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A Sheaf of Corn
by Mary E. Mann
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"If you go on night-duty and do not sleep in the day you will be ill," said the doctor, gently.

"Not I," said the nurse, roughly.

He was not, perhaps, sorry to miss in that handsome woman the show of extreme deference with which it was usual for the nurses to treat the doctors, but her brusqueness a little surprised him. Imagining that she resented the personal note, he turned, after a minute's quiet perusal of her face, to the patient.

Having given briefly his directions for his treatment and moved away, he stopped, looking at him for a minute still.

"His friends been communicated with?" he asked.

She shook her head. "By the look of him should you think he has got any friends who would care to hear?" she enquired.

Pityingly the doctor threw up his head. "Poor wretch!" he sighed. "What is his history, I wonder!"

To which Sister Marion made no reply. For she knew.

* * * * *

For the rest of the day she would be off duty. As a rule she took a brisk walk through the suburban town, passed the rows upon rows of neat little one-patterned houses, the fine, scattered villa-residences, with their spotless gardens, reached the common where the goats and the donkeys were tethered, the geese screamed with stretched necks, the children rolled and played. Plenty of good air there to fill lungs atrophied by long night hours in the sick atmosphere of the wards. Then, at a swinging pace home again to her welcome bed and a few hours' well-earned sleep.

To-day, beyond the white walls of the hospital, the sun danced invitingly, the spring breezes were astir. Sister Marion heeded them not at all. Having left the patient in the private ward to the nurse who succeeded her, she lingered listlessly in the wide, white corridor upon which all the wards opened, too preoccupied to remember that she was doing anything unusual.

There the doctor, having made the round of the wards, found her lingering still.

"Go to bed!" he said to her, authoritatively. "You will make yourself ill."

"Not I."

"Go to bed!" he said again, and, although his tone was not less authoritative, he smiled.

The feverish, pale blue eyes looked at him strangely with a regretful, wistful gaze, and he melted in a moment into unmixed gentleness. "Why are you being obstinate to-day? Go and lie down and get to sleep," he begged her.

"What does it matter if I do not?"

"It matters very much, to you, to your patients, to me. Will you go?"

She said yes, turned slowly away, and, passing down a passage leading from the central corridor, went to her tiny room. Arrived, she did not trouble to undress, but throwing off the cap which was tied beneath her chin, flung herself upon her bed.

"It is the last thing he will ask of me and I shall do it," she said.

She had known that she could not sleep. She put her hand above her burning eyes and forcibly closed the lids that remained so achingly open. In the darkness so achieved she must think out her plans; she must think how to get away from this place without attracting observation, leaving no trace of her removal, giving no clue to her destination. It was imperative that the step she decided on should be taken soon; she must form her project clearly, and there must be no blundering or mistake. But her overtired brain, refusing to work as she willed, presented only before her feverish eyes a picture of the young doctor coming in the spring sunshine down the hospital ward, a bunch of violets in his coat. How clean, and strong, and helpful he looked! And his voice—was it not indeed one to obey? It must be her fancy only that of late it had taken on a softer tone for her.

Her fancy! Her vain, mad fancy!

She flung over upon her bed and forced herself to contemplate what it was she had to do: To get away from the man who lay in the private ward; and from the place in which she had found a refuge till her evil angel had set him upon her track again.

Since the day, ten years ago, when she had married him, what a ruin her life had been! There had been, again and again, thank Heaven! periods of peace, periods of regained self-respect, of the enjoyment of the respect of others. These had been secured by flight only, by concealment of her whereabouts, and were of varying lengths of duration. Two years ago, with her hard-earned savings, she had paid his passage out to Africa. She had not believed him likely to earn the money to return, and had looked upon him as happily dead to her. Dead, indeed, perhaps. Until yesterday, when she had helped to lay him, unconscious, in the bed of the private ward. She guessed easily that he had learnt she was in the place, and had been about to seek her when he had been struck down.

If he should mercifully die!

Not he! she said, bitterly. Men sometimes died in delirium tremens. In every kind of illness, by every sort of accident, men died every day. Good and useful men, husbands of adoring wives, loving fathers of families, men needed by their country, by humanity, were swept mercilessly away. Only such carrion as this was left to fester upon the earth, to poison the lives of decent men and women. The doctor, standing above him, looking on the defaced image of what God, for some mysterious purpose, had made, had no thought but to restore to this foully-damaged frame the spirit and strength to do its evil work. Nurses, gentle and dutiful women, would give themselves to revive in all its corrupt activity the temporarily dormant mind and body.

Ought this to be? Where was the righteousness of it—the sense? Since that drug to which he was "so susceptible" was a deadly one, would it not be better to give him more of it? To rid society of a pest dangerous to its peace, to restore to one suffering, striving, blameless woman the happiness he had cost her?

"Would that be a crime?" she asked, and set her teeth and cried, "No, no," with hatred in her heart. Then, horrified at herself, flung herself over on her pillow, and, burying her face from the light of day, sobbed long with a tearless sobbing, bringing no relief; and so at last lay still.

* * * * *

She did not know if she had slept or only lain in the quiet and blank of mercifully deadened misery when, roused by the sound of her name, she lifted her head to find the matron of the little hospital standing beside her bed.

"We are having so much trouble with the D.T. patient, sister," she said. "He must not be left for a moment. I am sorry to wake you so soon, but will you go to him?"

She was so used to being alert and ready at the call of duty, that she forgot her plan had been to escape from the hospital at once, and in a minute was again in the private ward. The doctor was standing beside the bed, and Sister Marion saw he had been recalled because of the urgency of the case. For whatever reason, it was such a pleasure to see him again, to let her eyes rest upon the strong and kind and clever face—

And then, looking at him, she saw that down the broad brow and the clean-shaven cheek red blood was streaming.

He put up his hand to wipe the blood from his eyes, and the hand too, she saw, was gashed and bleeding.

He laughed at her look of surprise and horror. "This gentleman had a penknife under his pillow," he explained. "I have taken care that he does not do any more mischief."

He nodded in the direction of the patient, and Sister Marion, glancing that way, saw that the man lying on his back had his hands tied to the iron bed-rail above his head. In the reaction from the late attack he was lying absolutely still, and she saw, to her surprise, that in the eyes fixed on her face there was recognition.

"He is conscious," she whispered. "Come outside and let me attend to you."

He followed her to the ward kitchen, the room used by the nurses for the preparation of the patients' food, but empty now.

The doctor smiled and jested, but the blood flowed, the wound smarted, he was a little pale.

"He meant to hurt you?" she asked, through her set teeth.

"He meant to murder me, the brute!" the doctor said.

"Never mind," she soothed him; "I am accountable for him now. I will see to it he never hurts you again."

She felt herself to be a different woman; in some curious way emancipated. It had needed just the wounding of this man to change her. She was ashamed no longer to show him what she felt, nor had she any more a shrinking from doing what she now believed it right to do.

She stood above him as he sat in a new docility before her, and bathed the cut upon his temple, with lingering, tender touch, pushing back the hair to get at it. She knelt before him and dressed the cut upon his hand.

"I managed to do this myself in trying to get the knife away from him," the doctor explained.

With his unwounded hand he took an ivory-handled penknife, stained red with blood, from his pocket, and held it before her eyes. It had been a gift from her to the man who was now her husband in the early days of their acquaintance, before the thought of marriage had risen between them. With all the valuables he had pawned and lost and thrown away, strange that this worthless gift of the girl whose life he had ruined should have stuck to him; stranger still that after all those years she should be able to recognise it beyond possibility of doubt! He held it towards the basin of water as though to rinse it, but she took it from him and laid it aside.

"Let it be!" she said. "I shall know what to do with the knife."

The doctor's outside patients might be crying aloud for him; it was more than noontide, and he should long have been about his work; the patient in the private ward should have had Sister Marion at his side; but the pair lingered in the little red-and-white tiled ward kitchen, bathed in the warm rays of the golden afternoon sun. The dressing of the wounds was a long business, and to the ministering woman heavenly sweet.

Over the cut upon his forehead the short, dark hair had to be combed. By altering the place of parting this was easily done. And Sister Marion, looking down upon him to see the effect, thrilled to find eyes, usually cold and preoccupied, fixed in a rapture of adoration upon her face.

"No woman in the world has such a tender touch as you," he said. "My mother used to kiss my hurts to make them well. Will you do that too for me?"

Then the woman with murder in her heart stooped and kissed him tenderly as a mother upon his brow, knelt for an instant before him, and kissed his hand.

"Good-bye," she said, "Good-bye;" and without another word left him and went upon her business to the private ward.

* * * * *

The recognising eyes were upon her as she opened the door. "I did not have much trouble to find you, this time," the man said. "I didn't even come here of my own accord. I don't know anything about it, except that I feel infernally bad. Can't you give me something, Marion?"

"I will give you something presently," she said. "I wish to talk to you a little first."

"Not until you've untied my hands. What are they tied up for, pray?"

"To keep you from working mischief."

"Have I done anything to that long chap that went out with you? If so I'll make amends—I'll make any amends in my power."

"You shall make amends. Don't be afraid."

"You speak as if you had not a particle of pity in you; you are as hard and cold as a stone, as you always were——"

"Not always," she said, grimly—"unluckily for me."

"Any woman who had a grain of pity in her would pity me now. I feel so frightfully bad, Marion; I believe I am going to die."

"I believe you are."

He called on the name of God at that, and tried ineffectually to rise, and tugged frantically at the bandages which bound him. She watched him, standing at the foot of his bed, and could smile as she watched.

"You are afraid to die," she said; "I knew you would be. You were always a coward."

He cursed her then. His voice was feeble now; it had lost the strength of delirium. There was something awful in the sound of such words in such trembling, exhausted tones; yet Marion, listening, smiled on.

"I will not be nursed by you!" he cried. "I won't have you near me, glaring at me with your Gorgon stare. Send another nurse to me—send the doctor. Get out of my sight, Gorgon! Don't look at me. Go away!"

The door behind her had been standing a little ajar; she turned round and shut it. The window was open to the spring air; she closed and locked it. "Help yourself," she said.

"I'll rouse the place," he threatened, and tried to cry aloud, but his voice died weakly in his throat. He broke down at that, and began to whine a little.

"Have some pity," he wept. "I'm a suffering man, and you're a woman, and I'm in your hands. It's only decent, it's only human, to be sorry for me—to do something for me. My tongue's like leather; give me something to drink. A drop of water, even. Why should you begrudge me a drop of water?"

