"I think you've said it all," began Guy Peel. "It's queer, isn't it, how twelve years of America will spoil one for afternoon tea, and yew trees, and tapestries, and lace caps, and roses. The mater was glad to see me, but she said I smelled woolly. They think a Navajo blanket is a thing the Indians wear on the war path, and they don't know whether Texas is a state, or a mineral water. It was slow—slow. About the time they were taking afternoon tea, I'd be reckoning how the boys would be rounding up the cattle for the night, and about the time we'd sit down to dinner something seemed to whisk the dinner table, and the flowers, and the men and women in evening clothes right out of sight, like magic, and I could see the boys stretched out in front of the bunk house after their supper of bacon, and beans, and biscuit, and coffee. They'd be smoking their pipes that smelled to Heaven, and further, and Wing would be squealing one of his creepy old Chink songs out in the kitchen, and the sky would be—say, Miss Meron, did you ever see the night sky, out West? Purple, you know, and soft as soap-suds, and so near that you want to reach up and touch it with your hand. Toward the end my mother used to take me off in a corner and tell me that I hadn't spoken a word to the little girl that I had taken in to dinner, and that if I couldn't forget my uncouth western ways for an hour or two, at least, perhaps I'd better not try to mingle with civilized people. I discovered that home isn't always the place where you were born and bred. Home is the place where your everyday clothes are, and where somebody, or something needs you. They didn't need me over there in England. Lord no! I was sick for the sight of a Navajo blanket. My shack's glowing with them. And my books needed me, and the boys, and the critters, and Kate."

"Kate?" repeated Miss Meron, quickly.

"Kate's my horse. I'm going back on the 5:25 to-night. This is my regular trip, you know. I came around here to buy a paper, because it has become a habit. And then, too, I sort of felt—well, something told me that you——"

"You're a nice boy," said Miss Meron. "By the way, did I tell you that I married the manager of the show the week after I got back? We go to Bloomington to-night, and then we jump to St. Paul. I came around here just as usual, because—well—because——"

Tony's gift for remembering faces and facts amounts to genius.

With two deft movements he whisked two papers from among the many in the rack, and held them out.

"Kewaskum Courier?" he suggested.

"Nix," said Mercedes Meron, "I'll take a Chicago Scream."

"London Times?" said Tony.

"No," replied Guy Peel. "Give me the San Antonio Express."



X

THE HOMELY HEROINE

Millie Whitcomb, of the fancy goods and notions, beckoned me with her finger. I had been standing at Kate O'Malley's counter, pretending to admire her new basket-weave suitings, but in reality reveling in her droll account of how, in the train coming up from Chicago, Mrs. Judge Porterfield had worn the negro porter's coat over her chilly shoulders in mistake for her husband's. Kate O'Malley can tell a funny story in a way to make the after-dinner pleasantries of a Washington diplomat sound like the clumsy jests told around the village grocery stove.

"I wanted to tell you that I read that last story of yours," said Millie, sociably, when I had strolled over to her counter, "and I liked it, all but the heroine. She had an 'adorable throat' and hair that 'waved away from her white brow,' and eyes that 'now were blue and now gray.' Say, why don't you write a story about an ugly girl?"

"My land!" protested I. "It's bad enough trying to make them accept my stories as it is. That last heroine was a raving beauty, but she came back eleven times before the editor of Blakely's succumbed to her charms."

Millie's fingers were busy straightening the contents of a tray of combs and imitation jet barrettes. Millie's fingers were not intended for that task. They are slender, tapering fingers, pink-tipped and sensitive.

"I should think," mused she, rubbing a cloudy piece of jet with a bit of soft cloth, "that they'd welcome a homely one with relief. These goddesses are so cloying."

Millie Whitcomb's black hair is touched with soft mists of gray, and she wears lavender shirtwaists and white stocks edged with lavender. There is a Colonial air about her that has nothing to do with celluloid combs and imitation jet barrettes. It breathes of dim old rooms, rich with the tones of mahogany and old brass, and Millie in the midst of it, gray-gowned, a soft white fichu crossed upon her breast.

In our town the clerks are not the pert and gum-chewing young persons that story-writers are wont to describe. The girls at Bascom's are institutions. They know us all by our first names, and our lives are as an open book to them. Kate O'Malley, who has been at Bascom's for so many years that she is rumored to have stock in the company, may be said to govern the fashions of our town. She is wont to say, when we express a fancy for gray as the color of our new spring suit:

"Oh, now, Nellie, don't get gray again. You had it year before last, and don't you think it was just the least leetle bit trying? Let me show you that green that came in yesterday. I said the minute I clapped my eyes on it that it was just the color for you, with your brown hair and all."

And we end by deciding on the green.

The girls at Bascom's are not gossips—they are too busy for that—but they may be said to be delightfully well informed. How could they be otherwise when we go to Bascom's for our wedding dresses and party favors and baby flannels? There is news at Bascom's that our daily paper never hears of, and wouldn't dare print if it did.

So when Millie Whitcomb, of the fancy goods and notions, expressed her hunger for a homely heroine, I did not resent the suggestion. On the contrary, it sent me home in thoughtful mood, for Millie Whitcomb has acquired a knowledge of human nature in the dispensing of her fancy goods and notions. It set me casting about for a really homely heroine.

There never has been a really ugly heroine in fiction. Authors have started bravely out to write of an unlovely woman, but they never have had the courage to allow her to remain plain. On Page 237 she puts on a black lace dress and red roses, and the combination brings out unexpected tawny lights in her hair, and olive tints in her cheeks, and there she is, the same old beautiful heroine. Even in the "Duchess" books one finds the simple Irish girl, on donning a green corduroy gown cut square at the neck, transformed into a wild-rose beauty, at sight of whom a ball-room is hushed into admiring awe. There's the case of jane Eyre, too. She is constantly described as plain and mouse-like, but there are covert hints as to her gray eyes and slender figure and clear skin, and we have a sneaking notion that she wasn't such a fright after all.

Therefore, when I tell you that I am choosing Pearlie Schultz as my leading lady you are to understand that she is ugly, not only when the story opens, but to the bitter end. In the first place, Pearlie is fat. Not, plump, or rounded, or dimpled, or deliciously curved, but FAT. She bulges in all the wrong places, including her chin. (Sister, who has a way of snooping over my desk in my absence, says that I may as well drop this now, because nobody would ever read it, anyway, least of all any sane editor. I protest when I discover that Sis has been over my papers. It bothers me. But she says you have to do these things when you have a genius in the house, and cites the case of Kipling's "Recessional," which was rescued from the depths of his wastebasket by his wife.)

