requiring at each landing transversal corbels which are decorated with arabesque carvings without and within. This bewildering creation of ingenious and delicate details, of marvels which give speech to stones, can be compared only to the deeply worked and crowded carving of the Chinese ivories. Stone is made to look like lace-work. The flowers, the figures of men and animals clinging to the structure of the stairway, are multiplied, step by step, until they crown the tower with a key-stone on which the chisels of the art of the sixteenth century have contended against the naive cutters of images who fifty years earlier had carved the key-stones of Louis XII.'s two stairways.

However dazzled we may be by these recurring forms of indefatigable labor, we cannot fail to see that money was lacking to Francois I. for Blois, as it was to Louis XIV. for Versailles. More than one figurine lifts its delicate head from a block of rough stone behind it; more than one fantastic flower is merely indicated by chiselled touches on the abandoned stone, though dampness has since laid its blossoms of mouldy greenery upon it. On the facade, side by side with the tracery of one window, another window presents its masses of jagged stone carved only by the hand of time. Here, to the least artistic and the least trained eye, is a ravishing contrast between this frontage, where marvels throng, and the interior frontage of the chateau of Louis XII., which is composed of a ground-floor of arcades of fairy lightness supported by tiny columns resting at their base on a graceful platform, and of two storeys above it, the windows of which are carved with delightful sobriety. Beneath the arcade is a gallery, the walls of which are painted in fresco, the ceiling also being painted; traces can still be found of this magnificence, derived from Italy, and testifying to the expeditions of our kings, to which the principality of Milan then belonged.

Opposite to Francois I.'s wing was the chapel of the counts of Blois, the facade of which is almost in harmony with the architecture of the later dwelling of Louis XII. No words can picture the majestic solidity of these three distinct masses of building. In spite of their nonconformity of style, Royalty, powerful and firm, demonstrating its dangers by the greatness of its precautions, was a bond, uniting these three edifices, so different in character, two of which rested against the vast hall of the States-general, towering high like a church.

Certainly, neither the simplicity nor the strength of the burgher existence (which were depicted at the beginning of this history) in which Art was always represented, were lacking to this royal habitation. Blois was the fruitful and brilliant example to which the Bourgeoisie and Feudality, Wealth and Nobility, gave such splendid replies in the towns and in the rural regions. Imagination could not desire any other sort of dwelling for the prince who reigned over France in the sixteenth century. The richness of seignorial garments, the luxury of female adornment, must have harmonized delightfully with the lace-work of these stones so wonderfully manipulated. From floor to floor, as the king of France went up the marvellous staircase of his chateau of Blois, he could see the broad expanse of the beautiful Loire, which brought him news of all his kingdom as it lay on either side of the great river, two halves of a State facing each other, and semi-rivals. If, instead of building Chambord in a barren, gloomy plain two leagues away, Francois I. had placed it where, seventy years later, Gaston built his palace, Versailles would never have existed, and Blois would have become, necessarily, the capital of France.

Four Valois and Catherine de' Medici lavished their wealth on the wing built by Francois I. at Blois. Who can look at those massive partition-walls, the spinal column of the castle, in which are sunken deep alcoves, secret staircases, cabinets, while they themselves enclose halls as vast as that great council-room, the guardroom, and the royal chambers, in which, in our day, a regiment of infantry is comfortably lodged—who can look at all this and not be aware of the prodigalities of Crown and court? Even if a visitor does not at once understand how the splendor within must have corresponded with the splendor without, the remaining vestiges of Catherine de' Medici's cabinet, where Christophe was about to be introduced, would bear sufficient testimony to the elegances of Art which peopled these apartments with animated designs in which salamanders sparkled among the wreaths, and the palette of the sixteenth century illumined the darkest corners with its brilliant coloring. In this cabinet an observer will still find traces of that taste for gilding which Catherine brought with her from Italy; for the princesses of her house loved, in the words of the author already quoted, to veneer the castles of France with the gold earned by their ancestors in commerce, and to hang out their wealth on the walls of their apartments.

The queen-mother occupied on the first upper floor of the apartments of Queen Claude of France, wife of Francois I., in which may still be seen, delicately carved, the double C accompanied by figures, purely white, of swans and lilies, signifying candidior candidis—more white than the whitest—the motto of the queen whose name began, like that of Catherine, with a C, and which applied as well to the daughter of Louis XII. as to the mother of the last Valois; for no suspicion, in spite of the violence of Calvinist calumny, has tarnished the fidelity of Catherine de' Medici to Henri II.

