There came a knock. Sin Saxon took no heed, but smilingly addressed herself to offering dainties right and left. Some of the girls stared, and one or two half rose to go and give admittance.

"Keep your seats," said Sin, in her most lady-like way and tone, with the unchanged smile upon her face. "That's the howl!"

They began to perceive the joke outside. They began to knock vociferously. They took up their cue with a readiness, and made plenty of noise, not doubting, as yet, that they should be admitted at last. Some of the ladies came round, gave a glance, saw how things were going, and retreated,—except a few, parties from other houses who had escorts among the gentlemen, and who waited a little to see how the frolic would end, or at least to reclaim their attendants.

Well, it was very unpardonable,—outrageous, the scandalized neighbors were beginning already to say in their rooms. Even Sin Saxon had a little excitement in her eye beyond the fun, as she still maintained the most graceful order within, and the exchange of courtesies went on around the board, and the tumult increased without. They tree-toaded, they cat-called, they shouted, they cheered, they howled, they even hissed. Sin Saxon sat motionless an instant when it came to that, and gave a glance toward the lights. A word from her would put them out, and end the whole. She held her coup in reserve, however, knowing her resource, and sat, as it were, with her finger on the spring, determined to carry through coolly what she had begun.

Dakie Thayne had gone away with the Linceford party when they crossed to the Green Cottage. Afterward, he came out again and stood in the open road. Some ladies, boarders at Blashford's, up above, came slowly away from the uproar, homeward. One or two young men detached themselves from the group on the piazza, and followed to see them safe, as it belonged to them to do. The rest sat themselves down, at this moment, upon the steps and platform, and struck up, with one accord, "We won't go home till morning." In the midst of this, a part broke off and took up, discordantly, the refrain, "Polly, put the kettle on, we'll all have tea;" others complicated the confusion further with, "Cruel, cruel Polly Hopkins, treat me so,—oh, treat me so!" till they fell, at last, into an indistinguishable jumble and clamor, from which extricated themselves now and again and prevailed, the choruses of "Upidee," and "Bum-bum-bye," with an occasional drum-beat of emphasis given upon the door.

"Don't go back there, James," Dakie Thayne heard a voice from the retiring party say as they passed him; "it's disgraceful!"

"The house won't hold Sin Saxon after this," said another. "They were out in the upper hall, half a dozen of them, just now, ringing their bells and calling for Mr. Biscombe."

"The poor man don't know who to side with. He don't want to lose the whole west wing. After all, there must be young people in the house, and if it weren't one thing it would be another. It's only a few fidgets that complain. They'll hush up and go off presently, and the whole thing will be a joke over the breakfast-table to-morrow morning, after everybody's had a little sleep."

The singing died partially away just then, and some growling, less noisy, but more in earnest, began.

"They don't mean to let us in! I say, this is getting rather rough!"

"It's only to smash a pane of glass above the bolt and let ourselves in. Why shouldn't we? We're invited." The latent mob-element was very near developing itself in these young gentlemen, high-bred, but irate.

At this moment, a wagon came whirling down the road around the ledges. Dakie Thayne caught sight of the two white leaders, recognized them, and flew across to the hotel. "Stop!" cried he. At the same instant a figure moved hastily away from behind Miss Craydocke's blinds. It was a mercy that the wagon had driven around to the front hall door.

A mercy in one way; but the misfortune was that the supper-party within knew nothing of it. A musical, lady-like laugh, quite in contrast to the demonstrative utterances outside, had just broken forth, in response to one of Sin Saxon's brightest speeches, when through the adjoining apartment came suddenly upon them the unlooked-for apparition of "the spinster." Miss Craydocke went straight across to the beleaguered door, drew the bolt, and threw it back. "Gently, young gentlemen! Draw up the piazza chairs, if you please, and sit down," said she. "Mr. Lowe, Mr. Brookhouse, here are plates; will you be kind enough to serve your friends?"

In three minutes she had filled and passed outward half a dozen saucers of fruit, and sent a basket of cake among them. Then she drew a seat for herself, and began to eat raspberries. It was all done so quickly—they were so either taken by surprise—that nobody, inside or out, gain-said or delayed her by a word.

It was hardly done when a knock sounded at the door upon the passage. "Young ladies!" a voice called,—Madam Routh's.

She and her friends had driven down from the Notch by sunset and moonlight. Nobody had said anything to her of the disturbance when she came in: her arrival had rather stopped the complaints that had begun; for people are not malignant, after all, as a general thing, and there is a curious propensity in human nature which cools off indignation even at the greatest crimes, just as the culprit is likely to suffer. We are apt to check the foot just as we might have planted it upon the noxious creature, and to let off great state criminals on parole. Madam Routh had seen the bright light and the gathering about the west wing. She had caught some sounds of the commotion. She made her way at once to look after her charge.

Sin Saxon was not a pupil now, and there was no condign punishment actually to fear; but her heart stood still a second, for all that, and she realized that she had been on the verge of an "awful scrape." It was bad enough now, as Madam Routh stood there gravely silent. She could not approve. She was amazed to see Miss Craydocke present, countenancing and matronizing. But Miss Craydocke was present, and it altered the whole face of affairs. Her eye took in, too, the modification of the room,—quite an elegant little private parlor as it had been made. The young men were gathered decorously about the doorway and upon the platform, one or two only politely assisting within. They had taken this cue as readily as the other; indeed, they were by no means aware that this was not the issue intended from the beginning, long as the joke had been allowed to go on, and their good-humor and courtesy had been instantly restored. Miss Craydocke, by one master-stroke of generous presence of mind, had achieved an instantaneous change in the position, and given an absolutely new complexion to the performance.

"It is late, young ladies," was all Madam Routh's remark at length.

"They gave up their German early on purpose; it was a little surprise they planned," Miss Craydocke said, as she moved to meet her.

And then Madam Routh, with wise, considerate dignity, took her cue. She even came forward to the table and accepted a little fruit; stayed five minutes perhaps, and then, without a spoken word, her movement to go broke up, with unmistakable intent, the party. Fifteen minutes after, all was quiet in the west wing.

But Sin Saxon, when the doors closed at either hand, and the girls alone were left around the fragments of their feast, rushed impetuously across toward Miss Craydocke, and went down beside her on her knees.

"Oh, you dear, magnificent old Christian!" she cried out, and laid her head down on her lap, with little sobs, half laughter and half tears.

"There, there!"—and Miss Craydocke softly patted her golden hair, and spoke as she would soothe a fretted and excited child.

Next morning, at breakfast, Sin Saxon was as beautifully ruffled, ratted, and crimped, as gay, as bewitching, and defiant as ever, seated next Madam Routh, assiduously devoted to her in the little attentions of the meal, in high spirits and favor; even saucily alluding, across the table, to "our howl, Miss Craydocke!"

Public opinion was carried by storm; the benison of sleep had laid wrath. Nobody knew that, an hour before, she had been in Madam Routh's room, making a clean breast of the whole transaction, and disclosing the truth of Miss Craydocke's magnanimous and tactful interposition, confessing that without this she had been at her wits' ends how to put a stop to it, and promising, like a sorry child, to behave better, and never do so any more.

Two hours later she came meekly to Miss Craydocke's room, where the "bee" was gathered,—for mere companionship to-day, with chess and fancy-work,—her flourishes all laid aside, her very hair brushed close to her pretty head, and a plain gingham dress on.

"Miss Craydocke!" she said, with an air she could not divest of a little comicality, but with an earnestness behind it shining through her eyes, "I'm good; I'm converted. I want some tow-cloth to sew on immediately." And she sat down, folding her hands, waiting.

Miss Craydocke laughed. "I don't know. I'm afraid I haven't anything to be done just now, unless I cut out some very coarse, heavy homespun."

"I'd be glad if you would. Beggars mustn't be choosers; but if they might, I should say it was the very thing. Sackcloth, you know; and then, perhaps, the ashes might be excused. I'm in solemn earnest, though. I'm reformed. You've done it; and you," she added, turning round short on Leslie Goldthwaite,—"you've been at it a long time, unbeknownst to yourself; and you, ma'am,—you finished it last night. It's been like the casting out of the devils in Scripture. They always give a howl, you know, and go out of 'em!"



CHAPTER XIV.

"FRIENDS OF MAMMON."

Sin Saxon came heart and soul into Miss Craydocke's generous and delicate plans. The work was done, to be sure. The third trunk, that had been "full of old winter dresses to be made over," was locked upon the nice little completed frocks and sacks that forestalled the care and hurry of "fall work" for the overburdened mother, and were to gladden her unexpecting eyes, as such store only can gladden the anxious family manager who feels the changeful, shortening days come treading, with their speedy demands, upon the very skirts of long, golden sunshiny August hours.

