|
There was, therefore, a great admiration and respect for this girl, leading to the kindest and most honorable treatment of her from both prelates and nobles. But it was not a chivalric admiration; she did not belong to a noble family, nor did she defend an institution. She was regarded as a second Deborah, commissioned to deliver a people. Nor could a saint have done her work. Bernard could kindle a crusade by his eloquence, but he could not have delivered Orleans; it required some one who could excite idolatrous homage. Only a woman, in that age, was likely to be deified by the people,—some immaculate virgin. Our remote German ancestors had in their native forests a peculiar reverence for woman. The priestesses of Germanic forests had often incited to battle. Their warnings or encouragements were regarded as voices from Heaven. Perhaps the deification and worship of the Virgin Mary—so hearty and poetical in the Middle Ages—may have indirectly aided the mission of the Maid of Orleans. The common people saw one of their own order arise and do marvellous things, bringing kings and nobles to her cause. How could she thus triumph over all the inequalities of feudalism unless divinely commissioned? How could she work what seemed to be almost miracles if she had not a supernatural power to assist her? Like the regina angelorum, she was virgo castissima. And if she was unlike common mortals, perhaps an inspired woman, what she promised would be fulfilled. In consequence of such a feeling an unbounded enthusiasm was excited among the people. They were ready to do her bidding, whether reasonable or unreasonable to them, for there was a sacred mystery about her,—a reverence that extorted obedience. Worldly-wise statesmen and prelates had not this unbounded admiration, although they doubtless regarded her as a moral phenomenon which they could not understand. Her advice seemed to set aside all human prudence. Nothing seemed more rash or unreasonable than to undertake the conquest of so many fortified cities with such feeble means. It was one thing to animate starving troops to a desperate effort for their deliverance; it was another to assault fortified cities held by the powerful forces which had nearly completed the conquest of France.
The King came to meet the Maid at Tours, and would have bestowed upon her royal honors, for she had rendered a great service. But it was not honors she wanted. She seemed to be indifferent to all personal rewards, and even praises. She wanted only one thing,—an immediate march to Rheims. She even pleaded like a sensible general. She entreated Charles to avail himself of the panic which the raising of the siege of Orleans had produced, before the English could recover from it and bring reinforcements. But the royal council hesitated. It would imperil the King's person to march through a country guarded by hostile troops; and even if he could reach Rheims, it would be more difficult to take the city than to defend Orleans. The King had no money to pay for an army. The enterprise was not only hazardous but impossible, the royal counsellors argued. But to this earnest and impassioned woman, seeing only one point, there was no such thing as impossibility. The thing must be done. The council gave reasons; she brushed them away as cobwebs. What is impossible for God to do? Then they asked her if she heard the voices. She answered, Yes; that she had prayed in secret, complaining of unbelief, and that the voice came to her, which said, "Daughter of God, go on, go on! I will be thy help!" Her whole face glowed and shone like the face of an angel.
The King, half persuaded, agreed to go to Rheims, but not until the English had been driven from the Loire. An army was assembled under the command of the Duke of Alencon, with orders to do nothing without the Maid's advice. Joan went to Selles to prepare for the campaign, and rejoined the army mounted on a black charger, while a page carried her furled banner. The first success was against Jargeau, a strongly fortified town, where she was wounded; but she was up in a moment, and the place was carried, and Joan and Alencon returned in triumph to Orleans. They then advanced against Bauge, another strong place, not merely defended by the late besiegers of Orleans, but a powerful army under Sir John Falstaff and Talbot was advancing to relieve it. Yet Bauge capitulated, the English being panic-stricken, before the city could be relieved. Then the French and English forces encountered each other in the open field: victory sided with the French; and Falstaff himself fled, with the loss of three thousand men. The whole district then turned against the English, who retreated towards Paris; while a boundless enthusiasm animated the whole French army.
Soldiers and leaders now were equally eager for the march to Rheims; yet the King ingloriously held back, and the coronation seemed to be as distant as ever. But Joan with unexampled persistency insisted on an immediate advance, and the King reluctantly set out for Rheims with twelve thousand men. The first great impediment was the important city of Troyes, which was well garrisoned. After five days were spent before it, and famine began to be felt in the camp, the military leaders wished to raise the siege and return to the south. The Maid implored them to persevere, promising the capture of the city within three days. "We would wait six," said the Archbishop of Rheims, the chancellor and chief adviser of the King, "if we were certain we could take it." Joan mounted her horse, made preparations for the assault, cheered the soldiers, working far into the night; and the next day the city surrendered, and Charles, attended by Joan and his nobles, triumphantly entered the city.
The prestige of the Maid carried the day. The English soldiers dared not contend with one who seemed to be a favorite of Heaven. They had heard of Orleans and Jargeau. Chalons followed the example of Troyes. Then Rheims, when the English learned of the surrender of Troyes and Chalons, made no resistance; and in less than a month after the march had begun, the King entered the city, and was immediately crowned by the Archbishop, Joan standing by his side holding her sacred banner. This coronation was a matter of great political importance. Charles had a rival in the youthful King of England. The succession was disputed. Whoever should first be crowned in the city where the ancient kings were consecrated was likely to be acknowledged by the nation.
The mission of Joan was now accomplished. She had done what she promised, amid incredible difficulties. And now, kneeling before her anointed sovereign, she said, "Gracious King, now is fulfilled the pleasure of God!" And as she spoke she wept. She had given a king to France; and she had given France to her king. Not by might, not by power had she done this, but by the Spirit of the Lord. She asked no other reward for her magnificent service than that her native village should be forever exempt from taxation. Feeling that the work for which she was raised up was done, she would willingly have retired to the seclusion of her mountain home, but the leaders of France, seeing how much she was adored by the people, were not disposed to part with so great an instrument of success.
And Joan, too, entered with zeal upon those military movements which were to drive away forever the English from the soil of France. Her career had thus far been one of success and boundless enthusiasm; but now the tide turned, and her subsequent life was one of signal failure. Her only strength was in the voices which had bidden her to deliver Orleans and to crown the King. She had no genius for war. Though still brave and dauntless, though still preserving her innocence and her piety, she now made mistakes. She was also thwarted in her plans. She became, perhaps, self-assured and self-confident, and assumed prerogatives that only belonged to the King and his ministers, which had the effect of alienating them. They never secretly admired her, nor fully trusted her. Charles made a truce with the great Duke of Burgundy, who was in alliance with the English. Joan vehemently denounced the truce, and urged immediate and uncompromising action; but timidity, or policy, or political intrigues, defeated her counsels. The King wished to regain Paris by negotiation; all his movements were dilatory. At last his forces approached the capital, and occupied St. Denis. It was determined to attack the city. One corps was led by Joan; but in the attack she was wounded, and her troops, in spite of her, were forced to retreat. Notwithstanding the retreat and her wound, however, she persevered, though now all to no purpose. The King himself retired, and the attack became a failure. Still Joan desired to march upon Paris for a renewed attack; but the King would not hear of it, and she was sent with troops badly equipped to besiege La Charite, where she again failed. For four weary months she remained inactive. She grew desperate; the voices neither encouraged nor discouraged her. She was now full of sad forebodings, yet her activity continued. She repaired to Compiegne, a city already besieged by the enemy, which she wished to relieve. In a sortie she was outnumbered, and was defeated and taken prisoner by John of Luxemburg, a vassal of the Duke of Burgundy.
The news of this capture produced great exhilaration among the English and Burgundians. Had a great victory been won, the effect could not have been greater. It broke the spell. The Maid was human, like other women; and her late successes were attributed not to her inspiration, but to demoniacal enchantments. She was looked upon as a witch or as a sorceress, and was now guarded with especial care for fear of a rescue, and sent to a strong castle belonging to John of Luxemburg. In Paris, on receipt of the news, the Duke of Bedford caused Te Deums to be sung in all the churches, and the University and the Vicar of the Inquisition demanded of the Duke of Burgundy that she should be delivered to ecclesiastical justice.
The remarkable thing connected with the capture of the Maid was that so little effort was made to rescue her. She had rendered to Charles an inestimable service, and yet he seems to have deserted her; neither he nor his courtiers appeared to regret her captivity,—probably because they were jealous of her. Gratitude was not one of the virtues of feudal kings. What sympathy could feudal barons have with a low-born peasant girl? They had used her; but when she could be useful no longer, they forgot her. Out of sight she was out of mind; and if remembered at all, she was regarded as one who could no longer provoke jealousy. Jealousy is a devouring passion, especially among nobles. The generals of Charles VII. could not bear to have it said that the rescue of France was effected, not by their abilities, but by the inspired enthusiasm of a peasant girl. She had scorned intrigues and baseness, and these marked all the great actors on the stage of history in that age. So they said it was a judgment of Heaven upon her because she would not hear counsel. "No offer for her ransom, no threats of vengeance came from beyond the Loire." But the English, who had suffered most from the loss of Orleans, were eager to get possession of her person, and were willing even to pay extravagant rewards for her delivery into their hands. They had their vengeance to gratify. They also wished it to appear that Charles VII. was aided by the Devil; that his cause was not the true one; that Henry VI. was the true sovereign of France. The more they could throw discredit and obloquy upon the Maid of Orleans, the better their cause would seem. It was not as a prisoner of war that the English wanted her, but as a victim, whose sorceries could only be punished by death. But they could not try her and condemn her until they could get possession of her; and they could not get possession of her unless they bought her. The needy John of Luxemburg sold her to the English for ten thousand livres, and the Duke of Burgundy received political favors.
