"My dear Mr. George," says Grandfather Smallweed, "would you be so kind as help to carry me to the fire? I am accustomed to a fire, and I am an old man, and I soon chill. Oh, dear me!"

His closing exclamation is jerked out of the venerable gentleman by the suddenness with which Mr. Squod, like a genie, catches him up, chair and all, and deposits him on the hearth-stone.

"O Lord!" says Mr. Smallweed, panting. "Oh, dear me! Oh, my stars! My dear friend, your workman is very strong—and very prompt. O Lord, he is very prompt! Judy, draw me back a little. I'm being scorched in the legs," which indeed is testified to the noses of all present by the smell of his worsted stockings.

The gentle Judy, having backed her grandfather a little way from the fire, and having shaken him up as usual, and having released his overshadowed eye from its black-velvet extinguisher, Mr. Smallweed again says, "Oh, dear me! O Lord!" and looking about and meeting Mr. George's glance, again stretches out both hands.

"My dear friend! So happy in this meeting! And this is your establishment? It's a delightful place. It's a picture! You never find that anything goes off here accidentally, do you, my dear friend?" adds Grandfather Smallweed, very ill at ease.

"No, no. No fear of that."

"And your workman. He—Oh, dear me!—he never lets anything off without meaning it, does he, my dear friend?"

"He has never hurt anybody but himself," says Mr. George, smiling.

"But he might, you know. He seems to have hurt himself a good deal, and he might hurt somebody else," the old gentleman returns. "He mightn't mean it—or he even might. Mr. George, will you order him to leave his infernal fire-arms alone and go away?"

Obedient to a nod from the trooper, Phil retires, empty-handed, to the other end of the gallery. Mr. Smallweed, reassured, falls to rubbing his legs.

"And you're doing well, Mr. George?" he says to the trooper, squarely standing faced about towards him with his broadsword in his hand. "You are prospering, please the Powers?"

Mr. George answers with a cool nod, adding, "Go on. You have not come to say that, I know."

"You are so sprightly, Mr. George," returns the venerable grandfather. "You are such good company."

"Ha ha! Go on!" says Mr. George.

"My dear friend! But that sword looks awful gleaming and sharp. It might cut somebody, by accident. It makes me shiver, Mr. George. Curse him!" says the excellent old gentleman apart to Judy as the trooper takes a step or two away to lay it aside. "He owes me money, and might think of paying off old scores in this murdering place. I wish your brimstone grandmother was here, and he'd shave her head off."

Mr. George, returning, folds his arms, and looking down at the old man, sliding every moment lower and lower in his chair, says quietly, "Now for it!"

"Ho!" cries Mr. Smallweed, rubbing his hands with an artful chuckle. "Yes. Now for it. Now for what, my dear friend?"

"For a pipe," says Mr. George, who with great composure sets his chair in the chimney-corner, takes his pipe from the grate, fills it and lights it, and falls to smoking peacefully.

This tends to the discomfiture of Mr. Smallweed, who finds it so difficult to resume his object, whatever it may be, that he becomes exasperated and secretly claws the air with an impotent vindictiveness expressive of an intense desire to tear and rend the visage of Mr. George. As the excellent old gentleman's nails are long and leaden, and his hands lean and veinous, and his eyes green and watery; and, over and above this, as he continues, while he claws, to slide down in his chair and to collapse into a shapeless bundle, he becomes such a ghastly spectacle, even in the accustomed eyes of Judy, that that young virgin pounces at him with something more than the ardour of affection and so shakes him up and pats and pokes him in divers parts of his body, but particularly in that part which the science of self-defence would call his wind, that in his grievous distress he utters enforced sounds like a paviour's rammer.

When Judy has by these means set him up again in his chair, with a white face and a frosty nose (but still clawing), she stretches out her weazen forefinger and gives Mr. George one poke in the back. The trooper raising his head, she makes another poke at her esteemed grandfather, and having thus brought them together, stares rigidly at the fire.

"Aye, aye! Ho, ho! U—u—u—ugh!" chatters Grandfather Smallweed, swallowing his rage. "My dear friend!" (still clawing).

"I tell you what," says Mr. George. "If you want to converse with me, you must speak out. I am one of the roughs, and I can't go about and about. I haven't the art to do it. I am not clever enough. It don't suit me. When you go winding round and round me," says the trooper, putting his pipe between his lips again, "damme, if I don't feel as if I was being smothered!"

And he inflates his broad chest to its utmost extent as if to assure himself that he is not smothered yet.

"If you have come to give me a friendly call," continues Mr. George, "I am obliged to you; how are you? If you have come to see whether there's any property on the premises, look about you; you are welcome. If you want to out with something, out with it!"

The blooming Judy, without removing her gaze from the fire, gives her grandfather one ghostly poke.

"You see! It's her opinion too. And why the devil that young woman won't sit down like a Christian," says Mr. George with his eyes musingly fixed on Judy, "I can't comprehend."

"She keeps at my side to attend to me, sir," says Grandfather Smallweed. "I am an old man, my dear Mr. George, and I need some attention. I can carry my years; I am not a brimstone poll-parrot" (snarling and looking unconsciously for the cushion), "but I need attention, my dear friend."

"Well!" returns the trooper, wheeling his chair to face the old man. "Now then?"

"My friend in the city, Mr. George, has done a little business with a pupil of yours."

"Has he?" says Mr. George. "I am sorry to hear it."

"Yes, sir." Grandfather Smallweed rubs his legs. "He is a fine young soldier now, Mr. George, by the name of Carstone. Friends came forward and paid it all up, honourable."

"Did they?" returns Mr. George. "Do you think your friend in the city would like a piece of advice?"

"I think he would, my dear friend. From you."

"I advise him, then, to do no more business in that quarter. There's no more to be got by it. The young gentleman, to my knowledge, is brought to a dead halt."

"No, no, my dear friend. No, no, Mr. George. No, no, no, sir," remonstrates Grandfather Smallweed, cunningly rubbing his spare legs. "Not quite a dead halt, I think. He has good friends, and he is good for his pay, and he is good for the selling price of his commission, and he is good for his chance in a lawsuit, and he is good for his chance in a wife, and—oh, do you know, Mr. George, I think my friend would consider the young gentleman good for something yet?" says Grandfather Smallweed, turning up his velvet cap and scratching his ear like a monkey.

Mr. George, who has put aside his pipe and sits with an arm on his chair-back, beats a tattoo on the ground with his right foot as if he were not particularly pleased with the turn the conversation has taken.

"But to pass from one subject to another," resumes Mr. Smallweed. "'To promote the conversation,' as a joker might say. To pass, Mr. George, from the ensign to the captain."

"What are you up to, now?" asks Mr. George, pausing with a frown in stroking the recollection of his moustache. "What captain?"

"Our captain. The captain we know of. Captain Hawdon."

"Oh! That's it, is it?" says Mr. George with a low whistle as he sees both grandfather and granddaughter looking hard at him. "You are there! Well? What about it? Come, I won't be smothered any more. Speak!"

"My dear friend," returns the old man, "I was applied—Judy, shake me up a little!—I was applied to yesterday about the captain, and my opinion still is that the captain is not dead."

"Bosh!" observes Mr. George.

"What was your remark, my dear friend?" inquires the old man with his hand to his ear.

"Bosh!"

"Ho!" says Grandfather Smallweed. "Mr. George, of my opinion you can judge for yourself according to the questions asked of me and the reasons given for asking 'em. Now, what do you think the lawyer making the inquiries wants?"

"A job," says Mr. George.

"Nothing of the kind!"

"Can't be a lawyer, then," says Mr. George, folding his arms with an air of confirmed resolution.

"My dear friend, he is a lawyer, and a famous one. He wants to see some fragment in Captain Hawdon's writing. He don't want to keep it. He only wants to see it and compare it with a writing in his possession."

"Well?"

"Well, Mr. George. Happening to remember the advertisement concerning Captain Hawdon and any information that could be given respecting him, he looked it up and came to me—just as you did, my dear friend. WILL you shake hands? So glad you came that day! I should have missed forming such a friendship if you hadn't come!"

"Well, Mr. Smallweed?" says Mr. George again after going through the ceremony with some stiffness.

"I had no such thing. I have nothing but his signature. Plague pestilence and famine, battle murder and sudden death upon him," says the old man, making a curse out of one of his few remembrances of a prayer and squeezing up his velvet cap between his angry hands, "I have half a million of his signatures, I think! But you," breathlessly recovering his mildness of speech as Judy re- adjusts the cap on his skittle-ball of a head, "you, my dear Mr. George, are likely to have some letter or paper that would suit the purpose. Anything would suit the purpose, written in the hand."

"Some writing in that hand," says the trooper, pondering; "may be, I have."

"My dearest friend!"

"May be, I have not."

"Ho!" says Grandfather Smallweed, crest-fallen.

"But if I had bushels of it, I would not show as much as would make a cartridge without knowing why."

"Sir, I have told you why. My dear Mr. George, I have told you why."

"Not enough," says the trooper, shaking his head. "I must know more, and approve it."

"Then, will you come to the lawyer? My dear friend, will you come and see the gentleman?" urges Grandfather Smallweed, pulling out a lean old silver watch with hands like the leg of a skeleton. "I told him it was probable I might call upon him between ten and eleven this forenoon, and it's now half after ten. Will you come and see the gentleman, Mr. George?"

"Hum!" says he gravely. "I don't mind that. Though why this should concern you so much, I don't know."

"Everything concerns me that has a chance in it of bringing anything to light about him. Didn't he take us all in? Didn't he owe us immense sums, all round? Concern me? Who can anything about him concern more than me? Not, my dear friend," says Grandfather Smallweed, lowering his tone, "that I want YOU to betray anything. Far from it. Are you ready to come, my dear friend?"

"Aye! I'll come in a moment. I promise nothing, you know."

"No, my dear Mr. George; no."

"And you mean to say you're going to give me a lift to this place, wherever it is, without charging for it?" Mr. George inquires, getting his hat and thick wash-leather gloves.

This pleasantry so tickles Mr. Smallweed that he laughs, long and low, before the fire. But ever while he laughs, he glances over his paralytic shoulder at Mr. George and eagerly watches him as he unlocks the padlock of a homely cupboard at the distant end of the gallery, looks here and there upon the higher shelves, and ultimately takes something out with a rustling of paper, folds it, and puts it in his breast. Then Judy pokes Mr. Smallweed once, and Mr. Smallweed pokes Judy once.

