"Lord, the good times I've seen in them days! Startin' early and comin' home late, with the sun settin' in front of you, and by and by the moon comin' up behind you, and the wind blowin' cool out o' the woods on the side o' the road; the baby fast asleep in my arms, and the other children talkin' with each other about what they'd seen, and Abram drivin' slow over the rough places, and lookin' back every once in a while to see if we was all there. It's a curious thing, honey; I liked fairs as well as anybody, and I reckon I saw all there was to be seen, and heard everything there was to be heard every time I went to one. But now, when I git to callin' 'em up, it appears to me that the best part of it all, and the part I ricollect the plainest, was jest the goin' there and the comin' back home.

"Abram knew I liked to stay till everything was over, and he'd git somebody to water and feed the stock, and then I never had any hot suppers to git while the fair lasted; so there wasn't anything to hurry me and Abram. I ricollect Maria Petty come up one day about five o'clock, jest as we was lookin' at the last race, and says she, 'I'm about to drop, Jane; but I believe I'd ruther stay here and sleep on the floor o' the amp'itheater than to go home and cook a hot supper.' And I says, 'Don't cook a hot supper, then.' And says she, 'Why, Silas wouldn't eat a piece o' cold bread at home to save his life or mine either.'

"There's a heap o' women to be pitied, child," said Aunt Jane, dropping a handful of shelled beans into my pan with a cheerful clatter, "but, of all things, deliver me from livin' with a man that has to have hot bread three times a day. Milly Amos used to say that when she died she wanted a hot biscuit carved on her tombstone; and that if it wasn't for hot biscuits, there'd be a mighty small crop of widowers. Sam, you see, was another man that couldn't eat cold bread. But Sam had a right to his hot biscuits; for if Milly didn't feel like goin' into the kitchen, Sam'd go out and mix up his biscuits and bake 'em himself. Sam's soda biscuits was as good as mine; and when it come to beaten biscuits, why nobody could equal Sam. Milly'd make up the dough as stiff as she could handle it, and Sam'd beat it till it was soft enough to roll out; and such biscuits I never expect to eat again—white and light as snow inside, and crisp as a cracker outside. Folks nowadays makes beaten biscuits by machinery, but they don't taste like the old-fashioned kind that was beat by hand.

"And talkin' about biscuits, child, reminds me of the cookin' I used to do for the fairs. I don't reckon many women likes to remember the cookin' they've done. When folks git to rememberin', it looks like the only thing they want to call up is the pleasure they've had, the picnics and the weddin's and the tea-parties. But somehow the work I've done in my day is jest as precious to me as the play I've had. I hear young folks complainin' about havin' to work so hard, and I say to 'em, 'Child, when you git to be as old as I am, and can't work all you want to, you'll know there ain't any pleasure like good hard work.'

"There's one thing that bothers me, child," and Aunt Jane's voice sank to a confidential key: "I've had a plenty o' fears in my life, but they've all passed over me; and now there's jest one thing I'm afraid of: that I'll live to be too old to work. It appears to me like I could stand anything but that. And if the time ever comes when I can't help myself, nor other folks either, I trust the Lord'll see fit to call me hence and give me a new body, and start me to work again right away.

"But, as I was sayin', I always enjoyed cookin', and it's a pleasure to me to set and think about the hams I've b'iled and the salt-risin' bread I've baked and the old-fashioned pound-cake and sponge-cake and all the rest o' the things I used to take to the fair. Abram was always mighty proud o' my cookin', and we generally had a half a dozen or more o' the town folks to eat dinner with us every day o' the fair. Old Judge Grace and Dr. Brigham never failed to eat with us. The old judge'd say something about my salt-risin' bread every time I'd meet him in town. The first year my bread took the premium, Abram sent the premium loaf to him with the blue ribbon tied around it. After Abram died I stopped goin' to the fairs, and I don't know how many years it'd been since I set foot on the grounds. I hadn't an idea how things'd changed since my day till, year before last, Henrietta and her husband come down here from Danville. He'd come to show some blooded stock, and she come along with him to see me. And says she, 'Grandma, you've got to go to the fair with me one day, anyhow;' and I went more to please her than to please myself.

"I'm always contendin', child, that this world's growin' better and better all the time; but, Lord! Lord! that fair come pretty near upsettin' my faith. Why, in my day folks could take their children to the fair and turn 'em loose; and, if they had sense enough to keep from under the horses' feet, they was jest as safe at the fair as they was at a May meetin'. But, la! the sights I saw that day Henrietta took me to the fair! Every which way you'd look there was some sort of a trap for temptin' boys and leadin' 'em astray. Whisky and beer and all sorts o' gamblin' machines and pool sellin', and little boys no higher'n that smokin' little white cigyars, and offerin' to bet with each other on the races. And I says to Henrietta, 'Child, I don't call this a fair; why, it's jest nothin' but a gamblin' den and a whisky saloon. And,' says I, 'I know now what old Uncle Henry Matthews meant.' I'd asked the old man if he was goin' to show anything at the fair that year, and he said, 'No, Jane. Unless you've got somethin' for the town folks to bet on, it ain't worth while.'

"But there was one thing I did enjoy that day, and that was the races. There's some folks thinks that racin' horses is a terrible sin; but I don't. It's the bettin' and the swearin' that goes with the racin' that's the sin. If folks'd behave as well as the horses behaves, a race'd be jest as religious as a Sunday-school picnic. There ain't a finer sight to me than a blooded horse goin' at a two-forty gait round a smooth track, and the sun a-shinin' and the flags a-wavin' and the wind blowin' and the folks cheerin' and hollerin'. So, when Henrietta said the races was goin' to begin, I says, says I, 'Here, child, take hold o' my arm and help me down these steps; I'm goin' to see one more race before I die.' And Henrietta helped me down, and we went over to the grand stand and got a good seat where I could see the horses when they come to the finish. I tell you, honey, it made me feel young again jest to see them horses coverin' the ground like they did. My father used to raise fine horses, and Abram used to say that when it come to knowin' a horse's p'ints, he'd back me against any man in Kentucky. I'll have to be a heap older'n I am now before I see the day when I wouldn't turn around and walk a good piece to look at a fine horse."

And the old lady gave a laugh at this confession of weakness.

"It was like old times to see the way them horses run. And when they come to the finish I was laughin' and hollerin' as much as anybody. And jest then somebody right behind me give a yell, and says he:

"'Hurrah for old Kentucky! When it comes to fine horses and fine whisky and fine women, she can't be beat.'

"Everybody begun to laugh, and a man right in front o' me says, 'It's that young feller from Lexin'ton. His father's one o' the biggest horsemen in the state. That's his horse that's jest won the race.' And I turned around to see, and there was a boy about the size o' my youngest grandchild up at Danville. His hat was set on the back of his head, and his hair was combed down over his eyes till he looked like he'd come out of a feeble-minded school. He had a little white cigyar in his mouth, and you could tell by his breath that he'd been drinkin'.

"Now I ain't much of a hand for meddlin' with other folks' business, but I'd been readin' about the Salvation Army, and how they preach on the street; and it come into my head that here was a time for some Salvation work. And I says to him, says I, 'Son, there's another thing that Kentucky used to be hard to beat on, and that was fine men. But,' says I, 'betwixt the fine horses and the fine women and the fine whisky, some o' the men has got to be a mighty common lot.' Says I, 'Holler as much as you please for that horse out there; he's worth hollerin' for. But,' says I, 'when a state's got to raisin' a better breed o' horses than she raises men, it ain't no time to be hollerin' "hurrah" for her.' Says I, 'You're your father's son, and yonder's your father's horse; now which do you reckon your father's proudest of to-day, his horse or his son?'

"Well, folks begun to laugh again, and the boy looked like he wanted to say somethin' sassy, but he couldn't git his wits together enough to think up anything. And I says, says I, 'That horse never touched whisky or tobacco in his life; he's clean-blooded and clean-lived, and he'll live to a good old age; and, maybe, when he dies they'll bury him like a Christian, and put a monument up over him like they did over Ten Broeck. But you, why, you ain't hardly out o' your short pants, and you're fifty years old if you're a day. You'll bring your father's gray hairs in sorrow to the grave, and you'll go to your own grave a heap sooner'n you ought to, and nobody'll ever build a monument over you.'

"There was three or four boys along with the Lexin'ton boy, and one of 'em that appeared to have less whisky in him than the rest, he says, 'Well, grandma, I reckon you're about right; we're a pretty bad lot.' And says he, 'Come on, boys, and let's git out o' this.' And off they went; and whether my preachin' ever did 'em any good I don't know, but I couldn't help sayin' what I did, and that's the last time I ever went to these new-fashioned fairs they're havin' nowadays. Fair time used to mean a heap to me, but now it don't mean anything but jest to put me in mind o' old times."

Just then there was a sound of galloping hoofs on the pike, and loud "whoas" from a rider in distress. We started up with the eagerness of those whose lives have flowed too long in the channels of stillness and peace. Here was a possibility of adventure not to be lost for any consideration. Aunt Jane dropped her pan with a sharp clang; I gathered up my skirt with its measure of unshelled beans, and together we rushed to the front of the house.

It was a "solitary horseman," wholly and ludicrously at the mercy of his steed, a mischievous young horse that had never felt the bridle and bit of a trainer.

"It's that red-headed boy of Joe Crofton's," chuckled Aunt Jane. "Nobody'd ever think he was born in Kentucky; now, would they? Old Man Bob Crawford used to say that every country boy in this state was a sort o' half-brother to a horse. But that boy yonder ain't no kin to the filly he's tryin' to ride. There's good blood in that filly as sure's you're born. I can tell by the way she throws her head and uses her feet. She'll make a fine saddle-mare, if her master ever gets hold of her. Jest look yonder, will you?"

