"It is probably that they have known only males of a more primitive type," Frank Merrill explained. "Possibly they are accustomed to marriage by capture."

"That would be a very lucky thing," Ralph explained in an aside to Honey. "Marriage by capture isn't such a foolish proposition, after all. Look at the Sabine women. I never heard tell that there was any kick coming from them. It all depends on the men."

"Oh, Lord, Ralph, marriage by capture isn't a sporting proposition," said Honey in a disgusted tone. "I'm not for it. A man doesn't get a run for his money. It's too much like shooting trapped game."

"Well, I will admit that there's more fun in the chase," Ralph answered.

"Oh, well, if the little darlings are not accustomed to chivalry from men," Pete Murphy was in the meantime saying, "that explains why they stand us off."

It was typical of Pete to refer to the flying-girls as "little darlings." The shortest among them was, of course, taller than he. But to Pete any woman was "little one," no matter what her stature, as any woman was "pure as the driven snow" until she proved the contrary. This impregnable simplicity explained much of the disaster of his married life.

"I am convinced," Frank Merrill said meditatively, "we must go about winning their confidence with the utmost care. One false step might be fatal. I know what your impatience is though—for I can hardly school myself to wait—that extraordinary phenomenon of the wings interests me so much. The great question in my mind is their position biologically and sociologically."

"The only thing that bothers me," Honey contributed solemnly, "is whether or not they're our social equals."

Even Frank Merrill laughed. "I mean, are they birds," he went on still in a puzzled tone, "free creatures of the air, or, women, bound creatures of the earth? And what should be our attitude toward them? Have we the right to capture them as ornithological specimens, or is it our duty to respect their liberty as independent human beings?

"They're neither birds nor women," Pete Murphy burst out impetuously. "They're angels. Our duty is to fall down and worship them."

"They're women," said Billy Fairfax earnestly. "Our duty is to cherish and protect them."

"They're girls," Honey insisted jovially, "our duty is to josh and jolly them, to buy them taxicabs, theater-tickets, late suppers, candy, and flowers."

"They're females," said Ralph Addington contemptuously. "Our duty is to tame, subjugate, infatuate, and control them."

Frank Merrill listened to each with the look on his face, half perplexity, half irritation, which always came when the conversation took a humorous turn. "I am myself inclined to look upon them as an entirely new race of beings, requiring new laws," he said thoughtfully.

Although the quick appearance and the quick departure of the girls had upset the men temporarily, they went back to work at once. And as though inspired by their appearance, they worked like tigers. As before, they talked constantly of them, piling mountains of conjecture on molehills of fact. But now their talk was less of the wonder and the romance of the situation and more of the irritation of it. Ralph Addington's unease seemed to have infected them all. Frank Merrill had actually to coax them to keep at their duty of patrolling the beach. They were constantly studying the horizon for a glimpse of their strange visitors. Every morning they said, "I hope they'll come to-day"; every night, "Perhaps they'll come to-morrow." And always, "They won't put it over on us this time when we're not looking."

But in point of fact, the next visit of the flying girls came when they least expected it—late in the evening.

It had been damp and dull all day. A high fog was gradually melting out of the air. Back of it a misty moon, more mature now, gleamed like a flask of honey in a golden veil. A few stars glimmered, placid, pale, and big. Suddenly between fog and earth—and they seemed to emerge from the mist like dreams from sleep—appeared the five dazzling girl-figures.

The fog had blurred the vividness of their plumage. The color no longer throbbed from wing-sockets to wing-tips; light no longer pulsated there. But great scintillating beads of fog-dew outlined the long curves of the wings, accentuated the long curves of the body. Hair, brows, lashes glittered as if threaded with diamonds. Their cheeks and lips actually glowed, luscious as ripe fruit.

"My God!" groaned Pete Murphy; "how beautiful and inaccessible! But women should be inaccessible," he ended with a sigh.

"Not so inaccessible as they were, though," Ralph Addington said. Again the appearance of the women had transformed him physically and mentally. He moved with the nervous activity of a man strung on wires. His brown eyes showed yellow gleams like a cat's. "They're flying lower and slower to-night."

It did seem as though the fog, light as it was, definitely impeded their wings. It gave to their movements a little languor that had a plaintive appealing quality. Perhaps they realized this themselves. In the midst of their aerial evolutions suddenly—and apparently without cause—they developed panic, turned seawards. Their audience, taken by surprise, burst into shouts of remonstrance, ran after them. The clamor and the motion seemed only to add to the girls' alarm. Their retreating speed was almost frenzied.

"What the—what's frightened them?" Honey Smith asked. Honey's brows had come together in an unaccustomed scowl. He bit his lips.

"Give it up," Billy Fairfax answered, and his tone boiled with exasperation. "I hope they haven't been frightened away for good."

"I think every time it's the last," exclaimed Pete Murphy, "but they keep coming back."

"Son," said Ralph Addington, and there was a perceptible element of patronage in his tone, "I'll tell you the exact order of events. It threw a scare into the girls to-night that they couldn't fly so well. But in an hour's time, they'll be sore because they didn't put up a good exhibition. Now, if I know anything at all about women—and maybe I flatter myself, but I think I know a lot—they'll be back the first thing to-morrow to prove to us that their bad flying was not our effect on them but the weather's."

Whether Ralph's theory was correct could not, of course, be ascertained. But in the matter of prophecy, he was absolutely vindicated. About half-way through the morning five black spots appeared in the west. They grew gradually to bewildering shapes and colors, for the girls came dressed in gowns woven of brilliant flowers. And the torrents of their beautiful hair floated loose. This time they held themselves grouped close; they kept themselves aloof, high. But again came the sinuous interplay of flower-clad bodies, the flashing evolution of rainbow wings, the dazzling interweaving of snowy arms and legs. It held the men breathless.

"They're like goldfish in a bowl," Billy Fairfax said. "I never saw such suppleness. You wouldn't think they had a bone in their systems."

"I bet they're as strong as tigers, though," commented Addington. "I wouldn't want to handle more than one of them at once."

"I think I could handle two," remarked Frank Merrill. He said this, not boastfully, but as one who states an interesting fact. And he spoke as impersonally as though the girls were machines.

Ralph Addington studied Frank Merrill's gigantic copper-colored bulk enviously. "I guess you could," he agreed.

"Fortunately," Frank went on, "it would be impossible for such a situation to arise. Men don't war on women."

"On the contrary," Ralph disagreed, "men always war on women, and women on men. Why, Merrill," he added with his inevitable tone of patronage, "aren't you wise to the fact that the war between the sexes is in reality more bitter and bloody than any war between the races?"

But Frank did not answer. He only stared.

"Did you notice," Pete Murphy asked, "what wonderful hair they had? Loose like that—they looked more than ever like Valkyries."

"Yes, I got that," Ralph answered. He smiled until all his white teeth showed. "And take it from me, that's a point gained. When a woman begins to let her hair down, she's interested."

"Well," said Honey Smith, "their game may be the same as every other woman's you've known, but it takes a damned long time to come down to cases. What I want to know is how many months more will have to pass before we speak when we pass by."

"That matter'll take care of itself," Ralph reassured him. "You leave it to natural selection."

"Well, it's a deuce of a slow process," Honey grumbled.

What hitherto had been devotion to their work grew almost to mania. It increased their interest that the little settlement of five cabins was fast taking shape. The men slept in beds now; for they had furnished their rooms. They had begun to decorate the walls. They re-opened the trunks and made another careful division of spoils. They were even experimenting with razors and quarreling amicably over their merits. At night, when their work was done, they actually changed their clothes.

"One week more of this," commented Honey Smith, "and we'll be serving meals in courses. I hope that our lady-friends will call sometime when we're dressed for dinner. I've tried several flossy effects in ties without results. But I expect to lay them out cold with these riding-boots."

Nevertheless many days passed and the flying-girls continued not to appear.

"I don't believe they're ever coming again," Pete Murphy said one day in a tone of despair.

"Oh, they'll come," Ralph Addington insisted. "They think themselves that they're not coming again, after having proved to us that they could fly just as well as ever. But they'll appear sometime when we least expect it. There's something pulling them over here that's stronger than anything they've ever come up against. They don't know what it is, but we do—Mr. G. Bernard Shaw's life-force. They haven't realized yet what put the spoke in their wheel, but it will bring them here in the end."

But days and days went by. The men worked hard, in the main good-naturedly, but with occasional outbreaks of discontent and irritation. "How about that proposition of the life-force?" they asked Ralph Addington again and again. "You wait!" was all he ever answered.

