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'It is lovely, sir. It haunts the mind. I suppose,' he added, 'that's why your cousin, Mr. Campden, made the Pleiades the centre of his Star Net in the story—a cluster of beautiful thoughts as it were.'
'No doubt, no doubt,' his tone so brusque suddenly that Minks decided after all not to mention his poem where the Pleiades made their appearance as the 'doves of thought.'
'What a strange coincidence,' Rogers said as they turned towards the hotel again.
'Subconscious knowledge, probably, sir,' suggested the secretary, scarcely following his meaning, if meaning indeed there was.
'Possibly! One never knows, does one?'
'Never, Mr. Rogers. It's all very wonderful.'
And so, towards six o'clock in the evening of the following day, having passed the time pleasantly in Paris, the train bore them swiftly beyond Pontarlier and down the steep gradient of the Gorges de l'Areuse towards Neuchatel. The Val de Travers, through which the railway slips across the wooded Jura into Switzerland, is like a winding corridor cleft deep between savage and precipitous walls. There are dizzy glimpses into the gulf below. With steam shut off and brakes partly on, the train curves sharply, hiding its eyes in many tunnels lest the passengers turn giddy. Strips of bright green meadow- land, where the Areuse flows calmly, alternate with places where the ravine plunges into bottomless depths that have been chiselled out as by a giant ploughshare. Rogers pointed out the chosen views, while his secretary ran from window to window, excited as a happy child. Such scenery he had never known. It changed the entire content of his mind. Poetry he renounced finally before the first ten minutes were past. The descriptions that flooded his brain could be rendered only by the most dignified and stately prose, and he floundered among a welter of sonorous openings that later Albinia would read in Sydenham and retail judiciously to the elder children from 'Father's foreign letters.'
'We shall pass Bourcelles in a moment now! Look out! Be ready with your handkerchief!' Rogers warned him, as the train emerged from the final tunnel and scampered between thick pine woods, emblazoned here and there with golden beeches. The air was crystal, sparkling. They could smell the forests.
They took their places side by side at the windows. The heights of Boudry and La Tourne, that stand like guardian sentries on either side of the mountain gateway, were already cantering by. The precipices flew past. Beyond lay the smiling slopes of vineyard, field, and orchard, sprinkled with farms and villages, of which Bourcelles came first. The Areuse flowed peacefully towards the lake. The panorama of the snowy Alps rolled into view along the farther horizon, and the slanting autumn sunshine bathed the entire scene with a soft and ruddy light. They entered the Fairyland of Daddy's story.
'Voila la sentinelle deja!' exclaimed Rogers, putting his head out to see the village poplar. 'We run through the field that borders the garden of the Pension. They'll come out to wave to us. Be ready.'
'Ah, oui,' said Minks, who had been studying phrase books, 'je vwa.' But in reality he saw with difficulty, for a spark had got into his eye, and its companion optic, wandering as usual, was suffused with water too.
The news of their arrival had, of course, preceded them, and the row of waving figures in the field gave them a welcome that went straight to Minks's heart. He felt proud for his grand employer. Here was a human touch that would modify the majesty of the impersonal mountain scenery in his description. He waved his handkerchief frantically as the train shot past, and he hardly knew which attracted him most—the expression of happiness on Mr. Rogers's face, or the line of nondescript humanity that gesticulated in the field as though they wished to stop the Paris 'Rapide.'
For it was a very human touch; and either Barnum's Circus or the byeways and hedges of Fairyland had sent their picked representatives with a dance seen usually only in shy moonlit glades. His master named them as the carriage rattled by. The Paris Express, of course, did not stop at little Bourcelles. Minks recognised each one easily from the descriptions in the story.
The Widow Jequier, with garden skirts tucked high, and wearing big gauntlet gloves, waved above her head a Union Jack that knocked her bonnet sideways at every stroke, and even enveloped the black triangle of a Trilby hat that her brother-in-law held motionless aloft as though to test the wind for his daily report upon the condition of le barometre. The Postmaster never waved. He looked steadily before him at the passing train, his small, black figure more than usually dwarfed by a stately outline that rose above the landscape by his side, and was undoubtedly the Woman of the Haystack. Telling lines from the story's rhymes flashed through Minks's memory as, chuckling with pleasure, he watched the magnificent, ample gestures of Mother's waving arms. She seemed to brush aside the winds who came a-courting, although wide strokes of swimming really described her movements best. A little farther back, in the middle distance, he recognised by his peaked cap the gendarme, Gygi, as he paused in his digging and looked up to watch the fun; and beyond him again, solid in figure as she was unchanging in her affections, he saw Mrs. Postmaster, struggling with a bed sheet the pensionnaires des Glycines helped her shake in the evening breeze. It was too close upon the hour of souper for her to travel farther from the kitchen. And beside her stood Miss Waghorn, waving an umbrella. She was hatless. Her tall, thin figure, dressed in black, against the washing hung out to dry, looked like a note of exclamation, or, when she held the umbrella up at right angles, like a capital L the fairies had set in the ground upon its head.
And the fairies themselves, the sprites, the children! They were everywhere and anywhere. Jimbo flickered, went out, reappeared, then flickered again; he held a towel in one hand and a table napkin in the other. Monkey seemed more in the air than on the solid earth, for one minute she was obviously a ball, and the next, with a motion like a somersault, her hair shot loose across the sunlight as though she flew. Both had their mouths wide open, shouting, though the wind carried their words all away unheard. And Jane Anne stood apart. Her welcome, if the gesture is capable of being described at all, was a bow. She moved at the same time sedately across the field, as though she intended to be seen separately from the rest. She wore hat and gloves. She was evidently in earnest with her welcome. But Mr. John Henry Campden, the author and discoverer of them all, Minks did not see.
'But I don't see the writer himself!' he cried. 'I don't see Mr. Campden.'
'You can't,' explained Rogers, 'he's standing behind his wife.'
And the little detail pleased the secretary hugely. The true artist, he reflected, is never seen in his work.
It all was past and over—in thirty seconds. The spire of the church, rising against a crimson sky, with fruit trees in the foreground and a line of distant summits across the shining lake, replaced the row of wonderful dancing figures. Rogers sank back in his corner, laughing, and Minks, saying nothing, went across to his own at the other end of the compartment. It all had been so swift and momentary that it seemed like the flash of a remembered dream, a strip of memory's pictures, a vivid picture of some dazzling cinematograph. Minks felt as if he had just read the entire story again from one end to the other—in thirty seconds. He felt different, though wherein exactly the difference lay was beyond him to discover. 'It must be the spell of Bourcelles,' he murmured to himself. 'Mr. Rogers warned me about it. It is a Fairyland that thought has created out of common things. It is quite wonderful!' He felt a glow all over him. His mind ran on for a moment to another picture his master had painted for him, and he imagined Albinia and the family out here, living in a little house on the borders of the forest, a strip of vineyards, sunlight, mountains, happy scented winds, and himself with a writing-table before a window overlooking the lake... writing down Beauty.
