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Before the aisles were added the now open window looking into the Lady Chapel formed part of the outside wall of the chapel, and was glazed. There is a lovely view from this transept, looking slantwise into the Lady Chapel. In this transept are a number of fragments of brasses, mouldings, stone, etc. The chief monument is that to Bishop Lewis Charleton, 1369. His effigy lies under the wall dividing the transept from the vestibule of the Lady Chapel. Above it is a fine monument, restored in 1875, to Bishop Coke, died 1646. This bishop was brother to Sir John Coke, Secretary of State to Charles I. His coloured shield is borne by two angels.
A black marble slab, in excellent preservation, marks the spot where the remains of Bishop Ironside were laid on Christmas Eve, 1867, in presence of the dean, archdeacon, and praecentor, in a vault specially prepared for them; and there is a small brass on the wall. Gilbert Ironside, D.D., Warden of Wadham College, Oxford, was Vice-Chancellor of the University in 1687, when James II. seized upon the venerable foundation of Magdalen College and sent his commissioners to Oxford to expel the Fellows.
In his replies to the king, Dr. Ironside showed a firm and resolute spirit in defence of the rights of Oxford. His refusal to dine with the commissioners on the day of the Magdalen expulsion is described thus by Macaulay:—"I am not," he said, "of Colonel Kerke's mind. I cannot eat my meals with appetite under a gallows."
The brave old Warden of Wadham was not left to "eat his meals" much longer in his beautiful college hall. William III., almost immediately after his accession, made him Bishop of Bristol, whence he was translated to Hereford, and, dying in 1701 at the London residence of the Bishops of Hereford, in the parish of St. Mary Somerset, was buried in that church.
It was at the instigation of the Warden and Fellows of Wadham College that the Dean and Chapter of Hereford consented to the proposal that the remains and marble slab should be removed to the precincts of their cathedral.
St. Mary Somerset, Thames Street, was the first church closed under the Bishop of London's Union of Benefices Act, and when it was dismantled and the dead removed from their vaults in the autumn of 1867, the remains of Bishop Ironside were found encased in lead only, all the outer coffins in the vault having been previously removed or stolen.
For the purpose of identification the lead coffin was opened by the Burial Board authorities, "and," says Mr. Havergal, "so perfect were the remains that the skin was not broken, and the features of the placid-looking bishop were undisturbed." In a square recess on the east wall is a bust which has been taken by various critics to be Hogarth, Cowper, Garrick, and others, but is in reality a portrait of a Mr. James Thomas, a citizen of Hereford, who is buried near this place. Under it is a brass to Sir Richard Delabere, 1514, his two wives and twenty-one children; the inscription is as follows:—
"Of your Charitie pray for the Soul of Sir Richard Delabere, Knight, late of the Countie of Hereford; Anne, daughter of the Lord Audley, and Elizabeth, daughter of William Mores, late sergeant of the hall to King Henry VII., wyves of the said Sir Richard, whyche decessed the 20th day of July, A.D. 1513, on whose souls Jesu have mercye. Amen."
The north-east window contains stained glass to the memory of Bishop Huntingford. There is also an old effigy supposed to represent St. John the Baptist.
*The Lady Chapel.*—The elaborate and beautiful Early English work of this chapel, which dates from the first half of the thirteenth century, about 1220, was twice under the restorers' hands, the eastern end and roof having been rebuilt by Cottingham and the porch and Audley Chapel by Sir G. G. Scott. It is 24 by 45 feet in extent and has three bays. On the north side each of these bays contains two large windows, and on the south side two of the bays contain each two windows, while the third is filled by the Audley Chapel.
In 1841 the eastern gable of the chapel was stated by Professor Willis to be in a parlous state, and the rebuilding of this portion was one of the first works undertaken by Mr. Cottingham. Sir G. G. Scott completed the pavement and other restorations.
The glorious east window consists of five narrow lancets recessed within arches supported by clustered shafts, the wall above being perforated with five quatrefoil openings, of which the outside ones are circular and the centre three are oval.
Fergusson(5) remarks: "Nowhere on the Continent are such combinations to be found as the Five Sisters at York, the east end of Ely, or such a group as that which terminates the east end of Hereford."
Of the beauties and interesting features which were developed by the clearing of the Lady Chapel by Mr. Cottingham, Dean Merewether wrote:—
THE LADY CHAPEL.
Photochrom Co., Ld., Photo.
"Its symmetrical proportions, before completely spoilt; the remnants of its ancient painting, which were traceable beneath the whitewash; the fair disclosure of the monuments of Joanna de Kilpec, a benefactress to this very edifice, and Humphry de Bohun, her husband, both of exceeding interest; the discovery of two aumbries, both walled up, but one with the stones composing it reversed; the double piscina on the south side, the chapel of Bishop Audley; but especially two of the most beautiful specimens of transition arches which can be found in any edifice, bearing the Early English form, the shafts and capitals and the lancet-shaped arch above, but ornamented in their soffits with the Norman moulding, and the zig-zag decoration, corresponding with the remarkable union of the Norman intersecting arches on the exterior of the building, with its pointed characteristics. The appearance of the central column with a base in the Early English and its capital with the Norman ornament might be added: the stairs to the crypt, and the discovery of several most interesting relics in the adjoining vaults opened in reducing the floor to its original level."
SECTION THROUGH LADY CHAPEL AND CRYPT.
ARCH DISCOVERED AT ENTRANCE OF LADY CHAPEL.
It was as a memorial to Dean Merewether, to whom the cathedral owes so much, that the stained glass designed by Cottingham was placed in the east windows in the narrow lancets that he loved so dearly. It represents scenes in the early life of the Virgin and the life of Christ; the last being the supper in the house of Mary and Martha. In the side windows the visitor should especially notice the rich clustered shafts and arches, the Early English capitals, and the ornamentation of the arches. Above these windows, corresponding to the openings above the east window, a quatrefoil opening enclosed by a circle pierces the wall. The quadripartite vaulting springs from slender shafts, which descend upon a slightly raised base.
The double piscina and aumbry south of the altar are restorations necessitated by the dilapidated state of the originals.
*Monuments in the Lady Chapel.*—Of great beauty and interest is the Perpendicular recess in the central bay on the north side of the Lady Chapel, in which is the recumbent effigy which tradition has assigned without evidence to Humphrey de Bohun, Earl of Hereford, who died in the 46th year of the reign of Edward III., 1372. He was, however, buried in the north side of the Presbytery in Walden Abbey, Essex.
The Rev. Francis Havergal considers this to be the monument of Peter, Baron de Grandisson, who died 1358. In any case, the knight was probably one of the Bohun family, and husband of the lady whose effigy lies under an arch in the wall adjoining. The costume is of the earlier part of the fourteenth century; full armour, and covered (a rare example) by a cyclass, a close linen shirt worn over the armour in Edward III.'s reign. This shirt is cut short in front and about 6 inches longer behind. The visitor should also notice the fringed poleyns at the knees.
The upper story of the recess itself has open tabernacle-work, now containing a series of figures representing the crowning of the Virgin; on one side are figures of King Ethelbert and St. John the Baptist, and on the other St. Thomas a Becket (with double crozier) and Bishop Thomas de Cantilupe. Of these, however, only the two central carvings are in their original positions, the others having been discovered by Mr. Cottingham when the oak choir-screen was removed.
In the easternmost bay on this side is the tomb of Joanna de Bohun, Countess of Hereford, 1327. To quote from Dean Merewether: "The effigy of the lady, there can be scarcely a doubt, represents 'Johanna de Bohun, Domina de Kilpec.' She was the sister and heiress of Alan Plonknett or Plugenet of Kilpec, in the county of Hereford, a name distinguished in the annals of his times; and of his possessions, his sister doing her homage, had livery 19 Edward II.
"In 1327 Johanna de Bohun gave to the Dean and Chapter of Hereford, the church of Lugwardyne, with the chapels of Llangarren, St. Waynards and Henthland, with all the small chapels belonging to them, which donation was confirmed by the king by the procurement and diligence of Thomas de Chandos, Archdeacon of Hereford; and the Bishop of Hereford further confirmed it to the Dean and Chapter by deed, dated Lugwas, 22nd July, 1331 (ex Regist. MS. Thomae Chorleton, Epi.): And afterwards the Bishop, Dean and Chapter appropriated the revenues of it to the service peculiar to the Virgin Mary, 'because in other churches in England the Mother of God had better and more serious service, but in the Church of Hereford the Ladye's sustenance for her prieste was so thinne and small, that out of their respect they add this, by their deeds, dated in the Chapter at Hereford, April 10th, 1333.' (Harl. MS. 6726, fol. 109.)
"Johanna de Bohoun died without issue, 1 Edward III., 1327, the donation of Lugwardyne being perhaps her dying bequest. On the 17th of October in that year, she constituted John de Badesshawe, her attorney, to give possession to the Dean and Chapter of an acre of land in Lugwardine, and the advowson of the church with the chapels pertaining to it. This instrument was dated at Bisseleye, and her seal was appended, of which a sketch is preserved by Taylor, in whose possession this document appears to have been in 1655, and a transcript of it will be found Harl. MS. 6868, f. 77 (see also 6726, f. 109, which last has been printed in Shaw's Topographer, 1. 280).
"In the tower is preserved the patent 1 Edward III., pro Ecclesia de Lugwarden cum capellis donandis a Johanna de Bohun ad inveniendum 8 capellanos et 2 diaconos approprianda (Tanner's Notitia Monast.).
SEAL OF JOHANNA DE BOHUN.
