The store was a good half-mile off and the going (in hot weather) not very fast. Then, when she got there, the storekeeper was busy with his own mail, and she was kept waiting until various goods had been packed into the cart before the door and driven away with the mail behind four prancing mules. Looking out cottons and writing-paper occupied some further time. Stores on farms are poky places, and the things always hidden away in inaccessible spots. At any rate, the best part of an hour had passed before Christine was again on her way home, and she had an uneasy feeling that she had been too long away from the children, especially from Roddy. Suddenly, her haste was arrested by an unexpected sight. A tiny spot of colour lay right in her pathway on the ground. It was only a yellow rose-leaf, but it brought a catch in Christine's breath and her feet to an abrupt halt. How had it come there? If it had fallen from one of Roddy's roses, it meant that he had been out of doors since she left! That set her hurrying on again, but, as she walked, she reflected that of the many roses left in the dining-room, some might easily have been carried off by the servants and leaves dropped from them. Still, she was breathless and rather pale when she reached the house, wasting not a moment in finding her way to Mrs. van Cannan's room.

Rita and Coral were amusing themselves happily, winding up a tangle of bright-coloured silks. But Roddy was gone! Neither was Mrs. van Cannan there.

Christine sat down rather suddenly, but her voice gave no sign of the alarm she felt.

"Where is Roddy?"

"He went out," answered Rita, perching herself upon Christine. "Mamma is going to give us each a new dolly if we get this silk untangled for her."

"How long ago did Roddy go?"

"Just after you went. But you mustn't be cross with him; Mamma gave him permission."

"Mamma is gone, too, to see poor Mrs. Saxby," prattled Coral.

Christine put them gently away from her.

"Well, hurry up and earn your new dollies," she counselled, smiling; "I'll be back very soon to help you."

In the dining-room, she looked for the discarded roses and found them gathered in a dying heap on a small side-table. In the nursery, she found two of Roddy's roses in the jug. The third was missing!

Of one thing she felt as certain as she could feel of anything in the shifting quicksands of that house, and that was that Roddy had not gone to the dam, for he had promised her earnestly, the night before, that never again would he go there without her. Could he, then, have gone to the cemetery? Even that seemed unlikely, for he loved her to go with him on his excursions thither. Where else, then? The rose-leaf she had passed on the road stuck obstinately in her memory, and now she suddenly remembered that the place she had seen it was near the barn from whence she had once found Roddy emerging. Perhaps he had gone there to amuse himself in his own mysterious fashion. He might even have been there when she passed. Oh, why had she not looked in? But the omission was easily rectified. In two minutes she was out of doors again, walking rapidly the way she had come.

Roddy was not in the barn, however, and it seemed at a glance as harmless a place as she had thought it before. An end of it was full of forage, and one side piled high with old farm-implements and empty cases. Rather to the fore of the pile stood one large packing case, sacking and straw sticking from under its loose lid. Christine had just decided there was nothing here to warrant her scrutiny when, lying in front of this case, she saw something that drew her gaze like a magnet. It was another yellow rose-leaf.

"Roddy!" she cried, and was astonished at the sharp relief in her voice, for she had suddenly made up her mind that the boy was there hiding from her. There was no answer to her call. Very slowly then she went over and lifted the lid of the case. It was quite loose, and edged with a fringe of strong nails that had once fastened it to the box, but which now were red with rust. A quantity of sacking, of the kind used for winding about fragile goods, lay heaped at the top and came away easily to her hand, exposing that which lay firmly wedged at the bottom. What she had expected to find she did not know. What she did find astonished her beyond all things. It was a beautifully chiselled white marble tombstone in the shape of a cross. The whole of the inscription was clear of dust or any covering save one fading yellow rose. Awed, deeply touched, and feeling herself upon the verge of a mysterious revelation, Christine lifted Roddy's yellow rose and read the simple gold-lettered inscription:

TO THE MEMORY OF MY BELOVED WIFE, CLARICE VAN CANNAN (BORN QUENTIN), WHO DIED AT EAST LONDON, JUNE 7, 19—, AND WAS BROUGHT BACK TO REST NEAR HER SORROWING HUSBAND AND CHILDREN. (AGED 27)

The date of death was two years old.

Much that had been dark became clear to Christine. She understood at last. The woman whose sad fate was here recorded, cut off at twenty-seven—that fairest period in a happy woman's life—was Roddy's mother, the mother of all the little van Cannan children, living and dead. The woman who had ousted her memory from all hearts save loving, loyal Roddy's was the second wife and stepmother.

Much in the attitude of the big, blond, laughing woman who reigned now at Blue Aloes, false to her husband, careless of the fate of his children, was accounted for, too. The sorrows of the van Cannans had never touched her. How should they? Had not Christine heard from her own lips, the night before, the confession of her love for another, and her hatred of Bernard van Cannan's home. How, then, should she love Bernard van Cannan's children?

The cruel taunt of cowardice she had flung at Roddy was explained. The boy's sensitive, loyal nature was a book too deep for her reading, the memory of his loved ones too sweet and tenacious for her to tamper with. Nevertheless, she had understood him well enough to set a bond on his honour never to speak of the dead woman who slept in the unmarked grave while her tombstone lay in the rubble of an outhouse. The spell by which she had won the man to forgetfulness and neglect was not the same as that by which she had induced silence in the boy. A promise had been wrung from him—perhaps even under duress! Suddenly, terror swept over Christine Chaine. It was revealed to her, as in a vision, that the pink-and-white woman who laughed with such childlike innocence by day and whispered so passionately to her lover by night could be capable of many things not good for those who stood in the way of her wishes.

Why had two of the van Cannan sons died sudden deaths? Why was the lure of a pink palace at the bottom of the dam fostered in the third? How had the tarantula come into his bed, and why had someone said that it acted like a thing drugged or intoxicated, and that, when it woke up, it would have been a bad lookout for Roddy?

"God forgive me!" cried the distracted girl to herself. "Perhaps I am more wicked than she, to harbour such thoughts!"

Then, as if at a call that her heart heard rather than her ears, she found herself running out of the barn and across the veld in the hot, stormy sunshine, in the direction of the Saxbys' bungalow.

She had never been there before, though often, in their walks, she and the children had passed within a stone's throw of the little wood-and-iron building. The door was always shut, and the windows hidden by the heavy creeper that covered in the stoep. She had often thought what a drab and dreary life it must be for a woman to live hidden away there, and even the children never passed without a compassionate allusion to "poor Mrs. Saxby, always shut up there alone."

A dread of seeing the sad, disfigured creature seized her now, as she reached the darkened stoep, and held her back for a moment. She stood wondering why she had come and how she could expect to find Roddy there where the children had never been allowed to penetrate. But, in the very act of hesitation, she heard the boy's voice ring out.

"No, mamma; please don't make me do it!"

In a couple of swift steps she was in the stoep and her hand on the knob of the door. But the door would not open. There were two narrow windows that gave onto the stoep, and, without pause, she flew to the one that she judged to be in the direction of the child's voice and laid hands upon it. It was closed and curtained with thick blue muslin, but there were no shutters, and to her forceful push the lower part jerked up, and the curtains divided. She found herself standing there, the silent spectator of a scene in which all the actors were silent, too amazed or paralyzed by her unexpected appearance.



PART III

The room was a common little sitting-room with a table in the centre, at either end of which sat Mrs. van Cannan and Mr. Saxby. Roddy was between the table and the wall, and Christine's first glance showed him white-faced and staring with fascinated, fearful eyes at a large cardboard box, with a flat-iron on its lid, which stood on the table. The two elder people were each holding small knobkerries, that is, stout sticks with wired handles and heavy heads made by the natives. A revolver lay at Saxby's elbow.

The little tableau remained stationary just long enough for Christine to observe all details; then everyone acted at once. Roddy flew round the table and reached her at the window, sobbing:

"Oh, Miss Chaine! Miss Chaine!"

Saxby laid his knobkerrie on the table and lit a cigarette, and Mrs. van Cannan, rising from her seat with an air of dignity outraged beyond all bounds, addressed Christine.

"What is the meaning of this intrusion, Miss Chaine? How dare you come bursting into Mr. Saxby's house like this?"

"I heard Roddy call out," was the firm answer, "and I consider it my duty to protect him." She had the boy well within her reach now, and could easily have lifted him out of the low window, but it seemed an undignified thing to do unless it became absolutely necessary.

"Protect him! From what, may I ask?" The woman's voice was like a knife.

"I don't know from what. I only know that he was in grave fear of something you were about to do."

Saxby interposed with a soft laugh.

"You surely cannot suppose Roddy was in any danger from his mother, Miss Chaine—or that I would harm him?"

He certainly did not look very harmful with his full, handsome features and melancholy smile.

"Your action is both ridiculous and impertinent," continued Mrs. van Cannan furiously. "And I can tell you that I will not stand that sort of thing from any one in my house," she added, with the air of one dismissing a servant: "You may go. Roddy, come here!"

Roddy gave a wild cry.

