"Meantime, the condition of things in the painter's household continued much the same for Wolkenlicht—work all day; no communication between the young people; the dinner and the wine; silent reading when work was done, with stolen glances many over the top of the book, glances that were never returned; the cold good-night; the locking of the door; the wakeful night and the drowsy morning. But at length a change came, and sooner than any of the party had expected. For, whether it was that the impatience of Teufelsbuerst had urged him to yet more dangerous experiments, or that the continuance of those he had been so long employing had overcome at length the vitality of Wolkenlicht—one afternoon, as he was sitting at his work, he suddenly dropped from his chair, and his master hurrying to him in some alarm, found him rigid and apparently lifeless. Lilith was not in the study when this took place. In justice to Teufelsbuerst, it must be confessed that he employed all the skill he was master of, which for beneficent purposes was not very great, to restore the youth; but without avail. At last, hearing the footsteps of Lilith, he desisted in some consternation; and that she might escape being shocked by the sight of a dead body where she had been accustomed to see a living one, he removed the lay figure from the couch, and laid Karl in its place, covering him with a black velvet pall. He was just in time. She started at seeing no one in Karl's place and said:

"'Where is your pupil, father?'

"'Gone home,' he answered, with a kind of convulsive grin.

"She glanced round the room, caught sight of the lay figure where it had not been before, looked at the couch, and saw the pall yet heaved up from beneath, opened her eyes till the entire white sweep around the iris suggested a new expression of consternation to Teufelsbuerst, though from a quarter whence he did not desire or look for it; and then, without a word, sat down to a drawing she had been busy upon the day before. But her father, glancing at her now, as Wolkenlicht had used to do, could not help seeing that she was frightfully pale. She showed no other sign of uneasiness. As soon as he released her, she withdrew, with one more glance, as she passed, at the couch and the figure blocked out in black upon it. She hastened to her chamber, shut and locked the door, sat down on the side of the couch, and fell, not a-weeping, but a-thinking. Was he dead? What did it matter? They would all be dead soon. Her mother was dead already. It was only that the earth could not bear more children, except she devoured those to whom she had already given birth. But what if they had to come back in another form, and live another sad, hopeless, loveless life over again?—And so she went on questioning, and receiving no replies; while through all her thoughts passed and repassed the eyes of Wolkenlicht, which she had often felt to be upon her when she did not see them, wild with repressed longing, the light of their love shining through the veil of diffused tears, ever gathering and never overflowing. Then came the pale face, so worshipping, so distant in its self-withdrawn devotion, slowly dawning out of the vapours of her reverie. When it vanished, she tried to see it again. It would not come when she called it; but when her thoughts left knocking at the door of the lost, and wandered away, out came the pale, troubled, silent face again, gathering itself up from some unknown nook in her world of phantasy, and once more, when she tried to steady it by the fixedness of her own regard, fading back into the mist. So the phantasm of the dead drew near and wooed, as the living had never dared.—What if there were any good in loving? What if men and women did not die all out, but some dim shade of each, like that pale, mind-ghost of Wolkenlicht, floated through the eternal vapours of chaos? And what if they might sometimes cross each other's path, meet, know that they met, love on? Would not that revive the withered memory, fix the fleeting ghost, give a new habitation, a body even, to the poor, unhoused wanderers, frozen by the eternal frosts, no longer thinking beings, but thoughts wandering through the brain of the 'Melancholy Mass?' Back with the thought came the face of the dead Karl, and the maiden threw herself on her bed in a flood of bitter tears. She could have loved him if he had only lived: she did love him, for he was dead. But even in the midst of the remorse that followed—for had she not killed him?—life seemed a less hard and hopeless thing than before. For it is love itself and not its responses or results that is the soul of life and its pleasures.

"Two hours passed ere she could again show herself to her father, from whom she seemed in some new way divided by the new feeling in which he did not, and could not share. But at last, lest he should seek her, and finding her, should suspect her thoughts, she descended and sought him.— For there is a maidenliness in sorrow, that wraps her garments close around her.—But he was not to be seen; the door of the study was locked. A shudder passed through her as she thought of what her father, who lost no opportunity of furthering his all but perfect acquaintance with the human form and structure, might be about with the figure which she knew lay dead beneath that velvet pall, but which had arisen to haunt the hollow caves and cells of her living brain. She rushed away, and up once more to her silent room, through the darkness which had now settled down in the house; threw herself again on her bed, and lay almost paralysed with horror and distress.

"But Teufelsbuerst was not about anything so frightful as she supposed, though something frightful enough. I have already implied that Wolkenlicht was, in form, as fine an embodiment of youthful manhood as any old Greek republic could have provided one of its sculptors with as model for an Apollo. It is true, that to the eye of a Greek artist he would not have been more acceptable in consequence of the regimen he had been going through for the last few weeks; but the emaciation of Wolkenlicht's frame, and the consequent prominence of the muscles, indicating the pain he had gone through, were peculiarly attractive to Teufelsbuerst.—He was busy preparing to take a cast of the body of his dead pupil, that it might aid to the perfection of his future labours.

"He was deep in the artistic enjoyment of a form, at the same time so beautiful and strong, yet with the lines of suffering in every limb and feature, when his daughter's hand was laid on the latch. He started, flung the velvet drapery over the body, and went to the door. But Lilith had vanished. He returned to his labours. The operation took a long time, for he performed it very carefully. Towards midnight, he had finished encasing the body in a close-clinging shell of plaster, which, when broken off, and fitted together, would be the matrix to the form of the dead Wolkenlicht. Before leaving it to harden till the morning, he was just proceeding to strengthen it with an additional layer all over, when a flash of lightning, reflected in all its dazzle from the snow without, almost blinded him. A peal of long-drawn thunder followed; the wind rose; and just such a storm came on as had risen some time before at the death of Kuntz, whose spectre was still tormenting the city. The gnomes of terror, deep hidden in the caverns of Teufelsbuerst's nature, broke out jubilant. With trembling hands he tried to cast the pall over the awful white chrysalis,—failed, and fled to his chamber. And there lay the studio naked to the eyes of the lightning, with its tortured forms throbbing out of the dark, and quivering, as with life, in the almost continuous palpitations of the light; while on the couch lay the motionless mass of whiteness, gleaming blue in the lightning, almost more terrible in its crude indications of the human form, than that which it enclosed. It lay there as if dropped from some tree of chaos, haggard with the snows of eternity—a huge misshapen nut, with a corpse for its kernel.

"But the lightning would soon have revealed a more terrible sight still, had there been any eyes to behold it. At midnight, while a peal of thunder was just dying away in the distance, the crust of death flew asunder, rending in all directions; and, pale as his investiture, staring with ghastly eyes, the form of Karl started up sitting on the couch. Had he not been far beyond ordinary men in strength, he could not thus have rent his sepulchre. Indeed, had Teufelsbuerst been able to finish his task by the additional layer of gypsum which he contemplated, he must have died the moment life revived; although, so long as the trance lasted, neither the exclusion from the air, nor the practical solidification of the walls of his chest, could do him any injury. He had lain unconscious throughout the operations of Teufelsbuerst, but now the catalepsy had passed away, possibly under the influence of the electric condition of the atmosphere. Very likely the strength he now put forth was intensified by a convulsive reaction of all the powers of life, as is not infrequently the case in sudden awakenings from similar interruptions of vital activity. The coming to himself and the bursting of his case were simultaneous. He sat staring about him, with, of all his mental faculties, only his imagination awake, from which the thoughts that occupied it when he fell senseless had not yet faded. These thoughts had been compounded of feelings about Lilith, and speculations about the vampire that haunted the neighbourhood; and the fumes of the last drug of which he had partaken, still hovering in his brain, combined with these thoughts and fancies to generate the delusion that he had just broken from the embrace of his coffin, and risen, the last-born of the vampire race. The sense of unavoidable obligation to fulfil his doom, was yet mingled with a faint flutter of joy, for he knew that he must go to Lilith. With a deep sigh, he rose, gathered up the pall of black velvet, flung it around him, stepped from the couch, and left the study to find her.

"Meantime, Teufelsbuerst had sufficiently recovered to remember that he had left the door of the studio unfastened, and that any one entering would discover in what he had been engaged, which, in the case of his getting into any difficulty about the death of Karl, would tell powerfully against him. He was at the farther end of a long passage, leading from the house to the studio, on his way to make all secure, when Karl appeared at the door, and advanced towards him. The painter, seized with invincible terror, turned and fled. He reached his room, and fell senseless on the floor. The phantom held on its way, heedless.

"Lilith, on gaining her room the second time, had thrown herself on her bed as before, and had wept herself into a troubled slumber. She lay dreaming—and dreadful dreams. Suddenly she awoke in one of those peals of thunder which tormented the high regions of the air, as a storm billows the surface of the ocean. She lay awake and listened. As it died away, she thought she heard, mingling with its last muffled murmurs, the sound of moaning. She turned her face towards the room in keen terror. But she saw nothing. Another light, long-drawn sigh reached her ear, and at the same moment a flash of lightning illumined the room. In the corner farthest from her bed, she spied a white face, nothing more. She was dumb and motionless with fear. Utter darkness followed, a darkness that seemed to enter into her very brain. Yet she felt that the face was slowly crossing the black gulf of the room, and drawing near to where she lay. The next flash revealed, as it bended over her, the ghastly face of Karl, down which flowed fresh tears. The rest of his form was lost in blackness. Lilith did not faint, but it was the very force of her fear that seemed to keep her alive. It became for the moment the atmosphere of her life. She lay trembling and staring at the spot in the darkness where she supposed the face of Karl still to be. But the next flash showed her the face far off, looking at her through the panes of her lattice-window.

