When she fled from their hut one bitter day, as he roared some wild words at her, it was because her nerves had all been shaken from threatened death by wild beasts (of which he did not know), and his violence drove her mad. She had run out of the house, and on, and on, and on—and she had never come back. That was weeks ago, and there had been no word nor sign of her since. The man was now busy with it all, in a slow, cumbrous way. A nature more to be touched by things seen than by things told, his mind was being awakened in a massive kind of fashion. He was viewing this crisis of his life as one sees a human face in the wide searching light of a great fire. He was restless, but he held himself still by a strong effort, not wishing to disturb the sleeper. His eyes seemed to retreat farther and farther back under his shaggy brows.

The great logs in the chimney burned brilliantly, and a brass crucifix over the child's head now and again reflected soft little flashes of light. This caught the hunter's eye. Presently there grew up in him a vague kind of hope that, somehow, this symbol would bring him luck—that was the way he put it to himself. He had felt this—and something more— when Dominique prayed. Somehow, Dominique's prayer was the only one he had ever heard that had gone home to him, had opened up the big sluices of his nature, and let the light of God flood in. No, there was another: the one Lucette made on the day that they were married, when a wonderful timid reverence played through his hungry love for her.

Hours passed. All at once, without any other motion or gesture, the boy's eyes opened wide with a strange, intense look.

"Father," he said slowly, and in a kind of dream, "when you hear a sweet horn blow at night, is it the Scarlet Hunter calling?"

"P'r'aps. Why, Dominique?" He made up his mind to humour the boy, though it gave him strange aching forebodings. He had seen grown men and women with these fancies—and they had died.

"I heard one blowing just now, and the sounds seemed to wave over my head. Perhaps he's calling someone that's lost."

"Mebbe."

"And I heard a voice singing—it wasn't a bird tonight."

"There was no voice, Dominique."

"Yes, yes." There was something fine in the grave, courteous certainty of the lad. "I waked and you were sitting there thinking, and I shut my eyes again, and I heard the voice. I remember the tune and the words."

"What were the words?" In spite of himself the hunter felt awed.

"I've heard mother sing them, or something most like them:

"Why does the fire no longer burn? (I am so lonely.) Why does the tent-door swing outward? (I have no home.) Oh, let me breathe hard in your face! (I am so lonely.) Oh, why do you shut your eyes to me? (I have no home.)"

The boy paused.

"Was that all, Dominique?"

"No, not all."

"Let us make friends with the stars; (I am so lonely.) Give me your hand, I will hold it. (I have no home.) Let us go hunting together. (I am so lonely.) We will sleep at God's camp to-night. (I have no home.)"

Dominique did not sing, but recited the words with a sort of chanting inflection.

"What does it mean when you hear a voice like that, father?"

"I don't know. Who told—your mother—the song?"

"Oh, I don't know. I suppose she just made them up—she and God. . . . There! There it is again? Don't you hear it—don't you hear it, daddy?"

"No, Dominique, it's only the kettle singing."

"A kettle isn't a voice. Daddy—" He paused a little, then went on, hesitatingly—"I saw a white swan fly through the door over your shoulder, when you came in to-night."

"No, no, Dominique; it was a flurry of snow blowing over my shoulder."

"But it looked at me with two shining eyes."

"That was two stars shining through the door, my son."

"How could there be snow flying and stars shining too, father?"

"It was just drift-snow on a light wind, but the stars were shining above, Dominique."

The man's voice was anxious and unconvincing, his eyes had a hungry, hunted look. The legend of the White Swan had to do with the passing of a human soul. The swan had come in—would it go out alone? He touched the boy's hand—it was hot with fever; he felt the pulse—it ran high; he watched the face—it had a glowing light. Something stirred within him, and passed like a wave to the farthest courses of his being. Through his misery he had touched the garment of the Master of Souls. As though a voice said to him there, "Someone hath touched me," he got to his feet, and, with a sudden blind humility, lit two candles, placed them on a shelf in a corner before a porcelain figure of the Virgin, as he had seen his wife do. Then he picked a small handful of fresh spruce twigs from a branch over the chimney, and laid them beside the candles. After a short pause he came slowly to the head of the boy's bed. Very solemnly he touched the foot of the Christ on the cross with the tips of his fingers, and brought them to his lips with an indescribable reverence. After a moment, standing with eyes fixed on the face of the crucified figure, he said, in a shaking voice:

"Pardon, bon Jesu! Sauvez mon enfant! Ne me laissez pas seul!"

The boy looked up with eyes again grown unnaturally heavy, and said:

"Amen! . . . Bon Jesu ! . . . Encore! Encore, mon pere!"

The boy slept. The father stood still by the bed for a time, but at last slowly turned and went toward the fire.

Outside, two figures were approaching the hut—a man and a woman; yet at first glance the man might easily have been taken for a woman, because of the long black robe which he wore, and because his hair fell loose on his shoulders and his face was clean-shaven.

"Have patience, my daughter," said the man. "Do not enter till I call you. But stand close to the door, if you will, and hear all."

So saying he raised his hand as in a kind of benediction, passed to the door, and after tapping very softly, opened it, entered, and closed it behind him-not so quickly, however, but that the woman caught a glimpse of the father and the boy. In her eyes there was the divine look of motherhood.

"Peace be to this house!" said the man gently as he stepped forward from the door.

The father, startled, turned shrinkingly on him, as if he had seen a spirit.

"M'sieu' le cure!" he said in French, with an accent much poorer than that of the priest, or even of his own son. He had learned French from his wife; he himself was English.

The priest's quick eye had taken in the lighted candles at the little shrine, even as he saw the painfully changed aspect of the man.

"The wife and child, Bagot?" he asked, looking round. "Ah, the boy!" he added, and going toward the bed, continued, presently, in a low voice: "Dominique is ill?"

Bagot nodded, and then answered: "A wild-cat and then fever, Father Corraine."

The priest felt the boy's pulse softly, then with a close personal look he spoke hardly above his breath, yet distinctly too:

"Your wife, Bagot?"

"She is not here, m'sieu'." The voice was low and gloomy.

"Where is she, Bagot?"

"I do not know, m'sieu'."

"When did you see her last?"

"Four weeks ago, m'sieu'."

"That was September, this is October—winter. On the ranches they let their cattle loose upon the plains in winter, knowing not where they go, yet looking for them to return in the spring. But a woman—a woman and a wife—is different. . . . Bagot, you have been a rough, hard man, and you have been a stranger to your God, but I thought you loved your wife and child!"

The hunter's hands clenched, and a wicked light flashed up into his eyes; but the calm, benignant gaze of the other cooled the tempest in his veins. The priest sat down on the couch where the child lay, and took the fevered hand in his very softly.

"Stay where you are, Bagot," he said; "just there where you are, and tell me what your trouble is, and why your wife is not here. . . . Say all honestly—by the name of the Christ!" he added, lifting up a large iron crucifix that hung on his breast.

Bagot sat down on a bench near the fireplace, the light playing on his bronzed, powerful face, his eyes shining beneath his heavy brows like two coals. After a moment he began:

"I don't know how it started. I'd lost a lot of pelts—stolen they were, down on the Child o' Sin River. Well, she was hasty and nervous, like as not—she always was brisker and more sudden than I am. I—I laid my powder-horn and whisky-flask-up there!"

He pointed to the little shrine of the Virgin, where now his candles were burning. The priest's grave eyes did not change expression at all, but looked out wisely, as though he understood everything before it was told.

Bagot continued: "I didn't notice it, but she had put some flowers there. She said something with an edge, her face all snapping angry, threw the things down, and called me a heathen and a wicked heretic—and I don't say now but she'd a right to do it. But I let out then, for them stolen pelts were rasping me on the raw. I said something pretty rough, and made as if I was goin' to break her in two—just fetched up my hands, and went like this!—" With a singular simplicity he made a wild gesture with his hands, and an animal-like snarl came from his throat. Then he looked at the priest with the honest intensity of a boy.

"Yes, that is what you did—what was it you said which was 'pretty rough'?"

There was a slight hesitation, then came the reply: "I said there was enough powder spilt on the floor to kill all the priests in heaven."

A fire suddenly shot up into Father Corraine's face, and his lips tightened for an instant, but presently he was as before, and he said:

"How that will face you one day, Bagot! Go on. What else?"

Sweat began to break out on Bagot's face, and he spoke as though he were carrying a heavy weight on his shoulders, low and brokenly.

"Then I said, 'And if virgins has it so fine, why didn't you stay one?'"

"Blasphemer!" said the priest in a stern, reproachful voice, his face turning a little pale, and he brought the crucifix to his lips. "To the mother of your child—shame! What more?"

She threw up her hands to her ears with a wild cry, ran out of the house, down the hills, and away. I went to the door and watched her as long as I could see her, and waited for her to come back—but she never did.

"I've hunted and hunted, but I can't find her." Then, with a sudden thought, "Do you know anything of her, m'sieu'?"

The priest appeared not to hear the question. Turning for a moment toward the boy who now was in a deep sleep, he looked at him intently. Presently he spoke.

"Ever since I married you and Lucette Barbond, you have stood in the way of her duty, Bagot. How well I remember that first day when you knelt before me! Was ever so sweet and good a girl—with her golden eyes and the look of summer in her face, and her heart all pure! Nothing had spoiled her—you cannot spoil such women—God is in their hearts. But you, what have you cared? One day you would fondle her, and the next you were a savage—and she, so gentle, so gentle all the time. Then, for her religion and the faith of her child—she has fought for it, prayed for it, suffered for it. You thought you had no need, for you had so much happiness, which you did not deserve—that was it. But she: with all a woman suffers, how can she bear life—and man—without God? No, it is not possible. And you thought you and your few superstitions were enough for her.—Ah, poor fool! She should worship you! So selfish, so small, for a man who knows in his heart how great God is.—You did not love her."