One day, Honey Smith, who had gone off for a solitary walk, came running back to camp. "What do you think?" he burst out when he got within earshot. "I've seen one of them, the little brunette, the one with the orange wings, the 'plain one.' She was flying on the other side of the island all by her lonesome. She saw me first, and as sure as I stand here, she called to me—a regular bird-call. I whistled and she came flying over in my direction. Blamed if she didn't keep right over my head for the whole trip."

"Low?" Ralph questioned eagerly.

"Yes," Honey answered succinctly, "but not low enough. I couldn't touch her, of course. If I stopped for a while and kept quiet as the dead, she'd come much closer. But the instant I made a move towards—bing!—she hit the welkin. But the way she rubbered. And, Lord, how easy scared. Once I waved my handkerchief—she nearly threw a fit. Strangest sensation I've ever had in my life to be walking calmly along like that with a girl beside me—flying. She isn't so plain when you get close—she does look like a Kanaka, though." He stopped and burst out laughing. "Funny thing! I kept calling her Lulu. After a while, she got it that that was her tag. She didn't exactly come closer when I said 'Lulu,' but she'd turn her head over her shoulder and look at me."

"Well, damn you and your beaux yeux!" said Ralph. There was a real chagrin behind the amusement in his voice.

"Did you notice the muscular development of her back and shoulders?" Frank Merrill asked eagerly.

"No," said Honey regretfully, "I don't seem to remember anything but her face."

The next morning when they were working, Pete Murphy suddenly yelled in an excited voice, "Here comes one of them!"

Everybody turned. There, heading straight towards them, an unbelievable orange patch sailing through the blue sky, flew the "plain one."

"Lulu! Lulu! Here I am, Lulu," Honey called in his most coaxing tone and with his most radiant smile. Lulu did not descend, but, involuntarily it seemed, she turned her course a little nearer to Honey. She fluttered an instant over his head, then flew straight as an arrow eastward.

"She's a looker, all right, all right," Ralph Addington said, gazing as long as she was in sight. "I guess I'll trade my blonde for your brunette, Honey."

"I bet you won't," answered Honey. "I've got Lulu half-tamed. She'll be eating out of my hand in another week."

They found this incident exciting enough to justify them in laying off from work the rest of the afternoon. But they had to get accustomed to it in the week that followed. Thereafter, some time during the day, the cry would ring out, "Here's your girl, Honey!" And Honey, not even dropping his tools, would smile over his shoulder at the approaching Lulu.

As time went by, she ventured nearer and nearer, stayed longer and longer. Honey, calmly driving nails, addressed to her an endless, chaffing monologue. At first, it was apparent she was as much repelled by the tools as she was fascinated by Honey. For him to throw a nail to the ground was the signal for her to speed to the zenith. But gradually, in spite of the noise they made, she came to accept them as dumb, inanimate, harmless. And one day, when Honey, working on the roof, dropped a screw-driver, she flew down, picked it up, flew back, and placed it within reach of his hand. She would hover over him for hours, helping in many small ways. This only, however, when the other men were sufficiently far away and only when Honey's two hands were occupied. If any one of them—Honey and the rest—made the most casual of accidental moves in her direction, her flight was that of an arrow. But nobody could have been more careful than they not to frighten her.

They always stopped, however, to watch her approach and her departure. There was something irresistibly feminine about Lulu's flight. She herself seemed to appreciate this. If anybody looked at her, she exhibited her accomplishments with an eagerness that had a charming touch of naivete. She dipped and dove endlessly. She dealt in little darts and rushes, bird-like in their speed and grace. She never flew high, but, on her level, her activity was marvelous.

"The supermanning little imp!" Pete Murphy said again and again. "The vain little devil," Ralph Addington would add, chuckling.

"How the thunder did we ever start to call her the 'plain one'?" Honey was always asking in an injured tone.

Lulu was far from plain. She was, however, one of those girls who start by being "ugly" or "queer-looking," or downright "homely," and end by becoming "interesting" or "picturesque" or "fascinating," according to the divagations of the individual vocabulary. She had the beaute troublante. At first sight, you might have called her gipsy, Indian, Kanaka, Chinese, Japanese, Korean—any exotic type that you had not seen. Which is to say that she had the look of the primitive woman and the foreign woman. Superficially, her beauty of irregularity was of all beauty the most perturbing and provocative. Eyes, skin, hair, she was all copper-browns and crimson-bronzes, all the high gloss of satiny surfaces. Every shape and contour was a variant from the regular. Her eyes took a bewildering slant. Her face showed a little piquant stress on the cheekbones. Her hair banded in a long, solid, club-like braid. In repose she bore a look a little sullen, a little heavy. When she smiled, it seemed as if her whole face waked up; but it was only the glitter of white teeth in the slit of her scarlet mouth.

Lulu always dressed in browns and greens; leaves, mosses, grasses made a dim-colored, velvety fabric that contrasted richly with her coppery satin surfaces and her brilliant orange wings.

The excitement of this had hardly died down when Frank Merrill brought the tale of another adventure to camp. He had fallen into the habit of withdrawing late in the afternoon to one of the reefs, far enough away to read and to write quietly. One day, just as he had gone deep into his book, a shadow fell across it. Startled, he looked up. Directly over his head, pasted on the sky like a scarlet V, hovered the "dark one." After his first instant of surprise and a second interval of perplexity, he put his book down, settled himself back quietly, and watched. Conscious of his espionage apparently, she flew away, floated, flew back, floated, flew up, flew down, floated—always within a little distance. After half an hour of this aerial irresolution, she sailed off. She repeated her performance the next afternoon and the next, and the next, staying longer each time. By the end of the week she was spending whole afternoons there. She, too, became a regular visitor.

She never spoke. And she scarcely moved. She waved her great scarlet wings only fast enough to hold herself beyond Frank's reach. But from that distance she watched his movements, watched closely and unceasingly, watched with the interest of a child at a moving-picture show. Her surveillance of him was so intense it seemed impossible that she could see anything else. But if one of the other four men started to join them, she became a flash of scarlet lightning that tore the distance.

Frank, of course, found this interesting. Every day he made voluminous notes of his observations. Every night be embodied these notes in his monograph.

"What does she look like close to?" the others asked him again and again.

"Really, I've hardly had a chance to notice yet," was Frank's invariable answer. "She's a comely young person, I should say, and, as you can easily see, of the brunette coloring. I'm so much more interested in her flying than in her appearance that I've never really taken a good look at her. Unfortunately she flies less well than the others. I wish I could get a chance to study all of them—the 'quiet one' in particular; she flies so much faster. On the other hand, this one seems able to hold herself motionless in the air longer than they."

"She's lazy," Honey Smith said decisively. "I got that right off. She looks like a Spanish woman and she is a good deal like one in her ways."

Honey was right; the "dark one" was lazy. Alone she always flew low, and at no time, even in company, did she dare great altitudes. She seemed to love to float, wings outspread and eyes half closed, on one of those tranquil air-plateaux that lie between drifting air-currents. She was an adept, apparently, at finding the little nodule of quiet space that forms the center of every windstorm. Standing upright in it, flaming wings erect, she would whirl through space like an autumn leaf. Gradually, she became less suspicious of the other men. She often passed in their direction on the way to her afternoon vigil with Frank.

"She certainly is one peach of a female," said Ralph Addington. "I don't know but what she's prettier than my blonde. Too bad she's stuck on that stiff of a Merrill. I suppose he'd sit there every afternoon for a year and just look at her."

"I should think she came from Andalusia," Honey answered, watching the long, low sweep of her scarlet flight. "She's got to have a Spanish name. Say we call her Chiquita."

And Chiquita she became.

Chiquita was beautiful. Her beauty had a highwayman quality of violence; it struck quick and full in the face. She was the darkest of all the girls, a raven black. As Lulu was all coppery shine and shimmer, all satiny gloss and gleam, so Chiquita was all dusk in the coloring, all velvet in the surfaces. Her great heavy-lidded eyes were dusk and velvet, with depth on depth of an unmeaning dreaminess. Her hair, brows, lashes were dusk and velvet; and there was no light in them. Her skin, a dusky cream on which velvety shade accented velvety shadow, was colorless except where her lips, cupped like a flower, offered a splash of crimson. Yet, in spite of the violence of her beauty, her expression held a tropical languor. Indeed, had not her flying compelled a superficial vigor from her, she would have seemed voluptuous.

Chiquita wore scarlet always, the exact scarlet of her wings, a clinging mass of tropical bloom; huge star-shaped or lilly-like flowers whose brilliant lustre accentuated her dusky coloring.

