"I like to have things nice about me," said Mrs. Gunnison, complacently. "Sit down here, my dear. I want to have you near me. And you, too, Mrs. Brough."

"I may be a little to blame for keeping Miriam," said the elder woman. "I have been so much interested in what she was saying."

"Every one is," responded Mrs. Gunnison, warmly. "Miriam is so popular—quite celebrated, for it. Indeed, there are numbers of people here who want to meet her. One young man in particular—Mr. Leeds——"

"Did he say he wished to know me?" the girl asked, quickly.

"Well, no," admitted Mrs. Gunnison, "But then I want you to know each other. I'm quite bent on it. Nothing could be better. I'd like to see it come out the way I'd have it. You know how rich he is. And they say he is going to be somebody. Mr. Leeds! Mr. Leeds!"

A tall young man looked and advanced. While his gait did not indicate reluctance, there was nothing that seemed to reveal eagerness. He came forward deliberately and stopped before the party.

"I don't think, Mr. Leeds, that you know Miss Whiting," Mrs. Gunnison announced. "A dear friend of mine—and a dear. Mrs. Brough and you are old friends. You see her so often that I feel that I can take her away. Come, I want to show you something."

With her customary smile of unconcerned intelligence, Mrs. Brough allowed herself to be drawn off. The young man slowly settled himself in the chair which Mrs. Gunnison had left.

"Oh, you shall not escape," declared Miriam. "Mr. Leeds, I am so glad to be able to speak to you at last. I have so much to say to you. They told me that you would be here this afternoon. I wondered if I should see you."

Leeds had not spoken, but looked at the girl with a steadiness which for a moment caused her to cast down her animated eyes.

"I missed you everywhere last winter," she went on, more slowly. "And, of course, heard of you always."

Leeds continued to inspect the girl with amusement in his glance.

"Oh, how splendid accomplishing something must be—standing for something!"

"Don't you think that you are rather overvaluing my modest achievements?"

"Of course, you speak that way, but others do not," she hurried on. "You are known from one end of the country to the other."

"Really——" he began.

"To be such an inspiring influence in local politics——"

"Because," he laughed, "having a minor public position—because, by a fluke, having found myself in the place of a common councilman, I have got some things done and kept others from being done."

"Public life has always been so absorbing for me. I can think of nothing nobler for a man."

"Than being a common councilman," he interrupted.

"You laugh," she said. "But I grew so interested, I followed in the newspapers, from day to day, what you were doing."

"You were very good," he answered, gravely. "Or you are very good to say so."

"Don't you believe me?" she asked, suddenly arrested by his tone.

"I have heard a good deal of you, Miss Whiting."

Miriam flushed slightly, but she looked at him steadily.

"What have you heard?"

"I have heard that you have ways of making the worse appear the better reason—that you flatter."

The glow deepened in her face and her eyes flashed.

"And," he went on, lightly, "why should not one try to make the world pleasanter by making it more satisfied with itself? Isn't that the part of a public benefactor?"

"You are laughing at me," she cried. "You—are—despising me."

"No, indeed," he answered, with real earnestness. "You misunderstand me. Isn't it only fair to give back in pleasant speeches the admiration and adulation that the world gives you? There would be a certain dishonesty in taking all and giving nothing."

"You—you—are mocking me," she gasped, rising, as if to fly, and then sinking back.

"No," he answered, "only I object to being mocked myself. I'd rather not be included with all the others to be given pleasant words, as you can so easily give them out of a large supply. I'd prefer to have you think better of me than to believe that I am to be treated in that way."

"Mr. Leeds, you are abominable and rude—and I cannot listen to you."

"I am sorry. Honestly, when you began to make such—civil speeches to me I was disappointed. It was so exactly what I had been told to expect."

Miriam bit her lips—and her hand trembled a little on the handle of the sunshade.

"I may have lost my temper a little," he said, "which one should never do—but I can't take anything back."

That afternoon Miss Whiting was strangely silent. Held at the opening of the tent by her hostess, people passed before her unseen. What she said she hardly knew. What her words meant she could not have told. She was only aware that her voice sounded unnatural, and that her laugh—when laugh she must—struck discordantly and strangely on her ears. She felt that the time would never come when she could be alone—to think.

II.

Mrs. Gunnison's dinners, like all else of the establishment, were always large. The classic limits authoritatively imposed she would have scorned—if she had ever heard of them. If she could have timed it, the greater the number of minutes required by the procession to the dining room in passing a given point, the better she would have been satisfied. She only felt that she "entertained" when she beheld serried ranks of guests stretching away from her on either hand. Therefore, when Miriam turned and discovered Leeds at her right, they found themselves in such semi-isolation as only exists at a very large dinner table.

"I am sorry," he said, pleadingly.

"So am I," she answered. "Very—oh, you think I mean that to be pleasant in that way, too——"

She hastily averted her face, and engaged vigorously in conversation with the man on the other side. Leeds stared moodily before him. During the passing of the many courses which Mrs. Gunnison's idea of fitting ceremony demanded, the lady whom he had taken in found him neither communicative nor responsive. The dinner dragged on. Miss Whiting's soft right shoulder remained constantly turned on him. Her discourses, which he could not help hearing, continued actively and unceasingly. At last Mrs. Gunnison darted restless glances about. She had already begun to stir uneasily in her chair.

Miriam suddenly veered round upon him.

"I want to tell you something," she almost whispered. "What I said—what I tried to say this afternoon was true."

He looked at her with fixed earnestness.

"Oh!" she cried, passionately. "I can't bear to have you study me as if I were a specimen of something—of mendacity, you think. But no matter about that. You must believe me. Don't you?"

"How can I," he answered, slowly, "with——"

"With my reputation," she caught up, quickly, as he paused. "Do not try to spare me—now. Can't you hear—can't you see, now, that I am speaking the truth?"

He gazed at her without answering.

"Oh, I can read in your eyes that you do not. I want you to believe me. Can't you believe—even that?"

He shook his head half smilingly.

"You do not know all that I have heard," he answered.

"Who can have been so unfair—so cruel? I—I never wanted to be believed so before. Oh, you think that is only a part of it; that the habit is so strong with me—that I am only flattering."

"If I have been—warned," Leeds continued.

"As if I were a peril—an evil——"

"Perhaps you might be," he muttered.

"I will not bear it. You shall believe me. I am not flattering."

"At least, that you should have been willing to take the trouble to try was in itself a distinction."

"You are hard on me."

"I must protect myself."

Mrs. Gunnison had arisen, and a rustling stir was spreading down the table.

"I am not a harpy," she cried.

"A siren was a bird more beautiful, but not less dangerous," he said.

She rose straightly and swiftly.

"You feel that you can speak to me like that because you believe I am what you think. Very well. There may be satisfaction for you to know it. I am, then, everything that you have implied. More—more than you have said. I am false. I do flatter people—cajole them—deceive. I do it for my own interest. Now are you satisfied? Could anything be worse? I confess, even, that I have deserved the way you have treated me."

"Believe me——" he began, hastily.

But she had swept from him, and, amid the group of retreating women, he found no chance to finish the sentence.

III.

Miriam Whiting said "good-night" very early. A greater accuracy might demand the statement that the time at which she had "gone upstairs" was relatively not late—for the hours of the house were expansive, and not only had morning a way of extending into afternoon, but midnight into morning. As a general thing, she had only disappeared with her hostess, but on this particular evening she pleaded weariness—sleepiness—had even hinted at a headache, which no one had ever known her to have. Thereupon she departed, followed by the reproaches of the rest. Once in her room, she hurried her maid, and, finally, abruptly dismissed her. When she was alone, she went to the window and threw wide both the shutters. She leaned with her elbows on the sill, gazing out at the moonlit country.

Perfectly round, with a burnished sky about it, such as may sometimes be seen when the circle is absolutely full, the white disk hung in the heavens. Below, about the quiet edges of the fountain, the light lay with silken sheen. Only, where the drops fell tremulously, the water was broken into glittering sparks. All was very still. Far off a dog barked fitfully. That was the one sound which broke the silence, with the exception of the occasional distant laughter of some men on the terrace at the end of the spreading wing. With her fingers buried in her thick hair, carefully gathered for the night, she looked straight before her, although she was wholly unconscious of the scene.

A light knock at the door was repeated twice before she heard it and spoke.

"It's I," the voice said, insistently. "May I come in?"

"Of course," Miriam answered, without moving.

The door opened quickly, and a small figure darted into the room.

"There was some one coming," said Mrs. Brough, as she glanced down at the voluminous silken folds in which her little body was lost. "I am not in a condition to be seen—generally."

She came forward slowly.

"My room is near yours. I saw your light. I thought that you had not gone to sleep. I wanted to come to speak to you." She put her hands on Miriam's shoulder. "You have been crying."

"Yes," said Miriam, quietly.

"I saw at dinner that you were not yourself—and I am troubled, too. I have a confession to make."

Miriam looked at her curiously.

"You know that I am your friend—now," the other went on. "Since we have been here together, we have come to know each other as I never thought that we should. There was a time before, though, when I did not understand so well. I had watched you, and I did not like you. I distrusted you—or, rather, did not trust you——"

"I understand. You were clever enough to see through me——"

"I thought that with your—insincerities that you were all false. I should have been wise enough to know differently. But what will you?—to assume evil is easy, and always gives one a proud sense of superior perspicacity. I condemned you, Miriam, without a hearing, and I told Arthur Leeds."