"I am ready," says the trooper, coming back. "Phil, you can carry this old gentleman to his coach, and make nothing of him."

"Oh, dear me! O Lord! Stop a moment!" says Mr. Smallweed. "He's so very prompt! Are you sure you can do it carefully, my worthy man?"

Phil makes no reply, but seizing the chair and its load, sidles away, tightly hugged by the now speechless Mr. Smallweed, and bolts along the passage as if he had an acceptable commission to carry the old gentleman to the nearest volcano. His shorter trust, however, terminating at the cab, he deposits him there; and the fair Judy takes her place beside him, and the chair embellishes the roof, and Mr. George takes the vacant place upon the box.

Mr. George is quite confounded by the spectacle he beholds from time to time as he peeps into the cab through the window behind him, where the grim Judy is always motionless, and the old gentleman with his cap over one eye is always sliding off the seat into the straw and looking upward at him out of his other eye with a helpless expression of being jolted in the back.



CHAPTER XXVII

More Old Soldiers Than One

Mr. George has not far to ride with folded arms upon the box, for their destination is Lincoln's Inn Fields. When the driver stops his horses, Mr. George alights, and looking in at the window, says, "What, Mr. Tulkinghorn's your man, is he?"

"Yes, my dear friend. Do you know him, Mr. George?"

"Why, I have heard of him—seen him too, I think. But I don't know him, and he don't know me."

There ensues the carrying of Mr. Smallweed upstairs, which is done to perfection with the trooper's help. He is borne into Mr. Tulkinghorn's great room and deposited on the Turkey rug before the fire. Mr. Tulkinghorn is not within at the present moment but will be back directly. The occupant of the pew in the hall, having said thus much, stirs the fire and leaves the triumvirate to warm themselves.

Mr. George is mightily curious in respect of the room. He looks up at the painted ceiling, looks round at the old law-books, contemplates the portraits of the great clients, reads aloud the names on the boxes.

"'Sir Leicester Dedlock, Baronet,'" Mr. George reads thoughtfully. "Ha! 'Manor of Chesney Wold.' Humph!" Mr. George stands looking at these boxes a long while—as if they were pictures—and comes back to the fire repeating, "Sir Leicester Dedlock, Baronet, and Manor of Chesney Wold, hey?"

"Worth a mint of money, Mr. George!" whispers Grandfather Smallweed, rubbing his legs. "Powerfully rich!"

"Who do you mean? This old gentleman, or the Baronet?"

"This gentleman, this gentleman."

"So I have heard; and knows a thing or two, I'll hold a wager. Not bad quarters, either," says Mr. George, looking round again. "See the strong-box yonder!"

This reply is cut short by Mr. Tulkinghorn's arrival. There is no change in him, of course. Rustily drest, with his spectacles in his hand, and their very case worn threadbare. In manner, close and dry. In voice, husky and low. In face, watchful behind a blind; habitually not uncensorious and contemptuous perhaps. The peerage may have warmer worshippers and faithfuller believers than Mr. Tulkinghorn, after all, if everything were known.

"Good morning, Mr. Smallweed, good morning!" he says as he comes in. "You have brought the sergeant, I see. Sit down, sergeant."

As Mr. Tulkinghorn takes off his gloves and puts them in his hat, he looks with half-closed eyes across the room to where the trooper stands and says within himself perchance, "You'll do, my friend!"

"Sit down, sergeant," he repeats as he comes to his table, which is set on one side of the fire, and takes his easy-chair. "Cold and raw this morning, cold and raw!" Mr. Tulkinghorn warms before the bars, alternately, the palms and knuckles of his hands and looks (from behind that blind which is always down) at the trio sitting in a little semicircle before him.

"Now, I can feel what I am about" (as perhaps he can in two senses), "Mr. Smallweed." The old gentleman is newly shaken up by Judy to bear his part in the conversation. "You have brought our good friend the sergeant, I see."

"Yes, sir," returns Mr. Smallweed, very servile to the lawyer's wealth and influence.

"And what does the sergeant say about this business?"

"Mr. George," says Grandfather Smallweed with a tremulous wave of his shrivelled hand, "this is the gentleman, sir."

Mr. George salutes the gentleman but otherwise sits bolt upright and profoundly silent—very forward in his chair, as if the full complement of regulation appendages for a field-day hung about him.

Mr. Tulkinghorn proceeds, "Well, George—I believe your name is George?"

"It is so, Sir."

"What do you say, George?"

"I ask your pardon, sir," returns the trooper, "but I should wish to know what YOU say?"

"Do you mean in point of reward?"

"I mean in point of everything, sir."

This is so very trying to Mr. Smallweed's temper that he suddenly breaks out with "You're a brimstone beast!" and as suddenly asks pardon of Mr. Tulkinghorn, excusing himself for this slip of the tongue by saying to Judy, "I was thinking of your grandmother, my dear."

"I supposed, sergeant," Mr. Tulkinghorn resumes as he leans on one side of his chair and crosses his legs, "that Mr. Smallweed might have sufficiently explained the matter. It lies in the smallest compass, however. You served under Captain Hawdon at one time, and were his attendant in illness, and rendered him many little services, and were rather in his confidence, I am told. That is so, is it not?"

"Yes, sir, that is so," says Mr. George with military brevity.

"Therefore you may happen to have in your possession something— anything, no matter what; accounts, instructions, orders, a letter, anything—in Captain Hawdon's writing. I wish to compare his writing with some that I have. If you can give me the opportunity, you shall be rewarded for your trouble. Three, four, five, guineas, you would consider handsome, I dare say."

"Noble, my dear friend!" cries Grandfather Smallweed, screwing up his eyes.

"If not, say how much more, in your conscience as a soldier, you can demand. There is no need for you to part with the writing, against your inclination—though I should prefer to have it."

Mr. George sits squared in exactly the same attitude, looks at the painted ceiling, and says never a word. The irascible Mr. Smallweed scratches the air.

"The question is," says Mr. Tulkinghorn in his methodical, subdued, uninterested way, "first, whether you have any of Captain Hawdon's writing?"

"First, whether I have any of Captain Hawdon's writing, sir," repeats Mr. George.

"Secondly, what will satisfy you for the trouble of producing it?"

"Secondly, what will satisfy me for the trouble of producing it, sir," repeats Mr. George.

"Thirdly, you can judge for yourself whether it is at all like that," says Mr. Tulkinghorn, suddenly handing him some sheets of written paper tied together.

"Whether it is at all like that, sir. Just so," repeats Mr. George.

All three repetitions Mr. George pronounces in a mechanical manner, looking straight at Mr. Tulkinghorn; nor does he so much as glance at the affidavit in Jarndyce and Jarndyce, that has been given to him for his inspection (though he still holds it in his hand), but continues to look at the lawyer with an air of troubled meditation.

"Well?" says Mr. Tulkinghorn. "What do you say?"

"Well, sir," replies Mr. George, rising erect and looking immense, "I would rather, if you'll excuse me, have nothing to do with this."

Mr. Tulkinghorn, outwardly quite undisturbed, demands, "Why not?"

"Why, sir," returns the trooper. "Except on military compulsion, I am not a man of business. Among civilians I am what they call in Scotland a ne'er-do-weel. I have no head for papers, sir. I can stand any fire better than a fire of cross questions. I mentioned to Mr. Smallweed, only an hour or so ago, that when I come into things of this kind I feel as if I was being smothered. And that is my sensation," says Mr. George, looking round upon the company, "at the present moment."

With that, he takes three strides forward to replace the papers on the lawyer's table and three strides backward to resume his former station, where he stands perfectly upright, now looking at the ground and now at the painted ceiling, with his hands behind him as if to prevent himself from accepting any other document whatever.

Under this provocation, Mr. Smallweed's favourite adjective of disparagement is so close to his tongue that he begins the words "my dear friend" with the monosyllable "brim," thus converting the possessive pronoun into brimmy and appearing to have an impediment in his speech. Once past this difficulty, however, he exhorts his dear friend in the tenderest manner not to be rash, but to do what so eminent a gentleman requires, and to do it with a good grace, confident that it must be unobjectionable as well as profitable. Mr. Tulkinghorn merely utters an occasional sentence, as, "You are the best judge of your own interest, sergeant." "Take care you do no harm by this." "Please yourself, please yourself." "If you know what you mean, that's quite enough." These he utters with an appearance of perfect indifference as he looks over the papers on his table and prepares to write a letter.

Mr. George looks distrustfully from the painted ceiling to the ground, from the ground to Mr. Smallweed, from Mr. Smallweed to Mr. Tulkinghorn, and from Mr. Tulkinghorn to the painted ceiling again, often in his perplexity changing the leg on which he rests.

"I do assure you, sir," says Mr. George, "not to say it offensively, that between you and Mr. Smallweed here, I really am being smothered fifty times over. I really am, sir. I am not a match for you gentlemen. Will you allow me to ask why you want to see the captain's hand, in the case that I could find any specimen of it?"

Mr. Tulkinghorn quietly shakes his head. "No. If you were a man of business, sergeant, you would not need to be informed that there are confidential reasons, very harmless in themselves, for many such wants in the profession to which I belong. But if you are afraid of doing any injury to Captain Hawdon, you may set your mind at rest about that."

"Aye! He is dead, sir."

"IS he?" Mr. Tulkinghorn quietly sits down to write.

"Well, sir," says the trooper, looking into his hat after another disconcerted pause, "I am sorry not to have given you more satisfaction. If it would be any satisfaction to any one that I should be confirmed in my judgment that I would rather have nothing to do with this by a friend of mine who has a better head for business than I have, and who is an old soldier, I am willing to consult with him. I—I really am so completely smothered myself at present," says Mr. George, passing his hand hopelessly across his brow, "that I don't know but what it might be a satisfaction to me."

Mr. Smallweed, hearing that this authority is an old soldier, so strongly inculcates the expediency of the trooper's taking counsel with him, and particularly informing him of its being a question of five guineas or more, that Mr. George engages to go and see him. Mr. Tulkinghorn says nothing either way.

