MATURIN, CHARLES ROBERT (1782-1824).—Novelist, b. in Dublin of Huguenot ancestry, was ed. at Trinity Coll. there, and taking orders held various benefices. He was the author of a few dramas, one of which, Bertram, had some success. He is, perhaps, better known for his romances in the style of Mrs. Radcliffe and "Monk" Lewis. The first of these, The Fatal Revenge appeared in 1807, and was followed by, among others, The Milesian Chief (1812), Women, which was the most successful, and lastly by Melmoth, in which he outdoes his models in the mysterious, the horrible, and indeed the revolting, without, except very occasionally, reaching their power. His last work, The Albigenses, in a somewhat different style, was pub. in the year of his death.

MAURICE, FREDERICK DENISON (1805-1872).—Divine, s. of a Unitarian minister, was b. at Normanston, near Lowestoft, and studied at Camb., but being then a Dissenter, could not graduate. He went to London, and engaged in literary work, writing for the Westminster Review and other periodicals, and for a short time ed. the Athenaeum. His theological views having changed, he joined the Church of England, went to Oxf., graduated, and was ordained 1834. He became Chaplain to Guy's Hospital, and held other clerical positions in London. In 1840 he was appointed Prof. of English Literature and History at King's Coll., and subsequently Prof. of Theology. He became a leader among the Christian socialists, and for a short time ed. their paper. On the publication of his Theological Essays in 1853 he was asked to resign his professorship at King's Coll. In 1854 he was one of the founders of the Working Men's Coll., of which he became Principal, and in 1866 he was made Prof. of Moral Philosophy at Camb. Among his writings are The Religions of the World and their Relation to Christianity, Moral and Metaphysical Philosophy, The Prophets and Kings of the Old Testament (1853), The Doctrine of Sacrifice, and Theological Essays. M.'s style was copious, and was often blamed as obscure; nevertheless, he exercised an extraordinary influence over some of the best minds of his time by the originality of his views, and the purity and elevation of his character.

MAXWELL, WILLIAM HAMILTON (1792-1850).—Novelist, a Scoto-Irishman, b. at Newry, and ed. at Trinity Coll., Dublin, entered the army, and saw service in the Peninsula, and at Waterloo. Afterwards he took orders, but was deprived of his living for non-residence. His novels, O'Hara, and Stories from Waterloo, started the school of rollicking military fiction, which culminated in the novels of Lever. M. also wrote a Life of the Duke of Wellington, and a History of the Irish Rebellion.

MAX-MUeLLER, FRIEDRICH (1823-1900).—Philologist, s. of the German poet, Wilhelm M., was b. at Dessau, and ed. at Leipzig, Berlin, and Paris. In 1846 he was requested by the East India Company to ed. the Rig Veda. He settled at Oxf. in 1848, and in 1850 was appointed deputy Taylorian Prof. of Modern European languages, becoming Prof. 4 years later, and Curator of the Bodleian Library in 1856. In 1868 he was elected first Prof. of Comparative Philology. He ed. Sacred Books of the East, and wrote in English Chips from a German Workshop (1867-75). He did much to stimulate the study of comparative religion and philology. He was made a Privy Councillor in 1896.

MAY, THOMAS (1595-1650).—Poet and historian, b. in Sussex, s. of Sir Thomas M., of Mayfield, went to Camb., and thence to Gray's Inn, but discarded law for literature. In 1622 he produced his first comedy, The Heir, and also a translation of Virgil's Georgics. Six years later, 1627, appeared his translation of Lucan, which gained him the favour of Charles I. at whose command he wrote two poems, The Reigne of King Henry II., and The Victorious Reigne of King Edward III., each in 7 books. When the Civil War broke out M., to the disappointment of his friends, took the side of the Parliament, and was made Sec. to the Long Parliament, the historian of which he became, pub. 1647, The History of the Parliament of England, which began Nov. 3, 1640. This work he prefaced with a short review of the preceding reigns from that of Elizabeth. The narrative closes with the Battle of Newbury, 1643, and is characterised by fulness of information and candour. M. was also the author of several tragedies, including Antigone, of no great merit.

MAY, SIR THOMAS ERSKINE, 1ST BARON FARNBOROUGH (1815-1886).—Jurist and historian, ed. at Bedford School, and after holding various minor offices became in 1871 clerk to the House of Commons, retiring in 1886, when he was raised to the peerage. He had previously, 1866, been made K.C.B. He was the author of a treatise on the laws, privileges, etc., of Parliament, which, first pub. in 1844, reached in 1901 its tenth ed., and was translated into various languages. His Constitutional History of England, 1760-1860 is practically a continuation of Hallam's great work. He also wrote Democracy in Europe. As an historical writer M. was learned, painstaking, and impartial.

MAYNE, JASPER (1604-1672).—Dramatist, was at Oxf., entered the Church, and became Archdeacon of Chichester. He wrote two dramas, The City Match (1639), and The Amorous War (1648), in neither of which did he sustain the clerical character. He had, however, some humour.

MAYNE, JOHN (1759-1836).—Poet, was b. in Dumfries. In 1780 he pub. the Siller Gun in its original form in Ruddiman's Magazine. It is a humorous poem descriptive of an ancient custom in Dumfries of shooting for the "Siller Gun." He was continually adding to it, until it grew to 5 cantos. He also wrote a poem on Hallowe'en, and a version of the ballad, Helen of Kirkconnel. His verses were admired by Scott.

MELVILLE, HERMAN (1819-1891).—Novelist, b. in New York, and took to the sea, which led to strange adventures, including an imprisonment of some months in the hands of cannibals in the Marquesas Islands. His first novel, Typee (1846), is based upon this experience. Omoo followed in 1847, Moby Dick, or the White Whale, a powerful sea story, in 1852, and Israel Potter in 1855. He was a very unequal writer, but occasionally showed considerable power and originality.

MELVILLE, JAMES (1556-1614).—Scottish divine and reformer, s. of the laird of Baldovie, in Forfarshire, and nephew of the great reformer and scholar, Andrew M., by whom, when Principal of the Univ. of Glasgow, he was chosen to assist him as a regent or professor. When, in 1580, Andrew became Principal of St. Mary's Coll., St. Andrews, James accompanied him, and acted as Prof. of Hebrew and Oriental Languages. He wrote many poems, but his chief work was his Diary, an original authority for the period, written with much naivete, and revealing a singularly attractive personality. M., who for his part in Church matters, had been banished to England, d. at Berwick on his way back to Scotland.

MELVILLE, SIR JAMES (1535-1617).—Historian, s. of Sir John M., of Hallhill, was a page to Mary Queen of Scots at the French Court, and afterwards one of her Privy Council. He also acted as her envoy to Queen Elizabeth and the Elector Palatine. He was the author of an autobiography which is one of the original authorities for the period. The MS., which lay for long hidden in Edin. Castle, was discovered in 1660, and pub. 1683. A later ed. was brought out in 1827 by the Bannatyne Club. The work is written in a lively style, but is not always to be implicitly relied upon in regard either to facts or the characters attributed to individuals.

MEREDITH, GEORGE (1828-1909).—Novelist and poet, b. at Portsmouth, s. of Augustus M., a naval outfitter, who afterwards went to Cape Town, and ed. at Portsmouth and Neuwied in Germany. Owing to the neglect of a trustee, what means he had inherited were lost, and he was in his early days very poor. Articled to a lawyer in London, he had no taste for law, which he soon exchanged for journalism, and at 21 he was writing poetry for magazines, his first printed work, a poem on the Battle of Chillianwallah, appearing in Chambers's Journal. Two years later he pub. Poems (1851), containing Love in the Valley. Meantime he had been ed. a small provincial newspaper, and in 1866 he was war correspondent in Italy for the Morning Post, and he also acted for many years as literary adviser to Chapman and Hall. By this time, however, he had produced several of his novels. The Shaving of Shagpat had appeared in 1856, Farina in 1857, The Ordeal of Richard Feverel in 1859, Evan Harrington in 1861, Emilia in England (also known as Sandra Belloni) in 1864, its sequel, Vittoria, in 1866, and Rhoda Fleming in 1865. In poetry he had produced Modern Love and Poems of the English Roadside (1862), generally regarded as his best poetical work. These were followed by The Adventures of Harry Richmond (1871), Beauchamp's Career (1875), said to be the author's favourite, The Egoist (1879), which marks the beginning of a change in style characterised by an even greater fastidiousness in the choice of words, phrases, and condensation of thought than its predecessors, The Tragic Comedians (1880), and Diana of the Crossways, the first of the author's novels to attain anything approaching general popularity. The same period yielded in poetry, Poems and Lyrics of the Joy of Earth (1883), Ballads and Poems of Tragic Life (1887), and A Reading of Earth (1888). His later novels, One of our Conquerors (1891), Lord Ormont and his Aminta (1894), and The Amazing Marriage (1895), exhibit a tendency to accentuate those qualities of style which denied general popularity to all of M.'s works, and they did little to add to his reputation. The contemporary poems include The Empty Purse and Jump to Glory Jane (1892). In 1905 he received the Order of Merit, and he d. on May 19, 1909. He was twice m., his first wife, who d. 1860, being a dau. of Thomas Love Peacock (q.v.). This union did not prove in all respects happy. His second wife was Miss Vulliamy, who d. 1885. In his earlier life he was vigorous and athletic, and a great walker; latterly he lost all power of locomotion.

Though the writings of M. never were and probably never will be generally popular, his genius was, from the very first, recognised by the best judges. All through he wrote for the reader who brought something of mind, thought, and attention, not for him who read merely to be amused without trouble; and it is therefore futile to attribute failure to him because he did not achieve what he did not aim at. Nevertheless, the long delay in receiving even the kind of recognition which he sought was a disappointment to him. Few writers have striven to charge sentences and even words so heavily with meaning, or to attain so great a degree of condensation, with the result that links in the chain of thought are not seldom omitted and left for the careful reader to supply. There is also a tendency to adopt unusual words and forms of expression where plainness and simplicity would have served as well, and these features taken together give reason for the charges of obscurity and affectation so often made. Moreover, the discussion of motive and feeling is often out of proportion to the narrative of the events and circumstances to which they stand related. But to compensate us for these defects he offers humour, often, indeed, whimsical, but keen and sparkling, close observation of and exquisite feeling for nature, a marvellous power of word-painting, the most delicate and penetrating analysis of character, and an invincible optimism which, while not blind to the darker aspects of life, triumphs over the depression which they might induce in a weaker nature. In matters of faith and dogma his standpoint was distinctly negative.

MERES, FRANCIS (1565-1647).—Miscellaneous author, was of a Lincolnshire family, studied at Camb. and Oxf., and became Rector of Wing in Rutland. He pub. in 1598 Palladis Tamia: Wit's Treasury, containing a comparison of English poets with Greek, Latin, and Italian.