The agent employed by the English in this nefarious business was Couchon, the Bishop of Beauvais, who had been driven out of his city by Joan,—an able and learned man, who aspired to the archbishopric of Rouen. He set to work to inflame the University of Paris and the Inquisition against her. The Duke of Bedford did not venture to bring his prize to Paris, but determined to try her in Rouen; and the trial was intrusted to the Bishop of Beauvais, who conducted it after the forms of the Inquisition. It was simply a trial for heresy.
Joan tried for heresy! On that ground there was never a more innocent person tried by the Inquisition. Her whole life was notoriously virtuous. She had been obedient to the Church; she had advanced no doctrines which were not orthodox. She was too ignorant to be a heretic; she had accepted whatever her spiritual teacher had taught her; in fact, she was a Catholic saint. She lived in the ecstasies of religious faith like a Saint Theresa. She spent her time in prayer and religious exercises; she regularly confessed, and partook of the sacraments of the Church. She did not even have a single sceptical doubt; she simply affirmed that she obeyed voices that came from God.
Nothing could be more cruel than the treatment of this heroic girl, and all under the forms of ecclesiastical courts. It was the diabolical design of her enemies to make it appear that she had acted under the influence of the Devil; that she was a heretic and a sorceress. Nothing could be more forlorn than her condition. No efforts had been made to ransom her. She was alone, and unsupported by friends, having not a single friendly counsellor. She was carried to the castle of Rouen and put in an iron cage, and chained to its bars; she was guarded by brutal soldiers, was mocked by those who came to see her, and finally was summoned before her judges predetermined on her death. They went through the forms of trial, hoping to extort from the Maid some damaging confessions, or to entangle her with their sophistical and artful questions. Nothing perhaps on our earth has ever been done more diabolically than under the forms of ecclesiastical law; nothing can be more atrocious than the hypocrisies and acts of inquisitors. The judges of Joan extorted from her that she had revelations, but she refused to reveal what these had been. She was asked whether she was in a state of grace. If she said she was not, she would be condemned as an outcast from divine favor; if she said she was, she would be condemned for spiritual pride. All such traps were set for this innocent girl. But she acquitted herself wonderfully well, and showed extraordinary good sense. She warded off their cunning and puerile questions. They tried every means to entrap her. They asked her in what shape Saint Michael had appeared to her; whether or no he was naked; whether he had hair; whether she understood the feelings of those who had once kissed her feet; whether she had not cursed God in her attempt to escape at Beauvoir; whether it was for her merit that God sent His angel; whether God hated the English; whether her victory was founded on her banner or on herself; when had she learned to ride a horse.
The judges framed seventy accusations against her, mostly frivolous, and some unjust,—to the effect that she had received no religious training; that she had worn mandrake; that she dressed in man's attire; that she had bewitched her banner and her ring; that she believed her apparitions were saints and angels; that she had blasphemed; and other charges equally absurd. Under her rigid trials she fell sick; but they restored her, reserving her for a more cruel fate. All the accusations and replies were sent to Paris, and the learned doctors decreed, under English influence, that Joan was a heretic and a sorceress.
After another series of insulting questions, she was taken to the market-place of Rouen to receive sentence, and then returned to her gloomy prison, where they mercifully allowed her to confess and receive the sacrament. She was then taken in a cart, under guard of eight hundred soldiers, to the place of execution; rudely dragged to the funeral pile, fastened to a stake, and fire set to the faggots. She expired, exclaiming, "Jesus, Jesus! My voices, my voices!"
Thus was sacrificed one of the purest and noblest women in the whole history of the world,—a woman who had been instrumental in delivering her country, but without receiving either honor or gratitude from those for whom she had fought and conquered. She died a martyr to the cause of patriotism,—not for religion, but for her country. She died among enemies, unsupported by friends or by those whom she had so greatly benefited, and with as few religious consolations as it was possible to give. Never was there greater cruelty and injustice inflicted on an innocent and noble woman. The utmost ingenuity of vindictive priests never extorted from her a word which criminated her, though they subjected her to inquisitorial examinations for days and weeks. Burned as an infidel, her last words recognized the Saviour in whom she believed; burned as a witch, she never confessed to anything but the voices of God. Her heroism, even at the stake, should have called out pity and admiration; but her tormentors were insensible to both. She was burned really from vengeance, because she had turned the tide of conquest. "The Jews," says Michelet, "never exhibited the rage against Jesus that the English did against the Pucelle," in whom purity, sweetness, and heroic goodness dwelt. Never was her life stained by a single cruel act. In the midst of her torments she did not reproach her tormentors. In the midst of her victories she wept for the souls of those who were killed; and while she incited others to combat, she herself did not use her sword. In man's attire she showed a woman's soul. Pity and gentleness were as marked as courage and self-confidence.
It is one of the most insolvable questions in history why so little effort was made by the French to save the Maid's life. It is strange that the University of Paris should have decided against her, after she had rendered such transcendent services. Why should the priests of that age have treated her as a witch, when she showed all the traits of an angel? Why should not the most unquestioning faith have preserved her from the charge of heresy? Alas! she was only a peasant girl, and the great could not bear to feel that the country had been saved by a peasant. Even chivalry, which worshipped women, did not come to Joan's aid. How great must have been feudal distinctions when such a heroic woman was left to perish! How deep the ingratitude of the King and his court, to have made no effort to save her!
Joan made one mistake: after the coronation of Charles VII. she should have retired from the field of war, for her work was done. Such a transcendent heroism could not have sunk into obscurity. But this was not to be; she was to die as a martyr to her cause.
After her death the English carried on war with new spirit for a time, and Henry VI. of England was crowned in Paris, at Notre Dame. He was crowned, however, by an English, not by a French prelate. None of the great French nobles even were present. The coronation was a failure. Gradually all France was won over to the side of Charles. He was a contemptible monarch, but he was the legitimate King of France. All classes desired peace; all parties were weary of war. The Treaty of Arras, in 1435, restored peace between Charles and Philip of Burgundy; and in the same year the Duke of Bedford died. In 1436 Charles took possession of Paris. In 1445 Henry VI. married Margaret of Anjou, a kinswoman of Charles VII. In 1448 Charles invaded Normandy, and expelled the English from the duchy which for four hundred years had belonged to the kings of England. Soon after Guienne fell. In 1453 Calais alone remained to England, after a war of one hundred years.
At last a tardy justice was done to the memory of her who had turned the tide of conquest. The King, ungrateful as he had been, now ennobled her family and their descendants, even in the female line, and bestowed upon them pensions and offices. In 1452, twenty years after the martyrdom, the Pope commissioned the Archbishop of Rheims and two other prelates, aided by an inquisitor, to inquire into the trial of Joan of Arc. They met in Notre Dame. Messengers were sent into the country where she was born, to inquire into her history; and all testified—priests and peasants—to the moral beauty of her character, to her innocent and blameless life, her heroism in battle, and her good sense in counsel. And the decision of the prelates was that her visions came from God; that the purity of her motives and the good she did to her country justified her in leaving her parents and wearing a man's dress. They pronounced the trial at Rouen to have been polluted with wrong and calumny, and freed her name from every shadow of disgrace. The people of Orleans instituted an annual religious festival to her honor. The Duke of Orleans gave a grant of land to her brothers, who were ennobled. The people of Rouen raised a stone cross to her memory in the market-place where she was burned. In later times, the Duchess of Orleans, wife of the son and heir of Louis Philippe, modelled with her own hands an exquisite statue of Joan of Arc. But the most beautiful and impressive tribute which has ever been paid to her name and memory was a fete of three days' continuance, in 1856, on the anniversary of the deliverance of Orleans, when the celebrated Bishop Dupanloup pronounced one of the most eloquent eulogies ever offered to the memory of a heroine or benefactor. That ancient city never saw so brilliant a spectacle as that which took place in honor of its immortal deliverer, who was executed so cruelly under the superintendence of a Christian bishop,—one of those iniquities in the name of justice which have so often been perpetrated on this earth. It was a powerful nation which killed her, and one equally powerful which abandoned her.
But the martyrdom of Joan of Arc is an additional confirmation of the truth that it is only by self-sacrifice that great deliverances have been effected. Nothing in the moral government of God is more mysterious than the fate which usually falls to the lot of great benefactors. To us it seems sad and unjust; and nothing can reconcile us to the same but the rewards of a future and higher life. And yet amid the flames there arise the voices which save nations. Joan of Arc bequeathed to her country, especially to the common people, some great lessons; namely, not to despair amid great national calamities; to believe in God as the true deliverer from impending miseries, who, however, works through natural causes, demanding personal heroism as well as faith. There was great grandeur in that peasant girl,—in her exalted faith at Domremy, in her heroism at Orleans, in her triumph at Rheims, in her trial and martyrdom at Rouen. But unless she had suffered, nothing would have remained of this grandeur in the eyes of posterity. The injustice and meanness with which she was treated have created a lasting sympathy for her in the hearts of her nation. She was great because she died for her country, serene and uncomplaining amid injustice, cruelty, and ingratitude,—the injustice of an ecclesiastical court presided over by a learned bishop; the cruelty of the English generals and nobles; the ingratitude of her own sovereign, who made no effort to redeem her. She was sold by one potentate to another as if she were merchandise,—as if she were a slave. And those graces and illuminations which under other circumstances would have exalted her into a catholic saint, like an Elizabeth of Hungary or a Catherine of Sienna, were turned against her, by diabolical executioners, as a proof of heresy and sorcery. We repeat again, never was enacted on this earth a greater injustice. Never did a martyr perish with more triumphant trust in the God whose aid she had so uniformly invoked. And it was this triumphant Christian faith as she ascended the funeral pyre which has consecrated the visions and the voices under whose inspiration the Maid led a despairing nation to victory and a glorious future.
