In the picture which her memory traced of the past, Arthur's frank face stood out daily nobler and purer; it was but a flash, for upon that recollection she dared not dwell. The young Englishman's shy, silent love for her was the one event since her marriage which had left a lingering sweetness in her darkened and lonely heart. It may be that all the blighted hopes, all the frustrated longings which gradually clouded Julie's mind, gathered, by a not unnatural trick of imagination, about this man—whose manners, sentiments, and character seemed to have so much in common with her own. This idea still presented itself to her mind fitfully and vaguely, like a dream; yet from that dream, which always ended in a sigh, Julie awoke to greater wretchedness, to keener consciousness of the latent anguish brooding beneath her imaginary bliss.

Occasionally her self-pity took wilder and more daring flights. She determined to have happiness at any cost; but still more often she lay a helpless victim of an indescribable numbing stupor, the words she heard had no meaning to her, or the thoughts which arose in her mind were so vague and indistinct that she could not find language to express them. Balked of the wishes of her heart, realities jarred harshly upon her girlish dreams of life, but she was obliged to devour her tears. To whom could she make complaint? Of whom be understood? She possessed, moreover, that highest degree of woman's sensitive pride, the exquisite delicacy of feeling which silences useless complainings and declines to use an advantage to gain a triumph which can only humiliate both victor and vanquished.

Julie tried to endow M. d'Aiglemont with her own abilities and virtues, flattering herself that thus she might enjoy the happiness lacking in her lot. All her woman's ingenuity and tack was employed in making the best of the situation; pure waste of pains unsuspected by him, whom she thus strengthened in his despotism. There were moments when misery became an intoxication, expelling all ideas, all self-control; but, fortunately, sincere piety always brought her back to one supreme hope; she found a refuge in the belief in a future life, a wonderful thought which enabled her to take up her painful task afresh. No elation of victory followed those terrible inward battles and throes of anguish; no one knew of those long hours of sadness; her haggard glances met no response from human eyes, and during the brief moments snatched by chance for weeping, her bitter tears fell unheeded and in solitude.

One evening in January 1820, the Marquise became aware of the full gravity of the crisis, gradually brought on by force of circumstances. When a husband and wife know each other thoroughly, and their relation has long been a matter of use and wont, when the wife has learned to interpret every slightest sign, when her quick insight discerns thoughts and facts which her husband keeps from her, a chance word, or a remark so carelessly let fall in the first instance, seems, upon subsequent reflection, like the swift breaking out of light. A wife not seldom suddenly awakes upon the brink of a precipice or in the depths of the abyss; and thus it was with the Marquise. She was feeling glad to have been left to herself for some days, when the real reason of her solitude flashed upon her. Her husband, whether fickle and tired of her, or generous and full of pity for her, was hers no longer.

In the moment of that discovery she forgot herself, her sacrifices, all that she had passed through, she remembered only that she was a mother. Looking forward, she thought of her daughter's fortune, of the future welfare of the one creature through whom some gleams of happiness came to her, of her Helene, the only possession which bound her to life.

Then Julie wished to live to save her child from a stepmother's terrible thraldom, which might crush her darling's life. Upon this new vision of threatened possibilities followed one of those paroxysms of thought at fever-heat which consume whole years of life.

Henceforward husband and wife were doomed to be separated by a whole world of thought, and all the weight of that world she must bear alone. Hitherto she had felt sure that Victor loved her, in so far as he could be said to love; she had been the slave of pleasures which she did not share; to-day the satisfaction of knowing that she purchased his contentment with her tears was hers no longer. She was alone in the world, nothing was left to her now but a choice of evils. In the calm stillness of the night her despondency drained her of all her strength. She rose from her sofa beside the dying fire, and stood in the lamplight gazing, dry-eyed, at her child, when M. d'Aiglemont came in. He was in high spirits. Julie called to him to admire Helene as she lay asleep, but he met his wife's enthusiasm with a commonplace:

"All children are nice at that age."

He closed the curtains about the cot after a careless kiss on the child's forehead. Then he turned his eyes on Julie, took her hand and drew her to sit beside him on the sofa, where she had been sitting with such dark thoughts surging up in her mind.

"You are looking very handsome to-night, Mme. d'Aiglemont," he exclaimed, with the gaiety intolerable to the Marquise, who knew its emptiness so well.

"Where have you spent the evening?" she asked, with a pretence of complete indifference.

"At Mme. de Serizy's."

He had taken up a fire-screen, and was looking intently at the gauze. He had not noticed the traces of tears on his wife's face. Julie shuddered. Words could not express the overflowing torrent of thoughts which must be forced down into inner depths.

"Mme. de Serizy is giving a concert on Monday, and is dying for you to go. You have not been anywhere for some time past, and that is enough to set her longing to see you at her house. She is a good-natured woman, and very fond of you. I should be glad if you would go; I all but promised that you should——"

"I will go."

There was something so penetrating, so significant in the tones of Julie's voice, in her accent, in the glance that went with the words, that Victor, startled out of his indifference, stared at his wife in astonishment.

That was all, Julie had guessed that it was Mme. de Serizy who had stolen her husband's heart from her. Her brooding despair benumbed her. She appeared to be deeply interested in the fire. Victor meanwhile still played with the fire-screen. He looked bored, like a man who has enjoyed himself elsewhere, and brought home the consequent lassitude. He yawned once or twice, then he took up a candle in one hand, and with the other languidly sought his wife's neck for the usual embrace; but Julie stooped and received the good-night kiss upon her forehead; the formal, loveless grimace seemed hateful to her at that moment.

As soon as the door closed upon Victor, his wife sank into a seat. Her limbs tottered beneath her, she burst into tears. None but those who have endured the torture of some such scene can fully understand the anguish that it means, or divine the horror of the long-drawn tragedy arising out of it.

Those simple, foolish words, the silence that followed between the husband and wife, the Marquis' gesture and expression, the way in which he sat before the fire, his attitude as he made that futile attempt to put a kiss on his wife's throat,—all these things made up a dark hour for Julie, and the catastrophe of the drama of her sad and lonely life. In her madness she knelt down before the sofa, burying her face in it to shut out everything from sight, and prayed to Heaven, putting a new significance into the words of the evening prayer, till it became a cry from the depths of her own soul, which would have gone to her husband's heart if he had heard it.

The following week she spent in deep thought for her future, utterly overwhelmed by this new trouble. She made a study of it, trying to discover a way to regain her ascendency over the Marquis, scheming how to live long enough to watch over her daughter's happiness, yet to live true to her own heart. Then she made up her mind. She would struggle with her rival. She would shine once more in society. She would feign the love which she could no longer feel, she would captivate her husband's fancy; and when she had lured him into her power, she would coquet with him like a capricious mistress who takes delight in tormenting a lover. This hateful strategy was the only possible way out of her troubles. In this way she would become mistress of the situation; she would prescribe her own sufferings at her good pleasure, and reduce them by enslaving her husband, and bringing him under a tyrannous yoke. She felt not the slightest remorse for the hard life which he should lead. At a bound she reached cold, calculating indifference—for her daughter's sake. She had gained a sudden insight into the treacherous, lying arts of degraded women; the wiles of coquetry, the revolting cunning which arouses such profound hatred in men at the mere suspicion of innate corruption in a woman.

Julie's feminine vanity, her interests, and a vague desire to inflict punishment, all wrought unconsciously with the mother's love within her to force her into a path where new sufferings awaited her. But her nature was too noble, her mind too fastidious, and, above all things, too open, to be the accomplice of these frauds for very long. Accustomed as she was to self-scrutiny, at the first step in vice—for vice it was—the cry of conscience must inevitably drown the clamor of the passions and of selfishness. Indeed, in a young wife whose heart is still pure, whose love has never been mated, the very sentiment of motherhood is overpowered by modesty. Modesty; is not all womanhood summed up in that? But just now Julie would not see any danger, anything wrong, in her life.

She went to Mme. de Serizy's concert. Her rival had expected to see a pallid, drooping woman. The Marquise wore rouge, and appeared in all the splendor of a toilet which enhanced her beauty.

Mme. de Serizy was one of those women who claim to exercise a sort of sway over fashions and society in Paris; she issued her decrees, saw them received in her own circle, and it seemed to her that all the world obeyed them. She aspired to epigram, she set up for an authority in matters of taste. Literature, politics, men and women, all alike were submitted to her censorship, and the lady herself appeared to defy the censorship of others. Her house was in every respect a model of good taste.

