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We were presently under the palace, in those lower corridors which I have already described. Human voices were audible from upstairs, but no one was down here. Migul was again prowling with his fingers along the ground. We came to an unoccupied lighted room—Harl's room, though I did not know it then. Once or twice Migul was at fault. We started up a flight of stairs into the palace, then Migul came and turned back.
"He went upstairs; but this, coming down, is more recent."[1]
[Footnote 1: It will be recalled that Tugh passed Alent's gate, and with Tina and Larry went to the palace roof. Perhaps, while Larry was with the Council during that time when the Robot revolt was first sweeping over the city, Tugh may again have prowled down here in these lower corridors. Then he went upstairs, brought Tina and Larry down and they started for the Power House.]
* * * * *
Migul had struck the main trail, now. We passed the lighted room again, went on to a cave-like open space with a litter of abandoned machinery and unswervingly to a blank space of the opposite wall.
Again Migul faltered.
"What's the matter, Migul?"
"His vibrations are faint. They are blurred with the Princess Tina's."
"Then she is with him?"
It was a tremendous relief. Larry doubtless was with them also.
"Is the man from 1935 with Tugh and the Princess?" I asked.
"I think so. There are unfamiliar vibrations—perhaps those of the man from the past."
The Robot was running the filaments of its fingers lightly over the wall.
"I have it. The Princess pressed this switch."
The door opened; the narrow descending tunnel was wholly black.
"Where does this go, Migul?"
"I do not know."
The Robot was stooping to the floor. "It is a plain trail," it said. "Come."[2]
[Footnote 2: Had Migul at that juncture traced Tina's movements—her hand where it went along the tunnel-wall—we would have found the light switch. But it chanced that the Robot's fingers went at once to the ground and caught the foot-trail of Tugh.]
The remainder of that journey through the labyrinth of passages was made in blank darkness, with only the faint lurid red beams from Migul's eye-sockets to light our way. But we went swiftly, and without incident. At last we went under the dam, up the spiral stairs and upon the catwalk above the abyss, where the great spillway of falling water arched out over us.
"The Power House," said Migul, "is where they went."
* * * * *
The Robot was obviously frightened, now. We were wet with spray. "I should not be here," it said. "If the water gets into me—even though I am well insulated—I will be destroyed!"
I recall as I write this how in Patton Place of 1935, one of the first attacking Robots had exploded under a jet of water from the street hydrant.
"I will stay behind you," Migul added. "They have a deranging ray in the Power House, and they might use it on me. Will you protect me?"
"Yes, of course," I said.
I was ready to promise anything, if only I could get to Larry and Tina, then back with them to Mary into the Time-cage; and if we were safely out of this era, most assuredly I wanted none of it again. Migul, as I advanced along the catwalk, followed behind me.
"You will kill Tugh?" it reiterated like an anxious child.
"Yes."
I saw that the catwalk terminated ahead under the Power House, where steps led upward. Then I heard a cry:
"Help! Help! Here, inside the dam! Help!"
I stood transfixed, with horror tingling my flesh. The voice came faintly from near at hand; it was muffled, and in the roar of the falling water and lashing spray I barely heard it.
Then it came again. "Help us! Help us, quickly!"
It was an agonized, panting, human voice. And in a chance, partial lull I heard it now plainly.
It was Larry's voice!
CHAPTER XXI
The Fight in the Power House
I found the narrow aperture and stood peering down into darkness. Migul crowded behind me. The red beams of its eyes went down into the pit, and by their faint illumination I saw the heads of Larry and a girl, swimming twenty feet below. The girl's dark hair floated out like black seaweed in the water.
"The Princess and the strange man!" exclaimed Migul.
I called, "Larry! Larry!"
His labored voice came up. "George? Thank God! Get us—out of here. Almost—gone, George!"
I found my wits: "Then keep quiet! Don't talk. Save your strength. I'll get you out!"
But how? I could see that they were almost spent, for they were swimming with labored, inefficient strokes—Larry using most of his strength to hold up the exhausted girl. We had not a moment to spare. I wildly contemplated tearing my garments to make a rope.
But Migul pushed me away. "I will bring them. Stand back."
The Robot had opened its metal side and drawn forth a flexible wire with a foot-long hook fastened to it. The wire came smoothly out as though unrolling from a drum.
It leaned into the aperture and called down to Larry. "Fasten this around the Princess. Be careful not to harm her. Put it under her arms."
I saw that there was an eyelet on the wire into which the hook could be inserted to make a loop.
"Under her arms," Migul called. "She will have to hold to the hook with her hands or the wire will cut into her. Has she the strength?"
Larry floundered as he adjusted the wire. Tina gasped. "I—have the strength."
The Robot braced itself, spreading its knees against the aperture with its body leaning forward.
"Ready?" it called.
"Yes," came Larry's voice.
* * * * *
Migul's finger pressed a button at the base of its neck, and with the smooth power of machinery the wire cable rolled into its side. Tina came up; Migul gripped her and pulled her through the aperture; laid her gently on the catwalk. I unfastened the hook, and soon Migul had Larry up with us.
The Robot stood aside, with its work done, silently regarding us. I need not detail this reunion of Larry and me there on the spray-swept catwalk, clinging to the side of the great dam with the foaming Hudson beneath us. Larry and Tina were not injured, and presently their strength partially returned. We hastily sketched what had happened to each of us.
It was Tugh who was the guiding evil genius of all these disasters! Tugh, the exile of Time, the ruthless murderer in many eras! He was here, very probably, in the Power House, a few hundred feet away.
And Tina, regarding that Power House with her returning clarity of senses saw that its sending signal lights were off, which meant that the air-power of the New York District was not being supplied. Help from other cities could not arrive.
Tina stood up waveringly. "We cannot stay here like this!" she said. "Tugh has killed the guards, and is there in control. The electrical defenses are shut off; they must be! The Robots will soon be coming along the top of the dam, for their battery renewers are stored in the Power House. If they get them, this massacre will go on for days!—and spread all over! We've got to stop them! We must get in the Power House and capture Tugh!"
"But we have no weapons!" Larry cried. "And he must have that white-ray, if he has killed the guards!"
"I have a weapon!" I said. I had suddenly recalled the cylinder in my pocket. "I have a white-ray!"
* * * * *
A desperate madness was on us all. The lives of thousands of people who might still be alive on Manhattan were at stake; and other millions would be menaced if these Robots renewed their energy and spread the revolt into other cities.
Over the roar, and the wind lashing us, I shouted:
"I promised Migul I would kill Tugh. I will!"
I turned toward Migul. But the Robot had vanished! Afraid, no doubt, that we would want it to go with us after Tugh, the terrified mechanism was hiding. We wasted no time searching for it.
We had all been half hysterical for these few moments, but we steadied quickly enough as we approached the Power House's lower entrance. The building was a rectangular structure some two hundred feet long. It was fastened upon great brackets to the perpendicular side of the dam and jutted out some fifty feet. It was two levels in height—a total of about forty feet to its flat roof, in the center of which was set a small oval tower. The whole structure was above us now; the catwalk went close underneath it, passing through an arch of the huge supporting brackets and terminating in a small lower platform, with an open spiral staircase leading upward some ten feet into the lower story.
The place seemed dark and deserted as we crept up to it. Gazing above me, I could see the top of the dam, now looming above the Power House. There was a break in the spillway at this point. The arching cascade of water under which the catwalk hung ended here. We came out where there was a vista of the lower Hudson beneath us, showing dimly down past the docklights and skeleton landing stages to the bay.
* * * * *
The sky was visible now and the open wind struck us full. It was a crazy pendulum wind. A storm was breaking overhead. There were flares of lightning and thunder cracks—from disturbed nature, outraged by the temperature changes of the Robot's red and violet rays.
The Power House, so far as we could see, was dark and deserted. Its normal lights were extinguished. Was Tugh in there? It was my weapon against his. The white-ray was new to Tina; we had no way of estimating this cylinder's effective range.[3]
[Footnote 3: The cylinder of the white-ray which I carried was not the one with which Tugh murdered Harl. Mine was portable, and considerably smaller.]
I kept Tina and Larry well behind me. It was a desperate approach, and I was well aware of it. The catwalk now was illumined at intervals by the lightning; Tugh from many points of vantage in the Power House could have seen us and exterminated us with a soundless flash swift as a lightning bolt itself. But we had to chance it.
We reached the small lower platform. The catwalk terminated. The Power House was a roof over us. I stood at the foot of the spiral staircase, which went up through a rectangular opening in the floor. There was a vista of a dark room-segment.
"Keep behind me," I murmured, and I started up. Was Tugh lurking here, waiting for me to raise myself above this opening? If he had been, he could have held his position against a score of assailants.
But he was not. I soon stood breathlessly in a dark metal room. Tina and Larry came up.
"He's not here," I whispered. It was more silent in here: the cascading water was further away from us now. There came a flash of lightning, followed in a few seconds by its accompanying thunder crash.
I started. "What's that?"