"For Lottchen, as soon as he saw Lilith, seemed to himself to go through a second stage of awaking. Her face made him doubt whether he could be a vampire after all; for instead of wanting to bite her arm and suck the blood, he all but fell down at her feet in a passion of speechless love. The next moment he became aware that his presence must be at least very undesirable to her; and in an instant he had reached her window, which he knew looked upon a lower roof that extended between two different parts of the house, and before the next flash came, he had stepped through the lattice and closed it behind him.

"Believing his own room to be attainable from this quarter, he proceeded along the roof in the direction he judged best. The cold winter air by degrees restored him entirely to his right mind, and he soon comprehended the whole of the circumstances in which he found himself. Peeping through a window he was passing, to see whether it belonged to his room, he spied Teufelsbuerst, who, at the very moment, was lifting his head from the faint into which he had fallen at the first sight of Lottchen. The moon was shining clear, and in its light the painter saw, to his horror, the pale face staring in at his window. He thought it had been there ever since he had fainted, and dropped again in a deeper swoon than before. Karl saw him fall, and the truth flashed upon him that the wicked artist took him for what he had believed himself to be when first he recovered from his trance—namely, the vampire of the former Karl Wolkenlicht. The moment he comprehended it, he resolved to keep up the delusion if possible. Meantime he was innocently preparing a new ingredient for the popular dish of horrors to be served at the ordinary of the city the next day. For the old servant's were not the only eyes that had seen him besides those of Teufelsbuerst. What could be more like a vampire, dragging his pall after him, than this apparition of poor, half-frozen Lottchen, crawling across the roof? Karl remembered afterwards that he had heard the dogs howling awfully in every direction, as he crept along; but this was hardly necessary to make those who saw him conclude that it was the same phantasm of John Kuntz, which had been infesting the whole city, and especially the house next door to the painter's, which had been the dwelling of the respectable alderman who had degenerated into this most disreputable of moneyless vagabonds. What added to the consternation of all who heard of it, was the sickening conviction that the extreme measures which they had resorted to in order to free the city from the ghoul, beyond which nothing could be done, had been utterly unavailing, successful as they had proved in every other known case of the kind. For, urged as well by various horrid signs about his grave, which not even its close proximity to the altar could render a place of repose, they had opened it, had found in the body every peculiarity belonging to a vampire, had pulled it out with the greatest difficulty on account of a quite supernatural ponderosity; which rendered the horse which had killed him—a strong animal—all but unable to drag it along, and had at last, after cutting it in pieces, and expending on the fire two hundred and sixteen great billets, succeeded in conquering its incombustibleness, and reducing it to ashes. Such, at least, was the story which had reached the painter's household, and was believed by many; and if all this did not compel the perturbed corpse to rest, what more could be done?

"When Karl had reached his room, and was dressing himself, the thought struck him that something might be made of the report of the extreme weight of the body of old Kuntz, to favour the continuance of the delusion of Teufelsbuerst, although he hardly knew yet to what use he could turn this delusion. He was convinced that he would have made no progress however long he might have remained in his house; and that he would have more chance of favour with Lilith if he were to meet her in any other circumstances whatever than those in which he invariably saw her—namely, surrounded by her father's influences, and watched by her father's cold blue eyes.

"As soon as he was dressed, he crept down to the studio, which was now quiet enough, the storm being over, and the moon filling it with her steady shine. In the corner lay in all directions the fragments of the mould which his own body had formed and filled. The bag of plaster and the bucket of water which the painter had been using stood beside. Lottchen gathered all the pieces together, and then making his way to an outhouse where he had seen various odds and ends of rubbish lying, chose from the heap as many pieces of old iron and other metal as he could find. To these he added a few large stones from the garden. When he had got all into the studio, he locked the door, and proceeded to fit together the parts of the mould, filling up the hollow as he went on with the heaviest things he could get into it, and solidifying the whole by pouring in plaster; till, having at length completed it, and obliterated, as much as possible, the marks of joining, he left it to harden, with the conviction that now it would make a considerable impression on Teufelsbuerst's imagination, as well as on his muscular sense. He then left everything else as nearly undisturbed as he could; and, knowing all the ways of the house, was soon in the street, without leaving any signs of his exit.

"Karl soon found himself before the house in which his friend Hoellenrachen resided. Knowing his studious habits, he had hoped to see his light still burning, nor was he disappointed. He contrived to bring him to his window, and a moment after, the door was cautiously opened.

"'Why, Lottchen, where do you come from?'

"'From the grave, Heinrich, or next door to it.'

"'Come in, and tell me all about it. We thought the old painter had made a model of you, and tortured you to death.'

"'Perhaps you were not far wrong. But get me a horn of ale, for even a vampire is thirsty, you know.'

"'A vampire!' exclaimed Heinrich, retreating a pace, and involuntarily putting himself upon his guard.

"Karl laughed.

"'My hand was warm, was it not, old fellow?' he said. Vampires are cold, all but the blood.'

"'What a fool I am!' rejoined Heinrich. 'But you know we have been hearing such horrors lately that a fellow may be excused for shuddering a little when a pale-faced apparition tells him at two o'clock in the morning that he is a vampire, and thirsty, too.'

"Karl told him the whole story; and the mental process of regarding it for the sake of telling it, revealed to him pretty clearly some of the treatment of which he had been unconscious at the time. Heinrich was quite sure that his suspicions were correct. And now the question was, what was to be done next?

"'At all events,' said Heinrich, 'we must keep you out of the way for some time. I will represent to my landlady that you are in hiding from enemies, and her heart will rule her tongue. She can let you have a garret-room, I know; and I will do as well as I can to bear you company. We shall have time then to invent some plan of operation.'

"To this proposal Karl agreed with hearty thanks, and soon all was arranged. The only conclusion they could yet arrive at was, that somehow or other the old demon-painter must be tamed.

"Meantime, how fared it with Lilith? She too had no doubt that she had seen the body-ghost of poor Karl, and that the vampire had, according to rule, paid her the first visit because he loved her best. This was horrible enough if the vampire were not really the person he represented; but if in any sense it were Karl himself, at least it gave some expectation of a more prolonged existence than her father had taught her to look for; and if love anything like her mother's still lasted, even along with the habits of a vampire, there was something to hope for in the future. And then, though he had visited her, he had not, as far as she was aware, deprived her of a drop of blood. She could not be certain that he had not bitten her, for she had been in such a strange condition of mind that she might not have felt it, but she believed that he had restrained the impulses of his vampire nature, and had left her, lest he should yet yield to them. She fell fast asleep; and, when morning came, there was not, as far as she could judge, one of those triangular leech-like perforations to be found upon her whole body. Will it be believed that the moment she was satisfied of this, she was seized by a terrible jealousy, lest Karl should have gone and bitten some one else? Most people will wonder that she should not have gone out of her senses at once; but there was all the difference between a visit from a real vampire and a visit from a man she had begun to love, even although she took him for a vampire. All the difference does not lie in a name. They were very different causes, and the effects must be very different.

"When Teufelsbuerst came down in the morning, he crept into the studio like a murderer. There lay the awful white block, seeming to his eyes just the same as he had left it. What was to be done with it? He dared not open it. Mould and model must go together. But whither? If inquiry should be made after Wolkenlicht, and this were discovered anywhere on his premises, would it not be enough to bring him at once to the gallows? Therefore it would be dangerous to bury it in the garden, or in the cellar.

"'Besides,' thought he, with a shudder, 'that would be to fix the vampire as a guest for ever.'—And the horrors of the past night rushed back upon his imagination with renewed intensity. What would it be to have the dead Karl crawling about his house for ever, now inside, now out, now sitting on the stairs, now staring in at the windows?

"He would have dragged it to the bottom of his garden, past which the Moldau flowed, and plunged it into the stream; but then, should the spectre continue to prove troublesome, it would be almost impossible to reach the body so as to destroy it by fire; besides which, he could not do it without assistance, and the probability of discovery. If, however, the apparition should turn out to be no vampire, but only a respectable ghost, they might manage to endure its presence, till it should be weary of haunting them.

"He resolved at last to convey the body for the meantime into a concealed cellar in the house, seeing something must be done before his daughter came down. Proceeding to remove it, his consternation as greatly increased when he discovered how the body had grown in weight since he had thus disposed of it, leaving on his mind scarcely a hope that it could turn out not to be a vampire after all. He could scarcely stir it, and there was but one whom he could call to his assistance—the old woman who acted as his housekeeper and servant.

"He went to her room, roused her, and told her the whole story. Devoted to her master for many years, and not quite so sensitive to fearful influences as when less experienced in horrors, she showed immediate readiness to render him assistance. Utterly unable, however, to lift the mass between them, they could only drag and push it along; and such a slow toil was it that there was no time to remove the traces of its track, before Lilith came down and saw a broad white line leading from the door of the studio down the cellar-stairs. She knew in a moment what it meant; but not a word was uttered about the matter, and the name of Karl Wolkenlicht seemed to be entirely forgotten.