"You did it?" the girl murmured, dully.

"Yes, I warned him."

"Why?"

"Because I like him and admire him, and I thought you—dangerous."

"That is why he has said the things he has."

"He has said something?"

"He has told me that I am not worthy of regard or consideration or respect."

"Impossible!"

"Perhaps not directly—but he has implied that and more—by word and action. And—and—I love him."

Mrs. Brough sat down quickly in the chair which she had drawn up, and took Miriam's hands.

"I know you so well now," she said, "that at dinner I saw something was wrong. I did not realize that it was as bad as that."

"I think I loved him even last winter, when I only saw him—heard who he was—and did not know him. I admired and respected and reverenced him. But he seemed different to me. And to-day when I met him I wanted to tell him a little—as much as I could—of what I thought. I wanted him to know something of the feeling that I had. I wanted to please him. I wanted him to be nice to me—because I pleased him. What I said to him was true—true."

She sprang to her feet, and spoke in deep, tragic tones.

"True!" she repeated. "And I have lost the power of being thought true. My words can only be considered so many counterfeits. I have so often debased the true metal of sincerity that anything I say must ring false—that anything I may give cannot be taken. What I said sounded fraudulently in my own ears. I could not forget the many, many times when I had spoken so nearly in the same way without meaning or belief, and each speech seemed to me a mockery. Though I longed with all of me to speak simply and sincerely—knowing that I spoke the truth—I hardly seemed to myself to be doing it. All appeared a part, but a repetition of the many times before when I had played a part—when what I did was a comedy—a farce—a tragedy!"

She broke off with a sob.

"You have cried wolf pretty often," avowed Mrs. Brough.

"I am a Cassandra," said the girl, instantly. "When I wish to be believed I cannot. When all that is most precious and dearest to me depends on it I cannot be trusted. I may speak, but I shall not be heard—when all my life is in being heard—I know it."

"You see," said Mrs. Brough, "when I told him I thought of you as you seemed——"

"As I was. I don't blame you," Miriam cried, bitterly. "What I had become! Let me tell you." She sat down again, and, with her elbows on her knees and her chin on her hands, gazed fixedly at the other. "I think I began innocently enough. I wanted to be liked—and I fell into the way of saying pleasant little things. I tried to make everybody contented and pleased with me. That was when I came out. Indeed, I may say for myself that I had a sympathetic nature. I could not bear to see anyone uncomfortable or doubtful about themselves or anything, without trying to help them. Surely that was not bad?"

"No," said Mrs. Brough, slowly.

"I really wished to help every one," she continued. "And the best way that I found to do it was to say pleasant things. It was easy—too fatally easy. When I discovered how popular this made me I kept on. I continued for myself what I had really begun for others. Insensibly I acquired skill. I was not stupid. I had rather a gift for character—and could say exactly the thing to each one to flatter them the most. I found that I took pleasure in the exercise of such cleverness. There was a feeling of power in it—playing with the foibles and weaknesses of men and women. I did not see that I was often trafficking in unworthiness and baseness."

"I've no doubt you did harm," concluded Mrs. Brough. "People are only too willing to be encouraged in their vanities. I don't think, Miriam, that you were really very good for a person's character."

"I was not very good for my own," Miriam went on, grimly. "I retrograded. I can see it now. In playing on the follies and faults of others, I grew less careful—less critical myself. Then the family lost its money. Oh, I haven't the poor excuse that I was in want—that what I did was done from any lack of anything essential for myself or others. Ours was just a commonplace, undramatic loss—with only need for saving and retrenchment. Without the deprivation of a single necessity, or comfort, even. Merely the absence of the luxuries. The luxuries, though, in a way, had become necessities to me—and—I found, by exercising my power, I could get much that I wished. I flattered and cajoled to please people, so that they would do things for me, give me things. That is ended——"

She pointed dramatically to a table.

"There is the fan from Bengy Wade in a package. To-morrow it goes back to him. There is a note to Mrs. Grayson, declining her invitation. If I go to Westbrook I shall not ride Persiflage. I have turned over a new leaf. But the degradation of thinking of the record on the old ones! If I could only tear them out instead of trying to fold them down. I see it all now. He has made me see it all. He has made me despise myself until I see the way I look in his eyes; until I seem the same in my own. Janet, what can I do?"

The girl's head bent on the arm of the chair, as her body was shaken with sobs. The other put out her hand and gently stroked her heavy hair.

"Don't you exaggerate?"

"Did you," Miriam panted, "when you said what you did to Mr. Leeds? Did you make my blackness less black than it should be—did you concede to me any saving light?"

"I did not know. If I can do anything now——"

"You must not speak to him," Miriam cried, sitting up abruptly. "There would be no use. When the seeds of distrust have been sown they will grow, even if the weeds crowd out everything else."

"But weeds can be dug up."

"That must be my part," Miriam answered, more calmly. "Only one course is left. It's funny," she smiled, swiftly, through her tears. "There is poetic justice in it. I can do only one thing. It is my retribution."

IV.

The announcement which Mrs. Gunnison made on the following morning came as a surprise to Miriam. She had some difficulty in not displaying an undue excitement. The habit of containment, which had come with worldly experience, however, did not fail her. She heard her hostess state that Arthur Leeds was coming to stay in the house without any exhibition of visible emotion. Mrs. Gunnison said that, as the Barlows had other people coming, he was going to transfer himself to "Highlands," and that he would arrive in time for luncheon. Any fears which Miriam experienced were wholly offset by a devout thankfulness. The event offered such an occasion for the carrying out of her plan as she had not hoped to have given her. In the promise of such an admirable opportunity for the execution of her purpose, she found a melancholy satisfaction. If, as she thought to herself, the iron was to enter her soul, the sooner the affair was accomplished the better. The process of self-sacrifice was not pleasant in the execution, however glorious it might appear in the conception. Self-immolation might be a duty, but, as every martyrdom, it was more satisfactory as an ideal than as a fact.

The first opportunity which came to execute what she had laboriously planned was during the aimless inoccupation of after luncheon idleness. The arrangements for the afternoon had not yet been concluded, but were in the careless making. Who should ride; who should drive; who should walk; who should go and who should stay; the what and whither had not been settled: Leeds strolled to her side.

"I have been trying to speak to you, but you have avoided me."

"Yes," she said.

"Why?" he asked; "I am going to tell you the truth, now——" she paused, and looked at him.

"Why?" he repeated.

"Because I think that you are the most detestable man I ever saw," she answered, gazing squarely at him.

He started slightly—glanced at her in surprise, and abruptly sat down on the divan beside her.

"You have really come to that conclusion?" he asked.

"I have always believed it," she answered, firmly.

"But you said——"

"You told me that I was a flatterer. I shall not be with you any longer. You wish the truth. You shall have it."

"That is what you thought from the first?" he said, slowly.

"Yes," she answered, less clearly. "I have always understood that you were most absurdly self-satisfied. That you are deluded by a pose as to which you are so weak as to deceive yourself. That you take yourself with a seriousness which leads you to believe that you are preaching a crusade when you are only blowing a penny whistle. That you assume that you have made for yourself a position and a reputation which were made for you."

"What do you mean?" he asked, quietly.

"You have an old name and a large fortune which rendered you conspicuous and made everything easy. The newspapers have talked of you only as they would anyway. Indeed, they would have given more space to you if you had a liking for conducting an automobile painted like a barber's pole than they have because you went into politics. They would have preferred the striped automobile, but they had to be content with the 'reform politics' as the freak of one in your place."

"Then you think I am—nothing?"

"You are a rich young man of assured position—spoiled by the world."

"I thought I had, at least, ordinary common sense."

"Probably—but still you have unduly lost your head. You would not know if people were laughing at you——"

Leeds flushed slightly. Miriam caught her breath sharply, and reached forward to take up a fan which lay within her reach.

"I am altogether a monster?"

"No," she replied, calmly. "A very ordinary young man, I should say."

"I'd be kind to dumb animals and not kick a baby——"

"I am quite serious," she answered. "You objected to any little pleasantness on my part because what I said might not be altogether sincere. Now we are going to have facts. Indeed, you are the type of man I dislike."

"At least, we know where we are now," he responded.

"Yes. And as we are staying in the same house it may be as well."

Miriam rose slowly. She walked decidedly across the room, and ostentatiously placed herself beside Mrs. Gunnison. Leeds, deserted, did not move. He sat staring at the floor, as he softly drummed with his fingers on the couch's leather arm.

As well as in certain other particulars, the life of a country house is microcosmical in this—escape from the requirements of human relationship is impossible. Indeed, the demands are made greater, the bonds more firmly fixed. In fact, the condition of all may be more fitly described as the condition of two united in matrimony—they take each other for better or worse. Constantly through the day they must meet. The terms on which they are thrown together impose intimacy. If latent antipathy exists with the revealing conditions of constant companionship it must be discovered. If inherent sympathy is to be found the two gravitate toward each other with inevitable certainty. As the birthplace of aversion quickly reaching a maturity of detestation and hate; as the hothouse of interest growing speedily into full bloom of liking and love, there is no place like a country house. All existence there, in its condensed form, is a forcing process. Without any awkwardly abrupt transition or disconnecting jolts, those who begin to talk about mutual friends in the morning may easily reach a discussion of their own souls in the afternoon, and be far on the broad and easy path of sentiment by evening. Like or dislike, more or less strong, must surely and quickly follow. There is in the social chemistry a certainty of repulsion or attraction, out of which the most unexpected combinations result—of a surprisingly lasting nature.