The horse had come to a stand; she gave a sudden backward leap, raised herself on her hind legs, came down on all fours with a great clatter of hoofs, and began a circular dance over the smooth road. Round she went, stepping as daintily as a maiden at a May-day dance, while the rider clung to the reins, dug his bare heels into the glossy sides of his steed, and yelled "whoa," as if his salvation lay in that word. Then, as if just awakened to a sense of duty, the filly ceased her antics, tossed her head with a determined air, and broke into a brisk, clean gallop that would have delighted a skilled rider, but seemed to bring only fresh dismay to the soul of Joe Crofton's boy. His arms flapped dismally and hopelessly up and down; a gust of wind seized his ragged cap and tossed it impishly on one of the topmost boughs of the Osage-orange hedge; his protesting "whoa" voiced the hopelessness of one who resigns himself to the power of a dire fate, and he disappeared ingloriously in a cloud of summer dust. Whereupon we returned to the prosaic work of bean-shelling, with the feeling of those who have watched the curtain go down on the last scene of the comedy.

"I declare to goodness," sighed Aunt Jane breathlessly, as she stooped to recover her pan, "I ain't laughed so much in I don't know when. It reminds me o' the time Sam Amos rode in the t'u'nament." And she began laughing again at some recollection in which I had no part.

"Now, that's right curious, ain't it? When I set here talkin' about fairs, that boy comes by and makes me think o' how Sam rode at the fair that year they had the t'u'nament. I don't know how long it's been since I thought o' that ride, and maybe I never would 'a' thought of it again if that boy of Joe Crofton's hadn't put me in mind of it."

I dropped my butter-beans for a moment and assumed a listening attitude, and without any further solicitation, and in the natural course of events, the story began.

"You see the town folks was always gittin' up somethin' new for the fair, and that year I'm talkin' about it was a t'u'nament. All the Goshen folks that went to town the last County Court day before the fair come back with the news that there was goin' to be a t'u'nament the third day o' the fair. Everybody was sayin', 'What's that?' and nobody could answer 'em till Sam Crawford went to town one Saturday jest before the fair, and come back with the whole thing at his tongue's end. Sam heard that they was practisin' for the t'u'nament that evenin', and as he passed the fair grounds on his way home, he made a p'int of goin' in and seein' what they was about. He said there was twelve young men, and they was called knights; and they had a lot o' iron rings hung from the posts of the amp'itheater, and they'd tear around the ring like mad and try to stick a pole through every ring and carry it off with 'em, and the one that got the most rings got the blue ribbon. Sam said it took a good eye and a steady arm and a good seat to manage the thing, and he enjoyed watchin' 'em. 'But,' says he, 'why they call the thing a t'u'nament is more'n I could make out. I stayed there a plumb hour, and I couldn't hear nor see anything that sounded or looked like a tune.'

"Well, the third day o' the fair come, and we was all on hand to see the t'u'nament. It went off jest like Sam said. There was twelve knights, all dressed in black velvet, with gold and silver spangles, and they galloped around and tried to take off the rings on their long poles. When they got through with that, the knights they rode up to the judges with a wreath o' flowers on the ends o' their poles—lances, they called 'em—and every knight called out the name o' the lady that he thought the most of; and she come up to the stand, and they put the wreath on her head, and there was twelve pretty gyirls with flowers on their heads, and they was 'Queens of Love and Beauty.' It was a mighty pretty sight, I tell you; and the band was playin' 'Old Kentucky Home,' and everybody was hollerin' and throwin' up their hats. Then the knights galloped around the ring once and went out at the big gate, and come up and promenaded around the amp'itheater with the gyirls they had crowned. The knight that got the blue ribbon took off ten rings out o' the fifteen. He rode a mighty fine horse, and Sam Amos, he says, 'I believe in my soul if I'd 'a' been on that horse I could 'a' taken off every one o' them rings.' Sam was a mighty good rider, and Milly used to say that the only thing that'd make Sam enjoy ridin' more'n he did was for somebody to put up lookin'-glasses so he could see himself all along the road.

"Well, the next thing on the program was the gentleman riders' ring. The premium was five dollars in gold for the best gentleman rider. We was waitin' for that to commence, when Uncle Jim Matthews come up, and says he, 'Sam, there's only one entry in this ring, and it's about to fall through.'

"You see they had made a rule that year that there shouldn't be any premiums given unless there was some competition. And Uncle Jim says, 'There's a young feller from Simpson County out there mighty anxious to ride. He come up here on purpose to git that premium. Suppose you ride ag'inst him and show him that Simpson can't beat Warren.' Sam laughed like he was mightily pleased, and says he, 'I don't care a rap for the premium, Uncle Jim, but, jest to oblige the man from Simpson, I'll ride. But,' says he, 'I ought to 'a' known it this mornin' so I could 'a' put on my Sunday clothes.' And Uncle Jim says, 'Never mind that; you set your horse straight and carry yourself jest so, and the judges won't look at your clothes.' 'How about the horse?' says Sam. 'Why,' says Uncle Jim, 'there's a dozen or more good-lookin' saddle-horses out yonder outside the big gate, and you can have your pick.' So Sam started off, and the next thing him and the man from Simpson was trottin' around the ring. Us Goshen people kind o' kept together when we set down in the amp'itheater. Every time Sam'd go past us, we'd all holler 'hurrah!' for him. The Simpson man appeared to have a lot o' friends on the other side o' the amp'itheater, and they'd holler for him, and the town folks was divided up about even.

"Both o' the men rode mighty well. They put their horses through all the gaits, rackin' and pacin' and lopin', and it looked like it was goin' to be a tie, when all at once the band struck up 'Dixie,' and Sam's horse broke into a gallop. Sam didn't mind that; he jest pushed his hat down on his head and took a firm seat, and seemed to enjoy it as much as anybody. But after he'd galloped around the ring two or three times, he tried to rein the horse in and get him down to a nice steady trot like the Simpson man was doin'. But, no, sir. That horse hadn't any idea of stoppin'. The harder the band played the faster he galloped; and Uncle Jim Matthews says, 'I reckon Sam's horse thinks it's another t'u'nament.' And Abram says, 'Goes like he'd been paid to gallop jest that way; don't he, Uncle Jim?'

"But horses has a heap o' sense, child; and it looked to me like the horse knew he had Sam Amos, one o' the best riders in the county, on his back and he was jest playin' a little joke on him.

"Well, of course when the judges seen that Sam'd lost control of his horse, they called the Simpson man up and tied the blue ribbon on him. And he took off his hat and waved it around, and then he trotted around the ring, and the Simpson folks hollered and threw up their hats. And all that time Sam's horse was tearin' around the ring jest as hard as he could go. Sam's hat was off, and I ricollect jest how his hair looked, blowin' back in the wind—Milly hadn't trimmed it for some time—and him gittin' madder and madder every minute. Of course us Goshen folks was mad, too, because Sam didn't git the blue ribbon; but we had to laugh, and the town folks and the Simpson folks they looked like they'd split their sides. Old Man Bob Crawford jest laid back on the benches and hollered and laughed till he got right purple in the face. And says he, 'This beats the Kittle Creek babtizin' all to pieces.'

"Well, nobody knows how long that horse would 'a' kept on gallopin', for Sam couldn't stop him; but finally two o' the judges they stepped out and headed him off and took hold o' the bridle and led him out o' the ring. And Uncle Jim Matthews he jumps up, and says he, 'Let me out o' here. I want to see Sam when he gits off o' that horse.' Milly was settin' on the top seat considerably higher'n I was. And says she, 'I wouldn't care if I didn't see Sam for a week to come. Sam don't git mad often,' says she, 'but when he does, folks'd better keep out o' his way.'

"Well, Uncle Jim started off, and the rest of us set still and waited; and pretty soon here come Sam lookin' mad enough to fight all creation, sure enough. Everybody was still laughin', but nobody said anything to Sam till up comes Old Man Bob Crawford with about two yards o' blue ribbon. He'd jumped over into the ring and got it from the judges as soon as he could quit laughin'. And says he, 'Sam, I have seen gracefuler riders, and riders that had more control over their horses, but,' says he, 'I never seen one yet that stuck on a horse faithfuler'n you did in that little t'u'nament o' yours jest now; and I'm goin' to tie this ribbon on you jest as a premium for stickin' on, when you might jest as easy 'a' fell off.' Well, everybody looked for Sam to double up his fist and knock Old Man Bob down, and he might 'a' done it, but Milly saw how things was goin', and she come hurryin' up. Milly was a mighty pretty woman, and always dressed herself neat and trim, but she'd been goin' around with little Sam in her arms, and her hair was fallin' down, and she looked like any woman'd look that'd carried a heavy baby all day and dragged her dress over a dusty floor. She come up, and says she, 'Well, Sam, ain't you goin' to crown me "Queen o' Love and Beauty"?' Folks used to say that Sam never was so mad that Milly couldn't make him laugh, and says he, 'You look like a queen o' love and beauty, don't you?' Of course that turned the laugh on Milly, and then Sam come around all right. And says he, 'Well, neighbors, I've made a fool o' myself, and no mistake; and you all can laugh as much as you want to;' and he took Old Man Bob's blue ribbon and tied it on little Sam's arm, and him and Milly walked off together as pleasant as you please. And that's how Sam Amos rode in the t'u'nament," said Aunt Jane conclusively, as she arose from her chair and shook a lapful of bean pods into a willow basket near by.

"Is Sam Amos living yet?" I asked, in the hope of prolonging an o'er-short tale. A softened look came over Aunt Jane's face.

"No, child," she said quietly, "Sam's oldest son is livin' yet, and his three daughters. They all moved out o' the Goshen neighborhood long ago. But Sam's been in his grave twenty years or more, and here I set laughin' about that ride o' his. Somehow or other I've outlived nearly all of 'em. And now when I git to callin' up old times, no matter where I start out, I'm pretty certain to end over in the old buryin'-ground yonder. But then," and she smiled brightly, "there's a plenty more to be told over on the other side."



VIII

MARY ANDREWS' DINNER-PARTY



"Well!" exclaimed Aunt Jane, as she surveyed her dinner-table, "looks like Mary Andrews' dinner-party, don't it? However, there's a plenty of it such as it is, and good enough what there is of it, as the old man said; so set down, child, and help yourself."

A loaf of Aunt Jane's salt-rising bread, a plate of golden butter, a pitcher of Jersey milk, and a bowl of honey in the comb,—who would ask for more? And as I sat down I blessed the friendly rain that had kept me from going home.

"But who was Mary Andrews? and what about her dinner-party?" I asked, as I buttered my bread.

