"Then I set to work to try to clear up the mystery. I went first to the landlord, and told him all the circumstances. From him, I found that twelve or fifteen years back, the house had got rather a curious name from three or four tenants; with the result that it had remained empty a long while; in the end he had let it at a low rent to a Captain Tobias, on the one condition that he should hold his tongue, if he saw anything peculiar. The landlord's idea—as he told me frankly—was to free the house from these tales of 'something queer,' by keeping a tenant in it, and then to sell it for the best price he could get.

"However, when Captain Tobias left, after a ten years' tenancy, there was no longer any talk about the house; so when I offered to take it on a five years' lease, he had jumped at the offer. This was the whole story; so he gave me to understand. When I pressed him for details of the supposed peculiar happenings in the house, all those years back, he said the tenants had talked about a woman who always moved about the house at night. Some tenants never saw anything; but others would not stay out the first month's tenancy.

"One thing the landlord was particular to point out, that no tenant had ever complained about knockings, or door slamming. As for the smell, he seemed positively indignant about it; but why, I don't suppose he knew himself, except that he probably had some vague feeling that it was an indirect accusation on my part that the drains were not right.

"In the end, I suggested that he should come down and spend the night with me. He agreed at once, especially as I told him I intended to keep the whole business quiet, and try to get to the bottom of the curious affair; for he was anxious to keep the rumor of the haunting from getting about.

"About three o'clock that afternoon, he came down, and we made a thorough search of the house, which, however, revealed nothing unusual. Afterward, the landlord made one or two tests, which showed him the drainage was in perfect order; after that we made our preparations for sitting up all night.

"First, we borrowed two policemen's dark lanterns from the station nearby, and where the superintendent and I were friendly, and as soon as it was really dusk, the landlord went up to his house for his gun. I had the sword bayonet I have told you about; and when the landlord got back, we sat talking in my study until nearly midnight.

"Then we lit the lanterns and went upstairs. We placed the lanterns, gun and bayonet handy on the table; then I shut and sealed the bedroom doors; afterward we took our seats, and turned off the lights.

"From then until two o'clock, nothing happened; but a little after two, as I found by holding my watch near the faint glow of the closed lanterns, I had a time of extraordinary nervousness; and I bent toward the landlord, and whispered to him that I had a queer feeling something was about to happen, and to be ready with his lantern; at the same time I reached out toward mine. In the very instant I made this movement, the darkness which filled the passage seemed to become suddenly of a dull violet color; not, as if a light had been shone; but as if the natural blackness of the night had changed color. And then, coming through this violet night, through this violet-colored gloom, came a little naked Child, running. In an extraordinary way, the Child seemed not to be distinct from the surrounding gloom; but almost as if it were a concentration of that extraordinary atmosphere; as if that gloomy color which had changed the night, came from the Child. It seems impossible to make clear to you; but try to understand it.

"The Child went past me, running, with the natural movement of the legs of a chubby human child, but in an absolute and inconceivable silence. It was a very small Child, and must have passed under the table; but I saw the Child through the table, as if it had been only a slightly darker shadow than the colored gloom. In the same instant, I saw that a fluctuating glimmer of violet light outlined the metal of the gun-barrels and the blade of the sword bayonet, making them seem like faint shapes of glimmering light, floating unsupported where the tabletop should have shown solid.

"Now, curiously, as I saw these things, I was subconsciously aware that I heard the anxious breathing of the landlord, quite clear and labored, close to my elbow, where he waited nervously with his hands on the lantern. I realized in that moment that he saw nothing; but waited in the darkness, for my warning to come true.

"Even as I took heed of these minor things, I saw the Child jump to one side, and hide behind some half-seen object that was certainly nothing belonging to the passage. I stared, intently, with a most extraordinary thrill of expectant wonder, with fright making goose flesh of my back. And even as I stared, I solved for myself the less important problem of what the two black clouds were that hung over a part of the table. I think it very curious and interesting, the double working of the mind, often so much more apparent during times of stress. The two clouds came from two faintly shining shapes, which I knew must be the metal of the lanterns; and the things that looked black to the sight with which I was then seeing, could be nothing else but what to normal human sight is known as light. This phenomenon I have always remembered. I have twice seen a somewhat similar thing; in the Dark Light Case and in that trouble of Maetheson's, which you know about.

"Even as I understood this matter of the lights, I was looking to my left, to understand why the Child was hiding. And suddenly, I heard the landlord shout out:—'The Woman!' But I saw nothing. I had a disagreeable sense that something repugnant was near to me, and I was aware in the same moment that the landlord was gripping my arm in a hard, frightened grip. Then I was looking back to where the Child had hidden. I saw the Child peeping out from behind its hiding place, seeming to be looking up the passage; but whether in fear I could not tell. Then it came out, and ran headlong away, through the place where should have been the wall of my mother's bedroom; but the Sense with which I was seeing these things, showed me the wall only as a vague, upright shadow, unsubstantial. And immediately the child was lost to me, in the dull violet gloom. At the same time, I felt the landlord press back against me, as if something had passed close to him; and he called out again, a hoarse sort of cry:—'The Woman! The Woman!' and turned the shade clumsily from off his lantern. But I had seen no Woman; and the passage showed empty, as he shone the beam of his light jerkily to and fro; but chiefly in the direction of the doorway of my mother's room.

"He was still clutching my arm, and had risen to his feet; and now, mechanically and almost slowly, I picked up my lantern and turned on the light. I shone it, a little dazedly, at the seals upon the doors; but none were broken; then I sent the light to and fro, up and down the passage; but there was nothing; and I turned to the landlord, who was saying something in a rather incoherent fashion. As my light passed over his face, I noted, in a dull sort of way, that he was drenched with sweat.

"Then my wits became more handleable, and I began to catch the drift of his words:—'Did you see her? Did you see her?' he was saying, over and over again; and then I found myself telling him, in quite a level voice, that I had not seen any Woman. He became more coherent then, and I found that he had seen a Woman come from the end of the passage, and go past us; but he could not describe her, except that she kept stopping and looking about her, and had even peered at the wall, close beside him, as if looking for something. But what seemed to trouble him most, was that she had not seemed to see him at all. He repeated this so often, that in the end I told him, in an absurd sort of way, that he ought to be very glad she had not. What did it all mean? was the question; somehow I was not so frightened, as utterly bewildered. I had seen less then, than since; but what I had seen, had made me feel adrift from my anchorage of Reason.

"What did it mean? He had seen a Woman, searching for something. I had not seen this Woman. I had seen a Child, running away, and hiding from Something or Someone. He had not seen the Child, or the other things—only the Woman. And I had not seen her. What did it all mean?

"I had said nothing to the landlord about the Child. I had been too bewildered, and I realized that it would be futile to attempt an explanation. He was already stupid with the thing he had seen; and not the kind of man to understand. All this went through my mind as we stood there, shining the lanterns to and fro. All the time, intermingled with a streak of practical reasoning, I was questioning myself, what did it all mean? What was the Woman searching for; what was the Child running from?

"Suddenly, as I stood there, bewildered and nervous, making random answers to the landlord, a door below was violently slammed, and directly I caught the horrible reek of which I have told you.

"'There!' I said to the landlord, and caught his arm, in my turn. 'The Smell! Do you smell it?'

"He looked at me so stupidly that in a sort of nervous anger, I shook him.

"'Yes,' he said, in a queer voice, trying to shine the light from his shaking lantern at the stair head.

"'Come on!' I said, and picked up my bayonet; and he came, carrying his gun awkwardly. I think he came, more because he was afraid to be left alone, than because he had any pluck left, poor beggar. I never sneer at that kind of funk, at least very seldom; for when it takes hold of you, it makes rags of your courage.

"I led the way downstairs, shining my light into the lower passage, and afterward at the doors to see whether they were shut; for I had closed and latched them, placing a corner of a mat against each door, so I should know which had been opened.

"I saw at once that none of the doors had been opened; then I threw the beam of my light down alongside the stairway, in order to see the mat I had placed against the door at the top of the cellar stairs. I got a horrid thrill; for the mat was flat! I paused a couple of seconds, shining my light to and fro in the passage, and holding fast to my courage, I went down the stairs.

"As I came to the bottom step, I saw patches of wet all up and down the passage. I shone my lantern on them. It was the imprint of a wet foot on the oilcloth of the passage; not an ordinary footprint, but a queer, soft, flabby, spreading imprint, that gave me a feeling of extraordinary horror.

"Backward and forward I flashed the light over the impossible marks and saw them everywhere. Suddenly I noticed that they led to each of the closed doors. I felt something touch my back, and glanced 'round swiftly, to find the landlord had come close to me, almost pressing against me, in his fear.

"'It's all right,' I said, but in a rather breathless whisper, meaning to put a little courage into him; for I could feel that he was shaking through all his body. Even then as I tried to get him steadied enough to be of some use, his gun went off with a tremendous bang. He jumped, and yelled with sheer terror; and I swore because of the shock.