"By the Heaven above, yes!" said Bagot, half starting to his feet.

"Ah, 'by the Heaven above,' no! nor the child. For true love is unselfish and patient, and where it is the stronger, it cares for the weaker; but it was your wife who was unselfish, patient, and cared for you. Every time she said an ave she thought of you, and her every thanks to the good God had you therein. They know you well in heaven, Bagot— through your wife. Did you ever pray—ever since I married you to her?"

"Yes."

"When?"

"An hour or so ago."

Once again the priest's eyes glanced towards the lighted candles.

Presently he said: "You asked me if I had heard anything of your wife. Listen, and be patient while you listen. . . . Three weeks ago I was camping on the Sundust Plains, over against the Young Sky River. In the morning, as I was lighting a fire outside my tent, my young Cree Indian with me, I saw coming over the crest of a land-wave, from the very lips of the sunrise, as it were, a band of Indians. I could not quite make them out. I hoisted my little flag on the tent, and they hurried on to me. I did not know the tribe—they had come from near Hudson's Bay. They spoke Chinook, and I could understand them. Well, as they came near I saw that they had a woman with them."

Bagot leaned forward, his body strained, every muscle tense. "A woman?" he said, as if breathing gave him sorrow—"my wife?"

"Your wife."

"Quick! Quick! Go on—oh, go on, m'sieu'—good father."

"She fell at my feet, begging me to save her. . . . I waved her off."

The sweat dropped from Bagot's forehead, a low growl broke from him, and he made such a motion as a lion might make at its prey.

"You wouldn't—wouldn't save her—you coward!" He ground the words out.

The priest raised his palm against the other's violence. "Hush! . . . She drew away, saying that God and man had deserted her. . . . We had breakfast, the chief and I. Afterwards, when the chief had eaten much and was in good humour, I asked him where he had got the woman. He said that he had found her on the plains she had lost her way. I told him then that I wanted to buy her. He said to me, 'What does a priest want of a woman?' I said that I wished to give her back to her husband. He said that he had found her, and she was his, and that he would marry her when they reached the great camp of the tribe. I was patient. It would not do to make him angry. I wrote down on a piece of bark the things that I would give him for her: an order on the Company at Fort o' Sin for shot, blankets, and beads. He said no."

The priest paused. Bagot's face was all swimming with sweat, his body was rigid, but the veins of his neck knotted and twisted.

"For the love of God, go on!" he said hoarsely. "Yes, 'for the love of God.' I have no money, I am poor, but the Company will always honour my orders, for I pay sometimes, by the help of Christ. Bien, I added some things to the list: a saddle, a rifle, and some flannel. But no, he would not. Once more I put many things down. It was a big bill— it would keep me poor for five years.—To save your wife, John Bagot, you who drove her from your door, blaspheming, and railing at such as I. . . . I offered the things, and told him that was all that I could give. After a little he shook his head, and said that he must have the woman for his wife. I did not know what to add. I said—'She is white, and the white people will never rest till they have killed you all, if you do this thing. The Company will track you down.' Then he said, 'The whites must catch me and fight me before they kill me.' . . . What was there to do?"

Bagot came near to the priest, bending over him savagely.

"You let her stay with them—you with hands like a man!"

"Hush!" was the calm, reproving answer. "I was one man, they were twenty."

"Where was your God to help you, then?"

"Her God and mine was with me."

Bagot's eyes blazed. "Why didn't you offer rum—rum? They'd have done it for that—one—five—ten kegs of rum!"

He swayed to and fro in his excitement, yet their voices hardly rose above a hoarse whisper all the time. "You forget," answered the priest, "that it is against the law, and that as a priest of my order, I am vowed to give no rum to an Indian."

"A vow? A vow? Name of God! what is a vow beside a woman—my wife?"

His misery and his rage were pitiful to see.

"Perjure my soul? Offer rum? Break my vow in the face of the enemies of God's Church? What have you done for me that I should do this for you, John Bagot?"

"Coward!" was the man's despairing cry, with a sudden threatening movement. "Christ Himself would have broke a vow to save her."

The grave, kind eyes of the priest met the other's fierce gaze, and quieted the wild storm that was about to break.

"Who am I that I should teach my Master?" he said solemnly. "What would you give Christ, Bagot, if He had saved her to you?"

The man shook with grief, and tears rushed from his eyes, so suddenly and fully had a new emotion passed through him.

"Give—give?" he cried; "I would give twenty years of my life!"

The figure of the priest stretched up with a gentle grandeur. Holding out the iron crucifix, he said: "On your knees and swear it, John Bagot."

There was something inspiring, commanding, in the voice and manner, and Bagot, with a new hope rushing through his veins, knelt and repeated his words.

The priest turned to the door, and called, "Madame Lucette!"

The boy, hearing, waked, and sat up in bed suddenly. "Mother! mother!" he cried, as the door flew open. The mother came to her husband's arms, laughing and weeping, and an instant afterwards was pouring out her love and anxiety over her child.

Father Corraine now faced the man, and with a soft exaltation of voice and manner, said:

"John Bagot, in the name of Christ, I demand twenty years of your life— of love and obedience of God. I broke my vow, I perjured my soul, I bought your wife with ten kegs of rum!"

The tall hunter dropped again to his knees, and caught the priest's hand to kiss it.

"No, no—this!" the priest said, and laid his iron crucifix against the other's lips.

Dominique's voice came clearly through the room: "Mother, I saw the white swan fly away through the door when you came in."

"My dear, my dear," she said, "there was no white swan." But she clasped the boy to her breast protectingly, and whispered an ave.

"Peace be to this house," said the voice of the priest. And there was peace: for the child lived, and the man has loved, and has kept his vow, even unto this day.

For the visions of the boy, who can know the divers ways in which God speaks to the children of men?



AT BAMBER'S BOOM

His trouble came upon him when he was old. To the hour of its coming he had been of shrewd and humourous disposition. He had married late in life, and his wife had died, leaving him one child—a girl. She grew to womanhood, bringing him daily joy. She was beloved in the settlement; and there was no one at Bamber's Boom, in the valley of the Madawaska, but was startled and sorry when it turned out that Dugard, the river- boss, was married. He floated away down the river, with his rafts and drives of logs, leaving the girl sick and shamed. They knew she was sick at heart, because she grew pale and silent; they did not know for some months how shamed she was. Then it was that Mrs. Lauder, the sister of the Roman Catholic missionary, Father Halen, being a woman of notable character and kindness, visited her and begged her to tell all.

Though the girl—Nora—was a Protestant, Mrs. Lauder did this: but it brought sore grief to her. At first she could hardly bear to look at the girl's face, it was so hopeless, so numb to the world: it had the indifference of despair. Rumour now became hateful fact. When the old man was told, he gave one great cry, then sat down, his hands pressed hard between his knees, his body trembling, his eyes staring before him.

It was Father Halen who told him. He did it as man to man, and not as a priest, having travelled fifty miles for the purpose. "George Magor," said he, "it's bad, I know, but bear it—with the help of God. And be kind to the girl."

The old man answered nothing. "My friend," the priest continued, "I hope you'll forgive me for telling you. I thought 'twould be better from me, than to have it thrown at you in the settlement. We've been friends one way and another, and my heart aches for you, and my prayers go with you."

The old man raised his sunken eyes, all their keen humour gone, and spoke as though each word were dug from his heart. "Say no more, Father Halen." Then he reached out, caught the priest's hand in his gnarled fingers, and wrung it.

The father never spoke a harsh word to the girl. Otherwise he seemed to harden into stone. When the Protestant missionary came, he would not see him. The child was born before the river-drivers came along again the next year with their rafts and logs. There was a feeling abroad that it would be ill for Dugard if he chanced to camp at Bamber's Boom. The look of the old man's face was ominous, and he was known to have an iron will.

Dugard was a handsome man, half French, half Scotch, swarthy and admirably made. He was proud of his strength, and showily fearless in danger. For there were dangerous hours to the river life: when, for instance, a mass of logs became jammed at a rapids, and must be loosened; or a crib struck into the wrong channel, or, failing to enter a slide straight, came at a nasty angle to it, its timbers wrenched and tore apart, and its crew, with their great oars, were plumped into the busy current. He had been known to stand singly in some perilous spot when one log, the key to the jam, must be shifted to set free the great tumbled pile. He did everything with a dash. The handspike was waved and thrust into the best leverage, the long robust cry, "O-hee-hee-hoi!" rolled over the waters, there was a devil's jumble of logs, and he played a desperate game with them, tossing here, leaping there, balancing elsewhere, till, reaching the smooth rush of logs in the current, he ran across them to the shore as they spun beneath his feet.

His gang of river-drivers, with their big drives of logs, came sweeping down one beautiful day of early summer, red-shifted, shouting, good- tempered. It was about this time that Pierre came to know Magor.

It was the old man's duty to keep the booms of several great lumbering companies, and to watch the logs when the river-drivers were engaged elsewhere. Occasionally he took a place with the men, helping to make cribs and rafts. Dugard worked for one lumber company, Magor for others. Many in the settlement showed Dugard how much he was despised. Some warned him that Magor had said he would break him into pieces; it seemed possible that Dugard might have a bad hour with the people of Bamber's Boom. Dugard, though he swelled and strutted, showed by a furtive eye and a sinister watchfulness that he felt himself in an atmosphere of danger. But he spoke of his wickedness lightly as, "A slip—a little accident, mon ami."

Pierre said to him one day: "Bien, Dugard, you are a bold man to come here again. Or is it that you think old men are cowards?"

Dugard, blustering, laid his hand suddenly upon his case-knife.