"But how could the affairs of a house go on all the same when every one of the household knew that a dead body lay in the cellar?—nay more, that, although it lay still and dead enough all day, it would come half alive at nightfall, and, turning the whole house into a sepulchre by its presence, go creeping about like a cat all over it in the dark—perhaps with phosphorescent eyes? So it was not surprising that the painter abandoned his studio early, and that the three found themselves together in the gorgeous room formerly described, as soon as twilight began to fall.

"Already Teufelsbuerst had begun to experience a kind of shrinking from the horrid faces in his own pictures, and to feel disgusted at the abortions of his own mind. But all that he and the old woman now felt was an increasing fear as the night drew on, a kind of sickening and paralysing terror. The thing down there would not lie quiet—at least its phantom in the cellars of their imagination would not. As much as possible, however, they avoided alarming Lilith, who, knowing all they knew, was as silent as they. But her mind was in a strange state of excitement, partly from the presence of a new sense of love, the pleasure of which all the atmosphere of grief into which it grew could not totally quench. It comforted her somehow, as a child may comfort when his father is away.

"Bedtime came, and no one made a move to go. Without a word spoken on the subject, the three remained together all night; the elders nodding and slumbering occasionally, and Lilith getting some share of repose on a couch. All night the shape of death might be somewhere about the house; but it did not disturb them. They heard no sound, saw no sight; and when the morning dawned, they separated, chilled and stupid, and for the time beyond fear, to seek repose in their private chambers. There they remained equally undisturbed.

"But when the painter approached his easel a few hours after, looking more pale and haggard still than he was wont, from the fears of the night, a new bewilderment took possession of him. He had been busy with a fresh embodiment of his favourite subject, into which he had sketched the form of the student as the sufferer. He had represented poor Wolkenlicht as just beginning to recover from a trance, while a group of surgeons, unaware of the signs of returning life, were absorbed in a minute dissection of one of the limbs. At an open door he had painted Lilith passing, with her face buried in a bunch of sweet peas. But when he came to the picture, he found, to his astonishment and terror, that the face of one of the group was now turned towards that of the victim, regarding his revival with demoniac satisfaction, and taking pains to prevent the others from discovering it. The face of this prince of torturers was that of Teufelsbuerst himself. Lilith had altogether vanished, and in her place stood the dim vampire reiteration of the body that lay extended on the table, staring greedily at the assembled company. With trembling hands the painter removed the picture from the easel, and turned its face to the wall.

"Of course this was the work of Lottchen. When he left the house, he took with him the key of a small private door, which was so seldom used that, while it remained closed, the key would not be missed, perhaps for many months. Watching the windows, he had chosen a safe time to enter, and had been hard at work all night on these alterations. Teufelsbuerst attributed them to the vampire, and left the picture as he found it, not daring to put brush to it again.

"The next night was passed much after the same fashion. But the fear had begun to die away a little in the hearts of the women, who did not know what had taken place in the studio on the previous night. It burrowed, however, with gathered force in the vitals of Teufelsbuerst. But this night likewise passed in peace; and before it was over, the old woman had taken to speculating in her own mind as to the best way of disposing of the body, seeing it was not at all likely to be troublesome. But when the painter entered his studio in trepidation the next morning, he found that the form of the lovely Lilith was painted out of every picture in the room. This could not be concealed; and Lilith and the servant became aware that the studio was the portion of the house in haunting which the vampire left the rest in peace.

"Karl recounted all the tricks he had played to his friend Heinrich, who begged to be allowed to bear him company the following night. To this Karl consented, thinking it would be considerably more agreeable to have a companion. So they took a couple of bottles of wine and some provisions with them, and before midnight found themselves snug in the studio. They sat very quiet for some time, for they knew that if they were seen, two vampires would not be so terrible as one, and might occasion discovery. But at length Heinrich could bear it no longer. "'I say, Lottchen, let's go and look; for your dead body. What has the old beggar done with it?'

"'I think I know. Stop; let me peep out. All right! Come along.'

"With a lamp in his hand, he led the way to the cellars, and after searching about a little they discovered it.

"'It looks horrid enough,' said Heinrich, 'but think a drop or two of wine would brighten it up a little.'

"So he took a bottle from his pocket, and after they had had a glass apiece, he dropped a third in blots all over the plaster. Being red wine, it had the effect Hoellenrachen desired.

"'When they visit it next, they will know that the vampire can find the food he prefers,' said he.

"In a corner close by the plaster, they found the clothes Karl had worn.

"'Hillo!' said Heinrich, 'we'll make something of this find.'

"So he carried them with him to the studio. There he got hold of the lay-figure.

"'What are you about, Heinrich?'

"'Going to make a scarecrow to keep the ravens off old Teufel's pictures,' answered Heinrich, as he went on dressing the lay-figure in Karl's clothes. He next seated the creature at an easel with its back to the door, so that it should be the first thing the painter should see when he entered. Karl meant to remove this before he went, for it was too comical to fall in with the rest of his proceedings. But the two sat down to their supper, and by the time they had finished the wine, they thought they should like to go to bed. So they got up and went home, and Karl forgot the lay-figure, leaving it in busy motionlessness all night before the easel.

"When Teufelsbuerst saw it, he turned and fled with a cry that brought his daughter to his help. He rushed past her, able only to articulate:

"The vampire! The vampire! Painting!'

"Far more courageous than he, because her conscience was more peaceful, Lilith passed on to the studio. She too recoiled a step or two when she saw the figure; but with the sight of the back of Karl, as she supposed it to be, came the longing to see the face that was on the other side. So she crept round and round by the wall, as far off as she could. The figure remained motionless. It was a strange kind of shock that she experienced when she saw the face, disgusting from its inanity. The absurdity next struck her; and with the absurdity flashed into her mind the conviction that this was not the doing of a vampire; for of all creatures under the moon, he could not be expected to be a humorist. A wild hope sprang up in her mind that Karl was not dead. Of this she soon resolved to make herself sure.

"She closed the door of the studio; in the strength of her new hope undressed the figure, put it in its place, concealed the garments—all the work of a few minutes; and then, finding her father just recovering from the worst of his fear, told him there was nothing in the studio but what ought to be there, and persuaded him to go and see. He not only saw no one, but found that no further liberties had been taken with his pictures. Reassured, he soon persuaded himself that the spectre in this case had been the offspring of his own terror-haunted brain. But he had no spirit for painting now. He wandered about the house, himself haunting it like a restless ghost.

"When night came, Lilith retired to her own room. The waters of fear had begun to subside in the house; but the painter and his old attendant did not yet follow her example.

"As soon, however, as the house was quite still, Lilith glided noiselessly down the stairs, went into the studio, where as yet there assuredly was no vampire, and concealed herself in a corner.

"As it would not do for an earnest student like Heinrich to be away from his work very often, he had not asked to accompany Lottchen this time. And indeed Karl himself, a little anxious about the result of the scarecrow, greatly preferred going alone.

"While she was waiting for what might happen, the conviction grew upon Lilith, as she reviewed all the past of the story, that these phenomena were the work of the real Karl, and of no vampire. In a few moments she was still more sure of this. Behind the screen where she had taken refuge, hung one of the pictures out of which her portrait had been painted the night before last. She had taken a lamp with her into the studio, with the intention of extinguishing it the moment she heard any sign of approach; but as the vampire lingered, she began to occupy herself with examining the picture beside her. She had not looked at it long, before she wetted the tip of her forefinger, and began to rub away at the obliteration. Her suspicions were instantly confirmed: the substance employed was only a gummy wash over the paint. The delight she experienced at the discovery threw her into a mischievous humour.

"'I will see,' she said to herself, 'whether I cannot match Karl Wolkenlicht at this game.'

"In a closet in the room hung a number of costumes, which Lilith had at different times worn for her father. Among them was a large white drapery, which she easily disposed as a shroud. With the help of some chalk, she soon made herself ghastly enough, and then placing her lamp on the floor behind the screen, and setting a chair over it, so that it should throw no light in any direction, she waited once more for the vampire. Nor had she much longer to wait. She soon heard a door move, the sound of which she hardly knew, and then the studio door opened. Her heart beat dreadfully, not with fear lest it should be a vampire after all, but with hope that it was Karl. To see him once more was too great joy. Would she not make up to him for all her coldness! But would he care for her now? Perhaps he had been quite cured of his longing for a hard heart like hers. She peeped. It was he sure enough, looking as handsome as ever. He was holding his light to look at her last work, and the expression of his face, even in regarding her handiwork, was enough to let her know that he loved her still. If she had not seen this, she dared not have shown herself from her hiding-place. Taking the lamp in her hand, she got upon the chair, and looked over the screen, letting the light shine from below upon her face. She then made a slight noise to attract Karl's attention. He looked up, evidently rather startled, and saw the face of Lilith in the air. He gave a stifled cry threw himself on his knees with his arms stretched towards her, and moaned—

"'I have killed her! I have killed her!'

"Lilith descended, and approached him noiselessly. He did not move. She came close to him and said—

"'Are you Karl Wolkenlicht?'

"His lips moved, but no sound came.

"'If you are a vampire, and I am a ghost,' she said—but a low happy laugh alone concluded the sentence.

"Karl sprang to his feet. Lilith's laugh changed into a burst of sobbing and weeping, and in another moment the ghost was in the arms of the vampire.