Susan and Martha Josselyn felt, on their part, as only busy workers feel who fasten the last thread, or dash a period to the last page, and turn around to breathe the breath of the free, and choose for once and for a while what they shall do. The first hour of this freedom rested them more than the whole six weeks that they had been getting half-rest, with the burden still upon their thought and always waiting for their hands. It was like the first half-day to children, when school has closed and books are brought home for the long vacation. All the possible delight of coming weeks is distilled to one delicious drop, and tasted then.

"It's 'none of my funeral,' I know," Sin Saxon said to Miss Craydocke. "I'm only an eleventh-hour helper; but I'll come in for the holiday business, if you'll let me; and perhaps, after all, that's more in my line."

Everything seemed to be in her line that she once took hold of. She had little private consultations with Miss Craydocke. "It's to be your party to Feather-Cap, but it shall be my party to Minster Rock," she said. "Leave that to me, please. Now the howl's off my hands, I feel equal to anything.'"

Just in time for the party to Minster Rock, a great basket and box from home arrived for Sin Saxon. In the first were delicious early peaches, rose-color and gold, wrapped one by one in soft paper and laid among fine sawdust; early pears, also, with the summer incense in their spiciness; greenhouse grapes, white and amber and purple. The other held delicate cakes and confections unknown to Outledge, as carefully put up, and quite fresh and unharmed. "Everything comes in right for me," she exclaimed, running back and forth to Miss Craydocke with new and more charming discoveries as she excavated. Not a word did she say of the letter that had gone down from her four days before, asking her mother for these things, and to send her some money; "for a party," she told her, "that she would rather give here than to have her usual summer fete after her return."

"You quite eclipse and extinguish my poor little doings," said Miss Craydocke, admiring and rejoicing all the while as genuinely as Sin herself.

"Dear Miss Craydocke!" cried the girl; "if I thought it would seem like that, I would send and tip them all into the river. But you,—you can't be eclipsed! Your orbit runs too high above ours."

Sin Saxon's brightness and independence, that lapsed so easily into sauciness, and made it so hard for her to observe the mere conventionalisms of respect, in no way hindered the real reverence that grew in her toward the superiority she recognized, and that now softened her tone to a tenderness of humility before her friend.

There was a grace upon her in these days that all saw. Over her real wit and native vivacity, it was like a porcelain shade about a flame. One could look at it, and be glad of it, without winking. The brightness was all there, but there was a difference in the giving forth. What had been a bit self-centred and self-conscious—bright as if only for being bright and for dazzling—was outgoing and self-forgetful, and so softened. Leslie Goldthwaite read by it a new answer to some of her old questions. "What harm is there in it?" she had asked herself on their first meeting, when Sin Saxon's overflow of merry mischief, that yet did "no special or obvious good," made her so taking, so the centre of whatever group into which she came. Afterward, when, running to its height, this spirit showed in behavior that raised misgivings among the scrupulous and orderly that would not let them any longer be wholly amused; and came near betraying her, or actually did betray her, into indecorums beyond excuse or countenance, Leslie had felt the harm, and begun to shrink away. "Nothing but leaves" came back to her; her summer thought recurred and drew to itself a new illustration. This it was to have no aim but to rustle and flaunt; to grow leaves continually; to make one's self central and conspicuous, and to fill great space. But now among these very leaves gleamed something golden and glorious; something was ripening suddenly out that had lain unseen in its greenness; the time of figs seemed coming. Sin Saxon was intent upon new purpose; something to be done would not let her "stand upon the order" or the fashion of her doing. She forgot her little airs, that had been apt to detract from her very wit, and leave it only smartness; bright things came to her, and she uttered and acted them; but they seemed involuntary and only on the way; she could not help herself, and nobody would have had it helped; she was still Sin Saxon; but she had simply told the truth in her wayward way that morning. Miss Craydocke had done it, with her kindly patience that was no stupidity, her simple dignity that never lowered itself and that therefore could not be lowered, and her quiet continuance in generous well-doing,—and Sin Saxon was different. She was won to a perception of the really best in life,—that which this plain old spinster, with her "scrap of lace and a front," had found worth living for after the golden days were over. The impulse of temperament, and the generosity which made everything instant and entire with her, acted in this also, and carried her full over to an enthusiasm of affectionate cooeperation.

There were a few people at Outledge—of the sort who, having once made up their minds that no good is ever to come out of Nazareth, see all things in the light of that conviction—who would not allow the praise of any voluntary amendment to this tempering and new direction of Sin's vivacity. "It was time she was put down," they said, "and they were glad that it was done. That last outbreak had finished her. She might as well run after people now whom she had never noticed before; it was plain there was nothing else left for her; her place was gone, and her reign was over." Of all others, Mrs. Thoresby insisted upon this most strongly.

The whole school-party had considerably subsided. Madam Routh held a tighter rein; but that Sin Saxon had a place and a power still, she found ways to show in a new spirit. Into a quiet corner of the dancing-hall, skimming her way, with the dance yet in her feet, between groups of staid observers, she came straight, one evening, from a bright, spirited figure of the German, and stretched her hand to Martha Josselyn. "It's in your eyes," she whispered,—"come!"

Night after night Martha Josselyn had sat there with the waltz-music in her ears, and her little feet, that had had one merry winter's training before the war, and many a home practice since with the younger ones, quivering to the time beneath her robes, and seen other girls chosen out and led away,—young matrons, and little short-petticoated children even, taken to "excursionize" between the figures,—while nobody thought of her. "I might be ninety, or a cripple," she said to her sister, "from their taking for granted it is nothing to me. How is it that everything goes by, and I only twenty?" There had been danger that Martha Josselyn's sweet, generous temper should get a dash of sour, only because of there lying alongside it a clear common-sense and a pure instinct of justice. Susan's heart longed with a motherly tenderness for her young sister when she said such words,—longed to put all pleasant things somehow within her reach. She had given it up for herself, years since. And now, all at once, Sin Saxon came and "took her out."

It was a more generous act than it shows for, written. There is a little tacit consent about such things which few young people of a "set" have thought, desire, or courage to disregard. Sin Saxon never did anything more gracefully. It was one of the moments that came now, when she wist not that she shone. She was dropping, little by little, in the reality of a better desire, that "satisfaction" Jeannie Hadden had spoken of, of "knowing when one is at one's prettiest," or doing one's cleverest. The "leaf and the fruit" never fitted better in their significance than to Sin Saxon. Something intenser and more truly living was taking the place of the mere flutter and flash and grace of effect.

It was the figure in which the dancers form in facing columns, two and two, the girls and the young men; when the "four hands round" keeps them moving in bright circles all along the floor, and under arches of raised and joined hands the girls came down, two and two, to the end, forming their long line face to face against the opposing line of their partners. The German may be, in many respects, an undesirable dance; it may be, as I have sometimes thought, at least a selfish dance, affording pleasure chiefly to the initiated few, and excluding gradually, almost from society itself, those who do not participate in it. I speak of it here neither to uphold nor to condemn,—simply because they did dance it at Outledge as they do everywhere, and I cannot tell my story without it; but I think at this moment, when Sin Saxon led the figure with Martha Josselyn, there was something lovely, not alone in its graceful grouping, but in the very spirit and possibility of the thing that so appeared. There is scope and chance even here, young girls, for the beauty of kindness and generous thought. Even here, one may give a joy, may soothe a neglect, may make some heart conscious for a moment of the great warmth of a human welcome; and, though it be but to a pastime, I think it comes into the benison of the Master's words when, even for this, some spirit gets a feeling like them,—"I was a stranger, and ye took me in."

Some one, standing behind where Leslie Goldthwaite came to her place at the end of the line by the hall-door, had followed and interpreted the whole; had read the rare, shy pleasure in Martha Josselyn's face and movement, the bright, expressive warmth in Sin Saxon's and the half-surprise of observation upon others; and he thought as I do.

"'Friends of the mammon of unrighteousness.' That girl has even sanctified the German!"

There was only one voice like that, only one person who would so speak himself out. Leslie Goldthwaite turned quickly, and found herself face to face with Marmaduke Wharne. "I am so glad you have come!" said she.

He regarded her shrewdly. "Then you can do without me," he said. "I didn't know by this time how it might be."

The last two had taken their places below Leslie while these words were exchanged, and now the whole line moved forward to meet their partners, and the waltz began. Frank Scherman had got back to-day, and was dancing with Sin Saxon. Leslie and Dakie Thayne were together, as they had been that first evening at Jefferson, and as they often were. The four stopped, after their merry whirl, in this same corner by the door where Mr. Wharne was standing. Dakie Thayne shook hands with his friend in his glad boy's way. Across their greetings came Sin Saxon's words, spoken to her companion,—"You're to take her, Frank." Frank Scherman was an old childhood's friend, not a mere mountain acquaintance. "I'll bring up plenty of others first, but you're to wait and take her. And, wherever she got her training, you'll find she's the featest-footed among us." It was among the children—training them—that she had caught the trick of it, but Sin Saxon did not know.

