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Armadale
by Wilkie Collins
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"Having already mentioned the servants, I may proceed to tell you that the latter part of Mrs. Blanchard's letter was entirely devoted to instructing Allan on the subject of the domestic establishment which she has left behind her. It seems that all the servants, indoors and out (with three exceptions), are waiting here, on the chance that Allan will continue them in their places. Two of these exceptions are readily accounted for: Mrs. Blanchard's maid and Miss Blanchard's maid go abroad with their mistresses. The third exceptional case is the case of the upper housemaid; and here there is a little hitch. In plain words, the housemaid has been sent away at a moment's notice, for what Mrs. Blanchard rather mysteriously describes as 'levity of conduct with a stranger.'

"I am afraid you will laugh at me, but I must confess the truth. I have been made so distrustful (after what happened to us in the Isle of Man) of even the most trifling misadventures which connect themselves in any way with Allan's introduction to his new life and prospects, that I have already questioned one of the men-servants here about this apparently unimportant matter of the housemaid's going away in disgrace.

"All I can learn is that a strange man had been noticed hanging suspiciously about the grounds; that the housemaid was so ugly a woman as to render it next to a certainty that he had some underhand purpose to serve in making himself agreeable to her; and that he has not as yet been seen again in the neighborhood since the day of her dismissal. So much for the one servant who has been turned out at Thorpe Ambrose. I can only hope there is no trouble for Allan brewing in that quarter. As for the other servants who remain, Mrs. Blanchard describes them, both men and women, as perfectly trustworthy, and they will all, no doubt, continue to occupy their present places.

"Having now done with Mrs. Blanchard's letter, my next duty is to beg you, in Allan's name and with Allan's love, to come here and stay with him at the earliest moment when you can leave Somersetshire. Although I cannot presume to think that my own wishes will have any special influence in determining you to accept this invitation, I must nevertheless acknowledge that I have a reason of my own for earnestly desiring to see you here. Allan has innocently caused me a new anxiety about my future relations with him, and I sorely need your advice to show me the right way of setting that anxiety at rest.

"The difficulty which now perplexes me relates to the steward's place at Thorpe Ambrose. Before to-day I only knew that Allan had hit on some plan of his own for dealing with this matter, rather strangely involving, among other results, the letting of the cottage which was the old steward's place of abode, in consequence of the new steward's contemplated residence in the great house. A chance word in our conversation on the journey here led Allan into speaking out more plainly than he had spoken yet, and I heard to my unutterable astonishment that the person who was at the bottom of the whole arrangement about the steward was no other than myself!

"It is needless to tell you how I felt this new instance of Allan's kindness. The first pleasure of hearing from his own lips that I had deserved the strongest proof he could give of his confidence in me was soon dashed by the pain which mixes itself with all pleasure—at least, with all that I have ever known. Never has my past life seemed so dreary to look back on as it seems now, when I feel how entirely it has unfitted me to take the place of all others that I should have liked to occupy in my friend's service. I mustered courage to tell him that I had none of the business knowledge and business experience which his steward ought to possess. He generously met the objection by telling me that I could learn; and he has promised to send to London for the person who has already been employed for the time being in the steward's office, and who will, therefore, be perfectly competent to teach me.

"Do you, too, think I can learn? If you do, I will work day and night to instruct myself. But if (as I am afraid) the steward's duties are of far too serious a kind to be learned off-hand by a man so young and so inexperienced as I am, then pray hasten your journey to Thorpe Ambrose, and exert your influence over Allan personally. Nothing less will induce him to pass me over, and to employ a steward who is really fit to take the place. Pray, pray act in this matter as you think best for Allan's interests. Whatever disappointment I may feel, he shall not see it.

"Believe me, dear Mr. Brock,

"Gratefuly yours,

"OZIAS MIDWINTER.

"P.S.—I open the envelope again to add one word more. If you have heard or seen anything since your return to Somersetshire of the woman in the black dress and the red shawl, I hope you will not forget, when you write, to let me know it.

"O. M."

2. From Mrs. Oldershaw to Miss Gwilt.

"Ladies' Toilet Repository, Diana Street, Pimlico,

"Wednesday.

"MY DEAR LYDIA—To save the post, I write to you, after a long day's worry at my place of business, on the business letter-paper, having news since we last met which it seems advisable to send you at the earliest opportunity.

"To begin at the beginning. After carefully considering the thing, I am quite sure you will do wisely with young Armadale if you hold your tongue about Madeira and all that happened there. Your position was, no doubt, a very strong one with his mother. You had privately helped her in playing a trick on her own father; you had been ungratefully dismissed, at a pitiably tender age, as soon as you had served her purpose; and, when you came upon her suddenly, after a separation of more than twenty years, you found her in failing health, with a grown-up son, whom she had kept in total ignorance of the true story of her marriage.

"Have you any such advantages as these with the young gentleman who has survived her? If he is not a born idiot he will decline to believe your shocking aspersions on the memory of his mother; and—seeing that you have no proofs at this distance of time to meet him with—there is an end of your money-grubbing in the golden Armadale diggings. Mind, I don't dispute that the old lady's heavy debt of obligation, after what you did for her in Madeira, is not paid yet; and that the son is the next person to settle with you, now the mother has slipped through your fingers. Only squeeze him the right way, my dear, that's what I venture to suggest—squeeze him the right way.

"And which is the right way? That question brings me to my news.

"Have you thought again of that other notion of yours of trying your hand on this lucky young gentleman, with nothing but your own good looks and your own quick wits to help you? The idea hung on my mind so strangely after you were gone that it ended in my sending a little note to my lawyer, to have the will under which young Armadale has got his fortune examined at Doctor's Commons. The result turns out to be something infinitely more encouraging than either you or I could possibly have hoped for. After the lawyer's report to me, there cannot be a moment's doubt of what you ought to do. In two words, Lydia, take the bull by the horns—and marry him!

"I am quite serious. He is much better worth the venture than you suppose. Only persuade him to make you Mrs. Armadale, and you may set all after-discoveries at flat defiance. As long as he lives, you can make your own terms with him; and, if he dies, the will entitles you, in spite of anything he can say or do—with children or without them—to an income chargeable on his estate of twelve hundred a year for life. There is no doubt about this; the lawyer himself has looked at the will. Of course, Mr. Blanchard had his son and his son's widow in his eye when he made the provision. But, as it is not limited to any one heir by name, and not revoked anywhere, it now holds as good with young Armadale as it would have held under other circumstances with Mr. Blanchard's son. What a chance for you, after all the miseries and the dangers you have gone through, to be mistress of Thorpe Ambrose, if he lives; to have an income for life, if he dies! Hook him, my poor dear; hook him at any sacrifice.

"I dare say you will make the same objection when you read this which you made when we were talking about it the other day; I mean the objection of your age.

"Now, my good creature, just listen to me. The question is—not whether you were five-and-thirty last birthday; we will own the dreadful truth, and say you were—but whether you do look, or don't look, your real age. My opinion on this matter ought to be, and is, one of the best opinions in London. I have had twenty years experience among our charming sex in making up battered old faces and wornout old figures to look like new, and I say positively you don't look a day over thirty, if as much. If you will follow my advice about dressing, and use one or two of my applications privately, I guarantee to put you back three years more. I will forfeit all the money I shall have to advance for you in this matter, if, when I have ground you young again in my wonderful mill, you look more than seven-and-twenty in any man's eyes living—except, of course, when you wake anxious in the small hours of the morning; and then, my dear, you will be old and ugly in the retirement of your own room, and it won't matter.

"'But,' you may say, 'supposing all this, here I am, even with your art to help me, looking a good six years older than he is; and that is against me at starting.' Is it? Just think again. Surely, your own experience must have shown you that the commonest of all common weaknesses, in young fellows of this Armadale's age, is to fall in love with women older than themselves. Who are the men who really appreciate us in the bloom of our youth (I'm sure I have cause to speak well of the bloom of youth; I made fifty guineas to-day by putting it on the spotted shoulders of a woman old enough to be your mother)—who are the men, I say, who are ready to worship us when we are mere babies of seventeen? The gay young gentlemen in the bloom of their own youth? No! The cunning old wretches who are on the wrong side of forty.

"And what is the moral of this, as the story-books say?

"The moral is that the chances, with such a head as you have got on your shoulders, are all in your favor. If you feel your present forlorn position, as I believe you do; if you know what a charming woman (in the men's eyes) you can still be when you please; and if all your resolution has really come back, after that shocking outbreak of desperation on board the steamer (natural enough, I own, under the dreadful provocation laid on you), you will want no further persuasion from me to try this experiment. Only to think of how things turn out! If the other young booby had not jumped into the river after you, this young booby would never have had the estate. It really looks as if fate had determined that you were to be Mrs. Armadale, of Thorpe Ambrose; and who can control his fate, as the poet says?

"Send me one line to say Yes or No; and believe me your attached old friend,

"MARIA OLDERSHAW."

3. From Miss Gwilt to Mrs. Oldershaw.

Richmond, Thursday.

'YOU OLD WRETCH—I won't say Yes or No till I have had a long, long look at my glass first. If you had any real regard for anybody but your wicked old self, you would know that the bare idea of marrying again (after what I have gone through) is an idea that makes my flesh creep.

"But there can be no harm in your sending me a little more information while I am making up my mind. You have got twenty pounds of mine still left out of those things you sold for me; send ten pounds here for my expenses, in a post-office order, and use the other ten for making private inquiries at Thorpe Ambrose. I want to know when the two Blanchard women go away, and when young Armadale stirs up the dead ashes in the family fire-place. Are you quite sure he will turn out as easy to manage as you think? If he takes after his hypocrite of a mother, I can tell you this: Judas Iscariot has come to life again.