"'Give it to me, for God's sake!' I said, and slipped the gun from his hand; and in the same instant there was a sound of running steps up the garden path, and immediately the flash of a bull's-eye lantern upon the fan light over the front door. Then the door was tried, and directly afterward there came a thunderous knocking, which told me a policeman had heard the shot.

"I went to the door, and opened it. Fortunately the constable knew me, and when I had beckoned him in, I was able to explain matters in a very short time. While doing this, Inspector Johnstone came up the path, having missed the officer, and seeing lights and the open door. I told him as briefly as possible what had occurred, and did not mention the Child or the Woman; for it would have seem too fantastic for him to notice. I showed him the queer, wet footprints and how they went toward the closed doors. I explained quickly about the mats, and how that the one against the cellar door was flat, which showed the door had been opened.

"The inspector nodded, and told the constable to guard the door at the top of the cellar stairs. He then asked the hall lamp to be lit, after which he took the policeman's lantern, and led the way into the front room. He paused with the door wide open, and threw the light all 'round; then he jumped into the room, and looked behind the door; there was no one there; but all over the polished oak floor, between the scattered rugs, went the marks of those horrible spreading footprints; and the room permeated with the horrible odor.

"The inspector searched the room carefully, and then went into the middle room, using the same precautions. There was nothing in the middle room, or in the kitchen or pantry; but everywhere went the wet footmarks through all the rooms, showing plainly wherever there were woodwork or oilcloth; and always there was the smell.

"The inspector ceased from his search of the rooms, and spent a minute in trying whether the mats would really fall flat when the doors were open, or merely ruckle up in a way as to appear they had been untouched; but in each case, the mats fell flat, and remained so.

"'Extraordinary!' I heard Johnstone mutter to himself. And then he went toward the cellar door. He had inquired at first whether there were windows to the cellar, and when he learned there was no way out, except by the door, he had left this part of the search to the last.

"As Johnstone came up to the door, the policeman made a motion of salute, and said something in a low voice; and something in the tone made me flick my light across him. I saw then that the man was very white, and he looked strange and bewildered.

"'What?' said Johnstone impatiently. 'Speak up!'

"'A woman come along 'ere, sir, and went through this 'ere door,' said the constable, clearly, but with a curious monotonous intonation that is sometimes heard from an unintelligent man.

"'Speak up!' shouted the inspector.

"'A woman come along and went through this 'ere door,' repeated the man, monotonously.

"The inspector caught the man by the shoulder, and deliberately sniffed his breath.

"'No!' he said. And then sarcastically:—'I hope you held the door open politely for the lady.'

"'The door weren't opened, sir,' said the man, simply.

"'Are you mad—' began Johnstone.

"'No,' broke in the landlord's voice from the back. Speaking steadily enough. 'I saw the Woman upstairs.' It was evident that he had got back his control again.

"'I'm afraid, Inspector Johnstone,' I said, 'that there's more in this than you think. I certainly saw some very extraordinary things upstairs.'

"The inspector seemed about to say something; but instead, he turned again to the door, and flashed his light down and 'round about the mat. I saw then that the strange, horrible footmarks came straight up to the cellar door; and the last print showed under the door; yet the policeman said the door had not been opened.

"And suddenly, without any intention, or realization of what I was saying, I asked the landlord:—

"'What were the feet like?'

"I received no answer; for the inspector was ordering the constable to open the cellar door, and the man was not obeying. Johnstone repeated the order, and at last, in a queer automatic way, the man obeyed, and pushed the door open. The loathsome smell beat up at us, in a great wave of horror, and the inspector came backward a step.

"'My God!' he said, and went forward again, and shone his light down the steps; but there was nothing visible, only that on each step showed the unnatural footprints.

"The inspector brought the beam of the light vividly on the top step; and there, clear in the light, there was something small, moving. The inspector bent to look, and the policeman and I with him. I don't want to disgust you; but the thing we looked at was a maggot. The policeman backed suddenly out of the doorway:

"'The churchyard,' he said, '... at the back of the 'ouse.'

"'Silence!' said Johnstone, with a queer break in the word, and I knew that at last he was frightened. He put his lantern into the doorway, and shone it from step to step, following the footprints down into the darkness; then he stepped back from the open doorway, and we all gave back with him. He looked 'round, and I had a feeling that he was looking for a weapon of some kind.

"'Your gun,' I said to the landlord, and he brought it from the front hall, and passed it over to the inspector, who took it and ejected the empty shell from the right barrel. He held out his hand for a live cartridge, which the landlord brought from his pocket. He loaded the gun and snapped the breech. He turned to the constable:—

"'Come on,' he said, and moved toward the cellar doorway.

"'I ain't comin', sir,' said the policeman, very white in the face.

"With a sudden blaze of passion, the inspector took the man by the scruff and hove him bodily down into the darkness, and he went downward, screaming. The inspector followed him instantly, with his lantern and the gun; and I after the inspector, with the bayonet ready. Behind me, I heard the landlord.

"At the bottom of the stairs, the inspector was helping the policeman to his feet, where he stood swaying a moment, in a bewildered fashion; then the inspector went into the front cellar, and his man followed him in stupid fashion; but evidently no longer with any thought of running away from the horror.

"We all crowded into the front cellar, flashing our lights to and fro. Inspector Johnstone was examining the floor, and I saw that the footmarks went all 'round the cellar, into all the corners, and across the floor. I thought suddenly of the Child that was running away from Something. Do you see the thing that I was seeing vaguely?

"We went out of the cellar in a body, for there was nothing to be found. In the next cellar, the footprints went everywhere in that queer erratic fashion, as of someone searching for something, or following some blind scent.

"In the third cellar the prints ended at the shallow well that had been the old water supply of the house. The well was full to the brim, and the water so clear that the pebbly bottom was plainly to be seen, as we shone the lights into the water. The search came to an abrupt end, and we stood about the well, looking at one another, in an absolute, horrible silence.

"Johnstone made another examination of the footprints; then he shone his light again into the clear shallow water, searching each inch of the plainly seen bottom; but there was nothing there. The cellar was full of the dreadful smell; and everyone stood silent, except for the constant turning of the lamps to and fro around the cellar.

"The inspector looked up from his search of the well, and nodded quietly across at me, with his sudden acknowledgment that our belief was now his belief, the smell in the cellar seemed to grow more dreadful, and to be, as it were, a menace—the material expression that some monstrous thing was there with us, invisible.

"'I think—' began the inspector, and shone his light toward the stairway; and at this the constable's restraint went utterly, and he ran for the stairs, making a queer sound in his throat.

"The landlord followed, at a quick walk, and then the inspector and I. He waited a single instant for me, and we went up together, treading on the same steps, and with our lights held backward. At the top, I slammed and locked the stair door, and wiped my forehead, and my hands were shaking.

"The inspector asked me to give his man a glass of whisky, and then he sent him on his beat. He stayed a short while with the landlord and me, and it was arranged that he would join us again the following night and watch the Well with us from midnight until daylight. Then he left us, just as the dawn was coming in. The landlord and I locked up the house, and went over to his place for a sleep.

"In the afternoon, the landlord and I returned to the house, to make arrangements for the night. He was very quiet, and I felt he was to be relied on, now that he had been 'salted,' as it were, with his fright of the previous night.

"We opened all the doors and windows, and blew the house through very thoroughly; and in the meanwhile, we lit the lamps in the house, and took them into the cellars, where we set them all about, so as to have light everywhere. Then we carried down three chairs and a table, and set them in the cellar where the well was sunk. After that, we stretched thin piano wire across the cellar, about nine inches from the floor, at such a height that it should catch anything moving about in the dark.

"When this was done, I went through the house with the landlord, and sealed every window and door in the place, excepting only the front door and the door at the top of the cellar stairs.

"Meanwhile, a local wire-smith was making something to my order; and when the landlord and I had finished tea at his house, we went down to see how the smith was getting on. We found the thing complete. It looked rather like a huge parrot's cage, without any bottom, of very heavy gage wire, and stood about seven feet high and was four feet in diameter. Fortunately, I remembered to have it made longitudinally in two halves, or else we should never have got it through the doorways and down the cellar stairs.

"I told the wire-smith to bring the cage up to the house so he could fit the two halves rigidly together. As we returned, I called in at an ironmonger's, where I bought some thin hemp rope and an iron rack pulley, like those used in Lancashire for hauling up the ceiling clothes racks, which you will find in every cottage. I bought also a couple of pitchforks.

"'We shan't want to touch it," I said to the landlord; and he nodded, rather white all at once.

"As soon as the cage arrived and had been fitted together in the cellar, I sent away the smith; and the landlord and I suspended it over the well, into which it fitted easily. After a lot of trouble, we managed to hang it so perfectly central from the rope over the iron pulley, that when hoisted to the ceiling and dropped, it went every time plunk into the well, like a candle-extinguisher. When we had it finally arranged, I hoisted it up once more, to the ready position, and made the rope fast to a heavy wooden pillar, which stood in the middle of the cellar.

