"Been lookin' fuh you fuh some time, Peter," he stated grimly.

Peter considered the formidable figure with a queer sensation. He tried to take Tump's appearance casually; he tried to maintain an air of ordinariness.

"Didn't know you were back."

"Yeah, I's back."

"Have you—been looking for me?"

"Yeah."

"Didn't you know where I was staying?"

"Co'se I did; up 'mong de white folks. You know dey don' 'low no shootin' an' killin' 'mong de white folks." He drew his pistol from the holster with the address of an expert marksman.



Peter stood, with a quickening pulse, studying his assailant. The glade, the air, the sunshine, seemed suddenly drawn to a tension, likely to, break into violent commotion. His abrupt danger brought Peter to a feeling of lightness and power. A quiver went along his spine. His nostrils widened unconsciously as he calculated a leap and a blow at Tump's gun.

The soldier took a step backward, at the same time bringing the barrel to a ready.

"Naw you don't," he warned sharply. "You turn roun' an' march on to Niggertown."

"What for?" Peter still tried to be casual, but his voice held new overtones.

"Because, nigger, I means to drap you right on de Main Street o' Niggertown, 'fo' all dem niggers whut's been a-raggin' me 'bout you an' Cissie. I's gwine show dem fool niggers I don' take no fumi-diddles off'n nobody."

"Tump," gasped Jim Pink, in a husky voice, "you oughtn't shoot Peter; he mammy jes daid."

"'En she won' worry none. Turn roun', Peter, an' when I says, 'March,' you march." He leveled his pistol. "'Tention! Rat about face! March!"

Peter turned and moved off down the noiseless path, walking with the stiff gait of a man who expects a terrific blow from behind at any instant.

The mulatto walked twenty or more paces amid a confusion of self- protective impulses. He thought of whirling on Tump even at this late date. He thought of darting behind a cedar, but he knew the man behind him was an expert shot, and something fundamental in the brown man forbade his getting himself killed while running away. It was too undignified a death.

Presently he surprised himself by calling over his shoulder, as a sort of complaint:

"How came you with the pistol, Tump? Thought it was against the law to carry one."

"You kin ca'y 'em ef you don' keep 'em hid," explained the ex-soldier in a wooden voice. "Mr. Bobbs tol' me dat when he guv my gun back."

The irony of the thing caught Peter, for the authorities to arrest Tump not because he was trying to kill Peter, but because he went about his first attempt in an illegal manner. For the first time in his life the mulatto felt that contempt for a white man's technicalities that flavors every negro's thoughts. Here for thirty days his life had been saved by a technical law of the white man; at the end of the thirty days, by another technical law, Tump was set at liberty and allowed to carry a weapon, in a certain way, to murder him. It was grotesque; it was absurd. It filled Peter with a sudden violent questioning of the whole white regime. His thoughts danced along in peculiar excitement.

At the turn of the hill the trio came in sight of the squalid semicircle of Niggertown. Here and there from a tumbledown chimney a feather of pale wood smoke lifted into the chill sunshine. The sight of the houses brought Peter a sharp realization that his life would end in the curving street beneath him. A shock at the incomprehensible brevity of his life rushed over him. Just to that street, just as far as the curve, and his legs were swinging along, carrying him forward at an even gait.

All at once he began talking, arguing. He tried to speak at an ordinary tempo, but his words kept edging on faster and faster:

"Tump, I'm not going to marry Cissie Dildine."

"I knows you ain't, Peter."

"I mean, if you let me alone, I didn't mean to."

"I ain't goin' to let you alone."

"Tump, we had already decided not to marry."

After a short pause Tump said in a slightly different tone:

"'Pears lak you don' haf to ma'y her—comin' to yo' room."

A queer sinking came over the mulatto. "Listen, Tump, I—we—in my room —we simply talked, that's all. She came to tell me she was goin away. I—I didn't harm her, Tump." Peter swallowed. He despaired of being believed.

But his defense only infuriated the soldier. He suddenly broke into violent profanity.

"Hot damn you! shut yo black mouf! Whut I keer whut-chu done! You weaned her away fum me. She won't speak to me! She won't look at me!" A sudden insanity of rage seized Tump. He poured on his victim every oath and obscenity he had raked out of the whole army.

Strangely enough, the gunman's outbreak brought a kind of relief to Peter Siner. It exonerated him. He was not suspected of wronging Cissie; or, rather, whether he had or had not wronged her made no difference to Tump. Peter's crime consisted in mere being, in existing where Cissie could see him and desire him rather than Tump. Why it calmed Peter to know that Tump held no dishonorable charge against him the mulatto himself could not have told. Tump's violence showed Peter the certainty of his own death, and somehow it washed away the hope and the thought of escape.

Half-way down the hill they entered the edge of Niggertown. The smell of sties and stables came to them. Peter's thoughts moved here and there, like the eyes of a little child glancing about as it is forced to leave a pleasure-ground.

Peter knew that Jim Pink, who now made a sorry figure in their rear, would one day give a buffoon's mimicry of this his walk to death. He thought of Tump, who would have to serve a year or two in the Nashville Penitentiary, for the murder of negroes is seldom severely punished. He thought of Cissie. He was being murdered because Cissie desired him.