"I am very comfortable in this lodging. There are lovely flowers in the garden, and the birds wake me in the morning delightfully. I have hired a reasonably good piano. The only man I care two straws about—don't be alarmed; he was laid in his grave many a long year ago, under the name of BEETHOVEN—keeps me company, in my lonely hours. The landlady would keep me company, too, if I would only let her. I hate women. The new curate paid a visit to the other lodger yesterday, and passed me on the lawn as he came out. My eyes have lost nothing yet, at any rate, though I am five-and-thirty; the poor man actually blushed when I looked at him! What sort of color do you think he would have turned, if one of the little birds in the garden had whispered in his ear, and told him the true story of the charming Miss Gwilt?

"Good-by, Mother Oldershaw. I rather doubt whether I am yours, or anybody's, affectionately; but we all tell lies at the bottoms of our letters, don't we? If you are my attached old friend, I must, of course, be yours affectionately.

"LYDIA GWILT.

"P.S.—Keep your odious powders and paints and washes for the spotted shoulders of your customers; not one of them shall touch my skin, I promise you. If you really want to be useful, try and find out some quieting draught to keep me from grinding my teeth in my sleep. I shall break them one of these nights; and then what will become of my beauty, I wonder?"

4. From Mrs. Oldershaw to Miss Gwilt.

"Ladies' Toilet Repository, Tuesday.

"MY DEAR LYDIA—It is a thousand pities your letter was not addressed to Mr. Armadale; your graceful audacity would have charmed him. It doesn't affect me; I am so well used to audacity in my way of life, you know. Why waste your sparkling wit, my love, on your own impenetrable Oldershaw? It only splutters and goes out. Will you try and be serious this next time? I have news for you from Thorpe Ambrose, which is beyond a joke, and which must not be trifled with.

"An hour after I got your letter I set the inquiries on foot. Not knowing what consequences they might lead to, I thought it safest to begin in the dark. Instead of employing any of the people whom I have at my own disposal (who know you and know me), I went to the Private Inquiry Office in Shadyside Place, and put the matter in the inspector's hands, in the character of a perfect stranger, and without mentioning you at all. This was not the cheapest way of going to work, I own; but it was the safest way, which is of much greater consequence.

"The inspector and I understood each other in ten minutes; and the right person for the purpose—the most harmless looking young man you ever saw in your life—was produced immediately. He left for Thorpe Ambrose an hour after I saw him. I arranged to call at the office on the afternoons of Saturday, Monday, and to-day for news. There was no news till to-day; and there I found our confidential agent just returned to town, and waiting to favor me with a full account of his trip to Norfolk.

"First of all, let me quiet your mind about those two questions of yours; I have got answers to both the one and the other. The Blanchard women go away to foreign parts on the thirteenth, and young Armadale is at this moment cruising somewhere at sea in his yacht. There is talk at Thorpe Ambrose of giving him a public reception, and of calling a meeting of the local grandees to settle it all. The speechifying and fuss on these occasions generally wastes plenty of time, and the public reception is not thought likely to meet the new squire much before the end of the month.

"If our messenger had done no more for us than this, I think he would have earned his money. But the harmless young man is a regular Jesuit at a private inquiry, with this great advantage over all the Popish priests I have ever seen, that he has not got his slyness written in his face.

"Having to get his information through the female servants in the usual way, he addressed himself, with admirable discretion, to the ugliest woman in the house. 'When they are nice-looking, and can pick and choose,' as he neatly expressed it to me, 'they waste a great deal of valuable time in deciding on a sweetheart. When they are ugly, and haven't got the ghost of a chance of choosing, they snap at a sweetheart, if he comes their way, like a starved dog at a bone.' Acting on these excellent principles, our confidential agent succeeded, after certain unavoidable delays, in addressing himself to the upper housemaid at Thorpe Ambrose, and took full possession of her confidence at the first interview. Bearing his instructions carefully in mind, he encouraged the woman to chatter, and was favored, of course, with all the gossip of the servants' hall. The greater part of it (as repeated to me) was of no earthly importance. But I listened patiently, and was rewarded by a valuable discovery at last. Here it is.

"It seems there is an ornamental cottage in the grounds at Thorpe Ambrose. For some reason unknown, young Armadale has chosen to let it, and a tenant has come in already. He is a poor half-pay major in the army, named Milroy, a meek sort of man, by all accounts, with a turn for occupying himself in mechanical pursuits, and with a domestic incumbrance in the shape of a bedridden wife, who has not been seen by anybody. Well, and what of all this? you will ask, with that sparkling impatience which becomes you so well. My dear Lydia, don't sparkle! The man's family affairs seriously concern us both, for, as ill luck will have it, the man has got a daughter!

"You may imagine how I questioned our agent, and how our agent ransacked his memory, when I stumbled, in due course, on such a discovery as this. If Heaven is responsible for women's chattering tongues, Heaven be praised! From Miss Blanchard to Miss Blanchard's maid; from Miss Blanchard's maid to Miss Blanchard's aunt's maid; from Miss Blanchard's aunt's maid, to the ugly housemaid; from the ugly housemaid to the harmless-looking young man—so the stream of gossip trickled into the right reservoir at last, and thirsty Mother Oldershaw has drunk it all up.

"In plain English, my dear, this is how it stands. The major's daughter is a minx just turned sixteen; lively and nice-looking (hateful little wretch!), dowdy in her dress (thank Heaven!) and deficient in her manners (thank Heaven again!). She has been brought up at home. The governess who last had charge of her left before her father moved to Thorpe Ambrose. Her education stands woefully in want of a finishing touch, and the major doesn't quite know what to do next. None of his friends can recommend him a new governess and he doesn't like the notion of sending the girl to school. So matters rest at present, on the major's own showing; for so the major expressed himself at a morning call which the father and daughter paid to the ladies at the great house.

"You have now got my promised news, and you will have little difficulty, I think, in agreeing with me that the Armadale business must be settled at once, one way or the other. If, with your hopeless prospects, and with what I may call your family claim on this young fellow, you decide on giving him up, I shall have the pleasure of sending you the balance of your account with me (seven-and-twenty shillings), and shall then be free to devote myself entirely to my own proper business. If, on the contrary, you decide to try your luck at Thorpe Ambrose, then (there being no kind of doubt that the major's minx will set her cap at the young squire) I should be glad to hear how you mean to meet the double difficulty of inflaming Mr. Armadale and extinguishing Miss Milroy.

"Affectionately yours,

"MARIA OLDERSHAW.

5. _From Miss Gwilt to Mrs. Oldershaw.

(First Answer.)_

"Richmond, Wednesday Morning.

"MRS. OLDERSHAW—Send me my seven-and-twenty shillings, and devote yourself to your own proper business. Yours, L. G."

6. _From Miss Gwilt to Mrs. Oldershaw.

(Second Answer.)_

"Richmond, Wednesday Night.

"DEAR OLD LOVE—Keep the seven-and-twenty shillings, and burn my other letter. I have changed my mind.

"I wrote the first time after a horrible night. I write this time after a ride on horseback, a tumbler of claret, and the breast of a chicken. Is that explanation enough? Please say Yes, for I want to go back to my piano.

"No; I can't go back yet; I must answer your question first. But are you really so very simple as to suppose that I don't see straight through you and your letter? You know that the major's difficulty is our opportunity as well as I do; but you want me to take the responsibility of making the first proposal, don't you? Suppose I take it in your own roundabout way? Suppose I say, 'Pray don't ask me how I propose inflaming Mr. Armadale and extinguishing Miss Milroy; the question is so shockingly abrupt I really can't answer it. Ask me, instead, if it is the modest ambition of my life to become Miss Milroy's governess?' Yes, if you please, Mrs. Oldershaw, and if you will assist me by becoming my reference.

"There it is for you! If some serious disaster happens (which is quite possible), what a comfort it will be to remember that it was all my fault!

"Now I have done this for you, will you do something for me. I want to dream away the little time I am likely to have left here in my own way. Be a merciful Mother Oldershaw, and spare me the worry of looking at the Ins and Outs, and adding up the chances For and Against, in this new venture of mine. Think for me, in short, until I am obliged to think for myself.

"I had better not write any more, or I shall say something savage that you won't like. I am in one of my tempers to-night. I want a husband to vex, or a child to beat, or something of that sort. Do you ever like to see the summer insects kill themselves in the candle? I do, sometimes. Good-night, Mrs. Jezebel The longer you can leave me here the better. The air agrees with me, and I am looking charmingly.

"L. G."

7. From Mrs. Oldershaw to Miss Gwilt.

"Thursday.

"MY DEAR LYDIA—Some persons in my situation might be a little offended at the tone of your last letter. But I am so fondly attached to you! And when I love a person, it is so very hard, my dear, for that person to offend me! Don't ride quite so far, and only drink half a tumblerful of claret next time. I say no more.

"Shall we leave off our fencing-match and come to serious matters now? How curiously hard it always seems to be for women to understand each other, especially when they have got their pens in their hands! But suppose we try.

"Well, then, to begin with: I gather from your letter that you have wisely decided to try the Thorpe Ambrose experiment, and to secure, if you can, an excellent position at starting by becoming a member of Major Milroy's household. If the circumstances turn against you, and some other woman gets the governess's place (about which I shall have something more to say presently), you will then have no choice but to make Mr. Armadale's acquaintance in some other character. In any case, you will want my assistance; and the first question, therefore, to set at rest between us is the question of what I am willing to do, and what I can do, to help you.

"A woman, my dear Lydia, with your appearance, your manners, your abilities, and your education, can make almost any excursions into society that she pleases if she only has money in her pocket and a respectable reference to appeal to in cases of emergency. As to the money, in the first place. I will engage to find it, on condition of your remembering my assistance with adequate pecuniary gratitude if you win the Armadale prize. Your promise so to remember me, embodying the terms in plain figures, shall be drawn out on paper by my own lawyer, so that we can sign and settle at once when I see you in London.

