A murmur, so very faint as to be almost no sound at all, came like a response from the girl's lips, and she all but imperceptibly stirred. Her father neither heard nor saw, but Lanfear started forward. He made a sudden clutch at the girl's wrist with the hand that had not left it and then remained motionless. "She will never remember now—here."

He fell on his knees beside the bed and began to sob. "Oh, my dearest! My poor girl! My love!" still keeping her wrist in his hand, and laying his head tenderly on her arm. Suddenly he started, with a shout: "The pulse!" and fell forward, crushing his ear against her heart, and listened with bursts of: "It's beating! She isn't dead! She's alive!" Then he lifted her in his arms, and it was in his embrace that she opened her eyes, and while she clung to him, entreated:

"My father! Where is he?"

A dread fell upon both the men, blighting the joy with which they welcomed her back to life. She took her father's head between her hands, and kissed his bruised face. "I thought you were dead; and I thought that mamma—" She stopped, and they waited breathless. "But that was long ago, wasn't it?"

"Yes," her father eagerly assented. "Very long ago."

"I remember," she sighed. "I thought that I was killed, too. Was it all a dream?" Her father and Lanfear looked at each other. Which should speak? "This is Doctor Lanfear, isn't it?" she asked, with a dim smile. "And I'm not dreaming now, am I?" He had released her from his arms, but she held his hand fast. "I know it is you, and papa; and yes, I remember everything. That terrible pain of forgetting is gone! It's beautiful! But did he hurt you badly, papa? I saw him, and I wanted to call to you. But mamma—"

However the change from the oblivion of the past had been operated, it had been mercifully wrought. As far as Lanfear could note it, in the rapture of the new revelation to her which it scarcely needed words to establish, the process was a gradual return from actual facts to the things of yesterday and then to the things of the day before, and so back to the tragedy in which she had been stricken. There was no sudden burst of remembrance, but a slow unveiling of the reality in which her spirit was mystically fortified against it. At times it seemed to him that the effect was accomplished in her by supernatural agencies such as, he remembered once somewhere reading, attend the souls of those lately dead, and explore their minds till every thought and deed of their earthly lives, from the last to the first, is revealed to them out of an inner memory which can never, any jot or tittle, perish. It was as if this had remained in her intact from the blow that shattered her outer remembrance. When the final, long-dreaded horror was reached, it was already a sorrow of the past, suffered and accepted with the resignation which is the close of grief, as of every other passion.

Love had come to her help in the time of her need, but not love alone helped her live back to the hour of that supreme experience and beyond it. In the absorbing interest of her own renascence, the shock, more than the injury which her father had undergone, was ignored, if not neglected. Lanfear had not, indeed, neglected it; but he could not help ignoring it in his happiness, as he remembered afterwards in the self-reproach which he would not let the girl share with him. Nothing, he realized, could have availed if everything had been done which he did not do; but it remained a pang with him that he had so dimly felt his duty to the gentle old man, even while he did it. Gerald lived to witness his daughter's perfect recovery of the self so long lost to her; he lived, with a joy more explicit than their own, to see her the wife of the man to whom she was dearer than love alone could have made her. He lived beyond that time, rejoicing, if it may be so said, in the fond memories of her mother which he had been so long forbidden by her affliction to recall. Then, after the spring of the Riviera had whitened into summer, and San Remo hid, as well as it could, its sunny glare behind its pines and palms, Gerald suffered one long afternoon through the heat till the breathless evening, and went early to bed. He had been full of plans for spending the rest of the summer at the little place in New England where his daughter knew that her mother lay. In the morning he did not wake.

"He gave his life that I might have mine!" she lamented in the first wild grief.

"No, don't say that, Nannie," her husband protested, calling her by the pet name which her father always used. "He is dead; but if we owe each other to his loss, it is because he was given, not because he gave himself."

"Oh, I know, I know!" she wailed. "But he would gladly have given himself for me."

That, perhaps, Lanfear could not have denied, and he had no wish to do so. He had a prescience of happiness for her which the future did not belie; and he divined that a woman must not be forbidden the extremes within which she means to rest her soul.



II

THE EIDOLONS OF BROOKS ALFORD

I should like to give the story of Alford's experiences just as Wanhope told it, sitting with us before the glowing hearth in the Turkish room, one night after the other diners at our club had gone away to digest their dinners at the theatre, or in their bachelor apartments up-town, or on the late trains which they were taking north, south, and west; or had hurried back to their offices to spend the time stolen from rest in overwork for which their famished nerves would duly revenge themselves. It was undoubtedly overwork which preceded Alford's experiences if it did not cause them, for he was pretty well broken from it when he took himself off in the early summer, to put the pieces together as best he could by the seaside. But this was a fact which Wanhope was not obliged to note to us, and there were certain other commonplaces of our knowledge of Alford which he could omit without omitting anything essential to our understanding of the facts which he dealt with so delicately, so electly, almost affectionately, coaxing each point into the fittest light, and then lifting his phrase from it, and letting it stand alone in our consciousness. I remember particularly how he touched upon the love-affair which was supposed to have so much to do with Alford's break-up, and how he dismissed it to its proper place in the story. As he talked on, with scarcely an interruption either from the eager credulity of Rulledge or the doubt of Minver, I heard with a sensuous comfort—I can use no other word—the far-off click of the dishes in the club kitchen, putting away till next day, with the musical murmur of a smitten glass or the jingle of a dropped spoon. But if I should try to render his words, I should spoil their impression in the vain attempt, and I feel that it is best to give the story as best I can in words of my own, so far from responsive to the requisitions of the occult incident.

The first intimation Alford had of the strange effect, which from first to last was rather an obsession than a possession of his, was after a morning of idle satisfaction spent in watching the target practice from the fort in the neighborhood of the little fishing-village where he was spending the summer. The target was two or three miles out in the open water beyond the harbor, and he found his pleasure in watching the smoke of the gun for that discrete interval before the report reached him, and then for that somewhat longer interval before he saw the magnificent splash of the shot which, as it plunged into the sea, sent a fan-shaped fountain thirty or forty feet into the air. He did not know and he did not care whether the target was ever hit or not. That fact was no part of his concern. His affair was to watch the burst of smoke from the fort and then to watch the upward gush of water, almost as light and vaporous to the eye, where the ball struck. He did not miss one of the shots fired during the forenoon, and when he met the other people who sat down with him at the midday dinner in the hotel, his talk with them was naturally of the morning's practice. They one and all declared it a great nuisance, and said that it had shattered their nerves terribly, which was not perhaps so strange, since they were all women. But when they asked him in his quality of nervous wreck whether he had not suffered from the prolonged and repeated explosions, too, he found himself able to say no, that he had enjoyed every moment of the firing. He added that he did not believe he had even noticed the noise after the first shot, he was so wholly taken with the beauty of the fountain-burst from the sea which followed; and as he spoke the fan-like spray rose and expanded itself before his eyes, quite blotting out the visage of a young widow across the table. In his swift recognition of the fact and his reflection upon it, he realized that the effect was quite as if he had been looking at some intense light, almost as if he had been looking at the sun, and that the illusion which had blotted out the agreeable reality opposite was of the quality of those flying shapes which repeat themselves here, there, and everywhere that one looks, after lifting the gaze from a dazzling object. When his consciousness had duly registered this perception, there instantly followed a recognition of the fact that the eidolon now filling his vision was not the effect of the dazzled eyes, but of a mental process, of thinking how the thing which it reported had looked.

By the time Alford had co-ordinated this reflection with the other, the eidolon had faded from the lady's face, which again presented itself in uninterrupted loveliness with the added attraction of a distinct pout.

"Well, Mr. Alford!" she bantered him.

"Oh, I beg your pardon! I was thinking—"

"Not of what I was saying," she broke in, laughingly, forgivingly.

"No, I certainly wasn't," he assented, with such a sense of approaching creepiness in his experience that when she challenged him to say what he was thinking of, he could not, or would not; she professed to believe that he would not.

In the joking that followed he soon lost the sense of approaching creepiness, and began to be proud of what had happened to him as out of the ordinary, as a species of psychological ecstasy almost of spiritual value. From time to time he tried, by thinking of the splash and upward gush from the cannon-shot's plunge in the sea, to recall the vision, but it would not come again, and at the end of an afternoon somewhat distraughtly spent he decided to put the matter away, as one of the odd things of no significance which happen in life and must be dealt with as mysteries none the less trifling because they are inexplicable.

"Well, you've got over it?" the widow joked him as he drew up towards her, smiling from her rocker on the veranda after supper. At first, all the women in the hotel had petted him; but with their own cares and ailments to reclaim them they let the invalid fall to the peculiar charge of the childless widow who had nothing else to do, and was so well and strong that she could look after the invalid Professor of Archaeology (at the Champlain University) without the fatigues they must feel.

"Yes, I've got over it," he said.

"And what was it?" she boldly pursued.

He was about to say, and then he could not.

"You won't tell?"

"Not yet," he answered. He added, after a moment, "I don't believe I can."

"Because it's confidential?"