"Don't leave me, Miss Chaine. They've got a snake in that box, and they want me to let it out."

There was blank silence for a moment; then Christine spoke with deliberation.

"If this is true, it is the most infamous thing I have ever heard."

Even Isabel van Cannan was silenced, and Saxby's deprecating smile passed. He said gravely:

"Mrs. van Cannan has a right to use what methods she thinks best to cure her boy of cowardice."

"Cowardice!" Christine answered him scornfully. "The word would be better applied to those who deliberately terrify a child. I am astonished at a man taking part in such a vile business."

She was pale with indignation and pity for the boy who trembled in her arms, and in no mood to choose her words.

Saxby shrugged his shoulders with a sort of helpless gesture toward his companion as if to say he had only done as he was told. Mrs. van Cannan gave him a furious glance before returning to Christine.

"Can't you see," she said violently, "that we have sticks here ready to kill the thing, and a revolver if necessary? Not that it is poisonous—if it had bitten that miserable little worm!" She cast a withering glance at Roddy. He shrank closer to Christine, who judged it time to pull him safely from the room to her side on to the veranda.

"There is nothing miserable about Roddy," she said fiercely, "except his misfortune in having a step-mother who neither loves nor understands him."

That blenched the woman at the table. She turned a curious yellow colour, and her golden-brown eyes appeared to perform an evolution in her head that, for a moment, showed nothing of them but the eyeball.

"That will do," she hissed, advancing menacingly upon Christine. "I always felt you were a spy. But you shall not stay prying here another day. Pack your things and go at once."

"Come, come, Mrs. van Cannan," interposed Saxby soothingly; "I am sure you are unjust to Miss Chaine. Besides, how can she go at once? There is nothing for her to travel by until the cart returns from Cradock."

But the woman he addressed had lost all control of herself.

"She goes tomorrow, cart or no cart!" she shouted, and struck one clenched fist on the other. "We will see who is mistress at Blue Aloes!"

Christine cast at her the look of a well-bred woman insulted by a brawling fishwife, and with Roddy's hand tightly in hers, walked out of the veranda without deigning to answer.

But though her mien was haughty as she walked away from Saxby's bungalow holding Roddy's hand, her spirits were at zero. She had burned her boats with a vengeance, and come out into the open to face an enemy who would stick at nothing, and who, apparently, had everyone at the farm at her side, including the big, good-natured-seeming Saxby.

It would be difficult to stay on at Blue Aloes and protect Roddy if his stepmother insisted on her departure, and she did not see how she was going to do it. She only knew that nothing and no one should budge her from the place. Something dogged in her upheld her from dismay and determined her to take a stand against the whole array of them. She was in the right, and it was her plain duty to do as Bernard van Cannan had besought, and not go until she could place Roddy in his father's hands with the full story of his persecutions.

"Tell me about it, Roddy," she said quietly, as they walked away. "Don't hide anything. You know that I love you and that your father has trusted you to my care."

"Yes," he assented eagerly; "but how did you know about my real mammie being dead?" His natural resilience had already helped him to surmount the terror just past, and he was almost himself again. "I wanted to tell you, but I had promised mamma not to tell any one."

It was as Christine had supposed. She explained her finding of the tombstone and the yellow rose, but not the rest of her terrible conclusions.

"I put it there," he said shyly. "She always loved yellow and red flowers. I was keeping the other two for her and Carol in the graveyard."

Christine squeezed the warm little hand, but continued her questions steadily.

"What happened after you had been to the outhouse?"

"Mamma was waiting for me on the stoep. She said she wanted me to come with her to see Mrs. Saxby." He added, with the sudden memory of surprise: "But we didn't see Mrs. Saxby. I wonder where she was."

The same wonder seized Christine. Where could the unhappy, distraught creature have been hiding while the trial of Roddy was in process?

"What happened then?"

"We just went into the sitting-room, and Mr. Saxby got the box and the knobkerries and his revolver, and mamma said, 'Now, Roddy, there is a snake in that box, and I want you to prove you are not a coward like last night by taking off the lid.'" He shuddered violently. "But I couldn't. Oh, Miss Chaine, am I a coward?" he pleaded.

"No, darling; you are not," she said emphatically. "Nobody in their senses would touch a box with a snake in it. It was very wrong to ask you to."

He looked at her gratefully.

"Then you opened the window. Oh, how glad I felt! It was just like as if God had sent you, for my heart felt as if it was calling out to you all the time. Perhaps you heard it and that made you come?"

"I did, Roddy," she said earnestly, "I ran all the way from the outhouse, because I felt you were in need of me."

They were nearly home when they saw Saltire and his boys close beside their path. Roddy was urgent to stop and talk, but Christine made the fact that heavy rain-drops were beginning to fall an excuse for hurrying on, and indeed in Saltire's face there was no invitation to linger, for, though he smiled at Roddy, Christine had never seen him so cold and forbidding-looking.

"He knows that I know," she thought, "and, base as he is, that disturbs him." The bitter thought brought her no consolation. She felt desolate and alone, like one lost in a desert, with a great task to accomplish and no friend in sight or sign in the skies. In the house, she collected the little girls, and they spent the rest of the afternoon together. The storm had broke suddenly, and the long-threatened rain came at last, lashing up the earth and battering on the window-panes amid deafening claps of thunder and a furious gale of wind.

When bath-time came for the children, Christine stayed with them until the last moment, superintending Meekie. She would have given worlds to avoid going in to dinner that night. No one could have desired food less, or the society of those with whom she must partake of it. Yet she felt that it would be a sign of weakness and a concession to the enemy if she stayed away, so she dressed as usual and went in to face the dreary performance of sitting an hour or so with people whom she held in fear as well as contempt, for she knew not from moment to moment what new offence she might have to meet. Only great firmness of spirit and her natural good breeding sustained her through that trying meal.

Saltire did not put in an appearance, for which small mercy she was fain to thank God. Deeply as he had wounded and offended her, she hated to see his face as she had seen it that afternoon. Mrs. van Cannan, oddly pallid but with burning eyes, absolutely ignored the presence of the governess, and her lead was followed by all save Andrew McNeil, who was no man's man but his own, and always treated the girl with genial friendliness. As a matter of fact, there was but little conversation, for the sound of the rain, swishing down on the roof and windows and tearing through the trees without, deadened the sound of voices, and everyone seemed distrait.

Christine was not the only one who finished her meal hurriedly. As she rose, asking to be excused, Mrs. van Cannan, rising too, detained her.

"I wish to make arrangements with you about your departure tomorrow, Miss Chaine," she said, loudly enough for everyone's hearing. "Kindly come to my room."

There was nothing to be gained by not complying. Christine did not mean to leave the next day, and this seemed a good opportunity for stating her reasons and intentions; she buckled on her moral armour as she followed the trailing pink-and-white draperies down the long passage, preparing for an encounter of steel on steel.

"Close the door," said Isabel van Cannan, and went straight to a table drawer, taking out a small bag full of money.

"I shall give you a month's salary instead of notice," she announced, counting out sovereigns, "though, as a matter of fact, I believe you are not entitled to it, considering the scandalous way you have behaved, plotting and spying and setting the children against me."

Christine disdained to answer this lying charge. She only said quietly:

"It is useless to offer me money, Mrs. van Cannan. I have no intention of leaving the farm until Mr. van Cannan returns."

"What do you mean? How dare you?" began the other, with a return of her loud and insolent manner.

"Don't shout," said Christine coldly. "You only degrade yourself and do not alarm me. I mean what I have said. Mr. van Cannan engaged me, and entrusted his children to my care, not only when I came but by letter since his departure. I do not mean to desert that trust or relegate it to any hands but his own."

"He never wrote to you. I don't believe a word of it."

"You are at liberty to believe what you choose. I have the proof, and shall produce it if necessary. In the meantime, please understand plainly that I do not intend to be parted from Roddy."

A baffled look passed over the other's features, but she laughed contemptuously.

"We shall see," she sneered. "Wait till tomorrow, and we shall see how much your proofs and protests avail you."

"As we both know each other's minds and intentions, there is no use in prolonging this very disagreeable interview," answered Christine calmly, and walked out.

The dining-room was silent and dim. The men had evidently braved the rain for the sake of getting early to their own quarters, and no one was about. In the nursery, the lamp by which she sometimes read or wrote at her own table had not been lighted. Only a sheltered candle on the wash-hand stand cast a dim shadow toward the three little white beds under their mosquito-nets. Meekie had gone, but the quiet breathing of the children came faintly to the girl as she sat down by her table, thankful for a little space of silence and solitude in which to collect her forces. She saw violent and vulgar scenes ahead. Mrs. van Cannan, now that her true colours were unmasked, and it was no longer worth while to play the soft, sleepy role behind which she hid her fierce nature, would stick at nothing to get rid of Christine and set the whole world against her. Though the girl's resolution held firm, a dull despair filled her. How vile and cruel life could be! Friendship was a mockery; love, disillusion and ashes; nothing held sweet and true but the hearts of little children. An arid conclusion for a girl from whom the gods had not withdrawn those two surpassing and swiftly passing gifts—youth and beauty.