"Eat your dinner, child, and then we'll talk about Mary Andrews," laughed Aunt Jane. "If I'd 'a' thought before I spoke, which I hardly ever do, I wouldn't 'a' mentioned Mary Andrews, for I know you won't let me see any rest till you know all about her."

And Aunt Jane was quite right. A summer rain, and a story, too!

"I reckon there's mighty few livin' that ricollect about Mary Andrews and her dinner-party," she said meditatively an hour later, when the dishes had been washed and we were seated in the old-fashioned parlor.

"Mary Andrews' maiden name was Crawford. A first cousin of Sam Crawford she was. Her father was Jerry Crawford, a brother of Old Man Bob, and her mother was a Simpson. People used to say that the Crawfords and the Simpsons was like two mud-puddles with a ditch between, always runnin' together. I ricollect one year three Crawford sisters married three Simpson brothers. Mary was about my age, and she married Harvey Andrews a little over a year after me and Abram married, and there's few women I ever knew better and liked more than I did Mary Andrews.

"I ricollect her weddin' nearly as well as I do my own. My Jane was jest a month old, and I had to ask mother to come over and stay with the baby while I went to the weddin'. I hadn't thought much about what I'd wear—I'd been so taken up with the baby—and I ricollect I went to the big chest o' drawers in the spare room and jerked out my weddin' dress, and says I to mother, 'There'll be two brides at the weddin'!'

"But, bless your life, when I tried to make it meet around my waist, why, it lacked four or five inches of comin' together; and mother set and laughed fit to kill, and, says she, 'Jane, that dress was made for a young girl, and you'll never be a young girl again!' And I says, 'Well, I may never fasten this dress around my waist again, but I don't know what's to hinder me from bein' a young girl all my life.'

"I wish to goodness," she went on, "that I could ricollect what I wore to Mary Andrews' weddin'. I know I didn't wear my weddin' dress, and I know I went, but to save my life I can't call up the dress I had on. It ain't like me to forgit the clothes I used to wear, but I can't call it up. However, what I wore to Mary Andrews' weddin' ain't got anything to do with Mary Andrews' dinner-party."

Aunt Jane paused and scratched her head reflectively with a knitting needle. Evidently she was loath to go on with her story till the memory of that wedding garment should return to her.

"I was readin' the other day," she continued, "about somethin' they've got off yonder in Washington, some sort of bureau that tells folks what the weather'll be, and warns the ships about settin' off on a voyage when there's a storm ahead. And says I to myself, 'Do you reckon they'll ever git so smart that they can tell what sort o' weather there is ahead o' two people jest married and settin' out on the voyage that won't end till death parts 'em? and what sort o' weather they're goin' to have six months from the weddin' day?' The world's gittin' wiser every day, child, but there ain't nobody wise enough to tell what sort of a husband a man's goin' to make, nor what sort of a wife a woman's goin' to make, nor how a weddin' is goin' to turn out. I've watched folks marryin' for more'n seventy years, and I don't know much more about it than I did when I was a ten-year-old child. I've seen folks marry when it looked like certain destruction for both of 'em, and all at once they'd take a turn that'd surprise everybody, and things would come out all right with 'em. There was Wick Harris and Virginia Matthews. Wick was jest such a boy as Dick Elrod, and Virginia was another Annie Crawford. She'd never done a stitch o' sewin' nor cooked a meal o' victuals in her life, and I ricollect her mother sayin' she didn't know which she felt sorriest for, Wick or Virginia, and she wished to goodness there was a law to keep such folks from marryin'. But, bless your life! instead o' comin' to shipwreck like Dick and Annie, they settled down as steady as any old married couple you ever saw. Wick quit his drinkin' and gamblin', and Virginia, why, there wasn't a better housekeeper in the state nor a better mother'n she got to be.

"And then I've seen 'em marry when everything looked bright ahead and everybody was certain it was a good thing for both of 'em, and it turned out that everybody was wrong. That's the way it was with Mary Andrews and Harvey. Nobody had a misgivin' about it. Mary was as happy as a lark, and Harvey looked like he couldn't wait for the weddin' day, and everybody said they was made for each other. To be sure, Harvey was 'most a stranger in the neighborhood, havin' moved in about a year and a half before, and we couldn't know him like we did the Goshen boys that'd been born and brought up there. But nobody could say a word against him. His family down in Tennessee, jest beyond the state line, was as good people as ever lived, and Harvey himself was industrious and steady, and as fine lookin' a man as you'd see in a week's journey. Everybody said they never saw a handsomer couple than Harvey and Mary Andrews.

"Mary was a tall, proud-lookin' girl, always carried herself like a queen, and hadn't a favor to ask of anybody; and Harvey was half a head taller, and jest her opposite in color. She was dark and he was light. They was a fine sight standin' up before the preacher that day, and everybody was wishin' 'em good luck, though it looked like they had enough already; both of 'em young and healthy and happy and good-lookin', and Harvey didn't owe a cent on his farm, and Mary's father had furnished the house complete for her. The weddin' come off at four o'clock in the evenin', and we all stayed to supper, and after supper Harvey and Mary drove over to their new home. I ricollect how Mary looked back over her shoulder and laughed at us standin' on the steps and wavin' at her and hollerin' 'good-bye.'

"It was the fashion in that day for all the neighbors to entertain a newly married couple. Some would invite 'em to dinner, and some to supper, and then the bride and groom would have to do the same for the neighbors, and then the honeymoon'd be over, and they'd settle down and go to work like ordinary folks. We had Harvey and Mary over to dinner, and they asked us to supper. I ricollect how nice the table looked with Mary's new blue and white china and some o' the old-fashioned silver that'd been in the family for generations. And the supper matched the table, for Mary wasn't the kind that expects company to satisfy their hunger by lookin' at china and silver. She was a fine cook like her mother before her. Amos and Marthy Matthews had been invited, too, and we had a real pleasant time laughin' and jokin' like folks always do about young married people. After supper we all went out on the porch, and Mary whispered to me and Marthy to come and see her china closet and pantry. You know how proud a young housekeeper is of such things. She showed us all through the back part o' the house, and we praised everything and told her it looked like old experienced housekeepin' instead of a bride's.

"Well, when we went back to the dinin'-room on our way to the porch, if there wasn't Harvey bendin' over the table countin' the silver teaspoons! A man always looks out o' place doin' such things, and I saw Mary's face turn red to the roots of her hair. But nobody said anything, and we passed on through and left Harvey still countin'. It was a little thing, but I couldn't help thinkin' how queer it was for a man that hadn't been married two weeks to leave his company and go back to the table to count spoons, and I asked myself how I'd 'a' felt if I'd found Abram countin' spoons durin' the honeymoon.

"Did you ever take a walk, child, some cloudy night when everything's covered up by the darkness, and all at once there'll be a flash o' lightnin' showin' up everything jest for a second? Well, that's the way it is with people's lives. Near as Harvey and Mary lived to me, and friendly as we were, I couldn't tell what was happenin' between 'em. But every now and then, as the months went by, and the years, I'd see or hear somethin' that was like a flash of light in a dark place. Sometimes it was jest a look, but there's mighty little a look can't tell; and as for actions, you know they speak louder than words. I ricollect one Sunday Harvey and Mary was walkin' ahead o' me and Abram. There was a rough piece o' road jest in front of the church, and I heard Harvey say: 'Don't walk there, come over on the side where it's smooth.'

"I reckon Mary thought that Harvey was thinkin' of her feet, for she stepped over to the side of the road right at once and says he, 'Don't you know them stones'll wear out your shoes quicker'n anything?' And, bless your life, if Mary didn't go right back to the middle of the road, and she took particular pains to walk on the stones as far as they went. It was a little thing, to be sure, but it showed that Harvey was thinkin' more of his wife's shoes than he was of her feet, and that ain't a little thing to a woman.

"Then, again, there was the time when me and Abram was passin' Harvey's place one evenin', and a storm was comin' up, and we stopped in to keep from gittin' wet. Mary had been to town that day, and she had on her best dress. She was a woman that looked well in anything she put on. Plain clothes couldn't make her look plain, and she set off fine clothes as much as they set her off. Me and Abram took seats on the porch, and Mary went into the hall to git another chair. I heard the back hall door open and somebody come in, and then I heard Harvey's voice. Says he, 'Go up-stairs and take off that dress.' Says he, 'What's the use of wearin' out your best clothes here at home?' But before he got the last words out, Mary was on the porch with the chair in her hand, talkin' to us about her trip to town, and lookin' as unconcerned as if she hadn't heard or seen Harvey. That night I says to Abram, says I, 'Abram, did you ever have any cause to think that Harvey Andrews was a close man?'

"Abram thought a minute, and, says he, 'Why, no; I can't say I ever did. What put such a notion into your head, Jane? Harvey looks after his own interests in a trade, but he's as liberal a giver as there is in Goshen church. Besides,' says Abram, 'who ever heard of a tall, personable man like Harvey bein' close? Stingy people's always dried up and shriveled lookin'.'

"But I'd made up my mind what the trouble was between Harvey and Mary, and nothin' that Abram said could change it. I don't reckon any man knows how women feel about stinginess and closeness in their husbands. I believe most women'd rather live with a man that'd killed somebody than one that was stingy. And then Mary never was used to anything of that kind, for her father, old man Jerry Crawford, was one o' the freest-handed men in the county. It was 'Come in and make yourself at home' with everybody that darkened his door, and for a woman, raised like Mary was, havin' to live with a man like Harvey was about the hardest thing that could 'a' happened to her. However, she had the Crawford pride, and she carried her head high and laughed and smiled as much as ever; but there's a look that tells plain enough whether a woman's married to a man or whether she's jest tied to him and stayin' with him because she can't get free; and when Mary wasn't laughin' or smilin' I could tell by her face that she wasn't as happy as we all thought she was goin' to be the day she married Harvey."

Aunt Jane paused a moment to pick up a dropped stitch.

"It's a good thing you had your dinner, honey, before I started this yarn," she said, looking at me quizzically over her glasses, "for I'll be a long time bringin' you to the dinner-party. But I've got to tell you all this rigmarole first, so you'll understand what's comin'. If I was to tell you about the dinner-party first you'd get a wrong idea about Mary. That's how folks misjudges one another. They see people doin' things that ain't right, and they up and conclude they're bad people, when if they only knew somethin' about their lives, they'd understand how to make allowance for 'em. You've got to know a heap about people's lives, child, before you can judge 'em.