"No; not exactly that. Because it's impossible."

"Oh, that's simple enough. I understand exactly what you mean. Well, if ever it becomes less difficult, remember that I should always like to know. It seemed a little—personal."

"How in the world?"

"Well, when one is stared at in that way—"

"Did I stare?"

"Don't you always stare? But in this case you stared as if there was something wrong with my hair."

"There wasn't," Alford protested, simple-heartedly. Then he recollected his sophistication to say: "Unless its being of that particular shade between brown and red was wrong."

"Oh, thank you, Mr. Alford! After that I must believe you."

They talked on the veranda till the night fell, and then they came in among the lamps, in the parlor, and she sat down with a certain provisionality, putting herself sideways on a light chair by a window, and as she chatted and laughed with one cheek towards him she now and then beat the back of her chair with her open hand. The other people were reading or severely playing cards, and they, too, kept their tones down to a respectful level, while she lingered, and when she rose and said good-night he went out and took some turns on the veranda before going up to bed. She was certainly, he realized, a very pretty woman, and very graceful and very amusing, and though she probably knew all about it, she was the franker and honester for her knowledge.

He had arrived at this conclusion just as he turned the switch of the electric light inside his door, and in the first flash of the carbon film he saw her sitting beside the window in such a chair as she had taken and in the very pose which she had kept in the parlor. Her half-averted face was lit as from laughing, and she had her hand lifted as if to beat the back of her chair.

"Good Heavens, Mrs. Yarrow!" he said, in a sort of whispered shout, while he mechanically closed the door behind him as if to keep the fact to himself. "What in the world are you doing here?"

Then she was not there. Nothing was there; not even a chair beside the window.

Alford dropped weakly into the only chair in the room, which stood next the door by the head of his bed, and abandoned himself a helpless prey to the logic of the events.

It was at this point, which I have been able to give in Wanhope's exact words, that, in the ensuing pause, Rulledge asked, as if he thought some detail might be denied him: "And what was the logic of the events?"

Minver gave a fleering laugh. "Don't be premature, Rulledge. If you have the logic now, you will spoil everything. You can't have the moral until you've had the whole story. Go on, Wanhope. You're so much more interesting than usual that I won't ask how you got hold of all these compromising minutiae."

"Of course," Wanhope returned, "they're not for the general ear. I go rather further, for the sake of the curious fact, than I should be warranted in doing if I did not know my audience so well."

We joined in a murmur of gratification, and he went on to say that Alford's first coherent thought was that he was dreaming one of those unwarranted dreams in which we make our acquaintance privy to all sorts of strange incidents. Then he knew that he was not dreaming, and that his eye had merely externated a mental vision, as in the case of the cannon-shot splash of which he had seen the phantom as soon as it was mentioned. He remembered afterwards asking himself in a sort of terror how far it was going to go with him; how far his thought was going to report itself objectively hereafter, and what were the reasonable implications of his abnormal experiences. He did not know just how long he sat by his bedside trying to think, only to have his conclusions whir away like a flock of startled birds when he approached them. He went to bed because he was exhausted rather than because he was sleepy, but he could not recall a moment of wakefulness after his head touched the pillow.

He woke surprisingly refreshed, but at the belated breakfast where he found Mrs. Yarrow still lingering he thought her looking not well. She confessed, listlessly, that she had not rested well. She was not sure, she said, whether the sea air agreed with her; she might try the mountains a little later. She was not inclined to talk, and that day he scarcely spoke with her except in commonplaces at the table. They had no return to the little mystery they had mocked together the day before.

More days passed, and Alford had no recurrence of his visions. His acquaintance with Mrs. Yarrow made no further advance; there was no one else in the hotel who interested him, and he bored himself. At the same time his recovery seemed retarded; he lost tone, and after a fortnight he ran up to talk himself over with his doctor in Boston. He rather thought he would mention his eidolons, and ask if they were at all related to the condition of his nerves. It was a keen disappointment, but it ought not to have been a surprise, for him to find that his doctor was off on his summer vacation. The caretaker who opened the door to Alford named a young physician in the same block of Marlborough Street who had his doctor's practice for the summer, but Alford had not the heart to go to this alternate.

He started down to his hotel on a late afternoon train that would bring him to the station after dusk, and before he reached it the lamps had been lighted in his car. Alford sat in a sparsely peopled smoker, where he had found a place away from the crowd in the other coaches, and looked out of the window into the reflected interior of his car, which now and then thinned away and let him see the weeds and gravel of the railroad banks, with the bushes that topped them and the woods that backed them. The train at one point stopped rather suddenly and then went on, for no reason that he ever cared to inquire; but as it slowly moved forward again he was reminded of something he had seen one night in going to New York just before the train drew into Springfield. It had then made such another apparently reasonless stop; but before it resumed its course Alford saw from his window a group of trainmen, and his own Pullman conductor with his lantern on his arm, bending over the figure of a man defined in his dark clothing against the snow of the bank where he lay propped. His face was waxen white, and Alford noted how particularly black the mustache looked traversing the pallid visage. He never knew whether the man was killed or merely stunned; you learn nothing with certainty of such things on trains; but now, as he thought of the incident, its eidolon showed itself outside of his mind, and followed him in every detail, even to a snowy stretch of the embankment, until the increasing speed of the train seemed to sweep it back out of sight.

Alford turned his eyes to the interior of the smoker, which, except for two or three dozing commuters and a noisy euchre-party, had been empty of everything but the fumes and stale odors of tobacco, and found it swarming with visions, the eidolons of everything he remembered from his past life. Whatever had once strongly impressed itself upon his nerves was reported there again as instantly as he thought of it. It was largely a whirling chaos, a kaleidoscopic jumble of facts; but from time to time some more memorable and important experience visualized itself alone. Such was the death-bed of the little sister whom he had been wakened, a child, to see going to heaven, as they told him. Such was the pathetic, foolish face of the girl whom long ago he had made believe he cared for, and then had abruptly broken with: he saw again, with heartache, her silly, tender amaze when he said he was going away. Such was the look of mute astonishment, of gentle reproach, in the eyes of the friend, now long dead, whom in a moment of insensate fury he had struck on the mouth, and who put his hand to his bleeding lips as he bent that gaze of wonder and bewilderment upon him. But it was not alone the dreadful impressions that reported themselves. There were others, as vivid, which came back in the original joyousness: the face of his mother looking up at him from the crowd on a day of college triumph when he was delivering the valedictory of his class; the collective gayety of the whole table on a particularly delightful evening at his dining-club; his own image in the glass as he caught sight of it on coming home accepted by the woman who afterwards jilted him; the transport which lighted up his father's visage when he stepped ashore from the vessel which had been rumored lost, and he could be verified by the senses as still alive; the comical, bashful ecstasy of the good fellow, his ancient chum, in telling him he had had a son born the night before, and the mother was doing well, and how he laughed and danced, and skipped into the air.

The smoker was full of these eidolons and of others which came and went with constant vicissitude. But what was of a greater weirdness than seeing them within it was seeing them without in that reflection of the interior which travelled with it through the summer night, and repeated it, now dimly, now brilliantly, in every detail. Alford sat in a daze, with a smile which he was aware of, fixed and stiff as if in plaster, on his face, and with his gaze bent on this or that eidolon, and then on all of them together. He was not so much afraid of them as of being noticed by the other passengers in the smoker, to whom he knew he might look very queer. He said to himself that he was making the whole thing, but the very subjectivity was what filled him with a deep and hopeless dread. At last the train ceased its long leaping through the dark, and with its coming to a stand the whole illusion vanished. He heard a gay voice which he knew bidding some one good-bye who was getting into the car just back of the smoker, and as he descended to the platform he almost walked into the arms of Mrs. Yarrow.

"Why, Mr. Alford! We had given you up. We thought you wouldn't come back till to-morrow—or perhaps ever. What in the world will you do for supper? The kitchen fires were out ages ago!"

In the light of the station electrics she beamed upon him, and he felt glad at heart, as if he had been saved from something, a mortal danger or a threatened shame. But he could not speak at once; his teeth closed with tetanic force upon each other. Later, as they walked to the hotel, through the warm, soft night in which the south wind was roaming the starless heavens for rain, he found his voice, and although he felt that he was speaking unnaturally, he made out to answer the lively questions with which she pelted him too thickly to expect them to be answered severally. She told him all the news of the day, and when she began on yesterday's news she checked herself with a laugh and said she had forgotten that he had only been gone since morning. "But now," she said, "you see how you've been missed—how any man must be missed in a hotel full of women."

She took charge of him when they got to the house, and said if he would go boldly into the dining-room, where they detected, as they approached, one lamp scantly shining from the else darkened windows, she would beard the lioness in her den, by which she meant the cook in the kitchen, and see what she could get him for supper. Apparently she could get nothing warm, for when a reluctant waitress appeared it was with such a chilly refection on her tray that Alford, though he was not very hungry, returned from interrogating the obscurity for eidolons, and shivered at it. At the same time the swing-door of the long, dim room opened to admit a gush of the outer radiance on which Mrs. Yarrow drifted in with a chafing-dish in one hand and a tea-basket in the other. She floated tiltingly towards him like, he thought, a pretty little ship, and sent a cheery hail before.