Pearlie Schultz used to sit on the front porch summer evenings and watch the couples stroll by, and weep in her heart. A fat girl with a fat girl's soul is a comedy. But a fat girl with a thin girl's soul is a tragedy. Pearlie, in spite of her two hundred pounds, had the soul of a willow wand.

The walk in front of Pearlie's house was guarded by a row of big trees that cast kindly shadows. The strolling couples used to step gratefully into the embrace of these shadows, and from them into other embraces. Pearlie, sitting on the porch, could see them dimly, although they could not see her. She could not help remarking that these strolling couples were strangely lacking in sprightly conversation. Their remarks were but fragmentary, disjointed affairs, spoken in low tones with a queer, tremulous note in them. When they reached the deepest, blackest, kindliest shadow, which fell just before the end of the row of trees, the strolling couples almost always stopped, and then there came a quick movement, and a little smothered cry from the girl, and then a sound, and then a silence. Pearlie, sitting alone on the porch in the dark, listened to these things and blushed furiously. Pearlie had never strolled into the kindly shadows with a little beating of the heart, and she had never been surprised with a quick arm about her and eager lips pressed warmly against her own.

In the daytime Pearlie worked as public stenographer at the Burke Hotel. She rose at seven in the morning, and rolled for fifteen minutes, and lay on her back and elevated her heels in the air, and stood stiff-kneed while she touched the floor with her finger tips one hundred times, and went without her breakfast. At the end of each month she usually found that she weighed three pounds more than she had the month before.

The folks at home never joked with Pearlie about her weight. Even one's family has some respect for a life sorrow. Whenever Pearlie asked that inevitable question of the fat woman: "Am I as fat as she is?" her mother always answered: "You! Well, I should hope not! You're looking real peaked lately, Pearlie. And your blue skirt just ripples in the back, it's getting so big for you."

Of such blessed stuff are mothers made.

But if the gods had denied Pearlie all charms of face or form, they had been decent enough to bestow on her one gift. Pearlie could cook like an angel; no, better than an angel, for no angel could be a really clever cook and wear those flowing kimono-like sleeves. They'd get into the soup. Pearlie could take a piece of rump and some suet and an onion and a cup or so of water, and evolve a pot roast that you could cut with a fork. She could turn out a surprisingly good cake with surprisingly few eggs, all covered with white icing, and bearing cunning little jelly figures on its snowy bosom. She could beat up biscuits that fell apart at the lightest pressure, revealing little pools of golden butter within. Oh, Pearlie could cook!

On week days Pearlie rattled the typewriter keys, but on Sundays she shooed her mother out of the kitchen. Her mother went, protesting faintly:

"Now, Pearlie, don't fuss so for dinner. You ought to get your rest on Sunday instead of stewing over a hot stove all morning."

"Hot fiddlesticks, ma," Pearlie would say, cheerily. "It ain't hot, because it's a gas stove. And I'll only get fat if I sit around. You put on your black-and-white and go to church. Call me when you've got as far as your corsets, and I'll puff your hair for you in the back."

In her capacity of public stenographer at the Burke Hotel, it was Pearlie's duty to take letters dictated by traveling men and beginning: "Yours of the 10th at hand. In reply would say. . . ." or: "Enclosed please find, etc." As clinching proof of her plainness it may be stated that none of the traveling men, not even Max Baum, who was so fresh that the girl at the cigar counter actually had to squelch him, ever called Pearlie "baby doll," or tried to make a date with her. Not that Pearlie would ever have allowed them to. But she never had had to reprove them. During pauses in dictation she had a way of peering near-sightedly, over her glasses at the dapper, well-dressed traveling salesman who was rolling off the items on his sale bill. That is a trick which would make the prettiest kind of a girl look owlish.

On the night that Sam Miller strolled up to talk to her, Pearlie was working late. She had promised to get out a long and intricate bill for Max Baum, who travels for Kuhn and Klingman, so that he might take the nine o'clock evening train. The irrepressible Max had departed with much eclat and clatter, and Pearlie was preparing to go home when Sam approached her.

Sam had just come in from the Gayety Theater across the street, whither he had gone in a vain search for amusement after supper. He had come away in disgust. A soiled soubrette with orange-colored hair and baby socks had swept her practiced eye over the audience, and, attracted by Sam's good-looking blond head in the second row, had selected him as the target of her song. She had run up to the extreme edge of the footlights at the risk of teetering over, and had informed Sam through the medium of song—to the huge delight of the audience, and to Sam's red-faced discomfiture—that she liked his smile, and he was just her style, and just as cute as he could be, and just the boy for her. On reaching the chorus she had whipped out a small, round mirror and, assisted by the calcium-light man in the rear, had thrown a wretched little spotlight on Sam's head.

Ordinarily, Sam would not have minded it. But that evening, in the vest pocket just over the place where he supposed his heart to be reposed his girl's daily letter. They were to be married on Sam's return to New York from his first long trip. In the letter near his heart she had written prettily and seriously about traveling men, and traveling men's wives, and her little code for both. The fragrant, girlish, grave little letter had caused Sam to sour on the efforts of the soiled soubrette.

As soon as possible he had fled up the aisle and across the street to the hotel writing-room. There he had spied Pearlie's good-humored, homely face, and its contrast with the silly, red and-white countenance of the unlaundered soubrette had attracted his homesick heart.

Pearlie had taken some letters from him earlier in the day. Now, in his hunger for companionship, he, strolled up to her desk, just as she was putting her typewriter to bed.

"Gee I This is a lonesome town!" said Sam, smiling down at her.

Pearlie glanced up at him, over her glasses. "I guess you must be from New York," she said. "I've heard a real New Yorker can get bored in Paris. In New York the sky is bluer, and the grass is greener, and the girls are prettier, and the steaks are thicker, and the buildings are higher, and the streets are wider, and the air is finer, than the sky, or the grass, or the girls, or the steaks, or the air of any place else in the world. Ain't they?"

"Oh, now," protested Sam, "quit kiddin' me! You'd be lonesome for the little old town, too, if you'd been born and dragged up in it, and hadn't seen it for four months."

"New to the road, aren't you?" asked Pearlie.

Sam blushed a little. "How did you know?"

"Well, you generally can tell. They don't know what to do with themselves evenings, and they look rebellious when they go into the dining-room. The old-timers just look resigned."

"You've picked up a thing or two around here, haven't you? I wonder if the time will ever come when I'll look resigned to a hotel dinner, after four months of 'em. Why, girl, I've got so I just eat the things that are covered up—like baked potatoes in the shell, and soft boiled eggs, and baked apples, and oranges that I can peel, and nuts."