"The circumstances above mentioned appear sufficiently to explain why the memorial of Johanna de Bohoun is found in the Lady Chapel, to which especially she had been a benefactress. They also explain the original ornaments of this tomb, the painting which was to be seen not many years since under the arch in which the effigy lies, now unfortunately concealed by a coat of plaster, of which sufficient has been removed to prove that Gough's description of the original state of the painting is correct. He says, 'The Virgin is represented sitting, crowned with a nimbus; a lady habited in a mantle and wimple kneeling on an embroidered cushion offers to her a church built in the form of a cross, with a central spire—and behind the lady kneel eleven or twelve religious, chanting a gorge deployee after the foremost, who holds up a book, on which are seen musical notes and "salve sca parens." Fleur-de-lys are painted about both within and without this arch, and on the spandrils two shields; on the left, a bend cotised between twelve Lioncels (Bohun); and on the right, Ermines, a bend indented, Gules.' This description was published 1786.
"By this painting there can be no doubt that the donation of the church of Lugwardine was represented; the eleven or twelve vociferous choristers were the eight chaplains and two deacons mentioned in the patent, who were set apart for the peculiar service of the Lady Chapel, and provided for from the pious bequest of Johanna de Bohoun. The two shields mentioned by Gough are still discernible, that on the dexter side bearing the arms of Bohun, Azure a bend, Argent between two cotises, and six lions rampant, or.—The other, Ermines, a bend indented, (or fusily) Gules, which were the bearings of Plugenet, derived perhaps originally from the earlier Barons of Kilpec, and still borne by the family of Pye in Herefordshire, whose descent is traced to the same source. In the list of obits observed in Hereford Cathedral, Johanna is called the Lady Kilpeck, and out of Lugwardine was paid yearly for her obit forty pence."
The effigy of Joanna de Bohun is also valuable as a specimen of costume. Its curious decoration of human heads is also noteworthy.
Over the grave of Dean Merewether, who is interred at the north-east angle of the chapel, is a black marble slab with a brass by Hardman bearing an inscription, which records that to the restoration of the cathedral "he devoted the unwearied energies of his life till its close on the 4th of April 1850."
The next monument to notice is the effigy of Dean Berew or Beaurieu (died 1462) in the south wall of the vestibule. This is one of the best specimens of monumental sculpture in the cathedral. The face, which is well modelled, and the arrangement of the drapery at the feet, are especially noticeable. There are remains of colour over the whole monument. In the hollow of the arch-moulding are sixteen boars with rue leaves in their mouths, forming a "rebus" of the dean's name.
To the west of this monument is the effigy of a priest, supposed to be Canon de la Barr, 1386.
*The Audley Chantry.*—In the central bay on the south side of the wall is the Audley Chantry—a beautiful little chapel built by Bishop Edmund Audley (1492-1502), with an upper chamber to which access is obtained by a circular staircase at the south-west angle.
After Bishop Audley's translation to Salisbury in 1502 he erected a similar chantry in that cathedral wherein he was buried, so that the object of the Hereford Chantry as the place for his interment was of course never fulfilled.
The following is an extract taken from the calendar of an ancient missal:—"Secundum usum Herefordensem," which notes a number of "obiits" or commemorations of benefactors, chiefly between the times of Henry I. and Edward II. "X. Kal. Obitus Domini Edmundi Audeley, quondam Sarum Episcopi, qui dedit redditum XX. Solidorum distribuendorum Canonicis et Clericis in anniversario suo presentibus, quique capellam novam juxta Feretrum Sancti Thomae Confessoris e fundo construxit, et in eadem Cantariam perpetuam amortizavit, etc. Constituit necnon Feretrum argenteum in modum Ecclesiae fabricatum atque alia quam plurima huic Sacre Edi contulit beneficia."
The lower chamber is shut off from the Lady Chapel by a screen of painted stone with open-work panelling in two stages. The chapel is a pentagon in plan, and has two windows, while a third opens into the Lady Chapel through the screen. The ceiling is vaulted, and bears evidences of having in former times been elaborately painted.
There are five windows in the upper chamber, and the groined roof is distinctly good. The boss in the centre represents the Virgin crowned in glory. On other parts of the ceiling are the arms of Bishop Audley and those of the Deanery as well as a shield bearing the letters R.I. The upper part of the chantry, which is divided from the Lady Chapel by the top of the screen which serves as a kind of rail, may have been used as an oratory; but no remains of an altar have been found. On the door opening on the staircase is some good iron-work, and Bishop Audley's initials may be noticed on the lock.
Standing by the door of this chapel the visitor has a lovely view westward, two pillars rising in the roof and across the top of the reredos, to the right the Norman arches of the north transept, and further on still the nave.
The Lady Chapel was used for very many years as a library, and after 1862 as the church of the parish of St. John the Baptist, which surrounds the cathedral, and claimed to hold its service in some part of the building.
*The Crypt* is entered from the south side of the Lady Chapel where a porch opens to a staircase leading down. The porch is deeply in-set, and like the crypt itself and the Lady Chapel, Early English. Professor Willis points out that Hereford is the only English cathedral whose crypt is later in date than the eleventh century; the well-known examples at Canterbury, Rochester, Worcester, Winchester, and Gloucester all belonging to earlier times. A flight of twenty steps leads down to the crypt, which is now light and dry, although previous to Dean Merewether's excavations it was utterly neglected and nearly choked up with rubbish. There is another approach to it from the interior of the church.
THE CRYPT.
Photochrom Co., Ld., Photo.
It is 50 feet in length, and consists of a nave and aisles marked out by undecorated columns. It runs beneath the whole extent of the Lady Chapel.
This crypt having been used as a charnel-house is called the "Golgotha." In the centre is an altar tomb, upon which is a large and elaborately decorated alabaster slab, in a fair state of preservation. It bears an incised representation of Andrew Jones, a Hereford merchant, and his wife, with an inscription setting forth how he repaired the crypt in 1497. Scrolls proceeding from the mouths of the figures bear the following lines:—
"Remember thy life may not ever endure, That thou dost thiself thereof art thou sewre.
But and thou leve thi will to other menis cure, And thou have it after, it is but a venture."
At the back of the reredos is a brass to Mr. Bailey, M.P. for the county, whose bust formerly stood here, but was removed to a more fitting position in the county hall.
*The Vicars' Cloisters.*—The entrance to the college of Vicars Choral is from the south side of the Lady Chapel. Leading from the south-east transept of the cathedral to the quadrangle of the college is a long cloister walk.
In the morning, when the sun shines upon the cloister, its richly carved roof may be best seen. The western wall, with the exception of a few mortuary tablets, is quite plain. The eastern wall is pierced with eight three-light windows, between which are the remains of small niches.
Many old vicars are buried within this cloister. The roof is of oak, the wall-plates, purlins, and rafters are richly moulded and the tie-beams and principals are richly carved on both sides with various patterns and devices.
The Rev. F. Havergal says:—"The late William Cooke acquired an immense amount of information relating to the college and the vicars in olden time. His biographical notices of them are most curious and amusing, giving a complete insight into the manners, traditions, and customs of the place." He goes on to quote from the Lansdowne Manuscript in the British Museum, 213, p. 333.
"Relation of a survey of twenty-six counties in 1634, by a captain, a lieutenant, and an ancient, all three of the military company in Norwich.
"Next came wee into a brave and ancient priviledg'd Place, through the Lady Arbour Cloyster, close by the Chapter-house, called the Vicars Chorall or Colledge Cloyster, where twelve of the singing men, all in orders, most of them Masters in Arts, of a Gentile garbe, have their convenient several dwellings, and a fayre Hall, with richly painted windows, colledge like, wherein they constantly dyet together, and have their cooke, butler, and other officers, with a fayre library to themselves, consisting all of English books, wherein (after we had freely tasted of their chorall cordiall liquor) we spent our time till the Bell toll'd us away to Cathedral prayers. There we heard a most sweet Organ, and voyces of all parts, Tenor, Counter-Tenor, Treble, and Base; and amongst that orderly shewy crew of Queristers our landlord guide did act his part in a deep and sweet Diapason."
*The North-East Transept.*—This transept shows ample evidence of the original Norman plan, although its present character is Early Decorated.
Of the triple apse in which the Norman Cathedral probably terminated—an arrangement similar to the eastern apses of Gloucester and Norwich Cathedrals—portions remain in the walls of the vestibule to the Lady Chapel, and in this, the north-east transept, still remain parts of the apses which opened from the choir aisles. These are somewhat later than the nave and belong to the Transition period.
After the completion of the great north transept for the reception of the shrine of St. Thomas Cantilupe, the terminal apses of the choir aisles were almost entirely removed, and the present north-east transept erected.
In the centre of this transept rises an octagonal pier which helps to carry the quadripartite vaulting. Some Norman arches in the west wall doubtless formed part of the original apse. The windows belong to the Early Decorated period. Sir G. G. Scott was responsible for the restoration of the transept.
*Monuments in the North-East Transept.*—Under the north-west window is the canopied tomb of Bishop Swinfield. The effigy of the bishop has been lost, and in its place, which is now shown, is an unknown figure which was found buried in the cloisters. In the mouldings of the arched canopy the ball-flower ornament is again in evidence, and behind the tomb a carving of the crucifixion is still visible, though nearly obliterated by the chisel of the Puritans. The beautiful vine leaf carving at the sides has, however, been happily spared; it is similar to the leafage on the Cantilupe shrine.
The altar-tomb of Dean Dawes, 1867, one of the most active of the modern restorers, is very beautiful. It is by Sir G. G. Scott, with effigy by Noble.
Under the north-east window is an altar-tomb of an unknown bishop. It has been assigned to Bishop Godwen, 1633, but is probably much earlier.
There is also an old stained glass window, restored by Warrington, with figures of SS. Catherine, Gregory, Michael, Thomas, and a modern one, by Heaton, to the Rev. J. Goss.
In the north choir aisle, which is entered through the original Norman arch, is an exquisite little chapel known as Bishop Stanbury's Chantry. In style it is late Perpendicular (1470). The roof is a good specimen of fan-vaulting, and the walls are panelled with heraldic bearings. Its dimensions are 8 feet by 16 feet, and it is lighted by two windows on the north side, the entrance being on the south.
At the east end are shields with emblems over the place of the altar, and the west is covered with shields in panels and tracery.
