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Mrs. Delano replied politely, expressing regret that she and her daughter were deprived of the pleasure of hearing such a musical genius. After some desultory chat concerning the various sights in Rome, the visitors departed.
"I'm glad your call was short," said Mr. Fitzgerald. "That lady is a perfect specimen of Boston ice."
Whereupon his companion began to rally him for want of gallantry in saying anything disparaging of Boston.
Meanwhile Mrs. Delano was pacing the parlor in a disturbed state of mind. Though she had foreseen such a contingency as one of the possible consequences of adopting Flora, yet when it came so suddenly in a different place, and under different circumstances from any she had thought of, the effect was somewhat bewildering. She dreaded the agitation into which the news would throw Flora, and she wanted to mature her own future plans before she made the announcement. So, in answer to Flora's questions about the visitors, she merely said a lady from Boston, the daughter of one of her old acquaintances, had called to introduce her husband. After dinner, they spent some time reading Tasso's Aminta together; and then Mrs. Delano said: "I wish to go and have a talk with Mr. and Mrs. Percival. I have asked him to inquire about vessels at Civita Vecchia; for, under present circumstances, I presume you would be glad to set out sooner than we intended on that romantic expedition in search of your sister."
"O, thank you! thank you!" exclaimed Flora, jumping up and kissing her.
"I trust you will not go out, or sing, or show yourself at the windows while I am gone," said Mrs. Delano; "for though Mr. Fitzgerald can do you no possible harm, it would be more agreeable to slip away without his seeing you."
The promise was readily and earnestly given, and she proceeded to the lodgings of Mr. and Mrs. Percival in the next street. After she had related the experiences of the morning, she asked what they supposed had become of Rosabella.
"It is to be hoped she does not continue her relation with that base man if she knows of his marriage," said Mrs. Percival; "for that would involve a moral degradation painful for you to think of in Flora's sister."
"If she has ceased to interest his fancy, very likely he may have sold her," said Mr. Percival; "for a man who could entertain the idea of selling Flora, I think would sell his own Northern wife, if the law permitted it and circumstances tempted him to it."
"What do you think I ought to do in the premises?" inquired Mrs. Delano.
"I would hardly presume to say what you ought to do," rejoined Mrs. Percival; "but I know what I should do, if I were as rich as you, and as strongly attached to Flora."
"Let me hear what you would do," said Mrs. Delano.
The prompt reply was: "I would go in search of her. And if she was sold, I would buy her and bring her home, and be a mother to her."
"Thank you," said Mrs. Delano, warmly pressing her hand. "I thought you would advise what was kindest and noblest. Money really seems to me of very little value, except as a means of promoting human happiness. And in this case I might perhaps prevent moral degradation, growing out of misfortune and despair."
After some conversation concerning vessels that were about to sail, the friends parted. On her way homeward, she wondered within herself whether they had any suspicion of the secret tie that bound her so closely to these unfortunate girls. "I ought to do the same for them without that motive," thought she; "but should I?"
Though her call had not been very long, it seemed so to Flora, who had latterly been little accustomed to solitude. She had no heart for books or drawing. She sat listlessly watching the crowd on Monte Pincio;—children chasing each other, or toddling about with nurses in bright-red jackets; carriages going round and round, ever and anon bringing into the sunshine gleams of gay Roman scarfs, or bright autumnal ribbons fluttering in the breeze. She had enjoyed few things more than joining that fashionable promenade to overlook the city in the changing glories of sunset. But now she cared not for it. Her thoughts were far away on the lonely island. As sunset quickly faded into twilight, carriages and pedestrians wound their way down the hill. The noble trees on its summit became solemn silhouettes against the darkening sky, and the monotonous trickling of the fountain in the court below sounded more distinct as the street noises subsided. She was growing a little anxious, when she heard soft footfalls on the stairs, which she at once recognized and hastened to meet. "O, you have been gone so long!" she exclaimed. Happy, as all human beings are, to have another heart so dependent on them, the gratified lady passed her arm round the waist of the loving child, and they ascended to their rooms like two confidential school-girls.
After tea, Mrs. Delano said, "Now I will keep my promise of telling you all I have discovered." Flora ran to an ottoman by her side, and, leaning on her lap, looked up eagerly into her face. "You must try not to be excitable, my dear," said her friend; "for I have some unpleasant news to tell you."
The expressive eyes, that were gazing wistfully into hers while she spoke, at once assumed that startled, melancholy look, strangely in contrast with their laughing shape. Her friend was so much affected by it that she hardly knew how to proceed with her painful task. At last Flora murmured, "Is she dead?"
"I have heard no such tidings, darling," she replied. "But Mr. Fitzgerald has married a Boston lady, and they were the visitors who came here this morning."
Flora sprung up and pressed her hand on her heart, as if a sharp arrow had hit her. But she immediately sank on the ottoman again, and said in tones of suppressed agitation: "Then he has left poor Rosa. How miserable she must be! She loved him so! O, how wrong it was for me to run away and leave her! And only to think how I have been enjoying myself, when she was there all alone, with her heart breaking! Can't we go to-morrow to look for her, dear Mamita?"
"In three days a vessel will sail for Marseilles," replied Mrs. Delano. "Our passage is taken; and Mr. and Mrs. Percival, who intended to return home soon, are kind enough to say they will go with us. I wish they could accompany us to the South; but he is so well known as an Abolitionist that his presence would probably cause unpleasant interruptions and delays, and perhaps endanger his life."
Flora seized her hand and kissed it, while tears were dropping fast upon it. And at every turn of the conversation, she kept repeating, "How wrong it was for me to run away and leave her!"
"No, my child," replied Mrs. Delano, "you did right in coming to me. If you had stayed there, you would have made both her and yourself miserable, beside doing what was very wrong. I met Mr. Fitzgerald once on horseback, while I was visiting at Mr. Welby's plantation; but I never fairly saw him until to-day. He is so very handsome, that, when I looked at him, I could not but think it rather remarkable he did not gain a bad power over you by his insinuating flattery, when you were so very young and inexperienced."
The guileless little damsel looked up with an expression of surprise, and said: "How could I bear to have him make love to me, when he was Rosa's husband? He is so handsome and fascinating, that, if he had loved me instead of Rosa, in the beginning, I dare say I should have been as much in love with him as she was. I did dearly love him while he was a kind brother; but I couldn't love him so. It would have killed Rosa if I had. Besides, he told falsehoods; and papa taught us to consider that as the meanest of faults. I have heard him tell Rosa he never loved anybody but her, when an hour before he had told me he loved me better than Rosa. What could I do but despise such a man? Then, when he threatened to sell me, I became dreadfully afraid of him." She started up, as if struck by a sudden thought, and exclaimed wildly, "What if he has sold Rosa?"
Her friend brought forward every argument and every promise she could think of to pacify her; and when she had become quite calm, they sang a few hymns together, and before retiring to rest knelt down side by side and prayed for strength and guidance in these new troubles.
Flora remained a long time wakeful, thinking of Rosa deserted and alone. She had formed many projects concerning what was to be seen and heard and done in Rome; but she forgot them all. She did not even think of the much-anticipated opera, until she heard from the street snatches of Norma, whistled or sung by the dispersing audience. A tenor voice passed the house singing, Vieni in Roma. "Ah," thought she, "Gerald and I used to sing that duet together. And in those latter days how languishingly he used to look at me, behind her back, while he sang passionately, 'Ah, deh cedi, cedi a me!' And poor cheated Rosa would say, 'Dear Gerald, how much heart you put into your voice!' O shame, shame! What could I do but run away? Poor Rosa! How I wish I could hear her sing 'Casta Diva,' as she used to do when we sat gazing at the moon shedding its soft light over the pines in that beautiful lonely island."
And so, tossed for a long while on a sea of memories, she finally drifted into dream-land.
CHAPTER XIX.
While Flora was listlessly gazing at Monte Pincio from the solitude of her room in the Via delle Quattro Fontane, Rosabella was looking at the same object, seen at a greater distance, over intervening houses, from her high lodgings in the Corso. She could see the road winding like a ribbon round the hill, with a medley of bright colors continually moving over it. But she was absorbed in revery, and they floated round and round before her mental eye, like the revolving shadows of a magic lantern.
She was announced to sing that night, as the new Spanish prima donna, La Senorita Rosita Campaneo; and though she had been applauded by manager and musicians at the rehearsal that morning, her spirit shrank from the task. Recent letters from America had caused deep melancholy; and the idea of singing, not con amore, but as a performer before an audience of entire strangers, filled her with dismay. She remembered how many times she and Flora and Gerald had sung together from Norma; and an oppressive feeling of loneliness came over her. Returning from rehearsal, a few hours before, she had seen a young Italian girl, who strongly reminded her of her lost sister. "Ah!" thought she, "if Flora and I had gone out into the world together, to make our own way, as Madame first intended, how much sorrow and suffering I might have been spared!" She went to the piano, where the familiar music of Norma lay open before her, and from the depths of her saddened soul gushed forth, "Ah, bello a me Ritorno." The last tone passed sighingly away, and as her hands lingered on the keys, she murmured, "Will my heart pass into it there, before that crowd of strange faces, as it does here?"
"To be sure it will, dear," responded Madame, who had entered softly and stood listening to the last strains.
"Ah, if all would hear with your partial ears!" replied Rosabella, with a glimmering smile. "But they will not. And I may be so frightened that I shall lose my voice."