In the daily routine Miriam saw Leeds constantly. Though she might come down late for breakfast, she always found him. Even if she breakfasted in her room, when she descended he was always smoking in the hall.

"I did not expect to stay so long," he explained to her on one occasion, rising as she paused at the foot of the stairs.

"Then why do you?" she asked, coldly.

"Don't you know?" he demanded. "Should you feel it pleasanter if I went away?"

"Really—as I have undertaken to be perfectly frank with you—how can your going or staying make the least difference in the world to me?"

"Still," he said, looking at her curiously, "there must be something tiresome in having to be scorning somebody all the time."

"I think," she said, briefly, "I hear voices in the billiard room. I am going in there."

If at dinner Leeds found himself next to her he discovered that she spoke to him no more than the strict letter of the law governing the conduct of guests in the same house demanded. What she said was of the most indifferent nature. If he sought to reach a more personal basis he found himself checked.

"Miss Whiting," he said, suddenly, on the third evening, "I am going away to-morrow morning."

Miriam swung about swiftly.

"To-morrow!" she exclaimed, with a catch in her voice.

"Yes, I think I had better go, though there is something I want to tell you before I do. I have thought of all that you have said. I have profited by the new light that you have thrown upon myself—my actions—my life."

"What do you mean?" she murmured.

"I have realized that very likely I am a prig. I understand the futility of what I am trying to do. I see that I have been mistaken in my power. I'm going to give up."

"Give up?" she replied.

"You have shown that I was attempting more than I was able to do. The Donaldsons have asked me to go in their yacht round the world. The Vierna starts on Thursday. I am going away to be lazy and careless, and live the life for which you think I'm fitted."

"You are going to give up everything?" she exclaimed.

"Yes," he answered. "It is your doing. You must take the responsibility of it."

"But what I say—what I think, can make no difference," she almost entreated. "I am not of enough importance to you—you cannot consider me enough——"

"All that is something of which you know nothing," he answered, gravely. "Something of which I have told you nothing. I am going away—with the Donaldsons."

"People like that!" she interrupted.

"People like that. I am going with them to lead their life—to be gone for a year, unless one thing happens. As I said, you are responsible."

"But I can't be," she implored. "It isn't possible. I can't count for anything."

"Let me assure you that you do."

"Then I can't take the responsibility. I won't."

"Unless one thing happens I am going," he went on, inflexibly. "There are some, I think, who believe in me—who will think I am making a mistake."

"But your future—your career," she began, and paused abashed, as she saw the way he watched her.

"I thought we were to have no—insincerities—no flatteries. Since I know what you really think, such civil implications can mean nothing."

She bit her lips, pale as her cheeks were white.

"Oh!" she cried, "how horrible!"

Through all of dinner she hardly spoke. If she said nothing to Leeds, neither would she address the man on her other side, only giving such monosyllable answers as were necessary. The evening dragged slowly. Leeds did not approach her. Once or twice she looked toward him, but he did not appear to notice her. Indeed, he only came late from the smoking room and returned after a brief appearance in the big hall.

"When," she asked once, in a timid voice, of Mrs. Gunnison, "does Mr. Leeds go?"

"The early train," the lady answered. "I believe he leaves the house before seven, or at some equally unearthly hour."

* * * * *

The fresh sunlight of the early morning was flooding through the open hall door as Leeds came down the wide, main stairs. He saw, under the porte-cochere, the trap ready to take him to the station, and into which the second man, with the help of the groom, was lifting his trunk. Here and there a housemaid was busy with duster and cloth. The machinery of the establishment was being set in running condition, and there was the accompanying disorder. The place seemed strange and unfamiliar.

"Your keys, sir," the butler said, holding out the bunch.

"Yes," he answered, "I'm ready."

As he spoke he started. Clearly in the stillness of the morning he heard a few soft notes struck on the piano. At that hour the sound was most unusual. He listened. The Flower Music of "Parsifal." With a swiftness that left the astonished butler staring after him, he darted toward a door. In a moment he had torn the portiere aside and had crossed the polished floor of the music room. Miriam was seated at the piano, her fingers resting on the keys.

"You are down!" he exclaimed.

"Yes," she answered, neither turning round nor looking up.

"You are very early."

"Yes," she assented. Then she whirled about on the music stool. "I came down to see you."

"Why?"

Both spoke with a simple directness—with the manner of those dealing in ultimate moments with the unmistakable facts.

"You told me last night that you were doing as you do because of what I have said. I cannot take the responsibility. I'd rather that you thought even worse of me than you do. Oh!" she cried, bending her head down on her hands, which clasped the rack of the piano. "I am, false—false! I cannot be true even in my falsity. All that I have been telling you is not the truth."

"Yes?" he interrupted, eagerly.

"When you judged me—when you told me—or showed me what you thought of me—I recognized what I was doing—what I was. I saw I was false. My pride drove me to do something else. It was a punishment for myself—a price I must pay. As falsely as you thought I tried to please you—as falsely, really, I made myself hateful to you. I told you every untrue, miserable thing of which I could think. It seems as if any little remnant of dignity which I had demanded it. But to have you say that you were influenced by my lies—were going to give up so much that was splendid and great—because of them! Oh, you must believe me now. I could not bear it."

"Then you don't think I am altogether contemptible?"

"I think you are the finest and best and strongest man I know," she said, bravely.

On one knee, beside her, he had his arm about her.

"Bless you, darling," he cried. "Then I can tell the truth, too. I think that you are the dearest and sweetest woman, and I love you—love you!"

"I—I don't deserve it," she sobbed.

"I would not," he said, "let myself believe what you told me at first, but then I would not let myself believe what you said afterward. I hoped——"

"Oh, it was so hard for me. Can't you understand? There was expiation in it. Don't you think it enough?"

"I think we have both been mistaken and unhappy."

"Oh!" she exclaimed. "Since the first I have changed. It taught me a lesson. I am different—really."

"We'll have everything all right now, and that is all."

"But you are going away," she exclaimed.

"I said I was going away unless one thing happened."

"Yes," she said, eagerly.

"Very well—it has happened."

The sound of the brush striking sharply and with metallic distinctness on a dustpan came from the room beyond.

"Perhaps we had better go on the terrace," he laughed. "Really, you know, we ought to have moonlight and mystery, but——"

Together they went out through the open door into the fresh, soft morning air. The warm scent of the garden blew up to them. A large, yellow butterfly fluttered peacefully by. The dew still lay on leaf and flower, glittering in a thousand sparkles.

"The night is the time for romance," he said. "Any well managed proposal should be made under the stars."

"But the morning, such a morning," she exclaimed, softly, and clasping her hands in ecstasy. "And as this is going to be a beginning for me, I like the morning better."



THE MIRACLE OF DAWN

By MADISON CAWEIN

What it would mean for you and me If dawn should come no more! Think of its gold along the sea, Its rose above the shore! That rose of awful mystery, Our souls bow down before.

What wonder that the Inca kneeled, The Aztec prayed and pled And sacrificed to it, and sealed, With rites that long are dead, The marvels that it once revealed To them it comforted!

What wonder, yea! what awe, behold! What rapture and what tears Were ours, if wild its rivered gold— That now each day appears— Burst on the world, in darkness rolled, Once every thousand years!

Think what it means to me and you To see it even as God Evolved it when the world was new! When Light rose, earthquake shod, And slow its gradual splendor grew O'er deeps the whirlwind trod.

What shoutings then and cymbalings Arose from depth and height! What worship-solemn trumpetings, And thunders, burning white, Of winds and waves, and anthemings Of Earth received the Light!

Think what it means to see the dawn! The dawn, that comes each day! What if the East should ne'er grow wan, Should never more grow gray! That line of rose no more be drawn Above the ocean's spray!



THE SONG OF BROADWAY

By ROBERT STEWART

A certain club of good fellows of both sexes, journalists, authors, illustrators, actors, men of pleasure, and Bohemians generally, used to gather on Sunday evenings, a merry decade ago, round the hospitable table of an Italian lady who had acquired her culinary accomplishments under the distinguished eye of M. Martin—late chef to M. de Lesseps, and present proprietor of Martin's Restaurant—before she attempted to practice on her own account, so to speak, in the basement of a dingy brick house in West Twelfth Street.

Signora Maria was a trusting soul in those days, and many a hungry poor devil has hung up his hat, coat and dinner there, and blessed his kind hostess as he quaffed her red ink. We didn't say claret; we called out: "Where's my red ink bottle, Maria?" And Maria would put down the soup tureen she was going from table to table with, and fetch us a pint of her ordinaire. It was sour stuff certainly, which even Maria's radiant smile couldn't sweeten, but budding genius is careless of the morrow, and on Sunday evenings, especially, when Maria held her salon in the boarded back room, built out over the yard, vast quantities of it were gayly consumed, along with cigarettes, and coffee, and flaming pousse-cafes.

In one sense, at least, our function was appropriate to the night. Everybody "came prepared"—women and men both—like a country Experience Meeting. Jokes cracked like lightning through the tobacco clouds; songs of love and war trembled and roared above our heads; humor and pathos, those twin slaves of the lamp, sported and wept at our bidding; in a word, no end of youthful bombast, and kind laughter, and harmless, gratified vanity, was exhibited there. It was really more like a Montmartre cabaret than any place I ever saw in New York. Only, with humblest apologies for disparaging their worldliness, the ladies were so evidently good, sincere, faithful friends, wives, mothers, sweethearts, that some of us watched their happy gayety with grateful, pleased eyes.