"Why, you poor kid," breathed Pearlie, her pale eyes fixed on him in motherly pity. "You oughtn't to do that. You'll get so thin your girl won't know you."

Sam looked up quickly. "How in thunderation did you know——?"

Pearlie was pinning on her hat, and she spoke succinctly, her hatpins between her teeth: "You've been here two days now, and I notice you dictate all your letters except the longest one, and you write that one off in a corner of the writing-room all by yourself, with your cigar just glowing like a live coal, and you squint up through the smoke, and grin to yourself."

"Say, would you mind if I walked home with you?" asked Sam.

If Pearlie was surprised, she was woman enough not to show it. She picked up her gloves and hand bag, locked her drawer with a click, and smiled her acquiescence. And when Pearlie smiled she was awful.

It was a glorious evening in the early summer, moonless, velvety, and warm. As they strolled homeward, Sam told her all about the Girl, as is the way of traveling men the world over. He told her about the tiny apartment they had taken, and how he would be on the road only a couple of years more, as this was just a try-out that the firm always insisted on. And they stopped under an arc light while Sam showed her the picture in his watch, as is also the way of traveling men since time immemorial.

Pearlie made an excellent listener. He was so boyish, and so much in love, and so pathetically eager to make good with the firm, and so happy to have some one in whom to confide.

"But it's a dog's life, after all," reflected Sam, again after the fashion of all traveling men. "Any fellow on the road earns his salary these days, you bet. I used to think it was all getting up when you felt like it, and sitting in the big front window of the hotel, smoking a cigar and watching the pretty girls go by. I wasn't wise to the packing, and the unpacking, and the rotten train service, and the grouchy customers, and the canceled bills, and the grub."

Pearlie nodded understandingly. "A man told me once that twice a week regularly he dreamed of the way his wife cooked noodle-soup."

"My folks are German," explained Sam. "And my mother—can she cook! Well, I just don't seem able to get her potato pancakes out of my mind. And her roast beef tasted and looked like roast beef, and not like a wet red flannel rag."

At this moment Pearlie was seized with a brilliant idea. "To-morrow's Sunday. You're going to Sunday here, aren't you? Come over and eat your dinner with us. If you have forgotten the taste of real food, I can give you a dinner that'll jog your memory."

"Oh, really," protested Sam. "You're awfully good, but I couldn't think of it. I——"

"You needn't be afraid. I'm not letting you in for anything. I may be homelier than an English suffragette, and I know my lines are all bumps, but there's one thing you can't take away from me, and that's my cooking hand. I can cook, boy, in a way to make your mother's Sunday dinner, with company expected, look like Mrs. Newlywed's first attempt at 'riz' biscuits. And I don't mean any disrespect to your mother when I say it. I'm going to have noodle-soup, and fried chicken, and hot biscuits, and creamed beans from our own garden, and strawberry shortcake with real——"

"Hush!" shouted Sam. "If I ain't there, you'll know that I passed away during the night, and you can telephone the clerk to break in my door."

The Grim Reaper spared him, and Sam came, and was introduced to the family, and ate. He put himself in a class with Dr. Johnson, and Ben Brust, and Gargantua, only that his table manners were better. He almost forgot to talk during the soup, and he came back three times for chicken, and by the time the strawberry shortcake was half consumed he was looking at Pearlie with a sort of awe in his eyes.

That night he came over to say good-bye before taking his train out for Ishpeming. He and Pearlie strolled down as far as the park and back again.

"I didn't eat any supper," said Sam. "It would have been sacrilege, after that dinner of yours. Honestly, I don't know how to thank you, being so good to a stranger like me. When I come back next trip, I expect to have the Kid with me, and I want her to meet you, by George! She's a winner and a pippin, but she wouldn't know whether a porterhouse was stewed or frapped. I'll tell her about you, you bet. In the meantime, if there's anything I can do for you, I'm yours to command."

Pearlie turned to him suddenly. "You see that clump of thick shadows ahead of us, where those big trees stand in front of our house?"

"Sure," replied Sam.

"Well, when we step into that deepest, blackest shadow, right in front of our porch, I want you to reach up, and put your arm around me and kiss me on the mouth, just once. And when you get back to New York you can tell your girl I asked you to."

There broke from him a little involuntary exclamation. It might have been of pity, and it might have been of surprise. It had in it something of both, but nothing of mirth. And as they stepped into the depths of the soft black shadows he took off his smart straw sailor, which was so different from the sailors that the boys in our town wear. And there was in the gesture something of reverence.

Millie Whitcomb didn't like the story of the homely heroine, after all. She says that a steady diet of such literary fare would give her blue indigestion. Also she objects on the ground that no one got married—that is, the heroine didn't. And she says that a heroine who does not get married isn't a heroine at all. She thinks she prefers the pink-cheeked, goddess kind, in the end.



XI

SUN DRIED

There come those times in the life of every woman when she feels that she must wash her hair at once. And then she does it. The feeling may come upon her suddenly, without warning, at any hour of the day or night; or its approach may be slow and insidious, so that the victim does not at first realize what it is that fills her with that sensation of unrest. But once in the clutches of the idea she knows no happiness, no peace, until she has donned a kimono, gathered up two bath towels, a spray, and the green soap, and she breathes again only when, head dripping, she makes for the back yard, the sitting-room radiator, or the side porch (depending on her place of residence, and the time of year).

Mary Louise was seized with the feeling at ten o'clock on a joyous June morning. She tried to fight it off because she had got to that stage in the construction of her story where her hero was beginning to talk and act a little more like a real live man, and a little less like a clothing store dummy. (By the way, they don't seem to be using those pink-and-white, black-mustachioed figures any more. Another good simile gone.)

Mary Louise had been battling with that hero for a week. He wouldn't make love to the heroine. In vain had Mary Louise striven to instill red blood into his watery veins. He and the beauteous heroine were as far apart as they had been on Page One of the typewritten manuscript. Mary Louise was developing nerves over him. She had bitten her finger nails, and twisted her hair into corkscrews over him. She had risen every morning at the chaste hour of seven, breakfasted hurriedly, tidied the tiny two-room apartment, and sat down in the unromantic morning light to wrestle with her stick of a hero. She had made her heroine a creature of grace, wit, and loveliness, but thus far the hero had not once clasped her to him fiercely, or pressed his lips to her hair, her eyes, her cheeks. Nay (as the story-writers would put it), he hadn't even devoured her with his gaze.