* * * * *
On the floor near us lay a gruesome, crumpled thing. I bent over it, waiting for another flash. When one came I saw it was a heap of clothes, covering a white skeleton. By the garments Tina knew it was one of the guards.
We crept into a small interior corridor where a small light was burning. The remains of two other guards lay here, close by the doorway as though they had come running at Tugh's alarm, only to be struck down.
It was horribly gruesome, here in the dimness with these bleached bones which had been living men so recently. And it was nerve-breaking to know that Tugh was doubtless here somewhere.
"Listen!" whispered Tina.
There was a crackling sound overhead, and then the blurred murmur of a voice. An audible broadcasting transmitter was in operation.
"It's in the tower," said Tina swiftly. "Tugh must be there."
This was an infinite relief. We went to the top story, passing, unheeding, another crumpled heap. Again we stood listening. The transmitter was hissing and spluttering, and then shouting its magnified human voice out into the night. It was Tugh up there. He was calling audibly to his Robots, with words which would be relayed upon all the local magnifiers in the city. Between the thunder cracks we heard him plainly now.
"This is your Master Tugh in the Power House. Robots, we are triumphant! The city is isolated! No help can get in! Kill all humans! Spare none! This night sees the end of human rule!"
And again: "When you want renewal, come along the top roadway of the dam. The electric defenses are off. You can come, and I have your renewers here. I have new batteries, new strength for you Robots!"[4]
[Footnote 4: Tugh had been in the Power House before. He knew the operations of its various controls. But he had come always by the surface route; he had heard of the existence of the secret tunnel, but had never before this night been able to find out where it was.]
"You stay here," I told Tina and Larry; "I'll go up there. I'll get him now once and for all."
* * * * *
I reached the Power House roof. The storm tore at me. It was beginning to rain. I was near the outer edge of the roof, and ten feet away stood the oval tower. I saw windows twenty feet up, with dim lights in them. Mingled with the storm was the hiss of the transmitter in the top of the tower, and the roar of Tugh's magnified voice. He had evidently been there only a brief time. From where I crouched on the roof, I could see overhead, along the top edge of the dam looming above me. The red Robot rays were everywhere in the city, but none as yet showed along the dam's upper roadway.
I got into the tower and mounted its small stairs. Creeping cautiously to the entrance of the control room, I saw a fairly large, dimly lighted oval apartment. Great banks of levers stood around it; tables of control apparatus; rows of dials, illumined by tiny lights like staring eyes. There was another gruesome heap of garments here on the floor; a grinning white skull leered at me.
This was the main control room of the Power House. Across it, near an open window, Tugh sat with his back to me, bent over a table with the grid of a microphone before him. I raised my cylinder; then lowered it, for I had only a partial view of him: a huge transformer stood like a barrier between us.
* * * * *
Noiselessly I stepped over the threshold, and to one side within the room. The place was a buzz and hiss of sound topped by Tugh's broadcast voice and the roar of the storm outside—yet he was instantly aware of me! His voice in the microphone abruptly stopped; he rose and with an incredibly swift motion whirled and flung at me a heavy metal weight which had been lying on the table by his hand. The missile struck my outstretched weapon just as I was aiming it to fire, and the cylinder, undischarged, was knocked from my hand and went spinning across the floor several feet away from me.
Tugh, like an uncoiling spring, still with one continuous motion, made a leap sidewise to where his own weapon was lying on a bench, and I saw he would reach it before I could retrieve mine.
I flung my heavy battery box but missed him. And as I rushed at him he caught up his cylinder and fired it full at me! But no flash came: only a click. He had exhausted its charge when he killed the Power House guards. With a curse he flung it at my face, and my arm took its blow just as I struck him. We fell gripping each other, and rolled on the floor.
I was aware that Larry and Tina had followed me up. Larry shouted, "Look out for him, George!"
I have described Larry's hand-to-hand encounter with the cripple; mine was much the same; I was a child in his grip. But with his weapon useless, and Larry rushing into the room, Tugh must have felt that for all his strength and fighting skill he would be worsted in this encounter. He blocked a jab of my fist, flung me headlong away and sprang to his feet just as Larry leaped at him.
I stood erect, to see that he had sent Larry crashing to the floor. I heard his sardonic laugh as he hurled a metal stool at Tina, who was trying to throw something at him. Then, turning, he sprang through the open window casement and disappeared.
* * * * *
It was twenty feet down to the roof. We reached the window to see Tugh picking himself up unhurt. Then, with his awkward gait but at amazing speed, he ran across the roof to a small entrance in the face of the dam where an interior staircase gave access to the roadway on top.
He was escaping us. The electrical gate was open to him. It was only a few hundred feet along the dam roadway to that gate; and beyond it the roadway was open into the city, where now we could see the distant flashing lights of the Robots advancing along the dam.
Larry and I would have rushed to the roof to follow Tugh, but Tina checked us. She said:
"No—he has too great a start. He's on top by now, and it's only a short distance to the gate. There's a better way here: I can electrify the gate again—trap him inside."[5]
[Footnote 5: There was a similar gate and wall-barrier at the Jersey entrance to the dam, and both gates operated together. The nearby Jersey section was, is still, an agricultural district save for a few landing stages for the great airliners. The robots had spread into Jersey; but since few humans were there, with only Robot agriculturists working the section, the unimportant Jersey events have not figured in my narrative.]
Tina found the gate controls. But they would not operate!
Those precious lost seconds, with Tugh running along the top of the dam and his Robots advancing to join him!
"Tina, hurry!" I cried. Larry and I bent anxiously over her, but the levers meant nothing to us. There were lost seconds while she desperately fumbled, and Larry pleaded:
"Tina, dear, what's the matter?"
"He must have ripped out a wire to make sure of getting away. I—I must find it. Everything seems all right."
A minute gone. Surely Tugh would have reached the gate by now. Or, worse, the Robots would have come through, and would assail us here.
"Tina!" pleaded Larry, "don't get excited. Take it calmly: you can find the trouble."
* * * * *
I rushed to the window. I could see the upper half of the cross wall gate-barrier. It jutted above the top edge of the dam from the point of vision. On the Manhattan side I saw the oncoming Robot lights. And then suddenly I made out a light on this side of the barrier; it marked Tugh; it must have been a beam signal he was carrying. It moved slowly, retarded by distance, but it was almost to the gate; and then it reached there.
"He's gone through!" I called. Then I saw him on the land side. He had escaped us and joined the Robots. The lights showed them all coming for the gate.
And then Tina abruptly found the loosened wire.
"I have it!" she exclaimed.
She stood up, tugging with all her strength at the great switch-lever. I saw, up there on the top of the dam, a surge of sparks as the current hissed into the wall-barrier; saw the barrier glow a moment and then subside. And presently the lights of the balked Robots, Tugh with them, retreated back into the wrecked and blood-stained city.
"We did it!" exclaimed Larry. "We're impregnable here. Tina, now the air-power, for help may be on its way. And then call some other city. Can you do that? They must have sent us help by now."
* * * * *
In a moment the air-power went on, and the city lighting system. Then Tina was at the great transmitter. As she closed the circuits, London was frantically calling us. In the midst of the chaos of electrical sounds which now filled the control room, came the audible voice of the London operator.
"I could not get you because your circuit was broken," it said. "Our air-vessel Micrad; bearing the large projector of the Robot-deranger, landed on the ocean surface two hundred miles from New York harbor. It was forced down when your district air-power failed."
Tina said hurriedly, "Our air-power is on now. Is the Micrad coming?"
"Wait. Hold connection. I will call them." And after a moment's pause the London voice came again: "The Micrad is aloft again, and should be over New York in thirty minutes. You are safe enough now."
As the voice clicked off Tina's emotion suddenly overcame her. "Safe enough! And our city red with human blood!"
A wild thought abruptly swept me. Mary Atwood was back there in the cavern, alone, waiting for me to return! Subconsciously, in the rush of these tumultuous events, my mind had always been on her; she was secure enough, no doubt, locked in that room. But now Tugh was back in the city, and realizing that his cause was lost he would return to her!
I hastily told Larry and Tina.
"But he cannot open the door to get into her," said Larry.
But Migul could open the door. Where was Migul now? It set me shuddering.
* * * * *
We decided to rush back by the underground route. The Power House could remain unattended for a time. We got down into the tunnel and made the trip without incident. We ran to the limit of Tina's strength, and then for a distance I carried her. We were all three panting and exhausted when we came to the corridors under the palace. I think I have never had so shuddering an experience as that trip. I tried to convince myself that nothing could have happened to Mary, that all this haste was unnecessary, but the wild thought persisted: Where was Migul?
A group of officials stood in one of the palace's lower corridors. As they came hastily up to Tina, I suddenly had a contempt for these men who governed a city in which neither they nor anyone else did any work. In this time of bloodshed, all these inmates of the palace had stayed safely within its walls, knowing that it was well fortified and that within a few hours help would doubtless come.
"The Micrad is coming with the long-range deranger," Tina told them briefly. After a moment they hastened away upstairs and I heard one of them shouting:
"The revolt is over! Within an hour we will have all the accursed Robots inert. The Micrad can sweep all the city with her ray!"
