If one looks closely into the various practical expansions of these ideas, we find their inherent falsity works itself out in a very natural way so soon as reality is touched. Those who insist upon equality work in effect for assimilation, for a similar treatment of the sexes. Plato's women of the governing class, for example, were to strip for gymnastics like men, to bear arms and go to war, and follow most of the masculine occupations of their class. They were to have the same education and to be assimilated to men at every doubtful point. The Aristotelian attitude, on the other hand, insists upon specialisation. The men are to rule and fight and toil; the women are to support motherhood in a state of natural inferiority. The trend of evolutionary forces through long centuries of human development has been on the whole in this second direction, has been towards differentiation. [Footnote: See Havelock Ellis's Man and Woman.] An adult white woman differs far more from a white man than a negress or pigmy woman from her equivalent male. The education, the mental disposition, of a white or Asiatic woman, reeks of sex; her modesty, her decorum is not to ignore sex but to refine and put a point to it; her costume is clamorous with the distinctive elements of her form. The white woman in the materially prosperous nations is more of a sexual specialist than her sister of the poor and austere peoples, of the prosperous classes more so than the peasant woman. The contemporary woman of fashion who sets the tone of occidental intercourse is a stimulant rather than a companion for a man. Too commonly she is an unwholesome stimulant turning a man from wisdom to appearance, from beauty to beautiful pleasures, from form to colour, from persistent aims to belief and stirring triumphs. Arrayed in what she calls distinctly "dress," scented, adorned, displayed, she achieves by artifice a sexual differentiation profounder than that of any other vertebrated animal. She outshines the peacock's excess above his mate, one must probe among the domestic secrets of the insects and crustacea to find her living parallel. And it is a question by no means easy and yet of the utmost importance, to determine how far the wide and widening differences between the human sexes is inherent and inevitable, and how far it is an accident of social development that may be converted and reduced under a different social regimen. Are we going to recognise and accentuate this difference and to arrange our Utopian organisation to play upon it, are we to have two primary classes of human being, harmonising indeed and reacting, but following essentially different lives, or are we going to minimise this difference in every possible way?

The former alternative leads either to a romantic organisation of society in which men will live and fight and die for wonderful, beautiful, exaggerated creatures, or it leads to the hareem. It would probably lead through one phase to the other. Women would be enigmas and mysteries and maternal dignitaries that one would approach in a state of emotional excitement and seclude piously when serious work was in hand. A girl would blossom from the totally negligible to the mystically desirable at adolescence, and boys would be removed from their mother's educational influence at as early an age as possible. Whenever men and women met together, the men would be in a state of inflamed competition towards one another, and the women likewise, and the intercourse of ideas would be in suspense. Under the latter alternative the sexual relation would be subordinated to friendship and companionship; boys and girls would be co-educated—very largely under maternal direction, and women, disarmed of their distinctive barbaric adornments, the feathers, beads, lace, and trimmings that enhance their clamorous claim to a directly personal attention would mingle, according to their quality, in the counsels and intellectual development of men. Such women would be fit to educate boys even up to adolescence. It is obvious that a marriage law embodying a decision between these two sets of ideas would be very different according to the alternative adopted. In the former case a man would be expected to earn and maintain in an adequate manner the dear delight that had favoured him. He would tell her beautiful lies about her wonderful moral effect upon him, and keep her sedulously from all responsibility and knowledge. And, since there is an undeniably greater imaginative appeal to men in the first bloom of a woman's youth, she would have a distinct claim upon his energies for the rest of her life. In the latter case a man would no more pay for and support his wife than she would do so for him. They would be two friends, differing in kind no doubt but differing reciprocally, who had linked themselves in a matrimonial relationship. Our Utopian marriage so far as we have discussed it, is indeterminate between these alternatives.

We have laid it down as a general principle that the private morals of an adult citizen are no concern for the State. But that involves a decision to disregard certain types of bargain. A sanely contrived State will refuse to sustain bargains wherein there is no plausibly fair exchange, and if private morality is really to be outside the scope of the State then the affections and endearments most certainly must not be regarded as negotiable commodities. The State, therefore, will absolutely ignore the distribution of these favours unless children, or at least the possibility of children, is involved. It follows that it will refuse to recognise any debts or transfers of property that are based on such considerations. It will be only consistent, therefore, to refuse recognition in the marriage contract to any financial obligation between husband and wife, or any settlements qualifying that contract, except when they are in the nature of accessory provision for the prospective children. [Footnote: Unqualified gifts for love by solvent people will, of course, be quite possible and permissible, unsalaried services and the like, provided the standard of life is maintained and the joint income of the couple between whom the services hold does not sink below twice the minimum wage.] So far the Utopian State will throw its weight upon the side of those who advocate the independence of women and their conventional equality with men.

But to any further definition of the marriage relation the World State of Utopia will not commit itself. The wide range of relationships that are left possible, within and without the marriage code, are entirely a matter for the individual choice and imagination. Whether a man treat his wife in private as a goddess to be propitiated, as a "mystery" to be adored, as an agreeable auxiliary, as a particularly intimate friend, or as the wholesome mother of his children, is entirely a matter for their private intercourse: whether he keep her in Oriental idleness or active co-operation, or leave her to live her independent life, rests with the couple alone, and all the possible friendship and intimacies outside marriage also lie quite beyond the organisation of the modern State. Religious teaching and literature may affect these; customs may arise; certain types of relationship may involve social isolation; the justice of the statesman is blind to such things. It may be urged that according to Atkinson's illuminating analysis [Footnote: See Lang and Atkinson's Social Origins and Primal Law.] the control of love-making was the very origin of the human community. In Utopia, nevertheless, love-making is no concern of the State's beyond the province that the protection of children covers. [Footnote: It cannot be made too clear that though the control of morality is outside the law the State must maintain a general decorum, a systematic suppression of powerful and moving examples, and of incitations and temptations of the young and inexperienced, and to that extent it will, of course, in a sense, exercise a control over morals. But this will be only part of a wider law to safeguard the tender mind. For example, lying advertisements, and the like, when they lean towards adolescent interests, will encounter a specially disagreeable disposition in the law, over and above the treatment of their general dishonesty.] Change of function is one of the ruling facts in life, the sac that was in our remotest ancestors a swimming bladder is now a lung, and the State which was once, perhaps, no more than the jealous and tyrannous will of the strongest male in the herd, the instrument of justice and equality. The State intervenes now only where there is want of harmony between individuals—individuals who exist or who may presently come into existence.

Section 6

It must be reiterated that our reasoning still leaves Utopian marriage an institution with wide possibilities of variation. We have tried to give effect to the ideal of a virtual equality, an equality of spirit between men and women, and in doing so we have overridden the accepted opinion of the great majority of mankind. Probably the first writer to do as much was Plato. His argument in support of this innovation upon natural human feeling was thin enough—a mere analogy to illustrate the spirit of his propositions; it was his creative instinct that determined him. In the atmosphere of such speculations as this, Plato looms very large indeed, and in view of what we owe to him, it seems reasonable that we should hesitate before dismissing as a thing prohibited and evil, a type of marriage that he made almost the central feature in the organisation of the ruling class, at least, of his ideal State. He was persuaded that the narrow monogamic family is apt to become illiberal and anti-social, to withdraw the imagination and energies of the citizen from the services of the community as a whole, and the Roman Catholic Church has so far endorsed and substantiated his opinion as to forbid family relations to its priests and significant servants. He conceived of a poetic devotion to the public idea, a devotion of which the mind of Aristotle, as his criticisms of Plato show, was incapable, as a substitute for the warm and tender but illiberal emotions of the home. But while the Church made the alternative to family ties celibacy [Footnote: The warm imagination of Campanella, that quaint Calabrian monastic, fired by Plato, reversed this aspect of the Church.] and participation in an organisation, Plato was far more in accordance with modern ideas in perceiving the disadvantage that would result from precluding the nobler types of character from offspring. He sought a way to achieve progeny, therefore, without the narrow concentration of the sympathies about the home, and he found it in a multiple marriage in which every member of the governing class was considered to be married to all the others. But the detailed operation of this system he put tentatively and very obscurely. His suggestions have the experimental inconsistency of an enquiring man. He left many things altogether open, and it is unfair to him to adopt Aristotle's forensic method and deal with his discussion as though it was a fully-worked-out project. It is clear that Plato intended every member of his governing class to be so "changed at birth" as to leave paternity untraceable; mothers were not to know their children, nor children their parents, but there is nothing to forbid the supposition that he intended these people to select and adhere to congenial mates within the great family. Aristotle's assertion that the Platonic republic left no scope for the virtue of continence shows that he had jumped to just the same conclusions a contemporary London errand boy, hovering a little shamefacedly over Jowett in a public library, might be expected to reach.