"I've been trying to get somebody to join you at a premature Welsh-rarebit and a belated cup of tea, but I can't tear one of the tabbies from their cards or the kittens from their gambols in the amusement-hall in the basement. Do you mind so very much having it alone? Because you'll have to, whether you do or not. Unless you call me company, when I'm merely cook."

She put her utensils on the table beside the forbidding tray the waitress had left, and helped lift herself by pressing one hand on the top of a chair towards the electric, which she flashed up to keep the dismal lamp in countenance. Alford let her do it. He durst not, he felt, stir from his place, lest any movement should summon back the eidolons; and now in the sudden glare of light he shyly, slyly searched the room for them. Not one, fair or foul, showed itself, and slowly he felt a great weight lifting from his heart. In its place there sprang up a joyous gratitude towards Mrs. Yarrow, who had saved him from them, from himself. An inexpressible tenderness filled his breast; the tears rose to his eyes; a soft glow enveloped his whole being, a warmth of hope, a freshness of life renewed, encompassed him. He wished to take her in his arms, to tell her how he loved her; and as she bustled about, lighting the lamp of her chafing-dish, and kindling the little spirit-stove she had brought with her to make tea, he let his gaze dwell upon every pose, every motion of her with a glad hunger in which no smallest detail was lost. He now believed that without her he must die, without her he could not wish to live.

"Jove," Rulledge broke in at this point of Wanhope's story, which I am telling again so badly, "I think Alford was in luck."

Minver gave a harsh cackle. "The only thing Rulledge finds fault with in this club is 'the lack of woman's nursing and the lack of woman's tears.' Nothing is wanting to his enjoyment of his victuals but the fact that they are not served by a neat-handed Phyllis, like Alford's."

Rulledge glanced towards Wanhope, and innocently inquired, "Was that her first name?"

Minver burst into a scream, and Rulledge looked red and silly for having given himself away; but he made an excursion to the buffet outside, and returned with a sandwich with which he supported himself stolidly under Minver's derision, until Wanhope came to his relief by resuming his story, or rather his study, of Alford's strange experience.

Mrs. Yarrow first gave Alford his tea, as being of a prompter brew than the rarebit, but she was very quick and apt with that, too; and pretty soon she leaned forward, and in the glow from the lamp under the chafing-dish, which spiritualized her charming face with its thin radiance, puffed the flame out with her pouted lips, and drew back with a long-sighed "There! That will make you see your grandmother, if anything will."

"My grandmother?" Alford repeated.

"Yes. Wouldn't you like to?" Mrs.. Yarrow asked, pouring the thick composition over the toast (rescued stone-cold from the frigid tray) on Alford's plate. "I'm sure I should like to see mine—dear old gran! Not that I ever saw her—either of her—or should know how she looked. Did you ever see yours—either of her?" she pursued, impulsively.

"Oh yes," Alford answered, looking intently at her, but with so little speculation in the eyes he glared so with that he knew her to be uneasy under them.

She laughed a little, and stayed her hand on the bail of the teapot. "Which of her?"

"Oh, both!"

"And—and—did she look so much like me?" she said, with an added laugh, that he perceived had an hysterical note in it. "You're letting your rarebit get cold!"

He laughed himself, now, a great laugh of relaxation, of relief. "Not the least in the world! She was not exactly a phantom of delight."

"Oh, thank you, Mr. Alford. Now, it's your tea's getting cold."

They laughed together, and he gave himself to his victual with a relish that she visibly enjoyed. When that question of his grandmother had been pushed he thought of an awful experience of his childhood, which left on his infant mind an indelible impression, a scar, to remain from the original wound forever. He had been caught in a lie, the first he could remember, but by no means the last, by many immemorable thousands. His poor little wickedness had impugned the veracity of both these terrible old ladies, who, habitually at odds with each other, now united, for once, against him. He could always see himself, a mean little blubbering-faced rascal, stealing guilty looks of imploring at their faces, set unmercifully against him, one in sorrow and one in anger, requiring his mother to whip him, and insisting till he was led, loudly roaring, into the parlor, and there made a liar of for all time, so far as fear could do it.

When Mrs. Yarrow asked if he had ever seen his grandmother he expected instantly to see her, in duplicate, and as a sole refuge, but with little hope that it would save him, he kept his eyes fast on hers, and to his unspeakable joy it did avail. No other face, of sorrow or of anger, rose between them. For the time his thought was quit of its consequence; no eidolon outwardly repeated his inward vision. A warm gush of gratitude seemed to burst from his heart, and to bathe his whole being, and then to flow in a tide of ineffable tenderness towards Mrs. Yarrow, and involve her and bear them together heavenward. It was not passion, it was not love, he perceived well enough; it was the utterance of a vital conviction that she had saved him from an overwhelming subjective horror, and that in her sweet objectivity there was a security and peace to be found nowhere else.

He greedily ate every atom of his rarebit, he absorbed every drop of the moisture in the teapot, so that when she shook it and shook it, and then tried to pour something from it, there was no slightest dribble at the spout. But they lingered, talking and laughing, and perhaps they might never have left the place if the hard handmaiden who had brought the tea-tray had not first tried putting her head in at the swing-door from the kitchen, and then, later, come boldly in and taken the tray away.

Mrs. Yarrow waited self-respectfully for her disappearance, and then she said, "I'm afraid that was a hint, Mr. Alford."

"It seemed like one," he owned.

They went out together, gayly chatting, but she would not encourage the movement he made towards the veranda. She remained firmly attached to the newel-post of the stairs, and at the first chance he gave her she said good-night and bounded lightly upward. At the turn of the stairs she stopped and looked laughing down at him over the rail. "I hope you won't see your grandmother."

"Oh, not a bit of it," he called back. He felt that he failed to give his reply the quality of epigram, but he was not unhappy in his failure.

Many light-hearted days followed this joyous evening. No eidolons haunted Alford's horizon, perhaps because Mrs. Yarrow filled his whole heaven. She was very constantly with him, guiding his wavering steps up the hill of recovery, which he climbed with more and more activity, and keeping him company in those valleys of relapse into which he now and then fell back from the difficult steeps. It came to be tacitly, or at least passively, conceded by the other ladies that she had somehow earned the exclusive right to what had once been the common charge; or that if one of their number had a claim to keep Mr. Alford from killing himself by all sorts of imprudences, which in his case amounted to impieties, it was certainly Mrs. Yarrow. They did not put this in terms, but they felt it and acted it.

She was all the safer guardian for a delicate invalid because she loathed manly sports so entirely that she did not even pretend to like them, as most women, poor things, think themselves obliged to do. In her hands there was no danger that he would be tempted to excesses in golf. She was really afraid of all boats, but she was willing to go out with him in the sail-boat of a superannuated skipper, because to sit talking in the stern and stoop for the vagaries of the boom in tacking was such good exercise. She would join him in fishing from the rotting pier, but with no certainty which was a cunner and which was a sculpin, when she caught it, and with an equal horror of both the nasty, wriggling things. When they went a walk together, her notion of a healthful tramp was to find a nice place among the sweet-fern or the pine-needles, and sit down in it and talk, or make a lap, to which he could bring the berries he gathered for her to arrange in the shallow leaf-trays she pinned together with twigs. She really preferred a rocking-chair on the veranda to anything else; but if he wished to go to those other excesses, she would go with him, to keep him out of mischief.

There could be only one credible reading of the situation, but Alford let the summer pass in this pleasant dreaming without waking up till too late to the pleasanter reality. It will seem strange enough, but it is true, that it was no part of his dream to fancy that Mrs. Yarrow was in love with him. He knew very well, long before the end, that he was in love with her; but, remaining in the dark otherwise, he considered only himself in forbearing verbally to make love to her.

"Well!" Rulledge snarled at this point, "he was a chump."

Wanhope at the moment opposed nothing directly to the censure, but said that something pathetically reproachful in Mrs. Yarrow's smiling looks penetrated to Alford as she nodded gayly from the car window to him in the little group which had assembled to see her off at the station when she left, by no means the first of their happy hotel circle to go.

"Somebody," Rulledge burst out again, "ought to have kicked him."

"What's become," Minver asked, "of all the dear maids and widows that you've failed to marry at the end of each summer, Rulledge?"

The satire involved flattery so sweet that Rulledge could not perhaps wish to make any retort. He frowned sternly, and said, with a face averted from Minver: "Go on, Wanhope!"