Julie triumphed over the Countess in her own salon, filled as it was with beautiful women and women of fashion. Julie's liveliness and sparkling wit gathered all the most distinguished men in the rooms about her. Her costume was faultless, for the despair of the women, who one and all envied her the fashion of her dress, and attributed the moulded outline of her bodice to the genius of some unknown dressmaker, for women would rather believe in miracles worked by the science of chiffons than in the grace and perfection of the form beneath.

When Julie went to the piano to sing Desdemona's song, the men in the rooms flocked about her to hear the celebrated voice so long mute, and there was a deep silence. The Marquise saw the heads clustered thickly in the doorways, saw all eyes turned upon her, and a sharp thrill of excitement quivered through her. She looked for her husband, gave him a coquettish side-glance, and it pleased her to see that his vanity was gratified to no small degree. In the joy of triumph she sang the first part of Al piu salice. Her audience was enraptured. Never had Malibran nor Pasta sung with expression and intonation so perfect. But at the beginning of the second part she glanced over the glistening groups and saw—Arthur. He never took his eyes from her face. A quick shudder thrilled through her, and her voice faltered. Up hurried Mme. de Serizy from her place.

"What is it, dear? Oh! poor little thing! she is in such weak health; I was so afraid when I saw her begin a piece so far beyond her strength."

The song was interrupted. Julie was vexed. She had not courage to sing any longer, and submitted to her rival's treacherous sympathy. There was a whisper among the women. The incident led to discussions; they guessed that the struggle had begun between the Marquise and Mme. de Serizy, and their tongues did not spare the latter.

Julie's strange, perturbing presentiments were suddenly realized. Through her preoccupation with Arthur she had loved to imagine that with that gentle, refined face he must remain faithful to his first love. There were times when she felt proud that this ideal, pure, and passionate young love should have been hers; the passion of the young lover whose thoughts are all for her to whom he dedicates every moment of his life, who blushes as a woman blushes, thinks as a woman might think, forgetting ambition, fame, and fortune in devotion to his love,—she need never fear a rival. All these things she had fondly and idly dreamed of Arthur; now all at once it seemed to her that her dream had come true. In the young Englishman's half-feminine face she read the same deep thoughts, the same pensive melancholy, the same passive acquiescence in a painful lot, and an endurance like her own. She saw herself in him. Trouble and sadness are the most eloquent of love's interpreters, and response is marvelously swift between two suffering creatures, for in them the powers of intuition and of assimilation of facts and ideas are well-nigh unerring and perfect. So with the violence of the shock the Marquise's eyes were opened to the whole extent of the future danger. She was only too glad to find a pretext for her nervousness in her chronic ill-health, and willingly submitted to be overwhelmed by Mme. de Serizy's insidious compassion.

That incident of the song caused talk and discussion which differed with the various groups. Some pitied Julie's fate, and regretted that such a remarkable woman was lost to society; others fell to wondering what the cause of her ill-health and seclusion could be.

"Well, now, my dear Ronquerolles," said the Marquis, addressing Mme. de Serizy's brother, "you used to envy me my good fortune, and you used to blame me for my infidelities. Pshaw, you would not find much to envy in my lot, if, like me, you had a pretty wife so fragile that for the past two years you might not so much as kiss her hand for fear of damaging her. Do not you encumber yourself with one of those fragile ornaments, only fit to put in a glass case, so brittle and so costly that you are always obliged to be careful of them. They tell me that you are afraid of snow or wet for that fine horse of yours; how often do you ride him? That is just my own case. It is true that my wife gives me no ground for jealousy, but my marriage is purely ornamental business; if you think that I am a married man, you are grossly mistaken. So there is some excuse for my unfaithfulness. I should dearly like to know what you gentlemen who laugh at me would do in my place. Not many men would be so considerate as I am. I am sure," (here he lowered his voice) "that Mme. d'Aiglemont suspects nothing. And then, of course, I have no right to complain at all; I am very well off. Only there is nothing more trying for a man who feels things than the sight of suffering in a poor creature to whom you are attached——"

"You must have a very sensitive nature, then," said M. de Ronquerolles, "for you are not often at home."

Laughter followed on the friendly epigram; but Arthur, who made one of the group, maintained a frigid imperturbability in his quality of an English gentleman who takes gravity for the very basis of his being. D'Aiglemont's eccentric confidence, no doubt, had kindled some kind of hope in Arthur, for he stood patiently awaiting an opportunity of a word with the Marquis. He had not to wait long.

"My Lord Marquis," he said, "I am unspeakably pained to see the state of Mme. d'Aiglemont's health. I do not think that you would talk jestingly about it if you knew that unless she adopts a certain course of treatment she must die miserably. If I use this language to you, it is because I am in a manner justified in using it, for I am quite certain that I can save Mme. d'Aiglemont's life and restore her to health and happiness. It is odd, no doubt, that a man of my rank should be a physician, yet nevertheless chance determined that I should study medicine. I find life dull enough here," he continued, affecting a cold selfishness to gain his ends, "it makes no difference to me whether I spend my time and travel for the benefit of a suffering fellow-creature, or waste it in Paris on some nonsense or other. It is very, very seldom that a cure is completed in these complaints, for they require constant care, time, and patience, and, above all things, money. Travel is needed, and a punctilious following out of prescriptions, by no means unpleasant, and varied daily. Two gentlemen" (laying a stress on the word in its English sense) "can understand each other. I give you warning that if you accept my proposal, you shall be a judge of my conduct at every moment. I will do nothing without consulting you, without your superintendence, and I will answer for the success of my method if you will consent to follow it. Yes, unless you wish to be Mme. d'Aiglemont's husband no longer, and that before long," he added in the Marquis' ear.

The Marquis laughed. "One thing is certain—that only an Englishman could make me such an extraordinary proposal," he said. "Permit me to leave it unaccepted and unrejected. I will think it over; and my wife must be consulted first in any case."

Julie had returned to the piano. This time she sang a song from Semiramide, Son regina, son guerriera, and the whole room applauded, a stifled outburst of wellbred acclamation which proved that the Faubourg Saint-Germain had been roused to enthusiasm by her singing.

The evening was over. D'Aiglemont brought his wife home, and Julie saw with uneasy satisfaction that her first attempt had at once been successful. Her husband had been roused out of indifference by the part which she had played, and now he meant to honor her with such a passing fancy as he might bestow upon some opera nymph. It amused Julie that she, a virtuous married woman, should be treated thus. She tried to play with her power, but at the outset her kindness broke down once more, and she received the most terrible of all the lessons held in store for her by fate.

Between two and three o'clock in the morning Julie sat up, sombre and moody, beside her sleeping husband, in the room dimly lighted by the flickering lamp. Deep silence prevailed. Her agony of remorse had lasted near an hour; how bitter her tears had been none perhaps can realize save women who have known such an experience as hers. Only such natures as Julie's can feel her loathing for a calculated caress, the horror of a loveless kiss, of the heart's apostasy followed by dolorous prostitution. She despised herself; she cursed marriage. She could have longed for death; perhaps if it had not been for a cry from her child, she would have sprung from the window and dashed herself upon the pavement. M. d'Aiglemont slept on peacefully at her side; his wife's hot dropping tears did not waken him.

But next morning Julie could be gay. She made a great effort to look happy, to hide, not her melancholy, as heretofore, but an insuperable loathing. From that day she no longer regarded herself as a blameless wife. Had she not been false to herself? Why should she not play a double part in the future, and display astounding depths of cunning in deceiving her husband? In her there lay a hitherto undiscovered latent depravity, lacking only opportunity, and her marriage was the cause.

Even now she had asked herself why she should struggle with love, when, with her heart and her whole nature in revolt, she gave herself to the husband whom she loved no longer. Perhaps, who knows? some piece of fallacious reasoning, some bit of special pleading, lies at the root of all sins, of all crimes. How shall society exist unless every individual of which it is composed will make the necessary sacrifices of inclination demanded by its laws? If you accept the benefits of civilized society, do you not by implication engage to observe the conditions, the conditions of its very existence? And yet, starving wretches, compelled to respect the laws of property, are not less to be pitied than women whose natural instincts and sensitiveness are turned to so many avenues of pain.

