December 26, 1852. (Sunday.)—If I reject many portions of our theology and of our church system, it is that I may the better reach the Christ himself. My philosophy allows me this. It does not state the dilemma as one of religion or philosophy, but as one of religion accepted or experienced, understood or not understood. For me philosophy is a manner of apprehending things, a mode of perception of reality. It does not create nature, man or God, but it finds them and seeks to understand them. Philosophy is consciousness taking account of itself with all that it contains. Now consciousness may contain a new life—the facts of regeneration and of salvation, that is to say, Christian experience. The understanding of the Christian consciousness is an integral part of philosophy, as the Christian consciousness is a leading form of religious consciousness, and religious consciousness an essential form of consciousness.

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An error is the more dangerous in proportion to the degree of truth which it contains.

Look twice, if what you want is a just conception; look once, if what you want is a sense of beauty.

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A man only understands what is akin to something already existing in himself.

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Common sense is the measure of the possible; it is composed of experience and prevision; it is calculation applied to life.

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The wealth of each mind is proportioned to the number and to the precision of its categories and its points of view.

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To feel himself freer than his neighbor is the reward of the critic.

Modesty (pudeur) is always the sign and safeguard of a mystery. It is explained by its contrary—profanation. Shyness or modesty is, in truth, the half-conscious sense of a secret of nature or of the soul too intimately individual to be given or surrendered. It is exchanged. To surrender what is most profound and mysterious in one's being and personality at any price less than that of absolute reciprocity is profanation.

January 6, 1853.—Self-government with tenderness—here you have the condition of all authority over children. The child must discover in us no passion, no weakness of which he can make use; he must feel himself powerless to deceive or to trouble us; then he will recognize in us his natural superiors, and he will attach a special value to our kindness, because he will respect it. The child who can rouse in us anger, or impatience, or excitement, feels himself stronger than we, and a child only respects strength. The mother should consider herself as her child's sun, a changeless and ever radiant world, whither the small restless creature, quick at tears and laughter, light, fickle, passionate, full of storms, may come for fresh stores of light, warmth, and electricity, of calm and of courage. The mother represents goodness, providence, law; that is to say, the divinity, under that form of it which is accessible to childhood. If she is herself passionate, she will inculcate on her child a capricious and despotic God, or even several discordant gods. The religion of a child depends on what its mother and its father are, and not on what they say. The inner and unconscious ideal which guides their life is precisely what touches the child; their words, their remonstrances, their punishments, their bursts of feeling even, are for him merely thunder and comedy; what they worship, this it is which his instinct divines and reflects.

The child sees what we are, behind what we wish to be. Hence his reputation as a physiognomist. He extends his power as far as he can with each of us; he is the most subtle of diplomatists. Unconsciously he passes under the influence of each person about him, and reflects it while transforming it after his own nature. He is a magnifying mirror. This is why the first principle of education is: train yourself; and the first rule to follow if you wish to possess yourself of a child's will is: master your own.

February 5, 1853 (seven o'clock in the morning).—I am always astonished at the difference between one's inward mood of the evening and that of the morning. The passions which are dominant in the evening, in the morning leave the field free for the contemplative part of the soul. Our whole being, irritated and overstrung by the nervous excitement of the day, arrives in the evening at the culminating point of its human vitality; the same being, tranquilized by the calm of sleep, is in the morning nearer heaven. We should weigh a resolution in the two balances, and examine an idea under the two lights, if we wish to minimize the chances of error by taking the average of our daily oscillations. Our inner life describes regular curves, barometical curves, as it were, independent of the accidental disturbances which the storms of sentiment and passion may raise in us. Every soul has its climate, or rather, is a climate; it has, so to speak, its own meteorology in the general meteorology of the soul. Psychology, therefore, cannot be complete so long as the physiology of our planet is itself incomplete—that science to which we give nowadays the insufficient name of physics of the globe.

I became conscious this morning that what appears to us impossible is often an impossibility altogether subjective. Our mind, under the action of the passions, produces by a strange mirage gigantic obstacles, mountains or abysses, which stop us short. Breathe upon the passion and the phantasmagoria will vanish. This power of mirage, by which we are able to delude and fascinate ourselves, is a moral phenomenon worthy of attentive study. We make for ourselves, in truth, our own spiritual world monsters, chimeras, angels, we make objective what ferments in us. All is marvelous for the poet; all is divine for the saint; all is great for the hero; all is wretched, miserable, ugly, and bad for the base and sordid soul. The bad man creates around him a pandemonium, the artist, an Olympus, the elect soul, a paradise, which each of them sees for himself alone. We are all visionaries, and what we see is our soul in things. We reward ourselves and punish ourselves without knowing it, so that all appears to change when we change.

The soul is essentially active, and the activity of which we are conscious is but a part of our activity, and voluntary activity is but a part of our conscious activity. Here we have the basis of a whole psychology and system of morals. Man reproducing the world, surrounding himself with a nature which is the objective rendering of his spiritual nature, rewarding and punishing himself; the universe identical with the divine nature, and the nature of the perfect spirit only becoming understood according to the measure of our perfection; intuition the recompense of inward purity; science as the result of goodness; in short, a new phenomenology more complete and more moral, in which the total soul of things becomes spirit. This shall perhaps be my subject for my summer lectures. How much is contained in it! the whole domain of inner education, all that is mysterious in our life, the relation of nature to spirit, of God and all other beings to man, the repetition in miniature of the cosmogony, mythology, theology, and history of the universe, the evolution of mind, in a word the problem of problems into which I have often plunged but from which finite things, details, minutiae, have turned me back a thousand times. I return to the brink of the great abyss with the clear perception that here lies the problem of science, that to sound it is a duty, that God hides Himself only in light and love, that He calls upon us to become spirits, to possess ourselves and to possess Him in the measure of our strength and that it is our incredulity, our spiritual cowardice, which is our infirmity and weakness.

Dante, gazing into the three worlds with their divers heavens, saw under the form of an image what I would fain seize under a purer form. But he was a poet, and I shall only be a philosopher. The poet makes himself understood by human generations and by the crowd; the philosopher addresses himself only to a few rare minds. The day has broken. It brings with it dispersion of thought in action. I feel myself de-magnetized, pure clairvoyance gives place to study, and the ethereal depth of the heaven of contemplation vanishes before the glitter of finite things. Is it to be regretted? No. But it proves that the hours most apt for philosophical thought are those which precede the dawn.

February 10, 1853.—This afternoon I made an excursion to the Saleve with my particular friends, Charles Heim, Edmond Scherer, Elie Lecoultre, and Ernest Naville. The conversation was of the most interesting kind, and prevented us from noticing the deep mud which hindered our walking. It was especially Scherer, Naville, and I who kept it alive. Liberty in God, the essence of Christianity, new publications in philosophy, these were our three subjects of conversation. The principle result for me was an excellent exercise in dialectic and in argumentation with solid champions. If I learned nothing, many of my ideas gained new confirmation, and I was able to penetrate more deeply into the minds of my friends. I am much nearer to Scherer than to Naville, but from him also I am in some degree separated.

It is a striking fact, not unlike the changing of swords in "Hamlet," that the abstract minds, those which move from ideas to facts, are always fighting on behalf of concrete reality; while the concrete minds, which move from facts to ideas, are generally the champions of abstract notions. Each pretends to that over which he has least power; each aims instinctively at what he himself lacks. It is an unconscious protest against the incompleteness of each separate nature. We all tend toward that which we possess least of, and our point of arrival is essentially different from our point of departure. The promised land is the land where one is not. The most intellectual of natures adopts an ethical theory of mind; the most moral of natures has an intellectual theory of morals. This reflection was brought home to me in the course of our three or four hours' discussion. Nothing is more hidden from us than the illusion which lives with us day by day, and our greatest illusion is to believe that we are what we think ourselves to be.

The mathematical intelligence and the historical intelligence (the two classes of intelligences) can never understand each other. When they succeed in doing so as to words, they differ as to the things which the words mean. At the bottom of every discussion of detail between them reappears the problem of the origin of ideas. If the problem is not present to them, there is confusion; if it is present to them, there is separation. They only agree as to the goal—truth; but never as to the road, the method, and the criterion.

Heim represented the impartiality of consciousness, Naville the morality of consciousness, Lecoultre the religion of consciousness, Scherer the intelligence of consciousness, and I the consciousness of consciousness. A common ground, but differing individualities. Discrimen ingeniorum.

