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A Voice in the Wilderness
by Grace Livingston Hill
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After all, they really seemed to enjoy it, though they had to get along with one hymn-book for the whole company; but Margaret knew how to make hymn-singing interesting, and her exquisite voice was never more at its best than when she led off with "My Jesus, as Thou Wilt," or "Jesus, Saviour, Pilot Me."

"You would be the delight of Mr. Brownleigh's heart," said the hostess, gushingly, at last, after Margaret had finished singing "Abide With Me" with wonderful feeling.

"And who is Mr. Brownleigh?" asked Margaret. "Why should I delight his heart?"

"Why, he is our missionary—that is, the missionary for this region—and you would delight his heart because you are so religious and sing so well," said the superficial little woman. "Mr. Brownleigh is really a very cultured man. Of course, he's narrow. All clergymen are narrow, don't you think? They have to be to a certain extent. He's really quite narrow. Why, he believes in the Bible literally, the whale and Jonah, and the Flood, and making bread out of stones, and all that sort of thing, you know. Imagine it! But he does. He's sincere! Perfectly sincere. I suppose he has to be. It's his business. But sometimes one feels it a pity that he can't relax a little, just among us here, you know. We'd never tell. Why, he won't even play a little game of poker! And he doesn't smoke! Imagine it—not even when he's by himself, and no one would know! Isn't that odd? But he can preach. He's really very interesting; only a little too Utopian in his ideas. He thinks everybody ought to be good, you know, and all that sort of thing. He really thinks it's possible, and he lives that way himself. He really does. But he is a wonderful person; only I feel sorry for his wife sometimes. She's quite a cultured person. Has been wealthy, you know. She was a New York society girl. Just imagine it; out in these wilds taking gruel to the dirty little Indians! How she ever came to do it! Of course she adores him, but I can't really believe she is happy. No woman could be quite blind enough to give up everything in the world for one man, no matter how good he was. Do you think she could? It wasn't as if she didn't have plenty of other chances. She gave them all up to come out and marry him. She's a pretty good sport, too; she never lets you know she isn't perfectly happy."

"She is happy; mother, she's happier than anybody I ever saw," declared the fourteen-year-old daughter of the house, who was home from boarding-school for a brief visit during an epidemic of measles in the school.

"Oh yes, she manages to make people think she's happy," said her mother, indulgently; "but you can't make me believe she's satisfied to give up her house on Fifth Avenue and live in a two-roomed log cabin in the desert, with no society."

"Mother, you don't know! Why, any woman would be satisfied if her husband adored her the way Mr. Brownleigh does her."

"Well, Ada, you're a romantic girl, and Mr. Brownleigh is a handsome man. You've got a few things to learn yet. Mark my words, I don't believe you'll see Mrs. Brownleigh coming back next month with her husband. This operation was all well enough to talk about, but I'll not be surprised to hear that he has come back alone or else that he has accepted a call to some big city church. And he's equal to the city church, too; that's the wonder of it. He comes of a fine family himself, I've heard. Oh, people can't keep up the pose of saints forever, even though they do adore each other. But Mr. Brownleigh certainly is a good man!"

The vapid little woman sat looking reflectively out of the window for a whole minute after this deliverance. Yes, certainly Mr. Brownleigh was a good man. He was the one man of culture, education, refinement, who had come her way in many a year who had patiently and persistently and gloriously refused her advances at a mild flirtation, and refused to understand them, yet remained her friend and reverenced hero. He was a good man, and she knew it, for she was a very pretty woman and understood her art well.

Before the day was over Margaret had reason to feel that a Sabbath in Arizona was a very hard thing to find. The singing could not last all day, and her friends seemed to find more amusements on Sunday that did not come into Margaret's code of Sabbath-keeping than one knew how to say no to. Neither could they understand her feeling, and she found it hard not to be rude in gently declining one plan after another.

She drew the children into a wide, cozy corner after dinner and began a Bible story in the guise of a fairy-tale, while the hostess slipped away to take a nap. However, several other guests lingered about, and Mr. Temple strayed in. They sat with newspapers before their faces and got into the story, too, seeming to be deeply interested, so that, after all, Margaret did not have an unprofitable Sabbath.

But altogether, though she had a gay and somewhat frivolous time, a good deal of admiration and many invitations to return as often as possible, Margaret was not sorry when she said good night to know that she was to return in the early morning to her work.

Mr. Temple himself was going part way with them, accompanied by his niece, Forsythe, and the young officer who came over with them. Margaret rode beside Mr. Temple until his way parted from theirs, and had a delightful talk about Arizona. He was a kindly old fellow who adored his frivolous little wife and let her go her own gait, seeming not to mind how much she flirted.

The morning was pink and silver, gold and azure, a wonderful specimen of an Arizona sunrise for Margaret's benefit, and a glorious beginning for her day's work in spite of the extremely early hour. The company was gay and blithe, and the Eastern girl felt as if she were passing through a wonderful experience.

They loitered a little on the way to show Margaret the wonders of a fern-plumed canon, and it was almost school-time when they came up the street, so that Margaret rode straight to the school-house instead of stopping at Tanners'. On the way to the school they passed a group of girls, of whom Rosa Rogers was the center. A certain something in Rosa's narrowed eyelids as she said good morning caused Margaret to look back uneasily, and she distinctly saw the girl give a signal to young Forsythe, who, for answer, only tipped his hat and gave her a peculiar smile.

In a moment more they had said good-by, and Margaret was left at the school-house door with a cluster of eager children about her, and several shy boys in the background, ready to welcome her back as if she had been gone a month.

In the flutter of opening school Margaret failed to notice that Rosa Rogers did not appear. It was not until the roll was called that she noticed her absence, and she looked uneasily toward the door many times during the morning, but Rosa did not come until after recess, when she stole smilingly in, as if it were quite the thing to come to school late. When questioned about her tardiness she said she had torn her dress and had to go home and change it. Margaret knew by the look in her eyes that the girl was not telling the truth, but what was she to do? It troubled her all the morning and went with her to a sleepless pillow that night. She was beginning to see that life as a school-teacher in the far West was not all she had imagined it to be. Her father had been right. There would likely be more thorns than roses on her way.



CHAPTER XX

The first time Lance Gardley met Rosa Rogers riding with Archie Forsythe he thought little of it. He knew the girl by sight, because he knew her father in a business way. That she was very young and one of Margaret's pupils was all he knew about her. For the young man he had conceived a strong dislike, but as there was no reason whatever for it he put it out of his mind as quickly as possible.

The second time he met them it was toward evening and they were so wholly absorbed in each other's society that they did not see him until he was close upon them. Forsythe looked up with a frown and a quick hand to his hip, where gleamed a weapon.

He scarcely returned the slight salute given by Gardley, and the two young people touched up their horses and were soon out of sight in the mesquite. But something in the frightened look of the girl's eyes caused Gardley to turn and look after the two.

Where could they be going at that hour of the evening? It was not a trail usually chosen for rides. It was lonely and unfrequented, and led out of the way of travelers. Gardley himself had been a far errand for Jasper Kemp, and had taken this short trail back because it cut off several miles and he was weary. Also, he was anxious to stop in Ashland and leave Mom Wallis's request that Margaret would spend the next Sabbath at the camp and see the new curtains. He was thinking what he should say to her when he saw her in a little while now, and this interruption to his thoughts was unwelcome. Nevertheless, he could not get away from that frightened look in the girl's eyes. Where could they have been going? That fellow was a new-comer in the region; perhaps he had lost his way. Perhaps he did not know that the road he was taking the girl led into a region of outlaws, and that the only habitation along the way was a cabin belonging to an old woman of weird reputation, where wild orgies were sometimes celebrated, and where men went who loved darkness rather than light, because their deeds were evil.

Twice Gardley turned in his saddle and scanned the desert. The sky was darkening, and one or two pale stars were impatiently shadowing forth their presence. And now he could see the two riders again. They had come up out of the mesquite to the top of the mesa, and were outlined against the sky sharply. They were still on the trail to old Ouida's cabin!

With a quick jerk Gardley reined in his horse and wheeled about, watching the riders for a moment; and then, setting spurs to his beast, he was off down the trail after them on one of his wild, reckless rides. Down through the mesquite he plunged, through the darkening grove, out, and up to the top of the mesa. He had lost sight of his quarry for the time, but now he could see them again riding more slowly in the valley below, their horses close together, and even as he watched the sky took on its wide night look and the stars blazed forth.

Suddenly Gardley turned sharply from the trail and made a detour through a grove of trees, riding with reckless speed, his head down to escape low branches; and in a minute or two he came with unerring instinct back to the trail some distance ahead of Forsythe and Rosa. Then he wheeled his horse and stopped stock-still, awaiting their coming.

By this time the great full moon was risen and, strangely enough, was at Gardley's back, making a silhouette of man and horse as the two riders came on toward him.

They rode out from the cover of the grove, and there he was across their path. Rosa gave a scream, drawing nearer her companion, and her horse swerved and reared; but Gardley's black stood like an image carved in ebony against the silver of the moon, and Gardley's quiet voice was in strong contrast to the quick, unguarded exclamation of Forsythe, as he sharply drew rein and put his hand hastily to his hip for his weapon.