And then Peter remembered the single bit of wisdom that his whole life had taught him. It was this: no people can become civilized until the woman has the power of choice among the males that sue for her hand. The history of the white race shows the gradual increase of the woman's power of choice. Among the yellow races, where this power is curtailed, civilization is curtailed. It was this principle that exalted chivalry. Upon it the white man has reared all his social fabric.

So deeply ingrained is it that almost every novel written by white men revolves about some woman's choice of her mate being thwarted by power or pride or wealth, but in every instance the rightness of the woman's choice is finally justified. The burden of every song is love, true love, enduring love, a woman's true and enduring love.

And in his moment of clairvoyance Peter saw that these songs and stories were profoundly true. Against a woman's selectiveness no other social force may count.

That was why his own race was weak and hopeless and helpless. The males of his people were devoid of any such sentiment or self-repression. They were men of the jungle, creatures of tusk and claw and loin. This very act of violence against his person condemned his whole race.

These thoughts brought the mulatto an unspeakable sadness, not only for his own particular death, but that this idea, this great redeeming truth, which burned so brightly in his brain, would in another moment flicker out, unrevealed, and be no more.



CHAPTER XVIII

The coughing and rattling of an old motor-car as it rounded the Niggertown curve delayed Tump Pack's act of violence. Instinctively, the three men waited for the machine to pass before Peter walked out into the road. Next moment it appeared around the turn, moving slowly through the dust and spreading a veritable fog behind it.

All three negroes recognized the first glimpse of the hood and top, for there are only three or four cars in Hooker's Bend, and these are as well known as the faces of their owners. This particular motor belonged to Constable Bobbs, and the next moment the trio saw the ponderous body of the officer at the wheel, and by his side a woman. As the machine clacked toward them Peter felt a certain surprise to see that it was Cissie Dildine.

The constable in the car scrutinized the black men, by the roadside in a very peculiar way. As he came near, he leaned across Cissie and almost eclipsed the girl. He eyed the trio with his perpetual menace of a grin on his broad red face. His right hand, lying across Cissie's lap, held a revolver. When closest he shouted above the clangor of his engine:

"Now, none o' that, boys! None o' that! You'll prob'ly hit the gal if you shoot, an' I'll pick you off lak three black skunks."

He brandished his revolver at them, but the gesture was barely seen, and instantly concealed by the cloud; of dust following the motor. Next moment it enveloped the negroes and hid them even from one another.

It was only after Peter was lost in the dust-cloud that the mulatto really divined what was meant by Cissie's strange appearance with the constable, her chalky face, her frightened brown eyes. The significance of the scene grew in his mind. He stood with eyes screwed to slits staring into the apricot-colored dust in the direction of the vanishing noise.

Presently Tump Pack's form outlined itself in the yellow obscurity, groping toward Peter. He still held his pistol, but it swung at his side. He called Peter's name in the strained voice of a man struggling not to cough:

"Peter—is Mr. Bobbs done—'rested Cissie?"

Peter could hardly talk himself.

"Don't know. Looks like it."

The two negroes stared at each other through the dust.

"Fuh Gawd's sake! Cissie 'rested!" Tump began to cough. Then he wheezed:

"Mine an' yo' little deal's off, Peter. You gotta he'p git her out." Here he fell into a violent fit of coughing, and started groping his way to the edge of the dust-cloud.

In the rush of the moment the swift change in Peter's situation appeared only natural. He followed Tump, so distressed by the dust and disturbed over Cissie that he hardly thought of his peculiar position. The dust pinched the upper part of his throat, stung his nose. Tears trickled from his eyes, and he pressed his finger against his upper lip, trying not to sneeze. He was still struggling against the sneeze when Tump recovered his speech.

"Wh-whut you reckon she done, Peter? She don' shoot craps, nor boot- laig, nor—" He fell to coughing.

Peter got out a handkerchief and wiped his eyes.

"Let's go—to the Dildine house," he said.

The two moved hurriedly through the thinning cloud, and presently came to breathable air, where they could see the houses around them.

"I know she done somp'n; I know she done somp'n," chanted Tump, with the melancholy cadence of his race. He shook his dusty head. "You ain't never been in jail, is you, black man?"

Peter said he had not.

"Lawd! it ain't no place fuh a woman," declared Tump. "You dunno nothin' 'bout it, black man. It sho ain't no place fuh a woman."

A notion of an iron cage floated before Peter's mind. The two negroes trudged on through the crescent side by side, their steps raising a little trail of dust in the air behind them. Their faces and clothes were of a uniform dust color. Streaks of mud marked the runnels of their tears down their cheeks.

The shrubbery and weeds that grew alongside the negro thoroughfare were quite dead. Even the little avenue of dwarf box was withered that led from the gate to the door of the Dildine home. The two colored men walked up the little path to the door, knocked, and waited on the steps for the little skirmish of observation from behind the blinds. None came. The worst had befallen the house; there was nothing to guard. The door opened as soon as an inmate could reach it, and Vannie Dildine stood before them.

The quadroon's eyes were red, and her face had the moist, slightly swollen appearance that comes of protracted weeping. She looked so frail and miserable that Peter instinctively stepped inside and took her arm to assist her in the mere physical effort of standing.

"What is the matter, Mrs. Dildine?" he asked in a shocked tone. "What's happened to Cissie?"

Vannie began weeping again with a faint gasping and a racking of her flat chest.