CHAPTER XXXIII
We never meet; yet we meet day by day Upon those hills of life, dim and immense: The good we love, and sleep-our innocence. O hills of life, high hills! And higher than they,
Our guardian spirits meet at prayer and play. Beyond pain, joy, and hope, and long suspense, Above the summits of our souls, far hence, An angel meets an angel on the way.
Beyond all good I ever believed of thee Or thou of me, these always love and live. And though I fail of thy ideal of me,
My angel falls not short. They greet each other. Who knows, they may exchange the kiss we give, Thou to thy crucifix, I to my mother. ALICE MCYNELL.
The arrival at the station interrupted the reverie in which the secretary and his chief both were plunged.
'How odd,' exclaimed Minks, ever observant, as he leaped from the carriage, 'there are no platforms. Everything in Switzerland seems on one level, even the people—everything, that is, except the mountains.'
'Switzerland is the mountains,' laughed his chief.
Minks laughed too. 'What delicious air!' he added, filling his lungs audibly. He felt half intoxicated with it.
After some delay they discovered a taxi-cab, piled the luggage on to it, and were whirled away towards a little cluster of lights that twinkled beneath the shadows of La Tourne and Boudry. Bourcelles lay five miles out.
'Remember, you're not my secretary here,' said Rogers presently, as the forests sped by them. 'You're just a travelling companion.'
'I understand,' he replied after a moment's perplexity. 'You have a secretary here already.'
'His name is Jimbo.'
The motor grunted its way up the steep hill above Colombier. Below them spread the vines towards the lake, sprinkled with lights of farms and villages. As the keen evening air stole down from forest and mountain to greet them, the vehicle turned into the quiet village street. Minks saw the big humped shoulders of La Citadelle, the tapering church spire, the trees in the orchard of the Pension. Cudrefin, smoking a cigar at the door of his grocery shop, recognised them and waved his hand. A moment later Gygi lifted his peaked hat and called 'bon soir, bonne nuit,' just as though Rogers had never gone away at all. Michaud, the carpenter, shouted his welcome as he strolled towards the Post Office farther down to post a letter, and then the motor stopped with a jerk outside the courtyard where the fountain sang and gurgled in its big stone basin. Minks saw the plane tree. He glanced up at the ridged backbone of the building. What a portentous looking erection it was. It seemed to have no windows. He wondered where the famous Den was. The roof overlapped like a giant hood, casting a deep shadow upon the cobbled yard. Overhead the stars shone faintly.
Instantly a troop of figures shot from the shadow and surrounded them. There was a babel of laughter, exclamations, questions. Minks thought the stars had fallen. Children and constellations were mingled all together, it seemed. Both were too numerous to count. All were rushing with the sun towards Hercules at a dizzy speed.
'And this is my friend, Mr. Minks,' he heard repeated from time to time, feeling his hand seized and shaken before he knew what he was about. Mother loomed up and gave him a stately welcome too.
'He wears gloves in Bourcelles!' some one observed audibly to some one else.
'Excuse me! This is Riquette!' announced a big girl, hatless like the rest, with shining eyes. 'It's a she.'
'And this is my secretary, Mr. Jimbo,' said Rogers, breathlessly, emerging from a struggling mass. Minks and Jimbo shook hands with dignity.
'Your room is over at the Michauds, as before.'
'And Mr. Mix is at the Pension—there was no other room to be had—-'
'Supper's at seven—-'
'Tante Jeanne's been grand-cieling all day with excitement. She'll burst when she sees you!'
'She's read the story, too. Elle dit que c'est le bouquet!'
'There's new furniture in the salon, and they've cleaned the sink while you've been away!...'
The author moved forward out of the crowd. At the same moment another figure, slight and shadowy, revealed itself, outlined against the white of the gleaming street. It had been hidden in the tangle of the stars. It kept so quiet.
'Countess, may I introduce him to you,' he said, seizing the momentary pause. There was little ceremony in Bourcelles. 'This is my cousin I told you about—Mr. Henry Rogers. You must know one another at once. He's Orion in the story.'
He dragged up his big friend, who seemed suddenly awkward, difficult to move. The children ran in and out between them like playing puppies, tumbling against each in turn.
'They don't know which is which,' observed Jinny, watching the introduction. Her voice ran past him like the whir of a shooting star through space—far, far away. 'Excuse me!' she cried, as she cannoned off Monkey against Cousinenry. 'I'm not a terminus! This is a regular shipwreck!'
The three elder ones drew aside a little from the confusion.
'The Countess,' resumed Daddy, as soon as they were safe from immediate destruction, 'has come all the way from Austria to see us. She is staying with us for a few days. Isn't it delightful? We call her the little Grafin.' His voice wumbled a trifle thickly in his beard. 'She was good enough to like the story—our story, you know— and wrote to me—-'
'My story,' said a silvery, laughing voice.
And Rogers bowed politely, and with a moment's dizziness, at two bright smiling eyes that watched him out of the little shadow standing between him and the children. He was aware of grandeur.
He stood there, first startled, then dazed. She was so small. But something about her was so enormous. His inner universe turned over and showed its under side. The hidden thing that so long had brushed his daily life came up utterly close and took him in its gigantic arms. He stared like an unmannered child.
Something had lit the world....
'This is delicious air,' he heard Minks saying to his cousin in the distance—to his deaf side judging by the answer:
'Delicious here—yes, isn't it?'
Something had lit the stars....
Minks and his cousin continued idly talking. Their voices twittered like birds in empty space. The children had scattered like marbles from a spinning-top. Their voices and footsteps sounded in the cobbled yard of La Citadelle, as they scampered up to prepare for supper. Mother sailed solemnly after them, more like a frigate than ever. The world, on fire, turned like a monstrous Catherine wheel within his brain.
Something had lit the universe....
He stood there in the dusk beneath the peeping stars, facing the slender little shadow. It was all he saw at first—this tiny figure. Demure and soft, it remained motionless before him, a hint of childhood's wonder in its graceful attitude. He was aware of something mischievous as well—that laughed at him.... He realised then that she waited for him to speak. Yet, for the life of him, he could find no words, because the eyes, beneath the big-brimmed hat with its fluttering veil, looked out at him as though some formidable wild creature watched him from the opening of its cave. There was a glint of amber in them. The heart in him went thumping. He caught his breath. Out, jerked, then, certain words that he tried hard to make ordinary—-
'But surely—we have met before—I think I know you—-'
He just said it, swallowing his breath with a gulp upon the unfinished sentence. But he said it—somewhere else, and not here in the twilight street of little Bourcelles. For his sight swam somehow far away, and he was giddy with the height. The roofs of the houses lay in a sea of shadow below him, and the street wound through them like a ribbon of thin lace. The tree-tops waved very softly in a wind that purred and sighed beneath his feet, and this wind was a violet little wind, that bent them all one way and set the lines and threads of gold a-quiver to their fastenings. For the fastenings were not secure; any minute he might fall. And the threads, he saw, all issued like rays from two central shining points of delicate, transparent amber, radiating forth into an exquisite design that caught the stars. Yet the stars were not reflected in them. It was they who lit the stars....