"I beg your pardon, Mr. Forsythe"—Gardley had an excellent memory for names—"but I thought you might not be aware, being a new-comer in these parts, that the trail you are taking leads to a place where ladies do not like to go."

"Really! You don't say so!" answered the young man, insolently. "It is very kind of you, I'm sure, but you might have saved yourself the trouble. I know perfectly where I am going, and so does the lady, and we choose to go this way. Move out of the way, please. You are detaining us."

But Gardley did not move out of the way. "I am sure the lady does not know where she is going," he said, firmly. "I am sure that she does not know that it is a place of bad reputation, even in this unconventional land. At least, if she knows, I am sure that her father does not know, and I am well acquainted with her father."

"Get out of the way, sir," said Forsythe, hotly. "It certainly is none of your business, anyway, whoever knows what. Get out of the way or I shall shoot. This lady and I intend to ride where we please."

"Then I shall have to say you cannot," said Gardley; and his voice still had that calm that made his opponent think him easy to conquer.

"Just how do you propose to stop us?" sneered Forsythe, pulling out his pistol.

"This way," said Gardley, lifting a tiny silver whistle to his lips and sending forth a peculiar, shrilling blast. "And this way," went on Gardley, calmly lifting both hands and showing a weapon in each, wherewith he covered the two.

Rosa screamed and covered her face with her hands, cowering in her saddle.

Forsythe lifted his weapon, but looked around nervously. "Dead men tell no tales," he said, angrily.

"It depends upon the man," said Gardley, meaningly, "especially if he were found on this road. I fancy a few tales could be told if you happened to be the man. Turn your horses around at once and take this lady back to her home. My men are not far off, and if you do not wish the whole story to be known among your friends and hers you would better make haste."

Forsythe dropped his weapon and obeyed. He decidedly did not wish his escapade to be known among his friends. There were financial reasons why he did not care to have it come to the ears of his brother-in-law just now.

Silently in the moonlight the little procession took its way down the trail, the girl and the man side by side, their captor close behind, and when the girl summoned courage to glance fearsomely behind her she saw three more men riding like three grim shadows yet behind. They had fallen into the trail so quietly that she had not heard them when they came. They were Jasper Kemp, Long Bill, and Big Jim. They had been out for other purposes, but without question followed the call of the signal.

It was a long ride back to Rogers's ranch, and Forsythe glanced nervously behind now and then. It seemed to him that the company was growing larger all the time. He half expected to see a regiment each time he turned. He tried hurrying his horse, but when he did so the followers were just as close without any seeming effort. He tried to laugh it all off.

Once he turned and tried to placate Gardley with a few shakily jovial words:

"Look here, old fellow, aren't you the man I met on the trail the day Miss Earle went over to the fort? I guess you've made a mistake in your calculations. I was merely out on a pleasure ride with Miss Rogers. We weren't going anywhere in particular, you know. Miss Rogers chose this way, and I wanted to please her. No man likes to have his pleasure interfered with, you know. I guess you didn't recognize me?"

"I recognized you," said Gardley. "It would be well for you to be careful where you ride with ladies, especially at night. The matter, however, is one that you would better settle with Mr. Rogers. My duty will be done when I have put it into his hands."

"Now, my good fellow," said Forsythe, patronizingly, "you surely don't intend to make a great fuss about this and go telling tales to Mr. Rogers about a trifling matter—"

"I intend to do my duty, Mr. Forsythe," said Gardley; and Forsythe noticed that the young man still held his weapons. "I was set this night to guard Mr. Rogers's property. That I did not expect his daughter would be a part of the evening's guarding has nothing to do with the matter. I shall certainly put the matter into Mr. Rogers's hands."

Rosa began to cry softly.

"Well, if you want to be a fool, of course," laughed Forsythe, disagreeably; "but you will soon see Mr. Rogers will accept my explanation."

"That is for Mr. Rogers to decide," answered Gardley, and said no more.

The reflections of Forsythe during the rest of that silent ride were not pleasant, and Rosa's intermittent crying did not tend to make him more comfortable.

The silent procession at last turned in at the great ranch gate and rode up to the house. Just as they stopped and the door of the house swung open, letting out a flood of light, Rosa leaned toward Gardley and whispered:

"Please, Mr. Gardley, don't tell papa. I'll do anything in the world for you if you won't tell papa."

He looked at the pretty, pitiful child in the moonlight. "I'm sorry, Miss Rosa," he said, firmly. "But you don't understand. I must do my duty."

"Then I shall hate you!" she hissed. "Do you hear? I shall hate you forever, and you don't know what that means. It means I'll take my revenge on you and on everybody you like."

He looked at her half pityingly as he swung off his horse and went up the steps to meet Mr. Rogers, who had come out and was standing on the top step of the ranch-house in the square of light that flickered from a great fire on the hearth of the wide fireplace. He was looking from one to another of the silent group, and as his eyes rested on his daughter he said, sternly:

"Why, Rosa, what does this mean? You told me you were going to bed with a headache!"

Gardley drew his employer aside and told what had happened in a few low-toned sentences; and then stepped down and back into the shadow, his horse by his side, the three men from the camp grouped behind him. He had the delicacy to withdraw after his duty was done.

Mr. Rogers, his face stern with sudden anger and alarm, stepped down and stood beside his daughter. "Rosa, you may get down and go into the house to your own room. I will talk with you later," he said. And then to the young man, "You, sir, will step into my office. I wish to have a plain talk with you."

A half-hour later Forsythe came out of the Rogers house and mounted his horse, while Mr. Rogers stood silently and watched him.

"I will bid you good evening, sir," he said, formally, as the young man mounted his horse and silently rode away. His back had a defiant look in the moonlight as he passed the group of men in the shadow; but they did not turn to watch him.

"That will be all to-night, Gardley, and I thank you very much," called the clear voice of Mr. Rogers from his front steps.

The four men mounted their horses silently and rode down a little distance behind the young man, who wondered in his heart just how much or how little Gardley had told Rosa's father.

The interview to which young Forsythe had just been subjected had been chastening in character, of a kind to baffle curiosity concerning the father's knowledge of details, and to discourage any further romantic rides with Miss Rosa. It had been left in abeyance whether or not the Temples should be made acquainted with the episode, dependent upon the future conduct of both young people. It had not been satisfactory from Forsythe's point of view; that is, he had not been so easily able to disabuse the father's mind of suspicion, nor to establish his own guileless character as he had hoped; and some of the remarks Rogers made led Forsythe to think that the father understood just how unpleasant it might become for him if his brother-in-law found out about the escapade.

This is why Archie Forsythe feared Lance Gardley, although there was nothing in the least triumphant about the set of that young man's shoulders as he rode away in the moonlight on the trail toward Ashland. And this is how it came about that Rosa Rogers hated Lance Gardley, handsome and daring though he was; and because of him hated her teacher, Margaret Earle.

An hour later Lance Gardley stood in the little dim Tanner parlor, talking to Margaret.

"You look tired," said the girl, compassionately, as she saw the haggard shadows on the young face, showing in spite of the light of pleasure in his eyes. "You look very tired. What in the world have you been doing?"

"I went out to catch cattle-thieves," he said, with a sigh, "but I found there were other kinds of thieves abroad. It's all in the day's work. I'm not tired now." And he smiled at her with beautiful reverence.

Margaret, as she watched him, could not help thinking that the lines in his face had softened and strengthened since she had first seen him, and her eyes let him know that she was glad he had come.

"And so you will really come to us, and it isn't going to be asking too much?" he said, wistfully. "You can't think what it's going to be to the men—to us! And Mom Wallis is so excited she can hardly get her work done. If you had said no I would be almost afraid to go back." He laughed, but she could see there was deep earnestness under his tone.

"Indeed I will come," said Margaret. "I'm just looking forward to it. I'm going to bring Mom Wallis a new bonnet like one I made for mother; and I'm going to teach her how to make corn gems and steamed apple dumplings. I'm bringing some songs and some music for the violin; and I've got something for you to help me do, too, if you will?"

He smiled tenderly down on her. What a wonderful girl she was, to be willing to come out to the old shack among a lot of rough men and one uncultured old woman and make them happy, when she was fit for the finest in the land!

"You're wonderful!" he said, taking her hand with a quick pressure for good-by. "You make every one want to do his best."

He hurried out to his horse and rode away in the moonlight. Margaret went up to her "mountain window" and watched him far out on the trail, her heart swelling with an unnamed gladness over his last words.

"Oh, God, keep him, and help him to make good!" she prayed.



CHAPTER XXI

The visit to the camp was a time to be remembered long by all the inhabitants of the bunk-house, and even by Margaret herself. Margaret wondered Friday evening, as she sat up late, working away braiding a lovely gray bonnet out of folds of malines, and fashioning it into form for Mom Wallis, why she was looking forward to the visit with so much more real pleasure than she had done to the one the week before at the Temples'. And so subtle is the heart of a maid that she never fathomed the real reason.