"To be a cynic at twenty-two!" she thought bitterly, and looked at her white, ringless hands. "I must have loved my kind even better than Chamfort, who said that no one who had loved his kind well could fail to be a misanthrope at forty. And I thought I had left it all behind in civilized England! Cruelty, falseness, treachery! But they are everywhere. Even here, on a South African farm in the heart of a desert, I find them in full bloom."

She bowed her head in her hands and strove for peace and forgetfulness, if for that night only. In the end, she found calmness at least, by reciting softly to herself the beautiful Latin words of her creed. Then she arose and took the candle in her hand for a final look at the children before she retired. The day had been terrible and full of surprises, but fate had reserved a last and staggering one for this hour. Roddy's bed was empty!

The shock of the discovery dazed her for a moment. It was too horrible to think that she had been sitting there all this time, wasting precious moments, while Roddy was—where? O God, where, and in what cruel hands on this night of fierce storm and stress? When was it that he had gone? Why had not Meekie been at her post as usual? She caught up the light and ran from the nursery into one room after another of the house.

All was silent. The servants were gone, the rooms empty. No sound but the pitiless battering of the rain without. At last she came to Isabel van Cannan's room and rapped sharply. There was no answer, and she made no bones about turning the door-handle, for this was no time for ceremony. But the bedroom, though brightly lighted, was empty. She did not enter, but stood in the doorway, searching with her eyes every corner and place that could conceivably hide a small boy. But there was no likely place. Even the bed stood high on tall brass legs, and its short white quilt showed that nothing could be hidden there. One object, however, that Christine Chaine had not sought forced itself upon her notice—an object that, even in her distress of mind, she had time to find extraordinary and unaccountable in this house of extraordinary and unaccountable things. On the dressing-table was a wig-stand of the kind to be seen in the window of a fashionable coiffeur. It had a stupid, waxen face, and on its head was arranged a wig of blond curly hair with long golden plaits hanging down on each side, even as the plaits of Isabel van Cannan hung about her shoulders as she lay among her pillows every morning. The thing gave Christine a thrill such as all the horrors of that day had not caused her. So innocent, yet so sinister, perched there above the foolish, waxen features, it seemed symbolical of the woman who hid cruel and terrible things behind her babylike airs and sleepy laughter.

Atop of these thoughts came the woman herself, emerging en deshabille from her adjoining bathroom. The moment she saw Christine, she flung a towel across her head, but too late for her purpose. The girl had seen the short, crisp, almost snowy curls that were hidden by day under the golden wig, and realized in an instant that she was in the presence of a woman of a breed she had never known—mulatto, albino, or some strange admixture of native and European blood. The golden hair, assisted by artificial aids to the complexion, and her large golden-brown eyes had lent an extraordinary blondness to the skin. But the moment the wig was off, the mischief was out. The thickness of eyelids and nostril, and a certain cruel, sensuous fulness of the lips and jaw told the dark tale, and Christine wondered how she could ever have been taken in, except that the woman before her was as clever as she was cruel and unscrupulous. A tingling horror stole through her veins as she stood there, sustaining a malignant glance and listening dumfounded to an insolent inquiry as to what further spying she had come to do.

"I beg your pardon," she stammered. "I knocked, and, getting no answer, opened the door, hardly knowing what I did in my distress. Roddy is missing from his bed, and I don't know where to look for him."

The other had turned away for a moment, adjusting the covering on her head before a mirror. She may still have believed that her secret remained unrevealed.

"I haven't the faintest notion of Roddy's whereabouts," she said, "and if he is lost out in this storm, perhaps drowned in one of the kloofs, yours will be the blame, and I will see you are brought to book for it." She spoke with the utmost malice and satisfaction. "Now, get out of my room!"

Christine went. Indeed, she was convinced that for once the woman spoke truth and that Roddy was not there or anywhere in the house. It was out-of-doors that she must seek him. So back to her room on winged feet to get a waterproof and make her way from the house. For once, the front door was barred! Outside, the rain had ceased as suddenly as it had burst from the heavens. Only the wind swished and howled wildly among the trees, tearing up handfuls of gravel to fling against the doors and windows. Afar off was a roaring sound new to her, that, later, she discovered to be the rushing waters in the kloofs that were tearing tumultuously to swell the river a few miles off. Clouds had blotted out moon and stars. All the light there was came intermittently from whip-like lightning flashes across the sky. It helped Christine a little as she stumbled through the darkness, crying out Roddy's name, but she found herself often colliding with trees, and prickly-pear bushes seemed to be rushing hither and thither, waving fantastic arms and clutching for her as she passed. The idea had come to her suddenly to seek Andrew McNeil and ask for his help. He was the only friendly soul of all those on the farm that she could turn to. True, another face presented itself to her mind for one moment, but she banished it with scorn, despising herself for even thinking of Dick Saltire.

She fancied that McNeil lodged at the storekeeper's place, and set herself to find the route she had taken that afternoon—no easy task in the darkness that surrounded her. But at last she saw a twinkle of light, and, approaching closer, found that, by great good luck, she had indeed happened on the store. The door stood open, and she could see the man behind the counter talking to McNeil, who, seated on an upturned case, was smoking peacefully. Someone else was there too—someone whose straight back and gallant air was very familiar to her. Saltire was buying tobacco from the storekeeper. But Christine had no word for him. She went straight to McNeil with her story.

"Roddy is lost!" she cried. "You must please come and help me find him."

The men stared, electrified at her appearance. White as a bone, her beautiful violet eyes full of haunting fear; her hair, torn down by the wind and flickering in long black strands about her face, far below her waist, she looked like a wraith of the storm.

"Roddy lost!" McNeil and the storekeeper turned mechanically as one man to Saltire. It was only the girl who would not turn to him.

"Come quickly!" she urged. "He may be drowning somewhere, even now, in one of the swollen streams." She imagined the tragedy to herself as she spoke, and her voice was full of wistful despair.

"Get her a hot drink." Saltire, flinging the command to the storekeeper, spoke for the first time. "I'll round up the boys and get lanterns for a search." In a few moments there was a flicker of lanterns without, and the murmur of voices.

"Come along, Niekerk!" commanded Saltire, and the storekeeper began to put his lights out. "McNeil, you take Miss Chaine back to the farm."

"No, no; I must come, too!" she cried.

"Impossible," he said curtly. "You will only be a hindrance."

"Then I will go home alone," she said quietly, "and free Mr. McNeil to accompany you."

"Very well—if you think you can find your way. Here is a lantern."

She took it and went her way while they went theirs. Long before she reached the garden round the house, the lantern in her unskilful hands had gone out and she was groping by instinct.

All the weariness and strain of the day had suddenly descended upon her in a cloud. She knew she was near the end of her tether. This life at Blue Aloes was too much for her, after all; she must give it best at last; it was dominating her, driving her like a leaf before the wind. These were her thoughts as she crept wearily through the garden, but suddenly she heard voices and was galvanized into hope, tinged with fear. Perhaps Roddy was found! Perhaps her terror and suffering had been unnecessary. She listened for a moment, then located the speakers close to her in the stoep.

"Dick," a voice she knew was saying, "I am sick of it. Bernard may die down in East London, but we shall never get rid of the boy while that English Jezebel is here. And she knows too much now. We had better go. Blue Aloes will never be ours to sell and go back to our own dear island. Everything has gone wrong."

"Nonsense, Issa. You are too impatient. Van Cannan will never come back. He is too full of antimony. As for Roddy, poor kid, he is probably drowned in one of the kloofs and speeding for the river by now—just the sort of adventure his queer little mind would embark on. No one can blame us for that, at least. You are far too easily discouraged, my darling. Wait till the morning." The voice was the soft, sonorous voice of Saxby, and a lightning flash revealed to the girl cowering among the trees that it was he who held Isabel van Cannan in his arms.

There were two "Dicks" at Blue Aloes, and Christine, not knowing it, had been guilty of a grave injustice to Richard Saltire! Aghast as she was by the revelation, all her love and faith came tingling back in a sweet, overwhelming flood. For a moment or two she forgot Roddy, forgot where she was, forgot all the world but Saltire, and her attention was withdrawn from the pair in the stoep—indeed, she had no desire to hear their words, now that she was sure they knew no more of the boy's whereabouts than she herself. But the muffled clang of the bar across the front door broke through her thoughts, and she became aware that Saxby had left and Mrs. van Cannan gone in. She was alone in the gaunt darkness, barred out, and with no means of getting into the house; all other doors were locked, as well she knew, and all shutters firmly bolted, including those of the nursery. However, the fact did not worry her greatly, for the thought of being snug and safe while poor Roddy roamed somewhere in the blackness had no appeal for her. Out here, she seemed, somehow, nearer to him, and to the man whom she now knew she had deeply wronged. Lanterns, twinkling like will-o'-the-wisps in every direction, told of the search going forward, and she determined to stay in the summer-house and wait for what news might come. It was very obscure there, and she knew not what loathly insects might be crawling on the seats and table, but, at any rate, it was shelter from the rain, which now again began to fall heavily.