"By ten o'clock, I had everything arranged, with the two pitchforks and the two police lanterns; also some whisky and sandwiches. Underneath the table I had several buckets full of disinfectant.

"A little after eleven o'clock, there was a knock at the front door, and when I went, I found Inspector Johnstone had arrived, and brought with him one of his plainclothes men. You will understand how pleased I was to see there would be this addition to our watch; for he looked a tough, nerveless man, brainy and collected; and one I should have picked to help us with the horrible job I felt pretty sure we should have to do that night.

"When the inspector and the detective had entered, I shut and locked the front door; then, while the inspector held the light, I sealed the door carefully, with tape and wax. At the head of the cellar stairs, I shut and locked that door also, and sealed it in the same way.

"As we entered the cellar, I warned Johnstone and his man to be careful not to fall over the wires; and then, as I saw his surprise at my arrangements, I began to explain my ideas and intentions, to all of which he listened with strong approval. I was pleased to see also that the detective was nodding his head, as I talked, in a way that showed he appreciated all my precautions.

"As he put his lantern down, the inspector picked up one of the pitchforks, and balanced it in his hand; he looked at me, and nodded.

"'The best thing,' he said. 'I only wish you'd got two more.'

"Then we all took our seats, the detective getting a washing stool from the corner of the cellar. From then, until a quarter to twelve, we talked quietly, whilst we made a light supper of whisky and sandwiches; after which, we cleared everything off the table, excepting the lanterns and the pitchforks. One of the latter, I handed to the inspector; the other I took myself, and then, having set my chair so as to be handy to the rope which lowered the cage into the well, I went 'round the cellar and put out every lamp.

"I groped my way to my chair, and arranged the pitchfork and the dark lantern ready to my hand; after which I suggested that everyone should keep an absolute silence throughout the watch. I asked, also, that no lantern should be turned on, until I gave the word.

"I put my watch on the table, where a faint glow from my lantern made me able to see the time. For an hour nothing happened, and everyone kept an absolute silence, except for an occasional uneasy movement.

"About half-past one, however, I was conscious again of the same extraordinary and peculiar nervousness, which I had felt on the previous night. I put my hand out quickly, and eased the hitched rope from around the pillar. The inspector seemed aware of the movement; for I saw the faint light from his lantern, move a little, as if he had suddenly taken hold of it, in readiness.

"A minute later, I noticed there was a change in the color of the night in the cellar, and it grew slowly violet tinted upon my eyes. I glanced to and fro, quickly, in the new darkness, and even as I looked, I was conscious that the violet color deepened. In the direction of the well, but seeming to be at a great distance, there was, as it were, a nucleus to the change; and the nucleus came swiftly toward us, appearing to come from a great space, almost in a single moment. It came near, and I saw again that it was a little naked Child, running, and seeming to be of the violet night in which it ran.

"The Child came with a natural running movement, exactly as I described it before; but in a silence so peculiarly intense, that it was as if it brought the silence with it. About half-way between the well and the table, the Child turned swiftly, and looked back at something invisible to me; and suddenly it went down into a crouching attitude, and seemed to be hiding behind something that showed vaguely; but there was nothing there, except the bare floor of the cellar; nothing, I mean, of our world.

"I could hear the breathing of the three other men, with a wonderful distinctness; and also the tick of my watch upon the table seemed to sound as loud and as slow as the tick of an old grandfather's clock. Someway I knew that none of the others saw what I was seeing.

"Abruptly, the landlord, who was next to me, let out his breath with a little hissing sound; I knew then that something was visible to him. There came a creak from the table, and I had a feeling that the inspector was leaning forward, looking at something that I could not see. The landlord reached out his hand through the darkness, and fumbled a moment to catch my arm:—

"'The Woman!' he whispered, close to my ear. 'Over by the well.'

"I stared hard in that direction; but saw nothing, except that the violet color of the cellar seemed a little duller just there.

"I looked back quickly to the vague place where the Child was hiding. I saw it was peering back from its hiding place. Suddenly it rose and ran straight for the middle of the table, which showed only as vague shadow half-way between my eyes and the unseen floor. As the Child ran under the table, the steel prongs of my pitchfork glimmered with a violet, fluctuating light. A little way off, there showed high up in the gloom, the vaguely shining outline of the other fork, so I knew the inspector had it raised in his hand, ready. There was no doubt but that he saw something. On the table, the metal of the five lanterns shone with the same strange glow; and about each lantern there was a little cloud of absolute blackness, where the phenomenon that is light to our natural eyes, came through the fittings; and in this complete darkness, the metal of each lantern showed plain, as might a cat's-eye in a nest of black cotton wool.

"Just beyond the table, the Child paused again, and stood, seeming to oscillate a little upon its feet, which gave the impression that it was lighter and vaguer than a thistle-down; and yet, in the same moment, another part of me seemed to know that it was to me, as something that might be beyond thick, invisible glass, and subject to conditions and forces that I was unable to comprehend.

"The Child was looking back again, and my gaze went the same way. I stared across the cellar, and saw the cage hanging clear in the violet light, every wire and tie outlined with its glimmering; above it there was a little space of gloom, and then the dull shining of the iron pulley which I had screwed into the ceiling.

"I stared in a bewildered way 'round the cellar; there were thin lines of vague fire crossing the floor in all directions; and suddenly I remembered the piano wire that the landlord and I had stretched. But there was nothing else to be seen, except that near the table there were indistinct glimmerings of light, and at the far end the outline of a dull glowing revolver, evidently in the detective's pocket. I remember a sort of subconscious satisfaction, as I settled the point in a queer automatic fashion. On the table, near to me, there was a little shapeless collection of the light; and this I knew, after an instant's consideration, to be the steel portions of my watch.

"I had looked several times at the Child, and 'round at the cellar, whilst I was decided these trifles; and had found it still in that attitude of hiding from something. But now, suddenly, it ran clear away into the distance, and was nothing more than a slightly deeper colored nucleus far away in the strange colored atmosphere.

"The landlord gave out a queer little cry, and twisted over against me, as if to avoid something. From the inspector there came a sharp breathing sound, as if he had been suddenly drenched with cold water. Then suddenly the violet color went out of the night, and I was conscious of the nearness of something monstrous and repugnant.

"There was a tense silence, and the blackness of the cellar seemed absolute, with only the faint glow about each of the lanterns on the table. Then, in the darkness and the silence, there came a faint tinkle of water from the well, as if something were rising noiselessly out of it, and the water running back with a gentle tinkling. In the same instant, there came to me a sudden waft of the awful smell.

"I gave a sharp cry of warning to the inspector, and loosed the rope. There came instantly the sharp splash of the cage entering the water; and then, with a stiff, frightened movement, I opened the shutter of my lantern, and shone the light at the cage, shouting to the others to do the same.

"As my light struck the cage, I saw that about two feet of it projected from the top of the well, and there was something protruding up out of the water, into the cage. I stared, with a feeling that I recognized the thing; and then, as the other lanterns were opened, I saw that it was a leg of mutton. The thing was held by a brawny fist and arm, that rose out of the water. I stood utterly bewildered, watching to see what was coming. In a moment there rose into view a great bearded face, that I felt for one quick instant was the face of a drowned man, long dead. Then the face opened at the mouth part, and spluttered and coughed. Another big hand came into view, and wiped the water from the eyes, which blinked rapidly, and then fixed themselves into a stare at the lights.

"From the detective there came a sudden shout:—

"'Captain Tobias!' he shouted, and the inspector echoed him; and instantly burst into loud roars of laughter.

"The inspector and the detective ran across the cellar to the cage; and I followed, still bewildered. The man in the cage was holding the leg of mutton as far away from him, as possible, and holding his nose.

"'Lift thig dam trap, quig!' he shouted in a stifled voice; but the inspector and the detective simply doubled before him, and tried to hold their noses, whilst they laughed, and the light from their lanterns went dancing all over the place.

"'Quig! quig!' said the man in the cage, still holding his nose, and trying to speak plainly.

"Then Johnstone and the detective stopped laughing, and lifted the cage. The man in the well threw the leg across the cellar, and turned swiftly to go down into the well; but the officers were too quick for him, and had him out in a twinkling. Whilst they held him, dripping upon the floor, the inspector jerked his thumb in the direction of the offending leg, and the landlord, having harpooned it with one of the pitchforks, ran with it upstairs and so into the open air.

"Meanwhile, I had given the man from the well a stiff tot of whisky; for which he thanked me with a cheerful nod, and having emptied the glass at a draft, held his hand for the bottle, which he finished, as if it had been so much water.

"As you will remember, it was a Captain Tobias who had been the previous tenant; and this was the very man, who had appeared from the well. In the course of the talk that followed, I learned the reason for Captain Tobias leaving the house; he had been wanted by the police for smuggling. He had undergone imprisonment; and had been released only a couple of weeks earlier.