"There's none in the room," she said; "and I won't leave you to fetch it. There's only this." She held up to his eyes the quieting mixture the doctor had ordered. "There is only one dose, unfortunately. If the bottle had been full, I should have given you the lot, and there would have been no further trouble. As it is, you can drink what there is. The time has not come round for it; but time is not going to be of much matter to you, henceforth; we need not wait for it."

He cursed her in his fainting voice again, and again faintly struggled. But she held the bottle steadily to his lips, and he drained it to the last drop.

"That will quiet you," she said, and sat beside him on the bed. From the pocket of her apron she drew the penknife with which the doctor had been wounded. "Do you remember this?" she asked him. "There is blood upon it, but that is going to be wiped out."

He looked at her with eyes from which the consciousness was dying, and did not struggle any more.

"Do you remember it?" she asked again. "You had cut your name and mine on a tree in the garden of my home, and you asked for the penknife as a memento. Is it possible you can have forgotten?"

She spoke to him with great deliberation, holding the penknife before his eyes, and watching the drooping of the heavy lids.

"Strange, isn't it, that, so much having been flung away, you should have kept this miserable little keepsake with you till to-day? I suppose its small blade is its sharp blade still?"

Slowly she opened it, and stood up.

With an effort he opened his eyes upon her. "I am dead with sleep," he said, in a hollow, far-away voice; "but I can't sleep with my hands tied. Set me free, Marion! Set me free!"

"It is that I am going to do," she said.

She leant above him then, and, with fingers that never trembled, unbuttoned the wrists of his flannel shirt and rolled the sleeves back to his shoulders. How thin the arms were; how plainly the veins showed up in the white, moist skin. Across one that rose like a fine blue cord from the bend of the arm she drew the sharp blade of the knife. He gave but the slightest start, so heavy was he with sleep. She knelt upon his pillow, leant across him, and in the other arm severed the corresponding vein.

She had thought that the blood would flow quietly—how it spurted and spouted and ran! Before she could untie his hands and lay them beneath the blanket at his sides the white, lean arms were crimson with blood. At this rate, it would not take him long to die! She rinsed the blood from the little penknife in a basin of water, and turning down the blanket, laid it upon his breast.

"You have kept it a good many years," she said, mockingly. "Keep it still."

Some blood was on her own hands—how could she have been so clumsy! They were all smeared with blood; they—horrible!—smelt of blood.

She flew towards the basin to rinse them, but before she could reach it, without a warning sound the door opened, and the matron was in the room.

With the tell-tale hands behind her back, Sister Marion stood before her, intervening between her and the bed.

"Your patient is strangely quiet all at once," the matron said.

"He is sleeping," said the nurse.

In spite of herself she had to give way before the matron, who now stood by the bed.

"It does not seem a healthy sleep," she said. "He has a very exhausted look. And why is his blanket tucked so tightly round his arms?" She waited for no explanations, but smoothed the man's ruffled hair and looked down pityingly upon him. "Even now he has a handsome face," she said. "Ten years ago he must have been as handsome as a god."

Ten years ago! Who knew how handsome he had been then better than Sister Marion? In an instant how vivid was the picture of him that rose before her eyes! The picture of a young man's laughing face—gay, winning, debonair. A dancing shadow was on his face of the leaves of the tree by which he stood, and on which he had carved two names—

With an involuntary movement she was beside him, looking down upon the unconscious face; and wonderful it was to see that all its lines were smoothing out, and all the marks of years of debauchery. Even the sallow hue of them seemed to be changing in his cheeks. Extraordinary that the healthy colour of early manhood should reappear in the cheeks of a dying man!

In her surprise she called him by his name. Looking up, fearful that she had betrayed herself to the matron, she found that she was alone with him again, the door closed. There was absolute silence in the room, except a soft, drip-dripping from the bed to the floor. No need to look; she knew what it was. How short a time before the two streams from the veins, emptying themselves of the life-blood, met beneath the bed and trickled, trickled to the door! She flung a towel down to sop up the tiny flood, and saw it swiftly crimson before her eyes. She turned back to the bed, a great horror upon her now, and saw that the eyes of the dying man were open and upon her face.

"I loved you," he said. "Once I loved you, Marion!"

The words were like a knife in her heart. She groaned aloud, but could not speak.

"I have been bad—bad," he went on; "but I will atone. Give me time, Marion, and I will atone. Save me! Don't send me before my God like this, without a chance. You are my wife. You swore—swore to stick to me. Save me!"

In his extremity power had come back to his voice. He struggled desperately, half raised himself. "Save me!" he shrieked. "Don't send my soul to perdition!"

She flung the blanket off him, and tried with fingers, that only shook and helplessly fumbled now, to bind a ligature above the opened vein.

Misunderstanding, he tried to fling her off. "You are tying me again! Fiend! Fiend!" he cried. He dashed his arms about, fighting for life. Her enveloping white apron was splashed and soaked with blood. Even on her face it fell. As it rained, warm and crimson, upon her, she shrieked aloud.

In an instant the little room was full of surprised and frightened faces. "She has killed me!" the man screamed. "Killed me! She is tying me down to see me die!"

"I want to save him—now," Sister Marion strove to say above the clamour. No one heeded.

"She did this, and this," the man said, showing his wounded arms. "Ask her! Ask her!"

"It is true," Marion gasped. Oh, the difficulty of getting her tongue to form words! "But I want to save him—now."

"Too late," the matron said; and hers and all the faces—the room seemed full of them—looked at her with loathing, shrinking from her, as she stood before them, spattered with her husband's blood. "The man is dying fast."

At that instant one of the younger nurses who had been ministering to the figure upon the bed, lifted up a warning hand. "He is dead!" she said.

How the faces glared at her! Strange as well as familiar ones—crowds upon crowds of faces. Faces of the nurses who had been her friends, who had loved her; faces from out the past—how came they there with their heart-remembered names!—her mother's face—her mother who was with the angels of God! All the forces of Heaven and earth testifying against her who had done the unspeakable deed.

Was there no one on her side—no one who would shield her from the accusing eyes?

The cry with which she called upon the doctor's name in its frantic expression of utmost need must have had power to annihilate time and space, for while the sound of it still thrilled upon the ear the young doctor was in the room. She turned to him with the joy of one who finds his saviour.

Standing before her, his hands pressed firmly upon her shoulders, he bent his head till the strong, kind face almost touched her own.

"Murderer!" he whispered in her ear, and flung her from him.

She lay where he had thrown her; but someone's hands were still pressed upon her shoulders, a voice was still whispering "Murderer!" in her ear—or was it—was it "Marion" the voice whispered?

* * * * *

"Marion, how soundly you have slept—and not even undressed! It is eight o'clock, and time for you to go on night-duty. Doctor is going his evening rounds."

Only half-awakened, the horror of her dream still holding her, Sister Marion pushed the nurse away from her, threw herself from her bed, and flew along the corridor. From the door of the private ward the doctor was issuing; he stared at her wild, white look, her tumbled, uncovered hair. She seized him by the arm. "Doctor!" she sobbed. "The man in there has been cruel to me, but I want to nurse him—I want to save him! Never, never could I have done him any harm!"

"Why should you have done him any harm?" the doctor asked, soothingly. "Who would have harmed the poor fellow? Come and see."

He softly opened the door of the private ward, and with his hand upon her arm, led her in.

The matron and one of the nurses stood on either side of the bed, from which the scarlet blanket had been removed. The long white sheet which had replaced it was pulled up over the face of the recumbent form.

"He died an hour ago in his sleep," the matron said. "He did not regain consciousness after you left him. I have been with him all the time."

Sister Marion, with dazed eyes, looked down upon her hands—slowly, from one to the other. Clean, clean, thank Heaven! Looked at her spotless apron, at the sheet showing the sharp outline of the figure on the bed.

"Was there, upon his breast, a little ivory-handled penknife?" she asked.

But before they had told her, wonderingly, no, she had fallen on her knees beside the quiet figure and was sobbing to herself a prayer of thanksgiving.

"A sensitive, imaginative woman—she has been wakened too suddenly," the doctor said.

His gaze dwelt lingering upon her bent, dark head as slowly he turned away.



DORA OF THE RINGOLETS

"I wish I c'd du my ringolets same as yu kin, mother. When I carl 'em over my fingers they don't hang o' this here fashion down my back, but go all of a womble-like; not half s' pretty."

"Tha's 'cause ye twist 'em wrong way, back'ards round yer fingers," the faint voice from the bed made answer. "Yu ha' got to larn to du 'em, Dora, don't, yer'll miss me cruel when I'm gone."

The dying woman was propped on a couple of pillows of more or less soiled appearance; these were raised to the required height by means of a folded flannel petticoat and dingy woollen frock, worn through all the twelve years of her married life, but now to be worn no more. On the man's coat, spread for extra warmth over the thin counterpane, lay a broken comb and brush. Over her fingers, distorted by hard work, but pale from sickness and languid with coming death, the mother twisted the locks, vigorously waving, richly gilded, and dragged them in shining, curled lengths over the child's shoulders.

Because of the extreme weakness of the hands the process was a laborious one. A heavier pallor was upon the face, a cold moisture upon the sunken brow when it was accomplished.

"I'll kape on while I kin—I don' know as I shall ha' the strength much longer, Dora."

The child twitched her curls from the fingers that lay heavily upon them and turned on her mother fiercely. "Yu ha' got ter du 'em, then!" she cried. She glared upon the faint head slipped sideways on the pillow. "Yu ha'n't got ter put none o' them parts on, du I'll let ye ter know."

Her eyes were suddenly wide and brilliant with tears; the fading sight of the mother was dazzled by the yellow shine of them and of the richly-coloured hair. "My pretty gal!" she breathed; "my pretty Dora! I ha'n't got no strength, bor."

"I'll let yer ter know!" Dora cried with fury. "I'll hull yer pillars away, and let yer hid go flop, if ye say yer ha'an't got no strength. I'll let yer ter know!"

She stopped, because the sobs which had been stormily rising choked her. She seized in her red little hands the pillow beneath her mother's head. No word of remonstrance was spoken, the faded eyes gazing wearily upon the child held no reproof.

"What d'ye look at me, that mander, for? Why don't ye ketch me a lump o' the hid?" the child cried fiercely; then gave way to the suppressed sobbing. "Oh, mother, yu ain't a-dyin'? Yu ain't a-dyin' yit?"