A few days after that scene of which the secret lay buried in the midnight couch, d'Aiglemont introduced Lord Grenville. Julie gave the guest a stiffly polite reception, which did credit to her powers of dissimulation. Resolutely she silenced her heart, veiled her eyes, steadied her voice, and she kept her future in her own hands. Then, when by these devices, this innate woman-craft, as it may be called, she had discovered the full extent of the love which she inspired, Mme. d'Aiglemont welcomed the hope of a speedy cure, and no longer opposed her husband, who pressed her to accept the young doctor's offer. Yet she declined to trust herself with Lord Grenville until after some further study of his words and manner, she could feel certain that he had sufficient generosity to endure his pain in silence. She had absolute power over him, and she had begun to abuse that power already. Was she not a woman?

Montcontour is an old manor-house build upon the sandy cliffs above the Loire, not far from the bridge where Julie's journey was interrupted in 1814. It is a picturesque, white chateau, with turrets covered with fine stone carving like Mechlin lace; a chateau such as you often see in Touraine, spick and span, ivy clad, standing among its groves of mulberry trees and vineyards, with its hollow walks, its stone balustrades, and cellars mined in the rock escarpments mirrored in the Loire. The roofs of Montcontour gleam in the sun; the whole land glows in the burning heat. Traces of the romantic charm of Spain and the south hover about the enchanting spot. The breeze brings the scent of bell flowers and golden broom, the air is soft, all about you lies a sunny land, a land which casts its dreamy spell over your soul, a land of languor and of soft desire, a fair, sweet-scented country, where pain is lulled to sleep and passion wakes. No heart is cold for long beneath its clear sky, beside its sparkling waters. One ambition dies after another, and you sink into serene content and repose, as the sun sinks at the end of the day swathed about with purple and azure.



One warm August evening in 1821 two people were climbing the paths cut in the crags above the chateau, doubtless for the sake of the view from the heights above. The two were Julie and Lord Grenville, but this Julie seemed to be a new creature. The unmistakable color of health glowed in her face. Overflowing vitality had brought a light into her eyes, which sparkled through a moist film with that liquid brightness which gives such irresistible charm to the eyes of children. She was radiant with smiles; she felt the joy of living and all the possibilities of life. From the very way in which she lifted her little feet, it was easy to see that no suffering trammeled her lightest movements; there was no heaviness nor languor in her eyes, her voice, as heretofore. Under the white silk sunshade which screened her from the hot sunlight, she looked like some young bride beneath her veil, or a maiden waiting to yield to the magical enchantments of Love.

Arthur led her with a lover's care, helping her up the pathway as if she had been a child, finding the smoothest ways, avoiding the stones for her, bidding her see glimpses of distance, or some flower beside the path, always with the unfailing goodness, the same delicate design in all that he did; the intuitive sense of this woman's wellbeing seemed to be innate in him, and as much, nay, perhaps more, a part of his being as the pulse of his own life.

The patient and her doctor went step for step. There was nothing strange for them in a sympathy which seemed to have existed since the day when they first walked together. One will swayed them both; they stopped as their senses received the same impression; every word and every glance told of the same thought in either mind. They had climbed up through the vineyards, and now they turned to sit on one of the long white stones, quarried out of the caves in the hillside; but Julie stood awhile gazing out over the landscape.

"What a beautiful country!" she cried. "Let us put up a tent and live here. Victor, Victor, do come up here!"

M. d'Aiglemont answered by a halloo from below. He did not, however, hurry himself, merely giving his wife a glance from time to time when the windings of the path gave him a glimpse of her. Julie breathed the air with delight. She looked up at Arthur, giving him one of those subtle glances in which a clever woman can put the whole of her thought.

"Ah, I should like to live here always," she said. "Would it be possible to tire of this beautiful valley?—What is the picturesque river called, do you know?"

"That is the Cise."

"The Cise," she repeated. "And all this country below, before us?"

"Those are the low hills above the Cher."

"And away to the right? Ah, that is Tours. Only see how fine the cathedral towers look in the distance."

She was silent, and let fall the hand which she had stretched out towards the view upon Arthur's. Both admired the wide landscape made up of so much blended beauty. Neither of them spoke. The murmuring voice of the river, the pure air, and the cloudless heaven were all in tune with their thronging thoughts and their youth and the love in their hearts.

"Oh! mon Dieu, how I love this country!" Julie continued, with growing and ingenuous enthusiasm. "You lived here for a long while, did you not?" she added after a pause.

A thrill ran through Lord Grenville at her words.

"It was down there," he said, in a melancholy voice, indicating as he spoke a cluster of walnut trees by the roadside, "that I, a prisoner, saw you for the first time."

"Yes, but even at that time I felt very sad. This country looked wild to me then, but now——" She broke off, and Lord Grenville did not dare to look at her.

"All this pleasure I owe to you," Julie began at last, after a long silence. "Only the living can feel the joy of life, and until now have I not been dead to it all? You have given me more than health, you have made me feel all its worth—"

Women have an inimitable talent for giving utterance to strong feelings in colorless words; a woman's eloquence lies in tone and gesture, manner and glance. Lord Grenville hid his face in his hands, for his tears filled his eyes. This was Julie's first word of thanks since they left Paris a year ago.

For a whole year he had watched over the Marquise, putting his whole self into the task. D'Aiglemont seconding him, he had taken her first to Aix, then to la Rochelle, to be near the sea. From moment to moment he had watched the changes worked in Julie's shattered constitution by his wise and simple prescriptions. He had cultivated her health as an enthusiastic gardener might cultivate a rare flower. Yet, to all appearance, the Marquise had quietly accepted Arthur's skill and care with the egoism of a spoiled Parisienne, or like a courtesan who has no idea of the cost of things, nor of the worth of a man, and judges of both by their comparative usefulness to her.

The influence of places upon us is a fact worth remarking. If melancholy comes over us by the margin of a great water, another indelible law of our nature so orders it that the mountains exercise a purifying influence upon our feelings, and among the hills passion gains in depth by all that it apparently loses in vivacity. Perhaps it was the light of the wide country by the Loire, the height of the fair sloping hillside on which the lovers sat, that induced the calm bliss of the moment when the whole extent of the passion that lies beneath a few insignificant-sounding words is divined for the first time with a delicious sense of happiness.

Julie had scarcely spoken the words which had moved Lord Grenville so deeply, when a caressing breeze ruffled the treetops and filled the air with coolness from the river; a few clouds crossed the sky, and the soft cloud-shadows brought out all the beauty of the fair land below.

Julie turned away her head, lest Arthur should see the tears which she succeeded in repressing; his emotion had spread at once to her. She dried her eyes, but she dared not raise them lest he should read the excess of joy in a glance. Her woman's instinct told her that during this hour of danger she must hide her love in the depths of her heart. Yet silence might prove equally dangerous, and Julie saw that Lord Grenville was unable to utter a word. She went on, therefore, in a gentle voice:

"You are touched by what I have said. Perhaps such a quick outburst of feeling is the way in which a gracious and kind nature like yours reverses a mistaken judgment. You must have thought me ungrateful when I was cold and reserved, or cynical and hard, all through the journey which, fortunately, is very near its end. I should not have been worthy of your care if I had been unable to appreciate it. I have forgotten nothing. Alas! I shall forget nothing, not the anxious way in which you watched over me as a mother watches over her child, nor, and above all else, the noble confidence of our life as brother and sister, the delicacy of your conduct—winning charms, against which we women are defenceless. My lord, it is out of my power to make you a return——"

At these words Julie hastily moved further away, and Lord Grenville made no attempt to detain her. She went to a rock not far away, and there sat motionless. What either felt remained a secret known to each alone; doubtless they wept in silence. The singing of the birds about them, so blithe, so overflowing with tenderness at sunset time, could only increase the storm of passion which had driven them apart. Nature took up their story for them, and found a language for the love of which they did not dare to speak.

"And now, my lord," said Julie, and she came and stood before Arthur with a great dignity, which allowed her to take his hand in hers. "I am going to ask you to hallow and purify the life which you have given back to me. Here, we will part. I know," she added, as she saw how white his face grew, "I know that I am repaying you for your devotion by requiring of you a sacrifice even greater than any which you have hitherto made for me, sacrifices so great that they should receive some better recompense than this.... But it must be... You must not stay in France. By laying this command upon you, do I not give you rights which shall be held sacred?" she added, holding his hand against her beating heart.