"He had returned to find new tenants in his old home. He had entered the house through the well, the walls of which were not continued to the bottom (this I will deal with later); and gone up by a little stairway in the cellar wall, which opened at the top through a panel beside my mother's bedroom. This panel was opened, by revolving the left doorpost of the bedroom door, with the result that the bedroom door always became unlatched, in the process of opening the panel.

"The captain complained, without any bitterness, that the panel had warped, and that each time he opened it, it made a cracking noise. This had been evidently what I mistook for raps. He would not give his reason for entering the house; but it was pretty obvious that he had hidden something, which he wanted to get. However, as he found it impossible to get into the house without the risk of being caught, he decided to try to drive us out, relying on the bad reputation of the house, and his own artistic efforts as a ghost. I must say he succeeded. He intended then to rent the house again, as before; and would then, of course have plenty of time to get whatever he had hidden. The house suited him admirably; for there was a passage—as he showed me afterward—connecting the dummy well with the crypt of the church beyond the garden wall; and these, in turn, were connected with certain caves in the cliffs, which went down to the beach beyond the church.

"In the course of his talk, Captain Tobias offered to take the house off my hands; and as this suited me perfectly, for I was about stalled with it, and the plan also suited the landlord, it was decided that no steps should be taken against him; and that the whole business should be hushed up.

"I asked the captain whether there was really anything queer about the house; whether he had ever seen anything. He said yes, that he had twice seen a Woman going about the house. We all looked at one another, when the captain said that. He told us she never bothered him, and that he had only seen her twice, and on each occasion it had followed a narrow escape from the Revenue people.

"Captain Tobias was an observant man; he had seen how I had placed the mats against the doors; and after entering the rooms, and walking all about them, so as to leave the foot-marks of an old pair of wet woollen slippers everywhere, he had deliberately put the mats back as he found them.

"The maggot which had dropped from his disgusting leg of mutton had been an accident, and beyond even his horrible planning. He was hugely delighted to learn how it had affected us.

"The moldy smell I had noticed was from the little closed stairway, when the captain opened the panel. The door slamming was also another of his contributions.

"I come now to the end of the captain's ghost play; and to the difficulty of trying to explain the other peculiar things. In the first place, it was obvious there was something genuinely strange in the house; which made itself manifest as a Woman. Many different people had seen this Woman, under differing circumstances, so it is impossible to put the thing down to fancy; at the same time it must seem extraordinary that I should have lived two years in the house, and seen nothing; whilst the policeman saw the Woman, before he had been there twenty minutes; the landlord, the detective, and the inspector all saw her.

"I can only surmise that fear was in every case the key, as I might say, which opened the senses to the presence of the Woman. The policeman was a highly-strung man, and when he became frightened, was able to see the Woman. The same reasoning applies all 'round. I saw nothing, until I became really frightened; then I saw, not the Woman; but a Child, running away from Something or Someone. However, I will touch on that later. In short, until a very strong degree of fear was present, no one was affected by the Force which made Itself evident, as a Woman. My theory explains why some tenants were never aware of anything strange in the house, whilst others left immediately. The more sensitive they were, the less would be the degree of fear necessary to make them aware of the Force present in the house.

"The peculiar shining of all the metal objects in the cellar, had been visible only to me. The cause, naturally I do not know; neither do I know why I, alone, was able to see the shining."

"The Child," I asked. "Can you explain that part at all? Why you didn't see the Woman, and why they didn't see the Child. Was it merely the same Force, appearing differently to different people?"

"No," said Carnacki, "I can't explain that. But I am quite sure that the Woman and the Child were not only two complete and different entities; but even they were each not in quite the same planes of existence.

"To give you a root idea, however, it is held in the Sigsand MS. that a child 'stillborn' is 'Snatyched back bye thee Haggs.' This is crude; but may yet contain an elemental truth. Yet, before I make this clearer, let me tell you a thought that has often been made. It may be that physical birth is but a secondary process; and that prior to the possibility, the Mother Spirit searches for, until it finds, the small Element—the primal Ego or child's soul. It may be that a certain waywardness would cause such to strive to evade capture by the Mother Spirit. It may have been such a thing as this, that I saw. I have always tried to think so; but it is impossible to ignore the sense of repulsion that I felt when the unseen Woman went past me. This repulsion carries forward the idea suggested in the Sigsand MS., that a stillborn child is thus, because its ego or spirit has been snatched back by the 'Hags.' In other words, by certain of the Monstrosities of the Outer Circle. The thought is inconceivably terrible, and probably the more so because it is so fragmentary. It leaves us with the conception of a child's soul adrift half-way between two lives, and running through Eternity from Something incredible and inconceivable (because not understood) to our senses.

"The thing is beyond further discussion; for it is futile to attempt to discuss a thing, to any purpose, of which one has a knowledge so fragmentary as this. There is one thought, which is often mine. Perhaps there is a Mother Spirit—"

"And the well?" said Arkwright. "How did the captain get in from the other side?"

"As I said before," answered Carnacki. "The side walls of the well did not reach to the bottom; so that you had only to dip down into the water, and come up again on the other side of the wall, under the cellar floor, and so climb into the passage. Of course, the water was the same height on both sides of the walls. Don't ask me who made the well entrance or the little stairway; for I don't know. The house was very old, as I have told you; and that sort of thing was useful in the old days."

"And the Child," I said, coming back to the thing which chiefly interested me. "You would say that the birth must have occurred in that house; and in this way, one might suppose that the house to have become en rapport, if I can use the word in that way, with the Forces that produced the tragedy?"

"Yes," replied Carnacki. "This is, supposing we take the suggestion of the Sigsand MS., to account for the phenomenon."

"There may be other houses—" I began.

"There are," said Carnacki; and stood up.

"Out you go," he said, genially, using the recognized formula. And in five minutes we were on the Embankment, going thoughtfully to our various homes.



No. 6

THE THING INVISIBLE

Carnacki had just returned to Cheyne Walk, Chelsea. I was aware of this interesting fact by reason of the curt and quaintly worded postcard which I was rereading, and by which I was requested to present myself at his house not later than seven o'clock on that evening. Mr. Carnacki had, as I and the others of his strictly limited circle of friends knew, been away in Kent for the past three weeks; but beyond that, we had no knowledge. Carnacki was genially secretive and curt, and spoke only when he was ready to speak. When this stage arrived, I and his three other friends—Jessop, Arkright, and Taylor—would receive a card or a wire, asking us to call. Not one of us ever willingly missed, for after a thoroughly sensible little dinner Carnacki would snuggle down into his big armchair, light his pipe, and wait whilst we arranged ourselves comfortably in our accustomed seats and nooks. Then he would begin to talk.

Upon this particular night I was the first to arrive and found Carnacki sitting, quietly smoking over a paper. He stood up, shook me firmly by the hand, pointed to a chair, and sat down again, never having uttered a word.

For my part, I said nothing either. I knew the man too well to bother him with questions or the weather, and so took a seat and a cigarette. Presently the three others turned up and after that we spent a comfortable and busy hour at dinner.

Dinner over, Carnacki snugged himself down into his great chair, as I have said was his habit, filled his pipe and puffed for awhile, his gaze directed thoughtfully at the fire. The rest of us, if I may so express it, made ourselves cozy, each after his own particular manner. A minute or so later Carnacki began to speak, ignoring any preliminary remarks, and going straight to the subject of the story we knew he had to tell:

"I have just come back from Sir Alfred Jarnock's place at Burtontree, in South Kent," he began, without removing his gaze from the fire. "Most extraordinary things have been happening down there lately and Mr. George Jarnock, the eldest son, wired to ask me to run over and see whether I could help to clear matters up a bit. I went.

"When I got there, I found that they have an old Chapel attached to the castle which has had quite a distinguished reputation for being what is popularly termed 'haunted.' They have been rather proud of this, as I managed to discover, until quite lately when something very disagreeable occurred, which served to remind them that family ghosts are not always content, as I might say, to remain purely ornamental.

"It sounds almost laughable, I know, to hear of a long-respected supernatural phenomenon growing unexpectedly dangerous; and in this case, the tale of the haunting was considered as little more than an old myth, except after nightfall, when possibly it became more plausible seeming.

"But however this may be, there is no doubt at all but that what I might term the Haunting Essence which lived in the place, had become suddenly dangerous—deadly dangerous too, the old butler being nearly stabbed to death one night in the Chapel, with a peculiar old dagger.

