Monsieur Saillard married the daughter of an upholsterer keeping shop under the arcades of the Market. Limited means compelled Monsieur and Madame Saillard at their start in life to bear constant privation. After thirty-three years of married life, and twenty-nine years of toil in a government office, the property of "the Saillards"—their circle of acquaintance called them so—consisted of sixty thousand francs entrusted to Falleix, the house in the place Royale, bought for forty thousand in 1804, and thirty-six thousand francs given in dowry to their daughter Elisabeth. Out of this capital about fifty thousand came to them by the will of the widow Bidault, Madame Saillard's mother. Saillard's salary from the government had always been four thousand five hundred francs a year, and no more; his situation was a blind alley that led nowhere, and had tempted no one to supersede him. Those ninety thousand francs, put together sou by sou, were the fruit therefore of a sordid economy unintelligently employed. In fact, the Saillards did not know how better to manage their savings than to carry them, five thousand francs at a time, to their notary, Monsieur Sorbier, Cardot's predecessor, and let him invest them at five per cent in first mortgages, with the wife's rights reserved in case the borrower was married! In 1804 Madame Saillard obtained a government office for the sale of stamped papers, a circumstance which brought a servant into the household for the first time. At the time of which we write, the house, which was worth a hundred thousand francs, brought in a rental of eight thousand. Falleix paid seven per cent for the sixty thousand invested in the foundry, besides an equal division of profits. The Saillards were therefore enjoying an income of not less than seventeen thousand francs a year. The whole ambition of the good man now centred on obtaining the cross of the Legion and his retiring pension.

Elisabeth, the only child, had toiled steadily from infancy in a home where the customs of life were rigid and the ideas simple. A new hat for Saillard was a matter of deliberation; the time a coat could last was estimated and discussed; umbrellas were carefully hung up by means of a brass buckle. Since 1804 no repairs of any kind had been done to the house. The Saillards kept the ground-floor in precisely the state in which their predecessor left it. The gilding of the pier-glasses was rubbed off; the paint on the cornices was hardly visible through the layers of dust that time had collected. The fine large rooms still retained certain sculptured marble mantel-pieces and ceilings, worthy of Versailles, together with the old furniture of the widow Bidault. The latter consisted of a curious mixture of walnut armchairs, disjointed, and covered with tapestry; rosewood bureaus; round tables on single pedestals, with brass railings and cracked marble tops; one superb Boulle secretary, the value of which style had not yet been recognized; in short, a chaos of bargains picked up by the worthy widow,—pictures bought for the sake of the frames, china services of a composite order; to wit, a magnificent Japanese dessert set, and all the rest porcelains of various makes, unmatched silver plate, old glass, fine damask, and a four-post bedstead, hung with curtains and garnished with plumes.

Amid these curious relics, Madame Saillard always sat on a sofa of modern mahogany, near a fireplace full of ashes and without fire, on the mantel-shelf of which stood a clock, some antique bronzes, candelabra with paper flowers but no candles, for the careful housewife lighted the room with a tall tallow candle always guttering down into the flat brass candlestick which held it. Madame Saillard's face, despite its wrinkles, was expressive of obstinacy and severity, narrowness of ideas, an uprightness that might be called quadrangular, a religion without piety, straightforward, candid avarice, and the peace of a quiet conscience. You may see in certain Flemish pictures the wives of burgomasters cut out by nature on the same pattern and wonderfully reproduced on canvas; but these dames wear fine robes of velvet and precious stuffs, whereas Madame Saillard possessed no robes, only that venerable garment called in Touraine and Picardy "cottes," elsewhere petticoats, or skirts pleated behind and on each side, with other skirts hanging over them. Her bust was inclosed in what was called a "casaquin," another obsolete name for a short gown or jacket. She continued to wear a cap with starched wings, and shoes with high heels. Though she was now fifty-seven years old, and her lifetime of vigorous household work ought now to be rewarded with well-earned repose, she was incessantly employed in knitting her husband's stockings and her own, and those of an uncle, just as her countrywomen knit them, moving about the room, talking, pacing up and down the garden, or looking round the kitchen to watch what was going on.

The Saillard's avarice, which was really imposed on them in the first instance by dire necessity, was now a second nature. When the cashier got back from the office, he laid aside his coat, and went to work in the large garden, shut off from the courtyard by an iron railing, and which the family reserved to itself. For years Elisabeth, the daughter, went to market every morning with her mother, and the two did all the work of the house. The mother cooked well, especially a duck with turnips; but, according to Saillard, no one could equal Elisabeth in hashing the remains of a leg of mutton with onions. "You might eat your boots with those onions and not know it," he remarked. As soon as Elisabeth knew how to hold a needle, her mother had her mend the household linen and her father's coats. Always at work, like a servant, she never went out alone. Though living close by the boulevard du Temple, where Franconi, La Gaite, and l'Ambigu-Comique were within a stone's throw, and, further on, the Porte-Saint-Martin, Elisabeth had never seen a comedy. When she asked to "see what it was like" (with the Abbe Gaudron's permission, be it understood), Monsieur Baudoyer took her—for the glory of the thing, and to show her the finest that was to be seen—to the Opera, where they were playing "The Chinese Laborer." Elisabeth thought "the comedy" as wearisome as the plague of flies, and never wished to see another. On Sundays, after walking four times to and fro between the place Royale and Saint-Paul's church (for her mother made her practise the precepts and the duties of religion), her parents took her to the pavement in front of the Cafe Ture, where they sat on chairs placed between a railing and the wall. The Saillards always made haste to reach the place early so as to choose the best seats, and found much entertainment in watching the passers-by. In those days the Cafe Ture was the rendezvous of the fashionable society of the Marais, the faubourg Saint-Antoine, and the circumjacent regions.

Elisabeth never wore anything but cotton gowns in summer and merino in the winter, which she made herself. Her mother gave her twenty francs a month for her expenses, but her father, who was very fond of her, mitigated this rigorous treatment with a few presents. She never read what the Abbe Gaudron, vicar of Saint-Paul's and the family director, called profane books. This discipline had borne fruit. Forced to employ her feelings on some passion or other, Elisabeth became eager after gain. Though she was not lacking in sense or perspicacity, religious theories, and her complete ignorance of higher emotions had encircled all her faculties with an iron hand; they were exercised solely on the commonest things of life; spent in a few directions they were able to concentrate themselves on a matter in hand. Repressed by religious devotion, her natural intelligence exercised itself within the limits marked out by cases of conscience, which form a mine of subtleties among which self-interest selects its subterfuges. Like those saintly personages in whom religion does not stifle ambition, Elisabeth was capable of requiring others to do a blamable action that she might reap the fruits; and she would have been, like them again, implacable as to her dues and dissembling in her actions. Once offended, she watched her adversaries with the perfidious patience of a cat, and was capable of bringing about some cold and complete vengeance, and then laying it to the account of God. Until her marriage the Saillards lived without other society than that of the Abbe Gaudron, a priest from Auvergne appointed vicar of Saint-Paul's after the restoration of Catholic worship. Besides this ecclesiastic, who was a friend of the late Madame Bidault, a paternal uncle of Madame Saillard, an old paper-dealer retired from business ever since the year II. of the Republic, and now sixty-nine years old, came to see them on Sundays only, because on that day no government business went on.

This little old man, with a livid face blazoned by the red nose of a tippler and lighted by two gleaming vulture eyes, allowed his gray hair to hang loose under a three-cornered hat, wore breeches with straps that extended beyond the buckles, cotton stockings of mottled thread knitted by his niece, whom he always called "the little Saillard," stout shoes with silver buckles, and a surtout coat of mixed colors. He looked very much like those verger-beadle-bell-ringing-grave-digging-parish-clerks who are taken to be caricatures until we see them performing their various functions. On the present occasion he had come on foot to dine with the Saillards, intending to return in the same way to the rue Greneta, where he lived on the third floor of an old house. His business was that of discounting commercial paper in the quartier Saint-Martin, where he was known by the nickname of "Gigonnet," from the nervous convulsive movement with which he lifted his legs in walking, like a cat. Monsieur Bidault began this business in the year II. in partnership with a dutchman named Werbrust, a friend of Gobseck.

Some time later Saillard made the acquaintance of Monsieur and Madame Transon, wholesale dealers in pottery, with an establishment in the rue de Lesdiguieres, who took an interest in Elisabeth and introduced young Isadore Baudoyer to the family with the intention of marrying her. Gigonnet approved of the match, for he had long employed a certain Mitral, uncle of the young man, as clerk. Monsieur and Madame Baudoyer, father and mother of Isidore, highly respected leather-dressers in the rue Censier, had slowly made a moderate fortune out of a small trade. After marrying their only son, on whom they settled fifty thousand francs, they determined to live in the country, and had lately removed to the neighborhood of Ile-d'Adam, where after a time they were joined by Mitral. They frequently came to Paris, however, where they kept a corner in the house in the rue Censier which they gave to Isidore on his marriage. The elder Baudoyers had an income of about three thousand francs left to live upon after establishing their son.

Mitral was a being with a sinister wig, a face the color of Seine water, lighted by a pair of Spanish-tobacco-colored eyes, cold as a well-rope, always smelling a rat, and close-mouthed about his property. He probably made his fortune in his own hole and corner, just as Werbrust and Gigonnet made theirs in the quartier Saint-Martin.