"I'll consult my friend, then, by your leave, sir," says the trooper, "and I'll take the liberty of looking in again with the final answer in the course of the day. Mr. Smallweed, if you wish to be carried downstairs—"

"In a moment, my dear friend, in a moment. Will you first let me speak half a word with this gentleman in private?"

"Certainly, sir. Don't hurry yourself on my account." The trooper retires to a distant part of the room and resumes his curious inspection of the boxes, strong and otherwise.

"If I wasn't as weak as a brimstone baby, sir," whispers Grandfather Smallweed, drawing the lawyer down to his level by the lapel of his coat and flashing some half-quenched green fire out of his angry eyes, "I'd tear the writing away from him. He's got it buttoned in his breast. I saw him put it there. Judy saw him put it there. Speak up, you crabbed image for the sign of a walking- stick shop, and say you saw him put it there!"

This vehement conjuration the old gentleman accompanies with such a thrust at his granddaughter that it is too much for his strength, and he slips away out of his chair, drawing Mr. Tulkinghorn with him, until he is arrested by Judy, and well shaken.

"Violence will not do for me, my friend," Mr. Tulkinghorn then remarks coolly.

"No, no, I know, I know, sir. But it's chafing and galling—it's— it's worse than your smattering chattering magpie of a grandmother," to the imperturbable Judy, who only looks at the fire, "to know he has got what's wanted and won't give it up. He, not to give it up! HE! A vagabond! But never mind, sir, never mind. At the most, he has only his own way for a little while. I have him periodically in a vice. I'll twist him, sir. I'll screw him, sir. If he won't do it with a good grace, I'll make him do it with a bad one, sir! Now, my dear Mr. George," says Grandfather Smallweed, winking at the lawyer hideously as he releases him, "I am ready for your kind assistance, my excellent friend!"

Mr. Tulkinghorn, with some shadowy sign of amusement manifesting itself through his self-possession, stands on the hearth-rug with his back to the fire, watching the disappearance of Mr. Smallweed and acknowledging the trooper's parting salute with one slight nod.

It is more difficult to get rid of the old gentleman, Mr. George finds, than to bear a hand in carrying him downstairs, for when he is replaced in his conveyance, he is so loquacious on the subject of the guineas and retains such an affectionate hold of his button —having, in truth, a secret longing to rip his coat open and rob him—that some degree of force is necessary on the trooper's part to effect a separation. It is accomplished at last, and he proceeds alone in quest of his adviser.

By the cloisterly Temple, and by Whitefriars (there, not without a glance at Hanging-Sword Alley, which would seem to be something in his way), and by Blackfriars Bridge, and Blackfriars Road, Mr. George sedately marches to a street of little shops lying somewhere in that ganglion of roads from Kent and Surrey, and of streets from the bridges of London, centring in the far-famed elephant who has lost his castle formed of a thousand four-horse coaches to a stronger iron monster than he, ready to chop him into mince-meat any day he dares. To one of the little shops in this street, which is a musician's shop, having a few fiddles in the window, and some Pan's pipes and a tambourine, and a triangle, and certain elongated scraps of music, Mr. George directs his massive tread. And halting at a few paces from it, as he sees a soldierly looking woman, with her outer skirts tucked up, come forth with a small wooden tub, and in that tub commence a-whisking and a-splashing on the margin of the pavement, Mr. George says to himself, "She's as usual, washing greens. I never saw her, except upon a baggage-waggon, when she wasn't washing greens!"

The subject of this reflection is at all events so occupied in washing greens at present that she remains unsuspicious of Mr. George's approach until, lifting up herself and her tub together when she has poured the water off into the gutter, she finds him standing near her. Her reception of him is not flattering.

"George, I never see you but I wish you was a hundred mile away!"

The trooper, without remarking on this welcome, follows into the musical-instrument shop, where the lady places her tub of greens upon the counter, and having shaken hands with him, rests her arms upon it.

"I never," she says, "George, consider Matthew Bagnet safe a minute when you're near him. You are that restless and that roving—"

"Yes! I know I am, Mrs. Bagnet. I know I am."

"You know you are!" says Mrs. Bagnet. "What's the use of that? WHY are you?"

"The nature of the animal, I suppose," returns the trooper good- humouredly.

"Ah!" cries Mrs. Bagnet, something shrilly. "But what satisfaction will the nature of the animal be to me when the animal shall have tempted my Mat away from the musical business to New Zealand or Australey?"

Mrs. Bagnet is not at all an ill-looking woman. Rather large- boned, a little coarse in the grain, and freckled by the sun and wind which have tanned her hair upon the forehead, but healthy, wholesome, and bright-eyed. A strong, busy, active, honest-faced woman of from forty-five to fifty. Clean, hardy, and so economically dressed (though substantially) that the only article of ornament of which she stands possessed appear's to be her wedding-ring, around which her finger has grown to be so large since it was put on that it will never come off again until it shall mingle with Mrs. Bagnet's dust.

"Mrs. Bagnet," says the trooper, "I am on my parole with you. Mat will get no harm from me. You may trust me so far."

"Well, I think I may. But the very looks of you are unsettling," Mrs. Bagnet rejoins. "Ah, George, George! If you had only settled down and married Joe Pouch's widow when he died in North America, SHE'D have combed your hair for you."

"It was a chance for me, certainly," returns the trooper half laughingly, half seriously, "but I shall never settle down into a respectable man now. Joe Pouch's widow might have done me good— there was something in her, and something of her—but I couldn't make up my mind to it. If I had had the luck to meet with such a wife as Mat found!"

Mrs. Bagnet, who seems in a virtuous way to be under little reserve with a good sort of fellow, but to be another good sort of fellow herself for that matter, receives this compliment by flicking Mr. George in the face with a head of greens and taking her tub into the little room behind the shop.

"Why, Quebec, my poppet," says George, following, on invitation, into that department. "And little Malta, too! Come and kiss your Bluffy!"

These young ladies—not supposed to have been actually christened by the names applied to them, though always so called in the family from the places of their birth in barracks—are respectively employed on three-legged stools, the younger (some five or six years old) in learning her letters out of a penny primer, the elder (eight or nine perhaps) in teaching her and sewing with great assiduity. Both hail Mr. George with acclamations as an old friend and after some kissing and romping plant their stools beside him.

"And how's young Woolwich?" says Mr. George.

"Ah! There now!" cries Mrs. Bagnet, turning about from her saucepans (for she is cooking dinner) with a bright flush on her face. "Would you believe it? Got an engagement at the theayter, with his father, to play the fife in a military piece."

"Well done, my godson!" cries Mr. George, slapping his thigh.

"I believe you!" says Mrs. Bagnet. "He's a Briton. That's what Woolwich is. A Briton!"

"And Mat blows away at his bassoon, and you're respectable civilians one and all," says Mr. George. "Family people. Children growing up. Mat's old mother in Scotland, and your old father somewhere else, corresponded with, and helped a little, and—well, well! To be sure, I don't know why I shouldn't be wished a hundred mile away, for I have not much to do with all this!"

Mr. George is becoming thoughtful, sitting before the fire in the whitewashed room, which has a sanded floor and a barrack smell and contains nothing superfluous and has not a visible speck of dirt or dust in it, from the faces of Quebec and Malta to the bright tin pots and pannikins upon the dresser shelves—Mr. George is becoming thoughtful, sitting here while Mrs. Bagnet is busy, when Mr. Bagnet and young Woolwich opportunely come home. Mr. Bagnet is an ex- artilleryman, tall and upright, with shaggy eyebrows and whiskers like the fibres of a coco-nut, not a hair upon his head, and a torrid complexion. His voice, short, deep, and resonant, is not at all unlike the tones of the instrument to which he is devoted. Indeed there may be generally observed in him an unbending, unyielding, brass-bound air, as if he were himself the bassoon of the human orchestra. Young Woolwich is the type and model of a young drummer.

Both father and son salute the trooper heartily. He saying, in due season, that he has come to advise with Mr. Bagnet, Mr. Bagnet hospitably declares that he will hear of no business until after dinner and that his friend shall not partake of his counsel without first partaking of boiled pork and greens. The trooper yielding to this invitation, he and Mr. Bagnet, not to embarrass the domestic preparations, go forth to take a turn up and down the little street, which they promenade with measured tread and folded arms, as if it were a rampart.

"George," says Mr. Bagnet. "You know me. It's my old girl that advises. She has the head. But I never own to it before her. Discipline must be maintained. Wait till the greens is off her mind. Then we'll consult. Whatever the old girl says, do—do it!"

"I intend to, Mat," replies the other. "I would sooner take her opinion than that of a college."

"College," returns Mr. Bagnet in short sentences, bassoon-like. "What college could you leave—in another quarter of the world— with nothing but a grey cloak and an umbrella—to make its way home to Europe? The old girl would do it to-morrow. Did it once!"

"You are right," says Mr. George.

"What college," pursues Bagnet, "could you set up in life—with two penn'orth of white lime—a penn'orth of fuller's earth—a ha'porth of sand—and the rest of the change out of sixpence in money? That's what the old girl started on. In the present business."

"I am rejoiced to hear it's thriving, Mat."

"The old girl," says Mr. Bagnet, acquiescing, "saves. Has a stocking somewhere. With money in it. I never saw it. But I know she's got it. Wait till the greens is off her mind. Then she'll set you up."

"She is a treasure!" exclaims Mr. George.

"She's more. But I never own to it before her. Discipline must be maintained. It was the old girl that brought out my musical abilities. I should have been in the artillery now but for the old girl. Six years I hammered at the fiddle. Ten at the flute. The old girl said it wouldn't do; intention good, but want of flexibility; try the bassoon. The old girl borrowed a bassoon from the bandmaster of the Rifle Regiment. I practised in the trenches. Got on, got another, get a living by it!"

George remarks that she looks as fresh as a rose and as sound as an apple.

"The old girl," says Mr. Bagnet in reply, "is a thoroughly fine woman. Consequently she is like a thoroughly fine day. Gets finer as she gets on. I never saw the old girl's equal. But I never own to it before her. Discipline must be maintained!"