AUTHORITIES.
Monstrelets' Chronicles; Cousinot's Chronique de la Pucelle; Histoire et Discours du Siege, published by the city of Orleans in 1576; Sismondi's Histoire des Francais; De Barante's Histoire des Dues de Bourgogne; Michelet and Henri Martin's Histories of France; Vallet de Viriville's Histoire de Charles VII.; Henri Wallon; Janet Tuckey's Life of Joan of Arc, published by Putnam, 1880.
SAINT THERESA.
* * * * *
A. D. 1515-1582.
RELIGIOUS ENTHUSIASM.
I have already painted in Cleopatra, to the best of my ability, the Pagan woman of antiquity, revelling in the pleasures of vanity and sensuality, with a feeble moral sense, and without any distinct recognition of God or of immortality. The genius of Paganism was simply the deification of the Venus Polyhymnia,—the adornment and pleasure of what is perishable in man. It directed all the energies of human nature to the pampering and decorating of this mortal body, not believing that the mind and soul which animate it, and which are the sources of all its glory, would ever live beyond the grave. A few sages believed differently,—men who rose above the spirit of Paganism, but not such men as Alexander, or Caesar, or Antony, the foremost men of all the world in grand ambitions and successes. Taking it for granted that this world is the only theatre for enjoyment, or action, or thought, men naturally said, "Let us eat and drink and be merry, for to-morrow we die." And hence no higher life was essayed than that which furnished sensual enjoyments, or incited an ambition to be strong and powerful. Of course, riches were sought above everything, since these furnished the means of gratifying those pleasures which were most valued, or stimulating that vanity whose essence is self-idolatry.
With this universal rush of humanity after pleasures which centred in the body, the soul was left dishonored and uncared for, except by a few philosophers. I do not now speak of the mind, for there were intellectual pleasures derived from conversation, books, and works of art. And some called the mind divine, in distinction from matter; some speculated on the nature of each, and made mind and matter in perpetual antagonism, as the good and evil forces of the universe. But the prevailing opinion was that the whole man perished, or became absorbed in the elemental forces of nature, or reappeared again in new forms upon the earth, to expiate those sins of which human nature is conscious. To some men were given longings after immortality, not absolute convictions,—men like Plato, Socrates, and Cicero. But I do not speak of these illustrious exceptions; I mean the great mass of the people, especially the rich and powerful and pleasure-seeking,—those whose supreme delight was in banquets, palaces, or intoxicating excitements, like chariot-racings and gladiatorial shows; yea, triumphal processions to raise the importance of the individual self, and stimulate vanity and pride.
Hence Paganism put a small value, comparatively, on even intellectual enjoyments. It cultivated those arts which appealed to the senses more than to the mind; it paid dearly for any sort of intellectual training which could be utilized,—oratory, for instance, to enable a lawyer to gain a case, or a statesman to control a mob; it rewarded those poets who could sing blended praises to Bacchus and Venus, or who could excite the passions at the theatre. But it paid still higher prices to athletes and dancers, and almost no price at all to those who sought to stimulate a love of knowledge for its own sake,—men like Socrates, for example, who walked barefooted, and lived on fifty dollars a year, and who at last was killed out of pure hatred for the truths he told and the manner in which he told them,—this martyrdom occurring in the most intellectual city of the world. In both Greece and Rome there was an intellectual training for men bent on utilitarian ends; even as we endow schools of science and technology to enable us to conquer nature, and to become strong and rich and comfortable; but there were no schools for women, whose intellects were disdained, and who were valued only as servants or animals,—either to drudge, or to please the senses.
But even if there were some women in Paganism of high mental education,—if women sometimes rose above their servile condition by pure intellect, and amused men by their wit and humor,—still their souls were little thought of. Now, it is the soul of woman—not her mind, and still less her body—which elevates her, and makes her, in some important respects, the superior of man himself. He has dominion over her by force of will, intellect, and physical power. When she has dominion over him, it is by those qualities which come from her soul,—her superior nature, greater than both mind and body. Paganism never recognized the superior nature, especially in woman,—that which must be fed, even in this world, or there will be constant unrest and discontent. And inasmuch as Paganism did not feed it, women were unhappy, especially those who had great capacities. They may have been comfortable, but they were not contented.
Hence, women made no great advance either in happiness or in power, until Christianity revealed the greatness of the soul, its perpetual longings, its infinite capacities, and its future satisfactions. The spiritual exercises of the soul then became the greatest source of comfort amid those evils which once ended in despair. With every true believer, the salvation of so precious a thing necessarily became the end of life, for Christianity taught that the soul might be lost. In view of the soul's transcendent value, therefore, the pleasures of the body became of but little account in comparison. Riches are good, power is desirable; eating and drinking are very pleasant; praise, flattery, admiration,—all these things delight us, and under Paganism were sought and prized. But Christianity said, "What shall a man give in exchange for his soul?"
Christianity, then, set about in earnest to rescue this soul which Paganism had disregarded. In consequence of this, women began to rise, and shine in a new light. They gained a new charm, even moral beauty,—yea, a new power, so that they could laugh at ancient foes, and say triumphantly, when those foes sought to crush them, "O Grave, where is thy victory? O Death, where is thy sting?" There is no beauty among women like this moral beauty, whose seat is in the soul. It is not only a radiance, but it is a defence: it protects women from the wrath and passion of men. With glory irradiating every feature, it says to the boldest, Thus far shalt thou come and no farther. It is a benediction to the poor and a welcome to the rich. It shines with such unspeakable loveliness, so rich in blessing and so refined in ecstasy, that men gaze with more than admiration, even with sentiments bordering on that adoration which the Middle Ages felt for the mother of our Lord, and which they also bestowed upon departed saints. In the immortal paintings of Raphael and Murillo we get some idea of this moral beauty, which is so hard to copy.
So woman passed gradually from contempt and degradation to the veneration of men, when her soul was elevated by the power which Paganism never knew. But Christianity in the hands of degenerate Romans and Gothic barbarians made many mistakes in its efforts to save so priceless a thing as a human soul. Among other things, it instituted monasteries and convents, both for men and women, in which they sought to escape the contaminating influences which had degraded them. If Paganism glorified the body, monasticism despised it. In the fierce protests against the peculiar sins which had marked Pagan life,—gluttony, wine-drinking, unchastity, ostentatious vanities, and turbulent mirth,—monasticism decreed abstinence, perpetual virginity, the humblest dress, the entire disuse of ornaments, silence, and meditation. These were supposed to disarm the demons who led into foul temptation. Moreover, monasticism encouraged whatever it thought would make the soul triumphant over the body, almost independent of it. Whatever would feed the soul, it said, should be sought, and whatever would pamper the body should be avoided.
As a natural consequence of all this, piety gradually came to seek its most congenial home in monastic retreats, and to take on a dreamy, visionary, and introspective mood. The "saints" saw visions of both angels and devils, and a superstitious age believed in their revelations. The angels appeared to comfort and sustain the soul in temptations and trials, and the devils came to pervert and torment it. Good judgment and severe criticism were lost to the Church; and, moreover, the gloomy theology of the Middle Ages, all based on the fears of endless physical torments,—for the wretched body was the source of all evil, and therefore must be punished,—gave sometimes a repulsive form to piety itself. Intellectually, that piety now excites our contempt, because it was so much mixed up with dreams and ecstasies and visions and hallucinations. It produces a moral aversion also, because it was austere, inhuman, and sometimes cruel. Both monks and nuns, when they conformed to the rules of their order, were sad, solitary, dreary-looking people, although their faces shone occasionally in the light of ecstatic visions of heaven and the angels.
But whatever mistakes monasticism made, however repulsive the religious life of the Middle Ages,—in fact, all its social life,—still it must be admitted that the aim of the time was high. Men and women were enslaved by superstitions, but they were not Pagan. Our own age is, in some respects, more Pagan than were the darkest times of mediaeval violence and priestly despotism, since we are reviving the very things against which Christianity protested as dangerous and false,—the pomps, the banquets, the ornaments, the arts of the old Pagan world.
Now, all this is preliminary to what I have to say of Saint Theresa. We cannot do justice to this remarkable woman without considering the sentiments of her day, and those circumstances that controlled her. We cannot properly estimate her piety—that for which she was made a saint in the Roman calendar—without being reminded of the different estimate which Paganism and Christianity placed upon the soul, and consequently the superior condition of women in our modern times. Nor must we treat lightly or sneeringly that institution which was certainly one of the steps by which women rose in the scale both of religious and social progress. For several ages nuns were the only charitable women, except queens and princesses, of whom we have record. But they were drawn to their calm retreats, not merely to serve God more effectually, nor merely to perform deeds of charity, but to study. As we have elsewhere said, the convents in those days were schools no less than asylums and hospitals, and were especially valued for female education. However, in these retreats religion especially became a passion. There was a fervor in it which in our times is unknown. It was not a matter of opinion, but of faith. In these times there may be more wisdom, but in the Middle Ages there was more zeal and more unselfishness and more intensity,—all which is illustrated by the sainted woman I propose to speak of.