MERIVALE, CHARLES (1808-1893).—Historian, s. of John Herman M., a translator and minor poet, b. in London, ed. at Harrow, Haileybury, and Camb., he took orders, and among other preferments held those of chaplain to the Speaker of the House of Commons, 1863-69, and Dean of Ely. From his college days he was a keen student of Roman history, and between 1850 and 1864 he pub. his History of the Romans under the Empire, an able and scholarly work, though considered by some critics to be too favourable to the Emperors, and the imperial idea. An earlier work was The Fall of the Roman Republic (1853).

MERRIMAN, H. SETON, (see SCOTT, H.S.).

MESTON, WILLIAM (1688?-1745).—S. of a blacksmith, was ed. at Marischal Coll., Aberdeen, took part in the '15, and had to go into hiding. His Knight of the Kirk (1723) is an imitation of Hudibras. It has little merit.

MICKLE, WILLIAM JULIUS (1735-1788).—Poet, s. of the minister of Langholm, Dumfriesshire, was for some time a brewer in Edin., but failed. He went to Oxf., where he was corrector for the Clarendon Press. After various literary failures and minor successes he produced his translation of the Lusiad, from the Portuguese of Camoens, which brought him both fame and money. In 1777 he went to Portugal, where he was received with distinction. In 1784 he pub. the ballad of Cumnor Hall, which suggested to Scott the writing of Kenilworth. He is perhaps best remembered, however, by the beautiful lyric, There's nae luck aboot the Hoose, which, although claimed by others, is almost certainly his.

MIDDLETON, CONYERS (1683-1750).—Divine and scholar, b. at Richmond, Yorkshire, and ed. at Camb. He was the author of several latitudinarian treatises on miracles, etc., which brought him into controversy with Waterland (q.v.) and others, and of a Life of Cicero (1741), largely plagiarised from William Bellenden, a Scottish writer of the 17th century. Another of his controversies was with Bentley on college administration. He was master of a very fine literary style.

MIDDLETON, THOMAS (1570-1627).—Dramatist, was a Londoner and city chronologer, in which capacity he composed a chronicle of the city, now lost. He wrote over 20 plays, chiefly comedies, besides masques and pageants, and collaborated with Dekker, Webster, and other playwrights. His best plays are The Changeling, The Spanish Gipsy (both with Rowley), and Women beware Women. Another, The Game of Chess (1624), got the author and the players alike into trouble on account of its having brought the King of Spain and other public characters upon the stage. They, however, got off with a severe reprimand. M. was a keen observer of London life, and shone most in scenes of strong passion. He is, however, unequal and repeats himself. Other plays are: The Phoenix, Michaelmas Term (1607), A Trick to Catch the old One (1608), The Familie of Love (1608), A Mad World, My Masters (1608), The Roaring Girl (1611) (with Dekker), The Old Law (1656) (with Massinger and Rowley), A Faire Quarrel (1617); and among his pageants and masques are The Triumphs of Truth (1613), The Triumphs of Honour and Industry (1617), The Inner Temple Masque (1619), etc.

MILL, JAMES (1773-1836).—Philosopher and historian, s. of a shoemaker, was b. at Montrose, and showing signs of superior ability, was sent to the Univ. of Edin. with a view to the ministry. He was licensed as a preacher in 1798, but gave up the idea of the Church, and going to London in 1802 engaged in literary work, ed. the St. James's Chronicle, and wrote for the Edinburgh Review. In 1806 he began his History of British India (1817-18), and in 1819 received the appointment of Assistant Examiner to the India Office, and in 1834 became head of the department. M. had meanwhile become the intimate friend of Jeremy Bentham, was perhaps the chief exponent of the utilitarian philosophy, and was also one of the founders of the London Univ. His philosophical writings include Elements of Political Economy (1821), and Analysis of the Human Mind (1824). M.'s intellect was powerful, though rigid and somewhat narrow; his style was clear and precise, and his conversational powers very remarkable, and influential in moulding the opinions of those who came into contact with him, especially his distinguished son, John Stuart (q.v.).

MILL, JOHN STUART (1806-1873).—Philosopher, s. of the above, b. in London, was ed. by his f. with the view of making him the successor of Bentham and himself, as the exponent of the Utilitarian philosophy. In all respects he proved an apt pupil, and by his 15th year had studied classical literature, logic, political economy, and mathematics. In that year he went to France, where he was under the charge of Sir S. Bentham, a brother of Jeremy. His studies had led him to the adoption of the utilitarian philosophy, and after his return he became acquainted with Grote, the Austins, and other Benthamites. In 1823 he entered the India House as a clerk, and, like his f., rose to be examiner of Indian correspondence; and, on the dissolution of the Company, retired on a liberal pension. In 1825 he ed. Bentham's Rationale of Judicial Evidence. During the following years he was a frequent contributor to Radical journals, and ed. the London Review. His Logic appeared in 1843, and produced a profound impression; and in 1848 he pub. Principles of Political Economy. The years between 1858 and 1865 were very productive, his treatises on Liberty, Utilitarianism, Representative Government, and his Examination of Sir W. Hamilton's Philosophy being pub. during this period. In 1865 he entered the House of Commons as one of the members for Westminster, where, though highly respected, he made no great mark. After this political parenthesis he returned to his literary pursuits, and wrote The Subjection of Women (1869), The Irish Land Question (1870), and an Autobiography. M. had m. in 1851 Mrs. Taylor, for whom he showed an extraordinary devotion, and whom he survived for 15 years. He d. at Avignon. His Autobiography gives a singular, and in some respects painful account of the methods and views of his f. in his education. Though remaining all his life an adherent of the utilitarian philosophy, M. did not transmit it to his disciples altogether unmodified, but, finding it too narrow and rigid for his own intellectual and moral requirements, devoted himself to widening it, and infusing into it a certain element of idealism.

Bain's Criticism with Personal Recollections (1882), L. Courtney's John Stuart Mill (1889), Autobiography, Stephens's Utilitarians, J. Grote's Examination of the Utilitarian Philosophy of Mill, etc.

MILLER, HUGH (1802-1856).—Geologist, and man of letters, b. at Cromarty, had the ordinary parish school education, and early showed a remarkable love of reading and power of story-telling. At 17 he was apprenticed to a stonemason, and his work in quarries, together with rambles among the rocks of his native shore, led him to the study of geology. In 1829 he pub. a vol. of poems, and soon afterwards threw himself as an ardent and effective combatant into the controversies, first of the Reform Bill, and thereafter of the Scottish Church question. In 1834 he became accountant in one of the local banks, and in the next year brought out his Scenes and Legends in the North of Scotland. In 1840 the popular party in the Church, with which he had been associated, started a newspaper, The Witness, and M. was called to be ed., a position which he retained till the end of his life, and in which he showed conspicuous ability. Among his geological works are The Old Red Sandstone (1841), Footprints of the Creator (1850), The Testimony of the Rocks (1856), and Sketch-book of Popular Geology. Other books are: My Schools and Schoolmasters, an autobiography of remarkable interest, First Impressions of England and its People (1847), and The Cruise of the Betsy. Of the geological books, perhaps that on the old red sandstone, a department in which M. was a discoverer, is the best: but all his writings are distinguished by great literary excellence, and especially by a marvellous power of vivid description. The end of his life was most tragic. He had for long been overworking his brain, which at last gave way, and in a temporary loss of reason, he shot himself during the night.

Life and Letters, P. Bayne (1871), etc.

MILLER, THOMAS (1807-1874).—Poet and novelist, of humble parentage, worked in early life as a basket-maker. He pub. Songs of the Sea Nymphs (1832). Going to London he was befriended by Lady Blessington (q.v.) and S. Rogers (q.v.), and for a time engaged in business as a bookseller, but was unsuccessful and devoted himself exclusively to literature, producing over 40 vols., including several novels, e.g., Royston Gower (1838), Gideon Giles the Roper, and Rural Sketches. In his stories he successfully delineated rural characters and scenes.

MILMAN, HENRY HART (1791-1868).—Poet and historian, s. of Sir Francis M., a distinguished physician, ed. at Eton and Oxf. Taking orders he became in 1835 Rector of St. Margaret's, Westminster, and in 1849 Dean of St. Paul's. He also held the professorship of Poetry at Oxf. 1821-31. Among his poetical works may be mentioned Fazio (drama) (1815), Samor (epic) (1818), The Fall of Jerusalem (1820), The Martyr of Antioch (1822), and Anne Boleyn (1826). It is, however, on his work as an historian that his literary fame chiefly rests, his chief works in this department being his History of the Jews (1830), History of Christianity (1840), and especially The History of Latin Christianity (6 vols. 1854-56), which is one of the most important historical works of the century, characterised alike by literary distinction and by learning and research. M. also brought out a valuable ed. of Gibbon's Decline and Fall, and wrote a History of St. Paul's Cathedral.

MILNES, R. MONCKTON, (see HOUGHTON).