The death of Alent, the guard in the tunnel to the Robot cavern, had been discovered by the palace officials, and another guard was there now in his place. Migul had not passed him, this guard told us. But there had been an interim when the gate was open. Had Migul returned here and gone back to Mary?
We reached the cavern of machinery. It was dim and deserted, as before. We came to the door of Mary's room. It was standing half open!
* * * * *
Mary was gone! The couch was overturned, with its coving and pillows strewn about. The room showed every evidence of a desperate struggle. On the floor the great ten-foot length of Migul lay prone on its back. A small door-porte in its metal side was open; the panel hung awry on hinges half ripped away. From the aperture a coil and grid dangled half out in the midst of a tangled skein of wires.
We bent over the Robot. It was not quite inert. Within its metal shell there was a humming and a faint, broken rasping. The staring eye-sockets showed wavering beams of red; the grid of tiny wires back of the parted lips vibrated with a faint jangle.
I bent lower. "Migul, can you hear me?" I asked.
Would it respond? My heart sent a fervent prayer that this mechanical thing—the product of man's inventive genius through a thousand years—would have a last grasp of energy to answer my appeal.
"Migul, can you—"
It spoke. "I hear you." They were thin, jangled tones, crackling and hissing with interference.
"What happened, Migul? Where is the girl?" I asked.
"Tugh—did this—to me. He took the girl."
"Where? Migul, where did he take her? Do you know?"
"Yes. I—have it recorded that he said—they were going to the Time-cage—overhead in the laboratory. He said—they—he and the girl were leaving forever!"
CHAPTER XXII
The Chase to the End of the World
The giant mechanism, fashioned in the guise of a man, lay dying. Yet not that, for it never had had life. It lay deranged; out of order; its intricate cycle was still operating, but faintly, laboriously. Jangling out of tune.
Every moment its internal energy was lessening. It seemed to want to talk. The beams of its eyes rolled wildly. It said:
"Tugh—did this—to me. I came back here frightened because I knew that Tugh still controlled me. You—hear me...."
There was a muffled, rumbling blur, then its voice clicked on again.
"When Tugh came I opened the door to him, even though the girl tried to stop me.... And I was humble before Tugh.... But he was angry because I had released you. He—deranged me. I tried to fight him, and he ripped open my side porte...."
I thought the mechanism had gone inert. From within it was complete silence. Larry murmured, "Good Lord, this is gruesome!"
Then the faint, rasping voice started again.
"Deranged me.... And about Tugh, he—" A blur. Then again, "Tugh—he is—Tugh, he is—"
It went into a dull repetition of the three words, ending in a rumble which died into complete silence. The red radiance from the eye-sockets faded and vanished.
The thing we had called Migul seemed gone. There was only this metal shell, cast to represent a giant human figure, lying here with its operating mechanisms out of order—smashed.
* * * * *
I stood up. "That's the end of it. Mary Atwood's gone—"
"With Tugh in the Time-cage!" Larry exclaimed. "Tina, can't we—"
"Follow them?" Tina interrupted. "Come on! No—you two wait here. I will go upstairs and verify if the Time-cage is gone."
She came back in a moment. The laboratory overhead was fortunately deserted of Robots: Larry and I had not thought of that.
"The cage is gone!" Tina exclaimed. "Migul told us the truth!"
We hastened back through the tunnel, past the guard, up into the palace and into the garden. My heart pounded in my throat for fear that Tina's Time-cage would have vanished. But it stood, dimly glowing under the foliage where she had left it.
A young man rushed up to us and said, "Princess Tina, look there!"
A great row of colored lights sailed slowly past overhead. The Micrad was here, circling over the city. The storm had abated; it had rained only for a brief time.[6] The crazy winds were subsiding. The Micrad was using its deranging ray: we could hear the thrum of it. It sent out vibrations which threw the internal mechanisms of the Robots out of adjustment, and they were dropping in their tracks all over the city.
[Footnote 6: It was afterward found that many of the Robots, heedless of the rain as they ran about the city intent upon their murderous work, had exploded by getting too wet.]
* * * * *
It chanced, as momentarily we stood there at the entrance to the Time-cage while the great airliner swept by, that the top of the nearby laboratory was visible through the trees. We saw a white search-beam from the Micrad come down and disclosed a group of Robots on the laboratory roof. Then the spreading beam of the deranging ray struck them, and they stood an instant transfixed, stricken, with wildly flailing arms. Then one toppled and fell. Then another. Two rushed together, locked in each other's grip, desperately fighting because of some crazy, deranged thought-impulse. They swayed and tore at each other until both wilted and sank inert. Another tottered with jerky steps to the edge of the roof and plunged headlong, crashing with a great metal clatter to the stone paving of the ground....
The young man who had joined us dashed into the palace. We heard his shouts:
"The revolt is over! The revolt is over!"
This had been a massacre similar to Tugh's vengeance upon the New York City of 1935; just as senseless. Both, from the beginning, were equally hopeless of ultimate success. Tugh could not conquer this Time-world, so now he had left it, taking Mary Atwood with him....
We hastened into the Time-cage. Larry and I braced ourselves for the shock as Tina slid the door closed and hurried to the controls.
Within a moment we were flashing off into the great stream of Time....
* * * * *
"You think he has gone forward into the future?" Larry asked. "Won't the instrument show anything, Tina?"
"No. No trace of him yet."
We were passing 3,000 A.D., traveling into the future. Tina reasoned that Tugh, according to Harl's confession, had originally come from a future Time-world. It seemed most probable that now he would return there.
The Time-telespectroscope so far had shown us no evidence of the other cage. Tina kept the telescope barrel trained constantly on that other space five hundred feet from us which held Tugh's vehicle. The flowing gray landscape off there gave no sign of our quarry; yet we knew we could not pass it, without at least a brief flash of it in the telespectroscope and upon the image-mirror. Nervously, breathlessly we waited for a sign of the other Time-cage.
But nothing showed. We were not traveling fast. With Larry and Tina at the instrument table, I was left to stand at the window. Always I gazed eastward. That other little point of space only five hundred feet to the east held Mary; she was there; but not now. She was remote, inaccessible. The thought of her with Tugh, so inaccessible, set me shuddering.
I was barely aware of the changing gray outlines of the city: I stared, praying for the fleeting glimpse of a spectral cage.... I think that up to 3,000 A.D., New York remained much the same. And then, quite suddenly, in some vast storm or cataclysm, it was gone. I saw but a blurred chaos. This was near 4,000 A.D. Then it was rebuilt, smaller, with more trees growing about, until presently there seemed only a forest. People, if they still were here, were building such transitory structures that I could not see them.
* * * * *
5,000 A.D. Mankind no doubt had reached its peak of civilization, paused at the summit and now was in decadence, reverting to savagery. Perhaps in Europe the civilized peak lasted longer. This was a backward space during the ascent; perhaps now it was reverting faster to the primitive.
But I think that by 15,000 A.D., mankind over all the Earth had become primitive. There is no standing still: we must go forward; or back. Man, with his own machines softening him, enabling him to do nothing, eventually unfitted himself to cope with nature. That storm at 4,000 A.D. in New York, for instance, even in my own Time would have been merely an incentive to reconstruct upon a greater scale. But the men of 4,000 A.D. could not do that....
At the year 10,000 A.D., with a seemingly primeval forest around us, Tina, Larry and I held an anxious consultation. We had anticipated that Tugh would stop in his own Time-world. That might have been around 3,000 or 4,000; but we hardly thought, as we viewed the scene in passing, that he had come originally from beyond 4,000. He was too civilized.
Tugh had not stopped. He had to be still ahead of us, so our course was to follow. Whenever he stopped, we would see him. If he turned back and flashed past us, that too would be evident. But if, from 2,930, he had gone into the past—!
* * * * *
And then suddenly we glimpsed the other cage! It was ahead of us, traveling more slowly and retarding as though about to stop. A gray unbroken forest was here. The time was about 12,000 A.D. Tina saw it first through the little telescopic-barrel; then it showed on the mirror-grid—a faint, ghostly-barred shape, thin as gossamer. We even saw it presently through the window. It held its steady position, level with us, hanging solid amid the melting, changing gray outlines of the forest trees. They blurred it as they rose and fell.
This chase through Time! The two cages sped forward with the gray panorama whirling around them. Of all the scene, only that other cage, to us, was real. Yet it was the cages which were apparitions.
We gathered at our eastward window to gaze across the void of that five hundred feet. The interior of Tugh's cage was not visible to us. A little window—a thinner patch in the lattices of the cage-side—fronted us; but nothing showed in it.
We were so helpless! Only five hundred feet away, the Tugh cage was there—now; yet we could do nothing save hold our Time-changing rate to conform with it. Of course Tugh saw us. He was making no effort to elude us, for neither cage was running at its maximum.
For hours I stood gazing, praying that Mary might be safe, striving with futile fancy to guess what might be transpiring within that cage speeding side by side with us in the blurred shadows of the corridors of Time.