Pierre laughed softly, contemptuously, came over, and throwing out his perfectly formed but not robust chest in the fashion of Dugard, added: "Ho, ho, monsieur the butcher, take your time at that. There is too much blood in your carcass. You have quarrels plenty on your hands without this. Come, don't be a fool and a scoundrel too."

Dugard grinned uneasily, and tried to turn the thing off as a joke, and Pierre, who laughed still a little more, said: "It would be amusing to see old Magor and Dugard fight. It would be—so equal." There was a keen edge to Pierre's tones, but Dugard dared not resent it.

One day Magor and Dugard must meet. The square-timber of the two companies had got tangled at a certain point, and gangs from both must set them loose. They were camped some distance from each other. There was rivalry between them, and it was hinted that if any trouble came from the meeting of Magor and Dugard the gangs would pay off old scores with each other. Pierre wished to prevent this. It seemed to him that the two men should stand alone in the affair. He said as much here and there to members of both camps, for he was free of both: a tribute to his genius at poker.

The girl, Nora, was apprehensive—for her father; she hated the other man now. Pierre was courteous to her, scrupulous in word and look, and fond of her child. He had always shown a gentleness to children, which seemed little compatible with his character; but for this young outlaw in the world he had something more. He even laboured carefully to turn the girl's father in its favour; but as yet to little purpose. He was thought ful of the girl too. He only went to the house when he knew her father was present, or when she was away. Once while he was there, Father Halen and his sister, Mrs. Lauder, came. They found Pierre with the child, rocking the cradle, and humming as he did so an old song of the coureurs de bois:

"Out of the hills comes a little white deer, Poor little vaurien, o, ci, ci! Come to my home, to my home down here, Sister and brother and child o' me Poor little, poor little vaurien!"

Pierre was alone, save for the old woman who had cared for the home since Nora's trouble came. The priest was anxious lest any harm should come from Dugard's presence at Bamber's Boom. He knew Pierre's doubtful reputation, but still he knew he could speak freely and would be answered honestly. "What will happen?" he abruptly asked.

"What neither you nor I should try to prevent, m'sieu'," was Pierre's reply.

"Magor will do the man injury?"

"What would you have? Put the matter on your own hearthstone, eh? . . . Pardon, if I say these things bluntly." Pierre still lightly rocked the cradle with one foot.

"But vengeance is in God's hands."

"M'sieu'," said the half-breed, "vengeance also is man's, else why did we ten men from Fort Cypress track down the Indians who murdered your brother, the good priest, and kill them one by one?"

Father Halen caught his sister as she swayed, and helped her to a chair, then turned a sad face on Pierre. "Were you—were you one of that ten?" he asked, overcome; and he held out his hand.

The two river-driving camps joined at Mud Cat Point, where was the crush of great timber. The two men did not at first come face to face, but it was noticed by Pierre, who smoked on the bank while the others worked, that the old man watched his enemy closely. The work of undoing the great twist of logs was exciting, and they fell on each other with a great sound as they were pried off, and went sliding, grinding, into the water. At one spot they were piled together, massive and high. These were left to the last.

It was here that the two met. Old Magor's face was quiet, if a little haggard; and his eyes looked out from under his shaggy brows piercingly. Dugard's manner was swaggering, and he swore horribly at his gang. Presently he stood at a point alone, working at an obstinate log. He was at the foot of an incline of timber, and he was not aware that Magor had suddenly appeared at the top of that incline. He heard his name called out sharply. Swinging round, he saw Magor thrusting a handspike under a huge timber, hanging at the top of the incline. He was standing in a hollow, a kind of trench. He was shaken with fear, for he saw the old man's design. He gave a cry and made as if to jump out of the way, but with a laugh Magor threw his whole weight on the handspike, the great timber slid swiftly down and crushed Dugard from his thighs to his feet, breaking his legs terribly. The old man called down at him: "A slip—a little accident, mon ami!" Then, shouldering his handspike, he made his way through the silent gangs to the shore, and so on homewards.

Magor had done what he wished. Dugard would be a cripple for life; his beauty was all spoiled and broken: there was much to do to save his life.



II

Nora also about this time took to her bed with fever. Again and again Pierre rode thirty miles and back to get ice for her head. All were kind to her now. The vengeance upon Dugard seemed to have wiped out much of her shame in the eyes of Bamber's Boom. Such is the way of the world. He that has the last blow is in the eye of advantage. When Nora began to recover, the child fell ill also. In the sickness of the child the old man had a great temptation—far greater than that concerning Dugard. As the mother grew better the child became much worse. One night the doctor came, driving over from another settlement, and said that if the child got sleep till morning it would probably live, for the crisis had come. He left an opiate to procure the sleep, the same that had been given to the mother. If it did not sleep, it would die. Pierre was present at this time.

All through the child's illness the old man's mind had been tossed to and fro. If the child died, the living stigma would be gone; there would be no reminder of his daughter's shame in the eyes of the world. They could go away from Bamber's Boom, and begin life again somewhere. But, then, there was the child itself which had crept into his heart,—he knew not how, and would not be driven out. He had never, till it was taken ill, even touched it, nor spoken to it. To destroy its life!—Well, would it not be better for the child to go out of all possible shame, into peace, the peace of the grave?

This night he sat down beside the cradle, holding the bottle of medicine and a spoon in his hand. The hot, painful face of the child fascinated him. He looked from it to the bottle, and back, then again to the bottle. He started, and the sweat stood out on his forehead. For though the doctor had told him in words the proper dose, he had by mistake written on the label the same dose as for the mother! Here was the responsibility shifted in any case. More than once the old man uncorked the bottle, and once he dropped out the opiate in the spoon steadily; but the child opened its suffering eyes at him, its little wasted hand wandered over the coverlet, and he could not do it just then. But again the passion for its destruction came on him, because he heard his daughter moaning in the other room. He said to himself that she would be happier when it was gone. But as he stooped over the cradle, no longer hesitating, the door softly opened, and Pierre entered. The old man shuddered, and drew back from the cradle. Pierre saw the look of guilt in the old man's face, and his instinct told him what was happening. He took the bottle from the trembling hand, and looked at the label.

"What is the proper dose?" he asked, seeing that a mistake had been made by the doctor.

In a hoarse whisper Magor told him. "It may be too late," Pierre added. He knelt down, with light fingers opened the child's mouth, and poured the medicine in slowly. The old man stood for a time rigid, looking at them both. Then he came round to the other side of the cradle, and seated himself beside it, his eyes fixed on the child's face. For a long time they sat there. At last the old man said: "Will he die, Pierre?"

"I am afraid so," answered Pierre painfully. "But we shall see." Then early teaching came to him, never to be entirely obliterated, and he added: "Has the child been baptised?"

The old man shook his head. "'Will you do it?" asked Pierre hesitatingly.

"I can't—I can't," was the reply.

Pierre smiled a little ironically, as if at himself, got some water in a cup, came over, and said: "Remember, I'm a Papist!"

A motion of the hand answered him.

He dipped his fingers in the water, and dropped it ever so lightly on the child's forehead.

"George Magor,"—it was the old man's name,—"I baptise thee in the name of the Father, and of the Son, and of the Holy Ghost. Amen." Then he drew the sign of the cross on the infant's forehead.

Sitting down, he watched beside the child. After a little he heard a long choking sigh. Looking up, he saw tears slowly dropping from Magor's eyes.

And to this day the child and the mother of the child are dear to the old man's heart.



ETEXT EDITOR'S BOOKMARKS:

Bad turns good sometimes, when you know the how How can you judge the facts if you don't know the feeling? Put the matter on your own hearthstone



A ROMANY OF THE SNOWS

BEING A CONTINUATION OF THE PERSONAL HISTORIES OF "PIERRE AND HIS PEOPLE" AND THE LAST EXISTING RECORDS OF PRETTY PIERRE

By Gilbert Parker

Volume 3.

THE BRIDGE HOUSE THE EPAULETTES THE HOUSE WITH THE BROKEN SHUTTER THE FINDING OF FINGALL THREE COMMANDMENTS IN THE VULGAR TONGUE



THE BRIDGE HOUSE

It stood on a wide wall between two small bridges. These were approaches to the big covered bridge spanning the main channel of the Madawaska River, and when swelled by the spring thaws and rains, the two flanking channels divided at the foundations of the house, and rustled away through the narrow paths of the small bridges to the rapids. You could stand at any window in the House and watch the ugly, rushing current, gorged with logs, come battering at the wall, jostle between the piers, and race on to the rocks and the dam and the slide beyond. You stepped from the front door upon the wall, which was a road between the bridges, and from the back door into the river itself.

The House had once been a tavern. It looked a wayfarer, like its patrons the river-drivers, with whom it was most popular. You felt that it had no part in the career of the village on either side, but was like a rock in a channel, at which a swimmer caught or a vagrant fish loitered.

Pierre knew the place, when, of a night in the springtime or early summer, throngs of river-drivers and their bosses sauntered at its doors, or hung over the railing of the wall, as they talked and smoked.

The glory of the Bridge House suddenly declined. That was because Finley, the owner, a rich man, came to hate the place—his brother's blood stained the barroom floor. He would have destroyed the house but that John Rupert, the beggared gentleman came to him, and wished to rent it for a dwelling.

Mr. Rupert was old, and had been miserably poor for many years, but he had a breeding and a manner superior to anyone at Bamber's Boom. He was too old for a labourer, he had no art or craftsmanship; his little money was gone in foolish speculations, and he was dependent on his granddaughter's slight earnings from music teaching and needlework. But he rented an acre of ground from Finley, and grew vegetables; he gathered driftwood from the river for his winter fire, and made up the accounts of the storekeeper occasionally. Yet it was merely keeping off starvation. He was not popular. He had no tongue for the meaningless village talk. People held him in a kind of awe, and yet they felt a mean satisfaction when they saw him shouldering driftwood, and piling it on the shore to be dragged away—the last resort of the poor, for which they blush.