The Temples', of course, was interesting and delightful as being something utterly new in her experience. It was comparatively luxurious, and there were pleasant, cultured people there, more from her own social class in life. But it was going to be such fun to surprise Mom Wallis with that bonnet and see her old face light up when she saw herself in the little folding three-leaved mirror she was taking along with her and meant to leave for Mom Wallis's log boudoir. She was quite excited over selecting some little thing for each one of the men—books, pictures, a piece of music, a bright cushion, and a pile of picture magazines. It made a big bundle when she had them together, and she was dubious if she ought to try to carry them all; but Bud, whom she consulted on the subject, said, loftily, it "wasn't a flea-bite for the Kid; he could carry anything on a horse."

Bud was just a little jealous to have his beloved teacher away from home so much, and rejoiced greatly when Gardley, Friday afternoon, suggested that he come along, too. He made quick time to his home, and secured a hasty permission and wardrobe, appearing like a footman on his father's old horse when they were half a mile down the trail.

Mom Wallis was out at the door to greet her guest when she arrived, for Margaret had chosen to make her visit last from Friday afternoon after school, until Monday morning. It was the generosity of her nature that she gave to her utmost when she gave.

The one fear she had entertained about coming had been set at rest on the way when Gardley told her that Pop Wallis was off on one of his long trips, selling cattle, and would probably not return for a week. Margaret, much as she trusted Gardley and the men, could not help dreading to meet Pop Wallis again.

There was a new trimness about the old bunk-house. The clearing had been cleaned up and made neat, the grass cut, some vines set out and trained up limply about the door, and the windows shone with Mom Wallis's washing.

Mom Wallis herself was wearing her best white apron, stiff with starch, her lace collar, and her hair in her best imitation of the way Margaret had fixed it, although it must be confessed she hadn't quite caught the knack of arrangement yet. But the one great difference Margaret noticed in the old woman was the illuminating smile on her face. Mom Wallis had learned how to let the glory gleam through all the hard sordidness of her life, and make earth brighter for those about her.

The curtains certainly made a great difference in the looks of the bunk-house, together with a few other changes. The men had made some chairs—three of them, one out of a barrel; and together they had upholstered them roughly. The cots around the walls were blazing with their red blankets folded smoothly and neatly over them, and on the floor in front of the hearth, which had been scrubbed, Gardley had spread a Navajo blanket he had bought of an Indian.

The fireplace was piled with logs ready for the lighting at night, and from somewhere a lamp had been rigged up and polished till it shone in the setting sun that slanted long rays in at the shining windows.

The men were washed and combed, and had been huddled at the back of the bunk-house for an hour, watching the road, and now they came forward awkwardly to greet their guest, their horny hands scrubbed to an unbelievable whiteness. They did not say much, but they looked their pleasure, and Margaret greeted every one as if he were an old friend, the charming part about it all to the men being that she remembered every one's name and used it.

Bud hovered in the background and watched with starry eyes. Bud was having the time of his life. He preferred the teacher's visiting the camp rather than the fort. The "Howdy, sonny!" which he had received from the men, and the "Make yourself at home, Bill" from Gardley, had given him great joy; and the whole thing seemed somehow to link him to the teacher in a most distinguishing manner.

Supper was ready almost immediately, and Mom Wallis had done her best to make it appetizing. There was a lamb stew with potatoes, and fresh corn bread with coffee. The men ate with relish, and watched their guest of honor as if she had been an angel come down to abide with them for a season. There was a tablecloth on the old table, too—a white tablecloth. It looked remarkably like an old sheet, to be sure, with a seam through the middle where it had been worn and turned and sewed together; but it was a tablecloth now, and a marvel to the men. And the wonder about Margaret was that she could eat at such a table and make it seem as though that tablecloth were the finest damask, and the two-tined forks the heaviest of silver.

After the supper was cleared away and the lamp lighted, the gifts were brought out. A book of Scotch poetry for Jasper Kemp, bound in tartan covers of the Campbell clan; a small illustrated pamphlet of Niagara Falls for Big Jim, because he had said he wanted to see the place and never could manage it; a little pictured folder of Washington City for Big Jim; a book of old ballad music for Fiddling Boss; a book of jokes for Fade-away Forbes; a framed picture of a beautiful shepherd dog for Stocky; a big, red, ruffled denim pillow for Croaker, because when she was there before he was always complaining about the seats being hard; a great blazing crimson pennant bearing the name HARVARD in big letters for Fudge, because she had remembered he was from Boston; and for Mom Wallis a framed text beautifully painted in water-colors, done in rustic letters twined with stray forget-me-nots, the words, "Come unto Me, all ye that labor and are heavy laden, and I will give you rest." Margaret had made that during the week and framed it in a simple raffia braid of brown and green.

It was marvelous how these men liked their presents; and while they were examining them and laughing about them and putting their pictures and Mom Wallis's text on the walls, and the pillow on a bunk, and the pennant over the fireplace, Margaret shyly held out a tiny box to Gardley.

"I thought perhaps you would let me give you this," she said. "It isn't much; it isn't even new, and it has some marks in it; but I thought it might help with your new undertaking."

Gardley took it with a lighting of his face and opened the box. In it was a little, soft, leather-bound Testament, showing the marks of usage, yet not worn. It was a tiny thing, very thin, easily fitting in a vest-pocket, and not a burden to carry. He took the little book in his hand, removed the silken rubber band that bound it, and turned the leaves reverently in his fingers, noting that there were pencil-marks here and there. His face was all emotion as he looked up at the giver.

"I thank you," he said, in a low tone, glancing about to see that no one was noticing them. "I shall prize it greatly. It surely will help. I will read it every day. Was that what you wanted? And I will carry it with me always."

His voice was very earnest, and he looked at her as though she had given him a fortune. With another glance about at the preoccupied room—even Bud was busy studying Jasper Kemp's oldest gun—he snapped the band on the book again and put it carefully in his inner breast-pocket. The book would henceforth travel next his heart and be his guide. She thought he meant her to understand that, as he put out his hand unobtrusively and pressed her fingers gently with a quick, low "Thank you!"

Then Mom Wallis's bonnet was brought out and tied on her, and the poor old woman blushed like a girl when she stood with meek hands folded at her waist and looked primly about on the family for their approval at Margaret's request. But that was nothing to the way she stared when Margaret got out the threefold mirror and showed her herself in the new headgear. She trotted away at last, the wonderful bonnet in one hand, the box in the other, a look of awe on her face, and Margaret heard her murmur as she put it away: "Glory! Me! Glory!"

Then Margaret had to read one or two of the poems for Jasper Kemp, while they all sat and listened to her Scotch and marveled at her. A woman like that condescending to come to visit them!

She gave a lesson in note-reading to the Fiddling Boss, pointing one by one with her white fingers to the notes until he was able to creep along and pick out "Suwanee River" and "Old Folks at Home" to the intense delight of the audience.

Margaret never knew just how it was that she came to be telling the men a story, one she had read not long before in a magazine, a story with a thrilling national interest and a keen personal touch that searched the hearts of men; but they listened as they had never listened to anything in their lives before.

And then there was singing, more singing, until it bade fair to be morning before they slept, and the little teacher was weary indeed when she lay down on the cot in Mom Wallis's room, after having knelt beside the old woman and prayed.

The next day there was a wonderful ride with Gardley and Bud to the canon of the cave-dwellers, and a coming home to the apple dumplings she had taught Mom Wallis to make before she went away. All day Gardley and she, with Bud for delighted audience, had talked over the play she was getting up at the school, Gardley suggesting about costumes and tree boughs for scenery, and promising to help in any way she wanted. Then after supper there were jokes and songs around the big fire, and some popcorn one of the men had gone a long ride that day to get. They called for another story, too, and it was forthcoming.

It was Sunday morning after breakfast, however, that Margaret suddenly wondered how she was going to make the day helpful and different from the other days.

She stood for a moment looking out of the clear little window thoughtfully, with just the shadow of a sigh on her lips, and as she turned back to the room she met Gardley's questioning glance.

"Are you homesick?" he asked, with a sorry smile. "This must all be very different from what you are accustomed to."

"Oh no, it isn't that." She smiled, brightly. "I'm not a baby for home, but I do get a bit homesick about church-time. Sunday is such a strange day to me without a service."

"Why not have one, then?" he suggested, eagerly. "We can sing and—you could—do the rest!"

Her eyes lighted at the suggestion, and she cast a quick glance at the men. Would they stand for that sort of thing?

Gardley followed her glance and caught her meaning. "Let them answer for themselves," he said quickly in a low tone, and then, raising his voice: "Speak up, men. Do you want to have church? Miss Earle here is homesick for a service, and I suggest that we have one, and she conduct it."

"Sure!" said Jasper Kemp, his face lighting. "I'll miss my guess if she can't do better than the parson we had last Sunday. Get into your seats, boys; we're goin' to church."

Margaret's face was a study of embarrassment and delight as she saw the alacrity with which the men moved to get ready for "church." Her quick brain turned over the possibility of what she could read or say to help this strange congregation thus suddenly thrust upon her.

It was a testimony to her upbringing by a father whose great business of life was to preach the gospel that she never thought once of hesitating or declining the opportunity, but welcomed it as an opportunity, and only deprecated her unreadiness for the work.