He was dizzy. He tried speech again.
'I told you I should—' But it was not said aloud apparently.
Two little twinkling feet were folded. Two hands, he saw, stretched down to draw him close. These very stars ran loose about him in a cloud of fiery sand. Their pattern danced in flame. He picked out Sirius, Aldebaran—the Pleiades! There was tumult in his blood, a wild and exquisite confusion. What in the world had happened to him that he should behave in this ridiculous fashion? Yet he was doing nothing. It was only that, for a passing instant, the enormous thing his life had been dimly conscious of so long, rose at last from its subterranean hiding-place and overwhelmed him. This picture that came with it was like some far-off dream he suddenly recovered. A glorious excitement caught him. He felt utterly bewildered.
'Have we?' he heard close in front of him. 'I do not think I have had the pleasure'—it was with a slightly foreign accent—'but it is so dim here, and one cannot see very well, perhaps.'
And a ripple of laughter passed round some gigantic whispering gallery in the sky. It set the trellis-work of golden threads all trembling. He felt himself perched dizzily in this shaking web that swung through space. And with him was some one whom he knew.... He heard the words of a song:
'Light desire With their fire.'
Something had lit his heart....
He lost himself again, disgracefully. A mist obscured his sight, though with the eyes of his mind he still saw crystal-clear. Across this mist fled droves and droves of stars. They carried him out of himself—out, out, out!... His upper mind then made a vehement effort to recover equilibrium. An idea was in him that some one would presently turn a somersault and disappear. The effort had a result, it seemed, for the enormous thing passed slowly away again into the caverns of his under-self, ... and he realised that he was conducting himself in a foolish and irresponsible manner, which Minks, in particular, would disapprove. He was staring rudely—at a shadow, or rather, at two eyes in a shadow. With another effort—oh, how it hurt!—he focused sight again upon surface things. It seemed his turn to say something.
'I beg your pardon,' he stammered, 'but I thought—it seemed to me for a moment—that I—remembered.'
The face came close as he said it. He saw it clear a moment. The figure grew defined against the big stone fountain—the little hands in summer cotton gloves, the eyes beneath the big brimmed hat, the streaming veil. Then he went lost again—more gloriously than before. Instead of the human outline in the dusky street of Bourcelles, he stared at the host of stars, at the shimmering design of gold, at the Pleiades, whose fingers of spun lustre swung the Net loose across the world....
'Flung from huge Orion's hand...'
he caught in a golden whisper,
'Sweetly linking All our thinking....'
His cousin and Minks, he was aware vaguely, had left him. He was alone with her. A little way down the hill they turned and called to him. He made a frantic effort—there seemed just time—to plunge away into space and seize the cluster of lovely stars with both his hands. Headlong, he dived off recklessly... driving at a fearful speed, ... when—the whole thing vanished into a gulf of empty blue, and he found himself running, not through the sky to clutch the Pleiades, but heavily downhill towards his cousin and Minks.
It was a most abrupt departure. There was a curious choking in his throat. His heart ran all over his body. Something white and sparkling danced madly through his brain. What must she think of him?
'We've just time to wash ourselves and hurry over to supper,' his cousin said, as he overtook them, flustered and very breathless. Minks looked at him—regarded him, rather—astonishment, almost disapproval, in one eye, and in the other, apparently observing the vineyards, a mild rebuke.
He walked beside them in a dream. The sound of Colombier's bells across Planeyse, men's voices singing fragments of a Dalcroze song floated to him, and with them all the dear familiar smells:—
Le coeur de ma mie Est petit, tout petit petit, J'en ai l'ame ravie....
It was Minks, drawing the keen air noisily into his lungs in great draughts, who recalled him to himself.
'I could find my way here without a guide, Mr. Campden,' he was saying diffidently, burning to tell how the Story had moved him. 'It's all so vivid, I can almost see the Net. I feel in it,' and he waved one hand towards the sky.
The other thanked him modestly. 'That's your power of visualising then,' he added. 'My idea was, of course, that every mind in the world is related with every other mind, and that there's no escape—we are all prisoners. The responsibility is vast.'
'Perfectly. I've always believed it. Ah! if only one could live it!'
Rogers heard this clearly. But it seemed that another heard it with him. Some one very close beside him shared the hearing. He had recovered from his temporary shock. Only the wonder remained. Life was sheer dazzling glory. The talk continued as they hurried along the road together. Rogers became aware then that his cousin was giving information—meant for himself.
'... A most charming little lady, indeed. She comes from over there,' and he pointed to where the Pleiades were climbing the sky towards the East, 'in Austria somewhere. She owns a big estate among the mountains. She wrote to me—I've had such encouraging letters, you know, from all sorts of folk—and when I replied, she telegraphed to ask if she might come and see me. She seems fond of telegraphing, rather.' And he laughed as though he were speaking of an ordinary acquaintance.
'Charming little lady!' The phrase was like the flick of a lash. Rogers had known it applied to such commonplace women.
'A most intelligent face,' he heard Minks saying, 'quite beautiful, I thought—the beauty of mind and soul.'
'... Mother and the children took to her at once,' his cousin's voice went on. 'She and her maid have got rooms over at the Beguins. And, do you know, a most singular coincidence,' he added with some excitement, 'she tells me that ever since childhood she's had an idea like this— like the story, I mean—an idea of her own she always wanted to write but couldn't——-'
'Of course, of course,' interrupted Rogers impatiently; and then he added quickly, 'but how very extraordinary!'
'The idea that Thought makes a network everywhere about the world in which we all are caught, and that it's a positive duty, therefore, to think beauty—as much a duty as washing one's face and hands, because what you think touches others all day long, and all night long too— in sleep.'
'Only she couldn't write it?' asked Rogers. His tongue was like a thick wedge of unmanageable wood in his mouth. He felt like a man who hears another spoil an old, old beautiful story that he knows himself with intimate accuracy.
'She can telegraph, she says, but she can't write!'
'An expensive talent,' thought the practical Minks.
'Oh, she's very rich, apparently. But isn't it odd? You see, she thought it vividly, played it, lived it. Why, she tells me she even had a Cave in her mountains where lost thoughts and lost starlight collected, and that she made a kind of Pattern with them to represent the Net. She showed me a drawing of it, for though she can't write, she paints quite well. But the odd thing is that she claims to have thought out the main idea of my own story years and years ago with the feeling that some day her idea was bound to reach some one who would write it—-'
'Almost a case of transference,' put in Minks.