MILTON, JOHN (1608-1674).—Poet, was b. 9th December 1608 in Bread Street, London. His f., also John, was the s. of a yeoman of Oxfordshire, who cast him off on his becoming a Protestant. He had then become a scrivener in London, and grew to be a man of good estate. From him his illustrious s. inherited his lofty integrity, and his love of, and proficiency in, music. M. received his first education from a Scotch friend of his father's, Thomas Young, a Puritan of some note, one of the writers of Smectymnuus. Thereafter he was at St. Paul's School, and in 1625 went to Christ's Coll., Camb., where for his beauty and his delicacy of mind he was nicknamed "the lady." His sister Anne had m. Edward Phillips, and the death of her first child in infancy gave to him the subject of his earliest poem, On the death of a Fair Infant (1626). It was followed during his 7 years' life at the Univ., along with others, by the poems, On the Morning of Christ's Nativity (1629), On the Circumcision, The Passion, Time, At a Solemn Music, On May Morning, and On Shakespeare, all in 1630; and two sonnets, To the Nightingale and On arriving at the Age of Twenty-three, in 1631. In 1632, having given up the idea of entering the Church, for which his f. had intended him, he lived for 6 years at Horton, near Windsor, to which the latter had retired, devoted to further study. Here he wrote L'Allegro and Il Penseroso in 1632, Arcades (1633), Comus in 1634, and Lycidas in 1637. The first celebrates the pleasures of a life of cheerful innocence, and the second of contemplative, though not gloomy, retirement, and the last is a lament for a lost friend, Edward King, who perished at sea. Arcades and Comus are masques set to music by Henry Lawes, having for their motives respectively family affection and maiden purity. Had he written nothing else these would have given him a place among the immortals. In 1638 he completed his education by a period of travel in France and Italy, where he visited Grotius at Paris, and Galileo at Florence. The news of impending troubles in Church and State brought him home the following year, and with his return may be said to close the first of three well-marked divisions into which his life falls. These may be called (1) the period of preparation and of the early poems; (2) the period of controversy, and of the prose writings; and (3) the period of retirement and of the later poems. Soon after his return M. settled in London, and employed himself in teaching his nephews, Edward and John Phillips, turning over in his mind at the same time various subjects as the possible theme for the great poem which, as the chief object of his life, he looked forward to writing. But he was soon to be called away to far other matters, and to be plunged into the controversies and practical business which were to absorb his energies for the next 20 years. The works of this period fall into three classes—(1) those directed against Episcopacy, including Reformation of Church Discipline in England (1641), and his answers to the writings of Bishop Hall (q.v.), and in defence of Smectymnuus (see under Calamy); (2) those relating to divorce, including The Doctrine and Discipline of Divorce (1643), and The Four Chief Places of Scripture which treat of Marriage (1645); and (3) those on political and miscellaneous questions, including the Tractate on Education (1644), Areopagitica (1644), A Speech for the Liberty of Unlicensed Printing (his greatest prose work), Eikonoklastes, an answer to the Eikon Basilike of Dr. Gauden (q.v.), The Tenure of Kings and Magistrates (1649), in defence of the execution of Charles I., which led to the furious controversy with Salmasius, the writing of Pro Populo Anglicano Defensio (1650), the second Defensio (1654), which carried his name over Europe, and The Ready and Easy Way to establish a Free Commonwealth, written on the eve of the Restoration. In 1643 M. had m. Mary Powell, the dau. of an Oxfordshire cavalier, a girl of 17, who soon found her new life as the companion of an austere poet, absorbed in severe study, too abrupt a change from the gay society to which she had been accustomed, and in a month returned to her father's house on a visit. When the time fixed for rejoining her husband arrived, she showed no disposition to do so, upon which he began to aim at a divorce, and to advocate in the works above mentioned "unfitness and contrariety of mind" as a valid ground for it, views which incurred for him much notoriety and unpopularity. A reconciliation, however, followed in 1645, and three dau. were born of the marriage. In 1649 the reputation of M. as a Latinist led to his appointment as Latin or Foreign Sec. to the Council of State, in the duties of which he was, after his sight began to fail, assisted by A. Marvell (q.v.) and others, and which he retained until the Restoration. In 1652 his wife d., and four years later he entered into a second marriage with Katharine Woodcock, who d. in child-birth in the following year. To her memory he dedicated one of the most touching of his sonnets. At the Restoration he was, of course, deprived of his office, and had to go into hiding; but on the intercession of Marvell (q.v.), and perhaps Davenant (q.v.), his name was included in the amnesty. In 1663, being now totally blind and somewhat helpless, he asked his friend Dr. Paget to recommend a wife for him. The lady chosen was Elizabeth Minshull, aged 25, who appears to have given him domestic happiness in his last years. She survived him for 53 years. The Restoration closed his second, and introduced his third, and for his fame, most productive period. He was now free to devote his whole powers to the great work which he had so long contemplated. For some time he had been in doubt as to the subject, had considered the Arthurian legends, but had decided upon the Fall of Man. The result was Paradise Lost, which was begun in 1658, finished in 1664, and pub. in 1667. A remark of his friend, Thomas Ellwood (q.v.), suggested to him the writing of Paradise Regained, which, along with Samson Agonistes, was pub. in 1671. Two years before he had printed a History of Britain, written long before, which, however, is of little value. The work of M. was now done. In addition to his blindness he suffered from gout, to which it was partly attributable, and, his strength gradually failing, but with mind unimpaired and serene, he d. peacefully on November 8, 1674. In M. the influences of the Renaissance and of Puritanism met. To the former he owed his wide culture and his profound love of everything noble and beautiful, to the latter his lofty and austere character, and both these elements meet in his writings. Leaving Shakespeare out of account, he holds an indisputable place at the head of English poets. For strength of imagination, delicate accuracy and suggestiveness of language, and harmony of versification, he is unrivalled, and almost unapproached; and when the difficulties inherent in the subject of his great masterpiece are considered, the power he shows in dealing with them appears almost miraculous, and we feel that in those parts where he has failed, success was impossible for a mortal. In his use of blank verse he has, for majesty, variety, and music, never been approached by any of his successors. He had no dramatic power and no humour. In everything he wrote, a proud and commanding genius manifests itself, and he is one of those writers who inspire reverence rather than affection. His personal appearance in early life has been thus described, "He was a little under middle height, slender, but erect, vigorous, and agile, with light brown hair clustering about his fair and oval face, with dark grey eyes."

SUMMARY.—B. 1608, ed. at St. Paul's School and Camb., and while at the latter wrote earlier poems including The Nativity and Sonnets, lived for 6 years at Horton and wrote L'Allegro, Il Penseroso, Arcades, Comus, and Lycidas, travelled in France and Italy 1638, settled in London, entered on his political and controversial labours, and wrote inter alia on Reform of Discipline 1641, Divorce 1643-45, Education 1644, Areopagitica 1644, and the two Defences 1650 and 1654, appointed Latin Sec. 1649, this period closed by Restoration 1660, Paradise Lost written 1658-64, pub. 1667, Paradise Regained and Samson Agonistes 1671, d. 1674, m. first 1643 Mary Powell, second 1652 Katharine Woodcock, third 1663 Eliz. Minshull, who survived till 1727.

Life by Prof. Masson (6 vols. 1859-80), also short Lives by M. Patteson (1880), Garnett (1889). Ed. of Works by Boydell, Sir E. Brydges, and Prof. Masson.

MINOT, LAURENCE (1300?-1352?).—Poet. Nothing is certainly known of him. He may have been a soldier. He celebrates in northern English and with a somewhat ferocious patriotism the victories of Edward III. over the Scots and the French.

MINTO, WILLIAM (1845-1893).—Critic and biographer, b. at Alford, Aberdeenshire, and ed. at Aberdeen and Oxf., went to London, and became ed. of the Examiner, and also wrote for the Daily News and the Pall Mall Gazette. In 1880 he was appointed Prof. of Logic and Literature at Aberdeen. He wrote a Manual of English Prose Literature (1873), Characteristics of the English Poets (1874), and a Life of Defoe for the Men of Letters Series.

MITCHELL, JOHN (1815-1875).—Journalist and political writer, s. of a Presbyterian minister, was b. in Ulster. For some time he practised as a solicitor, but becoming acquainted with Thomas Davis (q.v.), he associated himself with the Young Ireland party, and was a leading contributor to the Nation newspaper. His political sympathies and acts were carried so far as to bring about in 1848 his trial for treason-felony, and his transportation for 14 years. After his release he resided chiefly at New York, and ed. various papers, and opposed the abolition of slavery; but in 1874 he was elected M.P. for Tipperary, for which, however, he was declared incapable of sitting. On a new election he was again returned, but d. before the resulting petition could be heard. He wrote a Jail Journal, a work of great power, The Last Conquest of Ireland (perhaps) (1860), and a History of Ireland of little value.

MITFORD, MARY RUSSELL (1787-1855).—Poetess and novelist, b. at Alresford, Hants, dau. of a physician, without practice, selfish and extravagant, who ran through three fortunes, his own, his wife's, and his daughter's, and then lived on the industry of the last. After a vol. of poems which attracted little notice, she produced her powerful tragedy, Julian. In 1812, what ultimately became the first vol. of Our Village appeared in the Lady's Magazine. To this four additional vols. were added, the last in 1832. In this work Miss M. may be said to have created a new branch of literature. Her novel, Belford Regis (1835), is somewhat on the same lines. She added two dramas, Rienzi (1828), and Foscari, Atherton and other Tales (1852), and Recollections of a Literary Life, and d. at her cottage at Swallowfield, much beloved for her benevolent and simple character, as well as valued for her intellectual powers.

MITFORD, WILLIAM (1744-1827).—Historian, e.s. of John M. of Exbury, Hants, descended from an old Northumbrian family, was b. in London, and ed. at Cheam School and Oxf. He studied law, but on succeeding to the family estates devoted himself to study and literature, and to his duties as an officer of the militia. His first pub. was an Essay on the Harmony of Language (1774). His great work, The History of Greece, is said to have been undertaken at the suggestion of Gibbon, who was a fellow-officer in the South Hants Militia. This work, the successive vols. of which appeared at considerable intervals between 1784 and 1810, was long a standard one, though it is now largely superseded by the histories of Thirwall and Grote. M. wrote with strong prejudices against democracy, and in defence of tyrants, but his style is forcible and agreeable, and he brought learning and research to bear on his subject. He sat for many years in Parliament.

MOIR, DAVID MACBETH (1798-1851).—Poet and miscellaneous writer, was a doctor at Musselburgh, near Edin., and a frequent contributor, under the signature of [Greek: D], to Blackwood's Magazine in which appeared Mansie Waugh, a humorous Scottish tale. He also wrote The Legend of Genevieve (1824), Domestic Verses (1843), and sketches of the poetry of the earlier half of the 19th century. His poetry was generally grave and tender, but occasionally humorous.

MONBODDO, JAMES BURNETT, LORD (1714-1799).—Philosopher and philologist, b. at the family seat in Kincardineshire, was ed. at the Univ. of Aberdeen, Edin., and Groningen, and called to the Scottish Bar in 1737. Thirty years later he became a judge with the title of Lord Monboddo. He was a man of great learning and acuteness, but eccentric and fond of paradox. He was the author of two large works alike learned and whimsical, An Essay on the Origin and Progress of Language (6 vols. 1773-92), and Ancient Metaphysics (6 vols. 1779-99). He mooted and supported the theory that men were originally monkeys, and gradually attained to reason, language, and civilisation by the pressure of necessity. His doctrines do not sound so absurd now as they did in his own day. He was visited by Dr. Johnson at Monboddo.

MONTAGU, ELIZABETH (ROBINSON) (1720-1800).—Critic, dau. of a gentleman of Yorkshire, m. a grandson of Lord Sandwich. She was one of the original "blue-stockings," and her house was a literary centre. She wrote an Essay on the Writings and Genius of Shakespeare (1769), in which she compared him with the classical and French dramatists, and defended him against the strictures of Voltaire. It had great fame in its day, but has long been superseded.

MONTAGU, LADY MARY WORTLEY (PIERREPONT) (1690-1762).—Letter-writer, was the eldest dau. of the 1st Duke of Kingston. In her youth she combined the attractions of a reigning beauty and a wit. Her early studies were encouraged and assisted by Bishop Burnet, and she was the friend of Pope, Addison, and Swift. In 1712 she m., against the wishes of her family, Edward Wortley-Montagu, a cousin of the celebrated Charles Montagu, afterwards Earl of Halifax. Her husband having been appointed Ambassador to the Porte, she accompanied him, and wrote the sparkling Letters from the East which have given her a place high among the great letter-writers of the world. While in Turkey she became acquainted with the practice of inoculation against smallpox, which she did much to introduce into western countries. After her return to England she settled at Twickenham, and renewed her friendship with Pope, which, however, ended in a violent quarrel, arising out of her publication of Town Eclogues. She was furiously attacked by both Pope and Swift, and was not slow to defend herself. In 1737, for reasons which have never been explained, she left her husband and country, and settled in Italy. Mr. M. having d. 1761, she returned at the request of her dau., the Countess of Bute, but d. the following year.