Aristotle obscures Plato's intention, it may be accidentally, by speaking of his marriage institution as a community of wives. When reading Plato he could not or would not escape reading in his own conception of the natural ascendency of men, his idea of property in women and children. But as Plato intended women to be conventionally equal to men, this phrase belies him altogether; community of husbands and wives would be truer to his proposal. Aristotle condemns Plato as roundly as any commercial room would condemn him to-day, and in much the same spirit; he asserts rather than proves that such a grouping is against the nature of man. He wanted to have women property just as he wanted to have slaves property, he did not care to ask why, and it distressed his conception of convenience extremely to imagine any other arrangement. It is no doubt true that the natural instinct of either sex is exclusive of participators in intimacy during a period of intimacy, but it was probably Aristotle who gave Plato an offensive interpretation in this matter. No one would freely submit to such a condition of affairs as multiple marriage carried out, in the spirit of the Aristotelian interpretation, to an obscene completeness, but that is all the more reason why the modern Utopia should not refuse a grouped marriage to three or more freely consenting persons. There is no sense in prohibiting institutions which no sane people could ever want to abuse. It is claimed—though the full facts are difficult to ascertain—that a group marriage of over two hundred persons was successfully organised by John Humphrey Noyes at Oneida Creek. [Footnote: See John H. Noyes's History of American Socialisms and his writings generally. The bare facts of this and the other American experiments are given, together with more recent matter, by Morris Hillquirt, in The History of Socialism in the United States.] It is fairly certain in the latter case that there was no "promiscuity," and that the members mated for variable periods, and often for life, within the group. The documents are reasonably clear upon that point. This Oneida community was, in fact, a league of two hundred persons to regard their children as "common." Choice and preference were not abolished in the community, though in some cases they were set aside—just as they are by many parents under our present conditions. There seems to have been a premature attempt at "stirpiculture," at what Mr. Francis Galton now calls "Eugenics," in the mating of the members, and there was also a limitation of offspring. Beyond these points the inner secrets of the community do not appear to be very profound; its atmosphere was almost commonplace, it was made up of very ordinary people. There is no doubt that it had a career of exceptional success throughout the whole lifetime of its founder, and it broke down with the advent of a new generation, with the onset of theological differences, and the loss of its guiding intelligence. The Anglo-Saxon spirit, it has been said by one of the ablest children of the experiment, is too individualistic for communism. It is possible to regard the temporary success of this complex family as a strange accident, as the wonderful exploit of what was certainly a very exceptional man. Its final disintegration into frankly monogamic couples—it is still a prosperous business association—may be taken as an experimental verification of Aristotle's common-sense psychology, and was probably merely the public acknowledgment of conditions already practically established.

Out of respect for Plato we cannot ignore this possibility of multiple marriage altogether in our Utopian theorising, but even if we leave this possibility open we are still bound to regard it as a thing so likely to be rare as not to come at all under our direct observation during our Utopian journeyings. But in one sense, of course, in the sense that the State guarantees care and support for all properly born children, our entire Utopia is to be regarded as a comprehensive marriage group. [Footnote: The Thelema of Rabelais, with its principle of "Fay ce que vouldras" within the limits of the order, is probably intended to suggest a Platonic complex marriage after the fashion of our interpretation.]

It must be remembered that a modern Utopia must differ from the Utopias of any preceding age in being world-wide; it is not, therefore, to be the development of any special race or type of culture, as Plato's developed an Athenian-Spartan blend, or More, Tudor England. The modern Utopia is to be, before all things, synthetic. Politically and socially, as linguistically, we must suppose it a synthesis; politically it will be a synthesis of once widely different forms of government; socially and morally, a synthesis of a great variety of domestic traditions and ethical habits. Into the modern Utopia there must have entered the mental tendencies and origins that give our own world the polygamy of the Zulus and of Utah, the polyandry of Tibet, the latitudes of experiment permitted in the United States, and the divorceless wedlock of Comte. The tendency of all synthetic processes in matters of law and custom is to reduce and simplify the compulsory canon, to admit alternatives and freedoms; what were laws before become traditions of feeling and style, and in no matter will this be more apparent than in questions affecting the relations of the sexes.



CHAPTER THE SEVENTH

A Few Utopian Impressions

Section 1

But now we are in a better position to describe the houses and ways of the Utopian townships about the Lake of Lucerne, and to glance a little more nearly at the people who pass. You figure us as curiously settled down in Utopia, as working for a low wage at wood-carving, until the authorities at the central registry in Paris can solve the perplexing problem we have set them. We stay in an inn looking out upon the lake, and go to and fro for our five hours' work a day, with a curious effect of having been born Utopians. The rest of our time is our own.

Our inn is one of those inns and lodging houses which have a minimum tariff, inns which are partly regulated, and, in the default of private enterprise, maintained and controlled by the World State throughout the entire world. It is one of several such establishments in Lucerne. It possesses many hundreds of practically self-cleaning little bedrooms, equipped very much after the fashion of the rooms we occupied in the similar but much smaller inn at Hospenthal, differing only a little in the decoration. There is the same dressing-room recess with its bath, the same graceful proportion in the succinct simplicity of its furniture. This particular inn is a quadrangle after the fashion of an Oxford college; it is perhaps forty feet high, and with about five stories of bedrooms above its lower apartments; the windows of the rooms look either outward or inward to the quadrangle, and the doors give upon artificially-lit passages with staircases passing up and down. These passages are carpeted with a sort of cork carpet, but are otherwise bare. The lower story is occupied by the equivalent of a London club, kitchens and other offices, dining-room, writing-room, smoking and assembly rooms, a barber's shop, and a library. A colonnade with seats runs about the quadrangle, and in the middle is a grass-plot. In the centre of this a bronze figure, a sleeping child, reposes above a little basin and fountain, in which water lilies are growing. The place has been designed by an architect happily free from the hampering traditions of Greek temple building, and of Roman and Italian palaces; it is simple, unaffected, gracious. The material is some artificial stone with the dull surface and something of the tint of yellow ivory; the colour is a little irregular, and a partial confession of girders and pillars breaks this front of tender colour with lines and mouldings of greenish gray, that blend with the tones of the leaden gutters and rain pipes from the light red roof. At one point only does any explicit effort towards artistic effect appear, and that is in the great arched gateway opposite my window. Two or three abundant yellow roses climb over the face of the building, and when I look out of my window in the early morning—for the usual Utopian working day commences within an hour of sunrise—I see Pilatus above this outlook, rosy in the morning sky.

This quadrangle type of building is the prevalent element in Utopian Lucerne, and one may go from end to end of the town along corridors and covered colonnades without emerging by a gateway into the open roads at all. Small shops are found in these colonnades, but the larger stores are usually housed in buildings specially adapted to their needs. The majority of the residential edifices are far finer and more substantial than our own modest shelter, though we gather from such chance glimpses as we get of their arrangements that the labour-saving ideal runs through every grade of this servantless world; and what we should consider a complete house in earthly England is hardly known here.

The autonomy of the household has been reduced far below terrestrial conditions by hotels and clubs, and all sorts of co-operative expedients. People who do not live in hotels seem usually to live in clubs. The fairly prosperous Utopian belongs, in most cases, to one or two residential clubs of congenial men and women. These clubs usually possess in addition to furnished bedrooms more or less elaborate suites of apartments, and if a man prefers it one of these latter can be taken and furnished according to his personal taste. A pleasant boudoir, a private library and study, a private garden plot, are among the commonest of such luxuries. Devices to secure roof gardens, loggias, verandahs, and such-like open-air privacies to the more sumptuous of these apartments, give interest and variety to Utopian architecture. There are sometimes little cooking corners in these flats—as one would call them on earth—but the ordinary Utopian would no more think of a special private kitchen for his dinners than he would think of a private flour mill or dairy farm. Business, private work, and professional practice go on sometimes in the house apartments, but often in special offices in the great warren of the business quarter. A common garden, an infant school, play rooms, and a playing garden for children, are universal features of the club quadrangles.

Two or three main roads with their tramways, their cyclists' paths, and swift traffic paths, will converge on the urban centre, where the public offices will stand in a group close to the two or three theatres and the larger shops, and hither, too, in the case of Lucerne, the head of the swift railway to Paris and England and Scotland, and to the Rhineland and Germany will run. And as one walks out from the town centre one will come to that mingling of homesteads and open country which will be the common condition of all the more habitable parts of the globe.

Here and there, no doubt, will stand quite solitary homesteads, homesteads that will nevertheless be lit and warmed by cables from the central force station, that will share the common water supply, will have their perfected telephonic connection with the rest of the world, with doctor, shop, and so forth, and may even have a pneumatic tube for books and small parcels to the nearest post-office. But the solitary homestead, as a permanent residence, will be something of a luxury—the resort of rather wealthy garden lovers; and most people with a bias for retirement will probably get as much residential solitude as they care for in the hire of a holiday chalet in a forest, by remote lagoons or high up the mountain side.