Saint Theresa was born at Avila, in Castile, in the year 1515, at the close of the Middle Ages; but she really belonged to the Middle Ages, since all the habits, customs, and opinions of Spain at that time were mediaeval. The Reformation never gained a foothold in Spain. None of its doctrines penetrated that country, still less modified or changed its religious customs, institutions, or opinions. And hence Saint Theresa virtually belonged to the age of Bernard, and Anselm, and Elizabeth of Hungary. She was of a good family as much distinguished for virtues as for birth. Both her father and mother were very religious and studious, reading good books, and practising the virtues which Catholicism ever enjoined,—alms-giving to the poor, and kindness to the sick and infirm,—truthful, chaste, temperate, and God-fearing. They had twelve children, all good, though Theresa seems to have been the favorite, from her natural sprightliness and enthusiasm. Among the favorite books of the Middle Ages were the lives of saints and martyrs; and the history of these martyrs made so great an impression on the mind of the youthful Theresa that she and one of her brothers meditated a flight into Africa that they might be put to death by the Moors, and thus earn the crown of martyrdom, as well as the eternal rewards in heaven which martyrdom was supposed to secure. This scheme being defeated by their parents, they sought to be hermits in the garden which belonged to their house, playing the part of monks and nuns.
At eleven, Theresa lost her mother, and took to reading romances, which, it seems, were books of knight-errantry, at the close of the chivalric period. These romances were innumerable, and very extravagant and absurd, and were ridiculed by Cervantes, half-a-century afterwards, in his immortal "Don Quixote." Although Spain was mediaeval in its piety in the sixteenth century, this was the period of its highest intellectual culture, especially in the drama. De Vega and Cervantes were enough of themselves to redeem Spain from any charges of intellectual stupidity. But for the Inquisition, and the Dominican monks, and the Jesuits, and the demoralization which followed the conquests of Cortes and Pizarro, Spain might have rivalled Germany, France, and England in the greatness of her literature. At this time there must have been considerable cultivation among the class to which Theresa belonged.
Although she never was sullied by what are called mortal sins, it would appear that as a girl of fourteen Theresa was, like most other girls, fond of dress and perfumes and ornaments, elaborate hair-dressing, and of anything which would make the person attractive. Her companions also were gay young ladies of rank, as fond of finery as she was, whose conversation was not particularly edifying, but whose morals were above reproach. Theresa was sent to a convent in her native town by her father, that she might be removed from the influence of gay companions, especially her male cousins, who could not be denied the house. At first she was quite unhappy, finding the convent dull, triste, and strict. I cannot conceive of a convent being a very pleasant place for a worldly young lady, in any country or in any age of the world. Its monotony and routine and mechanical duties must ever have been irksome. The pleasing manners and bright conversation of Theresa caused the nuns to take an unusual interest in her; and one of them in particular exercised a great influence upon her, so that she was inclined at times to become a nun herself, though not of a very strict order, since she was still fond of the pleasures of the world.
At sixteen, Theresa's poor health made it necessary for her to return to her father's house. When she recovered she spent some time with her uncle, afterwards a monk, who made her read good books, and impressed upon her the vanity of the world. In a few months she resolved to become a nun,—out of servile fear rather than love, as she avers. The whole religious life of the Middle Ages was based on fear,—the fear of being tortured forever by devils and hell. So universal and powerful was this fear that it became the leading idea of the age, from which very few were ever emancipated. On this idea were based the excommunications, the interdicts, and all the spiritual weapons by which the clergy ruled the minds of the people. On this their ascendency rested; they would have had but little power without it. It was therefore their interest to perpetuate it. And as they ruled by exciting fears, so they themselves were objects of fear rather than of love.
All this tended to make the Middle Ages gloomy, funereal, repulsive, austere. There was a time when I felt a sort of poetic interest in these dark times, and called them ages of faith; but the older I grow, and the more I read and reflect, the more dreary do those ages seem to me. Think of a state of society when everything suggested wrath and vengeance, even in the character of God, and when this world was supposed to be under the dominion of devils! Think of an education which impressed on the minds of interesting young girls that the trifling sins which they committed every day, and which proceeded from the exuberance of animal spirits, justly doomed them to everlasting burnings, without expiations,—a creed so cruel as to undermine the health, and make life itself a misery! Think of a spiritual despotism so complete that confessors and spiritual fathers could impose or remove these expiations, and thus open the door to heaven or hell!
And yet this despotism was the logical result of a generally accepted idea, instead of the idea being an outgrowth of the despotism, since the clergy, who controlled society by working on its fears, were themselves as complete victims and slaves as the people whom they led. This idea was that the soul would be lost unless sins were expiated, and expiated by self-inflicted torments on the body. Paul taught a more cheerful doctrine of forgiveness, based on divine and infinite love,—on faith and repentance. The Middle Ages also believed in repentance, but taught that repentance and penance were synonymous. The asceticism of the Church in its conflict with Paganism led to this perversion of apostolic theology. The very idea that Christianity was sent to subvert,—that is, the old Oriental idea of self-expiation, seen among the fakirs and sofis and Brahmins alike, and in a less repulsive form among the Pharisees,—became once again the ruling idea of theologians. The theologians of the Middle Ages taught this doctrine of penance and self-expiation with peculiar zeal and sincerity; and fear rather than love ruled the Christian world. Hence the austerity of convent life. Its piety centred in the perpetual crucifixion of the body, in the suppression of desires and pleasures which are perfectly innocent. The highest ideal of Christian life, according to convent rules, was a living and protracted martyrdom, and in some cases even the degradation of our common humanity. Christianity nowhere enjoins the eradication of passions and appetites, but the control of them. It would not mutilate and disfigure the body, for it is a sacred temple, to be made beautiful and attractive. On the other hand the Middle Ages strove to make the body appear repulsive, and the most loathsome forms of misery and disease to be hailed as favorite modes of penance. And as Christ suffered agonies on the cross, so the imitation of Christ was supposed to be a cheerful and ready acceptance of voluntary humiliation and bodily torments,—the more dreadful to bear, the more acceptable to Deity as a propitiation for sin. Is this statement denied? Read the biographies of the saints of the Middle Ages. See how penance, and voluntary suffering, and unnecessary exposure of the health, and eager attention to the sick in loathsome and contagious diseases, and the severest and most protracted fastings and vigils, enter into their piety; and how these extorted popular admiration, and received the applause and rewards of the rulers of the Church. I never read a book which left on my mind such repulsive impressions of mediaeval piety as the Life of Catherine of Sienna, by her confessor,—himself one of the great ecclesiastical dignitaries of the age. I never read anything so debasing and degrading to our humanity. One turns with disgust from the narration of her lauded penances.
So we see in the Church of the Middle Ages—the Church of Saint Theresa—two great ideas struggling for the mastery, yet both obscured and perverted: faith in a crucified Redeemer, which gave consolation and hope; and penance, rather than repentance, which sought to impose the fetters of the ancient spiritual despotisms. In the early Church, faith and repentance went hand in hand together to conquer the world, and to introduce joy and peace and hope among believers. In the Middle Ages, faith was divorced from repentance, and took penance instead as a companion,—an old enemy; so that there was discord in the Christian camp, and fears returned, and joys were clouded. Sometimes faith prevailed over penance, as in the monastery of Bec, where Anselm taught a cheerful philosophy,—or in the monastery of Clairvaux, where Bernard lived in seraphic ecstasies, his soul going out in love and joy; and then again penance prevailed, as in those grim retreats where hard inquisitors inflicted their cruel torments. But penance, on the whole, was the ruling power, and cast over society its funereal veil of dreariness and fear. Yet penance, enslaving as it was, still clung to the infinite value of the soul, the grandest fact in all revelations, and hence society did not relax into Paganism. Penance would save the soul, though surrounding it with gloom, maceration, heavy labors, bitter tears, terrible anxieties. The wearied pilgrim, the isolated monk, the weeping nun, the groaning peasant, the penitent baron, were not thrown into absolute despair, since there was a possibility of appeasing divine wrath, and since they all knew that Christ had died in order to save some,—yea, all who conformed to the direction of those spiritual guides which the Church and the age imposed.
Such was Catholic theology when Theresa—an enthusiastic, amiable, and virtuous girl of sixteen, but at one time giddy and worldly—wished to enter a convent for the salvation of her soul. She says she was influenced by servile fear, and not by love. It is now my purpose to show how this servile fear was gradually subdued by divine grace, and how she became radiant with love,—in short, an emancipated woman, in all the glorious liberty of the gospel of Christ; although it was not until she had passed through a most melancholy experience of bondage to the leading ideas of her Church and age. It is this emancipation which made her one of the great women of history, not complete and entire, but still remarkable, especially for a Spanish woman. It was love casting out fear.
After a mental struggle of three months, Theresa resolved to become a nun. But her father objected, partly out of his great love for her, and partly on account of her delicate and fragile body. Her health had always been poor: she was subject to fainting fits and burning fevers. Whether her father, at last, consented to her final retirement from the world I do not discover from her biography; but, with his consent or without it, she entered the convent and assumed the religious habit,—not without bitter pangs on leaving her home, for she did violence to her feelings, having no strong desire for monastic seclusion, and being warmly attached to her father. Neither love to God nor a yearning after monastic life impelled the sacrifice, as she admits, but a perverted conscience. She felt herself in danger of damnation for her sins, and wished to save her soul, and knew no other way than to enter upon the austerities of the convent, which she endured with remarkable patience and submission, suffering not merely from severities to which she was unaccustomed, but great illness in consequence of them. A year was passed in protracted miseries, amounting to martyrdom, from fainting fits, heart palpitations, and other infirmities of the body. The doctors could do nothing for her, and her father was obliged to order her removal to a more healthful monastery, where no vows of enclosure were taken.