This morning, however, he had begun to show some signs of life. He was developing possibilities. Whereupon, at this critical stage in the story-writing game, the hair-washing mania seized Mary Louise. She tried to dismiss the idea. She pushed it out of her mind, and slammed the door. It only popped in again. Her fingers wandered to her hair. Her eyes wandered to the June sunshine outside. The hero was left poised, arms outstretched, and unquenchable love-light burning in his eyes, while Mary Louise mused, thus:

"It certainly feels sticky. It's been six weeks, at least. And I could sit here-by the window—in the sun—and dry it——"

With a jerk she brought her straying fingers away from her hair, and her wandering eyes away from the sunshine, and her runaway thoughts back to the typewritten page. For three minutes the snap of the little disks crackled through the stillness of the tiny apartment. Then, suddenly, as though succumbing to an irresistible force, Mary Louise rose, walked across the room (a matter of six steps), removing hairpins as she went, and shoved aside the screen which hid the stationary wash-bowl by day.

Mary Louise turned on a faucet and held her finger under it, while an agonized expression of doubt and suspense overspread her features. Slowly the look of suspense gave way to a smile of beatific content. A sigh—deep, soul-filling, satisfied—welled up from Mary Louise's breast. The water was hot.

Half an hour later, head swathed turban fashion in a towel, Mary Louise strolled over to the window. Then she stopped, aghast. In that half hour the sun had slipped just around the corner, and was now beating brightly and uselessly against the brick wall a few inches away. Slowly Mary Louise unwound the towel, bent double in the contortionistic attitude that women assume on such occasions, and watched with melancholy eyes while the drops trickled down to the ends of her hair, and fell, unsunned, to the floor.

"If only," thought Mary Louise, bitterly, "there was such a thing as a back yard in this city—a back yard where I could squat on the grass, in the sunshine and the breeze—— Maybe there is. I'll ask the janitor."

She bound her hair in the turban again, and opened the door. At the far end of the long, dim hallway Charlie, the janitor, was doing something to the floor with a mop and a great deal of sloppy water, whistling the while with a shrill abandon that had announced his presence to Mary Louise.

"Oh, Charlie!" called Mary Louise. "Charlee! Can you come here just a minute?"

"You bet!" answered Charlie, with the accent on the you; and came.

"Charlie, is there a back yard, or something, where the sun is, you know—some nice, grassy place where I can sit, and dry my hair, and let the breezes blow it?"

"Back yard!" grinned Charlie. "I guess you're new to N' York, all right, with ground costin' a million or so a foot. Not much they ain't no back yard, unless you'd give that name to an ash-barrel, and a dump heap or so, and a crop of tin cans. I wouldn't invite a goat to set in it."

Disappointment curved Mary Louise's mouth. It was a lovely enough mouth at any time, but when it curved in disappointment—ell, janitors are but human, after all.

"Tell you what, though," said Charlie. "I'll let you up on the roof. It ain't long on grassy spots up there, but say, breeze! Like a summer resort. On a clear day you can see way over 's far 's Eight' Avenoo. Only for the love of Mike don't blab it to the other women folks in the buildin', or I'll have the whole works of 'em usin' the roof for a general sun, massage, an' beauty parlor. Come on."

"I'll never breathe it to a soul," promised Mary Louise, solemnly. "Oh, wait a minute."

She turned back into her room, appearing again in a moment with something green in her hand.

"What's that?" asked Charlie, suspiciously.

Mary Louise, speeding down the narrow hallway after Charlie, blushed a little. "It—it's parsley," she faltered.

"Parsley!" exploded Charlie. "Well, what the——"

"Well, you see. I'm from the country," explained Mary Louise, "and in the country, at this time of year, when you dry your hair in the back yard, you get the most wonderful scent of green and growing things—not only of flowers, you know, but of the new things just coming up in the vegetable garden, and—and—well, this parsley happens to be the only really gardeny thing I have, so I thought I'd bring it along and sniff it once in a while, and make believe it's the country, up there on the roof."

Half-way up the perilous little flight of stairs that led to the roof, Charlie, the janitor, turned to gaze down at Mary Louise, who was just behind, and keeping fearfully out of the way of Charlie's heels.

"Wimmin," observed Charlie, the janitor, "is nothin' but little girls in long skirts, and their hair done up."

"I know it," giggled Mary Louise, and sprang up on the roof, looking, with her towel-swathed head, like a lady Aladdin leaping from her underground grotto.

The two stood there a moment, looking up at the blue sky, and all about at the June sunshine.

"If you go up high enough," observed Mary Louise, "the sunshine is almost the same as it is in the country, isn't it?"

"I shouldn't wonder," said Charlie, "though Calvary cemetery is about as near's I'll ever get to the country. Say, you can set here on this soap box and let your feet hang down. The last janitor's wife used to hang her washin' up here, I guess. I'll leave this door open, see?"

"You're so kind," smiled Mary Louise.

"Kin you blame me?" retorted the gallant Charles. And vanished.

Mary Louise, perched on the soap box, unwound her turban, draped the damp towel over her shoulders, and shook out the wet masses of her hair. Now the average girl shaking out the wet masses of her hair looks like a drowned rat. But Nature had been kind to Mary Louise. She had given her hair that curled in little ringlets when wet, and that waved in all the right places when dry.

Just now it hung in damp, shining strands on either side of her face, so that she looked most remarkably like one of those oval-faced, great-eyed, red-lipped women that the old Italian artists were so fond of painting.

Below her, blazing in the sun, lay the great stone and iron city. Mary Louise shook out her hair idly, with one hand, sniffed her parsley, shut her eyes, threw back her head, and began to sing, beating time with her heel against the soap box, and forgetting all about the letter that had come that morning, stating that it was not from any lack of merit, etc. She sang, and sniffed her parsley, and waggled her hair in the breeze, and beat time, idly, with the heel of her little boot, when——

"Holy Cats!" exclaimed a man's voice. "What is this, anyway? A Coney Island concession gone wrong?"

Mary Louise's eyes unclosed in a flash, and Mary Louise gazed upon an irate-looking, youngish man, who wore shabby slippers, and no collar with a full dress air.

"I presume that you are the janitor's beautiful daughter," growled the collarless man.

"Well, not precisely," answered Mary Louise, sweetly. "Are you the scrub-lady's stalwart son?"

"Ha!" exploded the man. "But then, all women look alike with their hair down. I ask your pardon, though."

"Not at all," replied Mary Louise. "For that matter, all men look like picked chickens with their collars off."

At that the collarless man, who until now had been standing on the top step that led up to the roof, came slowly forward, stepped languidly over a skylight or two, draped his handkerchief over a convenient chimney and sat down, hugging his long, lean legs to him.

"Nice up here, isn't it?" he remarked.