The men stirred about, donned their coats, furtively brushing their hair, and Long Bill insisted that Mom Wallis put on her new bonnet; which she obligingly did, and sat down carefully in the barrel-chair, her hands neatly crossed in her lap, supremely happy. It really was wonderful what a difference that bonnet made in Mom Wallis.

Gardley arranged a comfortable seat for Margaret at the table and put in front of her one of the hymn-books she had brought. Then, after she was seated, he took the chair beside her and brought out the little Testament from his breast-pocket, gravely laying it on the hymn-book.

Margaret met his eyes with a look of quick appreciation. It was wonderful the way these two were growing to understand each other. It gave the girl a thrill of wonder and delight to have him do this simple little thing for her, and the smile that passed between them was beautiful to see. Long Bill turned away his head and looked out of the window with an improvised sneeze to excuse the sudden mist that came into his eyes.

Margaret chose "My Faith looks up to Thee" for the first hymn, because Fiddling Boss could play it, and while he was tuning up his fiddle she hastily wrote out two more copies of the words. And so the queer service started with a quaver of the old fiddle and the clear, sweet voices of Margaret and Gardley leading off, while the men growled on their way behind, and Mom Wallis, in her new gray bonnet, with her hair all fluffed softly gray under it, sat with eyes shining like a girl's.

So absorbed in the song were they all that they failed to hear the sound of a horse coming into the clearing. But just as the last words of the final verse died away the door of the bunk-house swung open, and there in the doorway stood Pop Wallis!

The men sprang to their feet with one accord, ominous frowns on their brows, and poor old Mom Wallis sat petrified where she was, the smile of relaxation frozen on her face, a look of fear growing in her tired old eyes.

Now Pop Wallis, through an unusual combination of circumstances, had been for some hours without liquor and was comparatively sober. He stood for a moment staring amazedly at the group around his fireside. Perhaps because he had been so long without his usual stimulant his mind was weakened and things appeared as a strange vision to him. At any rate, he stood and stared, and as he looked from one to another of the men, at the beautiful stranger, and across to the strangely unfamiliar face of his wife in her new bonnet, his eyes took on a frightened look. He slowly took his hand from the door-frame and passed it over his eyes, then looked again, from one to another, and back to his glorified wife.

Margaret had half risen at her end of the table, and Gardley stood beside her as if to reassure her; but Pop Wallis was not looking at any of them any more. His eyes were on his wife. He passed his hand once more over his eyes and took one step gropingly into the room, a hand reached out in front of him, as if he were not sure but he might run into something on the way, the other hand on his forehead, a dazed look in his face.

"Why, Mom—that ain't really—you, now, is it?" he said, in a gentle, insinuating voice like one long unaccustomed making a hasty prayer.

The tone made a swift change in the old woman. She gripped her bony hands tight and a look of beatific joy came into her wrinkled face.

"Yes, it's really me, Pop!" she said, with a kind of triumphant ring to her voice.

"But—but—you're right here, ain't you? You ain't dead, an'—an'—gone to—gl-oo-ry, be you? You're right here?"

"Yes, I'm right here, Pop. I ain't dead! Pop—glory's come to me!"

"Glory?" repeated the man, dazedly. "Glory?" And he gazed around the room and took in the new curtains, the pictures on the wall, the cushions and chairs, and the bright, shining windows. "You don't mean it's heav'n, do you, Mom? 'Cause I better go back—I don't belong in heav'n. Why, Mom, it can't be glory, 'cause it's the same old bunk-house outside, anyhow."

"Yes, it's the same old bunk-house, and it ain't heaven, but it's goin' to be. The glory's come all right. You sit down, Pop; we're goin' to have church, and this is my new bonnet. She brang it. This is the new school-teacher, Miss Earle, and she's goin' to have church. She done it all! You sit down and listen."

Pop Wallis took a few hesitating steps into the room and dropped into the nearest chair. He looked at Margaret as if she might be an angel holding open the portal to a kingdom in the sky. He looked and wondered and admired, and then he looked back to his glorified old wife again in wonder.

Jasper Kemp shut the door, and the company dropped back into their places. Margaret, because of her deep embarrassment, and a kind of inward trembling that had taken possession of her, announced another hymn.

It was a solemn little service, quite unique, with a brief, simple prayer and an expository reading of the story of the blind man from the sixth chapter of John. The men sat attentively, their eyes upon her face as she read; but Pop Wallis sat staring at his wife, an awed light upon his scared old face, the wickedness and cunning all faded out, and only fear and wonder written there.

In the early dawning of the pink-and-silver morning Margaret went back to her work, Gardley riding by her side, and Bud riding at a discreet distance behind, now and then going off at a tangent after a stray cottontail. It was wonderful what good sense Bud seemed to have on occasion.

The horse that Margaret rode, a sturdy little Western pony, with nerve and grit and a gentle common sense for humans, was to remain with her in Ashland, a gift from the men of the bunk-house. During the week that followed Archie Forsythe came riding over with a beautiful shining saddle-horse for her use during her stay in the West; but when he went riding back to the ranch the shining saddle-horse was still in his train, riderless, for Margaret told him that she already had a horse of her own. Neither had Margaret accepted the invitation to the Temples' for the next week-end. She had other plans for the Sabbath, and that week there appeared on all the trees and posts about the town, and on the trails, a little notice of a Bible class and vesper-service to be held in the school-house on the following Sabbath afternoon; and so Margaret, true daughter of her minister-father, took up her mission in Ashland for the Sabbaths that were to follow; for the school-board had agreed with alacrity to such use of the school-house.



CHAPTER XXII

Now when it became noised abroad that the new teacher wanted above all things to purchase a piano, and that to that end she was getting up a wonderful Shakespeare play in which the scholars were to act upon a stage set with tree boughs after the manner of some new kind of players, the whole community round about began to be excited.

Mrs. Tanner talked much about it. Was not Bud to be a prominent character? Mr. Tanner talked about it everywhere he went. The mothers and fathers and sisters talked about it, and the work of preparing the play went on.

Margaret had discovered that one of the men at the bunk-house played a flute, and she was working hard to teach him and Fiddling Boss and Croaker to play a portion of the elfin dance to accompany the players. The work of making costumes and training the actors became more and more strenuous, and in this Gardley proved a fine assistant. He undertook to train some of the older boys for their parts, and did it so well that he was presently in the forefront of the battle of preparation and working almost as hard as Margaret herself.

The beauty of the whole thing was that every boy in the school adored him, even Jed and Timothy, and life took on a different aspect to them in company with this high-born college-bred, Eastern young man who yet could ride and shoot with the daringest among the Westerners.

Far and wide went forth the fame of the play that was to be. The news of it reached to the fort and the ranches, and brought offers of assistance and costumes and orders for tickets. Margaret purchased a small duplicator and set her school to printing tickets and selling them, and before the play was half ready to be acted tickets enough were sold for two performances, and people were planning to come from fifty miles around. The young teacher began to quake at the thought of her big audience and her poor little amateur players; and yet for children they were doing wonderfully well, and were growing quite Shakespearian in their manner of conversation.

"What say you, sweet Amanda?" would be a form of frequent address to that stolid maiden Amanda Bounds; and Jed, instead of shouting for "Delicate" at recess, as in former times, would say, "My good Timothy, I swear to thee by Cupid's strongest bow; by his best arrow with the golden head"—until all the school-yard rang with classic phrases; and the whole country round was being addressed in phrases of another century by the younger members of their households.

Then Rosa Rogers's father one day stopped at the Tanners' and left a contribution with the teacher of fifty dollars toward the new piano; and after that it was rumored that the teacher said the piano could be sent for in time to be used at the play. Then other contributions of smaller amounts came in, and before the date of the play had been set there was money enough to make a first payment on the piano. That day the English exercise for the whole school was to compose the letter to the Eastern piano firm where the piano was to be purchased, ordering it to be sent on at once. Weeks before this Margaret had sent for a number of piano catalogues beautifully illustrated, showing by cuts how the whole instruments were made, with full illustrations of the factories where they were manufactured, and she had discussed the selection with the scholars, showing them what points were to be considered in selecting a good piano. At last the order was sent out, the actual selection itself to be made by a musical friend of Margaret's in New York, and the school waited in anxious suspense to hear that it had started on its way.

The piano arrived at last, three weeks before the time set for the play, which was coming on finely now and seemed to the eager scholars quite ready for public performance. Not so to Margaret and Gardley, as daily they pruned, trained, and patiently went over and over again each part, drawing all the while nearer to the ideal they had set. It could not be done perfectly, of course, and when they had done all they could there would yet be many crudities; but Margaret's hope was to bring out the meaning of the play and give both audience and performers the true idea of what Shakespeare meant when he wrote it.

The arrival of the piano was naturally a great event in the school. For three days in succession the entire school marched in procession down to the incoming Eastern train to see if their expected treasure had arrived, and when at last it was lifted from the freight-car and set upon the station platform the school stood awe-struck and silent, with half-bowed heads and bated breath, as though at the arrival of some great and honorable guest.

