Between Lorette and the unexplored wilderness that stretches away to polar desolation there is but a narrow selvage of civilization. Looking toward it from my windows at Quebec, I could see the blue, serrated ridge of highlands beyond which the surveyor has never yet run his lines,—beyond which the surveyor's lines would be superfluous, indeed, and futile; for the soil is of the barren, rocky kind, and the timber of the scrubby. Not quite so savage is this frontier, indeed, as the wild precincts described by the Nebraska editor, whose meditations for a leader used to be cut short, occasionally, by the bellowing of the shaggy bison at his window, or the incursion of the redoubtable "grizzly" into his wood-shed where the elk-meat hung. But, in the clear, cold nights that precede the punctual and distinct winter of these regions, the black bears often come down from their fastnesses amid the wild ridges, and astonish the drowsy habitant and his household by their pranks among his pigs and calves: also in the spring.

In a small settlement of this wild tract, a few miles to the north-east of Lorette, there dwelt, some six or seven years ago, a poor farmer named Cantin, who added to the meagre fare afforded by his sterile acres such stray birds and hares as he could get within range of his old musket, without risking himself very far away from the isolated clearing. One night in the early part of May, when the snow had disappeared from the open grounds, but lingered yet in the ravines and rocky thickets, a dreadful tumult among the cattle of the settlement indicated the presence of bear. Cantin had the old firelock ready, but the night was dark and unfavorable for active measures. At gray morning, traces of the nocturnal intruder were visible, and that close by the cabane in which Cantin lived, in the little inclosure near which a struggle had evidently taken place, resulting in the discomfiture of a yearling calf, portions of which were discovered in the thickets a short distance from the clearing. Here the patches of snow gave ample evidence of the passage of a very large bear. When the sun was well up, Cantin sallied forth alone, with his gun and a small supply of ammunition,—unluckily for him, a very small supply. He did not return to dinner. Shots were heard in the course of the day, at a considerable distance in the hills; and when the afternoon was far advanced, and Cantin had not made his appearance, several of his neighbors—all the men of the settlement, indeed, and they made but a small party—set out in search of him. The snow-patches facilitated their search; and, having tracked him a good way, they suddenly saw him kneeling by a tree at the end of an open glade, with his hands clasped in an attitude of prayer. He was a frightful spectacle when they raised his bonnet-bleu, which had fallen down over his face. The entire facial mask had been torn clean from the skull by a fearful sweep of the bear's paw, and hung from his collar-bone by a strip of skin. He must have been dead for some hours. Fifty yards from where he knelt, the bear was found lying under some bushes, quite dead, and with two bullet-holes through its carcass. Cantin, it appeared, had expended all his ammunition, and the wounded beast had executed a terrible vengeance on him while the life-blood was welling through the last bullet-hole. I saw this bear brought into Quebec, in a cart, on the following day; and it is to be seen yet, I believe, or at least the taxidermal presentment of it is, in the shop of a furrier in John Street of that city. An enterprising druggist bought up the little fat left in the animal after its long winter's fast; and such was the demand among sensational people for gallipots of "grease of the bear that killed Cantin," that it seemed as if fashion had ordained the wearing of hair "on end."

Of the other wild beasts of this hill-district, the commonest is that known to the inhabitants as the loup-cervier,—a name oddly enough misconstructed by a writer on Canadian sports into "Lucifer." This is the true lynx,—a huge cat with long and remarkably thick legs, paws in which dangerous claws are sheathed, and short tail. Its principal prey is the common or Northern hare, which abounds in these regions: but at times the loup-cervier will invade the poultry-yards; and he is even held to account, now and then, for the murder of innocent lambs, and the disappearance of tender piglings whose mothers were so negligent as to let them stray alone into the brushwood. These fierce cats have been killed, occasionally, quite close to Quebec. When thus driven to approach populous districts, it must be from scarcity of their accustomed food; for they are usually very savage and ravenous, when found in such places. I know an instance, myself, in which a gentleman of Quebec, riding a little way from the town, was suddenly pounced upon and attacked by a loup-cervier, near the Plains of Abraham. He struck the animal with his whip several times, but it persisted in following him, and he got rid of it only by putting spurs to his horse and beating it in speed. The animal was killed soon afterwards, near the same place.

I had heard of another variety of wildcat, seen at rare intervals in the same districts. The habitant is rather foggy on the subject of zoology in general, and my attempts to obtain a satisfactory description of this animal were futile. Some of the definitions of this rare chat-sauvage, indeed, might have answered for specifications of a griffin, or of a vampire-bat. At last, one day, when walking about in the market-place at Quebec, I saw a crowd assembled round a gray-clad countryman, who presided over a small box on which the words Chat-Sauvage were painted. Now was my time to set the question at rest. I invested sixpence in the show. When a good number of sixpences had been paid in, the proprietor opened his box, out from which crawled a fat, familiar raccoon, apparently as much at home in the market-place as he could have been in the middle of his native swamp. And this was the mysterious "wild-cat" about which I had asked so many questions and heard so many stories!

It is noticeable that thunder-storms, travelling from the westward toward Quebec, usually diverge across the valley of the St. Charles in the direction of Lorette, and coast along the ridge of ground on which that place is situated to Charlesbourg, a small village lying about four miles to the east of it, upon the ridge. There the storms appear to culminate, pouring out the full vials of their wrath upon the devoted habitans of white-cotted Charlesbourg. The wayfarer who wends through this rustical district will hardly fail to observe the prevailing taste for lightning-rods. The smallest cottage has at least two of these fire-irons, one upon each gable; houses of more pretensions are provided with an indefinite number; and the big white church has its purple roof so bristled with them, that the pause which a flash of lightning must necessarily make before deciding by which of them to come down must enable any tolerably active person to get out of the way in good time. And yet, with all these defenders of the faithful, I remember how the steeple was taken clean off the big white church, in splinters, one wild night after I had watched a long array of cloud-chariots rolling heavily away eastward along the ridge: also, how a farmer's handsome daughter, the belle of the village, sat upright and dead upon a sofa when people came again to their eyesight after a blinding flash. So much for lightning-rods!—so much for the mystic iron!

When the day of the Fete Dieu comes round, Quebec and its neighboring villages are all alive for the celebration of the fete, which takes place on the following Sunday. Then the great suburb of St. Roch is a sight to see. Every street of it is converted into a green alley, embowered with young pine-trees, and flaunting with banners temporarily constructed out of all available pieces of dry-goods, lent by the devoted shop-keepers of the olden Church. Most extraordinary lithographs of holy personages are hung out upon the door-posts and walls of every house. Bowers shading curious little shrines meet the eye everywhere. The white tables of the little shrines are loaded with gilt and tinselled offerings in immense variety. Curious bosses, like lace-pillows got up for church, swing pendent from the verdant pine-branches. The vast parish-church, of sombre gray masonry, flashing carnival-fires from the tin-plated pepper-boxes and slopes of its acre of roof, is receiving or disgorging a variegated multitude of good Catholics. Within, it is a mass of foliage, a wilderness of shrines, a cloud-land of incense. Long processions of maidens all in white, and others of maidens all in pale watchet-blue, are threading the principal streets. They are not all very religious maidens, I am afraid; because, as sure as fate, one very young one of those robed in pure white "made eyes" at me as she passed. Now all this display in Quebec and its suburbs is set forth on a great scale and with bewildering turmoil; but if you want to see it in miniature presentment, you must pass down through St. Roch, and take the road to Lorette. Arrived among the sauvages,—for so the Canadian habitant invariably calls his Indian brother, who is often as like him as one pea is like another,—you will there see the little old Huron church decked out in humble imitation of its younger, but bigger brothers in the city. The lanes between the log-houses are embowered in a modest way, and the drapery is eked out by many a yellow flannel petticoat and pair of scarlet leggings that dally riotously with each other in the breeze. The shrines are certainly less magnificent than those fairy bowers of the elf-land St. Roch, but there is a good deal of beaded peltry and bark-work about them, giving them, in a small way, the character of aboriginal bazaars. The Hurons are bons Catholiques, and everything connected with the fete is conducted with a solemnity becoming the character of the Christian red man. So decorous, indeed, are the little sauvagesses forming the miniature processions, that I do not remember ever detecting the eyes of any of them wandering and wantoning around, like those of the naughty little processional in white about whose conduct I just now complained.

The instinct of the French-Canadian for Indian trading has led one of that race to establish a general store close by the Huron village, though on the habitant side of the stream. The gay printed cottons indispensable to the belle sauvagesse are here to be found, as well as the blue blankets and the white, of so much account in the wardrobe of the women as well as of the men. Here, too, are to be had the assorted beads and silks and worsteds used in the embroidery of moccasons, epaulettes, and such articles; nor is the quality of the Cognac kept on hand by Joe for his customers to be characterized as despicable. Indeed, it would be hazardous to aver that anything is not to be had, for the proper compensation, in Joe's establishment,—that is, anything that could possibly be required by the most exacting sauvage or sauvagesse, from a strap of sleigh-bells to a red-framed looking-glass. Out of that store, too, comes a deal of the vivid drapery displayed upon the Fete Dieu, and much of the art-union resource combined in the attractive cheap lithograph element so edifying to the connoisseur.