"Next, as to the reference.

"Here, again, my services are at your disposal, on another condition. It is this: that you present yourself at Thorpe Ambrose, under the name to which you have returned ever since that dreadful business of your marriage; I mean your own maiden name of Gwilt. I have only one motive in insisting on this; I wish to run no needless risks. My experience, as confidential adviser of my customers, in various romantic cases of private embarrassment, has shown me that an assumed name is, nine times out of ten, a very unnecessary and a very dangerous form of deception. Nothing could justify your assuming a name but the fear of young Armadale's detecting you—a fear from which we are fortunately relieved by his mother's own conduct in keeping your early connection with her a profound secret from her son and from everybody.

"The next, and last, perplexity to settle relates, my dear, to the chances for and against your finding your way, in the capacity of governess, into Major Milroy's house. Once inside the door, with your knowledge of music and languages, if you can keep your temper, you may be sure of keeping the place. The only doubt, as things are now, is whether you can get it.

"In the major's present difficulty about his daughter's education, the chances are, I think, in favor of his advertising for a governess. Say he does advertise, what address will he give for applicants to write to?

"If he gives an address in London, good-by to all chances in your favor at once; for this plain reason, that we shall not be able to pick out his advertisement from the advertisements of other people who want governesses, and who will give them addresses in London as well. If, on the other hand, our luck helps us, and he refers his correspondents to a shop, post-office, or what not at Thorpe Ambrose, there we have our advertiser as plainly picked out for us as we can wish. In this last case, I have little or no doubt—with me for your reference—of your finding your way into the major's family circle. We have one great advantage over the other women who will answer the advertisement. Thanks to my inquiries on the spot, I know Major Milroy to be a poor man; and we will fix the salary you ask at a figure that is sure to tempt him. As for the style of the letter, if you and I together can't write a modest and interesting application for the vacant place, I should like to know who can?

"All this, however, is still in the future. For the present my advice is, stay where you are, and dream to your heart's content, till you hear from me again. I take in The Times regularly, and you may trust my wary eye not to miss the right advertisement. We can luckily give the major time, without doing any injury to our own interests; for there is no fear just yet of the girl's getting the start of you. The public reception, as we know, won't be ready till near the end of the month; and we may safely trust young Armadale's vanity to keep him out of his new house until his flatterers are all assembled to welcome him.

"It's odd, isn't it, to think how much depends on this half-pay officer's decision? For my part, I shall wake every morning now with the same question in my mind: If the major's advertisment appears, which will the major say—Thorpe Ambrose, or London?

"Ever, my dear Lydia, affectionately yours,

"MARIA OLDERSHAW."



II. ALLAN AS A LANDED GENTLEMAN.

Early on the morning after his first night's rest at Thorpe Ambrose, Allan rose and surveyed the prospect from his bedroom window, lost in the dense mental bewilderment of feeling himself to be a stranger in his own house.

The bedroom looked out over the great front door, with its portico, its terrace and flight of steps beyond, and, further still, the broad sweep of the well-timbered park to close the view. The morning mist nestled lightly about the distant trees; and the cows were feeding sociably, close to the iron fence which railed off the park from the drive in front of the house. "All mine!" thought Allan, staring in blank amazement at the prospect of his own possessions. "Hang me if I can beat it into my head yet. All mine!"

He dressed, left his room, and walked along the corridor which led to the staircase and hall, opening the doors in succession as he passed them.

The rooms in this part of the house were bedrooms and dressing-rooms, light, spacious, perfectly furnished; and all empty, except the one bed-chamber next to Allan's, which had been appropriated to Midwinter. He was still sleeping when his friend looked in on him, having sat late into the night writing his letter to Mr. Brock. Allan went on to the end of the first corridor, turned at right angles into a second, and, that passed, gained the head of the great staircase. "No romance here," he said to himself, looking down the handsomely carpeted stone stairs into the bright modern hall. "Nothing to startle Midwinter's fidgety nerves in this house." There was nothing, indeed; Allan's essentially superficial observation had not misled him for once. The mansion of Thorpe Ambrose (built after the pulling down of the dilapidated old manor-house) was barely fifty years old. Nothing picturesque, nothing in the slightest degree suggestive of mystery and romance, appeared in any part of it. It was a purely conventional country house—the product of the classical idea filtered judiciously through the commercial English mind. Viewed on the outer side, it presented the spectacle of a modern manufactory trying to look like an ancient temple. Viewed on the inner side, it was a marvel of luxurious comfort in every part of it, from basement to roof. "And quite right, too," thought Allan, sauntering contentedly down the broad, gently graduated stairs. "Deuce take all mystery and romance! Let's be clean and comfortable, that's what I say."

Arrived in the hall, the new master of Thorpe Ambrose hesitated, and looked about him, uncertain which way to turn next.

The four reception-rooms on the ground-floor opened into the hall, two on either side. Allan tried the nearest door on his right hand at a venture, and found himself in the drawing-room. Here the first sign of life appeared, under life's most attractive form. A young girl was in solitary possession of the drawing-room. The duster in her hand appeared to associate her with the domestic duties of the house; but at that particular moment she was occupied in asserting the rights of nature over the obligations of service. In other words, she was attentively contemplating her own face in the glass over the mantelpiece.

"There! there! don't let me frighten you," said Allan, as the girl started away from the glass, and stared at him in unutterable confusion. "I quite agree with you, my dear; your face is well worth looking at. Who are you? Oh, the housemaid. And what's your name? Susan, eh? Come! I like your name, to begin with. Do you know who I am, Susan? I'm your master, though you may not think it. Your character? Oh, yes! Mrs. Blanchard gave you a capital character. You shall stop here; don't be afraid. And you'll be a good girl, Susan, and wear smart little caps and aprons and bright ribbons, and you'll look nice and pretty, and dust the furniture, won't you?" With this summary of a housemaid's duties, Allan sauntered back into the hall, and found more signs of life in that quarter. A man-servant appeared on this occasion, and bowed, as became a vassal in a linen jacket, before his liege lord in a wide-awake hat.

"And who may you be?" asked Allan. "Not the man who let us in last night? Ah, I thought not. The second footman, eh? Character? Oh, yes; capital character. Stop here, of course. You can valet me, can you? Bother valeting me! I like to put on my own clothes, and brush them, too, when they are on; and, if I only knew how to black my own boots, by George, I should like to do it! What room's this? Morning-room, eh? And here's the dining-room, of course. Good heavens, what a table! it's as long as my yacht, and longer. I say, by-the-by, what's your name? Richard, is it? Well, Richard, the vessel I sail in is a vessel of my own building! What do you think of that? You look to me just the right sort of man to be my steward on board. If you're not sick at sea—oh, you are sick at sea? Well, then, we'll say nothing more about it. And what room is this? Ah, yes; the library, of course—more in Mr. Midwinter's way than mine. Mr. Midwinter is the gentleman who came here with me last night; and mind this, Richard, you're all to show him as much attention as you show me. Where are we now? What's this door at the back? Billiard-room and smoking-room, eh? Jolly. Another door! and more stairs! Where do they go to? and who's this coming up? Take your time, ma'am; you're not quite so young as you were once—take your time."

The object of Allan's humane caution was a corpulent elderly woman of the type called "motherly." Fourteen stairs were all that separated her from the master of the house; she ascended them with fourteen stoppages and fourteen sighs. Nature, various in all things, is infinitely various in the female sex. There are some women whose personal qualities reveal the Loves and the Graces; and there are other women whose personal qualities suggest the Perquisites and the Grease Pot. This was one of the other women.

"Glad to see you looking so well, ma'am," said Allan, when the cook, in the majesty of her office, stood proclaimed before him. "Your name is Gripper, is it? I consider you, Mrs. Gripper, the most valuable person in the house. For this reason, that nobody in the house eats a heartier dinner every day than I do. Directions? Oh, no; I've no directions to give. I leave all that to you. Lots of strong soup, and joints done with the gravy in them—there's my notion of good feeding, in two words. Steady! Here's somebody else. Oh, to be sure—the butler! Another valuable person. We'll go right through all the wine in the cellar, Mr. Butler; and if I can't give you a sound opinion after that, we'll persevere boldly, and go right through it again. Talking of wine—halloo! here are more of them coming up stairs. There! there! don't trouble yourselves. You've all got capital characters, and you shall all stop here along with me. What was I saying just now? Something about wine; so it was. I'll tell you what, Mr. Butler, it isn't every day that a new master comes to Thorpe Ambrose; and it's my wish that we should all start together on the best possible terms. Let the servants have a grand jollification downstairs to celebrate my arrival, and give them what they like to drink my health in. It's a poor heart, Mrs. Gripper, that never rejoices, isn't it? No; I won't look at the cellar now: I want to go out, and get a breath of fresh air before breakfast. Where's Richard? I say, have I got a garden here? Which side of the house is it! That side, eh? You needn't show me round. I'll go alone, Richard, and lose myself, if I can, in my own property."

With those words Allan descended the terrace steps in front of the house, whistling cheerfully. He had met the serious responsibility of settling his domestic establishment to his own entire satisfaction. "People talk of the difficulty of managing their servants," thought Allan. "What on earth do they mean? I don't see any difficulty at all." He opened an ornamental gate leading out of the drive at the side of the house, and, following the footman's directions, entered the shrubbery that sheltered the Thorpe Ambrose gardens. "Nice shady sort of place for a cigar," said Allan, as he sauntered along with his hands in his pockets "I wish I could beat it into my head that it really belongs to me."

The shrubbery opened on the broad expanse of a flower garden, flooded bright in its summer glory by the light of the morning sun.