And there she remained a year, with no relief to her sufferings for three months. Her only recreation was books, which fortified her courage. She sought instruction, but found no one who could instruct her so as to give repose to her struggling soul. She endeavored to draw her thoughts from herself by reading. She could not even pray without a book. She was afraid to be left alone with herself. Her situation was made still worse by the fact that her superiors did not understand her. When they noticed that she sought solitude, and shed tears for her sins, they fancied she had a discontented disposition, and added to her unhappiness by telling her so. But she conformed to all the rules, irksome or not, and endured every mortification, and even performed acts of devotion which were not required. She envied the patience of a poor woman who died of the most painful ulcers, and thought it would be a blessing if she could be afflicted in the same way, in order, as she said, to purchase eternal good. And this strange desire was fulfilled, for a severe and painful malady afflicted her for three years.
Again was she removed to some place for cure, for her case was desperate. And here her patience was supernal. Yet patience under bodily torments did not give the sought-for peace. It happened that a learned ecclesiastic of noble family lived in this place, and she sought relief in confessions to him. With a rare judgment and sense, and perhaps pride and delicacy, she disliked to confess to ignorant priests. She said that the half-learned did her more harm than good. The learned were probably more lenient to her, and more in sympathy with her, and assured her that those sins were only venial which she had supposed were mortal. But she soon was obliged to give up this confessor, since he began to confess to her, and to confess sins in comparison with which the sins she confessed were venial indeed. He not only told her of his slavery to a bad woman, but confessed a love for Theresa herself, which she of course repelled, though not with the aversion she ought to have felt. It seems that her pious talk was instrumental in effecting his deliverance from a base bondage. He soon after died, and piously, she declared; so that she considered it certain that his soul was saved.
Theresa remained three months in this place, in most grievous sufferings, for the remedy was worse than the disease. Again her father took her home, since all despaired of her recovery, her nervous system being utterly shattered, and her pains incessant by day and by night; the least touch was a torment. At last she sank into a state of insensibility from sheer exhaustion, so that she was supposed to be dying, even to be dead; and her grave was dug, and the sacrament of extreme unction was administered. She rallied from this prostration, however, and returned to the convent, though in a state of extreme weakness, and so remained for eight months. For three years she was a cripple, and could move about only on all-fours; but she was resigned to the will of God.
It was then, amid the maladies of her body, that she found relief to her over-burdened soul in prayer. She no longer prayed with a book, mechanically and by rote, but mentally, with earnestness, and with the understanding. And she prayed directly to God Almighty, and thereby came, she says, to love Him. And with prayer came new virtues. She now ceases to speak ill of people, and persuades others to cease from all detractions, so that absent people are safe. She speaks of God as her heavenly physician, who alone could cure her. She now desires, not sickness to show her patience, but health in order to serve God better. She begins to abominate those forms and ceremonies to which so many were slavishly devoted, and which she regards as superstitious. But she has drawbacks and relapses, and is pulled back by temptations and vanities, so that she is ashamed to approach God with that familiarity which frequent prayer requires. Then she fears hell, which she thinks she deserves. She has not yet reached the placidity of a pardoned soul. Perfection is very slow to be reached, and that is what the Middle Ages required in order to exorcise the fears of divine wrath. Not, however, until these fears are exorcised can there be the liberty of the gospel or the full triumph of love.
Thus for several years Theresa passed a miserable life, since the more she prayed the more she realized her faults; and these she could not correct, because her soul was not a master, but a slave. She was drawn two ways, in opposite directions. She made good resolutions, but failed to keep them; and then there was a deluge of tears,—the feeling that she was the weakest and wickedest of all creatures. For nearly twenty years she passed through this tempestuous sea, between failings and risings, enjoying neither the sweetness of God nor the pleasures of the world. But she did not lose the courage of applying herself to mental prayer. This fortified her; this was her stronghold; this united her to God. She was persuaded if she persevered in this, whatever sin she might commit, or whatever temptation might be presented, that, in the end, her Lord would bring her safe to the port of salvation. So she prayed without ceasing. She especially insisted on the importance of mental prayer (which is, I suppose, what is called holy meditation) as a sort of treaty of friendship with her Lord. At last she feels that the Lord assists her, in His great love, and she begins to trust in Him. She declares that prayer is the gate through which the Lord bestows upon her His favors; and it is only through this that any comfort comes. Then she begins to enjoy sermons, which once tormented her, whether good or bad, so long as God is spoken of, for she now loves Him; and she cannot hear too much of Him she loves. She delights to see her Lord's picture, since it aids her to see Him inwardly, and to feel that He is always near her, which is her constant desire.
About this time the "Confessions of Saint Augustine" were put into Theresa's hands,—one of the few immortal books which are endeared to the heart of Christians. This book was a comfort and enlightenment to her, she thinking that the Lord would forgive her, as He did those saints who had been great sinners, because He loved them. When she meditated on the conversion of Saint Augustine,—how he heard the voice in the garden,—it seemed to her that the Lord equally spoke to her, and thus she was filled with gratitude and joy. After this, her history is the enumeration of the favors which God gave her, and of the joys of prayer, which seemed to her to be the very joys of heaven. She longs more and more for her divine Spouse, to whom she is spiritually wedded. She pants for Him as the hart pants for the water-brook. She cannot be separated from Him; neither death nor hell can separate her from His love. He is infinitely precious to her,—He is chief among ten thousand. She blesses His holy name. In her exceeding joy she cries, "O Lord of my soul, O my eternal Good!" In her ecstasy she sings,—
"Absent from Thee, my Saviour dear! I call not life this living here. Ah, Lord I my light and living breath, Take me, oh, take me from this death And burst the bars that sever me From my true life above! Think how I die Thy face to see, And cannot live away from Thee, O my Eternal Love!"
Thus she composes canticles and dries her tears, feeling that the love of God does not consist in these, but in serving Him with fidelity and devotion. She is filled with the graces of humility, and praises God that she is permitted to speak of things relating to Him. She is filled also with strength, since it is He who strengthens her. She is perpetually refreshed, since she drinks from a divine fountain. She is in a sort of trance of delight from the enjoyment of divine blessings. Her soul is elevated to rapture. She feels that her salvation, through grace, is assured. She no longer has fear of devils or of hell, since with an everlasting love she is beloved; and her lover is Christ. She has broken the bondage of the Middle Ages, and she has broken it by prayer. She is an emancipated woman, and can now afford to devote herself to practical duties. She visits the sick, she dispenses charities, she gives wise counsels; for with all her visionary piety she has good sense in the things of the world, and is as practical as she is spiritual and transcendental.
And all this in the midst of visions. I will not dwell on these visions, the weak point in her religious life, though they are visions of beauty, not of devils, of celestial spirits who came to comfort her, and who filled her soul with joy and peace.
"A little bird I am, Shut from the fields of air, And in my cage I sit and sing To Him who placed me there; Well pleased a prisoner to be, Because, my God, it pleases Thee."
She is bathed in the glory of her Lord, and her face shines with the radiance of heaven, with the moral beauty which the greatest of Spanish painters represents on his canvas. And she is beloved by everybody, is universally venerated for her virtues as well as for her spiritual elevation. The greatest ecclesiastical dignitaries come to see her, and encourage her, and hold converse with her, for her intellectual gifts were as remarkable as her piety. Her conversation, it appears, was charming. Her influence over the highest people was immense. She pleased, she softened, and she elevated all who knew her. She reigned in her convent as Madame de Stael reigned in her salon. She was supposed to have reached perfection; and yet she never claimed perfection, but sadly felt her imperfections, and confessed them. She was very fond of the society of learned men, from first to last, but formed no friendships except with those whom she believed to be faithful servants of God.
At this period Theresa meditated the foundation of a new convent of the Carmelite order, to be called St. Joseph, after the name of her patron saint. But here she found great difficulty, as her plans were not generally approved by her superiors or the learned men whom she consulted. They were deemed impracticable, for she insisted that the convent should not be endowed, nor be allowed to possess property. In all the monasteries of the Middle Ages, the monks, if individually poor, might be collectively rich; and all the famous monasteries came gradually to be as well endowed as Oxford and Cambridge universities were. This proved, in the end, an evil, since the monks became lazy and luxurious and proud. They could afford to be idle; and with idleness and luxury came corruption. The austere lives of the founders of these monasteries gave them a reputation for sanctity and learning, and this brought them wealth. Rich people who had no near relatives were almost certain to leave them something in their wills. And the richer the monasteries became, the greedier their rulers were.