"What have you to be afraid of, darling?" rejoined Madame. "It was more trying to sing at private parties of accomplished musicians, as you did in Paris; and especially at the palace, where there was such an elite company. Yet you know that Queen Amelia was so much pleased with your performance of airs from this same opera, that she sent you the beautiful enamelled wreath you are to wear to-night."
"What I was singing when you came in wept itself out of the fulness of my heart," responded Rosabella. "This dreadful news of Tulee and the baby unfits me for anything. Do you think there is no hope it may prove untrue?"
"You know the letter explicitly states that my cousin and his wife, the negro woman, and the white baby, all died of yellow-fever," replied Madame. "But don't reproach me for leaving them, darling. I feel badly enough about it, already. I thought it would be healthy so far out of the city; and it really seemed the best thing to do with the poor little bambino, until we could get established somewhere."
"I did not intend to reproach you, my kind friend," answered Rosa. "I know you meant it all for the best. But I had a heavy presentiment of evil when you first told me they were left. This news makes it hard for me to keep up my heart for the efforts of the evening. You know I was induced to enter upon this operatic career mainly by the hope of educating that poor child, and providing well for the old age of you and Papa Balbino, as I have learned to call my good friend, the Signor. And poor Tulee, too,—how much I intended to do for her! No mortal can ever know what she was to me in the darkest hours of my life."
"Well, poor Tulee's troubles are all over," rejoined Madame, with a sigh; "and bambinos escape a great deal of suffering by going out of this wicked world. For, between you and I, dear, I don't believe one word about the innocent little souls staying in purgatory on account of not being baptized."
"O, my friend, if you only knew!" exclaimed Rosa, in a wild, despairing tone. But she instantly checked herself, and said: "I will try not to think of it; for if I do, I shall spoil my voice; and Papa Balbino would be dreadfully mortified if I failed, after he had taken so much pains to have me brought out."
"That is right, darling," rejoined Madame, patting her on the shoulder. "I will go away, and leave you to rehearse."
Again and again Rosa sang the familiar airs, trying to put soul into them, by imagining how she would feel if she were in Norma's position. Some of the emotions she knew by her own experience, and those she sang with her deepest feeling.
"If I could only keep the same visions before me that I have here alone, I should sing well to-night," she said to herself; "for now, when I sing 'Casta Diva,' I seem to be sitting with my arm round dear little Flora, watching the moon as it rises above the dark pines on that lonely island."
At last the dreaded hour came. Rosa appeared on the stage with her train of priestesses. The orchestra and the audience were before her; and she knew that Papa and Mamma Balbino were watching her from the side with anxious hearts. She was very pale, and her first notes were a little tremulous. But her voice soon became clear and strong; and when she fixed her eyes on the moon, and sang "Casta Diva," the fulness and richness of the tones took everybody by surprise.
"Bis! Bis!" cried the audience; and the chorus was not allowed to proceed till she had sung it a second and third time. She courtesied her acknowledgments gracefully. But as she retired, ghosts of the past went with her; and with her heart full of memories, she seemed to weep in music, while she sang in Italian, "Restore to mine affliction one smile of love's protection." Again the audience shouted, "Bis! Bis!"
The duet with Adalgisa was more difficult; for she had not yet learned to be an actress, and she was embarrassed by the consciousness of being an object of jealousy to the seconda donna, partly because she was prima, and partly because the tenor preferred her. But when Adalgisa sang in Italian the words, "Behold him!" she chanced to raise her eyes to a box near the stage, and saw the faces of Gerald Fitzgerald and his wife bending eagerly toward her. She shuddered, and for an instant her voice failed her. The audience were breathless. Her look, her attitude, her silence, her tremor, all seemed inimitable acting. A glance at the foot-lights and at the orchestra recalled the recollection of where she was, and by a strong effort she controlled herself; though there was still an agitation in her voice, which the audience and the singers thought to be the perfection of acting. Again she glanced at Fitzgerald, and there was terrible power in the tones with which she uttered, in Italian, "Tremble, perfidious one! Thou knowest the cause is ample."
Her eyes rested for a moment on Mrs. Fitzgerald, and with a wonderful depth of pitying sadness, she sang, "O, how his art deceived thee!"
The wish she had formed was realized. She was enabled to give voice to her own emotions, forgetful of the audience for the time being. And even in subsequent scenes, when the recollection of being a performer returned upon her, her inward excitation seemed to float her onward, like a great wave.
Once again her own feelings took her up, like a tornado, and made her seem a wonderful actress. In the scene where Norma is tempted to kill her children, she fixed her indignant gaze full upon Fitzgerald, and there was an indescribable expression of stern resolution in her voice, and of pride in the carriage of her queenly head, while she sang: "Disgrace worse than death awaits them. Slavery? No! never!"
Fitzgerald quailed before it. He grew pale, and slunk back in the box. The audience had never seen the part so conceived, and a few criticised it. But her beauty and her voice and her overflowing feeling carried all before her; and this, also, was accepted as a remarkable inspiration of theatrical genius.
When the wave of her own excitement was subsiding, the magnetism of an admiring audience began to affect her strongly. With an outburst of fury, she sang, "War! War!" The audience cried, "Bis! Bis!" and she sang it as powerfully the second time.
What it was that had sustained and carried her through that terrible ordeal, she could never understand.
When the curtain dropped, Fitzgerald was about to rush after her; but his wife caught his arm, and he was obliged to follow. It was an awful penance he underwent, submitting to this necessary restraint; and while his soul was seething like a boiling caldron, he was obliged to answer evasively to Lily's frequent declaration that the superb voice of this Spanish prima donna was exactly like the wonderful voice that went wandering round the plantation, like a restless ghost.
Papa and Mamma Balbino were waiting to receive the triumphant cantatrice, as she left the stage. "Brava! Brava!" shouted the Signor, in a great fever of excitement; but seeing how pale she looked, he pressed her hand in silence, while Madame wrapped her in shawls. They lifted her into the carriage as quickly as possible, where her head drooped almost fainting on Madame's shoulder. It required them both to support her unsteady steps, as they mounted the stairs to their lofty lodging. She told them nothing that night of having seen Fitzgerald; and, refusing all refreshment save a sip of wine, she sank on the bed utterly exhausted.
CHAPTER XX.
She slept late the next day, and woke with a feeling of utter weariness of body and prostration of spirit. When her dressing-maid Giovanna came at her summons, she informed her that a gentleman had twice called to see her, but left no name or card. "Let no one be admitted to-day but the manager of the opera," said Rosa. "I will dress now; and if Mamma Balbino is at leisure, I should like to have her come and talk with me while I breakfast."
"Madame has gone out to make some purchases," replied Giovanna. "She said she should return soon, and charged me to keep everything quiet, that you might sleep. The Signor is in his room waiting to speak to you."
"Please tell him I have waked," said Rosa; "and as soon as I have dressed and breakfasted, ask him to come to me."
Giovanna, who had been at the opera the preceding evening, felt the importance of her mission in dressing the celebrated Senorita Rosita Campaneo, of whose beauty and gracefulness everybody was talking. And when the process was completed, the cantatrice might well have been excused if she had thought herself the handsomest of women. The glossy dark hair rippled over her forehead in soft waves, and the massive braids behind were intertwisted with a narrow band of crimson velvet, that glowed like rubies where the sunlight fell upon it. Her morning wrapper of fine crimson merino, embroidered with gold-colored silk, was singularly becoming to her complexion, softened as the contact was by a white lace collar fastened at the throat with a golden pin. But though she was seated before the mirror, and though her own Spanish taste had chosen the strong contrast of bright colors, she took no notice of the effect produced. Her face was turned toward the window, and as she gazed on the morning sky, all unconscious of its translucent brilliancy of blue, there was an inward-looking expression in her luminous eyes that would have made the fortune of an artist, if he could have reproduced her as a Sibyl. Giovanna looked at her with surprise, that a lady could be so handsome and so beautifully dressed, yet not seem to care for it. She lingered a moment contemplating the superb head with an exultant look, as if it were a picture of her own painting, and then she went out noiselessly to bring the breakfast-tray.
The Senorita Campaneo ate with a keener appetite than she had ever experienced as Rosabella the recluse; for the forces of nature, exhausted by the exertions of the preceding evening, demanded renovation. But the services of the cook were as little appreciated as those of the dressing-maid; the luxurious breakfast was to her simply food. The mirror was at her side, and Giovanna watched curiously to see whether she would admire the effect of the crimson velvet gleaming among her dark hair. But she never once glanced in that direction. When she had eaten sufficiently, she sat twirling her spoon and looking into the depths of her cup, as if it were a magic mirror revealing all the future.
She was just about to say, "Now you may call Papa Balbino," when Giovanna gave a sudden start, and exclaimed, "Signorita! a gentleman!"
And ere she had time to look round, Fitzgerald was kneeling at her feet. He seized her hand and kissed it passionately, saying, in an agony of entreaty: "O Rosabella, do say you forgive me! I am suffering the tortures of the damned."
The irruption was so sudden and unexpected, that for an instant she failed to realize it. But her presence of mind quickly returned, and, forcibly withdrawing the hand to which he clung, she turned to the astonished waiting-maid and said quite calmly, "Please deliver immediately the message I spoke of."
Giovanna left the room and proceeded directly to the adjoining apartment, where Signor Balbino was engaged in earnest conversation with another gentleman.
Fitzgerald remained kneeling, still pleading vehemently for forgiveness.