On one side, an archway, broken through, a wall, led into the fruit garden. On the other, a terrace of turf led to ground on a lower level, laid out as an Italian garden. Wandering past the fountains and statues, Allan reached another shrubbery, winding its way apparently to some remote part of the grounds. Thus far, not a human creature had been visible or audible anywhere; but, as he approached the end of the second shrubbery, it struck him that he heard something on the other side of the foliage. He stopped and listened. There were two voices speaking distinctly—an old voice that sounded very obstinate, and a young voice that sounded very angry.

"It's no use, miss," said the old voice. "I mustn't allow it, and I won't allow it. What would Mr. Armadale say?"

"If Mr. Armadale is the gentleman I take him for, you old brute!" replied the young voice, "he would say, 'Come into my garden, Miss Milroy, as often as you like, and take as many nosegays as you please.'" Allan's bright blue eyes twinkled mischievously. Inspired by a sudden idea, he stole softly to the end of the shrubbery, darted round the corner of it, and, vaulting over a low ring fence, found himself in a trim little paddock, crossed by a gravel walk. At a short distance down the wall stood a young lady, with her back toward him, trying to force her way past an impenetrable old man, with a rake in his hand, who stood obstinately in front of her, shaking his head.

"Come into my garden, Miss Milroy, as often as you like, and take as many nosegays as you please," cried Allan, remorselessly repeating her own words.

The young lady turned round, with a scream; her muslin dress, which she was holding up in front, dropped from her hand, and a prodigious lapful of flowers rolled out on the gravel walk.

Before another word could be said, the impenetrable old man stepped forward, with the utmost composure, and entered on the question of his own personal interests, as if nothing whatever had happened, and nobody was present but his new master and himself.

"I bid you humbly welcome to Thorpe Ambrose, sir," said this ancient of the gardens. "My name is Abraham Sage. I've been employed in the grounds for more than forty years; and I hope you'll be pleased to continue me in my place."

So, with vision inexorably limited to the horizon of his own prospects, spoke the gardener, and spoke in vain. Allan was down on his knees on the gravel walk, collecting the fallen flowers, and forming his first impressions of Miss Milroy from the feet upward.

She was pretty; she was not pretty; she charmed, she disappointed, she charmed again. Tried by recognized line and rule, she was too short and too well developed for her age. And yet few men's eyes would have wished her figure other than it was. Her hands were so prettily plump and dimpled that it was hard to see how red they were with the blessed exuberance of youth and health. Her feet apologized gracefully for her old and ill fitting shoes; and her shoulders made ample amends for the misdemeanor in muslin which covered them in the shape of a dress. Her dark-gray eyes were lovely in their clear softness of color, in their spirit, tenderness, and sweet good humor of expression; and her hair (where a shabby old garden hat allowed it to be seen) was of just that lighter shade of brown which gave value by contrast to the darker beauty of her eyes. But these attractions passed, the little attendant blemishes and imperfections of this self-contradictory girl began again. Her nose was too short, her mouth was too large, her face was too round and too rosy. The dreadful justice of photography would have had no mercy on her; and the sculptors of classical Greece would have bowed her regretfully out of their studios. Admitting all this, and more, the girdle round Miss Milroy's waist was the girdle of Venus nevertheless; and the passkey that opens the general heart was the key she carried, if ever a girl possessed it yet. Before Allan had picked up his second handful of flowers, Allan was in love with her.

"Don't! pray don't, Mr. Armadale!" she said, receiving the flowers under protest, as Allan vigorously showered them back into the lap of her dress. "I am so ashamed! I didn't mean to invite myself in that bold way into your garden; my tongue ran away with me—it did, indeed! What can I say to excuse myself? Oh, Mr. Armadale, what must you think of me?"

Allan suddenly saw his way to a compliment, and tossed it up to her forthwith, with the third handful of flowers.

"I'll tell you what I think, Miss Milroy," he said, in his blunt, boyish way. "I think the luckiest walk I ever took in my life was the walk this morning that brought me here."

He looked eager and handsome. He was not addressing a woman worn out with admiration, but a girl just beginning a woman's life; and it did him no harm, at any rate, to speak in the character of master of Thorpe Ambrose. The penitential expression on Miss Milroy's face gently melted away; she looked down, demure and smiling, at the flowers in her lap.

"I deserve a good scolding," she said. "I don't deserve compliments, Mr. Armadale—least of all from you."

"Oh, yes, you do!" cried the headlong Allan, getting briskly on his legs. "Besides, it isn't a compliment; it's true. You are the prettiest—I beg your pardon, Miss Milroy! my tongue ran away with me that time."

Among the heavy burdens that are laid on female human nature, perhaps the heaviest, at the age of sixteen, is the burden of gravity. Miss Milroy struggled, tittered, struggled again, and composed herself for the time being.

The gardener, who still stood where he had stood from the first, immovably waiting for his next opportunity, saw it now, and gently pushed his personal interests into the first gap of silence that had opened within his reach since Allan's appearance on the scene.

"I humbly bid you welcome to Thorpe Ambrose, sir," said Abraham Sage, beginning obstinately with his little introductory speech for the second time. "My name—"

Before he could deliver himself of his name, Miss Milroy looked accidentally in the horticulturist's pertinacious face, and instantly lost her hold on her gravity beyond recall. Allan, never backward in following a boisterous example of any sort, joined in her laughter with right goodwill. The wise man of the gardens showed no surprise, and took no offense. He waited for another gap of silence, and walked in again gently with his personal interests the moment the two young people stopped to take breath.

"I have been employed in the grounds," proceeded Abraham Sage, irrepressibly, "for more than forty years—"

"You shall be employed in the grounds for forty more, if you'll only hold your tongue and take yourself off!" cried Allan, as soon as he could speak.

"Thank you kindly, sir," said the gardener, with the utmost politeness, but with no present signs either of holding his tongue or of taking himself off.

"Well?" said Allan.

Abraham Sage carefully cleared his throat, and shifted his rake from one hand to the other. He looked down the length of his own invaluable implement, with a grave interest and attention, seeing, apparently, not the long handle of a rake, but the long perspective of a vista, with a supplementary personal interest established at the end of it. "When more convenient, sir," resumed this immovable man, "I should wish respectfully to speak to you about my son. Perhaps it may be more convenient in the course of the day? My humble duty, sir, and my best thanks. My son is strictly sober. He is accustomed to the stables, and he belongs to the Church of England—without incumbrances." Having thus planted his offspring provisionally in his master's estimation, Abraham Sage shouldered his invaluable rake, and hobbled slowly out of view.

"If that's a specimen of a trustworthy old servant," said Allan, "I think I'd rather take my chance of being cheated by a new one. You shall not be troubled with him again, Miss Milroy, at any rate. All the flower-beds in the garden are at your disposal, and all the fruit in the fruit season, if you'll only come here and eat it."

"Oh, Mr. Armadale, how very, very kind you are. How can I thank you?"

Allan saw his way to another compliment—an elaborate compliment, in the shape of a trap, this time.

"You can do me the greatest possible favor," he said. "You can assist me in forming an agreeable impression of my own grounds."

"Dear me! how?" asked Miss Milroy, innocently.

Allan judiciously closed the trap on the spot in these words: "By taking me with you, Miss Milroy, on your morning walk." He spoke, smiled, and offered his arm.

She saw the way, on her side, to a little flirtation. She rested her hand on his arm, blushed, hesitated, and suddenly took it away again.

"I don't think it's quite right, Mr. Armadale," she said, devoting herself with the deepest attention to her collection of flowers. "Oughtn't we to have some old lady here? Isn't it improper to take your arm until I know you a little better than I do now? I am obliged to ask; I have had so little instruction; I have seen so little of society, and one of papa's friends once said my manners were too bold for my age. What do you think?"

"I think it's a very good thing your papa's friend is not here now," answered the outspoken Allan; "I should quarrel with him to a dead certainty. As for society, Miss Milroy, nobody knows less about it than I do; but if we had an old lady here, I must say myself I think she would be uncommonly in the way. Won't you?" concluded Allan, imploringly offering his arm for the second time. "Do!"

Miss Milroy looked up at him sidelong from her flowers "You are as bad as the gardener, Mr. Armadale!" She looked down again in a flutter of indecision. "I'm sure it's wrong," she said, and took his arm the instant afterward without the slightest hesitation.

They moved away together over the daisied turf of the paddock, young and bright and happy, with the sunlight of the summer morning shining cloudless over their flowery path.

"And where are we going to, now?" asked Allan. "Into another garden?"

She laughed gayly. "How very odd of you, Mr. Armadale, not to know, when it all belongs to you! Are you really seeing Thorpe Ambrose this morning for the first time? How indescribably strange it must feel! No, no; don't say any more complimentary things to me just yet. You may turn my head if you do. We haven't got the old lady with us; and I really must take care of myself. Let me be useful; let me tell you all about your own grounds. We are going out at that little gate, across one of the drives in the park, and then over the rustic bridge, and then round the corner of the plantation—where do you think? To where I live, Mr. Armadale; to the lovely little cottage that you have let to papa. Oh, if you only knew how lucky we thought ourselves to get it!"

She paused, looked up at her companion, and stopped another compliment on the incorrigible Allan's lips.

"I'll drop your arm," she said coquettishly, "if you do! We were lucky to get the cottage, Mr. Armadale. Papa said he felt under an obligation to you for letting it, the day we got in. And I said I felt under an obligation, no longer ago than last week."

"You, Miss Milroy!" exclaimed Allan.

"Yes. It may surprise you to hear it; but if you hadn't let the cottage to papa, I believe I should have suffered the indignity and misery of being sent to school."

Allan's memory reverted to the half-crown that he had spun on the cabin-table of the yacht, at Castletown. "If she only knew that I had tossed up for it!" he thought, guiltily.