"It is, in fact, this dagger which is popularly supposed to 'haunt' the Chapel. At least, there has been always a story handed down in the family that this dagger would attack any enemy who should dare to venture into the Chapel, after nightfall. But, of course, this had been taken with just about the same amount of seriousness that people take most ghost tales, and that is not usually of a worryingly real nature. I mean that most people never quite know how much or how little they believe of matters ab-human or ab-normal, and generally they never have an opportunity to learn. And, indeed, as you are all aware, I am as big a skeptic concerning the truth of ghost tales as any man you are likely to meet; only I am what I might term an unprejudiced skeptic. I am not given to either believing or disbelieving things 'on principle,' as I have found many idiots prone to be, and what is more, some of them not ashamed to boast of the insane fact. I view all reported 'hauntings' as unproven until I have examined into them, and I am bound to admit that ninety-nine cases in a hundred turn out to be sheer bosh and fancy. But the hundredth! Well, if it were not for the hundredth, I should have few stories to tell you—eh?

"Of course, after the attack on the butler, it became evident that there was at least 'something' in the old story concerning the dagger, and I found everyone in a half belief that the queer old weapon did really strike the butler, either by the aid of some inherent force, which I found them peculiarly unable to explain, or else in the hand of some invisible thing or monster of the Outer World!

"From considerable experience, I knew that it was much more likely that the butler had been 'knifed' by some vicious and quite material human!

"Naturally, the first thing to do, was to test this probability of human agency, and I set to work to make a pretty drastic examination of the people who knew most about the tragedy.

"The result of this examination, both pleased and surprised me, for it left me with very good reasons for belief that I had come upon one of those extraordinary rare 'true manifestations' of the extrusion of a Force from the Outside. In more popular phraseology—a genuine case of haunting.

"These are the facts: On the previous Sunday evening but one, Sir Alfred Jarnock's household had attended family service, as usual, in the Chapel. You see, the Rector goes over to officiate twice each Sunday, after concluding his duties at the public Church about three miles away.

"At the end of the service in the Chapel, Sir Alfred Jarnock, his son Mr. George Jarnock, and the Rector had stood for a couple of minutes, talking, whilst old Bellett the butler went 'round, putting out the candles.

"Suddenly, the Rector remembered that he had left his small prayer book on the Communion table in the morning; he turned, and asked the butler to get it for him before he blew out the chancel candles.

"Now I have particularly called your attention to this because it is important in that it provides witnesses in a most fortunate manner at an extraordinary moment. You see, the Rector's turning to speak to Bellett had naturally caused both Sir Alfred Jarnock and his son to glance in the direction of the butler, and it was at this identical instant and whilst all three were looking at him, that the old butler was stabbed—there, full in the candlelight, before their eyes.

"I took the opportunity to call early upon the Rector, after I had questioned Mr. George Jarnock, who replied to my queries in place of Sir Alfred Jarnock, for the older man was in a nervous and shaken condition as a result of the happening, and his son wished him to avoid dwelling upon the scene as much as possible.

"The Rector's version was clear and vivid, and he had evidently received the astonishment of his life. He pictured to me the whole affair—Bellett, up at the chancel gate, going for the prayer book, and absolutely alone; and then the blow, out of the Void, he described it; and the force prodigious—the old man being driven headlong into the body of the Chapel. Like the kick of a great horse, the Rector said, his benevolent old eyes bright and intense with the effort he had actually witnessed, in defiance of all that he had hitherto believed.

"When I left him, he went back to the writing which he had put aside when I appeared. I feel sure that he was developing the first unorthodox sermon that he had ever evolved. He was a dear old chap, and I should certainly like to have heard it.

"The last man I visited was the butler. He was, of course, in a frightfully weak and shaken condition, but he could tell me nothing that did not point to there being a Power abroad in the Chapel. He told the same tale, in every minute particle, that I had learned from the others. He had been just going up to put out the altar candles and fetch the Rector's book, when something struck him an enormous blow high up on the left breast and he was driven headlong into the aisle.

"Examination had shown that he had been stabbed by the dagger—of which I will tell you more in a moment—that hung always above the altar. The weapon had entered, fortunately some inches above the heart, just under the collarbone, which had been broken by the stupendous force of the blow, the dagger itself being driven clean through the body, and out through the scapula behind.

"The poor old fellow could not talk much, and I soon left him; but what he had told me was sufficient to make it unmistakable that no living person had been within yards of him when he was attacked; and, as I knew, this fact was verified by three capable and responsible witnesses, independent of Bellett himself.

"The thing now was to search the Chapel, which is small and extremely old. It is very massively built, and entered through only one door, which leads out of the castle itself, and the key of which is kept by Sir Alfred Jarnock, the butler having no duplicate.

"The shape of the Chapel is oblong, and the altar is railed off after the usual fashion. There are two tombs in the body of the place; but none in the chancel, which is bare, except for the tall candlesticks, and the chancel rail, beyond which is the undraped altar of solid marble, upon which stand four small candlesticks, two at each end.

"Above the altar hangs the 'waeful dagger,' as I had learned it was named. I fancy the term has been taken from an old vellum, which describes the dagger and its supposed abnormal properties. I took the dagger down, and examined it minutely and with method. The blade is ten inches long, two inches broad at the base, and tapering to a rounded but sharp point, rather peculiar. It is double-edged.

"The metal sheath is curious for having a crosspiece, which, taken with the fact that the sheath itself is continued three parts up the hilt of the dagger (in a most inconvenient fashion), gives it the appearance of a cross. That this is not unintentional is shown by an engraving of the Christ crucified upon one side, whilst upon the other, in Latin, is the inscription: 'Vengeance is Mine, I will Repay.' A quaint and rather terrible conjunction of ideas. Upon the blade of the dagger is graven in old English capitals: I WATCH. I STRIKE. On the butt of the hilt there is carved deeply a Pentacle.

"This is a pretty accurate description of the peculiar old weapon that has had the curious and uncomfortable reputation of being able (either of its own accord or in the hand of something invisible) to strike murderously any enemy of the Jarnock family who may chance to enter the Chapel after nightfall. I may tell you here and now, that before I left, I had very good reason to put certain doubts behind me; for I tested the deadliness of the thing myself.

"As you know, however, at this point of my investigation, I was still at that stage where I considered the existence of a supernatural Force unproven. In the meanwhile, I treated the Chapel drastically, sounding and scrutinizing the walls and floor, dealing with them almost foot by foot, and particularly examining the two tombs.

"At the end of this search, I had in a ladder, and made a close survey of the groined roof. I passed three days in this fashion, and by the evening of the third day I had proved to my entire satisfaction that there is no place in the whole of that Chapel where any living being could have hidden, and also that the only way of ingress and egress to and from the Chapel is through the doorway which leads into the castle, the door of which was always kept locked, and the key kept by Sir Alfred Jarnock himself, as I have told you. I mean, of course, that this doorway is the only entrance practicable to material people.

"Yes, as you will see, even had I discovered some other opening, secret or otherwise, it would not have helped at all to explain the mystery of the incredible attack, in a normal fashion. For the butler, as you know, was struck in full sight of the Rector, Sir Jarnock and his son. And old Bellett himself knew that no living person had touched him.... 'Out of the Void,' the Rector had described the inhumanly brutal attack. 'Out of the Void!' A strange feeling it gives one—eh?

"And this is the thing that I had been called in to bottom!

"After considerable thought, I decided on a plan of action. I proposed to Sir Alfred Jarnock that I should spend a night in the Chapel, and keep a constant watch upon the dagger. But to this, the old knight—a little, wizened, nervous man—would not listen for a moment. He, at least, I felt assured had no doubt of the reality of some dangerous supernatural Force a roam at night in the Chapel. He informed me that it had been his habit every evening to lock the Chapel door, so that no one might foolishly or heedlessly run the risk of any peril that it might hold at night, and that he could not allow me to attempt such a thing after what had happened to the butler.

"I could see that Sir Alfred Jarnock was very much in earnest, and would evidently have held himself to blame had he allowed me to make the experiment and any harm come to me; so I said nothing in argument; and presently, pleading the fatigue of his years and health, he said goodnight, and left me; having given me the impression of being a polite but rather superstitious, old gentleman.

"That night, however, whilst I was undressing, I saw how I might achieve the thing I wished, and be able to enter the Chapel after dark, without making Sir Alfred Jarnock nervous. On the morrow, when I borrowed the key, I would take an impression, and have a duplicate made. Then, with my private key, I could do just what I liked.

"In the morning I carried out my idea. I borrowed the key, as I wanted to take a photograph of the chancel by daylight. When I had done this I locked up the Chapel and handed the key to Sir Alfred Jarnock, having first taken an impression in soap. I had brought out the exposed plate—in its slide—with me; but the camera I had left exactly as it was, as I wanted to take a second photograph of the chancel that night, from the same position.

"I took the dark slide into Burtontree, also the cake of soap with the impress. The soap I left with the local ironmonger, who was something of a locksmith and promised to let me have my duplicate, finished, if I would call in two hours. This I did, having in the meanwhile found out a photographer where I developed the plate, and left it to dry, telling him I would call next day. At the end of the two hours I went for my key and found it ready, much to my satisfaction. Then I returned to the castle.