She flung her own head on the soiled pillow; all the crisply waving, long ringlets flew over the mother's sunken chest; one fell across her parched lips. She moistened them with her tongue, and made a feeble motion of kissing. A tear slid slowly down her cheek.

"Not yit, my pretty gal," she whispered. "Mother ain't a-goin' ter lave yer yit."

"Promus! Yer ain't a-tellin' no lies? Yer'll stop along of me till I kin carl my ringolets myself. I ha' got ter have 'em carled, and there ain't no one else to du 'em for me."

The mother promised.

"There's Jim and Jack—they don't want ye, mother. Their hairs is short. They kin play hopstick i' th' midder, alonger th' other boys. Both on 'em kin put their own collars on. There's on'y me, what have carls, that'll want yer so. Mother! Mother!"

"Don' I kape on a-tellin' of yer I ain't a-goin'."

There was no time to sob for long on the mother's pillow. Dora was due at school. She wiped her crimsoned cheeks upon the corner of the sheet, stood up and put her sunburnt sailor-hat upon the carefully curled hair. She was neatly dressed in a brown woollen frock nearly covered by a white, lace-trimmed overall; she wore brown stockings and brown shoes. The mother watched her to the door with yearning eyes.

"My pretty gal!" she said.

The neighbour who waited on her in moments spared from her own household labours came in. She held a cup of paste made from cornflour in her hand, and stirred the mixture invitingly.

"It's time yu had suffin' inside of yer, Mis' Green," she said. "Yu ha'n't tasted wittels since that mossel o' bread-an'-butter yu fancied las' night."

She put a spoonful of the food, stirred over a smoky fire, to the parched lips.

"I'd suner, a sight, have a drink o' water," the sick woman said. "There ain't nothin' I fare ter crave 'cept water now."

"There ain't no nouragement in water, Mis' Green. Take this here, instids," the neighbour said firmly.

Two spoonfuls were swallowed with difficulty.

"Come! Tha's as ter should be! That comfort ye, Mis' Green, bor?"

The faint eyes looked solemnly in the healthy, stolid face above her. "There's nothin' don't comfort me, Mis' Barrett."

"An' why's the raisen?" the neighbour reprovingly demanded. "Because yu're a-dyin', Mis' Green, and yu don't give yer mind tu it. I ha' been by other deathbeds—the Lord reward me for it, as 'tis ter be expected He will—and I ha'n't never seed a Christian woman so sot agin goin' as yu are."

The reluctant one shut her eyes wearily; the dropped lids trembled for a minute, then were raised upon the same hard face.

"She don' look like a labourer's gal, Dora don't," she said faintly. "She ha'n't got th' mander o' them sort o' truck."

"What then, Mis' Green?" the neighbour inquired, stern with the consciousness of her own large family of "truck." The supposed superiority of Dora of the ringolets hurt her maternal pride and raised a storm of righteous anger in her breast.

Mrs Green did not explain; the discoloured lids fell again waveringly over the dim eyes, the upper lip was drawn back showing the gums above the teeth.

It was the mere skeleton of a woman who lay there. She had suffered long and intensely; no one could look upon her now and doubt that the hour of discharge was very near. The woman standing above her reasoned that if a word of reproof or advice was to be given there was not much time to lose. Often, from open door to open door (for the pair inhabited a double dwelling), often, across the garden fence, she had called aloud her opinion of her neighbour's goings on; she would seize the opportunity to give it once again.

"And why ain't yer Dora like a labourer's gal, then?" she demanded, shrilly accusing. "Oh, Mis' Green! Don't yu, a-layin' there o' your deathbed, know right well the why and the wherefore? Ha'n't yu borrered right and left, ha'n't you got inter debt high and low, to put a hape o' finery on yer mawther's back? Ha'n't yu moiled yerself, an' yu a dyin' woman, over her hid o' hair? Put her i' my Gladus's clo'es, an' see what yer Dora 'ud look like. Har, wi' her coloured shues, an' all!"

"They was giv' her," the dying woman faintly protested. "Her Uncle Willum sent them brown uns along of her brown hat wi' th' welwet bow."

"Now, ain't yu a-lyin', Mis' Green, as yu lay there o' yer deathbed? Them tales may ha' flung dust i' th' eyes o' yer old man, them i' my hid is too sharp for no sech a story. Di'n't I see th' name o' 'Bunn o' Wotton' on th' bag th' hat come out of? An' don't yer brother Willum live i' London, and ha'n't he got seven of's own to look arter? Ter think as I sh'd come ter pass ter say sich wards, an' yu a-layin' there a-dyin'! Ain't yer ashamed o' yerself, Mis' Green. I'm a-askin' of yer th' question; ain't yer ashamed o' yerself?"

"No, an' ain't," said Mrs Green, feebly whispering.

Beneath the flickering, bruised-looking lids, tears slowly oozed. The neighbour felt for a pocket-handkerchief under the pillow, and wiped them away.

"Fact o' th' matter, Mis' Green," she inflexibly pursued her subject, "yu ha' made a raglar idle o' that gal; yu ha' put a sight o' finery on 'er back, an' stuffed 'er hid wi' notions; an' wha's a-goin ter become on 'r when you're gone?"

"I was a-wonderin'," the dying woman said, "s'posin' as I was willin' to speer this here parple gownd o' mine, rolled onder my pillar—I was a-wonderin', Mis' Barrett, ef so bein' as yu'd ondertake ter carl my gal's ringolets, now an' agin, for 'er?"

"No," the other said, spiritedly, nobly proof against the magnitude of the bribe. "That'd go agin my conscience, Mis' Green. I'm sorrer ter be a denyin' of yer, but yer mawther's hid o' hair I ha'n't niver approved on; I can't ondertake it, an' so, I say, straight forrerd, at oncet."

The face so "accustomed to refusings" did not change, no flush of resentment relieved its waxen pallor or lightened its fading eyes. "'Tis th' last thing I'm a-askin' of yer," the poor woman said, weakly. "Try as I kin, I can't live much longer. 'Tis on'y nat'ral I should think o' Dora an' th' child'en."

"Yu think a sight too much on 'em, bor! 'Tis time yu give 'em up. Yu lay o' yer deathbed, Mis' Green, an' yu a mis'rable sinner; can't you put up a prayer to ask th' Lord ter have marcy on yer?"

"No," said Mrs Green.

"'No'—an' why not?"

"Cos I don' keer."

"Don' keer, Mis' Green?"

"No, Mis' Barrett, so's He look arter Dora an' th' child'en, I don't keer what He du ter me."

* * * * *

"Mother!"

No answer, but a quiver of drooping lids.

"Mother!"

At the sharp terror of the voice the lids lifted themselves and fell again.

"Yu ain't a-dyin', mother?"

"'Course I ain't."

"Yer promussed! Yer said yer warn't a-dyin'!"

"An' I ain't."

"Then don't kape a-lookin' o' that mander. Lay hold o' th' comb an' du my ringolets."

The comb was thrust within cold fingers which did not close upon it.

"If so bein' yer don't set ter wark and comb 'em out I'll shake ye. I'll shake ye, mother, du yer hare? Du yer hare, mother? Th' bell's gone, an' how'm I ter go ter school an' my ringolets not carled?"

They were not curled that morning, however, for at the sound of the child's angry, frightened voice Mrs Barrett came running upstairs and seized her and dragged her from the room.

"Yer baggige, yu! Ter spake i' that mander to a dyin' woman!"

"She ain't a-dyin', then," the child screamed as she was thrust from the house. "She ain't a-dyin', an' I want my ringolets carled."

Once, when Dora had announced in the hearing of a pupil-teacher that she was the prettiest girl in the school: "You ain't, then," the older girl had told her. "You are not pretty at all, Dora, but exactly like your brother Jim."

"Jim's ugly! You're a-tazin' of me!" Dora had fiercely cried.

"If you hadn't your curls you'd be Jim over again," the teacher had persisted.

She was a tempestuous little animal. She had flown to her mother with the horrid insinuation, had sobbed and screamed, and kicked the innocent, ugly Jim. If she had not her curls!

But she had them. Even this morning, when for the first time she must appear in school without having them freshly curled, the consciousness of their weight upon her shoulders was a comfort to the child. As well as she could without disarranging the set of it, she smoothed each long curl into order as she walked along. The sun of autumn shone, lying like a benediction upon the land whose fruits were gathered; among the hips and haws in the hedges the birds, their family cares all over, sang lightsomely, with vacant hearts. Happiness was in the air. Perhaps someone would say how pretty the curls were, to-day. Perhaps, as once, blessedly, before had happened, a lady riding slowly along the green wayside might pull up her horse to inquire whose little girl she was, to give her sixpence, to ask how much she would take for her beautiful curls.

Ah, with what joy on that happy morning Dora had galloped home to give the account to her mother! The sixpence had gone to buy the blue ribbon Dora wore among her locks on Sundays; but how the mother had cheered up! She had seemed almost well for half an hour that evening, and Dora had told the tale again and again.

"I was a-walkin' along, like this here, not a thinkin' a mite o' my ringolets, an' I see th' woman on th' horse keep a-smilin'. So I made my manners, an' she pulled up 'r horse. 'Whu's little gal be yu?' she say; 'an' where did yu git yer lovely hair?'"

Her mother had eaten two bits of bread-and-butter, that evening, and had drunk the tea Dora all alone had made her. How happy it had been! Perhaps it would all happen again.

Morning school over, she was putting on her hat among a struggling mass of children anxious to get into the open, where there was a great blue vault to shout under, and stones to shy, when the schoolmistress from the empty class-room called her back. The woman stood by her silently for a minute, one hand on the child's shoulder, the other moving thoughtfully over the shining fell of hair.

"Don't shout and play with the others to-day, Dora," she said at length. "Wait till they clear off, and then go right home."

"Yes, tacher."

The schoolmistress waited for another minute, smoothing the curls.

"You're only right a little girl, Dora, but you're the only one. You must try to be good, and look after poor little Jack and Jim, and your father—and be a comfort."

"Yes, tacher." Dora took courage beneath the caressing hand: "I like to be a comfit to mother best," she vouchsafed, brightly daring.

"But your mother——" the governess said, then stopped and turned away her head; she could not bring herself to tell the child the news of the mother she had heard that morning, since school began.

