For Wales and for England during centuries Arthur has been the representative "very gentle perfect knight." In a similar way, in England's sister isle, Cuchulain stands ever for the highest ideals of the Irish Gaels.



HEREWARD THE WAKE

In Hereward the Wake (or "Watchful") is found one of those heroes whose date can be ascertained with a fair amount of exactness and yet in whose story occur mythological elements which seem to belong to all ages. The folklore of primitive races is a great storehouse whence a people can choose tales and heroic deeds to glorify its own national hero, careless that the same tales and deeds have done duty for other peoples and other heroes. Hence it happens that Hereward the Saxon, a patriot hero as real and actual as Nelson or George Washington, whose deeds were recorded in prose and verse within forty years of his death, was even then surrounded by a cloud of romance and mystery, which hid in vagueness his family, his marriage, and even his death.

Briefly it may be stated that Hereward was a native of Lincolnshire, and was in his prime about 1070. In that year he joined a party of Danes who appeared in England, attacked Peterborough and sacked the abbey there, and afterward took refuge in the Isle of Ely. Here he was besieged by William the Conqueror, and was finally forced to yield to the Norman. He thus came to stand for the defeated Saxon race, and his name has been passed down as that of the darling hero of the Saxons. For his splendid defence of Ely they forgave his final surrender to Duke William; they attributed to him all the virtues supposed to be inherent in the free-born, and all the glorious valor on which the English prided themselves; and, lastly, they surrounded his death with a halo of desperate fighting, and made his last conflict as wonderful as that of Roland at Roncesvalles. If Roland is the ideal of Norman feudal chivalry, Hereward is equally the ideal of Anglo-Saxon sturdy manliness and knighthood.

An account of one of Hereward's adventures as a youth will serve as illustration of the stories told of his prowess. On an enforced visit to Cornwall, he found that King Alef, a petty British chief, had betrothed his fair daughter to a terrible Pictish giant, breaking off, in order to do it, her troth-plight with Prince Sigtryg of Waterford, son of a Danish king in Ireland. Hereward, ever chivalrous, picked a quarrel with the giant and killed him in fair fight, whereupon the king threw him into prison. In the following night, however, the released princess arranged that the gallant Saxon should be freed and sent hot-foot for her lover, Prince Sigtryg. After many adventures Hereward reached the prince, who hastened to return to Cornwall with the young hero. But to the grief of both, they learned upon their arrival that the princess had just been betrothed to a wild Cornish hero, Haco, and the wedding feast was to be held that very day. Sigtryg at once sent a troop of forty Danes to King Alef demanding the fulfilment of the troth-plight between himself and his daughter, and threatening vengeance if it were broken. To this threat the king returned no answer, and no Dane came back to tell of their reception.

Sigtryg would have waited till morning, trusting in the honor of the king, but Hereward disguised himself as a minstrel and obtained admission to the bridal feast, where he soon won applause by his beautiful singing. The bridegroom, Haco, in a rapture offered him any boon he liked to ask, but he demanded only a cup of wine from the hands of the bride. When she brought it to him he flung into the empty cup the betrothal ring, the token she had sent to Sigtryg, and said: "I thank thee, lady, and would reward thee for thy gentleness to a wandering minstrel; I give back the cup, richer than before by the kind thoughts of which it bears the token." The princess looked at him, gazed into the goblet, and saw her ring; then, looking again, she recognized her deliverer and knew that rescue was at hand.

While men feasted Hereward listened and talked, and found out that the forty Danes were prisoners, to be released on the morrow when Haco was sure of his bride, but released useless and miserable, since they would be turned adrift blinded. Haco was taking his lovely bride back to his own land, and Hereward saw that any rescue, to be successful, must be attempted on the march.

Returning to Sigtryg, the young Saxon told all that he had learned, and the Danes planned an ambush in the ravine where Haco had decided to blind and set free his captives. The whole was carried out exactly as Hereward arranged it. The Cornishmen, with the Danish captives, passed first without attack; next came Haco, riding grim and ferocious beside his silent bride, he exulting in his success, she looking eagerly for any signs of rescue. As they passed Hereward sprang from his shelter, crying, "Upon them, Danes, and set your brethren free!" and himself struck down Haco and smote off his head. There was a short struggle, but soon the rescued Danes were able to aid their deliverers, and the Cornish guards were all slain; the men of King Alef, never very zealous for the cause of Haco, fled, and the Danes were left masters of the field.

Sigtryg had in the meantime seen to the safety of the princess, and now, placing her between himself and Hereward, he escorted her to the ship, which soon brought them to Waterford and a happy bridal. The Prince and Princess of Waterford always recognized in Hereward their deliverer and best friend, and in their gratitude wished him to dwell with them always; but the hero's roving and daring temper forbade his settling down, but rather urged him on to deeds of arms in other lands, where he quickly won a renown second to none.



ROBIN HOOD

Among the earliest heirlooms of the Anglo-Saxon tongue are the songs and legends of Robin Hood and his merry outlaws, which have charmed readers young and old for more than six hundred years. These entertaining stories date back to the time when Chaucer wrote his "Canterbury Tales," when the minstrel and scribe stood in the place of the more prim and precise modern printed book.

The question of whether or not Robin Hood was a real person has been asked for many years, just as a similar question has been asked about William Tell and others whom everyone would much rather accept on faith. It cannot be answered by a brief "yes" or "no," even though learned men have pored over ancient records and have written books on the subject. According to the general belief Robin was an outlaw in the reign of Richard I, when in the depths of Sherwood Forest he entertained one hundred tall men, all good archers, with the spoil he took; but "he suffered no woman to be oppressed or otherwise molested; poore men's goods he spared, abundantlie relieving them with that which by theft he got from abbeys and houses of rich carles." Consequently Robin was an immense favorite with the common people.

This popularity extended from the leader to all the members of his hardy band. "God save Robin Hood and all his good yeomanry" is the ending of many old ballads. The clever archer who could outshoot his fellows, the brave yeoman inured to blows, and the man who could be true to his friends through thick and thin were favorites for all time; and they have been idealized in the persons of Robin Hood and his merry outlaws.

One of the best-known stories of this picturesque figure of early English times is that given by Sir Walter Scott in "Ivanhoe," concerning the archery contest during the rule or misrule of Prince John, in the absence of Richard from the kingdom. Robin Hood, under the assumed name of Locksley, boldly presents himself at a royal tournament at Ashby, as competitor for the prize in shooting with the long-bow. From the eight or ten archers who enter the contest, the number finally narrows down to two,— Hubert, a forester in the service of one of the king's nobles, and Locksley or Robin Hood. Hubert takes the first shot in the final trial of skill, and lands his arrow within the inner ring of the target, but not exactly in the centre.

"'You have not allowed for the wind, Hubert,' said Locksley, 'or that had been a better shot.'

"So saying, and without showing the least anxiety to pause upon his aim, Locksley stepped to the appointed station, and shot his arrow as carelessly in appearance as if he had not even looked at the mark. He was speaking almost at the instant that the shaft left the bow-string, yet it alighted in the target two inches nearer to the white spot which marked the centre than that of Hubert.

"'By the light of Heaven!' said Prince John to Hubert, 'an thou suffer that runagate knave to overcome thee, thou art worthy of the gallows!'

"Hubert had but one set speech for all occasions. 'An your highness were to hang me,' he said, 'a man can but do his best. Nevertheless, my grandsire drew a good bow—'

"'The foul fiend on thy grandsire and all his generation!' interrupted John; 'shoot, knave, and shoot thy best, or it shall be worse for thee!'

"Thus exhorted, Hubert resumed his place, and not neglecting the caution which he had received from his adversary, he made the necessary allowance for a very light air of wind, which had just risen, and shot so successfully that his arrow alighted in the very centre of the target.

"'A Hubert! a Hubert!' shouted the populace, more interested in a known person than in a stranger. 'In the clout!—in the clout!—a Hubert forever!'

"'Thou canst not mend that shot, Locksley,' said the Prince, with an insulting smile.

"'I will notch his shaft for him, however,' replied Locksley.

"And letting fly his arrow with a little more precaution than before, it lighted right upon that of his competitor, which it split to shivers. The people who stood around were so astonished at his wonderful dexterity, that they could not even give vent to their surprise in their usual clamor. 'This must be the devil, and no man of flesh and blood,' whispered the yeomen to each other; 'such archery was never seen since a bow was first bent in Britain.'

"'And now,' said Locksley, 'I will crave your Grace's permission to plant such a mark as is used in the North Country; and welcome every brave yeoman who shall try a shot at it to win a smile from the bonny lass he loves best.'"

Locksley thereupon sets up a willow wand, six feet long and as thick as a man's thumb. Hubert is forced to decline the honor of taking part in such a trial of archery skill, but his rival easily splits the wand at a distance of three hundred feet and carries off the prize.

"Even Prince John, in admiration of Locksley's skill, lost for an instant his dislike to his person. 'These twenty nobles,' he said, 'which, with the bugle, thou hast fairly won, are thine own; we will make them fifty, if thou wilt take livery and service with us as a yeoman of our bodyguard, and be near to our person. For never did so strong a hand bend a bow, or so true an eye direct a shaft.'" [Footnote: Ivanhoe, Vol. 1, chap. XIII.]