"I dare say you don't understand why I should feel such a horror of going to school," pursued Miss Milroy, misinterpreting the momentary silence on her companion's side. "If I had gone to school in early life—I mean at the age when other girls go—I shouldn't have minded it now. But I had no such chance at the time. It was the time of mamma's illness and of papa's unfortunate speculation; and as papa had nobody to comfort him but me, of course I stayed at home. You needn't laugh; I was of some use, I can tell you. I helped papa over his trouble, by sitting on his knee after dinner, and asking him to tell me stories of all the remarkable people he had known when he was about in the great world, at home and abroad. Without me to amuse him in the evening, and his clock to occupy him in the daytime—"

"His clock?" repeated Allan.

"Oh, yes! I ought to have told you. Papa is an extraordinary mechanical genius. You will say so, too, when you see his clock. It's nothing like so large, of course, but it's on the model of the famous clock at Strasbourg. Only think, he began it when I was eight years old; and (though I was sixteen last birthday) it isn't finished yet! Some of our friends were quite surprised he should take to such a thing when his troubles began. But papa himself set that right in no time; he reminded them that Louis the Sixteenth took to lock-making when his troubles began, and then everybody was perfectly satisfied." She stopped, and changed color confusedly. "Oh, Mr. Armadale," she said, in genuine embarrassment this time, "here is my unlucky tongue running away with me again! I am talking to you already as if I had known you for years! This is what papa's friend meant when he said my manners were too bold. It's quite true; I have a dreadful way of getting familiar with people, if—" She checked herself suddenly, on the brink of ending the sentence by saying, "if I like them."

"No, no; do go on!" pleaded Allan. "It's a fault of mine to be familiar, too. Besides, we must be familiar; we are such near neighbors. I'm rather an uncultivated sort of fellow, and I don't know quite how to say it; but I want your cottage to be jolly and friendly with my house, and my house to be jolly and friendly with your cottage. There's my meaning, all in the wrong words. Do go on, Miss Milroy; pray go on!"

She smiled and hesitated. "I don't exactly remember where I was," she replied, "I only remember I had something I wanted to tell you. This comes, Mr. Armadale, of my taking your arm. I should get on so much better, if you would only consent to walk separately. You won't? Well, then, will you tell me what it was I wanted to say? Where was I before I went wandering off to papa's troubles and papa's clock?"

"At school!" replied Allan, with a prodigious effort of memory.

"Not at school, you mean," said Miss Milroy; "and all through you. Now I can go on again, which is a great comfort. I am quite serious, Mr. Armadale, in saying that I should have been sent to school, if you had said No when papa proposed for the cottage. This is how it happened. When we began moving in, Mrs. Blanchard sent us a most kind message from the great house to say that her servants were at our disposal, if we wanted any assistance. The least papa and I could do, after that, was to call and thank her. We saw Mrs. Blanchard and Miss Blanchard. Mistress was charming, and miss looked perfectly lovely in her mourning. I'm sure you admire her? She's tall and pale and graceful—quite your idea of beauty, I should think?"

"Nothing like it," began Allan. "My idea of beauty at the present moment—"

Miss Milroy felt it coming, and instantly took her hand off his arm.

"I mean I have never seen either Mrs. Blanchard or her niece," added Allan, precipitately correcting himself.

Miss Milroy tempered justice with mercy, and put her hand back again.

"How extraordinary that you should never have seen them!" she went on. "Why, you are a perfect stranger to everything and everybody at Thorpe Ambrose! Well, after Miss Blanchard and I had sat and talked a little while, I heard my name on Mrs. Blanchard's lips and instantly held my breath. She was asking papa if I had finished my education. Out came papa's great grievance directly. My old governess, you must know, left us to be married just before we came here, and none of our friends could produce a new one whose terms were reasonable. 'I'm told, Mrs. Blanchard, by people who understand it better than I do,' says papa, 'that advertising is a risk. It all falls on me, in Mrs. Milroy's state of health, and I suppose I must end in sending my little girl to school. Do you happen to know of a school within the means of a poor man?' Mrs. Blanchard shook her head; I could have kissed her on the spot for doing it. 'All my experience, Major Milroy,' says this perfect angel of a woman, 'is in favor of advertising. My niece's governess was originally obtained by an advertisement, and you may imagine her value to us when I tell you she lived in our family for more than ten years.' I could have gone down on both my knees and worshipped Mrs. Blanchard then and there; and I only wonder I didn't! Papa was struck at the time—I could see that—and he referred to it again on the way home. 'Though I have been long out of the world, my dear,' says papa, 'I know a highly-bred woman and a sensible woman when I see her. Mrs. Blanchard's experience puts advertising in a new light; I must think about it.' He has thought about it, and (though he hasn't openly confessed it to me) I know that he decided to advertise, no later than last night. So, if papa thanks you for letting the cottage, Mr. Armadale, I thank you, too. But for you, we should never have known darling Mrs. Blanchard; and but for darling Mrs. Blanchard, I should have been sent to school."

Before Allan could reply, they turned the corner of the plantation, and came in sight of the cottage. Description of it is needless; the civilized universe knows it already. It was the typical cottage of the drawing-master's early lessons in neat shading and the broad pencil touch—with the trim thatch, the luxuriant creepers, the modest lattice-windows, the rustic porch, and the wicker bird-cage, all complete.

"Isn't it lovely?" said Miss Milroy. "Do come in!"

"May I?" asked Allan. "Won't the major think it too early?"

"Early or late, I am sure papa will be only too glad to see you."

She led the way briskly up the garden path, and opened the parlor door. As Allan followed her into the little room, he saw, at the further end of it, a gentleman sitting alone at an old-fashioned writing-table, with his back turned to his visitor.

"Papa! a surprise for you!" said Miss Milroy, rousing him from his occupation. "Mr. Armadale has come to Thorpe Ambrose; and I have brought him here to see you."

The major started; rose, bewildered for the moment; recovered himself immediately, and advanced to welcome his young landlord, with hospitable, outstretched hand.

A man with a larger experience of the world and a finer observation of humanity than Allan possessed would have seen the story of Major Milroy's life written in Major Milroy's face. The home troubles that had struck him were plainly betrayed in his stooping figure and his wan, deeply wrinkled cheeks, when he first showed himself on rising from his chair. The changeless influence of one monotonous pursuit and one monotonous habit of thought was next expressed in the dull, dreamy self-absorption of his manner and his look while his daughter was speaking to him. The moment after, when he had roused himself to welcome his guest, was the moment which made the self-revelation complete. Then there flickered in the major's weary eyes a faint reflection of the spirit of his happier youth. Then there passed over the major's dull and dreamy manner a change which told unmistakably of social graces and accomplishments, learned at some past time in no ignoble social school; a man who had long since taken his patient refuge from trouble in his own mechanical pursuit; a man only roused at intervals to know himself again for what he once had been. So revealed to all eyes that could read him aright, Major Milroy now stood before Allan, on the first morning of an acquaintance which was destined to be an event in Allan's life.

"I am heartily glad to see you, Mr. Armadale," he said, speaking in the changeless quiet, subdued tone peculiar to most men whose occupations are of the solitary and monotonous kind. "You have done me one favor already by taking me as your tenant, and you now do me another by paying this friendly visit. If you have not breakfasted already, let me waive all ceremony on my side, and ask you to take your place at our little table."

"With the greatest pleasure, Major Milroy, if I am not in the way," replied Allan, delighted at his reception. "I was sorry to hear from Miss Milroy that Mrs. Milroy is an invalid. Perhaps my being here unexpectedly; perhaps the sight of a strange face—"

"I understand your hesitation, Mr. Armadale," said the major; "but it is quite unnecessary. Mrs. Milroy's illness keeps her entirely confined to her own room. Have we got everything we want on the table, my love?" he went on, changing the subject so abruptly that a closer observer than Allan might have suspected it was distasteful to him. "Will you come and make tea?"

Miss Milroy's attention appeared to be already pre-engaged; she made no reply. While her father and Allan had been exchanging civilities, she had been putting the writing-table in order, and examining the various objects scattered on it with the unrestrained curiosity of a spoiled child. The moment after the major had spoken to her, she discovered a morsel of paper hidden between the leaves of the blotting-book, snatched it up, looked at it, and turned round instantly, with an exclamation of surprise.

"Do my eyes deceive me, papa?" she asked. "Or were you really and truly writing the advertisement when I came in?"

"I had just finished it," replied her father. "But, my dear, Mr. Armadale is here—we are waiting for breakfast."

"Mr. Armadale knows all about it," rejoined Miss Milroy. "I told him in the garden."

"Oh, yes!" said Allan. "Pray, don't make a stranger of me, major! If it's about the governess, I've got something (in an indirect sort of way) to do with it too."

Major Milroy smiled. Before he could answer, his daughter, who had been reading the advertisement, appealed to him eagerly, for the second time.

"Oh, papa," she said, "there's one thing here I don't like at all! Why do you put grandmamma's initials at the end? Why do you tell them to write to grandmamma's house in London?"

"My dear! your mother can do nothing in this matter, as you know. And as for me (even if I went to London), questioning strange ladies about their characters and accomplishments is the last thing in the world that I am fit to do. Your grandmamma is on the spot; and your grandmamma is the proper person to receive the letters, and to make all the necessary inquires."

"But I want to see the letters myself," persisted the spoiled child. "Some of them are sure to be amusing—"

"I don't apologize for this very unceremonious reception of you, Mr. Armadale," said the major, turning to Allan, with a quaint and quiet humor. "It may be useful as a warning, if you ever chance to marry and have a daughter, not to begin, as I have done, by letting her have her own way."

Allan laughed, and Miss Milroy persisted.