"Lilith had no idea how far her father had wronged Karl, and though, from thinking over the past, he had no doubt that the painter had drugged him, he did not wish to pain her by imparting this conviction. But Lilith was afraid of a reaction of rage and hatred in her father after the terror was removed; and Karl saw that he might thus be deprived of all further intercourse with Lilith, and all chance of softening the old man's heart towards him; while Lilith would not hear of forsaking him who had banished all the human race but herself. They managed at length to agree upon a plan of operation.

"The first thing they did was to go to the cellar where the plaster mass lay, Karl carrying with him a great axe used for cleaving wood. Lilith shuddered when she saw it, stained as it was with the wine Heinrich had spilt over it, and almost believed herself the midnight companion of a vampire after all, visiting with him the terrible corpse in which he lived all day. But Karl soon reassured her; and a few good blows of the axe revealed a very different core to that which Teufelsbuerst supposed to be in it. Karl broke it into pieces, and with Lilith's help, who insisted on carrying her share, the whole was soon at the bottom of the Moldau and every trace of its ever having existed removed. Before morning, too, the form of Lilith had dawned anew in every picture. There was no time to restore to its former condition the one Karl had first altered; for in it the changes were all that they seemed; nor indeed was he capable of restoring it in the master's style; but they put it quite out of the way, and hoped that sufficient time might elapse before the painter thought of it again.

"When they had done, and Lilith, for all his entreaties, would remain with him no longer, Karl took his former clothes with him, and having spent the rest of the night in his old room, dressed in them in the morning. When Teufelsbuerst entered his studio next day, there sat Karl, as if nothing had happened, finishing the drawing on which he had been at work when the fit of insensibility came upon him. The painter started, stared, rubbed his eyes, thought it was another spectral illusion, and was on the point of yielding to his terror, when Karl rose, and approached him with a smile. The healthy, sunshiny countenance of Karl, let him be ghost or goblin, could not fail to produce somewhat of a tranquilizing effect on Teufelsbuerst. He took his offered hand mechanically, his countenance utterly vacant with idiotic bewilderment. Karl said:

"'I was not well, and thought it better to pay a visit to a friend for a few days; but I shall soon make up for lost time, for I am all right now.'

"He sat down at once, taking no notice of his master's behaviour, and went on with his drawing. Teufelsbuerst stood staring at him for some minutes without moving, then suddenly turned and left the room. Karl heard him hurrying down the cellar stairs. In a few moments he came up again. Karl stole a glance at him. There he stood in the same spot, no doubt more full of bewilderment than ever, but it was not possible that his face should express more. At last he went to his easel, and sat down with a long-drawn sigh as if of relief. But though he sat at his easel, he painted none that day; and as often as Karl ventured a glance, he saw him still staring at him. The discovery that his pictures were restored to their former condition aided, no doubt, in leading him to the same conclusion as the other facts, whatever that conclusion might be—probably that he had been the sport of some evil power, and had been for the greater part of a week utterly bewitched. Lilith had taken care to instruct the old woman, with whom she was all-powerful; and as neither of them showed the smallest traces of the astonishment which seemed to be slowly vitrifying his own brain, he was at last perfectly satisfied that things had been going on all right everywhere but in his inner man; and in this conclusion he certainly was not far wrong, in more senses than one. But when all was restored again to the old routine, it became evident that the peculiar direction of his art in which he had hitherto indulged had ceased to interest him. The shock had acted chiefly upon that part of his mental being which had been so absorbed. He would sit for hours without doing anything, apparently plunged in meditation.—Several weeks elapsed without any change, and both Lilith and Karl were getting dreadfully anxious about him. Karl paid him every attention; and the old man, for he now looked much older than before, submitted to receive his services as well as those of Lilith. At length, one morning, he said in a slow thoughtful tone:

"'Karl Wolkenlicht, I should like to paint you.'

"'Certainly, sir,' answered Karl, jumping up, 'where would you like me to sit?'

"So the ice of silence and inactivity was broken, and the painter drew and painted; and the spring of his art flowed once more; and he made a beautiful portrait of Karl—a portrait without evil or suffering. And as soon as he had finished Karl, he began once more to paint Lilith; and when he had painted her, he composed a picture for the very purpose of introducing them together; and in this picture there was neither ugliness nor torture, but human feeling and human hope instead. Then Karl knew that he might speak to him of Lilith; and he spoke, and was heard with a smile. But he did not dare to tell him the truth of the vampire story till one day that Teufelsbuerst was lying on the floor of a room in Karl's ancestral castle, half smothered in grandchildren; when the only answer it drew from the old man was a kind of shuddering laugh and the words—'Don't speak of it, Karl, my boy!'"

* * * * *

No one had interrupted Harry. His brother had put a shovelful of coals on the fire, to keep up the flame; but not a word had been spoken. The cold moon had shone in at the windows all the time, her light made yet colder by the snowy sheen from the face of the earth; and any horror that the story could generate had had full freedom to operate on the minds of the listeners.

"Well, I'm glad its over, for my part," said Mrs. Bloomfield. "It made my flesh creep."

"I do not see any good in founding a story upon a superstition. One knows it is false, all the time," said Mrs. Cathcart.

"But," said Harry, "all that I have related might have taken place; for the story is not founded on the superstition itself, but on the belief of the people of the time in the superstition. I have merely used this belief to give the general tone to the story, and sometimes the particular occasion for events in it, the vampire being a terrible fact to those times."

"You write," said the curate, "as if you quoted occasionally from some authority."

"The story of John Kuntz, as well as that of the shoemaker, is told by Henry More in his Antidote against Atheism. He believed the whole affair. His authority is Martin Weinrich, a Silesian doctor. I have only taken the liberty of shifting the scene of the post-mortem exploits of Kuntz from a town of Silesia to Prague."

"Well, Harry," said his sister-in-law, "if your object was to frighten us, I confess that I for one was tolerably uncomfortable. But I don't know that that is a very high aim in story-telling."

"If that were all—certainly not," replied Harry, glancing towards Adela, who had not spoken. Nor did she speak yet. But her expression showed plainly enough that it was not the horror of the story that had taken chief hold of her mind. Her face was full of suppressed light, and she was evidently satisfied—or shall I call it gratified?—as well as delighted with the tale. Something or other in it had touched her not only deeply, but nearly.

Nothing was said about another meeting—perhaps because, from Adela's illness, the order had been interrupted, and the present had required a special summons.

The ladies had gone up stairs to put on their bonnets. I had crossed into the library, which was on the same floor with the drawing-room, to find out if I was right in supposing I had seen some volumes of Henry More's works on the shelves—certainly the colonel could never have bought them. Our host, the curate and the schoolmaster had followed me. Harry had remained behind in the drawing-room. Thinking of something I wanted to say to him before he went, I left the gentlemen looking over the book-shelves, and went to cross again to the drawing-room. But when I reached the door, there stood at the top of the stair, Adela and Harry. She had evidently just said something warm about the story. I could almost read what she had said still lingering on her face, which was turned up a good deal to look into his, so near each other were they standing. Hers had a rosy flush as of sunset over it, while his glowed like the sun rising in a mist. Evidently the pleasures of giving and receiving were in this case nearly equal. But they were not of long duration; for the moment I appeared, they bade each other a hurried good night, and parted. I, thinking it better to pretermit my speech to Harry, retreated into the library, and was glad to think that no one had seen that conference but myself. Such a conjunction of planets prefigured, however, not merely warm spring weather, but sultry gloom, and thunderous clouds to follow; and although I was delighted with my astronomical observation, I could not help growing anxious about the omen.



CHAPTER VII.

THE CASTLE.

The next day, as I passed the school-house on my way to call on the curate, I heard such an uproar that I stopped involuntarily to listen. I soon satisfied myself that it was only the usual water-spout occasioned on the ocean of boyhood by the vacuum of the master. As soon as I entered the curate's study, there stood the missing master, hat in hand. He had not sat down, and would not, hearing all the time, no doubt, in his soul, the far confusion of his forsaken realm. He had but that moment entered.

"You come just in the right time, Smith," said the curate.—We had already dropped unnecessary prefixes.—"Here is Mr. Bloomfield come to ask us to spend a final evening with him and Mrs. Bloomfield. And in the name of the whole company, I have taken upon me to assure him that it will give us pleasure. Am I not right?"

"Undoubtedly," I replied. "What evening have you fixed upon, Mr. Bloomfield?"

"This day week," he answered. "Shall I tell you why I put it off so long?"

"If you please."

"I heard your brother, Mr. Armstrong, say that you were very fond of parables. Now I have always had a leaning that way myself; and for years I have had one in particular glimmering before my mental sight. The ambition seized me, to write it out for one of our meetings, and so submit it to your judgment; for, Mr. Armstrong, I am so delighted with your sermons and opinions generally, that I long to let you know that I am not only friendly, but capable of sympathizing with you. But it is only in the rough yet, and I want to have plenty of time to act the dutiful bear to my offspring, and lick it into thorough shape. So if you will come this day week, Mrs. Bloomfield and I will be delighted to entertain you in our humble fashion. But, bless me! the boys will be all in a heap of confusion worse confounded before I get back to them. I have no business to be away from them at this hour. Good morning, gentlemen."

And off ran the worthy Neptune, to quell, by the vision of his returning head, the rebellious waves of boyish impulse.