Locksley, however, declares that it is impossible for him to enter the Prince's service, generously shares his prize with the worthy Hubert, and retires once more to his beloved haunts among the lights and shadows of the good greenwood.



LEGENDS OF CHARLEMAGNE



INTRODUCTION

Those who have investigated the origin of the romantic fables relating to Charlemagne and his peers are of opinion that the deeds of Charles Martel, and perhaps of other Charleses, have been blended in popular tradition with those properly belonging to Charlemagne. It was indeed a most momentous era; and if our readers will have patience, before entering on the perusal of the fabulous annals which we are about to lay before them, to take a rapid survey of the real history of the times, they will find it hardly less romantic than the tales of the poets.

In the century beginning from the year 600, the countries bordering upon the native land of our Saviour, to the east and south, had not yet received his religion. Arabia was the seat of an idolatrous religion resembling that of the ancient Persians, who worshipped the sun, moon, and stars. In Mecca, in the year 571, Mahomet was born, and here, at the age of forty, he proclaimed himself the prophet of God, in dignity as superior to Christ as Christ had been to Moses. Having obtained by slow degrees a considerable number of disciples, he resorted to arms to diffuse his religion. The energy and zeal of his followers, aided by the weakness of the neighboring nations, enabled him and his successors to spread the sway of Arabia and the religion of Mahomet over the countries to the east as far as the Indus, northward over Persia and Asia Minor, westward over Egypt and the southern shores of the Mediterranean, and thence over the principal portion of Spain. All this was done within one hundred years from the Hegira, or flight of Mahomet from Mecca to Medina, which happened in the year 622, and is the era from which Mahometans reckon time, as we do from the birth of Christ.

From Spain the way was open for the Saracens (so the followers of Mahomet were called) into France, the conquest of which, if achieved, would have been followed very probably by that of all the rest of Europe, and would have resulted in the banishment of Christianity from the earth. For Christianity was not at that day universally professed, even by those nations which we now regard as foremost in civilization. Great part of Germany, Britain, Denmark, and Russia were still pagan or barbarous.

At that time there ruled in France, though without the title of king, the first of those illustrious Charleses of whom we have spoken, Charles Martel, the grandfather of Charlemagne. The Saracens of Spain had made incursions into France in 712 and 718, and had retired, carrying with them a vast booty. In 725, Anbessa, who was then the Saracen governor of Spain, crossed the Pyrenees with a numerous army, and took by storm the strong town of Carcassone. So great was the terror excited by this invasion, that the country for a wide extent submitted to the conqueror, and a Mahometan governor for the province was appointed and installed at Narbonne. Anbessa, however, received a fatal wound in one of his engagements, and the Saracens, being thus checked from further advance, retired to Narbonne.

In 732 the Saracens again invaded France under Abdalrahman, advanced rapidly to the banks of the Garonne, and laid siege to Bordeaux. The city was taken by assault and delivered up to the soldiery. The invaders still pressed forward, and spread over the territories of Orleans, Auxerre and Sens. Their advanced parties were suddenly called in by their chief, who had received information of the rich abbey of St. Martin of Tours, and resolved to plunder and destroy it.

Charles during all this time had done nothing to oppose the Saracens, for the reason that the portion of France over which their incursions had been made was not at that time under his dominion, but constituted an independent kingdom, under the name of Aquitaine, of which Eude was king. But now Charles became convinced of the danger, and prepared to encounter it. Abdalrahman was advancing toward Tours, when intelligence of the approach of Charles, at the head of an army of Franks, compelled him to fall back upon Poitiers, in order to seize an advantageous field of battle.

Charles Martel had called together his warriors from every part of his dominions, and, at the head of such an army as had hardly ever been seen in France, crossed the Loire, probably at Orleans, and, being joined by the remains of the army of Aquitaine, came in sight of the Arabs in the month of October, 732. The Saracens seem to have been aware of the terrible enemy they were now to encounter, and for the first time these formidable conquerors hesitated. The two armies remained in presence during seven days before either ventured to begin the attack; but at length the signal for battle was given by Abdalrahman, and the immense mass of the Saracen army rushed with fury on the Franks. But the heavy line of the Northern warriors remained like a rock, and the Saracens, during nearly the whole day, expended their strength in vain attempts to make any impression upon them. At length, about four o'clock in the afternoon, when Abdalrahman was preparing for a new and desperate attempt to break the line of the Franks, a terrible clamor was heard in the rear of the Saracens. It was King Eude, who, with his Aquitanians, had attacked their camp, and a great part of the Saracen army rushed tumultuously from the field to protect their plunder. In this moment of confusion the line of the Franks advanced, and, sweeping the field before it, carried fearful slaughter amongst the enemy. Abdalrahman made desperate efforts to rally his troops, but when he himself, with the bravest of his officers, fell beneath the swords of the Christians, all order disappeared, and the remains of his army sought refuge in their immense camp, from which Eude and his Aquitanians had been repulsed. It was now late, and Charles, unwilling to risk an attack on the camp in the dark, withdrew his army, and passed the night in the plain, expecting to renew the battle in the morning.

Accordingly, when daylight came, the Franks drew up in order of battle, but no enemy appeared; and when at last they ventured to approach the Saracen camp they found it empty. The invaders had taken advantage of the night to begin their retreat, and were already on their way back to Spain, leaving their immense plunder behind to fall into the hands of the Franks.

This was the celebrated battle of Tours, in which vast numbers of the Saracens were slain, and only fifteen hundred of the Franks. Charles received the surname of Martel (the Hammer) in consequence of this victory.

The Saracens, notwithstanding this severe blow, continued to hold their ground in the south of France; but Pepin, the son of Charles Martel, who succeeded to his father's power, and assumed the title of king, successively took from them the strong places they held; and in 759, by the capture of Narbonne, their capital, extinguished the remains of their power in France.

Charlemagne, or Charles the Great, succeeded his father, Pepin, on the throne in the year 768. This prince, though the hero of numerous romantic legends, appears greater in history than in fiction. Whether we regard him as a warrior or as a legislator, as a patron of learning or as the civilizer of a barbarous nation, he is entitled to our warmest admiration. Such he is in history; but the romancers represent him as often weak and passionate, the victim of treacherous counsellors, and at the mercy of turbulent barons, on whose prowess he depends for the maintenance of his throne. The historical representation is doubtless the true one, for it is handed down in trustworthy records, and is confirmed by the events of the age. At the height of his power, the French empire extended over what we now call France, Germany, Switzerland, Holland, Belgium, and great part of Italy.

In the year 800 Charlemagne, being in Rome, whither he had gone with a numerous army to protect the Pope, was crowned by the Pontiff Emperor of the West. On Christmas day Charles entered the Church of St. Peter, as if merely to take his part in the celebration of the mass with the rest of the congregation. When he approached the altar and stooped in the act of prayer the Pope stepped forward and placed a crown of gold upon his head; and immediately the Roman people shouted, "Life and victory to Charles the August, crowned by God the great and pacific Emperor of the Romans." The Pope then prostrated himself before him, and paid him reverence, according to the custom established in the times of the ancient Emperors, and concluded the ceremony by anointing him with consecrated oil.

Charlemagne's wars were chiefly against the pagan and barbarous people, who, under the name of Saxons, inhabited the countries now called Hanover and Holland. He also led expeditions against the Saracens of Spain; but his wars with the Saracens were not carried on, as the romances assert, in France, but on the soil of Spain. He entered Spain by the Eastern Pyrenees, and made an easy conquest of Barcelona and Pampeluna. But Saragossa refused to open her gates to him, and Charles ended by negotiating and accepting a vast sum of gold as the price of his return over the Pyrenees.

On his way back, he marched with his whole army through the gorges of the mountains by way of the valleys of Engui, Eno, and Roncesvalles. The chief of this region had waited upon Charlemagne, on his advance, as a faithful vassal of the monarchy; but now, on the return of the Franks, he had called together all the wild mountaineers who acknowledged him as their chief, and they occupied the heights of the mountains under which the army had to pass. The main body of the troops met with no obstruction, and received no intimation of danger; but the rear-guard, which was considerably behind, and encumbered with its plunder, was overwhelmed by the mountaineers in the pass of Roncesvalles, and slain to a man. Some of the bravest of the Prankish chiefs perished on this occasion, among whom is mentioned Roland or Orlando, governor of the marches or frontier of Brittany. His name became famous in after times, and the disaster of Roncesvalles and death of Roland became eventually the most celebrated episode in the vast cycle of romance.

Though after this there were hostile encounters between the armies of Charlemagne and the Saracens, they were of small account, and generally on the soil of Spain. Thus the historical foundation for the stories of the romancers is but scanty, unless we suppose the events of an earlier and of a later age to be incorporated with those of Charlemagne's own time.

There is, however, a pretended history, which for a long time was admitted as authentic, and attributed to Turpin, Archbishop of Rheims, a real personage of the time of Charlemagne. Its title is "History of Charles the Great and Orlando." It is now unhesitatingly considered as a collection of popular traditions, produced by some credulous and unscrupulous monk, who thought to give dignity to his romance by ascribing its authorship to a well- known and eminent individual. It introduces its pretended author, Bishop Turpin, in this manner:

"Turpin, Archbishop of Rheims, the friend and secretary of Charles the Great, excellently skilled in sacred and profane literature, of a genius equally adapted to prose and verse, the advocate of the poor, beloved of God in his life and conversation, who often fought the Saracens, hand to hand, by the Emperor's side, he relates the acts of Charles the Great in one book, and flourished under Charles and his son Louis, to the year of our Lord eight hundred and thirty."