"Besides," she went on, "I should like to help in choosing which letters we answer, and which we don't. I think I ought to have some voice in the selection of my own governess. Why not tell them, papa, to send their letters down here—to the post-office or the stationer's, or anywhere you like? When you and I have read them, we can send up the letters we prefer to grandmamma; and she can ask all the questions, and pick out the best governess, just as you have arranged already, without leaving ME entirely in the dark, which I consider (don't you, Mr. Armadale?) to be quite inhuman. Let me alter the address, papa; do, there's a darling!"

"We shall get no breakfast, Mr. Armadale, if I don't say Yes," said the major good-humoredly. "Do as you like, my dear," he added, turning to his daughter. "As long as it ends in your grandmamma's managing the matter for us, the rest is of very little consequence."

Miss Milroy took up her father's pen, drew it through the last line of the advertisement, and wrote the altered address with her own hand as follows:

"Apply, by letter, to M., Post-office, Thorpe Ambrose, Norfolk."

"There!" she said, bustling to her place at the breakfast-table. "The advertisement may go to London now; and, if a governess does come of it, oh, papa, who in the name of wonder will she be? Tea or coffee, Mr. Armadale? I'm really ashamed of having kept you waiting. But it is such a comfort," she added, saucily, "to get all one's business off one's mind before breakfast!"

Father, daughter, and guest sat down together sociably at the little round table, the best of good neighbors and good friends already.

Three days later, one of the London newsboys got his business off his mind before breakfast. His district was Diana Street, Pimlico; and the last of the morning's newspapers which he disposed of was the newspaper he left at Mrs. Oldershaw's door.



III. THE CLAIMS OF SOCIETY.

More than an hour after Allan had set forth on his exploring expedition through his own grounds, Midwinter rose, and enjoyed, in his turn, a full view by daylight of the magnificence of the new house.

Refreshed by his long night's rest, he descended the great staircase as cheerfully as Allan himself. One after another, he, too, looked into the spacious rooms on the ground floor in breathless astonishment at the beauty and the luxury which surrounded him. "The house where I lived in service when I was a boy, was a fine one," he thought, gayly; "but it was nothing to this! I wonder if Allan is as surprised and delighted as I am?" The beauty of the summer morning drew him out through the open hall door, as it had drawn his friend out before him. He ran briskly down the steps, humming the burden of one of the old vagabond tunes which he had danced to long since in the old vagabond time. Even the memories of his wretched childhood took their color, on that happy morning, from the bright medium through which he looked back at them. "If I was not out of practice," he thought to himself, as he leaned on the fence and looked over at the park, "I could try some of my old tumbling tricks on that delicious grass." He turned, noticed two of the servants talking together near the shrubbery, and asked for news of the master of the house.

The men pointed with a smile in the direction of the gardens; Mr. Armadale had gone that way more than an hour since, and had met (as had been reported) with Miss Milroy in the grounds. Midwinter followed the path through the shrubbery, but, on reaching the flower garden, stopped, considered a little, and retraced his steps. "If Allan has met with the young lady," he said to himself, "Allan doesn't want me." He laughed as he drew that inevitable inference, and turned considerately to explore the beauties of Thorpe Ambrose on the other side of the house.

Passing the angle of the front wall of the building, he descended some steps, advanced along a paved walk, turned another angle, and found himself in a strip of garden ground at the back of the house.

Behind him was a row of small rooms situated on the level of the servants' offices. In front of him, on the further side of the little garden, rose a wall, screened by a laurel hedge, and having a door at one end of it, leading past the stables to a gate that opened on the high-road. Perceiving that he had only discovered thus far the shorter way to the house, used by the servants and trades-people, Midwinter turned back again, and looked in at the window of one of the rooms on the basement story as he passed it. Were these the servants' offices? No; the offices were apparently in some other part of the ground-floor; the window he had looked in at was the window of a lumber-room. The next two rooms in the row were both empty. The fourth window, when he approached it, presented a little variety. It served also as a door; and it stood open to the garden at that moment.

Attracted by the book-shelves which he noticed on one of the walls, Midwinter stepped into the room.

The books, few in number, did not detain him long; a glance at their backs was enough without taking them down. The Waverley Novels, Tales by Miss Edgeworth, and by Miss Edgeworth's many followers, the Poems of Mrs. Hemans, with a few odd volumes of the illustrated gift-books of the period, composed the bulk of the little library. Midwinter turned to leave the room, when an object on one side of the window, which he had not previously noticed, caught his attention and stopped him. It was a statuette standing on a bracket—a reduced copy of the famous Niobe of the Florence Museum. He glanced from the statuette to the window, with a sudden doubt which set his heart throbbing fast. It was a French window. He looked out with a suspicion which he had not felt yet. The view before him was the view of a lawn and garden. For a moment his mind struggled blindly to escape the conclusion which had seized it, and struggled in vain. Here, close round him and close before him—here, forcing him mercilessly back from the happy present to the horrible past, was the room that Allan had seen in the Second Vision of the Dream.

He waited, thinking and looking round him while he thought. There was wonderfully little disturbance in his face and manner; he looked steadily from one to the other of the few objects in the room, as if the discovery of it had saddened rather than surprised him. Matting of some foreign sort covered the floor. Two cane chairs and a plain table comprised the whole of the furniture. The walls were plainly papered, and bare—broken to the eye in one place by a door leading into the interior of the house; in another, by a small stove; in a third, by the book-shelves which Midwinter had already noticed. He returned to the books, and this time he took some of them down from the shelves.

The first that he opened contained lines in a woman's handwriting, traced in ink that had faded with time. He read the inscription—"Jane Armadale, from her beloved father. Thorpe Ambrose, October, 1828." In the second, third, and fourth volumes that he opened, the same inscription re-appeared. His previous knowledge of dates and persons helped him to draw the true inference from what he saw. The books must have belonged to Allan's mother; and she must have inscribed them with her name, in the interval of time between her return to Thorpe Ambrose from Madeira and the birth of her son. Midwinter passed on to a volume on another shelf—one of a series containing the writings of Mrs. Hemans. In this case, the blank leaf at the beginning of the book was filled on both sides with a copy of verses, the writing being still in Mrs. Armadale's hand. The verses were headed "Farewell to Thorpe Ambrose," and were dated "March, 1829"—two months only after Allan had been born.

Entirely without merit in itself, the only interest of the little poem was in the domestic story that it told.

The very room in which Midwinter then stood was described—with the view on the garden, the window made to open on it, the bookshelves, the Niobe, and other more perishable ornaments which Time had destroyed. Here, at variance with her brothers, shrinking from her friends, the widow of the murdered man had, on her own acknowledgment, secluded herself, without other comfort than the love and forgiveness of her father, until her child was born. The father's mercy and the father's recent death filled many verses, happily too vague in their commonplace expression of penitence and despair to give any hint of the marriage story in Madeira to any reader who looked at them ignorant of the truth. A passing reference to the writer's estrangement from her surviving relatives, and to her approaching departure from Thorpe Ambrose, followed. Last came the assertion of the mother's resolution to separate herself from all her old associations; to leave behind her every possession, even to the most trifling thing she had, that could remind her of the miserable past; and to date her new life in the future from the birthday of the child who had been spared to console her—who was now the one earthly object that could still speak to her of love and hope. So the old story of passionate feeling that finds comfort in phrases rather than not find comfort at all was told once again. So the poem in the faded ink faded away to its end.

Midwinter put the book back with a heavy sigh, and opened no other volume on the shelves. "Here in the country house, or there on board the wreck," he said, bitterly, "the traces of my father's crime follow me, go where I may." He advanced toward the window, stopped, and looked back into the lonely, neglected little room. "Is this chance?" he asked himself. "The place where his mother suffered is the place he sees in the Dream; and the first morning in the new house is the morning that reveals it, not to him, but to me. Oh, Allan! Allan! how will it end?"

The thought had barely passed through his mind before he heard Allan's voice, from the paved walk at the side of the house, calling to him by his name. He hastily stepped out into the garden. At the same moment Allan came running round the corner, full of voluble apologies for having forgotten, in the society of his new neighbors, what was due to the laws of hospitality and the claims of his friend.

"I really haven't missed you," said Midwinter; "and I am very, very glad to hear that the new neighbors have produced such a pleasant impression on you already."

He tried, as he spoke, to lead the way back by the outside of the house; but Allan's flighty attention had been caught by the open window and the lonely little room. He stepped in immediately. Midwinter followed, and watched him in breathless anxiety as he looked round. Not the slightest recollection of the Dream troubled Allan's easy mind. Not the slightest reference to it fell from the silent lips of his friend.

"Exactly the sort of place I should have expected you to hit on!" exclaimed Allan, gayly. "Small and snug and unpretending. I know you, Master Midwinter! You'll be slipping off here when the county families come visiting, and I rather think on those dreadful occasions you won't find me far behind you. What's the matter? You look ill and out of spirits. Hungry? Of course you are! unpardonable of me to have kept you waiting. This door leads somewhere, I suppose; let's try a short cut into the house. Don't be afraid of my not keeping you company at breakfast. I didn't eat much at the cottage; I feasted my eyes on Miss Milroy, as the poets say. Oh, the darling! the darling! she turns you topsy-turvy the moment you look at her. As for her father, wait till you see his wonderful clock! It's twice the size of the famous clock at Strasbourg, and the most tremendous striker ever heard yet in the memory of man!"

Singing the praises of his new friends in this strain at the top of his voice, Allan hurried Midwinter along the stone passages on the basement floor, which led, as he had rightly guessed, to a staircase communicating with the hall. They passed the servants' offices on the way. At the sight of the cook and the roaring fire, disclosed through the open kitchen door, Allan's mind went off at a tangent, and Allan's dignity scattered itself to the four winds of heaven, as usual.