Proceeding to converse on indifferent matters, they walk up and down the little street, keeping step and time, until summoned by Quebec and Malta to do justice to the pork and greens, over which Mrs. Bagnet, like a military chaplain, says a short grace. In the distribution of these comestibles, as in every other household duty, Mrs. Bagnet developes an exact system, sitting with every dish before her, allotting to every portion of pork its own portion of pot-liquor, greens, potatoes, and even mustard, and serving it out complete. Having likewise served out the beer from a can and thus supplied the mess with all things necessary, Mrs. Bagnet proceeds to satisfy her own hunger, which is in a healthy state. The kit of the mess, if the table furniture may be so denominated, is chiefly composed of utensils of horn and tin that have done duty in several parts of the world. Young Woolwich's knife, in particular, which is of the oyster kind, with the additional feature of a strong shutting-up movement which frequently balks the appetite of that young musician, is mentioned as having gone in various hands the complete round of foreign service.

The dinner done, Mrs. Bagnet, assisted by the younger branches (who polish their own cups and platters, knives and forks), makes all the dinner garniture shine as brightly as before and puts it all away, first sweeping the hearth, to the end that Mr. Bagnet and the visitor may not be retarded in the smoking of their pipes. These household cares involve much pattening and counter-pattening in the backyard and considerable use of a pail, which is finally so happy as to assist in the ablutions of Mrs. Bagnet herself. That old girl reappearing by and by, quite fresh, and sitting down to her needlework, then and only then—the greens being only then to be considered as entirely off her mind—Mr. Bagnet requests the trooper to state his case.

This Mr. George does with great discretion, appearing to address himself to Mr. Bagnet, but having an eye solely on the old girl all the time, as Bagnet has himself. She, equally discreet, busies herself with her needlework. The case fully stated, Mr. Bagnet resorts to his standard artifice for the maintenance of discipline.

"That's the whole of it, is it, George?" says he.

"That's the whole of it."

"You act according to my opinion?"

"I shall be guided," replies George, "entirely by it."

"Old girl," says Mr. Bagnet, "give him my opinion. You know it. Tell him what it is."

It is that he cannot have too little to do with people who are too deep for him and cannot be too careful of interference with matters he does not understand—that the plain rule is to do nothing in the dark, to be a party to nothing underhanded or mysterious, and never to put his foot where he cannot see the ground. This, in effect, is Mr. Bagnet's opinion, as delivered through the old girl, and it so relieves Mr. George's mind by confirming his own opinion and banishing his doubts that he composes himself to smoke another pipe on that exceptional occasion and to have a talk over old times with the whole Bagnet family, according to their various ranges of experience.

Through these means it comes to pass that Mr. George does not again rise to his full height in that parlour until the time is drawing on when the bassoon and fife are expected by a British public at the theatre; and as it takes time even then for Mr. George, in his domestic character of Bluffy, to take leave of Quebec and Malta and insinuate a sponsorial shilling into the pocket of his godson with felicitations on his success in life, it is dark when Mr. George again turns his face towards Lincoln's Inn Fields.

"A family home," he ruminates as he marches along, "however small it is, makes a man like me look lonely. But it's well I never made that evolution of matrimony. I shouldn't have been fit for it. I am such a vagabond still, even at my present time of life, that I couldn't hold to the gallery a month together if it was a regular pursuit or if I didn't camp there, gipsy fashion. Come! I disgrace nobody and cumber nobody; that's something. I have not done that for many a long year!"

So he whistles it off and marches on.

Arrived in Lincoln's Inn Fields and mounting Mr. Tulkinghorn's stair, he finds the outer door closed and the chambers shut, but the trooper not knowing much about outer doors, and the staircase being dark besides, he is yet fumbling and groping about, hoping to discover a bell-handle or to open the door for himself, when Mr. Tulkinghorn comes up the stairs (quietly, of course) and angrily asks, "Who is that? What are you doing there?"

"I ask your pardon, sir. It's George. The sergeant."

"And couldn't George, the sergeant, see that my door was locked?"

"Why, no, sir, I couldn't. At any rate, I didn't," says the trooper, rather nettled.

"Have you changed your mind? Or are you in the same mind?" Mr. Tulkinghorn demands. But he knows well enough at a glance.

"In the same mind, sir."

"I thought so. That's sufficient. You can go. So you are the man," says Mr. Tulkinghorn, opening his door with the key, "in whose hiding-place Mr. Gridley was found?"

"Yes, I AM the man," says the trooper, stopping two or three stairs down. "What then, sir?"

"What then? I don't like your associates. You should not have seen the inside of my door this morning if I had thought of your being that man. Gridley? A threatening, murderous, dangerous fellow."

With these words, spoken in an unusually high tone for him, the lawyer goes into his rooms and shuts the door with a thundering noise.

Mr. George takes his dismissal in great dudgeon, the greater because a clerk coming up the stairs has heard the last words of all and evidently applies them to him. "A pretty character to bear," the trooper growls with a hasty oath as he strides downstairs. "A threatening, murderous, dangerous fellow!" And looking up, he sees the clerk looking down at him and marking him as he passes a lamp. This so intensifies his dudgeon that for five minutes he is in an ill humour. But he whistles that off like the rest of it and marches home to the shooting gallery.



CHAPTER XXVIII

The Ironmaster

Sir Leicester Dedlock has got the better, for the time being, of the family gout and is once more, in a literal no less than in a figurative point of view, upon his legs. He is at his place in Lincolnshire; but the waters are out again on the low-lying grounds, and the cold and damp steal into Chesney Wold, though well defended, and eke into Sir Leicester's bones. The blazing fires of faggot and coal—Dedlock timber and antediluvian forest—that blaze upon the broad wide hearths and wink in the twilight on the frowning woods, sullen to see how trees are sacrificed, do not exclude the enemy. The hot-water pipes that trail themselves all over the house, the cushioned doors and windows, and the screens and curtains fail to supply the fires' deficiencies and to satisfy Sir Leicester's need. Hence the fashionable intelligence proclaims one morning to the listening earth that Lady Dedlock is expected shortly to return to town for a few weeks.

It is a melancholy truth that even great men have their poor relations. Indeed great men have often more than their fair share of poor relations, inasmuch as very red blood of the superior quality, like inferior blood unlawfully shed, WILL cry aloud and WILL be heard. Sir Leicester's cousins, in the remotest degree, are so many murders in the respect that they "will out." Among whom there are cousins who are so poor that one might almost dare to think it would have been the happier for them never to have been plated links upon the Dedlock chain of gold, but to have been made of common iron at first and done base service.

Service, however (with a few limited reservations, genteel but not profitable), they may not do, being of the Dedlock dignity. So they visit their richer cousins, and get into debt when they can, and live but shabbily when they can't, and find—the women no husbands, and the men no wives—and ride in borrowed carriages, and sit at feasts that are never of their own making, and so go through high life. The rich family sum has been divided by so many figures, and they are the something over that nobody knows what to do with.

Everybody on Sir Leicester Dedlock's side of the question and of his way of thinking would appear to be his cousin more or less. From my Lord Boodle, through the Duke of Foodle, down to Noodle, Sir Leicester, like a glorious spider, stretches his threads of relationship. But while he is stately in the cousinship of the Everybodys, he is a kind and generous man, according to his dignified way, in the cousinship of the Nobodys; and at the present time, in despite of the damp, he stays out the visit of several such cousins at Chesney Wold with the constancy of a martyr.

Of these, foremost in the front rank stands Volumnia Dedlock, a young lady (of sixty) who is doubly highly related, having the honour to be a poor relation, by the mother's side, to another great family. Miss Volumnia, displaying in early life a pretty talent for cutting ornaments out of coloured paper, and also for singing to the guitar in the Spanish tongue, and propounding French conundrums in country houses, passed the twenty years of her existence between twenty and forty in a sufficiently agreeable manner. Lapsing then out of date and being considered to bore mankind by her vocal performances in the Spanish language, she retired to Bath, where she lives slenderly on an annual present from Sir Leicester and whence she makes occasional resurrections in the country houses of her cousins. She has an extensive acquaintance at Bath among appalling old gentlemen with thin legs and nankeen trousers, and is of high standing in that dreary city. But she is a little dreaded elsewhere in consequence of an indiscreet profusion in the article of rouge and persistency in an obsolete pearl necklace like a rosary of little bird's-eggs.

In any country in a wholesome state, Volumnia would be a clear case for the pension list. Efforts have been made to get her on it, and when William Buffy came in, it was fully expected that her name would be put down for a couple of hundred a year. But William Buffy somehow discovered, contrary to all expectation, that these were not the times when it could be done, and this was the first clear indication Sir Leicester Dedlock had conveyed to him that the country was going to pieces.

There is likewise the Honourable Bob Stables, who can make warm mashes with the skill of a veterinary surgeon and is a better shot than most gamekeepers. He has been for some time particularly desirous to serve his country in a post of good emoluments, unaccompanied by any trouble or responsibility. In a well- regulated body politic this natural desire on the part of a spirited young gentleman so highly connected would be speedily recognized, but somehow William Buffy found when he came in that these were not times in which he could manage that little matter either, and this was the second indication Sir Leicester Dedlock had conveyed to him that the country was going to pieces.

The rest of the cousins are ladies and gentlemen of various ages and capacities, the major part amiable and sensible and likely to have done well enough in life if they could have overcome their cousinship; as it is, they are almost all a little worsted by it, and lounge in purposeless and listless paths, and seem to be quite as much at a loss how to dispose of themselves as anybody else can be how to dispose of them.

In this society, and where not, my Lady Dedlock reigns supreme. Beautiful, elegant, accomplished, and powerful in her little world (for the world of fashion does not stretch ALL the way from pole to pole), her influence in Sir Leicester's house, however haughty and indifferent her manner, is greatly to improve it and refine it. The cousins, even those older cousins who were paralysed when Sir Leicester married her, do her feudal homage; and the Honourable Bob Stables daily repeats to some chosen person between breakfast and lunch his favourite original remark, that she is the best-groomed woman in the whole stud.

Such the guests in the long drawing-room at Chesney Wold this dismal night when the step on the Ghost's Walk (inaudible here, however) might be the step of a deceased cousin shut out in the cold. It is near bed-time. Bedroom fires blaze brightly all over the house, raising ghosts of grim furniture on wall and ceiling. Bedroom candlesticks bristle on the distant table by the door, and cousins yawn on ottomans. Cousins at the piano, cousins at the soda-water tray, cousins rising from the card-table, cousins gathered round the fire. Standing on one side of his own peculiar fire (for there are two), Sir Leicester. On the opposite side of the broad hearth, my Lady at her table. Volumnia, as one of the more privileged cousins, in a luxurious chair between them. Sir Leicester glancing, with magnificent displeasure, at the rouge and the pearl necklace.