"Well, along about this time, somewhere in the '60's, I reckon it must 'a' been, there was a big excitement about politics. I can't somehow ricollect what it was all about, but they had speakin's everywhere, and the men couldn't talk about anything but politics from mornin' till night. Abram was goin' in to town every week to some meetin' or speakin'; and finally they had a big rally and a barbecue at Goshen. One of the speakers was Judge McGowan, from Tennessee, and he was a cousin of Harvey Andrews on his mother's side."

Here Aunt Jane paused again.

"I wish I could ricollect what it was all about," she said musingly. "Must 'a' been something mighty important, but it's slipped my memory, sure. I do ricollect, though, hearin' Sam Amos say to old Squire Bentham, 'What's the matter, anyhow? Ain't Kentucky politicians got enough gift o' gab, without sendin' down to Tennessee to git somebody to help you out?'

"And the old Squire laughed fit to kill; and says he, 'It's all on your account, Sam. We heard you was against us, and we knew there wasn't an orator in Kentucky that could make you change your mind. So we've sent down to Tennessee for Judge McGowan, and we're relyin' on him to bring you over to our side.' And that like to 'a' tickled Sam to death.

"Well, when Harvey heard his cousin was to be one o' the big men at the speakin', he was mighty proud, as anybody would 'a' been, and nothin' would do but he must have Judge McGowan to eat dinner at his house.

"Some of the men objected to this, and said the speakers ought to eat at the barbecue. But Harvey said that blood was thicker than water with him, and no cousin o' his could come to Goshen and go away without eatin' a meal at his house. So it was fixed up that everybody else was to eat at the barbecue, and Harvey was to take Judge McGowan over to his house to a family dinner-party.

"I dropped in to see Mary two or three days before the speakin', and when I was leavin', I said, 'Mary, if there's anything I can do to help you about your dinner-party, jest let me know.' And she said, 'There ain't a thing to do; Harvey's been to town and bought everything he could think of in the way of groceries, and Jane Ann's comin' over to cook the dinner; but thank you, all the same.'

"I thought Mary looked pleased and satisfied, and I says, 'Well, with everything to cook and Jane Ann to cook it, there won't be anything lackin' about that dinner.' And Mary laughed, and says she, 'You know I'm my father's own child.'

"Old Jerry used to say, ''Tain't no visit unless you waller a bed and empty a plate.' They used tell it that Aunt Maria, the cook, never had a chance to clean up the kitchen between meals, and the neighbors all called Jerry's house the free tavern. I've heard folks laugh many a time over the children recitin' the Ten Commandments Sunday evenin's, and Jerry would holler at 'em when they got through and say:

"'The 'leventh commandment for Kentuckians is, "Be not forgetful to entertain strangers," and never mind about 'em turnin' out to be angels. Plain folks is good enough for me.'

"Here I am strayin' off from the dinner, jest like I always do when I set out to tell anything or go anywhere. Abram used to say that if I started to the spring-house, I'd go by way o' the front porch and the front yard and the back porch and the back yard and the flower gyarden and the vegetable gyarden to git there.

"Well, the day come, and Judge McGowan made a fine speech, and Harvey carried him off in his new buggy, as proud as a peacock. I ricollect when I set down to my table that day I said to myself: 'I know Judge McGowan's havin' a dinner to-day that'll make him remember Kentucky as long as he lives.' And it wasn't till years afterwards that I heard the truth about that dinner. Jane Ann herself told me, and I don't believe she ever told anybody else. Jane Ann was crippled for a year or more before she died, and the neighbors had to do a good deal of nursin' and waitin' on her. I was makin' her a cup o' tea one day, and the kittle was bubblin' and singin', and she begun to laugh, and says she, 'Jane, do you hear that sparrer chirpin' in the peach tree there by the window?' Says she, 'I never hear a sparrer chirpin' and a kittle b'ilin', that I don't think o' the dinner Mary Andrews had the day Judge McGowan spoke at the big barbecue.' Says she, 'Mary's dead, and Harvey's dead, and I reckon there ain't any harm in speakin' of it now.' And then she told me the story I'm tellin' you.

"She said she went over that mornin' bright and early, and there was Mary sittin' on the back porch, sewin'. The house was all cleaned up, and there was a big panful o' greens on the kitchen table, but not a sign of a company dinner anywhere in sight. Jane Ann said Mary spoke up as bright and pleasant as possible, and told her to set down and rest herself, and she went on sewin', and they talked about this and that for a while, and finally Jane Ann rolled up her sleeves, and says she, 'I'm a pretty fast worker, Mis' Andrews, but a company dinner ain't any small matter; don't you think it's time to begin work?'

"And Mary jest smiled and said in her easy way, 'No, Jane Ann, there's not much to do. It won't take long for the greens to cook, and I want you to make some of your good corn bread to go with 'em.' And then she went on sewin' and talkin', and all Jane Ann could do was to set there and listen and wonder what it all meant.

"Finally the clock struck eleven, and Mary rolled up her work, and says she, 'You'd better make up your fire now, Jane Ann, and I'll set the table. Harvey likes an early dinner.'

"Jane Ann said she expected to see Mary get out the best china and silver and the finest tablecloth and napkins she had, but instead o' that she put on jest plain, everyday things. Everything was clean and nice, but it wasn't the way to set the table for a company dinner, and nobody knew that better than Mary Andrews.

"Jane Ann said she saw a ham and plenty o' vegetables and eggs in the pantry, and she could hardly keep her hands off 'em, and she did smuggle some potatoes into the stove after she got her greens washed and her meal scalded. She said she knew somethin' was wrong, but all she could do was to hold her tongue and do her work. That was Jane Ann's way. When Mary got through settin' the table, she went up-stairs and put on her best dress. Trouble hadn't pulled her down a bit; and, if anything, she was handsomer than she was the day she married. I reckon it was her spirit that kept her from breakin' and growin' old before her time. Jane Ann said she come down-stairs, her eyes sparklin' like a girl's and a bright color in her cheeks, and she had on a flowered muslin dress, white ground with sprigs o' lilac all over it, and lace in the neck, and angel sleeves that showed off her arms, and her hair was twisted high up on her head, and a big tortoise-shell comb in it. Jane Ann said she looked as pretty as a picture; and jest as she come down the stairs, Harvey drove up with Judge McGowan, and Mary walked out to give him a welcome, while Harvey put away the buggy. Nobody had pleasanter ways than Mary Andrews. She always had somethin' to say, and it was always the right thing to be said, and in a minute her and the old judge was laughin' like they'd known each other all their lives, and he had the children on his knees trottin' 'em and tellin' 'em about his little girl and boy at home.

"Jane Ann said her greens was about done and she started to put on the corn bread, but somethin' held her back. She knew corn bread and greens wasn't a fit dinner for a stranger that had been invited there, but of course she couldn't do anything without orders, and she was standin' over the stove waitin' and wonderin', when Harvey, man-like, walked in to see how dinner was gettin' on. Jane Ann said he looked at the pot o' greens and the pan of corn bread batter, and he went into the dinin'-room and saw the table all clean, but nothin' on it beyond the ordinary, and his face looked like a thunder-cloud. And jest then Mary come in all smilin', and the prettiest color in her cheeks, and Harvey wheeled around and says he, 'What does this mean? Where's the ham I told you to cook and all the rest o' the things I bought for this dinner?'

"Jane Ann said the way he spoke and the look in his eyes would 'a' frightened most any woman but Mary; she wasn't the kind to be frightened. Jane Ann said she stood up straight, with her head thrown back and still smilin', and her voice was as clear and sweet as if she'd been sayin' somethin' pleasant. And she looked Harvey straight in the eyes, and says she, 'It means, Harvey, that what's good enough for us is good enough for your kin.' Jane Ann said that Harvey looked at her a second as if he didn't understand, and then he give a start as if he ricollected somethin', and it looked like all the blood in his body rushed to his face, and he lifted one hand and opened his mouth like he was goin' to speak. There they stood, lookin' at each other, and Jane Ann said she never saw such a look pass between husband and wife before or since. If either of 'em had dropped dead, she said, it wouldn't 'a' seemed strange.

"Honey, I read a story once about two men that had quarreled, and one of 'em picked up a little rock and put it in his pocket, and for eight years he carried that rock, and once a year he'd turn it over. And at last, one day he met the man he hated, and he took out the rock he'd been carryin' so long, and threw it at him, and it struck him dead. Now I know as well as if Mary Andrews had told me, that Harvey had said them very same words to her years before, and she'd carried 'em in her heart, jest like the man carried the stone in his pocket, waitin' till she could throw 'em back at him and hurt him as much as he hurt her. It wasn't right nor Christian. But knowin' Mary Andrews as I did, I never had a word o' blame for her. There never was a better-hearted woman than Mary, and I always thought she must 'a' gone through a heap to make her say such a thing to Harvey.

"Jane Ann said that when she worked at a place she always tried to be blind and deaf so far as family matters was concerned, and she knew that she had no business seein' or hearin' anything that went on between Harvey and Mary, but there they stood, facin' each other, and she could hear a sparrer chirpin' outside, and the tea-kittle b'ilin' on the stove, while she stood watchin' 'em, feelin' like she was charmed by a snake. She said the look in Mary's eyes and the way she smiled made her blood run cold. And Harvey couldn't stand it. He had to give in.

"Jane Ann said his hand dropped, and he turned and walked out o' the house and down towards the barn. Mary watched him till he was out o' sight, and then she went back to the front porch, and the next minute she was laughin' and talkin' with Harvey's cousin as if nothin' had happened.

"Well, for the next half hour Jane Ann said she made her two hands do the work of four, and when she put the dinner on the table it was nothin' to be ashamed of. She sliced some ham and fried it, and made coffee and soda biscuits, and poached some eggs; and when they set down to the table, and the old judge'd said grace, he looked around, and, says he: 'How did you know, cousin, that jowl and greens was my favorite dish?' And while they was eatin' the first course, Jane Ann made up pie-crust and had a blackberry pie ready by the time they was ready to eat it. The old judge was a plain man and a hearty eater, and everything pleased him.