What charmed me most in this long discussion was the sense of mental freedom which it awakened in me. To be able to set in motion the greatest subjects of thought without any sense of fatigue, to be greater than the world, to play with one's strength, this is what makes the well-being of intelligence, the Olympic festival of thought. Habere, non haberi. There is an equal happiness in the sense of reciprocal confidence, of friendship, and esteem in the midst of conflict; like athletes, we embrace each other before and after the combat, and the combat is but a deploying of the forces of free and equal men.

March 20, 1853.—I sat up alone; two or three times I paid a visit to the children's room. It seemed to me, young mothers, that I understood you! sleep is the mystery of life; there is a profound charm in this darkness broken by the tranquil light of the night-lamp, and in this silence measured by the rhythmic breathings of two young sleeping creatures. It was brought home to me that I was looking on at a marvelous operation of nature, and I watched it in no profane spirit. I sat silently listening, a moved and hushed spectator of this poetry of the cradle, this ancient and ever new benediction of the family, this symbol of creation, sleeping under the wing of God, of our consciousness withdrawing into the shade that it may rest from the burden of thought, and of the tomb, that divine bed, where the soul in its turn rests from life. To sleep is to strain and purify our emotions, to deposit the mud of life, to calm the fever of the soul, to return into the bosom of maternal nature, thence to re-issue, healed and strong. Sleep is a sort of innocence and purification. Blessed be He who gave it to the poor sons of men as the sure and faithful companion of life, our daily healer and consoler.

April 27, 1853.—This evening I read the treatise by Nicole so much admired by Mme. de Sevigne: "Des moyens de conserver la paix avec les hommes." Wisdom so gentle and so insinuating, so shrewd, piercing, and yet humble, which divines so well the hidden thoughts and secrets of the heart, and brings them all into the sacred bondage of love to God and man, how good and delightful a thing it is! Everything in it is smooth, even well put together, well thought out, but no display, no tinsel, no worldly ornaments of style. The moralist forgets himself and in us appeals only to the conscience. He becomes a confessor, a friend, a counsellor.

May 11, 1853.—Psychology, poetry, philosophy, history, and science, I have swept rapidly to-day on the wings of the invisible hippogriff through all these spheres of thought. But the general impression has been one of tumult and anguish, temptation and disquiet.

I love to plunge deep into the ocean of life; but it is not without losing sometimes all sense of the axis and the pole, without losing myself and feeling the consciousness of my own nature and vocation growing faint and wavering. The whirlwind of the wandering Jew carries me away, tears me from my little familiar enclosure, and makes me behold all the empires of men. In my voluntary abandonment to the generality, the universal, the infinite, my particular ego evaporates like a drop of water in a furnace; it only condenses itself anew at the return of cold, after enthusiasm has died out and the sense of reality has returned. Alternate expansion and condensation, abandonment and recovery of self, the conquest of the world to be pursued on the one side, the deepening of consciousness on the other—such is the play of the inner life, the march of the microcosmic mind, the marriage of the individual soul with the universal soul, the finite with the infinite, whence springs the intellectual progress of man. Other betrothals unite the soul to God, the religious consciousness with the divine; these belong to the history of the will. And what precedes will is feeling, preceded itself by instinct. Man is only what he becomes—profound truth; but he becomes only what he is, truth still more profound. What am I? Terrible question! Problem of predestination, of birth, of liberty, there lies the abyss. And yet one must plunge into it, and I have done so. The prelude of Bach I heard this evening predisposed me to it; it paints the soul tormented and appealing and finally seizing upon God, and possessing itself of peace and the infinite with an all-prevailing fervor and passion.

May 14, 1853.—Third quartet concert. It was short. Variations for piano and violin by Beethoven, and two quartets, not more. The quartets were perfectly clear and easy to understand. One was by Mozart and the other by Beethoven, so that I could compare the two masters. Their individuality seemed to become plain to me: Mozart—grace, liberty, certainty, freedom, and precision of style, and exquisite and aristocratic beauty, serenity of soul, the health and talent of the master, both on a level with his genius; Beethoven—more pathetic, more passionate, more torn with feeling, more intricate, more profound, less perfect, more the slave of his genius, more carried away by his fancy or his passion, more moving, and more sublime than Mozart. Mozart refreshes you, like the "Dialogues" of Plato; he respects you, reveals to you your strength, gives you freedom and balance. Beethoven seizes upon you; he is more tragic and oratorical, while Mozart is more disinterested and poetical. Mozart is more Greek, and Beethoven more Christian. One is serene, the other serious. The first is stronger than destiny, because he takes life less profoundly; the second is less strong, because he has dared to measure himself against deeper sorrows. His talent is not always equal to his genius, and pathos is his dominant feature, as perfection is that of Mozart. In Mozart the balance of the whole is perfect, and art triumphs; in Beethoven feeling governs everything and emotion troubles his art in proportion as it deepens it.

July 26, 1853.—Why do I find it easier and more satisfactory, as a writer of verse, to compose in the short metres than in the long and serious ones? Why, in general, am I better fitted for what is difficult than for what is easy? Always for the same reason. I cannot bring myself to move freely, to show myself without a veil, to act on my own account and act seriously, to believe in and assert myself, whereas a piece of badinage which diverts attention from myself to the thing in hand, from the feeling to the skill of the writer, puts me at my ease. It is timidity which is at the bottom of it. There is another reason, too—I am afraid of greatness, I am not afraid of ingenuity, and distrustful as I am both of my gift and my instrument, I like to reassure myself by an elaborate practice of execution. All my published literary essays, therefore, are little else than studies, games, exercises for the purpose of testing myself. I play scales, as it were; I run up and down my instrument, I train my hand and make sure of its capacity and skill. But the work itself remains unachieved. My effort expires, and satisfied with the power to act I never arrive at the will to act. I am always preparing and never accomplishing, and my energy is swallowed up in a kind of barren curiosity. Timidity, then, and curiosity—these are the two obstacles which bar against me a literary career. Nor must procrastination be forgotten. I am always reserving for the future what is great, serious, and important, and meanwhile, I am eager to exhaust what is pretty and trifling. Sure of my devotion to things that are vast and profound, I am always lingering in their contraries lest I should neglect them. Serious at bottom, I am frivolous in appearance. A lover of thought, I seem to care above all, for expression; I keep the substance for myself, and reserve the form for others. So that the net result of my timidity is that I never treat the public seriously, and that I only show myself to it in what is amusing, enigmatical, or capricious; the result of my curiosity is that everything tempts me, the shell as well as the mountain, and that I lose myself in endless research; while the habit of procrastination keeps me forever at preliminaries and antecedents, and production itself is never even begun.

But if that is the fact, the fact might be different. I understand myself, but I do not approve myself.

August 1, 1853.—I have just finished Pelletan's book, "Profession de foi du dix-neuvieme Siecle." It is a fine book Only one thing is wanting to it—the idea of evil. It is a kind of supplement to the theory of Condorcet—indefinite perfectibility, man essentially good, life, which is a physiological notion, dominating virtue, duty, and holiness, in short, a non-ethical conception of history, liberty identified with nature, the natural man taken for the whole man. The aspirations which such a book represents are generous and poetical, but in the first place dangerous, since they lead to an absolute confidence in instinct; and in the second, credulous and unpractical, for they set before us a mere dream man, and throw a veil over both present and past reality. The book is at once the plea justificatory of progress, conceived as fatal and irresistible, and an enthusiastic hymn to the triumph of humanity. It is earnest, but morally superficial; poetical, but fanciful and untrue. It confounds the progress of the race with the progress of the individual, the progress of civilization with the advance of the inner life. Why? Because its criterion is quantitative, that is to say, purely exterior (having regard to the wealth of life), and not qualitative (the goodness of life). Always the same tendency to take the appearance for the thing, the form for the substance, the law for the essence, always the same absence of moral personality, the same obtuseness of conscience, which has never recognized sin present in the will, which places evil outside of man, moralizes from outside, and transforms to its own liking the whole lesson of history! What is at fault is the philosophic superficiality of France, which she owes to her fatal notion of religion, itself due to a life fashioned by Catholicism and by absolute monarchy.