"Aha, Mrs. Gripper, there you are with your pots and pans, and your burning fiery furnace! One had need be Shadrach, Meshach, and the other fellow to stand over that. Breakfast as soon as ever you like. Eggs, sausages, bacon, kidneys, marmalade, water-cresses, coffee, and so forth. My friend and I belong to the select few whom it's a perfect privilege to cook for. Voluptuaries, Mrs. Gripper, voluptuaries, both of us. You'll see," continued Allan, as they went on toward the stairs, "I shall make that worthy creature young again; I'm better than a doctor for Mrs. Gripper. When she laughs, she shakes her fat sides, and when she shakes her fat sides, she exerts her muscular system; and when she exerts her muscular system—Ha! here's Susan again. Don't squeeze yourself flat against the banisters, my dear; if you don't mind hustling me on the stairs, I rather like hustling you. She looks like a full-blown rose when she blushes, doesn't she? Stop, Susan! I've orders to give. Be very particular with Mr. Midwinter's room: shake up his bed like mad, and dust his furniture till those nice round arms of yours ache again. Nonsense, my dear fellow! I'm not too familiar with them; I'm only keeping them up to their work. Now, then, Richard! where do we breakfast? Oh, here. Between ourselves, Midwinter, these splendid rooms of mine are a size too large for me; I don't feel as if I should ever be on intimate terms with my own furniture. My views in life are of the snug and slovenly sort—a kitchen chair, you know, and a low ceiling. Man wants but little here below, and wants that little long. That's not exactly the right quotation; but it expresses my meaning, and we'll let alone correcting it till the next opportunity."

"I beg your pardon," interposed Midwinter, "here is something waiting for you which you have not noticed yet."

As he spoke, he pointed a little impatiently to a letter lying on the breakfast-table. He could conceal the ominous discovery which he had made that morning, from Allan's knowledge; but he could not conquer the latent distrust of circumstances which was now raised again in his superstitious nature—the instinctive suspicion of everything that happened, no matter how common or how trifling the event, on the first memorable day when the new life began in the new house.

Allan ran his eye over the letter, and tossed it across the table to his friend. "I can't make head or tail of it," he said, "can you?"

Midwinter read the letter, slowly, aloud. "Sir—I trust you will pardon the liberty I take in sending these few lines to wait your arrival at Thorpe Ambrose. In the event of circumstances not disposing you to place your law business in the hands of Mr. Darch—" He suddenly stopped at that point, and considered a little.

"Darch is our friend the lawyer," said Allan, supposing Midwinter had forgotten the name. "Don't you remember our spinning the half-crown on the cabin table, when I got the two offers for the cottage? Heads, the major; tails, the lawyer. This is the lawyer."

Without making any reply, Midwinter resumed reading the letter. "In the event of circumstances not disposing you to place your law business in the hands of Mr. Darch, I beg to say that I shall be happy to take charge of your interests, if you feel willing to honor me with your confidence. Inclosing a reference (should you desire it) to my agents in London, and again apologizing for this intrusion, I beg to remain, sir, respectfully yours, A. PEDGIFT, Sen."

"Circumstances?" repeated Midwinter, as he laid the letter down. "What circumstances can possibly indispose you to give your law business to Mr. Darch?"

"Nothing can indispose me," said Allan. "Besides being the family lawyer here, Darch was the first to write me word at Paris of my coming in for my fortune; and, if I have got any business to give, of course he ought to have it."

Midwinter still looked distrustfully at the open letter on the table. "I am sadly afraid, Allan, there is something wrong already," he said. "This man would never have ventured on the application he has made to you, unless he had some good reason for believing he would succeed. If you wish to put yourself right at starting, you will send to Mr. Darch this morning to tell him you are here, and you will take no notice for the present of Mr. Pedgift's letter."

Before more could be said on either side, the footman made his appearance with the breakfast tray. He was followed, after an interval, by the butler, a man of the essentially confidential kind, with a modulated voice, a courtly manner, and a bulbous nose. Anybody but Allan would have seen in his face that he had come into the room having a special communication to make to his master. Allan, who saw nothing under the surface, and whose head was running on the lawyer's letter, stopped him bluntly with the point-blank question: "Who's Mr. Pedgift?"

The butler's sources of local knowledge opened confidentially on the instant. Mr. Pedgift was the second of the two lawyers in the town. Not so long established, not so wealthy, not so universally looked up to as old Mr. Darch. Not doing the business of the highest people in the county, and not mixing freely with the best society, like old Mr. Darch. A very sufficient man, in his way, nevertheless. Known as a perfectly competent and respectable practitioner all round the neighborhood. In short, professionally next best to Mr. Darch; and personally superior to him (if the expression might be permitted) in this respect—that Darch was a Crusty One, and Pedgift wasn't.

Having imparted this information, the butler, taking a wise advantage of his position, glided, without a moment's stoppage, from Mr. Pedgift's character to the business that had brought him into the breakfast-room. The Midsummer Audit was near at hand; and the tenants were accustomed to have a week's notice of the rent-day dinner. With this necessity pressing, and with no orders given as yet, and no steward in office at Thorpe Ambrose, it appeared desirable that some confidential person should bring the matter forward. The butler was that confidential person; and he now ventured accordingly to trouble his master on the subject.

At this point Allan opened his lips to interrupt, and was himself interrupted before he could utter a word.

"Wait!" interposed Midwinter, seeing in Allan's face that he was in danger of being publicly announced in the capacity of steward. "Wait!" he repeated, eagerly, "till I can speak to you first."

The butler's courtly manner remained alike unruffled by Midwinter's sudden interference and by his own dismissal from the scene. Nothing but the mounting color in his bulbous nose betrayed the sense of injury that animated him as he withdrew. Mr. Armadale's chance of regaling his friend and himself that day with the best wine in the cellar trembled in the balance, as the butler took his way back to the basement story.

"This is beyond a joke, Allan," said Midwinter, when they were alone. "Somebody must meet your tenants on the rent-day who is really fit to take the steward's place. With the best will in the world to learn, it is impossible for me to master the business at a week's notice. Don't, pray don't let your anxiety for my welfare put you in a false position with other people! I should never forgive myself if I was the unlucky cause—"

"Gently gently!" cried Allan, amazed at his friend's extraordinary earnestness. "If I write to London by to-night's post for the man who came down here before, will that satisfy you?"

Midwinter shook his head. "Our time is short," he said; "and the man may not be at liberty. Why not try in the neighborhood first? You were going to write to Mr. Darch. Send at once, and see if he can't help us between this and post-time."

Allan withdrew to a side-table on which writing materials were placed. "You shall breakfast in peace, you old fidget," he replied, and addressed himself forthwith to Mr. Darch, with his usual Spartan brevity of epistolary expression. "Dear Sir—Here I am, bag and baggage. Will you kindly oblige me by being my lawyer? I ask this, because I want to consult you at once. Please look in in the course of the day, and stop to dinner if you possibly can. Yours truly. ALLAN ARMADALE." Having read this composition aloud with unconcealed admiration of his own rapidity of literary execution, Allan addressed the letter to Mr. Darch, and rang the bell. "Here, Richard, take this at once, and wait for an answer. And, I say, if there's any news stirring in the town, pick it up and bring it back with you. See how I manage my servants!" continued Allan, joining his friend at the breakfast-table. "See how I adapt myself to my new duties! I haven't been down here one clear day yet, and I'm taking an interest in the neighborhood already."

Breakfast over, the two friends went out to idle away the morning under the shade of a tree in the park. Noon came, and Richard never appeared. One o'clock struck, and still there were no signs of an answer from Mr. Darch. Midwinter's patience was not proof against the delay. He left Allan dozing on the grass, and went to the house to make inquiries. The town was described as little more than two miles distant; but the day of the week happened to be market day, and Richard was being detained no doubt by some of the many acquaintances whom he would be sure to meet with on that occasion.

Half an hour later the truant messenger returned, and was sent out to report himself to his master under the tree in the park.

"Any answer from Mr. Darch?" asked Midwinter, seeing that Allan was too lazy to put the question for himself.

"Mr. Darch was engaged, sir. I was desired to say that he would send an answer."

"Any news in the town?" inquired Allan, drowsily, without troubling himself to open his eyes.

"No, sir; nothing in particular."

Observing the man suspiciously as he made that reply, Midwinter detected in his face that he was not speaking the truth. He was plainly embarrassed, and plainly relieved when his master's silence allowed him to withdraw. After a little consideration, Midwinter followed, and overtook the retreating servant on the drive before the house.

"Richard," he said, quietly, "if I was to guess that there is some news in the town, and that you don't like telling it to your master, should I be guessing the truth?"

The man started and changed color. "I don't know how you have found it out," he said; "but I can't deny you have guessed right."

"If you let me hear what the news is, I will take the responsibility on myself of telling Mr. Armadale."

After some little hesitation, and some distrustful consideration, on his side, of Midwinter's face, Richard at last prevailed on himself to repeat what he had heard that day in the town.

The news of Allan's sudden appearance at Thorpe Ambrose had preceded the servant's arrival at his destination by some hours. Wherever he went, he found his master the subject of public discussion. The opinion of Allan's conduct among the leading townspeople, the resident gentry of the neighborhood, and the principal tenants on the estate was unanimously unfavorable. Only the day before, the committee for managing the pubic reception of the new squire had sketched the progress of the procession; had settled the serious question of the triumphal arches; and had appointed a competent person to solicit subscriptions for the flags, the flowers, the feasting, the fireworks, and the band. In less than a week more the money could have been collected, and the rector would have written to Mr. Armadale to fix the day. And now, by Allan's own act, the public welcome waiting to honor him had been cast back contemptuously in the public teeth! Everybody took for granted (what was unfortunately true) that he had received private information of the contemplated proceedings. Everybody declared that he had purposely stolen into his own house like a thief in the night (so the phrase ran) to escape accepting the offered civilities of his neighbors. In brief, the sensitive self-importance of the little town was wounded to the quick, and of Allan's once enviable position in the estimation of the neighborhood not a vestige remained.