It seemed to her hours that she sat there while the storm swept round her and the rushing of many waters filled her ears. As a matter of fact, it was less than half an hour before she determined that inactivity was something not to be borne another moment and that she must return and join in the search for Roddy. So out she stumbled across the veld again, in the direction of the lanterns, evading as best she could the prickly-pear bushes, stubbing her feet against rocks and boschies, drenched and driven by the storm. It was old Andrew McNeil whom she found first, and he seemed an angel from heaven after the vile and menacing loneliness, although he was but ill pleased to see her.

"You should be in your bed, lassie," he muttered. "The poor bairn will never be found this night. We've searched everywhere. There's nothing left but the water."

"Oh, don't say that!" she cried woefully, and peered, fascinated, at the boiling torrent rushing down a kloof that but yesterday was an innocent gully they had crossed in their walks, in some places so narrow as to allow a jump from bank to bank. Now it was a turbulent flood of yellow water, spreading far beyond its banks and roaring with a rage unappeasable. While they stood there, staring, Saltire came up.

"You, Miss Chaine! I thought I asked you to return to the farm." His tones, were frigid, but his eyes compassionate. No one with any humanity could have failed to be touched by the forlorn girl, pale and lovely in the dim light.

"I had to come. I could not stay inert any longer."

"We have searched every inch of the land inside the aloes," he said. "He has either fallen into one of the streams or got out beyond the hedge into the open veld—which seems impossible, somehow. At any rate, we can do no more until it is light." He dismissed the natives with a brief: "Get home, boys. Hamba lalla!" then turned to McNeil. "Take Miss Chaine's other arm, Mac; we must see for ourselves that she goes indoors."

She made some sound of remonstrance, but he paid no attention, simply taking her arm, half leading, half supporting her. There was a long way to go. They walked awhile in a silence that had hopelessness in it; then Christine asked:

"Did you search every outhouse and barn?"

"Every one, and the cemetery, too," answered Saltire. "There's not a place inside or out of the farm-buildings we haven't been over—except Saxby's bungalow, and he's hardly likely to be there."

"He was there this afternoon," said Christine slowly. It seemed to her time to let them into the truth.

"What!"

Both men halted in amazement. Such a thing as any one but Mrs. van Cannan going to Saxby's was unknown. Briefly she recounted the incidents of the afternoon. The men's verdict was the same as hers had been.

"Atrocious!"

"Infamous! After that, we will certainly visit Saxby's," decided Saltire. "But, first, Miss Chaine must go home."

"No, no; let me come," she begged. "It is not far. I must know."

So, in the end, she got her way, and they all approached the bungalow together. It was in utter darkness, and the men had to rap loud and long before any response came from within. At last Saxby's voice was heard inquiring who the deuce, and what the deuce, etc., etc., at that time of the night—followed by his appearance in the doorway with a candle.

"We want to come in and look for Roddy," said Saltire briefly, and, without further ado, pushed the burly man aside and entered, followed by McNeil. Christine, too, entered, and sat down inside the door. She was very exhausted. Saxby appeared too flabbergasted to move for a moment. Then he remonstrated with considerable heat.

"What do you mean by this? You don't seem to know that you are in my house!"

But the other two had already passed through the empty sitting-room to the one beyond, and were casting lantern-gleams from side to side, examining everything.

"You must be crazy to think the boy is here," Saxby blustered, as they re-emerged. They paid not the slightest attention to him, but continued their search into the kitchen, the only other room of the house.

"No," said Saltire, very quietly, as he came back into the room and set the light on the table; "the boy is not here. But where is Mrs. Saxby?"

Saxby's face had grown rather pallid, but his jaw was set in a dogged fashion.

"That is my business," he said harshly.

It was Saltire whose face and manner had become subtly agreeable.

"Oh, no, Saxby; it is all of our business at present. What I find so strange is that nowhere in the house is there any sign or token that a woman lives here, or has ever lived here. It seems to me that needs a little explaining."

"You'll get no explanation from me," was the curt answer.

"I think you had better tell us something about it," said Saltire pleasantly. He held the lantern high, and it lighted up a shelf upon which stood some curious glass jars with perforated stoppers. "I see you have a fine collection of live tarantulas and scorpions. I remember now I have often seen you groping among the aloes. Curious hobby!"

"Get out of my house!" said Saxby, with sudden rage.

"And is the snake still in the box?" asked Saltire, approaching the table where the cardboard box still occupied its central position, with the heavy iron on top of it.

"Don't touch it, for God's sake!" shouted Saxby, lunging forward to stop him, but the deed was already done, though Saltire himself was unprepared for what followed on his lifting the iron. The lid flew up, and, with a soft hiss, something slim and swift as a black arrow darted across the air, seemed to kiss Saxby in passing, and was gone through the open door into the night.

The big man made a strange sound and put his hand to his throat. He swayed a little, and then sank upon a long cane lounge. Christine noticed that his eyes rolled with the same curious evolution as the eyes of Mrs. van Cannan had performed that afternoon. It was as though they turned in his head for a moment, showing nothing but the white eyeball. She wondered why the other men rushed to the sideboard and opened a brandy-bottle, and while she stayed, wondering, Saxby spoke softly, looking at her with his beautiful, melancholy brown eyes.

"I shall be dead in half an hour. Fetch Isabel. Let me see her face before I die."

She knew him for a bad man, false friend, one who could be cruel to a little child; yet it seemed he could love well. That was something. She found herself running through the darkness as she had never run in her life, to do the last behest of Richard Saxby.

When she and Isabel van Cannan returned, they found him almost gone. Saltire and McNeil had worked over him until the sweat dripped from their faces, but he who has been kissed by the black mamba, deadliest of snakes, is lost beyond all human effort. The light was fast fading from his face, but, for a moment, a spurt of life leaped in his eyes. He held out his aims to the woman, and she fell weeping into them. Christine turned away and stared out at the darkness. Saltire had been writing; a sheet of paper upon which the ink was still wet lay upon the table, and in his hand he held a packet of letters.

"I have told everything, Issa," muttered the dying man. "I had to clean my soul of it."

She recoiled fiercely from him.

"'Told everything?'" she repeated, and her face blanched with fury and despair. It seemed as if she would have struck him across the lips, but McNeil intervened.

"Have reverence for a passing soul, woman," said he sternly. "Black as his crimes are, yours are blacker, I'm thinking. He was only the tool of the woman he loved—his lawful wife."

"You said that?" she raved. But Saxby was beyond recriminations. That dark soul had passed to its own place. She turned again to the others, foaming like a creature trapped.

"It is all lies, lies!"—then fell silent, her eyes sealed to the newly written paper on the table under Saltire's hand. At last, she said quietly: "I must, however, insist upon knowing what he has said about me. What is written on that paper, Mr. Saltire?"

"If you insist, I will read it," he answered. "Though it is scarcely in my province to do so."

"It is only fair that I should hear," she said, with great calmness. And Saltire read out the terse phrases that bore upon them the stamp of Death's hurrying hand.

"I am a native of the island Z—— in the West Indies. Isabel Saxby, known as van Cannan, is my wife. While travelling to the Cape Colony on some business of mine, she met van Cannan and his wife and stayed with them at East London. When she did not return to Z——, I came to look for her and found that, Mrs. van Cannan having died, she had bigamously married the widower and come to live at Blue Aloes. I loved her, and could not bear to be parted from her, so, through her instrumentality, I came here as manager. The eldest boy was drowned before my arrival. The youngest died six months later of a bite from one of my specimen tarantulas. The third boy is, I expect, drowned tonight. I take the blame of all these deaths and of Bernard van Cannan's, if he does not return. It was only when all male van Cannans were dead that Blue Aloes could be sold for a large sum enabling us to return to Z——. We would have taken the little girls with us.

"With my dying breath, I take full blame for all on my shoulders. No one is guilty but I.

"[Signed.] RICHARD SAXBY."

"Poor fellow!" said the listening woman gently. "Poor fellow to have died with such terrible delusions torturing him!" She passed her hands over her eyes, wiping away her tears and with them every last trace of violence and anger. Subtly her face had changed back to the babylike, laughing, sleepy face they all knew so well—the face that had held the dead man in thrall and made Bernard van Cannan forget the mother of his children.

"You will please give me that paper, Mr. Saltire," she pleaded, "and you will please all of you forget the ravings of poor Dick Saxby. It is true that I knew him in the past, and that he followed me here, but the rest, as you must realize, are simply hallucinations of a poisoned brain."

Andrew McNeil's dour face had grown bewildered, but softened. Christine—if she had not seen a little too much, if she had not known that lovely golden hair hanging in rich plaits about the woman's shoulders covered the crisped head of a white negress, if she had not overheard impassioned words at midnight, if she had not loved Roddy so well—might have been beguiled. But there was one person upon whom the artist's wiles were wasted.

"I'm afraid it can't be done, Mrs. Saxby," said Saltire gravely. "The testimony of a dying man is sacred—and Saxby's mind was perfectly clear."