I think it was one of those fetes—if not, another bright summer holiday—that I once saw darkly disturbed in this quiet little hamlet. Standing upon the table-rock that juts out at the foot of the fall so as to half-bridge over the lower-most eddy, I saw a small object topple over the summit of the cascade. It was nothing but a common pail or stable-bucket, as I perceived, when it glided past, almost within arm's length of me, and disappeared down the winding gorge. When I went up again to the road, I saw a crowd of holiday people standing near the little inn. They were solemn and speechless, and, on approaching, I saw that they were gazing upon the body of a man, dead and sadly crushed and mutilated. He was a caleche-driver from Quebec, well known to the small community; and although it does not seem any great height from the roadway near the inn to the tumbled rocks by the river's edge just above the fall, yet it was a drop to mash and kill the poor fellow dead enough, when his foot slipped, as he descended the unsafe path to get water for his horse. A dweller in great cities—say, for instance, one who lives within decent distance of such a charming locality as that called the Five Points in New York—could hardly realize the amount of awe that an event so trifling as a sudden and violent death will spread over a primitive village community. This happened in the French division of the place, which, of course, was decorated to the utmost ability of the people in honor of the fete: and so palpable was the gloom cast over all by the circumstance, that the bright flannels flaunting from the cordons stretched across the way seemed to darken into palls, and the gay red streamers must have appeared to the subdued carnival spirits as warning crape-knots on the door-handle of death.

I believe it is a maxim with the Italian connoisseur of art, that no landscape is perfect without one red spot to give value to its varieties of green. On this principle, let me break the monotony of this little rural sketch with the one touch of genuine American character that belonged to it at the time of which I speak. Let William Button be the one red spot that predominated vastly over the green influences by which he was surrounded. The little inn at Lorette was then kept by a worthy host bearing the above-mentioned name, which was dingily lettered out upon a swinging sign, dingily representing a trotting horse,—emblem as dear to the slow Canadian as to the fast American mind. William Button—known as Billy Button to hosts of familiar friends—was, I think, a Kentuckian by birth; a fact which might honestly account for his having come by the loss of an eye through some operation by which marks of violence had been left upon the surrounding tracts of his rugged countenance. He was a short, thick-set man, with bow-legs like those of a bull-terrier, and walked with a heavy lurch in his gait. William's head was of immense size in proportion to his stature. Indeed, that important joint of his person must have been a division by about two of what artists term heroic proportions, or eight heads to a height,—a standard by which Button was barred from being a hero, for his head could hardly have been much less than a fourth of his entire length. The expression of his face was remarkably typical of American humor and shrewdness, an effect much aided by the chronic wink afforded by his closed eye. How Button found his way to this remote spot would have been a puzzle to any person unfamiliar with American character. How he managed to live among and deal with and very considerably master a community speaking no language with which he was acquainted was more unaccountable still. The inn could not have been a very profitable speculation, in itself; but there was one room in it fitted out with a display of Indian manufactures,—some of the articles reposing in glass cases to protect them from hands and dust, others arranged with negligent regularity upon the walls. Out of these the landlord made a good penny, as he charged an extensive percentage upon the original cost,—that is, to strangers; but if you were in Button's confidence, then was there no better fellow to intrust with a negotiation for a pair of snow-shoes, or moose-horns, or anything else in that line of business. In the winter season he was a great instigator of moose- and caribou-expeditions to the districts where these animals abound, assembling for this purpose the best Indian hunters to be found in the neighborhood, and accompanying the party himself. Out of the spoils of these expeditions he sometimes made a handsome profit: a good pair of moose-horns, for instance, used to fetch from six to ten dollars; and there is always a demand for the venison in the Quebec market. The skins were manufactured into moccason-leather by Indian adepts whom Button had in his pay, and who worked for a very low rate of remuneration,—quite disproportioned, indeed, to the fancy prices always paid by strangers for the articles turned out by their hands.

The name "Billy Button" carries with it an association oddly corroborated by a story narrated of himself by the man of whom I am speaking. Of all the reminiscences connected with the illegitimate drama that have dwelt with me from my early childhood until now, not one is more vividly impressed upon my memory than that standard old comedy on horseback performed by circus-riders long since gone to rest, and entitled "Billy Button's Journey to Brentford." The hero of this pleasant horse-play was a tailor,—men following that useful trade being considered capable of affording more amusement in connection with horses than any others, excepting, perhaps, jolly mariners on a spree. The plot of the drama used to strike my young mind as being a "crib" from "John Gilpin"; but I forgave that, in consideration of the skilful manner in which the story was wrought out. With what withering contempt used I, brought up among horses and their riders, to jeer at the wretched attempts of the tailor to remain permanently upon any central point of the horse's spinal ridge! How cheerful my feelings, when that man of shreds and patches fell prostrate in the sawdust, where he lay grovelling until the next revolution of his noble steed, when the animal caught him up by the baggiest portion of the trousers and carried him round the arena as a terrier might a rat! But, oh, what mingled joy and admiration, when out from the worried mass of coats leaped the nimble rider, now no longer a miserable tailor, but a roseate young man in tights and spangles, featly posturing over all the available area of his steed, and "witching the world with noble horsemanship"!

All these memories crowded upon me with a tremendous shock the very first time I saw the name of William Button upon the dingy swinging sign. Afterwards, when I became intimate with that curious person, I discovered that he was a capital "whip,"—first-rate, indeed, as a driver of the fast trotting horse, as well as a good judge of that superior article. With respect to his experiences as a rider he was more reserved; and it was not until after I had known him a long time that he confided to me the particulars of a ride once taken by him, which bore, in its principal features, a singular resemblance to the one performed by his great name-sake of the sawdust-ring.

There is a pack of fox-hounds kept at Montreal, maintained chiefly by officers of the garrison, as a shadowy reminiscence, perhaps, of the real thing, which is essentially of insular Britain and of nowhere else. Button happened to go to Montreal, on one occasion, for the purpose of picking up a race-horse, I think, for the Quebec market. Somebody who used to ride with the hounds had a horse which he wanted to get rid of, on account of headstrong tendencies in general and inability to appreciate the advantages of a bit. I remember the animal well. He was a fiery chestnut, with white about the legs, and very good across a country so long as he was wanted to go; but no common power could stop him when once he began to do that. On this animal—"The Buffer," he was called—Button was persuaded to mount, "just to try him a little," his owner said; and by way of doing that with perfect freedom from restraint, they rode out to where the hounds were to throw off, a couple of miles from the city. Button used to say that the term "throw off," which was new to him in that application, haunted him all the way out, like a bad dream. It was a bag-fox day, I believe: that is, the hunt was provided with a trapped animal, brought upon the ground in a sack and let out when the proper time came,—a process known in sporting parlance as "shaking a fox." The usual amount of "law" having been conceded, the hounds were laid on, and went away, as Button said, like a fire-flake over a prairie. No sooner did "The Buffer" hear the cry of the pack, than he started forward with a suddenness and force by which his wretched rider was jerked back at least a foot behind the saddle, into which place of rest he never once again fell during his many vicissitudes of position in that ride. I have said that Button was bow-legged; and to that providential fact did he attribute the power by which he clung on to various parts of the steed during his wild career of perhaps a mile, but which seemed to the troubled senses of the rider not much less than fifty. It was providential for him, too, that the country was but sparsely intersected by fences, and those not of a very formidable character: nevertheless, at each of these the too confiding Button experienced a change of position, being, as he used to express it, "interjuiced forrard o' the saddle or back'ard o' the saddle, accordin' to the kind o' thing the hoss flew over, and one time booleyvusted right under the hoss, whar he hung on by the girth ontil another buck-jump sent him right side on ag'in; but never, on no account, did he touch leather ag'in in all that ride." And thus Billy Button might have ridden farther and fared worse, had he not seen a terrible fate staring him imminently in the face. The hounds had just entered a little grove of young pine-trees, which stood very close together, and bristled with sharp, jagged branches nearly to the root, after the manner of these children of the wood. At this place of torture "The Buffer" was rushing with all his might, Button being then situated upon his neck, in a position most convenient for being "skinned alive" by the trees, as he said, when a plunge made by the animal over a plashy pool transferred the rider to his tail, from which he "collapsed right down in a kind o' swoon, and when he come to, found himself settin' up to his elbows in muddy water, very solitary-like, and with a terrible stillness all around."—What became of "The Buffer" I forget, and also how Button got home; but he certainly did not ride. And he always wound up the narrative of his first and last fox-hunt by invoking terrible ends to himself, if ever he "threw leg over dog-hoss ag'in, to see a throw-off."

Button left Lorette about two years after I first became acquainted with him, and I next heard of him down at the rock-walled Saguenay, where he had gone into a speculation for supplying the Boston market with salmon. But horse-flesh seemed to be more palatable to him than fish; for, later still, I met him at Toronto, in Upper Canada, mounted upon a powerful dark brown stallion, and leading another, its exact counterpart.

"Hollo, Button!" said I, in response to his cheery, "How de dew?"—"On horseback again, I see; have you forgotten the Buffer-business, then?"