"After dinner that evening, I played billiards with young Jarnock for a couple of hours. Then I had a cup of coffee and went off to my room, telling him I was feeling awfully tired. He nodded and told me he felt the same way. I was glad, for I wanted the house to settle as soon as possible.

"I locked the door of my room, then from under the bed—where I had hidden them earlier in the evening—I drew out several fine pieces of plate armor, which I had removed from the armory. There was also a shirt of chain mail, with a sort of quilted hood of mail to go over the head.

"I buckled on the plate armor, and found it extraordinarily uncomfortable, and over all I drew on the chain mail. I know nothing about armor, but from what I have learned since, I must have put on parts of two suits. Anyway, I felt beastly, clamped and clumsy and unable to move my arms and legs naturally. But I knew that the thing I was thinking of doing called for some sort of protection for my body. Over the armor I pulled on my dressing gown and shoved my revolver into one of the side pockets—and my repeating flash-light into the other. My dark lantern I carried in my hand.

"As soon as I was ready I went out into the passage and listened. I had been some considerable time making my preparations and I found that now the big hall and staircase were in darkness and all the house seemed quiet. I stepped back and closed and locked my door. Then, very slowly and silently I went downstairs to the hall and turned into the passage that led to the Chapel.

"I reached the door and tried my key. It fitted perfectly and a moment later I was in the Chapel, with the door locked behind me, and all about me the utter dree silence of the place, with just the faint showings of the outlines of the stained, leaded windows, making the darkness and lonesomeness almost the more apparent.

"Now it would be silly to say I did not feel queer. I felt very queer indeed. You just try, any of you, to imagine yourself standing there in the dark silence and remembering not only the legend that was attached to the place, but what had really happened to the old butler only a little while gone, I can tell you, as I stood there, I could believe that something invisible was coming toward me in the air of the Chapel. Yet, I had got to go through with the business, and I just took hold of my little bit of courage and set to work.

"First of all I switched on my light, then I began a careful tour of the place; examining every corner and nook. I found nothing unusual. At the chancel gate I held up my lamp and flashed the light at the dagger. It hung there, right enough, above the altar, but I remember thinking of the word 'demure,' as I looked at it. However, I pushed the thought away, for what I was doing needed no addition of uncomfortable thoughts.

"I completed the tour of the place, with a constantly growing awareness of its utter chill and unkind desolation—an atmosphere of cold dismalness seemed to be everywhere, and the quiet was abominable.

"At the conclusion of my search I walked across to where I had left my camera focused upon the chancel. From the satchel that I had put beneath the tripod I took out a dark slide and inserted it in the camera, drawing the shutter. After that I uncapped the lens, pulled out my flashlight apparatus, and pressed the trigger. There was an intense, brilliant flash, that made the whole of the interior of the Chapel jump into sight, and disappear as quickly. Then, in the light from my lantern, I inserted the shutter into the slide, and reversed the slide, so as to have a fresh plate ready to expose at any time.

"After I had done this I shut off my lantern and sat down in one of the pews near to my camera. I cannot say what I expected to happen, but I had an extraordinary feeling, almost a conviction, that something peculiar or horrible would soon occur. It was, you know, as if I knew.

"An hour passed, of absolute silence. The time I knew by the far-off, faint chime of a dock that had been erected over the stables. I was beastly cold, for the whole place is without any kind of heating pipes or furnace, as I had noticed during my search, so that the temperature was sufficiently uncomfortable to suit my frame of mind. I felt like a kind of human periwinkle encased in boilerplate and frozen with cold and funk. And, you know, somehow the dark about me seemed to press coldly against my face. I cannot say whether any of you have ever had the feeling, but if you have, you will know just how disgustingly unnerving it is. And then, all at once, I had a horrible sense that something was moving in the place. It was not that I could hear anything but I had a kind of intuitive knowledge that something had stirred in the darkness. Can you imagine how I felt?

"Suddenly my courage went. I put up my mailed arms over my face. I wanted to protect it. I had got a sudden sickening feeling that something was hovering over me in the dark. Talk about fright! I could have shouted if I had not been afraid of the noise.... And then, abruptly, I heard something. Away up the aisle, there sounded a dull clang of metal, as it might be the tread of a mailed heel upon the stone of the aisle. I sat immovable. I was fighting with all my strength to get back my courage. I could not take my arms down from over my face, but I knew that I was getting hold of the gritty part of me again. And suddenly I made a mighty effort and lowered my arms. I held my face up in the darkness. And, I tell you, I respect myself for the act, because I thought truly at that moment that I was going to die. But I think, just then, by the slow revulsion of feeling which had assisted my effort, I was less sick, in that instant, at the thought of having to die, than at the knowledge of the utter weak cowardice that had so unexpectedly shaken me all to bits, for a time.

"Do I make myself clear? You understand, I feel sure, that the sense of respect, which I spoke of, is not really unhealthy egotism; because, you see, I am not blind to the state of mind which helped me. I mean that if I had uncovered my face by a sheer effort of will, unhelped by any revulsion of feeling, I should have done a thing much more worthy of mention. But, even as it was, there were elements in the act, worthy of respect. You follow me, don't you?

"And, you know, nothing touched me, after all! So that, in a little while, I had got back a bit to my normal, and felt steady enough to go through with the business without any more funking.

"I daresay a couple of minutes passed, and then, away up near the chancel, there came again that clang, as though an armored foot stepped cautiously. By Jove! but it made me stiffen. And suddenly the thought came that the sound I heard might be the rattle of the dagger above the altar. It was not a particularly sensible notion, for the sound was far too heavy and resonant for such a cause. Yet, as can be easily understood, my reason was bound to submit somewhat to my fancy at such a time. I remember now, that the idea of that insensate thing becoming animate, and attacking me, did not occur to me with any sense of possibility or reality. I thought rather, in a vague way, of some invisible monster of outer space fumbling at the dagger. I remembered the old Rector's description of the attack on the butler.... of the void. And he had described the stupendous force of the blow as being 'like the kick of a great horse.' You can see how uncomfortably my thoughts were running.

"I felt 'round swiftly and cautiously for my lantern. I found it close to me, on the pew seat, and with a sudden, jerky movement, I switched on the light. I flashed it up the aisle, to and fro across the chancel, but I could see nothing to frighten me. I turned quickly, and sent the jet of light darting across and across the rear end of the Chapel; then on each side of me, before and behind, up at the roof and down at the marble floor, but nowhere was there any visible thing to put me in fear, not a thing that need have set my flesh thrilling; just the quiet Chapel, cold, and eternally silent. You know the feeling.

"I had been standing, whilst I sent the light about the Chapel, but now I pulled out my revolver, and then, with a tremendous effort of will, switched off the light, and sat down again in the darkness, to continue my constant watch.

"It seemed to me that quite half an hour, or even more, must have passed, after this, during which no sound had broken the intense stillness. I had grown less nervously tense, for the flashing of the light 'round the place had made me feel less out of all bounds of the normal—it had given me something of that unreasoned sense of safety that a nervous child obtains at night, by covering its head up with the bedclothes. This just about illustrates the completely human illogicalness of the workings of my feelings; for, as you know, whatever Creature, Thing, or Being it was that had made that extraordinary and horrible attack on the old butler, it had certainly not been visible.

"And so you must picture me sitting there in the dark; clumsy with armor, and with my revolver in one hand, and nursing my lantern, ready, with the other. And then it was, after this little time of partial relief from intense nervousness, that there came a fresh strain on me; for somewhere in the utter quiet of the Chapel, I thought I heard something. I listened, tense and rigid, my heart booming just a little in my ears for a moment; then I thought I heard it again. I felt sure that something had moved at the top of the aisle. I strained in the darkness, to hark; and my eyes showed me blackness within blackness, wherever I glanced, so that I took no heed of what they told me; for even if I looked at the dim loom of the stained window at the top of the chancel, my sight gave me the shapes of vague shadows passing noiseless and ghostly across, constantly. There was a time of almost peculiar silence, horrible to me, as I felt just then. And suddenly I seemed to hear a sound again, nearer to me, and repeated, infinitely stealthy. It was as if a vast, soft tread were coming slowly down the aisle.

"Can you imagine how I felt? I do not think you can. I did not move, any more than the stone effigies on the two tombs; but sat there, stiffened. I fancied now, that I heard the tread all about the Chapel. And then, you know, I was just as sure in a moment that I could not hear it—that I had never heard it.

"Some particularly long minutes passed, about this time; but I think my nerves must have quieted a bit; for I remember being sufficiently aware of my feelings, to realize that the muscles of my shoulders ached, with the way that they must have been contracted, as I sat there, hunching myself, rigid. Mind you, I was still in a disgusting funk; but what I might call the 'imminent sense of danger' seemed to have eased from around me; at any rate, I felt, in some curious fashion, that there was a respite—a temporary cessation of malignity from about me. It is impossible to word my feelings more clearly to you, for I cannot see them more clearly than this, myself.