The capitals of the shafts at the angles are formed by grotesques, and over the arch on the south side are shields with emblems of St. Matthias, St. Thomas, and St. Bartholomew. The Lancaster rose is prominent in the decoration, and there is much under-cutting in the carving.
The stained windows, which form an interesting collection of arms and legends, are in memory of Archbishop Musgrave, once Bishop of Hereford, to whom there is also another window by Warrington in the wall of the aisle above the chantry, which is only 11 feet in height. The subjects are taken from the life of St. Paul.
Monument to Bishop Raynaldus, 1115, one of the chief of the Norman builders of Hereford.
In a Perpendicular recess on the left of the door opening to the turret staircase which leads to the archive room and chapter library is an effigy said to be of Bishop Hugh de Mapenore, 1219. Above is a stained glass window by Clayton and Bell, placed here as a memorial of John Hunt, organist, who died 1842, and his nephew. There is also a small brass plate at the side of the window, from which we learn that the nephew James died "of grief three days after his uncle."
VIEW BEHIND THE ALTAR, LOOKING NORTH. AFTER A DRAWING BY W. H. BARTLETT, 1830.
In the middle bay on the north side of the choir is the monument of Bishop Bennett (1617), who was buried here. He wears a close black cap, and the rochet and his feet are resting on a lion. Across his tomb one gets a fine view of the Norman double arches of the triforium stage on the other side of the choir.
In the north wall of the north choir aisle in the first of the series of arched recesses, of Decorated character, with floral ornament in the mouldings, is an effigy assigned to Bishop Geoffrey de Cliva (died 1120), and in the same bay of the choir as Bishop Bennett's tomb is the effigy of a bishop, fully vested, holding the model of a tower. It is assigned to Bishop Giles De Braose (died 1215), who was erroneously thought to have been the builder of the western tower (which fell in 1786). This effigy belongs to the Perpendicular period, when a number of memorials were erected to earlier bishops.
In the calendar of the ancient missal "Secundum usum Herefordensem," previously quoted, occurs the following entry:—"XV. Kal. Decem. Obitus pie memorie Egidii de Breusa Herefordensis Episcopi, qui inter cetera bona decimas omnium molendinorum maneriorium suorum Herefordensi Ecclesie contulit, et per cartam quam a Domino Rege Johanne acquisivit omnes homines sui ab exactionibus vicecomitum liberantur."
In the easternmost bay on the north of the choir is the effigy of Bishop Stanbury, provost of Eton and builder of the chantry already described. It is a fine alabaster effigy with accompanying figures. The bishop wears alb, stole, and chasuble.
Beyond the entrance to Bishop Stanbury's Chantry is a Perpendicular effigy under an arch which is assigned to Bishop Richard de Capella (died 1127).
On the chancel floor is a very good brass to Bishop Trilleck (died 1360).
In the north-east transept are the following antiquarian remains:—Two altar-stones, nearly perfect, whereon are placed:—
Six mutilated effigies of unknown lay persons, probably buried in or near the Magdalen Chapels, but dug up on the south side of the Bishop's Cloisters, A.D. 1820, and brought inside the cathedral A.D. 1862.
Two matrices of brasses; also a small one on the wall.
The wooden pulpit—very late Perpendicular work from which every canon on his appointment formerly had to preach forty sermons on forty different days in succession.
We may also notice two rich pieces of iron-work from Sir A. Denton's tomb: the head of a knight or templar's effigy and several heraldic shields from monuments in the cathedral—especially seven in alabaster now placed against the east wall.
COMPARTMENT OF CHOIR, EXTERIOR, NORTH SIDE.
*The Choir*, with its details of architecture and its individual accessories, is very beautiful, notwithstanding an unusual deficiency of light, caused by the position of the transepts, which practically intercept all light except that from the clerestory. It consists of three lofty Norman bays of three stages. The middle of the three stages has some exquisite dwarfed Norman arches with no triforium passages; but there is one in the upper stage, with slender and graceful Early English arches and stained glass at back. The vaulting is also Early English, and dates from about the middle of the thirteenth century.
COMPARTMENT OF CHOIR, INTERIOR, NORTH SIDE.
The principal arches of the choir are supported by massive piers with square bases. The shafts are semi-detached and bear capitals enriched with foliated and grotesque ornament. In each bay on the triforium level a wide Norman arch envelops two smaller arches, supported by semi-circular piers on each side.
A richly carved square-string course runs along the base of the triforium.
The east end of the choir was covered before 1841 by the "Grecian" screen, a wooden erection placed there by Bishop Bisse in 1717, and above it a Decorated window containing a stained glass representation of the Last Supper after the picture by Benjamin West. The improvement effected by the removal of this screen with its heterogeneous appendages was immense. The great Norman arch was once more exposed to view; and, in place of the Decorated window, we now have three lancets at the back of the clerestory passage.
In describing the discoveries led up to by the removal of the old screen, Dean Merewether says: "By cautious examination of the parts walled up it was discovered that the capitals were all perfect, and that this exquisite and grand construction, the mutilation and concealment of which it is utterly impossible to account for, was in fact made up of five arches, the interior and smallest supported by the two semi-columns, and each of the others increasing in span as it approached the front upon square and circular shafts alternately, the faces of each arch being beautifully decorated with the choicest Norman ornaments. Of the four lateral arches, the two first had been not only hid by the oak panelling of the screen, but were also, like the two others, closed up with lath and plaster as the central arch; and when these incumbrances and desecrations were taken away it is impossible to describe adequately the glorious effect produced, rendered more solemn and impressive by the appearance of the ancient monuments of Bishops Reynelm, Mayew, Stanbury, and Benet, whose ashes rest beneath these massive arches, of which, together with the noble triforium above, before the Conquest, Athelstan had probably been the founder, and the former of those just mentioned, the completer and restorer after that era."
The reredos is in Bath stone and marble, and was designed by Mr. Cottingham, junior, as a memorial to Mr. Joseph Bailey, 1850, who represented the county for several years in Parliament.
The sculptor was Boulton, and the subject is our Lord's Passion, in five deep panels occupying canopied compartments divided by small shafts supporting angels, who carry the instruments of the Passion. The subjects in the separate panels are:—1. The Agony in the Garden; 2. Christ Bearing the Cross; 3. The Crucifixion; 4. The Resurrection; and 5. The Three Women at the Sepulchre.
EAST END OF THE CHOIR IN 1841.
Above the reredos a broad spandrel left by two pointed arches springing from a central pier fills the upper part of the Norman arch. The pier itself is old, but the upper part is a restoration of Mr. Cottingham's. The spandrel is covered with modern sculpture, as may be seen in the illustration. The subject is the Saviour in Majesty, the four evangelists holding scrolls; and below a figure of King Ethelbert.
An older representation of King Ethelbert is the small effigy on a bracket against the easternmost pier south of the choir, close to the head of the tomb of Bishop Mayo, who had desired in his will to be buried by the image of King Ethelbert. It was dug up about the year 1700 at the entrance to the Lady Chapel, where it had doubtless been buried in a mutilated condition when the edict went forth for the destruction of shrines and images.
EARLY ENGLISH WINDOW MOULDING.
Originally there were other representations of St. Ethelbert: on the tombs of Bishops Cantilupe and Mayo, Dean Frowcester, Archdeacon Rudhale, Praecentor Porter; in colour on the walls of the chapter-house and the tomb of Joanna de Kilpec; in ancient glass, recently restored, in a window in the south aisle of the choir; and in a stone-carving over the door of the Bishop's Cloister, and the effigy formerly on the west front.
Opposite the throne a slab of marble, from designs by Scott, marks the spot, as far as it is known, where Ethelbert was buried.
*The Choir-stalls* are largely ancient, belonging to the Decorated period. They have good canopy work, and are otherwise excellent in detail. Some of the misereres are quaint, among them being found several examples of the curiously secular subjects chosen for this purpose by the wood-carvers of the period.
In addition to the bishop's throne, which is of the fourteenth century, there is, on the north side of the sacrarium, a very old episcopal chair, concerning which a tradition remains that King Stephen sat in it when he visited Hereford. Be this as it may, the Hereford chair is undoubtedly of very great antiquity, and belongs to, or at least is similar to, the earliest kind of furniture used in this country. The dimensions of the chair are—height, 3 feet 9 inches; breadth, 33 inches; front to back, 22 inches. The entire chair is formed of 53 pieces, without including the seat of two boards and the two small circular heads in front.
Traces of ancient colour—vermilion and gold—may still be seen in several of the narrow bands: a complete list of other painted work which has been recorded or still exists in the cathedral has been compiled by Mr C. E. Keyser.(6)
*The Cathedral Library.*—The Archive Chamber, on the Library. This room, which has been restored by Sir G. G. Scott, is now approached by a winding stone staircase.
In earlier times access was only obtainable either by a draw-bridge or some other movable appliance crossing the great north window. The Library (which Botfield(7) calls "a most excellent specimen of a genuine monastic library") contains about 2000 volumes, including many rare and interesting manuscripts, most of which are still chained to the shelves. Every chain is from 3 to 4 feet long, with a ring at each end and a swivel in the middle. The rings are strung on iron rods secured by metal-work at one end of the bookcase. There are in this chamber eighty capacious oak cupboards, which contain the whole of the deeds and documents belonging to the Dean and Chapter, the accumulation of eight centuries.
THE REREDOS.
Photochrom Co., Ld., Photo.
Among the most remarkable printed books are:—A series of Bibles, 1480 to 1690; Caxton's Legenda Aurea, 1483; Higden's Polychronicon, by Caxton, 1495; Lyndewode, Super Constitutiones Provinciales, 1475; Nonius Marcellus, De proprietate sermonum, 1476, printed at Venice by Nicolas Jenson; and the Nuremberg Chronicle, completed July 1493. Of the manuscripts, the most interesting is an ancient Antiphonarium, containing the old "Hereford Use." One of the documents attached to this volume states: "The Dean and Chapter of Hereford purchased this book of Mr William Hawes at the price of twelve guineas. It was bought by him some years since at a book-stall in Drury Lane, London, and attracted his notice from the quantity of music which appeared interspersed in it."