When Mr. Rupert asked for the House, Finley knew the chances were he would not get the rental; yet, because he was sorry for the old man, he gave it to him at a low rate. He closed up the bar-room, however, and it was never opened afterwards.

So it was that Mr. Rupert and Judith, his granddaughter, came to live there. Judith was a blithe, lissome creature, who had never known comfort or riches: they were taken from her grandfather before she was born, and her father and mother both died when she was a little child. But she had been taught by her grandmother, when she lived, and by her grandfather, and she had felt the graces of refined life. Withal, she had a singular sympathy for the rude, strong life of the river. She was glad when they came to live at the Bridge House, and shamed too: glad because they could live apart from the other villagers; shamed because it exposed her to the curiosity of those who visited the House, thinking it was still a tavern. But that was only for a time.

One night Jules Brydon, the young river-boss, camped with his men at Bamber's Boom. He was of parents Scotch and French, and the amalgamation of races in him made a striking product. He was cool and indomitable, yet hearty and joyous. It was exciting to watch him at the head of his men, breaking up a jam of logs, and it was a delight to hear him of an evening as he sang:

"Have you heard the cry of the Long Lachine, When happy is the sun in the morning? The rapids long and the banks of green, As we ride away in the morning, On the froth of the Long Lachine?"

One day, soon after they came, the dams and booms were opened above, and forests of logs came riding down to Bamber's Boom. The current was strong, and the logs came on swiftly. As Brydon's gang worked, they saw a man out upon a small raft of driftwood, which had been suddenly caught in the drive of logs, and was carried out towards the middle channel. The river-drivers laughed, for they failed to see that the man was old, and that he could not run across the rolling logs to the shore. The old man, evidently hopeless, laid down his pike-pole, folded his hands, and drifted with the logs. The river-drivers stopped laughing. They began to understand.

Brydon saw a woman standing at a window of the House waving her arms, and there floated up the river the words, "Father! father!" He caught up a pikepole, and ran over that spinning floor of logs to the raft. The old man's face was white, but there was no fear in his eyes.

"I cannot run the logs," he said at once; "I never did; I am too old, and I slip. It's no use. It is my granddaughter at that window. Tell her that I'll think of her to the last. . . . Good-bye!"

Brydon was eyeing the logs. The old man's voice was husky; he could not cry out, but he waved his hand to the girl.

"Oh, save him!" came from her faintly.

Brydon's eyes were now on the covered bridge. Their raft was in the channel, coming straight between two piers. He measured his chances. He knew if he slipped, doing what he intended, that both might be drowned, and certainly Mr. Rupert; for the logs were close, and to drop among them was a bad business. If they once closed over there was an end of everything.

"Keep quite still," he said, "and when I throw you catch."

He took the slight figure in his arms, sprang out upon the slippery logs, and ran. A cheer went up from the men on the shore, and the people who were gathering on the bridges, too late to be of service. Besides, the bridge was closed, and there was only a small opening at the piers. For one of these piers Brydon was making. He ran hard. Once he slipped and nearly fell, but recovered. Then a floating tree suddenly lunged up and struck him, so that he dropped upon a knee; but again he was up, and strained for the pier. He was within a few feet of it as they came to the bridge. The people gave a cry of fear, for they saw that there was no chance of both making it; because, too, at the critical moment a space of clear water showed near the pier. But Brydon raised John Rupert up, balanced himself, and tossed him at the pier, where two river-drivers stood stretching out their arms. An instant afterwards the old man was with his granddaughter. But Brydon slipped and fell; the roots of a tree bore him down, and he was gone beneath the logs!

There was a cry of horror from the watchers, then all was still. But below the bridge they saw an arm thrust up between the logs, and then another arm crowding them apart. Now a head and shoulders appeared. Luckily the piece of timber which Brydon grasped was square, and did not roll. In a moment he was standing on it. There was a wild shout of encouragement. He turned his battered, blood-stained face to the bridge for an instant, and, with a wave of the hand and a sharp look towards the rapids below, once more sprang out. It was a brave sight, for the logs were in a narrower channel and more riotous. He rubbed the blood out of his eyes that he might see his way. The rolling forest gave him no quarter, but he came on, rocking with weakness, to within a few rods of the shore. Then a half-dozen of his men ran out on the logs,—they were packed closely here,—caught him up, and brought him to dry ground.

They took him to the Bridge House. He was hurt more than he or they thought. The old man and the girl met them at the door. Judith gave a little cry when she saw the blood and Brydon's bruised face. He lifted his head as though her eyes had drawn his, and, their looks meeting, he took his hat off. Her face flushed; she dropped her eyes. Her grandfather seized Brydon's big hand, and said some trembling words of thanks. The girl stepped inside, made a bed for him upon the sofa, and got him something to drink. She was very cool; she immediately asked Pierre to go for the young doctor who had lately come to the place, and made ready warm water with which she wiped Brydon's blood-stained face and hands, and then gave him some brandy. His comrades standing round watched her admiringly, she was so deft and delicate. Brydon, as if to be nursed and cared for was not manly, felt ashamed, and came up quickly to a sitting posture, saying, "Pshaw! I'm all right!" But he turned sick immediately, and Judith's arms caught his head and shoulders as he fell back. His face turned, and was pillowed on her bosom. At this she blushed, but a look of singular dignity came into her face. Those standing by were struck with a kind of awe; they were used mostly to the daughters of habitants and fifty-acre farmers. Her sensitive face spoke a wonderful language: a divine gratitude and thankfulness; and her eyes had a clear moisture which did not dim them. The situation was trying to the river-drivers—it was too refined; and they breathed more freely when they got outside and left the girl, her grandfather, Pierre, and the young doctor alone with the injured man.

That was how the thing began. Pierre saw the conclusion of events from the start. The young doctor did not. From the hour when he bound up Brydon's head, Judith's fingers aiding him, he felt a spring in his blood new to him. When he came to know exactly what it meant, and acted, it was too late. He was much surprised that his advances were gently repulsed. He pressed them hard: that was a mistake. He had an idea, not uncommon in such cases, that he was conferring an honour. But he was very young. A gold medal in anatomy is likely to turn a lad's head at the start. He falls into the error that the ability to demonstrate the medulla oblongata should likewise suffice to convince the heart of a maid. Pierre enjoyed the situation; he knew life all round; he had boxed the compass of experience.

He believed in Judith. The old man interested him: he was a wreck out of an unfamiliar life.

"Well, you see," Pierre said to Brydon one day, as they sat on the high cross-beams of the little bridge, "you can't kill it in a man—what he was born. Look, as he piles up the driftwood over there. Broken down, eh? Yes, but then there is something—a manner, an eye. He piles the wood like champagne bottles. On the raft, you remember, he took off his hat to death. That's different altogether from us."

He gave a sidelong glance at Brydon, and saw a troubled look.

"Yes," Brydon said, "he is different; and so is she."

"She is a lady," Pierre said, with slow emphasis. "She couldn't hide it if she tried. She plays the piano, and looks all silk in calico. Made for this?"—he waved his hand towards the Bridge House. "No, no! made for—"

He paused, smiled enigmatically, and dropped a bit of wood on the swift current.

Brydon frowned, then said: "Well, made for what, Pierre?"

Pierre looked over Brydon's shoulder, towards a pretty cottage on the hillside. "Made for homes like that, not this," he said, and he nodded first towards the hillside, then to the Bridge House. (The cottage belonged to the young doctor.) A growl like an animal's came from Brydon, and he clinched the other's shoulder. Pierre glanced at the hand, then at Brydon's face, and said sharply: "Take it away."

The hand dropped; but Brydon's face was hot, and his eyes were hard.

Pierre continued: "But then women are strange. What you expect they will not—no. Riches?—it is nothing; houses like that on the hill, nothing. They have whims. The hut is as good as the house, with the kitchen in the open where the river welts and washes, and a man—the great man of the world to them—to play the little game of life with. . . . Pshaw! you are idle: move; you are thick in the head: think hard; you like the girl: speak."

As he said this, there showed beneath them the front timbers of a small crib of logs with a crew of two men, making for the rapids and the slide below. Here was an adventure, for running the rapids with so slight a craft and small a crew was smart work. Pierre, measuring the distance, and with a "Look out, below!" swiftly let himself down by his arms as far as he could, and then dropped to the timbers, as lightly as if it were a matter of two feet instead of twelve. He waved a hand to Brydon, and the crib shot on. Brydon sat eyeing it abstractedly till it ran into the teeth of the rapids, the long oars of the three men rising and falling to the monotonous cry. The sun set out the men and the craft against the tall dark walls of the river in strong relief, and Brydon was carried away from what Pierre had been saying. He had a solid pleasure in watching, and he sat up with a call of delight when he saw the crib drive at the slide. Just glancing the edge, she shot through safely. His face blazed.

"A pretty sight!" said a voice behind him.

Without a word he swung round, and dropped, more heavily than Pierre, beside Judith.

"It gets into our bones," he said. "Of course, though it ain't the same to you," he added, looking down at her over his shoulder. "You don't care for things so rough, mebbe?"

"I love the river," she said quietly.

"We're a rowdy lot, we river-drivers. We have to be. It's a rowdy business."

"I never noticed that," she replied, gravely smiling. "When I was small I used to go to the river-drivers' camps with my brother, and they were always kind to us. They used to sing and play the fiddle, and joke; but I didn't think then that they were rowdy, and I don't now. They were never rough with us."