"It's—it's—O-o-oh, Peter!" She put an arm about him and began weeping against him. He soothed her, patted her shoulder, at the same time staring at the side of her head, wondering what could have dealt her this blow.

Presently she steadied herself and began explaining in feeble little phrases, sandwiched between sobs and gasps:

"She—tuk a brooch—Kep'—kep' layin' it roun' in—h-her way, th-that young Sam Arkwright did,—a-an' finally she—she tuk hit. N-nen, when he seen he h-had her, he said sh-sh-she 'd haf to d-do wh-whut he said, or he'd sen' her to-to ja-a-il!" Vannie sobbed drearily for a few moments on Peter's breast. "Sh-she did fuh a while: 'n 'en sh-she broke off wid h-him, anyhow, an'—an' he swo' out a wa'nt an sont her to jail!" The mother sobbed without comfort, and finally added: "Sh-she in a delicate fix now, an' 'at jail goin' to be a gloomy place fuh Cissie."

The three negroes stood motionless in the dusty hallway, motionless save for the racking of Vannie's sobs.

Tump Pack stirred himself.

"Well, we gotta git her out." His words trailed off. He stood wrinkling his half-inch of brow. "I wonder would dey exchange pris'ners; wonder ef I could go up an' serve out Cissie's term."

"Oh, Tump!" gasped the woman, "ef you only could!"

"I'll step an' see, Miss Vannie. 'At sho ain't no place fuh a nice gal lak Cissie." Tump turned on his mission, evidently intending to walk to Jonesboro and offer himself in the place of the prisoner.

Peter supported Vannie back into the poor living-room, and placed her in the old rocking-chair before the empty hearth. There was where he had sat the evening Cissie made her painful confession to him. Only now did he realize the whole of what Cissie was trying to confess.

Peter Siner overtook Tump Pack a little way down the crescent, opposite the Berry cabin. The thoroughfare was deserted, because the weather was cold and the scantily clad children were indoors. However, from every cabin came sound of laughing and romping, and now and then a youngster darted through the cold from one hut to another.

It seemed to Peter Siner only a little while since he and Ida May were skittering through wintry weather from one fire to another, with Cissie, a wailing, wet-nosed little spoil-sport, trailing after them. And then, with a wheeling of the years, they were scattered everywhere.

As the negroes passed the Berry cabin, Nan Berry came out with an old shawl around her bristling spikes. She stopped the two men and drew them to her gate with a gesture.

"Wha you gwine?"

"Jonesbuh."

"Whut you goin' do 'bout po-o-o' Cissie?"

"Goin' to see ef the sheriff won' take me 'stid o' Cissie."

"Tha's right," said Nan, nodding solemnly. "I hopes he will. You is mo' used to it, Tump."

"Yeah, an' 'at jail sho ain't no place fuh a nice gal lak Cissie."

"Sho ain't," agreed Nan.

Peter interrupted to say he was sure the sheriff would not exchange.

The hopes of his listeners fell.

"Weh-ul," dragged out Nan, with a long face, "of co'se now it's lak dis: ef Cissie goin' to stay in dat ja-ul, she's goin' to need some mo' clo'es 'cep'n whut she's got on,—specially lak she is."

Tump stared down the swing of the crescent.

"'Fo' Gawd, dis sho don' seem lak hit's right to me," he said.

Nan let herself out at the rickety gate. "You niggers wait heah tull I runs up to Miss Vannie's an' git some o' Cissie's clo'es fuh you to tote her."

Tump objected.

"Jail ain't no place fuh clean clo'es. She jes better serve out her term lak she is, an' wash up when she gits th'ugh."

"You fool nigger!" snapped Nan. "She kain't serve out her term lak she is!"

"Da' 's so," said Tump.

The three stood silent, Nan and Tump lost in blankness, trying to think of something to do for Cissie. Finally Nan said:

"I heah she done commit gran' larceny, an' they goin' sen' her to de pen."

"Whut is gran' larceny?" asked Tump.

"It's takin' mo' at one time an' de white folks 'speck you to take," defined the woman. "Well, I'll go git her clo'es." She hurried off up the crescent.

Peter and Tump waited in the Berry cabin for Nan's return. Outside, the Berry cabin was the usual clapboard-roofed, weather-stained structure; inside, it was dark, windowless, and strong with the odor of black folk. Some children were playing around the hearth, roasting chestnuts. Their elders sat in a circle of decrepit chairs. It was so dark that when Peter first entered he could not make out the little group, but he soon recognized their voices: Parson Ranson, Wince Washington, Jerry Dillihay, and all of the Berry family.

They were talking of Cissie, of course. They hoped Cissie wouldn't really be sent to the penitentiary, that the white folks would let her out in time for her to have her child at home. Parson Ranson thought it would be bad luck for a child to be born in jail.

Wince Washington, who had been in jail a number of times, suggested that they bail Cissie out by signing their names to a paper. He had been set free by this means once or twice.

Sally, Nan's little sister, observed tartly that if Cissie hadn't acted so, she wouldn't have been in jail.

"Don' speak lak dat uv dem as is in trouble, Sally," reproved old Parson Ranson, solemnly; "anybody can say 'Ef.'"

"Sho am de troof," agreed Jerry Dillihay.