Catholic thought cannot conceive of personality as supreme and conscious of itself. Its boldness and its weakness come from one and the same cause—from an absence of the sense of responsibility, from that vassal state of conscience which knows only slavery or anarchy, which proclaims but does not obey the law, because the law is outside it, not within it. Another illusion is that of Quinet and Michelet, who imagine it possible to come out of Catholicism without entering into any other positive form of religion, and whose idea is to fight Catholicism by philosophy, a philosophy which is, after all, Catholic at bottom, since it springs from anti-Catholic reaction. The mind and the conscience, which have been formed by Catholicism, are powerless to rise to any other form of religion. From Catholicism, as from Epicureanism there is no return.

October 11, 1853.—My third day at Turin, is now over. I have been able to penetrate farther than ever before into the special genius of this town and people. I have felt it live, have realized it little by little, as my intuition became more distinct. That is what I care for most: to seize the soul of things, the soul of a nation; to live the objective life, the life outside self; to find my way into a new moral country. I long to assume the citizenship of this unknown world, to enrich myself with this fresh form of existence, to feel it from within, to link myself to it, and to reproduce it sympathetically; this is the end and the reward of my efforts. To-day the problem grew clear to me as I stood on the terrace of the military hospital, in full view of the Alps, the weather fresh and clear in spite of a stormy sky. Such an intuition after all is nothing out a synthesis wrought by instinct, a synthesis to which everything—streets, houses, landscape, accent, dialect, physiognomies, history, and habits contribute their share. I might call it the ideal integration of a people or its reduction to the generating point, or an entering into its consciousness. This generating point explains everything else, art, religion, history, politics, manners; and without it nothing can be explained. The ancients realized their consciousness in the national God. Modern nationalities, more complicated and less artistic, are more difficult to decipher. What one seeks for in them is the daemon, the fatum, the inner genius, the mission, the primitive disposition, both what there is desire for and what there is power for, the force in them and its limitations.

A pure and life-giving freshness of thought and of the spiritual life seemed to play about me, borne on the breeze descending from the Alps. I breathed an atmosphere of spiritual freedom, and I hailed with emotion and rapture the mountains whence was wafted to me this feeling of strength and purity. A thousand sensations, thoughts, and analogies crowded upon me. History, too, the history of the sub-Alpine countries, from the Ligurians to Hannibal, from Hannibal to Charlemagne, from Charlemagne to Napoleon, passed through my mind. All the possible points of view, were, so to speak, piled upon each other, and one caught glimpses of some eccentrically across others. I was enjoying and I was learning. Sight passed into vision without a trace of hallucination, and the landscape was my guide, my Virgil.

All this made me very sensible of the difference between me and the majority of travelers, all of whom have a special object, and content themselves with one thing or with several, while I desire all or nothing, and am forever straining toward the total, whether of all possible objects, or of all the elements present in the reality. In other words, what I desire is the sum of all desires, and what I seek to know is the sum of all different kinds of knowledge. Always the complete, the absolute; the teres atque rotundum, sphericity, non-resignation.

October 27, 1853.—I thank Thee, my God, for the hour that I have just passed in Thy presence. Thy will was clear to me; I measured my faults, counted my griefs, and felt Thy goodness toward me. I realized my own nothingness, Thou gavest me Thy peace. In bitterness there is sweetness; in affliction, joy; in submission, strength; in the God who punishes, the God who loves. To lose one's life that one may gain it, to offer it that one may receive it, to possess nothing that one may conquer all, to renounce self that God may give Himself to us, how impossible a problem, and how sublime a reality! No one truly knows happiness who has not suffered, and the redeemed are happier than the elect.

(Same day.)—The divine miracle par excellence consists surely in the apotheosis of grief, the transfiguration of evil by good. The work of creation finds its consummation, and the eternal will of the infinite mercy finds its fulfillment only in the restoration of the free creature to God and of an evil world to goodness, through love. Every soul in which conversion has taken place is a symbol of the history of the world. To be happy, to possess eternal life, to be in God, to be saved, all these are the same. All alike mean the solution of the problem, the aim of existence. And happiness is cumulative, as misery may be. An eternal growth is an unchangeable peace, an ever profounder depth of apprehension, a possession constantly more intense and more spiritual of the joy of heaven—this is happiness. Happiness has no limits, because God has neither bottom nor bounds, and because happiness is nothing but the conquest of God through love.

The center of life is neither in thought nor in feeling, nor in will, nor even in consciousness, so far as it thinks, feels, or wishes. For moral truth may have been penetrated and possessed in all these ways, and escape us still. Deeper even than consciousness there is our being itself, our very substance, our nature. Only those truths which have entered into this last region, which have become ourselves, become spontaneous and involuntary, instinctive and unconscious, are really our life—that is to say something more than our property. So long as we are able to distinguish any space whatever between the truth and us we remain outside it. The thought, the feeling, the desire, the consciousness of life, are not yet quite life. But peace and repose can nowhere be found except in life, and in eternal life and the eternal life is the divine life, is God. To become divine is then the aim of life: then only can truth be said to be ours beyond the possibility of loss, because it is no longer outside us, nor even in us, but we are it, and it is we; we ourselves are a truth, a will, a work of God. Liberty has become nature; the creature is one with its creator—one through love. It is what it ought to be; its education is finished, and its final happiness begins. The sun of time declines and the light of eternal blessedness arises.

Our fleshly hearts may call this mysticism. It is the mysticism of Jesus: "I am one with my Father; ye shall be one with me. We will be one with you."

Do not despise your situation; in it you must act, suffer, and conquer. From every point on earth we are equally near to heaven and to the infinite.

There are two states or conditions of pride. The first is one of self-approval, the second one of self-contempt. Pride is seen probably at its purest in the last.

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It is by teaching that we teach ourselves, by relating that we observe, by affirming that we examine, by showing that we look, by writing that we think, by pumping that we draw water into the well.

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February 1, 1854.—A walk. The atmosphere incredibly pure, a warm caressing gentleness in the sunshine—joy in one's whole being. Seated motionless upon a bench on the Tranchees, beside the slopes clothed with moss and tapestried with green, I passed some intense delicious moments, allowing great elastic waves of music, wafted to me from a military band on the terrace of St. Antoine, to surge and bound through me. Every way I was happy, as idler, as painter, as poet. Forgotten impressions of childhood and youth came back to me—all those indescribable effects wrought by color, shadow, sunlight, green hedges, and songs of birds, upon the soul just opening to poetry. I became again young, wondering, and simple, as candor and ignorance are simple. I abandoned myself to life and to nature, and they cradled me with an infinite gentleness. To open one's heart in purity to this ever pure nature, to allow this immortal life of things to penetrate into one's soul, is at the same time to listen to the voice of God. Sensation may be a prayer, and self-abandonment an act of devotion.

February 18, 1854.—Everything tends to become fixed, solidified, and crystallized in this French tongue of ours, which seeks form and not substance, the result and not its formation, what is seen rather than what is thought, the outside rather than the inside.

We like the accomplished end and not the pursuit of the end, the goal and not the road, in short, ideas ready-made and bread ready-baked, the reverse of Lessing's principle. What we look for above all are conclusions. This clearness of the "ready-made" is a superficial clearness—physical, outward, solar clearness, so to speak, but in the absence of a sense for origin and genesis it is the clearness of the incomprehensible, the clearness of opacity, the clearness of the obscure. We are always trifling on the surface. Our temper is formal—that is to say, frivolous and material, or rather artistic and not philosophical. For what it seeks is the figure, the fashion and manner of things, not their deepest life, their soul, their secret.

March 16, 1854. (From Veevay to Geneva.)—What message had this lake for me, with its sad serenity, its soft and even tranquility, in which was mirrored the cold monotonous pallor of mountains and clouds? That disenchanted disillusioned life may still be traversed by duty, lit by a memory of heaven. I was visited by a clear and profound intuition of the flight of things, of the fatality of all life, of the melancholy which is below the surface of all existence, but also of that deepest depth which subsists forever beneath the fleeting wave.

December 17, 1854.—When we are doing nothing in particular, it is then that we are living through all our being; and when we cease to add to our growth it is only that we may ripen and possess ourselves. Will is suspended, but nature and time are always active and if our life is no longer our work, the work goes on none the less. With us, without us, or in spite of us, our existence travels through its appointed phases, our invisible Psyche weaves the silk of its chrysalis, our destiny fulfills itself, and all the hours of life work together toward that flowering time which we call death. This activity, then, is inevitable and fatal; sleep and idleness do not interrupt it, but it may become free and moral, a joy instead of a terror.

Nothing is more characteristic of a man than the manner in which he behaves toward fools.