The queen-mother, still charged with the care of two young children (him who was afterward Duc d'Alencon, and Marguerite, the wife of Henri IV., the sister whom Charles IX. called Margot), had need of the whole of the first upper floor.

The king, Francois II., and the queen, Mary Stuart, occupied, on the second floor, the royal apartments which had formerly been those of Francois I. and were, subsequently, those of Henri III. This floor, like that taken by the queen-mother, is divided in two parts throughout its whole length by the famous partition-wall, which is more than four feet thick, against which rests the enormous walls which separate the rooms from each other. Thus, on both floors, the apartments are in two distinct halves. One half, to the south, looking to the courtyard, served for public receptions and for the transaction of business; whereas the private apartments were placed, partly to escape the heat, to the north, overlooking the gardens, on which side is the splendid facade with its balconies and galleries looking out upon the open country of the Vendomois, and down upon the "Perchoir des Bretons" and the moat, the only side of which La Fontaine speaks.

The chateau of Francois I. was, in those days, terminated by an enormous unfinished tower which was intended to mark the colossal angle of the building when the succeeding wing was built. Later, Gaston took down one side of it, in order to build his palace on to it; but he never finished the work, and the tower remained in ruins. This royal stronghold served as a prison or dungeon, according to popular tradition.

As we wander to-day through the halls of this matchless chateau, so precious to art and to history, what poet would not be haunted by regrets, and grieved for France, at seeing the arabesques of Catherine's boudoir whitewashed and almost obliterated, by order of the quartermaster of the barracks (this royal residence is now a barrack) at the time of an outbreak of cholera. The panels of Catherine's boudoir, a room of which we are about to speak, is the last remaining relic of the rich decorations accumulated by five artistic kings. Making our way through the labyrinth of chambers, halls, stairways, towers, we may say to ourselves with solemn certitude: "Here Mary Stuart cajoled her husband on behalf of the Guises." "There, the Guises insulted Catherine." "Later, at that very spot the second Balafre fell beneath the daggers of the avengers of the Crown." "A century earlier, from this very window, Louis XII. made signs to his friend Cardinal d'Amboise to come to him." "Here, on this balcony, d'Epernon, the accomplice of Ravaillac, met Marie de' Medici, who knew, it was said, of the proposed regicide, and allowed it to be committed."

In the chapel, where the marriage of Henri IV. and Marguerite de Valois took place, the sole remaining fragment of the chateau of the counts of Blois, a regiment now makes it shoes. This wonderful structure, in which so many styles may still be seen, so many great deeds have been performed, is in a state of dilapidation which disgraces France. What grief for those who love the great historic monuments of our country to know that soon those eloquent stones will be lost to sight and knowledge, like others at the corner of the rue de la Vieille-Pelleterie; possibly, they will exist nowhere but in these pages.

It is necessary to remark that, in order to watch the royal court more closely, the Guises, although they had a house of their own in the town, which still exists, had obtained permission to occupy the upper floor above the apartments of Louis XII., the same lodgings afterwards occupied by the Duchesse de Nemours under the roof.

The young king, Francois II., and his bride Mary Stuart, in love with each other like the girl and boy of sixteen which they were, had been abruptly transferred, in the depth of winter, from the chateau de Saint-Germain, which the Duc de Guise thought liable to attack, to the fortress which the chateau of Blois then was, being isolated and protected on three sides by precipices, and admirably defended as to its entrance. The Guises, uncles of Mary Stuart, had powerful reasons for not residing in Paris and for keeping the king and court in a castle the whole exterior surroundings of which could easily be watched and defended. A struggle was now beginning around the throne, between the house of Lorraine and the house of Valois, which was destined to end in this very chateau, twenty-eight years later, namely in 1588, when Henri III., under the very eyes of his mother, at that moment deeply humiliated by the Lorrains, heard fall upon the floor of his own cabinet, the head of the boldest of all the Guises, the second Balafre, son of that first Balafre by whom Catherine de' Medici was now being tricked, watched, threatened, and virtually imprisoned.