Though the Saillards' circle of acquaintance increased, neither their ideas nor their manners and customs changed. The saint's-days of father, mother, daughter, son-in-law, and grandchild were carefully observed, also the anniversaries of birth and marriage, Easter, Christmas, New Year's day, and Epiphany. These festivals were preceded by great domestic sweepings and a universal clearing up of the house, which added an element of usefulness to the ceremonies. When the festival day came, the presents were offered with much pomp and an accompaniment of flowers,—silk stockings or a fur cap for old Saillard; gold earrings and articles of plate for Elisabeth or her husband, for whom, little by little, the parents were accumulating a whole silver service; silk petticoats for Madame Saillard, who laid the stuff by and never made it up. The recipient of these gifts was placed in an armchair and asked by those present for a certain length of time, "Guess what we have for you!" Then came a splendid dinner, lasting at least five hours, to which were invited the Abbe Gaudron, Falleix, Rabourdin, Monsieur Godard, under-head-clerk to Monsieur Baudoyer, Monsieur Bataille, captain of the company of the National Guard to which Saillard and his son-in-law belonged. Monsieur Cardot, who was invariably asked, did as Rabourdin did, namely, accepted one invitation out of six. The company sang at dessert, shook hands and embraced with enthusiasm, wishing each other all manner of happiness; the presents were exhibited and the opinion of the guests asked about them. The day Saillard received his fur cap he wore it during the dessert, to the satisfaction of all present. At night, mere ordinary acquaintances were bidden, and dancing went on till very late, formerly to the music of one violin, but for the last six years Monsieur Godard, who was a great flute player, contributed the piercing tones of a flageolet to the festivity. The cook, Madame Baudoyer's nurse, and old Catherine, Madame Saillard's woman-servant, together with the porter or his wife, stood looking on at the door of the salon. The servants always received three francs on these occasions to buy themselves wine or coffee.

This little circle looked upon Saillard and Baudoyer as transcendent beings; they were government officers; they had risen by their own merits; they worked, it was said, with the minister himself; they owed their fortune to their talents; they were politicians. Baudoyer was considered the more able of the two; his position as head of a bureau presupposed labor that was more intricate and arduous than that of a cashier. Moreover, Isidore, though the son of a leather-dresser, had had the genius to study and to cast aside his father's business and find a career in politics, which had led him to a post of eminence. In short, silent and uncommunicative as he was, he was looked upon as a deep thinker, and perhaps, said the admiring circle, he would some day become deputy of the eighth arrondissement. As Gigonnet listened to such remarks as these, he pressed his already pinched lips closer together, and threw a glance at his great-niece, Elisabeth.

In person, Isidore was a tall, stout man of thirty-seven, who perspired freely, and whose head looked as if he had water on the brain. This enormous head, covered with chestnut hair cropped close, was joined to the neck by rolls of flesh which overhung the collar of his coat. He had the arms of Hercules, hands worthy of Domitian, a stomach which sobriety held within the limits of the majestic, to use a saying of Brillaet-Savarin. His face was a good deal like that of the Emperor Alexander. The Tartar type was in the little eyes and the flattened nose turned slightly up, in the frigid lips and the short chin. The forehead was low and narrow. Though his temperament was lymphatic, the devout Isidore was under the influence of a conjugal passion which time did not lessen.

In spite, however, of his resemblance to the handsome Russian Emperor and the terrible Domitian, Isidore Baudoyer was nothing more than a political office-holder, of little ability as head of his department, a cut-and-dried routine man, who concealed the fact that he was a flabby cipher by so ponderous a personality that no scalpel could cut deep enough to let the operator see into him. His severe studies, in which he had shown the patience and sagacity of an ox, and his square head, deceived his parents, who firmly believed him an extraordinary man. Pedantic and hypercritical, meddlesome and fault-finding, he was a terror to the clerks under him, whom he worried in their work, enforcing the rules rigorously, and arriving himself with such terrible punctuality that not one of them dared to be a moment late. Baudoyer wore a blue coat with gilt buttons, a chamois waistcoat, gray trousers and cravats of various colors. His feet were large and ill-shod. From the chain of his watch depended an enormous bunch of old trinkets, among which in 1824 he still wore "American beads," which were very much the fashion in the year VII.

In the bosom of this family, bound together by the force of religious ties, by the inflexibility of its customs, by one solitary emotion, that of avarice, a passion which was now as it were its compass, Elisabeth was forced to commune with herself, instead of imparting her ideas to those around her, for she felt herself without equals in mind who could comprehend her. Though facts compelled her to judge her husband, her religious duty led her to keep up as best she could a favorable opinion of him; she showed him marked respect; honored him as the father of her child, her husband, the temporal power, as the vicar of Saint-Paul's told her. She would have thought it a mortal sin to make a single gesture, or give a single glance, or say a single word which would reveal to others her real opinion of the imbecile Baudoyer. She even professed to obey passively all his wishes. But her ears were receptive of many things; she thought them over, weighed and compared them in the solitude of her mind, and judged so soberly of men and events that at the time when our history begins she was the hidden oracle of the two functionaries, her husband and father, who had, unconsciously, come to do nothing whatever without consulting her. Old Saillard would say, innocently, "Isn't she clever, that Elisabeth of mine?" But Baudoyer, too great a fool not to be puffed up by the false reputation the quartier Saint-Antoine bestowed upon him, denied his wife's cleverness all the while that he was making use of it.

Elisabeth had long felt sure that her uncle Bidault, otherwise called Gigonnet, was rich and handled vast sums of money. Enlightened by self-interest, she had come to understand Monsieur des Lupeaulx far better than the minister understood him. Finding herself married to a fool, she never allowed herself to think that life might have gone better with her, she only imagined the possibility of better things without expecting or wishing to attain them. All her best affections found their vocation in her love for her daughter, to whom she spared the pains and privations she had borne in her own childhood; she believed that in this affection she had her full share in the world of feeling. Solely for her daughter's sake she had persuaded her father to take the important step of going into partnership with Falleix. Falleix had been brought to the Saillard's house by old Bidault, who lent him money on his merchandise. Falleix thought his old countryman extortionate, and complained to the Saillards that Gigonnet demanded eighteen per cent from an Auvergnat. Madame Saillard ventured to remonstrate with her uncle.

"It is just because he is an Auvergnat that I take only eighteen per cent," said Gigonnet, when she spoke of him.

Falleix, who had made a discovery at the age of twenty-eight, and communicated it to Saillard, seemed to carry his heart in his hand (an expression of old Saillard's), and also seemed likely to make a great fortune. Elisabeth determined to husband him for her daughter and train him herself, having, as she calculated, seven years to do it in. Martin Falleix felt and showed the deepest respect for Madame Baudoyer, whose superior qualities he was able to recognize. If he were fated to make millions he would always belong to her family, where he had found a home. The little Baudoyer girl was already trained to bring him his tea and to take his hat.

On the evening of which we write, Monsieur Saillard, returning from the ministry, found a game of boston in full blast; Elisabeth was advising Falleix how to play; Madame Saillard was knitting in the chimney-corner and overlooking the cards of the vicar; Monsieur Baudoyer, motionless as a mile-stone, was employing his mental capacity in calculating how the cards were placed, and sat opposite to Mitral, who had come up from Ile-d'Adam for the Christmas holidays. No one moved as the cashier entered, and for some minutes he walked up and down the room, his fat face contracted with unaccustomed thought.

"He is always so when he dines at the ministry," remarked Madame Saillard; "happily, it is only twice a year, or he'd die of it. Saillard was never made to be in the government—Well, now, I do hope, Saillard," she continued in a loud tone, "that you are not going to keep on those silk breeches and that handsome coat. Go and take them off; don't wear them at home, my man."

"Your father has something on his mind," said Baudoyer to his wife, when the cashier was in his bedroom, undressing without any fire.

"Perhaps Monsieur de la Billardiere is dead," said Elisabeth, simply; "and as he is anxious you should have the place, it worries him."

"Can I be useful in any way?" said the vicar of Saint-Paul's; "if so, pray use my services. I have the honor to be known to Madame la Dauphine. These are days when public offices should be given only to faithful men, whose religious principles are not to be shaken."

"Dear me!" said Falleix, "do men of merit need protectors and influence to get places in the government service? I am glad I am an iron-master; my customers know where to find a good article—"

"Monsieur," interrupted Baudoyer, "the government is the government; never attack it in this house."

"You speak like the 'Constitutionel,'" said the vicar.

"The 'Constitutionel' never says anything different from that," replied Baudoyer, who never read it.

The cashier believed his son-in-law to be as superior in talent to Rabourdin as God was greater than Saint-Crepin, to use his own expression; but the good man coveted this appointment in a straightforward, honest way. Influenced by the feeling which leads all officials to seek promotion,—a violent, unreflecting, almost brutal passion,—he desired success, just as he desired the cross of the Legion of honor, without doing anything against his conscience to obtain it, and solely, as he believed, on the strength of his son-in-law's merits. To his thinking, a man who had patiently spent twenty-five years in a government office behind an iron railing had sacrificed himself to his country and deserved the cross. But all that he dreamed of doing to promote his son-in-law's appointment in La Billardiere's place was to say a word to his Excellency's wife when he took her the month's salary.