They had no sooner accustomed themselves to the incongruity of Frank Merrill's conquest of this big, gorgeous creature than Pete Murphy developed what Honey called "a case." It was scarcely a question of development; for with Pete it had been the "thin one" from the beginning. Following an inexplicable masculine vagary, he christened her Clara—and Clara she ultimately became. Among themselves, the men employed other names for her; with them she was not so popular as with Pete. To Ralph she was "the cat"; to Billy, "the poser"; to Honey, "Carrots."

Clara appeared first with Lulu. She did not stay long on her initial visit. But afterwards she always accompanied her friend, always stayed as late as she.

"I'd pick those two for running-mates anywhere," Ralph said in private to Honey. "I wish I had a dollar bill for every time I've met up with that combination, one simple, devoted, self-sacrificing, the other selfish, calculating, catty."

Clara was not exactly beautiful, although she had many points of beauty. Her straight red hair clung to her head like a close-fitting helmet of copper. Her skin balanced delicately between a brown pallor and a golden sallowness. Her long, black lashes paled her gray eyes slightly; her snub nose made charming havoc of what, without it, would have been a conventional regularity of profile. She was really no more slender than the normal woman, but, compared with her mates, she seemed of elfin slimness; she was shapely in a supple, long-limbed way. There was something a little exotic about her. Her green and gold plumage gave her a touch of the fantastic and the bizarre. Prevailingly, she arrayed herself in flowers that ran all the shades from cream and lemon to yellow and orange. She was like a parrot among more uniformly feathered birds.

Clara never flew high. It was apparent, however, that if she made a tremendous effort, she could take any height. On the other hand, she flew more swiftly than either Lulu or Chiquita. She seemed to keep by preference to the middle altitudes. She hated wind and fog; she appeared only in calm and dry weather. Perhaps this was because the wind interfered with her histrionics, the fog with the wavy complications of her red hair. For she postured as she moved; whatever her hurry, she presented a picture, absolutely composed. And her hair was always intricately arranged, always decked with leaves and flowers.

"By jiminy, I'd make my everlasting fortune off you," Honey Smith once addressed her, as she flew over his head, "selling you to the moving-picture people."

Wings straight up, legs straight out, arms straight ahead, delicately slender feet, and strong-looking hands dropping like flowers, her only answer to this remark was an enigmatic closing of her thick-lashed lids, a twist into a pose even more sensuously beautiful.

"Say, I'm tired waiting," Ralph Addington growled one day, when the lovely trio flew over his head in a group. "Why doesn't that blonde of mine put in an appearance? Oh, Clara, Lulu, Chiquita," he called, "won't you bring your peachy friend the next time you call?"

It was a long time, however, before the "peachy one" appeared. Then suddenly one day a great jagged shadow enveloped them in its purple coolness. The men looked up, startled. She must have come upon them slowly and quietly, for she was close. Her mischievous face smiled alluringly down at them from the wide triangle of her blue wings.

Followed an exhibition of flying which outdid all the others.

Dropping like a star from the zenith and dropping so close and so swiftly that the men involuntarily scattered to give her landing-room, she caught herself up within two feet of their heads and bounded straight up to the zenith again. Up she went, and up and up until she was only a blue shimmer; and up and up and up until she was only a dark dot. Then, without warning, again she dropped, gradually this time, head-foremost like' a diver, down and down and down until her body was perfectly outlined, down and down and down until she floated just above their heads.

Coming thus slowly upon them, she gave, for the first time, a close view of her wonderful blondeness. It was a sheer golden blondeness, not a hint of tow, or flaxen, or yellow; not a touch of silver, or honey, or auburn. It was half her charm that the extraordinary strength and vigor of her contours contrasted with the delicacy and dewiness of her coloring, that from one aspect, she seemed as frail as a flower, from another as hard as a crystal. She had, at the same time, the untouched, unstained beauty of the virgin girl, and the hard, muscular strength of the virgin boy. Her skin, white as a lily-petal and as thick and smooth, had been deepened by a single drop of amber to cream. Her eyes, of which the sculpturesque lids drooped a little, flashed a blue as limpid as the sky. Teeth, set as close as seed-pearls, gleamed between lips which were the pink of the faded rose. The sunlight turned her golden hair to spun glass, melted it to light itself. The shadow thickened it to fluid, hardened it to massy gold again. The details of her face came out only as the result of determined study. Her chief beauty—and it amounted to witchery, to enchantment—lay in a constant and a constantly subtle change of expression.

During this exhibition the men stood frozen in the exact attitudes in which she found them. Ralph Addington alone remained master of himself. He stood quiet, every nerve tense, every muscle alert, the expression on his face that of a cat watching a bird. At her second dip downward, he suddenly jumped into the air, jumped so high that his clutching fingers grazed her finger-tips.

That frightened her.

Her upward flight was of a terrific speed—she leaped into the sky. But once beyond the danger-line her composure came back. She dropped on them a coil of laughter, clear as running water, contemptuous, mischievous. Still laughing, she sank again, almost as near. Her mirth brought her lids close together. Her eyes, sparkling between thick files of golden lash, had almost a cruel sweetness.

She immediately flew away, departing over the water. Ralph cursed himself for the rest of the day. She returned before the week was out, however, and, after that, she continued to visit them at intervals of a few days. The sudden note of blue, even in the distance it seemed to connote coquetry, was the signal for all the men to stop work. They could not think clearly or consecutively when she was about. She was one of those women whose presence creates disturbance, perturbation, unrest. The very sunshine seemed alive, the very air seemed vibrant with her. Even when she flew high, her shadow came between them and their work.

"She sure qualifies when it comes to fancy flying," said Honey Smith. "She's in a class all by herself."

Her flying was daring, eccentric, temperamental, the apotheosis of brilliancy—genius. The sudden dart up, the terrifying drop down seemed her main accomplishment. The wonder of it was that the men could never tell where she would land. Did it seem that she was aiming near, a sudden swoop would bring her to rest on a far-away spot. Was it certain that she was making for a distant tree-top, an unexpected drop would land her a few feet from their group. She was the only one of the flying-girls who touched the earth. And she always led up to this feat as to the climax of what Honey called her "act." She would drop to the very ground, pose there, wavering like an enormous butterfly, her great wings opening and shutting. Sometimes, tempted by her actual nearness and fooled by her apparent weakness, the five men would make a rush in her direction. She would stand waiting and drooping until they were almost on her. Then in a flash came the tremendous whirr of her start, the violent beat of her whipping progress—she had become a blue speck.

She wore always what seemed to be gossamer, rose-color in one light, sky-color in another; a flexible film that one moment defined the long slim lines of her body and the next concealed them completely. Near, it could be seen that this drapery was woven of tiny buds, pink and blue; afar she seemed to float in a shimmering opalescent mist.

She teased them all, but it was evident from the beginning that she had picked Ralph to tease most. After a long while, the others learned to ignore, or to pretend to ignore, her tantalizing overtures. But Ralph could look at nothing else while she was about. She loved to lead him in a long, wild-goose chase across the island, dipping almost within reach one moment, losing herself at the zenith in another, alighting here and there with a will-o'-the-wisp capriciousness. Sometimes Ralph would return in such an exhausted condition that he dropped to sleep while he ate. At such times his mood was far from agreeable. His companions soon learned not to address him after these expeditions.

One afternoon, exercising heroic resolution, Ralph allowed Peachy to fly, apparently unnoticed, over his head, let her make an unaccompanied way half across the island. But when she had passed out of earshot he watched her carefully.

"Say, Honey," he said after half an hour's fidgeting, "Peachy's settled down somewhere on the island. I should say on the near shore of the lake. I don't know that anything's happened—probably nothing. But I hope to God," he added savagely, "she's broken a wing. Come on and find out what she's up to, will you?"

"Sure!" Honey agreed cheerfully. "All's fair in love and war. And this seems to be both love and war."

They walked slowly, and without talking, across the beach. When they reached the trail they dropped on all fours and pulled themselves noiselessly along. The slightest sound, the snapping of a twig, the flutter of a bird, brought them to quiet. An hour, they searched profitlessly.

Then suddenly they got sound of her, the languid slap of great wings opening and shutting. She had not gone to the lake. Instead, she had chosen for her resting-place one of the tiny pools which, like pendants of a necklace, partially encircled the main body. She was sitting on a flat stone that projected into the water. Her drooped blue wings, glittering with moisture, had finally come to rest; they trailed behind her over the gray boulder and into a mass of vivid green water-grasses. One bare shoulder had broken through her rose-and-blue drapery. The odor of flowers, came from her. Her hair, a braid over each breast, oozed like ropes of melted gold to her knees. A hand held each of these braids. She was evidently preoccupied. Her eyelids were down. Absently she dabbled her white feet in the water. The noise of her splashing covered their approach. The two men signaled their plans, separated.