The titles of some of Archbishop Turpin's chapters will show the nature of his history. They are these: "Of the Walls of Pampeluna, that fell of themselves." "Of the War of the holy Facundus, where the Spears grew." (Certain of the Christians fixed their spears in the evening, erect in the ground, before the castle; and found them, in the morning, covered with bark and branches.) "How the Sun stood still for Three Days, and of the Slaughter of Four Thousand Saracens."

Turpin's history has perhaps been the source of the marvellous adventures which succeeding poets and romancers have accumulated around the names of Charlemagne and his Paladins, or Peers. But Ariosto and the other Italian poets have drawn from different sources, and doubtless often from their own invention, numberless other stories which they attribute to the same heroes, not hesitating to quote as their authority "the good Turpin," though his history contains no trace of them; and the more outrageous the improbability, or rather the impossibility, of their narrations, the more attentive are they to cite "the Archbishop," generally adding their testimonial to his unquestionable veracity.

The principal Italian poets who have sung the adventures of the peers of Charlemagne are Pulci, Boiardo, and Ariosto. The characters of Orlando, Rinaldo, Astolpho, Gano, and others, are the same in all, though the adventures attributed to them are different. Boiardo tells us of the loves of Orlando, Ariosto of his disappointment and consequent madness, Pulci of his death.

Ogier, the Dane, is a real personage. History agrees with romance in representing him as a powerful lord who, originally from Denmark and a Pagan, embraced Christianity, and took service under Charlemagne. He revolted from the Emperor, and was driven into exile. He afterwards led one of those bands of piratical Northmen which ravaged France under the reigns of Charlemagne's degenerate successors. The description which an ancient chronicler gives of Charlemagne, as described by Ogier, is so picturesque, that we are tempted to transcribe it. Charlemagne was advancing to the siege of Pavia. Didier, King of the Lombards, was in the city with Ogier, to whom he had given refuge. When they learned that the king was approaching they mounted a high tower, whence they could see far and wide over the country. "They first saw advancing the engines of war, fit for the armies of Darius or Julius Caesar. 'There is Charlemagne,' said Didier. 'No,' said Ogier. The Lombard next saw a vast body of soldiers, who filled all the plain. 'Certainly Charles advanced with that host,' said the king. 'Not yet,' replied Ogier. 'What hope for us,' resumed the king, 'if he brings with him a greater host than that?' At last Charles appeared, his head covered with an iron helmet, his hands with iron gloves, his breast and shoulders with a cuirass of iron, his left hand holding an iron lance, while his right hand grasped his sword. Those who went before the monarch, those who marched at his side, and those who followed him, all had similar arms. Iron covered the fields and the roads; iron points reflected the rays of the sun. This iron, so hard, was borne by a people whose hearts were harder still. The blaze of the weapons flashed terror into the streets of the city."

This picture of Charlemagne in his military aspect would be incomplete without a corresponding one of his "mood of peace." One of the greatest of modern historians, M. Guizot, has compared the glory of Charlemagne to a brilliant meteor, rising suddenly out of the darkness of barbarism to disappear no less suddenly in the darkness of feudalism. But the light of this meteor was not extinguished, and reviving civilization owed much that was permanently beneficial to the great Emperor of the Franks. His ruling hand is seen in the legislation of his time, as well as in the administration of the laws. He encouraged learning; he upheld the clergy, who were the only peaceful and intellectual class, against the encroaching and turbulent barons; he was an affectionate father, and watched carefully over the education of his children, both sons and daughters. Of his encouragement of learning we will give some particulars.

He caused learned men to be brought from Italy and from other foreign countries to revive the public schools of France, which had been prostrated by the disorders of preceding times. He recompensed these learned men liberally, and kept some of them near himself, honoring them with his friendship. Of these the most celebrated is Alcuin, an Englishman, whose writings still remain, and prove him to have been both a learned and a wise man. With the assistance of Alcuin, and others like him, he founded an academy or royal school, which should have the direction of the studies of all the schools of the kingdom. Charlemagne himself was a member of this academy on equal terms with the rest. He attended its meetings, and fulfilled all the duties of an academician. Each member took the name of some famous man of antiquity. Alcuin called himself Horace, another took the name of Augustin, a third of Pindar. Charlemagne, who knew the Psalms by heart, and who had an ambition to be, according to his conception, A KING AFTER GOD'S OWN HEART, received from his brother academicians the name of David.

Of the respect entertained for him by foreign nations an interesting proof is afforded in the embassy sent to him by the Caliph of the Arabians, the celebrated Haroun al Raschid, a prince in character and conduct not unlike to Charlemagne. The ambassadors brought with them, besides other rich presents, a clock, the first that was seen in Europe, which excited universal admiration. It had the form of a twelve-sided edifice with twelve doors. These doors formed niches, in each of which was a little statue representing one of the hours. At the striking of the hour the doors, one for each stroke, was seen to open, and from the doors to issue as many of the little statues, which, following one another, marched gravely round the tower. The motion of the clock was caused by water, and the striking was effected by balls of brass equal to the number of the hours, which fell upon a cymbal of the same metal, the number falling being determined by the discharge of the water, which, as it sunk in the vessel, allowed their escape.

Charlemagne was succeeded by his son Louis, a well-intentioned but feeble prince, in whose reign the fabric reared by Charles began rapidly to crumble. Louis was followed successively by two Charleses, incapable princes, whose weak and often tyrannical conduct is no doubt the source of incidents of that character ascribed in the romances to Charlemagne.

The lawless and disobedient deportment of Charles's paladins, instances of which are so frequent in the romantic legends, was also a trait of the declining empire, but not of that of Charlemagne.

THE PEERS, OR PALADINS

The twelve most illustrious knights of Charlemagne were called Peers, for the equality that reigned among them; while the name of Paladins, also conferred on them, implies that they were inmates of the palace and companions of the king. Their names are always given alike by the romancers, yet we may enumerate the most distinguished of them as follows: Orlando or Roland (the former the Italian, the latter the French form of the name), favorite nephew of Charlemagne; Rinaldo of Montalban, cousin of Orlando; Namo, Duke of Bavaria; Salomon, king of Brittany; Turpin, the Archbishop; Astolpho, of England; Ogier, the Dane; Malagigi, the Enchanter; and Florismart, the friend of Orlando. There were others who are sometimes named as paladins, and the number cannot be strictly limited to twelve. Charlemagne himself must be counted one, and Ganelon, or Gano, of Mayence, the treacherous enemy of all the rest, was rated high on the list by his deluded sovereign, who was completely the victim of his arts.

We shall introduce more particularly to our readers a few of the principal peers, leaving the others to make their own introduction as they appear in the course of our narrative. We begin with Orlando.

ORLANDO

Milon, or Milone, a knight of great family, and distantly related to Charlemagne, having secretly married Bertha, the Emperor's sister, was banished from France, and excommunicated by the Pope. After a long and miserable wandering on foot as mendicants Milon and his wife arrived at Sutri, in Italy, where they took refuge in a cave, and in that cave Orlando was born. There his mother continued, deriving a scanty support from the compassion of the neighboring peasants; while Milon, in quest of honor and fortune, went into foreign lands. Orlando grew up among the children of the peasantry, surpassing them all in strength and manly graces. Among his companions in age, though in station far more elevated, was Oliver, son of the governor of the town. Between the two boys a feud arose that led to a fight, in which Orlando thrashed his rival; but this did not prevent a friendship springing up between the two, which lasted through life.

Orlando was so poor that he was sometimes half naked. As he was a favorite of the boys, one day four of them brought some cloth to make him clothes. Two brought white and two red; and from this circumstance Orlando took his coat-of-arms, or quarterings.

When Charlemagne was on his way to Rome to receive the imperial crown he dined in public in Sutri. Orlando and his mother that day had nothing to eat, and Orlando coming suddenly upon the royal party, and seeing abundance of provisions, seized from the attendants as much as he could carry off, and made good his retreat in spite of their resistance. The Emperor, being told of this incident, was reminded of an intimation he had received in a dream, and ordered the boy to be followed. This was done by three of the knights, whom Orlando would have encountered with a cudgel on their entering the grotto, had not his mother restrained him. When they heard from her who she was they threw themselves at her feet, and promised to obtain her pardon from the Emperor. This was easily effected. Orlando was received into favor by the Emperor, returned with him to France, and so distinguished himself that he became the most powerful support of the throne and of Christianity. [Footnote: It is plain that Shakspeare borrowed from this source the similar incident in his "As you Like it." The names of characters in the play, Orlando, Oliver, Rowland indicate the same thing.]