"Mr. Fitzgerald," said she, "this audacity is incredible. I could not have imagined it possible you would presume ever again to come into my presence, after having sold me to that infamous man."
"He took advantage of me, Rosa. I was intoxicated with wine, and knew not what I did. I could not have done it if I had been in my senses. I have always loved you as I never loved any other woman; and I never loved you so wildly as now."
"Leave me!" she exclaimed imperiously. "Your being here does me injury. If you have any manhood in you, leave me!"
He strove to clutch the folds of her robe, and in frenzied tones cried out: "O Rosabella, don't drive me from you! I can't live without—"
A voice like a pistol-shot broke in upon his sentence: "Villain! Deceiver! What are you doing here? Out of the house this instant!"
Fitzgerald sprung to his feet, pale with rage, and encountered the flashing eyes of the Signor. "What right have you to order me out of the house?" said he.
"I am her adopted father," replied the Italian; "and no man shall insult her while I am alive."
"So you are installed as her protector!" retorted Fitzgerald, sneeringly. "You are not the first gallant I have known to screen himself behind his years."
"By Jupiter!" vociferated the enraged Italian; and he made a spring to clutch him by the throat.
Fitzgerald drew out a pistol. With a look of utter distress, Rosa threw herself between them, saying, in imploring accents, "Will you go?"
At the same moment, a hand rested gently on the Signor's shoulder, and a manly voice said soothingly, "Be calm, my friend." Then, turning to Mr. Fitzgerald, the gentleman continued: "Slight as our acquaintance is, sir, it authorizes me to remind you that scenes like this are unfit for a lady's apartment."
Fitzgerald slowly replaced his pistol, as he answered coldly: "I remember your countenance, sir, but I don't recollect where I have seen it, nor do I understand what right you have to intrude here."
"I met you in New Orleans, something more than four years ago," replied the stranger; "and I was then introduced to you by this lady's father, as Mr. Alfred King of Boston."
"O, I remember," replied Fitzgerald, with a slight curl of his lip. "I thought you something of a Puritan then; but it seems you are her protector also."
Mr. King colored to the temples; but he replied calmly: "I know not whether Miss Royal recognizes me; for I have never seen her since the evening we spent so delightfully at her father's house."
"I do recognize you," replied Rosabella; "and as the son of my father's dearest friend, I welcome you."
She held out her hand as she spoke, and he clasped it for an instant. But though the touch thrilled him, he betrayed no emotion. Relinquishing it with a respectful bow, he turned to Mr. Fitzgerald, and said: "You have seen fit to call me a Puritan, and may not therefore accept me as a teacher of politeness; but if you wish to sustain the character of a cavalier, you surely will not remain in a lady's house after she has requested you to quit it."
With a slight shrug of his shoulders, Mr. Fitzgerald took his hat, and said, "Where ladies command, I am of course bound to obey."
As he passed out of the door, he turned toward Rosabella, and, with a low bow, said, "Au revoir!"
The Signor was trembling with anger, but succeeded in smothering his half-uttered anathemas. Mr. King compressed his lips tightly for a moment, as if silence were a painful effort. Then, turning to Rosa, he said: "Pardon my sudden intrusion, Miss Royal. Your father introduced me to the Signor, and I last night saw him at the opera. That will account for my being in his room to-day." He glanced at the Italian with a smile, as he added: "I heard very angry voices, and I thought, if there was to be a duel, perhaps the Signor would need a second. You must be greatly fatigued with exertion and excitement. Therefore, I will merely congratulate you on your brilliant success last evening, and wish you good morning."
"I am fatigued," she replied; "but if I bid you good morning now, it is with the hope of seeing you again soon. The renewal of acquaintance with one whom my dear father loved is too pleasant to be willingly relinquished."
"Thank you," he said. But the simple words were uttered with a look and tone so deep and earnest, that she felt the color rising to her cheeks.
"Am I then still capable of being moved by such tones?" she asked herself, as she listened to his departing footsteps, and, for the first time that morning, turned toward the mirror and glanced at her own flushed countenance.
"What a time you've been having, dear!" exclaimed Madame, who came bustling in a moment after. "Only to think of Mr. Fitzgerald's coming here! His impudence goes a little beyond anything I ever heard of. Wasn't it lucky that Boston friend should drop down from the skies, as it were, just at the right minute; for the Signor's such a flash-in-the-pan, there 's no telling what might have happened. Tell me all about it, dear."
"I will tell you about it, dear mamma," replied Rosa; "but I must beg you to excuse me just now; for I am really very much flurried and fatigued. If you hadn't gone out, I should have told you this morning, at breakfast, that I saw Mr. and Mrs. Fitzgerald at the opera, and that I was singing at them in good earnest, while people thought I was acting. We will talk it all over some time; but now I must study, for I shall have hard work to keep the ground I have gained. You know I must perform again to-night. O, how I dread it!"
"You are a strange child to talk so, when you have turned everybody's head," responded Madame.
"Why should I care for everybody's head?" rejoined the successful cantatrice. But she thought to herself: "I shall not feel, as I did last night, that I am going to sing merely to strangers. There will be one there who heard me sing to my dear father. I must try to recall the intonations that came so naturally last evening, and see whether I can act what I then felt." She seated herself at the piano, and began to sing, "Oh, di qual sei tu vittima." Then, shaking her head slowly, she murmured: "No; it doesn't come. I must trust to the inspiration of the moment. But it is a comfort to know they will not all be strangers."
* * * * *
Mr. King took an opportunity that same day to call on Mr. Fitzgerald. He was very haughtily received; but, without appearing to notice it, he opened his errand by saying, "I have come to speak with you concerning Miss Royal."
"All I have to say to you, sir," replied Mr. Fitzgerald, "is, that neither you nor any other man can induce me to give up my pursuit of her. I will follow her wherever she goes."
"What possible advantage can you gain by such a course?" inquired his visitor. "Why uselessly expose yourself to disagreeable notoriety, which must, of course, place Mrs. Fitzgerald in a mortifying position?"
"How do you know my perseverance would be useless?" asked Fitzgerald. "Did she send you to tell me so?"
"She does not know of my coming," replied Mr. King. "I have told you that my acquaintance with Miss Royal is very slight. But you will recollect that I met her in the freshness of her young life, when she was surrounded by all the ease and elegance that a father's wealth and tenderness could bestow; and it was unavoidable that her subsequent misfortunes should excite my sympathy. She has never told me anything of her own history, but from others I know all the particulars. It is not my purpose to allude to them; but after suffering all she has suffered, now that she has bravely made a standing-place for herself, and has such an arduous career before her, I appeal to your sense of honor, whether it is generous, whether it is manly, to do anything that will increase the difficulties of her position."
"It is presumptuous in you, sir, to come here to teach me what is manly," rejoined Fitzgerald.
"I merely presented the case for the verdict of your own conscience," answered his visitor; "but I will again take the liberty to suggest for your consideration, that if you persecute this unfortunate young lady with professions you know are unwelcome, it must necessarily react in a very unpleasant way upon your own reputation, and consequently upon the happiness of your family."
"You mistook your profession, sir. You should have been a preacher," said Fitzgerald, with a sarcastic smile. "I presume you propose to console the lady for her misfortunes; but let me tell you, sir, that whoever attempts to come between me and her will do it at his peril."
"I respect Miss Royal too much to hear her name used in any such discussion," replied Mr. King. "Good morning, sir."
"The mean Yankee!" exclaimed the Southerner, as he looked after him. "If he were a gentleman he would have challenged me, and I should have met him like a gentleman; but one doesn't know what to do with such cursed Yankee preaching."
He was in a very perturbed state of mind. Rosabella had, in fact, made a much deeper impression on him than any other woman had ever made. And now that he saw her the bright cynosure of all eyes, fresh fuel was heaped on the flickering flame of his expiring passion. Her disdain piqued his vanity, while it produced the excitement of difficulties to be overcome. He was exasperated beyond measure, that the beautiful woman who had depended solely upon him should now be surrounded by protectors. And if he could regain no other power, he was strongly tempted to exert the power of annoyance. In some moods, he formed wild projects of waylaying her, and carrying her off by force. But the Yankee preaching, much as he despised it, was not without its influence. He felt that it would be most politic to keep on good terms with his rich wife, who was, besides, rather agreeable to him. He concluded, on the whole, that he would assume superiority to the popular enthusiasm about the new prima donna; that he would coolly criticise her singing and her acting, while he admitted that she had many good points. It was a hard task he undertook; for on the stage Rosabella attracted him with irresistible power, to which was added the magnetism of the admiring audience. After the first evening, she avoided looking at the box where he sat; but he had an uneasy satisfaction in the consciousness that it was impossible she could forget he was present and watching her.
The day after the second appearance of the Senorita Campaneo, Mrs. Delano was surprised by another call from the Fitzgeralds.
"Don't think we intend to persecute you," said the little lady. "We merely came on business. We have just heard that you were to leave Rome very soon; but Mr. Green seemed to think it couldn't be so soon as was said."
"Unexpected circumstances make it necessary for me to return sooner than I intended," replied Mrs. Delano. "I expect to sail day after to-morrow."
"What a pity your daughter should go without hearing the new prima donna!" exclaimed Mrs. Fitzgerald. "She is really a remarkable creature. Everybody says she is as beautiful as a houri. And as for her voice, I never heard anything like it, except the first night I spent on Mr. Fitzgerald's plantation. There was somebody wandering about in the garden and groves who sang just like her. Mr. Fitzgerald didn't seem to be much struck with the voice, but I could never forget it."