"It was," said Mary Louise.

"Ha!" exploded he, again. Then, "Where's your mirror?" he demanded.

"Mirror?" echoed Mary Louise.

"Certainly. You have the hair, the comb, the attitude, and the general Lorelei effect. Also your singing lured me to your shores."

"You didn't look lured," retorted Mary Louise. "You looked lurid."

"What's that stuff in your hand?" next demanded he. He really was a most astonishingly rude young man.

"Parsley."

"Parsley!" shouted he, much as Charlie had done. "Well, what the——"

"Back home," elucidated Mary Louise once more, patiently, "after you've washed your hair you dry it in the back yard, sitting on the grass, in the sunshine and the breeze. And the garden smells come to you—the nasturtiums, and the pansies, and the geraniums, you know, and even that clean grass smell, and the pungent vegetable odor, and there are ants, and bees, and butterflies——"

"Go on," urged the young man, eagerly.

"And Mrs. Next Door comes out to hang up a few stockings, and a jabot or so, and a couple of baby dresses that she has just rubbed through, and she calls out to you:

"'Washed your hair?'

"'Yes,' you say. 'It was something awful, and I wanted it nice for Tuesday night. But I suppose I won't be able to do a thing with it.'

"And then Mrs. Next Door stands there a minute on the clothes-reel platform, with the wind whipping her skirts about her, and the fresh smell of the growing things coming to her. And suddenly she says: 'I guess I'll wash mine too, while the baby's asleep.'"

The collarless young man rose from his chimney, picked up his handkerchief, and moved to the chimney just next to Mary Louise's soap box.

"Live here?" he asked, in his impolite way.

"If I did not, do you think that I would choose this as the one spot in all New York in which to dry my hair?"

"When I said, 'Live here,' I didn't mean just that. I meant who are you, and why are you here, and where do you come from, and do you sign your real name to your stuff, or use a nom de plume?"

"Why—how did you know?" gasped Mary Louise.

"Give me five minutes more," grinned the keen-eyed young man, "and I'll tell you what make your typewriter is, and where the last rejection slip came from."

"Oh!" said Mary Louise again. "Then you are the scrub-lady's stalwart son, and you've been ransacking my waste-basket."

Quite unheeding, the collarless man went on, "And so you thought you could write, and you came on to New York (you know one doesn't just travel to New York, or ride to it, or come to it; one 'comes on' to New York), and now you're not so sure about the writing, h'm? And back home what did you do?"

"Back home I taught school—and hated it. But I kept on teaching until I'd saved five hundred dollars. Every other school ma'am in the world teaches until she has saved five hundred dollars, and then she packs two suit-cases, and goes to Europe from June until September. But I saved my five hundred for New York. I've been here six months now, and the five hundred has shrunk to almost nothing, and if I don't break into the magazines pretty soon——"

"Then?"

"Then," said Mary Louise, with a quaver in her voice, "I'll have to go back and teach thirty-seven young devils that six times five is thirty, put down the naught and carry six, and that the French are a gay people, fond of dancing and light wines. But I'll scrimp on everything from hairpins to shoes, and back again, including pretty collars, and gloves, and hats, until I've saved up another five hundred, and then I'll try it all over again, because I—can—write."

From the depths of one capacious pocket the inquiring man took a small black pipe, from another a bag of tobacco, from another a match. The long, deft fingers made a brief task of it.

"I didn't ask you," he said, after the first puff, "because I could see that you weren't the fool kind that objects." Then, with amazing suddenness, "Know any of the editors?"

"Know them!" cried Mary Louise. "Know them! If camping on their doorsteps, and haunting the office buildings, and cajoling, and fighting with secretaries and office boys, and assistants and things constitutes knowing them, then we're chums."

"What makes you think you can write?" sneered the thin man.

Mary Louise gathered up her brush, and comb, and towel, and parsley, and jumped off the soap box. She pointed belligerently at her tormentor with the hand that held the brush.

"Being the scrub-lady's stalwart son, you wouldn't understand. But I can write. I sha'n't go under. I'm going to make this town count me in as the four million and oneth. Sometimes I get so tired of being nobody at all, with not even enough cleverness in me to wrest a living from this big city, that I long to stand out at the edge of the curbing, and take off my hat, and wave it, and shout, 'Say, you four million uncaring people, I'm Mary Louise Moss, from Escanaba, Michigan, and I like your town, and I want to stay here. Won't you please pay some slight attention to me. No one knows I'm here except myself, and the rent collector.'"

"And I," put in the rude young man.

"O, you," sneered Mary Louise, equally rude, "you don't count."

The collarless young man in the shabby slippers smiled a curious little twisted smile. "You never can tell," he grinned, "I might." Then, quite suddenly, he stood up, knocked the ash out of his pipe, and came over to Mary Louise, who was preparing to descend the steep little flight of stairs.

"Look here, Mary Louise Moss, from Escanaba, Michigan, you stop trying to write the slop you're writing now. Stop it. Drop the love tales that are like the stuff that everybody else writes. Stop trying to write about New York. You don't know anything about it. Listen. You get back to work, and write about Mrs. Next Door, and the hair-washing, and the vegetable garden, and bees, and the back yard, understand? You write the way you talked to me, and then you send your stuff in to Cecil Reeves."

"Reeves!" mocked Mary Louise. "Cecil Reeves, of The Earth? He wouldn't dream of looking at my stuff. And anyway, it really isn't your affair." And began to descend the stairs.

"Well, you know you brought me up here, kicking with your heels, and singing at the top of your voice. I couldn't work. So it's really your fault." Then, just as Mary Louise had almost disappeared down the stairway he put his last astonishing question.

"How often do you wash your hair?" he demanded.

"Well, back home," confessed Mary Louise, "every six weeks or so was enough, but——"

"Not here," put in the rude young man, briskly. "Never. That's all very well for the country, but it won't do in the city. Once a week, at least, and on the roof. Cleanliness demands it."

"But if I'm going back to the country," replied Mary Louise, "it won't be necessary."

"But you're not," calmly said the collarless young man, just as Mary Louise vanished from sight.

Down at the other end of the hallway on Mary Louise's floor Charlie, the janitor, was doing something to the windows now, with a rag, and a pail of water.

"Get it dry?" he called out, sociably.

"Yes, thank you," answered Mary Louise, and turned to enter her own little apartment. Then, hesitatingly, she came back to Charlie's window.

"There—there was a man up there—a very tall, very thin, very rude, very—that is, rather nice youngish oldish man, in slippers, and no collar. I wonder——"

"Oh, him!" snorted Charlie. "He don't show himself onct in a blue moon. None of the other tenants knows he's up there. Has the whole top floor to himself, and shuts himself up there for weeks at a time, writin' books, or some such truck. That guy, he owns the building."