The solitary house may indeed prove to be very rare indeed in Utopia. The same forces, the same facilitation of communications that will diffuse the towns will tend to little concentrations of the agricultural population over the country side. The field workers will probably take their food with them to their work during the day, and for the convenience of an interesting dinner and of civilised intercourse after the working day is over, they will most probably live in a college quadrangle with a common room and club. I doubt if there will be any agricultural labourers drawing wages in Utopia. I am inclined to imagine farming done by tenant associations, by little democratic unlimited liability companies working under elected managers, and paying not a fixed rent but a share of the produce to the State. Such companies could reconstruct annually to weed out indolent members. [Footnote: Schemes for the co-operative association of producers will be found in Dr. Hertzka's Freeland.] A minimum standard of efficiency in farming would be insured by fixing a minimum beneath which the rent must not fall, and perhaps by inspection. The general laws respecting the standard of life would, of course, apply to such associations. This type of co-operation presents itself to me as socially the best arrangement for productive agriculture and horticulture, but such enterprises as stock breeding, seed farming and the stocking and loan of agricultural implements are probably, and agricultural research and experiment certainly, best handled directly by large companies or the municipality or the State.

But I should do little to investigate this question; these are presented as quite incidental impressions. You must suppose that for the most part our walks and observations keep us within the more urban quarters of Lucerne. From a number of beautifully printed placards at the street corners, adorned with caricatures of considerable pungency, we discover an odd little election is in progress. This is the selection, upon strictly democratic lines, with a suffrage that includes every permanent resident in the Lucerne ward over the age of fifteen, of the ugliest local building. The old little urban and local governing bodies, we find, have long since been superseded by great provincial municipalities for all the more serious administrative purposes, but they still survive to discharge a number of curious minor functions, and not the least among these is this sort of aesthetic ostracism. Every year every minor local governing body pulls down a building selected by local plebiscite, and the greater Government pays a slight compensation to the owner, and resumes possession of the land it occupies. The idea would strike us at first as simply whimsical, but in practice it appears to work as a cheap and practical device for the aesthetic education of builders, engineers, business men, opulent persons, and the general body of the public. But when we come to consider its application to our own world we should perceive it was the most Utopian thing we had so far encountered.

Section 2

The factory that employs us is something very different from the ordinary earthly model. Our business is to finish making little wooden toys—bears, cattle men, and the like—for children. The things are made in the rough by machinery, and then finished by hand, because the work of unskilful but interested men—and it really is an extremely amusing employment—is found to give a personality and interest to these objects no machine can ever attain.

We carvers—who are the riffraff of Utopia—work in a long shed together, nominally by time; we must keep at the job for the length of the spell, but we are expected to finish a certain number of toys for each spell of work. The rules of the game as between employer and employed in this particular industry hang on the wall behind us; they are drawn up by a conference of the Common Council of Wages Workers with the employers, a common council which has resulted in Utopia from a synthesis of the old Trades Unions, and which has become a constitutional power; but any man who has skill or humour is presently making his own bargain with our employer more or less above that datum line.

Our employer is a quiet blue-eyed man with a humorous smile. He dresses wholly in an indigo blue, that later we come to consider a sort of voluntary uniform for Utopian artists. As he walks about the workshop, stopping to laugh at this production or praise that, one is reminded inevitably of an art school. Every now and then he carves a little himself or makes a sketch or departs to the machinery to order some change in the rough shapes it is turning out. Our work is by no means confined to animals. After a time I am told to specialise in a comical little Roman-nosed pony; but several of the better paid carvers work up caricature images of eminent Utopians. Over these our employer is most disposed to meditate, and from them he darts off most frequently to improve the type.

It is high summer, and our shed lies open at either end. On one hand is a steep mountain side down which there comes, now bridging a chasm, now a mere straight groove across a meadow, now hidden among green branches, the water-slide that brings our trees from the purple forest overhead. Above us, but nearly hidden, hums the machine shed, but we see a corner of the tank into which, with a mighty splash, the pine trees are delivered. Every now and then, bringing with him a gust of resinous smell, a white-clad machinist will come in with a basketful of crude, unwrought little images, and will turn them out upon the table from which we carvers select them.

(Whenever I think of Utopia that faint and fluctuating smell of resin returns to me, and whenever I smell resin, comes the memory of the open end of the shed looking out upon the lake, the blue-green lake, the boats mirrored in the water, and far and high beyond floats the atmospheric fairyland of the mountains of Glarus, twenty miles away.)

The cessation of the second and last spell of work comes about midday, and then we walk home, through this beautiful intricacy of a town to our cheap hotel beside the lake.

We should go our way with a curious contentment, for all that we were earning scarcely more than the minimum wage. We should have, of course, our uneasiness about the final decisions of that universal eye which has turned upon us, we should have those ridiculous sham numbers on our consciences; but that general restlessness, that brooding stress that pursues the weekly worker on earth, that aching anxiety that drives him so often to stupid betting, stupid drinking, and violent and mean offences will have vanished out of mortal experience.

Section 3

I should find myself contrasting my position with my preconceptions about a Utopian visit. I had always imagined myself as standing outside the general machinery of the State—in the distinguished visitors' gallery, as it were—and getting the new world in a series of comprehensive perspective views. But this Utopia, for all the sweeping floats of generalisation I do my best to maintain, is swallowing me up. I find myself going between my work and the room in which I sleep and the place in which I dine, very much as I went to and fro in that real world into which I fell five-and-forty years ago. I find about me mountains and horizons that limit my view, institutions that vanish also without an explanation, beyond the limit of sight, and a great complexity of things I do not understand and about which, to tell the truth, I do not formulate acute curiosities. People, very unrepresentative people, people just as casual as people in the real world, come into personal relations with us, and little threads of private and immediate interest spin themselves rapidly into a thickening grey veil across the general view. I lose the comprehensive interrogation of my first arrival; I find myself interested in the grain of the wood I work, in birds among the tree branches, in little irrelevant things, and it is only now and then that I get fairly back to the mood that takes all Utopia for its picture.

We spend our first surplus of Utopian money in the reorganisation of our wardrobes upon more Utopian lines; we develop acquaintance with several of our fellow workers, and of those who share our table at the inn. We pass insensibly into acquaintanceships and the beginnings of friendships. The World Utopia, I say, seems for a time to be swallowing me up. At the thought of detail it looms too big for me. The question of government, of its sustaining ideas, of race, and the wider future, hang like the arch of the sky over these daily incidents, very great indeed, but very remote. These people about me are everyday people, people not so very far from the minimum wage, accustomed much as the everyday people of earth are accustomed to take their world as they find it. Such enquiries as I attempt are pretty obviously a bore to them, pass outside their range as completely as Utopian speculation on earth outranges a stevedore or a member of Parliament or a working plumber. Even the little things of daily life interest them in a different way. So I get on with my facts and reasoning rather slowly. I find myself looking among the pleasant multitudes of the streets for types that promise congenial conversation.

My sense of loneliness is increased during this interlude by the better social success of the botanist. I find him presently falling into conversation with two women who are accustomed to sit at a table near our own. They wear the loose, coloured robes of soft material that are the usual wear of common adult Utopian women; they are both dark and sallow, and they affect amber and crimson in their garments. Their faces strike me as a little unintelligent, and there is a faint touch of middle-aged coquetry in their bearing that I do not like. Yet on earth we should consider them women of exceptional refinement. But the botanist evidently sees in this direction scope for the feelings that have wilted a little under my inattention, and he begins that petty intercourse of a word, of a slight civility, of vague enquiries and comparisons that leads at last to associations and confidences. Such superficial confidences, that is to say, as he finds satisfactory.

This throws me back upon my private observations.

The general effect of a Utopian population is vigour. Everyone one meets seems to be not only in good health but in training; one rarely meets fat people, bald people, or bent or grey. People who would be obese or bent and obviously aged on earth are here in good repair, and as a consequence the whole effect of a crowd is livelier and more invigorating than on earth. The dress is varied and graceful; that of the women reminds one most of the Italian fifteenth century; they have an abundance of soft and beautifully-coloured stuffs, and the clothes, even of the poorest, fit admirably. Their hair is very simply but very carefully and beautifully dressed, and except in very sunny weather they do not wear hats or bonnets. There is little difference in deportment between one class and another; they all are graceful and bear themselves with quiet dignity, and among a group of them a European woman of fashion in her lace and feathers, her hat and metal ornaments, her mixed accumulations of "trimmings," would look like a barbarian tricked out with the miscellaneous plunder of a museum. Boys and girls wear much the same sort of costume—brown leather shoes, then a sort of combination of hose and close-fitting trousers that reaches from toe to waist, and over this a beltless jacket fitting very well, or a belted tunic. Many slender women wear the same sort of costume. We should see them in it very often in such a place as Lucerne, as they returned from expeditions in the mountains. The older men would wear long robes very frequently, but the greater proportion of the men would go in variations of much the same costume as the children. There would certainly be hooded cloaks and umbrellas for rainy weather, high boots for mud and snow, and cloaks and coats and furry robes for the winter. There would be no doubt a freer use of colour than terrestrial Europe sees in these days, but the costume of the women at least would be soberer and more practical, and (in harmony with our discussion in the previous chapter) less differentiated from the men's.