"That man will be a great comfort to you, Armstrong," I said.

"I know he will. He is a far-seeing, and what is better, a far-feeling man."

"There is true wealth in him, it seems to me, although it may be of narrow reach in expression," said I.

"I think so, quite. He seems to me to be one of those who have never grown robust because they have laboured in-doors instead of going out to work in the open air. There is a shrinking delicacy about him when with those whom he doesn't feel to be of his own kind, which makes him show to a disadvantage. But you should see him amongst his boys to do him justice."

We were interrupted by the entrance of Mrs. Armstrong, who came, after their simple fashion, to tell her husband that dinner was ready. I took my leave.

In the evening, Mrs. Bloomfield called to invite Adela and the colonel; and the affair was settled for that day week.

"You're much better, my dear, are you not?" said the worthy woman to my niece.

"Indeed I am, Mrs. Bloomfield. I could not have believed it possible that I should be so much better in so short a time—and at this season of the year too."

"Mr. Armstrong is a very clever young man, I think; though I can't say I quite relished that extraordinary story of his."

"I suppose he is clever," replied Adela, something demurely as I thought. "I must say I liked the story."

"Ah, well! Young people, you know, Mr. Smith—But, bless me! I'm sure I beg your pardon. I had forgotten you weren't a married man. Of course you're one of the young people too, Mr. Smith."

"I don't think there's much of youth to choose between you and me, Mrs. Bloomfield," said I, "if I may venture to say so. But I fear I do belong to the young people, if a liking for extravagant stories, so long as they mean well, you know—is to be the test of the classification. I fear I have a depraved taste, that way. I don't mean in this particular instance, though, Adela."

"I hope not," answered Adela, with a blushing smile, which I, at least, could read, having had not merely the key to it, but the open door and window as well, ever since I had seen the two standing together at the top of the stair.

That night the weather broke. A slow thaw set in; and before many days were over, islands of green began to appear amid the "wan water" of the snow—to use a phrase common in Scotch ballads, though with a different application. The graves in the churchyard lifted up their green altars of earth, as the first whereon to return thanks for the prophecy of spring; which, surely, if it has force and truth anywhere, speaks loudest to us in the churchyard. And on Sunday the sun broke out and shone on the green hillocks, just as good old Mr. Venables was reading the words, "I will not leave you comfortless—I will come to you."

And the ice vanished from the river, and the dark stream flowed, somewhat sullen, but yet glad at heart, on through the low meadows bordered with pollards, which, poor things, maltreated and mutilated, yet did the best they could, and went on growing wildly in all insane shapes—pitifully mingling formality and grotesqueness.

And the next day the hounds met at Castle Irksham. And that day Colonel Cathcart would ride with them.

For the good man had gathered spirit just as the light grew upon his daughter's face. And he was merry like a boy now that the first breath of spring—for so it seemed, although no doubt plenty of wintriness remained and would yet show itself—had loosened the hard hold of the frost, which is the death of Nature. The frost is hard upon old people; and the spring is so much the more genial and blessed in its sweet influences on them. Do we grow old that, in our weakness and loss of physical self-assertion, we may learn the benignities of the universe—only to be learned first through the feeling of their want?—I do not envy the man who laughs the east wind to scorn. He can never know the balmy power of its sister of the west, which is the breath of the Lord, the symbol of the one genial strength at the root of all life, resurrection, and growth—commonly called the Spirit of God.—Who has not seen, as the infirmities of age grow upon old men, the haughty, self-reliant spirit that had neglected, if not despised the gentle ministrations of love, grow as it were a little scared, and begin to look about for some kindness; begin to return the warm pressure of the hand, and to submit to be waited upon by the anxiety of love? Not in weakness alone comes the second childhood upon men, but often in childlikeness; for in old age as in nature, to quote the song of the curate,

Old Autumn's fingers Paint in hues of Spring.

The necessities of the old man prefigure and forerun the dawn of the immortal childhood. For is not our necessity towards God our highest blessedness—the fair cloud that hangs over the summit of existence? Thank God, he has made his children so noble and high that they cannot do without Him! I believe we are sent into this world just to find this out.

But to leave my reflections and return to my story—such as it is. The colonel mounted me on an old horse of his, "whom," to quote from Sir Philip Sidney's Arcadia, "though he was near twenty years old, he preferred for a piece of sure service, before a great number of younger." Now the piece of sure service, in the present instance, was to take care of old John Smith, who was only a middling horseman, though his friend, the colonel, would say that he rode pretty well for a lad. The old horse, in fact, knew not only what he could do, but what I could do, for our powers were about equal. He looked well about for the gaps and the narrow places. From weakness in his forelegs, he had become a capital buck-jumper, as I think Cathcart called him, always alighting over a hedge on his hind legs, instead of his fore ones, which was as much easier for John Smith as for Hop o' my Thumb—that was the name of the old horse, he being sixteen hands, at least. But I beg my reader's pardon for troubling him with all this about my horse, for, assuredly, neither he nor I will perform any deed of prowess in his presence. But I have the weakness of garrulity in regard to a predilection from the indulgence of which circumstances have debarred me.

At nine o'clock my friend and I started upon hacks for the meet. Now, I am not going to describe the "harrow and weal away!" with which the soul of poor Reynard is hunted out of the world—if, indeed, such a clever wretch can have a soul. I daresay—I hope, at least, that the argument of the fox-hunter is analogically just, who, being expostulated with on the cruelty of fox-hunting, replied—"Well, you know, the hounds like it; and the horses like it; and there's no doubt the men like it—and who knows whether the fox doesn't like it too?" But I would not have introduced the subject except for the sake of what my reader will find in the course of a page or two, and which assuredly is not fox-hunting.

We soon found. But just before, a sudden heavy noise, coming apparently from a considerable distance, made one or two of the company say, with passing curiosity: "What is that?" It was instantly forgotten, however, as soon as the fox broke cover. He pointed towards Purley-bridge. We had followed for some distance, circumstances permitting Hop o' my Thumb to keep in the wake of his master, when the colonel, drawing rein, allowed me—I ought to say us, for the old horse had quite as much voice in the matter as I had—to come up with him.

"The cunning old dog!" said he. "He has run straight for the deepest cutting in the railway. They'll all be pounded presently! They don't know this part so well as I do. I know every field and gate in it. I used to go larking over it all when I was only a cub myself. Confound it! I'm not up to much to-day. I suppose I'm getting old, you know; or I'd strike off here at right angles to the left, and make for the bridge at Crumple's Corner. I should lose the hounds though, I fear. I wonder what his lordship will do."

All the time my old friend was talking, we were following the rest of the field, whom, sure enough, as soon as we got into the next inclosure, we saw drawing up one after another on the top of the railway cutting, which ran like the river of death between them and the fox-hunter's paradise. But at the moment we entered this field, whom should we see approaching us at right angles, from the direction of Purleybridge, but Harry Armstrong, mounted on the mare! I rode towards him.

"Trapped, you see," said I. "Are you after the fox—or some nobler game?"

"I was going my rounds," answered Harry, "when I caught sight of the hounds. I have no very pressing case to day, so I turned a few yards out of the road to see a bit of the sport. Confound these railways!"

At the moment—and all this passed, as the story-teller is so often compelled to remind his reader, in far less time than it takes to tell— over the hedge on the opposite side from where Harry had entered the field, blundered a country fellow, on a great, heavy, but spirited horse, and ploughed his way up the soft furrow to where we stood.

"Doctor!" he cried, half-breathless with haste and exertion—"Doctor!"

"Well?" answered Henry, alert.

"There's a awful accident at Grubblebon Quarry, sir. Powder blowed up. Legs and arms! Good God! sir, make haste."

"Well," said Harry, whose compressed lips alone gave sign of his being ready for action, "ride to the town, and tell my housekeeper to give you bandages and wadding and oil, and splints, and whatever she knows to be needful. Are there many hurt?"

"Half a dozen alive, sir."

"Then you'd better let the other doctors know as well. And just tell my man to saddle Jilter and take him to by brother, the curate. He had better come out at once. Ride now."

"I will, sir," said the man, and was over the hedge in another minute.

But not before Harry was over the railway. For he rode gently towards it, as if nothing particular was to be done, and chose as the best spot one close to where several of the gentlemen stood, disputing for a moment as to which was the best way to get across. Now on the top of the cutting there was a rail, and between the rail and the edge of the cutting a space of about four feet. Harry trotted his mare gently up to the rail, and went over. Nor was the mutual confidence of mare and master misplaced from either side. She lighted and stood stock still within a foot of the slope, so powerful was she to stop herself. An uproar of cries arose among the men. I heard the old soldier's voice above them all.

"Damn you, Armstrong, you fool!" he cried; "you'll break your neck, and serve you right too!"