MONTGOMERIE, ALEXANDER (1545?-1610?).—Poet, probably b. in Ayrshire, was in the service of the Regent Morton and James VI., by whom he was pensioned. He is sometimes styled "Captain," and was laureate of the Court. He appears to have fallen on evil days, was imprisoned on the Continent, and lost his pension. His chief work is The Cherrie and the Slae (1597), a somewhat poor allegory of Virtue and Vice, but with some vivid description in it, and with a comparatively modern air. He also wrote Flyting (scolding) betwixt Montgomerie and Polwart, pub. 1621, and other pieces.

MONTGOMERY, JAMES (1771-1854).—Poet, s. of a pastor and missionary of the Moravian Brethren, was b. at Irvine, Ayrshire, and ed. at the Moravian School at Fulneck, near Leeds. After various changes of occupation and abode, he settled in Sheffield in 1792 as clerk to a newspaper. In 1796 he had become ed. of the Sheffield Iris, and was twice imprisoned for political articles for which he was held responsible. In 1797 he pub. Prison Amusements; but his first work to attract notice was The Wanderer of Switzerland (1806). It was followed by The West Indies (1809), The World before the Flood (1812), Greenland (1819), and The Pelican Island (1828), all of which contain passages of considerable imaginative and descriptive power, but are lacking in strength and fire. He himself expected that his name would live, if at all, in his hymns, and in this his judgment has proved true. Some of these, such as For ever with the Lord, Hail to the Lord's Anointed, and Prayer is the Soul's sincere Desire, are sung wherever the English language is spoken. M. was a good and philanthropic man, the opponent of every form of injustice and oppression, and the friend of every movement for the welfare of the race. His virtues attained wide recognition.

MONTGOMERY, ROBERT (1807-1855).—Poet, a minister of the Scottish Episcopal Church, wrote some ambitious religious poems, including The Omnipresence of the Deity and Satan, which were at first outrageously puffed, and had a wide circulation. Macaulay devoted an essay to the demolition of the author's reputation, in which he completely succeeded.

MOORE, EDWARD (1712-1757).—Fabulist and dramatist, s. of a dissenting minister, was b. at Abingdon. After being in business as a linen-draper, in which he was unsuccessful, he took to literature, and wrote a few plays, of which The Gamester (1753) had a great vogue, and was translated into various languages. He is best known by his Fables for the Female Sex (1744), which rank next to those of Gay (q.v.).

MOORE, JOHN (1729 or 1730-1802).—Physician and miscellaneous writer, s. of an Episcopal minister, was b. in Stirling. After studying medicine at Glasgow, he acted as a surgeon in the navy and the army, and ultimately settled in Glasgow as a physician. In 1779 he pub. View of Manners and Society in France, Switzerland, and Germany, which was well received. A similar work, relating to Italy, followed in 1781. He is, however, chiefly remembered by his romance Zeluco (1786?). One or two other novels followed, and his last works are a Journal during a Residence in France (1792), and Causes and Progress of the French Revolution (1795), the latter of which was used both by Scott and Carlyle. M. was one of the friends of Burns, and was the f. of Sir John M., the hero of Corunna.

MOORE, THOMAS (1779-1852).—Poet, b. in Dublin, s. of a grocer and wine-merchant in a small way, was ed. at Trinity Coll., after which he went to London, and studied law at the Middle Temple, 1799. He took with him a translation of Anacreon, which appeared, dedicated to the Prince Regent, in 1800, was well received, and made a position for him. In the following year appeared Poems by Thomas Little. In 1803 he received the appointment of Admiralty Registrar at Bermuda, and after visiting the island and travelling in America, he committed his official duties to a deputy (an unfortunate step as it proved), and returned to England. The literary fruit of this journey was Epistles, Odes, and other Poems (1806). In 1807 M. found his true poetic vocation in his Irish-Melodies—the music being furnished by Sir John Stevenson, who adapted the national airs. The reception they met with was enthusiastic, and M. was carried at once to the height of his reputation. They continued to appear over a period of 25 years, and for each of the 130 songs he received 100 guineas. His charming singing of these airs, and his fascinating conversational and social powers made him sought after in the highest circles. In 1815 there appeared National Airs which, however, cannot be considered equal to the Melodies. After making various unsuccessful attempts at serious satire, he hit upon a vein for which his light and brilliant wit eminently qualified him—the satirical and pungent verses on men and topics of the day, afterwards coll. in The Twopenny Post Bag, in which the Prince Regent especially was mercilessly ridiculed, and about the same time appeared Fables for the Holy Alliance. In 1818 he produced the Fudge Family in Paris, written in that city, which then swarmed with "groups of ridiculous English." Lalla Rookh, with its gorgeous descriptions of Eastern scenes and manners, had appeared in the previous year with great applause. In 1818 the great misfortune of his life occurred through the dishonesty of his deputy in Bermuda, which involved him in a loss of L6000, and necessitated his going abroad. He travelled in Italy with Lord John Russell, and visited Byron. Thereafter he settled for a year or two in Paris, where he wrote The Loves of the Angels (1823). On the death of Byron his memoirs came into the hands of Moore, who, in the exercise of a discretion committed to him, destroyed them. He afterwards wrote a Life of Byron (1830), which gave rise to much criticism and controversy, and he also ed. his works. His last imaginative work was The Epicurean (1827). Thereafter he confined himself almost entirely to prose, and pub. Lives of Sheridan (1827), and Lord Edward Fitzgerald (1831). His last work, written in failing health, was a History of Ireland for Lardner's Cabinet Cyclopaedia, which had little merit. Few poets have ever enjoyed greater popularity with the public, or the friendship of more men distinguished in all departments of life. This latter was largely owing to his brilliant social qualities, but his genuine and independent character had also a large share in it. He left behind him a mass of correspondence and autobiographical matter which he committed to his friend Lord John (afterwards Earl) Russell for publication. They appeared in 8 vols. (1852-56).

Memoir, Journal, and Correspondence, by Lord John Russell (1856).

MORE, HANNAH (1745-1833).—Miscellaneous and religious writer, was one of the five daughters of a schoolmaster at Stapleton, Gloucestershire. The family removed to Bristol, where Hannah began her literary efforts. Some early dramas, including The Search after Happiness and the Inflexible Captive brought her before the public, and she went to London in 1774, where, through her friend, Garrick, she was introduced to Johnson, Burke, and the rest of that circle, by whom she was highly esteemed. After publishing some poems, now forgotten, and some dramas, she resolved to devote herself to efforts on behalf of social and religious amelioration, in which she was eminently successful, and exercised a wide and salutary influence. Her works written in pursuance of these objects are too numerous to mention. They included Hints towards forming the Character of a young Princess (1805), written at the request of the Queen for the benefit of the Princess Charlotte, Coelebs in search of a Wife (1809), and a series of short tales, the Cheap Repository, among which was the well-known Shepherd of Salisbury Plain. This enterprise, which had great success, led to the formation of the Religious Tract Society. The success of Miss M.'s literary labours enabled her to pass her later years in ease, and her sisters having also retired on a competency made by conducting a boarding-school in Bristol, the whole family resided on a property called Barley Grove, which they had purchased, where they carried on with much success philanthropic and educational work among the people of the neighbouring district of Cheddar. Few persons have devoted their talents more assiduously to the well-being of their fellow-creatures, or with a greater measure of success.

MORE, HENRY (1614-1687).—Philosopher, b. at Grantham, and ed. at Camb., took orders, but declined all preferment, including two deaneries and a bishopric; and also various appointments in his Univ., choosing rather a quiet life devoted to scholarship and philosophy, especially the study of writings of Plato and his followers. He led a life of singular purity and religious devotion, tinged with mysticism, and his writings had much popularity and influence in their day. Among them may be mentioned Psychozoia Platonica (1642), repub. (1647) as Philosophicall Poems, Divine Dialogues (prose) (1668), The Mystery of Godliness, and The Mystery of Iniquity. His life was written by his friend Richard Ward.

MORE, SIR THOMAS (1478-1535).—Historical and political writer, s. of Sir John M., a Justice of the King's Bench, was b. in London. In his 16th year he was placed in the household of Morton, Archbishop of Canterbury, who was wont to say, "This child here waiting at the table ... will prove a marvellous man." In 1497 he went to Oxf., where he became the friend of Erasmus and others, and came in contact with the new learning. He studied law at New Inn and Lincoln's Inn, and for some time thought of entering the Church. He was, however, in 1504 sent up to Parliament, where his powerful speaking gained for him a high place. Meanwhile, he had brilliant success in the Law Courts, and was introduced by Wolsey to Henry VIII., with whom he soon rose into high favour. He became Chancellor of the Duchy of Lancaster, Speaker of the House of Commons, 1523, and was sent on missions to Charles V. and Francis I. At length, on the fall of Wolsey, M. was, much against his will, appointed Lord Chancellor, an office which he filled with singular purity and success, though he was harsh in his dealings with persons accused of heresy. But differences with the King soon arose. M. disapproved of Henry's ecclesiastical policy, as well as of his proceedings in regard to the Queen, and in 1532 he resigned his office. In 1534 he refused the oath which pledged him to approval of the King's marriage to Anne Boleyn, and for this he was imprisoned in the Tower, and on July 7, 1535, beheaded. His body was buried in St. Peter's in the Tower, and his head exhibited on London Bridge, whence it was taken down and preserved by his dau., the noble Margaret Roper. All Catholic Europe was shocked at the news of what was truly a judicial murder. Among his works are a Life of Picus, Earl of Mirandula (1510), and a History of Richard III., written about 1513. His great work, Utopia, was written in Latin in two books—the second 1515, and the first 1516. It had immediate popularity, and was translated into French 1530, English 1551, German 1524, Italian 1548, and Spanish 1790. It gives an account of an imaginary island and people, under cover of which it describes the social and political condition of England, with suggested remedies for abuses. The opinions on religion and politics expressed in it are not, however, always those by which he was himself guided. M. wrote many works of controversy, among which are Dyaloge concerning Heresies, also epigrams and dialogues in Latin. His pure and religious character, his sweet temper, his wit, his constancy and fortitude under misfortune combine to render him one of the most attractive and admirable figures in English history.

Life by W. Roper (son-in-law), Lord Campbell, Lives of Chancellors, Utopia was translated by Robinson (1551, etc.), Bishop Burnet (1684, etc.), and ed. by Lupton (1895), and Michelis (1896).

MORGAN, LADY (SYDNEY OWENSON) (1780?-1859).—Novelist, dau. of Robert Owenson, an actor, was the author of several vivacious Irish tales, including The Wild Irish Girl (1806), O'Donnel (1814), and The O'Briens and the O'Flaherties (1827); also two books on society in France and in Italy characterised by "more vivacity and point than delicacy," and a Life of Salvator Rosa.