"Well, Saillard, you look as if you had lost all your friends! Do speak; do, pray, tell us something," cried his wife when he came back into the room.

Saillard, after making a little sign to his daughter, turned on his heel to keep himself from talking politics before strangers. When Monsieur Mitral and the vicar had departed, Saillard rolled back the card-table and sat down in an armchair in the attitude he always assumed when about to tell some office-gossip,—a series of movements which answered the purpose of the three knocks given at the Theatre-Francais. After binding his wife, daughter, and son-in-law to the deepest secrecy,—for, however petty the gossip, their places, as he thought, depended on their discretion,—he related the incomprehensible enigma of the resignation of a deputy, the very legitimate desire of the general-secretary to get elected to the place, and the secret opposition of the minister to this wish of a man who was one of his firmest supporters and most zealous workers. This, of course, brought down an avalanche of suppositions, flooded with the sapient arguments of the two officials, who sent back and forth to each other a wearisome flood of nonsense. Elisabeth quietly asked three questions:—

"If Monsieur des Lupeaulx is on our side, will Monsieur Baudoyer be appointed in Monsieur de la Billardiere's place?"

"Heavens! I should think so," cried the cashier.

"My uncle Bidault and Monsieur Gobseck helped in him 1814," thought she. "Is he in debt?" she asked, aloud.

"Yes," cried the cashier with a hissing and prolonged sound on the last letter; "his salary was attached, but some of the higher powers released it by a bill at sight."

"Where is the des Lupeaulx estate?"

"Why, don't you know? in the part of the country where your grandfather and your great-uncle Bidault belong, in the arrondissement of the deputy who wants to resign."

When her colossus of a husband had gone to bed, Elisabeth leaned over him, and though he always treated her remarks as women's nonsense, she said, "Perhaps you will really get Monsieur de la Billardiere's place."

"There you go with your imaginations!" said Baudoyer; "leave Monsieur Gaudron to speak to the Dauphine and don't meddle with politics."

At eleven o'clock, when all were asleep in the place Royale, Monsieur des Lupeaulx was leaving the Opera for the rue Duphot. This particular Wednesday was one of Madame Rabourdin's most brilliant evenings. Many of her customary guests came in from the theatres and swelled the company already assembled, among whom were several celebrities, such as: Canalis the poet, Schinner the painter, Dr. Bianchon, Lucien de Rubempre, Octave de Camps, the Comte de Granville, the Vicomte de Fontaine, du Bruel the vaudevillist, Andoche Finot the journalist, Derville, one of the best heads in the law courts, the Comte du Chatelet, deputy, du Tillet, banker, and several elegant young men, such as Paul de Manerville and the Vicomte de Portenduere. Celestine was pouring out tea when the general-secretary entered. Her dress that evening was very becoming; she wore a black velvet robe without ornament of any kind, a black gauze scarf, her hair smoothly bound about her head and raised in a heavy braided mass, with long curls a l'Anglaise falling on either side of her face. The charms which particularly distinguished this woman were the Italian ease of her artistic nature, her ready comprehension, and the grace with which she welcomed and promoted the least appearance of a wish on the part of others. Nature had given her an elegant, slender figure, which could sway lightly at a word, black eyes of oriental shape, able, like those of the Chinese women, to see out of their corners. She well knew how to manage a soft, insinuating voice, which threw a tender charm into every word, even such as she merely chanced to utter; her feet were like those we see in portraits where the painter boldly lies and flatters his sitter in the only way which does not compromise anatomy. Her complexion, a little yellow by day, like that of most brunettes, was dazzling at night under the wax candles, which brought out the brilliancy of her black hair and eyes. Her slender and well-defined outlines reminded an artist of the Venus of the Middle Ages rendered by Jean Goujon, the illustrious sculptor of Diane de Poitiers.

Des Lupeaulx stopped in the doorway, and leaned against the woodwork. This ferret of ideas did not deny himself the pleasure of spying upon sentiment, and this woman interested him more than any of the others to whom he had attached himself. Des Lupeaulx had reached an age when men assert pretensions in regard to women. The first white hairs lead to the latest passions, all the more violent because they are astride of vanishing powers and dawning weakness. The age of forty is the age of folly,—an age when man wants to be loved for himself; whereas at twenty-five life is so full that he has no wants. At twenty-five he overflows with vigor and wastes it with impunity, but at forty he learns that to use it in that way is to abuse it. The thoughts that came into des Lupeaulx's mind at this moment were melancholy ones. The nerves of the old beau relaxed; the agreeable smile, which served as a mask and made the character of his countenance, faded; the real man appeared, and he was horrible. Rabourdin caught sight of him and thought, "What has happened to him? can he be disgraced in any way?" The general-secretary was, however, only thinking how the pretty Madame Colleville, whose intentions were exactly those of Madame Rabourdin, had summarily abandoned him when it suited her to do so. Rabourdin caught the sham statesman's eyes fixed on his wife, and he recorded the look in his memory. He was too keen an observer not to understand des Lupeaulx to the bottom, and he deeply despised him; but, as with most busy men, his feelings and sentiments seldom came to the surface. Absorption in a beloved work is practically equivalent to the cleverest dissimulation, and thus it was that the opinions and ideas of Rabourdin were a sealed book to des Lupeaulx. The former was sorry to see the man in his house, but he was never willing to oppose his wife's wishes. At this particular moment, while he talked confidentially with a supernumerary of his office who was destined, later, to play an unconscious part in a political intrigue resulting from the death of La Billardiere, he watched, though half-abstractedly, his wife and des Lupeaulx.

Here we must explain, as much for foreigners as for our own grandchildren, what a supernumerary in a government office in Paris means.

The supernumerary is to the administration what a choir-boy is to a church, what the company's child is to the regiment, what the figurante is to a theatre; something artless, naive, innocent, a being blinded by illusions. Without illusions what would become of any of us? They give strength to bear the res angusta domi of arts and the beginnings of all science by inspiring us with faith. Illusion is illimitable faith. Now the supernumerary has faith in the administration; he never thinks it cold, cruel, and hard, as it really is. There are two kinds of supernumeraries, or hangers-on,—one poor, the other rich. The poor one is rich in hope and wants a place, the rich one is poor in spirit and wants nothing. A wealthy family is not so foolish as to put its able men into the administration. It confides an unfledged scion to some head-clerk, or gives him in charge of a directory who initiates him into what Bilboquet, that profound philosopher, called the high comedy of government; he is spared all the horrors of drudgery and is finally appointed to some important office. The rich supernumerary never alarms the other clerks; they know he does not endanger their interests, for he seeks only the highest posts in the administration. About the period of which we write many families were saying to themselves: "What can we do with our sons?" The army no longer offered a chance for fortune. Special careers, such as civil and military engineering, the navy, mining, and the professorial chair were all fenced about by strict regulations or to be obtained only by competition; whereas in the civil service the revolving wheel which turned clerks into prefects, sub-prefects, assessors, and collectors, like the figures in a magic lantern, was subjected to no such rules and entailed no drudgery. Through this easy gap emerged into life the rich supernumeraries who drove their tilburys, dressed well, and wore moustachios, all of them as impudent as parvenus. Journalists were apt to persecute the tribe, who were cousins, nephews, brothers, or other relatives of some minister, some deputy, or an influential peer. The humbler clerks regarded them as a means of influence.

The poor supernumerary, on the other hand, who is the only real worker, is almost always the son of some former clerk's widow, who lives on a meagre pension and sacrifices herself to support her son until he can get a place as copying-clerk, and then dies leaving him no nearer the head of his department than writer of deeds, order-clerks, or, possibly, under-head-clerk. Living always in some locality where rents are low, this humble supernumerary starts early from home. For him the Eastern question relates only to the morning skies. To go on foot and not get muddied, to save his clothes, and allow for the time he may lose in standing under shelter during a shower, are the preoccupations of his mind. The street pavements, the flaggings of the quays and the boulevards, when first laid down, were a boon to him. If, for some extraordinary reason, you happen to be in the streets of Paris at half-past seven or eight o'clock of a winter's morning, and see through piercing cold or fog or rain a timid, pale young man loom up, cigarless, take notice of his pockets. You will be sure to see the outline of a roll which his mother has given him to stay his stomach between breakfast and dinner. The guilelessness of the supernumerary does not last long. A youth enlightened by gleams by Parisian life soon measures the frightful distance that separates him from the head-clerkship, a distance which no mathematician, neither Archimedes, nor Leibnitz, nor Laplace has ever reckoned, the distance that exists between 0 and the figure 1. He begins to perceive the impossibilities of his career; he hears talk of favoritism; he discovers the intrigues of officials: he sees the questionable means by which his superiors have pushed their way,—one has married a young woman who made a false step; another, the natural daughter of a minister; this one shouldered the responsibility of another's fault; that one, full of talent, risks his health in doing, with the perseverance of a mole, prodigies of work which the man of influence feels incapable of doing for himself, though he takes the credit. Everything is known in a government office. The incapable man has a wife with a clear head, who has pushed him along and got him nominated for deputy; if he has not talent enough for an office, he cabals in the Chamber. The wife of another has a statesman at her feet. A third is the hidden informant of a powerful journalist. Often the disgusted and hopeless supernumerary sends in his resignation. About three fourths of his class leave the government employ without ever obtaining an appointment, and their number is winnowed down to either those young men who are foolish or obstinate enough to say to themselves, "I have been here three years, and I must end sooner or later by getting a place," or to those who are conscious of a vocation for the work. Undoubtedly the position of supernumerary in a government office is precisely what the novitiate is in a religious order,—a trial. It is a rough trial. The State discovers how many of them can bear hunger, thirst, and penury without breaking down, how many can toil without revolting against it; it learns which temperaments can bear up under the horrible experience—or if you like, the disease—of government official life. From this point of view the apprenticeship of the supernumerary, instead of being an infamous device of the government to obtain labor gratis, becomes a useful institution.