"It was during our honeymoon," replied her husband; "and how could I be interested in any other voice, when I had yours to listen to?"
His lady tapped him playfully with her parasol, saying: "O, you flatterer! But I wish I could get a chance to speak to this Senorita. I would ask her if she had ever been in America."
"I presume not," rejoined Mr. Fitzgerald. "They say an Italian musician heard her in Andalusia, and was so much charmed with her voice that he adopted her and educated her for the stage; and he named her Campaneo, because there is such a bell-like echo in her voice sometimes. Do you think, Mrs. Delano, that it would do your daughter any serious injury to go with us this evening? We have a spare ticket; and we would take excellent care of her. If she found herself fatigued, I would attend upon her home any time she chose to leave."
"It would be too exciting for her nerves," was Mrs. Delano's laconic answer.
"The fact is," said Mrs. Fitzgerald, "Mr. Green has told us so much about her, that we are extremely anxious to be introduced to her. He says she hasn't half seen Rome, and he wishes she could join our party. I wish we could persuade you to leave her with us. I can assure you Mr. Fitzgerald is a most agreeable and gallant protector to ladies. And then it is such a pity, when she is so musical, that she should go without hearing this new prima donna."
"Thank you," rejoined Mrs. Delano; "but we have become so much attached to each other's society, that I don't think either of us could be happy separated. Since she cannot hear this musical wonder, I shall not increase her regrets by repeating your enthusiastic account of what she has missed."
"If you had been present at her debut, you wouldn't wonder at my enthusiasm," replied the little lady. "Mr. Fitzgerald is getting over the fever a little now, and undertakes to criticise. He says she overacted her part; that she 'tore a passion to tatters,' and all that. But I never saw him so excited as he was then. I think she noticed it; for she fixed her glorious dark eyes directly upon our box while she was singing several of her most effective passages."
"My dear," interrupted her husband, "you are so opera-mad, that you are forgetting the object of your call."
"True," replied she. "We wanted to inquire whether you were certainly going so soon, and whether any one had engaged these rooms. We took a great fancy to them. What a desirable situation! So sunny! Such a fine view of Monte Pincio and the Pope's gardens!"
"They were not engaged last evening," answered Mrs. Delano.
"Then you will secure them immediately, won't you, dear?" said the lady, appealing to her spouse.
With wishes that the voyage might prove safe and pleasant, they departed. Mrs. Delano lingered a moment at the window, looking out upon St. Peter's and the Etruscan Hills beyond, thinking the while how strangely the skeins of human destiny sometimes become entangled with each other. Yet she was unconscious of half the entanglement.
CHAPTER XXI.
The engagement of the Senorita Rosita Campaneo was for four weeks, during which Mr. King called frequently and attended the opera constantly. Every personal interview, and every vision of her on the stage, deepened the impression she made upon him when they first met. It gratified him to see that, among the shower of bouquets she was constantly receiving, his was the one she usually carried; nor was she unobservant that he always wore a fresh rose. But she was unconscious of his continual guardianship, and he was careful that she should remain so. Every night that she went to the opera and returned from it, he assumed a dress like the driver's, and sat with him on the outside of the carriage,—a fact known only to Madame and the Signor, who were glad enough to have a friend at hand in case Mr. Fitzgerald should attempt any rash enterprise. Policemen were secretly employed to keep the cantatrice in sight, whenever she went abroad for air or recreation. When she made excursions out of the city in company with her adopted parents, Mr. King was always privately informed of it, and rode in the same direction; at a sufficient distance, however, not to be visible to her, or to excite gossiping remarks by appearing to others to be her follower. Sometimes he asked himself: "What would my dear prudential mother say, to see me leaving my business to agents and clerks, while I devote my life to the service of an opera-singer?—an opera-singer, too, who has twice been on the verge of being sold as a slave, and who has been the victim of a sham marriage!" But though such queries jostled against conventional ideas received from education, they were always followed by the thought: "My dear mother has gone to a sphere of wider vision, whence she can look down upon the merely external distinctions of this deceptive world. Rosabella must be seen as a pure, good soul, in eyes that see as the angels do; and as the defenceless daughter of my father's friend, it is my duty to protect her." So he removed from his more eligible lodgings in the Piazza di Spagna, and took rooms in the Corso, nearly opposite to hers, where day by day he continued his invisible guardianship.
He had reason, at various times, to think his precautions were not entirely unnecessary. He had several times seen a figure resembling Fitzgerald's lurking about the opera-house, wrapped in a cloak, and with a cap very much drawn over his face. Once Madame and the Signor, having descended from the carriage, with Rosa, to examine the tomb of Cecilia Metella, were made a little uneasy by the appearance of four rude-looking fellows, who seemed bent upon lurking in their vicinity. But they soon recognized Mr. King in the distance, and not far from him the disguised policemen in his employ. The fears entertained by her friends were never mentioned to Rosa, and she appeared to feel no uneasiness when riding in daylight with the driver and her adopted parents. She was sometimes a little afraid when leaving the opera late at night; but there was a pleasant feeling of protection in the idea that a friend of her father's was in Rome, who knew better than the Signor how to keep out of quarrels. That recollection also operated as an additional stimulus to excellence in her art. This friend had expressed himself very highly gratified by her successful debut, and that consideration considerably increased her anxiety to sustain herself at the height she had attained. In some respects that was impossible; for the thrilling circumstances of the first evening could not again recur to set her soul on fire. Critics generally said she never equalled her first acting; though some maintained that what she had lost in power she had gained in a more accurate conception of the character. Her voice was an unfailing source of wonder and delight. They were never weary of listening to that volume of sound, so full and clear, so flexible in its modulations, so expressive in its intonations.
As the completion of her engagement drew near, the manager was eager for its renewal; and finding that she hesitated, he became more and more liberal in his offers. Things were in this state, when Mr. King called upon Madame one day while Rosa was absent at rehearsal. "She is preparing a new aria for her last evening, when they will be sure to encore the poor child to death," said Madame. "It is very flattering, but very tiresome; and to my French ears their 'Bis! Bis!' sounds too much like a hiss."
"Will she renew her engagement, think you?" inquired Mr. King.
"I don't know certainly," replied Madame. "The manager makes very liberal offers; but she hesitates. She seldom alludes to Mr. Fitzgerald, but I can see that his presence is irksome to her; and then his sudden irruption into her room, as told by Giovanna, has given rise to some green-room gossip. The tenor is rather too assiduous in his attentions, you know; and the seconda donna is her enemy, because she has superseded her in his affections. These things make her wish to leave Rome; but I tell her she will have to encounter very much the same anywhere."
"Madame," said the young man, "you stand in the place of a mother to Miss Royal; and as such, I have a favor to ask of you. Will you, without mentioning the subject to her, enable me to have a private interview with her to-morrow morning?"
"You are aware that it is contrary to her established rule to see any gentleman, except in the presence of myself or Papa Balbino. But you have manifested so much delicacy, as well as friendliness, that we all feel the utmost confidence in you." She smiled significantly as she added: "If I slip out of the room, as it were by accident, I don't believe I shall find it very difficult to make my peace with her."
Alfred King looked forward to the next morning with impatience; yet when he found himself, for the first time, alone with Rosabella, he felt painfully embarrassed. She glanced at the fresh rose he wore, but could not summon courage to ask whether roses were his favorite flowers. He broke the momentary silence by saying: "Your performances here have been a source of such inexpressible delight to me, Miss Royal, that it pains me to think of such a thing as a last evening."
"Thank you for calling me by that name," she replied. "It carries me back to a happier time. I hardly know myself as La Senorita Campaneo. It all seems to me so strange and unreal, that, were it not for a few visible links with the past, I should feel as if I had died and passed into another world."
"May I ask whether you intend to renew your engagement?" inquired he.
She looked up quickly and earnestly, and said, "What would you advise me?"
"The brevity of our acquaintance would hardly warrant my assuming the office of adviser," replied he modestly.
The shadow of a blush flitted over her face, as she answered, in a bashful way: "Excuse me if the habit of associating you with the memory of my father makes me forget the shortness of our acquaintance. Beside, you once asked me if ever I was in trouble to call upon you as I would upon a brother."
"It gratifies me beyond measure that you should remember my offer, and take me at my word," responded he. "But in order to judge for you, it is necessary to know something of your own inclinations. Do you enjoy the career on which you have entered?"
"I should enjoy it if the audience were all my personal friends," answered she. "But I have lived such a very retired life, that I cannot easily become accustomed to publicity; and there is something I cannot exactly define, that troubles me with regard to operas. If I could perform only in pure and noble characters, I think it would inspire me; for then I should represent what I at least wish to be; but it affects me like a discord to imagine myself in positions which in reality I should scorn and detest."
"I am not surprised to hear you express this feeling," responded he. "I had supposed it must be so. It seems to me the libretti of operas are generally singularly ill conceived, both morally and artistically. Music is in itself so pure and heavenly, that it seems a desecration to make it the expression of vile incidents and vapid words. But is the feeling of which you speak sufficiently strong to induce you to retire from the brilliant career now opening before you, and devote yourself to concert-singing?"
"There is one thing that makes me hesitate," rejoined she. "I wish to earn money fast, to accomplish certain purposes I have at heart. Otherwise, I don't think I care much for the success you call so brilliant. It is certainly agreeable to feel that I delight the audience, though they are strangers; but their cries of 'Bis! Bis!' give me less real pleasure than it did to have Papasito ask me to sing over something that he liked. I seem to see him now, as he used to listen to me in our flowery parlor. Do you remember that room, Mr. King?"