MORIER, JAMES JUSTINIAN (1780?-1849).—Traveller and novelist, s. of Isaac M., descended from a Huguenot family resident at Smyrna, where he was b., was ed. at Harrow. Returning to the East he became in 1809 Sec. of Legation in Persia. He wrote accounts of travels in Persia, Armenia, and Asia Minor; also novels, in which he exhibits a marvellous familiarity with Oriental manners and modes of thought. The chief of these are The Adventures of Hajji Baba (1824), and Hajji Baba in England (1828), Zohrab the Hostage (1832), Ayesha (1834), and The Mirza (1841). All these works are full of brilliant description, character-painting, and delicate satire.

MORISON, JAMES COTTER (1832-1888).—Was ed. at Oxf. He wrote Lives of Gibbon (1878), and Macaulay (1882); but his best work was his Life of St. Bernard (1863). The Service of Man (1887) is written from a Positivist point of view.

MORLEY, HENRY (1822-1894).—Writer on English literature, s. of an apothecary, was b. in London, ed. at a Moravian school in Germany, and at King's Coll., London, and after practising medicine and keeping schools at various places, went in 1850 to London, and adopted literature as his profession. He wrote in periodicals, and from 1859-64 ed. the Examiner. From 1865-89 he was Prof. of English Literature at Univ. Coll. He was the author of various biographies, including Lives of Palissy, Cornelius Agrippa, and Clement Marot. His principal work, however, was English Writers (10 vols. 1864-94), coming down to Shakespeare. His First Sketch of English Literature—the study for the larger work—had reached at his death a circulation of 34,000 copies.

MORRIS, SIR LEWIS (1833-1907).—Poet, b. at Penrhyn, Carnarvonshire, and ed. at Sherborne and Oxf., was called to the Bar, and practised as a conveyancer until 1880, after which he devoted himself to the promotion of higher education in Wales, and became honorary sec. and treasurer of the New Welsh Univ. In 1871 he pub. Songs of Two Worlds, which showed the influence of Tennyson, and was well received, though rather by the wider public than by more critical circles. It was followed in 1876-77 by The Epic of Hades, which had extraordinary popularity, and which, though exhibiting undeniable talent both in versification and narrative power, lacked the qualities of the higher kinds of poetry. It deals in a modern spirit with the Greek myths and legends. Other works are A Vision of Saints, Gwen, The Ode of Life, and Gycia, a tragedy.

MORRIS, WILLIAM (1834-1896).—Poet, artist, and socialist, b. at Walthamstow, and ed. at Marlborough School and Oxf. After being articled as an architect he was for some years a painter, and then joined in founding the manufacturing and decorating firm of Morris, Marshall, Faulkner and Co., in which Rossetti, Burne-Jones, and other artists were partners. By this and other means he did much to influence the public taste in furnishing and decoration. He was one of the originators of the Oxford and Cambridge Magazine, to which he contributed poems, tales, and essays, and in 1858 he pub. Defence of Guenevere and other Poems. The Life and Death of Jason followed in 1867, The Earthly Paradise in 1868-70, and Love is Enough in 1875. In the last mentioned year he made a translation in verse of Virgil's AEneid. Travels in Iceland led to the writing of Three Northern Love Stories, and the epic of Sigurd the Volsung (1876). His translation of the Odyssey in verse appeared 1887. A series of prose romances began with The House of the Wolfings (1889), and included The Roots of the Mountains, Story of the Glittering Plain, The Wood beyond the World, The Well at the World's End (1896), and posthumously The Water of the Wondrous Isles, and Story of the Sundering Flood. In addition to poems and tales M. produced various illuminated manuscripts, including two of Fitzgerald's Omar Khayyam, and many controversial writings, among which are tales and tracts in advocacy of Socialism. To this class belong the Dream of John Ball (1888), and News from Nowhere (1891). In 1890 M. started the Kelmscott Press, for which he designed type and decorations. For his subjects as a writer he drew upon classic and Gothic models alike. He may perhaps be regarded as the chief of the modern romantic school, inspired by the love of beauty for its own sake; his poetry is rich and musical, and he has a power of description which makes his pictures live and glow, but his narratives sometimes suffer from length and slowness of movement.

Life by J.W. Mackail (2 vols., 1899), The Books of W. Morris, Forman, etc.

MORTON, THOMAS (1764-1838).—Dramatist, b. in Durham, came to London to study law, which he discarded in favour of play-writing. He wrote about 25 plays, of which several had great popularity. In one of them, Speed the Plough, he introduced Mrs. Grundy to the British public.

MOTHERWELL, WILLIAM (1797-1835).—Poet, b. and ed. in Glasgow, he held the office of depute sheriff-clerk at Paisley, at the same time contributing poetry to various periodicals. He had also antiquarian tastes, and a deep knowledge of the early history of Scottish ballad literature, which he turned to account in Minstrelsy, Ancient and Modern (1827), a collection of Scottish ballads with an historical introduction. In 1830 he became ed. of the Glasgow Courier, and in 1832 he coll. and pub. his poems. He also joined Hogg in ed. the Works of Burns.

MOTLEY, JOHN LOTHROP (1814-1877).—Historian, b. at Dorchester, a suburb of Boston, Massachusetts, was ed. at Harvard, where O.W. Holmes (q.v.), afterwards his biographer, was a fellow-student. After graduating he went to Europe, studied at Goettingen and Berlin, and visited Italy. On his return he studied law, and was admitted to the Bar in 1837. He did not, however, practise, and was in 1840 sent to St. Petersburg as Sec. of Legation. Meanwhile, having pub. two novels, Morton's Hope and Merry Mount, which had little success, he turned to history, and attracted attention by some essays in various reviews. Having decided to write an historical work on Holland, he proceeded in 1851 to Europe to collect materials, and in 1856 pub. The Rise of the Dutch Republic. It was received with the highest approval by such critics as Froude and Prescott, and at once took its place as a standard work. It was followed in 1860 by the first two vols. of The United Netherlands. The following year M. was appointed Minister at Vienna, and in 1869 at London. His latest works were a Life of Barneveldt, the Dutch statesman, and A View of ... the Thirty Years' War. M. holds a high place among historical writers both on account of his research and accuracy, and his vivid and dramatic style, which shows the influence of Carlyle.

MOULTRIE, JOHN (1799-1874).—Poet, ed. at Eton and Camb., took orders and was Rector of Rugby. He wrote several books of poetry, his best known pieces are My Brother's Grave, and Godiva.

MULOCK, DINAH MARIA (MRS. CRAIK) (1826-1887).—Novelist, dau. of a Nonconformist minister of Irish descent. Beginning with stories for children, she developed into a prolific and popular novelist. Her best and most widely known book is John Halifax, Gentleman (1857), which had a wide popularity, and was translated into several languages. Others are The Head of the Family, Agatha's Husband, A Life for a Life, and Mistress and Maid. She also wrote one or two vols. of essays.

MUNDAY, ANTHONY (1553-1633).—Dramatist, poet, and pamphleteer, s. of a draper in London, appears to have had a somewhat chequered career. He went to Rome in 1578, and pub. The Englyshe Romayne Life, in which he gives descriptions of rites and other matters fitted to excite Protestant feeling; and he appears to have acted practically as a spy upon Roman Catholics. He had a hand in 18 plays, of which four only are extant, including two on Robert, Earl of Huntingdon (Robin Hood) (1598), and one on the Life of Sir John Oldcastle. He was ridiculed by Ben Jonson in The Case is Altered. He was also a ballad-writer, but nothing of his in this kind survives, unless Beauty sat bathing in a Spring be correctly attributed to him. He also wrote city pageants, and translated popular romances, including Palladino of England, and Amadis of Gaule. He was made by Stow the antiquary (q.v.) his literary executor, and pub. his Survey of London (1618).

MURE, WILLIAM (1799-1860).—Scholar, laird of Caldwell, Ayrshire, ed. at Westminster, Edin., and Bonn, sat in Parliament for Renfrewshire 1846-55. He was a sound classical scholar, and pub. A Critical History of the Language and Literature of Ancient Greece (5 vols., 1850-57). He held the view that the Iliad and Odyssey are now substantially as they were originally composed. M. was Lord Rector of Glasgow Univ. 1847-48.

MURPHY, ARTHUR (1727-1805).—Actor and dramatist, b. in Ireland, and ed. at St. Omer, went on the stage, then studied for the Bar, to which he was ultimately admitted after some demur on account of his connection with the stage. His plays were nearly all adaptations. They include The Apprentice (1756), The Spouter, and The Upholsterer. He also wrote an essay on Dr. Johnson, and a Life of Garrick.

MURRAY, LINDLEY (1745-1826).—Grammarian, was b. in Pennsylvania, and practised as a lawyer. From 1785 he lived in England, near York, and was for his last 16 years confined to the house. His English Grammar (1795) was long a standard work, and his main claim to a place in literature. His other writings were chiefly religious.

MYERS, FREDERIC WILLIAM HENRY (1843-1901).—Poet and essayist, s. of a clergyman, was b. at Keswick, and ed. at Cheltenham and Camb. He became an inspector of schools, and was the author of several vols. of poetry, including St. Paul (1867). He also wrote Essays Classical and Modern, and Lives of Wordsworth and Shelley. Becoming interested in mesmerism and spiritualism he aided in founding the Society for Psychical Research, and was joint author of Phantasms of the Living. His last work was Human Personality and its Survival of Bodily Death (1903).

NABBES, THOMAS (fl. 1638).—Dramatist, was at Oxf. in 1621. He lived in London, and wrote comedies, satirising bourgeois society. He was most successful in writing masques, among which are Spring's Glory and Microcosmus. He also wrote a continuation of Richard Knolles' History of the Turks.

NAIRNE, CAROLINA (OLIPHANT), BARONESS (1766-1845).—B. at the House of Gask ("the auld house"), m. in 1806 her second cousin, Major Nairne, who on reversal of attainder became 5th Lord Nairne. On his death, after residing in various places in England, Ireland, and on the Continent, she settled at the new house of Gask (the old one having been pulled down in 1801). Of her songs—87 in number—many first appeared anonymously in The Scottish Minstrel (1821-24); a collected ed. with her name, under the title of Lays' from Strathearn, was pub. after her death. Although the songs, some of which were founded on older compositions, had from the first an extraordinary popularity, the authoress maintained a strict anonymity during her life. For direct simplicity and poetic feeling Lady N. perhaps comes nearer than any other Scottish song-writer to Burns, and many of her lyrics are enshrined in the hearts of her fellow-countrymen. Among the best of them are The Land of the Leal (1798), Caller Herrin', The Laird o' Cockpen, The Auld House, The Rowan Tree, The Hundred Pipers, and Will ye no come back Again? The Jacobitism of some of these and many others was, of course, purely sentimental and poetical, like that of Scott. She was a truly religious and benevolent character, and the same modesty which concealed her authorship withdrew from public knowledge her many deeds of charity.