"When they first set down, Mary says, says she: 'You'll have to excuse Harvey, Cousin Samuel; he had some farm-work to attend to and won't be in for some little time.'

"And the old judge bows and smiles across the table, and, says he, 'I hadn't missed Harvey, and ain't likely to miss him when I'm talkin' to Harvey's wife.'

"Jane Ann said she never saw a meal pass off better, and when she looked at Mary jokin' and smilin' with the judge and waitin' on the children so kind and thoughtful, she could hardly believe it was the same woman that had stood there a few minutes before with that awful smile on her face and looked her husband in the eyes till she looked him down. She said she expected Harvey to step in any minute, and she kept things hot while she was washin' up the dishes. But two o'clock come and half-past two, and still no Harvey. And pretty soon here come Mary out to the kitchen, and says she:

"'I'm goin' to drive the judge to town, Jane Ann. And when you get through cleanin' up, jest close the house, and your money's on the mantelpiece in the dinin'-room.' Then she went out in the direction of the stable, and in a few minutes come drivin' back in the buggy. Jane Ann said the horse couldn't 'a' been unharnessed at all. Her and the judge got in with the two children down in front, and they drove off to catch the four-o'clock train.

"Jane Ann said she straightened everything up in the kitchen and dinin'-room, and shut up the house, and then she went out in the yard and walked down in the direction of the stable, and there was Harvey, standin' in the stable-yard. She said his face was turned away from her, and she was glad it was, for it scared her jest to look at his back. He was standin' as still as a statue, his arms hangin' down by his sides and both hands clenched, and it looked like he'd made up his mind to stand there till Judgment Day. Jane Ann said she wondered many a time how long he stayed there, and whether he ever did come to the house.

"I ricollect how everybody was talkin' about the speakin' that day. Abram come home from the barbecue, and, says he, 'Jane, I haven't heard such a speech as that since the days of old Humphrey Marshall; and as for the barbecue, all it needed was Judge McGowan to set at the head o' the table. But then,' says he, 'I reckon it was natural for Harvey to want to take his cousin home with him.'

"That was about four o'clock, and it wasn't more than two hours till we heard a horse gallopin' way up the pike. I'd jest washed the supper dishes, and me and Abram was out on the back porch, and I had the baby in my arms. There was somethin' in the sound o' the horse's hoofs that told me he was carryin' bad news, and I jumped up, and says I, 'Abram, some awful thing has happened.' And he says, 'Jane, are you crazy?' I could hear the sound o' the gallopin' comin' nearer and nearer, and I rushed out to the front gate with Abram follerin' after me. We looked up the road, and there was Sam Amos gallopin' like mad on that young bay mare of his. The minute he saw us he hollered out to Abram: 'Git ready as quick as you can, and go to town! Harvey Andrews has had an apoplectic stroke, and I want you to bring the undertaker out here right away.'

"I turned around to say, 'What did I tell you?' But before I could git the words out, Abram was off to saddle and bridle old Moll. That was always Abram's way. If there was anything to be done, he did it, and the talkin' and questionin' come afterwards.

"Sam stopped at the gate and got off a minute to give his horse a breathin' spell. He said he was passin' Harvey's place about five o'clock and he heard a child screamin'. 'At first,' says he, 'I didn't pay any attention to it, I'm so used to hearin' children holler. But after I got past the house I kept hearin' the child, and somethin' told me to turn back and find out what was the matter. I went in,' said he, 'and follered the sound till I come to the stable-yard, and there was Harvey, lyin' on the ground stone dead, and Mary standin' over him lookin' like a crazy woman, and the children, pore little things, screamin' and cryin' and scared half to death.'

"The horse and buggy was standin' there, and Mary must 'a' found the body when she come back from town.

"'I got her and the children to the house,' says he; 'and then I started out to get some person to help me move the body, and, as luck would have it,' says he, 'I met the Crawford boys comin' from town, and between us we managed to get the corpse up to the house and laid it on the big settee in the front hall. And now,' says he, 'I'm goin' after Uncle Jim Matthews; and me and him and the Crawford boys'll lay the body out when the undertaker comes. And Marthy Matthews will have to come over and stay all night.

"Says I, 'Sam, how is Mary bearin' it?'

"He shook his head, and says he, 'The worst way in the world. She hasn't shed a tear nor spoke a word, and she don't seem to notice anything, not even the children. But,' says he, 'I can't stand here talkin'. There's a heap to be done yet, and Milly's lookin' for me now.'

"And with that he got on his horse and rode off, and I went into the house to put the children to bed. Then I set down on the porch steps to wait for Abram. The sun was down by this time, and there was a new moon in the west, and it didn't seem like there could be any sorrow and sufferin' in such a quiet, happy, peaceful-lookin' world. But there was poor Mary not a mile away, and I set and grieved over her in her trouble jest like it had been my own. I didn't know what had happened that day between Harvey and Mary. But I knew that Harvey had been struck down in the prime o' life, and that Mary had found his dead body, and that was terrible enough. From what I'd seen o' their married life I knew that Mary's loss wasn't what mine would 'a' been if Abram had dropped dead that day instead o' Harvey, but a man and woman can't live together as husband and wife and father and mother without growin' to each other; and whatever Mary hadn't lost, she had lost the father of her children, and I couldn't sleep much that night for thinkin' of her.

"The day of the funeral I went over to help Mary and get her dressed in her widow's clothes. She was actin' queer and dazed, and nothin' seemed to make much impression on her. I was fastenin' her crape collar on, and she says to me: 'I reckon you think it's strange I don't cry and take on like women do when they lose their husbands. But,' says she, 'you wouldn't blame me if you knew.'

"And then she dropped her voice down to a whisper, and says she, 'You know I married Harvey Andrews. But after I married him, I found that there wasn't any such man. I haven't got any cause to cry, for the man I married ain't dead. He never was alive, and so, of course, he can't be dead.'

"And then she began to laugh; and says she, 'I don't know which is the worst: to be sorry when you ought to be glad, or glad when you ought to be sorry.'

"And I says, 'Hush, Mary, don't talk about it. I know what you mean, but other folks might not understand.'

"Mary ain't the only one, child, that's married a man, and then found out that there wasn't any such man. I've looked at many a bride and groom standin' up before the preacher and makin' promises for a lifetime, and I've thought to myself, 'You pore things, you! All you know about each other is your names and your faces. You've got all the rest to find out, and nobody knows what you'll find out nor what you'll do when you find it out.'

"Folks said it was the saddest funeral they ever went to. Harvey's people all lived down in Tennessee. His father and mother had died long ago, and he hadn't any near kin except a brother and a sister; and they lived too far off to come to the funeral in time. Abram said to me after we got home: 'Well, I never thought I'd help to lay a friend and neighbor in the ground and not a tear shed over him.'

"If Mary had 'a' cried, we could 'a' cried with her. But she set at the head o' the coffin with her hands folded in her lap, and her mind seemed to be away off from the things that was happenin' around her. I don't believe she even heard the clods fallin' on the coffin; and when we started away from the grave Marthy Matthews leaned over and whispered to me: 'Jane, don't Mary remind you of somebody walkin' in her sleep?'

"Mary's mother and sister hadn't been with her in her trouble, for they happened to be down in Logan visitin' a great-uncle. So Marthy and me settled it between us that she was to stay with Mary that night and I was to come over the next mornin'. You know how much there is to be done after a funeral. Well, bright and early I went over, and Marthy met me at the gate. She was goin' out as I was comin' in. Says she, 'Go right up-stairs; Mary's lookin' for you. She's more like herself this mornin'; and I'm thankful for that.'

"The minute I stepped in the door I heard Mary's voice. She'd seen me comin' in the gate and called out to me to come up-stairs. She was in the front room, her room and Harvey's, and the closet and the bureau drawers was all open, and things scattered around every which way, and Mary was down on her knees in front of an old trunk, foldin' up Harvey's clothes and puttin' 'em away. Her hands was shakin', and there was a red spot on each of her cheeks, and she had a strange look out of her eyes.

"I says to her, 'Why, Mary, you ain't fit to be doin' that work. You ought to be in bed restin'.' And says she, 'I can't rest till I get everything straightened out. Mother and sister Sally are comin',' says she, 'and I want to get everything in order before they get here.' And I says, 'Now, Mary, you lay down on the bed and I'll put these things away. You can watch me and tell me what to do, and I'll do it; but you've got to rest.' So I shook everything out and folded it up as nice as I could and laid it away in the trunk, while she watched me. And once she said, 'Don't have any wrinkles in 'em. Harvey was always mighty particular about his clothes.'

"Next to layin' the body in the ground, child, this foldin' up dead folks' clothes and puttin' 'em away is one o' the hardest things people ever has to do. It's jest like when you've finished a book and shut it up and put it away on the shelf. I knew jest how Mary felt, when she said she couldn't rest till everything was put away. The life she'd lived with Harvey was over, and she was closin' up the book and puttin' it out of sight forever. Pore child! Pore child!

"Well, when I got all o' Harvey's clothes put away, I washed out the empty drawers, lined 'em with clean paper and laid some o' little Harvey's clothes in 'em, and that seemed to please Mary. The father was gone, but there was his son to take his place. Then I shut it up tight, and Mary raised herself up out o' bed and says she, 'Take hold, Jane, I'm goin' to take this to the attic right now.' And take it we did, though the trunk was heavy and the stairs so steep and narrer we had to stop and rest on every step. We pushed the trunk way back under the eaves, and it may be standin' there yet for all I know.

"When we got down-stairs, Mary drew a long breath like she'd got a big load off her mind, and says she, 'There's one more thing I want you to help me about, and then you can go home, Jane, and I'll go to bed and rest.' She took a key out of her pocket, and says she, 'Jane, this is the key to the little cabin out in the back yard. Harvey used to keep something in there, but what it was I never knew. As long as we lived together, I never saw inside of that cabin, but I'm goin' to see it now.'

"The children started to foller us when we went out on the back porch, but Mary give 'em some playthings and told 'em to stay around in the front yard till we come back. Then we went over to the far corner of the back yard where the cabin was, under a big old sycamore tree. I ricollect how the key creaked when Mary turned it, and how hard the door was to open.