But these, of course, are generalisations. These are the mere translation of the social facts we have hypotheticated into the language of costume. There will be a great variety of costume and no compulsions. The doubles of people who are naturally foppish on earth will be foppish in Utopia, and people who have no natural taste on earth will have inartistic equivalents. Everyone will not be quiet in tone, or harmonious, or beautiful. Occasionally, as I go through the streets to my work, I shall turn round to glance again at some robe shot with gold embroidery, some slashing of the sleeves, some eccentricity of cut, or some discord or untidiness. But these will be but transient flashes in a general flow of harmonious graciousness; dress will have scarcely any of that effect of disorderly conflict, of self-assertion qualified by the fear of ridicule, that it has in the crudely competitive civilisations of earth.

I shall have the seeker's attitude of mind during those few days at Lucerne. I shall become a student of faces. I shall be, as it were, looking for someone. I shall see heavy faces, dull faces, faces with an uncongenial animation, alien faces, and among these some with an immediate quality of appeal. I should see desirable men approaching me, and I should think; "Now, if I were to speak to you?" Many of these latter I should note wore the same clothing as the man who spoke to us at Wassen; I should begin to think of it as a sort of uniform....

Then I should see grave-faced girls, girls of that budding age when their bearing becomes delusively wise, and the old deception of my youth will recur to me; "Could you and I but talk together?" I should think. Women will pass me lightly, women with open and inviting faces, but they will not attract me, and there will come beautiful women, women with that touch of claustral preoccupation which forbids the thought of any near approach. They are private and secret, and I may not enter, I know, into their thoughts....

I go as often as I can to the seat by the end of old Kapelbrucke, and watch the people passing over.

I shall find a quality of dissatisfaction throughout all these days. I shall come to see this period more and more distinctly as a pause, as a waiting interlude, and the idea of an encounter with my double, which came at first as if it were a witticism, as something verbal and surprising, begins to take substance. The idea grows in my mind that after all this is the "someone" I am seeking, this Utopian self of mine. I had at first an idea of a grotesque encounter, as of something happening in a looking glass, but presently it dawns on me that my Utopian self must be a very different person from me. His training will be different, his mental content different. But between us there will be a strange link of essential identity, a sympathy, an understanding. I find the thing rising suddenly to a preponderance in my mind. I find the interest of details dwindling to the vanishing point. That I have come to Utopia is the lesser thing now; the greater is that I have come to meet myself.

I spend hours trying to imagine the encounter, inventing little dialogues. I go alone to the Bureau to find if any news has come to hand from the Great Index in Paris, but I am told to wait another twenty-four hours. I cease absolutely to be interested in anything else, except so far as it leads towards intercourse with this being who is to be at once so strangely alien and so totally mine.

Section 4

Wrapped up in these preoccupations as I am, it will certainly be the botanist who will notice the comparative absence of animals about us.

He will put it in the form of a temperate objection to the Utopian planet.

He is a professed lover of dogs and there are none. We have seen no horses and only one or two mules on the day of our arrival, and there seems not a cat in the world. I bring my mind round to his suggestion. "This follows," I say.

It is only reluctantly that I allow myself to be drawn from my secret musings into a discussion of Utopian pets.

I try to explain that a phase in the world's development is inevitable when a systematic world-wide attempt will be made to destroy for ever a great number of contagious and infectious diseases, and that this will involve, for a time at any rate, a stringent suppression of the free movement of familiar animals. Utopian houses, streets and drains will be planned and built to make rats, mice, and such-like house parasites impossible; the race of cats and dogs—providing, as it does, living fastnesses to which such diseases as plague, influenza, catarrhs and the like, can retreat to sally forth again—must pass for a time out of freedom, and the filth made by horses and the other brutes of the highway vanish from the face of the earth. These things make an old story to me, and perhaps explicitness suffers through my brevity.

My botanist fails altogether to grasp what the disappearance of diseases means. His mind has no imaginative organ of that compass. As I talk his mind rests on one fixed image. This presents what the botanist would probably call a "dear old doggie"—which the botanist would make believe did not possess any sensible odour—and it has faithful brown eyes and understands everything you say. The botanist would make believe it understood him mystically, and I figure his long white hand—which seems to me, in my more jaundiced moments, to exist entirely for picking things and holding a lens—patting its head, while the brute looked things unspeakable....

The botanist shakes his head after my explanation and says quietly, "I do not like your Utopia, if there are to be no dogs."

Perhaps that makes me a little malicious. Indeed I do not hate dogs, but I care ten thousand times more for a man than for all the brutes on the earth, and I can see, what the botanist I think cannot, that a life spent in the delightful atmosphere of many pet animals may have too dear a price....

I find myself back again at the comparison of the botanist and myself. There is a profound difference in our imaginations, and I wonder whether it is the consequence of innate character or of training and whether he is really the human type or I. I am not altogether without imagination, but what imagination I have has the most insistent disposition to square itself with every fact in the universe. It hypothesises very boldly, but on the other hand it will not gravely make believe. Now the botanist's imagination is always busy with the most impossible make-believe. That is the way with all children I know. But it seems to me one ought to pass out of it. It isn't as though the world was an untidy nursery; it is a place of splendours indescribable for all who will lift its veils. It may be he is essentially different from me, but I am much more inclined to think he is simply more childish. Always it is make-believe. He believes that horses are beautiful creatures for example, dogs are beautiful creatures, that some women are inexpressibly lovely, and he makes believe that this is always so. Never a word of criticism of horse or dog or woman! Never a word of criticism of his impeccable friends! Then there is his botany. He makes believe that all the vegetable kingdom is mystically perfect and exemplary, that all flowers smell deliciously and are exquisitely beautiful, that Drosera does not hurt flies very much, and that onions do not smell. Most of the universe does not interest this nature lover at all. But I know, and I am querulously incapable of understanding why everyone else does not know, that a horse is beautiful in one way and quite ugly in another, that everything has this shot-silk quality, and is all the finer for that. When people talk of a horse as an ugly animal I think of its beautiful moments, but when I hear a flow of indiscriminate praise of its beauty I think of such an aspect as one gets for example from a dog-cart, the fiddle-shaped back, and that distressing blade of the neck, the narrow clumsy place between the ears, and the ugly glimpse of cheek. There is, indeed, no beauty whatever save that transitory thing that comes and comes again; all beauty is really the beauty of expression, is really kinetic and momentary. That is true even of those triumphs of static endeavour achieved by Greece. The Greek temple, for example, is a barn with a face that at a certain angle of vision and in a certain light has a great calm beauty.

But where are we drifting? All such things, I hold, are cases of more and less, and of the right moment and the right aspect, even the things I most esteem. There is no perfection, there is no enduring treasure. This pet dog's beautiful affection, I say, or this other sensuous or imaginative delight, is no doubt good, but it can be put aside if it is incompatible with some other and wider good. You cannot focus all good things together.

All right action and all wise action is surely sound judgment and courageous abandonment in the matter of such incompatibilities. If I cannot imagine thoughts and feelings in a dog's brain that cannot possibly be there, at least I can imagine things in the future of men that might be there had we the will to demand them....

"I don't like this Utopia," the botanist repeats. "You don't understand about dogs. To me they're human beings—and more! There used to be such a jolly old dog at my aunt's at Frognal when I was a boy——"

But I do not heed his anecdote. Something—something of the nature of conscience—has suddenly jerked back the memory of that beer I drank at Hospenthal, and puts an accusing finger on the memory.

I never have had a pet animal, I confess, though I have been fairly popular with kittens. But with regard to a certain petting of myself——?

Perhaps I was premature about that beer. I have had no pet animals, but I perceive if the Modern Utopia is going to demand the sacrifice of the love of animals, which is, in its way, a very fine thing indeed, so much the more readily may it demand the sacrifice of many other indulgences, some of which are not even fine in the lowest degree.

It is curious this haunting insistence upon sacrifice and discipline!

It is slowly becoming my dominant thought that the sort of people whose will this Utopia embodies must be people a little heedless of small pleasures. You cannot focus all good things at the same time. That is my chief discovery in these meditations at Lucerne. Much of the rest of this Utopia I had in a sort of way anticipated, but not this. I wonder if I shall see my Utopian self for long and be able to talk to him freely....

We lie in the petal-strewn grass under some Judas trees beside the lake shore, as I meander among these thoughts, and each of us, disregardful of his companion, follows his own associations.

"Very remarkable," I say, discovering that the botanist has come to an end with his story of that Frognal dog.

"You'd wonder how he knew," he says.

"You would."

I nibble a green blade.

"Do you realise quite," I ask, "that within a week we shall face our Utopian selves and measure something of what we might have been?"

The botanist's face clouds. He rolls over, sits up abruptly and puts his lean hands about his knees.

"I don't like to think about it," he says. "What is the good of reckoning ... might have beens?"