ROLAND AND FERRAGUS

Orlando, or Roland, particularly distinguished himself by his combat with Ferragus. Ferragus was a giant, and moreover his skin was of such impenetrable stuff that no sword could make any impression upon it. The giant's mode of fighting was to seize his adversary in his arms and carry him off, in spite of all the struggles he could make. Roland's utmost skill only availed to keep him out of the giant's clutches, but all his efforts to wound him with the sword were useless. After long fighting Ferragus was so weary that he proposed a truce, and when it was agreed upon he lay down and immediately fell asleep. He slept in perfect security, for it was against all the laws of chivalry to take advantage of an adversary under such circumstances. But Ferragus lay so uncomfortably for the want of a pillow that Orlando took pity upon him, and brought a smooth stone and placed it under his head. When the giant woke up, after a refreshing nap, and perceived what Orlando had done, he seemed quite grateful, became sociable, and talked freely in the usual boastful style of such characters. Among other things he told Orlando that he need not attempt to kill him with a sword, for that every part of his body was invulnerable, except this; and as he spoke, he put his hand to the vital part, just in the middle of his breast. Aided by this information Orlando succeeded, when the fight was renewed, in piercing the giant in the very spot he had pointed out, and giving him a death-wound. Great was the rejoicing in the Christian camp, and many the praises showered upon the victorious paladin by the Emperor and all his host.

On another occasion Orlando encountered a puissant Saracen warrior, and took from him, as the prize of victory, the sword Durindana. This famous weapon had once belonged to the illustrious prince Hector of Troy. It was of the finest workmanship, and of such strength and temper that no armor in the world could stand against it.

A ROLAND FOR AN OLIVER

Guerin de Montglave held the lordship of Vienne, subject to Charlemagne. He had quarrelled with his sovereign, and Charles laid siege to his city, having ravaged the neighboring country. Guerin was an aged warrior, but relied for his defence upon his four sons and two grandsons, who were among the bravest knights of the age. After the siege had continued two months Charlemagne received tidings that Marsilius, king of Spain, had invaded France, and, finding himself unopposed, was advancing rapidly in the Southern provinces. At this intelligence Charles listened to the counsel of his peers, and consented to put the quarrel with Guerin to the decision of Heaven, by single combat between two knights, one of each party, selected by lot. The proposal was acceptable to Guerin and his sons. The names of the four, together with Guerin's own, who would not be excused, and of the two grandsons, who claimed their lot, being put into a helmet, Oliver's was drawn forth, and to him, the youngest of the grandsons, was assigned the honor and the peril of the combat. He accepted the award with delight, exulting in being thought worthy to maintain the cause of his family. On Charlemagne's side Roland was the designated champion, and neither he nor Oliver knew who his antagonist was to be.

They met on an island in the Rhone, and the warriors of both camps were ranged on either shore, spectators of the battle. At the first encounter both lances were shivered, but both riders kept their seats, immovable. They dismounted, and drew their swords. Then ensued a combat which seemed so equal, that the spectators could not form an opinion as to the probable issue. Two hours and more the knights continued to strike and parry, to thrust and ward, neither showing any sign of weariness, nor ever being taken at unawares. At length Orlando struck furiously upon Oliver's shield, burying Durindana in its edge so deeply that he could not draw it back, and Oliver, almost at the same moment, thrust so vigorously upon Orlando's breastplate that his sword snapped off at the handle. Thus were the two warriors left weaponless. Scarcely pausing a moment, they rushed upon one another, each striving to throw his adversary to the ground, and failing in that, each snatched at the other's helmet to tear it away. Both succeeded, and at the same moment they stood bare-headed face to face, and Roland recognized Oliver, and Oliver Roland. For a moment they stood still; and the next, with open arms, rushed into one another's embrace. "I am conquered," said Orlando. "I yield me." said Oliver.

The people on the shore knew not what to make of all this. Presently they saw the two late antagonists standing hand in hand, and it was evident the battle was at an end. The knights crowded round them, and with one voice hailed them as equals in glory. If there were any who felt disposed to murmur that the battle was left undecided they were silenced by the voice of Ogier the Dane, who proclaimed aloud that all had been done that honor required, and declared that he would maintain that award against all gainsayers.

The quarrel with Guerin and his sons being left undecided, a truce was made for four days, and in that time, by the efforts of Duke Namo on the one side, and of Oliver on the other, a reconciliation was effected. Charlemagne, accompanied by Guerin and his valiant family, marched to meet Marsilius, who hastened to retreat across the frontier.

RINALDO

Rinaldo was one of the four sons of Aymon, who married Aya, the sister of Charlemagne. Thus Rinaldo was nephew to Charlemagne and cousin of Orlando.

When Rinaldo had grown old enough to assume arms Orlando had won for himself an illustrious name by his exploits against the Saracens, whom Charlemagne and his brave knights had driven out of France. Orlando's fame excited a noble emulation in Rinaldo. Eager to go in pursuit of glory, he wandered in the country near Paris, and one day saw at the foot of a tree a superb horse, fully equipped and loaded with a complete suit of armor. Rinaldo clothed himself in the armor and mounted the horse, but took not the sword. On the day when, with his brothers, he had received the honor of knighthood from the Emperor he had sworn never to bind a sword to his side till he had wrested one from some famous knight.

Rinaldo took his way to the forest of Arden, celebrated for so many adventures. Hardly had he entered it when he met an old man, bending under the weight of years, and learned from him that the forest was infested with a wild horse, untamable, that broke and overturned everything that opposed his career. To attack him, he said, or even to meet him, was certain death. Rinaldo, far from being alarmed, showed the most eager desire to combat the animal. This was the horse Bayard, afterward so famous. He had formerly belonged to Amadis of Gaul. After the death of that hero he had been held under enchantment by the power of a magician, who predicted that, when the time came to break the spell, he should be subdued by a knight of the lineage of Amadis, and not less brave than he.

To win this wonderful horse it was necessary to conquer him by force or skill; for from the moment when he should be thrown down he would become docile and manageable. His habitual resort was a cave on the borders of the forest; but woe be to any one who should approach him, unless gifted with strength and courage more than mortal. Having told this, the old man departed. He was not, in fact, an old man, but Malagigi, the enchanter, cousin of Rinaldo, who, to favor the enterprises of the young knight, had procured for him the horse and armor which he so opportunely found, and now put him in the way to acquire a horse unequalled in the world.

Rinaldo plunged into the forest, and spent many days in seeking Bayard, but found no traces of him. One day he encountered a Saracen knight, with whom he made acquaintance, as often happened to knights, by first meeting him in combat. This knight, whose name was Isolier, was also in quest of Bayard. Rinaldo succeeded in the encounter, and so severe was the shock that Isolier was a long time insensible. When he revived, and was about to resume the contest, a peasant who passed by (it was Malagigi) interrupted them with the news that the terrible horse was near at hand, advising them to unite their powers to subdue him, for it would require all their ability.

Rinaldo and Isolier, now become friends, proceeded together to the attack of the horse. They found Bayard, and stood a long time, concealed by the wood, admiring his strength and beauty.

A bright bay in color (whence he was called Bayard), with a silver star in his forehead, and his hind feet white, his body slender, his head delicate, his ample chest filled out with swelling muscles, his shoulders broad and full, his legs straight and sinewy, his thick mane falling over his arching neck,—he came rushing through the forest, regardless of rocks, bushes, or trees, rending everything that opposed his way, and neighing defiance.

He first descried Isolier, and rushed upon him. The knight received him with lance in rest, but the fierce animal broke the spear, and his course was not delayed by it for an instant. The Spaniard adroitly stepped aside, and gave way to the rushing tempest. Bayard checked his career, and turned again upon the knight, who had already drawn his sword. He drew his sword, for he had no hope of taming the horse; that, he was satisfied, was impossible.

Bayard rushed upon him; fiercely rearing, now on this side, now on that. The knight struck him with his sword, where the white star adorned his forehead, but struck in vain, and felt ashamed, thinking that he had struck feebly, for he did not know that the skin of that horse was so tough that the keenest sword could make no impression upon it.

Whistling fell the sword once more, and struck with greater force, and the fierce horse felt it, and drooped his head under the blow, but the next moment turned upon his foe with such a buffet that the Pagan fell stunned and lifeless to the earth.

Rinaldo, who saw Isolier fall, and thought that his life was reft, darted towards the horse, and, with his fist gave him such a blow on the jaws that the blood tinged his mouth with vermilion. Quicker than an arrow leaves the bow the horse turned upon him, and tried to seize his arm with his teeth.

The knight stepped back, and then, repeating his blow, struck him on the forehead. Bayard turned, and kicked with both his feet with a force that would have shattered a mountain. Rinaldo was on his guard, and evaded his attacks, whether made with head or heels. He kept at his side avoiding both; but, making a false step, he at last received a terrible blow from the horse's foot, and at the shock almost fainted away. A second such blow would have killed him, but the horse kicked at random, and a second blow did not reach Rinaldo, who in a moment recovered himself. Thus the contest continued until by chance Bayard's foot got caught between the branches of an oak. Rinaldo seized it and putting forth all his strength and address, threw him on the ground.

No sooner had Bayard touched the ground than all his rage subsided. No longer an object of terror, he became gentle and quiet, yet with dignity in his mildness.

The paladin patted his neck, stroked his breast, and smoothed his mane, while the animal neighed and showed delight to be caressed by his master. Rinaldo, seeing him now completely subdued, took the saddle and trappings from the other horse, and adorned Bayard with the spoils.

Rinaldo became one of the most illustrious knights of Charlemagne's court,—indeed, the most illustrious, if we except Orlando. Yet he was not always so obedient to the Emperor's commands as he should have been, and every fault he committed was sure to be aggravated by the malice of Gan, Duke of Maganza, the treacherous enemy of Rinaldo and all his house.