It costs us a great deal of trouble not to be of the same opinion as our self-love, and not to be ready to believe in the good taste of those who believe in our merits.

Does not true humility consist in accepting one's infirmity as a trial, and one's evil disposition as a cross, in sacrificing all one's pretensions and ambitions, even those of conscience? True humility is contentment.

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A man only understands that of which he has already the beginnings in himself.

Let us be true: this is the highest maxim of art and of life, the secret of eloquence and of virtue, and of all moral authority.

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March 28, 1855.—Not a blade of grass but has a story to tell, not a heart but has its romance, not a life which does not hide a secret which is either its thorn or its spur. Everywhere grief, hope, comedy, tragedy; even under the petrifaction of old age, as in the twisted forms of fossils, we may discover the agitations and tortures of youth. This thought is the magic wand of poets and of preachers: it strips the scales from our fleshly eyes, and gives us a clear view into human life; it opens to the ear a world of unknown melodies, and makes us understand the thousand languages of nature. Thwarted love makes a man a polyglot, and grief transforms him into a diviner and a sorcerer.

April 16, 1855.—I realized this morning the prodigious effect of climate on one's state of mind. I was Italian or Spanish. In this blue and limpid air, and under this southern sun, the very walls smile at you. All the chestnut trees were en fete; with their glistening buds shining like little flames at the curved ends of the branches, they were the candelabra of the spring decking the festival of eternal nature. How young everything was, how kindly, how gracious! the moist freshness of the grass, the transparent shadows in the courtyards, the strength of the old cathedral towers, the white edges of the roads. I felt myself a child; the sap of life mounted again into my veins as it does in plants. How sweet a thing is a little simple enjoyment! And now, a brass band which has stopped in the street makes my heart leap as it did at eighteen. Thanks be to God; there have been so many weeks and months when I thought myself an old man. Come poetry, nature, youth, and love, knead my life again with your fairy hands; weave round me once more your immortal spells; sing your siren melodies, make me drink of the cup of immortality, lead me back to the Olympus of the soul. Or rather, no paganism! God of joy and of grief, do with me what Thou wilt; grief is good, and joy is good also. Thou art leading me now through joy. I take it from Thy hands, and I give Thee thanks for it.

April 17, 1855.—The weather is still incredibly brilliant, warm, and clear. The day is full of the singing of birds, the night is full of stars, nature has become all kindness, and it is a kindness clothed upon with splendor.

For nearly two hours have I been lost in the contemplation of this magnificent spectacle. I felt myself in the temple of the infinite, in the presence of the worlds, God's guest in this vast nature. The stars wandering in the pale ether drew me far away from earth. What peace beyond the power of words, what dews of life eternal, they shed on the adoring soul! I felt the earth floating like a boat in this blue ocean. Such deep and tranquil delight nourishes the whole man, it purifies and ennobles. I surrendered myself, I was all gratitude and docility.

April 21, 1855.—I have been reading a great deal: ethnography, comparative anatomy, cosmical systems. I have traversed the universe from the deepest depths of the empyrean to the peristaltic movements of the atoms in the elementary cell. I have felt myself expanding in the infinite, and enfranchised in spirit from the bounds of time and space, able to trace back the whole boundless creation to a point without dimensions, and seeing the vast multitude of suns, of milky ways, of stars, and nebulae, all existent in the point.

And on all sides stretched mysteries, marvels and prodigies, without limit, without number, and without end. I felt the unfathomable thought of which the universe is the symbol live and burn within me; I touched, proved, tasted, embraced my nothingness and my immensity; I kissed the hem of the garments of God, and gave Him thanks for being Spirit and for being life. Such moments are glimpses of the divine. They make one conscious of one's immortality; they bring home to one that an eternity is not too much for the study of the thoughts and works of the eternal; they awaken in us an adoring ecstasy and the ardent humility of love.

May 23, 1855.—Every hurtful passion draws us to it, as an abyss does, by a kind of vertigo. Feebleness of will brings about weakness of head, and the abyss in spite of its horror, comes to fascinate us, as though it were a place of refuge. Terrible danger! For this abyss is within us; this gulf, open like the vast jaws of an infernal serpent bent on devouring us, is in the depth of our own being, and our liberty floats over this void, which is always seeking to swallow it up. Our only talisman lies in that concentration of moral force which we call conscience, that small inextinguishable flame of which the light is duty and the warmth love. This little flame should be the star of our life; it alone can guide our trembling ark across the tumult of the great waters; it alone can enable us to escape the temptations of the sea, the storms and the monsters which are the offspring of night and the deluge. Faith in God, in a holy, merciful, fatherly God, is the divine ray which kindles this flame.

How deeply I feel the profound and terrible poetry of all these primitive terrors from which have issued the various theogonies of the world, and how it all grows clear to me, and becomes a symbol of the one great unchanging thought, the thought of God about the universe! How present and sensible to my inner sense is the unity of everything! It seems to me that I am able to pierce to the sublime motive which, in all the infinite spheres of existence, and through all the modes of space and time, every created form reproduces and sings within the bond of an eternal harmony. From the infernal shades I feel myself mounting toward the regions of light; my flight across chaos finds its rest in paradise. Heaven, hell, the world, are within us. Man is the great abyss.

July 27, 1855.—So life passes away, tossed like a boat by the waves up and down, hither and thither, drenched by the spray, stained by the foam, now thrown upon the bank, now drawn back again according to the endless caprice of the water. Such, at least, is the life of the heart and the passions, the life which Spinoza and the stoics reprove, and which is the exact opposite of that serene and contemplative life, always equable like the starlight, in which man lives at peace, and sees everything tinder its eternal aspect; the opposite also of the life of conscience, in which God alone speaks, and all self-will surrenders itself to His will made manifest.

I pass from one to another of these three existences, which are equally known to me; but this very mobility deprives me of the advantages of each. For my heart is worn with scruples, the soul in me cannot crush the needs of the heart, and the conscience is troubled and no longer knows how to distinguish, in the chaos of contradictory inclinations, the voice of duty or the will of God. The want of simple faith, the indecision which springs from distrust of self, tend to make all my personal life a matter of doubt and uncertainty. I am afraid of the subjective life, and recoil from every enterprise, demand, or promise which may oblige me to realize myself; I feel a terror of action, and am only at ease in the impersonal, disinterested, and objective life of thought. The reason seems to be timidity, and the timidity springs from the excessive development of the reflective power which has almost destroyed in me all spontaneity, impulse, and instinct, and therefore all boldness and confidence. Whenever I am forced to act, I see cause for error and repentance everywhere, everywhere hidden threats and masked vexations. From a child I have been liable to the disease of irony, and that it may not be altogether crushed by destiny, my nature seems to have armed itself with a caution strong enough to prevail against any of life's blandishments. It is just this strength which is my weakness. I have a horror of being duped, above all, duped by myself, and I would rather cut myself off from all life's joys than deceive or be deceived. Humiliation, then, is the sorrow which I fear the most, and therefore it would seem as if pride were the deepest rooted of my faults.

This may be logical, but it is not the truth: it seems to me that it is really distrust, incurable doubt of the future, a sense of the justice but not of the goodness of God—in short, unbelief, which is my misfortune and my sin. Every act is a hostage delivered over to avenging destiny—there is the instinctive belief which chills and freezes; every act is a pledge confided to a fatherly providence, there is the belief which calms.

Pain seems to me a punishment and not a mercy: this is why I have a secret horror of it. And as I feel myself vulnerable at all points, and everywhere accessible to pain, I prefer to remain motionless, like a timid child, who, left alone in his father's laboratory, dares not touch anything for fear of springs; explosions, and catastrophes, which may burst from every corner at the least movement of his inexperienced hands. I have trust in God directly and as revealed in nature, but I have a deep distrust of all free and evil agents. I feel or foresee evil, moral and physical, as the consequence of every error, fault, or sin, and I am ashamed of pain.

At bottom, is it not a mere boundless self-love, the purism of perfection, an incapacity to accept our human condition, a tacit protest against the order of the world, which lies at the root of my inertia? It means all or nothing, a vast ambition made inactive by disgust, a yearning that cannot be uttered for the ideal, joined with an offended dignity and a wounded pride which will have nothing to say to what they consider beneath them. It springs from the ironical temper which refuses to take either self or reality seriously, because it is forever comparing both with the dimly-seen infinite of its dreams. It is a state of mental reservation in which one lends one's self to circumstances for form's sake, but refuses to recognize them in one's heart because one cannot see the necessity or the divine order in them. I am disinterested because I am indifferent; I have nothing to say against what is, and yet I am never satisfied. I am too weak to conquer, and yet I will not be Conquered—it is the isolation of the disenchanted soul, which has put even hope away from it.