"Mary started to go in first, and then she fell back, and says she, in a whisper, 'You go in first, Jane; I'm afraid.' So I went in first and Mary follered. For a minute we couldn't see a thing. There was two windows to the cabin, but they'd been boarded up from the outside, and there was jest one big crack at the top of one of the windows that let in a long streak of light, and you could see the dust dancin' in it. The door opened jest enough to let us in, and we both stood there peerin' around and tryin' to see what sort of a place we'd got into. The first thing I made out was a heap of old rusty iron. I started to take a step, and my foot struck against it. There was old bolts and screws and horseshoes and scraps of old cast iron and nails of every size, all laid together in a big heap. The place seemed to be full of somethin', but I couldn't see what it all was till my eyes got used to the darkness. There was a row of nails goin' all round the wall, and old clothes hangin' on every one of 'em. And down on the floor there was piles of old clothes, folded smooth and laid one on top o' the other jest like a washerwoman would fold 'em and pile 'em up. Harvey's old clothes and Mary's and the children's, things that any right-minded person would 'a' put in the rag-bag or given away to anybody that could make use of 'em; there they was, all hoarded up in that old room jest like they was of some value. And over in one corner was all the old worn-out tin things that you could think of: buckets and pans and milk-strainers and dippers and cups. And next to them was all the glass and china that'd been broken in the years Mary and Harvey'd been keepin' house. And there was a lot of old brooms, nothin' but stubs, tied together jest like new brooms in the store. And there was all the children's broken toys, dolls, and doll dresses, and even some glass marbles that little Harvey used to play with. The dust was lyin' thick and heavy over everything, and the spiderwebs looked like black strings hangin' from the ceilin'; but things of the same sort was all lyin' together jest like some woman had put the place in order.

"You've heard tell of that bird, child, that gathers up all sorts o' rubbish and carries it off to its nest and hides it? Well, I thought about that bird; and the heap of old iron reminded me of a little boy's pocket when you turn it wrong side out at night, and the china and glass and doll-rags made me think of the playhouses I used to make under the trees when I was a little girl. I've seen many curious places, honey, but nothin' like that old cabin. The moldy smell reminded me of the grave; and when I looked at all the dusty, old plunder, the ragged clothes hangin' against the wall like so many ghosts, and then thought of the dead man that had put 'em there, I tell you it made my flesh creep.

"Well, we stood there, me and Mary, strainin' our eyes tryin' to see into the dark corners, and all at once the meanin' of it come over me like a flash: Harvey was a miser!"

Aunt Jane stopped, took off her glasses and polished them on the hem of her gingham apron. I sat holding my breath; but, all regardless of my suspense, she dropped the thread of the story and followed memory in one of her capricious backward flights.

"I ricollect a sermon I heard when I was a gyirl," she said. "It ain't often, I reckon, that a sermon makes much impression on a gyirl's mind. But this wasn't any ordinary sermon or any ordinary preacher. Presbytery met in town that year, and all the big preachers in the state was there. Some of 'em come out and preached to the country churches, and old Dr. Samuel Chalmers Morse preached at Goshen. He was one o' the biggest men in the Presbytery, and I ricollect his looks as plain as I ricollect his sermon. Some preachers look jest like other men, and you can tell the minute you set eyes on 'em that they ain't any wiser or any better than common folks. But Dr. Morse wasn't that kind.

"You know the Bible tells about people walkin' with God and talkin' with God. It says Enoch walked with God, and Adam talked with Him. Some folks might find that hard to believe, but it seems jest as natural to me. Why many a time I've been in my gyarden when the sun's gone down, and it ain't quite time for the moon to come up, and the dew's fallin' and the flowers smellin' sweet, and I've set down in the summer-house and looked up at the stars; and if I'd heard a voice from heaven it wouldn't 'a' been a bit stranger to me than the blowin' of the wind.

"The minute I saw Dr. Morse I thought about Adam and Enoch, and I said to myself, 'He looks like a man that's walked with God and talked with God.'

"I didn't look at the people's hats and bonnets that day half as much as I usually did, and part of that sermon stayed by me all my life. He preached about Nebuchadnezzar and the image he saw in his dream with the head of gold and the feet of clay. And he said that every human being was like that image; there was gold and there was clay in every one of us. Part of us was human and part was divine. Part of us was earthly like the clay, and part heavenly like the gold. And he said that in some folks you couldn't see anything but the clay, but that the gold was there, and if you looked long enough you'd find it. And some folks, he said, looked like they was all gold, but somewhere or other there was the clay, too, and nobody was so good but what he had his secret sins and open faults. And he said sin was jest another name for ignorance, and that Christ knew this when he prayed on the cross, 'Father, forgive them, for they know not what they do.' He said everybody would do right, if they knew what was right to do, and that the thing for us to do was to look for the gold and not the clay in other folks. For the gold was the part that would never die, and the clay was jest the mortal part that we dropped when this mortal shall have put on immortality.

"Child, that sermon's come home to me many a time when I've caught myself weighin' people in the balance and findin' 'em wantin'. That's what I'd been doin' all them years with pore Harvey. I'd seen things every once in a while that let in a little light on his life and Mary's, but the old cabin made it all plain as day, and it seemed like every piece o' rubbish in it rose up in judgment against me. I never felt like cryin' at Harvey's funeral, but when I stood there peerin' around, the tears burnt my eyes, and I says to myself, 'Clay and gold! Clay and gold!'

"The same thought must 'a' struck Mary at the same minute it did me, for she fell on her knees moanin' and wringin' her hands and cryin':

"'God forgive me! God forgive me! I see it all now. He couldn't help it, and I've been a hard woman, and God'll judge me as I judged Harvey.'

"The look in her eyes and the sound of her voice skeered me, and I saw that the quicker I got her out o' the old cabin the better. I put my hand on her shoulder, and says I, 'Hush, Mary. Get up and come back to the house; but don't let the children hear you takin' on so. You might skeer little Harvey.'

"She stopped a minute and stared at me, and then she caught hold o' my hand, and says she: 'No! no! the children mustn't ever know anything about it, and nobody must ever see the inside o' that awful place. Come, quick!' says she; and she got up from her knees and pulled me outside of the door and locked it and dropped the key in her apron pocket.

"Little Harvey come runnin' up to her, and I was in hopes the sight of the child would bring her to herself, but she walked on as if she hadn't seen him; and as soon as she got up-stairs she fell down in a heap on the floor and went to wringin' her hands and beatin' her breast and cryin' without tears.

"Honey, if you're done a wrong to a livin' person, you needn't set down and grieve over it. You can go right to the person and make it right or try to make it right. But when the one you've wronged is dead, and the grave lies between you, that's the sort o' grief that breaks hearts and makes people lose their minds. And that was what Mary Andrews had to bear when she opened the door o' that old cabin and saw into Harvey's nature, and felt that she had misjudged and condemned him.

"I couldn't do anything for a long time, but jest sit by her and listen while she called Harvey back from the dead, and called on God to forgive her, and blamed herself for all that had ever gone wrong between 'em. But at last she wore herself out and had to stop, and says I, 'Mary, I don't know what's passed between you and Harvey—' And she broke in, and says she:

"'No! no! you don't know, and nobody on this earth knows what I've been through. I used to feel like I was in an iron cage that got smaller and smaller every day, and I knew the day was comin' when it would shut in on me and crush me. But I wouldn't give in to Harvey, I wouldn't let him have his own way, and I fought him and hated him and despised him; and now I see he couldn't help it, and I feel like I'd been strikin' a crippled child.'

"A crippled child! That was jest what pore Harvey was; but I knew it wasn't right for Mary to take all the blame on herself, and says I:

"'Mary, if Harvey could keep other people from knowin' what he was, couldn't he have kept you from knowin' it, too? If he was free-handed to other people, what was to hinder him from bein' the same way to you?' Says I, 'If there's any blame in this matter it belongs as much to Harvey as it does to you. When you look at that old cabin,' says I, 'you can't have any hard feelin's toward pore Harvey. You've forgiven him, and now,' says I, 'there's jest one more person you've got to forgive, and that's yourself,' says I. 'It's jest as wrong to be too hard on yourself as it is to be too hard on other folks.'

"I never had thought o' that before, child, but I've thought of it many a time since and I know it's true. It ain't often you find a human bein' that's too hard on himself. Most of us is jest the other way. But Mary was one of that kind. I could see a change come over her face while I was talkin', and I've always believed them words was put in my mouth to give Mary the comfort and help she needed.

"She grabbed hold o' my hand, and says she:

"'Do you reckon I've got a right to forgive myself?' Says she, 'I know I'm not a mean woman by nature, but Harvey's ways wasn't my ways. He made me do things I didn't want to do and say things I didn't want to say, and I never was myself as long as I lived with him. But God knows I wouldn't 'a' been so hard on him if I'd only known,' says she. 'God may forgive me, but even if He does, it don't seem to me that I've got a right to forgive myself.'

"And says I, 'Mary, if you don't forgive yourself you won't be able to keer for the children, and you haven't got any right to wrong the livin' by worryin' over the dead. And now,' says I, 'you lie down on this bed and shut your eyes and say to yourself, "Harvey's forgiven me, and God's forgiven me, and I forgive myself." Don't let another thought come into your head. Jest say it over and over till you go to sleep, and while you're sleepin', I'll look after the children.'

"I didn't have much faith in my own remedy, but she minded me like a child mindin' its mother; and, sure enough, when I tiptoed up-stairs an hour or so after that, I found her fast asleep. Her mother and her sister Sally come while she was still sleepin', and I left for home, feelin' that she was in good hands.

"That night about half-past nine o'clock I went outdoors and set down on the porch steps in the dark, as I always do jest before bedtime. That's been one o' my ways ever since I was a child. Abram used to say he had known me to forgit my prayers many a night, but he never knew me to forgit to go outdoors and look up at the sky. If there was a moon, or if the stars was shinin', I'd stay out and wander around in the gyarden till he'd come out after me; and if it was cloudy, I'd set there and feel safe in the darkness as in the light. I always have thought, honey, that we lose a heap by sleepin' all night. Well, I was sittin' there lookin' up at the stars, and all at once I saw a bright light over in the direction of Harvey Andrews' place. Our house was built on risin' ground, and we could see for a good ways around the country. I called Abram and asked him if he hadn't better saddle old Moll and ride over and see if he couldn't help whoever was in trouble. But he said it was most likely some o' the neighbors burnin' brush, and whatever it was it would be out before he could git to it. So we set there watchin' it and speculatin' about it till it died down, and then we went to bed.