"I'm ready to agree with you, with but just the reservation that you could not make," Frank Scherman answered.

"Nonsense," said Sin Saxon. "But stop! here's something better and quicker. They're getting the bouquets. Give her yours. It's your turn. Go!"

Sin Saxon's blue eyes sparkled like two stars; the golden mist of her hair was tossed into lighter clouds by exercise; on her cheeks a bright rose-glow burned; and the lips parted with their sweetest, because most unconscious, curve over the tiny gleaming teeth. Her word and her glance sent Frank Scherman straight to do her bidding; and a bunch of wild azaleas and scarlet lilies was laid in Martha Josselyn's hand, and she was taken out again into the dance by the best partner there. We may trust her to Sin Saxon and Frank Scherman, and her own "feat-footedness;" everything will not go by her any more, and she but twenty.

Marmaduke Wharne watched it all with that keen glance of his that was like a level line of fire from under the rough, gray brows.

"I am glad you saw that," said Leslie Goldthwaite, watching also, and watching him.

"By the light of your own little text,—'kind, and bright, and pleasant'? You think it will do me good?"

"I think it was good; and I am glad you should really know Sin Saxon—at the first." And at the best; Marmaduke Wharne quite understood her. She gave him, unconsciously, the key to a whole character. It might as easily have been something quite different that he should have first seen in this young girl.

Next morning they all met on the piazza. Leslie Goldthwaite presented Sin Saxon to Mr. Wharne.

"So, my dear," he said, without preface, "you are the belle of the place?"

He looked to see how she would take it. There was not the first twinkle of a simper about eye or lip. Surprised, but quite gravely, she looked up, and met his odd bluntness with as quaint an honesty of her own. "I was pretty sure of it a while ago," she said. "And perhaps I was, in a demoralized sort of a way. But I've come down, Mr. Wharne,—like the coon. I'll tell you presently," she went on,—and she spoke now with warmth,—"who is the real belle,—the beautiful one of this place! There she comes!"

Miss Craydocke, in her nice, plain cambric morning-gown, and her smooth front, was approaching down the side passage across the wing. Just as she had come one morning, weeks ago; and it was the identical "fresh petticoat" of that morning she wore now. The sudden coincidence and recollection struck Sin Saxon as she spoke. To her surprise, Miss Craydocke and Marmaduke Wharne moved quickly toward each other, and grasped hands like old friends.

"Then you know all about it!" Sin Saxon said, a few minutes after, when she got her chance. "But you don't know, sir," she added, with a desperate candor, "the way I took to find it out! I've been tormenting her, Mr. Wharne, all summer. And I'm heartily ashamed of it."

Marmaduke Wharne smiled. There was something about this girl that suited his own vein. "I doubt she was tormented," he said quietly.

At that Sin Saxon smiled, too, and looked up out of her hearty shame which she had truly felt upon her at her own reminder. "No, Mr. Wharne, she never was; but that wasn't my fault. After all, perhaps,—isn't that what the optimists think?—it was best so. I should never have found her thoroughly out in any other way. It's like"—and there she stopped short of her comparison.

"Like what?" asked Mr. Wharne, waiting.

"I can't tell you now, sir," she answered with a gleam of her old fearless brightness. "It's one end of a grand idea, I believe, that I just touched on. I must think it out, if I can, and see if it all holds together."

"And then I'm to have it?"

"It will take a monstrous deal of thinking, Mr. Wharne."



CHAPTER XV.

QUICKSILVER AND GOLD.

"If I could only remember the chemicals!" said Sin Saxon. She was down among the outcrops and fragments at the foot of Minster Rock. Close in around the stones grew the short, mossy sward. In a safe hollow between two of them, against a back formed by another that rose higher with a smooth perpendicular, she had chosen her fireplace, and there she had been making the coffee. Quite intent upon the comfort of her friends she was to-day; something really to do she had: "in better business," as Leslie Goldthwaite phrased it to herself once, she found herself, than only to make herself brilliant and enchanting after the manner of the day at Feather-Cap. And let me assure you, if you have not tried it, that to make the coffee and arrange the feast at a picnic like this is something quite different from being merely an ornamental. There is the fire to coax with chips and twigs, and a good deal of smoke to swallow, and one's dress to disregard. And all the rest are off in scattered groups, not caring in the least to watch the pot boil, but supposing, none the less, that it will. To be sure, Frank Scherman and Dakie Thayne brought her firewood, and the water from the spring, and waited loyally while she seemed to need them; indeed, Frank Scherman, much as he unquestionably was charmed with her gay moods, stayed longest by her in her quiet ones; but she herself sent them off, at last, to climb with Leslie and the Josselyns again into the Minster, and see thence the wonderful picture that the late sloping light made on the far hills and fields that showed to their sight between framing tree-branches and tall trunk-shafts as they looked from out the dimness of the rock.

She sat there alone, working out a thought; and at last she spoke as I have said: "If I could only remember the chemicals!"

"My dear! What do you mean? The chemicals? For the coffee?" It was Miss Craydocke who questioned, coming up with Mr. Wharne.

"Not the coffee,—no," said Sin Saxon, laughing rather absently, as too intent to be purely amused. "But the—assaying. There,—I've remembered that word, at least!"

Miss Craydocke was more than ever bewildered. "What is it, my dear? An experiment?"

"No; an analogy. Something that's been in my head these three days. I can't make everything quite clear, Mr. Wharne, but I know it's there. I went, I must tell you, a little while ago, to see some Colorado specimens—ores and things—that some friends of ours had, who are interested in the mines; and they talked about the processes, and somebody explained. There were gold and silver and iron, and copper and lead and sulphur, that had all been boiled up together some time, and cooled into rock. And the thing was to sort them out. First, they crushed the whole mass into powder, and then did something to it—applied heat, I believe—to drive away the sulphur. That fumed off, and left the rest as promiscuous as before. Then they—oxidized the lead, however they managed it, and got that out. You see I'm not quite sure of the order of things, or of the chemical part. But they got it out, and something took it. Then they put in quicksilver, and that took hold of the gold. Then there were silver and copper and iron. So they had to put back the lead again, and that grappled the silver. And what they did with the copper and iron is just what I can't possibly recollect, but they divided them somehow, and there was the great rock riddle all read out. Now, haven't we been just like that this summer? And I wonder if the world isn't like it, somehow? And ourselves, too, all muddled up, and not knowing what we are made of, till the right chemicals touch us? There's so much in it, Mr. Wharne, I can't put it in clear order. But it is there,—isn't it?"

"Yes, it is there," answered Mr. Wharne, with the briefest gravity. For Miss Craydocke, there were little shining drops standing in her eyes, and she tried not to wink lest they should fall out, pretending they had been really tears. And what was there to cry about, you know?

"Here we have been," Sin Saxon resumed, "all crushed up together, and the characters coming out little by little, with different things. Sulphur's always the first,—heats up and flies off,—it don't take long to find that; and common oxygen gets at common lead, and so on; but, dear Miss Craydocke, do you know what comforts me? That you must have the quicksilver to discover the gold!"

Miss Craydocke winked. She had to do it then, and the two little round drops fell. They went down, unseen, into the short pasture-grass, and I wonder what little wild-flowers grew of their watering some day afterward.

It was getting a little too quiet between them now for people on a picnic, perhaps; and so in a minute Sin Saxon said again: "It's good to know there is a way to sort everything out. Perhaps the tares and wheat mean the same thing. Mr. Wharne, why is it that things seem more sure and true as soon as we find out we can make an allegory to them?"

"Because we do not make the allegory. It is there, as you have said. 'I will open my mouth in parables. I will utter things which have been kept secret from the foundation of the world.' These things are that speech of God that was in the beginning. The Word made flesh,—it is He that interpreteth."

That was too great to give small answer to. Nobody spoke again till Sin Saxon had to jump up to attend to her coffee, that was boiling over, and then they took up their little cares of the feast, and their chat over it.

Cakes and coffee, fruits and cream,—I do not care to linger over these. I would rather take you to the cool, shadowy, solemn Minster cavern, the deep, wondrous recess in the face of solid rock, whose foundation and whose roof are a mountain; or above, upon the beetling crag that makes but its porch-lintel, and looks forth itself across great air-spaces toward its kindred cliffs, lesser and more mighty, all around, making one listen in one's heart for the awful voices wherewith they call to each other forevermore.