They attended it on the roadside as it was carted by the biggest wagon in town to the school-house door; they stood in silent rows while the great box was peeled off and the instrument taken out and carried into the school-room; then they filed in soulfully and took their accustomed seats without being told, touching shyly the shining case as they passed. By common consent they waited to hear its voice for the first time. Margaret took the little key from the envelope tied to the frame, unlocked the cover, and, sitting down, began to play. The rough men who had brought it stood in awesome adoration around the platform; the silence that spread over that room would have done honor to Paderewski or Josef Hoffman.

Margaret played and played, and they could not hear enough. They would have stayed all night listening, perhaps, so wonderful was it to them. And then the teacher called each one and let him or her touch a few chords, just to say they had played on it. After which she locked the instrument and sent them all home. That was the only afternoon during that term that the play was forgotten for a while.

After the arrival of the piano the play went forward with great strides, for now Margaret accompanied some of the parts with the music, and the flute and violin were also practised in their elfin dance with much better effect. It was about this time that Archie Forsythe discovered the rehearsals and offered his assistance, and, although it was declined, he frequently managed to ride over about rehearsal time, finding ways to make himself useful in spite of Margaret's polite refusals. Margaret always felt annoyed when he came, because Rosa Rogers instantly became another creature on his arrival, and because Gardley simply froze into a polite statue, never speaking except when spoken to. As for Forsythe, his attitude toward Gardley was that of a contemptuous master toward a slave, and yet he took care to cover it always with a form of courtesy, so that Margaret could say or do nothing to show her displeasure, except to be grave and dignified. At such times Rosa Rogers's eyes would be upon her with a gleam of hatred, and the teacher felt that the scholar was taking advantage of the situation. Altogether it was a trying time for Margaret when Forsythe came to the school-house. Also, he discovered to them that he played the violin, and offered to assist in the orchestral parts. Margaret really could think of no reason to decline this offer, but she was sadly upset by the whole thing. His manner to her was too pronounced, and she felt continually uncomfortable under it, what with Rosa Rogers's jealous eyes upon her and Gardley's eyes turned haughtily away.

She planned a number of special rehearsals in the evenings, when it was difficult for Forsythe to get there, and managed in this way to avoid his presence; but the whole matter became a source of much vexation, and Margaret even shed a few tears wearily into her pillow one night when things had gone particularly hard and Forsythe had hurt the feelings of Fiddling Boss with his insolent directions about playing. She could not say or do anything much in the matter, because the Temples had been very kind in helping to get the piano, and Mr. Temple seemed to think he was doing the greatest possible kindness to her in letting Forsythe off duty so much to help with the play. The matter became more and more of a distress to Margaret, and the Sabbath was the only day of real delight.

The first Sunday after the arrival of the piano was a great day. Everybody in the neighborhood turned out to the Sunday-afternoon class and vesper service, which had been growing more and more in popularity, until now the school-room was crowded. Every man from the bunk-house came regularly, often including Pop Wallis, who had not yet recovered fully from the effect of his wife's new bonnet and fluffy arrangement of hair, but treated her like a lady visitor and deferred to her absolutely when he was at home. He wasn't quite sure even yet but he had strayed by mistake into the outermost courts of heaven and ought to get shooed out. He always looked at the rose-wreathed curtains with a mingling of pride and awe.

Margaret had put several hymns on the blackboard in clear, bold printing, and the singing that day was wonderful. Not the least part of the service was her own playing over of the hymns before the singing began, which was listened to with reverence as if it had been the music of an angel playing on a heavenly harp.

Gardley always came to the Sunday services, and helped her with the singing, and often they two sang duets together.

The service was not always of set form. Usually Margaret taught a short Bible lesson, beginning with the general outline of the Bible, its books, their form, substance, authors, etc.—all very brief and exceedingly simple, putting a wide space of music between this and the vesper service, into which she wove songs, bits of poems, passages from the Bible, and often a story which she told dramatically, illustrating the scripture read.

But the very Sunday before the play, just the time Margaret had looked forward to as being her rest from all the perplexities of the week, a company from the fort, including the Temples, arrived at the school-house right in the midst of the Bible lesson.

The ladies were daintily dressed, and settled their frills and ribbons amusedly as they watched the embarrassed young teacher trying to forget that there was company present. They were in a distinct sense "company," for they had the air, as they entered, of having come to look on and be amused, not to partake in the worship with the rest.

Margaret found herself trembling inwardly as she saw the supercilious smile on the lips of Mrs. Temple and the amused stares of the other ladies of the party. They did not take any notice of the other people present any more than if they had been so many puppets set up to show off the teacher; their air of superiority was offensive. Not until Rosa Rogers entered with her father, a little later, did they condescend to bow in recognition, and then with that pretty little atmosphere as if they would say, "Oh, you've come, too, to be amused."

Gardley was sitting up in front, listening to her talk, and she thought he had not noticed the strangers. Suddenly it came to her to try to keep her nerve and let him see that they were nothing to her; and with a strong effort and a swift prayer for help she called for a hymn. She sat coolly down at the piano, touching the keys with a tender chord or two and beginning to sing almost at once. She had sent home for some old hymn-books from the Christian Endeavor Society in her father's church, so the congregation were supplied with the notes and words now, and everybody took part eagerly, even the people from the fort condescendingly joining in.

But Gardley was too much alive to every expression on that vivid face of Margaret's to miss knowing that she was annoyed and upset. He did not need to turn and look back to immediately discover the cause. He was a young person of keen intuition. It suddenly gave him great satisfaction to see that look of consternation on Margaret's face. It settled for him a question he had been in great and anxious doubt about, and his soul was lifted up with peace within him. When, presently, according to arrangement, he rose to sing a duet with Margaret, no one could have possibly told by so much as the lifting of an eyelash that he knew there was an enemy of his in the back of the room. He sang, as did Margaret, to the immediate audience in front of him, those admiring children and adoring men in the forefront who felt the school-house had become for them the gate of heaven for the time being; and he sang with marvelous feeling and sympathy, letting out his voice at its best.

"Really," said Mrs. Temple, in a loud whisper to the wife of one of the officers, "that young man has a fine voice, and he isn't bad-looking, either. I think he'd be worth cultivating. We must have him up and try him out."

But when she repeated this remark in another stage whisper to Forsythe he frowned haughtily.

The one glimpse Margaret caught of Forsythe during that afternoon's service was when he was smiling meaningly at Rosa Rogers; and she had to resolutely put the memory of their look from her mind or the story which she was about to tell would have fled.

It was the hunger in Jasper Kemp's eyes that finally anchored Margaret's thoughts and helped her to forget the company at the back of the room. She told her story, and she told it wonderfully and with power, interpreting it now and then for the row of men who sat in the center of the room drinking in her every word; and when the simple service was concluded with another song, in which Gardley's voice rang forth with peculiar tenderness and strength, the men filed forth silently, solemnly, with bowed heads and thoughtful eyes. But the company from the fort flowed up around Margaret like flood-tide let loose and gushed upon her.

"Oh, my dear!" said Mrs. Temple. "How beautifully you do it! And such attention as they give you! No wonder you are willing to forego all other amusements to stay here and preach! But it was perfectly sweet the way you made them listen and the way you told that story. I don't see how you do it. I'd be scared to death!"

They babbled about her awhile, much to her annoyance, for there were several people to whom she had wanted to speak, who drew away and disappeared when the new-comers took possession of her. At last, however, they mounted and rode away, to her great relief. Forsythe, it is true, tried to make her go home with them; tried to escort her to the Tanners'; tried to remain in the school-house with her awhile when she told him she had something to do there; but she would not let him, and he rode away half sulky at the last, a look of injured pride upon his face.

Margaret went to the door finally, and looked down the road. He was gone, and she was alone. A shade of sadness came over her face. She was sorry that Gardley had not waited. She had wanted to tell him how much she liked his singing, what a pleasure it was to sing with him, and how glad she was that he came up to her need so well with the strangers there and helped to make it easy. But Gardley had melted away as soon as the service was over, and had probably gone home with the rest of the men. It was disappointing, for she had come to consider their little time together on Sunday as a very pleasant hour, this few minutes after the service when they would talk about real living and the vital things of existence. But he was gone!

She turned, and there he was, quite near the door, coming toward her. Her face lighted up with a joy that was unmistakable, and his own smile in answer was a revelation of his deeper self.

"Oh, I'm so glad you are not gone!" she said, eagerly. "I wanted to tell you—" And then she stopped, and the color flooded her face rosily, for she saw in his eyes how glad he was and forgot to finish her sentence.

He came up gravely, after all, and, standing just a minute so beside the door, took both her hands in both his. It was only for a second that he stood so, looking down into her eyes. I doubt if either of them knew till afterward that they had been holding hands. It seemed the right and natural thing to do, and meant so much to each of them. Both were glad beyond their own understanding over that moment and its tenderness.

It was all very decorous, and over in a second, but it meant much to remember afterward, that look and hand-clasp.

"I wanted to tell you," he said, tenderly, "how much that story did for me. It was wonderful, and it helped me to decide something I have been perplexed over—"

"Oh, I am glad!" she said, half breathlessly.

So, talking in low, broken sentences, they went back to the piano and tried over several songs for the next Sunday, lingering together, just happy to be there with each other, and not half knowing the significance of it all. As the purple lights on the school-room wall grew long and rose-edged, they walked slowly to the Tanner house and said good night.