NAPIER, MARK (1798-1879).—Historian, s. of a lawyer in Edinburgh, was called to the Bar, practised as an advocate, and was made Sheriff of Dumfries and Galloway. He pub. Memoirs of the Napiers, of Montrose, and of Graham of Claverhouse, the last of which gave rise to much controversy. N. wrote from a strongly Cavalier and Jacobite standpoint, and had remarkably little of the judicial spirit in his methods. His writings, however, have some historical value.

NAPIER, SIR WILLIAM FRANCIS PATRICK (1785-1860).—was one of the sons of Col. the Hon. George N. and Lady Sarah Lennox, dau. of the 2nd Duke of Richmond, and the object of a romantic attachment on the part of George III. One of his brothers was Sir Charles N., the conqueror of Scinde. Entering the army at 15, he served with great distinction in the Peninsula under Moore and Wellington. His experiences as a witness and participator in the stupendous events of the war combined with the possession of remarkable acumen and a brilliant style to qualify him for the great work of his life as its historian. The History of the War in the Peninsula and in the South of France from 1807-14 (1828-40) at once took rank as a classic, and superseded all existing works on the subject. Though not free from prejudice and consequent bias, it remains a masterpiece of historical writing, especially in the description of military operations. It was translated into French, German, Spanish, Italian, and Persian. N. also pub. The Conquest of Scinde (1844-46), mainly a defence of his brother Charles, whose life he subsequently wrote. He became K.C.B. in 1848, and General 1859.

NASH, THOMAS (1567-1601).—Satirist, etc., b. at Lowestoft, ed. at Camb. A reckless life kept him in perpetual poverty, and a bitter and sarcastic tongue lost him friends and patrons. He cherished an undying hatred for the Puritans, and specially for Gabriel Hervey, with whom he maintained a lifelong controversy, and against whose attacks he defended Robert Greene (q.v.). Among his writings are Anatomy of Absurdities (1589), Have with you to Saffron Walden, and Pierce Pennilesse, his Supplication to the Divell (1592), all against the Puritans. In Summer's (a jester of Henry VIII.) Last Will and Testament occurs the well-known song, "Spring, the sweet Spring, is the year's pleasant King." Christ's Tears over Jerusalem (1593) may have indicated some movement towards repentance. Another work in a totally different style, The Unfortunate Traveller, or the Life of Jack Wilton (1594), a wild tale, may be regarded as the pioneer of the novel of adventure. It had, however, so little success that the author never returned to this kind of fiction. A comedy, The Isle of Dogs (now lost), adverted so pointedly to abuses in the state that it led to his imprisonment. His last work was Lenten Stuffe (1599), a burlesque panegyric on Yarmouth and its red herrings. N.'s verse is usually hard and monotonous, but he was a man of varied culture and great ability.

NAYLER, JAMES (1617?-1660).—Quaker theologian, s. of a Yorkshire yeoman, who, after serving in the Parliamentary army, joined the Quakers in 1651, became one of Foxe's most trusted helpers, and exercised a powerful influence. By some of the more enthusiastic devotees of the sect he was honoured with such blasphemous titles as "the Lamb of God," which, however, he did not arrogate to himself, but asserted that they were ascribed to "Christ in him." He was found guilty of blasphemy, pilloried, whipped, and branded, and cast into prison, from which he was not released until after the death of Cromwell, when he made public confession and resumed preaching. He was the author of a number of short works both devotional and controversial. He ranks high among the Quakers for eloquence, insight, and depth of thought.

NEAL, JOHN (1793-1876).—Novelist and poet, b. at Portland, Maine, was self-educated, kept a dry goods store, and was afterwards a lawyer. He wrote several novels, which show considerable native power, but little art, and are now almost forgotten. Among those which show the influence of Byron and Godwin are Keep Cool (1818), Logan (1822), and Seventy-six (1823). His poems have the same features of vigour and want of finish. In 1823 he visited England, and became known to Jeremy Bentham. He contributed some articles on American subjects to Blackwood's Magazine.

NEAVES, CHARLES, LORD (1800-1876).—Miscellaneous author, b. and ed. in Edinburgh, was called to the Bar, and became a judge. He was a frequent contributor to Blackwood's Magazine. His verses, witty and satirical, were coll. as Songs and Verses, Social and Scientific. He wrote also on philology, and pub. a book on the Greek Anthology.

NECKHAM, ALEXANDER (1157-1217).—Scholar, b. at St. Albans, was foster-brother to Richard Coeur de Lion. He went to Paris in 1180, where he became a distinguished teacher. Returning, to England in 1186 he became an Augustinian Canon, and in 1213 Abbot of Cirencester. He is one of our earliest men of learning, and wrote a scientific work in Latin verse. De Naturis Rerum (c. 1180-94) in 10 books. Other works are De Laudibus Divinae Sapientiae (in Praise of the Divine Wisdom), and De Contemptu Mundi (on Despising the World), and some grammatical treatises.

NEWCASTLE, MARGARET, DUCHESS of (1624?-1674).—Dau. of Sir Thomas Lucas, and a maid of honour to Queen Henrietta. Maria, m. in 1645 the 1st Duke of Newcastle (then Marquis), whom she regarded in adversity and prosperity with a singular and almost fantastic devotion, which was fully reciprocated. The noble pair collaborated (the Duchess contributing by far the larger share) in their literary ventures, which filled 12 vols., and consisted chiefly of dramas (now almost unreadable), and philosophical exercitations which, amid prevailing rubbish, contain some weighty sayings. One of her poems, The Pastimes and Recreations of the Queen of Fairies in Fairyland has some good lines. Her Life of her husband, in which she rates him above Julius Caesar, was said by Lamb to be "a jewel for which no casket was good enough."

NEWMAN, FRANCIS WILLIAM (1805-1897).—Scholar and theological writer, brother of Cardinal N., b. in London, and ed. at Oxf. After spending three years in the East, he became successively classical tutor in Bristol Coll., Professor of Classical Literature in Manchester New Coll. (1840), and of Latin in Univ. Coll., London, 1846-63. Both brought up under evangelical influences, the two brothers moved from that standpoint in diametrically opposite directions, Francis through eclecticism towards scepticism. His writings include a History of the Hebrew Monarchy (1847), The Soul (1849), and his most famous book, Phases of Faith (1850), a theological autobiography corresponding to his brother's Apologia, the publication of which led to much controversy, and to the appearance of Henry Rogers' Eclipse of Faith. He also pub. Miscellanea in 4 vols., a Dictionary of modern Arabic, and some mathematical treatises. He was a vegetarian, a total abstainer, and enemy of tobacco, vaccination, and vivisection. Memoir by I.G. Sieveking, 1909.

NEWMAN, JOHN HENRY (1801-1890).—Theologian, s. of a London banker, and brother of the above, was ed. at Ealing and Trinity Coll., Oxf., where he was the intimate friend of Pusey and Hurrell Froude. Taking orders he was successively curate of St. Clement's 1824, and Vicar of St. Mary's, Oxford, 1828. He was also Vice-principal of Alban Hall, where he assisted Whately, the Principal, in his Logic. In 1830 he definitely broke with the evangelicalism in which he had been brought up; and in 1832, accompanied by H. Froude, went to the South of Europe, and visited Rome. During this lengthened tour he wrote most of his short poems, including "Lead Kindly Light," which were pub. 1834 as Lyra Apostolica. On his return he joined with Pusey, Keble, and others in initiating the Tractarian movement, and contributed some of the more important tracts, including the fateful No. xc., the publication of which brought about a crisis in the movement which, after two years of hesitation and mental and spiritual conflict, led to the resignation by N. of his benefice. In 1842 he retired to Littlemore, and after a period of prayer, fasting, and seclusion, was in 1845 received into the Roman Catholic Church. In the following year he went to Rome, where he was ordained priest and made D.D., and returning to England he established the oratory in Birmingham in 1847, and that in London in 1850. A controversy with C. Kingsley, who had written that N. "did not consider truth a necessary virtue," led to the publication of his Apologia pro Vita Sua (1864), one of the most remarkable books of religious autobiography ever written. N.'s later years were passed at the oratory at Birmingham. In 1879 he was summoned to Rome and cr. Cardinal of St. George in Velabro. Besides the works above mentioned he wrote, among others, The Arians of the Fourth Century (1833), Twelve Lectures (1850), Lectures on the Present Position of Catholics (1851), Idea of a University, Romanism and Popular Protestantism, Disquisition on the Canon of Scripture, and his poem, The Dream of Gerontius. Possessed of one of the most keen and subtle intellects of his age, N. was also master of a style of marvellous beauty and power. To many minds, however, his subtlety not seldom appeared to pass into sophistry; and his attitude to schools of thought widely differing from his own was sometimes harsh and unsympathetic. On the other hand he was able to exercise a remarkable influence over men ecclesiastically, and in some respects religiously, most strongly opposed to him. His sermons place him in the first rank of English preachers.

Lives or books about him by R.H. Hutton, E.A. Abbott. Works (36 vols., 1868-81), Apologia pro Vita Sua (1864), etc.

NEWTON, SIR ISAAC (1642-1727).—Natural philosopher, b. at Woolsthorpe, Lincolnshire, the s. of a small landed proprietor, and ed. at the Grammar School of Grantham and at Trinity Coll., Camb. By propounding the binomial theorem, the differential calculus, and the integral calculus, he began in 1665 the wonderful series of discoveries in pure mathematics, optics, and physics, which place him in the first rank of the philosophers of all time. He was elected Lucasian Prof. of Mathematics at Camb. in 1669, and a Fellow of the Royal Society in 1672, over which body he presided for 25 years from 1703. In the same year his new theory of flight was pub. in a paper before the society. His epoch-making discovery of the law of universal gravitation was not promulgated until 1687, though the first glimpse of it had come to him so early as 1665. The discovery of fluxions, which he claimed, was contested by Leibnitz, and led to a long and bitter controversy between the two philosophers. He twice sat in Parliament for his Univ., and was Master of the Mint from 1699, in which capacity he presented reports on the coinage. He was knighted in 1705, and d. at Kensington in 1727. For a short time, after an unfortunate accident by which a number of invaluable manuscripts were burned, he suffered from some mental aberration. His writings fall into two classes, scientific and theological. In the first are included his famous treatises, Light and Colours (1672), Optics (1704), the Principia (1687), in Latin, its full title being Philosophiae Naturalis Principia Mathematica. In the second are his Observations upon the Prophecies of Holy Writ and An Historical Account of Two Notable Corruptions of Scripture. In character N. was remarkable for simplicity, humility, and gentleness, with a great distaste for controversy, in which, nevertheless, he was repeatedly involved. Life by Sir D. Brewster, second ed., 1855, etc.