"Forgot the yaller cuss!" replied he. "No, Sir-ree! He hangs round me yet, like fever 'n' agur upon a ma'sh. But the critter I'm onto a'n't no dog-hoss, you may believe; he don't 'throw off' nor nothin', he don't. Him and his mate here a'n't easy matched. I fetched 'em up from below on spec, and you can hev the span for a cool thousand on ice."

And this was the last I saw of Button, who was one of the strangest combinations of hotel-keeper, horse-jockey, Indian-trader, fish-monger, and alligator, I ever met.

Tradition still retains a hold upon the Hurons of Lorette, little as remains to them of the character and lineaments of the red man. A pitiable procession of their diluted "braves" may sometimes be seen in the streets of Quebec, on such distinguished occasions as the Prince's visit. But it is with a manifest consciousness of the ludicrous that these industrials now do their little drama of the war-dance and the oration and the council-smoke. That drama has degenerated into a very feeble farce now, and the actors in it would be quite outdone in their travesty by any average corps of "supes" at one of our theatres. By-and-by all this will have died out, and the "Indian side" of the stream at Lorette will be assimilated in all its features to the other. The moccason is already typifying the decadence of aboriginal things there. That article is now fitted with India-rubber soles for the Quebec demand,—a continuation of the sole running in a low strip round the edge of the foot. With the gradual widening of that strip, until the moccason of the red man has been clean obliterated from things that are by the India-rubber of the white, will the remnant of the Hurons have passed away with things that were. Verdict on the "poor Indian":—"Wiped out with an India-rubber shoe."

And then, in future generations, the tradition of Indian blood among Canadian families of dark complexion, along these ridges, will be about as vague as that of Spanish descent in the case of certain tribes of fishermen on the western coast of Ireland. From the assimilation already going on, however, it may be argued that the physical character of the Indian will be gradually merged and lost in that of the French colonist. The Hurons are described as having formerly been a people of large stature, while those of the present day in Lower Canada are usually rather undersized than otherwise, like their habitant neighbors. As a race, the latter are below the middle stature, although generally of great bodily strength and endurance.

Physical size and grand proportions are looked upon by the French-Canadian with great respect. In all the cases of popular emeutes that have from time to time broken out in Lower Canada, the fighting leaders of the people were exceptional men, standing head and shoulders over their confiding followers. Where gangs of raftsmen congregate, their "captains" may be known by superior stature. The doings of their "big men" are treasured by the French-Canadians in traditionary lore. One famous fellow of this governing class is known by his deeds and words to every lumberer and stevedore and timber-tower about Montreal and Quebec. This man, whose name was Joe Monfaron, was the bully of the Ottawa raftsmen. He was about six feet six inches high and proportionably broad and deep; and I remember how people would turn round to look after him, as he came pounding along Notre-Dame Street, in Montreal, in his red shirt and tan-colored shupac boots, all dripping wet after mooring an acre or two of raft, and now bent for his ashore-haunts in the Ste.-Marie suburb, to indemnify himself with bacchanalian and other consolations for long-endured hardship. Among other feats of strength attributed to him, I remember the following, which has an old, familiar taste, but was related to me as a fact.

There was a fighting stevedore or timber-tower, I forget which, at Quebec, who never had seen Joe Monfaron, as the latter seldom came farther down the river than Montreal. This fighting character, however, made a custom of laughing to scorn all the rumors that came down on rafts, every now and then, about terrible chastisements inflicted by Joe upon several hostile persons at once. He, the fighting timber-tower, hadn't found his match yet about the lumber-coves at Quebec, and he only wanted to see Joe Monfaron once, when he would settle the question as to the championship of the rafts on sight. One day, a giant in a red shirt stood suddenly before him, saying,—

"You're Dick Dempsey, eh?"

"That's me," replied the timber-tower; "and who are you?"

"Joe Monfaron. I heard you wanted me,—here I am," was the Caesarean response of the great captain of rafts.

"Ah! you're Joe Monfaron!" said the bully, a little staggered at the sort of customer he saw before him. "I said I'd like to see you, for sure; but how am I to know you're the right man?"

"Shake hands, first," replied Joe, "and then you'll find out, may be."

They shook hands,—rather warmly, perhaps, for the timber-tower, whose features wore an uncertain expression during the operation, and who at last broke out into a yell of pain, as Joe cast him off with a defiant laugh. Nor did the bully wait for any further explanations; for, whether the man who had just brought the blood spouting out at the tips of his fingers was Joe Monfaron or not, he was clearly an ugly customer and had better be left alone.

There are several roads from Quebec to Lorette, all of them good for carriages except one, which, from its extreme destitution of every condition essential to easy locomotion on wheels, is called, in the expressive language of the French colonists, La Misere. And yet this is the only road which, from touching various points of the River St. Charles, affords the traveller compensating glimpses of the picturesque windings of that stream. The pedestrian, however, is the only kind of explorer who really sees a country and its people; and for him who is not too proud to walk, La Misere is not so hard to bear as its name might imply.

If iron takes the romance out of things, in a general way, as I mentioned at the beginning of this article my impression that it rather does, I know not whether primitive Lorette has not become sadly vulcanized into prosaic progress by the grand system of water-works established there for the benefit of Quebec. Connected as it is, now, with the latter place, by seven miles of iron pipes, I would not undertake to say that it retains aught of the rustic simplicity of its greener days. Had the pipes been of wood, indeed, the place might yet have had a chance. To understand this, one should hear the French-Canadian expatiate upon the superiority of the wooden to the metal bridge. Five years ago, the road-trustees of Quebec undertook to span the Montmorency River, just above the great fall, with an iron suspension-bridge. This would shorten the road, they said, by some two or three hundred yards of divergence from the old wooden bridge higher up. They built their bridge, which looked like a spider's web spanning the verge of the stupendous cataract, when seen from the St. Lawrence below. It was opened to the public in April, 1856, but was little used for some days, as the conservative habitans, who had gone the crooked road over the wooden bridge all their lives, declined to see what advantage could be gained by taking to a straight one pontificed with iron. It had not been open a week, however, when, as two or three hurrying peasants were venturing it with their carts, it fell with a crash, and all were washed headlong in an instant over the precipice and into the boiling abyss below, from which not one vestige of their remains was ever returned for a sign to their awe-stricken friends. Supposing this bridge to be rebuilt,—which is not likely,—I do not believe that a habitant of all that region could be got to cross it, even under the malediction, with bell, book, and candle, of his priest. And so the old wooden bridge flourishes, and the crooked road is travelled by gray-coated cultivateurs, whose forefathers went crooked in the same direction for several generations, mounted upon persevering ponies which wouldn't upon any account be persuaded into going straight.

A gleam of hope for Lorette flashes upon me since the above was written. On looking over a provincial paper, I find astounding rumors of ghosts appearing upon the track of a western railroad. Things clothed in the traditional white appear before the impartial cow-catcher, which divides them for the passage of the train, in the wake of which they immediately reappear in a full state of repair and posture of contempt. If this sort of thing goes on, what a splendid new field will be opened for the writer of romance!

Certainly, I do not yet see what antidote there is for the primitive and pastoral against seven miles of iron pipe; but it is cheerful to know that ghosts are beginning to come about railroads, and all may yet be well with Lorette.



BEHIND THE MASK.

It was an old, distorted face,— An uncouth visage, rough and wild; Yet from behind, with laughing grace, Peeped the fresh beauty of a child.

And so contrasting, fair and bright, It made me of my fancy ask If half earth's wrinkled grimness might Be but the baby in the mask.

Behind gray hairs and furrowed brow And withered look that life puts on, Each, as he wears it, comes to know How the child hides, and is not gone.

For, while the inexorable years To saddened features fit their mould, Beneath the work of time and tears Waits something that will not grow old!

And pain and petulance and care And wasted hope and sinful stain Shape the strange guise the soul doth wear, Till her young life look forth again.

The beauty of his boyhood's smile,— What human faith could find it now In yonder man of grief and guile,— A very Cain, with branded brow?

Yet, overlaid and hidden, still It lingers,—of his life a part; As the scathed pine upon the hill Holds the young fibres at its heart.

And, haply, round the Eternal Throne, Heaven's pitying angels shall not ask For that last look the world hath known, But for the face behind the mask!



DIAMONDS AND PEARLS.

We were lately lounging away a Roman morning among the gems in Castellani's sparkling rooms in the Via Poli. One of the treasures handed out for rapturous examination was a diamond necklace, just finished for a Russian princess, at the cost of sixty thousand dollars, and a set of pearls for an English lady, who must pay, before she bears her prize homeward, the sum of ten thousand dollars. Castellani junior, a fine, patriotic young fellow, who has since been banished for his liberal ideas of government, smiled as he read astonishment in our eyes, and proceeded forthwith to dazzle us still further with more gems of rarest beauty, till then hidden away in his strong iron boxes.