"Owns the building!" said Mary Louise, faintly. "Why he looked—he looked——"

"Sure," grinned Charlie. "That's him. Name's Reeves—Cecil Reeves. Say, ain't that a divil of a name?"



XII

WHERE THE CAR TURNS AT 18TH

This will be a homing pigeon story. Though I send it ever so far—though its destination be the office of a home-and-fireside magazine or one of the kind with a French story in the back, it will return to me. After each flight its feathers will be a little more rumpled, its wings more weary, its course more wavering, until, battered, spent, broken, it will flutter to rest in the waste basket.

And yet, though its message may never be delivered, it must be sent, because—well, because——

You know where the car turns at Eighteenth? There you see a glaringly attractive billboard poster. It depicts groups of smiling, white-clad men standing on tropical shores, with waving palms overhead, and a glimpse of blue sea in the distance. The wording beneath the picture runs something like this:

"Young men wanted. An unusual opportunity for travel, education, and advancement. Good pay. No expenses."

When the car turns at Eighteenth, and I see that, I remember Eddie Houghton back home. And when I remember Eddie Houghton I see red.

The day after Eddie Houghton finished high school he went to work. In our town we don't take a job. We accept a position. Our paper had it that "Edwin Houghton had accepted a position as clerk and assistant chemist at the Kunz drugstore, where he would take up his new duties Monday."

His new duties seemed, at first, to consist of opening the store in the morning, sweeping out, and whizzing about town on a bicycle with an unnecessarily insistent bell, delivering prescriptions which had been telephoned for. But by the time the summer had really set in Eddie was installed back of the soda fountain.

There never was anything better looking than Eddie Houghton in his white duck coat. He was one of those misleadingly gold and pink and white men. I say misleadingly because you usually associate pink-and-whiteness with such words as sissy and mollycoddle. Eddie was neither. He had played quarter-back every year from his freshman year, and he could putt the shot and cut classes with the best of 'em. But in that white duck coat with the braiding and frogs he had any musical-comedy, white-flannel tenor lieutenant whose duty it is to march down to the edge of the footlights, snatch out his sword, and warble about his country's flag, looking like a flat-nosed, blue-gummed Igorrote. Kunz's soda water receipts swelled to double their usual size, and the girls' complexions were something awful that summer. I've known Nellie Donovan to take as many as three ice cream sodas and two phosphates a day when Eddie was mixing. He had a way of throwing in a good-natured smile, and an easy flow of conversation with every drink. While indulging in a little airy persiflage the girls had a great little trick of pursing their mouths into rosebud shapes over their soda straws, and casting their eyes upward at Eddie. They all knew the trick, and its value, so that at night Eddie's dreams were haunted by whole rows of rosily pursed lips, and seas of upturned, adoring eyes. Of course we all noticed that on those rare occasions when Josie Morehouse came into Kunz's her glass was heaped higher with ice cream than that of any of the other girls, and that Eddie's usually easy flow of talk was interspersed with certain stammerings and stutterings. But Josie didn't come in often. She had a lot of dignity for a girl of eighteen. Besides, she was taking the teachers' examinations that summer, when the other girls were playing tennis and drinking sodas.

Eddie really hated the soda water end of the business, as every soda clerk in the world does. But he went about it good-naturedly. He really wanted to learn the drug business, but the boss knew he had a drawing card, and insisted that Eddie go right on concocting faerie queens and strawberry sundaes, and nectars and Kunz's specials. One Saturday, when he happened to have on hand an over-supply of bananas that would have spoiled over Sunday, he invented a mess and called it the Eddie Extra, and the girls swarmed on it like flies around a honey pot.

That kind of thing would have spoiled most boys. But Eddie had a sensible mother. On those nights when he used to come home nauseated with dealing out chop suey sundaes and orangeades, and saying that there was no future for a fellow in our dead little hole, his mother would give him something rather special for supper, and set him hoeing and watering the garden.

So Eddie stuck to his job, and waited, and all the time he was saying, with a melting look, to the last silly little girl who was drinking her third soda, "Somebody looks mighty sweet in pink to-day," or while he was doping to-morrow's ball game with one of the boys who dropped in for a cigar, he was thinking of bigger things, and longing for a man-size job.

The man-size job loomed up before Eddie's dazzled eyes when he least expected it. It was at the close of a particularly hot day when it seemed to Eddie that every one in town had had everything from birch beer to peach ice cream. On his way home to supper he stopped at the postoffice with a handful of letters that old man Kunz had given him to mail. His mother had told him that they would have corn out of their own garden for supper that night, and Eddie was in something of a hurry. He and his mother were great pals.

In one corner of the dim little postoffice lobby a man was busily tacking up posters. The whitewashed walls bloomed with them. They were gay, attractive-looking posters, done in red and blue and green, and after Eddie had dumped his mail into the slot, and had called out, "Hello, Jake!" to the stamp clerk, whose back was turned to the window, he strolled idly over to where the man was putting the finishing touches to his work. The man was dressed in a sailor suit of blue, with a picturesque silk scarf knotted at his hairy chest. He went right on tacking posters.

They certainly were attractive pictures. Some showed groups of stalwart, immaculately clad young gods lolling indolently on tropical shores, with a splendor of palms overhead, and a sparkling blue sea in the distance. Others depicted a group of white-clad men wading knee-deep in the surf as they laughingly landed a cutter on the sandy beach. There was a particularly fascinating one showing two barefooted young chaps on a wave-swept raft engaged in that delightfully perilous task known as signaling. Another showed the keen-eyed gunners busy about the big guns.

Eddie studied them all.

The man finished his task and looked up, quite casually.

"Hello, kid," he said.

"Hello," answered Eddie. Then—"That's some picture gallery you're giving us."

The man in the sailor suit fell back a pace or two and surveyed his work with a critical but satisfied eye.

"Pitchers," he said, "don't do it justice. We've opened a recruiting office here. Looking for young men with brains, and muscle, and ambition. It's a great chance. We don't get to these here little towns much."

He placed a handbill in Eddie's hand. Eddie glanced down at it sheepishly.

"I've heard," he said, "that it's a hard life."