A Judas came to that kindly board, and betrayed to a newspaper these merry, honest folk at their simple feast. Stupid, prosperous commercial persons pushed their way in and stared at them. They fled away, scared at last, to more inaccessible haunts.

But on one particularly jolly evening, to return to a text memories of tried friends and happy hours have beguiled me from, among a number of notable guests one who "favored," Mr. Wilton Lackaye, then appearing as that white-eyed, hairy, awful Svengali everybody so loathed and applauded, dramatically recited a remarkable and original poem called the "Song of Broadway." Many a time since have I remembered the scene, the song, the company; the long, wine-stained tables, the eddying cigarette smoke, the acute, lively faces. In one way or another, everyone there was a trained observer, and knew his Broadway.

It is rather a bold thing to say you know your Broadway. As I, too, sing my song about it, if I sound a note once or twice you have never heard, oh, thank Heaven, and turn away! With us, I trust, it will be but a minor chord. So every stroller there recognized the world he lives in, and the child, the mother, the cabby, gambler, pickpocket, doctor, parson, each carries off his or her own bundle of impressions.

Leaving it, then, to graver historians to trace the financial, commercial and social evolution of this tremendous street, which was a forest trail once, within whose sylvan solitudes red men roamed and wild beasts prowled, let us from our humble station, as men of the world and social philosophers, describe merely that stretch of it which begins at Madison Square and ends at Forty-fifth Street; where it is high noon at eight o'clock at night, and bedtime when the gray dawn comes shivering cold and ghastly into hotel corridors where the washerwomen are scrubbing the marble floors. "Little old Broadway," as it is affectionately toasted in the vernacular of its habitues, wherever rye whisky is drunk, and faithful homesick hearts recall its lights, its pleasures and its crowds.

Broadway, I say, at eight o'clock at night, is the most fascinating street on earth. It is en fete every evening; and you have only to walk that mile often enough, and the whole town will display itself at leisure and at its ease, perfectly unconscious and natural and selfish. It is not the lights; it is not the brilliant hotels, and theaters, and restaurants, and shops, and tramcars, and hurrying cabs; it is not the music that floats out to you on the rippling surface of the town's deep voice; it is not that voice itself, vibrating as it is with every emotion of the human heart, of pleasure, excitement, careless gayety, shame that has ceased to care, lust whispering its appeal, modesty's shocked sigh, innocence's happy prattle, kind laughter, friendly chat, unexpected hearty greetings; it is the vast, shifting, jostling, loitering, idle crowd, the multitude of a huge cosmopolitan city that is the spectacle, and that to a man who knows his town is more dramatic, and humorous, and pathetic, and fascinating than all the plays to which young ladies, and their papas, too, are hurrying, to thrill, and laugh, and cry over.

Think of a mile of street, brilliant like a drawing room almost, and swarming with all kinds of men and women from all over the world, each seeking his or her particular amusement and finding it. Pleasure is the commodity on sale here, and one can obtain it at any of those glittering signs blazing out over the crush, or traffic in it with the venders of the pavement.

Isn't it marvelous? Isn't it wonderful? as the conjurer says when he cuts your watch out of an onion. Mr. Conjurer returns your watch in safety, but it retains that delicate perfume which only the time it chronicles can wear away. Many an ingenious traveler has stepped out of his hotel to watch this magic spectacle for a little, and brought back with him bitter remembrances that all the tears shed secretly won't ever wash out.

Tant pis! You are not a preacher, monsieur. There is only one church on your Broadway, and that is dark and shut and sold to a syndicate. The only religion one gets here is the Bibles in the hotel bedrooms, and at Jerry McAuley's Cremorne Mission, round the corner in Thirty-second Street. What, then? Nobody claims Broadway to be a domestic scene, and children and nursemaids don't constitute its charm.

Look north, from where we have turned into it, after lighting our cigars at Van Valkenburg's, under the Albemarle Hotel, and those dazzling signs will tell you what most people come here for: Martin's, Weber's Music Hall, the Imperial Hotel, the Knickerbocker Theater, with Mr. Sothern in "Hamlet," Hoster's, Kid McCoy's Cafe, Brown's Chop House, Grand Opera, Rector's Restaurant—to dine, to drink, to smoke, to stroll, to see the play, to watch each other. Did you ever see so much light, so much life? Halt where sedate business halts, too, at the St. James Building, frowning darkly down on gay, hoydenish Martin's, whose roguish, Parisian eyes twinkle mischievously up at it, as if they know the tall, somber old hypocrite has a score of wicked theatrical agencies hidden away in its locked heart, and just see!

Straight ahead of you, within ten minutes' brisk walk, are twenty theaters, sixteen hotels, six expensive restaurants, two huge department stores, the Herald newspaper palace, with the elevated road cutting across its face, several tall apartment houses thrusting up their lighted windows into the night, telegraph offices, bars, apothecaries, florists, confectioners, tobacconists, jewelry shops galore, all signed with electricity, and producing that wonderful glitter and glare that is both so bizarre and so enchanting. A street, do we call this? It is a scene, most theatrical and gorgeous, and set for the great human comedy which is even now being displayed upon it.

In this theater you perceive audience and actor alike occupy the stage, as they used to do in the old London playhouses; and poor little flower girls are pushing their way through our throng, also offering the roses that fade so fast after they are plucked. Anything makes an interest, an excitement; a fire engine tearing across Thirty-sixth Street, a policeman marching a thief to the precinct house, an ambulance clanging down Sixth Avenue, a newsboy asleep on the Dime Savings Bank steps, the bronze hammers striking nine on the Herald clock, a Corean embassy driving up to Wallack's Theater in their soft felt hats and gorgeous robes.

Never were a lot of people more easy to be amused, more eager to laugh or sympathize. A gentleman's hat blows up in the air; hoots of laughter explode after it. It rolls under an express van; a dozen citizens spring to its rescue. Nerves are on edge. Stimulants are exciting keen brains. It is a trifle savage, this crowd. Look! See them hustle that masher! His hat's smashed already. The poor child he was persecuting is crying with fright. A woman, not given to such a pure embrace, has her arm about her; a big "plain-clothes man" is drying her eyes with his handkerchief; a couple of young stock brokers are bargaining with cabby on his box to drive her home. Ah, that is a pretty sight! I think Mr. Addison would have liked to see it, and Dick Steele, I know, would have slipped a bank note into her hand. Oh, burst of sunshine in the darkness! Oh, chivalry and kindness beaming out on fast Broadway! Oh, reckless, hardened sinners loving innocence and kneeling to it!

But come; this is still Broadway. A block off they know nothing of all this. Above us Daly's is closing and its fashionable audience pouring out on the pavement. In Twenty-ninth Street, the Cairo, the Alhambra, the Bohemia, are just as brilliant and fascinating as usual.

I remember, one evening, as I was passing the ladies' entrance to the Gilsey House, on my way home from the club, out comes a visiting family party—monsieur et madame et sa fille. Monsieur stops, buttoning up that "good frock coat," the uniform of the American senator, which has proclaimed Squedunk through every capital in Europe. He stands, the oracle of the post office, the rich man of the county, the benignant elder of the Congregational church, gazing across the way at all the flaring signs toward Sixth Avenue.

"Ah," says he, smiling reminiscently, "the Midway. Let's go and look at 'em, my dears."

I had a wicked impulse to go, too, and see what happened. But I repressed it, and took the liberty to inform Mr. Smallville that those places were not especially recommended for ladies. I think miss was mortally offended with me for upsetting the program.

Are other people secretly disappointed, too, because they can't get a peep behind those closed doors? It was Madam Eve, I believe, who first tasted the apple; it was Pandora who lifted the lid of the box of troubles; propose a slumming party, and be sure it is the ladies who will applaud loudest. Well, then—those places, dear Miss Smallville are—very much like the zenanas the foreign missionaryess told you about last autumn in the church parlors. Now you know all about it. Ask your brother Tom if I'm not correct. I wager he can tell you if he chooses.

It is a curious fact, by the way, that all the places which make Broadway notorious are in the side streets. Just as it is a curious misnomer to call the toughest section of it the Tenderloin. Broadway has no slums. Laboring people, even, never make any distinguishable element in its populace. This is, of course, owing to its geographical position. But there is one fact which is immensely to its credit, and is perhaps due to the Irish who govern it, if they do prefer Fifth Avenue to parade in. For when Brian Boru—from whom every loyal Irishman is descended—was king, didn't a beauteous damsel, with a ring of price, stroll unprotected and in safety over his kingdom? Beauteous damsels with rings of price certainly stroll unprotected over Broadway, but this is not the fact I emphasize. It is, seriously, that it is quite possible for young ladies to walk this fastest mile in the United States, with their papas and mammas, every evening, and write home to Kate that "it is just like Saturday night on Main Street, only bigger." No sensible girl could promenade the Strand or the Bois after theater hours, no matter how chaperoned, and then make such a comparison. Huzza! I say. Huzza! It is America's compliment to her women.

Still, however decorously Broadway subdues its hilarity before the ladies, like a fast young man at a tea party, we all know it is not in the least like Saturday night on Main Street. Let us saunter along, like two men of the world, perfectly competent to recognize vice, but infinitely preferring to smile at honest gayety, and find out what this crowd really is that is again packing the pavement as the theaters turn out their audiences.