There was a beauty about the young man as he stood for a moment looking down upon the girl in parting, the kind of beauty there is in any strong, wild thing made tame and tender for a great love by a great uplift. Gardley had that look of self-surrender, and power made subservient to right, that crowns a man with strength and more than physical beauty. In his fine face there glowed high purpose, and deep devotion to the one who had taught it to him. Margaret, looking up at him, felt her heart go out with that great love, half maiden, half divine, that comes to some favored women even here on earth, and she watched him down the road toward the mountain in the evening light and marveled how her trust had grown since first she met him; marveled and reflected that she had not told her mother and father much about him yet. It was growing time to do so; yes—it was growing time! Her cheeks grew pink in the darkness and she turned and fled to her room.

That was the last time she saw him before the play.



CHAPTER XXIII

The play was set for Tuesday. Monday afternoon and evening were to be the final rehearsals, but Gardley did not come to them. Fiddling Boss came late and said the men had been off all day and had not yet returned. He himself found it hard to come at all. They had important work on. But there was no word from Gardley.

Margaret was disappointed. She couldn't get away from it. Of course they could go on with the rehearsal without him. He had done his work well, and there was no real reason why he had to be there. He knew every part by heart, and could take any boy's place if any one failed in any way. There was nothing further really for him to do until the performance, as far as that was concerned, except be there and encourage her. But she missed him, and an uneasiness grew in her mind. She had so looked forward to seeing him, and now to have no word! He might at least have sent her a note when he found he could not come.

Still she knew this was unreasonable. His work, whatever it was—he had never explained it very thoroughly to her, perhaps because she had never asked—must, of course, have kept him. She must excuse him without question and go on with the business of the hour.

Her hands were full enough, for Forsythe came presently and was more trying than usual. She had to be very decided and put her foot down about one or two things, or some of her actors would have gone home in the sulks, and Fiddling Boss, whose part in the program meant much to him, would have given it up entirely.

She hurried everything through as soon as possible, knowing she was weary, and longing to get to her room and rest. Gardley would come and explain to-morrow, likely in the morning on his way somewhere.

But the morning came and no word. Afternoon came and he had not sent a sign yet. Some of the little things that he had promised to do about the setting of the stage would have to remain undone, for it was too late now to do it herself, and there was no one else to call upon.

Into the midst of her perplexity and anxiety came the news that Jed on his way home had been thrown from his horse, which was a young and vicious one, and had broken his leg. Jed was to act the part of Nick Bottom that evening, and he did it well! Now what in the world was she to do? If only Gardley would come!

Just at this moment Forsythe arrived.

"Oh, it is you, Mr. Forsythe!" And her tone showed plainly her disappointment. "Haven't you seen Mr. Gardley to-day? I don't know what I shall do without him."

"I certainly have seen Gardley," said Forsythe, a spice of vindictiveness and satisfaction in his tone. "I saw him not two hours ago, drunk as a fish, out at a place called Old Ouida's Cabin, as I was passing. He's in for a regular spree. You'll not see him for several days, I fancy. He's utterly helpless for the present, and out of the question. What is there I can do for you? Present your request. It's yours—to the half of my kingdom."

Margaret's heart grew cold as ice and then like fire. Her blood seemed to stop utterly and then to go pounding through her veins in leaps and torrents. Her eyes grew dark, and things swam before her. She reached out to a desk and caught at it for support, and her white face looked at him a moment as if she had not heard. But when in a second she spoke, she said, quite steadily:

"I thank you, Mr. Forsythe; there is nothing just at present—or, yes, there is, if you wouldn't mind helping Timothy put up those curtains. Now, I think I'll go home and rest a few minutes; I am very tired."

It wasn't exactly the job Forsythe coveted, to stay in the school-house and fuss over those curtains; but she made him do it, then disappeared, and he didn't like the memory of her white face. He hadn't thought she would take it that way. He had expected to have her exclaim with horror and disgust. He watched her out of the door, and then turned impatiently to the waiting Timothy.

Margaret went outside the school-house to call Bud, who had been sent to gather sage-brush for filling in the background, but Bud was already out of sight far on the trail toward the camp on Forsythe's horse, riding for dear life. Bud had come near to the school-house door with his armful of sage-brush just in time to hear Forsythe's flippant speech about Gardley and see Margaret's white face. Bud had gone for help!

But Margaret did not go home to rest. She did not even get half-way home. When she had gone a very short distance outside the school-house she saw some one coming toward her, and in her distress of mind she could not tell who it was. Her eyes were blinded with tears, her breath was constricted, and it seemed to her that a demon unseen was gripping her heart. She had not yet taken her bearings to know what she thought. She had only just come dazed from the shock of Forsythe's words, and had not the power to think. Over and over to herself, as she walked along, she kept repeating the words: "I do not believe it! It is not true!" but her inner consciousness had not had time to analyze her soul and be sure that she believed the words wherewith she was comforting herself.

So now, when she saw some one coming, she felt the necessity of bringing her telltale face to order and getting ready to answer whoever she was to meet. As she drew nearer she became suddenly aware that it was Rosa Rogers coming with her arms full of bundles and more piled up in front of her on her pony. Margaret knew at once that Rosa must have seen Forsythe go by her house, and had returned promptly to the school-house on some pretext or other. It would not do to let her go there alone with the young man; she must go back and stay with them. She could not be sure that if she sent Rosa home with orders to rest she would be obeyed. Doubtless the girl would take another way around and return to the school again. There was nothing for it but to go back and stay as long as Rosa did.

Margaret stooped and, hastily plucking a great armful of sage-brush, turned around and retraced her steps, her heart like lead, her feet suddenly grown heavy. How could she go back and hear them laugh and chatter, answer their many silly, unnecessary questions, and stand it all? How could she, with that great weight at her heart?

She went back with a wonderful self-control. Forsythe's face lighted, and his reluctant hand grew suddenly eager as he worked. Rosa came presently, and others, and the laughing chatter went on quite as Margaret had known it would. And she—so great is the power of human will under pressure—went calmly about and directed here and there; planned and executed; put little, dainty, wholly unnecessary touches to the stage; and never let any one know that her heart was being crushed with the weight of a great, awful fear, and yet steadily upborne by the rising of a great, deep trust. As she worked and smiled and ordered, she was praying: "Oh, God, don't let it be true! Keep him! Save him! Bring him! Make him true! I know he is true! Oh, God, bring him safely soon!"

Meantime there was nothing she could do. She could not send Forsythe after him. She could not speak of the matter to one of those present, and Bud—where was Bud? It was the first time since she came to Arizona that Bud had failed her. She might not leave the school-house, with Forsythe and Rosa there, to go and find him, and she might not do anything else. There was nothing to do but work on feverishly and pray as she had never prayed before.

By and by one of the smaller boys came, and she sent him back to the Tanners' to find Bud, but he returned with the message that Bud had not been home since morning; and so the last hours before the evening, that would otherwise have been so brief for all there was to be done, dragged their weary length away and Margaret worked on.

She did not even go back for supper at the last, but sent one of the girls to her room for a few things she needed, and declined even the nice little chicken sandwich that thoughtful Mrs. Tanner sent back along with the things. And then, at last, the audience began to gather.

By this time her anxiety was so great for Gardley that all thought of how she was to supply the place of the absent Jed had gone from her mind, which was in a whirl. Gardley! Gardley! If only Gardley would come! That was her one thought. What should she do if he didn't come at all? How should she explain things to herself afterward? What if it had been true? What if he were the kind of man Forsythe had suggested? How terrible life would look to her! But it was not true. No, it was not true! She trusted him! With her soul she trusted him! He would come back some time and he would explain all. She could not remember his last look at her on Sunday and not trust him. He was true! He would come!

Somehow she managed to get through the terrible interval, to slip into the dressing-room and make herself sweet and comely in the little white gown she had sent for, with its delicate blue ribbons and soft lace ruffles. Somehow she managed the expected smiles as one and another of the audience came around to the platform to speak to her. There were dark hollows under her eyes, and her mouth was drawn and weary, but they laid that to the excitement. Two bright-red spots glowed on her cheeks; but she smiled and talked with her usual gaiety. People looked at her and said how beautiful she was, and how bright and untiring; and how wonderful it was that Ashland School had drawn such a prize of a teacher. The seats filled, the noise and the clatter went on. Still no sign of Gardley or any one from the camp, and still Bud had not returned! What could it mean?

But the minutes were rushing rapidly now. It was more than time to begin. The girls were in a flutter in one cloak-room at the right of the stage, asking more questions in a minute than one could answer in an hour; the boys in the other cloak-room wanted all sorts of help; and three or four of the actors were attacked with stage-fright as they peered through a hole in the curtain and saw some friend or relative arrive and sit down in the audience. It was all a mad whirl of seemingly useless noise and excitement, and she could not, no, she could not, go on and do the necessary things to start that awful play. Why, oh, why had she ever been left to think of getting up a play?