But even this is a trial laid upon one. Its providential purpose is no doubt to lead one to that true renunciation of which charity is the sign and symbol. It is when one expects nothing more for one's self that one is able to love. To do good to men because we love them, to use every talent we have so as to please the Father from whom we hold it for His service, there is no other way of reaching and curing this deep discontent with life which hides itself under an appearance of indifference.

September 4, 1855.—In the government of the soul the parliamentary form succeeds the monarchical. Good sense, conscience, desire, reason, the present and the past, the old man and the new, prudence and generosity, take up their parable in turn; the reign of argument begins; chaos replaces order, and darkness light. Simple will represents the autocratic regime, interminable discussion the deliberate regime of the soul. The one is preferable from the theoretical point of view, the other from the practical. Knowledge and action are their two respective advantages.

But the best of all would be to be able to realize three powers in the soul. Besides the man of counsel we want the man of action and the man of judgment. In me, reflection comes to no useful end, because it is forever returning upon itself, disputing and debating. I am wanting in both the general who commands and the judge who decides.

Analysis is dangerous if it overrules the synthetic faculty; reflection is to be feared if it destroys our power of intuition, and inquiry is fatal if it supplants faith. Decomposition becomes deadly when it surpasses in strength the combining and constructive energies of life, and the separate action of the powers of the soul tends to mere disintegration and destruction as soon as it becomes impossible to bring them to bear as one undivided force. When the sovereign abdicates anarchy begins.

It is just here that my danger lies. Unity of life, of force, of action, of expression, is becoming impossible to me; I am legion, division, analysis, and reflection; the passion for dialectic, for fine distinctions, absorbs and weakens me. The point which I have reached seems to be explained by a too restless search for perfection, by the abuse of the critical faculty, and by an unreasonable distrust of first impulses, first thoughts, first words. Unity and simplicity of being, confidence, and spontaneity of life, are drifting out of my reach, and this is why I can no longer act.

Give up, then, this trying to know all, to embrace all. Learn to limit yourself, to content yourself with some definite thing, and some definite work; dare to be what you are, and learn to resign with a good grace all that you are not, and to believe in your own individuality. Self-distrust is destroying you; trust, surrender, abandon yourself; "believe and thou shalt be healed." Unbelief is death, and depression and self-satire are alike unbelief.

* * * * *

From the point of view of happiness, the problem of life is insoluble, for it is our highest aspirations which prevent us from being happy. From the point of view of duty, there is the same difficulty, for the fulfillment of duty brings peace, not happiness. It is divine love, the love of the holiest, the possession of God by faith, which solves the difficulty; for if sacrifice has itself become a joy, a lasting, growing and imperishable joy—the soul is then secure of an all-sufficient and unfailing nourishment.

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January 21, 1856.—Yesterday seems to me as far off as though it were last year. My memory holds nothing more of the past than its general plan, just as my eye perceives nothing more in the starry heaven. It is no more possible for me to recover one of my days from the depths of memory than if it were a glass of water poured into a lake; it is not so much a lost thing as a thing melted and fused; the individual has returned into the whole. The divisions of time are categories which have no power to mold my life, and leave no more lasting impression than lines traced by a stick in water. My life, my individuality, are fluid, there is nothing for it but to resign one's self.

April 9, 1856.—How true it is that our destinies are decided by nothings and that a small imprudence helped by some insignificant accident, as an acorn is fertilized by a drop of rain, may raise the trees on which perhaps we and others shall be crucified. What happens is quite different from that we planned; we planned a blessing and there springs from it a curse. How many times the serpent of fatality, or rather the law of life, the force of things, intertwining itself with some very simple facts, cannot be cut away by any effort, and the logic of situations and characters leads inevitably to a dreaded denouement. It is the fatal spell of destiny, which obliges us to feed our grief from our own hand, to prolong the existence of our vulture, to throw into the furnace of our punishment and expiation, our powers, our qualities, our very virtues, one by one, and so forces us to recognize our nothingness, our dependence and the implacable majesty of law. Faith in a providence softens punishment but does not do away with it. The wheels of the divine chariot crush us first of all that justice may be satisfied and an example given to men, and then a hand is stretched out to us to raise us up, or at least to reconcile us with the love hidden under the justice. Pardon cannot precede repentance and repentance only begins with humility. And so long as any fault whatever appears trifling to us, so long as we see, not so much the culpability of as the excuses for imprudence or negligence, so long, in short, as Job murmurs and as providence is thought to be too severe, so long as there is any inner protestation against fate, or doubt as to the perfect justice of God, there is not yet entire humility or true repentance. It is when we accept the expiation that it can be spared us; it is when we submit sincerely that grace can be granted to us. Only when grief finds its work done can God dispense us from it. Trial then only stops when it is useless: that is why it scarcely ever stops. Faith in the justice and love of the Father is the best and indeed the only support under the sufferings of this life. The foundation of all of our pains is unbelief; we doubt whether what happens to us ought to happen to us; we think ourselves wiser than providence, because to avoid fatalism we believe in accident. Liberty in submission—what a problem! And yet that is what we must always come back to.

May 7, 1856.—I have been reading Rosenkrantz's "History of Poetry" [Footnote: "Geschichte der Poesie," by Rosenkrantz, the pupil and biographer of Hegel] all day: it touches upon all the great names of Spain, Portugal, and France, as far as Louis XV. It is a good thing to take these rapid surveys; the shifting point of view gives a perpetual freshness to the subject and to the ideas presented, a literary experience which is always pleasant and bracing. For one of my temperament, this philosophic and morphological mode of embracing and expounding literary history has a strong attraction. But it is the antipodes of the French method of proceeding, which takes, as it were, only the peaks of the subject, links them together by theoretical figures and triangulations, and then assumes these lines to represent the genuine face of the country. The real process of formation of a general opinion, of a public taste, of an established genre, cannot be laid bare by an abstract method, which suppresses the period of growth in favor of the final fruit, which prefers clearness of outline to fullness of statement, and sacrifices the preparation to the result, the multitude to the chosen type. This French method, however, is eminently characteristic, and it is linked by invisible ties to their respect for custom and fashion, to the Catholic and dualist instinct which admits two truths, two contradictory worlds, and accepts quite naturally what is magical, incomprehensible, and arbitrary in God, the king, or language. It is the philosophy of accident become habit, instinct, nature and belief, it is the religion of caprice.

By one of those eternal contrasts which redress the balance of things, the romance peoples, who excel in the practical matters of life, care nothing for the philosophy of it; while the Germans, who know very little about the practice of life, are masters of its theory. Every living being seeks instinctively to complete itself; this is the secret law according to which that nation whose sense of life is fullest and keenest, drifts most readily toward a mathematical rigidity of theory. Matter and form are the eternal oppositions, and the mathematical intellects are often attracted by the facts of life, just as the sensuous minds are often drawn toward the study of abstract law. Thus strangely enough, what we think we are is just what we are not: what we desire to be is what suits us least; our theories condemn us, and our practice gives the lie to our theories. And the contradiction is an advantage, for it is the source of conflict, of movement, and therefore a condition of progress. Every life is an inward struggle, every struggle supposes two contrary forces; nothing real is simple, and whatever thinks itself simple is in reality the farthest from simplicity. Therefore it would seem that every state is a moment in a series; every being a compromise between contraries. In concrete dialectic we have the key which opens to us the understanding of beings in the series of beings, of states in the series of moments; and it is in dynamics that we have the explanation of equilibrium. Every situation is an equilibrium of forces; every life is a struggle between opposing forces working within the limits of a certain equilibrium.

These two principles have been often clear to me, but I have never applied them widely or rigorously enough.

July 1, 1856.—A man and still more a woman, always betrays something of his or her nationality. The women of Russia, for instance, like the lakes and rivers of their native country, seem to be subject to sudden and prolonged fits of torpor. In their movement, undulating and caressing like that of water, there is always a threat of unforeseen frost. The high latitude, the difficulty of life, the inflexibility of their autocratic regime, the heavy and mournful sky, the inexorable climate, all these harsh fatalities have left their mark upon the Muscovite race. A certain somber obstinacy, a kind of primitive ferocity, a foundation of savage harshness which, under the influence of circumstances, might become implacable and pitiless; a cold strength, an indomitable power of resolution which would rather wreck the whole world than yield, the indestructible instinct of the barbarian tribe, perceptible in the half-civilized nation, all these traits are visible to an attentive eye, even in the harmless extravagances and caprices of a young woman of this powerful race. Even in their badinage they betray something of that fierce and rigid nationality which burns its own towns and [as Napoleon said] keeps battalions of dead soldiers on their feet.