Wanhope here permitted himself a philosophical excursion in which I will not accompany him. It was apparently to prepare us for the dramatic fact which followed, and which I suppose he was trying rather to work away from than work up to. It included some facts which he had failed to touch on before, and which led to a discussion very interesting in itself, but of a range too great for the limits I am trying to keep here. It seems that Alford had been stayed from declaring his love not only because he doubted of its nature, but also because he questioned whether a man in his broken health had any right to offer himself to a woman, and because from a yet finer scruple he hesitated in his poverty to ask the hand of a rich woman. On the first point, we were pretty well agreed, but on the second we divided again, especially Rulledge and Minver, who held, the one, that his hesitation did Alford honor, and quite relieved him from the imputation of being a chump; and the other that he was an ass to keep quiet for any such silly reason. Minver contended that every woman had a right, whether rich or poor, to the man who loved her; and, moreover, there were now so many rich women that, if they were not allowed to marry poor men, their chances of marriage were indefinitely reduced. What better could a widow do with the money she had inherited from a husband she probably did not love than give it to a man like Alford—or to an ass like Alford, Minver corrected himself.

His reductio ad absurdum allowed Wanhope to resume with a laugh, and say that Alford waited at the station in the singleness to which the tactful dispersion of the others had left him, and watched the train rapidly dwindle in the perspective, till an abrupt turn of the road carried it out of sight. Then he lifted his eyes with a long sigh, and looked round. Everywhere he saw Mrs. Yarrow's smiling face with that inner pathos. It swarmed upon him from all points; and wherever he turned it repeated itself in the distances like that succession of faces you see when you stand between two mirrors.

It was not merely a lapse from his lately hopeful state with Alford, it was a collapse. The man withered and dwindled away, till he felt that he must audibly rattle in his clothes as he walked by people. He did not walk much. Mostly he remained shrunken in the arm-chair where he used to sit beside Mrs. Yarrow's rocker, and the ladies, the older and the older-fashioned, who were "sticking it out" at the hotel till it should close on the 15th of September, observed him, some compassionately, some censoriously, but all in the same conviction.

"It's plain to be seen what ails Mr. Alford, now."

"Well, I guess it is."

"I guess so."

"I guess it is."

"Seems kind of heartless, her going and leaving him so."

"Like a sick kitten!"

"Well, I should say as much."

"Your eyes bother you, Mr. Alford?" one of them chanted, breaking from their discussion of him to appeal directly to him. He was rubbing his eyes, to relieve himself for the moment from the intolerable affliction of those swarming eidolons, which, whenever he thought of this thing or that, thickened about him. They now no longer displaced one another, but those which came first remained fadedly beside or behind the fresher appearances, like the earlier rainbow which loses depth and color when a later arch defines itself.

"Yes," he said, glad of the subterfuge. "They annoy me a good deal of late."

"You want to get fitted for a good pair of glasses. I kept letting it go, when I first began to get old-sighted."

Another lady came to Alford's rescue. "I guess Mr. Alford has no need to get fitted for old sight yet a while. You got little spidery things—specks and dots—in your eyes?"

"Yes—multitudes," he said, hopelessly.

"Well, I'll tell you what: you want to build up. That was the way with me, and the oculist said it was from getting all run down. I built up, and the first thing I knew my sight was as clear as a bell. You want to build up."

"You want to go to the mountains," a third interposed. "That's where Mrs. Yarrow's gone, and I guess it'll do her more good than sticking it out here would ever have done."

Alford would have been glad enough to go to the mountains, but with those illusions hovering closer and closer about him, he had no longer the courage, the strength. He had barely enough of either to get away to Boston. He found his doctor this time, after winning and losing the wager he made himself that he would not have returned to town yet, and the good-fortune was almost too much for his shaken nerves. The cordial of his friend's greeting—they had been chums at Harvard—completed his overthrow. As he sank upon the professional sofa, where so many other cases had been diagnosticated, he broke into tears. "Hello, old fellow!" the doctor said, encouragingly, and more tenderly than he would have dealt with some women. "What's up?"

"Jim," Alford found voice to say, "I'm afraid I'm losing my mind."

The doctor smiled provisionally. "Well, that's one of the signs you're not. Can you say how?"

"Oh yes. In a minute," Alford sobbed, and when he had got the better of himself he told his friend the whole story. In the direct examination he suppressed Mrs. Yarrow's part, but when the doctor, who had listened with smiling seriousness, began to cross-examine him with the question, "And you don't remember that any outside influence affected the recurrence of the illusions, or did anything to prevent it?" Alford answered promptly: "Oh yes. There was a woman who did."

"A woman? What sort of a woman?"

Alford told.

"That is very curious," the doctor said. "I know a man who used to have a distressing dream. He broke it up by telling his wife about it every morning after he had dreamt it."

"Unluckily, she isn't my wife," Alford said, gloomily.

"But when she was with you, you got rid of the illusions?"

"At first, I used to see hers; then I stopped seeing any."

"Did you ever tell her of them?"

"No; I didn't."

"Never tell anybody?"

"No one but you."

"And do you see them now?"

"No."

"Do you think, because you've told me of them?"

"It seems so."

The doctor was silent for a marked space. Then he asked, smiling: "Well, why not?"

"Why not what?"

"Tell your wife."

"How, my wife?"

"By marriage."

Alford looked dazed. "Do you mean Mrs. Yarrow?"

"If that's her name, and she's a widow."

"And do you think it would be the fair thing for a man on the verge of insanity—a physical and mental wreck—to ask a woman to marry him?"

"In your case, yes. In the first place, you're not so bad as all that. You need nothing but rest for your body and change for your mind. I believe you'll get rid of your illusions as soon as you form the habit of speaking of them promptly when they begin to trouble you. You ought to speak of them to some one. You can't always have me around, and Mrs. Yarrow would be the next best thing."

"She's rich, and you know what I am. I'll have to borrow the money to rest on, I'm so poor."

"Not if you marry it."

Alford rose, somewhat more vigorously than he had sat down. But that day he did not go beyond ascertaining that Mrs. Yarrow was in town. He found out the fact from the maid at her door, who said that she was nearly always at home after dinner, and, without waiting for the evening of another day, Alford went to call upon her.

She said, coming down to him in a rather old-fashioned, impersonal drawing-room which looked distinctly as if it had been left to her: "I was so glad to get your card. When did you leave Woodbeach?"

"Mrs. Yarrow," he returned, as if that were the answer, "I think I owe you an explanation."

"Pay it!" she bantered, putting out her hand.

"I'm so poverty-stricken that I don't know whether I can. Did you ever notice anything odd about me?"

His directness seemed to have a right to directness from her. "I noticed that you stared a good deal—or used to. But people do stare."

"I stared because I saw things."

"Saw things?"

"I saw whatever I thought of. Whatever came into my mind was externated in a vision."

She smiled, he could not make out whether uneasily or not. "It sounds rather creepy, doesn't it? But it's very interesting."

"That's what the doctor said; I've been to see him this morning. May I tell you about my visions? They're not so creepy as they sound, I believe, and I don't think they'll keep you awake."

"Yes, do," she said. "I should like of all things to hear about them. Perhaps I've been one of them."

"You have."

"Oh! Isn't that rather personal?"

"I hope not offensively."

He went on to tell her, with even greater fulness than he had told the doctor. She listened with the interest women take in anything weird, and with a compassion for him which she did not conceal so perfectly but that he saw it. At the end he said: "You may wonder that I come to you with all this, which must sound like the ravings of a madman."

"No—no," she hesitated.

"I came because I wished you to know everything about me before—before—I wouldn't have come, you'll believe me, if I hadn't had the doctor's assurance that my trouble was merely a part of my being physically out of kilter, and had nothing to do with my sanity—Good Heavens! What am I saying? But the thought has tormented me so! And in the midst of it I've allowed myself to—Mrs. Yarrow, I love you. Don't you know that?"

Alford may have had a divided mind in this declaration, but after that one word Mrs. Yarrow had no mind for anything else. He went on.

"I'm not only sick—so sick that I sha'n't be able to do any work for a year at least—but I'm poor, so poor that I can't afford to be sick."

She lifted her eyes and looked at him, where she sat oddly aloof from those possessions of hers, to which she seemed so little related, and said, with a smile quivering at the corners of her pretty mouth, "I don't see what that has to do with it."

"What do you mean?" He stared at her hard.

"Am I in duplicate or triplicate, this time?"

"No, you're only one, and there's none like you! I could never see any one else while I looked at you!" he cried, only half aware of his poetry, and meaning what he said very literally.

But she took only the poetry. "I shouldn't wish you to," she said, and she laughed.

He could not believe yet in his good-fortune. His countenance fell. "I'm afraid I don't understand, or that you don't. It doesn't seem as if I could get to the end of my unworthiness, which isn't voluntary. It seems altogether too base. I can't let you say what you do, if you mean it, till you know that I come to you in despair as well as in love. You saved me from the fear I was in, again and again, and I believe that without you I shall—Ah, it seems very base! But the doctor—If I could always tell some one—if I could tell you when these things were obsessing me—haunting me—they would cease—"

Mrs. Yarrow rose, with rather a piteous smile. "Then, I am a prescription!" She hoped, woman-like, that she was solely a passion; but is any woman worth having, ever solely a passion?

"Don't!" Alford implored, rising too. "Don't, in mercy, take it that way! It's only that I wish you to know everything that's in me; to know how utterly helpless and worthless I am. You needn't have a pang in throwing such a thing away."