Principally, so much in the majority as to characterize it, men of affairs, country merchants, out-of-town visitors, with and without their womenkind, the New York audience to whom actor and clergyman alike make their appeal; while circling about in it, embroidered so to speak on its surface, is that other crowd—high fashion, artists, actors, distinguished visitors, wardmen, Bohemians, sporting people, thieves and confidence men—which also produces its effect, and lends its coloring and vivacity to the picture. The side streets, looking east at least, are respectable, but they are not brilliant. Fashion, Bohemia and fast life are, after all, what we have come to watch. And as fashion mostly cuts Broadway—where it used to live and promenade when Mr. N. P. Willis' natty boots pattered about Fourteenth Street—at the first crossing, it is Bohemia and the "wise push" we will sup with.

In Broadway parlance, Bohemia means newspaper and theatrical people. And I venture to remind the ladies and gentlemen of the drama in presenting them in such a company, that I am painting a city nocturne, and may properly introduce Mr. Morgan, Mr. Beerbohm Tree, Father Ducey, dear man, in his cape overcoat, Al Smith leaning against the Gilsey House railing, or any other characteristic and familiar figure natural to the composition. No picture of Broadway would be complete, they will acknowledge, without them, and to use a metaphor I have before employed, they are certainly accustomed to occupy "the center of the stage" with dignity and elegance.

Anyway, they all come here, and I should think they would all love it. This part of Broadway is nicknamed the Rialto. Nowhere else are they taken so cordially and frankly by the hand. They lounge about it by day and win fame and fortune in its theaters at night. Nat Goodwin and his wife, Hackett and Mary Mannering—when they can meet—Sir Henry Irving, De Wolf Hopper, Miss Annie Russell, bowing to Charles Richman out of a cab, Amelia Bingham, Joseph Jefferson, whose only fault is that he isn't immortal, and funny, rollicking Fay Templeton, humming a new coon song—old favorites and new ones, you may see them going to supper at the Lambs' Club, the Players, the Waldorf, Delmonico's, Sherry's, any evening they are in town.

Broadway is darker. The theater lights are out. Only bars and apothecaries, shops and hotels, are brilliant. The opera is over, and carriages are whirling away toward Fifth Avenue, and tramcars crawling along in procession, packed to the platforms with gayly dressed passengers. Across the way from Macy's huge dark store, the Herald presses are rushing off the biography of the day in sight of everybody, and no philosopher moralizes on that awful, tremendous record of four-and-twenty hours of a whole world's work, play, crime, suffering, heroism, love, faith.

Our fast friends must tremble as they pass those windows, and remember the relentless, watchful eyes forever fixed on them. The ladies and gentlemen of this society dine at Shanley's and Rector's, and call supper lunch. Except that they are more painstakingly dressed, they don't look very different from others. I have often thought that such a congregation might gather in Trinity Chapel, say, and be preached to by an innocent clergyman with a weary sense of the futility of trying to make such evidently virtuous persons penitent.

Should you like to really know them? They are thick about you on every hand. Drama and tragedy and pathos are in rehearsal now; and that old comedy of "A Fool and His Money." Walk a few blocks with the night clerk of Wilson's chemist shop. Get to know the bookmaker coming out of George Considine's Metropole bar, chat with our acquaintance, the plainclothes man. Join that man-about-town, on his way to the Astoria Club. Masks will be torn off then, every actor will be seen as he is. That family coachman is a burglar just out of Auburn. That thin, alert gentleman in evening clothes is a gambler, getting a breath of air before taking his place behind Daly's wheel. That pale-faced student is a reporter on his way to "hit the pipe." That sweet-faced girl will be screaming drunk by two o'clock—the pale little man in mourning is the most notorious divekeeper in America. The one with the beautiful silver beard is a race-track owner over in New Jersey, and they call the red-headed Jew talking to "Honest John Kelly" the king of the gold-brick men. This well-dressed gentleman with the large hands is Corbett, the pugilist; that kindly-faced, handsome one, going into Tom O'Rourke's, is a famous all-round sport. Notice that beautifully gowned, superbly handsome brunette who is getting out of a hansom at Martin's Restaurant. She had a yataghan in her flat she brought from Paris with her, and she caught it up one night and drove it into her lover's neck, and was acquitted on the ground that it was done in self-defense.

Do you want more detailed biographies, or is your acquaintance sufficiently extended? The owls on the Herald building are staring knowingly at the moon, who is coquettishly hiding her face behind a cloud. Mr. Greeley has fallen asleep in his chair, facing Mr. Dodge, after listening to that eternal long temperance speech which is never ended. I don't think Broadway is amusing after midnight.

Let's go to Brown's and have some deviled kidneys and a mug of Bass.



GREEN DEVILS AND OLD MAIDS

By EMERSON G. TAYLOR

Miss Herron guided the fat horses into the byroad with the manner of a navigating officer on the bridge of a liner. Not even after they were straightened out, and dropped their quickened gait to the usual comfortable trot, did she unclose her lips or take her gray eyes from her course.

"Is anything coming behind us, Lucy?" This to the young girl beside her.

"No, Cousin Agatha. He kept straight on."

"You're sure?"

"Quite sure."

"Well, that's a mercy." For the first time she leaned back a little. "But I wonder that John Arnold so much as dreamed of trying to pass me."

"You drive so splendidly," replied the girl, drooping her pretty head so that the big white hat quite shaded her face. "The way you beat Mr. Arnold was fine. He looked so silly when we passed him. You're so brave and—and skillful. It makes one feel so safe to be with you."

"Of course I've driven all my life," Miss Herron admitted. "Your grand-uncle, the judge, my dear, always insisted that driving was part of a gentlewoman's education, like household management or a knowledge of English history. A bit of a race is only amusing, but what with these automobiles, there's no pleasure in horses at all nowadays."

"They certainly are dangerous."

"Dangerous! They should not be allowed on the roads at all. Any more than—than drunken men. The comparison somehow pleases me, Lucy. Did you observe it?"

"Yes, yes, Cousin Agatha." The girl turned to the older lady a face very young and fair and eyes that shone. "I was laughing at it all the time."

It was a great pleasure, so Miss Herron assured all her friends, to feel sure that her little cousin was for a few months at least to be brought under the influence which had shaped the lives of her New England forebears. For the child to live in Herron House, to grow in knowledge of her race, so splendidly patriotic, so consistently rich and cultivated from the days when Barham was part of a colony, seemed to the proud old lady a real necessity for Lucy. She must never forget that she was a New England gentlewoman; she must learn the traditions, stiffen with the pride of her race. And because these things might grow dim or be clean forgotten, did she spend all her days in the noisy, extravagant city or the lazy places abroad.

Miss Herron rejoiced when Lucy's father laughed, and replied to her request by sending the child to her for a whole long summer.

"She is very dear to me," he had whispered, looking across the room to where Lucy was chattering as she poured tea. "And very lovely, Agatha."

"She has the Herron look," she had answered, complacently.

"You'll take ever so good care, of her?"

"I may be trusted, I think, not to abuse any member of my family."

Quiet, sunny days followed. There were hours in the glowing garden, murmurous with bees, heavy with delicate perfume of box and verbena and mignonette; hours in the great old house, with its family treasures of plate and china and mahogany, where ancient Chloe and Sylvester still served as in the days when they had followed North that kindly Yankee major they had found helpless after the doings in the Shenandoah Valley. There were company at dinner, less formal gatherings on the piazza of a moonlight evening, when accredited youngsters from the summer colony amused and sometimes scandalized Miss Herron with their laughter and singing. And now and then Lucy would be carried off to other houses of Barham; whence she would return to render a supposedly exact account of all she did and said. Only twice since the first of June did Miss Herron fail in her promise to Lucy's father and to herself. And these occasions had been within the last ten days, when her old neuralgia had laid her low. What her charge was up to at those times, Miss Herron did not care to inquire. It was ordered that not even Lucy should come near when cousin Agatha was in pain, and therefore uncertain in temper as well as a bit careless as to costume.

"Tell me," the old lady asked, after they had driven some distance along the shady road, "are you really enjoying your stay here?"

"Yes, indeed. I think Barham's just lovely."

"And what's most lovable in it?"

Lucy stole a look from under her broad hat brim, then retreated. "I don't believe I know," she said, simply. "It's all——"

"Charming. Of course. I'm glad you think so. We could dispense with the strangers, however. They don't belong here. They are vulgarly rich and parvenu."

"Some of them are nice, Cousin Agatha," the child protested, deferentially.

"Who, for instance?"

"All those who come to the house."

"A pack of rascals!" the old lady replied, crisply. "Laughing like—hyenas, if that's the animal. It's a mercy that the boys and girls are sent to good schools. They learn some decent behavior, though of course they haven't had your advantages, my dear. But I dislike their mothers. They are rich, but they have no poise. Poise, my dear, and the marks of long descent. But the children may develop. All but one of them."

Lucy's face grew gently mutinous. "Which is that, cousin?"

"That yellow-haired boy of——" She checked her reply abruptly to listen. The horses were reined in. "My dear," she asked, resignedly, "what was that noise I heard?"

There was no mistaking that honk of the goose many times strengthened, and, following this, the low, steady sputter of a gasoline engine. The nigh horse's ears pricked up, then were laid back; his honest mate stopped short to await developments.

"I'm afraid," ventured Lucy, "that it's an automobile."