What terrible rulers the Russians would be if ever they should spread the night of their rule over the countries of the south! They would bring us a polar despotism, tyranny such as the world has never known, silent as darkness, rigid as ice, insensible as bronze, decked with an outer amiability and glittering with the cold brilliancy of snow, a slavery without compensation or relief. Probably, however, they will gradually lose both the virtues and the defects of their semi-barbarism. The centuries as they pass will ripen these sons of the north, and they will enter into the concert of peoples in some other capacity than as a menace or a dissonance. They have only to transform their hardiness into strength, their cunning into grace, their Muscovitism into humanity, to win love instead of inspiring aversion or fear.

July 3, 1856.—The German admires form, but he has no genius for it. He is the opposite of the Greek; he has critical instinct, aspiration, and desire, but no serene command of beauty. The south, more artistic, more self-satisfied, more capable of execution, rests idly in the sense of its own power to achieve. On one side you have ideas, on the other side, talent. The realm of Germany is beyond the clouds; that of the southern peoples is on this earth. The Germanic race thinks and feels; the southerners feel and express; the Anglo-Saxons will and do. To know, to feel, to act, there you have the trio of Germany, Italy, England. France formulates, speaks, decides, and laughs. Thought, talent, will, speech; or, in other words science, art, action, proselytism. So the parts of the quartet are assigned.

July 21, 1856.—Mit sack und pack here I am back again in my town rooms. I have said good-bye to my friends and my country joys, to verdure, flowers, and happiness. Why did I leave them after all? The reason I gave myself was that I was anxious about my poor uncle, who is ill. But at bottom are there not other reasons? Yes, several. There is the fear of making myself a burden upon the two or three families of friends who show me incessant kindness, for which I can make no return. There are my books, which call me back. There is the wish to keep faith with myself. But all that would be nothing, I think, without another instinct, the instinct of the wandering Jew, which snatches from me the cup I have but just raised to my lips, which forbids me any prolonged enjoyment, and cries "go forward! Let there be no falling asleep, no stopping, no attaching yourself to this or that!" This restless feeling is not the need of change. It is rather the fear of what I love, the mistrust of what charms me, the unrest of happiness. What a bizarre tendency, and what a strange nature! not to be able to enjoy anything simply, naively, without scruple, to feel a force upon one impelling one to leave the table, for fear the meal should come to an end. Contradiction and mystery! not to use, for fear of abusing; to think one's self obliged to go, not because one has had enough, but because one has stayed awhile. I am indeed always the same; the being who wanders when he need not, the voluntary exile, the eternal traveler, the man incapable of repose, who, driven on by an inward voice, builds nowhere, buys and labors nowhere, but passes, looks, camps, and goes. And is there not another reason for all this restlessness, in a certain sense of void? of incessant pursuit of something wanting? of longing for a truer peace and a more entire satisfaction? Neighbors, friends, relations, I love them all; and so long as these affections are active, they leave in me no room for a sense of want. But yet they do not fill my heart; and that is why they have no power to fix it. I am always waiting for the woman and the work which shall be capable of taking entire possession of my soul, and of becoming my end and aim.

"Promenant par tout sejour Le deuil que tu celes, Psyche-papillon, un jour Puisses-tu trouver l'amour Et perdre tes ailes!"

I have not given away my heart: hence this restlessness of spirit. I will not let it be taken captive by that which cannot fill and satisfy it; hence this instinct of pitiless detachment from all that charms me without permanently binding me; so that it seems as if my love of movement, which looks so like inconstancy, was at bottom only a perpetual search, a hope, a desire, and a care, the malady of the ideal.

... Life indeed must always be a compromise between common sense and the ideal, the one abating nothing of its demands, the other accommodating itself to what is practicable and real. But marriage by common sense! arrived at by a bargain! Can it be anything but a profanation? On the other, hand, is that not a vicious ideal which hinders life from completing itself, and destroys the family in germ? Is there not too much of pride in my ideal, pride which will not accept the common destiny?...

Noon.—I have been dreaming—my head in my hand. About what? About happiness. I have as it were, been asleep on the fatherly breast of God. His will be done!

August 3, 1856.—A delightful Sunday afternoon at Pressy. Returned late, under a great sky magnificently starred, with summer lightning playing from a point behind the Jura. Drunk with poetry, and overwhelmed by sensation after sensation, I came back slowly, blessing the God of life, and plunged in the joy of the infinite. One thing only I lacked, a soul with whom to share it all—for emotion and enthusiasm overflowed like water from a full cup. The Milky Way, the great black poplars, the ripple of the waves, the shooting stars, distant songs, the lamp-lit town, all spoke to me in the language of poetry. I felt myself almost a poet. The wrinkles of science disappeared under the magic breath of admiration; the old elasticity of soul, trustful, free, and living was mine once more. I was once more young, capable of self-abandonment and of love. All my barrenness had disappeared; the heavenly dew had fertilized the dead and gnarled stick; it began to be green and flower again. My God, how wretched should we be without beauty! But with it, everything is born afresh in us; the senses, the heart, imagination, reason, will, come together like the dead bones of the prophet, and become one single and self-same energy. What is happiness if it is not this plentitude of existence, this close union with the universal and divine life? I have been happy a whole half day, and I have been brooding over my joy, steeping myself in it to the very depths of consciousness.

October 22, 1856.—We must learn to look upon life as an apprenticeship to a progressive renunciation, a perpetual diminution in our pretensions, our hopes, our powers, and our liberty. The circle grows narrower and narrower; we began with being eager to learn everything, to see everything, to tame and conquer everything, and in all directions we reach our limit—non plus ultra. Fortune, glory, love, power, health, happiness, long life, all these blessings which have been possessed by other men seem at first promised and accessible to us, and then we have to put the dream away from us, to withdraw one personal claim after another to make ourselves small and humble, to submit to feel ourselves limited, feeble, dependent, ignorant and poor, and to throw ourselves upon God for all, recognizing our own worthlessness, and that we have no right to anything. It is in this nothingness that we recover something of life—the divine spark is there at the bottom of it. Resignation comes to us, and, in believing love, we reconquer the true greatness.

October 27, 1856.—In all the chief matters of life we are alone, and our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations, all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down. What is most precious in us never shows itself, never finds an issue even in the closest intimacy. Only a part of it reaches our consciousness, it scarcely enters into action except in prayer, and is perhaps only perceived by God, for our past rapidly becomes strange to us. Our monad may be influenced by other monads, but none the less does it remain impenetrable to them in its essence; and we ourselves, when all is said, remain outside our own mystery. The center of our consciousness is unconscious, as the kernel of the sun is dark. All that we are, desire, do, and know, is more or less superficial, and below the rays and lightnings of our periphery there remains the darkness of unfathomable substance.

I was then well-advised when, in my theory of the inner man, I placed at the foundation of the self, after the seven spheres which the self contains had been successively disengaged, a lowest depth of darkness, the abyss of the un-revealed, the virtual pledge of an infinite future, the obscure self, the pure subjectivity which is incapable of realizing itself in mind, conscience, or reason, in the soul, the heart, the imagination, or the life of the senses, and which makes for itself attributes and conditions out of all these forms of its own life.

But the obscure only exists that it may cease to exist. In it lies the opportunity of all victory and all progress. Whether it call itself fatality, death, night, or matter, it is the pedestal of life, of light, of liberty, and the spirit. For it represents resistance—that is to say, the fulcrum of all activity, the occasion for its development and its triumph.

December 17, 1856.—This evening was the second quartet concert. It stirred me much more than the first; the music chosen was loftier and stronger. It was the quartet in D minor of Mozart, and the quartet in C major of Beethoven, separated by a Spohr concerto. This last, vivid, and brilliant as a whole, has fire in the allegro, feeling in the adagio, and elegance in the finale, but it is the product of one fine gift in a mediocre personality. With the two others you are at once in contact with genius; you are admitted to the secrets of two great souls. Mozart stands for inward liberty, Beethoven for the power of enthusiasm. The one sets us free, the other ravishes us out of ourselves. I do not think I ever felt more distinctly than to-day, or with more intensity, the difference between these two masters. Their two personalities became transparent to me, and I seemed to read them to their depths.