'A fairy tale, yes, isn't it!'
'Married?' asked Rogers, with a gulp, as they reached the door. But apparently he had not said it out loud, for there was no reply.
He tried again less abruptly. It required almost a physical effort to drive his tongue and frame the tremendous question.
'What a fairy story for her children! How they must love it!' This time he spoke so loud that Minks started and looked up at him.
'Ah, but she has no children,' his cousin said.
They went upstairs, and the introductions to Monsieur and Madame Michaud began, with talk about rooms and luggage. The mist was over him once more. He heard Minks saying:—
'Oui, je comprongs un poo,' and the clatter of heavy boots up and down the stairs, ... and then found himself washing his hands in stinging hot water in his cousin's room.
'The children simply adore her already,' he heard, 'and she won Mother's confidence at the very start. They can't manage her long name. They just call her the Little Countess—die kleine Grafin. She's doing a most astonishing work in Austria, it seems, with children... the Montessori method, and all that....'
'By George, now; is it possible? Bourcelles accepted her at once then?'
'She accepted Bourcelles rather—took it bodily into herself—our poverty, our magic boxes, our democratic intimacy, and all the rest; it was just as though she had lived here with us always. And she kept asking who Orion was—that's you, of course—and why you weren't here—-'
'And the Den too?' asked Rogers, with a sudden trembling in his heart, yet knowing well the answer.
'Simply appropriated it—came in naturally without being asked; Jimbo opened the door and Monkey pushed her in. She said it was her Star Cave. Oh, she's a remarkable being, you know, rather,' he went on more gravely, 'with unusual powers of sympathy. She seems to feel at once what you are feeling. Takes everything for granted as though she knew. I think she does know, if you ask me—-'
'Lives the story in fact,' the other interrupted, hiding his face rather in the towel, 'lives her belief instead of dreaming it, eh?'
'And, fancy this!' His voice had a glow and softness in it as he said it, coming closer, and almost whispering, 'she wants to take Jinny and Monkey for a bit and educate them.' He stood away to watch the effect of the announcement. 'She even talks of sending Edward to Oxford, too!' He cut a kind of wumbled caper in his pleasure and excitement.
'She loves children then, evidently?' asked the other, with a coolness that was calculated to hide other feelings. He rubbed his face in the rough towel as though the skin must come off. Then, suddenly dropping the towel, he looked into his cousin's eyes a moment to ensure a proper answer.
'Longs for children of her own, I think,' replied the author; 'one sees it, feels it in all she says and does. Rather sad, you know, that! An unmarried mother—-'
'In fact,' put in Rogers lightly, 'the very character you needed to play the principal role in your story. When you write the longer version in book form you'll have to put her in.'
'And find her a husband too—which is a bore. I never write love stories, you see. She's finer as she is at present—mothering the world.'
Rogers's face, as he brushed his hair carefully before the twisted mirror, was not visible.
There came a timid knock at the door.
'I'm ready, gentlemen, when you are,' answered the voice of Minks outside.
They went downstairs together, and walked quickly over to the Pension for supper. Rogers moved sedately enough so far as the others saw, yet inwardly he pranced like a fiery colt in harness. There were golden reins about his neck. Two tiny hands directed him from the Pleiades. In this leash of sidereal fire he felt as though he flew. Swift thought, flashing like a fairy whip, cut through the air from an immense distance, and urged him forwards. Some one expected him and he was late—years and years late. Goodness, how his companions crawled and dawdled!
'... she doesn't come over for her meals,' he heard, 'but she'll join us afterwards at the Den. You'll come too, won't you, Mr. Minks?'
'Thank you, I shall be most happy—if I'm not intruding,' was the reply as they passed the fountain near the courtyard of the Citadelle. The musical gurgle of its splashing water sounded to Rogers like a voice that sang over and over again, 'Come up, come up, come up! You must come up to me!'
'How brilliant your stars are out here, Mr. Campden,' Minks was saying when they reached the door of La Poste. He stood aside to let the others pass before him. He held the door open politely. 'No wonder you chose them as the symbol for thought and sympathy in your story.' And they climbed the narrow, creaking stairs and entered the little hall where the entire population of the Pension des Glycines awaited them with impatience.
The meal dragged out interminably. Everybody had so much to say. Minks, placed between Mother and Miss Waghorn, talked volubly to the latter and listened sweetly to all her stories. The excitement of the Big Story, however, was in the air, and when she mentioned that she looked forward to reading it, he had no idea, of course, that she had already done so at least three times. The Review had replaced her customary Novel. She went about with it beneath her arm. Minks, feeling friendly and confidential, informed her that he, too, sometimes wrote, and when she noted the fact with a deferential phrase about 'you men of letters,' he rose abruptly to the seventh heaven of contentment. Mother meanwhile, on the other side, took him bodily into her great wumbled heart. 'Poor little chap,' her attitude said plainly, 'I don't believe his wife half looks after him.' Before the end of supper she knew all about Frank and Ronald, the laburnum tree in the front garden, what tea they bought, and Albinia's plan for making coal last longer by mixing it with coke.
Tante Jeanne talked furiously and incessantly, her sister-in-law told her latest dream, and the Postmaster occasionally cracked a solemn joke, laughing uproariously long before the point appeared. It was a merry, noisy meal, and Henry Rogers sat through it upon a throne that was slung with golden ropes from the stars. He was in Fairyland again. Outside, the Pleiades were rising in the sky, and somewhere in Bourcelles—in the rooms above Beguin's shop, to be exact—some one was waiting, ready to come over to the Den. His thoughts flew wildly. Passionate longing drove behind them. 'You must come up to me,' he heard. They all were Kings and Queens.
He played his part, however; no one seemed to notice his preoccupation. The voices sounded now far, now near, as though some wind made sport with them; the faces round him vanished and reappeared; but he contrived cleverly, so that none remarked upon his absent-mindedness. Constellations do not stare at one another much.
'Does your Mother know you're "out"?' asked Monkey once beside him—it was the great joke now, since the Story had been read—and as soon as she was temporarily disposed of, Jimbo had serious information to impart from the other side. 'She's a real Countess,' he said, speaking as man to man. 'I suppose if she went to London she'd know the King— visit him, like that?'
Bless his little heart! Jimbo always knew the important things to talk about.
There were bursts of laughter sometimes, due usually to statements made abruptly by Jane Anne—as when Mother, discussing the garden with Minks, reviled the mischievous birds:—
'They want thinning badly,' she said.
'Why don't they take more exercise, then?' inquired Jinny gravely.
And in these gusts of laughter Rogers joined heartily, as though he knew exactly what the fun was all about. In this way he deceived everybody and protected himself from discovery. And yet it seemed to him that he shouted his secret aloud, not with his lips indeed, but with his entire person. Surely everybody knew it...! He was self- conscious as a schoolgirl.