"Sho am, black man." The conversation drifted into the endless moralizing of their race, but it held no criticism or condemnation of Cissie. From the tone of the negroes one would have thought some impersonal disaster had overtaken her. Every one was planning how to help Cissie, how to make her present state more endurable. They were the black folk, the unfortunate of the earth, and the pride of righteousness is only to the well placed and the untempted.

Presently Nan came back with a bundle of Cissie's clothes. Tump took the bundle of dainty lingerie, the intimate garments of the woman he loved, and set forth on his quixotic errand. He tied it to his shoulder-holster and set out. Peter went a little of the way with him. It was almost dusk when they started. The chill of approaching night stung the men's faces. As they walked past the footpath that led over the Big Hill, three pistol-shots from the glade announced that the boot-leggers had opened business for the night.

Tump paused and shivered. He said it was a cold night. He thought he would like to get a kick of "white mule" to put a little heart in him. It was a long walk to Jonesboro. He hesitated a moment, then turned off the road around the crescent for the path through the glade.

A thought to dissuade Tump from drinking the fiery "singlings" of the moonshiners crossed Peters mind, but he put it aside. Tump was a habitue of the glade. All the physiological arguments upon which Peter could base an argument were far beyond the ex-soldier's comprehension. So Tump turned off through the dark trees. Peter watched him until all he could see was the white blur of Cissie's underwear swinging against his holster.

After Tump's disappearance, Peter stood for several minutes thinking. His brief crusade into Niggertown had ended in a situation far outside of his volition. That morning he had started out with some vague idea of taking Niggertown in his hands and molding it in accordance with his white ideas; but Niggertown had taken Peter into its hands, had threatened his life, had administered to him profound mental and moral shocks, and now had dropped him, like some bit of waste, with his face set over the Big Hill for white town.

As Peter stood there it seemed to him there was something symbolic in his attitude. He was no longer of the black world; he was of the white. He did not understand his people; they eluded him.

He belonged to the white world; not to the village across the hill, but to the North. Nothing now prevented him from going North and taking the position with Farquhar. Cissie Dildine was impossible for him now. Niggertown was immovable, at least for him. He was no Washington to lead his people to a loftier plane. In fact, Peter began to suspect that he was no leader at all. He saw now that his initial success with the Sons and Daughters of Benevolence had been effected merely by the aura of his college training. After his first misstep he had never rehabilitated himself. He perhaps had a dash of the artistic in him, and the power to mold ideas often confuses itself subjectively with the power to mold human beings. In reality he did not even understand the people he assumed to mold. A suspicion came to him that under the given conditions their ways were more rational than his own.

As for Cissie Dildine, his duty by the girl, his queer protective passion for her—all that was surely past now. After her lapse from all decency there was no reason why he should spend another thought on her. He would go North to Chicago.

The last of the twilight was fading in swift, visible gradations of light. The cedars, the cabins, and the hill faded in pulse-beats of darkness. Above the Big Hill the last ember of day smoldered against a green-blue infinity. Here and there a star pricked the dome with a wintry brilliance.

Then, somehow, the thought of Cissie looking out on that chilly sky through iron bars tightened Peter's throat. He caught himself up sharply for his emotion. He began a vague defense of the white man's laws on grounds as cold and impersonal as the winter evening. Laws, customs, and conventions were for the strengthening of men, to seed the select, to winnow the weak. It was white logic, applied firmly, as by a white man. But somehow the stars multiplied and kept Cissie's image before Peter—a cold, frightened girl, harassed with coming motherhood, peering at those chill, distant lights out of the blackness of a jail.

The mulatto decided to spend the night in his mother's cabin. He would do his packing, and be ready for the down-river boat in the morning. He found his way to his own gate in the darkness. He lifted it around, entered, and walked to his door. When he tried to open it, he found some one had bored holes through the shutter and the jamb and had wired it shut.

Peter struck a match to see just what had been done. The flame displayed a small sheet tacked on the door. He spent two matches investigating it. It was a notice of levy, posted by the constable in an action of debt brought against the estate of Caroline Siner by Henry Hooker. The owner of the estate and the public in general were warned against removing anything whatsoever from the premises under penalty exacted by the law governing such offenses. Then Peter untwisted the wire and entered.

Peter searched about and found the tiny brass night-lamp which his mother always had used. The larger glass-bowled lamp was gone. The interior of the cabin was clammy from cold and foul from long lack of airing. In the corner his mother's old four-poster loomed in the shadows, but he could see some of its covers had been taken. He passed into the kitchen with a notion of building a fire and eating a bite, but everything edible had been abstracted. Even one of the lids of the old step-stove was gone. Most of the pans and kettles had disappeared, but the pretty old Dutch sugar-bowl remained on a bare paper-covered shelf. Negro-like, whatever person or persons who had ransacked Peter's home considered the sugar-bowl too fine to take. Or they may have thought that Peter would want this bowl for a keepsake, and with that queer compassion that permeates a negro's worst moments they allowed it to remain. And Peter knew if he raised an outcry about his losses, much of the property would be surreptitiously restored, or perhaps his neighbors would bring back his things and say they had found them. They would help him as best they could, just as they of the crescent would help Cissie as best they could, and would receive her back as one of them when she and her baby were finally released from jail.

They were a queer people. They were a people who would never get on well and do well. They lacked the steel-like edge that the white man achieves. By virtue of his hardness, a white man makes his very laws and virtues instruments to crush and mulct his fellow-man; but negroes are so softened by untoward streaks of sympathy that they lose the very uses of their crimes.