"Yes," said Arthur, and he rose.

He looked in the direction of d'Aiglemont, who appeared on the opposite side of one of the hollow walks with the child in his arms. He had scrambled up on the balustrade by the chateau that little Helene might jump down.

"Julie, I will not say a word of my love; we understand each other too well. Deeply and carefully though I have hidden the pleasures of my heart, you have shared them all, I feel it, I know it, I see it. And now, at this moment, as I receive this delicious proof of the constant sympathy of our hearts, I must go.... Cunning schemes for getting rid of him have crossed my mind too often; the temptation might be irresistible if I stayed with you."

"I had the same thought," she said, a look of pained surprise in her troubled face.

Yet in her tone and involuntary shudder there was such virtue, such certainty of herself, won in many a hard-fought battle with a love that spoke in Julie's tones and involuntary gestures, that Lord Grenville stood thrilled with admiration of her. The mere shadow of a crime had been dispelled from that clear conscience. The religious sentiment enthroned on the fair forehead could not but drive away the evil thoughts that arise unbidden, engendered by our imperfect nature, thoughts which make us aware of the grandeur and the perils of human destiny.

"And then," she said, "I should have drawn down your scorn upon me, and—I should have been saved," she added, and her eyes fell. "To be lowered in your eyes, what is that but death?"

For a moment the two heroic lovers were silent, choking down their sorrow. Good or ill, it seemed that their thoughts were loyally one, and the joys in the depths of their heart were no more experiences apart than the pain which they strove most anxiously to hide.

"I have no right to complain," she said after a while, "my misery is of my own making," and she raised her tear-filled eyes to the sky.

"Perhaps you don't remember it, but that is the place where we met each other for the first time," shouted the General from below, and he waved his hand towards the distance. "There, down yonder, near those poplars!"

The Englishman nodded abruptly by way of answer.

"So I was bound to die young and to know no happiness," Julie continued. "Yes, do not think that I live. Sorrow is just as fatal as the dreadful disease which you have cured. I do not think that I am to blame. No. My love is stronger than I am, and eternal; but all unconsciously it grew in me; and I will not be guilty through my love. Nevertheless, though I shall be faithful to my conscience as a wife, to my duties as a mother, I will be no less faithful to the instincts of my heart. Hear me," she cried in an unsteady voice, "henceforth I belong to him no longer."

By a gesture, dreadful to see in its undisguised loathing she indicated her husband.

"The social code demands that I shall make his existence happy," she continued. "I will obey, I will be his servant, my devotion to him shall be boundless; but from to-day I am a widow. I will neither be a prostitute in my own eyes nor in those of the world. If I do not belong to M. d'Aiglemont, I will never belong to another. You shall have nothing, nothing save this which you have wrung from me. This is the doom which I have passed upon myself," she said, looking proudly at him. "And now, know this—if you give way to a single criminal thought, M. d'Aiglemont's widow will enter a convent in Spain or Italy. By an evil chance we have spoken of our love; perhaps that confession was bound to come; but our hearts must never vibrate again like this. To-morrow you will receive a letter from England, and we shall part, and never see each other again."

The effort had exhausted all Julie's strength. She felt her knees trembling, and a feeling of deathly cold came over her. Obeying a woman's instinct, she sat down, lest she should sink into Arthur's arms.

"Julie!" cried Lord Grenville.

The sharp cry rang through the air like a crack of thunder. Till then he could not speak; now, all the words which the dumb lover could not utter gathered themselves in that heartrending appeal.

"Well, what is wrong with her?" asked the General, who had hurried up at that cry, and now suddenly confronted the two.

"Nothing serious," said Julie, with that wonderful self-possession which a woman's quick-wittedness usually brings to her aid when it is most called for. "The chill, damp air under the walnut tree made me feel quite faint just now, and that must have alarmed this doctor of mine. Does he not look on me as a very nearly finished work of art? He was startled, I suppose, by the idea of seeing it destroyed." With ostentatious coolness she took Lord Grenville's arm, smiled at her husband, took a last look at the landscape, and went down the pathway, drawing her traveling companion with her.

"This certainly is the grandest view that we have seen," she said; "I shall never forget it. Just look, Victor, what distance, what an expanse of country, and what variety in it! I have fallen in love with this landscape."

Her laughter was almost hysterical, but to her husband it sounded natural. She sprang gaily down into the hollow pathway and vanished.

"What?" she cried, when they had left M. d'Aiglemont far behind. "So soon? Is it so soon? Another moment, and we can neither of us be ourselves; we shall never be ourselves again, our life is over, in short—"

"Let us go slowly," said Lord Grenville, "the carriages are still some way off, and if we may put words into our glances, our hearts may live a little longer."

They went along the footpath by the river in the late evening light, almost in silence; such vague words as they uttered, low as the murmur of the Loire, stirred their souls to the depths. Just as the sun sank, a last red gleam from the sky fell over them; it was like a mournful symbol of their ill-starred love.

The General, much put out because the carriage was not at the spot where they had left it, followed and outstripped the pair without interrupting their converse. Lord Grenville's high minded and delicate behavior throughout the journey had completely dispelled the Marquis' suspicions. For some time past he had left his wife in freedom, reposing confidence in the noble amateur's Punic faith. Arthur and Julie walked on together in the close and painful communion of two hearts laid waste.

So short a while ago as they climbed the cliffs at Montcontour, there had been a vague hope in either mind, an uneasy joy for which they dared not account to themselves; but now as they came along the pathway by the river, they pulled down the frail structure of imaginings, the child's cardcastle, on which neither of them had dared to breathe. That hope was over.

That very evening Lord Grenville left them. His last look at Julie made it miserably plain that since the moment when sympathy revealed the full extent of a tyrannous passion, he did well to mistrust himself.

The next morning, M. d'Aiglemont and his wife took their places in the carriage without their traveling companion, and were whirled swiftly along the road to Blois. The Marquise was constantly put in mind of the journey made in 1814, when as yet she know nothing of love, and had been almost ready to curse it for its persistency. Countless forgotten impressions were revived. The heart has its own memory. A woman who cannot recollect the most important great events will recollect through a lifetime things which appealed to her feelings; and Julie d'Aiglemont found all the most trifling details of that journey laid up in her mind. It was pleasant to her to recall its little incidents as they occurred to her one by one; there were points in the road when she could even remember the thoughts that passed through her mind when she saw them first.

Victor had fallen violently in love with his wife since she had recovered the freshness of her youth and all her beauty, and now he pressed close to her side like a lover. Once he tried to put his arm round her, but she gently disengaged herself, finding some excuse or other for evading the harmless caress. In a little while she shrank from the close contact with Victor, the sensation of warmth communicated by their position. She tried to take the unoccupied place opposite, but Victor gallantly resigned the back seat to her. For this attention she thanked him with a sigh, whereupon he forgot himself, and the Don Juan of the garrison construed his wife's melancholy to his own advantage, so that at the end of the day she was compelled to speak with a firmness which impressed him.

"You have all but killed me, dear, once already, as you know," said she. "If I were still an inexperienced girl, I might begin to sacrifice myself afresh; but I am a mother, I have a daughter to bring up, and I owe as much to her as to you. Let us resign ourselves to a misfortune which affects us both alike. You are the less to be pitied. Have you not, as it is, found consolations which duty and the honor of both, and (stronger still) which Nature forbids to me? Stay," she added, "you carelessly left three letters from Mme. de Serizy in a drawer; here they are. My silence about this matter should make it plain to you that in me you have a wife who has plenty of indulgence and does not exact from you the sacrifices prescribed by the law. But I have thought enough to see that the roles of husband and wife are quite different, and that the wife alone is predestined to misfortune. My virtue is based upon firmly fixed and definite principles. I shall live blamelessly, but let me live."

The Marquis was taken aback by a logic which women grasp with the clear insight of love, and overawed by a certain dignity natural to them at such crises. Julie's instinctive repugnance for all that jarred upon her love and the instincts of her heart is one of the fairest qualities of woman, and springs perhaps from a natural virtue which neither laws nor civilization can silence. And who shall dare to blame women? If a woman can silence the exclusive sentiment which bids her "forsake all other" for the man whom she loves, what is she but a priest who has lost his faith? If a rigid mind here and there condemns Julie for a sort of compromise between love and wifely duty, impassioned souls will lay it to her charge as a crime. To be thus blamed by both sides shows one of two things very clearly—that misery necessarily follows in the train of broken laws, or else that there are deplorable flaws in the institutions upon which society in Europe is based.