She put out her hand to him, but at arm's-length. "I sha'n't throw you away—at least, not to-night. I want to think." It was a way of saying she wished him to go, and he had no desire to stay. He asked if he might come again, and she said, "Oh yes."

"To-morrow?"

"Not to-morrow, perhaps. When I send. Was it young Doctor Enderby?"

They had rather a sad, dry parting; and when her door closed upon him he felt that it had shut him out forever. His shame and his defeat were so great that he did not think of his eidolons, and they did not come to trouble him. He woke in the morning, asking himself, bitterly, if he were cured already. His humiliation was such that he closed his eyes to the light, and wished he might never again open them to it.

The question that Mrs. Yarrow had to ask Dr. Enderby was not the question he had instantly forecast for her when she put aside her veil in his office and told him who she was. She did not seem anxious to be assured of Alford's mental condition, or as to any risks in marrying him. Her inquiry was much more psychological; it was almost impersonal, and yet Dr. Enderby thought she looked as if she had been crying.

She had a difficulty in formulating her question, and when it came it was almost a speculation.

"Women," she said, a little hoarsely, "have no right, I suppose, to expect the ideal in life. The best they can do seems to be to make the real look like it."

Dr. Enderby reflected. "Well, yes. But I don't know that I ever put it to myself in just those terms."

Then she remarked, as if that were the next thing: "You've known Mr. Alford a long time."

"We were at school together, and we shared the same rooms in Harvard."

"He is very sincere," she added, as if this were relevant.

"He's a man who likes to have a little worse than the worst known about him. One might say he was excessively sincere." Enderby divined that Alford had been bungling the matter, and he was willing to help him out if he could.

Mrs. Yarrow fixed dimly beautiful eyes upon him. "I don't know," she said, "why it wouldn't be ideal—as much ideal as anything—to give one's self absolutely to—to—a duty—or not duty, exactly; I don't mean that. Especially," she added, showing a light through the mist, "if one wanted to do it."

Then he knew she had made up her mind, and though on some accounts he would have liked to laugh with her, on other accounts he felt that he owed it to her to be serious.

"If women could not fulfil the ideal in that way—if they did not constantly do it—there would be no marriages for love."

"Do you think so?" she asked, with a shaking voice. "But men—men are ideal, too."

"Not as women are—except now and then some fool like Alford." Now, indeed, he laughed, and he began to praise Alford from his heart, so delicately, so tenderly, so reverently, that Mrs. Yarrow laughed too before he was done, and cried a little, and when she rose to leave she could not speak; but clung to his hand, on turning away, and so flung it from behind her with a gesture that Enderby thought pretty.

At this point, Wanhope stopped as if that were the end.

"And did she let Alford come to see her again?" Rulledge, at once romantic and literal, demanded.

"Oh yes. At any rate, they were married that fall. They are—I believe he's pursuing his archaeological studies there—living in Athens."

"Together?" Minver smoothly inquired.

At this expression of cynicism Rulledge gave him a look that would have incinerated another. Wanhope went out with Minver, and then, after a moment's daze, Rulledge exclaimed: "Jove! I forgot to ask him whether it's stopped Alford's illusions!"



III

A MEMORY THAT WORKED OVERTIME

Minver's brother took down from the top of the low bookshelf a small painting on panel, which he first studied in the obverse, and then turned and contemplated on the back with the same dreamy smile. "I don't see how that got here," he said, absently.

"Well," Minver returned, "you don't expect me to tell you, except on the principle that any one would naturally know more about anything of yours than you would." He took it from his brother and looked at the front of it. "It isn't bad. It's pretty good!" He turned it round. "Why, it's one of old Blakey's! How did you come by it?"

"Stole it, probably," Minver's brother said, still thoughtfully. Then with an effect of recollecting: "No, come to think of it," he added, "Blakey gave it to me." The Minvers played these little comedies together, quite as much to satisfy their tenderness for each other as to give their friends pleasure. "Think you're the only painter that gets me to take his truck as a gift? He gave it to me, let's see, about ten years ago, when he was trying to make a die of it, and failed; I thought he would succeed. But it's been in my wife's room nearly ever since, and what I can't understand is what she's doing with it down here."

"Probably to make trouble for you, somehow," Minver suggested.

"No, I don't think it's that, quite," his brother returned, with a false air of scrupulosity, which was part of their game with each other. He looked some more at the picture, and then he glanced from it at me. "There's a very curious story connected with that sketch."

"Oh, well, tell it," Minver said. "Tell it! I suppose I can stand it again. Acton's never heard it, I believe. But you needn't make a show of sparing him. I couldn't stand that."

"I certainly haven't heard the story," I said, "and if I had I would be too polite to own it."

Minver's brother looked towards the open door over his shoulder, and Minver interpreted for him: "She's not coming. I'll give you due warning."

"It was before we were married, but not much before, and the picture was a sort of wedding present for my wife, though Blakey made a show of giving it to me. Said he had painted it for me, because he had a prophetic soul, and felt in his bones that I was going to want a picture of the place where I first met her. You see, it's the little villa her mother had taken that winter on the Viale Petrarca, just outside of Florence. It was the first place I met her, but not the last."

"Don't be obvious," Minver ordered.

His brother did not mind him. "I thought it was mighty nice of Blakey. He was barking away, all the time he was talking, and when he wasn't coughing he was so hoarse he could hardly speak above a whisper; but he kept talking on, and wishing me happy, and fending off my gratitude, while he was finding a piece of manila paper to wrap the sketch in, and then hunting for a piece of string to tie it. When he handed it to me at last, he gasped out: 'I don't mind her knowing that I partly meant it as the place where she first met you, too. I'm not ashamed of it as a bit of color. Anyway, I sha'n't live to do anything better.'

"'Oh, yes, you will,' I came back in that lying way we think is kind with dying people. I suppose it is; anyway, it turned out all right with Blakey, as he'll testify if you look him up when you go to Florence. By the way, he lives in that villa now."

"No?" I said. "How charming!"

Minver's brother went on: "I made up my mind to be awfully careful of that picture, and not let it out of my hand till I left it with 'her' mother, to be put among the other wedding presents that were accumulating at their house in Exeter Street. So I held it on my lap going in by train from Lexington, where Blakey lived, and when I got out at the old Lowell Depot—North Station, now—and got into the little tinkle-tankle horse-car that took me up to where I was to get the Back Bay car—Those were the prehistoric times before trolleys, and there were odds in horse-cars. We considered the blue-painted Back Bay cars very swell. You remember them?" he asked Minver.

"Not when I can help it," Minver answered. "When I broke with Boston, and went to New York, I burnt my horse-cars behind me, and never wanted to know what they looked like, one from another."

"Well, as I was saying," Minver's brother went on, without regarding his impatriotism, "when I got into the horse-car at the depot, I rushed for a corner seat, and I put the picture, with its face next the car-end, between me and the wall, and kept my hand on it; and when I changed to the Back Bay car, I did the same thing. There was a florist's just there, and I couldn't resist some Mayflowers in the window; I was in that condition, you know, when flowers seemed to be made for her, and I had to take her own to her wherever I found them. I put the bunch between my knees, and kept one hand on it, while I kept my other hand on the picture at my side. I was feeling first-rate, and when General Filbert got in after we started, and stood before me hanging by a strap and talking down to me, I had the decency to propose giving him my seat, as he was about ten years older."

"Sure?" Minver asked.

"Well, say fifteen. I don't pretend to be a chicken, and never did. But he wouldn't hear of it. Said I had a bundle, and winked at the bunch of Mayflowers. We had such a jolly talk that I let the car carry me a block by and had to get out at Gloucester and run back to Exeter. I rang, and, when the maid came to the door, there I stood with nothing but the Mayflowers in my hand."

"Good coup de theatre," Minver jeered. "Curtain?"

His brother disdained reply, or was too much absorbed in his tale to think of any. "When the girl opened the door and I discovered my fix I burst out, 'Good Lord!' and I stuck the bunch of flowers at her, and turned and ran. I suppose I must have had some notion of overtaking the car with my picture in it. But the best I could do was to let the next one overtake me several blocks down Marlborough Street, and carry me to the little jumping-off station on Westchester Park, as we used to call it in those days, at the end of the Back Bay line.

"As I pushed into the railroad office, I bet myself that the picture would not be there, and, sure enough, I won."

"You were always a lucky dog," Minver said.

"But the man in charge was very encouraging, and said it was sure to be turned in; and he asked me what time the car had passed the corner of Gloucester Street. I happened to know, and then he said, Oh yes, that conductor was a substitute, and he wouldn't be on again till morning; then he would be certain to bring the picture with him. I was not to worry, for it would be all right. Nothing left in the Back Bay cars was ever lost; the character of the abutters was guarantee for that, and they were practically the only passengers. The conductors and the drivers were as honest as the passengers, and I could consider myself in the hands of friends.

"He was so reassuring that I went away smiling at my fears, and promising to be round bright and early, as soon, the official suggested—the morrow being Sunday—as soon as the men and horses had had their baked beans.