"Do I remember it?" he said, with a look and emphasis so earnest that a quick blush suffused her eloquent face. "I see that room as distinctly as you can see it," he continued. "It has often been in my dreams, and the changing events of my life have never banished it from my memory for a single day. How could I forget it, when my heart there received its first and only deep impression. I have loved you from the first evening I saw you. Judging that your affections were pre-engaged, I would gladly have loved another, if I could; but though I have since met fascinating ladies, none of them have interested me deeply."
An expression of pain passed over her face while she listened, and when he paused she murmured softly, "I am sorry."
"Sorry!" echoed he. "Is it then impossible for me to inspire you with sentiments similar to my own?"
"I am sorry," she replied, "because a first, fresh love, like yours, deserves better recompense than it could receive from a bruised and worn-out heart like mine. I can never experience the illusion of love again. I have suffered too deeply."
"I do not wish you to experience the illusion of love again," he replied. "But my hope is that the devotion of my life may enable you to experience the true and tender reality" He placed his hand gently and timidly upon hers as he spoke, and looked in her face earnestly.
Without raising her eyes she said, "I suppose you are aware that my mother was a slave, and that her daughters inherited her misfortune."
"I am aware of it," he replied. "But that only makes me ashamed of my country, not of her or of them. Do not, I pray you, pain yourself or me by alluding to any of the unfortunate circumstances of your past life, with the idea that they can depreciate your value in my estimation. From Madame and the Signor I have learned the whole story of your wrongs and your sufferings. Fortunately, my good father taught me, both by precept and example, to look through the surface of things to the reality. I have seen and heard enough to be convinced that your own heart is noble and pure. Such natures cannot be sullied by the unworthiness of others; they may even be improved by it. The famous Dr. Spurzheim says, he who would have the best companion for his life should choose a woman who has suffered. And though I would gladly have saved you from suffering, I cannot but see that your character has been elevated by it. Since I have known you here in Rome, I have been surprised to observe how the young romantic girl has ripened into the thoughtful, prudent woman. I will not urge you for an answer now, my dear Miss Royal. Take as much time as you please to reflect upon it. Meanwhile, if you choose to devote your fine musical genius to the opera, I trust you will allow me to serve you in any way that a brother could under similar circumstances. If you prefer to be a concert-singer, my father had a cousin who married in England, where she has a good deal of influence in the musical world. I am sure she would take a motherly interest in you, both for your own sake and mine. Your romantic story, instead of doing you injury in England, would make you a great lioness, if you chose to reveal it."
"I should dislike that sort of attention," she replied hastily. "Do not suppose, however, that I am ashamed of my dear mother, or of her lineage; but I wish to have any interest I excite founded on my own merits, not on any extraneous circumstance. But you have not yet advised me whether to remain on the stage or to retire from it."
"If I presumed that my opinion would decide the point," rejoined he, "I should be diffident about expressing it in a case so important to yourself."
"You are very delicate," she replied. "But I conjecture that you would be best pleased if I decided in favor of concert-singing."
While he was hesitating what to say, in order to leave her in perfect freedom, she added: "And so, if you will have the goodness to introduce me to your relative, and she is willing to be my patroness, I will try my fortune in England. Of course she ought to be informed of my previous history; but I should prefer to have her consider it strictly confidential. And now, if you please, I will say, An revoir; for Papa Balbino is waiting for some instructions on matters of business."
She offered her hand with a very sweet smile. He clasped it with a slight pressure, bowed his head upon it for an instant, and said, with deep emotion: "Thank you, dearest of women. You send me away a happy man; for hope goes with me."
When the door closed after him, she sank into a chair, and covered her face with both her hands. "How different is his manner of making love from that of Gerald," thought she. "Surely, I can trust this time. O, if I was only worthy of such love!"
Her revery was interrupted by the entrance of Madame and the Signor. She answered their inquisitive looks by saying, rather hastily, "When you told Mr. King the particulars of my story, did you tell him about the poor little bambino I left in New Orleans?"
Madame replied, "I mentioned to him how the death of the poor little thing afflicted you."
Rosa made no response, but occupied herself with selecting some pieces of music connected with the performance at the opera.
The Signor, as he went out with the music, said, "Do you suppose she didn't want him to know about the bambino?"
"Perhaps she is afraid he will think her heartless for leaving it," replied Madame. "But I will tell her I took all the blame on myself. If she is so anxious about his good opinion, it shows which way the wind blows."
The Senorita Rosita Campaneo and her attendants had flitted, no one knew whither, before the public were informed that her engagement was not to be renewed. Rumor added that she was soon to be married to a rich American, who had withdrawn her from the stage.
"Too much to be monopolized by one man," said Mr. Green to Mr. Fitzgerald. "Such a glorious creature belongs to the world."
"Who is the happy man?" inquired Mrs. Fitzgerald.
"They say it is King, that pale-faced Puritan from Boston," rejoined her husband. "I should have given her credit for better taste."
In private, he made all possible inquiries; but merely succeeded in tracing them to a vessel at Civita Vecchia, bound to Marseilles.
To the public, the fascinating prima donna, who had rushed up from the horizon like a brilliant rocket, and disappeared as suddenly, was only a nine-days wonder. Though for some time after, when opera-goers heard any other cantatrice much lauded, they would say: "Ah, you should have heard the Campaneo! Such a voice! She rose to the highest D as easily as she breathed. And such glorious eyes!"
CHAPTER XXII.
While Rosabella was thus exchanging the laurel crown for the myrtle wreath, Flora and her friend were on their way to search the places that had formerly known her. Accompanied by Mr. Jacobs, who had long been a steward in her family, Mrs. Delano passed through Savannah, without calling on her friend Mrs. Welby, and in a hired boat proceeded to the island. Flora almost flew over the ground, so great was her anxiety to reach the cottage. Nature, which pursues her course with serene indifference to human vicissitudes, wore the same smiling aspect it had worn two years before, when she went singing through the woods, like Cinderella, all unconscious of the beneficent fairy she was to meet there in the form of a new Mamita. Trees and shrubs were beautiful with young, glossy foliage. Pines and firs offered their aromatic incense to the sun. Birds were singing, and bees gathering honey from the wild-flowers. A red-headed woodpecker was hammering away on the umbrageous tree under which Flora used to sit while busy with her sketches. He cocked his head to listen as they approached, and, at first sight of them, flew up into the clear blue air, with undulating swiftness. To Flora's great disappointment, they found all the doors fastened; but Mr. Jacobs entered by a window and opened one of them. The cottage had evidently been deserted for a considerable time. Spiders had woven their tapestry in all the corners. A pane had apparently been cut out of the window their attendant had opened, and it afforded free passage to the birds. On a bracket of shell-work, which Flora had made to support a vase of flowers, was a deserted nest, bedded in soft green moss, which hung from it in irregular streamers and festoons.
"How pretty!" said Mrs. Delano. "If the little creature had studied the picturesque, she couldn't have devised anything more graceful. Let us take it, bracket and all, and carry it home carefully."
"That was the very first shell-work I made after we came from Nassau," rejoined Flora. "I used to put fresh flowers on it every morning, to please Rosa. Poor Rosa! Where can she be?"
She turned away her head, and was silent for a moment. Then, pointing to the window, she said: "There's that dead pine-tree I told you I used to call Old Man of the Woods. He is swinging long pennants of moss on his arms, just as he did when I was afraid to look at him in the moonlight."
She was soon busy with a heap of papers swept into a corner of the room she used to occupy. They were covered with sketches of leaves and flowers, and embroidery-patterns, and other devices with which she had amused herself in those days. Among them she was delighted to find the head and shoulders of Thistle, with a garland round his neck. In Rosa's sleeping-room, an old music-book, hung with cobwebs, leaned against the wall.
"O Mamita Lila, I am glad to find this!" exclaimed Flora. "Here is what Rosa and I used to sing to dear papa when we were ever so little. He always loved old-fashioned music. Here are some of Jackson's canzonets, that were his favorites." She began to hum, "Time has not thinned my flowing hair." "Here is Dr. Arne's 'Sweet Echo.' Rosa used to play and sing that beautifully. And here is what he always liked to have us sing to him at sunset. We sang it to him the very night before he died." She began to warble, "Now Phoebus sinketh in the west." "Why, it seems as if I were a little girl again, singing to Papasito and Mamita," said she.
Looking up, she saw that Mrs. Delano had covered her face with her handkerchief; and closing the music-book, she nestled to her side, affectionately inquiring what had troubled her. For a little while her friend pressed her hand in silence.
"O darling," said she, "what a strange, sad gift is memory! I sang that to your father the last time we ever saw the sunset together; and perhaps when he heard it he used to see me sometimes, as plainly as I now see him. It is consoling to think he did not quite forget me."
"When we go home, I will sing it to you every evening if you would like it, Mamita Lila," said Flora.
Her friend patted her head fondly, and said: "You must finish your researches soon, darling; for I think we had better go to Magnolia Lawn to see if Tom and Chloe can be found."
"How shall we get there? It's too far for you to walk, and poor Thistle's gone," said Flora.
"I have sent Mr. Jacobs to the plantation," replied Mrs. Delano, "and I think he will find some sort of vehicle. Meanwhile, you had better be getting together any little articles you want to carry away."