So Dora went, sedately for the first few steps, afterwards with a happy rush, the curls dancing on her shoulders.

"Yer mother is a-dyin', she 'ont be here long; you must try to be a better gal"; how often of late had that phrase offended her ears! She had met such announcements with a fury of denial, with storms of tears. She had rushed to her mother with wild reproach and complaint. "Why don't ye tell 'm yu ain't a-dyin', stids o' layin' there, that mander. They're allust a-tazin' of me?"

To-day no one had said the hated words; and mother would like to hear how teacher had "kep'" her at her side, and coaxed her hair. "I ha'n't niver seed her du that to Gladus, nor none on 'em," she would say, and would remind her mother how these less fortunate girls had not her "hid o' hair."

So, her steps quickened with joyful anticipation, she came running across the meadow in which was her home.

"Here come Dora," Mrs Barrett, who had been busy in Mrs Green's room, said to the neighbour who had helped her. Both women peeped through the lowered blind. "She'll come poundin' upstairs to her mother. There ain't no kapin' of 'r away; and a nice how-d'ye-do there'll be!"

The elder boy, Jim, whose ugly little face Dora's was said to resemble, was standing against the gate of the neglected garden. He did not shout at her, nor throw a stone at her, in the fashion of his usual greeting, but pulled open the rickety gate as she came up.

"Mother's dead," he whispered, and looked at her with curiosity.

"She ain't, then," Dora said. He drew his head back to avoid the blow she aimed at it, and shut the gate after her.

Jack, an ugly urchin of five, the youngest of the family, was sitting on the doorstep, hammering with the iron-shod heel of his heavy boot a hazel nut he had found on his way home. The nut, instead of cracking, was being driven deep into the moist earth. He did not desist from his employment, or lift his head.

"Father's gone for mother's corffin," he said.

The howl he gave when Dora knocked him off the step brought Mrs Barrett upon the scene. She pulled the girl off the fallen Jack with a gentler touch than usual.

"You come along upstairs, along o' me," she said.

* * * * *

There was not only the coffin to be ordered in Wotton, but suits of black for himself and children, besides the joint of meat to be cooked for the meal after the funeral. Mr Green did not hurry over his purchases, but went about them with the leisurely attentiveness of one anxious to do the right thing, but unaccustomed to the business of making bargains.

His wages had been "made a hand on," lately; there had been brandy and "sech-like" to buy for the missus; the neighbour to pay, leaving little more than enough for bread for the rest of them. But now, with this burying money—! The new-made widower enjoyed the hitherto undreamed-of experience of knowing that he might put in for a glass at every public-house he passed, and not exhaust it.

He treated himself to a tin of salmon to have with his supper, when he got back to Dulditch. While his wife had been well and about, she had been wont at rare intervals to supply such a "ralish" to the evening meal. Having the means to indulge himself, his thoughts had at once travelled to the luxury.

Yet, arrived at home, he had had too much beer to be very hungry, and the thought of the dead wife, up there, just beyond the ceiling, destroyed what little pleasure the feast might have held.

"Happen she'd been alive, she'd maybe ha' picked a mossel," he said to himself.

That she could be totally indifferent to the delicacy, even although dead and fairly started on her heavenward journeying, was a bewildering fact his dull brain could scarcely grasp. He got up from the table, and taking the unshaded lamp, walked heavily upstairs to look upon this marvel—his wife who was no more.

He was a stolid creature, but was shaken enough to give a sharp growl of fear when, from the other side of the rigid form upon the bed, a head was lifted.

"Hello!" he called. "Hello! What yu a-doin' here? Now then! Come out o' that, yu young warmint; don't, I'll hide ye."

The figure lying by the dead woman slipped to the ground. It wore a brown frock and a crumpled white overall trimmed with lace.

"Hello!" the man said again. He looked stupidly at his little daughter, then pulled aside the sheet which covered his wife.

In the waxen face, with lids still half-open above the dull eyes, with lips drawn back to show the gums, was little change. Beneath the chin a large white bow of coarse muslin had been tied. It was designed to hide the thinness of the throat, but gave, besides, a dreadful air of smartness to the poor corpse. Above the sunken chest the arms were crossed, but, over them, and over the thin hands, in a burning, shining mass of resplendent colour lay—

The husband held the lamp nearer, and bent his dull, red face to peer closer at the scattered heap—the miracle of bronze and red, red living gold. "Hello!" he said again, then moved the lamp to let its light shine on his daughter's face, and stared at her.

"Hello!"

"I ha'n't got no one now to carl my ringolets," the child sobbed, her voice rising high in the scale of rebellious misery; "my ringolets ain't no good to me no more. I ha' cut 'em off; mother, she kin have 'em. They ain't no good ter me."

The glare of the lamp held awry was upon the broad red face of the girl with the streaming, yellow eyes, with the unevenly cropped head.

"I thought yu was the boy Jim," her father said.



PINK CARNATIONS

"You see, they are my lucky flowers," she said. "I can't very well wear them on my wedding-dress, but I'm to have some to go away with. Jack's going to bring them down from town with him to-night."

I asked of Daphne, who had been the favourite of fortune from her birth, in whose cup of sweet no bitter had ever mingled, who had walked for all her happy days along a flowery path, what she meant by such nonsense.

She was ready enough to give me her absurd girlish reasons.

What she told me was the feeblest folly, of course; but even silly superstition must be pardoned to such a pretty person; and the words of a young woman who is going to be married on the morrow must be treated by a hopeless spinster, I suppose, with, at least, a semblance of respect. There had been an occasion, it seemed, long ago in her childhood, when she, having lost from her neck a locket which held her dead father's portrait, had found it, all search for it having ceased, on the carnation-bed where she had stooped to pick a flower. On the day that the news reached them that Hugh, her brother, had won the hurdle race at Cambridge (one of the chief triumphs, it appeared, of her eventless life) she had just finished arranging a vase of pink carnations for her dressing-table. Once, when her mother had been seriously ill and there had been a fear the disease from which she suffered was going to take a dangerous turn, she, Daphne, had been frightened and very unhappy. Longing for, yet dreading the doctor's arrival, she had watched him descend from his carriage, wearing a pink carnation in his coat. She had known at once that his verdict on her mother's state would be favourable; and it was. A burglar had tried to get in at Daphne's sitting-room window—at least Daphne, on what appeared to me insufficient evidence, declared that he had done so. The window-box had fallen to the ground, and had put the burglar to flight—that is, if there had been one. At any rate it was clearly proved that the window-box had fallen. It contained, of course, pink carnations.

And so on to many other instances, chief among which was the fact that the first time she had beheld the handsome face of the Jack she was to marry to-morrow she had worn a bunch of her favourite flowers in the bodice of her white silk dress. Afterwards, on the day of the County Ball, at which function he had proposed, he had sent her a bouquet composed entirely of pink carnations, and had chosen one of those blooms for his own buttonhole.

"Without knowing—without my having even mentioned to him that they brought me luck!" Daphne assured me, the dark, poetic eyes in her small face large with the mystery of it. "Do you wonder Jack agrees with me I must not be without them on my wedding-day?"

By her mother's command, and in order that she might not look, as I am assured many brides do look, a "perfect rag" on her wedding-day, Daphne was to rest for a certain number of hours, that afternoon. She was forbidden, even, to write one of the seventy still remaining out of the three hundred letters of thanks to the donors of wedding-presents.

She should have to work them off—so many a day—on her honeymoon, Daphne ruefully supposed. Jack would help. She would make him direct the envelopes. She bore a grudge apparently against the givers of the treasures under which the tables in the morning-room were groaning.

"If you could only know what it has been!" she sighed. "However hard I wrote I couldn't keep pace. No sooner had I wiped one name off the list than three more presents had come!"

From this onerous duty, however, she was now to desist, and from all fatigue of receiving the guests who were arriving by different trains throughout the day. She was to lie at her ease on silken cushions in that pretty room of her own, upon whose window-box the supposititious burglar had set his too heavy boot. I was amused to see that the white chintzes of the chairs and hangings were flowered with pink carnations, and that garlands of the flower, tied with pink ribbons, formed the frieze of the white wallpaper.

"Well, you were always a petted and spoilt child," I said to her; "and I suppose you are going to be so to the end of the chapter."

"Only more so," she said, with her youthful arrogance. "You can't think what a splendid hand at spoiling Jack is."

I laughed, told her to let me know how much he spoilt her in five years' time, and left her. For a servant had interrupted our conversation with the announcement that Mr Mavor, who had returned from town, would be glad to speak to me.

"Hughie? how absurd!" Daphne said, who wanted to go on talking to me about her lover. "As if Hughie could possibly have a thing to say to you which would not keep, Hannah!"

"It is to make me an offer of marriage I have not the slightest doubt," I told her, being of an age when a woman can make jokes of that kind about herself and pretend not to feel the heartprick.

I found the head of the house in the room which had been turned into a museum of objects of art—precious and not precious—for exhibition on the morrow. I had known the young man from boyhood, and I saw at once that something was amiss. He had left for town before my arrival that morning, and this was our first meeting, but he forgot to come forward and put out his hand. He stalked past me, instead, and banged the door by which I had entered; then he seized me by the arm.

"Hannah," he said, "I want to talk to you. I want your advice. We're in a devil of a mess."

"It's the wedding-dress, or the wedding-cake!" I said, staring at him. "One of them hasn't come!"

"It's about Marston. Something I only heard to-day. He must not be allowed to marry my sister."

"Hughie!"

He took his hand from my arm, laid it on one of the tables spread with the presents. There was a faint ringing of silver and china to show the hand was not steady. He is a self-contained, sturdily-built, matter-of-fact young man in the early twenties; quite unlike his sister, whose appearance is elegantly fragile, who is filled with nerves, and sensitive to the fingertips.

"I got a letter this morning," he went on, and for a moment fumbled in his coat-pocket as if with the intention, quickly relinquished, of showing it. "It was from a woman; telling me of certain incidents in Marston's career."

"Probably all made up. Lies."

"It isn't. Once for all, don't waste time in saying that. I went up this morning to the address she gave me. I saw her. She told me worse than she wrote—poor wretch! I didn't take it for gospel. I got confirmation, all round. There isn't room for the shadow of a doubt. She left her husband a year ago for Marston——"

"A year ago? Only a year?"

"A year. The husband got a divorce; this brute refused to marry her."

"Oh, Hugh!"