"Still, after dinner, I had a lurking anxiety, which I turned into a friendly impulse to go and call on Mrs. Filbert, whom I really owed a bread-and-butter visit, and who, I knew, would not mind my coming in the evening. The general, she said, had been telling her of our pleasant chat in the car, and would be glad to smoke his after-dinner cigar with me, and why wouldn't I come into the library?

"We were so very jolly together, all three, that I made light of my misadventure about the picture. The general inquired about the flowers first. He remembered the flowers perfectly, and hoped they were acceptable; he thought he remembered the picture, too, now I mentioned it; but he would not have noticed it so much, there by my side, with my hand on it. I would be sure to get it. He gave several instances, personal to him and his friends, of recoveries of lost articles; it was really astonishing how careful the horse-car people were, especially on the Back Bay line. I would find my picture all right at the Westchester Park station in the morning; never fear.

"I feared so little that I slept well, and even overslept; and I went to get my picture quite confidently, and I could hardly believe it had not been turned in yet, though the station-master told me so. The substitute conductor had not seen it, but more than likely it was at the stables, where the cleaners would have found it in the car and turned it in. He was as robustly cheerful about it as ever, and offered to send an inquiry by the next car; but I said, Why shouldn't I go myself; and he said that was a good idea. So I went, and it was well I did, for my picture was not there, and I had saved time by going. It was not there, but the head man said I need not worry a mite about it; I was certain to get it sooner or later; it would be turned in, to a dead certainty. We became rather confidential, and I went so far as to explain about wanting to make my inquiries very quietly on Blakey's account: he would be annoyed if he heard of its loss, and it might react unfavorably on his health.

"The head man said that was so; and he would tell me what I wanted to do: I wanted to go to the Company's General Offices in Milk Street, and tell them about it. That was where everything went as a last resort, and he would bet any money that I would see my picture there the first thing I got inside the door. I thanked him with the fervor I thought he merited, and said I would go at once.

"'Well,' he said, 'you don't want to go to-day, you know. The offices are not open Sunday. And to-morrow's a holiday. But you're all right. You'll find your picture there, don't you have any doubts about it.'

"That was my next to last Sunday supper with my wife, before she became my wife, at her mother's house, and I went to the feast with as little gayety as I suppose any young man ever carried to a supper of the kind. I was told, afterwards, that my behavior up to a certain point was so suggestive either of secret crime or of secret regret, that the only question was whether they should have in the police or I should be given back my engagement ring and advised to go. Luckily I ceased to bear my anguish just in time.

"The fact is, I could not stand it any longer, and as soon as I was alone with her I made a clean breast of it; partially clean, that is: I suppose a fellow never tells all to a girl, if he truly loves her." Minver's brother glanced round at us and gathered the harvest of our approving smiles. "I said to her, 'I've been having a wedding present.' 'Well,' she said, 'you've come as near having no use for a wedding present as anybody I know. Was having a wedding present what made you so gloomy at supper? Who gave it to you, anyway?' 'Old Blakey.' 'A painting?' 'Yes—a sketch.' 'What of?' This was where I qualified. I said: 'Oh, just one of those Sorrento things of his.' You see, if I told her that it was the villa where we first met, and then said I had left it in the horse-car, she would take it as proof positive that I did not really care anything about her or I never could have forgotten it."

"You were wise as far as you went," Minver said. "Go on."

"Well, I told her the whole story circumstantially: how I had kept the sketch religiously in my lap in the train, and then held it down with my hand all the while beside me in the first horse-car, and did the same thing in the Back Bay car I changed to; and felt of it the whole time I was talking with General Filbert, and then left it there when I got out to leave the flowers at her door, when the awful fact came over me like a flash. 'Yes,' she said, 'Norah said you poked the flowers at her without a word, and she had to guess they were for me.'

"I had got my story pretty glib by this time; I had reeled it off with increasing particulars to the Westchester Park station-master, and the head man at the stables, and General Filbert, and I was so letter-perfect that I had a vision of the whole thing, especially of my talking with the general while I kept my hand on the picture—and then all was dark.

"At the end she said we must advertise for the picture. I said it would kill Blakey if he saw it; and she said: No matter, let it kill him; it would show him that we valued his gift, and were moving heaven and earth to find it; and, at any rate, it would kill me if I kept myself in suspense. I said I should not care for that; but with her sympathy I guessed I could live through the night, and I was sure I should find the thing at the Milk Street office in the morning.

"'Why,' said she, 'to-morrow it'll be shut!' and then I didn't really know what to say, and I agreed to drawing up an advertisement then and there, so as not to lose an instant's time after I had been at the Milk Street office on Tuesday and found the picture had not been turned in. She said I could dictate the advertisement and she would write it down, and she asked: 'Which one of his Sorrento things was it? You must describe it exactly, you know.' That made me feel awfully, and I said I was not going to have my next-to-last Sunday evening with her spoiled by writing advertisements; and I got away, somehow, with all sorts of comforting reassurances from her. I could see that she was feigning them to encourage me.

"The next morning, I simply could not keep away from the Milk Street office, and my unreasonable impatience was rewarded by finding it at least ajar, if not open. There was the nicest kind of a young fellow there, and he said he was not officially present; but what could he do for me? Then I told him the whole story, with details I had not thought of before; and he was just as enthusiastic about my getting my picture as the Westchester Park station-master or the head man of the stables. It was morally certain to be turned in, the first thing in the morning; but he would take a description of it, and send out inquiries to all the conductors and drivers and car-cleaners, and make a special thing of it. He entered into the spirit of the affair, and I felt that I had such a friend in him that I confided a little more and hinted at the double interest I had in the picture. I didn't pretend that it was one of Blakey's Sorrento things, but I gave him a full and true description of it, with its length, breadth, and thickness, in exact measure."

Here Minver's brother stopped and lost himself in contemplation of the sketch, as he held it at arm's-length.

"Well, did you get your picture?" I prompted, after a moment.

"Oh yes," he said, with a quick turn towards me. "This is it. A District Messenger brought it round the first thing Tuesday morning. He brought it," Minver's brother added, with a certain effectiveness, "from the florist's, where I had stopped to get those Mayflowers. I had left it there."

"You've told it very well, this time, Joe," Minver said. "But Acton here is waiting for the psychology. Poor old Wanhope ought to be here," he added to me. He looked about for a match to light his pipe, and his brother jerked his head in the direction of the chimney.

"Box on the mantel. Yes," he sighed, "that was really something very curious. You see, I had invented the whole history of the case from the time I got into the Back Bay car with my flowers. Absolutely nothing had happened of all I had remembered till I got out of the car. I did not put the picture beside me at the end of the car; I did not keep my hand on it while I talked with General Filbert; I did not leave it behind me when I left the car. Nothing of the kind happened. I had already left it at the florist's, and that whole passage of experience which was so vividly and circumstantially stamped in my memory that I related it four or five times over, and would have made oath to every detail of it, was pure invention, or, rather, it was something less positive: the reflex of the first half of my horse-car experience, when I really did put the picture in the corner next me, and did keep my hand on it."

"Very strange," I was beginning, but just then the door opened and Mrs. Minver came in, and I was presented.

She gave me a distracted hand, as she said to her husband: "Have you been telling the story about that picture again?" He was still holding it. "Silly!"

She was a mighty pretty woman, but full of vim and fun and sense.

"It's one of the most curious freaks of memory I ever heard of, Mrs. Minver," I said.

Then she showed that she was proud of it, though she had called him silly. "Have you told," she demanded of her husband, "how oddly your memory behaved about the subject of the picture, too?"

"I have again eaten that particular piece of humble-pie," Minver's brother replied.

"Well," she said to me, "I think he was simply so possessed with the awfulness of having lost the picture that all the rest took place prophetically, but unconsciously."

"By a species of inverted presentiment?" I suggested.

"Yes," she assented, slowly, as if the formulation were new to her, but not unacceptable. "Something of that kind. I never heard of anybody else having it."

Minver had got his pipe alight, and was enjoying it. "I think Joe was simply off his nut, for the time being."



IV

A CASE OF METAPHANTASMIA

The stranger was a guest of Halson's, and Halson himself was a comparative stranger, for he was of recent election to our dining-club, and was better known to Minver than to the rest of our little group, though one could not be sure that he was very well known to Minver. The stranger had been dining with Halson, and we had found the two smoking together, with their cups of black coffee at their elbows, before the smouldering fire in the Turkish room when we came in from dinner—my friend Wanhope the psychologist, Rulledge the sentimentalist, Minver the painter, and myself. It struck me for the first time that a fire on the hearth was out of keeping with a Turkish room, but I felt that the cups of black coffee restored the lost balance in some measure.

Before we had settled into our wonted places—in fact, almost as we entered—Halson looked over his shoulder and said: "Mr. Wanhope, I want you to hear this story of my friend's. Go on, Newton—or, rather, go back and begin again—and I'll introduce you afterwards."