As Flora took up the music-book, some of the loose leaves fell out, and with them came a sketch of Tulee's head, with the large gold hoops and the gay turban. "Here's Tulee!" shouted Flora. "It isn't well drawn, but it is like her. I'll make a handsome picture from it, and frame it, and hang it by my bedside, where I can see it every morning. Dear, good Tulee! How she jumped up and kissed us when we first arrived here. I suppose she thinks I am dead, and has cried a great deal about little Missy Flory. O, what wouldn't I give to see her!"
She had peeped about everywhere, and was becoming very much dispirited with the desolation, when Mr. Jacobs came back with a mule and a small cart, which he said was the best conveyance he could procure. The jolting over hillocks, and the occasional grunts of the mule, made it an amusing ride; but it was a fruitless one. The plantation negroes were sowing cotton, but all Mr. Fitzgerald's household servants were leased out in Savannah during his absence in Europe. The white villa at Magnolia Lawn peeped out from its green surroundings; but the jalousies were closed, and the tracks on the carriage-road were obliterated by rains.
Hiring a negro to go with them to take back the cart, they made the best of their way to the boat, which was waiting for them. Fatigued and disconsolate with their fruitless search, they felt little inclined to talk as they glided over the bright waters. The negro boatmen frequently broke in upon the silence with some simple, wild melody, which they sang in perfect unison, dipping their oars in rhythm. When Savannah came in sight, they urged the boat faster, and, improvising words to suit the occasion, they sang in brisker strains:—
"Row, darkies, row! See de sun down dar am creepin'; Row, darkies, row! Hab white ladies in yer keepin'; Row, darkies, row!"
With the business they had on hand, Mrs. Delano preferred not to seek her friends in the city, and they took lodgings at a hotel. Early the next morning, Mr. Jacobs was sent out to ascertain the whereabouts of Mr. Fitzgerald's servants; and Mrs. Delano proposed that, during his absence, they should drive to The Pines, which she described as an extremely pleasant ride. Flora assented, with the indifference of a preoccupied mind. But scarcely had the horses stepped on the thick carpet of pine foliage with which the ground was strewn, when she eagerly exclaimed, "Tom! Tom!" A black man, mounted on the seat of a carriage that was passing them, reined in his horses and stopped.
"Keep quiet, my dear," whispered Mrs. Delano to her companion, "till I can ascertain who is in the carriage."
"Are you Mr. Fitzgerald's Tom?" she inquired.
"Yes, Missis," replied the negro, touching his hat.
She beckoned him to come and open her carriage-door, and, speaking in a low voice, she said: "I want to ask you about a Spanish lady who used to live in a cottage, not far from Mr. Fitzgerald's plantation. She had a black servant named Tulee, who used to call her Missy Rosy. We went to the cottage yesterday, and found it shut up. Can you tell us where they have gone?"
Tom looked at them very inquisitively, and answered, "Dunno, Missis."
"We are Missy Rosy's friends, and have come to bring her some good news. If you can tell us anything about her, I will give you this gold piece."
Tom half stretched forth his hand to take the coin, then drew it back, and repeated, "Dunno, Missis."
Flora, who felt her heart rising in her throat, tossed back her veil, and said, "Tom, don't you know me?"
The negro started as if a ghost had risen before him.
"Now tell me where Missy Rosy has gone, and who went with her," said she, coaxingly.
"Bress yer, Missy Flory! am yer alive!" exclaimed the bewildered negro.
Flora laughed, and, drawing off her glove, shook hands with him. "Now you know I'm alive, Tom. But don't tell anybody. Where's Missy Rosy gone."
"O Missy," replied Tom, "dar am heap ob tings to tell."
Mrs. Delano suggested that it was not a suitable place; and Tom said he must go home with his master's carriage. He told them he had obtained leave to go and see his wife Chloe that evening; and he promised to come to their hotel first. So, with the general information that Missy Rosy and Tulee were safe, they parted for the present.
Tom's communication in the evening was very long, and intensely interesting to his auditors; but it did not extend beyond a certain point. He told of Rosa's long and dangerous illness; of Chloe's and Tulee's patient praying and nursing; of the birth of the baby; of the sale to Mr. Bruteman; and of the process by which she escaped with Mr. Duroy. Further than that he knew nothing. He had never been in New Orleans afterward, and had never heard Mr. Fitzgerald speak of Rosa.
At that crisis in the conversation, Mrs. Delano summoned Mr. Jacobs, and requested him to ascertain when a steamboat would go to New Orleans. Flora kissed her hand, with a glance full of gratitude. Tom looked at her in a very earnest, embarrassed way, and said: "Missis, am yer one ob dem Ab-lish-nishts dar in de Norf, dat Massa swars 'bout?"
Mrs. Delano turned toward Flora with a look of perplexity, and, having received an interpretation of the question, she smiled as she answered: "I rather think I am half an Abolitionist, Tom. But why do you wish to know?"
Tom went on to state, in "lingo" that had to be frequently explained, that he wanted to run away to the North, and that he could manage to do it if it were not for Chloe and the children. He had been in hopes that Mrs. Fitzgerald would have taken her to the North to nurse her baby while she was gone to Europe. In that case, he intended to follow after; and he thought some good people would lend them money to buy their little ones, and, both together, they could soon work off the debt. But this project had been defeated by Mrs. Bell, who brought a white nurse from Boston, and carried her infant grandson back with her.
"Yer see, Missis," said Tom, with a sly look, "dey tinks de niggers don't none ob 'em wants dare freedom, so dey nebber totes 'em whar it be."
Ever since that disappointment had occurred, he and his wife had resolved themselves into a committee of ways and means, but they had not yet devised any feasible mode of escape. And now they were thrown into great consternation by the fact that a slave-trader had been to look at Chloe, because Mr. Fitzgerald wanted money to spend in Europe, and had sent orders to have some of his negroes sold.
Mrs. Delano told him she didn't see how she could help him, but she would think about it; and Flora, with a sideway inclination of the head toward her, gave Tom an expressive glance, which he understood as a promise to persuade her. He urged the matter no further, but asked what time it was. Being told it was near nine o'clock, he said he must hasten to Chloe, for it was not allowable for negroes to be in the street after that hour.
He had scarcely closed the door, before Mrs. Delano said, "If Chloe is sold, I must buy her."
"I thought you would say so," rejoined Flora.
A discussion then took place as to ways and means, and a strictly confidential letter was written to a lawyer from the North, with whom Mrs. Delano was acquainted, requesting him to buy the woman and her children for her, if they were to be sold.
It happened fortunately that a steamer was going to New Orleans the next day. Just as they were going on board, a negro woman with two children came near, and, dropping a courtesy, said: "Skuse, Missis. Dis ere's Chloe. Please say Ise yer nigger! Do, Missis!"
Flora seized the black woman's hand, and pressed it, while she whispered: "Do, Mamita! They're going to sell her, you know."
She took the children by the hand, and hurried forward without waiting for an answer. They were all on board before Mrs. Delano had time to reflect. Tom was nowhere to be seen. On one side of her stood Chloe, with two little ones clinging to her skirts, looking at her imploringly with those great fervid eyes, and saying in suppressed tones, "Missis, dey's gwine to sell me away from de chillen"; and on the other side was Flora, pressing her hand, and entreating, "Don't send her back, Mamita! She was so good to poor Rosa."
"But, my dear, if they should trace her to me, it would be a very troublesome affair," said the perplexed lady.
"They won't look for her in New Orleans. They'll think she's gone North," urged Flora.
During this whispered consultation, Mr. Jacobs approached with some of their baggage. Mrs. Delano stopped him, and said: "When you register our names, add a negro servant and her two children."
He looked surprised, but bowed and asked no questions. She was scarcely less surprised at herself. In the midst of her anxiety to have the boat start, she called to mind her former censures upon those who helped servants to escape from Southern masters, and she could not help smiling at the new dilemma in which she found herself.
The search in New Orleans availed little. They alighted from their carriage a few minutes to look at the house where Flora was born. She pointed out to Mrs. Delano the spot whence her father had last spoken to her on that merry morning, and the grove where she used to pelt him with oranges; but neither of them cared to enter the house, now that everything was so changed. Madame's house was occupied by strangers, who knew nothing of the previous tenants, except that they were said to have gone to Europe to live. They drove to Mr. Duroy's, and found strangers there, who said the former occupants had all died of yellow-fever,—the lady and gentleman, a negro woman, and a white baby. Flora was bewildered to find every link with her past broken and gone. She had not lived long enough to realize that the traces of human lives often disappear from cities as quickly as the ocean closes over the tracks of vessels. Mr. Jacobs proposed searching for some one who had been in Mr. Duroy's employ; and with that intention, they returned to the city. As they were passing a house where a large bird-cage hung in the open window, Flora heard the words, "Petit blanc, mon bon frere! Ha! ha!"
She called out to Mr. Jacobs, "Stop! Stop!" and pushed at the carriage door, in her impatience to get out.
"What is the matter, my child?" inquired Mrs. Delano.
"That's Madame's parrot," replied she; and an instant after she was ringing at the door of the house. She told the servant they wished to make some inquiries concerning Signor and Madame Papanti, and Monsieur Duroy; and she and Mrs. Delano were shown in to wait for the lady of the house. They had no sooner entered, than the parrot flapped her wings and cried out, "Bon jour, joli petit diable!" And then she began to whistle and warble, twitter and crow, through a ludicrous series of noisy variations. Flora burst into peals of laughter, in the midst of which the lady of the house entered the room. "Excuse me, Madame," said she. "This parrot is an old acquaintance of mine. I taught her to imitate all sorts of birds, and she is showing me that she has not forgotten my lessons."