The young man with whom Rabourdin was talking was a poor supernumerary named Sebastien de la Roche, who had picked his way on the points of his toes, without incurring the least splash upon his boots, from the rue du Roi-Dore in the Marais. He talked of his mamma, and dared not raise his eyes to Madame Rabourdin, whose house appeared to him as gorgeous as the Louvre. He was careful to show his gloves, well cleaned with india-rubber, as little as he could. His poor mother had put five francs in his pocket in case it became absolutely necessary that he should play cards; but she enjoined him to take nothing, to remain standing, and to be very careful not to knock over a lamp or the bric-a-brac from an etagere. His dress was all of the strictest black. His fair face, his eyes, of a fine shade of green with golden reflections, were in keeping with a handsome head of auburn hair. The poor lad looked furtively at Madame Rabourdin, whispering to himself, "How beautiful!" and was likely to dream of that fairy when he went to bed.

Rabourdin had noted a vocation for his work in the lad, and as he himself took the whole service seriously, he felt a lively interest in him. He guessed the poverty of his mother's home, kept together on a widow's pension of seven hundred francs a year—for the education of the son, who was just out of college, had absorbed all her savings. He therefore treated the youth almost paternally; often endeavoured to get him some fee from the Council, or paid it from his own pocket. He overwhelmed Sebastien with work, trained him, and allowed him to do the work of du Bruel's place, for which that vaudevillist, otherwise known as Cursy, paid him three hundred francs out of his salary. In the minds of Madame de la Roche and her son, Rabourdin was at once a great man, a tyrant, and an angel. On him all the poor fellow's hopes of getting an appointment depended, and the lad's devotion to his chief was boundless. He dined once a fortnight in the rue Duphot; but always at a family dinner, invited by Rabourdin himself; Madame asked him to evening parties only when she wanted partners.

At that moment Rabourdin was scolding poor Sebastien, the only human being who was in the secret of his immense labors. The youth copied and recopied the famous "statement," written on a hundred and fifty folio sheets, besides the corroborative documents, and the summing up (contained in one page), with the estimates bracketed, the captions in a running hand, and the sub-titles in a round one. Full of enthusiasm, in spite of his merely mechanical participation in the great idea, the lad of twenty would rewrite whole pages for a single blot, and made it his glory to touch up the writing, regarding it as the element of a noble undertaking. Sebastien had that afternoon committed the great imprudence of carrying into the general office, for the purpose of copying, a paper which contained the most dangerous facts to make known prematurely, namely, a memorandum relating to the officials in the central offices of all ministries, with facts concerning their fortunes, actual and prospective, together with the individual enterprises of each outside of his government employment.

All government clerks in Paris who are not endowed, like Rabourdin, with patriotic ambition or other marked capacity, usually add the profits of some industry to the salary of their office, in order to eke out a living. A number do as Monsieur Saillard did,—put their money into a business carried on by others, and spend their evenings in keeping the books of their associates. Many clerks are married to milliners, licensed tobacco dealers, women who have charge of the public lotteries or reading-rooms. Some, like the husband of Madame Colleville, Celestine's rival, play in the orchestra of a theatre; others like du Bruel, write vaudeville, comic operas, melodramas, or act as prompters behind the scenes. We may mention among them Messrs. Planard, Sewrin, etc. Pigault-Lebrun, Piis, Duvicquet, in their day, were in government employ. Monsieur Scribe's head-librarian was a clerk in the Treasury.

Besides such information as this, Rabourdin's memorandum contained an inquiry into the moral and physical capacities and faculties necessary in those who were to examine the intelligence, aptitude for labor, and sound health of the applicants for government service,—three indispensable qualities in men who are to bear the burden of public affairs and should do their business well and quickly. But this careful study, the result of ten years' observation and experience, and of a long acquaintance with men and things obtained by intercourse with the various functionaries in the different ministries, would assuredly have, to those who did not see its purport and connection, an air of treachery and police espial. If a single page of these papers were to fall under the eye of those concerned, Monsieur Rabourdin was lost. Sebastien, who admired his chief without reservation, and who was, as yet, wholly ignorant of the evils of bureaucracy, had the follies of guilelessness as well as its grace. Blamed on a former occasion for carrying away these papers, he now bravely acknowledged his fault to its fullest extent; he related how he had put away both the memorandum and the copy carefully in a box in the office where no one would ever find them. Tears rolled from his eyes as he realized the greatness of his offence.

"Come, come!" said Rabourdin, kindly. "Don't be so imprudent again, but never mind now. Go to the office very early tomorrow morning; here is the key of a small safe which is in my roller secretary; it shuts with a combination lock. You can open it with the word 'sky'; put the memorandum and your copy into it and shut it carefully."

This proof of confidence dried the poor fellow's tears. Rabourdin advised him to take a cup of tea and some cakes.

"Mamma forbids me to drink tea, on account of my chest," said Sebastien.

"Well, then, my dear child," said the imposing Madame Rabourdin, who wished to appear gracious, "here are some sandwiches and cream; come and sit by me."

She made Sebastien sit down beside her, and the lad's heart rose in his throat as he felt the robe of this divinity brush the sleeve of his coat. Just then the beautiful woman caught sight of Monsieur des Lupeaulx standing in the doorway. She smiled, and not waiting till he came to her, she went to him.

"Why do you stay there as if you were sulking?" she asked.

"I am not sulking," he returned; "I came to announce some good news, but the thought has overtaken me that it will only add to your severity towards me. I fancy myself six months hence almost a stranger to you. Yes, you are too clever, and I too experienced,—too blase, if you like,—for either of us to deceive the other. Your end is attained without its costing you more than a few smiles and gracious words."

"Deceive each other! what can you mean?" she cried, in a hurt tone.

"Yes; Monsieur de la Billardiere is dying, and from what the minister told me this evening I judge that your husband will be appointed in his place."

He thereupon related what he called his scene at the ministry and the jealousy of the countess, repeating her remarks about the invitation he had asked her to send to Madame Rabourdin.

"Monsieur des Lupeaulx," said Madame Rabourdin, with dignity, "permit me to tell you that my husband is the oldest head-clerk as well as the most capable man in the division; also that the appointment of La Billardiere over his head made much talk in the service, and that my husband has stayed on for the last year expecting this promotion, for which he has really no competitor and no rival."

"That is true."

"Well, then," she resumed, smiling and showing her handsome teeth, "how can you suppose that the friendship I feel for you is marred by a thought of self-interest? Why should you think me capable of that?"

Des Lupeaulx made a gesture of admiring denial.

"Ah!" she continued, "the heart of woman will always remain a secret for even the cleverest of men. Yes, I welcomed you to my house with the greatest pleasure; and there was, I admit, a motive of self-interest behind my pleasure—"

"Ah!"

"You have a career before you," she whispered in his ear, "a future without limit; you will be deputy, minister!" (What happiness for an ambitious man when such things as these are warbled in his ear by the sweet voice of a pretty woman!) "Oh, yes! I know you better than you know yourself. Rabourdin is a man who could be of immense service to you in such a career; he could do the steady work while you were in the Chamber. Just as you dream of the ministry, so I dream of seeing Rabourdin in the Council of State, and general director. It is therefore my object to draw together two men who can never injure, but, on the contrary, must greatly help each other. Isn't that a woman's mission? If you are friends, you will both rise the faster, and it is surely high time that each of you made hay. I have burned my ships," she added, smiling. "But you are not as frank with me as I have been with you."

"You would not listen to me if I were," he replied, with a melancholy air, in spite of the deep inward satisfaction her remarks gave him. "What would such future promotions avail me, if you dismiss me now?"

"Before I listen to you," she replied, with naive Parisian liveliness, "we must be able to understand each other."

And she left the old fop to go and speak with Madame de Chessel, a countess from the provinces, who seemed about to take leave.

"That is a very extraordinary woman," said des Lupeaulx to himself. "I don't know my own self when I am with her."

Accordingly, this man of no principle, who six years earlier had kept a ballet-girl, and who now, thanks to his position, made himself a seraglio with the pretty wives of the under-clerks, and lived in the world of journalists and actresses, became devotedly attentive all the evening to Celestine, and was the last to leave the house.

"At last!" thought Madame Rabourdin, as she undressed that night, "we have the place! Twelve thousand francs a year and perquisites, beside the rents of our farms at Grajeux,—nearly twenty thousand francs a year. It is not affluence, but at least it isn't poverty."