"How could it have been? And do not call me 'Mrs. Saxby,' please." She still spoke patiently, but a smouldering fire began to kindle in her eyes.

"You see," he continued, exhibiting the packet of letters to which he now added the testimony, "I have here the certificate of your marriage to Saxby six years ago in the West Indies—and also proof of the possession by you of a large amount of antimony. You may, of course, be able to explain away these things, as well as Saxby's testimony, but you will understand that I cannot oblige you by handing them over." A silence fell, in which only her rapid breathing could be heard. "There is one thing, however, you can do, that will perhaps help a little. Tell us where Roddy is—if you know."

The smouldering fires leaped to flame. She glared at him like a tigress.

"Oh, you, and your Roddys!" she cried savagely. "If I knew where he was, I would kill him! I would kill any one I could who stood in my way—do you understand? That is how we are made in my land. Oh, that I ever left it, to come to this vile and barren desert!"

She gave one swift, terrible look at the dead man and swept from the house. That was the last time any one of them ever saw her.

When, a little later, Saltire, McNeil, and Christine came out of the dead man's house and left him to his long silence, the black wings of night were lifted, the storm was past, and a rose-red dawn veiled in silver bedecked the sky. The hills were tender with pearl and azure. The earth smelled sweet and freshly washed. A flock of wild duck rose from the dam and went streaking across the horizon like in a Japanese etching. All the land was full of dew and dreams. It was almost impossible to despair in such an hour. Christine felt the wings of hope beating in her breast, and an unaccountable trust in the goodness of God filled her.

"Joy cometh in the morning," she said, half to herself, half to the men who walked, sombre and silent, beside her, and the shadow of a smile hovered on her lips. They looked at her wonderingly. The night of terror had taken toll of her, and she was pale as the last star before dawn. Yet her white beauty framed in hanging hair shone like some rare thing that had passed through fire and come out unscathed and purified in the passing. "Il faut souffrir pour etre belle" is a frivolous French saying, but, like many frivolous phrases, has its basic roots in the truth. It was true enough of Christine Chaine in that hour. She had suffered and was beautiful. Dour old Andrew McNeil gave a sigh for the years of life that lay behind him, and a glance at the face of the other man; then, like a wise being, he said,

"Well, I'll be going on down."

So Christine and Dick Saltire walked alone.

"Let us hurry," she said suddenly, quickening her pace. "I feel as though something may have happened."

But all was silent at the farm. It was still too early even for the servants to be astir, and the big front door stood open as she and the other woman had left it an hour or so agone.

She left Saltire in the stoep and went within. The little girls slept peacefully, ignorant of the absence of their brother.

All seemed unchanged, yet Christine's searching eye found one thing that was unusual—a twist of paper stuck through the slats of the shutter. In a moment, she had it untwisted and was reading the words printed in ungainly letters upon it.

"Do not worry. Roddy quite safe. Will come back when his father returns."

"I knew," she whispered to herself, "I knew that joy cometh." She looked in the mirror and was ashamed of the disarray she saw there, yet thought that, even so, a man who loved her might perhaps find her fair. As a last thought, she took Roddy's two yellow roses and stuck them in the bosom of her gown. Then she went back to the stoep and, showing Saltire the paper, told him the story of the whispering thing that had sighed so often for Roddy's safety outside her window.

"I feel sure, somehow, that, after all, he is safe, and with that friend who knew more than we did, who knew all the tragedy of the mother and the other two little sons, and feared for Roddy from the first."

Saltire made no answer, for he was looking at the roses and then into her eyes; and when she tried to return the look, the weight of the little stones was on her lids again, and her lips a-quiver. But he held her against his heart close, close—crushing the yellow roses, kissing the little stones from her lids and the quiver from her lips. Then he left her swiftly; for it is a sweet and terrible thing to kiss the lips and crush the roses and go, and a better thing to hasten the hour when one may kiss the lips and crush the roses—and stay.

So she did not see him again for three days. But from the faithful McNeil she heard that the flooded river had been forded and a telegram sent recalling Bernard van Cannan, that a search had been instituted for the mistress of Blue Aloes, who was missing, that a party of farmers had been collected to "sit" upon the body of Richard Saxby, and had pronounced him most regrettably dead from the bite of a black mamba. Whereafter he was buried in a quiet spot near the hedge of blue aloes, from which he had collected so many rare specimens of poisonous reptiles and insects.

On the third day, one of the kloofs on the farm gave up a wig of golden hair, all muddy and weed-entangled. The natives hung it on a bush to dry, and there was much gossip among them that day, hastily hushed when any European person came by.

At nine o'clock the same evening, Roddy was found peacefully sleeping in the bed with Meekie carefully adjusting the mosquito-curtains over him as though he had never been missing. In the morning, he told Christine he had had an awfully funny dream.

"I dreamed I was with my old 'nannie' again—you know—Sophy. She was all covered up, and I could only see her eyes looking through holes in a white thing. She was living all by herself in a hut. I didn't stay with her, but with another old woman, but she used to come and see me every day, and sometimes Meekie used to come, too, and Klaas and Jacoop and all the farm-boys to talk to me. The old woman kept giving me some tea made of herbs that made me feel very quiet and happy, and Sophy told me I should come back soon to the farm when daddy was home again. She was always covered up with white clothes, and I could only see her eyes, and I love Sophy very much, Miss Chaine, but I can't say she smelled very nice in my dream. It was a very funny dream, though, and lasted an awful long time."

It had indeed lasted three days, but Roddy would never know that, during those three days, he had been incarcerated in the Kafir kraal on the hillside, outside the aloe hedge. It was only when the golden wig was washed up from the river that the mysterious kraal people, silent and impassive, seemingly ignorant of all but their duties, yet knowing every single thing that passed at the farm, even down to the use of the false hair (though Bernard van Cannan himself had never suspected this), gave him back to those who awaited.

If Dick Saltire had not so thoroughly understood the native mind and inspired the confidence of his boys, the truth might never have been known. As it was, it lay in his power to relate to those whom it concerned that a certain woman named Sophy Bronjon, formerly nurse to the van Cannans, and sent away by them to be conveyed to Robin Island because she had developed leprosy, had never left the precincts of the farm, but stayed there, brooding over the little ones she loved. The kraal people to whom (though a mission-educated woman) she belonged had hidden and sheltered her. Through Meekie's instrumentality, she undoubtedly knew all that passed on the farm, and as surely as she had noted the fate of the van Cannan heirs, she recognized Christine as an ally and friend, and had warned her as best she could of the dangers that beset Roddy. It was she who had sighed and whispered through the closed shutters, frightening Christine at first, but in the end engendering trust, and it was she who, on hearing of the narrow escape of Roddy from the tarantula, had made up her mind to spirit him, with the aid of Meekie and the storm, from the farm and its dangers until the return of his father.

With the disappearance of Mrs. van Cannan and the death of Saxby, the menace was removed and the child brought back as silently as he had been taken away. Even he knew no more than that he had dreamed a strange dream.

Saltire went to meet Bernard van Cannan at Cradock, taking with him the papers left in his care by Richard Saxby. There was not so much to explain to the owner of Blue Aloes, as might have been expected. The doctor who treated him for neuritis and found him dying of slow poisoning by antimony had lifted the scales from his eyes, and a little clear thought, away from the spell of the woman known as Isabel van Cannan, had done much to show him that the sequence of tragedies in his home was due to something more than the callousness of fate. Thus he was, in some measure, prepared for Saxby's confession, though not for the fact that the woman he had adored to fanaticism had never been his wife, or more to him than might have been an adder gathered from his own aloe hedge, with all the traits and attributes peculiar to adders who are gathered to the bosom and warmed there.

He came back to a home from which the spell of the golden, laughing woman was lifted. The evil menace that had hung for so long over the old farm was lifted for ever. Part was buried by the blue-aloe hedge; part of it, plucked from the dregs of an ebbing river, lay in a far grave with no mark on it but the plain words, "Isabel Saxby." While the sad watcher in the kraal had no more need to walk and whisper warnings by night.

It was the children who laughed now at Blue Aloes, merry and free as elves in a wood. There was a glow came out of Christine Chaine that communicated itself to all. She and Saltire were to be married as soon as a Quentin aunt, who was on her way, had settled down comfortably with the children. Afterward, Roddy would live with them at the Cape until his schooldays were over. In the meantime, they walked in a garden of Eden, for the rains had made the desert bloom, and life offered them its fairest blossoms with both hands.



The Leopard

PART I

It was nine o'clock, and time for the first waltz to strike up. The wide, empty floor of the Falcon Hotel lounge gleamed with a waxen glaze under the brilliant lights, and the dancers' feet were tingling to begin. Michael Walsh, who always played at the Wankelo dances, sat down at the piano and struck two loud arresting bars, then gently caressed from the keys the crooning melody of the Wisteria Waltz. Two by two, the dancers drew into the maze of music and movement, and became part of a weaving rhythmic, kaleidoscopic picture.