Theresa determined to set a new example. She did not institute any stricter rules; she was emancipated from austerities; but she resolved to make her nuns dependent on the Lord rather than on rich people. Nor was she ambitious of founding a large convent. She thought that thirteen women together were enough. Gradually she brought the provincial of the order over to her views, and also the celebrated friar, Peter of Alcantara, the most eminent ecclesiastic in Spain. But the townspeople of Avila were full of opposition. They said it was better for Theresa to remain where she was; that there was no necessity for another convent, and that it was a very foolish thing. So great was the outcry, that the provincial finally withdrew his consent; he also deemed the revenue to be too uncertain. Then the advice of a celebrated Dominican was sought, who took eight days to consider the matter, and was at first inclined to recommend the abandonment of the project, but on further reflection he could see no harm in it, and encouraged it. So a small house was bought, for the nuns must have some shelter over their heads. The provincial changed his opinion again, and now favored the enterprise. It was a small affair, but a great thing to Theresa. Her friend the Dominican wrote letters to Rome, and the provincial offered no further objection. Moreover, she had bright visions of celestial comforters.
But the superior of her convent, not wishing the enterprise to succeed, and desiring to get her out of the way, sent Theresa to Toledo, to visit and comfort a sick lady of rank, with whom she remained six months. Here she met many eminent men, chiefly ecclesiastics of the Dominican and Jesuit orders; and here she inspired other ladies to follow her example, among others a noble nun of her own order, who sold all she had and walked to Rome barefooted, in order to obtain leave to establish a religious house like that proposed by Theresa. At last there came letters and a brief from Rome for the establishment of the convent, and Theresa was elected prioress, in the year 1562.
But the opposition still continued, and the most learned and influential were resolved on disestablishing the house. The matter at last reached the ears of the King and council, and an order came requiring a statement as to how the monastery was to be founded. Everything was discouraging. Theresa, as usual, took refuge in prayer, and went to the Lord and said, "This house is not mine; it is established for Thee; and since there is no one to conduct the case, do Thou undertake it." From that time she considered the matter settled. Nevertheless the opposition continued, much to the astonishment of Theresa, who could not see how a prioress and twelve nuns could be injurious to the city. Finally, opposition so far ceased that it was agreed that the house should be unmolested, provided it were endowed. On this point, however, Theresa was firm, feeling that if she once began to admit revenue, the people would not afterwards allow her to refuse it. So amid great opposition she at last took up her abode in the convent she had founded, and wanted for nothing, since alms, all unsolicited, poured in sufficient for all necessities; and the attention of the nuns was given to their duties without anxieties or obstruction, in all the dignity of voluntary poverty.
I look upon this reformation of the Carmelite order as very remarkable. The nuns did not go around among rich people supplicating their aid as was generally customary, for no convent or monastery was ever rich enough, in its own opinion. Still less did they say to rich people, "Ye are the lords and masters of mankind. We recognize your greatness and your power. Deign to give us from your abundance, not that we may live comfortably when serving the Lord, but live in luxury like you, and compete with you in the sumptuousness of our banquets and in the costliness of our furniture and our works of art, and be your companions and equals in social distinctions, and be enrolled with you as leaders of society." On the contrary they said, "We ask nothing from you. We do not wish to be rich. We prefer poverty. We would not be encumbered with useless impediments—too much camp equipage—while marching to do battle with the forces of the Devil. Christ is our Captain. He can take care of his own troops. He will not let us starve. And if we do suffer, what of that? He suffered for our sake, shall we not suffer for his cause?"
The Convent of St. Joseph was founded in 1562, after Theresa had passed twenty-nine years in the Convent of the Incarnation. She died, 1582, at the age of sixty-seven, after twenty years of successful labors in the convent she had founded; revered by everybody; the friend of some of the most eminent men in Spain, including the celebrated Borgia, ex-Duke of Candia, and General of the Jesuits, who took the same interest in Theresa that Fenelon did in Madame Guyon. She lived to see established sixteen convents of nuns, all obeying her reformed rule, and most of them founded by her amid great difficulties and opposition. When she founded the Carmelite Convent of Toledo she had only four ducats to begin with. Some one objected to the smallness of the sum, when she replied, "Theresa and this money are indeed nothing; but God and Theresa and four ducats can accomplish anything." It was amid the fatigues incident to the founding a convent in Burgos that she sickened and died.
It was not, however, merely from her labors as a reformer and nun that Saint Theresa won her fame, but also for her writings, which blaze with genius, although chiefly confined to her own religious experience. These consist of an account of her own life, and various letters and mystic treatises, some description of her spiritual conflicts and ecstasies, others giving accounts of her religious labors in the founding of reformed orders and convents; while the most famous is a rapt portrayal of the progress of the soul to the highest heaven. Her own Memoirs remind one of the "Confessions of Saint Augustine," and of the "Imitation of Christ," by Thomas a Kempis. People do not read such books in these times to any extent, at least in this country, but they have ever been highly valued on the continent of Europe. The biographers of Saint Theresa have been numerous, some of them very distinguished, like Ribera, Yepez, and Sainte Marie. Bossuet, while he condemned Madame Guyon for the same mystical piety which marked Saint Theresa, still bowed down to the authority of the writings of the saint, while Fleury quotes them with the decrees of the Council of Trent.
But Saint Theresa ever was submissive to the authority of the Pope and of her spiritual directors. She would not have been canonized by Gregory XV. had she not been. So long as priests and nuns have been submissive to the authority of the Church, the Church has been lenient to their opinions. Until the Reformation, there was great practical freedom of opinion in the Catholic Church. Nor was the Church of the sixteenth century able to see the logical tendency of the mysticism of Saint Theresa, since it was not coupled with rebellion against spiritual despotism. It was not until the logical and dogmatic intellect of Bossuet discerned the spiritual independence of the Jansenists and Quietists, that persecution began against them. Had Saint Theresa lived a century later, she would probably have shared the fate of Madame Guyon, whom she resembled more closely than any other woman that I have read of,—in her social position, in her practical intellect, despite the visions of a dreamy piety, in her passionate love of the Saviour, in her method of prayer, in her spiritual conflicts, in the benevolence which marked all her relations with the world, in the divine charity which breathed through all her words, and in the triumph of love over all the fears inspired by a gloomy theology and a superstitious priesthood. Both of these eminent women were poets of no ordinary merit; both enjoyed the friendship of the most eminent men of their age; both craved the society of the learned; both were of high birth and beautiful in their youth, and fitted to adorn society by their brilliant talk as well as graceful manners; both were amiable and sought to please, and loved distinction and appreciation; both were Catholics, yet permeated with the spirit of Protestantism, so far as religion is made a matter between God and the individual soul, and marked by internal communion with the Deity rather than by outward acts of prescribed forms; both had confessors, and yet both maintained the freedom of their minds and souls, and knew of no binding authority but that divine voice which appealed to their conscience and heart, and that divine word which is written in the Scriptures. After the love of God had subdued their hearts, we read but little of penances, or self-expiations, or forms of worship, or church ceremonies, or priestly rigors, or any of the slaveries and formalities which bound ordinary people. Their piety was mystical, sometimes visionary, and not always intelligible, but deep, sincere, and lofty. Of the two women, I think Saint Theresa was the more remarkable, and had the most originality. Madame Guyon seems to have borrowed much from her, especially in her methods of prayer.
The influence of Saint Theresa's life and writings has been eminent and marked, not only in the Catholic but in the Protestant Church. If not direct, it has been indirect. She had that active, ardent nature which sets at defiance a formal piety, and became an example to noble women in a more enlightened, if less poetic, age. She was the precursor of a Madame de Chantal, of a Francis de Sales, of a Mere Angelique. The learned and saintly Port Royalists, in many respects, were her disciples. We even see a resemblance to her spiritual exercises in the "Thoughts" of Pascal. We see her mystical love of the Saviour in the poetry of Cowper and Watts and Wesley. The same sentiments she uttered appear even in the devotional works of Jeremy Taylor and Jonathan Edwards. The Protestant theology of the last century was in harmony with hers in its essential features. In the "Pilgrim's Progress" of Bunyan we have no more graphic pictures of the sense of sin, the justice of its punishment, and the power by which it is broken, than are to be found in the writings of this saintly woman. In no Protestant hymnals do we find a warmer desire for a spiritual union with the Author of our salvation; in none do we see the aspiring soul seeking to climb to the regions of eternal love more than in her exultant melodies.
"For uncreated charms I burn, Oppressed by slavish fears no more; For One in whom I may discern, E'en when He frowns, a sweetness I adore."
That remarkable work of Fenelon in which he defends Madame Guyon, called "Maxims of the Saints," would equally apply to Saint Theresa, in fact to all those who have been distinguished for an inward life, from Saint Augustine to Richard Baxter,—for unselfish love, resignation to the divine will, self-renunciation, meditation too deep for words, and union with Christ, as represented by the figure of the bride and bridegroom. This is Christianity, as it has appeared in all ages, both among Catholic and Protestant saints. It may seem to some visionary, to others unreasonable, and to others again repulsive. But this has been the life and joy of those whom the Church has honored and commended. It has raised them above the despair of Paganism and the superstitions of the Middle Ages. It is the love which casteth out fear, producing in the harassed soul repose and rest amid the doubts and disappointments of life. It is not inspired by duty; it does not rest on philanthropy; it is not the religion of humanity. It is a gift bestowed by the Father of Lights, and will be, to remotest ages, the most precious boon which He bestows on those who seek His guidance.
AUTHORITIES.
Vie de Sainte Therese, ecrite par elle-meme; Lettres de Sainte Therese; Les Ouvrages de Sainte Therese; Biographie Universelle; Fraser's Magazine, lxv. 59; Butler's Lives of the Saints; Digby's Ages of Faith; the Catholic Histories of the Church, especially Fleury's "Maxims of the Saints." Lives of Saint Theresa by Ribera, Yepez, and Sainte Marie.