CHAPTER IV. THREE-QUARTER LENGTH PORTRAITS OF CERTAIN GOVERNMENT OFFICIALS

If it were possible for literature to use the microscope of the Leuwenhoeks, the Malpighis, and the Raspails (an attempt once made by Hoffman, of Berlin), and if we could magnify and then picture the teredos navalis, in other words, those ship-worms which brought Holland within an inch of collapsing by honey-combing her dykes, we might have been able to give a more distinct idea of Messieurs Gigonnet, Baudoyer, Saillard, Gaudron, Falleix, Transon, Godard and company, borers and burrowers, who proved their undermining power in the thirtieth year of this century.

But now it is time to show another set of teredos, who burrowed and swarmed in the government offices where the principal scenes of our present study took place.

In Paris nearly all these government bureaus resemble each other. Into whatever ministry you penetrate to ask some slight favor, or to get redress for a trifling wrong, you will find the same dark corridors, ill-lighted stairways, doors with oval panes of glass like eyes, as at the theatre. In the first room as you enter you will find the office servant; in the second, the under-clerks; the private office of the second head-clerk is to the right or left, and further on is that of the head of the bureau. As to the important personage called, under the Empire, head of division, then, under the Restoration, director, and now by the former name, head or chief of division, he lives either above or below the offices of his three or four different bureaus.

Speaking in the administrative sense, a bureau consists of a man-servant, several supernumeraries (who do the work gratis for a certain number of years), various copying clerks, writers of bills and deeds, order clerks, principal clerks, second or under head-clerk, and head-clerk, otherwise called head or chief of the bureau. These denominational titles vary under some administrations; for instance, the order-clerks are sometimes called auditors, or again, book-keepers.

Paved like the corridor, and hung with a shabby paper, the first room, where the servant is stationed, is furnished with a stove, a large black table with inkstand, pens, and paper, and benches, but no mats on which to wipe the public feet. The clerk's office beyond is a large room, tolerably well lighted, but seldom floored with wood. Wooden floors and fireplaces are commonly kept sacred to heads of bureaus and divisions; and so are closets, wardrobes, mahogany tables, sofas and armchairs covered with red or green morocco, silk curtains, and other articles of administrative luxury. The clerk's office contents itself with a stove, the pipe of which goes into the chimney, if there be a chimney. The wall paper is plain and all of one color, usually green or brown. The tables are of black wood. The private characteristics of the several clerks often crop out in their method of settling themselves at their desks,—the chilly one has a wooden footstool under his feet; the man with a bilious temperament has a metal mat; the lymphatic being who dreads draughts constructs a fortification of boxes on a screen. The door of the under-head-clerk's office always stands open so that he may keep an eye to some extent on his subordinates.

Perhaps an exact description of Monsieur de la Billardiere's division will suffice to give foreigners and provincials an idea of the internal manners and customs of a government office; the chief features of which are probably much the same in the civil service of all European governments.

In the first place, picture to yourself the man who is thus described in the Yearly Register:—

"Chief of Division.—Monsieur la baron Flamet de la Billardiere (Athanase-Jean-Francois-Michel) formerly provost-marshal of the department of the Correze, gentleman in ordinary of the bed-chamber, president of the college of the department of the Dordogne, officer of the Legion of honor, knight of Saint Louis and of the foreign orders of Christ, Isabella, Saint Wladimir, etc., member of the Academy of Gers, and other learned bodies, vice-president of the Society of Belles-lettres, member of the Association of Saint-Joseph and of the Society of Prisons, one of the mayors of Paris, etc."

The person who requires so much typographic space was at this time occupying an area five feet six in length by thirty-six inches in width in a bed, his head adorned with a cotton night-cap tied on by flame-colored ribbons; attended by Despleins, the King's surgeon, and young doctor Bianchon, flanked by two old female relatives, surrounded by phials of all kinds, bandages, appliances, and various mortuary instruments, and watched over by the curate of Saint-Roch, who was advising him to think of his salvation.

La Billardiere's division occupied the upper floor of a magnificent mansion, in which the vast official ocean of a ministry was contained. A wide landing separated its two bureaus, the doors of which were duly labelled. The private offices and antechambers of the heads of the two bureaus, Monsieur Rabourdin and Monsieur Baudoyer, were below on the second floor, and beyond that of Monsieur Rabourdin were the antechamber, salon, and two offices of Monsieur de la Billardiere.

On the first floor, divided in two by an entresol, were the living rooms and office of Monsieur Ernest de la Briere, an occult and powerful personage who must be described in a few words, for he well deserves the parenthesis. This young man held, during the whole time that this particular administration lasted, the position of private secretary to the minister. His apartment was connected by a secret door with the private office of his Excellency. A private secretary is to the minister himself what des Lupeaulx was to the ministry at large. The same difference existed between young La Briere and des Lupeaulx that there is between an aide-de-camp and a chief of staff. This ministerial apprentice decamps when his protector leaves office, returning sometimes when he returns. If the minister enjoys the royal favor when he falls, or still has parliamentary hopes, he takes his secretary with him into retirement only to bring him back on his return; otherwise he puts him to grass in some of the various administrative pastures,—for instance, in the Court of Exchequer, that wayside refuge where private secretaries wait for the storm to blow over. The young man is not precisely a government official; he is a political character, however; and sometimes his politics are limited to those of one man. When we think of the number of letters it is the private secretary's fate to open and read, besides all his other avocations, it is very evident that under a monarchical government his services would be well paid for. A drudge of this kind costs ten or twenty thousand francs a year; and he enjoys, moreover, the opera-boxes, the social invitations, and the carriages of the minister. The Emperor of Russia would be thankful to be able to pay fifty thousand a year to one of these amiable constitutional poodles, so gentle, so nicely curled, so caressing, so docile, always spick and span,—careful watch-dogs besides, and faithful to a degree! But the private secretary is a product of the representative government hot-house; he is propagated and developed there, and there only. Under a monarchy you will find none but courtiers and vassals, whereas under a constitutional government you may be flattered, served, and adulated by free men. In France ministers are better off than kings or women; they have some one who thoroughly understands them. Perhaps, indeed, the private secretary is to be pitied as much as women and white paper. They are nonentities who are made to bear all things. They are allowed no talents except hidden ones, which must be employed in the service of their ministers. A public show of talent would ruin them. The private secretary is therefore an intimate friend in the gift of government—However, let us return to the bureaus.

Three men-servants lived in peace in the Billardiere division, to wit: a footman for the two bureaus, another for the service of the two chiefs, and a third for the director of the division himself. All three were lodged, warmed, and clothed by the State, and wore the well-known livery of the State, blue coat with red pipings for undress, and broad red, white, and blue braid for great occasions. La Billardiere's man had the air of a gentleman-usher, an innovation which gave an aspect of dignity to the division.

Pillars of the ministry, experts in all manners and customs bureaucratic, well-warmed and clothed at the State's expense, growing rich by reason of their few wants, these lackeys saw completely through the government officials, collectively and individually. They had no better way of amusing their idle hours than by observing these personages and studying their peculiarities. They knew how far to trust the clerks with loans of money, doing their various commissions with absolute discretion; they pawned and took out of pawn, bought up bills when due, and lent money without interest, albeit no clerk ever borrowed of them without returning a "gratification." These servants without a master received a salary of nine hundred francs a year; new years' gifts and "gratifications" brought their emoluments to twelve hundred francs, and they made almost as much money by serving breakfasts to the clerks at the office.

The elder of these men, who was also the richest, waited upon the main body of the clerks. He was sixty years of age, with white hair cropped short like a brush; stout, thickset, and apoplectic about the neck, with a vulgar pimpled face, gray eyes, and a mouth like a furnace door; such was the profile portrait of Antoine, the oldest attendant in the ministry. He had brought his two nephews, Laurent and Gabriel, from Echelles in Savoie,—one to serve the heads of the bureaus, the other the director himself. All three came to open the offices and clean them, between seven and eight o'clock in the morning; at which time they read the newspapers and talked civil service politics from their point of view with the servants of other divisions, exchanging the bureaucratic gossip. In common with servants of modern houses who know their masters' private affairs thoroughly, they lived at the ministry like spiders at the centre of a web, where they felt the slightest jar of the fabric.

On a Thursday evening, the day after the ministerial reception and Madame Rabourdin's evening party, just as Antoine was trimming his beard and his nephews were assisting him in the antechamber of the division on the upper floor, they were surprised by the unexpected arrival of one of the clerks.

"That's Monsieur Dutocq," said Antoine. "I know him by that pickpocket step of his. He is always moving round on the sly, that man. He is on your back before you know it. Yesterday, contrary to his usual ways, he outstayed the last man in the office; such a thing hasn't happened three times since he has been at the ministry."