"I occasionally meet on my staircase here," drawls Volumnia, whose thoughts perhaps are already hopping up it to bed, after a long evening of very desultory talk, "one of the prettiest girls, I think, that I ever saw in my life."

"A PROTEGEE of my Lady's," observes Sir Leicester.

"I thought so. I felt sure that some uncommon eye must have picked that girl out. She really is a marvel. A dolly sort of beauty perhaps," says Miss Volumnia, reserving her own sort, "but in its way, perfect; such bloom I never saw!"

Sir Leicester, with his magnificent glance of displeasure at the rouge, appears to say so too.

"Indeed," remarks my Lady languidly, "if there is any uncommon eye in the case, it is Mrs. Rouncewell's, and not mine. Rosa is her discovery."

"Your maid, I suppose?"

"No. My anything; pet—secretary—messenger—I don't know what."

"You like to have her about you, as you would like to have a flower, or a bird, or a picture, or a poodle—no, not a poodle, though—or anything else that was equally pretty?" says Volumnia, sympathizing. "Yes, how charming now! And how well that delightful old soul Mrs. Rouncewell is looking. She must be an immense age, and yet she is as active and handsome! She is the dearest friend I have, positively!"

Sir Leicester feels it to be right and fitting that the housekeeper of Chesney Wold should be a remarkable person. Apart from that, he has a real regard for Mrs. Rouncewell and likes to hear her praised. So he says, "You are right, Volumnia," which Volumnia is extremely glad to hear.

"She has no daughter of her own, has she?"

"Mrs. Rouncewell? No, Volumnia. She has a son. Indeed, she had two."

My Lady, whose chronic malady of boredom has been sadly aggravated by Volumnia this evening, glances wearily towards the candlesticks and heaves a noiseless sigh.

"And it is a remarkable example of the confusion into which the present age has fallen; of the obliteration of landmarks, the opening of floodgates, and the uprooting of distinctions," says Sir Leicester with stately gloom, "that I have been informed by Mr. Tulkinghorn that Mrs. Rouncewell's son has been invited to go into Parliament."

Miss Volumnia utters a little sharp scream.

"Yes, indeed," repeats Sir Leicester. "Into Parliament."

"I never heard of such a thing! Good gracious, what is the man?" exclaims Volumnia.

"He is called, I believe—an—ironmaster." Sir Leicester says it slowly and with gravity and doubt, as not being sure but that he is called a lead-mistress or that the right word may be some other word expressive of some other relationship to some other metal.

Volumnia utters another little scream.

"He has declined the proposal, if my information from Mr. Tulkinghorn be correct, as I have no doubt it is. Mr. Tulkinghorn being always correct and exact; still that does not," says Sir Leicester, "that does not lessen the anomaly, which is fraught with strange considerations—startling considerations, as it appears to me."

Miss Volumnia rising with a look candlestick-wards, Sir Leicester politely performs the grand tour of the drawing-room, brings one, and lights it at my Lady's shaded lamp.

"I must beg you, my Lady," he says while doing so, "to remain a few moments, for this individual of whom I speak arrived this evening shortly before dinner and requested in a very becoming note"—Sir Leicester, with his habitual regard to truth, dwells upon it—"I am bound to say, in a very becoming and well-expressed note, the favour of a short interview with yourself and MYself on the subject of this young girl. As it appeared that he wished to depart to- night, I replied that we would see him before retiring."

Miss Volumnia with a third little scream takes flight, wishing her hosts—O Lud!—well rid of the—what is it?—ironmaster!

The other cousins soon disperse, to the last cousin there. Sir Leicester rings the bell, "Make my compliments to Mr. Rouncewell, in the housekeeper's apartments, and say I can receive him now."

My Lady, who has heard all this with slight attention outwardly, looks towards Mr. Rouncewell as he comes in. He is a little over fifty perhaps, of a good figure, like his mother, and has a clear voice, a broad forehead from which his dark hair has retired, and a shrewd though open face. He is a responsible-looking gentleman dressed in black, portly enough, but strong and active. Has a perfectly natural and easy air and is not in the least embarrassed by the great presence into which he comes.

"Sir Leicester and Lady Dedlock, as I have already apologized for intruding on you, I cannot do better than be very brief. I thank you, Sir Leicester."

The head of the Dedlocks has motioned towards a sofa between himself and my Lady. Mr. Rouncewell quietly takes his seat there.

"In these busy times, when so many great undertakings are in progress, people like myself have so many workmen in so many places that we are always on the flight."

Sir Leicester is content enough that the ironmaster should feel that there is no hurry there; there, in that ancient house, rooted in that quiet park, where the ivy and the moss have had time to mature, and the gnarled and warted elms and the umbrageous oaks stand deep in the fern and leaves of a hundred years; and where the sun-dial on the terrace has dumbly recorded for centuries that time which was as much the property of every Dedlock—while he lasted— as the house and lands. Sir Leicester sits down in an easy-chair, opposing his repose and that of Chesney Wold to the restless flights of ironmasters.

"Lady Dedlock has been so kind," proceeds Mr. Rouncewell with a respectful glance and a bow that way, "as to place near her a young beauty of the name of Rosa. Now, my son has fallen in love with Rosa and has asked my consent to his proposing marriage to her and to their becoming engaged if she will take him—which I suppose she will. I have never seen Rosa until to-day, but I have some confidence in my son's good sense—even in love. I find her what he represents her, to the best of my judgment; and my mother speaks of her with great commendation."

"She in all respects deserves it," says my Lady.

"I am happy, Lady Dedlock, that you say so, and I need not comment on the value to me of your kind opinion of her."

"That," observes Sir Leicester with unspeakable grandeur, for he thinks the ironmaster a little too glib, "must be quite unnecessary."

"Quite unnecessary, Sir Leicester. Now, my son is a very young man, and Rosa is a very young woman. As I made my way, so my son must make his; and his being married at present is out of the question. But supposing I gave my consent to his engaging himself to this pretty girl, if this pretty girl will engage herself to him, I think it a piece of candour to say at once—I am sure, Sir Leicester and Lady Dedlock, you will understand and excuse me—I should make it a condition that she did not remain at Chesney Wold. Therefore, before communicating further with my son, I take the liberty of saying that if her removal would be in any way inconvenient or objectionable, I will hold the matter over with him for any reasonable time and leave it precisely where it is."

Not remain at Chesney Wold! Make it a condition! All Sir Leicester's old misgivings relative to Wat Tyler and the people in the iron districts who do nothing but turn out by torchlight come in a shower upon his head, the fine grey hair of which, as well as of his whiskers, actually stirs with indignation.

"Am I to understand, sir," says Sir Leicester, "and is my Lady to understand"—he brings her in thus specially, first as a point of gallantry, and next as a point of prudence, having great reliance on her sense—"am I to understand, Mr. Rouncewell, and is my Lady to understand, sir, that you consider this young woman too good for Chesney Wold or likely to be injured by remaining here?"

"Certainly not, Sir Leicester,"

"I am glad to hear it." Sir Leicester very lofty indeed.

"Pray, Mr. Rouncewell," says my Lady, warning Sir Leicester off with the slightest gesture of her pretty hand, as if he were a fly, "explain to me what you mean."

"Willingly, Lady Dedlock. There is nothing I could desire more."

Addressing her composed face, whose intelligence, however, is too quick and active to be concealed by any studied impassiveness, however habitual, to the strong Saxon face of the visitor, a picture of resolution and perseverance, my Lady listens with attention, occasionally slightly bending her head.

"I am the son of your housekeeper, Lady Dedlock, and passed my childhood about this house. My mother has lived here half a century and will die here I have no doubt. She is one of those examples—perhaps as good a one as there is—of love, and attachment, and fidelity in such a nation, which England may well be proud of, but of which no order can appropriate the whole pride or the whole merit, because such an instance bespeaks high worth on two sides—on the great side assuredly, on the small one no less assuredly."

Sir Leicester snorts a little to hear the law laid down in this way, but in his honour and his love of truth, he freely, though silently, admits the justice of the ironmaster's proposition.

"Pardon me for saying what is so obvious, but I wouldn't have it hastily supposed," with the least turn of his eyes towards Sir Leicester, "that I am ashamed of my mother's position here, or wanting in all just respect for Chesney Wold and the family. I certainly may have desired—I certainly have desired, Lady Dedlock —that my mother should retire after so many years and end her days with me. But as I have found that to sever this strong bond would be to break her heart, I have long abandoned that idea."

Sir Leicester very magnificent again at the notion of Mrs. Rouncewell being spirited off from her natural home to end her days with an ironmaster.

"I have been," proceeds the visitor in a modest, clear way, "an apprentice and a workman. I have lived on workman's wages, years and years, and beyond a certain point have had to educate myself. My wife was a foreman's daughter, and plainly brought up. We have three daughters besides this son of whom I have spoken, and being fortunately able to give them greater advantages than we have had ourselves, we have educated them well, very well. It has been one of our great cares and pleasures to make them worthy of any station."

A little boastfulness in his fatherly tone here, as if he added in his heart, "even of the Chesney Wold station." Not a little more magnificence, therefore, on the part of Sir Leicester.

"All this is so frequent, Lady Dedlock, where I live, and among the class to which I belong, that what would be generally called unequal marriages are not of such rare occurrence with us as elsewhere. A son will sometimes make it known to his father that he has fallen in love, say, with a young woman in the factory. The father, who once worked in a factory himself, will be a little disappointed at first very possibly. It may be that he had other views for his son. However, the chances are that having ascertained the young woman to be of unblemished character, he will say to his son, 'I must be quite sure you are in earnest here. This is a serious matter for both of you. Therefore I shall have this girl educated for two years,' or it may be, 'I shall place this girl at the same school with your sisters for such a time, during which you will give me your word and honour to see her only so often. If at the expiration of that time, when she has so far profited by her advantages as that you may be upon a fair equality, you are both in the same mind, I will do my part to make you happy.' I know of several cases such as I describe, my Lady, and I think they indicate to me my own course now."

Sir Leicester's magnificence explodes. Calmly, but terribly.