And again, as so many times before, I was balked at guessing Tugh's motives for his actions. He knew we could not assail him unless he stopped. But to what destination was he going?
* * * * *
It was a chase—to our consciousness of the passing of Time—which lasted several hours. Tugh altered his Time-rate and sped more swiftly. My heart sank, for this showed he was not preparing to stop. We lost direct sight of the other cage several times as it drew ahead of us. But it was always visible on the image-mirror.
"I think," Tina said finally, "that we should stay behind it. When he retards to stop, we will have a better opportunity of landing simultaneously with him."
We passed 100,000 A.D. The forest went down, and it seemed that only rocks were here. A barren vista was visible off to the river and the distant sea. The familiar conformations of the sea and the land were changed. There was a different shore-line. It was nearer at hand now; and it was creeping closer.
I stared at that blurred gray surface of water; at the wide, undulating stretch of rock. We came to 1,000,000 A.D.—a million years into my future. Ice came briefly, and vanished again. But there were no trees springing into life on this barren landscape. I could not fancy that even the transitory habitations of humans were here in this cold desolation.
Were we headed for the End? I could envisage a dying world, its internal fires cooling.
Ten million years.... Then a hundred million.... The gray scene, blended of dark nights and sunshine days, began changing its monochrome. There were fleeting alternating intervals, now, when it was darker, and then lighter with a tinge of red. The Earth's rotation was slowing down. Through thousands of centuries the change had been proceeding, but only now could I see the lengthening days and nights. Perhaps now the day was a month long, and the night the same.
* * * * *
A billion years! 1,000,000,000 A.D.! By now the day and the year were of equal length. And it chanced that this Western Hemisphere faced the sun. I could see the sun now, motionless above the horizon. The scene was dull red. The sun painted the rocks and the sullen sea with blood....
A shout from Larry whirled me round. "George! Good God!"
He was bending over the image-mirror; Tina, ghastly pale, with utter horror stamped upon her face, sprang for the controls. On the mirror I caught a fleeting glimpse of Tugh's cage, wrecked and broken—and instantly gone.
"It stopped!" Larry shouted. "Good God, it stopped all at once! It was wrecked! Smashed!"
We reeled; I all but lost consciousness with the shock of our own abrupt retarding. Our cage stopped and turned back. Tina located the wreckage and stopped again.
We slid the door open. The outer air was deadly cold. The sun was a huge dull-red ball hanging in the haze of a grey sky. The rocks were grey-black, with the blood-light of the sun upon them.
Five hundred feet from us, by the shore of an oily, sullen sea, the wreckage of Tugh's cage was piled in a heap. Near it, the crumpled white figure of Mary lay on the rocks. And beside her, still with his black cloak around him, crouched Tugh!
CHAPTER XXIII
Diabolical Exile of Time!
Tugh saw us as we stood in our cage doorway. His thick barrel-like figure rose erect, and from his parted cloak his arms waved with a wild gesture of defiance and triumph. He was clearly outlined in the red sunlight against the surface of the sea behind. We saw in one of his hands a ray cylinder—and then his arm came down and he fired at us. It was the white, disintegrating ray.
We were stricken by surprise, and stood for that moment transfixed in our doorway. Tugh's narrow, intensely white beam leaped over the intervening rocks; but it fell short of us. I saw that it had a range of about a hundred feet. Over the muffled heavy silence of the blood-red day the cripple's curse floated clear. He lowered his weapon; and, heedless that we also might be armed, he leaped nimbly past Mary's prostrate form and came shambling over the rocks directly for me!
It stung me into action, and for all the chaotic rush of these desperate moments my heart surged with relief. Mary was not dead! Beyond Tugh's oncoming figure, as he shambled like an infuriated charging bear over the rough rocky ground, I saw the white form of Mary move! She was striving to sit up!
I held my ray cylinder—the one I had rescued from Migul. But its range was no more than twenty feet: I had tested it; and Tugh's beam had flashed a full hundred! I whirled on Larry.
"Get away from here, you and Tina! You can't help me!"
"George, listen—"
"He's coming. Larry—you damn fool, get away from here! It goes a hundred feet, that ray of his: it'll be raking us in a minute! Run, I tell you! Get to that line of rocks!"
* * * * *
Close behind our cage was a small broken ridge of rocks—strewn boulders in a tumbled line some ten or fifteen feet in height. It would afford shelter: there were broken places to give passage through it. The ridge curved crescent-shaped behind our cage and ran down toward the shore.
Larry and Tina stood white and confused. Larry panted, "But, George. I can help you fight him! Hide here in the cage—"
"Get away, I tell you! It's his death or mine this time! I'll get him if I can!"
I shoved Larry violently away and ducked back into our doorway. Only a few breathless seconds had passed; Tugh was still several hundred feet away from us. Larry and Tina ran behind the cage, darted between the boulders of the ridge and vanished.
I crouched in the cage. Tugh was not visible from here. A moment passed. Dared I remain? If I could get Tugh within twenty feet of me, my shot was as good as his.... The silence was horrible. Was he coming forward? Did he know I was in here? I thought surely he must have seen Larry and Tina run away, and me dart in here: we had all been in plain sight of him.
This horrible silence! Was he creeping up on me? Would he fire through the doorway, or appear abruptly at the window? I could not tell where to place myself in the room—and it could mean my life or death.
The silence was split by Tina calling, "Tugh, we have caught you!"
* * * * *
Her voice was to one side and behind our cage, calling defiance at Tugh to distract his attention from me. Through the window I saw the flash of his beam, slanting sidewise at Tina. I gauged the source of his ray to be still some distance off, and crept to the door, cautiously peering.
Tugh stood on the open rock surface. He had swung to my right and was near the little ridge of rocks where it turned and bent down to the shore. Behind me came Tina's voice again:
"At last we have you, Tugh!"
I saw Tina poised on the top of the ridge, partially behind me at the elbow of the ridge-curve. She screamed her defiance, and again Tugh fired at her. The beam slanted over me, but still was short.
Larry had vanished. Then I saw him, though Tugh did not. He had run along behind the ridge, and appeared, now, well down toward the shore. He was barely a hundred feet from the cripple. I saw him stoop, seize a chunk of rock, and throw it. The missile bounded and passed close to Tugh.
Larry instantly ducked back out of sight. The bounding stone startled Tugh; he whirled toward it and fired over the ridge. Tina again had changed her position and was shouting at him. They were trying to exhaust his cylinder charges; and if they could do that he would be helpless before me.
* * * * *
For a moment he stood as though confused. As he turned to gaze after Tina, Larry flung another rock. But this time Tugh did not fire. He started back toward where, by the wreckage of his cage, Mary was now sitting up in a daze; then he changed his mind, whirled and fired directly at my doorway. I was just beyond the effective range of his beam, but it was truly aimed: I felt the horrible nauseous impact of it, a shuddering, indescribable sickening of all my being. I staggered back into the room and recovered my strength. A side window porte was open; I leaped through it and landed upon the rocks, with the cage between Tugh and me.
He fired again at the doorway. Tina had disappeared. Larry was now out of range, standing on the ridge, shouting and hurling rocks.
But Tugh did not heed him. He was shambling for my doorway. He would pass within twenty feet of me as I crouched outside the cage at its opposite corner. I could take him by surprise.
And then he saw me. He was less than a hundred feet away. He changed his direction and fired again, full at me. But I had had enough warning, and, as the beam struck the cage corner, I ran back along the outer wall of the cage and appeared at the other corner. Tugh came still closer, his weapon pointed downward as he ran. Fifty feet away. Not close enough!
I think, there at the last, that Tugh was wholly confused. Larry had come much closer. He was shouting: and from the ridge behind me Tina was shouting. Tugh ran, not for where I was lurking now, but for the corner where a moment before he had seen me.
Now he was thirty feet from me.... Twenty.... Then nearer than that. Wholly without caution he came forward.... I leaned around the edge of the cage and fired. For one breathless instant the voices of Tina and Larry abruptly hushed.
My beam struck Tugh in the chest. It caught him and clung to him, bathing him in its spreading, intense white glare. He stopped in his tracks; stood transfixed for one breathless, horrible instant! He was so close that I could see the stupid surprise on his hideous features. His wide slit of mouth gaped with astonishment.
* * * * *
My beam clung to him, but he did not fall! He stood astonished; then turned and came at me! For just a moment I was stricken helpless there before him. What manner of man was this? He did not fall! My ray, which had decomposed the body of Alent, the guard, and left his skeleton stripped and bleached in an instant, did not harm Tugh! He had walked into it, taken it full and he did not fall! He was still alive!
I came to my senses and saw that Larry, seeing my danger, had run into the open, dangerously close, and hurled a rock. It struck Tugh upon the shoulder and deflected his aim, so that his flash went over me. I saw Tugh whirl toward Larry, and I rushed forward, ripping loose the cylinder of the ray projector from its restraining battery cord. In the instant the cripple was turned half way from me I landed upon him, and with all my strength brought the point of the small heavy cylinder down on his skull. There was a strange splintering crack, and a wild, eery scream from his voice. He fell, with me on top of him.