The work of Mozart, penetrated as it is with mind and thought, represents a solved problem, a balance struck between aspiration and executive capacity, the sovereignty of a grace which is always mistress of itself, marvelous harmony and perfect unity. His quartet describes a day in one of those Attic souls who pre-figure on earth the serenity of Elysium. The first scene is a pleasant conversation, like that of Socrates on the banks of the Ilissus; its chief mark is an exquisite urbanity. The second scene is deeply pathetic. A cloud has risen in the blue of this Greek heaven. A storm, such as life inevitably brings with it, even in the case of great souls who love and esteem each other, has come to trouble the original harmony. What is the cause of it—a misunderstanding, apiece of neglect? Impossible to say, but it breaks out notwithstanding. The andante is a scene of reproach and complaint, but as between immortals. What loftiness in complaint, what dignity, what feeling, what noble sweetness in reproach! The voice trembles and grows graver, but remains affectionate and dignified. Then, the storm has passed, the sun has come back, the explanation has taken place, peace is re-established. The third scene paints the brightness of reconciliation. Love, in its restored confidence, and as though in sly self-testing, permits itself even gentle mocking and friendly badinage. And the finale brings us back to that tempered gaiety and happy serenity, that supreme freedom, flower of the inner life, which is the leading motive of the whole composition.

In Beethoven's on the other hand, a spirit of tragic irony paints for you the mad tumult of existence as it dances forever above the threatening abyss of the infinite. No more unity, no more satisfaction, no more serenity! We are spectators of the eternal duel between the great forces, that of the abyss which absorbs all finite things, and that of life which defends and asserts itself, expands, and enjoys. The first bars break the seals and open the caverns of the great deep. The struggle begins. It is long. Life is born, and disports itself gay and careless as the butterfly which flutters above a precipice. Then it expands the realm of its conquests, and chants its successes. It founds a kingdom, it constructs a system of nature. But the typhon rises from the yawning gulf, and the Titans beat upon the gates of the new empire. A battle of giants begins. You hear the tumultuous efforts of the powers of chaos. Life triumphs at last, but the victory is not final, and through all the intoxication of it there is a certain note of terror and bewilderment. The soul of Beethoven was a tormented soul. The passion and the awe of the infinite seemed to toss it to and fro from heaven to hell, Hence its vastness. Which is the greater, Mozart or Beethoven? Idle question! The one is more perfect, the other more colossal. The first gives you the peace of perfect art, beauty, at first sight. The second gives you sublimity, terror, pity, a beauty of second impression. The one gives that for which the other rouses a desire. Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.

* * * * *

To judge is to see clearly, to care for what is just and therefore to be impartial, more exactly, to be disinterested, more exactly still, to be impersonal.

* * * * *

To do easily what is difficult for others is the mark of talent. To do what is impossible for talent is the mark of genius.

* * * * *

Our duty is to be useful, not according to our desires but according to our powers.

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If nationality is consent, the state is compulsion.

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Self-interest is but the survival of the animal in us. Humanity only begins for man with self-surrender.

* * * * *

The man who insists upon seeing with perfect clearness before he decides, never decides. Accept life, and you must accept regret.

* * * * *

Without passion man is a mere latent force and possibility, like the flint which awaits the shock of the iron before it can give forth its spark.

February 3, 1857.—The phantasmagoria of the soul cradles and soothes me as though I were an Indian yoghi, and everything, even my own life, becomes to me smoke, shadow, vapor, and illusion. I hold so lightly to all phenomena that they end by passing over me like gleams over a landscape, and are gone without leaving any impression. Thought is a kind of opium; it can intoxicate us, while still broad awake; it can make transparent the mountains and everything that exists. It is by love only that one keeps hold upon reality, that one recovers one's proper self, that one becomes again will, force, and individuality. Love could do everything with me; by myself and for myself I prefer to be nothing....

I have the imagination of regret and not that of hope. My clear-sightedness is retrospective, and the result with me of disinterestedness and prudence is that I attach myself to what I have no chance of obtaining....

May 27, 1857. (Vandoeuvres. [Footnote: Also a village in the neighborhood of Geneva.])—We are going down to Geneva to hear the "Tannhaeuser" of Richard Wagner performed at the theater by the German troup now passing through. Wagner's is a powerful mind endowed with strong poetical sensitiveness. His work is even more poetical than musical. The suppression of the lyrical element, and therefore of melody, is with him a systematic parti pris. No more duos or trios; monologue and the aria are alike done away with. There remains only declamation, the recitative, and the choruses. In order to avoid the conventional in singing, Wagner falls into another convention—that of not singing at all. He subordinates the voice to articulate speech, and for fear lest the muse should take flight he clips her wings. So that his works are rather symphonic dramas than operas. The voice is brought down to the rank of an instrument, put on a level with the violins, the hautboys, and the drums, and treated instrumentally. Man is deposed from his superior position, and the center of gravity of the work passes into the baton of the conductor. It is music depersonalized, neo-Hegelian music—music multiple instead of individual. If this is so, it is indeed the music of the future, the music of the socialist democracy replacing the art which is aristocratic, heroic, or subjective.

The overture pleased me even less than at the first hearing: it is like nature before man appeared. Everything in it is enormous, savage, elementary, like the murmur of forests and the roar of animals. It is forbidding and obscure, because man, that is to say, mind, the key of the enigma, personality, the spectator, is wanting to it.

The idea of the piece is grand. It is nothing less than the struggle of passion and pure love, of flesh and spirit, of the animal and the angel in man. The music is always expressive, the choruses very beautiful, the orchestration skillful, but the whole is fatiguing and excessive, too full, too laborious. When all is said, it lacks gayety, ease, naturalness and vivacity—it has no smile, no wings. Poetically one is fascinated, but one's musical enjoyment is hesitating, often doubtful, and one recalls nothing but the general impression—Wagner's music represents the abdication of the self, and the emancipation of all the forces once under its rule. It is a falling back into Spinozism—the triumph of fatality. This music has its root and its fulcrum in two tendencies of the epoch, materialism and socialism—each of them ignoring the true value of the human personality, and drowning it in the totality of nature or of society.

June 17, 1857. (Vandoeuvres).—I have just followed Maine de Biran from his twenty-eighth to his forty-eighth year by means of his journal, and a crowd of thoughts have besieged me. Let me disengage those which concern myself. In this eternal self-chronicler and observer I seem to see myself reflected with all my faults, indecision, discouragement, over-dependence on sympathy, difficulty of finishing, with my habit of watching myself feel and live, with my growing incapacity for practical action, with my aptitude for psychological study. But I have also discovered some differences which cheer and console me. This nature is, as it were, only one of the men which exist in me. It is one of my departments. It is not the whole of my territory, the whole of my inner kingdom. Intellectually, I am more objective and more constructive; my horizon is vaster; I have seen much more of men, things, countries, peoples and books; I have a greater mass of experiences—in a word, I feel that I have more culture, greater wealth, range, and freedom of mind, in spite of my wants, my limits, and my weaknesses. Why does Maine de Biran make will the whole of man? Perhaps because he had too little will. A man esteems most highly what he himself lacks, and exaggerates what he longs to possess. Another incapable of thought, and meditation, would have made self-consciousness the supreme thing. Only the totality of things has an objective value. As soon as one isolates a part from the whole, as soon as one chooses, the choice is involuntarily and instinctively dictated by subjective inclinations which obey one or other of the two opposing laws, the attraction of similars or the affinity of contraries.

Five o'clock.—The morning has passed like a dream. I went on with the journal of Maine de Biran down to the end of 1817. After dinner I passed my time with the birds in the open air, wandering in the shady walks which wind along under Pressy. The sun was brilliant and the air clear. The midday orchestra of nature was at its best. Against the humming background made by a thousand invisible insects there rose the delicate caprices and improvisations of the nightingale singing from the ash-trees, or of the hedge-sparrows and the chaffinches in their nests. The hedges are hung with wild roses, the scent of the acacia still perfumes the paths; the light down of the poplar seeds floated in the air like a kind of warm, fair-weather snow. I felt myself as gay as a butterfly. On coming in I read the three first books of that poem "Corinne," which I have not seen since I was a youth. Now as I read it again, I look at it across interposing memories; the romantic interest of it seems to me to have vanished, but not the poetical, pathetic, or moral interest.