At one time Rinaldo had incurred the severe displeasure of Charlemagne, and been banished from court. Seeing no chance of being ever restored to favor, he went to Spain, and entered into the service of the Saracen king, Ivo. His brothers, Alardo, Ricardo, and Ricciardetto, accompanied him, and all four served the king so faithfully that they rose to high favor with him. The king gave them land in the mountains on the frontiers of France and Spain, and subjected all the country round to Rinaldo's authority. There was plenty of marble in the mountains, the king furnished workmen, and they built a castle for Rinaldo, surrounded with high walls, so as to be almost impregnable. Built of white stone, and placed on the brow of a marble promontory, the castle shone like a star, and Rinaldo gave it the name of Montalban. Here he assembled his friends, many of whom were banished men like himself, and the country people furnished them with provisions in return for the protection the castle afforded. Yet some of Rinaldo's men were lawless, and sometimes the supplies were not furnished in sufficient abundance, so that Rinaldo and his garrison got a bad name for taking by force what they could not obtain by gift; and we sometimes find Montalban spoken of as a nest of freebooters, and its defenders called a beggarly garrison.

Charlemagne's displeasure did not last long, and, at the time our history commences, Rinaldo and his brothers were completely restored to the favor of the Emperor, and none of his cavaliers served him with greater zeal and fidelity than they, throughout all his wars with the Saracens and Pagans.

THE TOURNAMENT

It was the month of May, and the feast of Pentecost. Charlemagne had ordered magnificent festivities, and summoned to them, besides his paladins and vassals of the crown, all strangers, Christian or Saracen, then sojourning at Paris. Among the guests were King Grandonio, from Spain; and Ferrau, the Saracen, with eyes like an eagle; Orlando and Rinaldo, the Emperor's nephews; Duke Namo; Astolpho, of England, the handsomest man living; Malagigi, the Enchanter; and Gano, of Maganza, that wily traitor, who had the art to make the Emperor think he loved him, while he plotted against him.

High sat Charlemagne at the head of his vassals and his paladins, rejoicing in the thought of their number and their might, while all were sitting and hearing music, and feasting, when suddenly there came into the hall four enormous giants, having between them a lady of incomparable beauty, attended by a single knight. There were many ladies present who had seemed beautiful till she made her appearance, but after that they all seemed nothing. Every Christian knight turned his eyes to her, and every Pagan crowded round her, while she, with a sweetness that might have touched a heart of stone, thus addressed the Emperor:

"High-minded lord, the renown of your worthiness, and of the valor of these your knights, which echoes from sea to sea, encourages me to hope that two pilgrims, who have come from the ends of the world to behold you, will not have encountered their fatigue in vain. And, before I show the motive which has brought us hither, learn that this knight is my brother Uberto, and that I am his sister Angelica. Fame has told us of the jousting this day appointed, and so the prince my brother has come to prove his valor, and to say that, if any of the knights here assembled choose to meet him in the joust, he will encounter them, one by one, at the stair of Merlin, by the Fountain of the Pine. And his conditions are these: No knight who chances to be thrown shall be allowed to renew the combat, but shall remain prisoner to my brother; but if my brother be overthrown he shall depart out of the country, leaving me as the prize of the conqueror."

Now it must be stated that this Angelica and her brother, who called himself Uberto, but whose real name was Argalia, were the children of Galafron, king of Cathay, who had sent them to be the destruction of the Christian host; for Argalia was armed with an enchanted lance, which unfailingly overthrew everything it touched, and he was mounted on a horse, a creature of magic, whose swiftness outstripped the wind. Angelica possessed also a ring which was a defence against all enchantments, and when put into the mouth rendered the bearer invisible. Thus Argalia was expected to subdue and take prisoners whatever knights should dare to encounter him; and the charms of Angelica were relied on to entice the paladins to make the fatal venture, while her ring would afford her easy means of escape.

When Angelica ceased sneaking she knelt before the king and awaited his answer, and everybody gazed on her with admiration. Orlando especially felt irresistibly drawn towards her, so that he trembled and changed countenance. Every knight in the hall was infected with the same feeling, not excepting old white-headed Duke Namo and Charlemagne himself.

All stood for a while in silence, lost in the delight of looking at her. The fiery youth Ferrau could hardly restrain himself from seizing her from the giants and carrying her away; Rinaldo turned as red as fire, while Malagigi, who had discovered by his art that the stranger was not speaking truth, muttered softly, as he looked at her, "Exquisite false creature! I will play thee such a trick for this, as will leave thee no cause to boast of thy visit."

Charlemagne, to detain her as long as possible before him, delayed his assent till he had asked her a number of questions, all which she answered discreetly, and then the challenge was accepted.

As soon as she was gone Malagigi consulted his book, and found out the whole plot of the vile, infidel king, Galafron, as we have explained it, so he determined to seek the damsel and frustrate her designs. He hastened to the appointed spot, and there found the prince and his sister in a beautiful pavilion, where they lay asleep, while the four giants kept watch. Malagigi took his book and cast a spell out of it, and immediately the four giants fell into a deep sleep. Drawing his sword (for he was a belted knight), he softly approached the young lady, intending to despatch her at once; but, seeing her look so lovely, he paused for a moment, thinking there was no need of hurry, as he believed his spell was upon her, and she could not wake. But the ring which she wore secured her from the effect of the spell, and some slight noise, or whatever else it was, caused her at that moment to awake. She uttered a great cry, and flew to her brother, and waked him. By the help of her knowledge of enchantment, they took and bound fast the magician, and, seizing his book, turned his arts against himself. Then they summoned a crowd of demons, and bade them seize their prisoner and bear him to King Galafron, at his great city of Albracca, which they did, and, on his arrival, he was locked up in a rock under the sea.

While these things were going on all was uproar at Paris, since Orlando insisted upon being the first to try the adventure at the stair of Merlin. This was resented by the other pretenders to Angelica, and all contested his right to the precedence. The tumult was stilled by the usual expedient of drawing lots, and the first prize was drawn by Astolpho. Ferrau, the Saracen, had the second, and Grandonio the third. Next came Berlinghieri, and Otho; then Charles himself, and, as his ill-fortune would have it, after thirty more, the indignant Orlando.

Astolpho, who drew the first lot, was handsome, brave, and rich. But, whether from heedlessness or want of skill, he was an unlucky jouster, and very apt to be thrown, an accident which he bore with perfect good-humor, always ready to mount again and try to mend his fortune, generally with no better success.

Astolpho went forth upon his adventure with great gayety of dress and manner, encountered Argalia, and was immediately tilted out of the saddle. He railed at fortune, to whom he laid all the fault; but his painful feelings were somewhat relieved by the kindness of Angelica, who, touched by his youth and good looks, granted him the liberty of the pavilion, and caused him to be treated with all kindness and respect.

The violent Ferrau had the next chance in the encounter, and was thrown no less speedily than Astolpho; but he did not so easily put up with his mischance. Crying out, "What are the emperor's engagements to me?" he rushed with his sword against Argalia, who, being forced to defend himself, dismounted and drew his sword, but got so much the worse of the fight that he made a signal of surrender, and, after some words, listened to a proposal of marriage from Ferrau to his sister. The beauty, however, feeling no inclination to match with such a rough and savage-looking person, was so dismayed at the offer, that, hastily bidding her brother to meet her in the forest of Arden, she vanished from the sight of both by means of the enchanted ring. Argalia, seeing this, took to his horse of swiftness, and dashed away in the same direction. Ferrau pursued him, and Astolpho, thus left to himself, took possession of the enchanted lance in place of his own, which was broken, not knowing the treasure he possessed in it, and returned to the tournament. Charlemagne, finding the lady and her brother gone, ordered the jousting to proceed as at first intended, in which Astolpho, by aid of the enchanted lance, unhorsed all comers against him, equally to their astonishment and his own.

The paladin Rinaldo, on learning the issue of the combat of Ferrau and the stranger, galloped after the fair fugitive in an agony of love and impatience. Orlando, perceiving his disappearance, pushed forth in like manner; and, at length, all three are in the forest of Arden, hunting about for her who is invisible.

Now in this forest there were two fountains, the one constructed by the sage Merlin, who designed it for Tristram and the fair Isoude; [Footnote: See their story in "King Arthur and His Knights."] for such was the virtue of this fountain, that a draught of its waters produced on oblivion of the love which the drinker might feel, and even produced aversion for the object formerly beloved. The other fountain was endowed with exactly opposite qualities, and a draught of it inspired love for the first living object that was seen after tasting it. Rinaldo happened to come to the first mentioned fountain, and, being flushed with heat, dismounted, and quenched in one draught both his thirst and his passion. So far from loving Angelica as before he hated her from the bottom of his heart, became disgusted with the search he was upon, and, feeling fatigued with his ride, finding a sheltered and flowery nook, laid himself down and fell asleep.

Shortly after came Angelica, but, approaching in a different direction, she espied the other fountain, and there quenched her thirst. Then resuming her way, she came upon the sleeping Rinaldo. Love instantly seized her, and she stood rooted to the spot.