Two years went by. M. and Mme. d'Aiglemont went their separate ways, leading their life in the world, meeting each other more frequently abroad than at home, a refinement upon divorce, in which many a marriage in the great world is apt to end.

One evening, strange to say, found husband and wife in their own drawing-room. Mme. d'Aiglemont had been dining at home with a friend, and the General, who almost invariably dined in town, had not gone out for once.

"There is a pleasant time in store for you, Madame la Marquise," said M. d'Aiglemont, setting his coffee cup down upon the table. He looked at the guest, Mme. de Wimphen, and half-pettishly, half-mischievously added, "I am starting off for several days' sport with the Master of the Hounds. For a whole week, at any rate, you will be a widow in good earnest; just what you wish for, I suppose.—Guillaume," he said to the servant who entered, "tell them to put the horses in."

Mme. de Wimphen was the friend to whom Julie had begun the letter upon her marriage. The glances exchanged by the two women said plainly that in her Julie had found an intimate friend, an indulgent and invaluable confidante. Mme. de Wimphen's marriage had been a very happy one. Perhaps it was her own happiness which secured her devotion to Julie's unhappy life, for under such circumstances, dissimilarity of destiny is nearly always a strong bond of union.

"Is the hunting season not over yet?" asked Julie, with an indifferent glance at her husband.

"The Master of the Hounds comes when and where he pleases, madame. We are going boar-hunting in the Royal Forest."

"Take care that no accident happens to you."

"Accidents are usually unforeseen," he said, smiling.

"The carriage is ready, my Lord Marquis," said the servant.

"Madame, if I should fall a victim to the boar—" he continued, with a suppliant air.

"What does this mean?" inquired Mme. de Wimphen.

"Come, come," said Mme. d'Aiglemont, turning to her husband; smiling at her friend as if to say, "You will soon see."

Julie held up her head; but as her husband came close to her, she swerved at the last, so that his kiss fell not on her throat, but on the broad frill about it.

"You will be my witness before heaven now that I need a firman to obtain this little grace of her," said the Marquis, addressing Mme. de Wimphen. "This is how this wife of mine understands love. She has brought me to this pass, by what trickery I am at a loss to know.... A pleasant time to you!" and he went.

"But your poor husband is really very good-natured," cried Louisa de Wimphen, when the two women were alone together. "He loves you."

"Oh! not another syllable after that last word. The name I bear makes me shudder——"

"Yes, but Victor obeys you implicitly," said Louisa.

"His obedience is founded in part upon the great esteem which I have inspired in him. As far as outward things go, I am a model wife. I make his house pleasant to him; I shut my eyes to his intrigues; I touch not a penny of his fortune. He is free to squander the interest exactly as he pleases; I only stipulate that he shall not touch the principal. At this price I have peace. He neither explains nor attempts to explain my life. But though my husband is guided by me, that does not say that I have nothing to fear from his character. I am a bear leader who daily trembles lest the muzzle should give way at last. If Victor once took it into his head that I had forfeited my right to his esteem, what would happen next I dare not think; for he is violent, full of personal pride, and vain above all things. While his wits are not keen enough to enable him to behave discreetly at a delicate crisis when his lowest passions are involved, his character is weak, and he would very likely kill me provisionally even if he died of remorse next day. But there is no fear of that fatal good fortune."

A brief pause followed. Both women were thinking of the real cause of this state of affairs. Julie gave Louisa a glance which revealed her thoughts.

"I have been cruelly obeyed," she cried. "Yet I never forbade him to write to me. Oh! he has forgotten me, and he is right. If his life had been spoiled, it would have been too tragical; one life is enough, is it not? Would you believe it, dear; I read English newspapers simply to see his name in print. But he has not yet taken his seat in the House of Lords."

"So you know English."

"Did I not tell you?—Yes, I learned."

"Poor little one!" cried Louisa, grasping Julie's hand in hers. "How can you still live?"

"That is the secret," said the Marquise, with an involuntary gesture almost childlike in its simplicity. "Listen, I take laudanum. That duchess in London suggested the idea; you know the story, Maturin made use of it in one of his novels. My drops are very weak, but I sleep; I am only awake for seven hours in the day, and those house I spend with my child."

Louisa gazed into the fire. The full extent of her friend's misery was opening out before her for the first time, and she dared not look into her face.

"Keep my secret, Louisa," said Julie, after a moment's silence.

Just as she spoke the footman brought in a letter for the Marquise.

"Ah!" she cried, and her face grew white.

"I need not ask from whom it comes," said Mme. de Wimphen, but the Marquise was reading the letter, and heeded nothing else.

Mme. de Wimphen, watching her friend, saw strong feeling wrought to the highest pitch, ecstasy of the most dangerous kind painted on Julie's face in swift changing white and red. At length Julie flung the sheet into the fire.

"It burns like fire," she said. "Oh! my heart beats till I cannot breathe."

She rose to her feet and walked up and down. Her eyes were blazing.

"He did not leave Paris!" she cried.

Mme. de Wimphen did not dare to interrupt the words that followed, jerked-out sentences, measured by dreadful pauses in between. After every break the deep notes of her voice sank lower and lower. There was something awful about the last words.

"He has seen me, constantly, and I have not known it.—A look, taken by stealth, every day, helps him to live.—Louisa, you do not know!—He is dying.—He wants to say good-bye to me. He knows that my husband has gone away for several days. He will be here in a moment. Oh! I shall die: I am lost.—Listen, Louisa, stay with me!—I am afraid!"

"But my husband knows that I have been dining with you; he is sure to come for me," said Mme. de Wimphen.

"Well, then, before you go I will send him away. I will play the executioner for us both. Oh me! he will think that I do not love him any more—And that letter of his! Dear, I can see those words in letters of fire."

A carriage rolled in under the archway.

"Ah!" cried the Marquise, with something like joy in her voice, "he is coming openly. He makes no mystery of it."

"Lord Grenville," announced the servant.

The Marquise stood up rigid and motionless; but at the sight of Arthur's white face, so thin and haggard, how was it possible to keep up the show of severity? Lord Grenville saw that Julie was not alone, but he controlled his fierce annoyance, and looked cool and unperturbed. Yet for the two women who knew his secret, his face, his tones, the look in his eyes had something of the power attributed to the torpedo. Their faculties were benumbed by the sharp shock of contact with his horrible pain. The sound of his voice set Julie's heart beating so cruelly that she could not trust herself to speak; she was afraid that he would see the full extent of his power over her. Lord Grenville did not dare to look at Julie, and Mme. de Wimphen was left to sustain a conversation to which no one listened. Julie glanced at her friend with touching gratefulness in her eyes to thank her for coming to her aid.

By this time the lovers had quelled emotion into silence, and could preserve the limits laid down by duty and convention. But M. de Wimphen was announced, and as he came in the two friends exchanged glances. Both felt the difficulties of this fresh complication. It was impossible to enter into explanations with M. de Wimphen, and Louisa could not think of any sufficient pretext for asking to be left.

Julie went to her, ostensibly to wrap her up in her shawl. "I will be brave," she said, in a low voice. "He came here in the face of all the world, so what have I to fear? Yet but for you, in that first moment, when I saw how changed he looked, I should have fallen at his feet."

"Well, Arthur, you have broken your promise to me," she said, in a faltering voice, when she returned. Lord Grenville did not venture to take the seat upon the sofa by her side.

"I could not resist the pleasure of hearing your voice, of being near you. The thought of it came to be a sort of madness, a delirious frenzy. I am no longer master of myself. I have taken myself to task; it is no use, I am too weak, I ought to die. But to die without seeing you, without having heard the rustle of your dress, or felt your tears. What a death!"

He moved further away from her; but in his hasty uprising a pistol fell out of his pocket. The Marquise looked down blankly at the weapon; all passion, all expression had died out of her eyes. Lord Grenville stooped for the thing, raging inwardly over an accident which seemed like a piece of lovesick strategy.

"Arthur!"

"Madame," he said, looking down, "I came here in utter desperation; I meant——" he broke off.

"You meant to die by your own hand here in my house!"