IV. THE QUEEN-MOTHER

This noble chateau of Blois was to Catherine de' Medici the narrowest of prisons. On the death of her husband, who had always held her in subjection, she expected to reign; but, on the contrary, she found herself crushed under the thraldom of strangers, whose polished manners were really far more brutal than those of jailers. No action of hers could be done secretly. The women who attended her either had lovers among the Guises or were watched by Argus eyes. These were times when passions notably exhibited the strange effects produced in all ages by the strong antagonism of two powerful conflicting interests in the State. Gallantry, which served Catherine so well, was also an auxiliary of the Guises. The Prince de Conde, the first leader of the Reformation, was a lover of the Marechale de Saint-Andre, whose husband was the tool of the Grand Master. The cardinal, convinced by the affair of the Vidame de Chartres, that Catherine was more unconquered than invulnerable as to love, was paying court to her. The play of all these passions strangely complicated those of politics,—making, as it were, a double game of chess, in which both parties had to watch the head and heart of their opponent, in order to know, when a crisis came, whether the one would betray the other.

Though she was constantly in presence of the Cardinal de Lorraine or of Duc Francois de Guise, who both distrusted her, the closest and ablest enemy of Catherine de' Medici was her daughter-in-law, Queen Mary, a fair little creature, malicious as a waiting-maid, proud as a Stuart wearing three crowns, learned as an old pedant, giddy as a school-girl, as much in love with her husband as a courtesan is with her lover, devoted to her uncles whom she admired, and delighted to see the king share (at her instigation) the regard she had for them. A mother-in-law is always a person whom the daughter-in-law is inclined not to like; especially when she wears the crown and wishes to retain it, which Catherine had imprudently made but too well known. Her former position, when Diane de Poitiers had ruled Henri II., was more tolerable than this; then at least she received the external honors that were due to a queen, and the homage of the court. But now the duke and the cardinal, who had none but their own minions about them, seemed to take pleasure in abasing her. Catherine, hemmed in on all sides by their courtiers, received, not only day by day but from hour to hour, terrible blows to her pride and her self-love; for the Guises were determined to treat her on the same system of repression which the late king, her husband, had so long pursued.

The thirty-six years of anguish which were now about to desolate France may, perhaps, be said to have begun by the scene in which the son of the furrier of the two queens was sent on the perilous errand which makes him the chief figure of our present Study. The danger into which this zealous Reformer was about to fall became imminent the very morning on which he started from the port of Beaugency for the chateau de Blois, bearing precious documents which compromised the highest heads of the nobility, placed in his hands by that wily partisan, the indefatigable La Renaudie, who met him, as agreed upon, at Beaugency, having reached that port before him.

While the tow-boat, in which Christophe now embarked floated, impelled by a light east wind, down the river Loire the famous Cardinal de Lorraine, and his brother the second Duc de Guise, one of the greatest warriors of those days, were contemplating, like eagles perched on a rocky summit, their present situation, and looking prudently about them before striking the great blow by which they intended to kill the Reform in France at Amboise,—an attempt renewed twelve years later in Paris, August 24, 1572, on the feast of Saint-Bartholomew.

During the night three seigneurs, who each played a great part in the twelve years' drama which followed this double plot now laid by the Guises and also by the Reformers, had arrived at Blois from different directions, each riding at full speed, and leaving their horses half-dead at the postern-gate of the chateau, which was guarded by captains and soldiers absolutely devoted to the Duc de Guise, the idol of all warriors.

One word about that great man,—a word that must tell, in the first instance, whence his fortunes took their rise.

His mother was Antoinette de Bourbon, great-aunt of Henri IV. Of what avail is consanguinity? He was, at this moment, aiming at the head of his cousin the Prince de Conde. His niece was Mary Stuart. His wife was Anne, daughter of the Duke of Ferrara. The Grand Connetable de Montmorency called the Duc de Guise "Monseigneur" as he would the king,—ending his letter with "Your very humble servant." Guise, Grand Master of the king's household, replied "Monsieur le connetable," and signed, as he did for the Parliament, "Your very good friend."

As for the cardinal, called the transalpine pope, and his Holiness, by Estienne, he had the whole monastic Church of France on his side, and treated the Holy Father as an equal. Vain of his eloquence, and one of the greatest theologians of his time, he kept incessant watch over France and Italy by means of three religious orders who were absolutely devoted to him, toiling day and night in his service and serving him as spies and counsellors.