"Yet, you must not picture me as sitting there, free from strain; for the nerve tension was so great that my heart action was a little out of normal control, the blood beat making a dull booming at times in my ears, with the result that I had the sensation that I could not hear acutely. This is a simply beastly feeling, especially under such circumstances.

"I was sitting like this, listening, as I might say with body and soul, when suddenly I got that hideous conviction again that something was moving in the air of the place. The feeling seemed to stiffen me, as I sat, and my head appeared to tighten, as if all the scalp had grown tense. This was so real, that I suffered an actual pain, most peculiar and at the same time intense; the whole head pained. I had a fierce desire to cover my face again with my mailed arms, but I fought it off. If I had given way then to that, I should simply have bunked straight out of the place. I sat and sweated coldly (that's the bald truth), with the 'creep' busy at my spine....

"And then, abruptly, once more I thought I heard the sound of that huge, soft tread on the aisle, and this time closer to me. There was an awful little silence, during which I had the feeling that something enormous was bending over toward me, from the aisle.... And then, through the booming of the blood in my ears, there came a slight sound from the place where my camera stood—a disagreeable sort of slithering sound, and then a sharp tap. I had the lantern ready in my left hand, and now I snapped it on, desperately, and shone it straight above me, for I had a conviction that there was something there. But I saw nothing. Immediately I flashed the light at the camera, and along the aisle, but again there was nothing visible. I wheeled 'round, shooting the beam of light in a great circle about the place; to and fro I shone it, jerking it here and there, but it showed me nothing.

"I had stood up the instant that I had seen that there was nothing in sight over me, and now I determined to visit the chancel, and see whether the dagger had been touched. I stepped out of the pew into the aisle, and here I came to an abrupt pause, for an almost invincible, sick repugnance was fighting me back from the upper part of the Chapel. A constant, queer prickling went up and down my spine, and a dull ache took me in the small of the back, as I fought with myself to conquer this sudden new feeling of terror and horror. I tell you, that no one who has not been through these kinds of experiences, has any idea of the sheer, actual physical pain attendant upon, and resulting from, the intense nerve strain that ghostly fright sets up in the human system. I stood there feeling positively ill. But I got myself in hand, as it were, in about half a minute, and then I went, walking, I expect, as jerky as a mechanical tin man, and switching the light from side to side, before and behind, and over my head continually. And the hand that held my revolver sweated so much, that the thing fairly slipped in my fist. Does not sound very heroic, does it?

"I passed through the short chancel, and reached the step that led up to the small gate in the chancel rail. I threw the beam from my lantern upon the dagger. Yes, I thought, it's all right. Abruptly, it seemed to me that there was something wanting, and I leaned forward over the chancel gate to peer, holding the light high. My suspicion was hideously correct. The dagger had gone. Only the cross-shaped sheath hung there above the altar.

"In a sudden, frightened flash of imagination, I pictured the thing adrift in the Chapel, moving here and there, as though of its own volition; for whatever Force wielded it, was certainly beyond visibility. I turned my head stiffly over to the left, glancing frightenedly behind me, and flashing the light to help my eyes. In the same instant I was struck a tremendous blow over the left breast, and hurled backward from the chancel rail, into the aisle, my armor clanging loudly in the horrible silence. I landed on my back, and slithered along on the polished marble. My shoulder struck the corner of a pew front, and brought me up, half stunned. I scrambled to my feet, horribly sick and shaken; but the fear that was on me, making little of that at the moment. I was minus both revolver and lantern, and utterly bewildered as to just where I was standing. I bowed my head, and made a scrambling run in the complete darkness and dashed into a pew. I jumped back, staggering, got my bearings a little, and raced down the center of the aisle, putting my mailed arms over my face. I plunged into my camera, hurling it among the pews. I crashed into the font, and reeled back. Then I was at the exit. I fumbled madly in my dressing gown pocket for the key. I found it and scraped at the door, feverishly, for the keyhole. I found the keyhole, turned the key, burst the door open, and was into the passage. I slammed the door and leant hard against it, gasping, whilst I felt crazily again for the keyhole, this time to lock the door upon what was in the Chapel. I succeeded, and began to feel my way stupidly along the wall of the corridor. Presently I had come to the big hall, and so in a little to my room.

"In my room, I sat for a while, until I had steadied down something to the normal. After a time I commenced to strip off the armor. I saw then that both the chain mail and the plate armor had been pierced over the breast. And, suddenly, it came home to me that the Thing had struck for my heart.

"Stripping rapidly, I found that the skin of the breast over the heart had just been cut sufficiently to allow a little blood to stain my shirt, nothing more. Only, the whole breast was badly bruised and intensely painful. You can imagine what would have happened if I had not worn the armor. In any case, it is a marvel that I was not knocked senseless.

"I did not go to bed at all that night, but sat upon the edge, thinking, and waiting for the dawn; for I had to remove my litter before Sir Alfred Jarnock should enter, if I were to hide from him the fact that I had managed a duplicate key.

"So soon as the pale light of the morning had strengthened sufficiently to show me the various details of my room, I made my way quietly down to the Chapel. Very silently, and with tense nerves, I opened the door. The chill light of the dawn made distinct the whole place—everything seeming instinct with a ghostly, unearthly quiet. Can you get the feeling? I waited several minutes at the door, allowing the morning to grow, and likewise my courage, I suppose. Presently the rising sun threw an odd beam right in through the big, East window, making colored sunshine all the length of the Chapel. And then, with a tremendous effort, I forced myself to enter.

"I went up the aisle to where I had overthrown my camera in the darkness. The legs of the tripod were sticking up from the interior of a pew, and I expected to find the machine smashed to pieces; yet, beyond that the ground glass was broken, there was no real damage done.

"I replaced the camera in the position from which I had taken the previous photography; but the slide containing the plate I had exposed by flashlight I removed and put into one of my side pockets, regretting that I had not taken a second flash picture at the instant when I heard those strange sounds up in the chancel.

"Having tidied my photographic apparatus, I went to the chancel to recover my lantern and revolver, which had both—as you know—been knocked from my hands when I was stabbed. I found the lantern lying, hopelessly bent, with smashed lens, just under the pulpit. My revolver I must have held until my shoulder struck the pew, for it was lying there in the aisle, just about where I believe I cannoned into the pew corner. It was quite undamaged.

"Having secured these two articles, I walked up to the chancel rail to see whether the dagger had returned, or been returned, to its sheath above the altar. Before, however, I reached the chancel rail, I had a slight shock; for there on the floor of the chancel, about a yard away from where I had been struck, lay the dagger, quiet and demure upon the polished marble pavement. I wonder whether you will, any of you, understand the nervousness that took me at the sight of the thing. With a sudden, unreasoned action, I jumped forward and put my foot on it, to hold it there. Can you understand? Do you? And, you know, I could not stoop down and pick it up with my hands for quite a minute, I should think. Afterward, when I had done so, however, and handled it a little, this feeling passed away and my Reason (and also, I expect, the daylight) made me feel that I had been a little bit of an ass. Quite natural, though, I assure you! Yet it was a new kind of fear to me. I'm taking no notice of the cheap joke about the ass! I am talking about the curiousness of learning in that moment a new shade or quality of fear that had hitherto been outside of my knowledge or imagination. Does it interest you?

"I examined the dagger, minutely, turning it over and over in my hands and never—as I suddenly discovered—holding it loosely. It was as if I were subconsciously surprised that it lay quiet in my hands. Yet even this feeling passed, largely, after a short while. The curious weapon showed no signs of the blow, except that the dull color—of the blade was slightly brighter on the rounded point that had cut through the armor.

"Presently, when I had made an end of staring at the dagger, I went up the chancel step and in through the little gate. Then, kneeling upon the altar, I replaced the dagger in its sheath, and came outside of the rail again, closing the gate after me and feeling awarely uncomfortable because the horrible old weapon was back again in its accustomed place. I suppose, without analyzing my feelings very deeply, I had an unreasoned and only half-conscious belief that there was a greater probability of danger when the dagger hung in its five century resting place than when it was out of it! Yet, somehow I don't think this is a very good explanation, when I remember the demure look the thing seemed to have when I saw it lying on the floor of the chancel. Only I know this, that when I had replaced the dagger I had quite a touch of nerves and I stopped only to pick up my lantern from where I had placed it whilst I examined the weapon, after which I went down the quiet aisle at a pretty quick walk, and so got out of the place.

"That the nerve tension had been considerable, I realized, when I had locked the door behind me. I felt no inclination now to think of old Sir Alfred as a hypochondriac because he had taken such hyperseeming precautions regarding the Chapel. I had a sudden wonder as to whether he might not have some knowledge of a long prior tragedy in which the dagger had been concerned.

"I returned to my room, washed, shaved and dressed, after which I read awhile. Then I went downstairs and got the acting butler to give me some sandwiches and a cup of coffee.