Five minutes went by, and ten and fifteen and twenty. Peachy still sat silent, moveless, meditative. Not once did she lift her eyelids.

Then Addington leaped like a cat from the bushes at her right. Simultaneously Honey pounced in her direction from the left.

But—whir-r-r-r—it was like the beating of a tremendous drum. Straight across the pond she went, her toes shirring the water, and up and up and up—then off. And all the time she laughed, a delicious, rippling laughter which seemed to climb every scale that could carry coquetry.

The two men stood impotently watching her for a moment. Then Honey broke into roars of delight. "Oh, you kid!" he called appreciatively to her. "She had her nerve with her to sit still all the time, knowing that we were creeping up on her, didn't she?" He turned to Ralph.

But Ralph did not answer, did not hear. His face was black with rage. He shook his fist in Peachy's direction.

Of the flying-girls, there remained now only one who held herself aloof, the "quiet one." It was many weeks before she visited the island. Then she came often, though always alone. There was something in her attitude that marked her off from the others.

"She doesn't come because she wants to," Billy Fairfax explained. "She comes because she's lonely."

The "quiet one" habitually flew high and kept high, so high indeed that, after the first excitement of her tardy appearance, none but Billy gave her more than passing attention. Up to that time Billy had been a hard, a steady worker. But now he seemed unable to concentrate on anything. It was doubtless an extra exasperation that the "quiet one" puzzled him. Her flying seemed to be more than a haphazard way of passing the time. It seemed to have a meaning; it was almost as if she were trying to accomplish something by it; and ever she perfected the figure that her flight drew on the sky. If she soared and dropped, she dropped and soared. If she curved and floated, she floated and curved. If she dipped and leaped, she leaped and dipped. All this he could see. But there were scores of minor evolutions that appeared to him only as confused motion.

One thing he caught immediately. Those lonely gyrations were not the exercise of the elusive coquetry which distinguished Peachy. It was more that the "quiet one" was pushed on by some intellectual or artistic impulse, that she expressed by the symbols, of her complicated flight some theory, some philosophy of life, that she traced out some artless design, some primary pattern of beauty.

Julia always seemed to shine; she wore garments of gleamy-petalled, white flowers, silvery seaweeds, pellucid marsh-grasses, vines, golden or purple, that covered her with a delicate lustre. Her wings were different from the others; theirs flashed color, but hers gave light; and that light seemed to have run down on her flesh.

"What the thunder is she trying to do up there?" Ralph asked one day, stopping at Billy's side. Ralph's question was not in reality begotten so much of curiosity as of irritation. From the beginning the "quiet one" had interested him least of any of the flying-girls as, from the beginning, Peachy had interested him most.

"I don't know, of course." Billy spoke with reluctance. It was evident that he did not enjoy discussing the "quiet one" with Ralph. "At first my theory was that flying was to her what dancing is to most girls. But, somehow, it seems to go deeper than that—as if it were art, or even creation. Anyway, there's a kind of bi-lateral symmetry about everything she does."

Billy fell into the habit, each afternoon, of strolling away from the rest, out of sound of their chaff. On the grassy top of one of the reefs, he found a spot where he could lie comfortably and watch the "quiet one." He used to spin long day-dreams there. She looked so remote far up in the boiling blue, and so strange, that he had an inexplicable sensation of reverence.

Now it was as though, in watching that aerial weaving and interweaving, he were assisting at a religious rite. He liked it best when the white day-moon was afloat. If he half-shut his eyes, it seemed to him that she and the moon made twin crescents of foaming silver, twin bubbles of white fire, twin films of fairy gossamer, twin vials that held the very essence of poetry. Somehow he had always connected her with the moon. Indeed, in her whiteness, her coldness, her aloofness, she seemed the very sublimation of virginity. His first secret names for her were Diana and Cynthia. But there was another quality in her that those names did not include—intellectuality. His favorite heroes were Julius Caesar and Edwin Booth—a quaint pair, taken in combination. In the long imaginary conversations which he held with her he addressed her as Julia or Edwina.

Days and days went by and he could discover no sign that she had noticed him. It was typical of the "damned gentleman" side of Billy that he did not try to attract her attention. Indeed, his efforts were ever to efface himself.

One afternoon, after a long vigil in which, unaccountably, Julia had not appeared, he started to return to camp. It was a late twilight and a black, velvety one. The trees against a darkening curtain of sky had turned to bunches of tangled shadow, the reefs and rocks against the papery white of the sand to smutches and blobs of soot. Suddenly—and his heart pounded at the sound—the air began to vibrate and thrill.

He stopped short. He waited. His breath came fast; the vibration and thrill were coming closer.

He crystallized where he stood. It scarcely seemed that he breathed. And then—.

Something white and nebulous came floating out of the dusk towards him. It became a silver cloud, a white sculptured spirit of the air. It became an angel, a fairy, a woman—Julia. She flew not far off, level with his eyes and, as she approached, she slowed her stately flight. Billy made no movement. He only stood and waited and watched. But perhaps never before in his life had his eyes become so transparently the windows of his soul. Quite as intently, Julia's eyes, big, gray, and dark-lashed, considered him. It seemed to Billy that he had never seen in any face so virginally young such a tragic seriousness, nor in any eyes, superficially so calm, such a troubled wonder.

He did not stir until she had drifted out of earshot, had become again a nebulous silver cloud drifting into the dusk, had merged with that dusk.

"What makes your eyes shine so?" said Honey, examining him keenly when he reached camp.

It was the first time Billy had known Julia to fly low. But he discovered gradually that only in the sunlight did she haunt the zenith. At twilight she always kept close to the earth. Billy took to haunting the reefs at dusk.

Again and again, the same thing happened.

Suddenly—and it was as if successive waves of electricity charged through his body—the quiet air began to purr and vibrate and drum. Out of the star-shot dusk emerged the speeding whiteness of Julia. Always, as she approached, she slowed her flight. Always as she passed, her sorrowing gray eyes would seek his burning blue ones. Billy could bring himself to speak of this strange experience to nobody, not even to Honey. For there was in it something untellable, unsharable, the wonder of the vision and the dream, the unreality of the apparition.

The excitement of these happenings kept the men entertained, but it also kept them keyed up to high tension. For a while they did not notice this themselves. But when they attempted to go back to their interrupted work, they found it hard to concentrate upon it. Frank Merrill had given up trying to make them patrol the beach. Unaided, day and night he attended to their signals.

"Well," said Honey Smith one day and, for the first time, there was a peevish note in his voice, "that 'natural selection' theory of yours, Ralph, seems to have worked out to some extent—but not enough. We seem to be comfortably divided, all ten of us, into happy couples, but hanged if I'm strong for this long-distance acquaintance."

"You're right there," Ralph Addington admitted; "we don't seem to be getting any forwarder."

"It's all very pretty and romantic to have these girls flying about," Honey continued in a grumbling tone, "but it's too much like flirting with a canary-bird. Damn it all, I want to talk with them."

Ralph made a hopeless gesture. "It is a deadlock, I admit. I'm at my wits' end."

Perhaps Honey expressed what the others felt. At any rate, a sudden irascibility broke out among them. They were good-natured enough while the girls were about, but over their work and during their leisure, they developed what Honey described as every kind of blue-bean, sourball, katzenjammer and grouch. They fought heroically against it—and their method of fighting took various forms, according to the nature of the four men. Frank Merrill lost himself in his books. Pete Murphy began the score of an opera vaguely heroic in theme; he wrote every spare moment. Billy Fairfax worked so hard that he grew thin. Honey Smith went off on long, solitary walks. Ralph Addington, as usual, showed an exasperating tendency towards contradiction, an unvarying contentiousness.

And then, without warning, all the girls ceased to come to the island. Three days went by, five, a week, ten days. One morning they all passed over the island, one by one, an hour or two between flights; but they flew high and fast, and they did not stop.

Ralph Addington had become more and more irascible. That day the others maintained peace only by ignoring him.

"By the gods!" he snarled at night as they all sat dull and dumb about the fire. "Something's got to happen to change our way of living or murder'll break out in this community. And we'd better begin pretty quick to do something about it. What I'd like to know is," and he slapped his hand smartly against a flat rock, "coming down to cases—as we must sooner or later—what is our right in regard to these women."



III

"I don't exactly like your use of the word right, Ralph," said Billy. "You mean duty, don't you?"

"And he'd better change that to privilege," put in Pete Murphy, scowling.

"Shut up, you mick," Honey interposed, flicking Pete on the ear with a pebble. "What do you know about machinery?"