MADAME DE MAINTENON.
* * * * *
A. D. 1635-1719.
THE POLITICAL WOMAN.
I present Madame de Maintenon as one of those great women who have exerted a powerful influence on the political destinies of a nation, since she was the life of the French monarchy for more than thirty years during the reign of Louis XIV. In the earlier part of her career she was a queen of society; but her social triumphs pale before the lustre of that power which she exercised as the wife of the greatest monarch of the age,—so far as splendor and magnificence can make a monarch great. No woman in modern times ever rose so high from a humble position, with the exception of Catherine I, wife of Peter the Great. She was not born a duchess, like some of those brilliant women who shed glory around the absolute throne of the proudest monarch of his century, but rose to her magnificent position by pure merit,—her graces, her virtues, and her abilities having won the respect and admiration of the overlauded but sagacious King of France. And yet she was well born, so far as blood is concerned, since the Protestant family of D'Aubigne—to which she belonged—was one of the oldest in the kingdom. Her father, however, was a man of reckless extravagance and infamous habits, and committed follies and crimes which caused him to be imprisoned in Bordeaux. While in prison he compromised the character of the daughter of his jailer, and by her means escaped to America. He returned, and was again arrested. His wife followed him to his cell; and it was in this cell that the subject of this lecture was born (1635). Subsequently her miserable father obtained his release, sailed with his family to Martinique, and died there in extreme poverty. His wife, heart-broken, returned to France, and got her living by her needle, until she too, worn out by poverty and misfortune, died, leaving her daughter to strive, as she had striven, with a cold and heartless world.
This daughter became at first a humble dependent on one of her rich relatives; and "the future wife of Louis XIV. could be seen on a morning assisting the coachmen to groom the horses, or following a flock of turkeys, with her breakfast in a basket." But she was beautiful and bright, and panted, like most ambitious girls, for an entrance into what is called "society." Society at that time in France was brilliant, intellectual, and wicked. "There was the blending of calculating interest and religious asceticism," when women of the world, after having exhausted its pleasures, retired to cloisters, and "sacrificed their natural affections to family pride." It was an age of intellectual idlers, when men and women, having nothing to do, spent their time in salons, and learned the art of conversation, which was followed by the art of letter-writing.
To reach the salons of semi-literary and semi-fashionable people, where rank and wealth were balanced by wit, became the desire of the young Mademoiselle d'Aubigne. Her entrance into society was effected in a curious way. At that time there lived in Paris (about the year 1650) a man whose house was the centre of gay and literary people,—those who did not like the stiffness of the court or the pedantries of the Hotel de Rambouillet. His name was Scarron,—a popular and ribald poet, a comic dramatist, a buffoon, a sort of Rabelais, whose inexhaustible wit was the admiration of the city. He belonged to a good family, and originally was a man of means. His uncle had been a bishop and his father a member of the Parliament of Paris. But he had wasted his substance in riotous living, and was reduced to a small pension from the Government. His profession was originally that of a priest, and he continued through life to wear the ecclesiastical garb. He was full of maladies and miseries, and his only relief was in society. In spite of his poverty he contrived to give suppers—they would now be called dinners—which were exceedingly attractive. To his house came the noted characters of the day,—Mademoiselle de Scudery the novelist, Marigny the songwriter, Henault the translator of Lucretius, De Grammont the pet of the court, Chatillon, the duchesses de la Saliere and De Sevigne, even Ninon de L'Enclos; all bright and fashionable people, whose wit and raillery were the admiration of the city.
It so happened that to a reception of the Abbe Scarron was brought one day the young lady destined to play so important a part in the history of her country. But her dress was too short, which so mortified her in the splendid circle to which she was introduced that she burst into tears, and Scarron was obliged to exert all his tact to comfort her. Yet she made a good impression, since she was beautiful and witty; and a letter which she wrote to a friend soon after, which letter Scarron happened to see, was so remarkable, that the crippled dramatist determined to make her his wife,—she only sixteen, he forty-two; so infirm that he could not walk, and so poor that the guests frequently furnished the dishes for the common entertainments. And with all these physical defects (for his body was bent nearly double), and notwithstanding that he was one of the coarsest and profanest men of that ungodly age, she accepted him. What price will not an aspiring woman pay for social position!—for even a marriage with Scarron was to her a step in the ladder of social elevation.
Did she love this bloated and crippled sensualist, or was she carried away by admiration of his brilliant conversation, or was she actuated by a far-reaching policy? I look upon her as a born female Jesuit, believing in the principle that the end justifies the means. Nor is such Jesuitism incompatible with pleasing manners, amiability of temper, and great intellectual radiance; it equally marked, I can fancy, Jezebel, Cleopatra, and Catherine de Medicis. Moreover, in France it has long been the custom for poor girls to seek eligible matches without reference to love.
It does not seem that this hideous marriage provoked scandal. In fact, it made the fortune of Mademoiselle d'Aubigne. She now presided at entertainments which were the gossip of the city, and to which stupid dukes aspired in vain; for Scarron would never have a dull man at his table, not even if he were loaded with diamonds and could trace his pedigree to the paladins of Charlemagne. But by presiding at parties made up of the elite of the fashionable and cultivated society of Paris, this ambitious woman became acquainted with those who had influence at court; so that when her husband died, and she was cut off from his life-pension and reduced to poverty, she was recommended to Madame de Montespan, the King's mistress, as the governess of her children. It was a judicious appointment. Madame Scarron was then thirty-four, in the pride of womanly grace and dignity, with rare intellectual gifts and accomplishments. There is no education more effective than that acquired by constant intercourse with learned and witty people. Even the dinner-table is no bad school for one naturally bright and amiable. There is more to be learned from conversation than from books. The living voice is a great educator.
Madame Scarron, on the death of her husband, was already a queen of society. As the governess of Montespan's children,—which was a great position, since it introduced her to the notice of the King himself, the fountain of all honor and promotion,—her habits of life were somewhat changed. Life became more sombre by the irksome duties of educating unruly children, and the forced retirement to which she was necessarily subjected. She could have lived without this preferment, since the pension of her husband was restored to her, and could have made her salon the resort of the best society. But she had deeper designs. Not to be the queen of a fashionable circle did she now aspire, but to be the leader of a court.
But this aim she was obliged to hide. It could only be compassed by transcendent tact, prudence, patience, and good sense, all of which qualities she possessed in an eminent degree. It was necessary to gain the confidence of an imperious and jealous mistress—which was only to be done by the most humble assiduities—before she could undermine her in the affections of the King. She had also to gain his respect and admiration without allowing any improper intimacy. She had to disarm jealousy and win confidence; to be as humble in address as she was elegant in manners, and win a selfish man from pleasure by the richness of her conversation and the severity of her own morals.
Little by little she began to exercise a great influence over the mind of the King when he was becoming wearied of the railleries of his exacting favorite, and when some of the delusions of life were beginning to be dispelled. He then found great solace and enjoyment in the society of Madame Scarron, whom he enriched, enabling her to purchase the estate of Maintenon and to assume its name. She soothed his temper, softened his resentments, and directed his attention to a new field of thought and reflection. She was just the opposite of Montespan in almost everything. The former won by the solid attainments of the mind; the latter by her sensual charms. The one talked on literature, art, and religious subjects; the other on fetes, balls, reviews, and the glories of the court and its innumerable scandals. Maintenon reminded the King of his duties without sermonizing or moralizing, but with the insidious flattery of a devout worshipper of his genius and power; Montespan directed his mind to pleasures which had lost their charm. Maintenon was always amiable and sympathetic; Montespan provoked the King by her resentments, her imperious exactions, her ungovernable fits of temper, her haughty sarcasm. Maintenon was calm, modest, self-possessed, judicious, wise; Montespan was passionate, extravagant, unreasonable. Maintenon always appealed to the higher nature of the King; Montespan to the lower. The one was a sincere friend, dissuading from folly; the other an exacting lover, demanding perpetually new favors, to the injury of the kingdom and the subversion of the King's dignity of character. The former ruled through the reason; the latter through the passions. Maintenon was irreproachable in her morals, preserved her self-respect, and tolerated no improper advances, having no great temptations to subdue, steadily adhering to that policy which she knew would in time make her society indispensable; Montespan was content to be simply mistress, with no forecast of the future, and with but little regard to the interests or honor of her lord. Maintenon became more attractive every day from the variety of her intellectual gifts and her unwearied efforts to please and instruct; Montespan, although a bright woman, amidst the glories of a dazzling court, at last wearied, disgusted and repelled. And yet the woman who gradually supplanted Madame de Montespan by superior radiance of mind and soul openly remained her friend, through all her waning influence, and pretended to come to her rescue.
The friendship of the King for Madame de Maintenon began as early as 1672; and during the twelve years she was the governess of Montespan's children she remained discreet and dignified. "I dismiss him," said she, "always despairing, never repulsed." What a transcendent actress! What astonishing tact! What shrewdness blended with self-control! She conformed herself to his tastes and notions. At the supper-tables of her palsied husband she had been gay, unstilted, and simple; but with the King she became formal, prudish, ceremonious, fond of etiquette, and pharisaical in her religious life. She discreetly ruled her royal lover in the name of virtue and piety. In 1675 the King created her Marquise de Maintenon.