Section 5

It is pleasant to think of one's puzzling the organised wisdom of so superior a planet as this Utopia, this moral monster State my Frankenstein of reasoning has made, and to that pitch we have come. When we are next in the presence of our Lucerne official, he has the bearing of a man who faces a mystification beyond his powers, an incredible disarrangement of the order of Nature. Here, for the first time in the records of Utopian science, are two cases—not simply one but two, and these in each other's company!—of duplicated thumb-marks. This, coupled with a cock-and-bull story of an instantaneous transfer from some planet unknown to Utopian astronomy. That he and all his world exists only upon a hypothesis that would explain everyone of these difficulties absolutely, is scarcely likely to occur to his obviously unphilosophic mind.

The official eye is more eloquent than the official lips and asks almost urgently, "What in this immeasurable universe have you managed to do to your thumbs? And why?" But he is only a very inferior sort of official indeed, a mere clerk of the post, and he has all the guarded reserve of your thoroughly unoriginal man. "You are not the two persons I ascertained you were," he says, with the note of one resigned to communion with unreason; "because you"—he indicates me—"are evidently at your residence in London." I smile. "That gentleman"—he points a pen at the botanist in a manner that is intended to dismiss my smile once for all—"will be in London next week. He will be returning next Friday from a special mission to investigate the fungoid parasites that have been attacking the cinchona trees in Ceylon."

The botanist blesses his heart.

"Consequently"—the official sighs at the burthen of such nonsense, "you will have to go and consult with—the people you ought to be."

I betray a faint amusement.

"You will have to end by believing in our planet," I say.

He waggles a negation with his head. He would intimate his position is too responsible a one for jesting, and both of us in our several ways enjoy the pleasure we poor humans have in meeting with intellectual inferiority. "The Standing Committee of Identification," he says, with an eye on a memorandum, "has remitted your case to the Research Professor of Anthropology in the University of London, and they want you to go there, if you will, and talk to him."

"What else can we do?" says the botanist.

"There's no positive compulsion," he remarks, "but your work here will probably cease. Here——" he pushed the neat slips of paper towards us—"are your tickets for London, and a small but sufficient supply of money,"—he indicates two piles of coins and paper on either hand of him—"for a day or so there." He proceeds in the same dry manner to inform us we are invited to call at our earliest convenience upon our doubles, and upon the Professor, who is to investigate our case.

"And then?"

He pulls down the corners of his mouth in a wry deprecatory smile, eyes us obliquely under a crumpled brow, shrugs his shoulders, and shows us the palms of his hands.

On earth, where there is nationality, this would have been a Frenchman—the inferior sort of Frenchman—the sort whose only happiness is in the routine security of Government employment.

Section 6

London will be the first Utopian city centre we shall see.

We shall find ourselves there with not a little amazement. It will be our first experience of the swift long distance travel of Utopia, and I have an idea—I know not why—that we should make the journey by night. Perhaps I think so because the ideal of long-distance travel is surely a restful translation less suitable for the active hours.

We shall dine and gossip and drink coffee at the pretty little tables under the lantern-lit trees, we shall visit the theatre, and decide to sup in the train, and so come at last to the station. There we shall find pleasant rooms with seats and books—luggage all neatly elsewhere—and doors that we shall imagine give upon a platform. Our cloaks and hats and such-like outdoor impedimenta will be taken in the hall and neatly labelled for London, we shall exchange our shoes for slippers there, and we shall sit down like men in a club. An officious little bell will presently call our attention to a label "London" on the doorway, and an excellent phonograph will enforce that notice with infinite civility. The doors will open, and we shall walk through into an equally comfortable gallery.

"Where is the train for London?" we shall ask a uniformed fellow Utopian.

"This is the train for London," he will say.

There will be a shutting of doors, and the botanist and I, trying not to feel too childish, will walk exploring through the capacious train.

The resemblance to a club will strike us both. "A good club," the botanist will correct me.

When one travels beyond a certain speed, there is nothing but fatigue in looking out of a window, and this corridor train, twice the width of its poor terrestrial brother, will have no need of that distraction. The simple device of abandoning any but a few windows, and those set high, gives the wall space of the long corridors to books; the middle part of the train is indeed a comfortable library with abundant armchairs and couches, each with its green-shaded light, and soft carpets upon the soundproof floor. Further on will be a news-room, with a noiseless but busy tape at one corner, printing off messages from the wires by the wayside, and further still, rooms for gossip and smoking, a billiard room, and the dining car. Behind we shall come to bedrooms, bathrooms, the hairdresser, and so forth.

"When shall we start?" I ask presently, as we return, rather like bashful yokels, to the library, and the old gentleman reading the Arabian Nights in the armchair in the corner glances up at me with a sudden curiosity.

The botanist touches my arm and nods towards a pretty little lead-paned window, through which we see a village sleeping under cloudy moonlight go flashing by. Then a skylit lake, and then a string of swaying lights, gone with the leap of a camera shutter.

Two hundred miles an hour!

We resort to a dignified Chinese steward and secure our berths. It is perhaps terrestrial of us that we do not think of reading the Utopian literature that lines the middle part of the train. I find a bed of the simple Utopian pattern, and lie for a time thinking—quite tranquilly—of this marvellous adventure.

I wonder why it is that to lie securely in bed, with the light out, seems ever the same place, wherever in space one may chance to be? And asleep, there is no space for us at all. I become drowsy and incoherent and metaphysical....

The faint and fluctuating drone of the wheels below the car, re-echoed by the flying track, is more perceptible now, but it is not unpleasantly loud, merely a faint tinting of the quiet....

No sea crossing breaks our journey; there is nothing to prevent a Channel tunnel in that other planet; and I wake in London.

The train has been in London some time when I awake, for these marvellous Utopians have discovered that it is not necessary to bundle out passengers from a train in the small hours, simply because they have arrived. A Utopian train is just a peculiar kind of hotel corridor that flies about the earth while one sleeps.

Section 7

How will a great city of Utopia strike us?

To answer that question well one must needs be artist and engineer, and I am neither. Moreover, one must employ words and phrases that do not exist, for this world still does not dream of the things that may be done with thought and steel, when the engineer is sufficiently educated to be an artist, and the artistic intelligence has been quickened to the accomplishment of an engineer. How can one write of these things for a generation which rather admires that inconvenient and gawky muddle of ironwork and Flemish architecture, the London Tower Bridge. When before this, temerarious anticipators have written of the mighty buildings that might someday be, the illustrator has blended with the poor ineffectual splutter of the author's words, his powerful suggestion that it amounted simply to something bulbous, florid and fluent in the vein of the onion, and L'Art Nouveau. But here, it may be, the illustrator will not intervene.

Art has scarcely begun in the world.

There have been a few forerunners and that is all. Leonardo, Michael Angelo; how they would have exulted in the liberties of steel! There are no more pathetic documents in the archives of art than Leonardo's memoranda. In these, one sees him again and again reaching out as it were, with empty desirous hands, towards the unborn possibilities of the engineer. And Durer, too, was a Modern, with the same turn towards creative invention. In our times these men would have wanted to make viaducts, to bridge wild and inaccessible places, to cut and straddle great railways athwart the mountain masses of the world. You can see, time after time, in Durer's work, as you can see in the imaginary architectural landscape of the Pompeian walls, the dream of structures, lighter and bolder than stone or brick can yield.... These Utopian town buildings will be the realisation of such dreams.

Here will be one of the great meeting places of mankind. Here—I speak of Utopian London—will be the traditional centre of one of the great races in the commonalty of the World State—and here will be its social and intellectual exchange. There will be a mighty University here, with thousands of professors and tens of thousands of advanced students, and here great journals of thought and speculation, mature and splendid books of philosophy and science, and a glorious fabric of literature will be woven and shaped, and with a teeming leisureliness, put forth. Here will be stupendous libraries, and a mighty organisation of museums. About these centres will cluster a great swarm of people, and close at hand will be another centre, for I who am an Englishman must needs stipulate that Westminster shall still be a seat of world Empire, one of several seats, if you will—where the ruling council of the world assembles. Then the arts will cluster round this city, as gold gathers about wisdom, and here Englishmen will weave into wonderful prose and beautiful rhythms and subtly atmospheric forms, the intricate, austere and courageous imagination of our race.

One will come into this place as one comes into a noble mansion. They will have flung great arches and domes of glass above the wider spaces of the town, the slender beauty of the perfect metal-work far overhead will be softened to a fairy-like unsubstantiality by the mild London air. It will be the London air we know, clear of filth and all impurity, the same air that gives our October days their unspeakable clarity and makes every London twilight mysteriously beautiful. We shall go along avenues of architecture that will be emancipated from the last memories of the squat temple boxes of the Greek, the buxom curvatures of Rome; the Goth in us will have taken to steel and countless new materials as kindly as once he took to stone. The gay and swiftly moving platforms of the public ways will go past on either hand, carrying sporadic groups of people, and very speedily we shall find ourselves in a sort of central space, rich with palms and flowering bushes and statuary. We shall look along an avenue of trees, down a wide gorge between the cliffs of crowded hotels, the hotels that are still glowing with internal lights, to where the shining morning river streams dawnlit out to sea.