Crowning horror! Tugh lay motionless, twisted half on his back, his thick arms outstretched on the rocks and his weapon still clutched in his hand. Culminating, gruesome horror! I rose from his body and stood shuddering. Amazing realization! The bulging misshapen head was splintered open. And from it, strewn over the rocks, were tiny intricate cogs and wheels, coils and broken wires!
He was not a man, but a Robot! A Super-Robot from some unknown era, running amuck! A mechanism so cleverly fashioned by the genius of man that it stood diabolically upon the threshhold of humanity!
A super-mechanical exile of Time! But its wild, irrational career of destruction through the ages now was over. It lay inert, smashed and broken at my feet....
CHAPTER XXIV
The Return
I think that there is little I should add. Tugh's last purpose had been to hurl himself and Mary past the lifetime of our world, wrecking the cage and flinging them into Eternity together. And Tugh was luring our cage and us to the same fate. But Mary, to save us, had watched her opportunity, seized the main control lever and demolished the vehicle by its instantaneous stopping.
We left the shell of Tugh lying there in the red sunlight of the empty, dying world, and returned to Tina's palace. We found that the revolt was over. The city, with help arrived, was striving to emerge from the bloody chaos. Larry and Tina decided to remain permanently in her Time. They would take us back; but the cage was too diabolical to keep in existence.
"I shall send it forward unoccupied," said Tina; "flash it into Eternity, where Tugh tried to go."
Accompanied by Larry, she carried Mary and me to 1935. With Mary's father, her only relative, dead, she yielded to my urging. We arrived in October, 1935. My New York, like Tina's a victim of the exile of Time, was rapidly being reconstructed.
* * * * *
It was night when we stopped and the familiar outlines of Patton Place were around us.
We stood at the cage doorway.
"Good-by," I said to Larry and Tina. "Good luck to you both!"
The girls kissed each other. Such strangely contrasting types! Over a thousand years was between them, yet how alike they were, fundamentally. Both—just girls.
Larry gripped my hand. In times of emotion one is sometimes inarticulate. "Good-by, George," he said. "We—we've said already all there is to say, haven't we?"
There were tears in both the girls' eyes. We four had been so close; we had been through so much together; and now we were parting forever. All four of us were stricken with surprise at how it affected us. We stood gazing at one another.
"No!" I burst out. "I haven't said all there is to say. Don't you destroy that cage! You come back! Guard it as carefully as you can, and come back. Land here, next year in October; say, night of the 15th. Will you? We'll be here waiting."
"Yes," Tina abruptly agreed.
We stood watching them as they slid the door closed. The cage for a moment stood quiescent. Then it began faintly humming. It glowed; faded to a spectre; and was gone.
Mary and I turned away into the New York City of 1935, to begin our life together.
(The End)
TO THE MOON
The prediction that man will fly to the moon within the next 100 years was made by John Q. Stewart, associate professor of astronomical physics at Princeton University, in a recent address at the Brooklyn Institute of Arts and Sciences.
The first obstacle to be overcome is that of developing a speed of 25,000 miles an hour, the professor said, which means production of fuels more powerful than coal, gasoline, dynamite or any other source of energy now available. Such remarkable progress has been made in the speed of passenger carrying vehicles in the last century that scientists believe that a speed of 1,000 miles per hour will be reached in 1950 and 50,000 an hour will be surpassed before the year 2030, a century from now.
The one theoretically feasible method of making the journey to the moon, Stewart believes, is a vehicle propelled on the principle of the rocket. He visions a ship built in the form of a large metal sphere—110 feet in diameter, weighing 70,000 metric tons and carrying a crew of sixty and a dozen scientists. A dozen or more cannon would protrude slightly from the surface, shooting material the rate of 200 miles a second.
A half hour or so before noon and about three days before a new moon, Stewart would head his ship toward the sun, expecting it to rise twelve miles in the first six minutes and to soar out of the earth's atmosphere at 200 miles per hour.
Two hours and 29 minutes after the take-off the firing from the lower cannon would be stopped with the ship going upward, the professor estimates, at 190 miles per minute and having reached a height of 13,200 miles. Seventy hours later, crossing the moon's orbit, Stewart would fire the forward cannon and the ship would coast around the moon, becoming the temporary satellite of a satellite.
"The rest would be easy," said Stewart, "owing to the lesser gravity of the moon. The cannon would be fired to cushion the fall to the moon as the ship was gradually sucked toward the satellite.
"The moon is airless, waterless and lifeless, days and nights are two weeks long, temperatures range from that of boiling water at noon down perhaps to that of liquid air at midnight. The men of the ship would walk on the moon clad in diving suits. Gravity being only one-sixth that of the earth, a man would carry several hundred pounds of apparatus for providing air and for regulating the temperature.
"To leave the moon the ship would fire her rear cannon and coast back to earth. By firing its forward cannon it would cushion its landing on the earth, which would have to be made on a desert, because of the tremendous charges the cannon would fire."
A Meeting Place for Readers of Astounding Stories
The Author Explains
Dear Editor:
Am very much puzzled by the several apparent mistakes in two of the stories in the April issue of Astounding Stories. In "The World Behind the Moon," Mr. Ernst makes an error so obvious that it almost makes me believe that it isn't an error. Like doing a math problem and finding it so easy that you're sure that you have it wrong. Anyway, here is my problem; this is taken verbatim from the story: "At two thousand miles from the Earth there had still been enough hydrogen traces in the ether to give purchase to the explosions of their water-motor." Does the author mean to say that the explosions of the tubes have to have something to push against to have any action? (a) Has it not been proven actually and mathematically that the explosions of rockets and expanding gases are even more powerful in space? The space ship in this story was equipped with both bow and stern tubes; why not fire them to slow the ship down instead of waiting to run into some resistance?
(b) Also, when they landed they took some air-guns which shot bullets containing a liquid which exploded when heated by the passage of the shell through the barrel; then the author goes ahead and tells us that the planet was about as hot as the tropics. Such heat should explode the bullets, but it didn't. Why?
Mr. Ernst has his heroes do a lot of running around on that little planet.
(c) Since the planet is smaller than the moon, it hasn't much gravity and therefore can't retain a very heavy atmosphere, or one very thick. Anyone doing all that violent exercise would probably die of exhaustion before many minutes of it.
"Four Miles Within" was a good story, but I am unable to understand why they did not find a lot of stagnant air. Air that had lain stagnant for the time that cavern must have been closed would have killed the person who breathed it. Also, I would imagine that it wouldn't be safe to handle a chunk of radium like the characters in the story did; it's liable to burn. However, it probably wasn't pure radium, just pitchblende-bearing rocks.
The rest of the stories were fine. I especially like the stories of the Special Patrol Service which S. P. Wright has created. Let's have some more stories of Commander John Hanson and his crew.
"The Exile of Time" has started off quite well and I look forward to the next installments. Cummings is always good for a batch of thrills and some swell adventure, to say nothing of the enjoyable way he introduces science into the story.
Wish you would publish this, as I would like to get in touch with some other Science-Fiction fans.
By the way, some of the readers seem to want the mag changed, but don't you do a thing to it. All the suggestions, if followed, would make "our" mag like the other S.-F. mags on the market, and I read Astounding Stories because it is DIFFERENT, and I mean every one of those capitals!—Ben Smith, Box 444, Billings, Mont.
Mr. Ernst's Answers:
(a) No, it has not been actually proved. It has been indicated mathematically (by formulae based on conjecture), but never actually solved—for the very good reason that it is impossible to reproduce spacial conditions in earthly laboratories. Know how an explosive force would react in space? We don't even know positively what space is, let alone how our chemicals and instruments would behave in it.
The majority theory is that explosive charges would propel a rocket or space ship more effectively in the (theoretical) emptiness of space, than in our atmosphere. But to my mind it is quite possible that an explosion—a violent expansion of gases causing rapid increase of pressures—would be ineffectual where there are no pressures to be increased. Might not the violently expanding gases fly forth from an exhaust vent to expand instantly, frictionlessly and impotently to the ends of the universe? In my story, "The World Behind the Moon," I assumed that would occur. And no man living is in a position positively to disprove it.
And, as a corollary, if a propulsion explosion cannot have effect in empty space, as presumed in the story, the space ship must enter atmosphere before it can stop by firing its bow tubes. Otherwise, with the bow tubes shooting their expanding gases futilely into nothingness, you could go into "reverse" till the cows came home and the ship would hurtle forward just the same.
(b) Friction of a bullet through a rifle barrel produces a temperature considerably higher than "tropical."
(c) Again, no one knows spacial or planetary conditions. It seems reasonable to assume that a planet's mass may have a fairly direct bearing on the density of its atmosphere. However, Venus, a smaller globe than Earth, is supposed to have a denser atmosphere. For all we know to the contrary, meteors no larger than pebbles may carry about with them microscopic films of "atmospheres" of varying densities.—Paul Ernst.