"Mr. Rouncewell," says Sir Leicester with his right hand in the breast of his blue coat, the attitude of state in which he is painted in the gallery, "do you draw a parallel between Chesney Wold and a—" Here he resists a disposition to choke, "a factory?"

"I need not reply, Sir Leicester, that the two places are very different; but for the purposes of this case, I think a parallel may be justly drawn between them."

Sir Leicester directs his majestic glance down one side of the long drawing-room and up the other before he can believe that he is awake.

"Are you aware, sir, that this young woman whom my Lady—my Lady— has placed near her person was brought up at the village school outside the gates?"

"Sir Leicester, I am quite aware of it. A very good school it is, and handsomely supported by this family."

"Then, Mr. Rouncewell," returns Sir Leicester, "the application of what you have said is, to me, incomprehensible."

"Will it be more comprehensible, Sir Leicester, if I say," the ironmaster is reddening a little, "that I do not regard the village school as teaching everything desirable to be known by my son's wife?"

From the village school of Chesney Wold, intact as it is this minute, to the whole framework of society; from the whole framework of society, to the aforesaid framework receiving tremendous cracks in consequence of people (iron-masters, lead-mistresses, and what not) not minding their catechism, and getting out of the station unto which they are called—necessarily and for ever, according to Sir Leicester's rapid logic, the first station in which they happen to find themselves; and from that, to their educating other people out of THEIR stations, and so obliterating the landmarks, and opening the floodgates, and all the rest of it; this is the swift progress of the Dedlock mind.

"My Lady, I beg your pardon. Permit me, for one moment!" She has given a faint indication of intending to speak. "Mr. Rouncewell, our views of duty, and our views of station, and our views of education, and our views of—in short, ALL our views—are so diametrically opposed, that to prolong this discussion must be repellent to your feelings and repellent to my own. This young woman is honoured with my Lady's notice and favour. If she wishes to withdraw herself from that notice and favour or if she chooses to place herself under the influence of any one who may in his peculiar opinions—you will allow me to say, in his peculiar opinions, though I readily admit that he is not accountable for them to me—who may, in his peculiar opinions, withdraw her from that notice and favour, she is at any time at liberty to do so. We are obliged to you for the plainness with which you have spoken. It will have no effect of itself, one way or other, on the young woman's position here. Beyond this, we can make no terms; and here we beg—if you will be so good—to leave the subject."

The visitor pauses a moment to give my Lady an opportunity, but she says nothing. He then rises and replies, "Sir Leicester and Lady Dedlock, allow me to thank you for your attention and only to observe that I shall very seriously recommend my son to conquer his present inclinations. Good night!"

"Mr. Rouncewell," says Sir Leicester with all the nature of a gentleman shining in him, "it is late, and the roads are dark. I hope your time is not so precious but that you will allow my Lady and myself to offer you the hospitality of Chesney Wold, for to- night at least."

"I hope so," adds my Lady.

"I am much obliged to you, but I have to travel all night in order to reach a distant part of the country punctually at an appointed time in the morning."

Therewith the ironmaster takes his departure, Sir Leicester ringing the bell and my Lady rising as he leaves the room.

When my Lady goes to her boudoir, she sits down thoughtfully by the fire, and inattentive to the Ghost's Walk, looks at Rosa, writing in an inner room. Presently my Lady calls her.

"Come to me, child. Tell me the truth. Are you in love?"

"Oh! My Lady!"

My Lady, looking at the downcast and blushing face, says smiling, "Who is it? Is it Mrs. Rouncewell's grandson?"

"Yes, if you please, my Lady. But I don't know that I am in love with him—yet."

"Yet, you silly little thing! Do you know that he loves YOU, yet?"

"I think he likes me a little, my Lady." And Rosa bursts into tears.

Is this Lady Dedlock standing beside the village beauty, smoothing her dark hair with that motherly touch, and watching her with eyes so full of musing interest? Aye, indeed it is!

"Listen to me, child. You are young and true, and I believe you are attached to me."

"Indeed I am, my Lady. Indeed there is nothing in the world I wouldn't do to show how much."

"And I don't think you would wish to leave me just yet, Rosa, even for a lover?"

"No, my Lady! Oh, no!" Rosa looks up for the first time, quite frightened at the thought.

"Confide in me, my child. Don't fear me. I wish you to be happy, and will make you so—if I can make anybody happy on this earth."

Rosa, with fresh tears, kneels at her feet and kisses her hand. My Lady takes the hand with which she has caught it, and standing with her eyes fixed on the fire, puts it about and about between her own two hands, and gradually lets it fall. Seeing her so absorbed, Rosa softly withdraws; but still my Lady's eyes are on the fire.

In search of what? Of any hand that is no more, of any hand that never was, of any touch that might have magically changed her life? Or does she listen to the Ghost's Walk and think what step does it most resemble? A man's? A woman's? The pattering of a little child's feet, ever coming on—on—on? Some melancholy influence is upon her, or why should so proud a lady close the doors and sit alone upon the hearth so desolate?

Volumnia is away next day, and all the cousins are scattered before dinner. Not a cousin of the batch but is amazed to hear from Sir Leicester at breakfast-time of the obliteration of landmarks, and opening of floodgates, and cracking of the framework of society, manifested through Mrs. Rouncewell's son. Not a cousin of the batch but is really indignant, and connects it with the feebleness of William Buffy when in office, and really does feel deprived of a stake in the country—or the pension list—or something—by fraud and wrong. As to Volumnia, she is handed down the great staircase by Sir Leicester, as eloquent upon the theme as if there were a general rising in the north of England to obtain her rouge-pot and pearl necklace. And thus, with a clatter of maids and valets—for it is one appurtenance of their cousinship that however difficult they may find it to keep themselves, they MUST keep maids and valets—the cousins disperse to the four winds of heaven; and the one wintry wind that blows to-day shakes a shower from the trees near the deserted house, as if all the cousins had been changed into leaves.



CHAPTER XXIX

The Young Man

Chesney Wold is shut up, carpets are rolled into great scrolls in corners of comfortless rooms, bright damask does penance in brown holland, carving and gilding puts on mortification, and the Dedlock ancestors retire from the light of day again. Around and around the house the leaves fall thick, but never fast, for they come circling down with a dead lightness that is sombre and slow. Let the gardener sweep and sweep the turf as he will, and press the leaves into full barrows, and wheel them off, still they lie ankle- deep. Howls the shrill wind round Chesney Wold; the sharp rain beats, the windows rattle, and the chimneys growl. Mists hide in the avenues, veil the points of view, and move in funeral-wise across the rising grounds. On all the house there is a cold, blank smell like the smell of a little church, though something dryer, suggesting that the dead and buried Dedlocks walk there in the long nights and leave the flavour of their graves behind them.

But the house in town, which is rarely in the same mind as Chesney Wold at the same time, seldom rejoicing when it rejoices or mourning when it mourns, expecting when a Dedlock dies—the house in town shines out awakened. As warm and bright as so much state may be, as delicately redolent of pleasant scents that bear no trace of winter as hothouse flowers can make it, soft and hushed so that the ticking of the clocks and the crisp burning of the fires alone disturb the stillness in the rooms, it seems to wrap those chilled bones of Sir Leicester's in rainbow-coloured wool. And Sir Leicester is glad to repose in dignified contentment before the great fire in the library, condescendingly perusing the backs of his books or honouring the fine arts with a glance of approbation. For he has his pictures, ancient and modern. Some of the Fancy Ball School in which art occasionally condescends to become a master, which would be best catalogued like the miscellaneous articles in a sale. As "Three high-backed chairs, a table and cover, long-necked bottle (containing wine), one flask, one Spanish female's costume, three-quarter face portrait of Miss Jogg the model, and a suit of armour containing Don Quixote." Or "One stone terrace (cracked), one gondola in distance, one Venetian senator's dress complete, richly embroidered white satin costume with profile portrait of Miss Jogg the model, one Scimitar superbly mounted in gold with jewelled handle, elaborate Moorish dress (very rare), and Othello."

Mr. Tulkinghorn comes and goes pretty often, there being estate business to do, leases to be renewed, and so on. He sees my Lady pretty often, too; and he and she are as composed, and as indifferent, and take as little heed of one another, as ever. Yet it may be that my Lady fears this Mr. Tulkinghorn and that he knows it. It may be that he pursues her doggedly and steadily, with no touch of compunction, remorse, or pity. It may be that her beauty and all the state and brilliancy surrounding her only gives him the greater zest for what he is set upon and makes him the more inflexible in it. Whether he be cold and cruel, whether immovable in what he has made his duty, whether absorbed in love of power, whether determined to have nothing hidden from him in ground where he has burrowed among secrets all his life, whether he in his heart despises the splendour of which he is a distant beam, whether he is always treasuring up slights and offences in the affability of his gorgeous clients—whether he be any of this, or all of this, it may be that my Lady had better have five thousand pairs of fashionable eyes upon her, in distrustful vigilance, than the two eyes of this rusty lawyer with his wisp of neckcloth and his dull black breeches tied with ribbons at the knees.

Sir Leicester sits in my Lady's room—that room in which Mr. Tulkinghorn read the affidavit in Jarndyce and Jarndyce— particularly complacent. My Lady, as on that day, sits before the fire with her screen in her hand. Sir Leicester is particularly complacent because he has found in his newspaper some congenial remarks bearing directly on the floodgates and the framework of society. They apply so happily to the late case that Sir Leicester has come from the library to my Lady's room expressly to read them aloud. "The man who wrote this article," he observes by way of preface, nodding at the fire as if he were nodding down at the man from a mount, "has a well-balanced mind."

The man's mind is not so well balanced but that he bores my Lady, who, after a languid effort to listen, or rather a languid resignation of herself to a show of listening, becomes distraught and falls into a contemplation of the fire as if it were her fire at Chesney Wold, and she had never left it. Sir Leicester, quite unconscious, reads on through his double eye-glass, occasionally stopping to remove his glass and express approval, as "Very true indeed," "Very properly put," "I have frequently made the same remark myself," invariably losing his place after each observation, and going up and down the column to find it again.

Sir Leicester is reading with infinite gravity and state when the door opens, and the Mercury in powder makes this strange announcement, "The young man, my Lady, of the name of Guppy."

Sir Leicester pauses, stares, repeats in a killing voice, "The young man of the name of Guppy?"