Great multitudes of people will pass softly to and fro in this central space, beautiful girls and youths going to the University classes that are held in the stately palaces about us, grave and capable men and women going to their businesses, children meandering along to their schools, holiday makers, lovers, setting out upon a hundred quests; and here we shall ask for the two we more particularly seek. A graceful little telephone kiosk will put us within reach of them, and with a queer sense of unreality I shall find myself talking to my Utopian twin. He has heard of me, he wants to see me and he gives me clear directions how to come to him.

I wonder if my own voice sounds like that.

"Yes," I say, "then I will come as soon as we have been to our hotel."

We indulge in no eloquence upon this remarkable occasion. Yet I feel an unusual emotional stir. I tremble greatly, and the telephonic mouthpiece rattles as I replace it.

And thence the botanist and I walk on to the apartments that have been set aside for us, and into which the poor little rolls of the property that has accumulated about us in Utopia, our earthly raiment, and a change of linen and the like, have already been delivered. As we go I find I have little to say to my companion, until presently I am struck by a transitory wonder that he should have so little to say to me.

"I can still hardly realise," I say, "that I am going to see myself—as I might have been."

"No," he says, and relapses at once into his own preoccupation.

For a moment my wonder as to what he should be thinking about brings me near to a double self-forgetfulness.

I realise we are at the entrance of our hotel before I can formulate any further remark.

"This is the place," I say.



CHAPTER THE EIGHTH

My Utopian Self

Section 1

It falls to few of us to interview our better selves. My Utopian self is, of course, my better self—according to my best endeavours—and I must confess myself fully alive to the difficulties of the situation. When I came to this Utopia I had no thought of any such intimate self-examination.

The whole fabric of that other universe sways for a moment as I come into his room, into his clear and ordered work-room. I am trembling. A figure rather taller than myself stands against the light.

He comes towards me, and I, as I advance to meet him, stumble against a chair. Then, still without a word, we are clasping hands.

I stand now so that the light falls upon him, and I can see his face better. He is a little taller than I, younger looking and sounder looking; he has missed an illness or so, and there is no scar over his eye. His training has been subtly finer than mine; he has made himself a better face than mine.... These things I might have counted upon. I can fancy he winces with a twinge of sympathetic understanding at my manifest inferiority. Indeed, I come, trailing clouds of earthly confusion and weakness; I bear upon me all the defects of my world. He wears, I see, that white tunic with the purple band that I have already begun to consider the proper Utopian clothing for grave men, and his face is clean shaven. We forget to speak at first in the intensity of our mutual inspection. When at last I do gain my voice it is to say something quite different from the fine, significant openings of my premeditated dialogues.

"You have a pleasant room," I remark, and look about a little disconcerted because there is no fireplace for me to put my back against, or hearthrug to stand upon. He pushes me a chair, into which I plump, and we hang over an immensity of conversational possibilities.

"I say," I plunge, "what do you think of me? You don't think I'm an impostor?"

"Not now that I have seen you. No."

"Am I so like you?"

"Like me and your story—exactly."

"You haven't any doubt left?" I ask.

"Not in the least, since I saw you enter. You come from the world beyond Sirius, twin to this. Eh?"

"And you don't want to know how I got here?"

"I've ceased even to wonder how I got here," he says, with a laugh that echoes mine.

He leans back in his chair, and I in mine, and the absurd parody of our attitude strikes us both.

"Well?" we say, simultaneously, and laugh together.

I will confess this meeting is more difficult even than I anticipated.

Section 2

Our conversation at that first encounter would do very little to develop the Modern Utopia in my mind. Inevitably, it would be personal and emotional. He would tell me how he stood in his world, and I how I stood in mine. I should have to tell him things, I should have to explain things——.

No, the conversation would contribute nothing to a modern Utopia.

And so I leave it out.

Section 3

But I should go back to my botanist in a state of emotional relaxation. At first I should not heed the fact that he, too, had been in some manner stirred. "I have seen him," I should say, needlessly, and seem to be on the verge of telling the untellable. Then I should fade off into: "It's the strangest thing."

He would interrupt me with his own preoccupation. "You know," he would say, "I've seen someone."

I should pause and look at him.

"She is in this world," he says.

"Who is in this world?"

"Mary!"

I have not heard her name before, but I understand, of course, at once.

"I saw her," he explains.

"Saw her?"

"I'm certain it was her. Certain. She was far away across those gardens near here—and before I had recovered from my amazement she had gone! But it was Mary."

He takes my arm. "You know I did not understand this," he says. "I did not really understand that when you said Utopia, you meant I was to meet her—in happiness."

"I didn't."

"It works out at that."

"You haven't met her yet."

"I shall. It makes everything different. To tell you the truth I've rather hated this Utopia of yours at times. You mustn't mind my saying it, but there's something of the Gradgrind——"

Probably I should swear at that.

"What?" he says.

"Nothing."

"But you spoke?"

"I was purring. I'm a Gradgrind—it's quite right—anything you can say about Herbert Spencer, vivisectors, materialistic Science or Atheists, applies without correction to me. Begbie away! But now you think better of a modern Utopia? Was the lady looking well?"

"It was her real self. Yes. Not the broken woman I met—in the real world."

"And as though she was pining for you."

He looks puzzled.

"Look there!" I say.

He looks.

We are standing high above the ground in the loggia into which our apartments open, and I point across the soft haze of the public gardens to a tall white mass of University buildings that rises with a free and fearless gesture, to lift saluting pinnacles against the clear evening sky. "Don't you think that rather more beautiful than—say—our National Gallery?"

He looks at it critically. "There's a lot of metal in it," he objects. "What?"

I purred. "But, anyhow, whatever you can't see in that, you can, I suppose, see that it is different from anything in your world—it lacks the kindly humanity of a red-brick Queen Anne villa residence, with its gables and bulges, and bow windows, and its stained glass fanlight, and so forth. It lacks the self-complacent unreasonableness of Board of Works classicism. There's something in its proportions—as though someone with brains had taken a lot of care to get it quite right, someone who not only knew what metal can do, but what a University ought to be, somebody who had found the Gothic spirit enchanted, petrified, in a cathedral, and had set it free."

"But what has this," he asks, "to do with her?"

"Very much," I say. "This is not the same world. If she is here, she will be younger in spirit and wiser. She will be in many ways more refined——"

"No one——" he begins, with a note of indignation.

"No, no! She couldn't be. I was wrong there. But she will be different. Grant that at any rate. When you go forward to speak to her, she may not remember—very many things you may remember. Things that happened at Frognal—dear romantic walks through the Sunday summer evenings, practically you two alone, you in your adolescent silk hat and your nice gentlemanly gloves.... Perhaps that did not happen here! And she may have other memories—of things—that down there haven't happened. You noted her costume. She wasn't by any chance one of the samurai?"

He answers, with a note of satisfaction, "No! She wore a womanly dress of greyish green."

"Probably under the Lesser Rule."

"I don't know what you mean by the Lesser Rule. She wasn't one of the samurai."

"And, after all, you know—I keep on reminding you, and you keep on losing touch with the fact, that this world contains your double."

He pales, and his countenance is disturbed. Thank Heaven, I've touched him at last!

"This world contains your double. But, conceivably, everything may be different here. The whole romantic story may have run a different course. It was as it was in our world, by the accidents of custom and proximity. Adolescence is a defenceless plastic period. You are a man to form great affections,—noble, great affections. You might have met anyone almost at that season and formed the same attachment."

For a time he is perplexed and troubled by this suggestion.

"No," he says, a little doubtfully. "No. It was herself." ... Then, emphatically, "No!"

Section 4

For a time we say no more, and I fall musing about my strange encounter with my Utopian double. I think of the confessions I have just made to him, the strange admissions both to him and myself. I have stirred up the stagnations of my own emotional life, the pride that has slumbered, the hopes and disappointments that have not troubled me for years. There are things that happened to me in my adolescence that no discipline of reason will ever bring to a just proportion for me, the first humiliations I was made to suffer, the waste of all the fine irrecoverable loyalties and passions of my youth. The dull base caste of my little personal tragi-comedy—I have ostensibly forgiven, I have for the most part forgotten—and yet when I recall them I hate each actor still. Whenever it comes into my mind—I do my best to prevent it—there it is, and these detestable people blot out the stars for me.

I have told all that story to my double, and he has listened with understanding eyes. But for a little while those squalid memories will not sink back into the deeps.

We lean, side by side, over our balcony, lost in such egotistical absorptions, quite heedless of the great palace of noble dreams to which our first enterprise has brought us.

Section 5

I can understand the botanist this afternoon; for once we are in the same key. My own mental temper has gone for the day, and I know what it means to be untempered. Here is a world and a glorious world, and it is for me to take hold of it, to have to do with it, here and now, and behold! I can only think that I am burnt and scarred, and there rankles that wretched piece of business, the mean unimaginative triumph of my antagonist——

I wonder how many men have any real freedom of mind, are, in truth, unhampered by such associations, to whom all that is great and noble in life does not, at times at least, if not always, seem secondary to obscure rivalries and considerations, to the petty hates that are like germs in the blood, to the lust for self-assertion, to dwarfish pride, to affections they gave in pledge even before they were men.