These few words will explain to what heights of power the duke and the cardinal had attained. In spite of their wealth and the enormous revenues of their several offices, they were so personally disinterested, so eagerly carried away on the current of their statesmanship, and so generous at heart, that they were always in debt, doubtless after the manner of Caesar. When Henri III. caused the death of the second Balafre, whose life was a menace to him, the house of Guise was necessarily ruined. The costs of endeavoring to seize the crown during a whole century will explain the lowered position of this great house during the reigns of Louis XIII. and Louis XIV., when the sudden death of MADAME told all Europe the infamous part which a Chevalier de Lorraine had debased himself to play.

Calling themselves the heirs of the dispossessed Carolovingians, the duke and cardinal acted with the utmost insolence towards Catherine de' Medici, the mother-in-law of their niece. The Duchesse de Guise spared her no mortification. This duchesse was a d'Este, and Catherine was a Medici, the daughter of upstart Florentine merchants, whom the sovereigns of Europe had never yet admitted into their royal fraternity. Francois I. himself has always considered his son's marriage with a Medici as a mesalliance, and only consented to it under the expectation that his second son would never be dauphin. Hence his fury when his eldest son was poisoned by the Florentine Montecuculi. The d'Estes refused to recognize the Medici as Italian princes. Those former merchants were in fact trying to solve the impossible problem of maintaining a throne in the midst of republican institutions. The title of grand-duke was only granted very tardily by Philip the Second, king of Spain, to reward those Medici who bought it by betraying France their benefactress, and servilely attaching themselves to the court of Spain, which was at the very time covertly counteracting them in Italy.

"Flatter none but your enemies," the famous saying of Catherine de' Medici, seems to have been the political rule of life with that family of merchant princes, in which great men were never lacking until their destinies became great, when they fell, before their time, into that degeneracy in which royal races and noble families are wont to end.

For three generations there had been a great Lorrain warrior and a great Lorrain churchman; and, what is more singular, the churchmen all bore a strong resemblance in the face to Ximenes, as did Cardinal Richelieu in after days. These five great cardinals all had sly, mean, and yet terrible faces; while the warriors, on the other hand, were of that type of Basque mountaineer which we see in Henri IV. The two Balafres, father and son, wounded and scarred in the same manner, lost something of this type, but not the grace and affability by which, as much as by their bravery, they won the hearts of the soldiery.

It is not useless to relate how the present Grand Master received his wound; for it was healed by the heroic measures of a personage of our drama,—by Ambroise Pare, the man we have already mentioned as under obligations to Lecamus, syndic of the guild of furriers. At the siege of Calais the duke had his face pierced through and through by a lance, the point of which, after entering the cheek just below the right eye, went through to the neck, below the left eye, and remained, broken off, in the face. The duke lay dying in his tent in the midst of universal distress, and he would have died had it not been for the devotion and prompt courage of Ambroise Pare. "The duke is not dead, gentlemen," he said to the weeping attendants, "but he soon will die if I dare not treat him as I would a dead man; and I shall risk doing so, no matter what it may cost me in the end. See!" And with that he put his left foot on the duke's breast, took the broken wooden end of the lance in his fingers, shook and loosened it by degrees in the wound, and finally succeeded in drawing out the iron head, as if he were handling a thing and not a man. Though he saved the prince by this heroic treatment, he could not prevent the horrible scar which gave the great soldier his nickname,—Le Balafre, the Scarred. This name descended to the son, and for a similar reason.

Absolutely masters of Francois II., whom his wife ruled through their mutual and excessive passion, these two great Lorrain princes, the duke and the cardinal, were masters of France, and had no other enemy at court than Catherine de' Medici. No great statesmen ever played a closer or more watchful game.

The mutual position of the ambitious widow of Henri II. and the ambitious house of Lorraine was pictured, as it were, to the eye by a scene which took place on the terrace of the chateau de Blois very early in the morning of the day on which Christophe Lecamus was destined to arrive there. The queen-mother, who feigned an extreme attachment to the Guises, had asked to be informed of the news brought by the three seigneurs coming from three different parts of the kingdom; but she had the mortification of being courteously dismissed by the cardinal. She then walked to the parterres which overhung the Loire, where she was building, under the superintendence of her astrologer, Ruggieri, an observatory, which is still standing, and from which the eye may range over the whole landscape of that delightful valley. The two Lorrain princes were at the other end of the terrace, facing the Vendomois, which overlooks the upper part of the town, the perch of the Bretons, and the postern gate of the chateau.