I don't know a stronger proof that the classical hell has little hold on the faith of the Saxons, than that good-hearted and true men will not unfrequently damn their friends when they are most anxious to save them. But before the words were half out of the colonel's mouth, Harry was half-way down the cutting. He had gone straight at it like a cat, and it was of course the only way. I had galloped to the edge after him, and now saw him, or rather her, descending by a succession of rebounds—not bounds—a succession, in fact, of short falls upon the fore-legs, while Harry's head was nearly touching her rump. Arrived at the bottom, she gave two bounds across the rails, and the same moment was straining right up the opposite bank in a fierce agony of effort, Harry hanging upon her neck. Now the mighty play of her magnificent hind quarters came into operation. I could see, plainly enough across the gulf, the alternate knotting and loosening of the thick muscles as, step by step, she tore her way up the grassy slope. It was a terrible trial of muscle and wind, and very few horses could have stood it. As she neared the top, her pace grew slower and slower, and the exertion more and more severe. If she had given in, she would have rolled to the bottom, but nothing was less in her thoughts. Her master never spurred or urged her, except it may have been by whispering in her ear, to which his mouth was near enough: he knew she needed no excitement to that effort. At length the final heave of her rump, as it came up to a level with her withers, told the breathless spectators that the attempt was a success, when a loud "Hurrah for the doctor and his mare!" burst from their lips. The doctor, however, only waved his hand in acknowledgment, for he had all to do yet. Fortunately there was space enough between the edge and the fence on that side to allow of his giving his mare a quarter of a circle of a gallop before bringing her up to the rail, else in her fatigue she might have failed to top it. Over she went and away, with her tail streaming out behind her, as if she had done nothing worth thinking about, once it was done. One more cheer for the doctor—but no one dared to follow him. They scattered in different directions to find a less perilous crossing. I stuck by my leader.

"By Jove! Cathcart," said Lord Irksham, as they parted, "that doctor of yours is a hero. He ought to have been bred a soldier."

"He's better employed, my lord," bawled the old colonel; for they were now a good many yards asunder, making for different points in the hedge. From this answer, I hoped well for the doctor. At all events, the colonel admired his manliness more than ever, and that was a great thing. For me, I could hardly keep down the expression of an excitement which I did not wish to show. It was a great relief to me when the hurrah! arose, and I could let myself off in that way. I told you, kind reader, I was only an old boy. But, as the Arabs always give God thanks when they see a beautiful woman, and quite right too! so, in my heart, I praised God who had made a mare with such muscles, and a man with such a heart. And I said to myself, "A fine muscle is a fine thing; but the finest muscle of all, keeping the others going too, is the heart itself. That is the true Christian muscle. And the real muscular Christianity is that which pours in a life-giving torrent from the devotion of the heart, receiving only that it may give."

But I fancy I hear my reader saying,

"Mr. Smith, you've forgotten the fox. What a sportsman you make!"

Well, I had forgotten the fox. But then we didn't kill him or find another that day. So you won't care for the rest of the run.

I was tired enough by the time we got back to Purleybridge. I went early to bed.

The next morning, the colonel, the moment we met at the breakfast table, said to me,

"You did not hear, Smith, what that young rascal of a doctor said to Lord Irksham last night?"

"No, what was it?"

"It seems they met again towards evening, and his lordship said to him: 'You hare-brained young devil!'—you know his lordship's rough way," interposed the colonel, forgetting how roundly he had sworn at Harry himself, "'by the time you're my age, you'll be more careful of the few brains you'll have left.' To which expostulated Master Harry replied: 'If your lordship had been my age, and would have done it yourself to kill a fox: when I am your lordship's age, I hope I shall have the grace left to do as much to save a man.' Whereupon his lordship rejoined, holding out his hand, 'By Jove! sir, you are an honour to your profession. Come and dine with me on Monday.' And what do you think the idiot did?—Backed out of it, and wouldn't go, because he thought his lordship condescending, and he didn't want his patronage. But his lordship's not a bit like that, you know."

"Then if he isn't, he'll like Harry all the better for declining, and will probably send him a proper invitation."

And sure enough, I was right; and Harry did dine at Castle Irksham on Monday.

Adela's eyes showed clearly enough that her ears were devouring every word we had said; and the glow on her face could not be mistaken by me at least, though to another it might well appear only the sign of such an enthusiasm as one would like every girl to feel in the presence of noble conduct of any kind. She had heard the whole story last night you may be sure; and I do not doubt that the unrestrained admiration shown by her father for the doctor's conduct, was a light in her heart which sleep itself could not extinguish, and which went shining on in her dreams. Admiration of the beloved is dear to a woman. You see I like to show that although I am an old bachelor, I know something about them.

I met Harry that morning; that is, I contrived to meet him.

"Well, how are you to-day, Harry?" I said.

"All right, thank you."

"Were there many hurt at the quarry?"

"Oh! it wasn't so very bad, I'm happy to say."

"You did splendidly yesterday."

"Oh, nonsense! It was my mare. It wasn't me. I had nothing to do with it."

"Well! well! you have my full permission to say so, and to think so, too."

"Well! well! say no more about it."

So it was long before the subject was again alluded to by me. But it will be long, too, before it is forgotten in that county.

And so the evening came when we were to meet—for the last time as the Story-telling club—at the schoolmaster's house. It was now past the time I had set myself for returning to London, and although my plans were never of a very unalterable complexion, seeing I had the faculty of being able to write wherever I was, and never admitted chairs and tables, and certain rows of bookshelves, to form part of my mental organism, without which the rest of the mechanism would be thrown out of gear, I had yet reasons for wishing to be in London; and I intended to take my departure on the day but one after the final meeting.—I may just remark, that before this time one or two families had returned to Purleybridge, and others were free from their Christmas engagements, who would have been much pleased to join our club; but, considering its ephemeral nature, and seeing it had been formed only for what we hoped was a passing necessity, we felt that the introduction of new blood, although essential for the long life of anything constituted for long life, would only hasten the decay of its butterfly constitution. So we had kept our meetings entirely to ourselves.

We all arrived about the same time, and found our host and hostess full of quiet cordiality, to which their homeliness lent an additional charm. The relation of host and guest is weakened by every addition to a company, and in a large assembly all but disappears. Indeed, the tendency of the present age is to blot from the story of every-day life all reminders of the ordinary human relations, as commonplace and insignificant, and to mingle all society in one concourse of atoms, in which the only distinctions shall be those of rank; whereas the sole power to keep social intercourse from growing stale is the recognition of the immortal and true in all the simple human relations. Then we look upon all men with reverence, and find ourselves safe and at home in the midst of divine intents, which may be violated and striven with, but can never be escaped, because the will of God is the very life and well-being of his creatures.

Mrs. Bloomfield looked very nice in her black silk dress, and collar and cuffs of old lace, as she presided at the tea-table, and made us all feel that it was a pleasure to her to serve us.

After repeated apologies, and confessions of failure, our host then read the following parable, as he called it, though I daresay it would be more correct to call it an allegory. But as that word has so many wearisome associations, I, too, intend, whether right or wrong, to call it a parable. So, then, it shall be:

"THE CASTLE: A PARABLE.

"On the top of a high cliff, forming part of the base of a great mountain, stood a lofty castle. When or how it was built, no man knew; nor could any one pretend to understand its architecture. Every one who looked upon it felt that it was lordly and noble; and where one part seemed not to agree with another, the wise and modest dared not to call them incongruous, but presumed that the whole might be constructed on some higher principle of architecture than they yet understood. What helped them to this conclusion was, that no one had ever seen the whole of the edifice; that, even of the portion best known, some part or other was always wrapped in thick folds of mist from the mountain; and that, when the sun shone upon this mist, the parts of the building that appeared through the vaporous veil were strangely glorified in their indistinctness, so that they seemed to belong to some aerial abode in the land of the sunset; and the beholders could hardly tell whether they had ever seen them before, or whether they were now for the first time partially revealed.

"Nor, although it was inhabited, could certain information be procured as to its internal construction. Those who dwelt in it often discovered rooms they had never entered before—yea, once or twice,—whole suites of apartments, of which only dim legends had been handed down from former times. Some of them expected to find, one day, secret places, filled with treasures of wondrous jewels; amongst which they hoped to light upon Solomon's ring, which had for ages disappeared from the earth, but which had controlled the spirits, and the possession of which made a man simply what a man should be, the king of the world. Now and then, a narrow, winding stair, hitherto untrodden, would bring them forth on a new turret, whence new prospects of the circumjacent country were spread out before them. How many more of these there might be, or how much loftier, no one could tell. Nor could the foundations of the castle in the rock on which it was built be determined with the smallest approach to precision. Those of the family who had given themselves to exploring in that direction, found such a labyrinth of vaults and passages, and endless successions of down-going stairs, out of one underground space into a yet lower, that they came to the conclusion that at least the whole mountain was perforated and honeycombed in this fashion. They had a dim consciousness, too, of the presence, in those awful regions, of beings whom they could not comprehend. Once they came upon the brink of a great black gulf, in which the eye could see nothing but darkness: they recoiled with horror; for the conviction flashed upon them that that gulf went down into the very central spaces of the earth, of which they had hitherto been wandering only in the upper crust; nay, that the seething blackness before them had relations mysterious, and beyond human comprehension, with the far-off voids of space, into which the stars dare not enter.

"At the foot of the cliff whereon the castle stood, lay a deep lake, inaccessible save by a few avenues, being surrounded on all sides with precipices which made the water look very black, although it was pure as the night-sky. From a door in the castle, which was not to be otherwise entered, a broad flight of steps, cut in the rock, went down to the lake, and disappeared below its surface. Some thought the steps went to the very bottom of the water.