Pete grinned and subsided for a moment. Honey could always placate him by calling him a mick.

"No," Ralph went on obstinately, addressing himself this time to Billy, "I mean right. Of course, I mean right," he went on with one of his, gusty bursts of, irritation. "For God's sake, don't be so high-brow and altruistic."

"How about it, Frank?" Billy said, turning to Merrill.

"Well," said Frank slowly, "I don't exactly know how to answer that question. I don't know what you mean by the word—right. I take it that you mean what our right would be if these flying-maidens permitted themselves to become our friends. I would say, that, in such a case, you would have the only right that any man ever has, as far as women are concerned—the right to woo. If he wins, all well and good. If he loses, he must abide by the consequences."

"You're on, Frank," said Billy Fairfax.

"You've said the last word."

"In normal condition, I'd agree with you," Ralph said. "But in these conditions I disagree utterly."

"How?" Frank asked. "Why?" He turned to Ralph with the instinctive equability that he always presented to an opponent in argument.

"Well, in the first place, we find ourselves in a situation unparalleled in the world's history." Ralph had the air of one who is saying aloud for the first time what he has said to himself many times. At any rate, he proceeded with an unusual fluency and glibness. "Circumstances alter cases. We can't handle this situation by any of the standards we have formerly known. In fact, we've got to throw all our former standards overboard. There are five of these girls. There are five of us. Voila! Following the laws of nature we have selected each of us the mates we prefer. Or, following the law that Bernard Shaw discovered, the ladies have selected, each of them, the mates that they prefer. They are now turning themselves inside out to prove to us that we selected them. Voila! The rest is obvious. If they come to terms, all right! If they don't—" He paused. "I repeat that we are placed in, a situation new in the history of the world. I repeat the bromidion—circumstances alter cases. We may have to stay on this island as long as we live. I am perfectly willing to confess that just now I'd rather not be rescued. But it's over our months that we've been here. We must think of the future. The future justifies anything. If these girls don't come to terms, they must be made to come to terms. You'll find I'm right."

"Right!" exclaimed Billy hotly. "What are you talking about? Those are the principles of an Apache or a Hottentot."

"Or a cave-man," Pete added.

"Well, what are we under our skins but Hottentots and Apaches and cave-men?" said Ralph. "Now, I leave it to you. Look facts in the face. Use your common sense. Count out civilization and all its artificial rules. Think of our situation on this island, if we don't capture these women soon. We can't tell when they'll stop coming. We don't know what the conditions of their life may be. The caprice may strike them to-morrow to cut us out for good. Maybe their men will discover it—and prevent them from coming. A lot of things may happen to keep them away. What's to become of us in that case? We'll go mad, five men alone here. It isn't as though we could tame them by any gentle methods. You can't catch eagles by putting salt on their tails. In the first place, we can't get close enough to them, because of their accursed wings, to prove that we wouldn't harm them. They've sent us a challenge—it's a magnificent one. They've thrown down the gage. And how have we responded? I bet they think we're a precious lot of molly-coddles! I bet they're laughing in their sleeves all the time. I'd hate to hear what they say about us. But the point I'm trying to make is not that. It's this: we can't afford to lose them. This place is a prison now. It will be worse than that if this keeps up—it'll be a madhouse."

"Do you mean to tell me that you're advocating marriage by capture?" Billy asked in an incredulous voice.

"I mean to tell you I'm arguing capture," Ralph said with emphasis. "After that, you, can trust the marriage question to take care of itself."

Argument broke out hydra-headed. They wrangled the whole evening. Theory at first guided them. In the beginning, names like Plato, Nietzsche, Schopenhauer preceded quotation; then, came Shaw, Havelock-Ellis, Kraft-Ebing, Weininger. Sleep deadened their discussion temporarily but it burst out at intervals all the next day. In fact, it seemed to possess eternal vitality, eternal fascination. Leaving theory, they went for parallels of their strange situation, to history, to the Scriptures, to fiction, to drama, to poetry.

Honey ended every discussion with a philosophic, "Aside from the question of brutality, this marriage by capture isn't a sporting proposition. It's like jacking deer. I'm not for it. And, O Lord, what's the use of chewing the rag so much about it? Wait a while. We'll get them yet, I betchu!"

All of Honey's sex-pride flared in this buoyant assurance. It had apparently not yet occurred to him that he would not conquer Lulu in the end and conquer her by merely submitting to her wooing of him.

And in the meantime, the voiceless tete-a-teteing of the five couples continued.

"Say, Ralph," Honey said one day in a calm interval, "it's just occurred to me that we haven't seen those girls, flying in a bunch for quite some time. Don't suppose they've quarrelled, do you?"

Everybody stopped work to stare at him. "I bet that's the answer," Ralph exclaimed. His voice held the note of one for whom a private mystification has at last broken.

"But what do you suppose they've quarrelled about?" Pete Murphy asked.

"Me," Honey said promptly.

Ralph laughed absent-mindedly. "It's a hundred to one shot that they're quarrelling about us, though," he said. For some mysterious reason this theory raised his spirits perceptibly.

"But—to get down to brass tacks," Pete asked in a puzzled tone, "what have we done to make them quarrel?"

"Oh, we've done nothing," Ralph answered with one of his lordly assumptions of a special knowledge. "It's just the disorganization that always falls on women when men appear on their horizon. They're absolutely without sex-loyalty, you know. They seem to have principle enough in regard to some things, a few things. But the moment a man appears, it's all off. West of Suez, they'll lie and steal; east of Suez, they'll betray and murder as easy as breathe."

"Cut that out, Addington," Pete Murphy commanded in a dangerous voice. "I won't stand for that kind of talk."

Ralph glared. "Won't stand for it?" he repeated. "I'd like to know how the hell you're going to help yourself?"

"I'll find a way, and pretty damned quick," Pete retorted.

It was the closest approach to a quarrel that had yet occurred. The other three men hastily threw themselves into the breach. "Shut up, you mick," Honey called to Pete. "Remember you came over in the steerage."

Pete grinned and subsided.

"As sure as shooting," Honey said, "those girls have quarrelled. I bet we never see them again."

It was a long time before they saw any of them; but, curiously enough, the next time the flying-girls visited the island they came in a group.

It had been sultry, the first of a long series of sticky, muggy days. What threatened to be a thunderstorm and then, as Honey said, failed to "make good," came up in the afternoon. Just as the sky was at its blackest, Honey called, "Hurroo! Here they come!"

The effect of the approach of the flying-maidens was so strange as to make them unfamiliar. There was no sun to pour a liquid iridescence through their wings. All the high lights of their plumage had dulled. Painted in flat primary colors, they looked like paper dolls pasted on the inky thundercloud. As usual, when they came in a group, they wove in and out in a limited spherical area, achieving extraordinary effects in close wheeling.

As the girls made for the island, a new impulse seized Honey. He ran down the beach, dashed into the water, swam out to meet them.

"Come back, you fool!" Frank yelled.

There may be sharks in that water.

But Honey only laughed. He was a magnificent swimmer. He seemed determined to give, in an alien element, an exhibition which would equal that of the flying-girls. The effect on them was immediate; they broke ranks and floated, watching every move.

To hold their interest, Honey nearly turned himself inside out.

At first he tore the water white with the vigor of his trudgeon-stroke. Then turning from left to right, he employed the side-stroke. From that, he went to the breast-stroke. Last of all, he floated, dove, swam under water so long that the girls began uneasily to fly back and forth, to twitter with alarm.

Finally he emerged and floated again.

"He swims like a motor-boat!" said Ralph admiringly.

Suddenly Lulu fluttered away from her companions, dropped so low that she could have touched Honey with her hand, and flew protectingly above him.

The men on the beach watched these proceedings with a gradual diminution of their alarm, with the admiration that Honey in the water always excited, with the amusement that Lulu's fearless display of infatuation always developed.

"Oh, my God!" Frank called suddenly. "There's a shark!"

Simultaneously, the others saw what he saw—a sinister black triangle swiftly shearing the water. They ran, yelling, down to the water's edge and stood there trying to shout a warning over the noise of the surf.

Honey did not get it at once. He was still floating, his smiling, up-turned face looking into Lulu's smiling, down-turned one. Then, rolling over, he apparently caught a glimpse of the black fin bearing so steadily on him. He made immediately for the shore but he had swum far and fast.

Lulu was slower even than he in realizing the situation. For a moment, obviously piqued at his action, she dropped and hung in the rear. Perhaps her mates signaled to her, perhaps her intuition flashed the warning. Suddenly she looked back. The scream which she emitted was as shrill with terror as any wingless woman's. Swooping down like an eagle, she seized Honey under the shoulders, lifted him out of the water. His weight crippled her. For though the first impulse of her terror carried her high, she sank at once until Honey hung just above the water.