There was not an ill-looking person in the room. The men were of a tanned, hard-bitten, adventurous brand; the women were nearly all pretty or attractive or both, and mostly young. These are the usual attributes of women in a new country like Rhodesia; for men do not take ugly, unattractive women to share life with them in the wilds, and girls born in such places have a gift all their own of beauty and charm.

Many of them were badly dressed, however, for that, too, is an attribute of the wilds, where women mostly make their own clothes, unless they are rich enough to get frequent parcels from England. There was this to be noted about the gowns: When they were new, they were patchy affairs, made up at home from materials bought in Rhodesian shops; but when well cut, they were battered and worn. Take, for instance, Mrs. Lisle's gown of pale-green satin and sequins. She had been an actress before she married Barton Lisle and came out to the ups and downs of a mining speculator's life, and all her clothes were rechauffees of the toilettes in which she had once dazzled provincial audiences. Gay Liscannon's frock of pale rose-leaf silk, with a skirt that was a flurry of delicious little frills and a bodice of lace, sewn with little paste dew drops that folded around her fresh young form like the filmy wings of a butterfly, had Bond Street stamped all over it, as they who ran might read; but it had not been paid for, although it was already tumbling into little tears and tatters. For Gay was no Penelope to sit patiently at home and ply the nimble needle. She had worn it to six dances already, and would probably wear it another six before she summoned up the nerve to present her father with the bill.

Berlie Hallett possessed a London godmother in the shape of an aunt who sent her an occasional frock, and her white-tulle-and-forget-me-nots was all that it should have been except that it had turned to an ashen creamy hue, possessed a long tear down the back (unskilfully concealed by a ribbon sash), lacked about six yards of lace (accidentally ripped off the flounces), and was minus a few dozen posies of forget-me-nots (now in the possession of various amorous young men). Berlie no more than her friend Gay was a sit-by-the-fire-and-mend creature. They were real, live, out-of-door, golfing, hard-riding girls, full of spirits and gaiety and joie de vivre.

Berlie, at that moment, was dancing with all her soul as well as her feet, melted in the arms of Johnny Doran, a rich rancher who had proposed to her eight times and whom she intended should propose another ten before she finally refused him. But Gay, the best dancer in Rhodesia, was not dancing. Her feet were tingling, and the music was in her brain like wine, and her heart was burning, and her eyes, though not turned that way, were watching, with impatient wrath, the door across the room. But with her lips she smiled at the little group of clamouring, protesting men about her, and gave out one brief statement.

"My shoe hurts me."

"Which one?" they clamoured, like a lot of school-boys. "And why? It's the same pair you danced to the dawn in last week—why should it hurt you now? And why does one hurt you? Why not two? Who will bet that it won't stop hurting after this dance?" they inquired of one another, "and who is the man it is hurting for?"

Gay surveyed them dispassionately with her misty, violet eyes.

"Don't be silly," said she serenely; "my shoe hurts."

They gave her up as hopeless and faded away, one by one, bent on finding someone to finish the waltz with. Men out-numbered girls by about four to one in Wankelo. Only Tryon stayed, lounging against the wall, smiling subtly to himself.

"There's Molly Tring just coming in," said Gay to him. "You'd better go and get a dance from her, Dick."

"By and by," said Tryon, with his cryptic smile. "I'm waiting for something."

Even as he spoke, Gay saw across the room the face she had been watching for. A tall man had come into the doorway and stood casting a casual but comprehensive eye about him. He was not in evening dress, but wore a loose grey lounge suit of rather careless aspect, and his short, fairish, curly hair was ruffled as though he had been running his fingers through it. Accompanying him was a small black dog with a large stone in its mouth, which came into the ballroom and sat down. Gay gave one look at the pair of them, and the colour went out of her face. There was more than a glint of passion in the eyes she turned to Tyron, who was smiling no longer.

"I'll finish this dance with you, if you like, Dick."

"My shoe hurts," said Tryon.

She flung away from him in a rage and a moment later, was lost among the rest of the dancers in the arms of one Claude Hayes, a man not too proud to take the goods the gods offered, even if they were short ratio. Tryon sauntered over to the doorway tenanted by the man in grey, who appeared to be delightfully impervious to the fact that he was the only person on the scene not in evening dress.

"Hello, Tryon!" said he.

"Hello, Lundi! Thought you meant to turn up and dance tonight?"

"Yes, so I did," said Lundi Druro, looking at Tryon with the blithe and friendly smile that made all men like him. "But I forgot."

"I won't ask what you were doing, then," was Tryon's dry comment. To which Druro responded nothing. He was one of those who did before the sun and moon that which seemed good unto him to do, with a sublime indifference to comments. Everyone knew what he was doing when he "forgot," and he didn't care if they did.

"Lundi meant to get married, but he forgot," was a household jest in Rhodesia, founded on a legend from home that, at a certain supper-party, a beautiful actress had inveigled him into making her an offer of marriage, and the ceremony had been fixed for the following day. But, though bride and wedding-party turned up at the appointed hour, the bridegroom never materialized. He had gone straight from the supper-party at the Savoy to the Green Room Club and fallen into a game of poker that lasted throughout the night and all the next day, with the result that all memory of the proposed wedding had faded from his mind. The lady, very much injured in her tenderest feeling (professional and personal vanity), had sued him for a large sum of money, which he had paid without blinking and returned to South Africa, heart-free, to make some more.

"Did you pull in the pot?" asked Tryon, who was a poker player himself.

"No," said Druro regretfully; "hadn't time. I left the game and came away as soon as I remembered this blessed dance."

Just then the waltz came to an end, its last notes trailing off into nothingness and blowing away like a handful of leaves on a breeze. The kaleidoscopic patterns sorted themselves and turned into a circle of perambulating couples, and Gay and her partner passed the two men in the doorway.

"Hi! I want to speak to you," said Druro, whose manners were unique, making an imperious sign at Gay. She looked at him with eyes like frozen violets and walked on. Druro, looking after her, observed that she and her partner passed out of a door leading to the east veranda.

"H'm!" said he, reflective but unperturbed. Then he turned to Tryon. "Go and get Hayes away from her, Tryon."

"That's a nice job!" commented Tryon.

"Go on, old man!" said Druro, kindly but firmly. "Tell him there's a man in the bar wants to see him on a matter of life and death. He'll thank you for it afterward."

Tryon went grumbling through the ballroom, and Druro stepped back out of the front hall into the street and made a circuit of the hotel. By the time he had reached the east veranda, Tryon was gently leading away the unresisting Hayes, and a rose-leaf shoe, visible between two pots of giant croton, guided the stalker to his prey. He sat down on a seat beside her.

"Did you mean it when you cut me in that brutal manner just now—or was it an accident?" he asked reproachfully.

Gay did not answer or stir. His manner changed.

"Gay, I am most awfully sorry and ashamed of myself. Will you forgive me?"

The girl sat up straight in her chair at that, and looked at him. She was too generous to ignore a frank appeal for pardon, but she had that within which demanded propitiation.

"Have you any explanation to offer?" she asked, and he answered:

"I clean forgot all about it."

She stared at him in exasperation and scorn, her eyes sparkling with anger, and he returned her gaze with his frank and fearless smile. "M'Schlega," the natives called him—"the man who always laughs whether good or bad comes to him."

Gay at last withdrew her face into the shadows where he could no longer see it clearly.

"I suppose you think that disappointing a girl and making her lose a dance is nothing," she said quietly.

"You misjudge me. If I had thought about it at all, it would never have happened. But the whole thing went clean out of my mind until it was too late to dress and get down here in time. Do you think I would purposely miss such a keen pleasure as it is to dance with you—and the honour of having your first waltz given me?"

She did not answer, but slowly her anger began to fade.

"I came down here as hard as I could belt, as soon as I remembered."

More anger melted away.

"I haven't even had my dinner yet."

Gay sprang up like a whirlwind.

"Oh, how detestable you are," she said, in a low, furious voice, "with your dinner and your wretched excuses! Do you think I don't know what you were doing that you forgot? Everyone knows what you are doing when you forget your engagements—playing poker and drinking with a lot of low gambling men, wasting your money and your time and all that is fine in you!"

Druro had stood up, too, and faced her with the first bolt she flung. They were quite alone, for the trilling notes of a two-step had swiftly emptied the veranda. He still wore a smile on his lips, but its singularly heart-warming quality had gone from it. His red-brown face had grown a shade less red-brown, and his grey, whimsical, good-natured eyes looked suddenly hard as rock. He addressed her as if she were someone he had never met before.

"You are very plain-spoken!"

"You need a little plain-speaking," she said passionately.

"It is a pity to waste wit and wisdom on an object so unworthy. Obviously, I am past reforming"—his smile had a mocking turn to it now—"even if I wanted to be reformed."

"Of course you don't want to be reformed," said Gay. "No drunkard and gambler ever does."