The date of the writing is probably about 1270, the obit of Peter de Aquablanca being entered in the Kalendar in the hand of the original scribe and the following obit in another hand.
The oldest of all the treasures preserved at Hereford Cathedral, being certainly one thousand years old at least, is a Latin version of the Four Gospels written in Anglo-Saxon characters.
The Rev. F. Havergal thus describes it: "This MS. is written on stout vellum, and measures about 9 x 7 inches. It consists of 135 leaves. Three coloured titles remain, those to the Gospels of St. Matthew, St. Mark, and St. John. Two illuminated leaves are missing—those that would follow folio 1 and folio 59. With the exception of these two lacunae, the MS. contains the whole of the Four Gospels.
No exact date can be assigned, but several eminent authorities agree that it is the work of the eighth or ninth century.
It does not exactly accord with any of the other well-known MS. of that period, having a peculiar character of its own.
From the evidence of the materials it would appear to have been written in the country, probably in Mercia, and not at any of the great monasteries.
The text of this MS. is ante-Hieronymian, and offers a valuable example of the Irish (or British) recension of the original African text. Thus it has a large proportion of readings in common with the Cambridge Gospels, St. Chad's Gospels, the Rushworth Gospels, and the Book of Deir.
On the concluding leaves of this volume there is an entry of a deed in Anglo-Saxon made in the reign of Canute, of which the following is a translation:—
"Note of a Shire-mote held at AEgelnoth's Stone in Herefordshire in the reign of King Cnut, at which were present the Bishop Athelstan, the Sheriff Bruning, and AEgelgeard of Frome, and Leofrine of Frome, and Godric of Stoke, and all the thanes in Herefordshire. At which assembly Edwine, son of Enneawne, complained against his mother concerning certain lands at Welintone and Cyrdesley. The bishop asked who should answer for the mother, which Thurcyl the White proffered to do if he knew the cause of accusation.
"Then they chose three thanes and sent to the mother to ask her what the cause of complaint was. Then she declared that she had no land that pertained in ought to her son, and was very angry with him, and calling Leofloeda, her relative, she, in presence of the thanes, bequeathed to her after her own death all her lands, money, clothes, and property, and desired them to inform the Shire-mote of her bequest, and desire them to witness it. They did so; after which Thurcyl the White (who was husband of Leofloeda) stood up, and requested the thanes to deliver free (or clean) to his wife all the lands that had been bequeathed to her, and they so did. And after this Thurcyl rode to St. Ethelbert's Minster, and by leave and witness of all the folk caused the transaction to be recorded in a book of the Gospels."
*An Ancient Chasse or Reliquary* is shown among the treasures of the cathedral, which was looked upon for a long time as a representation of the murder of St. Ethelbert, but this is only an example of the many traditional tales which modern study and research are compelled to discard. It undoubtedly represents the martyrdom of St. Thomas of Canterbury. On the lower part is the murder; on the upper, the entombment of the saint, very similar in style to the later Limoges work of the thirteenth century.
The Rev. Francis Havergal gives a detailed description, which we have condensed to the following:—
This reliquary consists of oak, perfectly sound, covered with copper plates overlaid with Limoges enamel. It is 8-1/4 inches high, 7 long and 3-1/2 broad. The back opens on hinges and fastens with a lock and key, and the upper part sloped so as to form an acutely-pointed roof; above this is a ridge-piece; the whole rests on four square feet. Front of Shrine:—Here are two compartments; the lower one shows on the right side an altar, of which the south end faces the spectator; it is supported on four legs and has an antependium. Upon the altar stands a plain cross on a pyramidal base, and in front of it a chalice covered with a paten. Before, or technically speaking, in the midst of the altar stands a bishop celebrating mass, having both hands extended towards the chalice, as if he were about to elevate it. He has curly hair and a beard and moustache. He wears a low mitre, a chasuble, fringed maniple, and an alb.
In the top right-hand corner is a cloud from which issues a hand pointing towards the figure just described.
Behind, to the left, stand three figures. The foremost has just thrust the point of a large double-edged sword, with a plain cross hilt, through the neck of the bishop from back to front.
ANCIENT RELIQUARY IN THE CATHEDRAL.
The upper compartment represents the entombment of the bishop. The middle of the design is occupied by an altar tomb, into which the body, swathed in a diapered winding-sheet, is being lowered.
The ends of the bier are supported by two kneeling figures.
On the side of the tomb furthest from the spectator is a bishop or abbot without the mitre looking toward a figure on his right, who carries a tablet or open book with some words upon it.
At either extremity of this panel stands a figure censing the corpse with a circular thurible.
The border of each compartment is formed by a double invected pattern of gold and enamel. The ridge-piece is of copper perforated with eight keyhole ornaments.
The back of the shrine is also divided into two compartments, and is decorated with quatrefoils.
It is pierced in the middle of the upper border by a keyhole communicating with a lock on the inside.
The right-hand gable is occupied by the figure of a female saint. The left gable is occupied by the figure of a male saint.
A border of small gilt quatrefoils on a chocolate ground runs round the margins of the two ends and four back plates.
Those parts of the copper plates which are not enamelled are gilded, while the colours used in the enamelling are blue, are light-blue, green, yellow, red, chocolate, and white.
In the interior, on that side to which the lower front plate corresponds, is a cross pattee fitchee painted in red upon oak, which oak bears traces of having been stained with blood or some other liquid. The wood at the bottom is evidently modern. This reliquary is said to have been originally placed upon the high altar. It appears to have been preserved by some ancient Roman Catholic family until it came into the possession of the late Canon Russell, and bequeathed by him to the authorities of the cathedral.
The art of enamelling metals appears to have been introduced from Byzantium through Venice into Western Europe at the close of the tenth century. After this time Greek artists are known to have visited this country, and to have carried on a lucrative trade in the manufacture of sacred vessels, shrines, etc.
*Ancient Gold Rings.* One of pure gold, supposed to have been worn by a knight templar, was ploughed up near Hereford. The device on the raised besel is a cross pattee in a square compartment, on each side of which are a crescent and a triple-thonged scourge.
Within the hoop is engraved in black-letter character "Sancte Michael." Date about 1380.
A massive ring set with a rough ruby of pale colour was found in the tomb of Bishop Mayew. On each side a bold tan cross with a bell is engraved. These were originally filled with green enamel. Inside is engraved and enamelled "Ave Maria."
A superb ring was also found in Bishop Stanbury's tomb, on the north side of the altar. It contains a fine and perfect sapphire, and flowers and foliage are beautifully worked in black enamel on each side of the stone.
A fine gold ring was discovered in Bishop Trilleck's grave in 1813, but was stolen in 1838 from the cathedral. It was never recovered, though L30 was offered as a reward.
*The Stained Glass* has survived only in a few fragments, scattered about the eastern end of the cathedral.
Some of the best, apparently of early fourteenth century date, is in one of the lancets on the south side of the Lady Chapel, west of the Audley Chapel. The subjects are:
1. Christ surrounded by symbols of the four evangelists; 2. Lamb and flag; 3. Angel and Maries at the sepulchre; 4. Crucifixion; 5. Christ bearing His cross.
In the north-east transept is an ancient glass window, restored and entirely releaded by Warrington, at the cost of the Dean and Chapter, Oct. 1864. It is a fairly good specimen of fourteenth century work. For many years it was hidden away in old boxes, and was formerly fixed in some of the windows on the south side of the nave.
The figures represent—1. St. Katherine; 2. St. Michael; 3. St. Gregory; 4. St. Thomas of Canterbury.
In the south-east transept, again, is a window of ancient glass, erected under the same circumstances. The figures in this case represent—1. St. Mary Magdalene; 2. St. Ethelbert; 3. St. Augustine; 4. St. George.
In the north aisle of the nave is a two-light window by Warrington. It was erected in 1862 by Archdeacon Lane Freer to the memory of Canon and Mrs. Clutton. The subjects are from the life of St. John the Baptist.
In the north transept is a very fine memorial window to Archdeacon Lane Freer, erected at a cost of L1316. The window is one of the largest of the Geometric period (temp. Edward I.) in England, the glass being 48 feet 6 inches in height by 21 feet 6 inches in breadth. About five or six shades each of ruby and Canterbury blue are the dominating colours. Plain white glass has also been wisely used in the upper part of the window. It was designed and erected by Messrs. Hardman.
There is a small window by Clayton and Bell in the north aisle of the choir to the memory of John Hunt, organist of the cathedral. The subjects, in eight medallions, are:—1, 2. King David; 3, 4. Jubal; 5, 6. Zachariah the Jewish Priest; 7. St. Cecilia; 8. Aldhelm. In Bishop Stanbury's Chapel is a memorial window to Archdeacon Musgrave, of which the subjects are:—1. St. Paul present at the Martyrdom of S. Stephen; 2. Conversion of St. Paul; 3. The Apostle consecrating Presbyters; 4. Elymas smitten with Blindness. In the lower part of the window, 5. Sacrifices to Paul and Barnabas at Lystra; 6. St. Paul before the Elders at Jerusalem; 7. His Trial before Agrippa; 8. His Martyrdom.
MONUMENTAL CROCKET.
EARLY ENGLISH BASEMENT MOULDING.
The five eastern windows in the Lady Chapel were designed by Mr. Cottingham, junior, and executed by Gibbs, to the memory of Dean Merewether.
A series of twenty-one subjects, in medallions, connected with the life of our Lord. These windows were erected in 1852.
In the south-east transept is a memorial window to Bishop Huntingford, 1816 to 1832. It was designed and manufactured by Warrington at the sole cost of Lord Saye and Sele.