"No one'd ever be rough with you," was the reply. "Oh yes," she said suddenly, and turned her head away. She was thinking of what the young doctor had said to her that morning; how like a foolish boy he had acted: upbraiding her, questioning her, saying unreasonable things, as young egoists always do. In years she was younger than he, but in wisdom much older: in all things more wise and just. He had not struck her, but with his reckless tongue he had cut her to the heart. "Oh yes," she repeated, and her eyes ran up to his face and over his great stalwart body; and then she leaned over the railing and looked into the water.

"I'd break the man into pieces that was rough with you," he said between his teeth.

"Would you?" she asked in a whisper. Then, not giving him a chance to reply, "We are very poor, you know, and some people are rough with the poor—and proud. I remember," she went on, simply, dreamily, and as if talking to herself, "the day when we first came to the Bridge House. I sat down on a box and looked at the furniture—it was so little—and cried. Coming here seemed the last of what grandfather used to be. I couldn't help it. He sat down too, and didn't say anything. He was very pale, and I saw that his eyes ached as he looked at me. Then I got angry with myself, and sprang up and went to work—and we get along pretty well."

She paused and sighed; then, after a minute: "I love the river. I don't believe I could be happy away from it. I should like to live on it, and die on it, and be buried in it."

His eyes were on her eagerly. But she looked so frail and dainty that his voice, to himself, sounded rude. Still, his hand blundered along the railing to hers, and covered it tenderly—for so big a hand. She drew her fingers away, but not very quickly. "Don't!" she said, "and—and someone is coming!"

There were footsteps behind them. It was her grandfather, carrying a board fished from the river. He grasped the situation, and stood speechless with wonder. He had never thought of this. He was a gentleman, in spite of all, and this man was a common river-boss. Presently he drew himself up with an air. The heavy board was still in his arms. Brydon came over and took the board, looking him squarely in the eyes.

"Mr. Rupert," he said, "I want to ask something." The old man nodded.

"I helped you out of a bad scrape on the river?" Again the old man nodded.

"Well, mebbe, I saved your life. For that I'm going to ask you to draw no more driftwood from the Madawaska—not a stick, now or ever."

"It is the only way we can keep from freezing in winter." Mr. Rupert scarcely knew what he said. Brydon looked at Judith, who turned away, then answered: "I'll keep you from freezing, if you'll let me, you—and Judith."

"Oh, please let us go into the house," Judith said hastily.

She saw the young doctor driving towards them out of the covered bridge!

When Brydon went to join his men far down the river he left a wife behind him at the Bridge House, where she and her grandfather were to stay until the next summer. Then there would be a journey from Bamber's Boom to a new home.

In the late autumn he came, before he went away to the shanties in the backwoods, and again in the winter just before the babe was born. Then he went far up the river to Rice Lake and beyond, to bring down the drives of logs for his Company. June came, and then there was a sudden sorrow at the Bridge House. How great it was, Pierre's words as he stood at the door one evening will testify. He said to the young doctor: "Save the child, and you shall have back the I O U on your house." Which was also evidence that the young doctor had fallen into the habit of gambling.

The young doctor looked hard at him. He had a selfish nature. "You can only do what you can do," he said.

Pierre's eyes were sinister. "If you do not save it, one would guess why."

The other started, flushed, was silent, and then said: "You think I'm a coward. We shall see. There is a way, but it may fail."

And though he sucked the diphtheria poison from the child's throat, it died the next night.

Still, the cottage that Pierre and Company had won was handed back with such good advice as only a worldwise adventurer can give.

Of the child's death its father did not know. They were not certain where he was. But when the mother took to her bed again, the young doctor said it was best that Brydon should come. Pierre had time and inclination to go for him. But before he went he was taken to Judith's bedside. Pierre had seen life and death in many forms, but never anything quite like this: a delicate creature floating away upon a summer current travelling in those valleys which are neither of this life nor of that; but where you hear the echoes of both, and are visited by solicitous spirits. There was no pain in her face—she heard a little, familiar voice from high and pleasant hills, and she knew, so wise are the dying, that her husband was travelling after her, and that they would be all together soon. But she did not speak of that. For the knowledge born of such a time is locked up in the soul.

Pierre was awe-stricken. Unconsciously he crossed himself.

"Tell him to come quickly," she said, "if you find him,"—her fingers played with the coverlet,—"for I wish to comfort him. . . . Someone said that you were bad, Pierre. I do not believe it. You were sorry when my baby went away. I am—going away—too. But do not tell him that. Tell him I cannot walk about. I want him to carry me—to carry me. Will you?" Pierre put out his hand to hers creeping along the coverlet to him; but it was only instinct that guided him, for he could not see. He started on his journey with his hat pulled down over his eyes.

One evening when the river was very high and it was said that Brydon's drives of logs would soon be down, a strange thing happened at the Bridge House.

The young doctor had gone, whispering to Mr. Rupert that he would come back later. He went out on tiptoe, as from the presence of an angel. His selfishness had dropped away from him. The evening wore on, and in the little back room a woman's voice said:

"Is it morning yet, father?"

"It is still day. The sun has not set, my child."

"I thought it had gone, it seemed so dark."

"You have been asleep, Judith. You have come out of the dark."

"No, I have come out into the darkness—into the world."

"You will see better when you are quite awake."

"I wish I could see the river, father. Will you go and look?"

Then there was a silence. "Well?" she asked.

"It is beautiful," he said, "and the sun is still bright."

"You see as far as Indian Island?"

"I can see the white comb of the reef beyond it, my dear."

"And no one—is coming?"

"There are men making for the shore, and the fires are burning, but no one is—coming this way. . . . He would come by the road, perhaps."

"Oh no, by the river. Pierre has not found him. Can you see the Eddy?"

"Yes. It is all quiet there; nothing but the logs tossing round it."

"We used to sit there—he and I—by the big cedar tree. Everything was so cool and sweet. There was only the sound of the force-pump and the swallowing of the Eddy. They say that a woman was drowned there, and that you can see her face in the water, if you happen there at sunrise, weeping and smiling also: a picture in the water. . . . Do you think it true, father?"

"Life is so strange, and who knows what is not life, my child?"

"When baby was dying I held it over the water beneath that window, where the sunshine falls in the evening; and it looked down once before its spirit passed like a breath over my face. Maybe, its look will stay, for him to see when he comes. It was just below where you stand.... Father, can you see its face?" "No, Judith; nothing but the water and the sunshine."

"Dear, carry me to the window."

When this was done she suddenly leaned forward with shining eyes and anxious fingers. "My baby! My baby!" she said.

She looked up the river, but her eyes were fading, she could not see far. "It is all a grey light," she said, "I cannot see well." Yet she smiled. "Lay me down again, father," she whispered.

After a little she sank into a slumber. All at once she started up. "The river, the beautiful river!" she cried out gently. Then, at the last, "Oh, my dear, my dear!"

And so she came out of the valley into the high hills. Later he was left alone with his dead. The young doctor and others had come and gone. He would watch till morning. He sat long beside her, numb to the world. At last he started, for he heard a low clear call behind the House. He went out quickly to the little platform, and saw through the dusk a man drawing himself up. It was Brydon. He caught the old man's shoulders convulsively. "How is she?" he asked. "Come in, my son," was the low reply. The old man saw a grief greater than his own. He led the husband to the room where the wife lay beautiful and still. "She is better, as you see," he said bravely.

The hours went, and the two sat near the body, one on either side. They knew not what was going on in the world.

As they mourned, Pierre and the young doctor sat silent in that cottage on the hillside. They were roused at last. There came up to Pierre's keen ears the sound of the river.

"Let us go out," he said; "the river is flooding. You can hear the logs."

They came out and watched. The river went swishing, swilling past, and the dull boom of the logs as they struck the piers of the bridge or some building on the shore came rolling to them.

"The dams and booms have burst!" Pierre said. He pointed to the camps far up the river. By the light of the camp-fires there appeared a wide weltering flood of logs and debris. Pierre's eyes shifted to the Bridge House. In one room was a light. He stepped out and down, and the other followed. They had almost reached the shore, when Pierre cried out sharply: "What's that?"

He pointed to an indistinct mass bearing down upon the Bridge House. It was a big shed that had been carried away, and, jammed between timbers, had not broken up. There was no time for warning. It came on swiftly, heavily. There was a strange, horrible, grinding sound, and then they saw the light of that one room move on, waving a little to and fro-on to the rapids, the cohorts of logs crowding hard after.

Where the light was two men had started to their feet when the crash came. They felt the House move. "Run-save yourself!" cried the old man quietly. "We are lost!"

The floor rocked.

"Go," he said again. "I will stay with her."

"She is mine," Brydon said; and he took her in his arms. "I will not go."

They could hear the rapids below. The old man steadied himself in the deep water on the floor, and caught out yearningly at the cold hands.

"Come close, come close," said Brydon. "Closer; put your arms round her."

The old man did so. They were locked in each other's arms—dead and living.

The old man spoke, with a piteous kind of joy: "We therefore commit her body to the deep—!"

The three were never found.



THE EPAULETTES

Old Athabasca, chief of the Little Crees, sat at the door of his lodge, staring down into the valley where Fort Pentecost lay, and Mitawawa his daughter sat near him, fretfully pulling at the fringe of her fine buckskin jacket. She had reason to be troubled. Fyles the trader had put a great indignity upon Athabasca. A factor of twenty years before, in recognition of the chief's merits and in reward of his services, had presented him with a pair of epaulettes, left in the Fort by some officer in Her Majesty's service. A good, solid, honest pair of epaulettes, well fitted to stand the wear and tear of those high feasts and functions at which the chief paraded them upon his broad shoulders. They were the admiration of his own tribe, the wonder of others, the envy of many chiefs. It was said that Athabasca wore them creditably, and was no more immobile and grand-mannered than became a chief thus honoured above his kind.