Forsythe, up behind the piano, whispered to her that it was time to begin. The house was full. There was not room for another soul. Margaret explained that Fiddling Boss had not yet arrived, and caught a glimpse of the cunning designs of Forsythe in the shifty turning away of his eyes as he answered that they could not wait all night for him; that if he wanted to get into it he ought to have come early. But even as she turned away she saw the little, bobbing, eager faces of Pop and Mom Wallis away back by the door, and the grim, towering figure of the Boss, his fiddle held high, making his way to the front amid the crowd.

She sat down and touched the keys, her eyes watching eagerly for a chance to speak to the Boss and see if he knew anything of Gardley; but Forsythe was close beside her all the time, and there was no opportunity. She struck the opening chords of the overture they were to attempt to play, and somehow got through it. Of course, the audience was not a critical one, and there were few real judges of music present; but it may be that the truly wonderful effect she produced upon the listeners was due to the fact that she was playing a prayer with her heart as her fingers touched the keys, and that instead of a preliminary to a fairy revel the music told the story of a great soul struggle, and reached hearts as it tinkled and rolled and swelled on to the end. It may be, too, that Fiddling Boss was more in sympathy that night with his accompanist than was the other violinist, and that was why his old fiddle brought forth such weird and tender tones.

Almost to the end, with her heart sobbing its trouble to the keys, Margaret looked up sadly, and there, straight before her through a hole in the curtain made by some rash youth to glimpse the audience, or perhaps even put there by the owner of the nose itself, she saw the little, freckled, turned-up member belonging to Bud's face. A second more and a big, bright eye appeared and solemnly winked at her twice, as if to say, "Don't you worry; it's all right!"

She almost started from the stool, but kept her head enough to finish the chords, and as they died away she heard a hoarse whisper in Bud's familiar voice:

"Whoop her up, Miss Earle. We're all ready. Raise the curtain there, you guy. Let her rip. Everything's O. K."

With a leap of light into her eyes Margaret turned the leaves of the music and went on playing as she should have done if nothing had been the matter. Bud was there, anyway, and that somehow cheered her heart. Perhaps Gardley had come or Bud had heard of him—and yet, Bud didn't know he had been missing, for Bud had been away himself.

Nevertheless, she summoned courage to go on playing. Nick Bottom wasn't in this first scene, anyway, and this would have to be gone through with somehow. By this time she was in a state of daze that only thought from moment to moment. The end of the evening seemed now to her as far off as the end of a hale old age seems at the beginning of a lifetime. Somehow she must walk through it; but she could only see a step at a time.

Once she turned half sideways to the audience and gave a hurried glance about, catching sight of Fudge's round, near-sighted face, and that gave her encouragement. Perhaps the others were somewhere present. If only she could get a chance to whisper to some one from the camp and ask when they had seen Gardley last! But there was no chance, of course!

The curtain was rapidly raised and the opening scene of the play began, the actors going through their parts with marvelous ease and dexterity, and the audience silent and charmed, watching those strangers in queer costumes that were their own children, marching around there at their ease and talking weird language that was not used in any class of society they had ever come across on sea or land before.

But Margaret, watching her music as best she could, and playing mechanically rather than with her mind, could not tell if they were doing well or ill, so loudly did her heart pound out her fears—so stoutly did her heart proclaim her trust.

And thus, without a flaw or mistake in the execution of the work she had struggled so hard to teach them, the first scene of the first act drew to its close, and Margaret struck the final chords of the music and felt that in another minute she must reel and fall from that piano-stool. And yet she sat and watched the curtain fall with a face as controlled as if nothing at all were the matter.

A second later she suddenly knew that to sit in that place calmly another second was a physical impossibility. She must get somewhere to the air at once or her senses would desert her.

With a movement so quick that no one could have anticipated it, she slipped from her piano-stool, under the curtain to the stage, and was gone before the rest of the orchestra had noticed her intention.



CHAPTER XXIV

Since the day that he had given Margaret his promise to make good, Gardley had been regularly employed by Mr. Rogers, looking after important matters of his ranch. Before that he had lived a free and easy life, working a little now and then when it seemed desirable to him, having no set interest in life, and only endeavoring from day to day to put as far as possible from his mind the life he had left behind him. Now, however, all things became different. He brought to his service the keen mind and ready ability that had made him easily a winner at any game, a brave rider, and a never-failing shot. Within a few days Rogers saw what material was in him, and as the weeks went by grew to depend more and more upon his advice in matters.

There had been much trouble with cattle thieves, and so far no method of stopping the loss or catching the thieves had been successful. Rogers finally put the matter into Gardley's hands to carry out his own ideas, with the men of the camp at his command to help him, the camp itself being only a part of Rogers's outlying possessions, one of several such centers from which he worked his growing interests.

Gardley had formulated a scheme by which he hoped eventually to get hold of the thieves and put a stop to the trouble, and he was pretty sure he was on the right track; but his plan required slow and cautious work, that the enemy might not suspect and take to cover. He had for several weeks suspected that the thieves made their headquarters in the region of Old Ouida's Cabin, and made their raids from that direction. It was for this reason that of late the woods and trails in the vicinity of Ouida's had been secretly patrolled day and night, and every passer-by taken note of, until Gardley knew just who were the frequenters of that way and mostly what was their business. This work was done alternately by the men of the Wallis camp and two other camps, Gardley being the head of all and carrying all responsibility; and not the least of that young man's offenses in the eyes of Rosa Rogers was that he was so constantly at her father's house and yet never lifted an eye in admiration of her pretty face. She longed to humiliate him, and through him to humiliate Margaret, who presumed to interfere with her flirtations, for it was a bitter thing to Rosa that Forsythe had no eyes for her when Margaret was about.

When the party from the fort rode homeward that Sunday after the service at the school-house, Forsythe lingered behind to talk to Margaret, and then rode around by the Rogers place, where Rosa and he had long ago established a trysting-place.

Rosa was watching for his passing, and he stopped a half-hour or so to talk to her. During this time she casually disclosed to Forsythe some of the plans she had overheard Gardley laying before her father. Rosa had very little idea of the importance of Gardley's work to her father, or perhaps she would not have so readily prattled of his affairs. Her main idea was to pay back Gardley for his part in her humiliation with Forsythe. She suggested that it would be a great thing if Gardley could be prevented from being at the play Tuesday evening, and told what she had overheard him saying to her father merely to show Forsythe how easy it would be to have Gardley detained on Tuesday. Forsythe questioned Rosa keenly. Did she know whom they suspected? Did she know what they were planning to do to catch them, and when?

Rosa innocently enough disclosed all she knew, little thinking how dishonorable to her father it was, and perhaps caring as little, for Rosa had ever been a spoiled child, accustomed to subordinating everything within reach to her own uses. As for Forsythe, he was nothing loath to get rid of Gardley, and he saw more possibilities in Rosa's suggestion than she had seen herself. When at last he bade Rosa good night and rode unobtrusively back to the trail he was already formulating a plan.

It was, therefore, quite in keeping with his wishes that he should meet a dark-browed rider a few miles farther up the trail whose identity he had happened to learn a few days before.

Now Forsythe would, perhaps, not have dared to enter into any compact against Gardley with men of such ill-repute had it been a matter of money and bribery, but, armed as he was with information valuable to the criminals, he could so word his suggestion about Gardley's detention as to make the hunted men think it to their advantage to catch Gardley some time the next day when he passed their way and imprison him for a while. This would appear to be but a friendly bit of advice from a disinterested party deserving a good turn some time in the future and not get Forsythe into any trouble. As such it was received by the wretch, who clutched at the information with ill-concealed delight and rode away into the twilight like a serpent threading his secret, gliding way among the darkest places, scarcely rippling the air, so stealthily did he pass.

As for Forsythe, he rode blithely to the Temple ranch, with no thought of the forces he had set going, his life as yet one round of trying to please himself at others' expense, if need be, but please himself, anyway, with whatever amusement the hour afforded.

At home in the East, where his early life had been spent, a splendid girl awaited his dilatory letters and set herself patiently to endure the months of separation until he should have attained a home and a living and be ready for her to come to him.

In the South, where he had idled six months before he went West, another lovely girl cherished mementoes of his tarrying and wrote him loving letters in reply to his occasional erratic epistles.

Out on the Californian shore a girl with whom he had traveled West in her uncle's luxurious private car, with a gay party of friends and relatives, cherished fond hopes of a visit he had promised to make her during the winter.

Innumerable maidens of this world, wise in the wisdom that crushes hearts, remembered him with a sigh now and then, but held no illusions concerning his kind.

Pretty little Rosa Rogers cried her eyes out every time he cast a languishing look at her teacher, and several of the ladies of the fort sighed that the glance of his eye and the gentle pressure of his hand could only be a passing joy. But the gay Lothario passed on his way as yet without a scratch on the hard enamel of his heart, till one wondered if it were a heart, indeed, or perhaps only a metal imitation. But girls like Margaret Earle, though they sometimes were attracted by him, invariably distrusted him. He was like a beautiful spotted snake that was often caught menacing something precious, but you could put him down anywhere after punishment or imprisonment and he would slide on his same slippery way and still be a spotted, deadly snake.