Here follows the portrait of Monsieur Dutocq, order-clerk in the Rabourdin bureau: Thirty-eight years old, oblong face and bilious skin, grizzled hair always cut close, low forehead, heavy eyebrows meeting together, a crooked nose and pinched lips; tall, the right shoulder slightly higher than the left; brown coat, black waistcoat, silk cravat, yellowish trousers, black woollen stockings, and shoes with flapping bows; thus you behold him. Idle and incapable, he hated Rabourdin,—naturally enough, for Rabourdin had no vice to flatter, and no bad or weak side on which Dutocq could make himself useful. Far too noble to injure a clerk, the chief was also too clear-sighted to be deceived by any make-believe. Dutocq kept his place therefore solely through Rabourdin's generosity, and was very certain that he could never be promoted if the latter succeeded La Billardiere. Though he knew himself incapable of important work, Dutocq was well aware that in a government office incapacity was no hindrance to advancement; La Billardiere's own appointment over the head of so capable a man as Rabourdin had been a striking and fatal example of this. Wickedness combined with self-interest works with a power equivalent to that of intellect; evilly disposed and wholly self-interested, Dutocq had endeavoured to strengthen his position by becoming a spy in all the offices. After 1816 he assumed a marked religious tone, foreseeing the favor which the fools of those days would bestow on those they indiscriminately called Jesuits. Belonging to that fraternity in spirit, though not admitted to its rites, Dutocq went from bureau to bureau, sounded consciences by recounting immoral jests, and then reported and paraphrased results to des Lupeaulx; the latter thus learned all the trivial events of the ministry, and often surprised the minister by his consummate knowledge of what was going on. He tolerated Dutocq under the idea that circumstances might some day make him useful, were it only to get him or some distinguished friend of his out of a scrape by a disgraceful marriage. The two understood each other well. Dutocq had succeeded Monsieur Poiret the elder, who had retired in 1814, and now lived in the pension Vanquer in the Latin quarter. Dutocq himself lived in a pension in the rue de Beaune, and spent his evenings in the Palais-Royal, sometimes going to the theatre, thanks to du Bruel, who gave him an author's ticket about once a week. And now, a word on du Bruel.

Though Sebastien did his work at the office for the small compensation we have mentioned, du Bruel was in the habit of coming there to advertise the fact that he was the under-head-clerk and to draw his salary. His real work was that of dramatic critic to a leading ministerial journal, in which he also wrote articles inspired by the ministers,—a very well understood, clearly defined, and quite unassailable position. Du Bruel was not lacking in those diplomatic little tricks which go so far to conciliate general good-will. He sent Madame Rabourdin an opera-box for a first representation, took her there in a carriage and brought her back,—an attention which evidently pleased her. Rabourdin, who was never exacting with his subordinates allowed du Bruel to go off to rehearsals, come to the office at his own hours, and work at his vaudevilles when there. Monsieur le Duc de Chaulieu, the minister, knew that du Bruel was writing a novel which was to be dedicated to himself. Dressed with the careless ease of a theatre man, du Bruel wore, in the morning, trousers strapped under his feet, shoes with gaiters, a waistcoat evidently vamped over, an olive surtout, and a black cravat. At night he played the gentleman in elegant clothes. He lived, for good reasons, in the same house as Florine, an actress for whom he wrote plays. Du Bruel, or to give him his pen name, Cursy, was working just now at a piece in five acts for the Francais. Sebastien was devoted to the author,—who occasionally gave him tickets to the pit,—and applauded his pieces at the parts which du Bruel told him were of doubtful interest, with all the faith and enthusiasm of his years. In fact, the youth looked upon the playwright as a great author, and it was to Sebastien that du Bruel said, the day after a first representation of a vaudeville produced, like all vaudevilles, by three collaborators, "The audience preferred the scenes written by two."

"Why don't you write alone?" asked Sebastien naively.

There were good reasons why du Bruel did not write alone. He was the third of an author. A dramatic writer, as few people know, is made up of three individuals; first, the man with brains who invents the subject and maps out the structure, or scenario, of the vaudeville; second, the plodder, who works the piece into shape; and third, the toucher-up, who sets the songs to music, arranges the chorus and concerted pieces and fits them into their right place, and finally writes the puffs and advertisements. Du Bruel was a plodder; at the office he read the newest books, extracted their wit, and laid it by for use in his dialogues. He was liked by his collaborators on account of his carefulness; the man with brains, sure of being understood, could cross his arms and feel that his ideas would be well rendered. The clerks in the office liked their companion well enough to attend a first performance of his plays in a body and applaud them, for he really deserved the title of a good fellow. His hand went readily to his pocket; ices and punch were bestowed without prodding, and he loaned fifty francs without asking them back. He owned a country-house at Aulnay, laid by his money, and had, besides the four thousand five hundred francs of his salary under government, twelve hundred francs pension from the civil list, and eight hundred from the three hundred thousand francs fund voted by the Chambers for encouragement of the Arts. Add to these diverse emoluments nine thousand francs earned by his quarters, thirds, and halves of plays in three different theatres, and you will readily understand that such a man must be physically round, fat, and comfortable, with the face of a worthy capitalist. As to morals, he was the lover and the beloved of Tullia and felt himself preferred in heart to the brilliant Duc de Rhetore, the lover in chief.

Dutocq had seen with great uneasiness what he called the liaison of des Lupeaulx with Madame Rabourdin, and his silent wrath on the subject was accumulating. He had too prying an eye not to have guessed that Rabourdin was engaged in some great work outside of his official labors, and he was provoked to feel that he knew nothing about it, whereas that little Sebastien was, wholly or in part, in the secret. Dutocq was intimate with Godard, under-head-clerk to Baudoyer, and the high esteem in which Dutocq held Baudoyer was the original cause of his acquaintance with Godard; not that Dutocq was sincere even in this; but by praising Baudoyer and saying nothing of Rabourdin he satisfied his hatred after the fashion of little minds.

Joseph Godard, a cousin of Mitral on the mother's side, made pretension to the hand of Mademoiselle Baudoyer, not perceiving that her mother was laying siege to Falliex as a son-in-law. He brought little gifts to the young lady, artificial flowers, bonbons on New-Year's day and pretty boxes for her birthday. Twenty-six years of age, a worker working without purpose, steady as a girl, monotonous and apathetic, holding cafes, cigars, and horsemanship in detestation, going to bed regularly at ten o'clock and rising at seven, gifted with some social talents, such as playing quadrille music on the flute, which first brought him into favor with the Saillards and the Baudoyers. He was moreover a fifer in the National Guard,—to escape his turn of sitting up all night in a barrack-room. Godard was devoted more especially to natural history. He made collections of shells and minerals, knew how to stuff birds, kept a mass of curiosities bought for nothing in his bedroom; took possession of phials and empty perfume bottles for his specimens; pinned butterflies and beetles under glass, hung Chinese parasols on the walls, together with dried fishskins. He lived with his sister, an artificial-flower maker, in the due de Richelieu. Though much admired by mammas this model young man was looked down upon by his sister's shop-girls, who had tried to inveigle him. Slim and lean, of medium height, with dark circles round his eyes, Joseph Godard took little care of his person; his clothes were ill-cut, his trousers bagged, he wore white stockings at all seasons of the year, a hat with a narrow brim and laced shoes. He was always complaining of his digestion. His principal vice was a mania for proposing rural parties during the summer season, excursions to Montmorency, picnics on the grass, and visits to creameries on the boulevard du Mont-Parnasse. For the last six months Dutocq had taken to visiting Mademoiselle Godard from time to time, with certain views of his own, hoping to discover in her establishment some female treasure.

Thus Baudoyer had a pair of henchmen in Dutocq and Godard. Monsieur Saillard, too innocent to judge rightly of Dutocq, was in the habit of paying him frequent little visits at the office. Young La Billardiere, the director's son, placed as supernumerary with Baudoyer, made another member of the clique. The clever heads in the offices laughed much at this alliance of incapables. Bixiou named Baudoyer, Godard, and Dutocq a "Trinity without the Spirit," and little La Billardiere the "Pascal Lamb."

"You are early this morning," said Antoine to Dutocq, laughing.

"So are you, Antoine," answered Dutocq; "you see, the newspapers do come earlier than you let us have them at the office."

"They did to-day, by chance," replied Antoine, not disconcerted; "they never come two days together at the same hour."

The two nephews looked at each other as if to say, in admiration of their uncle, "What cheek he has!"

"Though I make two sous by all his breakfasts," muttered Antoine, as he heard Monsieur Dutocq close the office door, "I'd give them up to get that man out of our division."

"Ah, Monsieur Sebastien, you are not the first here to-day," said Antoine, a quarter of an hour later, to the supernumerary.

"Who is here?" asked the poor lad, turning pale.

"Monsieur Dutocq," answered Laurent.

Virgin natures have, beyond all others, the inexplicable gift of second-sight, the reason of which lies perhaps in the purity of their nervous systems, which are, as it were, brand-new. Sebastien had long guessed Dutocq's hatred to his revered Rabourdin. So that when Laurent uttered his name a dreadful presentiment took possession of the lad's mind, and crying out, "I feared it!" he flew like an arrow into the corridor.

"There is going to be a row in the division," said Antoine, shaking his white head as he put on his livery. "It is very certain that Monsieur le baron is off to his account. Yes, Madame Gruget, the nurse, told me he couldn't live through the day. What a stir there'll be! oh! won't there! Go along, you fellows, and see if the stoves are drawing properly. Heavens and earth! our world is coming down about our ears."

"That poor young one," said Laurent, "had a sort of sunstroke when he heard that Jesuit of a Dutocq had got here before him."

"I have told him a dozen times,—for after all one ought to tell the truth to an honest clerk, and what I call an honest clerk is one like that little fellow who gives us 'recta' his ten francs on New-Year's day,—I have said to him again and again: The more you work the more they'll make you work, and they won't promote you. He doesn't listen to me; he tires himself out staying here till five o'clock, an hour after all the others have gone. Folly! he'll never get on that way! The proof is that not a word has been said about giving him an appointment, though he has been here two years. It's a shame! it makes my blood boil."