The upper part of the tracery is filled with the arms of George III., those of the See of Gloucester, the See of Hereford, Winchester College, and of the bishop's family.
The subjects, relating to St. Peter, are:—
1. His Call; 2. Walking on the Sea; 3. Receiving the Keys; 4. Denial of our Lord; 5. S. Peter and S. John at the Gate of the Temple; 6. Baptism of Cornelius; 7. Raising of Dorcas; 8. Deliverance from Prison by an Angel.
In the north and south side of the clerestory of the choir are simple stained glass windows, consisting of various patterns. They were manufactured by Messrs. Castell of Whitechapel.
The eastern central window of the choir was an anonymous gift in 1851, executed by Hardman.
Its beauties are entirely lost at its present height from the ground. The circular medallions are 3 feet in diameter, the subjects being:—
1. The Ascension; 2. The Resurrection; 3. The Crucifixion.
The upper semi-circles represent Christ healing lepers and demoniacs; the lower, His being taken down from the Cross, and Mary with the box of precious ointment.
CHAPTER IV. - HISTORY OF THE SEE.
The true origin of the See of Hereford is lost in remote antiquity. However, it seems probable from the researches of many antiquarians that when Putta came to preside here in the seventh century the see was re-established.
The Rev. Francis Havergal writes on this matter in the beginning of his Fasti Herefordenses.
"The Welsh claim a high antiquity for Hereford as the recognised centre of Christianity in this district. Archbishop Usher asserts that it was the seat of an Episcopal See in the sixth century, when one of its bishops attended a synod convened by the Archbishop of Caerleon (A.D. 544). In the Lives of the British Saints (Rev. W. J. Reeves, 1853), we learn that Geraint ab Erbin, cousin of King Arthur, who died A.D. 542, is said to have founded a church at Caerffawydd, the ancient British name for Hereford. In Wilkin's Concilia, I. 24, it is recorded that beyond all doubt a Bishop of Hereford was present at the conference with St. Augustine, A.D. 601. Full particulars are given of the supposed time and place of this conference. It is also stated—'In secunda affuisse perhibentur septem hi Britannici episcopi Herefordensis, Tavensis alias Llantavensis, Paternensis, Banchoriensis, Chirensis alias Elinensis, Uniacensis alias Wiccensis, Morganensis.' It is styled 'Synodus Wigornensis,' or according to Spelman, 'Pambritannicam.' Nothing whatever is known of the names or of the number of British bishops who presided over the earliest church at Hereford."
The boundaries of this diocese in the tenth century are defined in Anglo-Saxon in an ancient volume known as the Mundy Gospels, now in the library of Pembroke College, Cambridge.
"The condition of the Church of Hereford (circa 1290 A.D.) gave clear testimony to the liberal piety of its founders by the extensiveness of its lands. The diocese itself was richly endowed by nature, and enviably situated. Those of St. Asaph, Lichfield, Worcester, Llandaff, and St. David's, were its neighbours. On the north it stretched from where the Severn enters Shropshire to where that river is joined on the south by the influx of the Wye. From the west to the east perhaps its greatest width might have been found from a point where the latter river, near Hay, leaves the counties of Radnor and Brecon, by a line drawn to the bridge at Gloucester. It embraced portions of the counties of Radnor, Montgomery, Salop, Worcester, and Gloucester, and touched upon that of Brecon. It included the town of Monmouth, with four parishes, in its neighbourhood. The Severn environed its upper part. Almost midway it was traversed by the Teme, and the Wye pursued its endless windings through the lower district,—a region altogether remarkable for its variety, fertility, and beauty, abounding in woods and streams, rich pastures, extensive forests, and noble mountains. In several of the finest parts of it Episcopal manors had been allotted, furnishing abundant supplies to the occupiers of the see."(8)
In the early history of British dioceses, territorial boundaries were so vague as to be scarcely definable, but one of the earliest of the bishops holding office prior to the landing of Augustine was one Dubric, son of Brychan, who established a sort of college at Hentland, near Ross, and later on removed to another spot on the Wye, near Madley, his birthplace, being guided thither by the discovery of a white sow and litter of piglings in a meadow; a sign similar to the one by which the site of Alba Longa was pointed out to the pious son of Anchises.
Dubric probably became a bishop about 470, resigned his see in 512, and died in Bardsey Island, A.D. 522.
It was this Dubric who is said to have crowned Arthur at Cirencester, A.D. 506. When he became bishop he moved to Caerleon, and was succeeded there by Dewi, or David, who removed the see to Menevia (St. David's).
The Saxons were driving the British inhabitants more and more to the west, and before the close of the sixth century they had founded the Mercian kingdom, reaching beyond the Severn, and in some places beyond the Wye.
The See of Hereford properly owes its origin to that of Lichfield, as Sexwulf, Bishop of that diocese, placed at Hereford Putta, Bishop of Rochester, when his cathedral was destroyed by the Mercian King Ethelred.
From Bede we learn that in 668 A.D. Putta died, and that one Tyrhtel succeeded him, and was followed by Torhtere.
Wahlstod, A.D. 731, the next Bishop, is referred to by both Florence of Worcester and William of Malmsbury, as well as Bede. We also hear of him in the writings of Cuthbert, who followed him in 736. Cuthbert relates in some verses that Wahlstod began the building of a great and magnificent cross, which he, Cuthbert, completed.
Cuthbert died, A.D. 758, and was followed by Podda, A.D. 746. The names of these early Bishops cannot all be regarded as certain, and their dates are, in many cases, only approximate. Some of them may have been merely assistants or suffragans to other Bishops of Hereford.
The remaining Bishops of Hereford, prior to the Conquest, we give in the same order as the Rev. H. W. Phillott in his valuable little Diocesan History.
A.D. 758, Hecca. 777, Aldberht. 781, Esne. 793, Cedmand (doubtful). 796, Edulf. 798, Uttel. 803, Wulfheard. 824, Beonna. 825, Eadulf (doubtful). 833, Cedda. 836, Eadulf. 838, Cuthwulf. 866, Deorlaf. 868, Ethelbert. 888, Cynemund. 895, Athelstane I. 901, Edgar. 930, Tidhelm. 935, Wulfhelm. 941, Elfric. 966, Ethelwolf. 1016, Athelstane II.: he rebuilt the cathedral "from the foundations";(9) but also saw it destroyed in a raid of the Welsh and Irish under Elfgar. 1056, Leofgar, slain in a fight with the Welsh.
*Walter of Lorraine*, A.D. 1061-1079. The diocese had been administered for the last four years by the Bishop of Worcester, when Queen Edith's chaplain, a foreigner by birth, Walter of Lorraine, was appointed. Beyond a probably satirical reference by William of Malmsbury, all that is known of Walter is an account of a discreditable death.
*Robert de Losinga*, A.D. 1079-1095. A man of much learning and ability. During his episcopate, according to William of Malmsbury, the cathedral was rebuilt after the pattern of Charlemagne's church at Aix-la-Chapelle. In his time also Walter de Lacy built the Church of St. Peter at Hereford. He was a keen man of business, and it has been suggested that he was open to bribery, but this accusation is hardly compatible with his intimate companionship with the high-minded Wulstan, Bishop of Worcester, the date of whose death, January 19, 1095, is included in the calendar of the Hereford Service-Book.
A GARGOYLE IN THE CLOISTERS. DRAWN BY A. HUGH FISHER.
*Gerard*, A.D. 1096-1101. Three days after the body of William Rufus had been brought from the forest to Winchester by Purkiss, the charcoal burner, Gerard, who was the Bishop of Winchester's nephew, assisted at the coronation of Henry I., for which service it was said he was promised the first vacant archiepiscopal see. The King tried to evade the bargain a few years later by promising to increase the Hereford income to the value of that at York, but Gerard carried the day and obtained his promotion.
*Reynelm*, A.D. 1107-1115, Chancellor to Queen Matilda; he resigned his appointment as soon as it was conferred, on account of the King's quarrel with Anselm on the question of investiture, was banished for six years, and was only consecrated in 1107. He is said to have been the founder of the hospital of St. Ethelbert, and continued the work in the Cathedral begun by Robert de Losinga. He regulated the establishment of prebendaries and canons living under a rule.
*Geoffrey de Clive*, A.D. 1115-1119. During the latter years of this episcopate, a question of jurisdiction over the districts of Ergyng and Ewias, which had begun in the previous century, was revived between the Bishop of Llandaff and the Bishops of Hereford and St. David's.
*Richard de Capella*, A.D. 1120-1127, King's chaplain and keeper of the Great Seal under the Chancellor. He helped to build at Hereford a bridge over the Wye.
During his episcopate the Royal Charter was granted for the annual holding of a three days' fair (increased to nine days later) commencing on the evening of the 19th of May, called St. Ethelbert's Day.
Nine-tenths of the profits of this fair went to the Bishop and the rest to the Canons of the Cathedral. The bishop's bailiff held a court within the palace precincts, with pillory and stocks. The bishop also had a gaol for the incarceration of offenders against his rights during fair-time.
Tolls were levied at each gate of the city. The suspension of civic authority during fair-time was for centuries a source of frequent quarrels. As late as the eighteenth century a ballad-singer was punished by the bishop's officers.
The wreck of the "White Ship" occurred during this episcopate (Nov. 25th, 1120), and one of the victims was Geoffrey, Archdeacon of Hereford.
*Robert de Bethune*, A.D. 1131-1148, had become prior of his monastery at his native place of Bethune, in French Flanders, and thence had gone to Llanthony, a priory in a glen of the Hatteral Hills in the disputed district of Ewias.
When later on the country was torn and despoiled with the bitter struggle for the Crown, Bishop Robert, who was a personal friend of Henry, Bishop of Winchester, the King's brother, sided with Stephen.
Hereford was seized near the beginning of the campaign by Geoffrey de Talebot, and held by him for four or five weeks for the Empress Matilda. It was then captured by Stephen, and the victory celebrated in the cathedral on Whitsunday (A.D. 1138), when the King attended mass wearing his crown, and seated, it is said, in the old chair described in an earlier chapter.