The stranger made a becoming show of deprecation. He said he did not think the story would bear immediate repetition, or was even worth telling once, but, if we had nothing better to do, perhaps we might do worse than hear it; the most he could say for it was that the thing really happened. He wore a large, drooping, gray mustache, which, with the imperial below it, quite hid his mouth, and gave him, somehow, a martial effect, besides accurately dating him of the period between the latest sixties and earliest seventies, when his beard would have been black; I liked his mustache not being stubbed in the modern manner, but allowed to fall heavily over his lips, and then branch away from the corners of his mouth as far as it would. He lighted the cigar which Halson gave him, and, blowing the bitten-off tip towards the fire, began:

"It was about that time when we first had a ten-o'clock night train from Boston to New York. Train used to start at nine, and lag along round by Springfield, and get into the old Twenty-sixth Street Station here at six in the morning, where they let you sleep as long as you liked. They call you up now at half-past five, and, if you don't turn out, they haul you back to Mott Haven, or New Haven, I'm not sure which. I used to go into Boston and turn in at the old Worcester Depot, as we called it then, just about the time the train began to move, and I usually got a fine night's rest in the course of the nine or ten hours we were on the way to New York; it didn't seem quite the same after we began saying Albany Depot: shortened up the run, somehow.



"But that night I wasn't very sleepy, and the porter had got the place so piping hot with the big stoves, one at each end of the car, to keep the good, old-fashioned Christmas cold out, that I thought I should be more comfortable with a smoke before I went to bed; and, anyhow, I could get away from the heat better in the smoking-room. I hated to be leaving home on Christmas Eve, for I never had done that before, and I hated to be leaving my wife alone with the children and the two girls in our little house in Cambridge. Before I started in on the old horse-car for Boston, I had helped her to tuck the young ones in and to fill the stockings hung along the wall over the register—the nearest we could come to a fireplace—and I thought those stockings looked very weird, five of them, dangling lumpily down, and I kept seeing them, and her sitting up sewing in front of them, and afraid to go to bed on account of burglars. I suppose she was shyer of burglars than any woman ever was that had never seen a sign of them. She was always calling me up, to go down-stairs and put them out, and I used to wander all over the house, from attic to cellar, in my nighty, with a lamp in one hand and a poker in the other, so that no burglar could have missed me if he had wanted an easy mark. I always kept a lamp and a poker handy."

The stranger heaved a sigh as of fond reminiscence, and looked round for the sympathy which in our company of bachelors he failed of; even the sympathetic Rulledge failed of the necessary experience to move him in compassionate response.

"Well," the stranger went on, a little damped perhaps by his failure, but supported apparently by the interest of the fact in hand, "I had the smoking-room to myself for a while, and then a fellow put his head in that I thought I knew after I had thought I didn't know him. He dawned on me more and more, and I had to acknowledge to myself, by and by, that it was a man named Melford, whom I used to room with in Holworthy at Harvard; that is, we had an apartment of two bedrooms and a study; and I suppose there were never two fellows knew less of each other than we did at the end of our four years together. I can't say what Melford knew of me, but the most I knew of Melford was his particular brand of nightmare."

Wanhope gave the first sign of his interest in the matter. He took his cigar from his lips, and softly emitted an "Ah!"

Rulledge went further and interrogatively repeated the word "Nightmare?"

"Nightmare," the stranger continued, firmly. "The curious thing about it was that I never exactly knew the subject of his nightmare, and a more curious thing yet was Melford himself never knew it, when I woke him up. He said he couldn't make out anything but a kind of scraping in a door-lock. His theory was that in his childhood it had been a much completer thing, but that the circumstances had broken down in a sort of decadence, and now there was nothing left of it but that scraping in the door-lock, like somebody trying to turn a misfit key. I used to throw things at his door, and once I tried a cold-water douche from the pitcher, when he was very hard to waken; but that was rather brutal, and after a while I used to let him roar himself awake; he would always do it, if I trusted to nature; and before our junior year was out I got so that I could sleep through, pretty calmly; I would just say to myself when he fetched me to the surface with a yell, 'That's Melford dreaming,' and doze off sweetly."

"Jove!" Rulledge said, "I don't see how you could stand it."

"There's everything in habit, Rulledge," Minver put in. "Perhaps our friend only dreamt that he heard a dream."

"That's quite possible," the stranger owned, politely. "But the case is superficially as I state it. However, it was all past, long ago, when I recognized Melford in the smoking-room that night: it must have been ten or a dozen years. I was wearing a full beard then, and so was he; we wore as much beard as we could in those days. I had been through the war since college, and he had been in California, most of the time, and, as he told me, he had been up north, in Alaska, just after we bought it, and hurt his eyes—had snow-blindness—and he wore spectacles. In fact, I had to do most of the recognizing, but after we found out who we were we were rather comfortable; and I liked him better than I remembered to have liked him in our college days. I don't suppose there was ever much harm in him; it was only my grudge about his nightmare. We talked along and smoked along for about an hour, and I could hear the porter outside, making up the berths, and the train rumbled away towards Framingham, and then towards Worcester, and I began to be sleepy, and to think I would go to bed myself; and just then the door of the smoking-room opened, and a young girl put in her face a moment, and said: 'Oh, I beg your pardon. I thought it was the stateroom,' and then she shut the door, and I realized that she looked like a girl I used to know."

The stranger stopped, and I fancied from a note in his voice that this girl was perhaps like an early love. We silently waited for him to resume how and when he would. He sighed, and after an appreciable interval he began again. "It is curious how things are related to one another. My wife had never seen her, and yet, somehow, this girl that looked like the one I mean brought my mind back to my wife with a quick turn, after I had forgotten her in my talk with Melford for the time being. I thought how lonely she was in that little house of ours in Cambridge, on rather an outlying street, and I knew she was thinking of me, and hating to have me away on Christmas Eve, which isn't such a lively time after you're grown up and begin to look back on a good many other Christmas Eves, when you were a child yourself; in fact, I don't know a dismaler night in the whole year. I stepped out on the platform before I began to turn in, for a mouthful of the night air, and I found it was spitting snow—a regular Christmas Eve of the true pattern; and I didn't believe, from the business feel of those hard little pellets, that it was going to stop in a hurry, and I thought if we got into New York on time we should be lucky. The snow made me think of a night when my wife was sure there were burglars in the house; and in fact I heard their tramping on the stairs myself—thump, thump, thump, and then a stop, and then down again. Of course it was the slide and thud of the snow from the roof of the main part of the house to the roof of the kitchen, which was in an L, a story lower, but it was as good an imitation of burglars as I want to hear at one o'clock in the morning; and the recollection of it made me more anxious about my wife, not because I believed she was in danger, but because I knew how frightened she must be.

"When I went back into the car, that girl passed me on the way to her stateroom, and I concluded that she was the only woman on board, and her friends had taken the stateroom for her, so that she needn't feel strange. I usually go to bed in a sleeper as I do in my own house, but that night I somehow couldn't. I got to thinking of accidents, and I thought how disagreeable it would be to turn out into the snow in my nighty. I ended by turning in with my clothes on, all except my coat; and, in spite of the red-hot stoves, I wasn't any too warm. I had a berth in the middle of the car, and just as I was parting my curtains to lie down, old Melford came to take the lower berth opposite. It made me laugh a little, and I was glad of the relief. 'Why, hello, Melford,' said I. 'This is like the old Holworthy times.' 'Yes, isn't it?' said he, and then I asked something that I had kept myself from asking all through our talk in the smoking-room, because I knew he was rather sensitive about it, or used to be. 'Do you ever have that regulation nightmare of yours nowadays, Melford? He gave a laugh, and said: 'I haven't had it, I suppose, once in ten years. What made you think of it?' I said: 'Oh, I don't know. It just came into my mind. Well, good-night, old fellow. I hope you'll rest well,' and suddenly I began to feel light-hearted again, and I went to sleep as gayly as ever I did in my life."

The stranger paused again, and Wanhope said: "Those swift transitions of mood are very interesting. Of course they occur in that remote region of the mind where all incidents and sensations are of one quality, and things of the most opposite character unite in a common origin. No one that I remember has attempted to trace such effects to their causes, and then back again from their causes, which would be much more important."

"Yes, I dare say," Minver put in. "But if they all amount to the same thing in the end, what difference would it make?"

"It would perhaps establish the identity of good and evil," Wanhope suggested.

"Oh, the sinners are convinced of that already," Minver said, while Rulledge glanced quickly from one to the other.

The stranger looked rather dazed, and Rulledge said: "Well, I don't suppose that was the conclusion of the whole matter?"

"Oh no," the stranger answered, "that was only the beginning of the conclusion. I didn't go to sleep at once, though I felt so much at peace. In fact, Melford beat me, and I could hear him far in advance, steaming and whistling away, in a style that I recalled as characteristic, over a space of intervening years that I hadn't definitely summed up yet. It made me think of a night near Narragansett Bay, where two friends of mine and I had had a mighty good dinner at a sort of wild club-house, and had hurried into our bunks, each one so as to get the start of the others, for the fellows that were left behind knew they had no chance of sleep after the first began to get in his work. I laughed, and I suppose I must have gone to sleep almost simultaneously, for I don't recollect anything afterwards till I was wakened by a kind of muffled bellow, that I remembered only too well. It was the unfailing sign of Melford's nightmare.