"It's worse. I can't tell you all. Sufficient that he played the traitor, the coward, the beast. Left her to face shame, and poverty, and—everything, alone."

"Can it be so bad! You are certain?"

He lifted the unsteady hand and laid it open, heavily again upon the table where the Crown Derby coffee services, the silver inkstands, muffineers and bridge boxes, whose donors had not even been thanked, jingled with a tiny music once more.

"Certain. Now, don't keep repeating that word, Hannah. I don't want to waste time producing proofs, but I've got them. It's as certain as death. And it's not the only thing. Once I was on his track—late in the day as it was—I learnt more. We live so in a hole, down here, and nothing like this has ever come near us. We've taken people for what they seemed to be—as I, ass that I was, took Marston—and never poked into their histories. The man's got a bad record, all along. Decent people have closed their doors in his face."

"What will you do, Hugh? What can you do now?"

"Do? Stop the marriage," he said. He glared for a minute upon the costly display on the table, then turned his back on it all, and carried his white face to the window. "My sister shall never marry that scoundrel," he said.

"Daphne's heart will break."

"I know." He looked out on the wintry landscape with gloomy eyes, and a resolutely held underlip. "That is what my mother says. I do not believe it; but if it is so, it does not alter what is the right and only course to take."

"What else does your mother say?"

He moved his shoulders impatiently. "That the wedding must go on; that it is too late to draw back." He turned swiftly upon me. "Could you have believed that my mother, of all people, could take such a view as that?"

"I can see how she feels about it. To break it off now is too hideously painful——"

"And what will it be for Daphne if it goes on? Don't you suppose her life with a brute like that would be hideously painful?" He held the back of his hand to his forehead for a moment and shut his eyes tightly as if in painful thought. "My poor little sister!" he said. "Poor Dapple!"

I sat down and stared stupidly before me, too overcome by the situation to be able even to think.

"Your mother says the wedding is to go on; you say it is to be stopped——"

He pounced upon me. "I am master here," he said.

He had always seemed a boy to me, and I had never known him to exert his authority before. His mother and young sister had taken their own way in affairs, and had never been hampered by the consideration that "Hughie" was a person of importance. Yet, there was no doubt about his position. Looking at, and listening to him now, I saw that he meant to have his way; and my conscience told me that his way was the right one.

A word or two more he said to me of incidents in Jack Marston's history; showed me how it had happened that these were only recently revealed to him; how, to the Mavors' circle he had been entirely a stranger; how the few friends of Hugh's who had had any acquaintance with the man had wondered at the sister's engagement, but thought it no business of their own.

"Have you made your mother understand you are determined in the matter?"

"I have told her I will shoot the man before he shall marry my sister."

"And what is she doing? Your mother?"

"She is raving like a madwoman in her bedroom."

The stupendousness of the situation, to which at moments I felt insensible, kept coming over me in waves of comprehension.

"Well, I don't wonder!" I said.

Long pauses fell between our fragments of speech. He stood before the square centre table, black-browed, staring at its glittering burden.

The footman appeared at the door. "If you please, sir, Hamley wishes to know if the dog-cart as well as the brougham and omnibus is to meet the 5.15 this evening?"

His master looked at the man with knit brows, as if making a painful effort to understand what was said. He pulled out his watch, and for a minute studied it.

"Tell Hamley," then he said, "not to meet the 5.15 at all. No one will come by that train. In ten minutes I shall want to send some telegrams."

The man, staring at the strange order, withdrew.

"You are going to stop the rest of the guests?" I asked.

"Of course. They were coming to the wedding. There will be no wedding."

"And Jack Marston? You can't telegraph this horrible thing to him!"

"Can't I? I shall."

"And Daphne? She is sitting in her room counting the minutes till he comes to her."

"Hannah, I want you to go and tell her."

"I, Hugh! Why should I be picked out to do such a horrible thing?"

"My mother will not. Daphne has always known you. You have sense——"

"I will not. So that is the finish, Hugh. I haven't got a stone for a heart. I would cut out my tongue rather than do it."

"Then, I must," he said, turned on his heels and made for the door.

Having reached it and flung it open, he looked back at me with his distressed, scowling face. "This is how one's friends fail one in an emergency!" he said.

His scorn, at the moment, was nothing to me, but I was beside myself with sorrow and dismay. Daphne, with her sweet, small face lying among her cushions, her dark eyes filled with visions of the lover who was speeding to her, of the joyful life just opening before her—and Tragedy, pitiless, relentless, awaiting her! Her messenger, oh so much more cruel than the messenger of Death, crossing corridors, mounting stairs, hurrying with the inevitableness of Fate upon her! Was there nothing to be done? Was there no hand to save?

Hugh was right. Boy as he was, he was acting as a man should act. His mother, who, to save her ears from the despairing cries of her child, to avoid the painful explanation to invited guests, the perplexity of interrupted plans, was willing that the marriage should continue, was weak, wicked even, perhaps. But I found it in my heart to wish that she might have her way, that the suffering, since there must be suffering, should be, at any rate, postponed.

The engagement had been a short one, and circumstances had of late limited my intercourse with the family; the bridegroom and I had met but once. Yet now his handsome face rose before me—a face whose only fault was that it was, perhaps, too handsome. I thought of the tales Daphne's mother had told me of his extraordinary passion for the girl with whom he had fallen in love at first sight. Women love love. No woman is too old to thrill at the story of a lover's ardour. The man was a sinner, no doubt; to Hugh he seemed a scoundrel; but—

I caught up with Hugh as he was going—very slowly going, poor boy—round the last turning to his sister's room.

"Hughie," I gasped, breathless with my haste. "You are right—but don't be brutal. Don't kill the child. Listen. Instead of writing to Jack Marston, let him come. Let him tell her himself. Give her a chance. Give him one, even. It is a cruel business, anyhow. Don't let's blunder into making it worse than it is."

I suppose as he had gone to the accomplishment of his heavy task he had become more appreciative of its difficulty. He was very fond of his sister, and must have shrunk with dread from the contemplation of her pain. Anyhow, his purpose had weakened. With a few words more I got him to acquiesce in the amended plan.

"How can we be certain he tells her? He will lie to her," he objected.

"We will take measures to be sure he does not."

"He is a specious beggar; she will marry him all the same."

"Then, if he has such an ascendency over her, would she not in any case? She is of age; her own mistress."

"But not from my house," the boy said.

However, in what I proposed there was respite; and, for better or worse, I had my way.

I could not return to witness the innocent happiness of Daphne, and I spent the rest of the afternoon in trying to soothe the agitation of Daphne's mother; listening to her tirades against her suddenly masterful son, hearing her protestations of faith in the rectitude of Jack Marston, alternating with her outbursts of anger and grief at his hitherto unsuspected villainy.

"Hugh will see him when he arrives, will confront him with the story," I told her. "I don't suppose he can utterly deny, but he can palliate. There will be nothing told to Daphne which she can't forgive. The wedding will go on."

Calm came to her presently, even cheerfulness—so mercifully is the mature heart case-hardened to bear its burdens. It is, I am sure of it, the heart of the young only which can break. Terrible things were hanging over the house. Sin and shame in the person of Jack Marston were approaching it by the 5.15 train. Its most idolised inmate was to be killed with disappointment, or to bind herself on the morrow to a life of misery, perhaps disgrace; but in the drawing-room was already a sprinkling of guests, many more were on their way. The wolf may gnaw at the vitals, but a hostess must wear a smiling face.

* * * * *

The omnibus and the brougham returned duly from the station with the last expected guests, vehicles containing their luggage and their servants followed; but the dog-cart, sent specially to meet Jack Marston, came back empty.

The master of the house heard the intelligence without comment. Presently he came across to me with an ugly look on his set face.

"The beggar has got wind of it, you see, and has made a bolt," he said.

I hardly know if it was a relief or not to find that this was not the case. One of the Mayors' newly-arrived cousins, who had seen the bridegroom at Liverpool Street, had been entrusted with a note to the bride which satisfactorily explained his absence.

I carried this note in to Daphne as she dressed for dinner. It was only a hurried scrawl on a leaf torn from a memorandum book, and, having read it, she passed it on to me.

"Four whole hours before he gets here!" she lamented. "Oh, Hannah! could anything have been more truly unlucky?"

"Darling," the pencilled lines ran, "I find those beggars in Covent Garden have not sent the carnations. I shall wait till the last minute, and if not here must go after them. I dare not come to you without the carnations! Have me met by the 9.30. Yours for ever, and ever, and ever—JACK."

"My dear, four hours isn't much," I reminded her.

"Four hours is a lifetime," she said.

She stared, positively with tears in her eyes, at her pretty reflection in the glass. "I don't know how I shall get through this evening," she said.

I don't know how we all did; but it passed somehow, although it did not pass gaily. Hugh was too young and honest to hide with any success the care that harassed him; his glum face at the head of the dinner-table was discouraging to the most persistent cheerfulness. Mrs Mavor did her best, but she was ill at ease, and, as must have been patent to all, strongly disinclined to talk of to-morrow's event. To Daphne, disappointed of her lover's presence and support, the gathering of the clans was an ordeal and an embarrassment.

Standing beside her when coffee was brought to her, I heard her ask of the servant if the dog-cart was yet gone to meet Mr Marston. He believed it was just upon the start, the man said.

"Let me know as soon as it goes, please," Daphne said, and presently the footman came in again with the desired intelligence.

I suppose the poor child wanted to follow in fancy the dog-cart along the silent roads and the dark lanes, beneath the starlit sky; to see it arrive at the little wayside station in time for the rush and roar of the train, dashing like a jewelled monster out of the desert of night; dashing off again, its great ruby eyes shining in its tail, into the blackness of space, having deposited the one precious item of its freight on the platform.

A half-hour before Marston could arrive Daphne slipped away. "I shall wait up for Jack," she said to her mother. "Send him, the instant he comes, to me in my sitting-room."

One by one the ladies of the party followed Daphne's example. The men went off into the smoking-room. Mrs Mavor and I were left alone. Her nervousness and excitement, suppressed hitherto, were now at fever heat. She moved about the room, pushing chairs into fresh positions, shaking their cushions, taking up and setting down, now this now that ornament, with trembling fingers pulling out and pushing in flowers in the vases, not improving their arrangement by any means.