But the years went, and there came a man to Fort Pentecost who knew not Athabasca. He was young, and tall and strong, had a hot temper, knew naught of human nature, was possessed by a pride more masterful than his wisdom, and a courage stronger than his tact. He was ever for high- handedness, brooked no interference, and treated the Indians more as Company's serfs than as Company's friends and allies. Also, he had an eye for Mitawawa, and found favour in return, though to what depth it took a long time to show. The girl sat high in the minds and desires of the young braves, for she had beauty of a heathen kind, a deft and dainty finger for embroidered buckskin, a particular fortune with a bow and arrow, and the fleetest foot. There were mutterings because Fyles the white man came to sit often in Athabasca's lodge. He knew of this, but heeded not at all. At last Konto, a young brave who very accurately guessed at Fyles' intentions, stopped him one day on the Grey Horse Trail, and in a soft, indolent voice begged him to prove his regard in a fight without weapons, to the death, the survivor to give the other burial where he fell. Fyles was neither fool nor coward. It would have been foolish to run the risk of leaving Fort and people masterless for an Indian's whim; it would have been cowardly to do nothing. So he whipped out a revolver, and bade his rival march before him to the Fort; which Konto very calmly did, begging the favour of a bit of tobacco as he went.

Fyles demanded of Athabasca that he should sit in judgment, and should at least banish Konto from his tribe, hinting the while that he might have to put a bullet into Konto's refractory head if the thing were not done. He said large things in the name of the H.B.C., and was surprised that Athabasca let them pass unmoved. But that chief, after long consideration, during which he drank Company's coffee and ate Company's pemmican, declared that he could do nothing: for Konto had made a fine offer, and a grand chance of a great fight had been missed. This was in the presence of several petty officers and Indians and woodsmen at the Fort. Fyles had vanity and a nasty temper. He swore a little, and with words of bluster went over and ripped the epaulettes from the chief's shoulders as a punishment, a mark of degradation. The chief said nothing. He got up, and reached out his hands as if to ask them back; and when Fyles refused, he went away, drawing his blanket high over his shoulders. It was wont before to lie loosely about him, to show his badges of captaincy and alliance.

This was about the time that the Indians were making ready for the buffalo, and when their chief took to his lodge, and refused to leave it, they came to ask him why. And they were told. They were for making trouble, but the old chief said the quarrel was his own: he would settle it in his own way. He would not go to the hunt. Konto, he said, should take his place; and when his braves came back there should be great feasting, for then the matter would be ended.

Half the course of the moon and more, and Athabasca came out of his lodge—the first time in the sunlight since the day of his disgrace. He and his daughter sat silent and watchful at the door. There had been no word between Fyles and Athabasca, no word between Mitawawa and Fyles. The Fort was well-nigh tenantless, for the half-breeds also had gone after buffalo, and only the trader, a clerk, and a half-breed cook were left.

Mitawawa gave a little cry of impatience: she had held her peace so long that even her slow Indian nature could endure no more. "What will my father Athabasca do?" she asked. "With idleness the flesh grows soft, and the iron melts from the arm."

"But when the thoughts are stone, the body is as that of the Mighty Men of the Kimash Hills. When the bow is long drawn, beware the arrow."

"It is no answer," she said: "what will my father do?"

"They were of gold," he answered, "that never grew rusty. My people were full of wonder when they stood before me, and the tribes had envy as they passed. It is a hundred moons and one red midsummer moon since the Great Company put them on my shoulders. They were light to carry, but it was as if I bore an army. No other chief was like me. That is all over. When the tribes pass they will laugh, and my people will scorn me if I do not come out to meet them with the yokes of gold."

"But what will my father do?" she persisted.

"I have had many thoughts, and at night I have called on the Spirits who rule. From the top of the Hill of Graves I have beaten the soft drum, and called, and sung the hymn which wakes the sleeping Spirits: and I know the way."

"What is the way?" Her eyes filled with a kind of fear or trouble, and many times they shifted from the Fort to her father, and back again. The chief was silent. Then anger leapt into her face.

"Why does my father fear to speak to his child?" she said. "I will speak plain. I love the man: but I love my father also."

She stood up, and drew her blanket about her, one hand clasped proudly on her breast. "I cannot remember my mother; but I remember when I first looked down from my hammock in the pine tree, and saw my father sitting by the fire. It was in the evening like this, but darker, for the pines made great shadows. I cried out, and he came and took me down, and laid me between his knees, and fed me with bits of meat from the pot. He talked much to me, and his voice was finer than any other. There is no one like my father—Konto is nothing: but the voice of the white man, Fyles, had golden words that our braves do not know, and I listened. Konto did a brave thing. Fyles, because he was a great man of the Company, would not fight, and drove him like a dog. Then he made my father as a worm in the eyes of the world. I would give my life for Fyles the trader, but I would give more than my life to wipe out my father's shame, and to show that Konto of the Little Crees is no dog. I have been carried by the hands of the old men of my people, I have ridden the horses of the young men: their shame is my shame."

The eyes of the chief had never lifted from the Fort: nor from his look could you have told that he heard his daughter's words. For a moment he was silent, then a deep fire came into his eyes, and his wide heavy brows drew up so that the frown of anger was gone. At last, as she waited, he arose, put out a hand and touched her forehead.

"Mitawawa has spoken well," he said. "There will be an end. The yokes of gold are mine: an honour given cannot be taken away. He has stolen; he is a thief. He would not fight Konto: but I am a chief and he shall fight me. I am as great as many men—I have carried the golden yokes: we will fight for them. I thought long, for I was afraid my daughter loved the man more than her people: but now I will break him in pieces. Has Mitawawa seen him since the shameful day?"

"He has come to the lodge, but I would not let him in unless he brought the epaulettes. He said he would bring them when Konto was punished. I begged of him as I never begged of my own father, but he was hard as the ironwood tree. I sent him away. Yet there is no tongue like his in the world; he is tall and beautiful, and has the face of a spirit."

From the Fort Fyles watched the two. With a pair of field-glasses he could follow their actions, could almost read their faces. "There'll be a lot of sulking about those epaulettes, Mallory," he said at last, turning to his clerk. "Old Athabasca has a bee in his bonnet."

"Wouldn't it be just as well to give 'em back, sir?" Mallory had been at Fort Pentecost a long time, and he understood Athabasca and his Indians. He was a solid, slow-thinking old fellow, but he had that wisdom of the north which can turn from dove to serpent and from serpent to lion in the moment.

"Give 'em back, Mallory? I'll see him in Jericho first, unless he goes on his marrow-bones and kicks Konto out of the camp."

"Very well, sir. But I think we'd better keep an eye open."

"Eye open, be hanged! If he'd been going to riot he'd have done so before this. Besides, the girl—!" Mallory looked long and earnestly at his master, whose forehead was glued to the field-glass. His little eyes moved as if in debate, his slow jaws opened once or twice. At last he said: "I'd give the girl the go-by, Mr. Fyles, if I was you, unless I meant to marry her." Fyles suddenly swung round. "Keep your place, blast you, Mallory, and keep your morals too. One'd think you were a missionary." Then with a sudden burst of anger: "Damn it all, if my men don't stand by me against a pack of treacherous Indians, I'd better get out."

"Your men will stand by you, sir: no fear. I've served three traders here, and my record is pretty clean, Mr. Fyles. But I'll say it to your face, whether you like it or not, that you're not as good a judge of the Injin as me, or even Duc the cook: and that's straight as I can say it, Mr. Fyles."

Fyles paced up and down in anger—not speaking; but presently threw up the glass, and looked towards Athabasca's lodge. "They're gone," he said presently; "I'll go and see them to-morrow. The old fool must do what I want, or there'll be ructions."

The moon was high over Fort Pentecost when Athabasca entered the silent yard. The dogs growled, but Indian dogs growl without reason, and no one heeds them. The old chief stood a moment looking at the windows, upon which slush-lights were throwing heavy shadows. He went to Fyles' window: no one was in the room. He went to another: Mallory and Duc were sitting at a table. Mallory had the epaulettes, looking at them and fingering the hooks by which Athabasca had fastened them on. Duc was laughing: he reached over for an epaulette, tossed it up, caught it and threw it down with a guffaw. Then the door opened, and Athabasca walked in, seized the epaulettes, and went swiftly out again. Just outside the door Mallory clapped a hand on one shoulder, and Duc caught at the epaulettes.

Athabasca struggled wildly. All at once there was a cold white flash, and Duc came huddling to Mallory's feet. For a brief instant Mallory and the Indian fell apart, then Athabasca with a contemptuous fairness tossed his knife away, and ran in on his man. They closed; strained, swayed, became a tangled wrenching mass; and then Mallory was lifted high into the air, and came down with a broken back.

Athabasca picked up the epaulettes, and hurried away, breathing hard, and hugging them to his bare red-stained breast. He had nearly reached the gate when he heard a cry. He did not turn, but a heavy stone caught him high in the shoulders, and he fell on his face and lay clutching the epaulettes in his outstretched hands.

Fyles' own hands were yet lifted with the effort of throwing, when he heard the soft rush of footsteps, and someone came swiftly into his embrace. A pair of arms ran round his shoulders—lips closed with his— something ice-cold and hard touched his neck—he saw a bright flash at his throat.

In the morning Konto found Mitawawa sitting with wild eyes by her father's body. She had fastened the epaulettes on its shoulders. Fyles and his men made a grim triangle of death at the door of the Fort.



THE HOUSE WITH THE BROKEN SHUTTER

"He stands in the porch of the world— (Why should the door be shut?) The grey wolf waits at his heel, (Why is the window barred?) Wild is the trail from the Kimash Hills, The blight has fallen on bush and tree, The choking earth has swallowed the streams, Hungry and cold is the Red Patrol: (Why should the door be shut?) The Scarlet Hunter has come to bide— (Why is the window barred?)"