"The wretches, to choose this road! Are they coming? Go along, there!" cried Miss Herron to the horses, who sprang forward as she laid the whip on their fat flanks. "If we can get just beyond the woods I can turn out for it. But—oh, the wretches!"

"Honk-honk!" close behind now.

"Oh!" cried Lucy. She knelt up in the carriage seat, looking back along the road.

"Wave to him, my child." Miss Herron leaned back on the reins. Her thin cheeks flushed up, and her gray eyes were like coal fires. "Signal the creature to slow up."

"I am, Cousin Agatha. I am waving as hard as I can." She was standing now, meeting with a lithe motion of supple knees and slender hips each plunge of the hurrying carriage, one little hand on the back of the seat. And with the other, Lucy, who looked at cousin Agatha and then laughed—just a little—signaled gayly if vaguely to the driver of the coming car. This was a young man, whose hair—for he wore no hat—shone in the sun like crisp gold wire.

"Honk!" spoke the horn, "honk!" and then three times more in quicker succession.

Lucy laughed aloud. "Isn't he silly?" And then waved once more.

"Honk!"

"Whoa!" commanded Miss Herron, drawing her steeds to the side of the road. "Stand still, and don't be so foolish. It's only"—she hesitated, then pronounced the word as though it profaned her speech—"an automobile."

"May I pass you?" came the driver's voice from behind. The choking reek of the gas drifted down and enveloped them.

"It's all right," caroled Lucy. "Come ahead!" Then she dropped down to her seat beside her companion, light as a sparrow.

"Is it coming?"

The horses snorted, swerved, and plunged heavily. There swept by a vision of dark green and shining brass, the chuck-chuck-chuck of machinery.

"Oh, do be careful, Arch!" cried Lucy, for the ponderous machine ground through the soft bank that hemmed in the road on that side, and canted dangerously for a second or two. Then it whirled up the road, with the dust thick in its trail, and through the haze the driver's yellow head shining. The fat horses shivered, and stood fast.

"The wretch! I knew it was young Fraser."

"It wasn't like him," Lucy murmured, and a hint of a smile crossed her lips, "to have driven by us so fast."

"I'd not expect it of him, certainly."

"Nor I." And Lucy sighed in spite of herself. She was not very old.

"Ha!" Miss Herron bestowed a lightning glance on her unconscious little passenger, and found it her turn to smile, but with a kind of grimness. "Indeed!" she remarked, and added, under her breath after a queer pause: "How very extraordinary!"

They drove along quietly after that for some minutes, for Miss Herron requested silence that she might compose herself the more readily after her fright. The road led them up a gentle incline, then turned sharp to the right, and a couple of hundred yards forked to lead around both sides of a hill. It was not till the horses approached this point that their driver opened her lips. She had worn, all the time that she was quieting her nerves, a look of anxiety into the midst of which would break every now and then the kindest and briefest of whimsical smiles.

"Which direction shall we take?"

Lucy started from her reverie. She, too, had said no word. "This is Steven's Forks, isn't it? Shall we go to the right?"

"Toward home, then?"

"Yes," said Lucy, eagerly, "toward home. To the right, please."

The talk brightened then. And Lucy in particular chattered away at desperate speed, exclaiming over the rolling landscape, telling her old hostess how much she had enjoyed Barham.

"That is very pleasant to hear," replied Miss Herron, graciously enough. "I am only sorry that my indisposition last week prevented our——"

"Please don't think of it, Cousin Agatha."

"No? My dear, have you ever been visited by neuralgia?"

"I mean," explained the child, eagerly and shyly together, "that it didn't interfere with my good times at all."

"I understand. Silly girl, why don't they teach you to say things properly! But I know exactly what you mean."

"Not really!" A quick dismay chased away the arch gayety.

"And I'm very glad if you had what you would call a good time."

"Oh, I did! It's all been delightful," Lucy contrived to stammer, and then fell to scanning the road, which stretched away for a long half mile ahead of them, white and level.

"A good road for those wretched machines," observed Miss Herron. "I see one has been along it." And she pointed to the track of broad tires they were following.

"Wouldn't a farm wagon leave those marks?"

"Possibly, but——" She rose slightly in her seat, and peered ahead. She laughed aloud as she gathered up her reins and touched the horses into a brisk trot. "This may be the workings of Providence, my dear."

"Perhaps, Cousin Agatha."

"Is that thing yonder green?"

"There's only one person in it, and—and he's getting out now. It's stopped."

"Anything more?"

"Oh!" cried Lucy, and now it was hers to stand, "I think——"

"Indeed!" remarked Miss Herron. "I fancied I saw that yellow head of his."

"The workings of Providence!" Lucy sighed.

"How perfectly absurd! Don't be irreverent, miss."

As they approached the machine, young Fraser was quite invisible; but when at last Miss Herron had coaxed her horses up to it, and made them stand, he crawled out from beneath it somewhere, red-faced, dusty and with black grease on his hands.

"The penalty of recklessness!" observed the old lady, surveying the boy as though he was inanimate stone. "Broken down."

"How d'ye do, Miss Herron?" said Fraser, apparently much embarrassed. "Lucy——"

"Is that machine really broken?" The joyful hope in Miss Agatha's voice was quite unconcealed. "Smashed?"

"There's something wrong, certainly," the boy confessed, ruefully. His regard sought Lucy's. "But just what's amiss I can't see."

The old lady shook her head warningly. Some outward manifestation she had to make in order to conceal the joy which, like a warm cordial, penetrated every fiber of her being as a certain plan shaped itself in her mind. This was the automobile which had frightened her horses and set her nerves twittering; and now it reposed by the roadside helpless. This was the reckless, handsome boy who had set her guests laughing on an occasion requiring a measure of decorum, since the bishop honored her house with his presence; who now, with every appearance of impotent anger, was tinkering with the vitals of a hot engine, dirty and perspiring. Miss Herron admired the idea which grew before her imagination as she would have admired a beautiful, unfolding flower.

"It ought to go now," the boy announced, after some further bungling examination. What his testing and poking was supposed to accomplish did not appear. He spoke with an odd ruefulness, and seemed to try to deepen the impression his tone conveyed by another look at Lucy eloquent of regret.

"Try it," said Miss Herron.

The boy threw over the balance wheel; there came forth a clank and some faint clicks from the engine's interior; then cold silence settled upon it again.

"No go," reported Archibald, and proceeded to explain what by rights should have come to pass. "But none of these engines are perfected," he added.

"So there you must—remain? Two miles from any assistance?"

"Yes, Miss Herron."

"I rather question the willingness of any of our Barham folk to aid a shipwrecked automobile. You drive them so heedlessly, young gentleman. I confess," she continued, judiciously, "that I rather enjoy your plight."

The boy grinned delightfully. "So do I. It isn't often"—how express the light mockery that danced on his lips!—"that my accidents are so charmingly compensated as this is."

"I am quite serious, Mr. Fraser."

"I am equally so, Miss Herron."

A moment they regarded one another in silence. "I am inclined to offer you some assistance, I think," the old lady announced, deliberately. "Merely out of common humanity. I have read that the drivers of automobiles often depend on friendly or highly paid wagoners to—to tow them. Now——"

Archibald drowned the rest in thankful protestations. And——

"It would be awfully kind of you, Cousin Agatha," said little Lucy, suddenly finding her voice. "I'm sure that Archie——"

"Eh?"

"It would be very nice indeed," the child contrived to say, and tried to look unconscious.

"If you could help me a little," explained Archibald, and his own cheeks flamed, though his eyes faltered not a bit. "The break isn't very serious, I guess."

A second time Miss Herron considered in silence. She turned deliberately and looked at Lucy, who returned her questioning glance with a stare of babylike innocence; her gray eyes interrogated the boy.

"If you can assure me that your machine can't go," said Miss Herron, "I'll tow you."

For a brief second Archibald hesitated. Then he fumbled among the levers; raised the hood again; returned to the driver's seat, and fingered at something the ladies could not see. "She can't be moved," the boy reported.

From the fence along the roadside a loosened rail was wrenched; an honest cow, picketed at pasture, had her tether shortened a dozen feet in two strokes of the boy's knife. In five minutes more, amid many warnings from Miss Herron against scratching the varnish, one end of the rail was made fast to the rear axle of the carriage, and the other to the automobile.

"Now jump in," ordered Lucy, radiant with smiles; and she pointed to the back seat.

"Mr. Fraser," her cousin amended, calmly, "will continue in his automobile. To—to steer, if necessary."

"But——"

"I should prefer it, if you please." The horses strained forward, the wheels turned; the triumphal procession was under way. "My dear," said Miss Herron, "will you be good enough to hold your parasol over me? The sun is very uncomfortable."

All the way home, the length of Barham Street, where the people stared and laughed, young Fraser repeated all the maledictions he could remember or invent. For the dust choked him, and the view of Lucy's back as she sat holding the parasol over her cousin did not cheer.

"I'll get even—oh, more than even!—with you, dear lady," he promised, releasing his tiller to shake his fist at Miss Herron's unconscious and unbending figure, "if it takes all summer. I wonder if she could have guessed. And it was planned so perfectly."

Barham laughed over the story, laughed again when at the Richmonds' dance Lucy came back into the glare of the lights with the Fraser boy, dazzled and bright-cheeked, after half an hour's absence in the darkness of the great garden. And how many of the gossips would have given their ears to have heard the long talk between Miss Agatha and Lucy's father on the night of his arrival? So the slow summer drifted by.