When Gardley left the camp that Monday morning following the walk home with Margaret from the Sabbath service, he fully intended to be back at the school-house Monday by the time the afternoon rehearsal began. His plans were so laid that he thought relays from other camps were to guard the suspected ground for the next three days and he could be free. It had been a part of the information that Forsythe had given the stranger that Gardley would likely pass a certain lonely crossing of the trail at about three o'clock that afternoon, and, had that arrangement been carried out, the men who lay in wait for him would doubtless have been pleased to have their plans mature so easily; but they would not have been pleased long, for Gardley's men were so near at hand at that time, watching that very spot with eyes and ears and long-distance glasses, that their chief would soon have been rescued and the captors be themselves the captured.

But the men from the farther camp, called "Lone Fox" men, did not arrive on time, perhaps through some misunderstanding, and Gardley and Kemp and their men had to do double time. At last, later in the afternoon, Gardley volunteered to go to Lone Fox and bring back the men.

As he rode his thoughts were of Margaret, and he was seeing again the look of gladness in her eyes when she found he had not gone yesterday; feeling again the thrill of her hands in his, the trust of her smile! It was incredible, wonderful, that God had sent a veritable angel into the wilderness to bring him to himself; and now he was wondering, could it be that there was really hope that he could ever make good enough to dare to ask her to marry him. The sky and the air were rare, but his thoughts were rarer still, and his soul was lifted up with joy. He was earning good wages now. In two more weeks he would have enough to pay back the paltry sum for the lack of which he had fled from his old home and come to the wilderness. He would go back, of course, and straighten out the old score. Then what? Should he stay in the East and go back to the old business wherewith he had hoped to make his name honored and gain wealth, or should he return to this wild, free land again and start anew?

His mother was dead. Perhaps if she had lived and cared he would have made good in the first place. His sisters were both married to wealthy men and not deeply interested in him. He had disappointed and mortified them; their lives were filled with social duties; they had never missed him. His father had been dead many years. As for his uncle, his mother's brother, whose heir he was to have been before he got himself into disgrace, he decided not to go near him. He would stay as long as he must to undo the wrong he had done. He would call on his sisters and then come back; come back and let Margaret decide what she wanted him to do—that is, if she would consent to link her life with one who had been once a failure. Margaret! How wonderful she was! If Margaret said he ought to go back and be a lawyer, he would go—yes, even if he had to enter his uncle's office as an underling to do it. His soul loathed the idea, but he would do it for Margaret, if she thought it best. And so he mused as he rode!

When the Lone Fox camp was reached and the men sent out on their belated task, Gardley decided not to go with them back to meet Kemp and the other men, but sent word to Kemp that he had gone the short cut to Ashland, hoping to get to a part of the evening rehearsal yet.

Now that short cut led him to the lonely crossing of the trail much sooner than Kemp and the others could reach it from the rendezvous; and there in cramped positions, and with much unnecessary cursing and impatience, four strong masked men had been concealed for four long hours.

Through the stillness of the twilight rode Gardley, thinking of Margaret, and for once utterly off his guard. His long day's work was done, and though he had not been able to get back when he planned, he was free now, free until the day after to-morrow. He would go at once to her and see if there was anything she wanted him to do.

Then, as if to help along his enemies, he began to hum a song, his clear, high voice reaching keenly to the ears of the men in ambush:

"'Oh, the time is long, mavourneen, Till I come again, O mavourneen—'"

"And the toime 'll be longer thun iver, oim thinkin', ma purty little voorneen!" said an unmistakable voice of Erin through the gathering dusk.

Gardley's horse stopped and Gardley's hand went to his revolver, while his other hand lifted the silver whistle to his lips; but four guns bristled at him in the twilight, the whistle was knocked from his lips before his breath had even reached it, some one caught his arms from behind, and his own weapon was wrenched from his hand as it went off. The cry which he at once sent forth was stifled in its first whisper in a great muffling garment flung over his head and drawn tightly about his neck. He was in a fair way to strangle, and his vigorous efforts at escape were useless in the hands of so many. He might have been plunged at once into a great abyss of limitless, soundless depths, so futile did any resistance seem. And so, as it was useless to struggle, he lay like one dead and put all his powers into listening. But neither could he hear much, muffled as he was, and bound hand and foot now, with a gag in his mouth and little care taken whether he could even breathe.

They were leading him off the trail and up over rough ground; so much he knew, for the horse stumbled and jolted and strained to carry him. To keep his whirling senses alive and alert he tried to think where they might be leading him; but the darkness and the suffocation dulled his powers. He wondered idly if his men would miss him and come back when they got home to search for him, and then remembered with a pang that they would think him safely in Ashland, helping Margaret. They would not be alarmed if he did not return that night, for they would suppose he had stopped at Rogers's on the way and perhaps stayed all night, as he had done once or twice before. Margaret! When should he see Margaret now? What would she think?

And then he swooned away.

When he came somewhat to himself he was in a close, stifling room where candle-light from a distance threw weird shadows over the adobe walls. The witch-like voices of a woman and a girl in harsh, cackling laughter, half suppressed, were not far away, and some one, whose face was covered, was holding a glass to his lips. The smell was sickening, and he remembered that he hated the thought of liquor. It did not fit with those who companied with Margaret. He had never cared for it, and had resolved never to taste it again. But whether he chose or not, the liquor was poured down his throat. Huge hands held him and forced it, and he was still bound and too weak to resist, even if he had realized the necessity.

The liquid burned its way down his throat and seethed into his brain, and a great darkness, mingled with men's wrangling voices and much cursing, swirled about him like some furious torrent of angry waters that finally submerged his consciousness. Then came deeper darkness and a blank relief from pain.

Hours passed. He heard sounds sometimes, and dreamed dreams which he could not tell from reality. He saw his friends with terror written on their faces, while he lay apathetically and could not stir. He saw tears on Margaret's face; and once he was sure he heard Forsythe's voice in contempt: "Well, he seems to be well occupied for the present! No danger of his waking up for a while!" and then the voices all grew dim and far away again, and only an old crone and the harsh girl's whisper over him; and then Margaret's tears—tears that fell on his heart from far above, and seemed to melt out all his early sins and flood him with their horror. Tears and the consciousness that he ought to be doing something for Margaret now and could not. Tears—and more darkness!



CHAPTER XXV

When Margaret arrived behind the curtain she was aware of many cries and questions hurled at her like an avalanche, but, ignoring them all, she sprang past the noisy, excited group of young people, darted through the dressing-room to the right and out into the night and coolness. Her head was swimming, and things went black before her eyes. She felt that her breath was going, going, and she must get to the air.

But when she passed the hot wave of the school-room, and the sharp air of the night struck her face, consciousness seemed to turn and come back into her again; for there over her head was the wideness of the vast, starry Arizona night, and there, before her, in Nick Bottom's somber costume, eating one of the chicken sandwiches that Mrs. Tanner had sent down to her, stood Gardley! He was pale and shaken from his recent experience; but he was undaunted, and when he saw Margaret coming toward him through the doorway with her soul in her eyes and her spirit all aflame with joy and relief, he came to meet her under the stars, and, forgetting everything else, just folded her gently in his arms!

It was a most astonishing thing to do, of course, right there outside the dressing-room door, with the curtain just about to rise on the scene and Gardley's wig was not on yet. He had not even asked nor obtained permission. But the soul sometimes grows impatient waiting for the lips to speak, and Margaret felt her trust had been justified and her heart had found its home. Right there behind the school-house, out in the great wide night, while the crowded, clamoring audience waited for them, and the young actors grew frantic, they plighted their troth, his lips upon hers, and with not a word spoken.

Voices from the dressing-room roused them. "Come in quick, Mr. Gardley; it's time for the curtain to rise, and everybody is ready. Where on earth has Miss Earle vanished? Miss Earle! Oh, Miss Earle!"

There was a rush to the dressing-room to find the missing ones; but Bud, as ever, present where was the most need, stood with his back to the outside world in the door of the dressing-room and called loudly:

"They're comin', all right. Go on! Get to your places. Miss Earle says to get to your places."

The two in the darkness groped for each other's hands as they stood suddenly apart, and with one quick pressure and a glance hurried in. There was not any need for words. They understood, these two, and trusted.

With her cheeks glowing now, and her eyes like two stars, Margaret fled across the stage and took her place at the piano again, just as the curtain began to be drawn; and Forsythe, who had been slightly uneasy at the look on her face as she left them, wondered now and leaned forward to tell her how well she was looking.

He kept his honeyed phrase to himself, however, for she was not heeding him. Her eyes were on the rising curtain, and Forsythe suddenly remembered that this was the scene in which Jed was to have appeared—and Jed had a broken leg! What had Margaret done about it? It was scarcely a part that could be left out. Why hadn't he thought of it sooner and offered to take it? He could have bluffed it out somehow—he had heard it so much—made up words where he couldn't remember them all, and it would have been a splendid opportunity to do some real love-making with Rosa. Why hadn't he thought of it? Why hadn't Rosa? Perhaps she hadn't heard about Jed soon enough to suggest it.

The curtain was fully open now, and Bud's voice as Peter Quince, a trifle high and cracked with excitement, broke the stillness, while the awed audience gazed upon this new, strange world presented to them.

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