"I was ready to swear, and I was ashamed for the fellow who had no more self-control than that: when a fellow snores, or has a nightmare, you always think first off that he needn't have had it if he had tried. As usual, I knew Melford didn't know what his nightmare was about, and that made me madder still, to have him bellowing into the air like that, with no particular aim. All at once there came a piercing scream from the stateroom, and then I knew that the girl there had heard Melford and been scared out of a year's growth."

The stranger made a little break, and Wanhope asked, "Could you make out what she screamed, or was it quite inarticulate?"

"It was plain enough, and it gave me a clew, somehow, to what Melford's nightmare was about. She was calling out, 'Help! help! help! Burglars!' till I thought she would raise the roof of the car."

"And did she wake anybody?" Rulledge inquired.

"That was the strange part of it. Not a soul stirred, and after the first burst the girl seemed to quiet down again and yield the floor to Melford, who kept bellowing steadily away. I was so furious that I reached out across the aisle to shake him, but the attempt was too much for me. I lost my balance and fell out of my berth onto the floor. You may imagine the state of mind I was in. I gathered myself up and pulled Melford's curtains open and was just going to fall on him tooth and nail, when I was nearly taken off my feet again by an apparition: well, it looked like an apparition, but it was a tall fellow in his nighty—for it was twenty years before pajamas—and he had a small dark lantern in his hand, such as we used to carry in those days so as to read in our berths when we couldn't sleep. He was gritting his teeth, and growling between them: 'Out o' this! Out o' this! I'm going to shoot to kill, you blasted thieves!' I could see by the strange look in his eyes that he was sleep-walking, and I didn't wait to see if he had a pistol. I popped in behind the curtains, and found myself on top of another fellow, for I had popped into the wrong berth in my confusion. The man started up and yelled: 'Oh, don't kill me! There's my watch on the stand, and all the money in the house is in my pantaloons pocket. The silver's in the sideboard down-stairs, and it's plated, anyway.' Then I understood what his complaint was, and I rolled onto the floor again. By that time every man in the car was out of his berth, too, except Melford, who was devoting himself strictly to business; and every man was grabbing some other, and shouting, 'Police!' or 'Burglars!' or 'Help!' or 'Murder!' just as the fancy took him."

"Most extraordinary!" Wanhope commented as the stranger paused for breath.

In the intensity of our interest, we had crowded close upon him, except Minver, who sat with his head thrown back, and that cynical cast in his eye which always exasperated Rulledge; and Halson, who stood smiling proudly, as if the stranger's story did him as his sponsor credit personally.

"Yes," the stranger owned, "but I don't know that there wasn't something more extraordinary still. From time to time the girl in the stateroom kept piping up, with a shriek for help. She had got past the burglar stage, but she wanted to be saved, anyhow, from some danger which she didn't specify. It went through me that it was very strange nobody called the porter, and I set up a shout of 'Porter!' on my own account. I decided that if there were burglars the porter was the man to put them out, and that if there were no burglars the porter could relieve our groundless fears. Sure enough, he came rushing in, as soon as I called for him, from the little corner by the smoking-room where he was blacking boots between dozes. He was wide enough awake, if having his eyes open meant that, and he had a shoe on one hand and a shoe-brush in the other. But he merely joined in the general up-roar and shouted for the police."

"Excuse me," Wanhope interposed. "I wish to be clear as to the facts. You had reasoned it out that the porter could quiet the tumult?"

"Never reasoned anything out so clearly in my life."

"But what was your theory of the situation? That your friend, Mr. Melford, had a nightmare in which he was dreaming of burglars?"

"I hadn't a doubt of it."

"And that by a species of dream-transference the nightmare was communicated to the young lady in the stateroom?"

"Well—yes."

"And that her call for help and her cry of burglars acted as a sort of hypnotic suggestion with the other sleepers, and they began to be afflicted with the same nightmare?"

"I don't know that I ever put it to myself so distinctly, but it appears to me now that I must have reached some such conclusion."

"That is very interesting, very interesting indeed. I beg your pardon. Please go on," Wanhope courteously entreated.

"I don't remember just where I was," the stranger faltered.

Rulledge returned with an accuracy which obliged us all: "'The porter merely joined in the general uproar and shouted for the police.'"

"Oh yes," the stranger assented. "Then I didn't know what to do, for a minute. The porter was a pretty thick-headed darky, but he was lion-hearted; and his idea was to lay hold of a burglar wherever he could find him. There were plenty of burglars in the aisle there, or people that were afraid of burglars, and they seemed to think the porter had a good idea. They had hold of one another already, and now began to pull up and down the aisles in a way that reminded me of the old-fashioned mesmeric lecturers, when they told their subjects that they were this or that, and set them to acting the part. I remembered how once when the mesmerist gave out that they were at a horse—race, and his subjects all got astride of their chairs, and galloped up and down the hall like a lot of little boys on laths. I thought of that now, and although it was rather a serious business, for I didn't know what minute they would come to blows, I couldn't help laughing. The sight was weird enough. Every one looked like a somnambulist as he pulled and hauled. The young lady in the stateroom was doing her full share. She was screaming, 'Won't somebody let me out?' and hammering on the door. I guess it was her screaming and hammering that brought the conductor at last, or maybe he just came round in the course of nature to take up the tickets. It was before the time when they took the tickets at the gate, and you used to stick them into a little slot at the side of your berth, and the conductor came along and took them in the night, somewhere between Worcester and Springfield, I should say."

"I remember," Rulledge assented, but very carefully, so as not to interrupt the flow of the narrative. "Used to wake up everybody in the car."

"Exactly," the stranger said. "But this time they were all wide awake to receive him, or fast asleep, and dreaming their roles. He came along with the wire of his lantern over his arm, the way the old-time conductors did, and calling out, 'Tickets!' just as if it was broad day, and he believed every man was trying to beat his way to New York. The oddest thing about it was that the sleep-walkers all stopped their pulling and hauling a moment, and each man reached down to the little slot alongside of his berth and handed over his ticket. Then they took hold and began pulling and hauling again. I suppose the conductor asked what the matter was; but I couldn't hear him, and I couldn't make out exactly what he did say. But the passengers understood, and they all shouted 'Burglars!' and that girl in the stateroom gave a shriek that you could have heard from one end of the train to the other, and hammered on the door, and wanted to be let out.

"It seemed to take the conductor by surprise, and he faced towards the stateroom and let the lantern slip off his arm, and it dropped onto the floor and went out; I remember thinking what a good thing it didn't set the car on fire. But there in the dark—for the car lamps went out at the same time with the lantern—I could hear those fellows pulling and hauling up and down the aisle and scuffling over the floor, and through all Melford bellowing away, like an orchestral accompaniment to a combat in Wagner opera, but getting quieter and quieter till his bellow died away altogether. At the same time the row in the aisle of the car stopped, and there was perfect silence, and I could hear the snow rattling against my window. Then I went off into a sound sleep, and never woke till we got into New York."

The stranger seemed to have reached the end of his story, or at least to have exhausted the interest it had for him, and he smoked on, holding his knee between his hands and looking thoughtfully into the fire.

He had left us rather breathless, or, better said, blank, and each looked at the other for some initiative; then we united in looking at Wanhope; that is, Rulledge and I did. Minver rose and stretched himself with what I must describe as a sardonic yawn; Halson had stolen away before the end, as one to whom the end was known. Wanhope seemed by no means averse to the inquiry delegated to him, but only to be formulating its terms. At last he said:

"I don't remember hearing of any case of this kind before. Thought-transference is a sufficiently ascertained phenomenon—the insistence of a conscious mind upon a certain fact until it penetrates the unconscious mind of another and is adopted as its own. But in the dream state the mind seems passive, and becomes the prey of this or that self-suggestion, without the power of imparting it to another dreaming mind. Yet here we have positive proof of such an effect. It appears that the victim of a particularly terrific nightmare was able to share its horrors—or rather unable not to share them—with a whole sleeping-car full of people whose brains helplessly took up the same theme, and dreamed it, as we may say, to the same conclusions. I said proof, but of course we can't accept a single instance as establishing a scientific certainty. I don't question the veracity of Mr.—"

"Newton," the stranger suggested.

"Newton's experience," Wanhope continued, "but we must wait for a good many cases of the kind before we can accept what I may call metaphantasmia as being equally established with thought-transference. If we could it would throw light upon a whole series of most curious phenomena, as, for instance, the privity of a person dreamed about to the incident created by the dreamer."

"That would be rather dreadful, wouldn't it?" I ventured. "We do dream such scandalous, such compromising things about people."

"All that," Wanhope gently insisted, "could have nothing to do with the fact. That alone is to be considered in an inquiry of the kind. One is never obliged to tell one's dreams. I wonder"—he turned to the stranger, who sat absently staring into the fire—"if you happened to speak to your friend about his nightmare in the morning, and whether he was by any chance aware of the participation of the others in it?"