The meadow round was all full of lilies of the valley and wild roses. Angelica, not knowing what to do, at length plucked a handful of these, and dropped them, one by one, on the face of the sleeper. He woke up, and, seeing who it was, received her salutations with averted countenance, remounted his horse, and galloped away. In vain the beautiful creature followed and called after him, in vain asked him what she had done to be so despised. Rinaldo disappeared, leaving her in despair, and she returned in tears to the spot where she had found him sleeping. There, in her turn, she herself lay down, pressing the spot of earth on which he had lain, and, out of fatigue and sorrow, fell asleep.

As Angelica thus lay, fortune conducted Orlando to the same place. The attitude in which she was sleeping was so lovely that it is not to be conceived, much less expressed. Orlando stood gazing like a man who had been transported to another sphere. "Am I on earth," he exclaimed, "or am I in Paradise? Surely it is I that sleep, and this is my dream."

But his dream was proved to be none in a manner which he little desired. Ferrau, who had slain Argalia, came up, raging with jealousy, and a combat ensued which awoke the sleeper.

Terrified at what she beheld, she rushed to her palfrey, and, while the fighters were occupied with one another, fled away through the forest. The champions continued their fight till they were interrupted by a messenger, who brought word to Ferrau that king Marsilius, his sovereign, was in pressing need of his assistance, and conjured him to return to Spain. Ferrau, upon this, proposed to suspend the combat, to which Orlando, eager to pursue Angelica, agreed. Ferrau, on the other hand, departed with the messenger to Spain.

Orlando's quest for the fair fugitive was all in vain. Aided by the powers of magic, she made a speedy return to her own country.

But the thought of Rinaldo could not be banished from her mind, and she determined to set Malagigi at liberty, and to employ him to win Rinaldo, if possible, to make her a return of affection. She accordingly freed him from his dungeon, unlocking his fetters with her own hands, and restored him his book, promising him ample honors and rewards on condition of his bringing Rinaldo to her feet.

Malagigi accordingly, with the aid of his book, called up a demon, mounted him, and departed. Arrived at his destination, he inveigled Rinaldo into an enchanted bark, which conveyed him, without any visible pilot, to an island where stood an edifice called Joyous Castle. The whole island was a garden. On the western side, close to the sea, was the palace, built of marble, so clear and polished that it reflected the landscape about it. Rinaldo leapt ashore, and soon met a lady, who invited him to enter. The house was as beautiful within as without, full of rooms adorned with azure and gold, and with noble paintings. The lady led the knight into an apartment painted with stories, and opening to the garden, through pillars of crystal, with golden capitals. Here he found a bevy of ladies, three of whom were singing in concert, while another played on an instrument of exquisite accord, and the rest danced round about them. When the ladies beheld him coming they turned the dance into a circuit round him, and then one of them, in the sweetest manner, said, "Sir knight, the tables are set, and the hour for the banquet is come;" and, with these words, still dancing, they drew him across the lawn in front of the apartment, to a table that was spread with cloth of gold and fine linen, under a bower of damask roses by the side of a fountain.

Four ladies were already seated there, who rose, and placed Rinaldo at their head, in a chair set with pearls. And truly indeed was he astonished. A repast ensued, consisting of viands the most delicate, and wines as fragrant as they were fine, drunk out of jewelled cups; and, when it drew towards its conclusion, harps and lutes were heard in the distance, and one of the ladies said in the knight's ear: "This house and all that you see in it are yours; for you alone was it built, and the builder is a queen. Happy indeed must you think yourself, for she loves you, and she is the greatest beauty in the world! Her name is Angelica."

The moment Rinaldo heard the name he so detested he started up, with a changed countenance, and, in spite of all that the lady could say, broke off across the garden, and never ceased hastening till he reached the place where he landed. The bark was still on the shore. He sprang into it, and pushed off, though he saw nobody in it but himself. It was in vain for him to try to control its movements, for it dashed on as if in fury, till it reached a distant shore covered with a gloomy forest. Here Rinaldo, surrounded by enchantments of a very different sort from those which he had lately resisted, was entrapped into a pit.

The pit belonged to a castle called Altaripa, which was hung with human heads, and painted red with blood. As the paladin was viewing the scene with amazement a hideous old woman made her appearance at the edge of the pit, and told him that he was destined to be thrown to a monster, who was only kept from devastating the whole country by being supplied with living human flesh. Rinaldo said, "Be it so; let me but remain armed as I am, and I fear nothing." The old woman laughed in derision. Rinaldo remained in the pit all night, and the next morning was taken to the place where the monster had his den. It was a court surrounded by a high wall. Rinaldo was shut in with the beast, and a terrible combat ensued. Rinaldo was unable to make any impression on the scales of the monster, while he, on the contrary, with his dreadful claws, tore away plate and mail from the paladin. Rinaldo began to think his last hour was come, and cast his eyes around and above to see if there was any means of escape. He perceived a beam projecting from the wall at the height of some ten feet, and, taking a leap almost miraculous, he succeeded in reaching it, and in flinging himself up across it. Here he sat for hours, the hideous brute continually trying to reach him. All at once he heard the sound of something coming through the air like a bird, and suddenly Angelica herself alighted on the end of the beam. She held something in her hand towards him, and spoke to him in a loving voice. But the moment Rinaldo saw her he commanded her to go away, refused all her offers of assistance, and at length declared that, if she did not leave him, he would cast himself down to the monster, and meet his fate.

Angelica, saying she would lose her life rather than displease him, departed; but first she threw to the monster a cake of wax she had prepared, and spread around him a rope knotted with nooses. The beast took the bait, and, finding his teeth glued together by the wax, vented his fury in bounds and leaps, and, soon getting entangled in the nooses, drew them tight by his struggles, so that he could scarcely move a limb.

Rinaldo, watching his chance, leapt down upon his back, seized him round the neck, and throttled him, not relaxing his gripe till the beast fell dead.

Another difficulty remained to be overcome. The walls were of immense height, and the only opening in them was a grated window of such strength that he could not break the bars. In his distress Rinaldo found a file, which Angelica had left on the ground, and, with the help of this, effected his deliverance.

What further adventures he met with will be told in another chapter.

THE SIEGE OF ALBRACCA

At the very time when Charlemagne was holding his plenary court and his great tournament his kingdom was invaded by a mighty monarch, who was moreover so valiant and strong in battle that no one could stand against him. He was named Gradasso, and his kingdom was called Sericane. Now, as it often happens to the greatest and the richest to long for what they cannot have, and thus to lose what they already possess, this king could not rest content without Durindana, the sword of Orlando, and Bayard, the horse of Rinaldo. To obtain these he determined to war upon France, and for this purpose put in array a mighty army.

He took his way through Spain, and, after defeating Marsilius, the king of that country, in several battles, was rapidly advancing on France. Charlemagne, though Marsilius was a Saracen, and had been his enemy, yet felt it needful to succor him in this extremity from a consideration of common danger, and, with the consent of his peers, despatched Rinaldo with a strong body of soldiers against Gradasso.

There was much fighting, with doubtful results, and Gradasso was steadily advancing into France. But, impatient to achieve his objects, he challenged Rinaldo to single combat, to be fought on foot, and upon these conditions: If Rinaldo conquered, Gradasso agreed to give up all his prisoners and return to his own country; but if Gradasso won the day, he was to have Bayard.

The challenge was accepted, and would have been fought had it not been for the arts of Malagigi, who just then returned from Angelica's kingdom with set purpose to win Rinaldo to look with favor upon the fair princess who was dying for love of him. Malagigi drew Rinaldo away from the army by putting on the semblance of Gradasso, and, after a short contest, pretending to fly before him, by which means Rinaldo was induced to follow him into a boat, in which he was borne away, and entangled in various adventures, as we have already related.

The army, left under the command of Ricciardetto, Rinaldo's brother, was soon joined by Charlemagne and all his peerage, but experienced a disastrous rout, and the Emperor and many of his paladins were taken prisoners. Gradasso, however, did not abuse his victory; he took Charles by the hand, seated him by his side, and told him he warred only for honor. He renounced all conquests, on condition that the Emperor should deliver to him Bayard and Durindana, both of them the property of his vassals, the former of which, as he maintained, was already forfeited to him by Rinaldo's failure to meet him as agreed. To these terms Charlemagne readily acceded.

Bayard, after the departure of his master, had been taken in charge by Ricciardetto, and sent back to Paris, where Astolpho was in command, in the absence of Charlemagne. Astolpho received with great indignation the message despatched for Bayard, and replied by a herald that "he would not surrender the horse of his kinsman Rinaldo without a contest. If Gradasso wanted the steed he might come and take him, and that he, Astolpho, was ready to meet him in the field."

Gradasso was only amused at this answer, for Astolpho's fame as a successful warrior was not high, and Gradasso willingly renewed with him the bargain which he had made with Rinaldo. On these conditions the battle was fought. The enchanted lance, in the hands of Astolpho, performed a new wonder; and Gradasso, the terrible Gradasso, was unhorsed.

He kept his word, set free his prisoners, and put his army on the march to return to his own country, renewing his oath, however, not to rest till he had taken from Rinaldo his horse, and from Orlando his sword, or lost his life in the attempt.

Charlemagne, full of gratitude to Astolpho, would have kept him near his person and loaded him with honors, but Astolpho preferred to seek Rinaldo, with the view of restoring to him his horse, and departed from Paris with that design.