Castellani, father and son, are princes among jewellers, and deserve to be ranked as artists of a superior order. Do not fail to visit their charming apartments, as among the most attractive lesser glories, when you go to Rome. They have a grand way of doing things, right good to look upon; and we once saw a countrywoman of ours, who has written immortal words in the cause of freedom, made the recipient of a gem at their hands, which she cannot but prize as among the chief tributes so numerously bestowed in all parts of the Christian world where her feet have wandered.

Castellani's jeweller's shop has existed in Rome since the year 1814. At that time all the efforts of this artist (Castellani the elder) were directed to the imitation of the newest English and French fashions, and particularly to the setting of diamonds. This he continued till 1823. From 1823 to 1827 he sought aid for his art in the study of Technology. And not in vain; for in 1826 he read before the Accademia dei Lincei of Rome, (founded by Federico Cesi,) a paper on the chemical process of coloring a giallone (yellow) in the manufacture of gold, in which he announced some facts in the action of electricity, long before Delarive and other chemists, as noticed in the "Quarterly Journal of Science," Dec., 1828, No. 6, and the "Bibliotheque Universelle de Geneve," 1829, Tom. xi. p. 84.

At this period Etruria began to lay open the treasures of her art. All were struck by the beauty of the jewels found in the tombs; but Castellani was the first who thought of reproducing some of them; and he did it to the great admiration of the amateurs, foremost among whom may be mentioned the Duke Don Michelangelo Caetani, a man of great artistic feeling, who aided by his counsels and his designs the renaissance of Roman jewelry.

The discovery of the celebrated tomb Regulini-Galassi at Cervetri was an event in jewelry. The articles of gold found in it (all now in the Vatican) were diligently studied by Castellani, when called upon to appraise them. Comprehending the methods and the character of the work, he boldly followed tradition.

The discoveries of Campanari of Toscanella, and of the Marquis Campana of Rome, gave valuable aid to this new branch of art.

Thus it went on improving; and Castellani produced very expert pupils, all of them Italians. Fashion, if not public feeling, came to aid the renaissance, and others, in Rome and elsewhere, undertook similar work after the models of Castellani. It may be asserted that the triumph of the classic jewelry is now complete. Castellani renounced the modern methods of chasing and engraving, and adhered only to the antique fashion of overlaying with cords, grains, and finest threads of gold. From the Etruscan style he passed to the Greek, the Roman, the Christian. In this last he introduced the rough mosaics, such as were used by the Byzantines with much effect and variety of tint and of design.

The work of Castellani is dear; but that results from his method of execution, and from the perfect finish of all the details. He does not seek for cheapness, but for the perfection of art: this is the only thing he has in view. As he is a man of genius, we have devoted considerable space to his admirable productions.

The Talmud informs us that Noah had no other light in the ark than that which came from precious stones. Why do not our modern jewellers take a hint from the ancient safety-boat, and light up accordingly? We dare say old Tavernier, that knowing French gem-trader of the seventeenth century, had the art of illuminating his chateau at Aubonne in a way wondrous to the beholder. Among all the jewellers, ancient or modern, Jean Baptiste Tavernier seems to us the most interesting character. His great knowledge of precious stones, his acute observation and unfailing judgment, stamp him as one of the remarkable men of his day. Forty years of his life he passed in travelling through Turkey, Persia, and the East Indies, trading in gems of the richest and rarest lustre. A great fortune was amassed, and a barony in the Canton of Berne, on the Lake of Geneva, was purchased as no bad harbor for the rest of his days. There he hoped to enjoy the vast wealth he had so industriously acquired. But, alas! stupid nephews abound everywhere; and one of his, to whom he had intrusted a freight worth two hundred and twenty thousand livres, caused him so great a loss, that, at the age of eighty-four, he felt obliged to sail again for the East in order to retrieve his fortune, or at least repair the ill-luck arising from his unfortunate speculation. He forgot, poor old man! that youth and strength are necessary to fight against reverses; and he died at Moscow, on his way, in 1689. When you visit the great Library in Paris, you will find his "Travels," in three volumes, published in 1677-79, on a shelf among the quartos. Take them down, and spend a pleasant hour in looking through the pages of the enthusiastic old merchant-jeweller. His adventures in search of diamonds and other precious commodities are well told; and although he makes the mistakes incident to many other early travellers, he never wilfully romances. He supposed he was the first European that had explored the mines of Golconda; but an Englishman of the name of Methold visited them as early as 1622, and found thirty thousand laborers working away for the rich Marcandar, who paid three hundred thousand pagodas annually to the king for the privilege of digging in a single mine. The first mine visited by Tavernier was that of Raolconda, a five-days' journey from Golconda. The manner of trading there he thus describes:—

"A very pretty sight is that presented every morning by the children of the master-miners and of other inhabitants of the district. The boys, the eldest of which is not over sixteen or the youngest under ten, assemble and sit under a large tree in the public square of the village. Each has his diamond weight in a bag hung on one side of his girdle, and on the other a purse containing sometimes as much as five or six hundred pagodas. Here they wait for such persons as have diamonds to sell, either from the vicinity or from any other mine. When a diamond is brought to them, it is immediately handed to the eldest boy, who is tacitly acknowledged as the head of this little band. By him it is carefully examined, and then passed to his neighbor, who, having also inspected it, transmits it to the next boy. The stone is thus passed from hand to hand, amid unbroken silence, until it returns to that of the eldest, who then asks the price and makes the bargain. If the little man is thought by his comrades to have given too high a price, he must keep the stone on his own account. In the evening the children take account of stock, examine their purchases, and class them according to their water, size, and purity, putting on each stone the price they expect to get for it; they then carry the stones to the masters, who have always assortments to complete, and the profits are divided among the young traders, with this difference in favor of the head of the firm, that he receives one-fourth per cent. more than the others. These children are so perfectly acquainted with the value of all sorts of gems, that, if one of them, after buying a stone, is willing to lose one-half per cent. on it, a companion is always ready to take it."

Master Tavernier discourses at some length on the ingenious methods adopted by the laborers to conceal diamonds which they have found, sometimes swallowing them,—and he tells of one miner who hid in the corner of his eye a stone of two carats! Altogether, his work is one worthy to be turned over, even in that vast collection, the Imperial Library, for its graphic pictures of gem-hunting two hundred years ago.

Professor Tennant says, "One of the common marks of opulence and taste in all countries is the selection, preservation, and ornamental use of gems and precious stones." Diamonds, from the time Alexander ordered pieces of flesh to be thrown into the inaccessible valley of Zulmeah, that the vultures might bring up with them the precious stones which attached themselves, have everywhere ranked among the luxuries of a refined cultivation. It is the most brilliant of stones, and the hardest known body. Pliny says it is so hard a substance, that, if one should be laid on an anvil and struck with a hammer, look out for the hammer! [Mem. If the reader have a particularly fine diamond, never mind Pliny's story: the risk is something, and Pliny cannot be reached for an explanation, should his experiment fail.] By its own dust only can the diamond be cut and polished; and its great lustre challenges the admiration of the world. Ordinary individuals, with nothing to distinguish them from the common herd, have "got diamonds," and straightway became ever afterwards famous. An uncommon-sized brilliant, stuck into the front linen of a foolish fellow, will set him up as a marked man, and point him out as something worth looking at. The announcement in the papers of the day, that "Mademoiselle Mars would wear all her diamonds," never failed to stimulate the sale of tickets on all such occasions. As it may interest our readers to know what treasures an actress of 1828 possessed, we copy from the catalogue of her effects a few items.

"Two rows of brilliants set en chatons, one row composed of forty-six brilliants, the other of forty-four; eight sprigs of wheat in brilliants, composed of about five hundred brilliants, weighing fifty-seven carats; a garland of brilliants that may be taken to pieces and worn as three distinct ornaments, three large brilliants forming the centre of the principal flowers, the whole comprising seven hundred and nine brilliants, weighing eighty-five carats three-quarters; a Sevigne mounted in colored gold, in the centre of which is a burnt topaz surrounded by diamonds weighing about three grains each, the drops consisting of three opals similarly surrounded by diamonds; one of the three opals is of very large size, in shape oblong, with rounded corners; the whole set in gold studded with rubies and pearls.

"A parure of opals, consisting of a necklace and Sevigne, two bracelets, ear-rings the studs of which are emeralds, comb, belt-plate set with an opal in the shape of a triangle; the whole mounted in wrought gold, studded with small emeralds.

"A Gothic bracelet of enamelled gold, in the centre a burnt topaz surrounded by three large brilliants; in each link composing the bracelet is a square emerald; at each extremity of the topaz forming the centre ornament are two balls of burnished gold, and two of wrought gold.

"A pair of girandole ear-rings of brilliants, each consisting of a large stud brilliant and of three pear-shaped brilliants united by four small ones; another pair of ear-rings composed of fourteen small brilliants forming a clustre of grapes, each stud of a single brilliant.

"A diamond cross composed of eleven brilliants, the ring being also of brilliants.

"A bracelet with a gold chain, the centre-piece of which is a fine opal surrounded with brilliants; the opal is oblong and mounted in the Gothic style; the clasp is an opal.

"A gold bracelet, with a grecque surrounded by six angel heads graven on turkoises, and a head of Augustus.

"A serpent bracelet a la Cleopatre, enamelled black, with a turkois on its head.