"The question is what Hughie will do," she said for the twentieth time. "If only he would leave it alone! If he would not interfere! It has gone so far, only Heaven should intervene. You know, Hannah, we all marry men with our eyes blinded. Daphne must take her chance like the rest. Supposing it was you, Hannah; if the man was a—murderer—and you loved him, and knew that he madly loved you, would you thank anyone for coming between? You'd marry him, wouldn't you?"

I declined to say how I should proceed with my murderer. If I had it in me to love a man against my reason and my conscience I could not tell.

"It's eleven o'clock," I said. "I thought you told me he would be here by half-past ten."

She ceased to fidget with the furniture, and came to the mantelpiece by which I was standing.

"The clock's wrong," she said. "Fast, a good half-hour." She seized the little gold carriage clock and shook it in her nervous fingers as if that would put the matter right. The door opened.

"Here he is!" she said, and started violently, almost dropping the clock.

It was Hugh who came in, his face pale, a fire of excitement gleaming in his eyes, his watch in his hand. "He should have been here half an hour ago. It is as I told you: he has made a bolt," he said.

"The dog-cart is not back?"

"No; but you'll see!"

"Are the men gone to bed, Hugh?"

"No, they're in there"; he gave a backward toss of his head in the direction of the smoking-room. "It all makes me sick," he said. "I can't sit there and hee-haw with them."

He took up his position between his mother and me, his hands on the mantelpiece, his foot on the fender, and gloomed down upon the hearth.

When the hands of the little clock showed that another half-hour had flown, the door was flung open and Daphne came in.

"Hasn't he come?" she asked. "I thought you were keeping him away from me, downstairs. Hasn't he even come?"

"The train is late," the mother said.

But Daphne was overwrought. She flung herself upon a chair, and twisting herself so that her arms embraced its back and her face was hidden, began to cry hysterically.

"There has been an accident," she sobbed, presently, lifting her head. "Hamley has overturned the dog-cart in the dark; Jack has been pitched out; there is no one to help,—and you all stand here! You all stand here!"

She insisted that her brother should go at once on his bicycle to see what was amiss. Her distress unnerved the boy, and softened him. He lifted her from the chair, and put his arm round her and led her to the door.

"You go to bed, Dapple-ducky," he said, calling her by the name he had given her in childhood. "It's all right, dear. Don't you be a silly. I'll go along at once and fetch him."

His stern resolve was shaken. If Jack Marston had come then he would have relented; I think the marriage would have taken place.

But he did not come. He never came.

Halfway to the station Hugh Mavor met the dog-cart returning, the groom alone seated in it. There had been an accident, he said; a couple of carriages had run off the line and overturned. He had waited for the surviving passengers to be brought in. The train bringing them had at length arrived; Mr Marston was not among them.

The accident had happened ten miles down the line. Hugh got into the dog-cart and drove to the scene of the disaster.

Mrs Mavor spent the night in Daphne's room. I awaited Hugh, sitting alone by the drawing-room fire, when he returned at four o'clock in the morning of what was to have been his sister's wedding-day. He came in, carrying a florist's tin box in his hand, and I read the news in his face before he spoke.

"Only three killed. He was one. I saw him. I thought I had to. It was awful."

He sank into the chair where Daphne had sat, hid his face on its back as she had done, while his shoulders heaved with painful sobbing. After a few minutes he turned to me.

"We shall have to tell her," he said. "That is the next thing to do."

He got up, and with shaking fingers, not knowing, I think, that he did so, pulled the string from the tin box, which lay on the table beneath the lamp, pulled it open.

"Everything else in the carriage seemed to be in shivers—but this," he said.

Inside, beneath the snowy wrappings of cotton wool, great perfect blooms of pink carnations lay. The spicy fragrance rose in our faces; in the light of the lamp the glowing flowers smiled in their faultless beauty.

"Poor Dapple's lucky flowers!" the boy said.

* * * * *

Those among us who know more of her dead lover than was ever told to Daphne are disposed to call them her lucky flowers still.



A LITTLE WHITE DOG

"There!" Elinor cried. "Now, how could you be so careless, Ted?"

"The blessed thing must have jumped of its own accord off the chimney-piece," Ted said. He looked down at his wife on her knees beside him, ruefully collecting the fragments of the broken vase. "I wasn't so much as looking at it, Nell."

"No! If you'd only had the sense to look at it!" Nell sighed. "But you will stand with your heels on the fender, and you push those great shoulders of yours against the chimney-board, and smash go all my ornaments—and a lot you care! However, something had to break to-day, and it might have been worse."

"How do you mean 'had to'?"

"That great awkward Emily threw down a soup-plate last night; and I——"

"No, not you, surely, Nell?"

"It wasn't my fault, of course. I was lifting the hand-glass from my dressing-table as carefully as carefully, and it just dropped out of my hands! 'That is the second,' I said to myself; 'now I wonder what the third will be.'"

"And why did you say anything so silly?"

"Have you actually grown to your enormous age, and not known that when one thing is broken in a house three are broken? Well, you have had an ineffectual sort of education!"

"You don't believe such rotten rubbish?"

"Don't you? When I tell you of the soup-plate, the hand-mirror, and now this vase? You can't call it nonsense, because there it is. A proof before your very eyes. You might as well say it isn't unlucky to see a single crow——"

"I'd sooner see one of the mischievous brutes any day than fifty."

"—That you may expect things to go pleasantly on the day you put on your petticoat the wrong side out——"

"I should expect them to take a comic turn on the day I did that, certainly!"

"What a ribald boy! Now, listen, Ted; be very attentive, and I will tell you a true, true story. You mustn't laugh the tiniest titter—ah, now, Ted! you won't laugh, will you?"

They were very young married people, and were not yet disposed to sit quietly apart and talk to each other. She seized him by the lapels of his coat now, and shook him to attention, while he, looking down upon her with the hardly yet familiar pride of possession in his boyish eyes, swayed his big frame in her grasp, flatteringly yielding to her small efforts.

"Are you going to attend, sir? Well, then—There was once a young man——"

"Who met a small vixen called Nell, and she fell in love with him and made him marry her."

"Ah, now, Ted, do listen!—A young man, and his mother told him never to walk under a ladder."

"And he did, naughty youth, and a bricklayer fell on him, and he died?"

She pleaded with him. "Seriously, Ted; no nonsense!" So he grasped her by the elbows and looked gravely in her face.

"It was mother's cousin Harold—really and truly—not a make-up."

"Hurry up, darling. I'm swallowing every word, and it's most awfully interesting."

"And he didn't believe that kind of thing—just like you, you know—ladders, and crows, and petticoats, and things. And he was going out to the West Indies to an awfully good appointment—hundreds a year! And his mother went for a walk with him on the last day. And they were building a row of houses——"

"Cousin Harold and his mother?"

"No. You know. And his mother said, 'Don't go under the ladder, dear'—and he did."

"Naughty boy! Naughty Cousin Harold!"

"You're laughing! Very well, just wait. To tease her, he would. 'Now, look here,' he said, 'every ladder I come to I mean to go under twice.' And he did. And his mother couldn't stop him, and she cried. And—that's all——"

"All? But where's the point?"

"I didn't say there was a point. You know about mother's Cousin Harold."

"I'm hanged if I do."

"He never, never came back."

"Goodness!"

"He never even got there."

"Break it gently, Nell."

"The ship he went in sank, and no one escaped to tell the dreadful tale."

"And supposing he hadn't walked under ladders, but was alive in the West Indies, what relation would he be to you and to me?"

She was proceeding to tell him in all good faith, but he stopped her. "And now," he said, "I will tell you a tale. But first, as my feelings have been considerably harassed, I will solace myself with a pipe."

She was being taught to fill his pipe, and to light it, and on this occasion was made to take a couple of draws to prove to herself that she had not properly cleaned it with the hairpin, according to instructions given last night. So that the story was long delayed, and when at length it came it did not amount to much.

"There was once an old man who gave a dinner-party."

"That was daddy," Elinor said, from the arm of the chair where she was now sitting with her shoulder against his.

"It was on the occasion of the marriage of his only daughter to a handsome and agreeable young man, the most eligible parti of the neighbourhood."

"That was you and me," Nell explained, contentedly. "Well, you are a vain old boy!"

"No interruptions, please," Ted went on, pulling at his pipe. "Although the occasion was one of rejoicing, there was a melancholy circumstance connected with it which cast a shadow over the otherwise sunshiny—'m—sunshine of the scene."

"You're as bad as a newspaper. Go on softly, or you'll never keep it up. I can't think what's coming."

"The guests sat down thirteen to table——"

"Well, so they did!" Nell recalled. "Now, that is really very clever of you, Ted. I'd quite forgotten. I was horribly frightened then—but I'd as clean as clean forgotten!"

"Well, there you are!" Ted said. "There's your moral."

"Where? Where?"

"Why, here we are, all alive and well and kicking; you and me, your daddy and mummy, your uncles and your cousins and your aunts."

"But supposing one of us wasn't!" Nell remarked sagely. "When you ask your thirteen to dinner and one dies it must be horrid; and I should think your guests might—might bring an action against you."

She was holding the hand he had just put up to meet hers, which was round his neck now, and a thought suddenly struck her. "But the year isn't up yet, Ted," she said.

The dinner had been an epoch in their young lives; they both remembered the date was the eighteenth of October. He pointed to the silver calendar on the chimney-piece, to which the parlour-maid attended. "This is the eighteenth again," Ted said. "There aren't two eighteenths of October in one year."

Elinor was back in memories of the event. "Do you remember Aunt Carrie, and how ill she was? At the very verge of the grave. And how afraid mummy was she should notice there were thirteen? Now, here she is as well as any of us, and going to get married again. Ah! What are you doing, Ted?

"No, Ted! Oh, no, please! My hair will come down!"

"I'm getting another hairpin."

It was such pretty hair, he was always pleased to see it hanging about her ears, as had been its fashion when he had first met her—not so long ago. So he fought her for the hairpin while she ducked her head and threw it backwards, and laughed, and struggled in his grasp; to submit, of course, at last, to yield up the hairpin, to roast it, red hot in the fire, to watch it burn its malodorous passage through his pipe.

That ceremony over, she got him his boots, and would have laced them for him, and kissed them too, if he would have let her, and did grovel at his feet to arrange the roll of his stockings for him.

"You have got nice calves, Ted!" she told him. "I don't think I could love even you if you had sticks of things like Robert Anstey's."