And continuously she screamed.

The other girls realized her plight in an instant. They dropped like stones to her side, eased her partially of Honey's weight. Julia alone did not touch him. She floated above, calling directions. The group of girls arose gradually, flew swiftly over the water toward the beach. The men ran to meet them.

"Don't go any further," Billy commanded in a peremptory voice unusual with him. "They'll not put him down if we come too near."

The men hesitated, stopped.

Immediately the girls deposited Honey on the sand.

"Did you notice the cleverness of that breakaway?" said Pete. "He couldn't have got a clinch in anywhere."

But to do Honey justice, he attempted nothing of the sort. He lay flat and still until his rescuers were at a safe height. Then he sat up and smiled radiantly at them. "Ladies, I thank you," he said.

"And I'll see that you get a Carnegie medal if it takes the rest of my life. I guess," he remarked unabashed, as his companions joined him, "it will be fresh-water swimming for your little friend hereafter."

Nobody spoke for a while. His companions were still white and Billy Fairfax even shook.

"You looked like an engraving that used to hang over my bed when I was a child," said Ralph, with an attempt at humor that had, coming from him, a touching quality, "a bunch of, angels lugging a dead man to heaven. You'd have been a ringer for it if you'd had a shave."

"Well, the next time the girls come, I'm going to swim out among the pretty sharks," said Pete, obviously trying to echo Ralph's light note. "By Jove, hear them chatter up there. They're talking all at once and at the top of their lungs just like your sisters and your cousins and your aunts."

"They're as pale as death, too," observed Billy. "Look at that!"

The flying-maidens had come together in a compact circular group, hands over each other's shoulders, wings faintly fluttering. Perceptibly they clung to each other for support. Their faces had turned chalky; their heads drooped. Intertwined thus, they drifted out of sight.

"Lord, they are beautiful, close-to!" Honey said. "You never saw such complexions! Or such eyes and teeth! And—and—by George, such an effect of purity and stainlessness. I feel like a—and yet, by—." He fell into an abstraction so deep that it was as though he had forgotten his companions.

For several days, the girls did not appear on Angel Island. All that time, the capture argument lay in abeyance. Even Ralph, who had introduced the project, seemed touched by the gallantry of Honey's rescue. Honey, himself, was strangely subdued; his eternal monologue had dried up; he seemed preoccupied. Nevertheless, it was he, who, one night, reopened the discussion with a defiant flat: "Well, boys, I might as well tell you, I've swung over to Ralph's side. I'm for the capture of those girls, and capture as soon as we can make it."

"Well, I'll be—" said Billy. "After they saved your life! Honey, I guess I don't know you any more."

"What's changed you?" Pete asked in amazement.

"Can't tell you why—don't know myself why when you get the answer tell me. Only in the ten minutes that those girls packed me through the air, I did some quick thinking, I can't explain to you why we've got the right to capture them. But we have. That's all there is to it."

War broke out with a new animosity; for they had, of course, now definitely divided into sides. Their conversation always turned into argument now, no matter how peaceably and innocently it began.

The girls had begun to visit the island again, singly now, singly always. Discussion died down temporarily and the wordless tete-a-teteing began again. Lulu hovered ever at Honey's shoulder. Clara postured always within Pete's vision. Chiquita took up her eternal vigil on Frank's reef. Peachy discovered new wonders of what Honey called "trick flying." Julia became a fixed white star in their blue noon sky.

A day or two or three of this long-distance wooing, and argument exploded more vehemently than ever. Honey and Ralph still maintained that, as the ruling sex of a man-managed world, they had the right of discovery to these women. Frank still maintained that, as a supra-human race, the flying-girls were subject to supra-human laws. Billy and Pete still maintained that, as the development not only of the race but of the individual depended on the treatment of the female by the male, the capture of these independent beings at this stage of civilization would be a return to barbarism.

After one night of wrangling, they came to the agreement that no one of them would take steps towards capture until all five had consented to it. They drew up a paper to this effect and signed it.

Their cabins were nearly completed now. Boundless leisure threatened to open before them. More and more in the time which they were alone they fell into the habits which their individual tastes developed. Frank still worked on his library. He had transferred the desk and the bookcases to the interior of his hut. He spent all his spare time there arranging, classifying, and cataloguing his books. Billy fell into an orgy of furniture-making and repairing. Addington began, unaided, to build a huge cabin, bigger than the others, and separated a little distance from them. Nobody asked him what it was for. Honey took long solitary walks into the interior of the island. He returned with great bunches of uprooted flowers which he planted against the cabin-walls. Pete dragged out from an unexplored trunk a box of water-colors, a block of paper. Now, when he was not working on a symphonic poem, he was coping with the wonders of the semi-tropical coloring. His companions rallied and harried him, especially about the poem; but he could always silence them with a threat to read it aloud. All the Celt in him had come to the surface. They heard him chanting his numbers in the depths of the forest; sometimes he intoned them, swinging on the branch of a high tree. He even wandered over the reefs, reciting them to the waves.

One day, late in the afternoon, Billy lay on his favorite spot on the southern reef, dreaming. High up in the air, Julia flashed and gyrated, revolved and spun. It seemed to Billy that he had never seen her go so high. She looked like a silver feather. But as he looked, she went higher and higher, so high that she disappeared vertically.

A strange sense of loneliness fell on Billy. This was the first time since she had begun to come regularly to the island that she had cut their tryst short. He waited. She did not appear. A minute went by. Another and another and another. His sense of loneliness deepened to uneasiness. Still there was no sign of Julia. Uneasiness became alarm. Ah, there she was at last—a speck, a dot, a spot, a splotch. How she was flying! How—.

Like a bullet the conviction struck him.

She was falling!

Memories of certain biplanic explorations surged into his mind. "She's frozen," he thought to himself. "She can't move her wings!" Terror paralyzed him; horror bound him. He stood still-numb, dumb, helpless.

Down she came like an arrow. Her wings kept straight above her head, moveless, still. He could see her breast and shoulders heave and twist, and contort in a fury of effort. Underneath her were the trees. He had a sudden, lightning-swift vision of a falling aviator that he had once seen. The horror of what was coming turned his blood to ice. But he could not move; nor could he close his eyes.

"Oh, God! Oh, God! Oh, God!" he groaned. And, finally, "Oh, thank God!"

Julia's wings were moving. But apparently she still had little control of them. They flapped frantically a half-minute; but they had arrested her fall; they held her up. They continued to support her, although she beat about in jagged circles. Alternately floating and fluttering, she caught on an air-current, hurled herself on it, floated; then, as though she were sliding through some gigantic pillar of quiet air, sank earthwards. She seized the topmost bough of one of the high trees, threw her arms across it and hung limp. She panted; it seemed as if her breasts must burst. Her eyes closed; but the tears streamed from under her eyelids.

Billy ran close. He made no attempt to climb the tree to which she clung, so weakly accessible. But he called up to her broken words of assurance, broken phrases of comfort that ended in a wild harangue of love and entreaty.

After a while her breath came back. She pulled herself up on the bough and sat huddled there, her eyelids down, her silvery fans drooping, the great mass of her honey-colored hair drifting over the green branches, her drapery of white lilies, slashed and hanging in tatters, the tears still streaming. Except for its ghastly whiteness, her face showed no change of expression. She did not sob or moan, she did not even speak; she sat relaxed. The tears stopped flowing gradually. Her eyelids lifted. Her eyes, stark and dark in her white face, gazed straight down into Billy's eyes.

And then Billy knew.

He stood moveless staring up at her; never, perhaps, had human eyes asked so definite a question or begged so definite a boon.

She sat moveless, staring straight down at him. But her eyes continued to withhold all answer, all reassurance.

After a while, she stirred and the spell broke. She opened and shut her wings, half a dozen times before she ventured to leave her perch. But once, in the air, all her strength, physical and mental, seemed to come back. She shook the hair out of her eyes. She pulled her drapery together. For a moment, she lingered near, floating, almost moveless, white, shining, carved, chiseled: like a marvelous piece of aerial sculpture. Then a flush of a delicate dawn-pink came into her white face. She caught the great tumbled mass of hair in both hands, tied it about her head. Swift as a flash of lightning, she turned, wheeled, soared, dipped. And for the first time, Billy heard her laugh. Her laughter was like a child's—gleeful. But each musical ripple thrust like a knife into his heart.