"A bracelet with wrought links burnished on a dead ground; the clasp a heart of burnished gold with a turkois in the centre, graven with Hebrew characters.

"A bracelet with a row of Mexican chain, and a gold ring set with a turkois and fastened to the bracelet by a Venetian chain.

"A ring, the hoop encircled with small diamonds.

"A ring, a la chevaliere, set with a square emerald between two pearls.

"A gold chevaliere ring, on which is engraved a small head of Napoleon.

"Two belt-buckles, Gothic style, one of burnished gold, the other set with emeralds, opals, and pearls.

"A necklace of two rows coral; a small bracelet of engraved carnelians.

"A comb of rose diamonds, form D 5, surmounted by a large rose surrounded by smaller ones, and a cinque-foil in roses, the chatons alternated, below a band of roses."

The weight of the diamond, as every one knows, is estimated in carats all over the world. And what is a carat, pray? and whence its name? It is of Indian origin, a kirat being a small seed that was used in India to weigh diamonds with. Four grains are equal to one carat, and six carats make one pennyweight. But there is no standard weight fixed for the finest diamonds. Competition alone among purchasers must arrange their price. The commercial value of gems is rarely affected, and among all articles of commerce the diamond is the least liable to depreciation. Panics that shake empires and topple trade into the dust seldom lower the cost of this king of precious stones; and there is no personal property that is so apt to remain unchanged in money-value.

Diamond anecdotes abound, the world over; but we have lately met with two brief ones that ought to be preserved.

"Carlier, a bookseller in the reign of Louis XIV., left, at his death, to each of his children,—one a girl of fifteen, the other a captain in the guards,—a sum of five hundred thousand francs, then an enormous fortune. Mademoiselle Carlier, young, handsome, and wealthy, had numerous suitors. One of these, a M. Tiquet, a Councillor of the Parliament, sent her on her fete-day a bouquet, in which the calices of the roses were of large diamonds. The magnificence of this gift gave so good an opinion of the wealth, taste, and liberality of the donor, that the lady gave him the preference over all his competitors. But sad was the disappointment that followed the bridal! The husband was rather poor than rich; and the bouquet, that had cost forty-five thousand francs, (nine thousand dollars,) had been bought on credit, and was paid out of the bride's fortune."

"The gallants of the Court of Louis XV. carried extravagance as far as the famous Egyptian queen. She melted a pearl,—they pulverized diamonds, to prove their insane magnificence. A lady having expressed a desire to have the portrait of her canary in a ring, the last Prince de Conti requested she would allow him to give it to her; she accepted, on condition that no precious gems should be set in it. When the ring was brought to her, however, a diamond covered the painting. The lady had the brilliant taken out of the setting, and sent it back to the giver. The Prince, determined not to be gainsaid, caused the stone to be ground to dust, which he used to dry the ink of the letter he wrote to her on the subject."

Let us mention some of the most noted diamonds in the world. The largest one known, that of the Rajah of Matan, in Borneo, weighs three hundred and sixty-seven carats. It is egg-shaped and is of the finest water. Two large war-vessels, with all their guns, powder, and shot, and one hundred and fifty thousand dollars in money, were once refused for it. And yet its weight is only about three ounces!

The second in size is the Orloff, or Grand Russian, sometimes called the Moon of the Mountain, of one hundred and ninety-three carats. The Great Mogul once owned it. Then it passed by conquest into the possession of Nadir the Shah of Persia. In 1747 he was assassinated, and all the crown-jewels slipped out of the dead man's fingers,—a common incident to mortality. What became of the great diamond no one at that time knew, till one day a chief of the Anganians walked, mole-footed, into the presence of a rich Armenian gentleman in Balsora, and proposed to sell him (no lisping,—not a word to betray him) a large emerald, a splendid ruby, and the great Orloff diamond. Mr. Shafrass counted out fifty thousand piastres for the lot; and the chief folded up his robes and silently departed. Ten years afterwards the people of Amsterdam were apprised that a great treasure had arrived in their city, and could be bought, too. Nobody there felt rich enough to buy the great Orloff sparkler. So the English and Russian governments sent bidders to compete for the gem. The Empress Catharine offered the highest sum; and her agent, the Count Orloff, paid for it in her name four hundred and fifty thousand roubles, cash down, and a grant of Russian nobility! The size of this diamond is that of a pigeon's egg, and its lustre and water are of the finest: its shape is not perfect.

The Grand Tuscan is next in order,—for many years held by the Medici family. It is now owned by the Austrian Emperor, and is the pride of the Imperial Court. It is cut as a rose, nine-sided, and is of a yellow tint, lessening somewhat its value. Its weight is one hundred and thirty-nine and a half carats; and its value is estimated at one hundred and fifty-five thousand, six hundred and eighty-eight pounds.

The most perfect, though not the largest, diamond in Europe is the Regent, which belongs to the Imperial diadem of France. Napoleon the First used to wear it in the hilt of his state-sword. Its original weight was four hundred and ten carats; but after it was cut as a brilliant, (a labor of two years, at a cost of three thousand pounds sterling,) it was reduced to one hundred and thirty-seven carats. It came from the mines of Golconda; and the thief who stole it therefrom sold it to the grandfather of the Earl of Chatham, when he was governor of a fort in the East Indies. Lucky Mr. Pitt pocketed one hundred and thirty-five thousand pounds for his treasure, the purchaser being Louis XV. This amount, it is said, is only half its real value. However, as it cost the Governor, according to his own statement, some years after the sale, only twenty thousand pounds, his speculation was "something handsome." Pope had a fling at Pitt, in his poetical way, intimating a wrong with regard to the possession of the diamond; but we believe the transaction was an honest one. In the inventory of the crown-jewels, the Regent diamond is set down at twelve million francs!

The Star of the South comes next in point of celebrity. It is the largest diamond yet obtained from Brazil; and it is owned by the King of Portugal. It weighed originally two hundred and fifty-four carats, but was trimmed down to one hundred and twenty-five. The grandfather of the present king had a hole bored in it, and liked to strut about on gala-days with the gem suspended around his neck. This magnificent jewel was found by three banished miners, who were seeking for gold during their exile. A great drought had laid dry the bed of a river, and there they discovered this lustrous wonder. Of course, on promulgating their great luck, their sentence was revoked immediately.

The world-renowned Koh-i-noor next claims our attention.

A Venetian diamond-cutter (wretched, bungling Hortensio Borgis!) reduced the great Koh-i-noor from its primitive weight—nine hundred carats—to two hundred and eighty. Tavernier saw this celebrated jewel two hundred years ago, not long after its discovery. It came into the possession of Queen Victoria in 1849, three thousand years, say the Eastern sages, after it belonged to Karna, the King of Anga! On the 16th of July, 1852, the Duke of Wellington superintended the commencement of the re-cutting of the famous gem, and for thirty-eight days the operation went on. Eight thousand pounds were expended in the cutting and polishing. When it was finished and ready to be restored to the royal keeping, the person (a celebrated jeweller) to whom the whole care of the work had been intrusted, allowed a friend to take it in his fingers for examination. While he was feasting his eyes over it, and turning it to the light in order to get the full force of its marvellous beauty, down it slipped from his grasp and fell upon the ground. The jeweller nearly fainted with alarm, and poor "Butterfingers" was completely jellified with fear. Had the stone struck the ground at a particular angle, it would have split in two, and been ruined forever.

Innumerable anecdotes cluster about this fine diamond. Having passed through the hands of various Indian princes, violence and fraud are copiously mingled up with its history. We quote one of Madame de Barrera's stories concerning it:——

"The King of Lahore having heard that the King of Cabul possessed a diamond that had belonged to the Great Mogul, the largest and purest known, he invited the fortunate owner to his court, and there, having him in his power, demanded his diamond. The guest, however, had provided himself against such a contingency with a perfect imitation of the coveted jewel. After some show of resistance, he reluctantly acceded to the wishes of his powerful host. The delight of Runjeet was extreme, but of short duration,—the lapidary to whom he gave orders to mount his new acquisition pronouncing it to be merely a bit of crystal. The mortification and rage of the despot were unbounded. He immediately caused the palace of the King of Cabul to be invested, and ransacked from top to bottom. But for a long while all search was vain; at last a slave betrayed the secret;—the diamond was found concealed beneath a heap of ashes. Runjeet Singh had it set in an armlet, between two diamonds, each the size of a sparrow's egg."

The Shah of Persia, presented to the Emperor Nicholas by the Persian monarch, is a very beautiful stone, irregularly shaped. Its weight is eighty-six carats, and its water and lustre are superb.