NEWTON, JOHN (1725-1807).—Divine and hymn-writer, s. of a shipmaster, was b. in London, and for many years led a varied and adventurous life at sea, part of the time on board a man-of-war and part as captain of a slaver. In 1748 he came under strong religious convictions, and after acting as a tide-waiter at Liverpool for a few years, he applied for orders in 1758, and was ordained curate of Olney in 1764. Here he became the intimate and sympathetic friend of Cowper, in conjunction with whom he produced the Olney Hymns. In 1779 he was translated to the Rectory of St. Mary, Woolnoth, London, where he had great popularity and influence, and wrote many religious works, including Cardiphonia, and Remarkable Passages in his Own Life. He lives, however, in his hymns, among which are some of the best and most widely known in the language, such as In evil long I took delight, Glorious things of Thee are Spoken, How Sweet the Name of Jesus sounds, and many others. In his latter years N. was blind.

NICHOL, JOHN (1833-1894).—Poet and biographer, s. of John P.N., Prof. of Astronomy in Glasgow, ed. at Glasgow and Oxf., and held the chair of English Literature in Glasgow, 1862-1889. Among his writings are Hannibal (1873), a drama, Death of Themistocles and other Poems (1881), Fragments of Criticism, and American Literature; also Lives of Bacon, Burns, Carlyle, and Byron.

NOEL, HON. RODEN BERKELEY WRIOTHESLEY (1834-1894).—Poet, s., of the 1st Earl of Gainsborough, was ed. at Camb. He wrote Behind the Veil (1863), The Red Flag (1872), Songs of the Heights and Deeps (1885), and Essays on various poets, also a Life of Byron.

NORRIS, JOHN (1657-1711).—Philosopher and poet, ed. at Oxf., took orders, and lived a quiet and placid life as a country parson and thinker. In philosophy he was a Platonist and mystic, and was an early opponent of Locke. His poetry, with occasional fine thoughts, is full of far-fetched metaphors and conceits, and is not seldom dull and prosaic. From 1692 he held G. Herbert's benefice of Bemerton. Among his 23 works are An Idea of Happiness (1683), Miscellanies (1687), Theory and Regulation of Love (1688), Theory of the Ideal and Intelligible World (1701-4), and a Discourse concerning the Immortality of the Soul (1708).

NORTH, SIR THOMAS (1535?-1601?).—Translator, 2nd s. of the 1st Lord N., may have studied at Camb. He entered Lincoln's Inn 1557, but gave more attention to literature than to law. He is best known by his translation of Plutarch, from the French of Amyot, in fine, forcible, idiomatic English, which was the repertory from which Shakespeare drew his knowledge of ancient history: in Antony and Cleopatra and Coriolanus North's language is often closely followed. Another translation was from an Italian version of an Arabic book of fables, and bore the title of The Morale Philosophie of Doni.

NORTON, CAROLINE ELIZABETH SARAH (SHERIDAN) (1808-1877).—Grand-daughter of Richard Brinsley S. (q.v.), m. in 1827 the Hon. G.C. Norton, a union which turned out most unhappy, and ended in a separation. Her first book, The Sorrows of Rosalie (1829), was well received. The Undying One (1830), a romance founded upon the legend of the Wandering Jew, followed, and other novels were Stuart of Dunleath (1851), Lost and Saved (1863), and Old Sir Douglas (1867). The unhappiness of her married life led her to interest herself in the amelioration of the laws regarding the social condition and the separate property of women and the wrongs of children, and her poems, A Voice from the Factories (1836), and The Child of the Islands (1845), had as an object the furtherance of her views on these subjects. Her efforts were largely successful in bringing about the needed legislation. In 1877 Mrs. N. m. Sir W. Stirling Maxwell (q.v.).

NORTON, CHARLES ELIOT, LL.D., D.C.L., etc. (1827-1909).—American biographer and critic. Church Building in the Middle Ages (1876), translation of the New Life (1867), and The Divine Comedy of Dante (1891); has ed. Correspondence of Carlyle and Emerson (1883), Carlyle's Letters and Reminiscences (1887), etc.

OCCAM or OCKHAM, WILLIAM (1270?-1349?).—Schoolman, b. at Ockham, Surrey, studied at Oxf. and Paris, and became a Franciscan. As a schoolman he was a Nominalist and received the title of the Invincible Doctor. He attacked the abuses of the Church, and was imprisoned at Avignon, but escaped and spent the latter part of his life at Munich, maintaining to the last his controversies with the Church, and with the Realists. He was a man of solid understanding and sense, and a masterly logician. His writings, which are of course all in Latin, deal with the Aristotelean philosophy, theology, and specially under the latter with the errors of Pope John XXII., who was his bete-noir.

OCCLEVE, (see HOCCLEVE).

OCKLEY, SIMON (1678-1720).—Orientalist, b. at Exeter, and ed. at Camb., became the greatest Orientalist of his day, and was made in 1711 Prof. of Arabic in his Univ. His chief work is the Conquest of Syria, Persia, and Egypt by the Saracens (3 vols., 1708-57), which was largely used by Gibbon. The original documents upon which it is founded are now regarded as of doubtful authority. O. was a clergyman of the Church of England.

O'KEEFFE, JOHN (1747-1833).—Dramatist, wrote a number of farces and amusing dramatic pieces, many of which had great success. Among these are Tony Lumpkin in Town (1778), Wild Oats, and Love in a Camp. Some of his songs set to music by Arnold and Shield, such as I am a Friar of Orders Grey, and The Thorn, are still popular. He was blind in his later years.

OLDHAM, JOHN (1653-1683).—Satirist and translator, s. of a Nonconformist minister, was at Oxf., and was the friend of most of the literary men of his time, by whom his early death from smallpox was bewailed. He made clever adaptations of the classical satirists, wrote an ironical Satire against Virtue, and four severe satires against the Jesuits. He is cynical to the verge of misanthropy, but independent and manly.

OLDMIXON, JOHN (1673-1742).—Historical and miscellaneous writer, belonged to an old Somersetshire family, wrote some, now forgotten, dramas and poems which, along with an essay on criticism, in which he attacked Addison, Swift, and Pope, earned for him a place in The Dunciad. He was also the author of The British Empire in America (1708), Secret History of Europe (against the Stuarts), and in his Critical History (1724-26) attacked Clarendon's History of the Rebellion. All these works are partisan in their tone. O. was one of the most prolific pamphleteers of his day.

OLDYS, WILLIAM (1696-1761).—Antiquary, wrote a Life of Sir W. Raleigh prefixed to an ed. of his works (1736), a Dissertation on Pamphlets (1731), and was joint ed. with Dr. Johnson of the Harleian Miscellany. He amassed many interesting facts in literary history, the fruits of diligent, though obscure, industry. The only poem of his that still lives is the beautiful little anacreontic beginning "Busy, curious, thirsty Fly." O. held the office of Norroy-King-at-Arms. He produced in 1737 The British Librarian, a valuable work left unfinished.

OLIPHANT, LAURENCE (1829-1888).—Novelist and miscellaneous writer, s. of Sir Anthony O., Chief Justice of Ceylon. The first 38 years of his life were spent in desultory study, travel, and adventure, varied by occasional diplomatic employment. His travels included, besides Continental countries, the shores of the Black Sea, Circassia, where he was Times correspondent, America, China, and Japan. He was in the Crimean War, Indian Mutiny, Chinese War, the military operations of Garibaldi, and the Polish insurrection, and served as private sec. to Lord Elgin in Washington, Canada, and China, and as Sec. of Legation in Japan. In 1865 he entered Parliament, and gave promise of political eminence, when in 1867 he came under the influence of Thomas L. Harris, an American mystic of questionable character, went with him to America, and joined the Brotherhood of the New Life. In 1870-71 he was correspondent for the Times in the Franco-German War. Ultimately he broke away from the influence of Harris and went to Palestine, where he founded a community of Jewish immigrants at Haifa. After revisiting America he returned to England, but immediately fell ill and d. at Twickenham. O. was a voluminous and versatile author, publishing books of travel, novels, and works on mysticism. The most important are as follows: The Russian Shores of the Black Sea (1853), Minnesota and the Far West (1855), The Transcaucasian Campaign (1856), Patriots and Fillibusters (adventures in Southern States) (1860), Narrative of a Mission to China and Japan (1857-59), The Land of Gilead (1880), Piccadilly (1870), and Altiora Peto (1883) (novels), and Scientific Religion.

OLIPHANT, MRS. MARGARET OLIPHANT (WILSON) (1828-1897).—Novelist and miscellaneous writer, was b. near Musselburgh. Her literary output began when she was little more than a girl, and was continued almost up to the end of her life. Her first novel, Mrs. Margaret Maitland, appeared in 1849, and its humour, pathos, and insight into character gave the author an immediate position in literature. It was followed by an endless succession, of which the best were the series of The Chronicles of Carlingford (1861-65), including Salem Chapel, The Perpetual Curate, and Miss Marjoribanks, all of which, as well as much of her other work, appeared in Blackwood's Magazine, with which she had a lifelong connection. Others of some note were The Primrose Path, Madonna Mary (1866), The Wizard's Son, and A Beleaguered City. She did not, however, confine herself to fiction, but wrote many books of history and biography, including Sketches of the Reign of George II. (1869), The Makers of Florence (1876), Literary History of England 1790-1825, Royal Edinburgh (1890), and Lives of St. Francis of Assisi, Edward Irving, and Principal Tulloch. Her generosity in supporting and educating the family of a brother as well as her own two sons rendered necessary a rate of production which was fatal to the permanence of her work. She was negligent as to style, and often wrote on subjects to which her intellectual equipment and knowledge did not enable her to do proper justice. She had, however, considerable power of painting character, and a vein of humour, and showed untiring industry in getting up her subjects.

OPIE, MRS. AMELIA (ALDERSON) (1769-1853).—Novelist, dau. of a medical man, was b. at Norwich. In 1798 she m. John Opie, the painter. Her first acknowledged work was Father and Daughter (1801), which had a favourable reception, and was followed by Adeline Mowbray (1804), Temper (1812), Tales from Real Life (1813), and others, all having the same aim of developing the virtuous affections, the same merit of natural and vivid painting of character and passions, and the same fault of a too great preponderance of the pathetic. They were soon superseded by the more powerful genius of Scott and Miss Edgeworth. In 1825 she became a Quaker. After this she wrote Illustrations of Lying (1825), and Detraction Displayed (1828). Her later years, which were singularly cheerful, were largely devoted to philanthropic interests.

ORDERICUS VITALIS (1075-1143?).—Chronicler, b. near Shrewsbury, was in childhood put into the monastery of St. Evroult, in Normandy, where the rest of his life was passed. He is the author of a chronicle, Ecclesiastical History of England and Normandy (c. 1142) in 13 books. Those from the seventh to the thirteenth are invaluable as giving a trustworthy, though not very clear, record of contemporary events in England and Normandy. It was translated into English in 1853-55.

ORM, or ORMIN (fl. 1200).—Was an Augustinian canon of Mercia, who wrote the Ormulum in transition English. It is a kind of mediaeval Christian Year, containing a metrical portion of the Gospel for each day, followed by a metrical homily, largely borrowed from AElfric and Bede. Its title is thus accounted for, "This boc iss nemmed the Ormulum, forthi that Orm it wrohhte."