In 1139, the Empress's army again attacked Hereford, and seizing the cathedral, drove out the clergy, fortified it, and used it as a vantage ground from which to attack the castle. The tower was used as a platform, from which missiles were thrown, and the nave as a stable; while a trench and rampart was carried across the graveyard.
Bishop Robert was present at Winchester when the Empress was accepted there by the clergy, and returned thence to Hereford to purify the cathedral. He died at Chalons of a disease contracted while attending a council of Pope Eugenius III.
The Pope decided that his body should be taken to Hereford, and it was enclosed in the hide of an ox for the journey. Both at Canterbury and at London were great demonstrations of grief, which were again repeated at Ross, and on a still larger scale at Hereford. Bishop Robert was undoubtedly a great man, and his reputation for fine character, bravery, and ability was well deserved.
*Gilbert Foliot*, A.D. 1148-1163, the next Bishop, had been consecrated as Abbot of St. Peter's, Gloucester, by Bishop Robert, with whom he had contracted an early friendship as far back as 1139.
On the death of Bishop Robert, he was consecrated at St. Omer. He assisted at the consecration of Becket at Canterbury, and the next year was transferred to the See of London. He was followed by *Robert of Maledon*, A.D. 1163-1168, said to have been remarkably wise.
Amongst his pupils he numbered John of Salisbury. He attended the council of Clarendon, A.D. 1162, and in 1164 was present at the meeting at Northampton between Becket and the King.
Such was the fury and importance of the Becket controversy that even distant Hereford was entangled with it. Two Hereford Bishops took part in the quarrel, and it was through this that the see continued vacant for six years after Bishop Robert's death.
Notwithstanding the rigorous order of Henry VIII., A.D. 1538, for the destruction of all images and pictures of Bishop Becket, there still existed in the cathedral, till late in the seventeenth century, a wall painting of the Archbishop, and even yet in the north-east transept there remains a figure of him in one of the windows in good preservation. The enamelled chasse or reliquary, with scenes of Becket's murder and entombment, and its dark but doubtful stain, has already been described among the treasures of the cathedral.
Some four miles from Hereford is yet another memorial still remaining in a well-preserved window of painted glass at Credenhill, a part of which represents the murdered Becket. Lastly, the festival of the translation of St. Thomas of Canterbury, July 7, is still included in the cathedral calendar.
*Robert Foliot*, A.D. 1174-1186, had been a friend of Becket's, and may have had some share in his education.
*William de Vere*, A.D. 1186-1199, removed the apsidal termination at the east end of the cathedral, and is said to have erected chapels, since replaced by the Lady Chapel and its vestibule.
*Giles de Braose*, A.D. 1200-1215, a stubborn opponent of King John.
*Hugh de Mapenor*, A.D. 1216-1219, received his appointment by the influence of the papal legate, who, after King John's submission, claimed the right of nomination to all vacant sees and benefices.
*Hugh Foliot*, A.D. 1219-1234, founded the Hospital of St. Katherine at Ledbury, in which still hangs a portrait of him, painted from an older picture. A tooth of St. Ethelbert was presented to the cathedral during his episcopacy. He endowed the Chapels of St. Mary Magdalene and St. Katherine, in the ancient building adjoining the Bishop's palace, destroyed in the eighteenth century.
*Ralph de Maydenstan*, A.D. 1234-1239, presented to the see a house in Fish Street Hill, London, as a residence for the bishops when in the metropolis. He also made various gifts to the cathedral, the chapter, and the college of vicars choral. This Bishop was one of the commissioners to settle the marriage of Henry III. with Eleanor of Provence.
*Peter of Savoy (Aquablanca)*, A.D. 1240-1268, a native of Aqua Bella, near Chambery, whose appointment was an instance of the preference Henry III. showed for foreigners. One of the most unpopular men in England; he was hand in glove with the weak-minded, waxen-hearted King in schemes for money getting.
Bishop Aquablanca probably built the graceful north-west transept of the cathedral, containing the shrine under which lie the remains of his nephew, a Dean of Hereford, together with his own, except the heart. This was carried, as he had requested it should be, to the church he had founded in his native place.
*John de Breton*, or Bruton, A.D. 1268-1275.
*Thomas de Cantilupe*, A.D. 1275-1282. Born A.D. 1220, he showed, as a child, unusual religious zeal, was educated at Oxford and Paris, and for some years filled the office of Chancellor of England at the choice of the barons. This post he lost on the death of Simon de Montfort. When he was elected by the Chapter of Hereford to fill the episcopal chair on De Breton's death he was only persuaded to accept it with difficulty.
Bishop Cantilupe was renowned for his extreme piety and devotional habits. In a dispute concerning the chace of Colwall, near Malvern Forest, from which was derived the Bishop's supply of game, he maintained successfully the episcopal rights. He was also triumphant in a more important quarrel with the Welsh King Llewellyn about the wrongful appropriation of three manors.
When Lord Clifford was in trouble for plundering his cattle and maltreating his tenants, Bishop Cantilupe inflicted personal chastisement upon him with a rod in the cathedral. The clergy no less than laymen did he subdue, appealing when necessary to the Pope.
In a quarrel arising out of a matrimonial case, in which the defendant appealed to Canterbury against a sentence of the sub-dean of Hereford, he was at last excommunicated by the Archbishop for refusing to go to discuss the affair with him at Lambeth. At Rome he obtained a favourable decree, but died in Tuscany on the homeward journey.
As already described, his remains were finally laid with great pomp in the Lady Chapel.
Five years later the bones of Bishop Cantilupe were moved to the Chapel of St. Katherine, in the north-west transept. Twice more were they moved, finally resting in the same Chapel of St. Katherine.
*Richard Swinfield*, A.D. 1283-1316, the next Bishop, had been Bishop Cantilupe's devoted chaplain. He kept wisely aloof from politics, but offered a keen resistance to any infringement on the rights of his diocese. Several boundary questions were settled by Bishop Swinfield, and in 1289-90 he made a tour through his diocese, of which has come down to us a journal of daily expenses.
Bishop Swinfield was the probable builder of the nave-aisles and two easternmost transepts. In his time the "Mappa Mundi" came into possession of the Chapter.
He worked hard to obtain the Canonisation of his illustrious predecessor, but it was not till four years after his death that Pope John XXII. granted an act for the purpose. He was buried in the cathedral.
*Adam Orleton*, A.D. 1316-1327, was a friend of Roger Mortimer, and consequently was opposed to Edward II. Throughout the struggle of those many miserable years the affairs of the diocese were dragged in the mire of civil war. It was the Bishop of Hereford who, at Neath Abbey, took the King, carried him to Kenilworth, and deprived him of the Great Seal. The Queen was staying at Hereford, and thither many of the King's adherents were taken with the Chancellor and Hugh Despenser. The last-named was hanged in the town, decapitated, and quartered.
Bishop Adam showed much ability in managing the affairs of the cathedral. He obtained a grant of revenues of two churches from Pope John XXII. for monies necessary for the dedication of the Cantilupe shrine, and also for repairs in the cathedral. He was followed on his translation to Worcester by
*Thomas Charleton*, A.D. 1328-1343, who was made treasurer of England in 1329. In 1337 he went to Ireland as chancellor. He died in 1343.
*John Trilleck*, A.D. 1344-1360. The Black Death reached Herefordshire in 1349, and Bishop Trilleck is said to have kept it at bay in the city by a procession of the shrine of the recently canonised St. Thomas of Hereford.
Bishop Trilleck was buried in the cathedral, and a fine brass effigy was placed on his grave. "Gratus, prudens, pius" are among the words which may be still read from the mutilated inscription, and they appear to have had more justification than the rhetoric of the average epitaph.
TOMB OF BISHOP THOS. CHARLETON.
*Lewis Charleton*, A.D. 1361-1369, was appointed by papal provision. The Black Death made a second visitation in the first year of his episcopate, and it was then that the market was removed to some distance from the town on the west. The "White Cross" there placed, which bears the arms of Bishop Charleton, may mark the spot. He bequeathed money and some books to the cathedral.
*William Courtenay*, A.D. 1370-1375, was also appointed by papal provision, which was necessary in consequence of his youth. Although he had already held a canonry of York and prebends in Exeter and Wells in addition to the Chancellorship of Oxford University, he was but twenty-eight years of age. At Oxford he had, with Wicliff, opposed the friars, though he afterwards turned against his former ally.
*John Gilbert*, A.D. 1375-1389, with partial success, went to make terms of peace with Charles VI., the French King. He became treasurer of England in 1386, an office of which he was deprived by Richard II. not long before his translation to St. David's. Bishop Gilbert founded the Cathedral Grammar School.
*Thomas Trevenant*, A.D. 1389-1404. An active politician, this Bishop assisted in the deposition of King Richard II., and was one of the commissioners to the Pope to announce the accession of Henry IV.
*Robert Mascall*, A.D. 1404-1416, was employed as a foreign ambassador by Henry IV., who also made him his confessor. He attended the council of Constance in 1414.
*Edmund Lacy*, A.D. 1417-1420. This Bishop began to build the cloister connecting the cathedral with the Episcopal palace.
*Thomas Polton*, A.D. 1420-1421, was consecrated at Florence, and the next year was translated to Chichester.
*Thomas Spofford*, A.D. 1421-1448, Abbot of St. Mary's at York, to which post he returned on resigning his see in 1448. According to a papal bull he laid out 2,800 marks on the buildings of the cathedral,—probably completing the cloisters begun by Bishop Lacy. His pension on retiring was L100 per annum. The great west window of the cathedral was put up in his time by William Lochard.
*Richard Beauchamp*, A.D. 1448-1450. Son of Sir Walter, and grandson of Lord Beauchamp of Powick, he was a great architect in his day, although his chief work was done after his translation to Salisbury, when he was appointed by Edward IV. to superintend the works at Windsor which included the rebuilding of St. George's Chapel where he was buried. It is said he was the first Chancellor of the Order of the Garter.