The depression of the whole day settled upon Peter with the deepening night. He held his poor light above his head and picked his way to his own room. After the magnificence of the Renfrew manor, it had contracted to a grimy little box lined with yellowed papers. His books were still intact, but Henry Hooker would get them as part payment on the Dillihay place, which Henry owned. On his little table still lay the pile of old examination papers, lists of incoherent questions which somebody somewhere imagined formed a test of human ability to meet and answer the mysterious searchings of life.

Peter was familiar with the books; many of the questions he had learned by rote, but the night and the crescent, and the thought of a pregnant girl caged in the blackness of a jail filled his soul with a great melancholy query to which he could find no answer.



CHAPTER XIX

Two voices talking, interrupting each other with ejaculations, after the fashion of negroes under excitement, aroused Peter Siner from his sleep. He caught the words: "He did! Tump did! The jailer did! 'Fo' God! black man, whut's Cissie doin'?"

Overtones of shock, even of horror, in the two voices brought Peter wide awake the moment he opened his eyes. He sat up suddenly in his bed, remained perfectly still, listening with his mouth open. The voices, however, were passing. The words became indistinct, then relapsed into that bubbling monotone of human voices at a distance, and presently ceased.

These fragmentary phrases, however, feathered with consternation, filled Peter with vague premonitions. He whirled his legs out of bed and began drawing on his clothes. When he was up and into the crescent, however, nobody was in sight. He stood breathing the chill, damp air, blinking his eyes. Lack of his cold bath made him feel chilly and lethargic. He wriggled his shoulders and considered going back, after all, and having his splash. Just then he saw the Persimmon coming around the crescent. Peter called to the roustabout and asked about Tump Pack.

The Persimmon looked at Peter with his half-asleep, protruding eyeballs.

"Don' you know 'bout Tump Pack already, Mister Siner?"

"No." Peter was astonished at the formality of the "Mr. Siner."

"Then is you 'spectin' somp'n 'bout him?"

"Why, no, but I was asleep in there a moment ago, and somebody came along talking about Tump and Cissie. They—they aren't married, are they?"

"Oh, no-o, no-o-o, no-o-o-o-o." The Persimmon waggled his bullet head slowly from side to side. "I heared Tump got into a lil trouble wid de jailer las' night."

"Serious?"

"I dunno." The Persimmon closed one of his protruding yellow eyes. "Owin' to whut you call se'ius; maybe whut I call se'ius wouldn't be se'ius to you at all; 'n 'en maybe whut you call se'ius would be ve'y insince'ius to Tump." The roustabout's philosophy, which consisted in a monotonous recasting of a given proposition, trickled on and on in the cold wind. After a while it fizzled out to nothing at all, and the Persimmon asked in a queer manner: "Did you give Tump some women's clo'es, Peter?"

It was such an odd question that at first Peter was at loss; then he recalled Nan Berry's despatching Cissie some underwear. He explained this to the Persimmon, and tacked on a curious, "Why?"

"Oh, nothin'; nothin' 'tall. Ever'body say you a mighty long-haided nigger. Jim Pink he tell us 'bout Tump Pack marchin' you 'roun' wid a gun. I sho don' want you ever git mad at me, Mister Siner. Man wid a gun an' you turn yo' long haid on him an' blow him away wid a wad o' women's clo'es. I sho don' want you ever cross yo' fingers at me, Mister Siner."

Peter stared at the grotesque, bullet-headed roustabout. "Persimmon," he said uneasily, "what in the world are you talking about?"

The Persimmon smiled a sickly, white-toothed smile. "Jim Pink say yo' aidjucation is a flivver. I say, 'Jim Pink, no nigger don' go off an' study fo' yeahs in college whut 'n he comes back an' kin throw some kin' uv a hoodoo over us fool niggers whut ain't got no brains. Now, Tump wid a gun, an' you wid jes ordina'y women's clo'es! 'Fo' Gawd, aidjucation is a great thing; sho is a great thing." The Persimmon gave Peter an apprehensive wink and moved on.

There was no use trying to extract information from the Persimmon unless he was minded to give it. His talk would merely become vaguer and vaguer. Peter watched him go, then turned and attempted to throw the whole matter off his mind by assuming a certain brisk Northern mood. He must pack, get ready for the down-river gasolene launch. The doings of Tump Pack and Cissie Dildine were, after all, nothing to him.

He started inside, when the levy notice on the door again met his eyes. He paused, read it over once more, and decided that he must go over the hill to the Planter's Bank and get Henry Hooker's permission to remove certain small personal belongings that he wanted to take with him.

The mere clear-cut decision to go invigorated Peter.

Some of the energy that always filled him during his college days in Boston seemed to come to him now from the mere thought of the North. Soon he would be in the midst of it, moving briskly, talking to wide- awake men to whom a slightly unusual English word would not form a stumbling-block to conversation. He set out down the crescent and across the Big Hill at a swinging stride. He was glad to get away.

Beyond the white church on the other side of the hill he heard a motor coming in on the Jonesboro road. Presently he saw a battered car moving around the long swing of the pike, spewing a trail of dust down the wind. Its clacking became prodigious.

The mulatto was just entering that indefinite stretch of thoroughfare where a country road becomes a village street when there came a wail of brakes behind him and he looked around.