The man in the sailor suit threw back his head and laughed, displaying a great deal of hairy throat and chest. "Hard!" he jeered, and slapped one of the gay-colored posters with the back of his hand. "You see that! Well, it ain't a bit exaggerated. Not a bit. I ought to know. It's the only life for a young man, especially for a guy in a little town. There's no chance here for a bright young man, and if he goes to the city, what does he get? The city's jam full of kids that flock there in the spring and fall, looking for jobs, and thinking the city's sittin' up waitin' for 'em. And where do they land? In the dime lodging houses, that's where. In the navy you see the world, and it don't cost you a cent. A guy is a fool to bury himself alive in a hole like this. You could be seeing the world, traveling by sea from port to port, from country to country, from ocean to ocean, amid ever-changing scenery and climatic conditions, to see and study the habits and conditions of the strange races——"

It rolled off his tongue with fascinating glibness. Eddie glanced at the folder in his hand.

"I always did like the water," he said.

"Sure," agreed the hairy man, heartily. "What young feller don't? I'll tell you what. Come on over to the office with me and I'll show you some real stuff."

"It's my supper time," hesitated Eddie. "I guess I'd better not——"

"Oh, supper," laughed the man. "You come on and have supper with me, kid."

Eddie's pink cheeks went three shades pinker. "Gee! That'd be great. But my mother—that is—she——"

The man in the sailor suit laughed again—a laugh with a sting in it. "A great big feller like you ain't tied to your ma's apron strings are you?"

"Not much I'm not!" retorted Eddie. "I'll telephone her when I get to your hotel, that's what I'll do."

But they were such fascinating things, those new booklets, and the man had such marvelous tales to tell, that Eddie forgot trifles like supper and waiting mothers. There were pictures taken on board ship, showing frolics, and ball games, and minstrel shows and glee clubs, and the men at mess, and each sailor sleeping snug as a bug in his hammock. There were other pictures showing foreign scenes and strange ports. Eddie's tea grew cold, and his apple pie and cheese lay untasted on his plate.

"Now me," said the recruiting officer, "I'm a married man. But my wife, she wouldn't have it no other way. No, sir! She'll be in the navy herself, I'll bet, when women vote. Why, before I joined the navy I didn't know whether Guam was a vegetable or an island, and Culebra wasn't in my geography. Now? Why, now I'm as much at home in Porto Rico as I am in San Francisco. I'm as well acquainted in Valparaiso as I am in Vermont, and I've run around Cairo, Egypt, until I know it better than Cairo, Illinois. It's the only way to see the world. You travel by sea from port to port, from country to country, from ocean to ocean, amid ever-changing scenery and climatic conditions, to see and study the——"

And Eddie forgot that it was Wednesday night, which was the prescription clerk's night off; forgot that the boss was awaiting his return that he might go home to his own supper; forgot his mother, and her little treat of green corn out of the garden; forgot everything in the wonder of this man's tales of people and scenes such as he never dreamed could exist outside of a Jack London story. Now and then Eddie interrupted with a, "Yes, but——" that grew more and more infrequent, until finally they ceased altogether. Eddie's man-size job had come.

When we heard the news we all dropped in at the drug store to joke with him about it. We had a good deal to say about rolling gaits, and bell-shaped trousers, and anchors and sea serpents tattooed on the arm. One of the boys scored a hit by slapping his dime down on the soda fountain marble and bellowing for rum and salt horse. Some one started to tease the little Morehouse girl about sailors having sweethearts in every port, but when they saw the look in her eyes they changed their mind, and stopped. It's funny how a girl of twenty is a woman, when a man of twenty is a boy.

Eddie dished out the last of his chocolate ice cream sodas and cherry phosphates and root beers, while the girls laughingly begged him to bring them back kimonos from China, and scarves from the Orient, and Eddie promised, laughing, too, but with a far-off, eager look in his eyes.

When the time came for him to go there was quite a little bodyguard of us ready to escort him down to the depot. We picked up two or three more outside O'Rourke's pool room, and a couple more from the benches outside the hotel. Eddie walked ahead with his mother. I have said that Mrs. Houghton was a sensible woman. She was never more so than now. Any other mother would have gone into hysterics and begged the recruiting officer to let her boy off. But she knew better. Still, I think Eddie felt some uncomfortable pangs when he looked at her set face. On the way to the depot we had to pass the Agassiz School, where Josie Morehouse was substituting second reader for the Wilson girl, who was sick. She was standing in the window as we passed. Eddie took off his cap and waved to her, and she returned the wave as well as she could without having the children see her. That would never have done, seeing that she was the teacher, and substituting at that. But when we turned the corner we noticed that she was still standing at the window and leaning out just a bit, even at the risk of being indiscreet.

When the 10:15 pulled out Eddie stood on the bottom step, with his cap off, looking I can't tell you how boyish, and straight, and clean, and handsome, with his lips parted, and his eyes very bright. The hairy-chested recruiting officer stood just beside him, and suffered by contrast. There was a bedlam of good-byes, and last messages, and good-natured badinage, but Eddie's mother's eyes never left his face until the train disappeared around the curve in the track.

Well, they got a new boy at Kunz's—a sandy-haired youth, with pimples, and no knack at mixing, and we got out of the habit of dropping in there, although those fall months were unusually warm.

It wasn't long before we began to get postcards—pictures of the naval training station, and the gymnasium, and of model camps and of drills, and of Eddie in his uniform. His mother insisted on calling it his sailor suit, as though he were a little boy. One day Josie Morehouse came over to Mrs. Houghton's with a group picture in her hand. She handed it to Eddie's mother without comment. Mrs. Houghton looked at it eagerly, her eye selecting her own boy from the group as unerringly as a mother bird finds her nest in the forest.

"Oh, Eddie's better looking than that!" she cried, with a tremulous little laugh. "How funny those pants make them look, don't they? And his mouth isn't that way, at all. Eddie always had the sweetest mouth, from the time he was a baby. Let's see some of these other boys. Why—why——"

Then she fell silent, scanning those other faces. Presently Josie bent over her and looked too, and the brows of both women knitted in perplexity. They looked for a long, long minute, and the longer they looked the more noticeable became the cluster of fine little wrinkles that had begun to form about Mrs. Houghton's eyes.

When finally they looked up it was to gaze at one another questioningly.

"Those other boys," faltered Eddie's mother, "they—they don't look like Eddie, do they? I mean——"

"No, they don't," agreed Josie. "They look older, and they have such queer-looking eyes, and jaws, and foreheads. But then," she finished, with mock cheerfulness, "you can never tell in those silly kodak pictures."

Eddie's mother studied the card again, and sighed gently. "I hope," she said, "that Eddie won't get into bad company."