Hitting Our Stride
Dear Editor:
The more I read Astounding Stories, the more I like it. You're just getting your stride this, the second year. But why not foresee the demand of your Readers and have a few stories by R. F. Starzl? You have other top-notchers such as Ray Cummings, Murray Leinster; and Tom Curry is another good writer. "Monsters of Mars" would have been better if it were boiled down to about two thirds as many pages. It reads "stretched."—W. P. O'Toole, Parker, S. Dak.
"This Missile"
Dear Editor:
Congratulations! Your magazine—excuse me, "our" magazine—is going over big!
However, there are a few things I would like to suggest. First, why not take a vote on the quarterly idea? Second, give us more stories and illustrations. Increase the price if you have to, but keep up the good work and I'm your steady buyer. So far I have not missed a copy, and my only regret is that I didn't have sense enough to keep the first six or seven instead of throwing them away.
By the way, didn't I notice a rather heated argument going on in "The Readers' Corner" about reprints? And what is the matter with reprints? Nothing, except that they are reprints. That is hardly an argument, but if you value my monthly twenty cents please give us at least one reprint to a volume, which I see comprises three copies of your—pardon, "our" magazine. If the rest of the Readers acquiesce I think we ought to have a reprint in the near future. If they object, well, the world will roll on.
Your time is precious, and besides there are more Readers waiting to say the same things I have just said, so I will close this missile—er, missive.—Eugene Benefiel, The Pioneer, Tucson, Arizona.
From the Antipodes
Dear Editor:
As a regular Reader of your magazine, Astounding Stories, I thought I would write and tell you how I appreciate the stories contained in it. I am a heavy Reader and have always had a soft spot for stories unusual and bizarre. Until I happened to see your magazine at a bookshop in Perth, I had to be content with occasional Science Fiction stories by Wells, Burroughs, and a few others which I picked up in my browsing in various bookshops and libraries. Now that I get Astounding Stories regularly, I have a monthly feast of good things that I read and reread until the next issue arrives.
You ask us Readers to criticize the magazine. Well, I have no complaints worth mentioning, except that some of the illustrations do not tally sufficiently with the text of the story. Some of the stories, in my opinion, are weak and not worth reading. But, as tastes differ, I take everything as it is, and say you have a first-class publication.
Will you thank your Authors for me for the very many hours of interesting reading they have given me during the past twelve months? Later I intend to get my Astounding Stories bound in cloth covers, each twelve months' issue in a volume.
If any Reader sees this letter—of course, should you think it worth while to publish it—and can spare the time to write to me here in Australia, I would be very grateful. Perhaps we could exchange snapshots of various places of interest. Every part of America interests me, so a Reader need not back out because he thinks his district would not be interesting enough.
Here's hoping Astounding Stories grows and prospers as the years go by, so as to give more entertainment to me and my fellow-readers. A rather selfish wish, you may think, but you will forgive me when I say that I look forward with great pleasure to each month's issue.—Claude J. Nanley, 65 Forrest St., Mt. Lawley, Western Australia.
Note to Ray Cummings
Dear Editor:
I have just started Ray Cummings' latest story in the April issue. Although I wish Cummings would lay off this type of story, I am willing to read anything by him. Jack Williamson's "The Lake of Light" ranked second in this issue. He is another Merritt. "The Ghost World," by S. P. Wright, came third. Edmond Hamilton was better than he has been of late.
If anyone wants to read "Through the Dragon Glass," "The Girl in the Golden Atom," etc, and writes to me, I will tell him where they can be obtained. (This is not an attempt at free advertising.) I know several places where it is possible to secure works of this kind and will be glad to assist anyone who doesn't.
Cummings brought me to your mag. He is keeping me there. So hold on to him. But, please tell him to forget all about time and probe the mysteries of the infinitely large and small, of interplanetary space, of future civilization and future warfare.—Dale Mullen, 611 West Fifth, Topeka, Kansas.
The Effects of Cannabis
Dear Editor:
I have sold magazines, written for magazines, and, now that I have just concluded your April issue, I am editing one—for myself. Specifically, one story, "Four Miles Within." Inside of a radium mine! Chased by an amoeboid body! Ooh!
Several years ago when I was a clinical chemist in hospital service, the Roentgenologist, also a young chap, and a surgical nurse and myself were so badly burned with three grains of the substance enclosed in a lead capsule that we were crippled for nearly a month. [No fair. Your experience was with pure radium. It was only radium ore in the story.—Ed.] Imagine being four miles inside of the earth exposed to radium "ore"!
And chased and pursued by a gigantic amoeba! Oh, oh! That must have been my pet mother-of-vinegar that escaped. She was hard to herd. She took after my dad's pet fish which fell through a crack in a bridge and was drowned.
In passing, it is interesting to note that persons can vanish "into" a plane surface; say, "into" a fifth dimension. My instructor in trig. must have been all wet.
And Dr. Bird catches a man withdrawing "menthium" from human brains with a "needle," without the use of either x-ray or a trephine!
And then low forms of life such as crabs and alligators with very highly developed scientific knowledge! A few issues ago octopi were in the lead!
And those "space" ships! Mars must be an interesting spot. And those Martians! Sometimes they are ant-like, and other times worms, and again human freaks! (I still prefer the silver-green messenger I saw on the stage twenty years ago. He was a gentleman and a scholar and no one yet has improved upon him.)
And those radio waves that can vibrate matter in a straight line! One Jackson Gee vibrates it in two straight lines. (Rather funny at that.)
And people disappear into an atom by taking pellets! They take the pellets into their system and that shrinks or expands them. How does the author calculate that in "Beyond The Vanishing Point"? The pellets must contain cannabis indica (hashish) I guess. Once upon a time I was suffering from an acute attack of colic and was obliged to use an anti-spasmodic. I took cannabis, and in the delirium that followed I shrunk small enough to walk into a mouse-hole into which I had seen a mouse disappear a few hours previous. The mouse was there and looked like an elephant. I awoke in a sweat.
Maybe all your stories won't be weird and full of monstrosities. Science is full of beauty and culture, you know.—Arthur H. Carrington, Seaside Heights Pharmacy, Seaside Heights, N. J.
Where Fantasy Meets Science Fiction
Dear Editor:
I have purchased many of the issues of your magazine, and have read everything in them, including the letter columns, with great interest. I have particularly enjoyed certain stories, such as "The Forgotten Planet," "The Jovian Jest" and "The Planet of Dread," in which genuine imaginative quality was combined with good writing. Many other tales, not so well written, I have enjoyed for their fantasy, their suggestive ideas.
In following "The Readers' Corner" I have noted the objection to so-called "impossible" stories, voiced by some of your Readers. Stories thus classified, one would infer, are tales dealing with the marvelous and the mysterious in which the author has not attempted to give a naturalistic or scientific explanation of his wonders and mysteries. In other words, he has not rendered them in terms of the test-tube. He has admitted the inexplicable, the "supernatural."
Personally, I enjoy stories of this type, as well as those that are written with the purely scientific approach. I suspect that those who condemn them are suffering from a rather amusing—and also pathetic—sort of unconscious hypocrisy. I think that people who read your magazine, as well as Science Fiction magazines in general, are people with the ingrained human love for wonder and mystery; but some of them are afraid to accept and enjoy anything—even a fairy tale—that is not couched in the diction of modern materialistic science, with a show of concern for verified credibilities. Probably, in most cases, they would like and prize the very stories that they condemn if the writer had used a different terminology, and had offered explanations that were even superficially logical according to known laws.
Please do not think that I am decrying, or even criticizing, Science Fiction. I consider it a highly important and significant branch of present-day writing, and have hopes of contributing to it myself. I am merely advocating an open attitude of mind and imagination. For those who think that the "impossible" requires justification—or cannot be justified—I would suggest that the only impossible thing is to define and delimit the impossible. In an infinite, eternal universe, there is nothing imaginable—or unimaginable—which might not happen, might not be true, somewhere or sometime. Science has discovered, and will continue to discover, an enormous amount of relative data; but there will always remain an illimitable residue of the undiscovered and the unknown. And the field for imaginative fiction, both scientific and non-scientific, is, it seems to me, wholly inexhaustible.—Clark Ashton Smith, Auburn, Cal.
Heroes Too Heroic?
Dear Editor:
I wrote you a letter last month. I'm writing you a letter this month, and I'll write you a letter next month. In fact, I'm going to write you a letter every month just as soon as I finish the latest issue of Astounding Stories, so you might as well have a special department installed in Astounding Stories right away entitled "Letters from the Sap Who Thinks He Is So Smart," or something else equally appropriate.