"It will be impossible to hear ourselves speak, unless I cover the cage," replied the lady.
"Allow me to quiet her, if you please," rejoined Flora. She opened the door of the cage, and the bird hopped on her arm, flapping her wings, and crying, "Bon jour! Ha! ha!"
"Taisez vous, jolie Manon," said Flora soothingly, while she stroked the feathery head. The bird nestled close and was silent.
When their errand was explained, the lady repeated the same story they had already heard about Mr. Duroy's family.
"Was the black woman who died there named Tulee?" inquired Flora.
"I never heard her name but once or twice," replied the lady. "It was not a common negro name, and I think that was it. Madame Papanti had put her and the baby there to board. After Mr. Duroy died, his son came home from Arkansas to settle his affairs. My husband, who was one of Mr. Duroy's clerks, bought some of the things at auction; and among them was that parrot."
"And what has become of Signor and Madame Papanti?" asked Mrs. Delano.
The lady could give no information, except that they had returned to Europe. Having obtained directions where to find her husband, they thanked her, and wished her good morning.
Flora held the parrot up to the cage, and said, "Bon jour, jolie Manon!"
"Bon jour!" repeated the bird, and hopped upon her perch.
After they had entered the carriage, Flora said: "How melancholy it seems that everybody is gone, except Jolie Manon! How glad the poor thing seemed to be to see me! I wish I could take her home."
"I will send to inquire whether the lady will sell her," replied her friend.
"O Mamita, you will spoil me, you indulge me so much," rejoined Flora.
Mrs. Delano smiled affectionately, as she answered: "If you were very spoilable, dear, I think that would have been done already."
"But it will be such a bother to take care of Manon," said Flora.
"Our new servant Chloe can do that," replied Mrs. Delano. "But I really hope we shall get home without any further increase of our retinue."
From the clerk information was obtained that he heard Mr. Duroy tell Mr. Bruteman that a lady named Rosabella Royal had sailed to Europe with Signor and Madame Papanti in the ship Mermaid. He added that news afterward arrived that the vessel foundered at sea, and all on board were lost.
With this sorrow on her heart, Flora returned to Boston. Mr. Percival was immediately informed of their arrival, and hastened to meet them. When the result of their researches was told, he said: "I shouldn't be disheartened yet. Perhaps they didn't sail in the Mermaid. I will send to the New York Custom-House for a list of the passengers."
Flora eagerly caught at that suggestion; and Mrs. Delano said, with a smile: "We have some other business in which we need your help. You must know that I am involved in another slave case. If ever a quiet and peace-loving individual was caught up and whirled about by a tempest of events, I am surely that individual. Before I met this dear little Flora, I had a fair prospect of living and dying a respectable and respected old fogy, as you irreverent reformers call discreet people. But now I find myself drawn into the vortex of abolition to the extent of helping off four fugitive slaves. In Flora's case, I acted deliberately, from affection and a sense of duty; but in this second instance I was taken by storm, as it were. The poor woman was aboard before I knew it, and I found myself too weak to withstand her imploring looks and Flora's pleading tones." She went on to describe the services Chloe had rendered to Rosa, and added: "I will pay any expenses necessary for conveying this woman to a place of safety, and supplying all that is necessary for her and her children, until she can support them; but I do not feel as if she were safe here."
"If you will order a carriage, I will take them directly to the house of Francis Jackson, in Hollis Street," said Mr. Percival. "They will be safe enough under the protection of that honest, sturdy friend of freedom. His house is the depot of various subterranean railroads; and I pity the slaveholder who tries to get on any of his tracks. He finds himself 'like a toad under a harrow, where ilka tooth gies him a tug,' as the Scotch say."
While waiting for the carriage, Chloe and her children were brought in. Flora took the little ones under her care, and soon had their aprons filled with cakes and sugarplums. Chloe, unable to restrain her feelings, dropped down on her knees in the midst of the questions they were asking her, and poured forth an eloquent prayer that the Lord would bless these good friends of her down-trodden people.
When the carriage arrived, she rose, and, taking Mrs. Delano's hand, said solemnly: "De Lord bress yer, Missis! De Lord bress yer! I seed yer once fore ebber I knowed yer. I seed yer in a vision, when I war prayin' to de Lord to open de free door fur me an' my chillen. Ye war an angel wid white shiny wings. Bress de Lord! 'T war Him dat sent yer.—An' now, Missy Flory, de Lord bress yer! Ye war allers good to poor Chloe, down dar in de prison-house. Let me gib yer a kiss, little Missy."
Flora threw her arms round the bended neck, and promised to go and see her wherever she was.
When the carriage rolled away, emotion kept them both silent for a few minutes. "How strange it seems to me now," said Mrs. Delano, "that I lived so many years without thinking of the wrongs of these poor people! I used to think prayer-meetings for slaves were very fanatical and foolish. It seemed to me enough that they were included in our prayer for 'all classes and conditions of men'; but after listening to poor Chloe's eloquent outpouring, I am afraid such generalizing will sound rather cold."
"Mamita," said Flora, "you know you gave me some money to buy a silk dress. Are you willing I should use it to buy clothes for Chloe and her children?"
"More than willing, my child," she replied. "There is no clothing so beautiful as the raiment of righteousness."
The next morning, Flora went out to make her purchases. Some time after, Mrs. Delano, hearing voices near the door, looked out, and saw her in earnest conversation with Florimond Blumenthal, who had a large parcel in his arms. When she came in, Mrs. Delano said, "So you had an escort home?"
"Yes, Mamita," she replied; "Florimond would bring the parcel, and so we walked together."
"He was very polite," said Mrs. Delano; "but ladies are not accustomed to stand on the doorstep talking with clerks who bring bundles for them."
"I didn't think anything about that," rejoined Flora. "He wanted to know about Rosa, and I wanted to tell him. Florimond seems just like a piece of my old home, because he loved papa so much. Mamita Lila, didn't you say papa was a poor clerk when you and he first began to love one another?"
"Yes, my child," she replied; and she kissed the bright, innocent face that came bending over her, looking so frankly into hers.
When she had gone out of the room, Mrs. Delano said to herself, "That darling child, with her strange history and unworldly ways, is educating me more than I can educate her."
A week later, Mr. and Mrs. Percival came, with tidings that no such persons as Signor and Madame Papanti were on board the Mermaid; and they proposed writing letters of inquiry forthwith to consuls in various parts of Italy and France.
Flora began to hop and skip and clap her hands. But she soon paused, and said, laughingly: "Excuse me, ladies and gentlemen. Mamita often tells me I was brought up in a bird-cage; and I ask her how then can she expect me to do anything but hop and sing. Excuse me. I forgot Mamita and I were not alone."
"You pay us the greatest possible compliment," rejoined Mr. Percival.
And Mrs. Percival added, "I hope you will always forget it when we are here."
"Do you really wish it?" asked Flora, earnestly. "Then I will."
And so, with a few genial friends, an ever-deepening attachment between her and her adopted mother, a hopeful feeling at her heart about Rosa, Tulee's likeness by her bedside, and Madame's parrot to wish her Bon jour! Boston came to seem to her like a happy home.
CHAPTER XXIII.
About two months after their return from the South, Mr. Percival called one evening, and said: "Do you know Mr. Brick, the police-officer? I met him just now, and he stopped me. 'There's plenty of work for you Abolitionists now-a-days,' said he. 'There are five Southerners at the Tremont, inquiring for runaways, and cursing Garrison. An agent arrived last night from Fitzgerald's plantation,—he that married Bell's daughter, you know. He sent for me to give me a description of a nigger that had gone off in a mysterious way to parts unknown. He wanted me to try to find the fellow, and, of course, I did; for I always calculate to do my duty, as the law directs. So I went immediately to Father Snowdon, and described the black man, and informed him that his master had sent for him, in a great hurry. I told him I thought it very likely he was lurking somewhere in Belknap Street; and if he would have the goodness to hunt him up, I would call, in the course of an hour or two, to see what luck he had.'"
"Who is Father Snowdon?" inquired Mrs. Delano.
"He is the colored preacher in Belknap Street Church," replied Mr. Percival, "and a remarkable man in his way. He fully equals Chloe in prayer; and he is apt to command the ship Buzzard to the especial attention of the Lord. The first time I entered his meeting, he was saying, in a loud voice, 'We pray thee, O Lord, to bless her Majesty's good ship, the Buzzard; and if there's a slave-trader now on the coast of Africa, we pray thee, O Lord, to blow her straight under the lee of the Buzzard.' He has been a slave himself, and he has perhaps helped off more slaves than any man in the country. I doubt whether Garrick himself had greater power to disguise his countenance. If a slaveholder asks him about a slave, he is the most stolid-looking creature imaginable. You wouldn't suppose he understood anything, or ever could understand anything. But if he meets an Abolitionist a minute after, his black face laughs all over, and his roguish eyes twinkle like diamonds, while he recounts how he 'come it' over the Southern gentleman. That bright soul of his is a jewel set in ebony."
"It seems odd that the police-officer should apply to him to catch a runaway," said Mrs. Delano.