'You must come up—to me,' rang continuously through his head like bells. 'You must come up to me.'
CHAPTER XXXIV
How many times do I love thee, dear? Tell me how many thoughts there be In the atmosphere Of a new fall'n year, Whose white and sable hours appear The latest flake of Eternity:— So many times do I love thee, dear.
How many times do I love again? Tell me how many beads there are In a silver chain Of evening rain, Unravelled from the tumbling main, And threading the eye of a yellow star:— So many times do I love again. THOMAS LOVELL BEDDOES.
A curious deep shyness settled upon Henry Rogers as they all trooped over to the Den. The others gabbled noisily, but to him words came with difficulty. He felt like a boy going up for some great test, examination, almost for judgment. There was an idea in him that he must run and hide somewhere. He saw the huge outline of Orion tilting up above the Alps, slanting with the speed of his eternal hunt to seize the Pleiades who sailed ever calmly just beyond his giant arms. Yet what that old Hunter sought was at last within his reach. He knew it, and felt the awe of capture rise upon him.
'You've eaten so much supper you can't speak,' said Monkey, whose hand was in his coat-pocket for loose chicken-feed, as she called centimes. 'The Little Countess will regler ton affaire all right. Just wait till she gets at you.'
'You love her?' he asked gently, feeling little disposed to play.
The child's reply was cryptic, yet uncommonly revealing:—
'She's just like a relation. It's so funny she didn't know us long, long ago—find us out, I mean.'
'Mother likes her awfully,' added Jimbo, as though that established the matter of her charm for ever. 'It's a pity she's not a man'—just to show that Cousinenry's position was not endangered.
They chattered on. Rogers hardly remembers how he climbed the long stone steps. He found himself in the Den. It came about with a sudden jump as in dreams. She was among them before the courtyard was crossed; she had gone up the steps immediately in front of him.... Jinny was bringing in the lamp, while Daddy struggled with a load of peat for the fire, getting in everybody's way. Riquette stood silhouetted against the sky upon the window sill. Jimbo used the bellows. A glow spread softly through the room. He caught sight of Minks standing rather helplessly beside the sofa talking to Jane Anne, and picking at his ear as he always did when nervous or slightly ill at ease. He wondered vaguely what she was saying to him. He looked everywhere but at the one person for whose comfort the others were so energetic.
His eyes did not once turn in her direction, yet he knew exactly how she was dressed, what movements she made, where she stood, the very words, indeed, she used, and in particular the expression of her face to each in turn. For he was guilty of a searching inner scrutiny he could not control. And, above all, he was aware, with a divine, tumultuous thrill, that she, for her part, also neither looked at him nor uttered one sentence that he could take as intended for himself.
Because, of course, all she said and did and looked were meant for him, and her scrutiny was even closer and more searching than his own.
In the Den that evening there was one world within another, though only these two, and probably the intuitive and diabolically observant Minks, perceived it. The deep furnaces of this man's inner being, banked now so long that mere little flames had forgotten their way out, lay open at last to that mighty draught before whose fusing power the molten, fluid state becomes inevitable.
'You must come up to me' rang on in his head like a chime of bells. 'O think Beauty: it's your duty....'
The chairs were already round the open fireplace, when Monkey pushed him into the big one with the broken springs he always used, and established herself upon his knee. Jimbo was on the other in a twinkling. Jane Anne plumped down upon the floor against him. Her hair was up, and grown-ups might sit as they pleased. Minks in a hard, straight-backed chair, firmly assured everybody that he was exceedingly comfortable and really preferred stiff chairs. He found safety next to Mother who, pleased and contented, filled one corner of the sofa and looked as though she occupied a pedestal. Beyond her perched Daddy, on the music stool, leaning his back against the unlighted fourneau. The Wumble Book was balanced on his knees, and beside him sat the little figure of the visitor who, though at the end, was yet somehow the true centre of the circle. Rogers saw her slip into her unimportant place. She took her seat, he thought, as softly as a mouse. For no one seemed to notice her. She was so perfectly at home among them. In her little folded hands the Den and all its occupants seemed cared for beyond the need of words or definite action. And, although her place was the furthest possible remove from his own, he felt her closer to him than the very children who nestled upon his knees.
Riquette then finally, when all were settled, stole in to complete the circle. She planted herself in the middle of the hearth before them all, looked up into their faces, decided that all was well, and began placidly to wash her face and back. A leg shot up, from the middle of her back apparently, as a signal that they might talk. A moment later she composed herself into that attitude of dignified security possible only to the feline species. She made the fourth that inhabited this world within a world. Rogers, glancing up suddenly from observing her, caught—-for the merest fraction of an instant—a flash of starfire in the air. It darted across to him from the opposite end of the horse- shoe. Behind it flickered the tiniest smile a human countenance could possibly produce.
'Little mouse who, lost in wonder, Flicks its whiskers at the thunder.'
It was Jane Anne repeating the rhyme for Minks's benefit. How appropriately it came in, he thought. And voices were set instantly in motion; it seemed that every one began to speak at once.
Who finally led the conversation, or what was actually said at first, he has no more recollection than the man in the moon, for he only heard the silvery music of a single voice. And that came rarely. He felt washed in glory from head to foot. In a dream of happy starlight he swam and floated. He hid his face behind the chair of Monkey, and his eyes were screened below the welcome shelter of Jimbo's shoulder.
The talk meanwhile flowed round the horse-shoe like a river that curves downhill. Life ran past him, while he stood on the banks and watched. He reconstructed all that happened, all that was said and done, each little movement, every little glance of the eye. These common things he recreated. For, while his body sat in the Den before a fire of peat, with children, a cat, a private secretary, three very ordinary people and a little foreign visitor, his spirit floated high above the world among the immensities of suns and starfields. He was in the Den, but the Den was in the universe, and to the scale of the universe he set the little homely, commonplace picture. Life, he realised, is thought and feeling; and just then he thought and felt like a god. He was Orion, and Orion had at last overtaken the Pleiades. The fairest of the cluster lay caught within his giant arms. The Enormous Thing that so long had haunted him with hints of its approach, rose up from his under-self, and possessed him utterly. And, oh, the glory of it, the splendour, the intoxication!
In the dim corner where she sat, the firelight scarcely showed her face, yet every shade of expression that flitted across her features he saw unobscured. The sparkling, silvery sentences she spoke from time to time were volumes that interpreted life anew. For years he had pored over these thick tomes, but heavily and without understanding. The little things she said now supplied the key. Mind and brain played no part in this. It was simply that he heard—and knew. He re- discovered her from their fragments, piece by piece....