For a moment, Midwinter faced the messenger of evil tidings in silent distress. That moment past, the sense of Allan's critical position roused him, now the evil was known, to seek the remedy.

"Has the little you have seen of your master, Richard, inclined you to like him?" he asked.

This time the man answered without hesitation, "A pleasanter and kinder gentleman than Mr. Armadale no one could wish to serve."

"If you think that," pursued Midwinter, "you won't object to give me some information which will help your master to set himself right with his neighbors. Come into the house."

He led the way into the library, and, after asking the necessary questions, took down in writing a list of the names and addresses of the most influential persons living in the town and its neighborhood. This done, he rang the bell for the head footman, having previously sent Richard with a message to the stables directing an open carriage to be ready in an hour's time.

"When the late Mr. Blanchard went out to make calls in the neighborhood, it was your place to go with him, was it not?" he asked, when the upper servant appeared. "Very well. Be ready in an hour's time, if you please, to go out with Mr. Armadale." Having given that order, he left the house again on his way back to Allan, with the visiting list in his hand. He smiled a little sadly as he descended the steps. "Who would have imagined," he thought, "that my foot-boy's experience of the ways of gentlefolks would be worth looking back at one day for Allan's sake?"

The object of the popular odium lay innocently slumbering on the grass, with his garden hat over his nose, his waistcoat unbuttoned, and his trousers wrinkled half way up his outstretched legs. Midwinter roused him without hesitation, and remorselessly repeated the servant's news.

Allan accepted the disclosure thus forced on him without the slightest disturbance of temper. "Oh, hang 'em!" was all he said. "Let's have another cigar." Midwinter took the cigar out of his hand, and, insisting on his treating the matter seriously, told him in plain words that he must set himself right with his offended neighbors by calling on them personally to make his apologies. Allan sat up on the grass in astonishment; his eyes opened wide in incredulous dismay. Did Midwinter positively meditate forcing him into a "chimney-pot hat," a nicely brushed frock-coat, and a clean pair of gloves? Was it actually in contemplation to shut him up in a carriage, with his footman on the box and his card-case in his hand, and send him round from house to house, to tell a pack of fools that he begged their pardon for not letting them make a public show of him? If anything so outrageously absurd as this was really to be done, it could not be done that day, at any rate. He had promised to go back to the charming Milroy at the cottage and to take Midwinter with him. What earthly need had he of the good opinion of the resident gentry? The only friends he wanted were the friends he had got already. Let the whole neighborhood turn its back on him if it liked; back or face, the Squire of Thorpe Ambrose didn't care two straws about it.

After allowing him to run on in this way until his whole stock of objections was exhausted, Midwinter wisely tried his personal influence next. He took Allan affectionately by the hand. "I am going to ask a great favor," he said. "If you won't call on these people for your own sake, will you call on them to please me?"

Allan delivered himself of a groan of despair, stared in mute surprise at the anxious face of his friend, and good-humoredly gave way. As Midwinter took his arm, and led him back to the house, he looked round with rueful eyes at the cattle hard by, placidly whisking their tails in the pleasant shade. "Don't mention it in the neighborhood," he said; "I should like to change places with one of my own cows."

Midwinter left him to dress, engaging to return when the carriage was at the door. Allan's toilet did not promise to be a speedy one. He began it by reading his own visiting cards; and he advanced it a second stage by looking into his wardrobe, and devoting the resident gentry to the infernal regions. Before he could discover any third means of delaying his own proceedings, the necessary pretext was unexpectedly supplied by Richard's appearance with a note in his hand. The messenger had just called with Mr. Darch's answer. Allan briskly shut up the wardrobe, and gave his whole attention to the lawyer's letter. The lawyer's letter rewarded him by the following lines:

"SIR—I beg to acknowledge the receipt of your favor of to-day's date, honoring me with two proposals; namely, ONE inviting me to act as your legal adviser, and ONE inviting me to pay you a visit at your house. In reference to the first proposal, I beg permission to decline it with thanks. With regard to the second proposal, I have to inform you that circumstances have come to my knowledge relating to the letting of the cottage at Thorpe Ambrose which render it impossible for me (in justice to myself) to accept your invitation. I have ascertained, sir, that my offer reached you at the same time as Major Milroy's; and that, with both proposals thus before you, you gave the preference to a total stranger, who addressed you through a house agent, over a man who had faithfully served your relatives for two generations, and who had been the first person to inform you of the most important event in your life. After this specimen of your estimate of what is due to the claims of common courtesy and common justice, I cannot flatter myself that I possess any of the qualities which would fit me to take my place on the list of your friends.

"I remain, sir, your obedient servant,

"JAMES DARCH."

"Stop the messenger!" cried Allan, leaping to his feet, his ruddy face aflame with indignation. "Give me pen, ink, and paper! By the Lord Harry, they're a nice set of people in these parts; the whole neighborhood is in a conspiracy to bully me!" He snatched up the pen in a fine frenzy of epistolary inspiration. "Sir—I despise you and your letter.—" At that point the pen made a blot, and the writer was seized with a momentary hesitation. "Too strong," he thought; "I'll give it to the lawyer in his own cool and cutting style." He began again on a clean sheet of paper. "Sir—You remind me of an Irish bull. I mean that story in 'Joe Miller' where Pat remarked, in the hearing of a wag hard by, that 'the reciprocity was all on one side.' Your reciprocity is all on one side. You take the privilege of refusing to be my lawyer, and then you complain of my taking the privilege of refusing to be your landlord." He paused fondly over those last words. "Neat!" he thought. "Argument and hard hitting both in one. I wonder where my knack of writing comes from?" He went on, and finished the letter in two more sentences. "As for your casting my invitation back in my teeth, I beg to inform you my teeth are none the worse for it. I am equally glad to have nothing to say to you, either in the capacity of a friend or a tenant.—ALLAN ARMADALE." He nodded exultantly at his own composition, as he addressed it and sent it down to the messenger. "Darch's hide must be a thick one," he said, "if he doesn't feel that!"

The sound of the wheels outside suddenly recalled him to the business of the day. There was the carriage waiting to take him on his round of visits; and there was Midwinter at his post, pacing to and fro on the drive.

"Read that," cried Allan, throwing out the lawyer's letter; "I've written him back a smasher."

He bustled away to the wardrobe to get his coat. There was a wonderful change in him; he felt little or no reluctance to pay the visits now. The pleasurable excitement of answering Mr. Darth had put him in a fine aggressive frame of mind for asserting himself in the neighborhood. "Whatever else they may say of me, they shan't say I was afraid to face them." Heated red-hot with that idea, he seized his hat and gloves, and hurrying out of the room, met Midwinter in the corridor with the lawyer's letter in his hand.

"Keep up your spirits!" cried Allan, seeing the anxiety in his friend's face, and misinterpreting the motive of it immediately. "If Darch can't be counted on to send us a helping hand into the steward's office, Pedgift can."

"My dear Allan, I was not thinking of that; I was thinking of Mr. Darch's letter. I don't defend this sour-tempered man; but I am afraid we must admit he has some cause for complaint. Pray don't give him another chance of putting you in the wrong. Where is your answer to his letter?"

"Gone!" replied Allan. "I always strike while the iron's hot—a word and a blow, and the blow first, that's my way. Don't, there's a good fellow, don't fidget about the steward's books and the rent-day. Here! here's a bunch of keys they gave me last night: one of them opens the room where the steward's books are; go in and read them till I come back. I give you my sacred word of honor I'll settle it all with Pedgift before you see me again."

"One moment," interposed Midwinter, stopping him resolutely on his way out to the carriage. "I say nothing against Mr. Pedgift's fitness to possess your confidence, for I know nothing to justify me in distrusting him. But he has not introduced himself to your notice in a very delicate way; and he has not acknowledged (what is quite clear to my mind) that he knew of Mr. Darch's unfriendly feeling toward you when he wrote. Wait a little before you go to this stranger; wait till we can talk it over together to-night."

"Wait!" replied Allan. "Haven't I told you that I always strike while the iron's hot? Trust my eye for character, old boy, I'll look Pedgift through and through, and act accordingly. Don't keep me any longer, for Heaven's sake. I'm in a fine humor for tackling the resident gentry; and if I don't go at once, I'm afraid it may wear off."

With that excellent reason for being in a hurry, Allan boisterously broke away. Before it was possible to stop him again, he had jumped into the carriage and had left the house.



IV. THE MARCH OF EVENTS.

Midwinter's face darkened when the last trace of the carriage had disappeared from view. "I have done my best," he said, as he turned back gloomily into the house "If Mr. Brock himself were here, Mr. Brock could do no more!"

He looked at the bunch of keys which Allan had thrust into his hand, and a sudden longing to put himself to the test over the steward's books took possession of his sensitive self-tormenting nature. Inquiring his way to the room in which the various movables of the steward's office had been provisionally placed after the letting of the cottage, he sat down at the desk, and tried how his own unaided capacity would guide him through the business records of the Thorpe Ambrose estate. The result exposed his own ignorance unanswerably before his own eyes. The ledgers bewildered him; the leases, the plans, and even the correspondence itself, might have been written, for all he could understand of them, in an unknown tongue. His memory reverted bitterly as he left the room again to his two years' solitary self-instruction in the Shrewsbury book-seller's shop. "If I could only have worked at a business!" he thought. "If I could only have known that the company of poets and philosophers was company too high for a vagabond like me!"

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