After that our postal cards ceased. I wish that there was some way of telling this story so that the end wouldn't come in the middle. But there is none. In our town we know the news before the paper comes out, and we only read it to verify what we have heard. So that long before the paper came out in the middle of the afternoon we had been horrified by the news of Eddie Houghton's desertion and suicide. We stopped one another on Main Street to talk about it, and recall how boyish and handsome he had looked in his white duck coat, and on that last day just as the 10:15 pulled out. "It don't seem hardly possible, does it?" we demanded of each other.

But when Eddie's mother brought out the letters that had come after our postal cards had ceased, we understood. And when they brought him home, and we saw him for the last time, all those of us who had gone to school with him, and to dances, and sleigh rides, and hayrack parties, and picnics, and when we saw the look on his face—the look of one who, walking in a sunny path has stumbled upon something horrible and unclean—we forgave him his neglect of us, we forgave him desertion, forgave him the taking of his own life, forgave him the look that he had brought into his mother's eyes.

There had never been anything extraordinary about Eddie Houghton. He had had his faults and virtues, and good and bad sides just like other boys of his age. He—oh, I am using too many words, when one slang phrase will express it. Eddie had been just a nice young kid. I think the worst thing he had ever said was "Damn!" perhaps. If he had sworn, it was with clean oaths, calculated to relieve the mind and feelings.

But the men that he shipped with during that year or more—I am sure that he had never dreamed that such men were. He had never stood on the curbing outside a recruiting office on South State Street, in the old levee district, and watched that tragic panorama move by—those nightmare faces, drink-marred, vice-scarred, ruined.

I know that he had never seen such faces in all his clean, hard-working young boy's life, spent in our prosperous little country town. I am certain that he had never heard such words as came from the lips of his fellow seamen—great mouth-filling, soul-searing words—words unclean, nauseating, unspeakable, and yet spoken.

I don't say that Eddie Houghton had not taken his drink now and then. There were certain dark rumors in our town to the effect that favored ones who dropped into Kunz's more often than seemed needful were privileged to have a thimbleful of something choice in the prescription room, back of the partition at the rear of the drug store. But that was the most devilish thing that Eddie had ever done.

I don't say that all crews are like that one. Perhaps he was unfortunate in falling in with that one. But it was an Eastern trip, and every port was a Port Said. Eddie Houghton's thoughts were not these men's thoughts; his actions were not their actions, his practices were not their practices. To Eddie Houghton, a Chinese woman in a sampan on the water front at Shanghai was something picturesque; something about which to write home to his mother and to Josie. To those other men she was possible prey.

Those other men saw that he was different, and they pestered him. They ill-treated him when they could, and made his life a hellish thing. Men do those things, and people do not speak of it.

I don't know all the things that he suffered. But in his mind, day by day, grew the great, overwhelming desire to get away from it all—from this horrible life that was such a dreadful mistake. I think that during the long night watches his mind was filled with thoughts of our decent little town—of his mother's kitchen, with its Wednesday and Saturday scent of new-made bread—of the shady front porch, with its purple clematis—of the smooth front yard which it was his Saturday duty to mow that it might be trim and sightly for Sunday—of the boys and girls who used to drop in at the drug store—those clear-eyed, innocently coquettish, giggling, blushing girls in their middy blouses and white skirts, their slender arms and throats browned from tennis and boating, their eyes smiling into his as they sat perched at the fountain after a hot set of tennis—those slim, clean young boys, sun-browned, laughing, their talk all of swimming, and boating, and tennis, and girls.

He did not realize that it was desertion—that thought that grew and grew in his mind. In it there was nothing of faithlessness to his country. He was only trying to be true to himself, and to the things that his mother had taught him. He only knew that he was deadly sick of these sights of disease, and vice. He only knew that he wanted to get away—back to his own decent life with the decent people to whom he belonged. And he went. He went, as a child runs home when it had tripped and fallen in the mud, not dreaming of wrong-doing or punishment.

The first few hundred miles on the train were a dream. But finally Eddie found himself talking to a man—a big, lean, blue-eyed western man, who regarded Eddie with kindly, puzzled eyes. Eddie found himself telling his story in a disjointed, breathless sort of way. When he had finished the man uncrossed his long lean legs, took his pipe out of his mouth, and sat up. There was something of horror in his eyes as he sat, looking at Eddie.

"Why, kid," he said, at last. "You're deserting! You'll get the pen, don't you know that, if they catch you? Where you going?"

"Going!" repeated Eddie. "Going! Why, I'm going home, of course."

"Then I don't see what you're gaining," said the man, "because they'll sure get you there."

Eddie sat staring at the man for a dreadful minute. In that minute the last of his glorious youth, and ambition, and zest of life departed from him.

He got off the train at the next town, and the western man offered him some money, which Eddie declined with all his old-time sweetness of manner. It was rather a large town, with a great many busy people in it. Eddie went to a cheap hotel, and took a room, and sat on the edge of the thin little bed and stared at the carpet. It was a dusty red carpet. In front of the bureau many feet had worn a hole, so that the bare boards showed through, with a tuft of ragged red fringe edging them. Eddie Houghton sat and stared at the worn place with a curiously blank look on his face. He sat and stared and saw many things. He saw his mother, for one thing, sitting on the porch with a gingham apron over her light dress, waiting for him to come home to supper; he saw his own room—a typical boy's room, with camera pictures and blue prints stuck in the sides of the dresser mirror, and the boxing gloves on the wall, and his tennis racquet with one string broken (he had always meant to have that racquet re-strung) and his track shoes, relics of high school days, flung in one corner, and his gay-colored school pennants draped to form a fresco, and the cushion that Josie Morenouse had made for him two years ago, at Christmas time, and the dainty white bedspread that he, fussed about because he said it was too sissy for a boy's room—oh, I can't tell you what he saw as he sat and stared at that worn place in the carpet. But pretty soon it began to grow dark, and at last he rose, keeping his fascinated eyes still on the bare spot, walked to the door, opened it, and backed out queerly, still keeping his eyes on the spot.

He was back again in fifteen minutes, with a bottle in his hand. He should have known better than to choose carbolic, being a druggist, but all men are a little mad at such times. He lay down at the edge of the thin little bed that was little more than a pallet, and he turned his face toward the bare spot that could just be seen in the gathering gloom. And when he raised the bottle to his lips the old-time sweetness of his smile illumined his face.

Where the car turns at Eighteenth Street there is a big, glaring billboard poster, showing a group of stalwart young men in white ducks lolling on shores, of tropical splendor, with palms waving overhead, and a glimpse of blue sea in the distance. The wording beneath it runs something like this:

"Young men wanted. An unusual opportunity for travel, education and advancement. Good pay. No expenses."

When I see that sign I think of Eddie Houghton back home. And when I think of Eddie Houghton I see red.

THE END