It was Dawson Bobbs's car. The fat man now slowed up not far from the mulatto and called to him.

"Yes, sir," said Peter.

Dawson bobbed his fat head backward and upward in a signal for Peter to approach. It held the casualness of one certain to be obeyed.

Although Peter had done no crime, nor had even harbored a criminal intention, a trickle of apprehension went through him at Bobbs's nod. He recalled Jim Pink's saying that it was bad luck to see the constable. He walked up to the shuddering motor and stood about three feet from the running-board.

The officer bit on a sliver of toothpick that he held in his thin lips.

"Accident up Jonesboro las' night, Peter."

"What was it, Mr. Bobbs?"

"Tump Pack got killed."

Peter continued looking fixedly at Mr. Bobbs's broad red face. The dusty road beneath him seemed to give a little dip. He repeated the information emptily, trying to orient himself to this sudden change in his whole mental horizon.

The officer was looking at Peter fixedly with his chill slits of eyes.

"Yeah; trying to make a jail delivery."

The two men continued looking at each other, one from the road, the other from the motor. The flow of Peter's thoughts seemed to divide. The greater part was occupied with Tump Pack. Peter could vision the formidable ex-soldier lying dead in Jonesboro jail, with his little congressional medal on his breast. Some lighter portion of his mind nickered about here and there on trivial things. He observed a little hole rusted in the running-board of the motor. He noticed that the officer's eyes were just the same chill, washed blue as the winter sky above his head. He remembered a tale that, before electrocution became a law in Tennessee the county sheriff's nerve had failed him at a hanging, and the constable Dawson Bobbs had sprung the drop. There was something terrible about the fat man. He would do anything, absolutely anything, that came to his hands in the way of legal sewage.

In the midst of these thoughts Peter heard himself saying.

"He—was trying to get Cissie out?"

"Yep."

"He—must have been drunk."

"Oh, yeah."

Mr. Bobbs sat studying the mulatto. As he studied him he said slowly:

"Some of 'em say he was disguised as a woman. Others say he had some women's clothes along, ready to put on. Now, me and the sheriff knowed Tump Pack purty well, Peter, and we knowed that nigger never in the worl' would 'a' thought up sich a plan by hisself."

He sat looking at Peter so interrogatively that the mulatto began, in a strained, earnest voice, telling the constable precisely what had happened in regard to the clothes.

Mr. Bobbs sat listening impassively, moving his toothpick up and down from one side to the other of his small, thin-lipped mouth. At last he nodded.

"Well, I guess that's about the way of it. I didn't exactly understand the women's clothes business,—damn' fool disguise,—but we figgered it might pop into the head of a' edjucated nigger." He sucked his teeth, reflectively. "Peter," he said at last, "seems to me, if I was you, I'd drift on away from this town. The niggers around here ain't strong for you now; some say you're a hoodoo; some say this an' some that. The white folks don't exactly like you trying to get up a cook's union. It's your right to do that if you want to, of course, but this is a mighty small city to have unions and things. The fact is, it ain't a big enough place for a nigger of yore ability, Peter. I b'lieve, if I was you, I'd jes drift on some'eres else."

The officer tipped up his toothpick so that it lifted his upper lip in a little v-shaped opening and exposed a strong, yellowish tooth. At the moment his machine started slowly forward. It gave him the appearance of accidentally rolling off while immersed in deep thought.

* * * * *

The death of Tump Pack moved Peter with a sense of strange pathos. He always remembered Tump tramping away through the night to carry Cissie some underclothes and, if possible, to take her place in jail. At the foundation of Tump's being lay a faithfulness and devotion to Cissie that reached the heights of a dog's. And yet, he might have deserted her, he would probably have beaten her, and he most certainly would have betrayed her many, many times. It was inexplicable.

Now that Tump was dead, the mantle of his fidelity somehow seemed to fall on Peter. For some reason Peter felt that he should assume Tump's place as Cissie Dildine's husband and protector. Had Tump lived, Peter might have gone North in peace, if not in happiness. Now such a journey, without Cissie, had become impossible. He had a feeling that it would not be right.

As for the disgrace of marrying such a woman as Cissie Dildine, Peter slowly gave that idea up. The "worthinesses" and "disgraces" implicit in Harvard atmosphere, which Peter had spent four years of his life imbibing, slowly melted away in the air of Niggertown. What was honorable there, what was disgraceful there, somehow changed its color here.

By virtue of this change Peter felt intuitively that Cissie Dildine was neither disgraced by her arrest nor soiled by her physical condition. Somehow she seemed just as "nice" a girl, just as "good" a girl, as ever she was before. Moreover, every other darky in Niggertown held these same instinctive beliefs. Had it not been for that, Peter would have thought it was his passion pleading for the girl, justifying itself by a grotesque morality, as passions often do. But this was not the correct solution. The sentiment was enigmatic. Peter puzzled over it time and time again as he waited in Hooker's Bend for the outcome of Cissie's trial.

The octoroon's imprisonment came to an end on the third day after Tump's death. Sam Arkwright's parents had not known of their son's legal proceedings, and Mr. Arkwright immediately quashed the warrant, and hushed up the unfortunate matter as best he could. Young Sam was suddenly sent away from home to college, as the best step in the circumstances. And so the wishes of the adolescent in the cedar-glade came queerly to pass, even if Peter did withhold any grave, mature advice on the subject which he may have possessed.