"That's the fun of it," responded Mr. Percival. "The extinguishers are themselves taking fire. The fact is, Boston policemen don't feel exactly in their element as slave-hunters. They are too near Bunker Hill; and on the Fourth of July they are reminded of the Declaration of Independence, which, though it is going out of fashion, is still regarded by a majority of the people as a venerable document. Then they have Whittier's trumpet-tones ringing in their ears,—
"'No slave hunt in our borders! no pirate on our strand! No fetters in the Bay State! no slave upon our land!'"
"How did Mr. Brick describe Mr. Fitzgerald's runaway slave?" inquired Flora.
"He said he was tall and very black, with a white scar over his right eye."
"That's Tom!" exclaimed she. "How glad Chloe will be! But I wonder he didn't come here the first thing. We could have told him how well she was getting on in New Bedford."
"Father Snowdon will tell him all about that," rejoined Mr. Percival. "If Tom was in the city, he probably kept him closely hidden, on account of the number of Southerners who have recently arrived; and after the hint the police-officer gave him, he doubtless hustled him out of town in the quickest manner."
"I want to hurrah for that policeman," said Flora; "but Mamita would think I was a very rude young lady, or rather that I was no lady at all. But perhaps you'll let me sing hurrah, Mamita?"
Receiving a smile for answer, she flew to the piano, and, improvising an accompaniment to herself, she began to sing hurrah! through all manner of variations, high and low, rapidly trilled and slowly prolonged, now bursting full upon the ear, now receding in the distance. It was such a lively fantasia, that it made Mr. Percival laugh, while Mrs. Delano's face was illuminated by a quiet smile.
In the midst of the merriment, the door-bell rang. Flora started from the piano, seized her worsted-work, and said, "Now, Mamita, I'm ready to receive company like a pink of propriety." But the change was so sudden, that her eyes were still laughing when Mr. Green entered an instant after; and he again caught that archly demure expression which seemed to him so fascinating. The earnestness of his salutation was so different from his usual formal politeness, that Mrs. Delano could not fail to observe it. The conversation turned upon incidents of travel after they had parted so suddenly. "I shall never cease to regret," said he, "that you missed hearing La Senorita Campaneo. She was a most extraordinary creature. Superbly handsome; and do you know, Miss Delano, I now and then caught a look that reminded me very much of you. Unfortunately, you have lost your chance to hear her. For Mr. King, the son of our Boston millionnaire, who has lately been piling up money in the East, persuaded her to quit the stage when she had but just started in her grand career. All the musical world in Rome were vexed with him for preventing her re-engagement. As for Fitzgerald, I believe he would have shot him if he could have found him. It was a purely musical disappointment, for he was never introduced to the fascinating Senorita; but he fairly pined upon it. I told him the best way to drive off the blue devils would be to go with me and a few friends to the Grotta Azzura. So off we started to Naples, and thence to Capri. The grotto was one of the few novelties remaining for me in Italy. I had heard much of it, but the reality exceeded all descriptions. We seemed to be actually under the sea in a palace of gems. Our boat glided over a lake of glowing sapphire, and our oars dropped rubies. High above our heads were great rocks of sapphire, deepening to lapis-lazuli at the base, with here and there a streak of malachite."
"It seems like Aladdin's Cave," remarked Flora.
"Yes," replied Mr. Green; "only it was Aladdin's Cave undergoing a wondrous 'sea change.' A poetess, who writes for the papers under the name of Melissa Mayflower, had fastened herself upon our party in some way; and I suppose she felt bound to sustain the reputation of the quill. She said the Nereids must have built that marine palace, and decorated it for a visit from fairies of the rainbow."
"That was a pretty thought," said Flora. "It sounds like 'Lalla Rookh.'"
"It was a pretty thought," rejoined the gentleman, "but can give you no idea of the unearthly splendor. I thought how you would have been delighted if you had been with our party. I regretted your absence almost as much as I did at the opera. But the Blue Grotto, wonderful as it was, didn't quite drive away Fitzgerald's blue devils, though it made him forget his vexations for the time. The fact is, just as we started he received a letter from his agent, informing him of the escape of a negro woman and her two children; and he spent most of the way back to Naples swearing at the Abolitionists."
Flora, the side of whose face was toward him, gave Mrs. Delano a furtive glance full of fun; but he saw nothing of the mischief in her expressive face, except a little whirlpool of a dimple, which played about her mouth for an instant, and then subsided. A very broad smile was on Mr. Percival's face, as he sat examining some magnificent illustrations of the Alhambra. Mr. Green, quite unconscious of the by-play in their thoughts, went on to say, "It is really becoming a serious evil that Southern gentlemen have so little security for that species of property."
"Then you consider women and children property?" inquired Mr. Percival, looking up from his book.
Mr. Green bowed with a sort of mock deference, and replied: "Pardon me, Mr. Percival, it is so unusual for gentlemen of your birth and position to belong to the Abolition troop of rough-riders, that I may be excused for not recollecting it."
"I should consider my birth and position great misfortunes, if they blinded me to the plainest principles of truth and justice," rejoined Mr. Percival.
The highly conservative gentleman made no reply, but rose to take leave.
"Did your friends the Fitzgeralds return with you?" inquired Mrs. Delano.
"No," replied he. "They intend to remain until October, Good evening, ladies. I hope soon to have the pleasure of seeing you again." And with an inclination of the head toward Mr. Percival, he departed.
"Why did you ask him that question?" said Flora. "Are you afraid of anything?"
"Not in the slightest degree," answered Mrs. Delano. "If, without taking much trouble, we can avoid your being recognized by Mr. Fitzgerald, I should prefer it, because I do not wish to have any conversation with him. But now that your sister's happiness is no longer implicated, there is no need of caution. If he happens to see you, I shall tell him you sought my protection, and that he has no legal power over you."
The conversation diverged to the Alhambra and Washington Irving; and Flora ended the evening by singing the Moorish ballad of "Xarifa," which she said always brought a picture of Rosabella before her eyes.
The next morning, Mr. Green called earlier than usual. He did not ask for Flora, whom he had in fact seen in the street a few minutes before. "Excuse me, Mrs. Delano, for intruding upon you at such an unseasonable hour," said he. "I chose it because I wished to be sure of seeing you alone. You must have observed that I am greatly interested in your adopted daughter."
"The thought has crossed my mind," replied the lady; "but I was by no means certain that she interested you more than a very pretty girl must necessarily interest a gentleman of taste."
"Pretty!" repeated he. "That is a very inadequate word to describe the most fascinating young lady I have ever met. She attracts me so strongly, that I have called to ask your permission to seek her for a wife."
Mrs. Delano hesitated for a moment, and then answered, "It is my duty to inform you that she is not of high family on the father's side; and on the mother's, she is scarcely what you would deem respectable."
"Has she vulgar, disagreeable relations, who would be likely to be intrusive?" he asked.
"She has no relative, near or distant, that I know of," replied the lady.
"Then her birth is of no consequence," he answered. "My family would be satisfied to receive her as your daughter. I am impatient to introduce her to my mother and sisters, who I am sure will be charmed with her."
Mrs. Delano was embarrassed, much to the surprise of her visitor, who was accustomed to consider his wealth and social position a prize that would be eagerly grasped at. After watching her countenance for an instant, he said, somewhat proudly: "You do not seem to receive my proposal very cordially, Mrs. Delano. Have you anything to object to my character or family?"
"Certainly not," replied the lady. "My doubts are concerning my daughter."
"Is she engaged, or partially engaged, to another?" he inquired.
"She is not," rejoined Mrs. Delano; "though I imagine she is not quite 'fancy free.'"
"Would it be a breach of confidence to tell me who has been so fortunate as to attract her?"
"Nothing of the kind has ever been confided to me." answered the lady. "It is merely an imagination of my own, and relates to a person unknown to you."
"Then I will enter the lists with my rival, if there is one," said he. "Such a prize is not to be given up without an effort. But you have not yet said that I have your consent."
"Since you are so persistent," rejoined Mrs. Delano, "I will tell you a secret, if you will pledge your honor, as a gentleman, never to repeat it, or hint at it, to any mortal."
"I pledge my honor," he replied, "that whatever you choose to tell me shall be sacred between us."
"It is not pleasant to tell the story of Flora's birth," responded she; "but under present circumstances it seems to be a duty. When I have informed you of the facts, you are free to engage her affections if you can. On the paternal side, she descends from the French gentry and the Spanish nobility; but her mother was a quadroon slave, and she herself was sold as a slave."
Mr. Green bowed his head upon his hand, and spoke no word. Drilled to conceal his emotions, he seemed outwardly calm, though it cost him a pang to relinquish the captivating young creature, who he felt would have made his life musical, though by piquant contrast rather than by harmony. After a brief, troubled silence, he rose and walked toward the window, as if desirous to avoid looking the lady in the face. After a while, he said, slowly, "Do you deem it quite right, Mrs. Delano, to pass such a counterfeit on society?"
"I have attempted to pass no counterfeit on society," she replied, with dignity. "Flora is a blameless and accomplished young lady. Her beauty and vivacity captivated me before I knew anything of her origin; and in the same way they have captivated you. She was alone in the world, and I was alone; and we adopted each other. I have never sought to introduce her into society; and so far as relates to yourself, I should have told you these facts sooner if I had known the state of your feelings; but so long as they were not expressed, it would scarcely have been delicate for me to take them for granted."
"Very true," rejoined the disenchanted lover. "You certainly had a right to choose a daughter for yourself; though I could hardly have imagined that any amount of attraction would have overcome such obstacles in the mind of a lady of your education and refined views of life. Excuse my using the word 'counterfeit.' I was slightly disturbed when it escaped me." |
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