He watched her cleave the distance, watched her disappear. Then, suddenly, a curious weakness came over him. His head swam and he could not see distinctly. Every bone in his body seemed to repudiate its function; his flexed muscles slid him gently to the earth. Time passed. After a while consciousness came back. His dizziness ceased. But he lay for a long while, face downward, his forehead against the cool moss. Again and again that awful picture came, the long, white, girl-shape shooting earthwards, the ghastly, tortured face, the frenzied, heaving shoulders. It was to come again many times in the next week, that picture, and for years to make recurrent horror in his sleep.

He returned to the camp white, wrung, and weak. Apparently his companions had been busy at their various occupations. Nobody had seen Julia's fall; at least nobody mentioned it. After dinner, when the nightly argument broke into its first round, he was silent for a while. Then, "Oh, I might as well tell you, Frank, and you, Pete," he said abruptly, "that I've gone over to the other side. I'm for capture, friendship by capture, marriage by capture—whatever you choose to call it—but capture."

The other four stared at him. "What's happened to you and Ju—" Honey began. But he stopped, flushing.

Billy paid no attention to the bitten-off end of Honey's question. "Nothing's happened to me," he lied simply and directly. "I don't know why I've changed, but I have. I think this is a case where the end justifies the means. Women don't know what's best for them. We do. Unguided, they take the awful risks of their awful ignorance. Moreover, they are the conservative sex. They have no conscious initiative. These flying-women, for instance, have plenty of physical courage but no mental or moral courage. They hold the whip-hand, of course, now. Anything might happen to them. This situation will prolong itself indefinitely unless—unless we beat their cunning by our strategy." He paused. "I don't think they're competent to take care of themselves. I think it's our duty to take care of them. I think the sooner—." He paused again. "At the same time, I'm prepared to keep to our agreement. I won't take a step in this matter until we've all come round to it."

"If it wasn't for their wings," Honey said.

Billy shuddered violently. "If it wasn't for their wings," he agreed.

Frank bore Billy's defection in the spirit of classic calm with which he accepted everything. But Pete could not seem to reconcile himself to it. He was constantly trying to draw Billy into debate.

"I won't argue the matter, Pete," Billy said again and again. "I can't argue it. I don't pretend even to myself that I'm reasonable or logical, or just or ethical. It's only a feeling or an instinct. But it's too strong for me. I can't fight it. It's as if I'd taken a journey drugged and blindfolded. I don't know how I got on this side—but I'm here."

The effect of this was to weaken a little the friendship that had grown between Billy and Pete. Also Honey pulled a little way from Ralph and slipped nearer to his old place in Billy's regard.

But now there were three warring elements in camp. Honey, Ralph, and Billy hobnobbed constantly. Frank more than ever devoted himself to his reading. Pete kept away from them all, writing furiously most of the day.

"We're going to have a harder time with him than with Frank," Billy remarked once.

"I guess we can leave that matter to take care of itself," Ralph said with one of his irritating superior smiles. "How about it, Honey?"

"Surest thing you know," Honey answered reassuringly. "All you've got to do is wait—believe muh!"

"It does seem as if we'd waited pretty long," Honey himself fumed two weeks later, "I say we three get together and repudiate that agreement."

"That would be dishonorable," Billy said, "and foolish. You can see for yourself that we cannot stir a step in this matter without co-operation. As opponents, Pete and Frank could warn the girls off faster than we could lure them on."

"That's right, too," agreed Honey. "But I'm damned tired of this," he added drearily. "Not more tired than we are," said Billy.

An incident that varied the monotony of the deadlock occurred the next day. Pete Murphy packed up food and writing materials and, without a word, decamped into the interior. He did not return that day, that night, or the next day, or the next night.

"Say, don't you think we ought to go after him," Billy said again and again, "something may have happened."

And, "No!" Honey always answered. "Trust that Dogan to take care of himself. You can't kill him."

Pete worked gradually across the island to the other side. There the beach was slashed by many black, saw-toothed reefs. The sea leaped up upon them on one side and the trees bore down upon them on the other. The air was filled with tumult, the hollow roar of the waves, the strident hum of the pines. For the first day, Pete entertained himself with exploration, clambering from one reef to another, pausing only to look listlessly off at the horizon, climbing a pine here and there, swinging on a bough while he stared absently back over the island. But although his look fixed on the restless peacock glitter of the sea, or the moveless green cushions that the massed trees made, it was evident that it took no account of them; they served only the more closely to set his mental gaze on its half-seen vision.

The second morning, he arose, bathed, breakfasted, lay for an hour in the sun; then drew pencil and paper from his pack. He wrote furiously. If he looked up at all, it was only to gaze the more fixedly inwards. But mainly his head hung over his work.

In the midst of one of these periods of absorption, a flower fell out of the air on his paper. It was a brilliant, orange-colored tropical bloom, so big and so freshly plucked that it dashed his verse with dew. For an instant he stared stupidly at it. Then he looked up.

Just above him, not very high, her green-and-gold wings spread broad like a butterfly's, floated Clara. Her body was sheathed in green vines, delicately shining. Her hair was wreathed in fluttering yellow orchid-like flowers, her arms and legs wound with them. She was flying lower than usual. And, under her wreath of flowers, her eyes looked straight into his.

Pete stared at her stupidly as he had stared at the flower. Then he frowned. Deliberately he dropped his eyes. Deliberately he went on writing.

Whir-r-r-r-r! Pete looked up again. Clara was beating back over the island, a tempest of green-and-gold.

Again, he concentrated on his work.

Pete wrote all the rest of the day and by firelight far into the night. He wrote all the next morning. In the middle of the afternoon, a seashell struck his paper, glanced off.

It was Clara again.

This time, apparently, she had come from the ocean. Sea-kelp, still glistening with brine, encased her close as with armor. A little pointed cap of kelp covered her tawny hair as with a helmet. That gave her a piquant quality of boyishness. She was flying lower than he had ever seen her, and as Pete's eyelids came up she dropped nearer, threw herself into one of her sinuous poses, arms and legs outstretched close, hands and feet cupped, wrists, ankles, hips, shoulders all moving. She looked straight down into Pete's eyes; and this time she smiled.

Pete stared for another long moment. Then as though summoning all his resolution, he withdrew his eyes, nailed them to his paper. Clara peppered him with shells and pebbles; but he continued to ignore her. He did not look up again until a whir-r-r-r-r—loud at first but steadily diminishing—apprised him of her flight.

Pete again wrote the rest of the day and by firelight far into the night. In the middle of the morning he stopped suddenly, weighted his paper down with a stone, rolled over on to the pine-needles, and fell immediately into a deep sleep. He lay for hours, his face down, resting on his arm.

Whir-r-r-r-r!

Pete awoke with a start. His manuscript was gone. He leaped to his feet, stared wildly about. Not far off Clara was flying, almost on the ground. As he watched, she ascended swiftly. She held his poem in her hands. She studied it, her head bent. She did not once look up or back; her eyes still jealously glued to the pencil-scratchings, she drifted out to sea, disappeared.

Pete did not move. He watched Clara intently until she melted into the sky. But as he watched, his creative mood broke and evaporated. And suddenly another emotion, none the less fiercely ravaging, sluiced the blood into his face, filled his eyes with glitter, shook him as though a high wind were blowing, sent him finally speeding at a maniacal pace over the reefs.

"Say, do you think we'd better organize a search-party?" Honey asked finally.

"Not yet," said Ralph, "here he comes."

Pete was running down the trail like a deer.

"I've finished my poem," he yelled jubilantly.

"Every last word of it. And now, boys," he added briskly before they could recover their breath, "I'm with you on this capture question."

For an instant, the others stared and blinked. "What do you mean, Pete?" Honey asked stupidly, after an instant.

"Well, I'm prepared to go as far as you like."

"But what changed you?" Honey persisted.

"Oh, hang it all," Pete said and never had his little black, fiery Irish face so twisted with irritation, so flamed with spirit, "a poet's so constituted that he's got to have a woman round to read his verse to. I want to teach Clara English so she can hear that poem."

There was a half-minute of silence. Then his listeners broke into roars. "You damned little mick you!" Honey said. He laughed at intervals for an hour.

They immediately broke the news of Pete's desertion to Merrill. Frank received it without any appearance of surprise. But he announced, with a sudden boom of authority in his big voice, that he expected them all to stand by their agreement. Billy answered for the rest that they had no intention of doing anything else. But the four were now in high spirits. Among themselves, they no longer said, "If we capture them," but "When we capture them."

The stress of the situation at once pulled Frank away from his books. Again he took complete charge of the little group. He was a natural disciplinarian, as they had learned at the time of the wreck. Now his sense of responsibility developed a severity that was almost austerity. He kept them constantly at work. In private the others chafed at his tone of authority. But in his presence they never failed of respect. Besides, his remarkable unselfishness compelled their esteem, a shy vein of innocent, humorless sweetness their affection. "Old Frank" they always called him.