Our story now returns to Orlando, whom we left fascinated with the sight of the sleeping beauty, who, however, escaped him while engaged in the combat with Ferrau. Having long sought her in vain through the recesses of the wood, he resolved to follow her to her father's court. Leaving, therefore, the camp of Charlemagne, he travelled long in the direction of the East, making inquiry everywhere, if, perchance, he might get tidings of the fugitive. After many adventures, he arrived one day at a place where many roads crossed, and meeting there a courier, he asked him for news. The courier replied that he had been despatched by Angelica to solicit the aid of Sacripant, king of Circassia, in favor of her father Galafron, who was besieged in his city, Albracca, by Agrican, king of Tartary. This Agrican had been an unsuccessful suitor to the damsel, whom he now pursued with arms. Orlando thus learned that he was within a day's journey of Albracca; and, feeling now secure of Angelica, he proceeded with all speed to her city.

Thus journeying he arrived at a bridge, under which flowed a foaming river. Here a damsel met him with a goblet, and informed him that it was the usage of this bridge to present the traveller with a cup. Orlando accepted the offered cup and drank its contents. He had no sooner done so than his brain reeled, and he became unconscious of the object of his journey, and of everything else. Under the influence of this fascination he followed the damsel into a magnificent and marvellous palace. Here he found himself in company with many knights, unknown to him and to each other, though if it had not been for the Cup of Oblivion of which they all had partaken they would have found themselves brothers in arms.

Astolpho, proceeding on his way to seek Rinaldo, splendidly dressed and equipped, as was his wont, arrived in Circassia, and found there a great army encamped under the command of Sacripant, the king of that country, who was leading it to the defence of Galafron, the father of Angelica. Sacripant, much struck by the appearance of Astolpho and his horse, accosted him courteously, and tried to enlist him in his service; but Astolpho, proud of his late victories, scornfully declined his offers, and pursued his way. King Sacripant was too much attracted by his appearance to part with him so easily, and having laid aside his kingly ornaments, set out in pursuit of him.

Astolpho next day encountered on his way a stranger knight, named Sir Florismart, Lord of the Sylvan Tower, one of the bravest and best of knights, having as his guide a damsel, young, fair, and virtuous, to whom he was tenderly attached, whose name was Flordelis. Astolpho, as he approached, defied the knight, bidding him yield the lady, or prepare to maintain his right by arms. Florismart accepted the contest, and the knights encountered. Florismart was unhorsed and his steed fell dead, while Bayard sustained no injury by the shock.

Florismart was so overwhelmed with despair at his own disgrace and the sight of the damsel's distress, that he drew his sword, and was about to plunge it into his own bosom. But Astolpho held his hand, told him that he contended only for glory, and was contented to leave him the lady.

While Florismart and Flordelis were vowing eternal gratitude King Sacripant arrived, and coveting the damsel of the one champion as much as the horse and arms of the other, defied them to the joust. Astolpho met the challenger, whom he instantly overthrew, and presented his courser to Florismart, leaving the king to return to his army on foot.

The friends pursued their route, and ere long Flordelis discovered, by signs which were known to her, that they were approaching the waters of Oblivion, and advised them to turn back, or to change their course. This the knights would not hear of, and, continuing their march, they soon arrived at the bridge where Orlando had been taken prisoner.

The damsel of the bridge appeared as before with the enchanted cup, but Astolpho, forewarned, rejected it with scorn. She dashed it to the ground, and a fire blazed up which rendered the bridge unapproachable. At the same moment the two knights were assailed by sundry warriors, known and unknown, who, having no recollection of anything, joined blindly in defence of their prison-house. Among these was Orlando, at sight of whom Astolpho, with all his confidence not daring to encounter him, turned and fled, owing his escape to the strength and fleetness of Bayard.

Florismart, meanwhile, overlaid by fearful odds, was compelled to yield to necessity, and comply with the usage of the fairy. He drank of the cup and remained prisoner with the rest. Flordelis, deprived of her two friends, retired from the scene, and devoted herself to untiring efforts to effect her lover's deliverance. Astolpho pursued his way to Albracca, which Agrican was about to besiege. He was kindly welcomed by Angelica, and enrolled among her defenders. Impatient to distinguish himself, he one night sallied forth alone, arrived in Agrican's camp, and unhorsed his warriors right and left by means of the enchanted lance. But he was soon surrounded and overmatched, and made prisoner to Agrican.

Relief was, however, at hand; for as the citizens and soldiers were one day leaning over their walls they descried a cloud of dust, from which horsemen were seen to prick forth, as it rolled on towards the camp of the besiegers. This turned out to be the army of Sacripant, which immediately attacked that of Agrican, with the view of cutting a passage through his camp to the besieged city. But Agrican, mounted upon Bayard, taken from Astolpho, but not armed with the lance of gold, the virtues of which were unknown to him, performed wonders, and rallied his scattered troops, which had given way to the sudden and unexpected assault. Sacripant, on the other hand, encouraged his men by the most desperate acts of valor, having as an additional incentive to his courage the sight of Angelica, who showed herself upon the city walls.

There she witnessed a single combat between the two leaders, Agrican and Sacripant. In this, at length, her defender appeared to be overmatched, when the Circassians broke the ring, and separated the combatants, who were borne asunder in the rush. Sacripant, severely wounded, profited by the confusion, and escaped into Albracca, where he was kindly received and carefully tended by Angelica.

The battle continuing, the Circassians were at last put to flight, and, being intercepted between the enemy's lines and the town, sought for refuge under the walls. Angelica ordered the drawbridge to be let down, and the gates thrown open to the fugitives. With these Agrican, not distinguished in the crowd, entered the place, driving both Circassians and Cathayans before him, and the portcullis being dropped, he was shut in.

For a time the terror which he inspired put to flight all opposers, but when at last it came to be known that few or none of his followers had effected an entrance with him, the fugitives rallied and surrounded him on all sides. While he was thus apparently reduced to the last extremities, he was saved by the very circumstance which threatened him with destruction. The soldiers of Angelica, closing upon him from all sides, deserted their defences; and his own besieging army entered the city in a part where the wall was broken down.

In this way was Agrican rescued, the city taken, and the inhabitants put to the sword. Angelica, however, with some of the knights who were her defenders, among whom was Sacripant, saved herself in the citadel, which was planted upon a rock.

The fortress was impregnable, but it was scantily victualled, and ill provided with other necessaries. Under these circumstances Angelica announced to those blockaded with her in the citadel her intention to go in quest of assistance, and, having plighted her promise of a speedy return, she set out, with the enchanted ring upon her finger. Mounted upon her palfrey, the damsel passed through the enemy's lines, and by sunrise was many miles clear of their encampment.

It so happened that her road led her near the fatal bridge of Oblivion, and as she approached it she met a damsel weeping bitterly. It was Flordelis, whose lover, Florismart, as we have related, had met the fate of Orlando and many more, and fallen a victim to the enchantress of the cup. She related her adventures to Angelica, and conjured her to lend what aid she might to rescue her lord and his companions. Angelica, accordingly, watching her opportunity and aided by her ring, slipped into the castle unseen, when the door was opened to admit a new victim. Here she speedily disenchanted Orlando and the rest by a touch of her talisman. But Florismart was not there. He had been given up to Falerina, a more powerful enchantress, and was still in durance. Angelica conjured the rescued captives to assist her in the recovery of her kingdom, and all departed together for Albracca.

The arrival of Orlando, with his companions, nine in all, and among the bravest knights of France, changed at once the fortunes of the war. Wherever the great paladin came, pennon and standard fell before him. Agrican in vain attempted to rally his troops. Orlando kept constantly in his front, forcing him to attend to nobody else. The Tartar king at length bethought him of a stratagem. He turned his horse, and made a show of flying in despair. Orlando dashed after him as he desired, and Agrican fled till he reached a green place in a wood, where there was a fountain.

The place was beautiful, and the Tartar dismounted to refresh himself at the fountain, but without taking off his helmet, or laying aside any of his armor. Orlando was quickly at his back, crying out, "So bold, and yet a fugitive! How could you fly from a single arm and think to escape?"

The Tartar king had leaped on his saddle the moment he saw his enemy, and when the paladin had done speaking, he said in a mild voice, "Without doubt you are the best knight I ever encountered, and fain would I leave you untouched for your own sake, if you would cease to hinder me from rallying my people. I pretended to fly, in order to bring you out of the field. If you insist upon fighting I must needs fight and slay you, but I call the sun in the heavens to witness I would rather not. I should be very sorry for your death."

The Count Orlando felt pity for so much gallantry, and he said, "The nobler you show yourself the more it grieves me to think that in dying without a knowledge of the true faith you will be lost in the other world. Let me advise you to save body and soul at once. Receive baptism, and go your way in peace."

Agrican replied: "I suspect you to be the paladin Orlando. If you are I would not lose this opportunity of fighting with you to be king of Paradise. Talk to me no more about your things of another world, for you will preach in vain. Each of us for himself, and let the sword be umpire."

The Saracen drew his sword, boldly advancing upon Orlando, and a combat began, so obstinate and so long, each warrior being a miracle of prowess, that the story says it lasted from noon till night. Orlando then seeing the stars come out was the first to propose a respite.

"What are we to do," said he, "now that daylight has left us?"

Agrican answered readily enough, "Let us repose in this meadow, and renew the combat at dawn."