Pierre stopped to listen. The voice singing was clear and soft, yet strong—a mezzo-soprano without any culture save that of practice and native taste. It had a singular charm—a sweet, fantastic sincerity. He stood still and fastened his eyes on the house, a few rods away. It stood on a knoll perching above Fort Ste. Anne. Years had passed since Pierre had visited the Fort, and he was now on his way to it again, after many wanderings. The house had stood here in the old days, and he remembered it very well, for against it John Marcey, the Company's man, was shot by Stroke Laforce, of the Riders of the Plains. Looking now, he saw that the shutter, which had been pulled off to bear the body away, was hanging there just as he had placed it, with seven of its slats broken and a dark stain in one corner. Something more of John Marcey than memory attached to that shutter. His eyes dwelt on it long he recalled the scene: a night with stars and no moon, a huge bonfire to light the Indians, at their dance, and Marcey, Laforce, and many others there, among whom was Lucille, the little daughter of Gyng the Factor. Marcey and Laforce were only boys then, neither yet twenty-three, and they were friendly rivals with the sweet little coquette, who gave her favors with a singular impartiality and justice. Once Marcey had given her a gold spoon. Laforce responded with a tiny, fretted silver basket. Laforce was delighted to see her carrying her basket, till she opened it and showed the spoon inside. There were many mock quarrels, in one of which Marcey sent her a letter by the Company's courier, covered with great seals, saying, "I return you the hairpin, the egg-shell, and the white wolf's tooth. Go to your Laforce, or whatever his ridiculous name may be."

In this way the pretty game ran on, the little goldenhaired, golden- faced, golden-voiced child dancing so gayly in their hearts, but nestling in them too, after her wilful fashion, until the serious thing came—the tragedy.

On the mad night when all ended, she was in the gayest, the most elf-like spirits. All went well until Marcey dug a hole in the ground, put a stone in it, and, burying it, said it was Laforce's heart. Then Laforce pretended to ventriloquise, and mocked Marcey's slight stutter. That was the beginning of the trouble, and Lucille, like any lady of the world, troubled at Laforce's unkindness, tried to smooth things over—tried very gravely. But the playful rivalry of many months changed its composition suddenly as through some delicate yet powerful chemical action, and the savage in both men broke out suddenly. Where motives and emotions are few they are the more vital, their action is the more violent. No one knew quite what the two young men said to each other, but presently, while the Indian dance was on, they drew to the side of the house, and had their duel out in the half-shadows, no one knowing, till the shots rang on the night, and John Marcey, without a cry, sprang into the air and fell face upwards, shot through the heart.

They tried to take the child away, but she would not go; and when they carried Marcey on the shutter she followed close by, resisting her father's wishes and commands. And just before they made a prisoner of Laforce, she said to him very quietly—so like a woman she was—"I will give you back the basket, and the riding-whip, and the other things, and I will never forgive you—never—no, never!"

Stroke Laforce had given himself up, had himself ridden to Winnipeg, a thousand miles, and told his story. Then the sergeant's stripes had been stripped from his arm, he had been tried, and on his own statement had got twelve years' imprisonment. Ten years had passed since then— since Marcey was put away in his grave, since Pierre left Fort Ste. Anne, and he had not seen it or Lucille in all that time. But he knew that Gyng was dead, and that his widow and her child had gone south or east somewhere; of Laforce after his sentence he had never heard.

He stood looking at the house from the shade of the solitary pine-tree near it, recalling every incident of that fatal night. He had the gift of looking at a thing in its true proportions, perhaps because he had little emotion and a strong brain, or perhaps because early in life his emotions were rationalised. Presently he heard the voice again:

"He waits at the threshold stone— (Why should the key-hole rust?) The eagle broods at his side, (Why should the blind be drawn?) Long has he watched, and far has he called The lonely sentinel of the North: "Who goes there?" to the wandering soul: Heavy of heart is the Red Patrol (Why should the key-hole rust?) The Scarlet Hunter is sick for home, (Why should the blind be drawn?)"

Now he recognised the voice. Its golden timbre brought back a young girl's golden face and golden hair. It was summer, and the window with the broken shutter was open. He was about to go to it, when a door of the house opened, and a girl appeared. She was tall, with rich, yellow hair falling loosely about her head; she had a strong, finely cut chin and a broad brow, under which a pair of deep blue eyes shone-violet blue, rare and fine. She stood looking down at the Fort for a few moments, unaware of Pierre's presence. But presently she saw him leaning against the tree, and she started as from a spirit.

"Monsieur!" she said—"Pierre!" and stepped forward again from the doorway.

He came to her, and "Ah, p'tite Lucille," he said, "you remember me, eh? —and yet so many years ago!"

"But you remember me," she answered, "and I have changed so much!"

"It is the man who should remember, the woman may forget if she will."

Pierre did not mean to pay a compliment; he was merely thinking.

She made a little gesture of deprecation. "I was a child," she said.

Pierre lifted a shoulder slightly. "What matter? It is sex that I mean. What difference to me—five, or forty, or ninety? It is all sex. It is only lovers, the hunters of fire-flies, that think of age—mais oui!"

She had a way of looking at you before she spoke, as though she were trying to find what she actually thought. She was one after Pierre's own heart, and he knew it; but just here he wondered where all that ancient coquetry was gone, for there were no traces of it left; she was steady of eye, reposeful, rich in form and face, and yet not occupied with herself. He had only seen her for a minute or so, yet he was sure that what she was just now she was always, or nearly so, for the habits of a life leave their mark, and show through every phase of emotion and incident whether it be light or grave.

"I think I understand you," she said. "I think I always did a little, from the time you stayed with Grah the idiot at Fort o' God, and fought the Indians when the others left. Only—men said bad things of you, and my father did not like you, and you spoke so little to me ever. Yet I mind how you used to sit and watch me, and I also mind when you rode the man down who stole my pony, and brought them both back."

Pierre smiled—he was pleased at this. "Ah, my young friend," he said, "I do not forget that either, for though he had shaved my ear with a bullet, you would not have him handed over to the Riders of the Plains —such a tender heart!"

Her eyes suddenly grew wide. She was childlike in her amazement, indeed, childlike in all ways, for she was very sincere. It was her great advantage to live where nothing was required of her but truth, she had not suffered that sickness, social artifice.

"I never knew," she said, "that he had shot at you—never! You did not tell that."

"There is a time for everything—the time for that was not till now."

"What could I have done then?"

"You might have left it to me. I am not so pious that I can't be merciful to the sinner. But this man—this Brickney—was a vile scoundrel always, and I wanted him locked up. I would have shot him myself, but I was tired of doing the duty of the law. Yes, yes," he added, as he saw her smile a little. "It is so. I have love for justice, even I, Pretty Pierre. Why not justice on myself? Ha! The law does not its duty. And maybe some day I shall have to do its work on myself. Some are coaxed out of life, some are kicked out, and some open the doors quietly for themselves, and go a-hunting Outside."

"They used to talk as if one ought to fear you," she said, "but"—she looked him straight in the eyes—"but maybe that's because you've never hid any badness."

"It is no matter, anyhow," he answered. "I live in the open, I walk in the open road, and I stand by what I do to the open law and the gospel. It is my whim—every man to his own saddle."

"It is ten years," she said abruptly.

"Ten years less five days," he answered as sententiously.

"Come inside," she said quietly, and turned to the door.

Without a word he turned also, but instead of going direct to the door came and touched the broken shutter and the dark stain on one corner with a delicate forefinger. Out of the corner of his eye he could see her on the doorstep, looking intently.

He spoke as if to himself: "It has not been touched since then—no. It was hardly big enough for him, so his legs hung over. Ah, yes, ten years— Abroad, John Marcey!" Then, as if still musing, he turned to the girl: "He had no father or mother—no one, of course; so that it wasn't so bad after all. If you've lived with the tongue in the last hole of the buckle as you've gone, what matter when you go! C'est egal —it is all the same."

Her face had become pale as he spoke, but no muscle stirred; only her eyes filled with a deeper color, and her hand closed tightly on the door- jamb. "Come in, Pierre," she said, and entered. He followed her. "My mother is at the Fort," she added, "but she will be back soon."

She placed two chairs not far from the open door. They sat, and Pierre slowly rolled a cigarette and lighted it.

"How long have you lived here?" he asked presently.

"It is seven years since we came first," she replied. "After that night they said the place was haunted, and no one would live in it, but when my father died my mother and I came for three years. Then we went east, and again came back, and here we have been."

"The shutter?" Pierre asked.

They needed few explanations—their minds were moving with the same thought.

"I would not have it changed, and of course no one cared to touch it. So it has hung there."

"As I placed it ten years ago," he said.

They both became silent for a time, and at last he said: "Marcey had no one,—Sergeant Laforce a mother."

"It killed his mother," she whispered, looking into the white sunlight. She was noting how it was flashed from the bark of the birch-trees near the Fort.

"His mother died," she added again, quietly. "It killed her—the gaol for him!"

"An eye for an eye," he responded.

"Do you think that evens John Marcey's death?" she sighed.

"As far as Marcey's concerned," he answered. "Laforce has his own reckoning besides."

"It was not a murder," she urged.

"It was a fair fight," he replied firmly, "and Laforce shot straight." He was trying to think why she lived here, why the broken shutter still hung there, why the matter had settled so deeply on her. He remembered the song she was singing, the legend of the Scarlet Hunter, the fabled Savior of the North.

"Heavy of heart is the Red Patrol— (Why should the key-hole rust?) The Scarlet Hunter is sick for home, (Why should the blind be drawn?)"