"Monsieur Rabourdin is very fond of Monsieur Sebastien," said Laurent.

"But Monsieur Rabourdin isn't a minister," retorted Antoine; "it will be a hot day when that happens, and the hens will have teeth; he is too—but mum! When I think that I carry salaries to those humbugs who stay away and do as they please, while that poor little La Roche works himself to death, I ask myself if God ever thinks of the civil service. And what do they give you, these pets of Monsieur le marechal and Monsieur le duc? 'Thank you, my dear Antoine, thank you,' with a gracious nod! Pack of sluggards! go to work, or you'll bring another revolution about your ears. Didn't see such goings-on under Monsieur Robert Lindet. I know, for I served my apprenticeship under Robert Lindet. The clerks had to work in his day! You ought to have seen how they scratched paper here till midnight; why, the stoves went out and nobody noticed it. It was all because the guillotine was there! now-a-days they only mark 'em when they come in late!"

"Uncle Antoine," said Gabriel, "as you are so talkative this morning, just tell us what you think a clerk really ought to be."

"A government clerk," replied Antoine, gravely, "is a man who sits in a government office and writes. But there, there, what am I talking about? Without the clerks, where should we be, I'd like to know? Go along and look after your stoves and mind you never say harm of a government clerk, you fellows. Gabriel, the stove in the large office draws like the devil; you must turn the damper."

Antoine stationed himself at a corner of the landing whence he could see all the officials as they entered the porte-cochere; he knew every one at the ministry, and watched their behavior, observing narrowly the contrasts in their dress and appearance.

The first to arrive after Sebastien was a clerk of deeds in Rabourdin's office named Phellion, a respectable family-man. To the influence of his chief he owed a half-scholarship for each of his two sons in the College Henri IV.; while his daughter was being educated gratis at a boarding school where his wife gave music lessons and he himself a course of history and one of geography in the evenings. He was about forty-five years of age, sergeant-major of his company in the National Guard, very compassionate in feeling and words, but wholly unable to give away a penny. Proud of his post, however, and satisfied with his lot, he applied himself faithfully to serve the government, believed he was useful to his country, and boasted of his indifference to politics, knowing none but those of the men in power. Monsieur Rabourdin pleased him highly whenever he asked him to stay half an hour longer to finish a piece of work. On such occasions he would say, when he reached home, "Public affairs detained me; when a man belongs to the government he is no longer master of himself." He compiled books of questions and answers on various studies for the use of young ladies in boarding-schools. These little "solid treatises," as he called them, were sold at the University library under the name of "Historical and Geographic Catechisms." Feeling himself in duty bound to offer a copy of each volume, bound in red morocco, to Monsieur Rabourdin, he always came in full dress to present them,—breeches and silk stockings, and shoes with gold buckles. Monsieur Phellion received his friends on Thursday evenings, on which occasions the company played bouillote, at five sous a game, and were regaled with cakes and beer. He had never yet dared to invite Monsieur Rabourdin to honor him with his presence, though he would have regarded such an event as the most distinguished of his life. He said if he could leave one of his sons following in the steps of Monsieur Rabourdin he should die the happiest father in the world.

One of his greatest pleasures was to explore the environs of Paris, which he did with a map. He knew every inch of Arcueil, Bievre, Fontenay-aux-Roses, and Aulnay, so famous as the resort of great writers, and hoped in time to know the whole western side of the country around Paris. He intended to put his eldest son into a government office and his second into the Ecole Polytechnique. He often said to the elder, "When you have the honor to be a government clerk"; though he suspected him of a preference for the exact sciences and did his best to repress it, mentally resolved to abandon the lad to his own devices if he persisted. When Rabourdin sent for him to come down and receive instructions about some particular piece of work, Phellion gave all his mind to it,—listening to every word the chief said, as a dilettante listens to an air at the Opera. Silent in the office, with his feet in the air resting on a wooden desk, and never moving them, he studied his task conscientiously. His official letters were written with the utmost gravity, and transmitted the commands of the minister in solemn phrases. Monsieur Phellion's face was that of a pensive ram, with little color and pitted by the small-pox; the lips were thick and the lower one pendent; the eyes light-blue, and his figure above the common height. Neat and clean as a master of history and geography in a young ladies' school ought to be, he wore fine linen, a pleated shirt-frill, a black cashmere waistcoat, left open and showing a pair of braces embroidered by his daughter, a diamond in the bosom of his shirt, a black coat, and blue trousers. In winter he added a nut-colored box-coat with three capes, and carried a loaded stick, necessitated, he said, by the profound solitude of the quarter in which he lived. He had given up taking snuff, and referred to this reform as a striking example of the empire a man could exercise over himself. Monsieur Phellion came slowly up the stairs, for he was afraid of asthma, having what he called an "adipose chest." He saluted Antoine with dignity.

The next to follow was a copying-clerk, who presented a strange contrast to the virtuous Phellion. Vimeux was a young man of twenty-five, with a salary of fifteen hundred francs, well-made and graceful, with a romantic face, and eyes, hair, beard, and eyebrows as black as jet, fine teeth, charming hands, and wearing a moustache so carefully trimmed that he seemed to have made it the business and occupation of his life. Vimeux had such aptitude for work that he despatched it much quicker than any of the other clerks. "He has a gift, that young man!" Phellion said of him when he saw him cross his legs and have nothing to do for the rest of the day, having got through his appointed task; "and see what a little dandy he is!" Vimeux breakfasted on a roll and a glass of water, dined for twenty sous at Katcomb's, and lodged in a furnished room, for which he paid twelve francs a month. His happiness, his sole pleasure in life, was dress. He ruined himself in miraculous waistcoats, in trousers that were tight, half-tight, pleated, or embroidered; in superfine boots, well-made coats which outlined his elegant figure; in bewitching collars, spotless gloves, and immaculate hats. A ring with a coat of arms adorned his hand, outside his glove, from which dangled a handsome cane; with these accessories he endeavoured to assume the air and manner of a wealthy young man. After the office closed he appeared in the great walk of the Tuileries, with a tooth-pick in his mouth, as though he were a millionaire who had just dined. Always on the lookout for a woman,—an Englishwoman, a foreigner of some kind, or a widow,—who might fall in love with him, he practised the art of twirling his cane and of flinging the sort of glance which Bixiou told him was American. He smiled to show his fine teeth; he wore no socks under his boots, but he had his hair curled every day. Vimeux was prepared, in accordance with fixed principles, to marry a hunch-back with six thousand a year, or a woman of forty-five at eight thousand, or an Englishwoman for half that sum. Phellion, who delighted in his neat hand-writing, and was full of compassion for the fellow, read him lectures on the duty of giving lessons in penmanship,—an honorable career, he said, which would ameliorate existence and even render it agreeable; he promised him a situation in a young ladies' boarding-school. But Vimeux's head was so full of his own idea that no human being could prevent him from having faith in his star. He continued to lay himself out, like a salmon at a fishmonger's, in spite of his empty stomach and the fact that he had fruitlessly exhibited his enormous moustache and his fine clothes for over three years. As he owed Antoine more than thirty francs for his breakfasts, he lowered his eyes every time he passed him; and yet he never failed at midday to ask the man to buy him a roll.

After trying to get a few reasonable ideas into this foolish head, Rabourdin had finally given up the attempt as hopeless. Adolphe (his family name was Adolphe) had lately economized on dinners and lived entirely on bread and water, to buy a pair of spurs and a riding-whip. Jokes at the expense of this starving Amadis were made only in the spirit of mischievous fun which creates vaudevilles, for he was really a kind-hearted fellow and a good comrade, who harmed no one but himself. A standing joke in the two bureaus was the question whether he wore corsets, and bets depended on it. Vimeux was originally appointed to Baudoyer's bureau, but he manoeuvred to get himself transferred to Rabourdin's, on account of Baudoyer's extreme severity in relation to what were called "the English,"—a name given by the government clerks to their creditors. "English day" means the day on which the government offices are thrown open to the public. Certain then of finding their delinquent debtors, the creditors swarm in and torment them, asking when they intend to pay, and threatening to attach their salaries. The implacable Baudoyer compelled the clerks to remain at their desks and endure this torture. "It was their place not to make debts," he said; and he considered his severity as a duty which he owed to the public weal. Rabourdin, on the contrary, protected the clerks against their creditors, and turned the latter away, saying that the government bureaus were open for public business, not private. Much ridicule pursued Vimeux in both bureaus when the clank of his spurs resounded in the corridors and on the staircases. The wag of the ministry, Bixiou, sent round a paper, headed by a caricature of his victim on a pasteboard horse, asking for subscriptions to buy him a live charger. Monsieur Baudoyer was down for a bale of hay taken from his own forage allowance, and each of the clerks wrote his little epigram; Vimeux himself, good-natured fellow that he was, subscribed under the name of "Miss Fairfax."

Handsome clerks of the Vimeux style have their salaries on which to live, and their good looks by which to make their fortune. Devoted to masked balls during the carnival, they seek their luck there, though it often escapes them. Many end the weary round by marrying milliners, or old women,—sometimes, however, young ones who are charmed with their handsome persons, and with whom they set up a romance illustrated with stupid love letters, which, nevertheless, seem to answer their purpose.