The general talk flowed past him in a stream of sound, cut up into lengths by interrupting consonants, and half ruined by this arbitrary division; but what she said always seemed the living idea that lay behind the sound. He could not explain it otherwise. With herself, and with Riquette, and possibly with little, dreaming Minks, he sat firmly at the centre of this inner world. The others, even the children, hovered about its edges, trying to get in. That tiny smile had flashed its secret, ineffable explanation into him. Starlight was in his blood....
Mother, for instance, he vaguely knew, was speaking of the years they all had lived in Bourcelles, of the exquisite springs, of the fairy, gorgeous summers. It was the most ordinary talk imaginable, though it came sincerely from her heart.
'If only you had come here earlier,' she said, 'when the forest was so thick with flowers.' She enumerated them one by one. 'Now, in the autumn, there are so few!'
The little sparkling answer lit the forest glades afresh with colour, perfume, wonder:—
'But the autumn flowers, I think, are the sweetest; for they have the beauty of all the summer in them.'
A slight pause followed, and then all fell to explaining the shining little sentence until its lustre dimmed and disappeared beneath the smother of their words. In himself, however, who heard them not, a new constellation swam above the horizon of his inner world. Riquette looked slyly up and blinked. She purred more deeply, but she made no stupid sign....
And Daddy mentioned then the forest spell that captured the entire village with its peace and softness—'all so rough and big and tumbled, and yet every detail so exquisitely finished and thought out, you know.'
Out slipped the softest little fairy phrase imaginable from her dim corner then:—
'Yes, like hand-made things—you can almost see the hand that made them.'
And Rogers started so perceptibly that Jimbo shifted his weight a little, thinking he must be uncomfortable. He had surely used that very phrase himself! It was familiar. Even when using it he remembered wondering whence its sweetness had dropped into his clumsier mind. Minks uncrossed his legs, glanced up at him a moment, then crossed them again. He made this sign, but, like Riquette, he said nothing....
The stream flowed on and on. Some one told a story. There was hushed attentive listening, followed suddenly by bursts of laughter and delight. Who told it, or what it was about, Rogers had no notion. Monkey dug him in the ribs once because apparently he grunted at the wrong moment, and Jimbo chided her beneath his breath—'Let him have a nap if he wants to; a man's always tired after a long journey like that...!' Some one followed with another story—Minks, was it, this time?—for Rogers caught his face, as through a mist, turning constantly to Mother for approval. It had to do with a vision of great things that had come to a little insignificant woman on a bed of sickness. He recognised the teller because he knew the tale of old. The woman, he remembered, was Albinia's grandmother, and Minks was very proud of it.
'That's a very nice story,' rippled from the dim corner when it was over. 'For I like everything so tiny that you can find it inside a shell. That's the way to understand big things and to do them.'
And again the phrase was as familiar to him as though he had said it himself—heard it, read it, dreamed it, even. Whatever its fairy source, he knew it. His bewilderment increased absurdly. The things she said were so ordinary, yet so illuminating, though never quite betraying their secret source. Where had he heard them? Where had he met this little foreign visitor? Whence came the singular certainty that she shared this knowledge with him, and might presently explain it, all clear as daylight and as simple? He had the odd impression that she played with him, delayed purposely the moment of revelation, even expected that he would be the first to make it known. The disclosure was to come from himself! She provided him with opportunities—these little sparkling sentences! But he hid in his corner, silent and magically excited, afraid to take the lead. These sentences were addressed to him. There was conversation thus between the two of them; but his replies remained inaudible. Thought makes no sound; its complete delivery is ever wordless.... He felt very big, and absurdly shy.
It was gesture, however, that infallible shorthand of the mind, which seemed the surest medium of this mute delightful intercourse. For each little gesture that she made—unconsciously, of course—expressed more than the swiftest language could have compassed in an hour. And he noted every one: the occasional flourish of the little hands, the bending of the graceful neck, the shadowy head turned sideways, the lift of one shoulder, almost imperceptible, and sometimes the attitude of the entire body. To him they were, one and all, eloquently revealing. Behind each little gesture loomed a yet larger one, the scale increasing strangely, till his thoughts climbed up them as up a ladder into the region where her ideas lay naked before casual interpretation clothed them. Those, he reflected, who are rich in ideas, but find words difficult, may reveal themselves prodigally in gesture. Expression of one kind or another there must be; yet lavish action, the language of big souls, seems a man's expression rather than a woman's.... He built up swiftly, surely, solidly his interpretation of this little foreign visitor who came to him thus suddenly from the stars, whispering to his inmost thought, 'You must come up to me.' The whole experience dazed him. He sat in utter dumbness, shyer than a boy, but happier than a singing star!... The Joy in his heart was marvellous.
Yet how could he know all this?
In the intervals that came to him like breathing spaces he asked himself this childish question. How could he tell that this little soft being with the quiet unobtrusive manners had noble and great beauty of action in her anywhere? A few pretty phrases, a few significant gestures, these were surely a slight foundation to build so much upon! Was there, then, some absolute communion of thought between the two of them such as his cousin's story tried to show? And had their intercourse been running on for years, neither of them aware of it in the daytime? Was this intimate knowledge due to long acquaintance? Had her thought been feeding him perhaps since childhood even?
In the pause of his temporary lunacy he asked himself a dozen similar questions, but before the sign of any answer came he was off again, sweeping on outstretched wings among the stars. He drank her in. He knew. What was the good of questions? A thirsty man does not stop midway in his draught to ask when his thirst began, its cause, or why the rush of liquid down his throat is satisfying. He knows, and drinks. It seemed to Henry Rogers, ordinary man of business and practical affairs, that some deep river which so long had flowed deep out of sight, hidden below his daily existence, rose now grandly at the flood. He had heard its subterranean murmurs often. Here, in the Den, it had reached his lips at last. And he quenched his thirst.... His thought played round her without ceasing, like flowing water....
This idea of flux grew everywhere about him. There was fluid movement in this world within a world. All life was a flowing past of ceaseless beauty, wonder, splendour; it was doubt and question that dammed the rush, causing that stoppage which is ugly, petty, rigid. His being flowed out to mingle with her own. It was all inevitable, and he never really doubted once. Only before long he would be compelled to act—to speak—to tell her what he felt, and hear her dear, dear answer.... The excitement in him became more and more difficult to control. Already there was strain and tension below his apparent outer calmness. Life in him burst forward to a yet greater life than he had ever known....
The others—it was his cousin's voice this time—were speaking of the Story, and of his proposed treatment of it in its larger version as a book. Daddy was saying, apparently, that it must fail because he saw no climax for it. The public demanded a cumulative interest that worked up to some kind of thrilling denouement that they called a climax, whereas his tale was but a stretch of life, and of very ordinary life. And Life, for the majority, knew no such climax. How could he manage one without inventing something artificial?