The various stories attached to the Sancy diamond, the next in point of value, would occupy many pages. During four centuries it has been accumulating romantic circumstances, until it is now very difficult to give its true narrative. If Charles the Bold, the last Duke of Burgundy, ever wore it suspended round his neck, he sported a magnificent jewel. If the Curate of Montagny bought it for a crown of a soldier who picked it up after the defeat of Granson, not knowing its value, the soldier was unconsciously cheated by the Curate. If a citizen of Berne got it out of the Curate's fingers for three crowns, he was a shrewd knave. De Barante says, that in 1492 (Columbus was then about making land in this hemisphere) this diamond was sold in Lucerne for five thousand ducats. After that, all sorts of incidents are related to have befallen it. Here is one of them.—Henry IV. was once in a strait for money. The Sieur de Sancy (who gave his name to the gem) wished to send the monarch his diamond, that he might raise funds upon it from the Jews of Metz. A trusty servant sets off with it, to brave the perils of travel, by no means slight in those rough days, and is told, in case of danger from brigands, to swallow the precious trust. The messenger is found dead on the road, and is buried by peasants. De Sancy, impatient that his man does not arrive, seeks for his body, takes it from the ground where it is buried, opens it, and recovers his gem! In some way not now known, Louis XV. got the diamond into his possession, and wore it at his coronation. In 1789, it disappeared from the crown-treasures, and no trace of it was discovered till 1830, when it was offered for sale by a merchant in Paris. Count Demidoff had a lawsuit over it in 1832; and as it is valued at a million of francs, it was worth quarrelling about.

The Nassuck Diamond, valued at thirty thousand pounds, is a magnificent jewel, nearly as large as a common walnut. Pure as a drop of dew, it ranked among the richest treasures in the British conquest of India.

What has become of the great triangular Blue Diamond, weighing sixty-seven carats, stolen from the French Court at the time of the great robbery of the crown-jewels? Alas! it has never been heard from. Three millions of francs represented its value; and no one, to this day, knows its hiding-place. What a pleasant morning's work it would be to unearth this gem from its dark corner, where it has lain perdu so many years! The bells of Notre Dame should proclaim such good-fortune to all Paris.

But enough of these individual magnificos. Their beauty and rarity have attracted sufficient attention in their day. Yet we should like to handle a few of those Spanish splendors which Queen Isabel II. wore at the reception of the ambassadors from Morocco. That day she shone in diamonds alone to the amount of two million dollars! We once saw a monarch's sword, of which

"The jewelled hilt, Whose diamonds lit the passage of his blade,"

was valued at one hundred thousand dollars! But one of the pleasantest of our personal remembrances, connected with diamonds, is the picking up of a fine, lustrous gem which fell from O.B.'s violin-bow, (the gift of the Duke of Devonshire,) one night, after he had been playing his magic instrument for the special delight of a few friends. The tall Norwegian wrapped it in a bit of newspaper, when it was restored to him, and thrust it into his cigar-box! [O.B. sometimes carried his treasures in strange places. One day he was lamenting the loss of a large sum of money which he had received as the proceeds of a concert in New York. A week afterwards he found his missing nine hundred dollars stuffed away in a dark corner of one of his violin-cases.]

There is a very pretty diamond-story current in connection with the good Empress Eugenie. Madame de Barrera relates it in this wise.

"When the sovereign of France marries, by virtue of an ancient custom kept up to the present day, the bride is presented by the city of Paris with a valuable gift. Another is also offered at the birth of the first-born.

"In 1853, when the choice of His Majesty Napoleon III. raised the Empress Eugenie to the throne, the city of Paris, represented by the Municipal Commission, voted the sum of six hundred thousand francs for the purchase of a diamond necklace to be presented to Her Majesty.

"The news caused quite a sensation among the jewellers. Each was eager to contribute his finest gems to form the Empress's necklace,—a necklace which was to make its appearance under auspices as favorable as those of the famous Queen's Necklace had been unpropitious. But on the 28th of January, two days after the vote of the Municipal Commission, all this zeal was disappointed; the young Empress having expressed a wish that the six hundred thousand francs should be used for the foundation of an educational institution for poor young girls of the Faubourg St. Antoine.

"The wish has been realized, and, thanks to the beneficent fairy in whose compassionate heart it had its origin, the diamond necklace has been metamorphosed into an elegant edifice, with charming gardens. Here a hundred and fifty young girls, at first, but now as many as four hundred, have been placed, and receive, under the management of those angels of charity called the Sisters of St. Vincent de Paul, an excellent education proportioned to their station, and fitting them to be useful members of society.

"The solemn opening of the Maison-Eugenie-Napoleon took place on the 1st of January, 1857.

"M. Veron, the journaliste, now deputy of the Seine, has given, in the 'Moniteur,' a very circumstantial account of this establishment. From it we borrow the following:—

"'The girls admitted are usually wretchedly clad; on their entrance, they receive a full suit of clothes. Almost all are pale, thin, weak children, to whom melancholy and suffering have imparted an old and careworn expression. But, thanks to cleanliness, to wholesome and sufficient food, to a calm and well-regulated life, to the pure, healthy air they breathe, the natural hues and the joyousness of youth soon reanimate the little faces; and with lithe, invigorated limbs, and happy hearts, these young creatures join merrily in the games of their new companions. They have entered the institution old; they will leave it young.'

"The Empress Eugenie delights in visiting the institution of the Faubourg St. Antoine. This is natural. Her Majesty cannot but feel pleasure in the contemplation of all she has accomplished by sacrificing a magnificent, but idle ornament to the welfare of so many beings rescued from misery and ignorance. These four hundred young girls will be so many animated, happy, and grateful jewels, constituting for Her Majesty in the present, and for her memory in the future, an ever new set of jewels, an immortal ornament, a truly celestial talisman.

"A fresco painting represents, in a hemicycle, the Empress in her bridal dress, offering to the Virgin a diamond necklace; young girls are kneeling around her in prayer; admiration and fervent faith are depicted on their brows."

A very large amount of the world's capital is represented in precious stones, and ninety per cent of that capital so invested is in diamonds. This was not always the case. Ancient millionnaires held their enormous jewelry-riches more in colored stones than is the custom now. Crystallized carbon has risen in the estimation of capitalists, and crystallized clay has gone down in the scale of value. If the diamond be the hardest known substance in the world's jewel-box, the pearl is by no means its near relation in that particular. The daughters of Stilicho slept undisturbed eleven hundred and eighteen years, with all their riches in sound condition, except the pearls that were found with their splendid ornaments. The other decorations sparkled in the light as brilliantly as ever; but the pearls crumbled into dust, as their owners had done centuries before. Eight hundred years before these ladies lived and wore pearls, a queen with "swarthy cheeks and bold black eyes" tried a beverage which cost, exclusive of the vinegar which partly composed it, the handsome little sum of something over eighty thousand pounds. Diamond and vinegar would not have mixed so prettily.

Pearls are perishable beauties, exquisite in their perfect state, but liable to accident from the nature of their delicate composition. Remote antiquity chronicles their existence, and immemorial potentates eagerly sought for them to adorn their persons. Pearl-fisheries in the Persian Gulf are older than the reign of Alexander; and the Indian Ocean, the Red Sea, and the Coast of Coromandel yielded their white wonders ages ago. Under the Ptolemies, in the time of the Caliphs, the pearl-merchant flourished, grew rich, and went to Paradise. To-day the pearl-diver is grubbing under the waves that are lapping the Sooloo Islands, the coast of Coromandel, and the shores of Algiers. In Ceylon he is busiest, and you may find him from the first of February to the middle of April risking his life in the perilous seas. His boat is from eight to ten tons burden, and without a deck. At ten o'clock at night, when the cannon fires, it is his signal to put off for the bank opposite Condatchy, which he will reach by daylight, if the weather be fair. Unless it is calm, he cannot follow his trade. As soon as light dawns, he prepares to descend. His diving-stone, to keep him at the bottom, is got ready, and, after offering up his devotions, he leaps into the water. Two minutes are considered a long time to be submerged, but some divers can hold out four or five minutes. When his strength is exhausted, he gives a signal by pulling the rope, and is drawn up with his bag of oysters. Appalling dangers compass him about. Sharks watch for him as he dives, and not infrequently he comes up maimed for life. It is recorded of a pearl-diver, that he died from over-exertion immediately after he reached land, having brought up with him a shell that contained a pearl of great size and beauty. Barry Cornwall has remembered the poor follow in song so full of humanity, that we quote his pearl-strung lyric entire.

"Within the midnight of her hair, Half hidden in its deepest deeps, A single, peerless, priceless pearl (All filmy-eyed) forever sleeps. Without the diamond's sparkling eyes, The ruby's blushes, there it lies, Modest as the tender dawn, When her purple veil's withdrawn,— The flower of gems, a lily cold and pale! Yet what doth all avail,— All its beauty, all its grace, All the honors of its place? He who plucked it from its bed, In the far blue Indian ocean, Lieth, without life or motion, In his earthy dwelling,—dead! And his children, one by one, When they look upon the sun, Curse the toil by which he drew The treasure from its bed of blue.

"Gentle Bride, no longer wear, In thy night-black, odorous hair, Such a spoil! It is not fit That a tender soul should sit Under such accursed gem! What need'st thou a diadem,— Thou, within whose Eastern eyes Thought (a starry Genius) lies,— Thou, whom Beauty has arrayed,— Thou, whom Love and Truth have made Beautiful,—in whom we trace Woman's softness, angel's grace, All we hope for, all that streams Upon us in our haunted dreams?