"Not alone!" he said in a low voice.

"Not alone! My husband, perhaps——?"

"No, no," he cried in a choking voice. "Reassure yourself," he continued, "I have quite given up my deadly purpose. As soon as I came in, as soon as I saw you, I felt that I was strong enough to suffer in silence, and to die alone."

Julie sprang up, and flung herself into his arms. Through her sobbing he caught a few passionate words, "To know happiness, and then to die.—Yes, let it be so."

All Julie's story was summed up in that cry from the depths; it was the summons of nature and of love at which women without a religion surrender. With the fierce energy of unhoped-for joy, Arthur caught her up and carried her to the sofa; but in a moment she tore herself from her lover's arms, looked at him with a fixed despairing gaze, took his hand, snatched up a candle, and drew him into her room. When they stood by the cot where Helene lay sleeping, she put the curtains softly aside, shading the candle with her hand, lest the light should dazzle the half-closed eyes beneath the transparent lids. Helene lay smiling in her sleep, with her arms outstretched on the coverlet. Julie glanced from her child to Arthur's face. That look told him all.

"We may leave a husband, even though he loves us: a man is strong; he has consolations.—We may defy the world and its laws. But a motherless child!"—all these thoughts, and a thousand others more moving still, found language in that glance.

"We can take her with us," muttered he; "I will love her dearly."

"Mamma!" cried little Helene, now awake. Julie burst into tears. Lord Grenville sat down and folded his arms in gloomy silence.

"Mamma!" At the sweet childish name, so many nobler feelings, so many irresistible yearnings awoke, that for a moment love was effaced by the all-powerful instinct of motherhood; the mother triumphed over the woman in Julie, and Lord Grenville could not hold out, he was defeated by Julie's tears.

Just at that moment a door was flung noisily open. "Madame d'Aiglemont, are you hereabouts?" called a voice which rang like a crack of thunder through the hearts of the two lovers. The Marquis had come home.

Before Julie could recover her presence of mind, her husband was on the way to the door of her room which opened into his. Luckily, at a sign, Lord Grenville escaped into the dressing-closet, and she hastily shut the door upon him.

"Well, my lady, here am I," said Victor, "the hunting party did not come off. I am just going to bed."

"Good-night, so am I. So go and leave me to undress."

"You are very cross to-night, Madame la Marquise."

The General returned to his room, Julie went with him to the door and shut it. Then she sprang to the dressing-close to release Arthur. All her presence of mind returned; she bethought herself that it was quite natural that her sometime doctor should pay her a visit; she might have left him in the drawing-room while she put her little girl to bed. She was about to tell him, under her breath, to go back to the drawing-room, and had opened the door. Then she shrieked aloud. Lord Grenville's fingers had been caught and crushed in the door.

"Well, what is it?" demanded her husband.

"Oh! nothing, I have just pricked my finger with a pin."

The General's door opened at once. Julie imagined that the irruption was due to a sudden concern for her, and cursed a solicitude in which love had no part. She had barely time to close the dressing-closet, and Lord Grenville had not extricated his hand. The General did, in fact, appear, but his wife had mistaken his motives; his apprehensions were entirely on his own account.

"Can you lend me a bandana handkerchief? The stupid fool Charles leaves me without a single one. In the early days you used to bother me with looking after me so carefully. Ah, well, the honeymoon did not last very long for me, nor yet for my cravats. Nowadays I am given over to the secular arm, in the shape of servants who do not care one jack straw for what I say."

"There! There is a bandana for you. Did you go into the drawing-room?"

"No."

"Oh! you might perhaps have been in time to see Lord Grenville."

"Is he in Paris?"

"It seems so."

"Oh! I will go at once. The good doctor."

"But he will have gone by now!" exclaimed Julie.

The Marquis, standing in the middle of the room, was tying the handkerchief over his head. He looked complacently at himself in the glass.

"What has become of the servants is more than I know," he remarked. "I have rung the bell for Charles, and he has not answered it. And your maid is not here either. Ring for her. I should like another blanket on my bed to-night."

"Pauline is out," the Marquise said drily.

"What, at midnight!" exclaimed the General.

"I gave her leave to go to the Opera."

"That is funny!" returned her husband, continuing to undress. "I thought I saw her coming upstairs."

"She has come in then, of course," said Julie, with assumed impatience, and to allay any possible suspicion on her husband's part she pretended to ring the bell.



The whole history of that night has never been known, but no doubt it was as simple and as tragically commonplace as the domestic incidents that preceded it.

Next day the Marquise d'Aiglemont took to her bed, nor did she leave it for some days.

"What can have happened in your family so extraordinary that every one is talking about your wife?" asked M. de Ronquerolles of M. d'Aiglemont a short time after that night of catastrophes.

"Take my advice and remain a bachelor," said d'Aiglemont. "The curtains of Helene's cot caught fire, and gave my wife such a shock that it will be a twelvemonth before she gets over it; so the doctor says. You marry a pretty wife, and her looks fall off; you marry a girl in blooming health, and she turns into an invalid. You think she has a passionate temperament, and find her cold, or else under her apparent coldness there lurks a nature so passionate that she is the death of you, or she dishonors your name. Sometimes the meekest of them will turn out crotchety, though the crotchety ones never grow any sweeter. Sometimes the mere child, so simple and silly at first, will develop an iron will to thwart you and the ingenuity of a fiend. I am tired of marriage."

"Or of your wife?"

"That would be difficult. By-the-by, do you feel inclined to go to Saint-Thomas d'Aquin with me to attend Lord Grenville's funeral?"

"A singular way of spending time.—Is it really known how he came by his death?" added Ronquerolles.

"His man says that he spent a whole night sitting on somebody's window sill to save some woman's character, and it has been infernally cold lately."

"Such devotion would be highly creditable to one of us old stagers; but Lord Grenville was a youngster and—an Englishman. Englishmen never can do anything like anybody else."

"Pooh!" returned d'Aiglemont, "these heroic exploits all depend upon the woman in the case, and it certainly was not for one that I know, that poor Arthur came by his death."



II. A HIDDEN GRIEF

Between the Seine and the little river Loing lies a wide flat country, skirted on the one side by the Forest of Fontainebleau, and marked out as to its southern limits by the towns of Moret, Montereau, and Nemours. It is a dreary country; little knolls of hills appear only at rare intervals, and a coppice here and there among the fields affords for game; and beyond, upon every side, stretches the endless gray or yellowish horizon peculiar to Beauce, Sologne, and Berri.

In the very centre of the plain, at equal distances from Moret and Montereau, the traveler passes the old chateau of Saint-Lange, standing amid surroundings which lack neither dignity nor stateliness. There are magnificent avenues of elm-trees, great gardens encircled by the moat, and a circumference of walls about a huge manorial pile which represents the profits of the maltote, the gains of farmers-general, legalized malversation, or the vast fortunes of great houses now brought low beneath the hammer of the Civil Code.

Should any artist or dreamer of dreams chance to stray along the roads full of deep ruts, or over the heavy land which secures the place against intrusion, he will wonder how it happened that this romantic old place was set down in a savanna of corn-land, a desert of chalk, and sand, and marl, where gaiety dies away, and melancholy is a natural product of the soil. The voiceless solitude, the monotonous horizon line which weigh upon the spirits are negative beauties, which only suit with sorrow that refuses to be comforted.

Hither, at the close of the year 1820, came a woman, still young, well known in Paris for her charm, her fair face, and her wit; and to the immense astonishment of the little village a mile away, this woman of high rank and corresponding fortune took up her abode at Saint-Lange.

From time immemorial, farmers and laborers had seen no gentry at the chateau. The estate, considerable though it was, had been left in charge of a land-steward and the house to the old servants. Wherefore the appearance of the lady of the manor caused a kind of sensation in the district.

A group had gathered in the yard of the wretched little wineshop at the end of the village (where the road forks to Nemours and Moret) to see the carriage pass. It went by slowly, for the Marquise had come from Paris with her own horses, and those on the lookout had ample opportunity of observing a waiting-maid, who sat with her back to the horses holding a little girl, with a somewhat dreamy look, upon her knee. The child's mother lay back in the carriage; she looked like a dying woman sent out into the country air by her doctors as a last resource. Village politicians were by no means pleased to see the young, delicate, downcast face; they had hoped that the new arrival at Saint-Lange would bring some life and stir into the neighborhood, and clearly any sort of stir or movement must be distasteful to the suffering invalid in the traveling carriage.