The botanist beside me dreams, I know, of vindications for that woman.

All this world before us, and its order and liberty, are no more than a painted scene before which he is to meet Her at last, freed from "that scoundrel."

He expects "that scoundrel" really to be present and, as it were, writhing under their feet....

I wonder if that man was a scoundrel. He has gone wrong on earth, no doubt, has failed and degenerated, but what was it sent him wrong? Was his failure inherent, or did some net of cross purposes tangle about his feet? Suppose he is not a failure in Utopia!...

I wonder that this has never entered the botanist's head.

He, with his vaguer mind, can overlook—spite of my ruthless reminders—all that would mar his vague anticipations. That, too, if I suggested it, he would overcome and disregard. He has the most amazing power of resistance to uncongenial ideas; amazing that is, to me. He hates the idea of meeting his double, and consequently so soon as I cease to speak of that, with scarcely an effort of his will, it fades again from his mind.

Down below in the gardens two children pursue one another, and one, near caught, screams aloud and rouses me from my reverie.

I follow their little butterfly antics until they vanish beyond a thicket of flowering rhododendra, and then my eyes go back to the great facade of the University buildings.

But I am in no mood to criticise architecture.

Why should a modern Utopia insist upon slipping out of the hands of its creator and becoming the background of a personal drama—of such a silly little drama?

The botanist will not see Utopia in any other way. He tests it entirely by its reaction upon the individual persons and things he knows; he dislikes it because he suspects it of wanting to lethal chamber his aunt's "dear old doggie," and now he is reconciled to it because a certain "Mary" looks much younger and better here than she did on earth. And here am I, near fallen into the same way of dealing!

We agreed to purge this State and all the people in it of traditions, associations, bias, laws, and artificial entanglements, and begin anew; but we have no power to liberate ourselves. Our past, even its accidents, its accidents above all, and ourselves, are one.



CHAPTER THE NINTH

The Samurai

Section 1

Neither my Utopian double nor I love emotion sufficiently to cultivate it, and my feelings are in a state of seemly subordination when we meet again. He is now in possession of some clear, general ideas about my own world, and I can broach almost at once the thoughts that have been growing and accumulating since my arrival in this planet of my dreams. We find our interest in a humanised state-craft, makes us, in spite of our vast difference in training and habits, curiously akin.

I put it to him that I came to Utopia with but very vague ideas of the method of government, biassed, perhaps, a little in favour of certain electoral devices, but for the rest indeterminate, and that I have come to perceive more and more clearly that the large intricacy of Utopian organisation demands more powerful and efficient method of control than electoral methods can give. I have come to distinguish among the varied costumes and the innumerable types of personality Utopia presents, certain men and women of a distinctive costume and bearing, and I know now that these people constitute an order, the samurai, the "voluntary nobility," which is essential in the scheme of the Utopian State. I know that this order is open to every physically and mentally healthy adult in the Utopian State who will observe its prescribed austere rule of living, that much of the responsible work of the State is reserved for it, and I am inclined now at the first onset of realisation to regard it as far more significant than it really is in the Utopian scheme, as being, indeed, in itself and completely the Utopian scheme. My predominant curiosity concerns the organisation of this order. As it has developed in my mind, it has reminded me more and more closely of that strange class of guardians which constitutes the essential substance of Plato's Republic, and it is with an implicit reference to Plato's profound intuitions that I and my double discuss this question.

To clarify our comparison he tells me something of the history of Utopia, and incidentally it becomes necessary to make a correction in the assumptions upon which I have based my enterprise. We are assuming a world identical in every respect with the real planet Earth, except for the profoundest differences in the mental content of life. This implies a different literature, a different philosophy, and a different history, and so soon as I come to talk to him I find that though it remains unavoidable that we should assume the correspondence of the two populations, man for man—unless we would face unthinkable complications—we must assume also that a great succession of persons of extraordinary character and mental gifts, who on earth died in childhood or at birth, or who never learnt to read, or who lived and died amidst savage or brutalising surroundings that gave their gifts no scope, did in Utopia encounter happier chances, and take up the development and application of social theory—from the time of the first Utopists in a steady onward progress down to the present hour. [Footnote: One might assume as an alternative to this that amidst the four-fifths of the Greek literature now lost to the world, there perished, neglected, some book of elementary significance, some earlier Novum Organum, that in Utopia survived to achieve the profoundest consequences.] The differences of condition, therefore, had widened with each successive year. Jesus Christ had been born into a liberal and progressive Roman Empire that spread from the Arctic Ocean to the Bight of Benin, and was to know no Decline and Fall, and Mahomet, instead of embodying the dense prejudices of Arab ignorance, opened his eyes upon an intellectual horizon already nearly as wide as the world.

And through this empire the flow of thought, the flow of intention, poured always more abundantly. There were wars, but they were conclusive wars that established new and more permanent relations, that swept aside obstructions, and abolished centres of decay; there were prejudices tempered to an ordered criticism, and hatreds that merged at last in tolerant reactions. It was several hundred years ago that the great organisation of the samurai came into its present form. And it was this organisation's widely sustained activities that had shaped and established the World State in Utopia.

This organisation of the samurai was a quite deliberate invention. It arose in the course of social and political troubles and complications, analogous to those of our own time on earth, and was, indeed, the last of a number of political and religious experiments dating back to the first dawn of philosophical state-craft in Greece. That hasty despair of specialisation for government that gave our poor world individualism, democratic liberalism, and anarchism, and that curious disregard of the fund of enthusiasm and self-sacrifice in men, which is the fundamental weakness of worldly economics, do not appear in the history of Utopian thought. All that history is pervaded with the recognition of the fact that self-seeking is no more the whole of human life than the satisfaction of hunger; that it is an essential of a man's existence no doubt, and that under stress of evil circumstances it may as entirely obsess him as would the food hunt during famine, but that life may pass beyond to an illimitable world of emotions and effort. Every sane person consists of possibilities beyond the unavoidable needs, is capable of disinterested feeling, even if it amounts only to enthusiasm for a sport or an industrial employment well done, for an art, or for a locality or class. In our world now, as in the Utopian past, this impersonal energy of a man goes out into religious emotion and work, into patriotic effort, into artistic enthusiasms, into games and amateur employments, and an enormous proportion of the whole world's fund of effort wastes itself in religious and political misunderstandings and conflicts, and in unsatisfying amusements and unproductive occupations. In a modern Utopia there will, indeed, be no perfection; in Utopia there must also be friction, conflicts and waste, but the waste will be enormously less than in our world. And the co-ordination of activities this relatively smaller waste will measure, will be the achieved end for which the order of the samurai was first devised.

Inevitably such an order must have first arisen among a clash of social forces and political systems as a revolutionary organisation. It must have set before itself the attainment of some such Utopian ideal as this modern Utopia does, in the key of mortal imperfection, realise. At first it may have directed itself to research and discussion, to the elaboration of its ideal, to the discussion of a plan of campaign, but at some stage it must have assumed a more militant organisation, and have prevailed against and assimilated the pre-existing political organisations, and to all intents and purposes have become this present synthesised World State. Traces of that militancy would, therefore, pervade it still, and a campaigning quality—no longer against specific disorders, but against universal human weaknesses, and the inanimate forces that trouble man—still remain as its essential quality.

"Something of this kind," I should tell my double, "had arisen in our thought"—I jerk my head back to indicate an infinitely distant planet—"just before I came upon these explorations. The idea had reached me, for example, of something to be called a New Republic, which was to be in fact an organisation for revolution something after the fashion of your samurai, as I understand them—only most of the organisation and the rule of life still remained to be invented. All sorts of people were thinking of something in that way about the time of my coming. The idea, as it reached me, was pretty crude in several respects. It ignored the high possibility of a synthesis of languages in the future; it came from a literary man, who wrote only English, and, as I read him—he was a little vague in his proposals—it was to be a purely English-speaking movement. And his ideas were coloured too much by the peculiar opportunism of his time; he seemed to have more than half an eye for a prince or a millionaire of genius; he seemed looking here and there for support and the structural elements of a party. Still, the idea of a comprehensive movement of disillusioned and illuminated men behind the shams and patriotisms, the spites and personalities of the ostensible world was there."

I added some particulars.

"Our movement had something of that spirit in the beginning," said my Utopian double. "But while your men seem to be thinking disconnectedly, and upon a very narrow and fragmentary basis of accumulated conclusions, ours had a fairly comprehensive science of human association, and a very careful analysis of the failures of preceding beginnings to draw upon. After all, your world must be as full as ours was of the wreckage and decay of previous attempts; churches, aristocracies, orders, cults...."

"Only at present we seem to have lost heart altogether, and now there are no new religions, no new orders, no new cults—no beginnings any more."

"But that's only a resting phase, perhaps. You were saying——"

"Oh!—let that distressful planet alone for a time! Tell me how you manage in Utopia."