If the Revolutionary Daughters had not arranged their September meeting on the day that a freight wreck made the trains from Barham westward very late and irregular; if Miss Herron had not been waiting a fretful half hour in the dusty station for the means of reaching the meeting before it was over, when Archie Fraser drove his car thither in a search for an express package, the latter part of this story would have been very different. But as the boy stopped his panting, throbbing machine at the edge of the platform, Miss Herron looked out the window.

"I am waiting for a train," she remarked, on the heels of her stiff little greeting, "for Oldport."

Archie glanced at the old lady's delicate dress and at the badge of gold and enamel she wore on her breast. "The R. D.'s?" he asked, respectfully.

"Exactly. I am one of the charter members, as you probably are aware. And to miss the meeting is distinctly vexatious."

"I'm so sorry." He turned to the station agent. "How late's the train?"

"Half an hour or so. She won't make up much comin' this far. And she's got to let the express pass her."

Out by the platform the car murmured its steady, quiet song of power, and quivered with its singing. Archibald started, stung by a sudden hope. If only——

"That will bring you to Oldport very late, I'm afraid," he ventured, feeling his way toward a compassing of his plan. The express package could wait. "I'm very sorry. I wish——" Here he broke off his speech to gaze pensively at the automobile.

"It's very annoying," said Miss Herron.

The station agent winced, as though she had laid a lash across his shoulders, and in his awkward fashion endeavored to apologize for his road's remissness. Like a tradesman reproved by his best customer, he promised Miss Herron that "it shouldn't happen again." It was quite in keeping with her character that she was graciously pleased to accept the man's excuses. And then the agent, fired into an expansive cheerfulness by her kindness, said that which won him the mysterious present he received the following Christmas.

"Why can't you take Miss Herron over, Mr. Fraser—hey? I guess that there autobile——"

"That——"

"Autobile," repeated the agent, sturdily. "She'll beat most o' the trains on this road."

"The very thing!" He made a mental promise never to forget this man's kindness and tact. "Oldport! It wouldn't take us an hour; and it's the best piece of road in the State."

"The idea!" exclaimed Miss Herron, gently scornful. "In an—automobile!"

"Please come," he begged. "It would be such an honor, and a pleasure, too."

"I should prefer the train." But the very fact that she let a note of argument and protest come into her voice gave Archibald instant encouragement.

The station agent, warned by a furious wink, came nobly to the fore. "I'm afraid the train ain't goin' to do ye much good, ma'am. Not for some time, anyway. I never see such a road's this."

"I'll go very carefully," Archie went on, recklessly promising.

"Of course, you know, I dislike those machines, but," Miss Herron confessed, with a fair show of sincerity, "I am rather eager to be present at this meeting." She surveyed with critical eye the deep-cushioned seats, the heavy springs, then the tiller and the various start-and-stop levers. "You think there'll be no danger?"

"Not the least. I'm sure you'd not be afraid, Miss Herron."

"I am afraid," she replied, tartly, "of nothing that man can devise. Be so good as to lend me your arm, Mr. Fraser."

He charmed her by his deferential escort across the platform; he protected the rustling silk of her skirt from any possible fleck of dirt as she mounted to her place; he was solicitous, as a gentleman should be, concerning the dust cloth, and deft as a footman in arranging it. Clearly, as Miss Herron perceived, the boy appreciated the honor she was doing him, and so far earned her approval. Nor were his manners wholly uncouth.

Archie drew on his gauntlets and settled himself, hands on tiller and throttle. "Are you quite ready?" He could not hide his smile. A sweet hour was to follow.

"I am waiting," she answered.

"Go, then."

The ponderous machine leaped forward as if released from a spring, gathering power and speed each half second. Miss Herron laid her hand on the driver's arm.

"Not too fast—all at once," she said. "I——"

"She'll do better when we strike the good road," the driver replied. "This sand checks her badly."

It was so lovely a revenge that lay now in his hand to inflict. This old lady had towed him home once, the laughingstock of the village; she had brought to naught at the same time the scheme which had cost Lucy and himself such a deal of planning. The machine was to be abandoned, they had arranged in that runaway afternoon when Miss Herron kept her room; the carriage was to overtake him in his distress; he was to drive home with the two ladies, holding Lucy's hand on the back seat, and convincing Miss Herron of his superior qualifications to marry into her family. But all this had in the sequel come to less than nothing. It was Miss Herron also who, Archie was convinced, had been at the bottom of his father's sudden determination to attach him to the Paris branch of the Fraser business, and so banish him from all that was dearest and best in the world.

Now, by blessed good luck, Miss Herron was quite in his power to frighten soundly and to land at the gathering of the elect, blown, dusty and disheveled. If he had been more than twenty, he would have thought and acted otherwise than he did; but the likely outcome of his plan never troubled the boy, if indeed it entered his honest head at all. "I'll scare her," remarked Archie, grinning silently, "good and hard."

But, even as he plotted, he wooed her with his politest phrases; laughed, but not too loudly, at the little sparkles of wit, accepted with naive delight her comments on the skill in driving that a boy of his age could show. For five minutes or so they ran quietly and steadily along a featureless road through barren pastures. There was time enough for his plan to blossom, for Oldport was nearly thirty miles away, and there intervened a village through which to drive at illegal speed.

But by slow degrees, without at all perceiving how it came about, Archie found that somehow his passenger was a very delightful old lady. What had become of the absurd starchiness, which before had so maddened him, of the stiff pride, which had condescended to him as though Fraser & Co. were creatures far beneath the regard of a New England old maid? She asked him questions, she was as interested as could be in his father's plans for him.

"Where will you live in Paris?" asked Miss Herron.

"Oh, over in the Quarter, I hope. It'd be more fun there than in the other house."

"The other house?"

"Ours, you know. Father likes to have his own place when he's over."

"Indeed?"

"We only lease it," Archie explained, ingenuously. "It's up near the Arch."

"Indeed! That should be extremely pleasant."

"I hate the idea of going," the boy blurted out. He looked straight ahead; a slow flush darkened his fair skin.

"Yes?"

"Unless," he murmured, suddenly inspired to madness, "unless——"

Miss Herron readjusted the dust cloth. The boy felt a quick irritation at her apparent inattention; but the purpose, born of her apparent readiness to hear and approve him, held. "I want Lucy to go, too, Miss Herron," he announced, bluntly enough.

"Indeed!"

"Lucy!" he cried. "I do love her so! Please say that I can have her. Please say——"

"Do I understand," she asked, and the boy could not comprehend why her old voice shook so, "that you are making a formal proposal for the hand of Miss Lucy Herron?"

"Yes," he cried, jubilantly. "Oh, say I may ask her."

"If you had intended so far to honor us," the old lady replied, icily, "I should have thought that you would have approached the subject with some degree of formality."

"Miss Herron!"

"To speak of such matters in an—automobile is to treat them very unbecomingly. It is not," she continued, and all her unbending rigidity of demeanor was behind her words, "dignified."

"Being dignified," cried Archie, hotly, "hasn't anything to do with being in love." Was it a smile that lighted up her craggy features, like sunshine on granite. "You don't understand."

"Apparently not. I am quite unused to the ways of modern youth. The world's moved very fast in recent years. In an—automobile—as it were."

"But Lucy——"

"Well, Mr. Fraser?"

"I——"

"Let us not refer to her, I beg."

"Not ever again?" he asked, but with no hint of disappointment.

"I am surprised that you so much as dreamed of it under the present circumstances," she replied, tartly.

Archie laughed shortly. "Please forget that I so far forgot myself," he begged. "It was wrong, under the present circumstances." All the boy's sunny malice shone from his clear eyes. "I ought to have remembered my real duty and pleasure."

"And that," Miss Herron asked, for once caught unawares, as it appeared, "is what?"

"Watch!" said Archie, briefly.

They had come by now to the beginning of the solid macadam road that runs across the county, to the joy of the chauffeur as to the corresponding dismay of the truck farmers for whom it was constructed. There was nothing ahead to break the long, hard track. Archie reached down beside him, though his eyes never left his course or one hand the steering wheel, and set his hand to some lever. The song of the great machine was for a second broken; then a new song of the road began, louder and fiercer than the first and in quicker measure. Miss Herron felt as she did the first time she descended in the express elevator of a high office building. She was conscious that her hat was tugging at its pins. She settled herself back deeper in the seat and braced her feet stiffly, only to bounce up as they ran over some stick.

"Oh!" she gasped. "Ahem!"

"Sit tight," counseled Archie, suavely. "We'll get there in time, all right, if nothing happens."

"If anything breaks," she remarked, "you can usually get somebody to tow the machine home."

"People are very charitable. Yes, Miss Herron."

"Up to a point."

And to that Archie had no rejoinder. It was perhaps as well that he did not see the smile that his passenger wore. It might have taken the edge off his revenge.

The houses commenced to appear at more frequent intervals now, and took on a character a little different from the old weather-grayed dwellings of the open country. There showed a white, slim church spire above the trees.

"Scarborough," said Archie, and made the horn speak.

"You'll be careful?" she asked. "Through the village——"

"Honk! honk!" This for a couple of children, who, starting to run across the road, doubled back like rabbits. Miss Herron caught just a glimpse of their white faces, and the end of their father's torrent of imprecation. Now it was the horse of a baker's wagon that climbed the bank by the roadside in two leaps and pranced shiveringly. Some boys cheered and then flung stones.

"Dear me!" ejaculated Miss Herron. "I rather hope we'll meet nobody I know."