That evening, when the notables of Saint-Lange were drinking in the private room of the wineshop, the longest head among them declared that such depression could admit of but one construction—the Marquise was ruined. His lordship the Marquis was away in Spain with the Duc d'Angouleme (so they said in the papers), and beyond a doubt her ladyship had come to Saint-Lange to retrench after a run of ill-luck on the Bourse. The Marquis was one of the greatest gamblers on the face of the globe. Perhaps the estate would be cut up and sold in little lots. There would be some good strokes of business to be made in that case, and it behooved everybody to count up his cash, unearth his savings and to see how he stood, so as to secure his share of the spoil of Saint-Lange.

So fair did this future seem, that the village worthies, dying to know whether it was founded on fact, began to think of ways of getting at the truth through the servants at the chateau. None of these, however, could throw any light on the calamity which had brought their mistress into the country at the beginning of winter, and to the old chateau of Saint-Lange of all places, when she might have taken her choice of cheerful country-houses famous for their beautiful gardens.

His worship the mayor called to pay his respects; but he did not see the lady. Then the land-steward tried with no better success.

Madame la Marquise kept her room, only leaving it, while it was set in order, for the small adjoining drawing-room, where she dined; if, indeed, to sit down to a table, to look with disgust at the dishes, and take the precise amount of nourishment required to prevent death from sheer starvation, can be called dining. The meal over, she returned at once to the old-fashioned low chair, in which she had sat since the morning, in the embrasure of the one window that lighted her room.

Her little girl she only saw for a few minutes daily, during the dismal dinner, and even for a short time she seemed scarcely able to bear the child's presence. Surely nothing but the most unheard-of anguish could have extinguished a mother's love so early.

None of the servants were suffered to come near, her own woman was the one creature whom she liked to have about her; the chateau must be perfectly quiet, the child must play at the other end of the house. The slightest sound had grown so intolerable, that any human voice, even the voice of her own child, jarred upon her.

At first the whole countryside was deeply interested in these eccentricities; but time passed on, every possible hypothesis had been advanced to account for them and the peasants and dwellers in the little country towns thought no more of the invalid lady.

So the Marquise was left to herself. She might live on, perfectly silent, amid the silence which she herself had created; there was nothing to draw her forth from the tapestried chamber where her grandmother died, whither she herself had come that she might die, gently, without witnesses, without importunate solicitude, without suffering from the insincere demonstrations of egoism masquerading as affection, which double the agony of death in great cities.

She was twenty-six years old. At that age, with plenty of romantic illusions still left, the mind loves to dwell on the thought of death when death seems to come as a friend. But with youth, death is coy, coming up close only to go away, showing himself and hiding again, till youth has time to fall out of love with him during this dalliance. There is that uncertainty too that hangs over death's to-morrow. Youth plunges back into the world of living men, there to find the pain more pitiless than death, that does not wait to strike.

This woman who refused to live was to know the bitterness of these reprieves in the depths of her loneliness; in moral agony, which death would not come to end, she was to serve a terrible apprenticeship to the egoism which must take the bloom from her heart and break her in to the life of the world.

This harsh and sorry teaching is the usual outcome of our early sorrows. For the first, and perhaps for the last time in her life, the Marquise d'Aiglemont was in very truth suffering. And, indeed, would it not be an error to suppose that the same sentiment can be reproduced in us? Once develop the power to feel, is it not always there in the depths of our nature? The accidents of life may lull or awaken it, but there it is, of necessity modifying the self, its abiding place. Hence, every sensation should have its great day once and for all, its first day of storm, be it long or short. Hence, likewise, pain, the most abiding of our sensations, could be keenly felt only at its first irruption, its intensity diminishing with every subsequent paroxysm, either because we grow accustomed to these crises, or perhaps because a natural instinct of self-preservation asserts itself, and opposes to the destroying force of anguish an equal but passive force of inertia.

Yet of all kinds of suffering, to which does the name of anguish belong? For the loss of parents, Nature has in a manner prepared us; physical suffering, again, is an evil which passes over us and is gone; it lays no hold upon the soul; if it persists, it ceases to be an evil, it is death. The young mother loses her firstborn, but wedded love ere long gives her a successor. This grief, too, is transient. After all, these, and many other troubles like unto them, are in some sort wounds and bruises; they do not sap the springs of vitality, and only a succession of such blows can crush in us the instinct that seeks happiness. Great pain, therefore, pain that arises to anguish, should be suffering so deadly, that past, present, and future are alike included in its grip, and no part of life is left sound and whole. Never afterwards can we think the same thoughts as before. Anguish engraves itself in ineffaceable characters on mouth and brow; it passes through us, destroying or relaxing the springs that vibrate to enjoyment, leaving behind in the soul the seeds of a disgust for all things in this world.

Yet, again, to be measureless, to weigh like this upon body and soul, the trouble should befall when soul and body have just come to their full strength, and smite down a heart that beats high with life. Then it is that great scars are made. Terrible is the anguish. None, it may be, can issue from this soul-sickness without undergoing some dramatic change. Those who survive it, those who remain on earth, return to the world to wear an actor's countenance and to play an actor's part. They know the side-scenes where actors may retire to calculate chances, shed their tears, or pass their jests. Life holds no inscrutable dark places for those who have passed through this ordeal; their judgments are Rhadamanthine.

For young women of the Marquise d'Aiglemont's age, this first, this most poignant pain of all, is always referable to the same cause. A woman, especially if she is a young woman, greatly beautiful, and by nature great, never fails to stake her whole life as instinct and sentiment and society all unite to bid her. Suppose that that life fails her, suppose that she still lives on, she cannot but endure the most cruel pangs, inasmuch as a first love is the loveliest of all. How comes it that this catastrophe has found no painter, no poet? And yet, can it be painted? Can it be sung? No; for the anguish arising from it eludes analysis and defies the colors of art. And more than this, such pain is never confessed. To console the sufferer, you must be able to divine the past which she hugs in bitterness to her soul like a remorse; it is like an avalanche in a valley; it laid all waste before it found a permanent resting-place.

The Marquise was suffering from this anguish, which will for long remain unknown, because the whole world condemns it, while sentiment cherishes it, and the conscience of a true woman justifies her in it. It is with such pain as with children steadily disowned of life, and therefore bound more closely to the mother's heart than other children more bounteously endowed. Never, perhaps, was the awful catastrophe in which the whole world without dies for us, so deadly, so complete, so cruelly aggravated by circumstance as it had been for the Marquise. The man whom she had loved was young and generous; in obedience to the laws of the world, she had refused herself to his love, and he had died to save a woman's honor, as the world calls it. To whom could she speak of her misery? Her tears would be an offence against her husband, the origin of the tragedy. By all laws written and unwritten she was bound over to silence. A woman would have enjoyed the story; a man would have schemed for his own benefit. No; such grief as hers can only weep freely in solitude and in loneliness; she must consume her pain or be consumed by it; die or kill something within her—her conscience, it may be.

Day after day she sat gazing at the flat horizon. It lay out before her like her own life to come. There was nothing to discover, nothing to hope. The whole of it could be seen at a glance. It was the visible presentment in the outward world of the chill sense of desolation which was gnawing restlessly at her heart. The misty mornings, the pale, bright sky, the low clouds scudding under the gray dome of heaven, fitted with the moods of her soul-sickness. Her heart did not contract, was neither more nor less seared, rather it seemed as if her youth, in its full blossom, was slowly turned to stone by an anguish intolerable because it was barren. She suffered through herself and for herself. How could it end save in self-absorption? Ugly torturing thoughts probed her conscience. Candid self-examination pronounced that she was double, there were two selves within her; a woman who felt and a woman who thought; a self that suffered and a self that could fain suffer no longer. Her mind traveled back to the joys of childish days; they had gone by, and she had never known how happy they were. Scenes crowded up in her memory as in a bright mirror glass, to demonstrate the deception of a marriage which, all that it should be in the eyes of the world, was in reality wretched. What had the delicate pride of young womanhood done for her—the bliss foregone, the sacrifices made to the world? Everything in her expressed love, awaited love; her movements still were full of perfect grace; her smile, her charm, were hers as before; why? she asked herself. The sense of her own youth and physical loveliness no more affected her than some meaningless reiterated sound. Her very beauty had grown intolerable to her as a useless thing. She shrank aghast from the thought that through the rest of life she must remain an incomplete creature; had not the inner self lost its power of receiving impressions with that zest, that exquisite sense of freshness which is the spring of so much of life's gladness? The impressions of the future would for the most part be effaced as soon as received, and many of the thoughts which once would have moved her now would move her no more.