One afternoon, Frank started on one of the long walks which latterly he had abandoned. He left three of his underlings behind. Pete painted a water-color; Clara, weaving back and forth, watched his progress. Ralph worked on the big cabin—they called it the Clubhouse—Peachy whirling back and forth in wonderful air-patterns for his benefit. A distant speck of silver indicated Julia; Billy must be on the reef. Honey had left camp fifteen minutes before for the solitary afternoon tramp that had become a daily habit with him.

Frank's path lay part-way through the jungle. For half an hour he walked so sunk in thought that he glanced neither to the right nor the left. Then he stopped suddenly, held by some invisible, intangible, impalpable force. He listened. The air hummed delicately, hummed with an alien element, hummed with something that was neither the susurrus of insects nor the music of birds. He moved onward slowly and quietly. The hum grew and strengthened. It became a sound. It divided into component parts, whistlings, trillings, twitterings, callings. Bird-like they were—but they could come only from the human throat. Impersonal they were—and yet they were sexed, female and male. Frank looked about him carefully. A little distance away, the trail sent off a tiny feeler into the jungle. It dipped into one of the pretty glades which diversified the flatness of the island. Creeping slowly, Frank followed the sound.

Half-way down the slope, Honey Smith was standing, staring upwards. In his virile, bronzed semi-nudity, he might have been a god who had emerged for the first time into the air from the woods at his back. His lips were open and from them came sound.

Above him, almost within reach, Lulu floated, gazing downward. She had a listening look; and she listened fascinated. She seemed to lie motionless on the air. It was the first time that Merrill had seen Lulu so close. But in some mysterious way he knew that there was something abnormal about her. Her piquant Kanaka face shone with a strange emotion. Her narrow eyes were big with wonder; her blood-red lips had trembled open. She stared at Honey as if she were seeing him from a new angle. She stared, but sound came from her parted lips.

It was Honey who whistled and called. It was Lulu who twittered and trilled. No mating male bird could have put more of entreating tenderness into his voice. No mating female bird could have answered with more perplexity of abandon.

For a moment Frank stared. Then, with a sudden sense of eavesdropping, he moved noiselessly back until he struck the main trail.

He kept on until he came to the shady side of his favorite reef. He took from his pocket a book and began to read. To his surprise and discomfort, he could not get into it. Something psychological kept coming between him and the printed page. He tried to concentrate on a paragraph, a sentence, a phrase. It was like eating granite. It was like drinking dust. He stared at the words, but they seemed to float off the page.

That, then, was what all the other four men were doing while he was reading and writing, or while, with narrowed, scrutinizing eyes, he followed Chiquita's languid flight. He had not seen Chiquita for a week; he had been so busy getting the first part of his monograph into shape that he had not come to the reef. And all that week, the other men had been—. A word from the university slang came into his mind—twosing—came into it with a new significance. How descriptive that word was! How concrete! Twosing!

He took up his book again. He glued his eyes to the print. Five minutes passed; he was gazing at the same words. But now instead of floating off the page, they engaged in little dances, dizzyingly concentric. Suddenly something that was not of the mind interposed another obstacle to concentration, a jagged, purple shadow.

It was Chiquita.

Frank leaped to his feet and stood staring. The quickness of his movement—ordinarily he moved measuredly—frightened her. She fluttered, drifted away, paused. Frank stiffened. His immobility reassured her. She drifted nearer. Something impelled Frank to hold his rigid pose. But, for some unaccustomed reason, his hand trembled. His book dropped noiselessly on to the soft grass.

Chiquita floated down, closer than ever before.

She had undoubtedly just waked up. The dew of dreams still lay on her luscious lips and in her great black eyes. Scarlet flowers, flat-petaled, black-stamened, wreathed her dusky hair. Scarlet bands outlined her dusky shoulders. Scarlet streamers trailed in her wake. Never had she seemed more lazy and languid, more velvety and voluptuous, more colorful and sumptuous.

Frank stared and stared. Then, following an inexplicable impulse, he whistled as he had heard Honey whistle; and called as he had heard Honey call, the plaintive, entreating note of the mating male bird.

The same look which had come into Lulu's face came into Chiquita's, a look of wonder and alarm and—. She trembled, but she sank slowly, head foremost like a diver.

Frank continued softly to call and whistle. After an interval, another mysterious instinct impelled him to stop. Chiquita's lips moved; from them came answering sound, faint, breathy, scarcely voiced but exquisitely musical, exquisitely feminine, the call of the mating female bird.

When she stopped, Frank took it up. He raised his hand to her gently. As if that gave her confidence, she floated nearer, so close that he could have touched her. But some new wisdom taught him not to do that. She sank lower and lower until she was just above him. Frank did not move—nor speak now. She fluttered and continued to sink. Now he could look straight into her eyes. Frank had never really looked into a woman's eyes before. The depth of Chiquita's was immeasurable. There were dreams on the surface. But his gaze pierced through the dreams, through layer on layer of purple black, to where stars lay. Some emotion that constantly grew in her seemed to melt and fuse all these layers; but the stars still held their shine.

Slowly still, but as though at the urge of a compelled abandon, Chiquita sank lower and lower. Nearer she came and nearer. The pollen from the flowers at her breast sifted on to his face. Now their eyes were level. And now—.

She kissed him.

Billy, Ralph, and Pete sat on the sand bantering Honey, who had returned in radiant spirits from his walk.

"Here comes old Frank," Billy said. "He's running. But he's staggering. By George, I should think he was drunk."

Frank was drunk, but not with wine. When he came nearer, they saw that his face was white.

"You're right boys," he said quietly, "and I'm wrong." For a moment, he added nothing; but they knew what he meant. "A situation like this is special; it requires special laws. It's the masculine right of eminent domain. I give my consent—I—I—I—I agree to anything you want to do."



IV

"The question before the house now is," said Ralph, "how are we going to do it? Myself, I'd be strong for winging them sometime when they're flying low."

The other four men burst into shocked remonstrance.

"Well, don't go up in the air," Ralph said in an amused voice. "It wouldn't hurt them any. And it seems to me if we've definitely made up our minds to capture them, the best way is the swiftest and surest."

"But to shoot a woman!" Pete exclaimed.

"Well, don't worry," Ralph answered him, "we haven't any guns. I did think of bows and arrows, though." He said this in the tone of one who throws out a suggestion and he stopped to study the faces of his fellow conspirators. Equally they expressed horror and disgust. "All right," he said with equanimity. "I see you're like all human nature. You're determined to pull off this caveman stunt, but you want to do it with every appearance of chivalry and generosity. You're saving face. All right! I'm agreeable—although personally I think the quickest way the most merciful. Has anybody a better plan?"

Nobody had. It was obvious, though, from the talk that followed, that they had all been secretly considering the matter.

"The only thing for us to do," Honey said at once, "is to lie in wait. Conceal ourselves in the bushes and leap out on them."

"That sounds easy," Ralph said. "But has it occurred to you that these girls have the ears of wild animals? Has it occurred to you that they have all the instincts and cunning of the animal and all the intuition and prescience of the woman? Has it occurred to you that they always approach from above?"

"The only thing I can think of," said Billy, "is to lasso them. Only we've got to get them to alight and walk round first. But either they can't walk or they don't like to walk. We must off offer them some bait. Now, what in thunder would tempt a creature that's one-third woman, one-third bird, and one-third angel to come down to earth?"

For a moment they were all silent considering this question. "By Jove," Ralph burst out finally, "what are we all sitting here like dopes for? Those trunks are full of women's clothes. Did you ever see a woman yet who wouldn't fall for ribbons and laces?"

"Good shot!" exclaimed Honey. "Let's go through the women-truck to-morrow and pick out some things that would please a girl. We'll put them on the beach a good distance off from us, so they'll not think it's a trap. If we do that every day for a week or two they'll get accustomed to walking round while we're working. It's our play to take no notice of them whatever."

"That's the answer," Ralph said in a tone of satisfaction.

Immediately after breakfast, the next morning, they made for the file of trunks so contemptuously rejected the first week of their stay. Honey, who was always head and shoulders in front of the others, broke open the first one.

"By jiminy, boys!" he shouted, seizing something that lay on top and waving it over his head, "we've got them on the go-off. By George," he went on, lowering his voice, "I bet that belonged to some darned pretty woman."

The men crowded about him; and, as they examined his find, their faces softened. Nothing could more subtly have emanated femininity. It was a hand-mirror of silver. Two carved Cupids held the glass between them. Their long wings made the handle.