"The sheriff himself couldn't stop us now."

"But——"

"Honk! honk!"

"Oh, Mr. Fraser!" They missed by a foot a carriage that was beginning slowly to turn around, and was nearly straight across the road when Archie twitched the automobile aside as if it was a polo pony.

"The stupid creatures!" cried Miss Herron, indignantly, when her heart commenced to beat again, "to block the way!"

"That was a close shave," commented Archie.

"Not too recklessly, Mr. Fraser."

"I must get you to the meeting, ma'am."

"But the risk——"

"If I can't have Lucy," the boy declared, sullenly, "I don't care what happens."

"Assure me," demanded his passenger, after a brief moment, during which with no slackening of speed the great machine tore down Scarborough's main street like a green tornado, "that you retain entire control of the thing."

"Oh, yes."

Another pause. "I suggested that you make no mention of Miss Lucy."

"I can't have her?"

"How fast can the automobile go?" asked Miss Herron, ignoring the boy's question.

"Some faster than this. But Lucy can——"

"Let us not discuss the matter, please."

"I can't have her?"

"I beg, Mr. Fraser, I beg you to center your attention on driving your machine."

"Well, I will, then. I'll drive her," said the boy, grimly, "good and fast." They came again to the open, but the road continued hard and broad, with only long curves around the base of a hill now and then. The wind blew the old lady's hair into disarray, her dress was gray with dust, her eyes smarted terribly; she gave from time to time a little gasp—or was it a laugh?—and clutched at Archie's arm, which held so rigid and strong to the tiller wheel. "This'll be her finish, all right," he thought. "Cross old cat. Scared?" he asked of her.

"I beg pardon?"

"You're not scared, I suppose?" he said, mockingly.

"I have been accustomed to fast driving, Mr. Fraser, all my life."

It was because she made that reply that Archie, quite desperate by now, dared what finally did occur. And this was occasioned by his spying in the distance another big car headed as he was, but moving less rapidly. In a minute he was alongside, and jammed on the brakes. The other driver, who was heavily mustached, red-faced and had three airy young damsels stowed in the tonneau, looked up in surprise.

"Hello, Isidore!"

"Hello! Hello, Mr. Fraser!"

"I'll race you to the bridge."

"Go on, now! Watcher think I got here?" But the girls chorused delightedly, and teased their driver—all but one, and she leaned forward to whisper confidingly, with her arms around his fat neck. Miss Herron surveyed the landscape.

"'Fraid cat!" giggled the girl. "You're afraid, Mr. Mayer."

"I ain't, only——"

"One!" cried Archie, releasing his steed again. "Two!"

"Leggo, May!" grunted the other.

"And——"

"Three!" yelled Mayer. "To the bridge!"

By mere good luck the highway was empty, for to think that any cart or carriage could be passed was absurd. Side by side the huge machines, scarlet, green, alive with shining brass, tore along with the roar of express trains between the ditch and the bank. The slightest swerve at such speed meant death. The chatter of the careless girls dwindled, the faces of the rival drivers grew pale and tense.

"Oh, be careful!" murmured Miss Herron. "It's very dangerous."

"Very," replied Archie. "Promise me Lucy and I'll slow up."

A sudden little shriek of joy and some handclapping from Mayer's tonneau interrupted what the old lady might have answered. Glancing over, Miss Herron perceived that their rival had drawn ahead a yard or more, that the girls were crying taunts at her. Not far away now there showed a gleam of the river. And then Archie encountered the greatest surprise of his life.

"Saucy things!" remarked his passenger, and fell silent again.

"Come on!" called the prettiest of the three, through her hollowed hands. "Old freight car!"

"Archie!"

"Yes, Miss Herron?"

"Can't you—— Oh!"

"What, ma'am?" From the tail of his eye he was aware that Miss Agatha was wringing her hands.

"Archie, they mustn't beat us!"

"I guess I'll crowd him."

"Oh!"

The time was ripe, he thought. "Give me Lucy," he repeated, doggedly, "or I'll foul him."

He had expected to frighten her. He had told himself what fun it would be to hear her give her agitated assent, with the fear of death on her if she refused. It was to be a fine revenge. But Miss Herron only raised a warning forefinger.

"Archie Fraser," she said, in trembling tones, "if—if you take the dust from those common young women and that vulgar man, I'll never forgive you."

"Great heavens, Miss Herron! I—I——"

"Beat 'em!" she ordered truculently.

He stuck blindly to his point: "Lucy?"

"Beat 'em! Show me," she declaimed, in trumpet tones, "that the man who wants to marry a Herron has some courage in him. Now!"

The road narrowed just ahead, where it led through a cut in the hill and then down to the bridge. On either side the banks rose eight or ten feet, and very steep, and beyond was a sharp curve. Archie made his horn speak angrily, as once more he came abreast of his rival, favored by the fact that Mayer had struck a strip of newly repaired and soft roadway some yards long. A second later he was leading.

"Pull up!" he bellowed hoarsely, crouching forward over his tiller still lower. He dropped his hand to the emergency brake. The cut was not six rods off. Once more the girls cried out, but this time in shrill fear. Miss Herron remained calm as the Sphinx.

"Honk!" from Mayer, and the click of levers. His machine slid along in a cloud of dust. "You win!"

It was ten minutes before the victors exchanged a single word. They rattled over the long bridge, steered up the streets of Oldport to the place where the Daughters were in session. Then Archie lay back with a sigh.

"You weren't scared a bit!" he exclaimed, frankly doleful.

The old lady straightened her hat, lightly brushed off the top layer of dust from the front of her dress, then gave the briefest of queer little laughs. "It is one of the traits of my family," she said, "never to be surprised at anything. And another," she added, descending majestically from the automobile, "is to make the best of circumstances which appear to be inevitable."

The boy blinked. "I don't understand," he stammered.

Miss Herron touched him on the arm. "I trust, then, that Lucy will express herself to you more clearly. In case—if you should venture to ask her a question."

And with that the old lady minced her way up the steps of the house to disappear within doors.

"Good Lord!" exclaimed Archie, as the light began to break.



TWO SORROWS

Before Love came my eyes were dim with tears, Because I had not known her gentle face; Softly I said: "But when across the years Her smile illumes the darkness of my place, All grief from my poor heart she will efface."

Now Love is mine—she walks with me for aye Down paths of primrose and blue violet; But on my heart at every close of day A grief more keen than my old grief is set,— I weep for those who have not found Love yet!

CHARLES HANSON TOWNE.



LOVE AND MUSHROOMS

By FRANCES WILSON

Van Mater, out on the coast for the melancholy purpose of witnessing what he conceived to be Corny Graham's crowning indiscretion—that is to say, his marriage—found himself lingering for the purpose of basking in California's smiles. The writing instinct, which in the little old town on Manhattan would keep his hand traveling back and forth across the paper for days at a stretch, here languished and drowsed like some heavy-eyed, faintly smiling lotus eater.

He had, to be sure—in a spurt of energy that subsided almost as quickly as it came—begun a song to that sybaritic state, in which it was represented as a lady around whose neck hung

A chain ablaze with diamond days All on the seasons strung,

which he thought sounded rather well.

Then, unfortunately, the rains set in and the result was a mental washout that carried the last vestige of his poetical idea out into the vasty deep where individual ideas become world-thought, though there was a moment when he had an inspiration—something about keeping Lent, which should typify the rains. But this, too, drifted off like a chip on an ocean, and the song became mere literary junk.

Probably the law of compensation is responsible for the fact that, while the coast's dazzling summer is flawed by trade winds, its rainy season is tempered by mushrooms. At least, so thought Van Mater. Connoisseur that he was in the joys of living, he confessed to a new sensation when, for the first time, he found himself plodding over the seared, round-shouldered hills, spongy with the supererogatory wetness of a three days' downpour. The rain had ceased temporarily, but the sky wore a look of ineffable gloom, and the feathery mist trailed along the earth like an uneasy ghost.

Some swarthy, dark-eyed Portuguese children, met on the road the day before, had proffered him their pail of spoil, and as he examined its contents he understood, for the first time, what a mushroom really ought to be. Their dank odor—the odor of germinating things—seemed to come from down in the earth where the gnomes are supposed to foregather; and Van Mater's thoughts reverted with withering scorn to certain woodeny, tan objects that had been foisted upon him from time to time as mushrooms—always, he now triumphantly recalled, to his own inward amazement.

Why, when and where mushrooms had won their vogue with epicures, he had often dumbly wondered, though he had remained silent lest he expose a too abysmal ignorance. Now he chuckled hilariously. It was his acceptance of those frauds—those mere shells from which the souls had fled—that displayed ignorance! In future he would know better, and he tossed the children a quarter and went his way, in a pleasant anticipation of the manner in which he would carelessly throw off to certain admiring friends:

"But I never eat mushrooms, save they come straight to the table from the soil, picked within an hour of the time when the rain ceases. Those things? Why, my dear fellow, you might as well eat so much gristle. Talk about the bouquet of wine! Why, the bouquet of the mushroom is as delicate and elusive as—as——" The simile failed to materialize, but he went on eloquently: "You can no more preserve it than you can the dew upon a plum." All of which sounded so well that he speculated anxiously upon the probability of any of the said fellows divining how very little he knew about the matter, after all. They were so deuced knowing, some of them; but it seemed a pity to let an idea like that, what had actually leaped from his brain full-fledged, go to waste. Decidedly, it was worth the risk.