"The next mornin' I was out in the yard weedin' out a bed o' clove pinks, and Sam Amos come ridin' by on his big bay mare. I hollered to him and asked him if he knew where the fire was the night before. And says he, 'Yes, Aunt Jane; it was that old cabin on Harvey Andrews' place.' He said that Amos Matthews happened to be goin' by at the time and took down the fence-rails to keep it from spreadin', but that was all he could do. Sam said Amos told him there was somethin' mysterious about that fire. He said it must 'a' been started from the inside, for the flames didn't burst through the windows and roof till after he got there, and the whole inside was ablaze. But, when he tried to open the door, it was locked fast and tight. He said Mary and her mother and sister was all out in the yard, and Mary was standin' with her hands folded in front of her, lookin' at the burnin' house jest as calm as if it was her own fireplace. Amos asked her for the key to the cabin door, and she went to the back porch and took one off a nail, but it wouldn't fit the lock, and before she could get another to try, the roof was on fire and cavin' in. Amos told Sam the cabin appeared to be full of old plunder of all sorts, and you could smell burnt rags for a mile around.

"Of course there was a good deal o' talk about the fire, and everybody said how curious it was that it could catch on the inside when the door was locked. I never said a word, not even to Abram, but I knew well enough who set the old cabin afire, and why the key Mary gave Amos wouldn't fit the lock. Harvey's clothes was packed away under the old garret; the old cabin was burned, and the ashes and rubbish hauled away, and there wasn't anything much left to remind Mary of the things she was tryin' to forget. That's the best way to do. When a thing's done and you can't undo it, there's no use in frettin' and worryin' yourself. Jest put it out o' your mind, and go on your way and git ready for the next trial that's comin' to you.

"But Mary never seemed like herself after Harvey died, until little Harvey was taken with fever. That seemed to rouse her and bring her senses back, and she nursed him night and day. The little thing went down to the very gates of death, and everybody give up hope except the old doctor. He'd fight death off as long as there was breath in the body. The night the turnin' point was to come I set up with Mary. The child'd been moanin' and tossin', and his muscles was twitchin', and the fever jest as high as it could be. But about three o'clock he got quiet and about half-past three I leaned over and counted his breaths. He was breathin' slow and regular, and I touched his forehead and found it was wet, and the fever was goin' away. I went over to Mary, and says I, 'You go in the other room and lie down, Mary, the fever's broke, and Harvey's goin' to git well.' She stared at me like she couldn't take in what I was sayin'. Then her face begun to work like a person's in a convulsion, and she jumped up and rushed out o' the room, and the next minute she give a cry that I can hear yet. Then she begun to sob, and I knew she was cryin' tears at last, and I set by the child and cried with her.

"She wasn't able to be up for two or three days, and every little while she'd burst out cryin'. Some folks said she was cryin' for joy about the child gittin' well; and some said she was cryin' the tears she ought to 'a' cried when Harvey was buried; but I knew she was cryin' over all the sorrows of her married life. She told me afterwards that she hadn't shed a tear for six or seven years. Says she, 'I used to cry my eyes out nearly over the way things went, and one day somethin' happened and I come near cryin'; but the children was around and I didn't want them to see me; so I says to myself, "I won't cry. What's the use wastin' tears over such things?" And from that day,' says she, 'I got as hard as a stone, and it looks like I was jest turnin' back to flesh and blood again.'

"There's only two ways o' takin' trouble, child; you can laugh over it or you can cry over it. But you've got to do one or the other. The Lord made some folks that can laugh away their troubles, and he made tears for them that can't laugh, and human bein's can't harden themselves into stone.

"I reckon, as Mary said, nobody on earth knew what she'd been through, livin' with a man like Harvey. If he'd been an out-and-out miser, it would 'a' been better for everybody concerned. But it looked like Nature started out to make him a miser and then sp'iled the job, so's he was neither one thing nor the other. The gold was there, and he showed that to outsiders; and the clay was there, and he showed that to Mary. And that's the strangest part of all to me. If he had enough sense not to want his neighbors to know his meanness, it looks like he ought to have had sense enough to hide it from his wife. A man ought to want his wife to think well of him whether anybody else does or not. You see, a woman can make out to live with a man and not love him, but she can't live with him and despise him. She's jest got to respect him. But there's some men that never have found that out. They think that because a woman stands up before a preacher and promises to love and honor him, that she's bound to do it, no matter what he does. And some women do. They're like dogs; they'll stick to a man no matter what he does. Some women never can see any faults in their husbands, and some sees the faults and covers 'em up and hides 'em from outsiders. But Mary wasn't that sort. She couldn't deceive herself, and nobody could deceive her; and when she found out Harvey's meanness she couldn't help despisin' him in her heart, jest like Michal despised David when she saw him playin' and dancin' before the Lord.

"There's something I never have understood, and one of 'em is why such a woman as Mary should 'a' been permitted to marry a man like Harvey Andrews. It kind o' shakes my faith in Providence every time I think of it. But I reckon there was a reason for it, whether I can see it or not."

Aunt Jane's voice ceased. She dropped her knitting in her lap and leaned back in the old easy-chair. Apparently she was looking at the dripping syringa bush near the window, but the look in her eyes told me that she had reached a page in the story that was not for my eyes or my ears, and I held inviolate the silence that had fallen between us.

A low, far-off roll of thunder, the last note of the storm-music, roused her from her reverie.

"Sakes alive, child!" she exclaimed, starting bolt upright. "Have I been sleepin' and dreamin' and you settin' here? Well, I got through with my story, anyhow, before I dropped off."

"Surely that isn't all," I said, discontentedly. "What became of Mary Andrews after Harvey died?"

Aunt Jane laughed blithely.

"No, it ain't all. What's gittin' into me to leave off the endin' of a story? Mary was married young; and when Harvey died she had the best part of her life before her, and it was the best part, sure enough. About a year after she was left a widow she went up to Christian County to visit some of her cousins, and there she met the man she ought to 'a' married in the first place. I ain't any hand for second marriages. 'One man for one woman,' says I; but I've seen so many second marriages that was happier than any first ones that I never say anything against marryin' twice. Some folks are made for each other, but they make mistakes in the road and git lost, and don't git found till they've been through a heap o' tribulation, and, maybe, the biggest half o' their life's gone. But then, they've got all eternity before 'em, and there's time enough there to find all they've lost and more besides. But Mary found her portion o' happiness before it was too late. Elbert Madison was the man she married. He was an old bachelor, and a mighty well-to-do man, and they said every old maid and widow in Christian County had set her cap for him one time or another. But whenever folks said anything to him about marryin', he'd say, 'I'm waitin' for the Right Woman. She's somewhere in the world, and as soon as I find her I'm goin' to marry.'

"It got to be a standin' joke with the neighbors and the family, and his brother used to say that Elbert believed in that 'Right Woman' the same as he believed in God.

"They used to tell how one Christmas, Elbert's nieces had a lot o' young company from Louisville, and they had a big dance Christmas Eve. Elbert was there, and the minute he come into the room the oldest niece, she whispered, 'Here's Uncle Elbert; he's come to see if the Right Woman's at the ball.' And with that all them gyirls rushed up to Elbert and shook hands with him and pulled him into the middle o' the room under a big bunch o' mistletoe, and the prettiest and sassiest one of 'em, she took her dress between the tips of her fingers and spread it out and made a low bow, and says she, lookin' up into Elbert's face, says she:

"'Mr. Madison, don't I look like the Right Woman?'

"Everybody laughed and expected to see Elbert blush and act like he wanted to go through the floor. But instead o' that he looked at her serious and earnest, and at last he says: 'You do look a little like her, but you ain't her. You've got the color of her eyes,' says he, 'but not the look of 'em. Her hair's dark like yours, but it don't curl quite as much, and she's taller than you are, but not quite so slim.'

"They said the gyirls stopped laughin' and jest looked at each other, and one of 'em said:

"'Well, did you ever?' And that was the last time they tried to tease Elbert. But Elbert's brother he turns to somebody standin' near him, and says he, 'Unless Elbert gets that "right-woman" foolishness out of his head and marries and settles down like other men, I believe he'll end his days in a lunatic asylum.'

"But it all turned out the way Elbert said it would. The minute he saw Mary Andrews, he whispered to his sister-in-law, and says he, 'Sister Mary, do you see that dark-eyed woman over there by the door? Well, that's the woman I've been lookin' for all my life.'

"He walked across the room and got introduced to her, and they said when him and Mary shook hands they looked each other in the eyes and laughed like two old friends that hadn't met for years.

"Harvey hadn't been dead much over a year and Mary wanted to put off the weddin'. But Elbert said, 'No; I've waited for you a lifetime and I'm not goin' to wait any longer.' So they got married as soon as Mary could have her weddin' clothes made, and a happier couple you never saw. Elbert used to look at her and say:

"'God made Eve for Adam, and he made you for me.'

"And he didn't only love Mary, but he loved her children the same as if they'd been his own. A woman that's been another man's wife can easy enough find a man to love her, but to find one that'll love the other man's children, that's a different matter."

One! two! three! four! chimed the old clock; and at the same moment out came the sun, sending long rays across the room. The rain had subsided to a gentle mist, and the clouds were rolling away before a south-west wind that carried with it fragrance from wet flowers and leaves and a world cleansed and renewed by a summer storm. We moved our chairs out on the porch to enjoy the clearing-off. There were health and strength in every breath of the cool, moist air, and for every sense but one a pleasure—odor, light, coolness, and the faint music of falling water from the roof and from the trees that sent down miniature showers whenever the wind stirred their branches.

Aunt Jane drew a deep breath of satisfaction, and looked upward at the blue sky.