"O sweet Lady! cast aside, With a gentle, noble pride, All to sin or pain allied! Let the wild-eyed conqueror wear The bloody laurel in his hair! Let the black and snaky vine Round the drinker's temples twine! Let the slave-begotten gold Weigh on bosoms hard and cold! But be THOU forever known By thy natural light alone!"

One of the best judges of pearls that ever lived, out of the regular trade, was no less a person than Caesar. He was a great connoisseur, and could tell at once, when he took a pearl in his hand, its weight and value. He gave one away worth a quarter of a million dollars. Servilia, the mother of Brutus, was the lady to whom he made the regal present.

Caligula, not satisfied with building ships of cedar with sterns inlaid with gems, had a pearl-collar made for a favorite horse! Pliny grows indignant as he chronicles the luxury of this Emperor.

"I have seen," says he, "Lollia Paulina, who was the wife of the Emperor Caligula,—and this not on the occasion of a solemn festival or ceremony, but merely at a supper of ordinary betrothals,—I have seen Lollia Paulina covered with emeralds and pearls, arranged alternately, so as to give each other additional brilliancy, on her head, neck, arms, hands, and girdle, to the amount of forty thousand sesterces, [L336,000 sterling,] the which value she was prepared to prove on the instant by producing the receipts. And these pearls came, not from the prodigal generosity of an imperial husband, but from treasures which had been the spoils of provinces. Marcus Lollius, her grandfather, was dishonored in all the East on account of the gifts he had extorted from kings, disgraced by Tiberius, and obliged to poison himself, that his grand-daughter might exhibit herself by the light of the lucernae blazing with jewels."

Nero offered to Jupiter Capitolinus the first trimmings of his beard in a magnificent vase enriched with the costliest pearls.

Catherine de Medicis and Diane de Poitiers almost floated in pearls, their dresses being literally covered with them. The wedding-robe of Anne of Cleves was a rich cloth-of-gold, thickly embroidered with great flowers of large Orient pearls. Poor Mary, Queen of Scots, had a wonderful lot of pearls among her jewels; and the sneaking manner in which Elizabeth got possession of them we will leave Miss Strickland, the biographer of Queens, to relate.

"If anything farther than the letters of Drury and Throgmorton be required to prove the confederacy between the English Government and the Earl of Moray, it will only be necessary to expose the disgraceful fact of the traffic of Queen Mary's costly parure of pearls, her own personal property, which she had brought with her from France. A few days before she effected her escape from Lochleven Castle, the righteous Regent sent these, with a choice collection of her jewels, very secretly to London, by his trusty agent, Sir Nicholas Elphinstone, who undertook to negotiate their sale, with the assistance of Throgmorton, to whom he was directed for that purpose. As these pearls were considered the most magnificent in Europe, Queen Elizabeth was complimented with the first offer of them. 'She saw them yesterday, May 2nd,' writes Bodutel La Forrest, the French ambassador at the Court of England, 'in the presence of the Earls of Pembroke and Leicester, and pronounced them to be of unparalleled beauty.' He thus describes them: 'There are six cordons of large pearls, strung as paternosters; but there are five-and-twenty separate from the rest, much finer and larger than those which are strung; these are for the most part like black muscades. They had not been here more than three days, when they were appraised by various merchants; this Queen wishing to have them at the sum named by the jeweller, who could have made his profit by selling them again. They were at first shown to three or four working jewellers and lapidaries, by whom they were estimated at three thousand pounds sterling, (about ten thousand crowns,) and who offered to give that sum for them. Several Italian merchants came after them, who valued them at twelve thousand crowns, which is the price, as I am told, this Queen Elizabeth will take them at. There is a Genoese who saw them after the others, and said they were worth sixteen thousand crowns; but I think they will allow her to have them for twelve thousand.' 'In the mean time,' continues he, in his letter to Catherine of Medicis, 'I have not delayed giving your Majesty timely notice of what was going on, though I doubt she will not allow them to escape her. The rest of the jewels are not near so valuable as the pearls. The only thing I have heard particularly described is a piece of unicorn richly carved and decorated.' Mary's royal mother-in-law of France, no whit more scrupulous than her good cousin of England, was eager to compete with the latter for the purchase of the pearls, knowing that they were worth nearly double the sum at which they had been valued in London. Some of them she had herself presented to Mary, and especially wished to recover; but the ambassador wrote to her in reply, that 'he had found it impossible to accomplish her desire of obtaining the Queen of Scots' pearls, for, as he had told her from the first, they were intended for the gratification of the Queen of England, who had been allowed to purchase them at her own price, and they were now in her hands.'

"Inadequate though the sum for which her pearls were sold was to their real value, it assisted to turn the scale against their real owner.

"In one of her letters to Elizabeth, supplicating her to procure some amelioration of the rigorous confinement of her captive friends, Mary alludes to her stolen jewels:—'I beg also,' says she, 'that you will prohibit the sale of the rest of my jewels, which the rebels have ordered in their Parliament, for you have promised that nothing should be done in it to my prejudice. I should be very glad, if they were in safer custody, for they are not meat proper for traitors. Between you and me it would make little difference, and I should be rejoiced, if any of them happened to be to your taste, that you would accept them from me as offerings of my good-will.'

"From this frank offer it is apparent that Mary was not aware of the base part Elizabeth had acted, in purchasing her magnificent parure of pearls of Moray, for a third part of their value."

One of the most famous pearls yet discovered (there may be shells down below that hide a finer specimen) is the beautiful Peregrina. It was fished up by a little negro boy in 1560, who obtained his liberty by opening an oyster. The modest bivalve was so small that the boy in disgust was about to pitch it back into the sea. But he thought better of his rash determination, pulled the shells asunder, and, lo, the rarest of priceless pearls! [Moral. Don't despise little oysters.] La Peregrina is shaped like a pear, and is of the size of a pigeon's egg. It was presented to Philip II. by the finder's master, and is still in Spain. No sum has ever determined its value. The King's jeweller named five hundred thousand dollars, but that paltry amount was scouted as ridiculously small.

There is a Rabbinical story which aptly shows the high estimate of pearls in early ages, only one object in Nature being held worthy to be placed above them:—

"On approaching Egypt, Abraham locked Sarah in a chest, that none might behold her dangerous beauty. But when he was come to the place of paying custom, the collectors said, 'Pay us the custom': and he said, 'I will pay the custom.' They said to him, 'Thou carriest clothes': and he said, 'I will pay for clothes.' Then they said to him, 'Thou carriest gold': and he answered them, 'I will pay for my gold.' On this they further said to him, 'Surely thou bearest the finest silk': he replied, 'I will pay custom for the finest silk.' Then said they, 'Surely it must be pearls that thou takest with thee': and he only answered, 'I will pay for pearls.' Seeing that they could name nothing of value for which the patriarch was not willing to pay custom, they said, 'It cannot be but thou open the box, and let us see what is within.' So they opened the box, and the whole land of Egypt was illumined by the lustre of Sarah's beauty,—far exceeding even that of pearls."

Shakspeare, who loved all things beautiful, and embalmed them so that their lustre could lose nothing at his hands, was never tired of introducing the diamond and the pearl. They were his favorite ornaments; and we intended to point out some of the splendid passages in which he has used them. But we have room now for only one of those priceless sentences in which he has set the diamond and the pearl as they were never set before. No kingly diadem can boast such jewels as glow along these lines from "Lear":—

"You have seen Sunshine and rain at one: her smiles and tears Were like a better day: Those happy smiles That played on her ripe lip seemed not to know What guests were in her eyes; which parted thence, As pearls from diamonds dropp'd."



REVIEWS AND LITERARY NOTICES.

1. Lis Oubreto de ROUMANILLE. Avignon. 1860. 12mo.

2. T. AUBANEL. La Miougrano Entreduberto. Avec Traduction litterale en regard. Avignon: J. Roumanille. 1860. 12mo.

3. Mireio. Pouemo Prouvencau de FREDERI MISTRAL. Avec la Traduction litterale en regard. Avignon: J. Roumanille. 1859. 8vo.

4. Las Papillotos de JACQUES JASMIN, de l'Academie d'Agen, Maitre es Jeux-Floraux, Grand Prix de l'Academie Francaise. Edition populaire, avec le Francais en regard, et ornee d'un Portrait. De 1822 a 1858. Paris: Firmin Didot, Freres & Cie. 1860. 12mo.

5. Les Piaoulats d'un Reipetit. Recueil de Poesies Patoises. Par J.B. Veyre, Instituteur a Saint-Simon (Cantal). Aurillac: Imprimerie de L. Bonnet-Picut. 1860. 8vo.

Few persons, when they consider the present greatness and prosperity of the French Empire, bear in mind the heterogeneous elements of which it is composed. For us, Paris is France, and the literature of the realm is comprised in the words, "Paris publications." We think not of the millions of Frenchmen to whom the language of the capital is a sealed letter,—of the Germans of Alsatia, the Flemings of the extreme North-East, the Bretons of the peninsula of Finisterre, the Basques, the Catalans of the mountains of Roussillon, and, more numerous than all these, the fourteen millions of the thirty-seven departments south of the Loire. These speak, to this day, with fewer modifications than have taken place in any other of the European languages during the same lapse of time, the very tongue in which wrote Bertran de Born and Pierre Vidal, the idiom in which Dante and Petrarca found some of their happiest inspirations, and which, we are told, Tasso envied for its poetic capabilities.