Bixiou (pronounce it Bisiou) was a draughtsman, who ridiculed Dutocq as readily as he did Rabourdin, whom he nicknamed "the virtuous woman." Without doubt the cleverest man in the division or even in the ministry (but clever after the fashion of a monkey, without aim or sequence), Bixiou was so essentially useful to Baudoyer and Godard that they upheld and protected him in spite of his misconduct; for he did their work when they were incapable of doing it for themselves. Bixiou wanted either Godard's or du Bruel's place as under-head-clerk, but his conduct interfered with his promotion. Sometimes he sneered at the public service; this was usually after he had made some happy hit, such as the publication of portraits in the famous Fualdes case (for which he drew faces hap-hazard), or his sketch of the debate on the Castaing affair. At other times, when possessed with a desire to get on, he really applied himself to work, though he would soon leave off to write a vaudeville, which was never finished. A thorough egoist, a spendthrift and a miser in one,—that is to say, spending his money solely on himself,—sharp, aggressive, and indiscreet, he did mischief for mischief's sake; above all, he attacked the weak, respected nothing and believed in nothing, neither in France, nor in God, nor in art, nor in the Greeks, nor in the Turks, nor in the monarchy,—insulting and disparaging everything that he could not comprehend. He was the first to paint a black cap on Charles X.'s head on the five-franc coins. He mimicked Dr. Gall when lecturing, till he made the most starched of diplomatists burst their buttons. Famous for his practical jokes, he varied them with such elaborate care that he always obtained a victim. His great secret in this was the power of guessing the inmost wishes of others; he knew the way to many a castle in the air, to the dreams about which a man may be fooled because he wants to be; and he made such men sit to him for hours.

Thus it happened that this close observer, who could display unrivalled tact in developing a joke or driving home a sarcasm, was unable to use the same power to make men further his fortunes and promote him. The person he most liked to annoy was young La Billardiere, his nightmare, his detestation, whom he was nevertheless constantly wheedling so as the better to torment him on his weakest side. He wrote him love letters signed "Comtesse de M——" or "Marquise de B—"; took him to the Opera on gala days and presented him to some grisette under the clock, after calling everybody's attention to the young fool. He allied himself with Dutocq (whom he regarded as a solemn juggler) in his hatred to Rabourdin and his praise of Baudoyer, and did his best to support him. Jean-Jaques Bixiou was the grandson of a Parisian grocer. His father, who died a colonel, left him to the care of his grandmother, who married her head-clerk, named Descoings, after the death of her first husband, and died in 1822. Finding himself without prospects on leaving college, he attempted painting, but in spite of his intimacy with Joseph Bridau, his life-long friend, he abandoned art to take up caricature, vignette designing, and drawing for books, which twenty years later went by the name of "illustration." The influence of the Ducs de Maufrigneuse and de Rhetore, whom he knew in the society of actresses, procured him his employment under government in 1819. On good terms with des Lupeaulx, with whom in society he stood on an equality, and intimate with du Bruel, he was a living proof of Rabourdin's theory as to the steady deterioration of the administrative hierarchy in Paris through the personal importance which a government official may acquire outside of a government office. Short in stature but well-formed, with a delicate face remarkable for its vague likeness to Napoleon's, thin lips, a straight chin, chestnut whiskers, twenty-seven years old, fair-skinned, with a piercing voice and sparkling eye,—such was Bixiou; a man, all sense and all wit, who abandoned himself to a mad pursuit of pleasure of every description, which threw him into a constant round of dissipation. Hunter of grisettes, smoker, jester, diner-out and frequenter of supper-parties, always tuned to the highest pitch, shining equally in the greenroom and at the balls given among the grisettes of the Allee des Veuves, he was just as surprisingly entertaining at table as at a picnic, as gay and lively at midnight on the streets as in the morning when he jumped out of bed, and yet at heart gloomy and melancholy, like most of the great comic players.

Launched into the world of actors and actresses, writers, artists, and certain women of uncertain means, he lived well, went to the theatre without paying, gambled at Frascati, and often won. Artist by nature and really profound, though by flashes only, he swayed to and fro in life like a swing, without thinking or caring of a time when the cord would break. The liveliness of his wit and the prodigal flow of his ideas made him acceptable to all persons who took pleasure in the lights of intellect; but none of his friends liked him. Incapable of checking a witty saying, he would scarify his two neighbors before a dinner was half over. In spite of his skin-deep gayety, a secret dissatisfaction with his social position could be detected in his speech; he aspired to something better, but the fatal demon hiding in his wit hindered him from acquiring the gravity which imposes on fools. He lived on the second floor of a house in the rue de Ponthieu, where he had three rooms delivered over to the untidiness of a bachelor's establishment, in fact, a regular bivouac. He often talked of leaving France and seeking his fortune in America. No wizard could foretell the future of this young man in whom all talents were incomplete; who was incapable of perseverance, intoxicated with pleasure, and who acted on the belief that the world ended on the morrow.

In the matter of dress Bixiou had the merit of never being ridiculous; he was perhaps the only official of the ministry whose dress did not lead outsiders to say, "That man is a government clerk!" He wore elegant boots with black trousers strapped under them, a fancy waistcoat, a becoming blue coat, collars that were the never-ending gift of grisettes, one of Bandoni's hats, and a pair of dark-colored kid gloves. His walk and bearing, cavalier and simple both, were not without grace. He knew all this, and when des Lupeaulx summoned him for a piece of impertinence said and done about Monsieur de la Billardiere and threatened him with dismissal, Bixiou replied, "You will take me back because my clothes do credit to the ministry"; and des Lupeaulx, unable to keep from laughing, let the matter pass. The most harmless of Bixiou's jokes perpetrated among the clerks was the one he played off upon Godard, presenting him with a butterfly just brought from China, which the worthy man keeps in his collection and exhibits to this day, blissfully unconscious that it is only painted paper. Bixiou had the patience to work up the little masterpiece for the sole purpose of hoaxing his superior.

The devil always puts a martyr near a Bixiou. Baudoyer's bureau held the martyr, a poor copying-clerk twenty-two years of age, with a salary of fifteen hundred francs, named Auguste-Jean-Francois Minard. Minard had married for love the daughter of a porter, an artificial-flower maker employed by Mademoiselle Godard. Zelie Lorrain, a pupil, in the first place, of the Conservatoire, then by turns a danseuse, a singer, and an actress, had thought of doing as so many of the working-women do; but the fear of consequences kept her from vice. She was floating undecidedly along, when Minard appeared upon the scene with a definite proposal of marriage. Zelie earned five hundred francs a year, Minard had fifteen hundred. Believing that they could live on two thousand, they married without settlements, and started with the utmost economy. They went to live, like dove-turtles, near the barriere de Courcelles, in a little apartment at three hundred francs a year, with white cotton curtains to the windows, a Scotch paper costing fifteen sous a roll on the walls, brick floors well polished, walnut furniture in the parlor, and a tiny kitchen that was very clean. Zelie nursed her children herself when they came, cooked, made her flowers, and kept the house. There was something very touching in this happy and laborious mediocrity. Feeling that Minard truly loved her, Zelie loved him. Love begets love,—it is the abyssus abyssum of the Bible. The poor man left his bed in the morning before his wife was up, that he might fetch provisions. He carried the flowers she had finished, on his way to the bureau, and bought her materials on his way back; then, while waiting for dinner, he stamped out her leaves, trimmed the twigs, or rubbed her colors. Small, slim, and wiry, with crisp red hair, eyes of a light yellow, a skin of dazzling fairness, though blotched with red, the man had a sturdy courage that made no show. He knew the science of writing quite as well as Vimeux. At the office he kept in the background, doing his allotted task with the collected air of a man who thinks and suffers. His white eyelashes and lack of eyebrows induced the relentless Bixiou to name him "the white rabbit." Minard—the Rabourdin of a lower sphere—was filled with the desire of placing his Zelie in better circumstances, and his mind searched the ocean of the wants of luxury in hopes of finding an idea, of making some discovery or some improvement which would bring him a rapid fortune. His apparent dulness was really caused by the continual tension of his mind; he went over the history of Cephalic Oils and the Paste of Sultans, lucifer matches and portable gas, jointed sockets for hydrostatic lamps,—in short, all the infinitely little inventions of material civilization which pay so well. He bore Bixiou's jests as a busy man bears the buzzing of an insect; he was not even annoyed by them. In spite of his cleverness, Bixiou never perceived the profound contempt which Minard felt for him. Minard never dreamed of quarrelling, however,—regarding it as a loss of time. After a while his composure tired out his tormentor. He always breakfasted with his wife, and ate nothing at the office. Once a month he took Zelie to the theatre, with tickets bestowed by du Bruel or Bixiou; for Bixiou was capable of anything, even of doing a kindness. Monsieur and Madame Minard paid their visits in person on New-Year's day. Those who saw them often asked how it was that a woman could keep her husband in good clothes, wear a Leghorn bonnet with flowers, embroidered muslin dresses, silk mantles, prunella boots, handsome fichus, a Chinese parasol, and drive home in a hackney-coach, and yet be virtuous; while Madame Colleville and other "ladies" of her kind could scarcely make ends meet, though they had double Madame Minard's means.