"I don't mind how much it rains durin' the day," she said, "if it'll jest stop off before night and let the sun set clear. And that's the way with life, child. If everything ends right, we can forget all about the troubles we've had before. I reckon if Mary Andrews could 'a' seen a few years ahead while she was havin' her trials with pore Harvey, she would 'a' borne 'em all with a better grace. But lookin' ahead is somethin' we ain't permitted to do. We've jest got to stand up under the present and trust for the time we can't see. And whether we trust or not, child, no matter how dark it is nor how long it stays dark, the sun's goin' to come out some time, and it's all goin' to be right at the last. You know what the Scripture says, 'At evening time it shall be light!'"

Her faded eyes were turned reverently toward the glory of the western sky, but the light on her face was not all of the setting sun.

"At evening time it shall be light!"

Not of the day but of human life were these words spoken, and with Aunt Jane the prophecy had been fulfilled.



IX

THE GARDENS OF MEMORY



Each of us has his own way of classifying humanity. To me, as a child, men and women fell naturally into two great divisions: those who had gardens and those who had only houses.

Brick walls and pavements hemmed me in and robbed me of one of my birthrights; and to the fancy of childhood a garden was a paradise, and the people who had gardens were happy Adams and Eves walking in a golden mist of sunshine and showers, with green leaves and blue sky overhead, and blossoms springing at their feet; while those others, dispossessed of life's springs, summers, and autumns, appeared darkly entombed in shops and parlors where the year might as well have been a perpetual winter.

As I grew older I learned that there was a small subclass composed of people who not only possessed gardens, but whose gardens possessed them, and it is the spots sown and tended by these that blossom eternally in one's remembrance as veritable vailimas—"gardens of dreams."

In every one's mind there is a lonely space, almost abandoned of consciousness, the time between infancy and childhood. It is like that period when the earth was "without form, and void; and darkness was upon the face of the deep." Here, like lost stars floating in the firmament of mind, will be found two or three faint memories, remote and disconnected. With me one of these memories is of a garden. I was riding with my father along a pleasant country road. There were sunshine and a gentle wind, and white clouds in a blue sky. We stopped at a gate. My father opened it, and I walked up a grassy path to the ruins of a house. The chimney was still standing, but all the rest was a heap of blackened, half-burned rubbish which spring and summer were covering with wild vines and weeds, and around the ruins of the house lay the ruins of the garden. The honeysuckle, bereft of its trellis, wandered helplessly over the ground, and amid a rank growth of weeds sprang a host of yellow snapdragons. I remember the feeling of rapture that was mine at the thought that I had found a garden where flowers could be gathered without asking permission of any one. And as long as I live, the sight of a yellow snapdragon on a sunny day will bring back my father from his grave and make me a little child again gathering flowers in that deserted garden, which is seemingly in another world than this.

A later memory than this is of a place that was scarcely more than a paved court lying between high brick walls. But because we children wanted a garden so much, we called it by that name; and here and there a little of Mother Earth's bosom, left uncovered, gave us some warrant for the misnomer. Yet the spot was not without its beauties, and a less exacting child might have found content within its boundaries.

Here was the Indian peach tree, whose pink blossoms told us that spring had come. Its fruit in the late summer was like the pomegranate in its rich color, "blood-tinctured with a veined humanity;" and its friendly limbs held a swing in which we cleft the air like the birds. Yet even now the sight of an Indian peach brings melancholy thoughts. A yellow honeysuckle clambered over a wall. But this flower has no perfume, and a honeysuckle without perfume is a base pretender, to be cast out of the family of the real sweet-scented honeysuckle. There were two roses of similar quality, one that detestable mockery known as the burr-rose. I have for this flower the feeling of repulsion that one has for certain disagreeable human beings,—people with cold, clammy hands, for instance. I hated its feeble pink color, its rough calyx, and its odor always made me think of vast fields of snow, and icicles hanging from snow-covered roofs under leaden wintry skies. Unhappy mistake to call such a thing a rose, and plant it in a child's garden! The only place where it might fitly grow is by the side of the road that led Childe Roland to the Dark Tower: between the bit of "stubbed ground" and the marsh near to the "palsied oak," with its roots set in the "bog, clay and rubble, sand and stark black dearth."

The other rose I recall with the same dislike, though it was pleasing to the eye. The bush was tall, and had the nature of a climber; for it drooped in a lackadaisical way, and had to be tied to a stout post. I think it could have stood upright, had it chosen to do so; and its drooping seemed only an ugly habit, without grace. The cream-white flowers grew in clusters, and the buds were really beautiful, but color and form are only the body of the rose; the soul, the real self, is the rose odor, and no rose-soul was incarnated in its petals. Again and again, deceived by its beauty, I would hold it close to my face to breathe its fragrance, and always its faint sickening-sweet odor brought me only disappointment and disgust. It was a Lamia among roses. Another peculiarity was that it had very few thorns, and those few were small and weak. Yet the thorn is as much a part of the true rose as its sweetness; and lacking the rose thorn and the rose perfume, what claim had it to the rose name? I never saw this false rose elsewhere than in the false garden, and because it grew there, and because it dishonored its royal family, I would not willingly meet it face to face again.

We children cultivated sweet-scented geraniums in pots, but a flower in a pot was to me like a bird in a cage, and the fragrant geraniums gave me no more pleasure than did the scentless many-hued lady's-slippers that we planted in tiny borders, and the purple flowering beans and white blossoms of the madeira vines that grew on a tall trellis by the cistern's grassy mound. There was nothing here to satisfy my longing, and I turned hungrily to other gardens whose gates were open to me in those early days. In one of these was a vast bed of purple heartsease, flower of the beautiful name. Year after year they had blossomed and gone to seed till the harvest of flowers in their season was past gathering, and any child in the neighborhood was at liberty to pluck them by handfuls, while the wicked ones played at "chicken fighting" and littered the ground with decapitated bodies. There is no heartsease nowadays, only the magnificent pansy of which it was the modest forerunner. But one little cluster of dark, spicy blooms like those I used to gather in that old garden would be more to me than the most splendid pansy created by the florist's art.

The lily of the valley calls to mind a garden, almost in the heart of town, where this flower went forth to possess the land and spread itself in so reckless a growth that at intervals it had to be uprooted to protect the landed rights of the rest of the community. Never were there such beds of lilies! And when they pierced the black loam with their long sheath-like leaves, and broke their alabaster boxes of perfume on the feet of spring, the most careless passer-by was forced to stay his steps for one ecstatic moment to look and to breathe, to forget and to remember. The shadow of the owner's house lay on this garden at the morning hour, and a tall brick building intercepted its share of the afternoon sunshine; but the love and care of the wrinkled old woman who tended it took the place of real sunshine, and everything planted here grew with a luxuriance not seen in sunnier and more favored spots. The mistress of the garden, when questioned as to this, would say it was because she gave her flowers to all who asked, and the God of gardens loved the cheerful giver and blessed her with an abundance of bud and blossom. The highest philosophy of human life she used in her management of this little plant world; for, burying the weeds at the roots of the flowers, the evil was made to minister to the good; and the nettle, the plantain and all their kind were transmuted by nature's fine chemistry into pinks, lilies, and roses.

The purple splendor of the wisteria recalls the garden that I always entered with a fearful joy, for here a French gardener reigned absolute, and the flowers might be looked at, but not pulled. How different from those wild gardens of the neighboring woods where we children roamed at will, shouting rapturously over the finding of a bed of scentless blue violets or delicate anemones that withered and were thrown away before we reached home,—an allegory, alas! of our later lives.

There was one garden that I coveted in those days as Ahab coveted his neighbor's vineyard. After many years, so many that my childish longing was almost forgotten, I had it, I and my children. Together we played under the bee-haunted lindens, and looked at the sunset through the scarlet and yellow leaves of the sugar maples, and I learned that "every desire is the prophecy of its own fulfilment;" and if the fulfilment is long delayed, it is only that it may be richer and deeper when it does come.

All these were gardens of the South; but before childhood was over I watched the quick, luxuriant growth of flowers through the brief summer of a northern clime. The Canterbury-bell, so like a prim, pretty maiden, the dahlia, that stately dame always in court costume of gorgeous velvet, remind me of those well-kept beds where not a leaf or flower was allowed to grow awry; and in one ancient garden the imagination of a child found wings for many an airy flight. The town itself bore the name of the English nobleman, well known in Revolutionary days. Not far away his mansion sturdily defied the touch of time and decay, and admonished the men of a degenerate present to remember their glorious past. The house that sheltered me that summer was known in colonial days as the Black-Horse Tavern. Its walls had echoed to the tread of patriot and tory, who gathered here to drink a health to General Washington or to King George; and patriot, and tory, too, had trod the paths of the garden and plucked its flowers and its fruit in the times that tried men's souls. By the back gate grew a strawberry apple tree, and every morning the dewy grass held a night's windfall of the tiny red apples that were the reward of the child who rose earliest. A wonderful grafted tree that bore two kinds of fruit gave the place a touch of fairyland's magic, and no explanation of the process of grafting ever diminished the awe I felt when I stood under this tree and saw ripe spice apples growing on one limb and green winter pearmains on all the others. The pound sweeting, the spitzenberg, and many sister apples were there; and I stayed long enough to see them ripen into perfection. While they ripened I gathered the jewel-like clusters of red and white currants and a certain rare English gooseberry which English hands had brought from beyond the seas and planted here when the sign of the Black-Horse swung over the tavern door. The ordinary gooseberry is a plebeian fruit, but this one was more patrician than its name, and its name was "the King George." Twice as large as the common kind, translucent and yellowish white when fully ripe, and of an incomparable sweetness and flavor, it could have graced a king's table and held its own with the delicate strawberry or the regal grape. And then, best of all, it was a forbidden fruit, whereof we children ate by stealth, and solemnly declared that we had not eaten. Could the Garden of the Hesperides have held more charms?

At the end of the long Dutch "stoop" I found the wands of the snowberry, whose tiny flowers have the odor and color of the trailing arbutus, and whose waxen berries reminded me of the crimson "buckberry" of Southern fields. Fuchsias and dark-red clove pinks grew in a peculiarly rich and sunny spot by the back fence, and over a pot of the musk-plant I used to hang as Isabella hung over her pot of basil. I had never seen it before, and have never seen it since, but by the witchery of perfume one of its yellow flowers, one of its soft pale green leaves could place me again in that garden of the old inn, a child walking among the ghosts and memories of a past century.