"Now in this castle there dwelt a large family of brothers and sisters. They had never seen their father or mother. The younger had been educated by the elder, and these by an unseen care and ministration, about the sources of which they had, somehow or other, troubled themselves very little—for what people are accustomed to, they regard as coming from nobody; as if help and progress and joy and love were the natural crops of Chaos or old Night. But Tradition said that one day—it was utterly uncertain when—their father would come, and leave them no more; for he was still alive, though where he lived nobody knew. In the meantime all the rest had to obey their eldest brother, and listen to his counsels.

"But almost all the family was very fond of liberty, as they called it; and liked to run up and down, hither and thither, roving about, with neither law nor order, just as they pleased. So they could not endure their brother's tyranny, as they called it. At one time they said that he was only one of themselves, and therefore they would not obey him; at another, that he was not like them, and could not understand them, and therefore they would not obey him. Yet, sometimes, when he came and looked them full in the face, they were terrified, and dared not disobey, for he was stately and stern and strong. Not one of them loved him heartily, except the eldest sister, who was very beautiful and silent, and whose eyes shone as if light lay somewhere deep behind them. Even she, although she loved him, thought him very hard sometimes; for when he had once said a thing plainly, he could not be persuaded to think it over again. So even she forgot him sometimes, and went her own ways, and enjoyed herself without him. Most of them regarded him as a sort of watchman, whose business it was to keep them in order; and so they were indignant and disliked him. Yet they all had a secret feeling that they ought to be subject to him; and after any particular act of disregard, none of them could think, with any peace, of the old story about the return of their father to his house. But indeed they never thought much about it, or about their father at all; for how could those who cared so little for their brother, whom they saw every day, care for their father whom they had never seen?—One chief cause of complaint against him was that he interfered with their favourite studies and pursuits; whereas he only sought to make them give up trifling with earnest things, and seek for truth, and not for amusement, from the many wonders around them. He did not want them to turn to other studies, or to eschew pleasures; but, in those studies, to seek the highest things most, and other things in proportion to their true worth and nobleness. This could not fail to be distasteful to those who did not care for what was higher than they. And so matters went on for a time. They thought they could do better without their brother; and their brother knew they could not do at all without him, and tried to fulfil the charge committed into his hands.

"At length, one day, for the thought seemed to strike them simultaneously, they conferred together about giving a great entertainment in their grandest rooms to any of their neighbours who chose to come, or indeed to any inhabitants of the earth or air who would visit them. They were too proud to reflect that some company might defile even the dwellers in what was undoubtedly the finest palace on the face of the earth. But what made the thing worse, was, that the old tradition said that these rooms were to be kept entirely for the use of the owner of the castle. And, indeed, whenever they entered them, such was the effect of their loftiness and grandeur upon their minds, that they always thought of the old story, and could not help believing it. Nor would the brother permit them to forget it now; but, appearing suddenly amongst them, when they had no expectation of being interrupted by him, he rebuked them, both for the indiscriminate nature of their invitation, and for the intention of introducing any one, not to speak of some who would doubtless make their appearance on the evening in question, into the rooms kept sacred for the use of the unknown father. But by this time their talk with each other had so excited their expectations of enjoyment, which had previously been strong enough, that anger sprung up within them at the thought of being deprived of their hopes, and they looked each other in the eyes; and the look said: 'We are many and he is one—let us get rid of him, for he is always finding fault, and thwarting us in the most innocent pleasures;—as if we would wish to do anything wrong!' So without a word spoken, they rushed upon him; and although he was stronger than any of them, and struggled hard at first, yet they overcame him at last. Indeed some of them thought he yielded to their violence long before they had the mastery of him; and this very submission terrified the more tender-hearted amongst them. However, they bound him; carried him down many stairs, and, having remembered an iron staple in the wall of a certain vault, with a thick rusty chain attached to it, they bore him thither, and made the chain fast around him. There they left him, shutting the great gnarring brazen door of the vault, as they departed for the upper regions of the castle.

"Now all was in a tumult of preparation. Every one was talking of the coming festivity; but no one spoke of the deed they had done. A sudden paleness overspread the face, now of one, and now of another; but it passed away, and no one took any notice of it; they only plied the task of the moment the more energetically. Messengers were sent far and near, not to individuals or families, but publishing in all places of concourse a general invitation to any who chose to come on a certain day, and partake for certain succeeding days of the hospitality of the dwellers in the castle. Many were the preparations immediately begun for complying with the invitation. But the noblest of their neighbours refused to appear; not from pride, but because of the unsuitableness and carelessness of such a mode. With some of them it was an old condition in the tenure of their estates, that they should go to no one's dwelling except visited in person, and expressly solicited. Others, knowing what sort of persons would be there, and that, from a certain physical antipathy, they could scarcely breathe in their company, made up their minds at once not to go. Yet multitudes, many of them beautiful and innocent as well as gay, resolved to appear.

"Meanwhile the great rooms of the castle were got in readiness—that is, they proceeded to deface them with decorations; for there was a solemnity and stateliness about them in their ordinary condition, which was at once felt to be unsuitable for the light-hearted company so soon to move about in them with the self-same carelessness with which men walk abroad within the great heavens and hills and clouds. One day, while the workmen were busy, the eldest sister, of whom I have already spoken, happened to enter, she knew not why. Suddenly the great idea of the mighty halls dawned upon her, and filled her soul. The so-called decorations vanished from her view, and she felt as if she stood in her father's presence. She was at one elevated and humbled. As suddenly the idea faded and fled, and she beheld but the gaudy festoons and draperies and paintings which disfigured the grandeur. She wept and sped away. Now it was too late to interfere, and things must take their course. She would have been but a Cassandra- prophetess to those who saw but the pleasure before them. She had not been present when her brother was imprisoned; and indeed for some days had been so wrapt in her own business, that she had taken but little heed of anything that was going on. But they all expected her to show herself when the company was gathered; and they had applied to her for advice at various times during their operations.

"At length the expected hour arrived, and the company began to assemble. It was a warm summer evening. The dark lake reflected the rose-coloured clouds in the west, and through the flush rowed many gaily painted boats, with various coloured flags, towards the massy rock on which the castle stood. The trees and flowers seemed already asleep, and breathing forth their sweet dream-breath. Laughter and low voices rose from the breast of the lake to the ears of the youths and maidens looking forth expectant from the lofty windows. They went down to the broad platform at the top of the stairs in front of the door to receive their visitors. By degrees the festivities of the evening commenced. The same smiles flew forth both at eyes and lips, darting like beams through the gathering crowd. Music, from unseen sources, now rolled in billows, now crept in ripples through the sea of air that filled the lofty rooms. And in the dancing halls, when hand took hand, and form and motion were moulded and swayed by the indwelling music, it governed not these alone, but, as the ruling spirit of the place, every new burst of music for a new dance swept before it a new and accordant odour, and dyed the flames that glowed in the lofty lamps with a new and accordant stain. The floors bent beneath the feet of the time-keeping dancers. But twice in the evening some of the inmates started, and the pallor occasionally common to the household overspread their faces, for they felt underneath them a counter-motion to the dance, as if the floor rose slightly to answer their feet. And all the time their brother lay below in the dungeon, like John the Baptist in the castle of Herod, when the lords and captains sat around, and the daughter of Herodias danced before them. Outside, all around the castle, brooded the dark night unheeded; for the clouds had come up from all sides, and were crowding together overhead. In the unfrequent pauses of the music, they might have heard, now and then, the gusty rush of a lonely wind, coming and going no one could know whence or whither, born and dying unexpected and unregarded.

"But when the festivities were at their height, when the external and passing confidence which is produced between superficial natures by a common pleasure was at the full, a sudden crash of thunder quelled the music, as the thunder quells the noise of the uplifted sea. The windows were driven in, and torrents of rain, carried in the folds of a rushing wind, poured into the halls. The lights were swept away; and the great rooms, now dark within, were darkened yet more by the dazzling shoots of flame from the vault of blackness overhead. Those that ventured to look out of the windows saw, in the blue brilliancy of the quick-following jets of lightning, the lake at the foot of the rock, ordinarily so still and so dark, lighted up, not on the surface only, but down to half its depth; so that, as it tossed in the wind, like a tortured sea of writhing flames, or incandescent half-molten serpents of brass, they could not tell whether a strong phosphorescence did not issue from the transparent body of the waters, as if earth and sky lightened together, one consenting source of flaming utterance.

"Sad was the condition of the late plastic mass of living form that had flowed into shape at the will and law of the music. Broken into individuals, the common transfusing spirit withdrawn, they stood drenched, cold, and benumbed, with clinging garments; light, order, harmony, purpose departed, and chaos restored; the issuings of life turned back on their sources, chilly and dead. And in every heart reigned the falsest of despairing convictions, that this was the only reality, and that was but a dream. The eldest sister stood with clasped hands and down-bent head, shivering and speechless, as if waiting for something to follow. Nor did she wait long. A terrible flash and thunder-peal made the castle rock; and in the pausing silence that followed, her quick sense heard the rattling of a chain far off, deep down; and soon the sound of heavy footsteps, accompanied with the clanking of iron, reached her ear. She felt that her brother was at hand. Even in the darkness, and amidst the bellowing of another deep-bosomed cloud-monster, she knew that he had entered the room. A moment after, a continuous pulsation of angry blue light began, which, lasting for some moments, revealed him standing amidst them, gaunt, haggard, and motionless; his hair and beard untrimmed, his face ghastly, his eyes large and hollow. The light seemed to gather around him as a centre. Indeed some believed that it throbbed and radiated from his person, and not from the stormy heavens above them. The lightning had rent the wall of his prison, and released the iron staple of his chain, which he had wound about him like a girdle. In his hand he carried an iron fetter-bar, which he had found on the floor of the vault. More terrified at his aspect than at all the violence of the storm, the visitors, with many a shriek and cry, rushed out into the tempestuous night. By degrees, the storm died away. Its last flash revealed the forms of the brothers and sisters lying prostrate, with their faces on the floor, and that fearful shape standing motionless amidst them still.