The party had scattered again, after the repast, and Leslie and the Josselyns had gone back into the Minster entrance, where they never tired of standing, and out of whose gloom they looked now upon all the flood of splendor, rosy, purple, and gold, which the royal sun flung back—his last and richest largess—upon the heights that looked longest after him. Mr. Wharne and Miss Craydocke climbed the cliff. Sin Saxon, on her way up, stopped short among the broken crags below. There was something very earnest in her gaze, as she lifted her eyes, wide and beautiful with the wonder in them, to the face of granite upreared before her, and then turned slowly to look across and up the valley, where other and yet grander mountain ramparts thrust their great forbiddance on the reaching vision. She sat down, where she was, upon a rock.

"You are very tired?" Frank Scherman said, inquiringly.

"See how they measure themselves against each other," Sin Saxon said, for answer. "Look at them, Leslie and the rest, inside the Minster that arches up so many times their height above their heads,—yet what a little bit, a mere mousehole, it is out of the cliff itself; and then look at the whole cliff against the Ledges, that, seen from anywhere else, seem to run so low along the river; and compare the Ledges with Feather-Cap, and Feather-Cap with Giant's Cairn, and Giant's Cairn with Washington, thirty miles away!"

"It is grand surveying," said Frank Scherman.

"I think we see things from the little best," rejoined Sin Saxon. "Washington is the big end of the telescope."

"Now you have made me look at it," said Frank Scherman, "I don't think I have been in any other spot that has given me such a real idea of the mountains as this. One must have steps to climb by, even in imagination. How impertinent we are, rushing at the tremendousness of Washington in the way we do; scaling it in little pleasure-wagons, and never taking in the thought of it at all!"

Something suddenly brought a flush to Sin Saxon's face, and almost a quiver to her lips. She was sitting with her hands clasped across her knees, and her head a little bent with a downward look, after that long, wondering mountain gaze, that had filled itself and then withdrawn for thought. She lifted her face suddenly to her companion. The impetuous look was in her eyes. "There's other measuring too, Frank. What a fool I've been!"

Frank Scherman was silent. It was a little awkward for him, scarcely comprehending what she meant. He could by no means agree with Sin Saxon when she called herself a fool; yet he hardly knew what he was to contradict.

"We're well placed at this minute. Leslie Goldthwaite and Dakie Thayne and the Josselyns half way up above there, in the Minster. Mr. Wharne and Miss Craydocke at the top. And I down here, where I belong. Impertinence! To think of the things I've said in my silliness to that woman, whose greatness I can no more measure! Why didn't somebody stop me? I don't answer for you, Frank, and I won't keep you; but I think I'll just stay where I am, and not spoil the significance!"

"I'm content to rank beside you; we can climb together," said Frank Scherman. "Even Miss Craydocke has not got to the highest, you see," he went on, a little hurriedly.

Sin Saxon broke in as hurriedly as he, with a deeper flush still upon her face. "There's everything beyond. That's part of it. But she helps one to feel what the higher—the Highest—must be. She's like the rock she stands on. She's one of the steps."

"Come, Asenath, let's go up." And he held out his hand to her till she took it and rose. They had known each other from childhood, as I said; but Frank Scherman hardly ever called her by her name. "Miss Saxon" was formal, and her school sobriquet he could not use. It seemed to mean a great deal when he did say "Asenath."

And Sin Saxon took his hand and let him lead her up, notwithstanding the "significance."

They are young, and I am not writing a love-story; but I think they will "climb together;" and that the words that wait to be said are mere words,—they have known and understood each other so long.

* * * * *

"I feel like a camel at a fountain, drinking in what is to last through the dry places," said Martha Josselyn, as they came up. "Miss Saxon, you don't know what you have given us to-day. I shall take home the hills in my heart."

"We might have gone without seeing this," said Susan.

"No, you mightn't," said Sin Saxon. "It's my good luck to see you see it, that's all. It couldn't be in the order of things, you know, that you should be so near it, and want it, and not have it, somehow."

"So much is in the order of things, though!" said Martha. "And there are so many things we want, without knowing them even to be!"

"That's the beauty of it, I think," said Leslie Goldthwaite, turning back from where she stood, bright in the sunset glory, on the open rock. Her voice was like that of some young prophet of joy, she was so full of the gladness and loveliness of the time. "That's the beauty of it, I think. There is such a worldful, and you never know what you may be coming to next!"

"Well, this is our last—of the mountains. We go on Tuesday."

"It isn't your last of us, though, or of what we want of you," rejoined Sin Saxon. "We must have the tableaux for Monday. We can't do without you in Robin Gray or Consolation. And about Tuesday,—it's only your own making up of minds. You haven't written, have you? They don't expect you? When a week's broken in upon, like a dollar, the rest is of no account. And there'll be sure to be something doing, so many are going the week after."

"We shall have letters to-night," said Susan. "But I think we must go on Tuesday."

Everybody had letters that night. The mail was in early, and Captain Green came up from the post-office as the Minster party was alighting from the wagons. He gave Dakie Thayne the bag. It was Dakie's delight to distribute, calling out the fortunate names as the expectant group pressed around him, like people waiting the issue of a lottery venture.

"Mrs. Linceford, Miss Goldthwaite, Mrs. Linceford, Mrs. Linceford! Master—hm!—Thayne," and he pocketed a big one like a dispatch. "Captain Jotham Green. Where is he? Here, Captain Green; you and I have got the biggest, if Mrs. Linceford does get the most. I believe she tells her friends to write in hits, and put one letter into three or four envelopes. When I was a very little boy, I used to get a dollar changed into a hundred coppers, and feel ever so much richer."

"That boy's forwardness is getting insufferable!" exclaimed Mrs. Thoresby, sitting apart, with two or three others who had not joined the group about Dakie Thayne. "And why Captain Green should give him the bag always, I can't understand. It is growing to be a positive nuisance."

Nobody out of the Thoresby clique thought it so. They had a merry time together,—"you and I and the post," as Dakie said. But then, between you and me and that confidential personage, Mrs. Thoresby and her daughters hadn't very many letters.

"That is all," said Dakie, shaking the bag. "They're only for the very good, to-night." He was not saucy: he was only brimming-over glad. He knew "Noll's" square handwriting, and his big envelopes.

There was great news to-night at the Cottage. They were to have a hero, perhaps two or three, among them. General Ingleside and friends were coming, early in the week, the Captain told them with expansive face. There are a great many generals and a great many heroes now. This man had been a hero beside Sheridan, and under Sherman. Colonel Ingleside he was at Stone River and Chattanooga,—leading a brave Western regiment in desperate, magnificent charges, whose daring helped to turn that terrible point of the war and made his fame.

But Leslie, though her heart stirred at the thought of a real, great commander fresh from the field, had her own news that half neutralized the excitement of the other: Cousin Delight was coming, to share her room with her for the last fortnight.

The Josselyns got their letters. Aunt Lucy was staying on. Aunt Lucy's husband had gone away to preach for three Sundays for a parish where he had a prospect of a call. Mrs. Josselyn could not leave home immediately, therefore, although the girls should return; and their room was the airiest for Aunt Lucy. There was no reason why they should not prolong their holiday if they chose, and they might hardly ever get away to the mountains again. More than all, Uncle David was off once more for China and Japan, and had given his sister two more fifties,—"for what did a sailor want of greenbacks after he got afloat?" It was "a clover summer" for the Josselyns. Uncle David and his fifties wouldn't be back among them for two years or more. They must make the most of it.

Sin Saxon sat up late, writing this letter to her mother:—

DARLING MAMMA,—I've just begun to find out really what to do here. Cream doesn't always rise to the top. You remember the Josselyns, our quiet neighbors in town, that lived in the little house in the old-fashioned block opposite,—Sue Josselyn, Effie's schoolmate? And how they used to tell me stories and keep me to nursery-tea? Well, they're the cream; they and Miss Craydocke. Sue has been in the hospitals,—two years, mamma!—while I've been learning nocturnes, and going to Germans. And Martha has been at home, sewing her face sharp; and they're here now to get rounded out. Well now, mamma, I want so—a real dish of mountains and cream, if you ever heard of such a thing! I want to take a wagon, and invite a party as I did my little one to Minster Rock, and go through the hills,—be gone as many days as you will send me money for. And I want you to take the money from that particular little corner of your purse where my carpet and wall-paper and curtains, that were to new-furnish my room on my leaving school, are metaphorically rolled up. There's plenty there, you know; for you promised me my choice of everything, and I had fixed on that lovely pearl-gray paper at ——'s, with the ivy and holly pattern, and the ivy and scarlet-geranium carpet that was such a match. I'll have something cheaper, or nothing at all, and thank you unutterably, if you'll only let me have my way in this. It will do me so much good, mamma! More than you've the least idea of. People can do without French paper and Brussels carpets, but everybody has a right to mountain and sea and cloud glory,—only they don't half of them get it, and perhaps that's the other half's lookout!