Looking round, he beholds the young man of the name of Guppy, much discomfited and not presenting a very impressive letter of introduction in his manner and appearance.

"Pray," says Sir Leicester to Mercury, "what do you mean by announcing with this abruptness a young man of the name of Guppy?"

"I beg your pardon, Sir Leicester, but my Lady said she would see the young man whenever he called. I was not aware that you were here, Sir Leicester."

With this apology, Mercury directs a scornful and indignant look at the young man of the name of Guppy which plainly says, "What do you come calling here for and getting ME into a row?"

"It's quite right. I gave him those directions," says my Lady. "Let the young man wait."

"By no means, my Lady. Since he has your orders to come, I will not interrupt you." Sir Leicester in his gallantry retires, rather declining to accept a bow from the young man as he goes out and majestically supposing him to be some shoemaker of intrusive appearance.

Lady Dedlock looks imperiously at her visitor when the servant has left the room, casting her eyes over him from head to foot. She suffers him to stand by the door and asks him what he wants.

"That your ladyship would have the kindness to oblige me with a little conversation," returns Mr. Guppy, embarrassed.

"You are, of course, the person who has written me so many letters?"

"Several, your ladyship. Several before your ladyship condescended to favour me with an answer."

"And could you not take the same means of rendering a Conversation unnecessary? Can you not still?"

Mr. Guppy screws his mouth into a silent "No!" and shakes his head.

"You have been strangely importunate. If it should appear, after all, that what you have to say does not concern me—and I don't know how it can, and don't expect that it will—you will allow me to cut you short with but little ceremony. Say what you have to say, if you please."

My Lady, with a careless toss of her screen, turns herself towards the fire again, sitting almost with her back to the young man of the name of Guppy.

"With your ladyship's permission, then," says the young man, "I will now enter on my business. Hem! I am, as I told your ladyship in my first letter, in the law. Being in the law, I have learnt the habit of not committing myself in writing, and therefore I did not mention to your ladyship the name of the firm with which I am connected and in which my standing—and I may add income—is tolerably good. I may now state to your ladyship, in confidence, that the name of that firm is Kenge and Carboy, of Lincoln's Inn, which may not be altogether unknown to your ladyship in connexion with the case in Chancery of Jarndyce and Jarndyce."

My Lady's figure begins to be expressive of some attention. She has ceased to toss the screen and holds it as if she were listening.

"Now, I may say to your ladyship at once," says Mr. Guppy, a little emboldened, "it is no matter arising out of Jarndyce and Jarndyce that made me so desirous to speak to your ladyship, which conduct I have no doubt did appear, and does appear, obtrusive—in fact, almost blackguardly."

After waiting for a moment to receive some assurance to the contrary, and not receiving any, Mr. Guppy proceeds, "If it had been Jarndyce and Jarndyce, I should have gone at once to your ladyship's solicitor, Mr. Tulkinghorn, of the Fields. I have the pleasure of being acquainted with Mr. Tulkinghorn—at least we move when we meet one another—and if it had been any business of that sort, I should have gone to him."

My Lady turns a little round and says, "You had better sit down."

"Thank your ladyship." Mr. Guppy does so. "Now, your ladyship"— Mr. Guppy refers to a little slip of paper on which he has made small notes of his line of argument and which seems to involve him in the densest obscurity whenever he looks at it—"I—Oh, yes!—I place myself entirely in your ladyship's hands. If your ladyship was to make any complaint to Kenge and Carboy or to Mr. Tulkinghorn of the present visit, I should be placed in a very disagreeable situation. That, I openly admit. Consequently, I rely upon your ladyship's honour."

My Lady, with a disdainful gesture of the hand that holds the screen, assures him of his being worth no complaint from her.

"Thank your ladyship," says Mr. Guppy; "quite satisfactory. Now— I—dash it!—The fact is that I put down a head or two here of the order of the points I thought of touching upon, and they're written short, and I can't quite make out what they mean. If your ladyship will excuse me taking it to the window half a moment, I—"

Mr. Guppy, going to the window, tumbles into a pair of love-birds, to whom he says in his confusion, "I beg your pardon, I am sure." This does not tend to the greater legibility of his notes. He murmurs, growing warm and red and holding the slip of paper now close to his eyes, now a long way off, "C.S. What's C.S. for? Oh! C.S.! Oh, I know! Yes, to be sure!" And comes back enlightened.

"I am not aware," says Mr. Guppy, standing midway between my Lady and his chair, "whether your ladyship ever happened to hear of, or to see, a young lady of the name of Miss Esther Summerson."

My Lady's eyes look at him full. "I saw a young lady of that name not long ago. This past autumn."

"Now, did it strike your ladyship that she was like anybody?" asks Mr. Guppy, crossing his arms, holding his head on one side, and scratching the corner of his mouth with his memoranda.

My Lady removes her eyes from him no more.

"No."

"Not like your ladyship's family?"

"No."

"I think your ladyship," says Mr. Guppy, "can hardly remember Miss Summerson's face?"

"I remember the young lady very well. What has this to do with me?"

"Your ladyship, I do assure you that having Miss Summerson's image imprinted on my 'eart—which I mention in confidence—I found, when I had the honour of going over your ladyship's mansion of Chesney Wold while on a short out in the county of Lincolnshire with a friend, such a resemblance between Miss Esther Summerson and your ladyship's own portrait that it completely knocked me over, so much so that I didn't at the moment even know what it WAS that knocked me over. And now I have the honour of beholding your ladyship near (I have often, since that, taken the liberty of looking at your ladyship in your carriage in the park, when I dare say you was not aware of me, but I never saw your ladyship so near), it's really more surprising than I thought it."

Young man of the name of Guppy! There have been times, when ladies lived in strongholds and had unscrupulous attendants within call, when that poor life of yours would NOT have been worth a minute's purchase, with those beautiful eyes looking at you as they look at this moment.

My Lady, slowly using her little hand-screen as a fan, asks him again what he supposes that his taste for likenesses has to do with her.

"Your ladyship," replies Mr. Guppy, again referring to his paper, "I am coming to that. Dash these notes! Oh! 'Mrs. Chadband.' Yes." Mr. Guppy draws his chair a little forward and seats himself again. My Lady reclines in her chair composedly, though with a trifle less of graceful ease than usual perhaps, and never falters in her steady gaze. "A—stop a minute, though!" Mr. Guppy refers again. "E.S. twice? Oh, yes! Yes, I see my way now, right on."

Rolling up the slip of paper as an instrument to point his speech with, Mr. Guppy proceeds.

"Your ladyship, there is a mystery about Miss Esther Summerson's birth and bringing up. I am informed of that fact because—which I mention in confidence—I know it in the way of my profession at Kenge and Carboy's. Now, as I have already mentioned to your ladyship, Miss Summerson's image is imprinted on my 'eart. If I could clear this mystery for her, or prove her to be well related, or find that having the honour to be a remote branch of your ladyship's family she had a right to be made a party in Jarndyce and Jarndyce, why, I might make a sort of a claim upon Miss Summerson to look with an eye of more dedicated favour on my proposals than she has exactly done as yet. In fact, as yet she hasn't favoured them at all."

A kind of angry smile just dawns upon my Lady's face.

"Now, it's a very singular circumstance, your ladyship," says Mr. Guppy, "though one of those circumstances that do fall in the way of us professional men—which I may call myself, for though not admitted, yet I have had a present of my articles made to me by Kenge and Carboy, on my mother's advancing from the principal of her little income the money for the stamp, which comes heavy—that I have encountered the person who lived as servant with the lady who brought Miss Summerson up before Mr. Jarndyce took charge of her. That lady was a Miss Barbary, your ladyship."

Is the dead colour on my Lady's face reflected from the screen which has a green silk ground and which she holds in her raised hand as if she had forgotten it, or is it a dreadful paleness that has fallen on her?

"Did your ladyship," says Mr. Guppy, "ever happen to hear of Miss Barbary?"

"I don't know. I think so. Yes."

"Was Miss Barbary at all connected with your ladyship's family?"

My Lady's lips move, but they utter nothing. She shakes her head.

"NOT connected?" says Mr. Guppy. "Oh! Not to your ladyship's knowledge, perhaps? Ah! But might be? Yes." After each of these interrogatories, she has inclined her head. "Very good! Now, this Miss Barbary was extremely close—seems to have been extraordinarily close for a female, females being generally (in common life at least) rather given to conversation—and my witness never had an idea whether she possessed a single relative. On one occasion, and only one, she seems to have been confidential to my witness on a single point, and she then told her that the little girl's real name was not Esther Summerson, but Esther Hawdon."

"My God!"

Mr. Guppy stares. Lady Dedlock sits before him looking him through, with the same dark shade upon her face, in the same attitude even to the holding of the screen, with her lips a little apart, her brow a little contracted, but for the moment dead. He sees her consciousness return, sees a tremor pass across her frame like a ripple over water, sees her lips shake, sees her compose them by a great effort, sees her force herself back to the knowledge of his presence and of what he has said. All this, so quickly, that her exclamation and her dead condition seem to have passed away like the features of those long-preserved dead bodies sometimes opened up in tombs, which, struck by the air like lightning, vanish in a breath.

"Your ladyship is acquainted with the name of Hawdon?"

"I have heard it before."

"Name of any collateral or remote branch of your ladyship's family?"

"No."

"Now, your ladyship," says Mr. Guppy, "I come to the last point of the case, so far as I have got it up. It's going on, and I shall gather it up closer and closer as it goes on. Your ladyship must know—if your ladyship don't happen, by any chance, to know already—that there was found dead at the house of a person named Krook, near Chancery Lane, some time ago, a law-writer in great distress. Upon which law-writer there was an inquest, and which law-writer was an anonymous character, his name being unknown. But, your ladyship, I have discovered very lately that that law- writer's name was Hawdon."

"And what is THAT to me?"

"Aye, your ladyship, that's the question! Now, your ladyship, a queer thing happened after that man's death. A lady started up, a disguised lady, your ladyship, who went to look at the scene of action and went to look at his grave. She hired a crossing- sweeping boy to show it her. If your ladyship would wish to have the boy produced in corroboration of this statement, I can lay my hand upon him at any time."

The wretched boy is nothing to my Lady, and she does NOT wish to have him produced.