'But the climax of life comes every day and every minute,' he heard her answer—and how her little voice rang out above the others like a bell!—'when you deny yourself for another, and that other does not even know it. A day is lost that does not pin at least one sweet thought against each passing hour.'
And his inner construction took a further prodigious leap, as the sentence showed him the grand and simple motive of her being. It had been his own as well, though he had stupidly bungled it in his search to find something big enough to seem worth doing. She, he divined, found neighbours everywhere, losing no time. He had known a few rare, exquisite souls who lived for others, but here, close beside him at last, was one of those still rarer souls who seem born to—die for others.... They give so unsparingly of their best.... To his imaginative interpretation of her he gave full rein.... And it was instantaneous as creation....
The voices of Minks and Mother renewed the stream of sound that swept by him then, though he caught no words that were comparable in value to these little singing phrases that she used from time to time. Jimbo, bored by the grown-up talk that took the place of expected stories, had fallen asleep upon his shoulder; Monkey's hair, as usual, was in his eyes; he sat there listening and waiting with a heart that beat so loudly he thought the children must feel it and ask him what was the matter. Jinny stirred the peat from time to time. The room was full of shadows. But, for him, the air grew brighter every minute, and in this steady brilliance he saw the little figure rise and grow in grandeur till she filled all space.
'You called it "getting out" while the body is asleep,' came floating through the air through the sound of Jimbo's breathing, 'whereas I called it getting away from self while personal desire is asleep. But the idea is the same....'
His cousin's words that called forth this criticism he had not heard. It was only her sentence that seemed to reach him.
From the river of words and actions men call life she detained, it seemed to him, certain that were vital and important in some symbolical sense; she italicised them, made them her own—then let them go to join the main stream again. This selection was a kind of genius. The river did not overwhelm her as it overwhelms most, because the part of it she did not need for present action she ignored, while yet she swam in the whole of it, shirking nothing.
This was the way he saw her—immediately. And, whether it was his own invention, or whether it was the divination of a man in the ecstasy of sudden love, it was vital because he felt it, and it was real because he believed it. Then why seek to explain the amazing sense of intimacy, the certainty that he had known her always? The thing was there; explanation could bring it no nearer. He let the explanations go their way; they floated everywhere within reach; he had only to pocket them and take them home for study at his leisure afterwards— with her.
'But, we shall come to it in time,' he caught another flying sentence that reached him through the brown tangle of Monkey's hair. It was spoken with eager emphasis. 'Does not every letter you write begin with dear?....'
All that she said added something to life, it seemed, like poetry which, he remembered, 'enriches the blood of the world.' The selections were not idle, due to chance, but belonged to some great Scheme, some fairy edifice she built out of the very stuff of her own life. Oh, how utterly he understood and knew her. The poison of intellectuality, thank heaven, was not in her, yet she created somehow; for all she touched, with word or thought or gesture, turned suddenly alive in a way he had never known before. The world turned beautiful and simple at her touch....
Even the commonest things! It was miraculous, at least in its effect upon himself. Her simplicity escaped all signs of wumbling. She had no favourite and particular Scheme for doing good, but did merely what was next her at the moment to be done. She was good. In her little person glowed a great enthusiasm for life. She created neighbours. And, as the grandeur of her insignificance rose before him, his own great Scheme for Disabled Thingumabobs that once had filled the heavens, shrank down into the size of a mere mouse-trap that would go into his pocket. In its place loomed up another that held the beauty of the Stars. How little, when announcing it to Minks weeks and weeks ago, had he dreamed the form it was to take!
And so, wrapped in this glory of the stars, he dreamed on in his corner, fashioning this marvellous interpretation of a woman he had never seen before, and never spoken with. It was all so different to ordinary falling in love at sight, that the phrase never once occurred to him. It was consummated in a moment—out there, beside the fountain when he saw her first, shadowy, with brilliant, peering eyes. It seemed perfect instantly, a recovery of something he had always known. And who shall challenge the accuracy of his vision, or call its sudden maturity impossible? For where one sees the surface only, another sees the potentialities below. To believe in these is to summon them into activity, just as to think the best of a person ever brings out that best. Are we not all potential splendours?
Swiftly, in a second, he reviewed the shining sentences that revealed her to him: The 'autumn flowers'—she lived, then, in the Present, without that waste of energy which is regret! In 'a little shell' lay the pattern of all life,—she saw the universe in herself and lived, thus, in the Whole! To be 'out' meant forgetting self; and life's climax is at every minute of the day—she understood, that is, the growth of the soul, due to acceptance of what every minute brings, however practical, dull, uninteresting. By recreating the commonest things, she found a star in each. And her world was made up of neighbours—for 'every letter that one writes begins with dear!'
The Pattern matured marvellously before his eyes; and its delicate embroideries, far out of sight, seemed the arabesques that yearnings, hitherto unfulfilled, had traced long long ago with the brush of tender thinking. Together, though at opposite ends of the world, these two had woven the great Net of sympathy, thought, and longing in which at last they both were prisoners ... and with them all the earth.
The figure of Jane Anne loomed before him like an ogress suddenly.
'Cousinenry, will you answer or will you not? Daddy's already asked you twenty times at least!' Then, below her breath, as she bent over him, 'The Little Countess will think you awf'ly rude if you go to sleep and snore like this.'
He looked up. He felt a trifle dazed. For a moment he had forgotten where he was. How dark the room had grown! Only—he was sure he had not snored.
'I beg your pardon,' he stammered, 'but I was only thinking—how wonderful you—how wonderful it all is, isn't it? I was listening. I heard perfectly.'
'You were dozing,' whispered Monkey. 'Daddy wants the Countess to tell you how she knew the story long ago, or something. Ecoute un peu, man vieux!'
'I should love to hear it,' he said, louder, sitting up so abruptly in his chair that Jimbo tilted at a dangerous angle, though still without waking. 'Please, please go on.'
And he listened then to the quiet, silvery language in which the little visitor described the scenery of her childhood, when, without brothers or sisters, she was forced to play alone, and had amused herself by imagining a Net of Constellations which she nailed by shooting stars to four enormous pine trees that grew across the torrent. She described the great mountains that enclosed her father's estate, her loneliness in this giant garden, due to his morose severity of character, her yearnings to escape and see the big world beyond the ridges. All her thought and longing went to the fashioning of this Net, and every night she flung it far across the peaks and valleys to catch companions with whom she might play. The characters in her fairy books came out of the pages to help her, and sometimes when they drew it in, it was so heavy with the people entangled in its meshes that they could scarcely move it. But the moment all were out, the giant Net, relieved of their weight, flew back into the sky. The Pleiades were its centre, because she loved the Pleiades best of all, and Orion pursued its bright shape with passion, yet could never quite come up with it.
'And these people whom you caught,' whispered Rogers from his corner, listening to a tale he knew as well as she did, 'you kept them prisoners?'