Catherine had deceived the two brothers by pretending to a slight displeasure; for she was in reality very well pleased to have an opportunity to speak to one of the three young men who had arrived in such haste. This was a young nobleman named Chiverni, apparently a tool of the cardinal, in reality a devoted servant of Catherine. Catherine also counted among her devoted servants two Florentine nobles, the Gondi; but they were so suspected by the Guises that she dared not send them on any errand away from the court, where she kept them, watched, it is true, in all their words and actions, but where at least they were able to watch and study the Guises and counsel Catherine. These two Florentines maintained in the interests of the queen-mother another Italian, Birago,—a clever Piedmontese, who pretended, with Chiverni, to have abandoned their mistress, and gone over to the Guises, who encouraged their enterprises and employed them to watch Catherine.

Chiverni had come from Paris and Ecouen. The last to arrive was Saint-Andre, who was marshal of France and became so important that the Guises, whose creature he was, made him the third person in the triumvirate they formed the following year against Catherine. The other seigneur who had arrived during the night was Vieilleville, also a creature of the Guises and a marshal of France, who was returning from a secret mission known only to the Grand Master, who had entrusted it to him. As for Saint-Andre, he was in charge of military measures taken with the object of driving all Reformers under arms into Amboise; a scheme which now formed the subject of a council held by the duke and cardinal, Birago, Chiverni, Vieilleville, and Saint-Andre. As the two Lorrains employed Birago, it is to be supposed that they relied upon their own powers; for they knew of his attachment to the queen-mother. At this singular epoch the double part played by many of the political men of the day was well known to both parties; they were like cards in the hands of gamblers,—the cleverest player won the game. During this council the two brothers maintained the most impenetrable reserve. A conversation which now took place between Catherine and certain of her friends will explain the object of this council, held by the Guises in the open air, in the hanging gardens, at break of day, as if they feared to speak within the walls of the chateau de Blois.

The queen-mother, under pretence of examining the observatory then in process of construction, walked in that direction accompanied by the two Gondis, glancing with a suspicious and inquisitive eye at the group of enemies who were still standing at the farther end of the terrace, and from whom Chiverni now detached himself to join the queen-mother. She was then at the corner of the terrace which looks down upon the Church of Saint-Nicholas; there, at least, there could be no danger of the slightest overhearing. The wall of the terrace is on a level with the towers of the church, and the Guises invariably held their council at the farther corner of the same terrace at the base of the great unfinished keep or dungeon,—going and returning between the Perchoir des Bretons and the gallery by the bridge which joined them to the gardens. No one was within sight. Chiverni raised the hand of the queen-mother to kiss it, and as he did so he slipped a little note from his hand to hers, without being observed by the two Italians. Catherine turned to the angle of the parapet and read as follows:—

You are powerful enough to hold the balance between the leaders and to force them into a struggle as to who shall serve you; your house is full of kings, and you have nothing to fear from the Lorrains or the Bourbons provided you pit them one against the other, for both are striving to snatch the crown from your children. Be the mistress and not the servant of your counsellors; support them, in turn, one against the other, or the kingdom will go from bad to worse, and mighty wars may come of it.

L'Hopital.

The queen put the letter in the hollow of her corset, resolving to burn it as soon as she was alone.

"When did you see him?" she asked Chiverni.

"On my way back from visiting the Connetable, at Melun, where I met him with the Duchesse de Berry, whom he was most impatient to convey to Savoie, that he might return here and open the eyes of the chancellor Olivier, who is now completely duped by the Lorrains. As soon as Monsieur l'Hopital saw the true object of the Guises he determined to support your interests. That is why he is so anxious to get here and give you his vote at the councils."

"Is he sincere?" asked Catherine. "You know very well that if the Lorrains have put him in the council it is that he may help them to reign."

"L'Hopital is a Frenchman who comes of too good a stock not to be honest and sincere," said Chiverni; "Besides, his note is a sufficiently strong pledge."

"What answer did the Connetable send to the Guises?"

"He replied that he was the servant of the king and would await his orders. On receiving that answer the cardinal, to suppress all resistance, determined to propose the appointment of his brother as lieutenant-general of the kingdom."

"Have they got as far as that?" exclaimed Catherine, alarmed. "Well, did Monsieur l'Hopital send me no other message?"