The repose was taken accordingly. Each tied up his horse, and reclined himself on the grass, not far from the other, just as if they had been friends, Orlando by the fountain, Agrican beneath a pine. It was a beautiful clear night, and, as they talked together before addressing themselves to sleep, the champion of Christendom, looking up at the firmament, said, "That is a fine piece of workmanship, that starry spectacle; God made it all, that moon of silver, and those stars of gold, and the light of day, and the sun,—all for the sake of human kind."

"You wish, I see, to talk of matters of faith," said the Tartar. "Now I may as well tell you at once that I have no sort of skill in such matters, nor learning of any kind. I never could learn anything when I was a boy. I hated it so that I broke the man's head who was commissioned to teach me; and it produced such an effect on others that nobody ever afterwards dared so much as show me a book. My boyhood was therefore passed, as it should be, in horsemanship and hunting, and learning to fight. What is the good of a gentleman's poring all day over a book? Prowess to the knight, and preaching to the clergyman, that is my motto."

"I acknowledge," returned Orlando, "that arms are the first consideration of a gentleman; but not at all that he does himself dishonor by knowledge. On the contrary, knowledge is as great an embellishment of the rest of his attainments, as the flowers are to the meadow before us; and as to the knowledge of his Maker, the man that is without it is no better than a stock or a stone or a brute beast. Neither without study can he reach anything of a due sense of the depth and divineness of the contemplation."

"Learned or not learned," said Agrican, "you might show yourself better bred than by endeavoring to make me talk on a subject on which you have me at a disadvantage. If you choose to sleep I wish you good night; but if you prefer talking I recommend you to talk of fighting or of fair ladies. And, by the way, pray tell me, are you not that Orlando who makes such a noise in the world? And what is it, pray, that brings you into these parts? Were you ever in love? I suppose you must have been; for to be a knight, and never to have been in love, would be like being a man without a heart in his breast."

The count replied: "Orlando I am, and in love I am. Love has made me abandon everything, and brought me into these distant regions, and, to tell you all in one word, my heart is in the hands of the daughter of King Galafron. You have come against him with fire and sword, to get possession of his castles and his dominions; and I have come to help him, for no object in the world but to please his daughter and win her beautiful hand. I care for nothing else in existence."

Now when the Tartar king, Agrican, heard his antagonist speak in this manner, and knew him to be indeed Orlando, and to be in love with Angelica, his face changed color for grief and jealousy, though it could not be seen for the darkness. His heart began beating with such violence that he felt as if he should have died. "Well," said he to Orlando, "we are to fight when it is daylight, and one or other is to be left here, dead on the ground. I have a proposal to make to you—nay, an entreaty. My love is so excessive for the same lady that I beg you to leave her to me. I will owe you my thanks, and give up the siege and put an end to the war. I cannot bear that any one should love her, and that I should live to see it. Why, therefore, should either of us perish? Give her up. Not a soul shall know it."

"I never yet," answered Orlando, "made a promise which I did not keep, and nevertheless I own to you that, were I to make a promise like that, and even swear to keep it, I should not. You might as well ask me to tear away the limbs from my body, and the eyes out of my head. I could as well live without breath itself as cease loving Angelica."

Agrican had hardly patience to let him finish speaking, ere he leapt furiously on horseback, though it was midnight. "Quit her," said he, "or die!"

Orlando seeing the infidel getting up, and not being sure that he would not add treachery to fierceness, had been hardly less quick in mounting for the combat. "Never," exclaimed he; "I never could have quitted her if I would, and now I would not if I could. You must seek her by other means than these."

Fiercely dashed their horses together, in the nighttime, on the green mead. Despiteful and terrible were the blows they gave and took by the moonlight. Agrican fought in a rage, Orlando was cooler. And now the struggle had lasted more than five hours, and day began to dawn, when the Tartar king, furious to find so much trouble given him, dealt his enemy a blow sharp and violent beyond conception. It cut the shield in two as if it had been made of wood, and, though blood could not be drawn from Orlando, because he was fated, it shook and bruised him as if it had started every joint in his body.

His body only, however, not a particle of his soul. So dreadful was the blow which the paladin gave in return, that not only shield, but every bit of mail on the body of Agrican was broken in pieces, and three of his ribs cut asunder.

The Tartar, roaring like a lion, raised his sword with still greater vehemence than before, and dealt a blow on the paladin's helmet, such as he had never yet received from mortal man. For a moment it took away his senses. His sight failed, his ears tingled, his frightened horse turned about to fly; and he was falling from the saddle, when the very action of falling threw his head upwards, and thus recalled his recollection.

"What a shame is this!" thought he; "how shall I ever again dare to face Angelica! I have been fighting hour after hour with this man, and he is but one, and I call myself Orlando! If the combat last any longer I will bury myself in a monastery, and never look on sword again."

Orlando muttered with his lips closed and his teeth ground together; and you might have thought that fire instead of breath came out of his nose and mouth. He raised his sword Durindana with both his hands, and sent it down so tremendously on Agrican's shoulder that it cut through breastplate down to the very haunch, nay, crushed the saddle-bow, though it was made of bone and iron, and felled man and horse to the earth. Agrican turned as white as ashes, and felt death upon him. He called Orlando to come close to him, with a gentle voice, and said, as well as he could: "I believe on Him who died on the cross. Baptize me, I pray thee, with the fountain, before my senses are gone. I have lived an evil life, but need not be rebellious to God in death also. May He who came to save all the rest of the world save me!" And he shed tears, that great king, though he had been so lofty and fierce.

Orlando dismounted quickly, with his own face in tears. He gathered the king tenderly in his arms, and took and laid him by the fountain, on a marble rim that it had, and then he wept in concert with him heartily, and asked his pardon, and so baptized him in the water of the fountain, and knelt and prayed to God for him with joined hands.

He then paused and looked at him; and when he perceived his countenance changed, and that his whole person was cold, he left him there on the marble rim of the fountain, all armed as he was, with the sword by his side, and the crown upon his head.

ADVENTURES OF RINALDO AND ORLANDO

We left Rinaldo when, having overcome the monster, he quitted the castle of Altaripa, and pursued his way on foot. He soon met with a weeping damsel, who, being questioned as to the cause of her sorrow, told him she was in search of one to do battle to rescue her lover, who had been made prisoner by a vile enchantress, together with Orlando and many more. The damsel was Flordelis, the lady-love of Florismart, and Rinaldo promised his assistance, trusting to accomplish the adventure either by valor or skill. Flordelis insisted upon Rinaldo's taking her horse, which he consented to do, on condition of her mounting behind him.

As they rode on through a wood, they heard strange noises, and Rinaldo, reassuring the damsel, pressed forward towards the quarter from which they proceeded. He soon perceived a giant standing under a vaulted cavern, with a huge club in his hand, and of an appearance to strike the boldest spirit with dread. By the side of the cavern was chained a griffin, which, together with the giant, was stationed there to guard a wonderful horse, the same which was once Argalia's. This horse was a creature of enchantment, matchless in vigor, speed, and form, which disdained to share the diet of his fellow-steeds,—corn or grass,—and fed only on air. His name was Rabican.

This marvellous horse, after his master Argalia had been slain by Ferrau, finding himself at liberty, returned to his native cavern, and was here stabled under the protection of the giant and the griffin. As Rinaldo approached, the giant assailed him with his club. Rinaldo defended himself from the giant's blows, and gave him one in return, which, if his skin had not been of the toughest, would have finished the combat. But the giant, though wounded, escaped, and let loose the griffin. This monstrous bird towered in air, and thence pounced down upon Rinaldo, who, watching his opportunity, dealt her a desperate wound. She had, however, strength for another flight, and kept repeating her attacks, which Rinaldo parried as he could, while the damsel stood trembling by, witnessing the contest.

The battle continued, rendered more terrible by the approach of night, when Rinaldo determined upon a desperate expedient to bring it to a conclusion. He fell, as if fainting from his wounds, and, on the close approach of the griffin, dealt her a blow which sheared away one of her wings. The beast, though sinking, griped him fast with her talons, digging through plate and mail; but Rinaldo plied his sword in utter desperation, and at last accomplished her destruction.

Rinaldo then entered the cavern, and found there the wonderful horse, all caparisoned. He was coal-black, except for a star of white on his forehead, and one white foot behind. For speed he was unrivalled, though in strength he yielded to Bayard. Rinaldo mounted upon Rabican, and issued from the cavern.

As he pursued his way he met a fugitive from Agrican's army, who gave such an account of the prowess of a champion who fought on the side of Angelica, that Rinaldo was persuaded this must be Orlando, though at a loss to imagine how he could have been freed from captivity. He determined to repair to the scene of the contest to satisfy his curiosity, and Flordelis, hoping to find Florismart with Orlando, consented to accompany him.

While these things were doing, all was rout and dismay in the Tartarian army, from the death of Agrican. King Galafron, arriving at this juncture with an army for the relief of his capital, Albracca, assaulted the enemy's camp, and carried all before him. Rinaldo had now reached the scene of action, and was looking on as an unconcerned spectator, when he was espied by Galafron. The king instantly recognized the horse Rabican, which he had given to Argalia when he sent him forth on his ill-omened mission to Paris. Possessed with the idea that the rider of the horse was the murderer of Argalia, Galafron rode at Rinaldo, and smote him with all his force. Rinaldo was not slow to avenge the blow, and it would have gone hard with the king had not his followers instantly closed round him and separated the combatants.