After the childhood of the creature dawns the childhood of the heart; but this second infancy was over, her lover had taken it down with him into the grave. The longings of youth remained; she was young yet; but the completeness of youth was gone, and with that lost completeness the whole value and savor of life had diminished somewhat. Should she not always bear within her the seeds of sadness and mistrust, ready to grow up and rob emotion of its springtide of fervor? Conscious she must always be that nothing could give her now the happiness so longed for, that seemed so fair in her dreams. The fire from heaven that sheds abroad its light in the heart, in the dawn of love, had been quenched in tears, the first real tears which she had shed; henceforth she must always suffer, because it was no longer in her power to be what once she might have been. This is a belief which turns us in aversion and bitterness of spirit from any proffered new delight.

Julie had come to look at life from the point of view of age about to die. Young though she felt, the heavy weight of joyless days had fallen upon her, and left her broken-spirited and old before her time. With a despairing cry, she asked the world what it could give her in exchange for the love now lost, by which she had lived. She asked herself whether in that vanished love, so chaste and pure, her will had not been more criminal than her deeds, and chose to believe herself guilty; partly to affront the world, partly for her own consolation, in that she had missed the close union of body and soul, which diminishes the pain of the one who is left behind by the knowledge that once it has known and given joy to the full, and retains within itself the impress of that which is no more.

Something of the mortification of the actress cheated of her part mingled with the pain which thrilled through every fibre of her heart and brain. Her nature had been thwarted, her vanity wounded, her woman's generosity cheated of self-sacrifice. Then, when she had raised all these questions, set vibrating all the springs in those different phases of being which we distinguish as social, moral, and physical, her energies were so far exhausted and relaxed that she was powerless to grasp a single thought amid the chase of conflicting ideas.

Sometimes as the mists fell, she would throw her window open, and would stay there, motionless, breathing in unheedingly the damp earthly scent in the air, her mind to all appearance an unintelligent blank, for the ceaseless burden of sorrow humming in her brain left her deaf to earth's harmonies and insensible to the delights of thought.

One day, towards noon, when the sun shone out for a little, her maid came in without a summons.

"This is the fourth time that M. le Cure has come to see Mme. la Marquise; to-day he is so determined about it, that we did not know what to tell him."

"He has come to ask for some money for the poor, no doubt; take him twenty-five louis from me."

The woman went only to return.

"M. le Cure will not take the money, my lady; he wants to speak to you."

"Then let him come!" said Mme. d'Aiglemont, with an involuntary shrug which augured ill for the priest's reception. Evidently the lady meant to put a stop to persecution by a short and sharp method.

Mme. d'Aiglemont had lost her mother in her early childhood; and as a natural consequence in her bringing-up, she had felt the influence of the relaxed notions which loosened the hold of religion upon France during the Revolution. Piety is a womanly virtue which women alone can really instil; and the Marquise, a child of the eighteenth century, had adopted her father's creed of philosophism, and practised no religious observances. A priest, to her way of thinking, was a civil servant of very doubtful utility. In her present position, the teaching of religion could only poison her wounds; she had, moreover, but scanty faith in the lights of country cures, and made up her mind to put this one gently but firmly in his place, and to rid herself of him, after the manner of the rich, by bestowing a benefit.

At first sight of the cure the Marquise felt no inclination to change her mind. She saw before her a stout, rotund little man, with a ruddy, wrinkled, elderly face, which awkwardly and unsuccessfully tried to smile. His bald, quadrant-shaped forehead, furrowed by intersecting lines, was too heavy for the rest of his face, which seemed to be dwarfed by it. A fringe of scanty white hair encircled the back of his head, and almost reached his ears. Yet the priest looked as if by nature he had a genial disposition; his thick lips, his slightly curved nose, his chin, which vanished in a double fold of wrinkles,—all marked him out as a man who took cheerful views of life.

At first the Marquise saw nothing but these salient characteristics, but at the first word she was struck by the sweetness of the speaker's voice. Looking at him more closely, she saw that the eyes under the grizzled eyebrows had shed tears, and his face, turned in profile, wore so sublime an impress of sorrow, that the Marquise recognized the man in the cure.

"Madame la Marquise, the rich only come within our province when they are in trouble. It is easy to see that the troubles of a young, beautiful, and wealthy woman, who has lost neither children nor relatives, are caused by wounds whose pangs religion alone can soothe. Your soul is in danger, madame. I am not speaking now of the hereafter which awaits us. No, I am not in the confessional. But it is my duty, is it not, to open your eyes to your future life here on earth? You will pardon an old man, will you not, for importunity which has your own happiness for its object?"

"There is no more happiness for me, monsieur. I shall soon be, as you say, in your province; but it will be for ever."

"Nay, madame. You will not die of this pain which lies heavy upon you, and can be read in your face. If you had been destined to die of it, you would not be here at Saint-Lange. A definite regret is not so deadly as hope deferred. I have known others pass through more intolerable and more awful anguish, and yet they live."

The Marquise looked incredulous.

"Madame, I know a man whose affliction was so sore that your trouble would seem to you to be light compared with his."

Perhaps the long solitary hours had begun to hang heavily; perhaps in the recesses of the Marquise's mind lay the thought that here was a friendly heart to whom she might be able to pour out her troubles. However, it was, she gave the cure a questioning glance which could not be mistaken.

"Madame," he continued, "the man of whom I tell you had but three children left of a once large family circle. He lost his parents, his daughter, and his wife, whom he dearly loved. He was left alone at last on the little farm where he had lived so happily for so long. His three sons were in the army, and each of the lads had risen in proportion to his time of service. During the Hundred Days, the oldest went into the Guard with a colonel's commission; the second was a major in the artillery; the youngest a major in a regiment of dragoons. Madame, those three boys loved their father as much as he loved them. If you but knew how careless young fellows grow of home ties when they are carried away by the current of their own lives, you would realize from this one little thing how warmly they loved the lonely old father, who only lived in and for them—never a week passed without a letter from one of the boys. But then he on his side had never been weakly indulgent, to lessen their respect for him; nor unjustly severe, to thwart their affection; or apt to grudge sacrifices, the thing that estranges children's hearts. He had been more than a father; he had been a brother to them, and their friend.

"At last he went to Paris to bid them good-bye before they set out for Belgium; he wished to see that they had good horses and all that they needed. And so they went, and the father returned to his home again. Then the war began. He had letters from Fleurus, and again from Ligny. All went well. Then came the battle of Waterloo, and you know the rest. France was plunged into mourning; every family waited in intense anxiety for news. You may imagine, madame, how the old man waited for tidings, in anxiety that knew no peace nor rest. He used to read the gazettes; he went to the coach office every day. One evening he was told that the colonel's servant had come. The man was riding his master's horse—what need was there to ask any questions?—the colonel was dead, cut in two by a shell. Before the evening was out the youngest son's servant arrived—the youngest had died on the eve of the battle. At midnight came a gunner with tidings of the death of the last; upon whom, in those few hours, the poor father had centered all his life. Madame, they all had fallen."

After a pause the good man controlled his feelings, and added gently:

"And their father is still living, madame. He realized that if God had left him on earth, he was bound to live on and suffer on earth; but he took refuge in the sanctuary. What could he be?"

The Marquise looked up and saw the cure's face, grown sublime in its sorrow and resignation, and waited for him to speak. When the words came, tears broke from her.

"A priest, madame; consecrated by his own tears previously shed at the foot of the altar."

Silence prevailed for a little. The Marquise and the cure looked out at the foggy landscape, as if they could see the figures of those who were no more.

"Not a priest in a city, but a simple country cure," added he.

"At Saint-Lange," she said, drying her eyes.

"Yes, madame."

Never had the majesty of grief seemed so great to Julie. The two words sank straight into her heart with the weight of infinite sorrow. The gentle, sonorous tones troubled her heart. Ah! that full, deep voice, charged with plangent vibration, was the voice of one who had suffered indeed.