"Oh, I assure your ladyship it's a very queer start indeed," says Mr. Guppy. "If you was to hear him tell about the rings that sparkled on her fingers when she took her glove off, you'd think it quite romantic."

There are diamonds glittering on the hand that holds the screen. My Lady trifles with the screen and makes them glitter more, again with that expression which in other times might have been so dangerous to the young man of the name of Guppy.

"It was supposed, your ladyship, that he left no rag or scrap behind him by which he could be possibly identified. But he did. He left a bundle of old letters."

The screen still goes, as before. All this time her eyes never once release him.

"They were taken and secreted. And to-morrow night, your ladyship, they will come into my possession."

"Still I ask you, what is this to me?"

"Your ladyship, I conclude with that." Mr. Guppy rises. "If you think there's enough in this chain of circumstances put together— in the undoubted strong likeness of this young lady to your ladyship, which is a positive fact for a jury; in her having been brought up by Miss Barbary; in Miss Barbary stating Miss Summerson's real name to be Hawdon; in your ladyship's knowing both these names VERY WELL; and in Hawdon's dying as he did—to give your ladyship a family interest in going further into the case, I will bring these papers here. I don't know what they are, except that they are old letters: I have never had them in my possession yet. I will bring those papers here as soon as I get them and go over them for the first time with your ladyship. I have told your ladyship my object. I have told your ladyship that I should be placed in a very disagreeable situation if any complaint was made, and all is in strict confidence."

Is this the full purpose of the young man of the name of Guppy, or has he any other? Do his words disclose the length, breadth, depth, of his object and suspicion in coming here; or if not, what do they hide? He is a match for my Lady there. She may look at him, but he can look at the table and keep that witness-box face of his from telling anything.

"You may bring the letters," says my Lady, "if you choose."

"Your ladyship is not very encouraging, upon my word and honour," says Mr. Guppy, a little injured.

"You may bring the letters," she repeats in the same tone, "if you —please."

"It shall he done. I wish your ladyship good day."

On a table near her is a rich bauble of a casket, barred and clasped like an old strong-chest. She, looking at him still, takes it to her and unlocks it.

"Oh! I assure your ladyship I am not actuated by any motives of that sort," says Mr. Guppy, "and I couldn't accept anything of the kind. I wish your ladyship good day, and am much obliged to you all the same."

So the young man makes his bow and goes downstairs, where the supercilious Mercury does not consider himself called upon to leave his Olympus by the hall-fire to let the young man out.

As Sir Leicester basks in his library and dozes over his newspaper, is there no influence in the house to startle him, not to say to make the very trees at Chesney Wold fling up their knotted arms, the very portraits frown, the very armour stir?

No. Words, sobs, and cries are but air, and air is so shut in and shut out throughout the house in town that sounds need be uttered trumpet-tongued indeed by my Lady in her chamber to carry any faint vibration to Sir Leicester's ears; and yet this cry is in the house, going upward from a wild figure on its knees.

"O my child, my child! Not dead in the first hours of her life, as my cruel sister told me, but sternly nurtured by her, after she had renounced me and my name! O my child, O my child!"



CHAPTER XXX

Esther's Narrative

Richard had been gone away some time when a visitor came to pass a few days with us. It was an elderly lady. It was Mrs. Woodcourt, who, having come from Wales to stay with Mrs. Bayham Badger and having written to my guardian, "by her son Allan's desire," to report that she had heard from him and that he was well "and sent his kind remembrances to all of us," had been invited by my guardian to make a visit to Bleak House. She stayed with us nearly three weeks. She took very kindly to me and was extremely confidential, so much so that sometimes she almost made me uncomfortable. I had no right, I knew very well, to be uncomfortable because she confided in me, and I felt it was unreasonable; still, with all I could do, I could not quite help it.

She was such a sharp little lady and used to sit with her hands folded in each other looking so very watchful while she talked to me that perhaps I found that rather irksome. Or perhaps it was her being so upright and trim, though I don't think it was that, because I thought that quaintly pleasant. Nor can it have been the general expression of her face, which was very sparkling and pretty for an old lady. I don't know what it was. Or at least if I do now, I thought I did not then. Or at least—but it don't matter.

Of a night when I was going upstairs to bed, she would invite me into her room, where she sat before the fire in a great chair; and, dear me, she would tell me about Morgan ap-Kerrig until I was quite low- spirited! Sometimes she recited a few verses from Crumlinwallinwer and the Mewlinnwillinwodd (if those are the right names, which I dare say they are not), and would become quite fiery with the sentiments they expressed. Though I never knew what they were (being in Welsh), further than that they were highly eulogistic of the lineage of Morgan ap-Kerrig.

"So, Miss Summerson," she would say to me with stately triumph, "this, you see, is the fortune inherited by my son. Wherever my son goes, he can claim kindred with Ap-Kerrig. He may not have money, but he always has what is much better—family, my dear."

I had my doubts of their caring so very much for Morgan ap-Kerrig in India and China, but of course I never expressed them. I used to say it was a great thing to be so highly connected.

"It IS, my dear, a great thing," Mrs. Woodcourt would reply. "It has its disadvantages; my son's choice of a wife, for instance, is limited by it, but the matrimonial choice of the royal family is limited in much the same manner."

Then she would pat me on the arm and smooth my dress, as much as to assure me that she had a good opinion of me, the distance between us notwithstanding.

"Poor Mr. Woodcourt, my dear," she would say, and always with some emotion, for with her lofty pedigree she had a very affectionate heart, "was descended from a great Highland family, the MacCoorts of MacCoort. He served his king and country as an officer in the Royal Highlanders, and he died on the field. My son is one of the last representatives of two old families. With the blessing of heaven he will set them up again and unite them with another old family."

It was in vain for me to try to change the subject, as I used to try, only for the sake of novelty or perhaps because—but I need not be so particular. Mrs. Woodcourt never would let me change it.

"My dear," she said one night, "you have so much sense and you look at the world in a quiet manner so superior to your time of life that it is a comfort to me to talk to you about these family matters of mine. You don't know much of my son, my dear; but you know enough of him, I dare say, to recollect him?"

"Yes, ma'am. I recollect him."

"Yes, my dear. Now, my dear, I think you are a judge of character, and I should like to have your opinion of him."

"Oh, Mrs. Woodcourt," said I, "that is so difficult!"

"Why is it so difficult, my dear?" she returned. "I don't see it myself."

"To give an opinion—"

"On so slight an acquaintance, my dear. THAT'S true."

I didn't mean that, because Mr. Woodcourt had been at our house a good deal altogether and had become quite intimate with my guardian. I said so, and added that he seemed to be very clever in his profession—we thought—and that his kindness and gentleness to Miss Flite were above all praise.

"You do him justice!" said Mrs. Woodcourt, pressing my hand. "You define him exactly. Allan is a dear fellow, and in his profession faultless. I say it, though I am his mother. Still, I must confess he is not without faults, love."

"None of us are," said I.

"Ah! But his really are faults that he might correct, and ought to correct," returned the sharp old lady, sharply shaking her head. "I am so much attached to you that I may confide in you, my dear, as a third party wholly disinterested, that he is fickleness itself."

I said I should have thought it hardly possible that he could have been otherwise than constant to his profession and zealous in the pursuit of it, judging from the reputation he had earned.

"You are right again, my dear," the old lady retorted, "but I don't refer to his profession, look you."

"Oh!" said I.

"No," said she. "I refer, my dear, to his social conduct. He is always paying trivial attentions to young ladies, and always has been, ever since he was eighteen. Now, my dear, he has never really cared for any one of them and has never meant in doing this to do any harm or to express anything but politeness and good nature. Still, it's not right, you know; is it?"

"No," said I, as she seemed to wait for me.

"And it might lead to mistaken notions, you see, my dear."

I supposed it might.

"Therefore, I have told him many times that he really should be more careful, both in justice to himself and in justice to others. And he has always said, 'Mother, I will be; but you know me better than anybody else does, and you know I mean no harm—in short, mean nothing.' All of which is very true, my dear, but is no justification. However, as he is now gone so far away and for an indefinite time, and as he will have good opportunities and introductions, we may consider this past and gone. And you, my dear," said the old lady, who was now all nods and smiles, "regarding your dear self, my love?"

"Me, Mrs. Woodcourt?"

"Not to be always selfish, talking of my son, who has gone to seek his fortune and to find a wife—when do you mean to seek YOUR fortune and to find a husband, Miss Summerson? Hey, look you! Now you blush!"

I don't think I did blush—at all events, it was not important if I did—and I said my present fortune perfectly contented me and I had no wish to change it.

"Shall I tell you what I always think of you and the fortune yet to come for you, my love?" said Mrs. Woodcourt.

"If you believe you are a good prophet," said I.

"Why, then, it is that you will marry some one very rich and very worthy, much older—five and twenty years, perhaps—than yourself. And you will be an excellent wife, and much beloved, and very happy."

"That is a good fortune," said I. "But why is it to be mine?"

"My dear," she returned, "there's suitability in it—you are so busy, and so neat, and so peculiarly situated altogether that there's suitability in it, and it will come to pass. And nobody, my love, will congratulate you more sincerely on such a marriage than I shall."

It was curious that this should make me uncomfortable, but I think it did. I know it did. It made me for some part of that night uncomfortable. I was so ashamed of my folly that I did not like to confess it even to Ada, and that made me more uncomfortable still. I would have given anything not to have been so much in the bright old lady's confidence if I could have possibly declined it. It gave me the most inconsistent opinions of her. At one time I thought she was a story-teller, and at another time that she was the pink of truth. Now I suspected that she was very cunning, next moment I believed her honest Welsh heart to be perfectly innocent and simple. And after all, what did it matter to me, and why did it matter to me? Why could not I, going up to bed with my basket of keys, stop to sit down by her fire and accommodate myself for a little while to her, at least as well as to anybody else, and not trouble myself about the harmless things she said to me? Impelled towards her, as I certainly was, for I was very anxious that she should like me and was very glad indeed that she did, why should I harp afterwards, with actual distress and pain, on every word she said and weigh it over and over again in twenty scales? Why was it so worrying to me to have her in our house, and confidential to me every night, when I yet felt that it was better and safer somehow that she should be there than anywhere else? These were perplexities and contradictions that I could not account for. At least, if I could—but I shall come to all that by and by, and it is mere idleness to go on about it now.