Have you ever noticed that 99% of Edmond Hamilton's stories have the same plot as "Monsters of Mars"? The plot I mean is this:
A group of men, preferably three, get into enemy territory. As to the enemy (if the enemy are not lizards or some other repulsive form of life), Mr. Hamilton has them wear repulsive clothes, live in ugly buildings, etc., to make the reader dislike them at the start. An old, old idea, and quite a commonly used one, is to have these creatures about to declare war and conquer the hero's country with the enemy's super-weapons; and after capturing our brave, bold, and heroic heroes, proceed to tell the heroes the way the weapons work, the zero hour set for attack, and the line of march of the enemy's armies (as if prisoners are told all these things!). Our heroes then cleverly escape and grab an enemy machine. About two thousand of the enemy close in to the kill, but (Mr. Hamilton simply loves "buts") our brave heroes glance over the strange controls of the captured craft and without hesitation pick out the right levers and hold the enemy at bay. After annihilating most of them, and after the zero hour has come, the heroes prevent the great invasion and return to their native land.
It is interesting to note that the heroes, though greatly outnumbered and with strange weapons, always down many of the enemy while they themselves escape unscathed. Also, Mr. Hamilton loves narrow escapes, and phrases such as these appear frequently in his story: "But even as he raised his deadly ray-tube, I leaped and knocked it from his hand. They charged, but I was too quick and dodged as the foremost hurtled at me."
These incidents are supposed to get the reader all excited, but after a while they grow monotonous.
The second story in the April issue, "The Exile of Time," promises to be excellent in every way. It would be interesting if George Rankin, in his time-traveling, should witness the signing of the Declaration of Independence or the Battle of Bunker Hill.
"Four Miles Within" was good also, save that the heroes' escape from being marooned and James Quade's death savored unpleasantly of Edmond Hamilton.
Sewell Peaslee Wright's adventures of the space patrol are always fascinating, and "The Ghost World" is a splendid example of this.
On the whole, your magazine is practically perfect.—Robert Baldwin, 359 Hazel Ave., Highland Park, Ill.
Likes 'Em to Seem Real
Dear Editor:
I've been reading Astounding Stories since the November issue, and I think that, on the whole, it is a very good magazine. It is of a handy size, convenient price, and O. K., except that you might cut the edges of the pages smoother. Wesso is an excellent artist.
I think your best authors are Harl Vincent, Ray Cummings and Capt. S. P. Meek. I like Capt. Meek's Dr. Bird stories immensely. Also among your best authors are Charles W. Diffin aid Murray Leinster. And now about the stories themselves.
I've noticed that quite a few in "The Readers' Corner" are all for fiction and no scientific explanation. I like fiction, too, but anybody can make up a pretty good plot about a girl, a lover, and a villain, and have a wild theory of super-science for a basis, and then not explain it. What I like most is when an Author—who uses such a theory as, for instance, making matter invisible by bathing it with a ray, the color of which is beyond the range of the spectrum, as in "Terrors Unseen," by Harl Vincent—backs up his idea with a clear explanation and makes it plausible and convincing. It makes his tale seem more possible, and hence more real. I like it much better when the writer doesn't even suggest a theory in his plot—to say nothing of trying to prove it—than when he gives you the invention of a professor in the year 2431, and lets you imagine how and why it works.—T. Caldwell, 912 Moreno Road, Santa Barbara, Cal.
Covers Too Imaginative?
Dear Editor:
For crying out loud, why can't everyone be satisfied! One person says "our" mag is too small, another says it's O. K.; one wants so-and-so's work, someone else doesn't, etc. Why can't Readers be reasonable? They'll continually admit A. S. is the best Science Fiction mag on the market (with which I thoroughly agree) and then they'll start complaining. As if anything can be 100% perfect—though A. S. comes awfully near it!
Then for some of the complaints, I recall but two sensible ones. I have read every issue of A. S. except the first two, and several times I have been tempted to write to you about them.
1—Too imaginative a cover gives the narrow-minded non-Science Fiction reader an idea that "our" mag contains trash. I refer to such covers as those on the August, September, October, 1930, issues, and the March, April, and especially May, 1931, issues. These people's opinions reflect rather harshly on the faithful A. S. Readers. Can't the covers be more like those on the March, May, June and July, 1930, issues? (All those stories themselves, however, were great, as usual.)
2—Please hold down on "The Readers' Corner." Isn't an eight and nine-page section a bit too much? A short story has been suggested—good idea. Why not limit it to a maximum of, say, five pages?
I shall not complain of any of the stories, because I realize that others probably enjoyed what very few I may not have. I must, however, say that Ray Cummings' "Brigands of the Moon" holds first place, in my opinion. It was great! Please keep up the excellent work.—Meredith L. Evons, 4001 Cedar Lane, Drexel Hill, Pa.
"Evenly Divided"
Dear Editor:
Although I missed the first few issues of Astounding Stories due to the fact that I was not aware of its publication, I have become a regular reader.
In glancing through your "Readers' Corner," I became aware of the fact that most of the letters therein praise Astounding Stories to the skies, and put it far ahead of any other Science Fiction magazine. I will not go quite so far, as it is my belief that most magazines of this type are on the same level. In fact, it seems absurd to me to state otherwise, as the authors who write for you one month publish stories in another magazine the next month. Of course, these authors put out, once in a while, stories that are much better than their usual offering, but, taken over a fairly long period of time, these periodic occurrences will be about evenly divided among various magazines. I have the conceit to believe that I know what I am talking about, as my observations are based on five years of Science Fiction reading.
Of course, while I believe that there are other magazines equally as good, Astounding Stories is certainly not inferior to any. There is always room for a Science Fiction magazine of the same caliber as Astounding Stories, but unfortunately for the public there are too few of them.—James M. Kennedy, Ithaca, N. Y.
Machine or Beast?
Dear Editor:
Having read about every issue of Astounding Stories to date, I have decided that it is the best of the three Science Fiction magazines that I have read.
The best story that you have published yet, in my opinion, is "Brigands of the Moon," by Ray Cummings. Sewell Peaslee Wright and Victor Rousseau are also very good writers. The only two stories that I did not like were "Murder Madness" and "Earth, the Marauder." The former belonged in a detective magazine, and the latter in the waste basket. It was too far-fetched for even my imagination.
Now a word about your cover illustrations. The first issue that I bought convinced me that your artist was a genius, but my opinion of him is steadily decreasing. That illustration that I speak of was a scene from "Brigands of the Moon." It certainly was good. Lately, I am ashamed to show the magazine to my friends because of the gaudily painted and repugnant creatures on the cover. A picture of a machine is much more appropriate than a beast of some kind. Wesso seems to be able draw a picture like that which is on the March or April, 1930, numbers better than those of late.
I would like to communicate with Science Fiction Readers of about my age, which is 15. I will answer any or all letters that are written to me.—William D. Crocker, Ashfield, Mass.
Expert Opinion
Dear Editor:
May I express my pleasure and gratification in your worthy magazine? I read two other Science Fiction publications beside yours, but Astounding Stories is by far their superior, especially as there is a human interest to your stories that is sadly lacking in others. They also contain too much technical detail. Your magazine is just right. The paper is easy on the eyes and the type is distinct and doesn't blur or tire the eyes.
The cover illustrations leave nothing to be desired. The edges, size, number of pages, etc., are of no concern to me. I have read every issue of Astounding Stories since it was published and can find no fault with it whatever. If those soreheads who howl incessantly about minor details would only try to get out a paper of their own they would soon see what a wonderful work you are doing. The May 1931, issue, which I have just finished, is really the best collection of Science Fiction stories I've read in many a day, and I've read quite a bit.
I wish you every success in the world.—C. P. Binsford. M. D., 604 Pearl Street, Huntsville, Ala.
A Satirical Drama—Complete
Dear Editor:
One Act Play of the Future
Time-traveler from the Twentieth Century: "So this is the year 24,000 A.D.?"
Sulsu-D-9: "Yes, Visitor from the Past."
Time-Traveler: "Say, Sulsu-D-9, has Astounding Stories brought out a Quarterly yet?"
Sulsu-D-9: "No, Man from the Long Ago, but it looks like we'll have one within the next five years!"—Forrest J. Ackerman, 530 Staples Ave., San Francisco, Cal.
An Employment Non-Solution
Dear Editor:
Owing to the fact that I have been a constant Reader of Astounding Stories since the first day it appeared on the news-stands, I think that it is about time for me to drop a few lines to you to show my appreciation for the many, many good stories that you have given the Readers of Science Fiction in the pages of your mag.
I agree very strongly with Mr. Sager of Bessemer, Ala., about the paper in the book. If the stories are interesting, why in the name of Seven Kinds of Hades should anyone worry about the kind of paper as long as the print is readable. What is that old saying about the best articles not being always in the best wrapped parcels? I am here to say that Astounding Stories is the best of its kind.
What I have to say now is by no means a criticism. I am merely asking for an explanation. I have no regard for those people who are continually looking for flaws to peck about in various stories.
In the May, 1931, issue my choice of all the fine stories was "Dark Moon." That was a super-story and I enjoyed it from start to finish, even the third or fourth time I read it. If a story is worth reading once it is worth reading several times, is my belief. But now comes the question. Will some other kind Reader endeavor to explain it to me?