"Oh, Bob's legs'll do all right," Ted said, loyally. He stamped a foot into the second boot, and in doing so ground some of the broken vase beneath his heel. He filliped her cheek, then, smiling into her eyes—

"You and your old woman's superstitions!" he said. "Perhaps you don't know I've a—what d'ye call it?—a portent in my own family—or had when I had a family," he told her, bending again over his boot. "Well, I have, then!"

"And what's a portent, silly? I daresay it's nothing to boast of."

"It's a little—white—DOG!"

He barked the last word at her, loud and sharp, his face suddenly projected into hers. She fell backward and sat on her heels.

"Ted! How horrid of you! What does it do?"

"I haven't the faintest notion."

"Are you making it up?"

"Not I. They all made it up. My father, and my grandfather, and the whole tribe. They stuck it into each other, and tried to stick it into me, that whenever one of us is going to die he sees this beastly little hound."

"Ted!" she was clinging to the calf she admired now, in an agreeable ecstasy of shuddering. "I wish I had a ghost, too."

"You shall have mine, with pleasure."

"But why didn't you tell me before?"

"I clean forgot it till this minute. My father told me about it when I was quite a little chap."

"But is it true, Ted?"

"Of course it isn't."

"And did they really see it?"

"They said they did. You may bet your life they didn't."

When he was ready to walk round the little domain he had inherited from his father, Elinor accompanied him to the gate. "I wouldn't have a little white dog for a ghost!" she said to him, slightingly, as they parted. "Anyone could have as good a ghost as that if they tried!"

"Everyone couldn't have an ancestor who had tortured one to death to spite his wife!" he said.

"You can see a dozen little white dogs any day," she taunted him.

"I saw one more than I wanted yesterday when I was out with my gun," he admitted. "That new little beast of Anstey's ran in front of me into every field and frightened the birds. I hardly had a shot."

"Tell Bob to keep it at home," advised Nell.

"I must," Ted acquiesced, and went.

In the course of the morning Bob Anstey, who always appeared some time during each day, came in. Elinor found him standing up by the chimney-piece, manipulating the silver calendar.

"You're a day too previous in your calculation," he said. "This isn't the eighteenth, but the seventeenth, madame."

"Well, how funny!" Elinor cried. "Now I wonder how Aunt Carrie is! I shall have to tell Ted the year isn't up, after all."

To Anstey that was rather a cryptic utterance, but he asked for no explanation. These two were full of little jokes, of allusions, of reminiscences, interesting to them, in which he had no part, close friends as they were.

"Can you spare Ted to me for an hour or two this afternoon?" he asked.

"She could not," she said, smiling; "she could never spare Ted."

"Then come along with us yourself, madame. I want Ted's opinion of that mare I've got my eye on at Wenderling. Your ladyship's opinion would be of value, too."

"Ted has nothing to ride. Did you hear that his horse had wrenched its shoulder yesterday? A wretch of a little dog ran out of a cottage and got mixed up with Starlight's feet. Ted jerked the horse round to spare the dog—and Starlight is as lame as a tree."

They would bicycle then, he decided. The roads were good. They would get into Wenderling in time for tea, and take it easy, coming home in the dusk. They must remember to take lamps. They would start at three.

She agreed to all arrangements, swaying herself idly in the rocking-chair Ted had bought for her; a pretty slip of a girl with a happy, almost childish face. Anstey little thought as he looked at her how often and often through all his life he would with his mind's eye see her so again!

As he was going through the door she called a laughing reproach to him. "Your abominable dog spoilt my husband's sport yesterday, Mr Anstey. Why do you keep such a wretch?"

"Which dog?" he asked, pulling up, smiling at her.

"Your horrid little white dog."

"I haven't got a little white dog," he said, and laughed, and went away.

After all, Elinor did not share the expedition to Wenderling; for at lunch-time it came on to rain, and Ted would not let her get wet. He was proud of seeing her rough it sometimes; he delighted to take her hunting on days when no other lady was in the field, to see her face, rosy and eager, her bright hair darkened with the wet, the raindrops hanging on her hat. He kept her beside him, standing silent and patient in a certain soppy, sodden spot by the river, waiting for the chance of a wild duck flying homeward above the low-lying mists of the fens. What did not hurt him could not harm her, in her youth and strength and spirit, he thought.

"She has the pluck and the staying power of a man," he was proud to tell Anstey; but was proud, too, now and again, to exercise his new prerogative of taking care of the wife who was such a recent, dear possession. Quite unexpectedly, he would veto some proceeding she proposed.

"I won't have you doing it," he would say with dignity. And she was equally proud to obey.

"Ted says I mustn't," or "Ted says I may." What, in those golden hours, did it matter which?

She walked with him, bareheaded, through the drizzling rain to the house where the bicycles were kept, and felt the tyres with him, and rubbed a spot of rust off the handle bar, and walked beside him again, he pushing the machine, down the drive to the road.

"It's a beastly day," Ted said, with an eye cocked at the low-hanging, steel-coloured clouds. "If Bob wasn't so keen on my seeing this horse, I'd chuck it and stay with you."

"Come home soon," she begged him; and, "You may be sure I shall come as soon as I possibly can," he promised her.

"It wasn't Bob's dog that bothered you the other day," she told him as he stood ready to mount, his foot on the pedal; "Bob hasn't got a little white dog."

"It must have been that brute that ran out from Barker's under Starlight's feet the other day, then," he called, and was off.

Nell stood by the gate and watched him till he joined his friend, and, in spite of the faster falling rain, she watched him still. Before they reached the bend of the road Ted turned his head; she waved a gay hand to him, and he, hesitating for a moment, wheeled round and bicycled back.

"Did you call me, Nell?" he said.

Of course she had not called.

"Bob knew you hadn't, but I thought I heard you call; and then you held up your hand and beckoned me."

"Nonsense! Nothing of the sort!" she laughed. "Be off, Ted. I shall never get you home again if you don't start."

"You'll have me home in a twinkling," he promised. And in a flash was gone.

She turned and ran back, with head bent beneath the downpouring rain, light-hearted, to her home, not knowing, never guessing that on that handsome, smiling, healthy face of her young husband she had looked her last.

For when, a couple of hours later, borne on men's shoulders, he was carried to his home, he was so crushed and mangled out of his likeness as his wife had known him that, even by force, they prevented her from looking upon him.

When time had elapsed—Elinor, for some part of it mercifully numbed or unconscious, could not have told if hours, days or weeks—Bob Anstey, at her request, was brought to her. He had been in waiting, knowing that, sooner or later, that meeting, if they did not die with the pain of it, must be lived through.

He had expected to see her lying helpless and strengthless with hidden face. She was standing up against the darkened windows at the end of the long room furthest from the door. He started, walking slowly, almost as if he was groping his way, among the familiar chairs and tables, in her direction. But when half the space was traversed, and she still stood there, uttering no word, dully watching him, his courage failed, and he stopped short. It was the sight of Ted's chair, his pipes on the bracket beside it, the picture of him, smiling, in the silver frame on the mantelpiece, which unmanned him. He had prayed that he might have strength to support the girl-widow in this interview; and he found himself suddenly giving way before her, sobbing like a child; while Elinor looked on tearlessly from afar, dangling the tassel of the window-blind in her hand.

When at length he somewhat mastered his grief and looked up, she had come quite close to him, but she did not speak.

"I thought you might like to hear," Anstey said, in sorrow-muffled voice; and she nodded her head for him to go on.

"He—talked of you nearly all the way," he began. "He said how——"

She stopped him. "Not that," she said, "not yet. The other—the other!"

By some instinct he knew what she meant. "It was going down the Wenderling Hill," he said, "just as we got into the town. You know that steepish hill? Halfway down was a brewer's waggon. We were going at a good stroke, not saying anything, for the moment. We got up to the waggon. 'There's that infernal white dog again,' he said. And I heard him call loudly, 'Get out of the way, you brute!' He swerved violently on one side, as if the dog were in his path—I don't know how it happened; God knows why it happened!—he was flung right under the wheels. He—thank God, he did not suffer, Nell, or know a moment's terror or regret. He died instantly."

Elinor was silent for long. She sat, with brow clasped tightly in both hands, looking intently upon the carpet at his feet, trying, he thought, to understand, to get into a mind too confused to work receptively what he was saying to her. Presently, still tightly holding her head, but with more of comprehension in her face, she looked up.

"And the dog?" she asked him. "The little white dog?"

"It's a strange thing about the dog," he told her slowly. "There wasn't one!"



IT ANSWERED

"And besides all that, the poor little woman is ill," he said. "She didn't complain much, but she looked like a ghost to-day."

"What is the matter with her now?" his wife asked.

She was lying back in her chair as if she, herself, were a little tired, and her long white hands busied themselves with four knitting-needles from which depended the leg of a knickerbocker-stocking intended for the shapely limb of Everard Barett.

He looked quickly at her with an air of suspicion and offence. "Now?" he repeated. "What does 'now' mean, spoken in that tone? I don't want to talk about Vera if you don't want to hear. You call the little woman your friend, and ask in that tone, 'What's the matter with her now?'"

Mrs Barett knitted on in silence during the agitated minute in which her husband kicked away the chair on whose seat his feet had been stretched, sat up, punched the cushion behind him three times with a vicious fist, and, finding it even then fail intelligently to support his head, flung it across the room.

"'Matter with her now!'" he snorted to himself, in a tone as unlike that mimicked as possible.

"Vera seems to be generally full of complaints, that's all," the wife said.

He gave her a furious glance, and stretched a hand backwards for the newspaper that lay on the table behind him. "We will change the subject," he said, loftily.

"She has her husband, who is devoted to her," Mrs Barett reminded him, disregarding the remark.

For answer the man moved impatiently, and angrily slapped one of his slippered feet over the other.

She smiled upon her knitting. "I daresay her husband isn't the style of man you admire, but he is devoted to her all the same," she said.

"Pappy idiot!" Mr Barett ejaculated. He worked himself deeper into his chair, and held his newspaper before his face.

His wife knitted on, and presently said, as if of the outcome of her thought, "I will go in and see Vera to-morrow, of course."

The newspaper rustled defiantly as it was turned over.

"You know very well, Everard, if Vera is really ill there is no one more sorry than I. Of course, I shall not neglect her."

He was mollified by that, and lowered the paper sufficiently to gaze over the top of it into the fire. "It would be rather unfair if you did; and, considering all the little woman did for you when baby was born, a little like ingratitude into the bargain," he said. "You can't have forgotten all she did?"