Her voice was hard, but there was a pain in her heart like the twist of a knife there. She pressed her hand among the laces of her dress, and all the little paste jewels twinkled. Druro noticed them. They engaged his attention, even while he was swallowing down her words like a bitter dose of poison. He was deeply offended. She spoke to him as if he were some kind of a pariah, and it was unpardonable. If she had been a man, he would have known what to do, and have done it quick. But what could be done with a slip of a girl who stood there with a folded lace butterfly around her and looked like a passionate tea-rose twinkling with dewdrops? Nothing, except just smile. But only the self-control gained in many a hard-won and ably bluffed game of life (and poker) enabled him to do it, and to say, with great gentleness:

"I'm afraid that I am as I am. You must take me or leave me at that."

"I'll leave you, then," she said burningly, and slipped past him. At the door of the ballroom she looked back and flung him a last word, "Until you are a different man from the present Lundi Druro."

Druro, entirely taken aback by her decisive retort and action, stood staring long after she had disappeared.

"Well, by the living something or other!" he muttered at last, and walked away from the hotel, filled with wholesale rage and indignation. "The little shrew! Who asked her to take me, I wonder? Or for her opinions on my ways of living? Of all the cheeky monkeys! Pitching into me like that—just because she missed her blessed waltz! Certainly it was rotten of me—I don't say it wasn't. But I forgot. I told her I forgot. Didn't I come straight down here and tell her? Left those fellows—left a jack-pot! O my aunt! And that's all I get for it—a decent and reasonable fellow like me to be called such names just because I distract myself with the only one or two things that can delude one into believing that life is worth living in this rotten country! Drunkard and gambler—fine words to fling at a man like bomb-shells!"

Thus it was with Druro, whom all men hailed as "well-met," and all women liked, and all Rhodesia called "Lundi," though his Christian names were really Francis Everard. No one had ever called him anything but Lundi since the day he jumped into the Lundi River to save his dog's life. He was on a shoot with half a dozen other men, and they had heavily dynamited a portion of the river to bring up some fresh fish for dinner. Druro's dog, thinking it was a game he knew, jumped in after one of the sticks of dynamite to bring it out to his master, and Druro, like a flash, was in after him and out again, just in time to save himself and the dog from being blown to smithereens. "The bravest action he had ever seen in his life," one of the witnesses described it—and he had been through several native wars and knew what he was talking about, just as Druro, who was a mining expert, knew the risk he was taking when he jumped in among the dynamite.

This was the man who was filled with rage and desolation of heart at the words of "a little monkey of eighteen or nineteen—old dissipated Derek Liscannon's daughter, I thank you! Nice school to come to for temperance lectures! Not that she can help being Derry's daughter, and not that old Derry is a bad sort—far from it—but as hard a drinker as you could find in a day's march. And young Derry hits it up a bit, too, though one of the nicest boys in the world. I've always said that Gay was the sweetest, prettiest little kid in Rhodesia—in Africa, if it comes to that—and now she turns on me like this—blow her buttons!"

He strode along the soft, dusty roads that still had a feel of the veld in them, neither looking nor listing whither he went. It was a soft, plaintive voice that brought him to a standstill, and the realization that he was close to the Wankelo railway station.

"Oh, can you tell whether the Falcon Hotel is far from here?"

"The Falcon Hotel, madam?" His hand went instinctively to his head, but there was no hat upon it. "There is surely a bus here that will take you to it," he said, looking about him.

She gave a little laugh.

"Yes; but I don't want my poor bones rattled to pieces in a bus if it is not too far to walk."

Dimly he could see a slight figure swathed in velvety darkness of furs and veils that gave out a faint perfume of violets, and the suggestion of a pale, oval face. Her voice was low and sweet.

"It is not very far," said Druro. "I will gladly show you the way, if you will allow me."

"That is so very kind of you," she answered softly, and fell into step by his side.

As they walked, she told him, with the simple aplomb of a well-bred woman of the world, that she had just arrived by the train from Buluwayo and was going on to a place called Selukine for a week or two. It was not necessary for her to tell him that she was recently from home, for he knew it by her air, her voice, her accent, her rustly garments, the soft perfume of fur and violets, and a dozen little intangible signs and symbols that all had an appeal for him. For Druro was one of those Englishmen who love England from afar a great deal better than they do when at home. He had lived in Rhodesia, off and on, for ten years, and the veld life was in the very blood and bones of him. Yet he always spoke of it as a rotten country, and gravely affirmed that it was bad luck to have to live away from England.

"Give me London lamp-posts," he was in the habit of saying, "and you can have all the veld you want for keeps." And he went home every year, declaring that he was finished with Africa and would never come back. Yet he came back. Also, he had built himself a lovely little ranch-house in the midst of five thousand acres of Sombwelo Forest, where there were no lampposts at all, only trees and a silent, deep river full of crocodiles. It is true that he had never lived there. He only went there and mooned by himself sometimes, when he was "out" with the world. It had occurred to him, since his rencontre with Gay, that he would go there very shortly. But now this rustling, softly perfumed lady made him remember his beloved lampposts. It was a year since he had been home, and she meant home.

She was London; she was Torment; she was Town.

Curiosity to see her face consumed him. He felt certain that she was beautiful. No plain woman could be so self-possessed and sure of herself, could give out such subtle charm and fascination. After the brutal and unexpected treatment he had received at the hands of Gay Liscannon, he felt himself under some sweet, healing spell.

They reached the hotel all too soon. The bus, with her luggage on it, had passed them by the way, and host and porters were awaiting her at the front door. In the light she turned to thank him with a charming smile, and he saw, as he expected, that her face was subtly beautiful.

"I hope we shall meet again, Mr.——" She paused smiling.

"Druro," he supplied, smiling too, "and this is Rhodesia. I'm afraid you can't miss meeting me again—if you try."

He, too, as she very well observed, was good to behold, standing there with the light on his handsome head. She did not miss the potency of his smile. Nor, being a woman who dealt in lights and shades herself, was the flattering significance of his words wasted upon her.

"Tant meiux!" she said, and, in case he was no French scholar, repeated it in English, as she held out her slim gloved hand—"All the better!"

Gay and a man she had been dancing with came out and passed them as they stood there smiling and touching hands—a handsome, debonair man and a subtly beautiful woman. Gay took the picture of them home with her, and stayed long thinking of it when she should have been sleeping. Long she leaned from her bedroom window, gazing at the great grey spaces of veld that she loved so much, but seeing them not. All she could see was Druro's face turned cold, the rocklike expression of his eyes when he stared at her as though she had been some stranger—she, who had loved him for years, ever since, as a girl of sixteen, straight from England and from school, she first saw him and found in his clear, careless face and fearless ways the crystallization of all her girlish dreams. Lovely and spirited, decked in the bloom of youth, she had more, perhaps, than her fair share of admirers and adorers. Every man who met her fell, to some extent, in love with her. "Gay fever" it was called; and they all went through it, and some recovered and some did not. But Gay's fever was for Lundi Druro, though she hid it well behind locked lips and a sweet, serene gaze. She could not see him riding down the street, or standing among a group of his fellows (for other men always clustered about Druro), or even catch a glimpse of his big red Argyle car standing outside a building, without a tingling of all the life in her veins.

But she was neither blind nor a fool. Her spirit brooded over Druro with the half-mystical and half-maternal love that all true women accord to the beloved; but she knew very well that he had never looked her way and that the chances were he never might. He was a man's man. He liked women, and his eyes always lit up when he saw one, but he forgot all about them when they were not there, forgot them easily in cards and conviviality and the society of other men. Once, when someone had attacked him about his indifference to women, he had answered:

"Why, I adore women! But I prefer the society of men—there are fewer regrets afterward."

There was no doubt that he exercised a tremendous personal magnetism upon other men—attracted them, amused them, and influenced them, even obsessed them. The way he could make them do things just out of sheer liking for him almost amounted to mesmerism. It must be added that, though they were often unpractical, crazy, unwise, even dangerous things he influenced others to do, they were never shameful or in any way shady. There wasn't a shameful instinct or thought in the whole of Lundi Druro's composition. Gay, however, divined in him that his power of obsessing the minds of other men had become, or was on the way of becoming, a temptation and obsession to himself. She was wise enough to realize that hardly any man in the world can stand too much popularity, also to see the rocks ahead for Druro in a country where men drink and gamble far too much, and are fast in the clutches of these vices before they realize them as bad habits. It was not for nothing that she was Derek Liscannon's daughter and Derry Liscannon's sister.

She had her worries and anxieties, poor Gay, though she carried them with a stiff lip and never let the world guess how often her heart was aching behind her smile. But, of late, the worst of them had come to be in the fear that Lundi Druro was going the way so many good men go in Rhodesia—full-tilt for the rocks of moral and physical ruin.

This was the reason for her attack on him. She had long meditated something of the kind, though quite certain that he would take it badly. But she had thought that his friendship with her family and herself warranted (she knew that her love did) her doing a thing from which her soul shrank but did not retreat—hurting another human soul so as to help it to its own healing. And it had all ended in disappointment and despair. Nothing to show for it but the picture of him standing happy and gay, his eyes admiringly fixed on another woman! Perhaps the beautiful stranger would solace him for the wound Gay's hand had dealt? Who could she be? the girl wondered miserably.