How could the intrepid explorers on the Dark Moon see the light of Earth and the other planets if the light from the Dark Moon could not pass the gaseous formation to Earth, etc.? And how could the Dark Moon receive the light that it did? [Mr. Diffin did not explain that; perhaps he intends to do so in a sequel. Who knows?—Ed.].
One main fault I have to find with Astounding Stories is that it is not published twice a month, if not oftener. By the way, would that not be a plan to help out unemployment. It would put more men to work and I am sure that all of us Readers could scrape up 20c more a month for this wonderful magazine. How about it? [But this, I think, would increase unemployment!—Ed.].
I would like to hear from some of the Readers in the near future. Best wishes for the continued prosperity of the magazine.—Christen G. Davis, 531 South Millard, Chicago, Ill.
Doggoned If He Didn't!
Dear Editor:
The stories, being the most important part of the magazine, come first:
"Dark Moon," by Charles W. Diffin, is the best novelette you have yet published, and that's saying a lot for it, isn't it?
Next comes "The Exile of Time," by Ray Cummings, another impossible time-traveling story, but nevertheless interesting.
Welcome to Astounding Stories, Mr. Schachner and Mr. Zagat. Your story "The Death Cloud" was great. I hope you'll favor us with another story very soon.
And if here isn't Capt. Meek with another Dr. Bird story! Captain Meek, if you stop writing them, I'll never read another of your marvelous stories.
The moon turned green, and I'll be doggone if Hal K. Wells didn't go and write a nice little story telling us all about it. That was nice of you, Mr. Wells; I enjoyed it very, very much.
Now let's take a look at the cover. Mr. Wesso, you certainly have a marvelous imagination. You are an excellent cover artist. It isn't everyone that can illustrate Science Fiction stories, I do wish that you will illustrate Science Fiction stories only, as that is where you are at your best. Almost any artist can illustrate detective story magazines, so don't waste your talent on them.
Ha! Here we are at the "In the Next Issue" page.
Hurrah! Hurrah! Arthur J. Burks is back again! Can't you manage to get next month's issue out a little earlier, Mr. Bates? R. F. Starzl's also back again; and there's to be another story by Charles W. Diffin. Isn't this a grand old world?
I will close with this suggestion. Let's have more illustrations. At least two for each installment of the serials and two for each long novelette. Make the extra illustrations full page ones.—Jack Darrow, 4225 N. Spaulding Ave., Chicago, Ill.
"—And Amusing"
Dear Editor:
I have just finished the May issue of A. S. and I want to tell you that "Dark Moon," by Charles W. Diffin, was fine. Let's have more stories like that. Your "The Readers' Corner" sure is interesting—and amusing. I like to read letters from Readers.
A bouquet: A. S. is a really fine magazine. I think it's one of the best of its kind. Of course, it can be improved—but what can't? There's no sense in criticizing a magazine as some Readers do. I think if the Editor could make his magazine any better, he would do it without hesitation.—Charles Strada, 503 Olive Street, Kansas City, Mo.
Cummings and Wagner
Dear Editor:
Astounding Stories is in my estimation the best magazine on the market. Words are feeble when an accurate description of the pleasure that I receive from every issue of Astounding Stories is needed. However, I will say that next to my extreme appreciation of classical music, I rate Astounding Stories as being the best outlet of my emotions. As in the music of that great German composer, Richard Wagner, whom I rate as the greatest of all composers, so do I find an outlet of my emotions by reading a novelette by Cummings, Vincent, Leinster and many other of your excellent Authors.
For example, I shall take the overture to "The Flying Dutchman." In the beginning of this overture we hear the opening call played by the trombones with the string section accompanying this principal motive with wild crescendo. This excites the brain so that a taste of the supreme motives is like an appetizer at dinner. So, taking the novel by Ray Cummings entitled "Beyond the Vanishing Point," we find that in the opening paragraphs there is also an "appetizer" to the rest of the story which is to follow.
Now, returning to our "Flying Dutchman" overture, we find that after the introduction by the wild calls by the trombones and the string accompaniment, we gradually drift into a somewhat pensive mood; so in the story, for the next few pages we find more or less quiet reading. Gradually, however, this quiet mood in the music gives way to rolls on the kettle-drums announcing a grand climax; finally the music becomes wilder and wilder until at last the storm breaks and we actually picture this ghost-ship riding over the waves in a terrific storm. Lightning flashes, thunder roars, huge waves sweep over the deck of the ship as we see the Dutchman at the wheel laughing out his defiance in diabolical fury.
And so in the story we are finally led up to a grand climax which actually grips anyone with an ounce of red blood in his veins.
And now I would like to ask the following questions:
Is there some Reader of Astounding Stories who no longer has any use for the old issues of Astounding Stories and would be so kind as to send me these? From the first issue up to the November, 193O, issue and also the December, 1930, issue are the magazines that I should like to have.
Leave your magazine as is, only have one good long novelette, not two fairly good ones as in your April issue, which was not up to the standard set by your previous magazines.—Walter G. Diehl, 145-38 Eighth Ave., Malba, L. I., N. Y.
This Time-Traveling Traffic
Dear Editor:
Many times during the past months, while reading your really remarkable magazine, I have come across contradictions in explanations throughout the stories, which, while not very serious, tend to give me the impression that the Authors either did not care about or did not see through the errors they committed. I did not complain about them, considering them but minor mistakes.
But in Ray Cummings' latest current novel, "The Exile of Time," there exists such a monstrosity as I believe calls for an explanation.
Mr. Cummings' story, you know, centers around his time-traveling machine. If such a thing were possible, would it not be reasonable to believe that a holder of the secret of time-traveling could go back into the past and prevent some catastrophe or tragedy as his historical knowledge of the event would make possible?
According to this theory then, a person could go back into the past and divert the hand of Wilkes Booth on April 15, 1865, about to assassinate Lincoln.
But this shows its own impossibilities: that of two contradicting absolute truths for the world to believe.
Likewise, a person could travel into the future, learn of his own death, go back into his own time and take measures to prevent it. In the same way, this could not be. [But Mr. Cummings explains that these things are impossible.—Ed.]
I do not mean to be critical, but it would lend much more interest to the story if the authors would be a bit more careful.—Robert W. Conrad, Rush City, Minn.
Tripe?
Dear Editor:
In the short time your mag. has been out, it has already established itself as the best in the field. I got a real kick out of most of your stories.
In the May issue, two yarns are outstanding: Charles W. Diffin's splendid "Dark Moon" and Nat Schachner and Arthur L. Zagat's especially fine "The Death Cloud." These two are as thrilling stories as I have ever read. Mr. Diffin I've read before and always enjoyed; but Messrs. Schachner and Zagat are new to me. I am looking forward to seeing more of their stuff.
But what has happened to Cummings? He used to be aces up, but now comes this tripe of his called "The Exile of Time"; especially the current installment with its long-winded rot about mysticism and theosophy and the Lord knows what. Where was the Editor when this blew in? Surely there are plenty of Swami sheets for that truck; it has no place in Astounding Stories.
Give us more of Diffin, Leinster, Schachner, Zagat and Rousseau, and you'll keep us all satisfied.—D. Kay, Standish Arms, Brooklyn, N. Y.
For Rocket Fans
Dear Editor:
It may interest your Readers to know that the American Interplanetary Society has just completed its first year of existence, and looks forward to a most energetic second year in pursuing its aims.
The Society has practically completed the first lap of its research on the possibilities and limitations of the rocket, and intends to continue this research for another year before publishing a complete report which shall be the first extensive survey of the rocket in English.
We plan also to extend the size and scope of our monthly Bulletin, to make of it a real magazine that shall publish all the news, both of America and abroad, dealing with developments in astronautics and rocketry. It will also contain the reports of the Society's members on the rocket, as well as interesting general articles on the various phases of interplanetary travel.
Plans are also maturing for a campaign of mutual experimentation on the rocket which we shall be ready to carry out before the end of this year. The Society is also completing plans for the formation of an International Interplanetary Commission which shall coordinate the work of the national societies and plan to solve the problems of astronautics on a world-wide basis.
While the growth of the Society during the past year was very promising we hope to extend during this year the scope and field of our activities and membership. We have members now in thirty-six states, in Canada, Mexico, France and Russia. To your readers we offer our active and associate memberships, giving to lovers of Science Fiction a chance to assist in the bringing to realization the dream of all interplanetary travel.
Information about the Society and the classes of membership can be obtained by writing to the secretary at the address below.—Nathan Schachner, Sec., American Interplanetary Society. 113 West 42nd St., New York City.
"The Readers' Corner"
All readers are extended a sincere and cordial invitation to "come over in 'The Readers' Corner'" and join in our monthly discussion of stories, authors, scientific principles and possibilities—everything that's of common interest in connection with our Astounding Stories.
Although from time to time the Editor may make a comment or so, this is a department primarily for Readers, and we want you to make full use of it. Likes, dislikes, criticisms, explanations, roses, brickbats, suggestions—everything's welcome here; so "come over in 'The Readers' Corner'" and discuss it with all of us!
The Editor.
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