June 18th.—I have just been spending three hours in the orchard under the shade of the hedge, combining the spectacle of a beautiful morning with reading and taking a turn between each chapter. Now the sky is again covered with its white veil of cloud, and I have come up with Biran, whose "Pensee" I have just finished, and Corinne, whom I have followed with Oswald in their excursions among the monuments of the eternal city. Nothing is so melancholy and wearisome as this journal of Maine de Biran. This unchanging monotony of perpetual reflection has an enervating and depressing effect upon one. Here, then, is the life of a distinguished man seen in its most intimate aspects! It is one long repetition, in which the only change is an almost imperceptible displacement of center in the writer's manner of viewing himself. This thinker takes thirty years to move from the Epicurean quietude to the quietism of Fenelon, and this only speculatively, for his practical life remains the same, and all his anthropological discovery consists in returning to the theory of the three lives, lower, human, and higher, which is in Pascal and in Aristotle. And this is what they call a philosopher in France! Beside the great philosophers, how poor and narrow seems such an intellectual life! It is the journey of an ant, bounded by the limits of a field; of a mole, who spends his days in the construction of a mole-hill. How narrow and stifling the swallow who flies across the whole Old World, and whose sphere of life embraces Africa and Europe, would find the circle with which the mole and the ant are content! This volume of Biran produces in me a sort of asphyxia; as I assimilate it, it seems to paralyze me; I am chained to it by some spell of secret sympathy. I pity, and I am afraid of my pity, for I feel how near I am to the same evils and the same faults....

Ernest Naville's introductory essay is full of interest, written in a serious and noble style; but it is almost as sad as it is ripe and mature. What displeases me in it a little is its exaggeration of the merits of Biran. For the rest, the small critical impatience which the volume has stirred in me will be gone by to-morrow. Maine de Biran is an important link in the French literary tradition. It is from him that our Swiss critics descend, Naville father and son, Secretan. He is the source of our best contemporary psychology, for Stapfer, Royer-Collard, and Cousin called him their master, and Ampere, his junior by nine years, was his friend.

July 25, 1857. (Vandoeuvres).—At ten o'clock this evening, under a starlit sky, a group of rustics under the windows of the salon employed themselves in shouting disagreeable songs. Why is it that this tuneless shrieking of false notes and scoffing words delights these people? Why is it that this ostentatious parade of ugliness, this jarring vulgarity and grimacing is their way of finding expression and expansion in the great solitary and tranquil night?

Why? Because of a sad and secret instinct. Because of the need they have of realizing themselves as individuals, of asserting themselves exclusively, egotistically, idolatrously—opposing the self in them to everything else, placing it in harsh contrast with the nature which enwraps us, with the poetry which raises us above ourselves, with the harmony which binds us to others, with the adoration which carries us toward God. No, no, no! Myself only, and that is enough! Myself by negation, by ugliness, by grimace and irony! Myself, in my caprice, in my independence, in my irresponsible sovereignty; myself, set free by laughter, free as the demons are, and exulting in my freedom; I, master of myself, invincible and self-sufficient, living for this one time yet by and for myself! This is what seems to me at the bottom of this merry-making. One hears in it an echo of Satan, the temptation to make self the center of all things, to be like an Elohim, the worst and last revolt of man. It means also, perhaps, some rapid perception of what is absolute in personality, some rough exaltation of the subject, the individual, who thus claims, by abasing them, the rights of subjective existence. If so, it is the caricature of our most precious privilege, the parody of our apotheosis, a vulgarizing of our highest greatness. Shout away, then, drunkards! Your ignoble concert, with all its repulsive vulgarity, still reveals to us, without knowing it, something of the majesty of life and the sovereign power of the soul.

September 15, 1857.—I have just finished Sismondi's journal and correspondence. Sismondi is essentially the honest man, conscientious, upright, respectable, the friend of the public good and the devoted upholder of a great cause, the amelioration of the common lot of men. Character and heart are the dominant elements in his individuality, and cordiality is the salient feature of his nature. Sismondi's is a most encouraging example. With average faculties, very little imagination, not much taste, not much talent, without subtlety of feeling, without great elevation or width or profundity of mind, he yet succeeded in achieving a career which was almost illustrious, and he has left behind him some sixty volumes, well-known and well spoken of. How was this? His love for men on the one side, and his passion for work on the other, are the two factors in his fame. In political economy, in literary or political history, in personal action, Sismondi showed no genius—scarcely talent; but in all he did there was solidity, loyalty, good sense and integrity. The poetical, artistic and philosophic sense is deficient in him, but he attracts and interests us by his moral sense. We see in him the sincere writer, a man of excellent heart, a good citizen and warm friend, worthy and honest in the widest sense of terms, not brilliant, but inspiring trust and confidence by his character, his principles and his virtues. More than this, he is the best type of good Genevese liberalism, republican but not democratic, Protestant but not Calvinist, human but not socialist, progressive but without any sympathy with violence. He was a conservative without either egotism or hypocrisy, a patriot without narrowness. In his theories he was governed by experience and observation, and in his practice by general ideas. A laborious philanthropist, the past and the present were to him but fields of study, from which useful lessons might be gleaned. Positive and reasonable in temper, his mind was set upon a high average well-being for human society, and his efforts were directed toward founding such a social science as might most readily promote it.

September 24, 1857.—In the course of much thought yesterday about "Atala" and "Rene," Chateaubriand became clear to me. I saw in him a great artist but not a great man, immense talent but a still vaster pride—a nature at once devoured with ambition and unable to find anything to love or admire in the world except itself—indefatigable in labor and capable of everything except of true devotion, self-sacrifice and faith. Jealous of all success, he was always on the opposition side, that he might be the better able to disavow all services received, and to hold aloof from any other glory but his own. Legitimist under the empire, a parliamentarian tinder the legitimist regime, republican under the constitutional monarchy, defending Christianity when France was philosophical, and taking a distaste for religion as soon as it became once more a serious power, the secret of these endless contradictions in him was simply the desire to reign alone like the sun—a devouring thirst for applause, an incurable and insatiable vanity, which, with the true, fierce instinct of tyranny, would endure no brother near the throne. A man of magnificent imagination but of poor character, of indisputable power, but cursed with a cold egotism and an incurable barrenness of feeling, which made it impossible for him to tolerate about him anybody but slaves or adorers. A tormented soul and miserable life, when all is said, under its aureole of glory and its crown of laurels!

Essentially jealous and choleric, Chateaubriand from the beginning was inspired by mistrust, by the passion for contradicting, for crushing and conquering. This motive may always be traced in him. Rousseau seems to me his point of departure, the man who suggested to him by contrast and opposition all his replies and attacks, Rousseau is revolutionary: Chateaubriand therefore writes his "Essay on Revolutions." Rousseau is republican and Protestant; Chateaubriand will be royalist and Catholic. Rousseau is bourgeois; Chateaubriand will glorify nothing but noble birth, honor, chivalry and deeds of arms. Rousseau conquered nature for French letters, above all the nature of the mountains and of the Swiss and Savoy, and lakes. He pleaded for her against civilization. Chateaubriand will take possession of a new and colossal nature, of the ocean, of America; but he will make his savages speak the language of Louis XIV., he will bow Atala before a Catholic missionary, and sanctify passions born on the banks of the Mississippi by the solemnities of Catholic ceremonial. Rousseau was the apologist of reverie; Chateaubriand will build the monument of it in order to break it in Rene. Rousseau preaches Deism with all his eloquence in the "Vicaire Savoyard;" Chateaubriand surrounds the Roman creed with all the garlands of his poetry in the "Genie du Christianisme." Rousseau appeals to natural law and pleads for the future of nations; Chateaubriand will only sing the glories of the past, the ashes of history and the noble ruins of empires. Always a role to be filled, cleverness to be displayed, a parti-pris to be upheld and fame to be won—his theme, one of imagination, his faith one to order, but sincerity, loyalty, candor, seldom or never! Always a real indifference simulating a passion for truth; always an imperious thirst for glory instead of devotion to the good; always the ambitious artist, never the citizen, the believer, the man. Chateaubriand posed all his life as the wearied Colossus, smiling pitifully upon a pygmy world, and contemptuously affecting to desire nothing from it, though at the same time wishing it to be believed that he could if he pleased possess himself of everything by mere force of genius. He is the type of an untoward race, and the father of a disagreeable lineage.