*Reginald Buller*, A.D. 1450-1453, Abbot of St. Peter's, Gloucester, was translated to Lichfield. He was buried in Hereford Cathedral.
*John Stanberry*, A.D. 1453-1474, was a Carmelite friar at Oxford, and was chosen by King Henry VI. to be his confessor, and also first Provost of Eton. In 1448 he was made Bishop of Bangor, and five years later was translated to Hereford. After the battle of Northampton (July, 1460), he was taken prisoner and was incarcerated for some time in Warwick Castle. On his release he retired to the convent of his order at Ludlow, where he died in May, 1474. He was buried at Hereford, near his own Chantry Chapel, which still bears his name. He gave land from the garden of the bishop's palace for building a dwelling-house for the vicars choral, which was completed in 1475.
*Thomas Mylling*, A.D. 1474-1492, the next Bishop, was Abbot of St. Peter's, Westminster, where he had been a monk. King Edward IV. made him a Privy Councillor and gave him the see of Hereford in remembrance of his services to Elizabeth Woodville, whom he received into sanctuary when her husband had to fly to Holland. After his death his body was carried to Westminster, and the stone coffin is still there which is said to have enclosed his remains.
*Edmund Audley*, A.D. 1492-1502, a prebendary of Lichfield, of Lincoln, and of Wells, was Bishop of Rochester in 1480, translated to Hereford in 1492, and to Salisbury in 1502. The beautiful chantry chapel on the south side of the Lady Chapel, near the shrine of St. Thomas of Cantilupe, was founded by him. He also presented a silver shrine to the cathedral, and a pulpit at St. Mary's, Oxford, is said to be his gift.
*Adrian de Castello*, A.D. 1503-1504. He conducted the negotiations between Henry VII. and the Pope; and he was translated from Hereford to Bath and Wells, but never visited either see.
*Richard Mayhew*, A.D. 1504-1516, was made in 1480 the first regular president of Bishop Waynflete's new College of St. Mary Magdalene at Oxford. He was also Chancellor of the University, and almoner to King Henry VII., by whom he had been sent in 1501 to bring the Infanta Katharine of Aragon from Spain as the bride of Prince Arthur.
He was buried near the effigy of St. Ethelbert on the south side of the choir, where his tomb is still to be seen.
*Charles Booth*, A.D. 1516-1535, Archdeacon of Buckingham, and Chancellor of the Welsh Marches, left a lasting memorial in the north porch of the cathedral, which bears upon it the date of his death. He seems to have been much in the King's favour, and was summoned in 1520 to make one of the illustrious company on the Field of the Cloth of Gold. He was attached to the company of Henry's "dearest wife, the queen," and was accompanied by thirty "tall personages."
On his death he left some books to the library, as well as a tapestry for the high altar; also to his successor a gold ring and other articles which have disappeared.
*Edward Foxe*, A.D. 1535-1538. This "principal pillar of the Reformation," as Fuller calls him, is said by Strype to have been "an excellent instrument" in its general progress.
A Gloucestershire worthy, having been born at Dursley in that county, he was sent first to Eton and then to Cambridge, becoming, in 1528, Provost of King's College. In 1531 he succeeded Stephen Gardiner as Archdeacon of Leicester. For many years almoner to the King, he was employed in embassies to France, Italy, and Germany, the most important of these diplomatic missions being in February, 1527, when he was sent to Rome with Gardiner to negotiate in the matter of Henry's separation from his "dearest wife."
Foxe first introduced Cranmer to the King; and he, again, wrote the book called The Difference between the Kingly and the Ecclesiastical Power, which Henry wished people to think he had partly written himself, intended, as it was, to make easier his assumption of ecclesiastical supremacy.
In August, 1536, Bishop Foxe began, by deputy, a visitation of the diocese for the valuation of all church property therein, in accordance with the order referred to above. Dr. Coren, his vicar-general, actually carried out the valuation, and its results are to be found in the pages of Valor Ecclesiasticus, printed by the Record Commissioners in 1802.
In March, 1535-6, an Act was passed by Parliament granting to the King all religious houses possessing a revenue under L200 per annum. There were about eighteen houses in the diocese, excluding the cathedral, and of these only the priories of Wenlock, Wigmore, and Leominster possessed revenues exempting them from appropriation. Bishop Foxe died in London in May, 1538, and was buried in the Church of St. Mary Monthalt.
*John Skypp*, A.D. 1539-1552. The Archdeacon of Leicester, Edmund Bonner, was appointed to the see on Foxe's death, but was removed to London before his consecration, and John Skypp, Abbat of Wigmore, Archdeacon of Dorset, and chaplain and almoner to Ann Boleyn, became the next Bishop.
He was associated with Cranmer, though, after Cromwell's execution for high treason in 1540, the Archbishop became distant towards him. He was the part compiler with Foxe of the Institution of a Christian Man, published in 1537, of the Erudition or King's Book, published in 1543, and was probably one of the committee employed to draw up the first Common Prayer-Book of Edward VI., in 1548, although, on its completion, he protested against its publication. He died in 1552 at the episcopal residence in London.
*John Harley*, A.D. 1553-1554, was appointed by Edward VI. to hold the see "during good behaviour." He was consecrated on May 26, 1553, but only to be deposed in March, 1554. Soon after Mary came to the throne, she appointed a commission of bishops to deprive the bishops appointed during the reign of her brother. On various charges, and especially on that of "inordinate life" (meaning marriage), the bishopric of Harley was declared void. He is said to have spent the remainder of his life wandering about in woods "instructing his flock, and administering the sacrament according to the order of the English book, until he died, shortly after his deposition, a wretched exile in his own land."
*Robert Parfew*, A.D. 1554-1557, also known as Wharton, was instituted to the Hereford See at St. Mary's Church, Southwark, by Lord Chancellor Gardiner. He had been Abbat of St. Saviour's, Bermondsey, as well as Bishop of St. Asaph, attended the baptism of Prince Edward, and was one of those concerned in the production of the Bishop's Book. On his death, September 22, 1537, he bequeathed his mitre and other ornaments to Hereford Cathedral, though whether he was buried there or in Mold Church seems doubtful. The Dean of Exeter, Dr. Thomas Reynolds, was appointed to succeed him, but was imprisoned in the Marshalsea, on the accession of Elizabeth, before he had been consecrated, and died there in 1559. Fuller, in his Church History of Britain, remarks: "I take the Marshalsea to be, in those times, the best for the usage of prisoners, but O the misery of God's poor saints in Newgate, under Alexander the gaoler! More cruel than his namesake the coppersmith was to St. Paul; in Lollard's Tower, the Clink, and Bonner's Coal-house, a place which minded them of the manner of their death, first kept amongst coals before they were burnt to ashes."(10)
*John Scory*, A.D. 1559-1585, was translated from Chichester. On the accession of Mary, 1553, he is said to have done penance for his marriage, and generally reconciled himself with Rome, then to have withdrawn to Friesland and retracted his recantation, becoming superintendent to the English congregation there. When Elizabeth came to the throne he returned, preached before her by appointment in Lent, 1558, was restored to Chichester, and later on was elected to Hereford.
During his episcopate the persuasive Queen induced Bishop Scory to surrender to the Crown nine or ten of the best manors belonging to the see, and to receive in exchange advowsons and other less valuable possessions. In these transactions it is possible he thought more of his own interest than that of his successors; in any case, serious charges were brought against him in other ways. His steward Butterfield drops into verse on the subject. One of his stanzas runs:—
Then home he came unto our queene, the fyrst year of her raigne, And byshop was of Hereford, where he doth now remaine; And where hee hath by enemyes oft, and by false slanderous tongues, Had troubles great, without desert, to hys continuall wronges.
Bishop Scory was succeeded by *Harberd (or Herbert) Westphaling*, A.D. 1585-1601, Prebendary of Christ Church, Oxford: a man remarkable for the immoderate length of his speeches, his great integrity, and a profound and unsmiling gravity. He married a sister of the wife of Archbishop Parker, and before his election to Hereford was treasurer of St. Paul's and Dean of Windsor.
According to Sir John Harrington, Bishop Westphaling was once preaching in his cathedral when a mass of frozen snow fell upon the roof from the tower, creating a panic among the frightened congregration[**typo: congregation]. But the Bishop, remaining in his pulpit, exhorted them to keep their places and fear not. He spent all that he had in revenues from the see in charity and good works, leaving, says Fuller, "no great, but a well-gotten estate, out of which he bequeathed twenty pounds per annum to Jesus College in Oxford." He lies in the north transept of the cathedral, where his effigy can still be seen.
*Robert Bennett*, A.D. 1602-1617, a Fellow of Trinity College, Cambridge, was a famous tennis player.
Queen Elizabeth had imprisoned him for a short time for preaching against her projected marriage with the Duke of Anjou, but made him Dean of Windsor towards the close of her reign. He is said to have been vain, and especially fond of having his name and arms carved on house fronts. In 1607 the old quarrel about the Bishop's rights respecting St. Ethelbert's fair broke out again between the citizens and Bishop Bennett. He spent large sums on the restoration of the Bishop's Palace. Bishop Bennett was buried on the north side of the choir, where his tomb remains with effigy.
*Francis Godwin*, A.D. 1617-1633, translated to Hereford from Llandaff, which preferment he is said to have obtained from the Queen on account of his commentary De Praesulibus Angliae. He also wrote other historical works, including a life of Queen Mary. To quote again from Fuller, "He was stored with all polite learning both judicious and industrious in the study of antiquity, to whom not only the Church of Llandaff (whereof he well deserved) but all England is indebted, as for his other learned writings, so especially for his catalogue of Bishops." He was buried at Whitbourn, in a residence belonging to the see of Hereford, on April 29, 1633.