Section 2

The social theorists of Utopia, my double explained, did not base their schemes upon the classification of men into labour and capital, the landed interest, the liquor trade, and the like. They esteemed these as accidental categories, indefinitely amenable to statesmanship, and they looked for some practical and real classification upon which to base organisation. [Footnote: In that they seem to have profited by a more searching criticism of early social and political speculations than our earth has yet undertaken. The social speculations of the Greeks, for example, had just the same primary defect as the economic speculations of the eighteenth century—they began with the assumption that the general conditions of the prevalent state of affairs were permanent.] But, on the other hand, the assumption that men are unclassifiable, because practically homogeneous, which underlies modern democratic methods and all the fallacies of our equal justice, is even more alien to the Utopian mind. Throughout Utopia there is, of course, no other than provisional classifications, since every being is regarded as finally unique, but for political and social purposes things have long rested upon a classification of temperaments, which attends mainly to differences in the range and quality and character of the individual imagination.

This Utopian classification was a rough one, but it served its purpose to determine the broad lines of political organisation; it was so far unscientific that many individuals fall between or within two or even three of its classes. But that was met by giving the correlated organisation a compensatory looseness of play. Four main classes of mind were distinguished, called, respectively, the Poietic, the Kinetic, the Dull, and the Base. The former two are supposed to constitute the living tissue of the State; the latter are the fulcra and resistances, the bone and cover of its body. They are not hereditary classes, nor is there any attempt to develop any class by special breeding, simply because the intricate interplay of heredity is untraceable and incalculable. They are classes to which people drift of their own accord. Education is uniform until differentiation becomes unmistakable, and each man (and woman) must establish his position with regard to the lines of this abstract classification by his own quality, choice, and development....

The Poietic or creative class of mental individuality embraces a wide range of types, but they agree in possessing imaginations that range beyond the known and accepted, and that involve the desire to bring the discoveries made in such excursions, into knowledge and recognition. The scope and direction of the imaginative excursion may vary very greatly. It may be the invention of something new or the discovery of something hitherto unperceived. When the invention or discovery is primarily beauty then we have the artistic type of Poietic mind; when it is not so, we have the true scientific man. The range of discovery may be narrowed as it is in the art of Whistler or the science of a cytologist, or it may embrace a wide extent of relevance, until at last both artist or scientific inquirer merge in the universal reference of the true philosopher. To the accumulated activities of the Poietic type, reacted upon by circumstances, are due almost all the forms assumed by human thought and feeling. All religious ideas, all ideas of what is good or beautiful, entered life through the poietic inspirations of man. Except for processes of decay, the forms of the human future must come also through men of this same type, and it is a primary essential to our modern idea of an abundant secular progress that these activities should be unhampered and stimulated.

The Kinetic class consists of types, various, of course, and merging insensibly along the boundary into the less representative constituents of the Poietic group, but distinguished by a more restricted range of imagination. Their imaginations do not range beyond the known, experienced, and accepted, though within these limits they may imagine as vividly or more vividly than members of the former group. They are often very clever and capable people, but they do not do, and they do not desire to do, new things. The more vigorous individuals of this class are the most teachable people in the world, and they are generally more moral and more trustworthy than the Poietic types. They live,—while the Poietics are always something of experimentalists with life. The characteristics of either of these two classes may be associated with a good or bad physique, with excessive or defective energy, with exceptional keenness of the senses in some determinate direction or such-like "bent," and the Kinetic type, just as the Poietic type, may display an imagination of restricted or of the most universal range. But a fairly energetic Kinetic is probably the nearest thing to that ideal our earthly anthropologists have in mind when they speak of the "Normal" human being. The very definition of the Poietic class involves a certain abnormality.

The Utopians distinguished two extremes of this Kinetic class according to the quality of their imaginative preferences, the Dan and Beersheba, as it were, of this division. At one end is the mainly intellectual, unoriginal type, which, with energy of personality, makes an admirable judge or administrator and without it an uninventive, laborious, common mathematician, or common scholar, or common scientific man; while at the other end is the mainly emotional, unoriginal man, the type to which—at a low level of personal energy—my botanist inclines. The second type includes, amidst its energetic forms, great actors, and popular politicians and preachers. Between these extremes is a long and wide region of varieties, into which one would put most of the people who form the reputable workmen, the men of substance, the trustworthy men and women, the pillars of society on earth.

Below these two classes in the Utopian scheme of things, and merging insensibly into them, come the Dull. The Dull are persons of altogether inadequate imagination, the people who never seem to learn thoroughly, or hear distinctly, or think clearly. (I believe if everyone is to be carefully educated they would be considerably in the minority in the world, but it is quite possible that will not be the reader's opinion. It is clearly a matter of an arbitrary line.) They are the stupid people, the incompetent people, the formal, imitative people, the people who, in any properly organised State, should, as a class, gravitate towards and below the minimum wage that qualifies for marriage. The laws of heredity are far too mysterious for such offspring as they do produce to be excluded from a fair chance in the world, but for themselves, they count neither for work nor direction in the State.

Finally, with a bold disregard of the logician's classificatory rules, these Utopian statesmen who devised the World State, hewed out in theory a class of the Base. The Base may, indeed, be either poietic, kinetic, or dull, though most commonly they are the last, and their definition concerns not so much the quality of their imagination as a certain bias in it, that to a statesman makes it a matter for special attention. The Base have a narrower and more persistent egoistic reference than the common run of humanity; they may boast, but they have no frankness; they have relatively great powers of concealment, and they are capable of, and sometimes have an aptitude and inclination towards, cruelty. In the queer phrasing of earthly psychology with its clumsy avoidance of analysis, they have no "moral sense." They count as an antagonism to the State organisation.

Obviously, this is the rudest of classifications, and no Utopian has ever supposed it to be a classification for individual application, a classification so precise that one can say, this man is "poietic," and that man is "base." In actual experience these qualities mingle and vary in every possible way. It is not a classification for Truth, but a classification to an end. Taking humanity as a multitude of unique individuals in mass, one may, for practical purposes, deal with it far more conveniently by disregarding its uniquenesses and its mixed cases altogether, and supposing it to be an assembly of poietic, kinetic, dull, and base people. In many respects it behaves as if it were that. The State, dealing as it does only with non-individualised affairs, is not only justified in disregarding, but is bound to disregard, a man's special distinction, and to provide for him on the strength of his prevalent aspect as being on the whole poietic, kinetic, or what not. In a world of hasty judgments and carping criticism, it cannot be repeated too often that the fundamental ideas of a modern Utopia imply everywhere and in everything, margins and elasticities, a certain universal compensatory looseness of play.

Section 3

Now these Utopian statesmen who founded the World State put the problem of social organisation in the following fashion:—To contrive a revolutionary movement that shall absorb all existing governments and fuse them with itself, and that must be rapidly progressive and adaptable, and yet coherent, persistent, powerful, and efficient.

The problem of combining progress with political stability had never been accomplished in Utopia before that time, any more than it has been accomplished on earth. Just as on earth, Utopian history was a succession of powers rising and falling in an alternation of efficient conservative with unstable liberal States. Just as on earth, so in Utopia, the kinetic type of men had displayed a more or less unintentional antagonism to the poietic. The general life-history of a State had been the same on either planet. First, through poietic activities, the idea of a community has developed, and the State has shaped itself; poietic men have arisen first in this department of national life, and then that, and have given place to kinetic men of a high type—for it seems to be in their nature that poietic men should be mutually repulsive, and not succeed and develop one another consecutively—and a period of expansion and vigour has set in. The general poietic activity has declined with the development of an efficient and settled social and political organisation; the statesman has given way to the politician who has incorporated the wisdom of the statesman with his own energy, the original genius in arts, letters, science, and every department of activity to the cultivated and scholarly man. The kinetic man of wide range, who has assimilated his poietic predecessor, succeeds with far more readiness than his poietic contemporary in almost every human activity. The latter is by his very nature undisciplined and experimental, and is positively hampered by precedents and good order. With this substitution of the efficient for the creative type, the State ceases to grow, first in this department of activity, and then in that, and so long as its conditions remain the same it remains orderly and efficient. But it has lost its power of initiative and change; its power of adaptation is gone, and with that secular change of conditions which is the law of life, stresses must arise within and without, and bring at last either through revolution or through defeat the release of fresh poietic power. The process, of course, is not in its entirety simple; it may be masked by the fact that one department of activity may be in its poietic stage, while another is in a phase of realisation. In the United States of America, for example, during the nineteenth century, there was great poietic activity in industrial organisation, and none whatever in political philosophy; but a careful analysis of the history of any period will show the rhythm almost invariably present, and the initial problem before the Utopian philosopher, therefore, was whether this was an inevitable alternation, whether human progress was necessarily a series of developments, collapses, and fresh beginnings, after an interval of disorder, unrest, and often great unhappiness, or whether it was possible to maintain a secure, happy, and progressive State beside an unbroken flow of poietic activity.

Clearly they decided upon the second alternative. If, indeed, I am listening to my Utopian self, then they not only decided the problem could be solved, but they solved it.