"Morning dawned, and there they lay, and there he stood. But at a word from him, they arose and went about their various duties, though listlessly enough. The eldest sister was the last to rise; and when she did, it was only by a terrible effort that she was able to reach her room, where she fell again on the floor. There she remained lying for days. The brother caused the doors of the great suite of rooms to be closed, leaving them just as they were, with all the childish adornment scattered about, and the rain still falling in through the shattered windows. 'Thus let them lie,' said he, 'till the rain and frost have cleansed them of paint and drapery: no storm can hurt the pillars and arches of these halls.'

"The hours of this day went heavily. The storm was gone, but the rain was left; the passion had departed, but the tears remained behind. Dull and dark the low misty clouds brooded over the castle and the lake, and shut out all the neighbourhood. Even if they had climbed to the loftiest known turret, they would have found it swathed in a garment of clinging vapour, affording no refreshment to the eye, and no hope to the heart. There was one lofty tower that rose sheer a hundred feet above the rest, and from which the fog could have been seen lying in a grey mass beneath; but that tower they had not yet discovered, nor another close beside it, the top of which was never seen, nor could be, for the highest clouds of heaven clustered continually around it. The rain fell continuously, though not heavily, without; and within, too, there were clouds from which dropped the tears which are the rain of the spirit. All the good of life seemed for the time departed, and their souls lived but as leafless trees that had forgotten the joy of the summer, and whom no wind prophetic of spring had yet visited. They moved about mechanically, and had not strength enough left to wish to die.

"The next day the clouds were higher, and a little wind blew through such loopholes in the turrets as the false improvements of the inmates had not yet filled with glass, shutting out, as the storm, so the serene visitings of the heavens. Throughout the day, the brother took various opportunities of addressing a gentle command, now to one and now to another of his family. It was obeyed in silence. The wind blew fresher through the loopholes and the shattered windows of the great rooms, and found its way, by unknown passages, to faces and eyes hot with weeping. It cooled and blessed them.—When the sun arose the next day, it was in a clear sky.

"By degrees, everything fell into the regularity of subordination. With the subordination came increase of freedom. The steps of the more youthful of the family were heard on the stairs and in the corridors more light and quick than ever before. Their brother had lost the terrors of aspect produced by his confinement, and his commands were issued more gently, and oftener with a smile, than in all their previous history. By degrees his presence was universally felt through the house. It was no surprise to any one at his studies, to see him by his side when he lifted up his eyes, though he had not before known that he was in the room. And although some dread still remained, it was rapidly vanishing before the advances of a firm friendship. Without immediately ordering their labours, he always influenced them, and often altered their direction and objects. The change soon evident in the household was remarkable. A simpler, nobler expression was visible on all the countenances. The voices of the men were deeper, and yet seemed by their very depth more feminine than before; while the voices of the women were softer and sweeter, and at the same time more full and decided. Now the eyes had often an expression as if their sight was absorbed in the gaze of the inward eyes; and when the eyes of two met, there passed between those eyes the utterance of a conviction that both meant the same thing. But the change was, of course, to be seen more clearly, though not more evidently, in individuals.

"One of the brothers, for instance, was very fond of astronomy. He had his observatory on a lofty tower, which stood pretty clear of the others, towards the north and east. But hitherto, his astronomy, as he had called it, had been more of the character of astrology. Often, too, he might have been seen directing a heaven-searching telescope to catch the rapid transit of a fiery shooting-star, belonging altogether to the earthly atmosphere, and not to the serene heavens. He had to learn that the signs of the air are not the signs of the skies. Nay, once, his brother surprised him in the act of examining through his longest tube a patch of burning heath upon a distant hill. But now he was diligent from morning till night in the study of the laws of the truth that has to do with stars; and when the curtain of the sunlight was about to rise from before the heavenly worlds which it had hidden all day long, he might be seen preparing his instruments with that solemn countenance with which it becometh one to look into the mysterious harmonies of Nature. Now he learned what law and order and truth are, what consent and harmony mean; how the individual may find his own end in a higher end, where law and freedom mean the same thing, and the purest certainty exists without the slightest constraint. Thus he stood on the earth, and looked to the heavens.

"Another, who had been much given to searching out the hollow places and recesses in the foundations of the castle, and who was often to be found with compass and ruler working away at a chart of the same which he had been in process of constructing, now came to the conclusion, that only by ascending the upper regions of his abode could he become capable of understanding what lay beneath; and that, in all probability, one clear prospect, from the top of the highest attainable turret, over the castle as it lay below, would reveal more of the idea of its internal construction, than a year spent in wandering through its subterranean vaults. But the fact was, that the desire to ascend wakening within him had made him forget what was beneath; and having laid aside his chart for a time at least, he was now to be met in every quarter of the upper parts, searching and striving upward, now in one direction, now in another; and seeking, as he went, the best outlooks into the clear air of outer realities.

"And they began to discover that they were all meditating different aspects of the same thing; and they brought together their various discoveries, and recognized the likeness between them; and the one thing often explained the other, and combining with it helped to a third. They grew in consequence more and more friendly and loving; so that every now and then one turned to another and said, as in surprise, 'Why, you are my brother!'—'Why, you are my sister!' And yet they had always known it.

"The change reached to all. One, who lived on the air of sweet sounds, and who was almost always to be found seated by her harp or some other instrument, had, till the late storm, been generally merry and playful, though sometimes sad. But for a long time after that, she was often found weeping, and playing little simple airs which she had heard in childhood— backward longings, followed by fresh tears. Before long, however, a new element manifested itself in her music. It became yet more wild, and sometimes retained all its sadness, but it was mingled with anticipation and hope. The past and the future merged in one; and while memory yet brought the rain-cloud, expectation threw the rainbow across its bosom— and all was uttered in her music, which rose and swelled, now to defiance, now to victory; then died in a torrent of weeping.

"As to the eldest sister, it was many days before she recovered from the shock. At length, one day, her brother came to her, took her by the hand, led her to an open window, and told her to seat herself by it, and look out. She did so; but at first saw nothing more than an unsympathizing blaze of sunlight. But as she looked, the horizon widened out, and the dome of the sky ascended, till the grandeur seized upon her soul, and she fell on her knees and wept. Now the heavens seemed to bend lovingly over her, and to stretch out wide cloud-arms to embrace her; the earth lay like the bosom of an infinite love beneath her, and the wind kissed her cheek with an odour of roses. She sprang to her feet, and turned, in an agony of hope, expecting to behold the face of the father, but there stood only her brother, looking calmly though lovingly on her emotion. She turned again to the window. On the hilltops rested the sky: Heaven and Earth were one; and the prophecy awoke in her soul, that from betwixt them would the steps of the father approach.

"Hitherto she had seen but Beauty; now she beheld Truth. Often had she looked on such clouds as these, and loved the strange ethereal curves into which the winds moulded them; and had smiled as her little pet sister told her what curious animals she saw in them, and tried to point them out to her. Now they were as troops of angels, jubilant over her new birth, for they sang, in her soul, of beauty, and truth, and love. She looked down, and her little sister knelt beside her.

"She was a curious child, with black, glittering eyes, and dark hair; at the mercy of every wandering wind; a frolicsome, daring girl, who laughed more than she smiled. She was generally in attendance on her sister, and was always finding and bringing her strange things. She never pulled a primrose, but she knew the haunts of all the orchis tribe, and brought from them bees and butterflies innumerable, as offerings to her sister. Curious moths and glow-worms were her greatest delight; and she loved the stars, because they were like the glow-worms. But the change had affected her too; for her sister saw that her eyes had lost their glittering look, and had become more liquid and transparent. And from that time she often observed that her gaiety was more gentle, her smile more frequent, her laugh less bell-like; and although she was as wild as ever, there was more elegance in her motions, and more music in her voice. And she clung to her sister with far greater fondness than before.

"The land reposed in the embrace of the warm summer days. The clouds of heaven nestled around the towers of the castle; and the hearts of its inmates became conscious of a warm atmosphere—of a presence of love. They began to feel like the children of a household, when the mother is at home. Their faces and forms grew daily more and more beautiful, till they wondered as they gazed on each other. As they walked in the gardens of the castle, or in the country around, they were often visited, especially the eldest sister, by sounds that no one heard but themselves, issuing from woods and waters; and by forms of love that lightened out of flowers, and grass, and great rocks. Now and then the young children would come in with a slow, stately step, and, with great eyes that looked as if they would devour all the creation, say that they had met the father amongst the trees, and that he had kissed them; 'And,' added one of them once, 'I grew so big!' But when the others went out to look, they could see no one. And some said it must have been the brother, who grew more and more beautiful, and loving, and reverend, and who had lost all traces of hardness, so that they wondered they could ever have thought him stern and harsh. But the eldest sister held her peace, and looked up, and her eyes filled with tears. 'Who can tell,' thought she, 'but the little children know more about it than we?'