True, the Provinces of Gascony, Provence, Auvergne may be traversed by the stranger almost without his suspecting that other than the French, more or less badly spoken, is in common use. In hotels and shops he will hear nothing else.

The larger towns in direct communication with the capital, and all that is purely exterior in the people, are becoming more and more French every day. But in the family interior, far from the noise of affairs, the bustle of towns, in hamlets, among the vine-growers and tenders of the silk-worm, in the mountains and retired valleys, the home-tongue is again at ease. Simple, ingenuous, amber-like in its sunny tints, it is a reflection of that ardent poetical imagination which made the courts of the Counts of Toulouse the nurseries of modern poesy, when the rest of Europe was little else than one wrangling battle-field. Neither the exterminating crusade against the Albigenses, after which the idiom of Provence was wellnigh stigmatized as heretical, nor the civil and religious wars of the seventeenth century, nor even the dragonnades of Louis XIV., have been able to outroot it. The levelling edicts of the first French Revolution were powerless against it. The Provencal, or Langue d'Oc, if you will, the Gascon, the Auvergnat, are spoken to this day in their respective provinces, universally spoken by the people, who in many instances do not understand French at all. They must be preached to in their own dialect. They have their songs, their theatre even.

Nor must this be understood as referring only to the lower strata of society. The better classes, even, retain a fondness for their mother-tongue which years of residence in Paris will not obliterate. In their very French, they still retain the inflections, the tones of the South,—a measured cadence in the phrase, which the Parisian uniformly styles gasconner. They feel ill at ease in what they call the cold-mannered speech of the Franchiman. In the words of one of their poets, Mistral, who has proved that he was no less a master of the academic forms and rules than of the riches and power of his own Avignonais:—"Those who have not lived at the South, and especially in the midst of our rural population, can have no idea of the incompatibility, the insufficiency, the poverty of the language of the North in regard to our manners, our needs, our organization. The French language, transplanted to Provence, seems like the cast-off clothes of a Parisian dandy adapted to the robust shoulders of a harvester bronzed by the Southern sun."

The Provencal, in its two principal divisions, the Gascon and Langue d'Oc, is the current idiom south of the Loire. The South-West Provinces had, in the seventeenth century, no mean poet in Godelin; and in our own day, Jasmin has found a host of followers. The inhabitants of the South-East, however, the more immediate retainers of the language of the Troubadours, save in a few drinking-songs and Christmas carols, had forgotten the strains that once resounded beyond the limits of Provence and had first awaked the poetic emulation of Spain and Italy. The princess of song, stung by the envious spirit of persecution in the Albigensian wars, had slept for centuries, and the thick hedge of forgetfulness had grown rank about the language and its treasures. What Raynouard, Diez, Mahn, Fauriel, and others have done to bring to light again the unedited texts was little better than an autopsy. A living, breathing poet was wanting to reanimate by his touch the poesy that had slept so long. That poet was Roumanille.

The Minnesingers have found heirs and continuators in the modern writers of Germany. Side by side with the increasing tendency to unity in all national literature is working the force of races confounded under one political banner, to assert their existence as such. Congresses have shaped new kingdoms; but they have not reached or removed the limits of nationalities that have each their expression in song, whether in Moldavia or among the Czechs of Bohemia. The regeneration of local idioms, which is fast working its way from the Bosphorus to the Atlantic, was first undertaken in Provence, at the instigation of Roumanille. The son of a gardener of St. Remy, he was first struck with the insufficiency of French literature for his immediate countrymen, when, on his return from college, seeking to recite some of his earlier poems in the language of Racine to his aged mother, she failed to understand them. For her he translated, and found that his own Provencal was richer, more copious and melodious than the French itself, and, if less finical and restrained by grammatical forms, more pliant for the poet, and better answering the exigencies of primitive, spontaneous expression of feeling. From that moment his efforts were unceasingly directed towards the reintegration of his mother-tongue, which had so long played but the part of a Cinderella among the Romanic nations.

His poems, collected in 1847, under the title of "Margarideto," (Daisies,) were hailed by his countrymen with their habitual national enthusiasm. Nor did he remain inactive during the Revolution of 1848, addressing the people in home-phrase in several small volumes of prose. In 1852, he sent forth a call to his brother-writers, the felibre, who had joined with him in his efforts. The result was the publication of "Li Prouvencalo," a charming selection from those modern Troubadours who in all ranks of society sing, because sing they must, in bright and sunny Provence, and who in very deed find poetry

"In the forge's dust and ashes, in the tissues of the loom."

The call of Roumanille was the signal for a revival. Since that time, he himself, now a publisher in Avignon, has steadily watched and fostered the movement. The new literature has rapidly gone beyond its home-limits. Within the present year, Paris has republished several of the most noted works.

The volume which has called forth these remarks, "Lis Oubreto," comprises the poems of M. Roumanille,—"Li Margarideto," "Li Nouve," "Li Sounjarello," "La Part de Dieu," "Li Flour de Sauvi." They are characterized by an elevation in the thoughts and a religious purity of sentiment, qualities which, it has been urged, and justly too, were lacking in many of the former productions in various dialects of France. We call the poetry of Roumanille elevated, yet it always addresses itself to the people of Provence, and borrows its images from the many-colored life of those to whom it speaks; religious, but simple and ingenuous, with a tinge of mysticism,—not the mysticism that seeks the good in dreamy inaction, as in some of the Spanish authors, nor has it the obscure tinge of the transcendental English school. The religion of Roumanille is active, not dogmatic; he incites to do, rather than discuss or dream the good. There is a health, a vigor, an earnestness, in this spontaneous poesy of an idiom which six centuries ago was the language of courts, and now sings the song of toil. Side by side with the over-cultured language of the Parisian, it seems so free and frank! Where the one is hampered for fear of sinning, the other, buoyant and elastic, treads freely and fears not to be too ingenuous.

Roumanille's poems have not been translated; it is hardly likely they ever will be,—at least, the greater number. They were not made for Paris. They are not at ease in a French garb,—nor, for that matter, in any other than their own diaphanous, sun-tinted, vowelly Provencal, unless they could find their expression in some folk-speech, as the Germans say, that could utter things of daily life without euphuistic windings, without fear of ridicule for things of home expressed in home-words.

As characterizing the nature and tendency of the new poetry, we subjoin a translation of "Li Crecho," (The Infant Asylums,) of which M. Sainte-Beuve, of the French Academy, one whose judgment as literary critic could be little biased in favor of the naive graces of the original, said,—"The piece is worthy of the ancient Troubadours. The angel of the asylums and of little children in his celestial sadness could not be disavowed by the angels of Klopstock, nor by that of Alfred de Vigny."

"Li Crecho" was recited by the author at the inauguration of the Infant Asylum of Avignon, the 20th of November, 1851, and forms part of the sheaf of poems entitled "Li Flour de Sauvi."

I.

"Among the choirs of Seraphim, whom God has created to sing eternally, transported with love, 'Glory, glory to the Father!'—among the joys of Paradise, one oftentimes, far from the happy singers, went thoughtful away.

"And his snow-white forehead inclined towards our world, as droops a flower that has no moisture in summer. Day by day he grew more dreamy. If sadness, when in God's glory, could torment the heart, I should say that this fair angel was pining with sorrow.

"Of what did he dream thus, and in secret? Why was he not of the feast? Why, alone among angels, as one that had sinned, did he bow the head?"

II.

"Lo! he has just knelt at the feet of God. What will he say? What will he do? To see and hear him, his brethren interrupt their song of praise."

III.

"'When Jesus, thy child, wept,—when he shivered with cold in the manger of Bethlehem,—it was my smile that consoled him, my wings that sheltered him, with my warm breath did I comfort him.

"'And since then, O God, when a child weeps, in my pitying heart his voice resounds. Therefore forever now am I sick at heart,—therefore, O Lord, am I ever thoughtful.

"'On earth, O God, I have something to do. Let me descend there. There are so many babes, poor milk-lambs, who, shivering with cold, weep and wail far from the breasts, far from the kisses of their mothers! In warm rooms will I shelter them,—will cover and tend them,—will nurse and caress them,—will lull them to rest. Instead of one mother, they shall each have twenty that shall give them suck and soothe them to sleep.'"

IV.

"And with heart and hand did the angels applaud,—a tremor of joy shot through the stars of heaven,—and, unfolding his pinions, with the rapidity of lightning the angel descended. The road-side smiled with flowers, as he passed,—and mothers trembled for joy; for infant-asylums arose wherever the child-angel trod."

One of the first to respond to the call of Roumanille for the composition of the selection "Li Prouvencalo" was Th. Aubanel, also of Avignon. The "Segaire" (Mowers) and "Lou 9 Thermidor" made it plain, that, of the thirty names, that of the young printer would soon take a prominent place among the revivers of Southern letters. And now, eight years later, the promise of M. Rene Taillandier, in his introduction to the selection, has become reality.