He repeated the words, lingering on them. He loved to come at the truth of things by allusive, far-off reflections, rather than by the sharp questioning of the witness-box. He had imagination, refinement in such things. A light dawned on him as he spoke the words—all became clear. She sang of the Scarlet Hunter, but she meant someone else! That was it—

"Hungry and cold is the Red Patrol— (Why should the door be shut?) The Scarlet Hunter has come to bide, (Why is the window barred?)"

But why did she live here? To get used to a thought, to have it so near her, that if the man—if Laforce himself came, she would have herself schooled to endure the shadow and the misery of it all? Ah, that was it! The little girl, who had seen her big lover killed, who had said she would never forgive the other, who had sent him back the fretted-silver basket, the riding-whip, and other things, had kept the criminal in her mind all these years; had, out of her childish coquetry, grown into— what? As a child she had been wise for her years—almost too wise. What had happened? She had probably felt sorrow for Laforce at first, and afterwards had shown active sympathy, and at last—no, he felt that she had not quite forgiven him, that, whatever was, she had not hidden the criminal in her heart. But why did she sing that song? Her heart was pleading for him—for the criminal. Had she and her mother gone to Winnipeg to be near Laforce, to comfort him? Was Laforce free now, and was she unwilling? It was so strange that she should thus have carried on her childhood into her womanhood. But he guessed her—she had imagination.

"His mother died in my arms in Winnipeg," she said abruptly at last. "I'm glad I was some comfort to her. You see, it all came through me— I was so young and spoiled and silly—John Marcey's death, her death, and his long years in prison. Even then I knew better than to set the one against the other. Must a child not be responsible? I was—I am!"

"And so you punish yourself?"

"It was terrible for me—even as a child. I said that I could never forgive, but when his mother died, blessing me, I did. Then there came something else."

"You saw him, there amie?"

"I saw him—so changed, so quiet, so much older—all grey at the temples. At first I lived here that I might get used to the thought of the thing —to learn to bear it; and afterwards that I might learn—" She paused, looking in half-doubt at Pierre.

"It is safe; I am silent," he said.

"That I might learn to bear—him," she continued.

"Is he still—" Pierre paused.

She spoke up quickly. "Oh no, he has been free two years."

"Where is he now?"

"I don't know." She waited for a minute, then said again, "I don't know. When he was free, he came to me, but I—I could not. He thought, too, that because he had been in gaol, that I wouldn't—be his wife. He didn't think enough of himself, he didn't urge anything. And I wasn't ready—no—no—no—how could I be! I didn't care so much about the gaol, but he had killed John Marcey. The gaol—what was that to me! There was no real shame in it unless he had done a mean thing. He had been wicked —not mean. Killing is awful, but not shameful. Think—the difference— if he had been a thief!"

Pierre nodded. "Then some one should have killed him!" he said. "Well, after?"

"After—after—ah, he went away for a year. Then he came back; but no, I was always thinking of that night I walked behind John Marcey's body to the Fort. So he went away again, and we came here, and here we have lived."

"He has not come here?"

"No; once from the far north he sent me a letter by an Indian, saying that he was going with a half-breed to search for a hunting party, an English gentleman and two men who were lost. The name of one of the men was Brickney."

Pierre stopped short in a long whiffing of smoke. "Holy!" he said, "that thief Brickney again. He would steal the broad road to hell if he could carry it. He once stole the quarters from a dead man's eyes. Mon Dieu! to save Brickney's life, the courage to do that—like sticking your face in the mire and eating!—But, pshaw!—go on, p'tite Lucille."

"There is no more. I never heard again."

"How long was that ago?"

"Nine months or more."

"Nothing has been heard of any of them?"

"Nothing at all. The Englishman belonged to the Hudson's Bay Company, but they have heard nothing down here at Fort Ste. Anne."

"If he saves the Company's man, that will make up the man he lost for them, eh—you think that, eh?" Pierre's eyes had a curious ironical light.

"I do not care for the Company," she said. "John Marcey's life was his own."

"Good!" he added quickly, and his eyes admired her. "That is the thing. Then, do not forget that Marcey took his life in his hands himself, that he would have killed Laforce if Laforce hadn't killed him."

"I know, I know," she said, "but I should have felt the same if John Marcey had killed Stroke Laforce."

"It is a pity to throw your life away," he ventured. He said this for a purpose. He did not think she was throwing it away.

She was watching a little knot of horsemen coming over a swell of the prairie far off. She withdrew her eyes and fixed them on Pierre. "Do you throw your life away if you do what is the only thing you are told to do?"

She placed her hand on her heart—that had been her one guide.

Pierre got to his feet, came over, and touched her on the shoulder.

"You have the great secret," he said quietly. "The thing may be all wrong to others, but if it's right to yourself—that's it—mais oui! If he comes," he added "if he comes back, think of him as well as Marcey. Marcey is sleeping—what does it matter? If he is awake, he has better times, for he was a man to make another world sociable. Think of Laforce, for he has his life to live, and he is a man to make this world sociable.

'The Scarlet Hunter is sick for home— (Why should the door be shut?)'"

Her eyes had been following the group of horsemen on the plains. She again fixed them on Pierre, and stood up.

"It is a beautiful legend—that," she said.

"But?—but?" he asked.

She would not answer him. "You will come again," she said; "you will— help me?"

"Surely, p'tite Lucille, surely, I will come. But to help—ah, that would sound funny to the Missionary at the Fort and to others!"

"You understand life," she said, "and I can speak to you."

"It's more to you to understand you than to be good, eh?"

"I guess it's more to any woman," she answered. They both passed out of the house. She turned towards the broken shutter. Then their eyes met. A sad little smile hovered at her lips.

"What is the use?" she said, and her eyes fastened on the horsemen.

He knew now that she would never shudder again at the sight of it, or at the remembrance of Marcey's death.

"But he will come," was the reply to her, and her smile almost settled and stayed.

They parted, and as he went down the hill he saw far over, coming up, a woman in black, who walked as if she carried a great weight. "Every shot that kills ricochets," he said to himself:

"His mother dead—her mother like that!"

He passed into the Fort, renewing acquaintances in the Company's store, and twenty minutes after he was one to greet the horsemen that Lucille had seen coming over the hills. They were five, and one had to be helped from his horse. It was Stroke Laforce, who had been found near dead at the Metal River by a party of men exploring in the north.

He had rescued the Englishman and his party, but within a day of the finding the Englishman died, leaving him his watch, a ring, and a cheque on the H. B. C. at Winnipeg. He and the two survivors, one of whom was Brickney, started south. One night Brickney robbed him and made to get away, and on his seizing the thief he was wounded. Then the other man came to his help and shot Brickney: after that weeks of wandering, and at last rescue and Fort Ste. Anne.

A half-hour after this Pierre left Laforce on the crest of the hill above the Fort, and did not turn to go down till he had seen the other pass within the house with the broken shutter. And later he saw a little bonfire on the hill. The next evening he came to the house again himself. Lucille rose to meet him.

"'Why should the door be shut?"' he quoted smiling.

"The door is open," she answered quickly and with a quiet joy.

He turned to the motion of her hand, and saw Laforce asleep on a couch.

Soon afterwards, as he passed from the house, he turned towards the window. The broken shutter was gone.

He knew now the meaning of the bonfire the night before.



THE FINDING OF FINGALL

"Fingall! Fingall!—Oh, Fingall!"

A grey mist was rising from the river, the sun was drinking it delightedly, the swift blue water showed underneath it, and the top of Whitefaced Mountain peaked the mist by a hand-length. The river brushed the banks like rustling silk, and the only other sound, very sharp and clear in the liquid monotone, was the crack of a woodpecker's beak on a hickory tree.

It was a sweet, fresh autumn morning in Lonesome Valley. Before night the deer would bellow reply to the hunters' rifles, and the mountain-goat call to its unknown gods; but now there was only the wild duck skimming the river, and the high hilltop rising and fading into the mist, the ardent sun, and again that strange cry—

"Fingall!—Oh, Fingall! Fingall!"

Two men, lounging at a fire on a ledge of the hills, raised their eyes to the mountain-side beyond and above them, and one said presently:

"The second time. It's a woman's voice, Pierre." Pierre nodded, and abstractedly stirred the coals about with a twig.

"Well, it is a pity—the poor Cynthie," he said at last.

"It is a woman, then. You know her, Pierre—her story?"

"Fingall! Fingall!—Oh, Fingall!"

Pierre raised his head towards the sound; then after a moment, said:

"I know Fingall."

"And the woman? Tell me."

"And the girl. Fingall was all fire and heart, and devil-may-care. She—she was not beautiful except in the eye, but that was like a flame of red and blue. Her hair, too—then—would trip her up, if it hung loose. That was all, except that she loved him too much. But women— et puis, when a woman gets a man between her and the heaven above and the earth beneath, and there comes the great hunger, what is the good! A man cannot understand, but he can see, and he can fear. What is the good! To play with life, that is not much; but to play with a soul is more than a thousand lives. Look at Cynthie."

He paused, and Lawless waited patiently. Presently Pierre continued:

Fingall was gentil; he would take off his hat to a squaw. It made no difference what others did; he didn't think—it was like breathing to him. How can you tell the way things happen? Cynthie's father kept the tavern at St. Gabriel's Fork, over against the great saw-mill. Fingall was foreman of a gang in the lumberyard. Cynthie had a brother—Fenn. Fenn was as bad as they make, but she loved him, and Fingall knew it well, though he hated the young skunk. The girl's eyes were like two little fire-flies when Fingall was about.

"He was a gentleman, though he had only half a name—Fingall—like that. I think he did not expect to stay; he seemed to be waiting for something —always when the mail come in he would be there; and afterwards you wouldn't see him for a time. So it seemed to me that he made up his mind to think nothing of Cynthie, and to say nothing."