I know you'll understand me, mamma, particularly when I talk sense; for you always understood my nonsense when nobody else did. And I'm going to do your faith and discrimination credit yet.

Your bad child,—with just a small, hidden savor of grace in her, being your child,—

ASENATH SAXON.



CHAPTER XVI.

"WHY DIDN'T YOU TELL US?"

Saturday was a day of hammering, basting, draping, dressing, rehearsing, running from room to room. Upstairs, in Mrs. Green's garret, Leslie Goldthwaite and Dakie Thayne, with a third party never before introduced upon the stage, had a private practicing; and at tea-time, when the great hall was cleared, they got up there with Sin Saxon and Frank Scherman, locked the doors, and in costume, with regular accompaniment of bell and curtain, the performance was repeated.

Dakie Thayne was stage-manager and curtain-puller; Sin Saxon and Frank Scherman represented the audience, with clapping and stamping, and laughter that suspended both; making as nearly the noise of two hundred as two could: this being an essential part of the rehearsal in respect to the untried nerves of the debutant, which might easily be a little uncertain.

"He stands fire like a Yankee veteran."

"It's inimitable," said Sin Saxon, wiping the moist merriment from her eyes. "And your cap, Leslie! And that bonnet! And this unutterable old oddity of a gown! Who did contrive it all? and where did they come from? You'll carry off the glory of the evening. It ought to be the last."

"No, indeed," said Leslie. "Barbara Frietchie must be last, of course. But I'm so glad you think it will do. I hope they'll be amused."

"Amused! If you could only see your own face!"

"I see Sir Charles's, and that makes mine."

The new performer, you perceive, was an actor with a title.

That night's coach, driving up while the dress-rehearsal of the other tableaux was going on at the hall, brought Cousin Delight to the Green Cottage, and Leslie met her at the door.

Sunday morning was a pause and rest and hush of beauty and joy. They sat—Delight and Leslie—by their open window, where the smell of the lately harvested hay came over from the wide, sunshiny entrance of the great barn, and away beyond stretched the pine woods, and the hills swelled near in dusky evergreen, and indigo shadows, and lessened far down toward Winnipiseogee, to where, faint and tender and blue, the outline of little Ossipee peeped in between great shoulders so modestly,—seen only through the clearest air on days like this. Leslie's little table, with fresh white cover, held a vase of ferns and white convolvulus, and beside this Cousin Delight's two books that came out always from the top of her trunk,—her Bible and her little "Daily Food." To-day the verses from Old and New Testaments were these: "The steps of a good man are ordered by the Lord, and he delighteth in his way." "Walk circumspectly, not as fools, but as wise, redeeming the time."

They had a talk about the first,—"The steps," the little details; not merely the general trend and final issue; if, indeed, these could be directed without the other.

"You always make me see things, Cousin Delight," Leslie said.

"It is very plain," Delight answered; "if people only would read the Bible as they read even a careless letter from a friend, counting each word of value, and searching for more meaning and fresh inference to draw out the most. One word often answers great doubts and askings that have troubled the world."

Afterward, they walked round by a still wood-path under the Ledge to the North Village, where there was a service. It was a plain little church, with unpainted pews; but the windows looked forth upon a green mountain side, and whispers of oaks and pines and river-music crept in, and the breath of sweet water-lilies, heaped in a great bowl upon the communion table of common stained cherrywood, floated up and filled the place. The minister, a quiet, gray-haired man, stayed his foot an instant at that simple altar, before he went up the few steps to the desk. He had a sermon in his pocket from the text, "The hairs of your heads are all numbered." He changed it at the moment in his mind, and, when presently he rose to preach, gave forth in a tone touched, through the very presence of that reminding beauty, with the very spontaneousness of the Master's own saying, "Consider the lilies." And then he told them of God's momently thought and care.

There were scattered strangers, from various houses, among the simple rural congregation. Walking home through the pines again, Delight and Leslie and Dakie Thayne found themselves preceded and followed along the narrow way. Sin Saxon and Frank Scherman came up and joined them when the wider openings permitted.

Two persons just in front were commenting upon the sermon.

"Very fair for a country parson," said a tall, elegant-looking man, whose broad, intellectual brow was touched by dark hair slightly frosted, and whose lip had the curve that betokens self-reliance and strong decision,—"very fair. All the better for not flying too high. Narrow, of course. He seems to think the Almighty has nothing grander to do than to finger every little cog of the tremendous machinery of the universe,—that he measures out the ocean of his purposes as we drop a liquid from a phial. To me it seems belittling the Infinite."

"I don't know whether it is littleness or greatness, Robert, that must escape minutiae," said his companion, apparently his wife. "If we could reach to the particles, perhaps we might move the mountains."

"We never agree upon this, Margie. We won't begin again. To my mind, the grand plan of things was settled ages ago,—the impulses generated that must needs work on. Foreknowledge and intention, doubtless; in that sense the hairs were numbered. But that there is a special direction and interference to-day for you and me—well, we won't argue, as I said; but I never can conceive it so; and I think a wider look at the world brings a question to all such primitive faith."

The speakers turned down a side way with this, leaving the ledge path and their subject to our friends. Only to their thoughts at first; but presently Cousin Delight said, in a quiet tone, to Leslie, "That doesn't account for the steps, does it?"

"I am glad it can't," said Leslie.

Dakie Thayne turned a look toward Leslie, as if he would gladly know of what she spoke,—a look in which a kind of gentle reverence was strangely mingled with the open friendliness. I cannot easily indicate to you the sort of feeling with which the boy had come to regard this young girl, just above him in years and thought and in the attitude which true womanhood, young or old, takes toward man. He had no sisters; he had been intimately associated with no girl-companions; he had lived with his brother and an uncle and a young aunt, Rose. Leslie Goldthwaite's kindness had drawn him into the sphere of a new and powerful influence,—something different in thought and purpose from the apparent unthought of the present little world about her; and this lifted her up in his regard and enshrined her with a sort of pure sanctity. He was sometimes really timid before her, in the midst of his frank chivalry.

"I wish you'd tell me," he said suddenly, falling back with her as the path narrowed again. "What are the 'steps'?"

"It was a verse we found this morning,—Cousin Delight and I," Leslie answered; and as she spoke the color came up full in her cheeks, and her voice was a little shy and tremulous. "'The steps of a good man are ordered by the Lord.' That one word seemed to make one certain. 'Steps,'—not path, nor the end of it; but all the way." Somehow she was quite out of breath as she finished.

Meantime Sin Saxon and Frank had got with Miss Goldthwaite, and were talking too.

"Set spinning," they heard Sin Saxon say, "and then let go. That was his idea. Well! Only it seems to me there's been especial pains taken to show us it can't be done. Or else, why don't they find out perpetual motion? Everything stops after a while, unless—I can't talk theologically, but I mean all right—you hit it again."

"You've a way of your own of putting things, Asenath," said Frank Scherman,—with a glance that beamed kindly and admiringly upon her and "her way,"—"but you've put that clear to me as nobody else ever did. A proof set in the very laws themselves, momentum that must lessen and lose itself with the square of the distance. The machinery cavil won't do."

"Wheels; but a living spirit within the wheels," said Cousin Delight.

"Every instant a fresh impulse; to think of it so makes it real, Miss Goldthwaite,—and grand and awful." The young man spoke with a strength in the clear voice that could be so light and gay.

"And tender, too. 'Thou layest Thine hand upon me,'" said Delight Goldthwaite.

Sin Saxon was quiet; her own thought coming back upon her with a reflective force, and a thrill at her heart at Frank Scherman's words. Had these two only planned tableaux and danced Germans together before?

Dakie Thayne walked on by Leslie Goldthwaite's side, in his happy content touched with something higher and brighter through that instant's approach and confidence. If I were to write down his thought as he walked, it would be with phrase and distinction peculiar to himself and to the boy-mind,—"It's the real thing with her; it don't make a fellow squirm like a pin put out at a caterpillar. She's good; but she isn't pious!"

This was the Sunday that lay between the busy Saturday and Monday. "It is always so wherever Cousin Delight is," Leslie Goldthwaite said to herself, comparing it with other Sundays that had gone. Yet she too, for weeks before, by the truth that had come into her own life and gone out from it, had been helping to make these moments possible. She had been shone upon, and had put forth; henceforth she should scarcely know when the fruit was ripening or sowing itself anew, or the good and gladness of it were at human lips.

She was in Mrs. Linceford's room on Monday morning, putting high velvet-covered corks to the heels of her slippers, when Sin Saxon came over hurriedly, and tapped at the door.