Naturally, there was much mirth among the men of Hooker's Bend and much virulence among the women over the peculiar conditions under which young Sam made his pilgrimage in pursuit of wisdom and morals and the right conduct of life. And life being problematic and uncertain as it is, and prone to wind about in the strangest way, no one may say with certitude that young Sam did not make a promising start.

Certainly, over the affair the Knights of the Round Table launched many a quip and jest, but that simply proved the fineness of their sentiments toward a certain delicate human relation which forms mankind's single awful approach to the creative and the holy.

Tump Pack became almost a mythical figure in Niggertown. Jim Pink Staggs composed a saga relating the soldier's exploits in France, his assault on the jail to liberate Cissie, and his death.

In his songs—and Jim Pink had composed a good many—the minstrel instinctively avoided humor. He always improvised them to the sobbing of a guitar, and they were as invariably sad as the poetry of adolescents. It was called "Tump Pack's Lament." The negroes of Hooker's Bend learned it from Jim Pink, and with them it drifted up and down the three great American rivers, and now it is sung by the roustabouts, stevedores, and underlings of our strange black American world.

This song commemorating Tump Pack's bravery and faithfulness to his love may very well take the place of the Congressional medal which, unfortunately, was lost on the night the soldier was killed. Between the two, there is little doubt that the accolade of fame bestowed in the buffoon's simple melody is more vital and enduring than that accorded by special act of the Congress of the United States of America.

When Cissie Dildine returned from jail, she and her mother arranged the Dildine-Siner wedding as nearly according to white standards in similar circumstances as they could conceive. They agreed that it should be a simple, quiet home wedding. However, as every soul in Niggertown, a number of colored friends in Jonesboro, and a contingent from up-river villages meant to attend, it became necessary to hold the service in the church.

The officiating minister was not Parson Ranson after all, but a Reverend Cleotus Haidus, the presiding elder of that circuit of the Afro-American Methodist Church, whose duties happened to call him to Hooker's Bend that day. So, notwithstanding Cissie's efforts at simplicity, the wedding, after all, was resolved into an affair.

Once, in one of her moments of clairvoyance, Cissie said to Peter:

"Our trouble is, Peter, we are trying to mix what I have learned in Nashville and what you have learned in Boston with what we both feel in Hooker's Bend. I—I'm almost ashamed to say it, but I don't really feel sad and plaintive at all, Peter. I feel glad, gloriously glad. Oh, my dear, dear Peter!" and she flung her arms around Peter's neck and held him with all her might against her ripening bosom.

To Cissie her theft, her jail sentence, her pregnancy, were nothing more than if she had taken a sip of water. However, with the imitativeness of her race and the histrionic ability of her sex, she appeared pensive and subdued during the elaborate double-ring ceremony performed by the Reverend Cleotus Haidus. Nobody in the packed church knew how tremendously Cissie's heart was beating except Peter, who held her hand.

The ethical engine that Peter had patiently builded in Harvard almost ceased to function in this weird morality of Niggertown. Whether he were doing right or doing wrong, Peter could not determine. He lost all his moorings. At times he felt himself walking according to the ethnological law, which is the Harvard way of saying walking according to the will of God; but at other times he felt party to some unpardonable obscenity. So deeply was he disturbed that out of the dregs of his mind floated up old bits of the Scriptures that he was unaware of possessing: "There is a way which seemeth right unto a man, but the end thereof are the ways of death." And Peter wondered if he were not in that way.



The bridal couple embarked for Cairo on the Red Cloud, a packet in the Dubuque, Ohio, and Tennessee River trade. Peter and Cissie were not allowed to walk up the main stairway into the passengers' cabin, but were required to pick their way along the boiler-deck, through the stench of freight, lumber, live stock and sleeping roustabouts. Then they went through the heat and steam of the engine-room up a small companionway that led through the toilet, on to the rear guard of the main deck, and thence back to a little cuddy behind the main saloon called the chambermaid's cabin.

The chambermaid's cabin was filled with the perpetual odor of hot soap- suds, soiled laundry, and the broader smell of steam and the boat's machinery. The little place trembled night and day, for the steamer's engines were just beneath them, and immediately behind them thundered the great stern-wheel of the packet. A single square window in the end of the chambermaid's cabin looked out on the wheel, but at all times, except when the wind was blowing from just the right quarter, this window was deluged with a veritable Niagara of water. The continual shake of the cabin, the creak of the rudder-beam working to and fro, the watery thunder of the wheel, and the solemn rumble of the engines made conversation impossible until the travelers grew accustomed to the noises. Still, Cissie found it pleasant. She liked to sit and look out into the main saloon, with its interminable gilded scrolls extending away up the long cabin, a suave perspective. She liked to watch the white passengers dine—the white napery, the bouquets, the endless tables all filled with diners; some swathed in napkins from chin to waistband, others less completely protected. It gave Cissie a certain tang of triumph to smile at the swathed ones and to think that she knew better than that.

At night a negro string-band played for the white excursionists to dance, and Cissie would sit, with glowing eyes, clenching Peter's hand, every fiber of her asway to the music, and it seemed as if her heart would go mad. All these inhibitions, all this spreading before her of forbidden joys, did not daunt her delight. She reveled in them by propinquity.