*William Juxon*, Dean of Worcester, and President of St. John's College, Oxford, was chosen to follow Bishop Godwin, but before consecration was called to London. During his episcopacy in that see, he was by Bishop Laud's procurement made Lord Treasurer of England. Fuller says of his administration of these duties that "No hands, having so much money passing through them, had their fingers less soiled therewith."
*Augustine Lindsell*, A.D. 1633-1634, Bishop of Peterborough, was confirmed on March 24, 1633, but in November of the following year was found dead in his study.
*Matthew Wren*, A.D. 1635-1635, Dean of Windsor, held a still briefer episcopate, and in the same year as his consecration to Hereford was translated to Norwich.
*Theophilus Field*, A.D. 1635-1636, who had been Bishop of Llandaff and of St. David's, died a year after his translation, and thereby saved the diocese the ill effects of a longer term of servile and corrupt management.
*George Coke*, A.D. 1636-1646, Fellow of Pembroke Hall, Cambridge, became Bishop of Bristol in 1633, and was translated to Hereford in 1636. He was a grave and studious man, and well loved in his diocese, but in the troubled days of the Civil War was deprived of his see.
*Nicholas Monk*, A.D. 1661-1661, who followed, was brother to the Duke of Albemarle, and provost of Eton. He died in the December following his consecration, at Westminster, where he was buried.
*Herbert Croft*, A.D. 1662-1671. The son of Sir Herbert Croft, of an ancient family in the county of Hereford, he was brought up at Douai and St. Omer as a Jesuit, but was restored to the English Church through the influence of Bishop Morton, of Durham. He became a determined opponent of Romanism, and wrote several treatises against it. About this time there seems to have been an appeal to the nobility and gentry of the county for help towards restoring the cathedral. Bishop Croft was buried in the cathedral, and joined to his gravestone is that of his intimate friend George Benson, the Dean. He left by his will a sum of money for the relief of widows, and for apprenticing the sons of clergymen of the diocese.
*Gilbert Ironside*, A.D. 1691-1701, warden of Wadham College, Oxford, was translated to Hereford from Bristol. He died in London, and was buried in the church of St. Mary, Monthalt. This church was destroyed in 1863, but the Rev. F. T. T. Havergal succeeded in getting the Bishop's remains and tomb-stone removed to Hereford Cathedral a few years later, in 1867.
*Humphrey Humphreys*, A.D. 1701-1712, a Welshman, was translated to Hereford from Bangor. He is said to have been a good antiquary. Again, in the early days of the eighteenth century, was the old contest revived between citizens and Bishop as to his jurisdiction in respect of the fair of St. Ethelbert. The episcopal rights remained unaltered, at least in form, down to 1838, when the privileges were taken away by a special Act of Parliament, and compensation was made to the Bishop for the profits arising from the fair privileges, to the amount of 12-1/2 bushels of wheat or its equivalent in money value, according to the price current. This has now been transferred to the Ecclesiastical Commissioners, and the fair limited to two days' duration.
*Philip Bisse*, A.D. 1712-1721, translated from St. David's, was a man of great munificence, and of the best intentions, of whom it may be said he spent "not wisely but too well." He was entirely devoid of any aesthetic feeling or of architectural fitness, and in the most religious spirit committed acts of wholesale sacrilege. He employed, it is said, in the work of restoration in the palace, the stones of the chapter-house, at that time much injured, but certainly by no means ruined. He built a hideous structure intended to support the central tower of the cathedral, and as a crowning act of magnificent liberality, presented the church with the most dreadful, ponderous, and unsuitable altar-piece that could well have been devised. In an elaborate epitaph in the cathedral his virtues are recorded. It was in the time of Bishop Bisse that the meeting of the three choirs of Gloucester, Hereford, and Worcester first took place.
*Benjamin Hoadley*, A.D. 1721-1723, translated from Bangor, was again translated to Salisbury early in 1723. His rule over Hereford was too short for him to have influenced it for good or evil, and his history belongs rather to Salisbury and Winchester.
*Hon. Henry Egerton*, A.D. 1723-1746, fifth son of the third Earl of Bridgewater, was chaplain to George I. He is chiefly to be remembered for an attempt to destroy the early Norman building adjoining the Bishop's Palace, and thought to have been the parish church of St. Mary, each of its two stories containing a chantry founded by Bishop Hugh Foliot.
*Lord James Beauclerk*, A.D. 1746-1787, grandson of Charles II. and Nell Gwynn, a native of Hereford, was the next Bishop. It was during the last year of his episcopate on Easter Monday, April 17, 1786, that occurred the fall of the western tower of the cathedral, causing much injury. The west front of the church was destroyed, and also a great part of the nave was seriously injured. The Bishop died eighteen months after this calamity. The see was next occupied for six weeks only by the Hon. J. Harley.
*John Butler*, A.D. 1788-1802. By birth a German, was an active political supporter of the Government of the day.
He contributed largely to the repair of the cathedral.
*Folliott Herbert Cornewall*, A.D. 1802-1808. He was a member of an ancient family in the county of Hereford. Translated from Bristol to Hereford, he was again translated in 1808 to Worcester.
*John Luxmoore*, A.D. 1808-1815, was translated to Hereford from Bristol, and again translated in 1815 to St. Asaph. He helped to establish national schools in the diocese.
*Isaac Huntingford*, A.D. 1815-1832, warden of Winchester College, was translated from Gloucester to Hereford, and still continued his duties at Winchester. During his episcopate an incongruous painted window was placed by Dean Carr at the east end of the choir in 1822. He was author of several classical and theological works. He died April 29, 1832, in his eighty-fourth year, and was buried at Compton, near Winchester. There is a monument in the Bishop's cloister and a window in the south-east transept to his memory.
A GARGOYLE IN THE CLOISTERS. DRAWN BY A. HUGH FISHER.
*Edward Grey, D.D.*, of Christ Church, Oxford, A.D. 1832-1837. He was Dean of Hereford in 1831. He was buried in the choir of the cathedral, eastward of the throne, on July 24, 1837, aged fifty-five years. A brass plate on the wall marks the spot. There is also a monument to his memory now in the Bishop's cloister.
*Thomas Musgrave, D.D.*, A.D. 1837-1847, Fellow of Trinity College, Cambridge; Dean of Bristol; consecrated Bishop of Hereford, October 1, 1837; promoted to the Archbishopric of York, December, 1847. He died in London, May 4, 1860, aged seventy-two years, and was buried at Kensal Green, where there is a tomb with a short inscription. In York Minster a monument in the shape of an altar tomb was erected to him, and in the north choir aisle of Hereford Cathedral are three stained-glass windows to his memory.
A GARGOYLE IN THE CLOISTERS. DRAWN BY A. HUGH FISHER.
*Renn Dickson Hampden, D.D.*, A.D. 1848-1868, Fellow of Oriel College; Principal of St. Mary's Hall; Regius Professor of Divinity; and Canon of Christ Church, Oxford. He was appointed in 1847 by Lord John Russell, and for the first time since the Reformation "a struggle took place between the recommending minister and a large and influential part of the clergy and laity of the church, who regarded Dr. Hampden's opinions as heretical."(11) Lord John Russell refused to withdraw the appointment, and it was eventually carried out in spite of all remonstrances; not, however, until the question had been taken from the Spiritual Court to the Court of Queen's Bench, where the judges were equally divided in their opinion. He died April 23, 1868, in London, and was buried at Kensal Green, close to the Princess Sophia. His scholastic philosophy was said by Hallam to be the only work of deep metaphysical research on the subject to be found in the English language.
BYE STREET GATE. FROM AN OLD PRINT.
*James Atlay*, A.D. 1868-1895, second son of the Rev. Henry Atlay, M.A., formerly Fellow of St. John's College, Cambridge. He was born July 3, 1817; graduated at St. John's College, Cambridge, of which he was afterwards Fellow, appointed one of Her Majesty's Preachers at the Chapel Royal, Whitehall, 1857; Vicar of Leeds, 1859; Canon of Ripon, 1861; nominated to Hereford, May 9, consecrated at Westminster on June 24, and enthroned in Hereford Cathedral, July 2, 1868. He was succeeded in 1895 by the Right Rev. *John Percival*, D.D., the present holder of the see.
PLAN OF HEREFORD CATHEDRAL.
The dimensions of the cathedral are:—
Ft. In. Total length about 342 0 outside, Total length about 327 5 inside, Length of Nave about 158 6 to Screen Gates, Length of about 75 6 Choir-Screen to Reredos, Length of Lady about 93 5 Chapel from Reredos, Breadth of Nave about 31 4 (span of roof), Breadth of Nave about 73 4 and Aisles (internally), Breadth of about 146 2 Central Transepts, Breadth of about 110 6 North-East Transepts (each about 35 ft. sq.), Height of about 62 6 Choir, Height of Nave, about 64 0 Height of about 96 0 Lantern, Height of Tower about 140 6 (top of leads), Height of Tower about 165 0 (top of pinnacles), Height of old about 240 0 central timber Spire,
NEILL AND COMPANY, PRINTERS, EDINBURGH.
FOOTNOTES
1 —Cathedralia, p. 59.
2 —The Diocese of Hereford, H. W. Phillott.
3 —Guide to the Wye and its Neighbourhood, by the late G. Phillips Bevan, F.S.S.
4 —Guide to the Wye and its Neighbourhood, by the late G. Phillips Bevan, F.S.S.
5 —History of Architecture, ii. 38.
6 —List of Buildings in Great Britain and Ireland having Mural, etc., Decorations. London: Dept. of Science and Art, 1883, p. 128.
7 Botfield, Cathedral Libraries, 1848, p. 172. When he saw the collection it was in the Lady Chapel.
8 Rev. J. Webb's Roll of the Household Expenses of Bishop Swinfield, xviii.
9 Anglo-Saxon Chronicle.
10 Fuller's Church History of Britain, Brewer's ed., iv. 198.
11 —History of the Church of England from 1660. By W. N. Molesworth, M.A.
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