"Could you be two old women?" she asked, the instant Leslie opened. "Ginevra Thoresby has given out. She says it's her cold,—that she doesn't feel equal to it; but the amount of it is she got her chill with the Shannons going away so suddenly, and the Amy Robsart and Queen Elizabeth picture being dropped. There was nothing else to put her in, and so she won't be Barbara."

"Won't be Barbara Frietchie!" cried Leslie, with an astonishment as if it had been angelhood refused.

"No. Barbara Frietchie is only an old woman in a cap and kerchief, and she just puts her head out of a window: the flag is the whole of it, Ginevra Thoresby says."

"May I do it? Do you think I can be different enough in the two? Will there be time?" Leslie questioned eagerly.

"We'll change the programme, and put 'Taking the Oath' between. The caps can be different, and you can powder your hair for one, and—would it do to ask Miss Craydocke for a front for the other?" Sin Saxon had grown delicate in her feeling for the dear old friend whose hair had once been golden.

"I'll tell her about it, and ask her to help me contrive. She'll be sure to think of anything that can be thought of."

"Only there's the dance afterward, and you had so much more costume for the other," Sin Saxon said demurringly.

"Never mind. I shall be Barbara; and Barbara wouldn't dance, I suppose."

"Mother Hubbard would, marvelously."

"Never mind," Leslie answered again, laying down the little slipper, finished.

"She don't care what she is, so that she helps along," Sin Saxon said of her, rejoining the others in the hall. "I'm ashamed of myself and all the rest of you, beside her. Now make yourselves as fine as you please."

We must pass over the hours as only stories and dreams do, and put ourselves, at ten of the clock that night, behind the green curtain and the footlights, in the blaze of the three rows of bright lamps, that, one above another, poured their illumination from the left upon the stage, behind the wide picture-frame.

Susan Josselyn and Frank Scherman were just "posed" for "Consolation." They had given Susan this part, after all, because they wanted Martha for "Taking the Oath," afterward. Leslie Goldthwaite was giving a hasty touch to the tent drapery and the gray blanket; Leonard Brookhouse and Dakie Thayne manned the halyards for raising the curtain; there was the usual scuttling about the stage for hasty clearance; and Sin Saxon's hand was on the bell, when Grahame Lowe sprang hastily in through the dressing-room upon the scene.

"Hold on a minute," he said to Brookhouse. "Miss Saxon, General Ingleside and party are over at Green's,—been there since nine o'clock. Oughtn't we to send compliments or something, before we finish up?"

Then there was a pressing forward and an excitement. The wounded soldier sprang from his couch; the nun came nearer, with a quick light in her eye; Leslie Goldthwaite, in her mob cap, quilted petticoat, big-flowered calico train, and high-heeled shoes; two or three supernumeraries, in Rebel gray, with bayonets, coming on in "Barbara Frietchie;" and Sir Charles, bouncing out from somewhere behind, to the great hazard of the frame of lights,—huddled together upon the stage and consulted. Dakie Thayne had dropped his cord and almost made a rush off at the first announcement; but he stood now, with a repressed eagerness that trembled through every fibre, and waited.

"Would he come?" "Isn't it too late?" "Would it be any compliment?" "Won't it be rude not to?" "All the patriotic pieces are just coming!" "Will the audience like to wait?" "Make a speech and tell 'em. You, Brookhouse." "Oh, he must come! Barbara Frietchie and the flag! Just think!" "Isn't it grand?" "Oh, I'm so frightened!" These were the hurried sentences that made the buzz behind the scenes; while in front "all the world wondered." Meanwhile, lamps trembled, the curtain vibrated, the very framework swayed.

"What is it? Fire?" queried a nervous voice from near the footlights.

"This won't do," said Frank Scherman. "Speak to them, Brookhouse. Dakie Thayne, run over to Green's, and say, the ladies' compliments to General Ingleside and friends,—and beg the honor of their presence at the concluding tableaux."

Dakie was off with a glowing face. Something like an odd, knowing smile twinkling out from the glow also, as he looked up at Scherman and took his orders. All this while he had said nothing.

Leonard Brookhouse made his little speech, received with applause and a cheer. Then they quieted down behind the scenes, and a rustle and buzz began in front,—kept up for five minutes or so, in gentle fashion, till two gentlemen, in plain clothes, walked quietly in at the open door; at sight of whom, with instinctive certainty, the whole assembly rose. Leslie Goldthwaite, peeping through the folds of the curtain, saw a tall, grand-looking man, in what may be called the youth of middle age, every inch a soldier, bowing as he was ushered forward to a seat vacated for him, and followed by one younger, who modestly ignored the notice intended for his chief. Dakie Thayne was making his way, with eyes alight and excited, down a side passage to his post.

Then the two actors hurried once more into position; the stage was cleared by a whispered peremptory order; the bell rung once, the tent trembling with some one whisking further out of sight behind it,—twice, and the curtain rose upon "Consolation."

Lovely as the picture is, it was lovelier in the living tableau. There was something deep and intense in the pale calm of Susan Josselyn's face, which they had not counted on even when they discovered that hers was the very face for the "Sister." Something made you thrill at the thought of what those eyes would show, if the downcast, quiet lids were raised. The earnest gaze of the dying soldier met more, perhaps, in its uplifting; for Frank Scherman had a look, in this instant of enacting, that he had never got before in all his practicings. The picture was too real for applause,—almost, it suddenly seemed, for representation.

"Don't I know that face, Noll?" General Ingleside asked, in a low tone, of his companion.

Instead of answering at once, the younger man bent further forward toward the stage, and his own very plain, broad, honest face, full over against the downcast one of the Sister of Mercy, took upon itself that force of magnetic expression which makes a look felt even across a crowd of other glances, as if there were but one straight line of vision, and that between such two. The curtain was going slowly down; the veiling lids trembled, and the paleness replaced itself with a slow-mounting flush of color over the features, still held motionless. They let the cords run more quickly then. She was getting tired, they said; the curtain had been up too long. Be that as it might, nothing could persuade Susan Josselyn to sit again, and "Consolation" could not be repeated.

So then came "Mother Hubbard and her Dog"—the slow old lady and the knowing beast that was always getting one step ahead of her. The possibility had occurred to Leslie Goldthwaite as she and Dakie Thayne amused themselves one day with Captain Green's sagacious Sir Charles Grandison, a handsome black spaniel, whose trained accomplishment was to hold himself patiently in any posture in which he might be placed, until the word of release was given. You might stand him on his hind legs, with paws folded on his breast; you might extend him on his back, with helpless legs in air; you might put him in any attitude possible to be maintained, and maintain it he would, faithfully, until the signal was made. From this prompting came the illustration of Mother Hubbard. Also, Leslie Goldthwaite had seized the hidden suggestion of application, and hinted it in certain touches of costume and order of performance. Nobody would think, perhaps, at first, that the striped scarlet and white petticoat under the tucked-up train, or the common print apron of dark blue, figured with innumerable little white stars, meant anything beyond the ordinary adjuncts of a traditional old woman's dress; but when, in the second scene, the bonnet went on,—an ancient marvel of exasperated front and crown, pitched over the forehead like an enormous helmet, and decorated, upon the side next the audience, with black and white eagle plumes springing straight up from the fastening of an American shield; above all, when the dog himself appeared, "dressed in his clothes" (a cane, an all-round white collar and a natty little tie, a pair of three-dollar tasseled kid gloves dangling from his left paw, and a small monitor hat with a big spread—eagle stuck above the brim,—the remaining details of costume being of no consequence),—when he stood "reading the news" from a huge bulletin,—"LATEST BY CABLE FROM EUROPE,"—nobody could mistake the personification of Old and Young America.

It had cost much pains and many dainty morsels to drill Sir Charles, with all the aid of his excellent fundamental education; and the great fear had been that he might fail them at the last. But the scenes were rapid, in consideration of canine infirmity. If the cupboard was empty, Mother Hubbard's basket behind was not; he got his morsels duly; and the audience was "requested to refrain from applause until the end." Refrain from laughter they could not, as the idea dawned upon them and developed; but Sir Charles was used to that in the execution of his ordinary tricks; he could hardly have done without it better than any other old actor. A dog knows when he is having his day, to say nothing of doing his duty; and these things are as sustaining to him as to anybody. This state of his mind, manifest in his air, helped also to complete the Young America expression. Mother Hubbard's mingled consternation and pride at each successive achievement of her astonishing puppy were inimitable. Each separate illustration made its point. Patriotism, especially, came in when the undertaker, bearing the pall with red-lettered border,—Rebellion,—finds the dog, with upturned, knowing eye, and parted jaws, suggestive as much of a good grip as of laughter, half risen upon fore-paws, as far from "dead" as ever, mounting guard over the old bone "Constitution."