The chambermaid was a Mrs. Antolia Higgman, a strong, full-bodied cafe-au-lait negress. She was a very sensible woman, and during her work on the boat she had picked up a Northern accent and a number of little mannerisms from the Chicago and St. Louis excursionists, who made ten-day round trips from Dubuque to Florence, Alabama, and return. When Mrs. Higgman was not running errands for the women passengers, she was working at her perpetual laundering.

At first Peter was a little uneasy as to how Mrs. Higgman would treat Cissie, but she turned out a good-hearted woman, and did everything she could to make the young wife comfortable. It soon became clear that Mrs. Higgman knew the whole situation, for one day she said to Cissie in her odd dialect, burred with Yankeeish "r's" and "ing's."

"These river-r towns, Mrs. Siner-r, are jest like one big village, with the river-r for its Main Street. I know ever-r'thang that goes on, through the cabin-boys an' cooks, an'—an'—you cerrtainly ar-re a dear- r, Mrs. Siner-r," and thereupon, quite unexpectedly, she kissed Cissie.

So on about the second day down the river Cissie dropped her saddened manner and became frankly, freely, and riotously happy. After the fashion of village negresses, she insisted on helping Mrs. Higgman with her work, and, incidentally, she cultivated Mrs. Higgman's Northern accent. When the chambermaid was out on her errands and Cissie found a moment alone with Peter, she would tweak his ear or pull his cheek and provoke him to kiss her. Indeed, it was all the hot, shuddering little laundry-room could do to contain the gay and bubbling Cissie.

Peter thought and thought, resignedly now, but persistently, how this strange happiness that belonged to them both could be. He was content, yet he felt he ought not to be content. He thought there must be something base in himself, yet he felt that there was not. He drank the wine of his honeymoon marveling.

On the morning before the Red Cloud entered the port of Cairo Mrs. Higgman was out of the cabin, and Peter stood at the little square window, with his arm about Cissie's waist, looking out to the rear of the steamer. A strong east wind blew the spray away from the glass, and Peter could see the huge wheel covered with a waterfall thundering beneath him. Back of the wheel stretched a long row of even waves and troughs. Every seventh or eighth wave tumbled over on itself in a swash of foam. These flashing stern waves strung far up the river. On each side of the great waterway stretched the flat shores of Kentucky and Ohio. Here and there over the broad clay-colored water moved other boats—tow-boats, a string of government auto-barges, a snag-boat, another packet.

Peter gave up his question. The curves of Cissie's form in his arm held a sweetness and a restfulness that her maidenhood had never promised. He felt so deeply sure of his happiness that it seemed strange to him that he could not aline his emotions and his mind.

As Peter stood staring up the Ohio River, it occurred to him that perhaps, in some queer way, the morals of black folk were not the morals of white folk; perhaps the laws that bound one race were not the laws that bound the other. It might be that white anathemas were black blessings. Peter thought along this line peacefully for several minutes.

And finally he concluded that, after all, morals and conventions, right and wrong, are merely those precepts that a race have practised and found good in its evolution. Morals are the training rules that keep a people fit. It might very well be that one moral regime is applicable to one race, and quite another to another.

The single object of all morals is racial welfare, the racial integrity, the breeding of strong children to perpetuate the species. If the black race possess a more exuberant vitality than some other race, then the black would not be forced to practise so severe a vital economy as some less virile folk. Racial morals are simply a question of having and spending within safety limits.

Peter knew that for years white men had held a prejudice against marrying widows. This is utterly without grounds except for one reason: the first born of a woman is the lustiest. Among the still weaker Aryans of India the widows burn themselves. Among certain South Sea Islanders only the first-born may live and mate; all other children are slain. Among nearly every white race marriage lines are strictly drawn, and the tendency is to have few children to a family, to conserve the precious vital impulse. So strong is this feeling of birth control that to-day nearly all American white women are ashamed of large families. This shame is the beginning of a convention; the convention may harden into a cult, a law, or a religion.

And here is the amazing part of morals. Morals are always directed toward one particular race, but the individual members of that race always feel that their brand of morals does and should apply to all the peoples of the earth; so one has the spectacle of nations sending out missionaries and battle-ships to teach and enforce their particular folk-ways. Another queer thing is that whereas the end of morals is designed solely for the betterment of the race, and is entirely regardless of the person, to the conscience of the person morals are always translated as something that binds him personally, that will shame him or honor him personally not only for the brief span of this worldly life, but through an eternity to come. To him, his particular code, surrounded by all the sanctions of custom, law, and religion, appears earth-embracing, hell-deep, and heaven-piercing, and any human creature who follows any other code appears fatally wicked, utterly shameless, and ineluctably lost.

And yet there is no such thing as absolute morals. Morals are as transitory as the sheen on a blackbird's wing; they change perpetually with the necessities of the race. Any people with an abounding vitality will naturally practise customs which a less vital people must shun.

Morals are nothing more than the engines controlling the stream of energy that propel a race on its course. All engines are not alike, nor are all races bound for the same port.

Here Peter Siner made the amazing discovery that although he had spent four years in Harvard, he had come out, just as he went in, a negro.

A great joy came over him. He took Cissie whole-heartedly in his arms and kissed again and again the deep crimson of her lips. His brain and his heart were together at last. As he stood looking out at the window, pressing Cissie to him, he wondered, when he reached Chicago, if he could ever make Farquhar understand.

THE END