"Half an hour later I was heading for Burtontree, as hard as I could walk; for a sudden idea had come to me, which I was anxious to test. I reached the town a little before eight thirty, and found the local photographer with his shutters still up. I did not wait, but knocked until he appeared with his coat off, evidently in the act of dealing with his breakfast. In a few words I made clear that I wanted the use of his dark room immediately, and this he at once placed at my disposal.

"I had brought with me the slide which contained the plate that I had used with the flashlight, and as soon as I was ready I set to work to develop. Yet, it was not the plate which I had exposed, that I first put into the solution, but the second plate, which had been ready in the camera during all the time of my waiting in the darkness. You see, the lens had been uncapped all that while, so that the whole chancel had been, as it were, under observation.

"You all know something of my experiments in 'Lightless Photography,' that is, appreciating light. It was X-ray work that started me in that direction. Yet, you must understand, though I was attempting to develop this 'unexposed' plate, I had no definite idea of results—nothing more than a vague hope that it might show me something.

"Yet, because of the possibilities, it was with the most intense and absorbing interest that I watched the plate under the action of the developer. Presently I saw a faint smudge of black appear in the upper part, and after that others, indistinct and wavering of outline. I held the negative up to the light. The marks were rather small, and were almost entirely confined to one end of the plate, but as I have said, lacked definiteness. Yet, such as they were, they were sufficient to make me very excited and I shoved the thing quickly back into the solution.

"For some minutes further I watched it, lifting it out once or twice to make a more exact scrutiny, but could not imagine what the markings might represent, until suddenly it occurred to me that in one of two places they certainly had shapes suggestive of a cross hilted dagger. Yet, the shapes were sufficiently indefinite to make me careful not to let myself be overimpressed by the uncomfortable resemblance, though I must confess, the very thought was sufficient to set some odd thrills adrift in me.

"I carried development a little further, then put the negative into the hypo, and commenced work upon the other plate. This came up nicely, and very soon I had a really decent negative that appeared similar in every respect (except for the difference of lighting) to the negative I had taken during the previous day. I fixed the plate, then having washed both it and the 'unexposed' one for a few minutes under the tap, I put them into methylated spirits for fifteen minutes, after which I carried them into the photographer's kitchen and dried them in the oven.

"Whilst the two plates were drying the photographer and I made an enlargement from the negative I had taken by daylight. Then we did the same with the two that I had just developed, washing them as quickly as possible, for I was not troubling about the permanency of the prints, and drying them with spirits.

"When this was done I took them to the window and made a thorough examination, commencing with the one that appeared to show shadowy daggers in several places. Yet, though it was now enlarged, I was still unable to feel convinced that the marks truly represented anything abnormal; and because of this, I put it on one side, determined not to let my imagination play too large a part in constructing weapons out of the indefinite outlines.

"I took up the two other enlargements, both of the chancel, as you will remember, and commenced to compare them. For some minutes I examined them without being able to distinguish any difference in the scene they portrayed, and then abruptly, I saw something in which they varied. In the second enlargement—the one made from the flashlight negative—the dagger was not in its sheath. Yet, I had felt sure it was there but a few minutes before I took the photograph.

"After this discovery I began to compare the two enlargements in a very different manner from my previous scrutiny. I borrowed a pair of calipers from the photographer and with these I carried out a most methodical and exact comparison of the details shown in the two photographs.

"Suddenly I came upon something that set me all tingling with excitement. I threw the calipers down, paid the photographer, and walked out through the shop into the street. The three enlargements I took with me, making them into a roll as I went. At the corner of the street I had the luck to get a cab and was soon back at the castle.

"I hurried up to my room and put the photographs way; then I went down to see whether I could find Sir Alfred Jarnock; but Mr. George Jarnock, who met me, told me that his father was too unwell to rise and would prefer that no one entered the Chapel unless he were about.

"Young Jarnock made a half apologetic excuse for his father; remarking that Sir Alfred Jarnock was perhaps inclined to be a little over careful; but that, considering what had happened, we must agree that the need for his carefulness had been justified. He added, also, that even before the horrible attack on the butler his father had been just as particular, always keeping the key and never allowing the door to be unlocked except when the place was in use for Divine Service, and for an hour each forenoon when the cleaners were in.

"To all this I nodded understandingly; but when, presently, the young man left me I took my duplicate key and made for the door of the Chapel. I went in and locked it behind me, after which I carried out some intensely interesting and rather weird experiments. These proved successful to such an extent that I came out of the place in a perfect fever of excitement. I inquired for Mr. George Jarnock and was told that he was in the morning room.

"'Come along,' I said, when I had found him. 'Please give me a lift. I've something exceedingly strange to show you.'

"He was palpably very much puzzled, but came quickly. As we strode along he asked me a score of questions, to all of which I just shook my head, asking him to wait a little.

"I led the way to the Armory. Here I suggested that he should take one side of a dummy, dressed in half plate armor, whilst I took the other. He nodded, though obviously vastly bewildered, and together we carried the thing to the Chapel door. When he saw me take out my key and open the way for us he appeared even more astonished, but held himself in, evidently waiting for me to explain. We entered the Chapel and I locked the door behind us, after which we carted the armored dummy up the aisle to the gate of the chancel rail where we put it down upon its round, wooden stand.

"'Stand back!' I shouted suddenly as young Jarnock made a movement to open the gate. 'My God, man! you mustn't do that!'

"Do what?" he asked, half-startled and half-irritated by my words and manner.

"One minute," I said. "Just stand to the side a moment, and watch."

He stepped to the left whilst I took the dummy in my arms and turned it to face the altar, so that it stood close to the gate. Then, standing well away on the right side, I pressed the back of the thing so that it leant forward a little upon the gate, which flew open. In the same instant, the dummy was struck a tremendous blow that hurled it into the aisle, the armor rattling and clanging upon the polished marble floor.

"Good God!" shouted young Jarnock, and ran back from the chancel rail, his face very white.

"Come and look at the thing," I said, and led the way to where the dummy lay, its armored upper limbs all splayed adrift in queer contortions. I stooped over it and pointed. There, driven right through the thick steel breastplate, was the 'waeful dagger.'

"Good God!" said young Jarnock again. "Good God! It's the dagger! The thing's been stabbed, same as Bellett!"

"Yes," I replied, and saw him glance swiftly toward the entrance of the Chapel. But I will do him the justice to say that he never budged an inch.

"Come and see how it was done," I said, and led the way back to the chancel rail. From the wall to the left of the altar I took down a long, curiously ornamented, iron instrument, not unlike a short spear. The sharp end of this I inserted in a hole in the left-hand gatepost of the chancel gateway. I lifted hard, and a section of the post, from the floor upward, bent inward toward the altar, as though hinged at the bottom. Down it went, leaving the remaining part of the post standing. As I bent the movable portion lower there came a quick click and a section of the floor slid to one side, showing a long, shallow cavity, sufficient to enclose the post. I put my weight to the lever and hove the post down into the niche. Immediately there was a sharp clang, as some catch snicked in, and held it against the powerful operating spring.

I went over now to the dummy, and after a few minute's work managed to wrench the dagger loose out of the armor. I brought the old weapon and placed its hilt in a hole near the top of the post where it fitted loosely, the point upward. After that I went again to the lever and gave another strong heave, and the post descended about a foot, to the bottom of the cavity, catching there with another clang. I withdrew the lever and the narrow strip of floor slid back, covering post and dagger, and looking no different from the surrounding surface.

Then I shut the chancel gate, and we both stood well to one side. I took the spear-like lever, and gave the gate a little push, so that it opened. Instantly there was a loud thud, and something sang through the air, striking the bottom wall of the Chapel. It was the dagger. I showed Jarnock then that the other half of the post had sprung back into place, making the whole post as thick as the one upon the right-hand side of the gate.

"There!" I said, turning to the young man and tapping the divided post. "There's the 'invisible' thing that used the dagger, but who the deuce is the person who sets the trap?" I looked at him keenly as I spoke.

"My father is the only one who has a key," he said. "So it's practically impossible for anyone to get in and meddle."

I looked at him again, but it was obvious that he had not yet reached out to any conclusion.

"See here, Mr. Jarnock," I said, perhaps rather curter than I should have done, considering what I had to say. "Are you quite sure that Sir Alfred is quite balanced—mentally?"

"He looked at me, half frightenedly and flushing a little. I realized then how badly I put it.

"'I—I don't know,' he replied, after a slight pause and was then silent, except for one or two incoherent half remarks.

"'Tell the truth,' I said. 'Haven't you suspected something, now and again? You needn't be afraid to tell me.'

"'Well,' he answered slowly, 'I'll admit I've thought Father a little—a little strange, perhaps, at times. But I've always tried to think I was mistaken. I've always hoped no one else would see it. You see, I'm very fond of the old guvnor.'

"I nodded.

"'Quite right, too,' I said. 'There's not the least need to make any kind of scandal about this. We must do something, though, but in a quiet way. No fuss, you know. I should go and have a chat with your father, and tell him we've found out about this thing.' I touched the divided post.