'I first put into them all the things I longed to do myself in the big world, and then flung them back again into their homes and towns and villages—-'
'Excepting one,' he murmured.
'Who was so big and clumsy that he broke the meshes and so never got away.' She laughed, while the children stared at their cousin, wondering how he knew as much as she did. 'He stayed with me, and showed me how to make our prisoners useful afterwards by painting them all over with starlight which we collected in a cave. Then they went back and dazzled others everywhere by their strange, alluring brilliance. We made the whole world over in this way—-'
'Until you lost him.'
'One cloudy night he disappeared, yes, and I never found him again. There was a big gap between the Pleiades and Orion where he had tumbled through. I named him Orion after that; and I would stand at night beneath the four great pine trees and call and call, but in vain. "You must come up to me! You must come up to me!" I called, but got no answer—-'
'Though you knew quite well where he had fallen to, and that he was only hiding—-'
'Excuse me, but how did she know?' inquired Jinny abruptly.
The Little Countess laughed. 'I suppose—because the threads of the Net were so sensitive that they went on quivering long after he tumbled out, and so betrayed the direction—-'
'And afterwards, when you got older, Grafin,' interrupted Daddy, who wished his cousin to hear the details of the extraordinary coincidence, 'you elaborated your idea—-'
'Yes, that thought and yearning always fulfil themselves somewhere, somehow, sooner or later,' she continued. 'But I kept the imagery of my Star Net in which all the world lies caught, and I used starlight as the symbol of that sympathy which binds every heart to every other heart. At my father's death, you see, I inherited his property. I escaped from the garden which had been so long my prison, and I tried to carry out in practical life what I had dreamed there as a child. I got people together, where I could, and formed Thinkers' Guilds— people, that is, who agreed to think beauty, love, and tolerance at given hours in the day, until the habit, once formed, would run through all their lives, and they should go about as centres of light, sweetening the world. Few have riches, fewer still have talent, but all can think. At least, one would think so, wouldn't one?'—with a smile and a fling of her little hands.
She paused a moment, and then went on to describe her failure. She told it to them with laughter between her sentences, but among her listeners was one at least who caught the undertone of sadness in the voice.
'For, you see, that was where I made my mistake. People would do anything in the world rather than think. They would work, give money, build schools and hospitals, make all manner of sacrifices—only—they would not think; because, they said, there was no visible result.' She burst out laughing, and the children all laughed too.
'I should think not indeed,' ventured Monkey, but so low that no one heard her.
'And so you went on thinking it all alone,' said Rogers in a low voice.
'I tried to write it first as a story,' she answered softly, 'but found that was beyond me; so I went on thinking it all alone, as you say—-'
'Until the Pattern of your thought floated across the world to me,' said Daddy proudly. 'I imagined I was inspired; instead I was a common, unoriginal plagiarist!'
'Like all the rest of us,' she laughed.
'Mummie, what is a plagiarist?' asked Jinny instantly; and as Rogers, her husband, and even Minks came hurriedly to her aid, the spell of the strange recital was broken, and out of the turmoil of voices the only thing distinctly heard was Mother exclaiming with shocked surprise:—
'Why, it's ten o'clock! Jimbo, Monkey, please plagiarise off to bed at once!'—in a tone that admitted of no rejoinder or excuses.
'A most singular thing, isn't it, Henry?' remarked the author, coming across to his side when the lamp was lit and the children had said their good-nights.
'I really think we ought to report it to the Psychical Society as a genuine case of thought-transference. You see, what people never properly realise is—-'
But Henry Rogers lost the remainder of the sentence even if he heard the beginning, for his world was in a state of indescribable turmoil, one emotion tumbling wildly upon the heels of another. He was elated to intoxication. The room spun round him. The next second his heart sank down into his boots. He only caught the end of the words she was saying to Mother across the room:—
'... but I must positively go to-morrow, I've already stayed too long. So many things are waiting at home for me to do. I must send a telegram and....'
His cousin's wumbling drowned the rest. He was quite aware that Rogers was not listening to him.
'... your great kindness in writing to him, and then coming yourself,' Mother was saying. 'It's such an encouragement. I can't tell you how much he—we—-'
'And you'll let me write to you about the children,' she interrupted, 'the plans we discussed, you know....'
Rogers broke away from his cousin with a leap. It felt at least like a leap. But he knew not where to go or what to say. He saw Minks standing with Jane Anne again by the fourneau, picking at his ear. By the open window with Mother stood the little visitor. She was leaving to-morrow. A torturing pain like twisting knives went through him. The universe was going out!... He saw the starry sky behind her. Daddy went up and joined them, and he was aware that the three of them talked all at once for what seemed an interminable time, though all he heard was his cousin's voice repeating at intervals, 'But you can't send a telegram before eight o'clock to-morrow morning in any case; the post is closed....'
And then, suddenly, the puzzle reeled and danced before his eyes. It dissolved into a new and startling shape that brought him to his senses with a shock. There had been a swift shuffling of the figures.
Minks and his cousin were helping her into her cloak. She was going.
One of them—he knew not which—was offering politely to escort her through the village.
It sounded like his own sentence of exile, almost of death. Was he forty years of age, or only fifteen? He felt awkward, tongue-tied, terrified.
They were already in the passage. Mother had opened the door into the yard.
'But your way home lies down the hill,' he heard the silver voice, 'and to go with me you must come up. I can easily—-'
Above the leaves of the plane tree he saw the stars. He saw Orion and the Pleiades. The Fairy Net flung in and caught him. He found his voice.
In a single stride he was beside her. Minks started at his sudden vehemence and stepped aside.
'I will take you home, Countess, if I may,' and his tone was so unnecessarily loud and commanding that Mother turned and stared. 'Our direction lies together. I will come up—with you.'
She did not even look at him. He saw that tiny smile that was like the flicker of a star—no more. But he heard her answer. It seemed to fill the sky.
'Thank you. I might lose my way alone.'
And, before he realised how she managed it, they had crossed the cobbled yard, Daddy was swinging away downhill towards the carpenter's, and Minks behind them, at the top of the stone steps, was saying his last good-night to Mother. With the little visitor beside him, he passed the singing fountain and led her down the deserted village street beneath the autumn stars.
Three minutes later they were out of sight... when Minks came down the steps and picked his way among the shadows after Daddy, who had the latch-key of the carpenter's house. He ran to overtake him.
And he ran upon his toes As softly as a saying does, For so the saying goes!
His thoughts were very active, but as clear as day. He was thinking whether German was a difficult language to acquire, and wondering whether a best man at a wedding ought to wear white gloves or not. He decided to ask Albinia. He wrote the letter that very night before he went to sleep.
And, while he slept, Orion pursued the Pleiades across the sky, and numerous shooting stars fastened the great Net of thought and sympathy close over little Bourcelles.
THE END |
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