No. She had not forgotten, Mrs Barett admitted.

"Here every day of her life, and sometimes all day long—neglecting her own home, and——"

"I remember perfectly, dear," said Lucilla. "What of it?"

Her husband repeated the question in a tone of exasperation, got up, threw away his newspaper, fidgeted about the room, moving the chairs out of his way, staring at the ornaments. "What of it?" he asked. "I suppose, knowing she was there, and seeing after things—saving me bother in giving orders, coming between me and that infernal nurse, and so on—was a comfort to you, wasn't it?"

Mrs Barett, intent on her knitting, made no reply.

His position was strong; he repeated his question: "Wasn't it, I say?"

"It was a comfort to you, I suppose," Lucilla said, then. "We will leave it there."

He gave her a quick glance, angrily questioning. He had temporarily anchored against the fender now, and stood with his heels on it, his hands in his pockets.

"I suppose that it was a comfort to me was something, at any rate?" he asked. He shrugged an angry shoulder. "I was the one that had to go through the misery of it, I know that. I shan't easily forget the time before, when Billy was born, and I was shut up for a solid three weeks with your mother! Heavens! going about with a face like a funeral! Looking at me as if I was a monster every time I took up my hat to go out! I should think Vera Butt was a comfort to me! It wasn't as if you had been really ill. You know you were always saying you wanted to get up and come downstairs to be with us, weren't you?"

"I certainly should have liked better to be with you," Lucilla admitted.

"Well, and Vera said, 'Here's Luce lying tucked up as jolly as a sandboy, why shouldn't we be jolly too?'"

"Exactly; and she wasn't fretful, or complaining, or hysterical once, all the time, was she?"

His thoughts travelled back over the memories of the weeks of which they spoke; the weeks in which he had first begun to find Vera attractive. He saw the face which in that time he had, not without surprise, discovered to be pretty; he thought of the fun they had made between them, and heard her chattering, gay voice, and listened to their mingled laughter. A smile moved his lips for an instant; he looked up, caught his wife's eye, and had a sudden feeling of looking foolish in her sight.

"She was a good little woman, when we wanted her, and I'm sorry if she's ill. That's all," he said. "The Butts aren't very well off, and she doesn't get the comforts a woman wants in illness."

"I'll go and see after her to-morrow," Lucilla said.

It had become the custom of Everard Barett to go for a stroll the last thing at night, to get a "mouthful of air before turning in," as he said. When, later on this evening, he looked in upon his wife before starting for his walk, he found her standing by the hearth, gazing thoughtfully down into the fire.

"If you're thinking of dropping in at the Butts," she said, "you might take a few grapes to Vera. There are just a couple of bunches left. Shall I get them?"

He was putting himself into his topcoat, and he reddened a little with the exertion. "Oh, grapes?" he said; "I took them this afternoon. I saw them standing about, and——"

"Oh, that's all right," Lucilla said. "So long as she had them! And is that where the violets went? I wanted some in, to-day, and gardener said they had all been gathered out of the frame. Did you take the violets, too, to Vera?"

"I daresay I did," said Everard, turning his back.

"You daresay?"

"Well, I did, then. How should I know you wanted them, or that there was going to be a piece of work about a handful of violets?"

With that he went, and pulled the door to with a slightly unnecessary emphasis.

Everard Barett was the sleeping partner in a large manufacturing firm in that provincial town. He drew his comfortable income from this source, but had very little else to do with the business; and so it was that time hung heavily on his hands. Yet, every now and then, a business zeal would seize him, or a weariness of doing nothing, and he would have himself driven down to the great malodorous factory by the river, to put away a few hours. From thence he would return in a far more cheerful spirit than was his on his unoccupied days.

On the morrow of the above conversation he came back from such a dutiful visit, and going into the drawing-room in search of his wife, he found, lying on the sofa drawn up to the fire, not Lucilla, but the lady who of late had dwelt so dangerously in his thoughts—Vera Butt.

She had assumed a charming attitude, which she only changed to throw out a welcoming hand as he came forward. "Here I am," she said. "It's really me. Isn't Luce an angel?" She smiled at him, showing all her teeth, stretching back her head on the pillow to bring her full, round throat into prominence, shutting her eyes. "Oh, it is good to be here!" she said.

It was good to see her there, he murmured, but not without a little embarrassment. For, it is one thing for a man to make love to another man's wife during a half-hour's call at her house, and another to do the same when she has taken up a permanent position in his own wife's drawing-room.

"I'm to stay here till Fred comes back," Vera told him, opening her eyes upon him. (Fred was the husband.) "He won't be home for another fortnight, at least. Are you prepared to tolerate me for a fortnight?"

He thought he was, he smiled; he sat down on the divan not far from her sofa and gazed at her in a rather shamefaced way.

"In a company of three, one must be de trop. I only hope it won't be me," she said.

She was such a nice little woman! With anyone else he might have thought it "good cheek" to imagine it possible his wife or he could be de trop in their own house.

"What talks we'll have!" she went on. "Do you remember when Luce was ill we laughed so loud at some ridiculous thing you said when we were going up to her room that the horrid nurse came out and was rude, and asked us to be quiet?"

Everard remembered the occasion with resentment. It was he who had made the witty remark, certainly, but it had been Vera who had boisterously laughed.

"I never laugh, at home," she told him. "And if Fred does, I am ready to fly. I can't bear any sudden noise. Luce is going to have nurse take the babies always down the back stairs, for fear I should hear them as they come out and in. She has given orders they're not to come into this part of the house at all while I'm here."

"Of course not," Everard said. But he thought of his little Billy, who was two years old, and who was allowed to spend half an hour with his father twice each day. His son was very near to his heart. He wondered how he should make up to Billy for those lost half-hours.

"It is delightful!" Vera said. "I think I should like to lie here for ever, only the firelight to see by, and you sitting just there to talk to me."

"We mustn't talk if it hurts your head," Everard said, with tender caution.

"Well, you to sit there and keep silence, then," she amended.

The divan was not very comfortable. He could not echo her wish that he should sit so, for ever, silent.

"How is the poor head to-day?" he asked.

"It is like fire," she told him. "Feel."

She hitched herself upward, leant on her elbow, and stretched her neck forward, bringing her face within easy distance of his own. What could he do but kiss her forehead?

He had a very gay look when he burst in upon his wife, who was dressing for dinner.

"So you got her here?" he said. "Isn't that giving you a lot of trouble, Luce?"

"We mustn't think of the trouble," Lucilla told him. "I shall not be able to be with her always, but fortunately you and she get on so well——"

"Oh, I daresay I can find time to sit with her, now and then, if that's all you want me to do," he acquiesced, looking down his nose.

"She seems really sadly," Lucilla told him. "Her head is bad, and her nerves—she's all nerves! Then, she has a sort of seizure, now and then——"

"Heavens!"

"Yes. She suddenly becomes, she says, rigid. Can't move hand or foot."

"I say, that must be bad. And what do we do then, Luce?"

"Well," said Lucilla, calmly surveying herself in the glass, and turning her long neck to get a view of her elegant back, "in that case you will have to carry her up to bed, and I shall have to undress her and send for the doctor."

"I carry her!" he said to himself, doubtfully, again and again as he dressed. "She's something of a lump for any man to carry."

He was considered a handsome man by himself and his friends; by no one could he be considered a fine one. Lucilla—he admired her long, graceful figure still—was as tall as he, and he knew himself lacking in muscular strength. "I hope she won't become rigid here," he said.

She had all her meals served in the drawing-room, and she partook of every course, and had a really fine appetite. Plates with biscuits, with grapes, basins with beef-tea, glasses of milk, champagne bottles, were always standing around her sofa.

"It is making rather a piggery of the place," Everard said more than once to his wife.

It was a matter of importance to him, because he found he was expected, both by his wife and Mrs Butt, to spend all his time there. Lucilla, with her nursery, her conservatories, her interest in parochial matters, had never been exacting; he had come and gone without explanation, as it pleased him. But a half-hour unaccounted for came, with Vera, to mean a sulk, to mean tears, to mean, eventually, a nagging such as in all his life Lucilla had never given him. Certainly, if he had prized Vera Butt's society in the days when he could get very little of it, he had his fill now.

A meal being over, Lucilla would say—"I have such and such a thing to do; you go in, dear, and keep Vera amused for an hour." And the hour would stretch to two hours—till the next meal, even. And during that time Vera gave him no rest. She would call upon him incessantly to tell her things, to amuse her.

"Surely something interesting must have happened! Does nothing ever happen in this house?" she would pout. "You used to say funny things—do you remember how we laughed when Luce was ill? Say something funny now, to keep me going?"

He, with inward resentment, would decline to be funny at command, and she would pass on to the reproachful stage, and so, by easy passage, to the stages of tears and sulks and semi-insensibility; when he would have to dab her forehead with eau-de-Cologne, and rub her hands, or to lift her head higher with his arm beneath the pillow.

"I'm a married man, but I never was called on to do this kind of thing before," he would say to himself.

And at last—"I'm hanged if I'm not getting fairly sick of it," he said.

Then came a day when, before going to his place by the invalid's sofa, he ran up to the nursery and fetched Billy down.

"All nonsense," he said to himself as he carried the child, perched on his shoulder and delightedly holding on by his hair, downstairs. "She screams and cries enough herself; suppose Billy takes his turn!"

"Look here!" he said as the pair entered, "here's Boy Billy come to see you."

Boy Billy struggled down from the paternal shoulder, ran across the room as fast as his fat legs would take him, and with a delighted cry of "mummy! mummy!" hurled himself upon the lady on the sofa. To fly back to his father, with outflung arms and a scream of terror, when, instead of the fair, blooming face of his mother with the auburn waves of hair, the sallow cheeks, the tossed black hair, the great dark eyes of Mrs Butt met his infantile gaze.

The howl that Billy gave in the first pang of that disappointment was certainly out of place in a sick-room. Everard, with one glance at the figure on the sofa, flinging itself into a sitting posture, and gazing at him in an outraged frenzy, caught his boy in his arms and fled with him upstairs.

"My's mummy! My's mummy! Billy wants my's mummy!" the child screamed.

His mummy was sitting over the fire in her own room, and her husband, bursting in, deposited Billy on her lap. The sobs died away against her breast, but Everard went down on his knees and smoothed and patted the beloved little head, and talked the foolish language of consolation his fatherhood had taught him.

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