The curtain fell at last amid peals of applause and calls for the actors.

Dakie Thayne had accompanied with the reading of the ballad, slightly transposed and adapted. As Leslie led Sir Charles before the curtain, in response to the continued demand, he added the concluding stanza,—

"The dame made a courtesy, The dog made a bow; The dame said, 'Your servant,' The dog said, 'Bow-wow.'"

Which, with a suppressed "Speak, sir!" from Frank Scherman, was brought properly to pass. Done with cleverness and quickness from beginning to end, and taking the audience utterly by surprise, Leslie's little combination of wit and sagacity had been throughout a signal success. The actors crowded round her. "We'd no idea of it!" "Capital!" "A great hit!" they exclaimed. "Mother Hubbard is the star of the evening," said Leonard Brookhouse. "No, indeed," returned Leslie, patting Sir Charles's head,—"this is the dog-star." "Rather a Sirius reflection upon the rest of us," rejoined Brookhouse, shrugging his shoulders, as he walked off to take his place in the "Oath," and Leslie disappeared to make ready for "Barbara Frietchie."

Several persons, before and behind the curtain, were making up their minds, just now, to a fresh opinion. There was nothing so very slow or tame, after all, about Leslie Goldthwaite. Several others had known that long ago.

"Taking the Oath" was piquant and spirited. The touch of restive scorn that could come out on Martha Josselyn's face just suited her part; and Leonard Brookhouse was very cool and courteous, and handsome and gentlemanly-triumphant as the Union officer.

"Barbara Frietchie" was grand. Grahame Lowe played Stonewall Jackson. They had improvised a pretty bit of scenery at the back, with a few sticks, some paint, brown carpet-paper, and a couple of mosquito bars; a Dutch gable with a lattice window, vines trained up over it, and bushes below. It was a moving tableau, enacted to the reading of Whittier's glorious ballad. "Only an old woman in a cap and kerchief, putting her head out at a garret window,"—that was all; but the fire was in the young eyes under the painted wrinkles and the snowy hair; the arm stretched itself out quick and bravely at the very instant of the pistol-shot that startled timid ears; one skillful movement detached and seized the staff in its apparent fall, and the liberty-colors flashed full in Rebel faces, as the broken lower fragment went clattering to the stage. All depended on the one instant action and expression. These were perfect. The very spirit of Barbara stirred her representative. The curtain began to descend slowly, and the applause broke forth before the reading ended. But a hand, held up, hushed it till the concluding lines were given in thrilling tones, as the tableau was covered from sight.

"Barbara Frietchie's work is o'er, And the Rebel rides on his raids no more.

"Honor to her! and let a tear Fall, for her sake, on Stonewall's bier.

"Over Barbara Frietchie's grave, Flag of Freedom and Union, wave!

"Peace and order and beauty draw Round thy symbol of light and law;

"And ever the stars above look down On thy stars below in Frederick town!"

Then one great cheer broke forth, and was prolonged to three.

"Not be Barbara Frietchie!" Leslie would not have missed that thrill for the finest beauty-part of all. For the applause—that was for the flag, of course, as Ginevra Thoresby said.

The benches were slid out at a window upon a lower roof, the curtain was looped up, and the footlights carried away; the "music" came up, and took possession of the stage; and the audience hall resolved itself into a ball-room. Under the chandelier, in the middle, a tableau not set forth in the programme was rehearsed and added a few minutes after.

Mrs. Thoresby, of course, had been introduced to the General; Mrs. Thoresby, with her bright, full, gray curls and her handsome figure, stood holding him in conversation between introductions, graciously waiving her privilege as new comers claimed their modest word. Mrs. Thoresby took possession; had praised the tableaux, as "quite creditable, really, considering the resources we had," and was following a slight lead into a long talk, of information and advice on her part, about Dixville Notch. The General thought he should go there, after a day or two at Outledge.

Just here came up Dakie Thayne. The actors, in costume, were gradually mingling among the audience, and Barbara Frietchie, in white hair, from which there was not time to remove the powder, plain cap and kerchief, and brown woolen gown, with her silken flag yet in her hand, came with him. This boy, who "was always everywhere," made no hesitation, but walked straight up to the central group, taking Leslie by the hand. Close to the General, he waited courteously for a long sentence of Mrs. Thoresby's to be ended, and then said, simply, "Uncle James, this is my friend Miss Leslie Goldthwaite. My brother, Dr. Ingleside—why, where is Noll?"

Dr. Oliver Ingleside had stepped out of the circle in the last half of the long sentence. The Sister of Mercy—no longer in costume, however—had come down the little flight of steps that led from the stage to the floor. At their foot the young army surgeon was shaking hands with Susan Josselyn. These two had had the chess-practice together—and other practice—down there among the Southern hospitals.

Mrs. Thoresby's face was very like some fabric subjected to chemical experiment, from which one color and aspect has been suddenly and utterly discharged to make room for something different and new. Between the first and last there waits a blank. With this blank full upon her, she stood there for one brief, unprecedented instant in her life, a figure without presence or effect. I have seen a daguerreotype in which were cap, hair, and collar, quite correct,—what should have been a face rubbed out. Mrs. Thoresby rubbed herself out, and so performed her involuntary tableau.

"Of course I might have guessed. I wonder it never occurred to me," Mrs. Linceford was replying presently, to her vacuous inquiry. "The name seemed familiar, too; only he called himself 'Dakie.' I remember perfectly now. Old Jacob Thayne, the Chicago millionaire. He married pretty little Mrs. Ingleside, the Illinois Representative's widow, that first winter I was in Washington. Why, Dakie must be a dollar prince!"

He was just Dakie Thayne, though, for all that. He and Leslie and Cousin Delight, the Josselyns and the Inglesides, dear Miss Craydocke hurrying up to congratulate, Marmaduke Wharne looking on without a shade of cynicism in the gladness of his face, and Sin Saxon and Frank Scherman flitting up in the pauses of dance and promenade,—well, after all, these were the central group that night. The pivot of the little solar system was changed; but the chief planets made but slight account of that; they just felt that it had grown very warm and bright.

"Oh, Chicken Little!" Mrs. Linceford cried to Leslie Goldthwaite, giving her a small shake with her good-night kiss at her door. "How did you know the sky was going to fall? And how have you led us all this chase to cheat Fox Lox at last?"

But that wasn't the way Chicken Little looked at it. She didn't care much for the bit of dramatic denouement that had come about by accident,—like a story, Elinor said,—or the touch of poetic justice that tickled Mrs. Linceford's world-instructed sense of fun. Dakie Thayne wasn't a sum that needed proving. It was very nice that this famous general should be his uncle,—but not at all strange: they were just the sort of people he must belong to. And it was nicest of all that Dr. Ingleside and Susan Josselyn should have known each other,—"in the glory of their lives," she phrased it to herself, with a little flash of girl enthusiasm and a vague suggestion of romance.

"Why didn't you tell us?" Mrs. Linceford said to Dakie Thayne next morning. "Everybody would have"—She stopped. She could not tell this boy to his frank face that everybody would have thought more and made more of him because his uncle had got brave stars on his shoulders, and his father had died leaving two millions or so of dollars.

"I know they would have," said Dakie Thayne. "That was just it. What is the use of telling things? I'll wait till I've done something that tells itself."



CHAPTER XVII.

LEAF-GLORY.

There was a pretty general break-up at Outledge during the week following. The tableaux were the finale of the season's gayety,—of this particular little episode, at least, which grew out of the association together of these personages of our story. There might come a later set, and later doings; but this last week of August sent the mere summer-birds fluttering. Madam Routh must be back in New York, to prepare for the reopening of her school; Mrs. Linceford had letters from her husband, proposing to meet her by the first, in N——, and so the Haddens would be off; the Thoresbys had stayed as long as they cared to in any one place where there seemed no special inducement; General Ingleside was going through the mountains to Dixville Notch. Rose Ingleside,—bright and charming as her name; just a fit flower to put beside our Ladies' Delight, finding out at once, as all girls and women did, her sweetness, and leaning more and more to the rare and delicate sphere of her quiet attraction,—Oliver and Dakie Thayne,—these were his family party; but there came to be question about Leslie and Delight. Would not they make six? And since Mrs. Linceford and her sisters must go, it seemed so exactly the thing for them to fall into; otherwise Miss Goldthwaite's journey hither would hardly seem to have been worth while. Early September was so lovely among the hills; opportunities for a party to Dixville Notch would not come every day; in short, Dakie had set his heart upon it, Rose begged, the General was as pressing as true politeness would allow, and it was settled.

"Only," Sin Saxon said suddenly, on being told, "I should like if you would tell me, General Ingleside, the precise military expression synonymous with 'taking the wind out of one's sails.' Because that's just what you've done for me."