But, by the next afternoon, everyone in Wankelo knew that Mrs. Hading, beautiful, unattached, and travelling for her pleasure, was staying at the "Falcon"; and Beryl Hallett, who was also staying there, had already met her and prepared a complete synopsis of her character, clothes, and manners (not to mention features, complexion, and hair) for the benefit of her friend, Gay Liscannon.

"My dear, she has lovely, weary manners and lovely, weary eyes, with an expression as if she doesn't take any interest in anything; but you bet she does!" said Beryl, whose language always contained a somewhat sporting flavour. "You bet she takes an interest in clothes and men and everything that's going! Nothing much gets past those weary eyes. And she is as chic as the deuce. Never have we seen such clothes up here. She smells so delicious, too—not scented, you know, but just little faint puffs of fragrance. I wish I knew how to do it. But I don't think you can do it without sachets in your corsets and a maid to sew them into all your clothes, and salts and perfumes for your bath, and plenty of tin to keep it all going! Blow! How can poverty-stricken wretches like us contend with that kind of thing, I'd like to know?"

"We don't have to contend with it," said Gay indifferently.

The two girls were sitting in Berlie's mother's private sitting-room upstairs. Gay was in riding-kit and had come to beguile Berlie to go for a canter.

"Oh, don't we?" said the latter emphatically. "You should just see the pile of men that came in to lunch here today—just to have a look at her. The story of her glory has gone forth. She came over to our table and asked if we minded if she sat with us, and then she wound her lovely manners all around mother so that mum thinks she's a dream and an angel. But I don't cotton to her much, Gay—and I can feel she doesn't like me, either, though she was as sweet as honey. My dear, she will nobble all our men—I feel it in my bones."

"Let her," said Gay listlessly.

"She even has old Lundi Druro crumpled up—what do you think of that?" Gay's charming face turned to a mask. "That gives you an idea of her power," continued Beryl dolorously, "if she can keep Lundi Druro amused. She is sitting in the lounge with him now. They've been there ever since lunch, and he was to have gone out to his mine early this morning."

Gay jumped up from her chair.

"Are you coming for that ride or not, Berlie? I'm sick of scorching indoors." There were, indeed, two spots of flame in her cheeks.

"Oh, Gay, I can't; I am too G. I. for anything." "G. I." is Rhodesian for "gone in," a common condition for both men and women and things in that sprightly land of nicknames and nick-phrases.

"I'm off, then," said Gay hurriedly.

"Wait a minute—I'll come down with you!" said Beryl, and, rushing to the mirror over the mantel, began to pat her pretty cendre hair flat to her head, in unconscious imitation of Mrs. Hading's coiffure.

The two girls went downstairs together. Beryl's arm thrust through her friend's. Gay's horse stood at the side entrance, facing the staircase. She instinctively quickened her pace as they reached the lounge door, but, before she could pass, it opened, and Mrs. Hallett came out.

"Oh, I was just coming to look for you girls. Mrs. Scott is in from Umvuma, Gay, and dying to see you."

Gay gave an inward groan. Mrs. Scott was an old friend of her dead mother's, and about the only woman in the world for whom the girl would have entered the lounge at that moment. As it was, she followed Beryl's mother swiftfoot through the swing door, very upright and smart in her glossy tan riding-boots, knee-breeches, and graceful long coat of soft tan linen. In the matter of riding-kit, Gay always went nap. A ball or day gown she might wear until it fell off her back, but when it came to habits, she considered nothing too good or too recent for her.

For a moment, Marice Hading looked away from the man who sat opposite, amusing her with apt and cynical reflections on life in Rhodesia, and shot a soft, dark glance at the straight back of the girl in riding-kit. Her cleverly appraising eye took in, with the instantaneousness of photography, every detail of Gay's get-up, and her brain acknowledged that she had seldom seen a better one either in Central Park or Rotten Row. But no expression of any such opinion showed in her weary, disdainful eyes or found its way to her lips, for in the art of using language to conceal her thoughts, Marice Hading had few rivals. What she said to Druro, whose glance had also wandered that way, was:

"One cannot help noticing what a hard-riding, healthy-looking crowd the women of this country are."

The words sounded like a simple, frank statement; but somehow they robbed Gay of some of the perfection of her young and charming ensemble, and made her one of a crowd in which her distinction was lost. Druro felt this vaguely without being able to tell exactly how it happened. He knew nothing of the subtleties of a woman's mind. He had thought that Gay looked rather splendidly young and sweet, and, because of it, a fresh pang shot through him at the remembrance of her scornful dismissal of him the night before. But, with Mrs. Hading's words, the impression passed, and he got a quick vision of Gay as just an ordinary girl who had been extremely rude to him. This helped him to meet with equanimity the calm, clear glance she sent through him.

"Don't you know the little riding girl?" asked Mrs. Hading softly, but something in Druro's surprised expression made her cover the question with a faintly admiring remark: "She's quite good-looking, I think. Who is she?"

"The daughter of an old friend of mine—a Colonel Liscannon," said Druro, speaking in a low voice and rapidly. He would have preferred not to discuss Gay at all, but his natural generosity impelled him to accord her such dignity and place as belonged to her and not to leave her where Mrs. Hading's words seemed to place her—just the other side of some fine, invisible line.

"Ah, one of the early pioneers? They were all by way of being captains and colonels, weren't they?" murmured Marice Hading, still weaving fine, invisible threads.

Druro frowned slightly. "Colonel Liscannon is an old service-man——"

"May I beg for one of those delicious cigarettes you were smoking after lunch?" she said languidly. "And do tell where to get some like them. I find it so difficult to get anything at all smokable up here, except from your clubs."

Thus, Colonel Liscannon and his daughter were gracefully consigned to the limbo of subjects not sufficiently interesting to hold the attention of Mrs. Hading. If she could not, by reason of Druro's natural chivalry, put Gay just over the wrong side of some subtle social line she had drawn, she could, at least, thrust her out of the conversation altogether and out of Druro's mind. This was always a pastime she found fascinating—pushing someone out of a man's mind and taking the empty place herself—and one at which long practice had made her nearly perfect. So it is not astonishing that she succeeded so well with Druro that, when Gay left her friends and slipped out to her waiting horse, he did not even notice her going. He was busy trying to persuade Mrs. Hading to come for a spin around the Wankelo kopje in his car, and he was not unsuccessful. Only, they went further than the kopje. About six miles out they got a glimpse of a solitary rider ahead, going like the wind. A cloud of soft, ashen dust rising from under the horse's heels floated back and settled like the gentle dew from heaven upon the car and its occupants. Druro was on the point of slackening speed, but Mrs. Hading's pencilled brows met in a line above her eyes, and one of her little white teeth showed in her underlip.

"Get past her, please," she said coldly. "I object to other people's dust."

Druro was about to object in his turn, though, for a moment, he philandered with the delightful thought of getting even with Gay by covering her with dust and petrol fumes. Unfortunately, his gallant resistance to this pleasant temptation would never be known, for Gay suddenly and unexpectedly wheeled to the left and put her horse's head to the veld. The swift wheeling movement, with its attendant extra scuffling of dust, sent a further graceful contribution of fine dirt on to the occupants of the car. It would have been difficult to accuse Gay of doing it on purpose, however, for she appeared blandly unconscious of the neighbourhood of fellow beings. She gave a little flick of her whip, and away she went over a great burnt-out patch of veld, leaving the long, white, dusty road to those who had no choice but to take it.

Mrs. Hading did not love Gay Liscannon any better for her score, but she would have disliked her in any case. Because she was no longer young herself, youth drove at her heart like a poisoned dagger. One of the few keen pleasures she had left in life was to bare her foils to the attack of some inexperienced girl, to match her wit and art and beauty against a fresh cheek and ingenuous heart, and prove to the world that victory was still to her. But when she had done it, victory was dust in her palm and bitter in her mouth as dead-sea apples. For she knew that the wolf of middle age was at her door.

Marice Hading was one of those unhappy women who have drained to the dregs every cup of pleasure they can wrench from life and fled from the healing cup of pain. Now, with the chilly and uncompromising hand of forty clutching at her, pain was always with her—not ennobling, chastening pain, but the pain of those who, having been overfull, must henceforth go empty.

Small wonder that, weary-eyed and dry-souled, she roamed the earth in feverish search of solace and refreshment. Her husband, a generous, affectionate man, condemned by her selfishness to a waste of arid years empty of wife-love or children, had died of overwork, dyspepsia, and general dissatisfaction some eight years before, leaving his widow with an income of two thousand pounds a year, a sum she found all too small for her requirements.

In her fashion, she had been in love several times during her widowhood, but never sufficiently so to surrender her liberty. Horror of child-bearing and a passion for the care and cultivation of her own beauty were further reasons for not succumbing to the temptation to take another man slave in marriage. She had contented herself with holding the hearts of the men who loved her in her hands and squeezing them dry of every drop of devotion and self-sacrifice they could generate.