On the disgrace of Madame de Montespan, when the King was forty-six, Madame de Maintenon still remained at court, having a conspicuous office in the royal household as mistress of the robes to the Dauphiness, so that her nearness to the King created no scandal. She was now a stately woman, with sparkling black eyes, a fine complexion, beautiful teeth, and exceedingly graceful manners. The King could not now live without her, for he needed a counsellor whom he could trust. It must be borne in mind that the great Colbert, on whose shoulders had been laid the burdens of the monarchy, had recently died. On the death of the Queen (1685), Louis made Madame de Maintenon his wife, she being about fifty and he forty-seven.
This private and secret marriage was never openly divulged during the life of the King, although generally surmised. This placed Madame de Maintenon—for she went by this title—in a false position. To say the least, it was humiliating amid all the splendors to which she was raised; for if she were a lawful wife, she was not a queen. Some, perhaps, supposed she was in the position of those favorites whose fate, again and again, has been to fall.
One thing is certain,—the King would have made her his mistress years before; but to this she would never consent. She was too politic, too ambitious, too discreet, to make that immense mistake. Yet after the dismissal of Montespan she seemed to be such, until she had with transcendent art and tact attained her end. It is a flaw in her character that she was willing so long to be aspersed; showing that power was dearer to her than reputation. Bossuet, when consulted by the King as to his intended marriage, approved of it only on the ground that it was better to make a foolish marriage than violate the seventh commandment. La Chaise, the Jesuit confessor, who travelled in a coach and six, recommended it, because Madame de Maintenon was his tool. But Louvois felt the impropriety as well as Fenelon, and advised the King not thus to commit himself. The Dauphin was furious. The Archbishop of Paris simply did his duty in performing the ceremony.
Doubtless reasons of State imperatively demanded that the marriage should not openly be proclaimed, and still more that the widow of Scarron should not be made the Queen of France. Louis was too much of a politician, and too proud a man, to make this concession. Had he raised his unacknowledged wife to the throne, it would have resulted in political complications which would have embarrassed his whole subsequent reign. He dared not do this. He could not thus scandalize all Europe, and defy all the precedents of France. And no one knew this better than Madame de Maintenon herself. She appeared to be satisfied if she could henceforth live in virtuous relations. Her religious scruples are to be respected. It is wonderful that she gained as much as she did in that proud, cynical, and worldly court, and from the proudest monarch in the world. But Louis was not happy without her,—a proof of his respect and love. At the age of forty-seven he needed the counsels of a wife amid his increasing embarrassments. He was already wearied, sickened, and disgusted: he now wanted repose, friendship, and fidelity. He certainly was guilty of no error in marrying one of the most gifted women of his kingdom,—perhaps the most accomplished woman of the age, interesting and even beautiful at fifty. She was then in the perfection of mental and moral fascinations. He made no other sacrifice than of his pride. His fidelity to his wife, and his constant devotion to her until he died, proved the sincerity and depth of his attachment; and her marvellous influence over him was on the whole good, with the exception of her religious intolerance.
As the wife of Louis XIV. the power of Madame de Maintenon became almost unbounded. Her ambition was gratified, and her end was accomplished. She was the dispenser of court favors, the arbiter of fortunes, the real ruler of the land. Her reign was political as well as social. She sat in the cabinet of the King, and gave her opinions on State matters whenever she was asked. Her counsels were so wise that they generally prevailed. No woman before or after her ever exerted so great an influence on the fortunes of a kingdom as did the widow of the poet Scarron. The court which she adorned and ruled was not so brilliant as it had been under Madame de Montespan, but was still magnificent. She made it more decorous, though, probably more dull. She was opposed to all foolish, expenditures. She discouraged the endless fetes and balls and masquerades which made her predecessor so popular. But still Versailles glittered with unparalleled wonders: the fountains played; grand equipages crowded the park; the courtiers blazed in jewels and velvets and satins; the salons were filled with all who were illustrious in France; princes, nobles, ambassadors, generals, statesmen, and ministers rivalled one another in the gorgeousness of their dresses; women of rank and beauty displayed their graces in the Salon de Venus.
The articles of luxury and taste that were collected in the countless rooms of that vast palace almost exceeded belief. And all these blazing rooms were filled, even to the attic, with aristocratic servitors, who poured out perpetual incense to the object of their united idolatry, who sat on almost an Olympian throne. Never was a monarch served by such idolaters. "Bossuet and Fenelon taught his children; Bourdaloue and Massillon adorned his chapel; La Chaise and Le Tellier directed his conscience; Boileau and Moliere sharpened his wit; La Rochefoucauld cultivated his taste; La Fontaine wrote his epigrams; Racine chronicled his wars; De Turenne commanded his armies; Fouquet and Colbert arranged his finances; Mole and D'Aguesseau pronounced his judgments; Louvois laid out his campaigns; Vauban fortified his citadels; Riquet dug his canals; Mansard constructed his palaces; Poussin decorated his chambers; Le Brun painted his ceilings; Le Notre laid out his grounds; Girardon sculptured his fountains; Montespan arranged his fetes; while La Valliere, La Fayette, and Sevigne—all queens of beauty—displayed their graces in the Salon de Venus." What an array of great men and brilliant women to reflect the splendors of an absolute throne! Never was there such an eclat about a court; it was one of the wonders of the age.
And Louis never lost his taste for this outward grandeur. He was ceremonious and exacting to the end. He never lost the sense of his own omnipotence. In his latter days he was sad and dejected, but never exhibited his weakness among his worshippers. He was always dignified and self-possessed. He loved pomp as much as Michael Angelo loved art. Even in his bitterest reverses he still maintained the air of the "Grand Monarque." Says Henri Martin:—
"Etiquette, without accepting the extravagant restraints which the court of France endured, and which French genius would not support, assumed an unknown extension, proportioned to the increase of royal splendor. It was adapted to serve the monarchy at the expense of the aristocracy, and tended to make functions prevail over birth. The great dukes and peers were multiplied in order to reduce their importance, and the King gave the marshals precedence over them. The court was a scientific and complicated machine which Louis guided with sovereign skill. At all hours, in all places, in the most trifling circumstances of life, he was always king. His affability never contradicted itself; he expressed interest and kindliness to all; he showed himself indulgent to errors that could not be repaired; his majesty was tempered by a grave familiarity; and he wholly refrained from those pointed and ironical speeches which so cruelly wound when falling from the lips of a man that none can answer. He taught all, by his example, the most exquisite courtesy to women. Manners acquired unequalled elegance. The fetes exceeded everything which romance had dreamed, in which the fairy splendors that wearied the eye were blended with the noblest pleasures of the intellect. But whether appearing in mythological ballets, or riding in tournaments in the armor of the heroes of antiquity, or presiding at plays and banquets in his ordinary apparel with his thick flowing hair, his loose surtout blazing with gold and silver, and his profusion of ribbons and plumes, always his air and port had something unique,—always he was the first among all. His whole life was like a work of art; and the role was admirably played, because he played it conscientiously."
The King was not only sacred, but he was supposed to have different blood in his veins from other men. His person was inviolable. He reigned, it was universally supposed, by divine right. He was a divinely commissioned personage, like Saul and David. He did not reign because he was able or powerful or wealthy, because he was a statesman or a general, but because he had a right to reign which no one disputed. This adoration of royalty was not only universal, but it was deeply seated in the minds of men, and marked strongly all the courtiers and generals and bishops and poets who surrounded the throne of Louis,—Bossuet and Fenelon, as well as Colbert and Louvois; Racine and Moliere, as well as Conde and Turenne. Especially the nobility of the realm looked up to the king as the source and centre of their own honors and privileges. Even the people were proud to recognize in him a sort of divinity, and all persons stood awe-struck in the presence of royalty. All this reverence was based on ideas which have ever moved the world,—such as sustained popes in the Middle Ages, and emperors in ancient Borne, and patriarchal rule among early Oriental peoples. Religion, as well as law and patriotism, invested monarchs with this sacred and inalienable authority, never greater than when Louis XIV. began to reign.
But with all his grandeur Louis XIV. did not know how to avail himself of the advantages which fortune and accident placed in his way. He was simply magnificent, like Xerxes,—like a man who had entered into a vast inheritance which he did not know what to do with. He had no profound views of statesmanship, like Augustus or Tiberius. He had no conception of what the true greatness of a country consisted in. Hence his vast treasures were spent in useless wars, silly pomps, and inglorious pleasures. His grand court became the scene of cabals and rivalries, scandals and follies. His wars, from which he expected glory, ended only in shame; his great generals passed away without any to take their place; his people, instead of being enriched by a development of national resources, became poor and discontented; while his persecutions decimated his subjects and sowed the seeds of future calamities. Even the learned men who shed lustre around his throne prostituted their talents to nurse his egotism, and did but little to elevate the national character. Neither Pascal with his intense hostility to spiritual despotism, nor Racine with the severe taste which marked the classic authors of Greece and Rome, nor Fenelon with his patriotic enthusiasm and clear perception of the moral strength of empires, dared to give full scope to his genius, but all were obliged to veil their sentiments in vague panegyrics of ancient heroes. At the close of the seventeenth century the great intellectual lights had disappeared under the withering influences of despotism,—as in ancient Rome under the emperors all manly independence had fled,—and literature went through an eclipse. That absorbing egotism which made Louis XIV. jealous of the fame of Conde and Luxembourg, or fearful of the talents of Louvois and Colbert, or suspicious of the influence of Racine and Fenelon, also led him to degrade his nobility by menial offices, and institute in his court a burdensome formality. |
|