"My dear Miss Saxon! In what way?"

"Invited my party,—some of them,—and taken my road. That's all. I spoke first, though I didn't speak out loud. See here!" And she produced a letter from her mother, received that morning. "Observe the date, if you please,—August 24. 'Your letter reached me yesterday.' And it had traveled round, as usual, two days in papa's pocket, beside. I always allow for that. 'I quite approve your plan; provided, as you say, the party be properly matronized. I'—H'm—h'm! that refers to little explanations of my own. Well, all is, I was going to do this very thing,—with enlargements. And now Miss Craydocke and I may collapse."

"Why, when with you and your enlargements we might make the most admirable combination? At least, the Dixville road is open to all."

"Very kind of you to say so,—the first part, I mean,—if you could possibly have helped it. But there are insurmountable obstacles on that Dixville road—to us. There's a lion in the way. Don't you see we should be like the little ragged boys running after the soldier-company? We couldn't think of putting ourselves in that 'bony light,' especially before the eyes of Mrs.—Grundy." This last, as Mrs. Thoresby swept impressively along the piazza in full dinner costume.

"Unless you go first, and we run after you," suggested the General.

"All the same. You talked Dixville to her the very first evening, you know. No, nobody can have an original Dixville idea any more. And I've been asking them,—the Josselyns, and Mr. Wharne and all, and was just coming to the Goldthwaites; and now I've got them on my hands, and I don't know where in the world to take them. That comes of keeping an inspiration to ripen. Well, it's a lesson of wisdom! Only, as Effie says about her housekeeping, the two dearest things in living are butter and experience!"

Amidst laughter and banter and repartee, they came to it, of course; the most delightful combination and joint arrangement. Two wagons, the General's and Dr. Ingleside's two saddle-horses, Frank Scherman's little mountain mare, that climbed like a cat, and was sure-footed as a chamois,—these, with a side-saddle for the use of a lady sometimes upon the last, made up the general equipment of the expedition. All Mrs. Grundy knew was that they were wonderfully merry and excited together, until this plan came out as the upshot.

The Josselyns had not quite consented at once, though their faces were bright with a most thankful appreciation of the kindness that offered them such a pleasure; nay, that entreated their companionship as a thing so genuinely coveted to make its own pleasure complete. Somehow, when the whole plan developed, there was a little sudden shrinking on Sue's part, perhaps on similar grounds to Sin Saxon's perception of insurmountable obstacles; but she was shyer than Sin of putting forth her objections, and the general zeal and delight, and Martha's longing look, unconscious of cause why not, carried the day.

There had never been a blither setting off from the Giant's Cairn. All the remaining guests were gathered to see them go. There was not a mote in the blue air between Outledge and the crest of Washington. All the subtile strength of the hills—ores and sweet waters and resinous perfumes and breath of healing leaf and root distilled to absolute purity in the clear ether that sweeps only from such bare, thunder-scoured summits—made up the exhilarant draught in which they drank the mountain joy and received afar off its baptism of delight.

It was beautiful to see the Josselyns so girlish and gay; it was lovely to look at old Miss Craydocke, with her little tremors of pleasure, and the sudden glistenings in her eyes; Sin Saxon's pretty face was clear and noble, with its pure impulse of kindliness, and her fun was like a sparkle upon deep waters. Dakie Thayne rushed about in a sort of general satisfaction which would not let him be quiet anywhere. Outsiders looked with a kind of new, half-jealous respect on these privileged few who had so suddenly become the "General's party." Sin Saxon whispered to Leslie Goldthwaite: "It's neither his nor mine, honeysuckle; it's yours,—Henny-penny and all the rest of it, as Mrs. Linceford said." Leslie was glad with the crowning gladness of her bright summer.

"That girl has played her cards well," Mrs. Thoresby said of her, a little below her voice, as she saw the General himself making her especially comfortable with Cousin Delight in a back seat.

"Particularly, my dear madam," said Marmaduke Wharne, coming close and speaking with clear emphasis, "as she could not possibly have known that she had a trump in her hand!"

* * * * *

To tell of all that week's journeying, and of Dixville Notch; the adventure, the brightness, the beauty, and the glory; the sympathy of abounding enjoyment, the waking of new life that it was to some of them; the interchange of thought, the cementing of friendships,—would be to begin another story, possibly a yet longer one. Leslie's summer, according to the calendar, is already ended. Much in this world must pause unfinished, or come to abrupt conclusion. People "die suddenly at last," after the most tedious illnesses. "Married and lived happy ever after," is the inclusive summary that winds up many an old tale whose time of action only runs through hours. If in this summer-time with Leslie Goldthwaite your thoughts have broadened somewhat with hers, some questions for you have been partly answered; if it has appeared to you how a life enriches itself by drawing toward and going forth into the life of others through seeing how this began with her, it is no unfinished tale that I leave with you.

A little picture I will give you, farther on, a hint of something farther yet, and say good-by.

Some of them came back to Outledge, and stayed far into the still, rich September. Delight and Leslie sat before the Green Cottage one morning, in the heart of a golden haze and a gorgeous bloom.

All around the feet of the great hills lay the garlands of early-ripened autumn. You see nothing like it in the lowlands,—nothing like the fire of the maples, the carbuncle-splendor of the oaks, the flash of scarlet sumachs and creepers, the illumination of every kind of little leaf in its own way, upon which the frost touch comes down from those tremendous heights that stand rimy in each morning's sun, trying on white caps that by and by they shall pull down heavily over their brows, till they cloak all their shoulders also in the like sculptured folds, to stand and wait, blind, awful chrysalides, through the long winter of their death and silence.

Delight and Leslie had got letters from the Josselyns and Dakie Thayne. There was news in them such as thrills always the half-comprehending sympathies of girlhood. Leslie's vague suggestion of romance had become fulfillment. Dakie Thayne was wild with rejoicing that dear old Noll was to marry Sue. "She had always made him think of Noll, and his ways and likings, ever since that day of the game of chess that by his means came to grief. It was awful slang, but he could not help it: it was just the very jolliest go!"

Susan Josselyn's quiet letter said,—"That kindness which kept us on and made it beautiful for us, strangers, at Outledge, has brought to me, by God's providence, this great happiness of my life."

After a long pause of trying to take it in, Leslie looked up. "What a summer this has been! So full; so much has happened! I feel as if I had been living such a great deal!"

"You have been living in others' lives. You have had a great deal to do with what has happened."

"Oh, Cousin Delight! I have only been among it! I could not do—except such a very little."

"There is a working from us beyond our own. But if our working runs with that?—You have done more than you will ever know, little one." Delight Goldthwaite spoke very tenderly. Her own life, somehow, had been closely touched, through that which had grown and gathered about Leslie. "It depends on that abiding. 'In me, and I in you; so shall ye bear much fruit.'"

She stopped. She would not say more. Leslie thought her talking rather wide of the first suggestion; but this child would never know, as Delight had said, what a centre, in her simple, loving way, she had been for the working of a purpose beyond her thought.

Sin Saxon came across the lawn, crowned with gold and scarlet, trailing creepers twined about her shoulders, and flames of beauty in her full hands. "Miss Craydocke says she praised God with every leaf she took. I'm afraid I forgot to, for the little ones. But I was so greedy and so busy, getting them all for her. Come, Miss Craydocke; we've got no end of pressing to do, to save half of them!"

"She can't do enough for her. Oh, Cousin Delight, the leaves are glorified, after all! Asenath never was so charming; and she is more beautiful than ever!"

Delight's glance took in also another face than Asenath's, grown into something in these months that no training or taking thought could have done for it. "Yes," she said, in the same still way in which she had spoken before, "that comes too,—as God wills. All things shall be added."

* * * * *

My hint is of a Western home, just outside the leaping growth and ceaseless stir of a great Western city; a large, low, cosy mansion, with a certain Old World mellowness and rest in its aspect,—looking forth, even, as it does on one side, upon the illimitable sunset-ward sweep of the magnificent promise of the New; on the other, it catches a glimpse, beyond and beside the town, of the calm blue of a fresh-water ocean.

The place is "Ingleside;" the General will call it by no other than the family name,—the sweet Scottish synonym for Home-corner. And here, while I have been writing and you reading these pages, he has had them all with him; Oliver and Susan, on their bridal journey, which waited for summer-time to come again, though they have been six months married; Rose, of course, and Dakie Thayne, home in vacation from a great school where he is studying hard, hoping for West Point by and by; Leslie Goldthwaite, who is Dakie's inspiration still; and our Flower, our Pansy, our Delight,—golden-eyed Lady of innumerable sweet names.

The sweetest and truest of all, says the brave soldier and high-souled gentleman, is that which he has persuaded her to wear for life,—Delight Ingleside.

THE END