ORME, ROBERT (1728-1801).—Historian, s. of an Indian army doctor, b. at Travancore, and after being at Harrow, entered the service of the East India Company. Owing to failure of health he had to return home in 1760, and then wrote his History of the Military Transactions of the British Nation in Indostan from 1745 (1763-78), a well-written and accurate work, showing great research. He also pub. Historical Fragments of the Mogul Empire, the Morattoes and English Concerns in Indostan from 1659 (1782). His collections relating to India are preserved at the India Office.

ORRERY, ROGER BOYLE, 1ST EARL of (1621-1679).—Statesman and dramatist, third s. of the Earl of Cork, was ed. at Trinity Coll., Dublin. After having fought on the Royalist side he was, on the death of the King, induced by Cromwell to support him in his Irish wars and otherwise. After the death of the Protector he secured Ireland for Charles II., and at the Restoration was raised to the peerage. He wrote a romance in 6 vols., entitled Parthenissa, some plays, and a treatise on the Art of War. He has the distinction of being the first to introduce rhymed tragedies.

O'SHAUGHNESSY, ARTHUR WILLIAM EDGAR (1844-1881).—Poet, b. in London, entered the library of the British Museum, afterwards being transferred to the natural history department, where he became an authority on fishes and reptiles. He pub. various books of poetry, including Epic of Women (1870), Lays of France (1872), and Music and Moonlight (1874). Jointly with his wife he wrote Toyland, a book for children. He was associated with D.G. Rossetti and the other pre-Raphaelites. There is a certain remoteness in his poetry which will probably always prevent its being widely popular. He has a wonderful mastery of metre, and a "haunting music" all his own.

OTWAY, CAESAR (1780-1842).—Writer of Irish tales. His writings, which display humour and sympathy with the poorer classes in Ireland, include Sketches in Ireland (1827), and A Tour in Connaught (1839). He was concerned in the establishment of various journals.

OTWAY, THOMAS (1651 or 1652-1685).—Dramatist, s. of a clergyman, was b. near Midhurst, Sussex, and ed. at Oxf., which he left without graduating. His short life, like those of many of his fellows, was marked by poverty and misery, and he appears to have d. practically of starvation. Having failed as an actor, he took to writing for the stage, and produced various plays, among which Don Carlos, Prince of Spain (1676), was a great success, and brought him some money. Those by which he is best remembered, however, are The Orphan (1680), and Venice Preserved (1682), both of which have been frequently revived. O. made many adaptations from the French, and in his tragedy of Caius Marius incorporated large parts of Romeo and Juliet. He has been called "the most pathetic and tear-drawing of all our dramatists," and he excelled in delineating the stronger passions. The grossness of his comedies has banished them from the stage. Other plays are The Cheats of Scapin, Friendship in Fashion, Soldier's Fortune (1681), and The Atheist.

OUIDA, (see RAMEE).

OUTRAM, GEORGE (1805-1856).—Humorous poet, was a Scottish advocate, a friend of Prof. Wilson, and for some time ed. of the Glasgow Herald. He printed privately in 1851 Lyrics, Legal and Miscellaneous, which were pub. with a memoir in 1874. Many of his pieces are highly amusing, the Annuity being the best.

OVERBURY, SIR THOMAS (1581-1613).—Poet and miscellaneous writer, ed. at Oxf., became the friend of Carr, afterwards Earl of Rochester and Somerset, and fell a victim to a Court intrigue connected with the proposed marriage of Rochester and Lady Essex, being poisoned in the Tower with the connivance of the latter. He wrote a poem, A Wife, now a Widowe, and Characters (1614), short, witty descriptions of types of men. Some of those pub. along with his are by other hands.

OWEN, JOHN (1560-1622).—Epigrammatist, b. at Plas Dhu, Carnarvonshire, ed. at Winchester and Oxf., and became head master of King Henry VIII. School at Warwick. His Latin epigrams, which have both sense and wit in a high degree, gained him much applause, and were translated into English, French, German, and Spanish.

OWEN, JOHN (1616-1683).—Puritan divine, _b._ at Stadhampton, Oxfordshire, and _ed._ at Oxf., from which he was driven by Laud's statutes. Originally a Presbyterian, he passed over to Independency. In 1649 he accompanied Cromwell to Ireland, and in 1650 to Edinburgh. He was Dean of Christ Church, Oxf. (1651-60), and one of the "triers" of ministers appointed by Cromwell. After the Restoration he was ejected from his deanery, but was favoured by Clarendon, who endeavoured to induce him to conform to the Anglican Church by offers of high preferment. Strange to say Charles II. also held him in regard, and gave him money for the Nonconformists; and he was allowed to preach to a congregation of Independents in London. His great learning and ability rendered him a formidable controversialist, specially against Arminianism and Romanism. His works fill 28 vols; among the best known being _The Divine Original, etc., of the Scriptures_, _Indwelling Sin_, _Christologia_, or ... The Person of Christ_, and a commentary on Hebrews.

OWEN, ROBERT (1771-1858).—Socialist and philanthropist, b. at Newton, Montgomeryshire, had for his object the regeneration of the world on the principles of socialism. His sincerity was shown by the fact that he spent most of the fortune, which his great capacity for business enabled him to make, in endeavours to put his theories into practice at various places both in Britain and America. He was sincerely philanthropic, and incidentally did good on a considerable scale in the course of his more or less impracticable schemes. He propounded his ideas in New Views of Society, or Essays on the Formation of the Human Character (1816).

OXFORD, EDWARD DE VERE, EARL of (1550-1604).—Was a courtier of Queen Elizabeth, who lost his friends by his insolence and pride, and his fortune by his extravagance. He m. a dau. of Lord Burghley, who had to support his family after his death. He had some reputation as a writer of short pieces, many of which are in the Paradise of Dainty Devices.

PAINE, THOMAS (1737-1809).—Political and anti-Christian writer, s. of a stay-maker and small farmer of Quaker principles at Thetford, became with large classes perhaps the most unpopular man in England. After trying various occupations, including those of schoolmaster and exciseman, and having separated from his wife, he went in 1774 to America where, in 1776, he pub. his famous pamphlet, Common Sense, in favour of American independence. He served in the American army, and also held some political posts, including that of sec. to a mission to France in 1781. Returning to England in 1787 he pub. his Rights of Man (1790-92), in reply to Burke's Reflections on the French Revolution. It had an enormous circulation, 1,500,000 copies having been sold in England alone; but it made it necessary for him to escape to France to avoid prosecution. Arrived in that country he was elected to the National Convention. He opposed the execution of Louis XVI., and was, in 1794, imprisoned by Robespierre, whose fall saved his life. He had then just completed the first part of his Age of Reason, of which the other two appeared respectively in 1795 and 1807. It is directed alike against Christianity and Atheism, and supports Deism. Becoming disgusted with the course of French politics, he returned to America in 1802, but found himself largely ostracised by society there, became embroiled in various controversies, and is said to have become intemperate. He d. at New York in 1809. Though apparently sincere in his views, and courageous in the expression of them, P. was vain and prejudiced. The extraordinary lucidity and force of his style did much to gain currency for his writings.

PAINTER, WILLIAM (1540?-1594).—Translator, etc., ed. at Camb., was then successively schoolmaster at Sevenoaks, and Clerk of the Ordnance, in which position his intromissions appear to have been of more advantage to himself than to the public service. He was the author of The Palace of Pleasure (1566), largely consisting of translations from Boccaccio, Bandello, and other Italian writers, and also from the classics. It formed a quarry in which many dramatists, including Shakespeare, found the plots for their plays.

PALEY, WILLIAM (1743-1805).—Theologian, s. of a minor canon of Peterborough, where he was b., went at 15 as a sizar to Christ's Coll., Camb., where he was Senior Wrangler, and became a Fellow and Tutor of his coll. Taking orders in 1767 he held many benefices, and rose to be Archdeacon of Carlisle, and Sub-Dean of Lincoln. P., who holds one of the highest places among English theologians, was the author of four important works—Principles of Moral and Political Philosophy (1785), Horae Paulinae, his most original, but least popular, book (1790), View of the Evidences of Christianity (1794), and Natural Theology (1802). Though now to a large extent superseded, these works had an immense popularity and influence in their day, and are characterised by singular clearness of expression and power of apt illustration. The system of morals inculcated by P. is Utilitarian, modified by theological ideas. His view of the "divine right of Kings" as on a level with "the divine right of constables" was unpleasing to George III., notwithstanding which his ecclesiastical career was eminently successful. His manners were plain and kindly.

PALGRAVE, SIR FRANCIS (1788-1861).—Historian, s. of Meyer Cohen, a Jewish stockbroker, but at his marriage in 1823, having previously become a Christian, assumed his mother-in-law's name of Palgrave. He studied law, and was called to the Bar in 1827. From 1838 until his death in 1861 he was Deputy Keeper of the Records, and in that capacity arranged a vast mass of hitherto inaccessible documents, and ed. many of them for the Record Commission. His historical works include a History of England in Anglo-Saxon Times (1831), Rise and Progress of the English Commonwealth (1832), and History of Normandy and England (4 vols., 1851-64), pub. posthumously. He was knighted in 1832. His works are of great value in throwing light upon the history and condition of mediaeval England.

PALGRAVE, FRANCIS TURNER (1824-1897).—Poet and critic, s. of the above, ed. at Oxf., was for many years connected with the Education Department, of which he rose to be Assistant Sec.; and from 1886-95 he was Prof. of Poetry at Oxf. He wrote several vols. of poetry, including Visions of England (1881), and Amenophis (1892), which, though graceful and exhibiting much poetic feeling, were the work rather of a man of culture than of a poet. His great contribution to literature was his anthology, The Golden Treasury of Songs and Lyrics (1864), selected with marvellous insight and judgment. A second series showed these qualities in a less degree. He also pub. an anthology of sacred poetry.

PALTOCK, ROBERT (1697-1767).—Novelist, was an attorney, and wrote The Life and Adventures of Peter Wilkins, a Cornish Man (1751), admired by Scott, Coleridge, and Lamb. It is somewhat on the same plan as Robinson Crusoe, the special feature being the gawry, or flying woman, whom the hero discovered on his island, and married. The description of Nosmnbdsgrutt, the country of the flying people, is a dull imitation of Swift, and much else in the book is tedious.

PARDOE, JULIA (1806-1862).—Novelist and miscellaneous writer, b. at Beverley, showed an early bias towards literature, and became a voluminous and versatile writer, producing in addition to her lively and well-written novels many books of travel, and others dealing with historical subjects. She was a keen observer, and her Oriental travels had given her an accurate and deep knowledge of the peoples and manners of the East. Among her books are The City of the Sultan (1836), Romance of the Harem, Thousand and One Days, Louis XIV. and the Court of France, Court of Francis I., etc.