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A Man's Value to Society - Studies in Self Culture and Character
by Newell Dwight Hillis
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Sin therefore ceases to be philosophy or mediaevalism; it becomes a concrete personal fact. Daily each one comes under its rule and sway. The mind loves truth, and the body tempts man to break truth. The soul loves honor, and passion tempts it to deflect its pathway. Man goes forth in the morning with all the springs of generosity open; but before night selfishness has dammed up the hidden springs. In the morning man goes out with love irradiating his face; he comes back at night sullen and black with hatred and enmity. In the morning the soul is like a young soldier, parading in stainless white; at night his garments are begrimed and soiled with self-indulgence and sin. As there is a line along the tropics where two zones meet and breed perpetual storm, so there is a middle line in man where the animal man meets the spiritual man, and there is perpetual storm. There clouds never pass away, and the thunder never dies out of the horizon of time.[3] This view, appealing to universal reason, appeals also to divine help. In his daily strife man needs the brooding presence and constant stimulus of the divine being. Man waits for God's stimulus as the frozen roots wait the drawing near of God's sun. The soul looks ever unto the hills whence cometh its help. In the morning, at noon, and at night, man longs for a deliverer. God is the pledge of the soul's victory over the body. For men floundering in the slough of sin and despond these words, "Ye may, ye must be born again," are sweeter than angel songs falling from the hills of Paradise.

Consider the uses of the body. It is God's schoolmaster teaching industry, compelling economy and thrift, and promoting all the basal moralities. It contains the springs of all material civilization. If we go back to the dawn of history we find that hunger and the desires, associated with the body, have been the chief stimulants toward industrial progress. Indolence is stagnation. Savages in the tropics are torpid and without progress. Hunger compels men to ask what food is in the river, what roots are in the ground, what fruits are on the trees, what forces are in the air. The body is peremptory in its demands. Hunger carries a stinging scourge. Necessity drives out the evil spirits of indolence and torpidity. The early man threading the thickets in search of food chanced upon a sweet plum, and because the bush grew a long way from his lodge he transplanted the root to a vale near his home. Thence came all man's orchards and vineyards. Shivering with cold, man sought out some sheltered cave or hollow tree. But soon the body asked him to hew out a second cave in addition to the one nature had provided. Fulfilling its requests, man went on in the interests of his body to pile stone on stone, and lift up carved pillars and groined arches. Thence came all homes. For the body the sower goes forth to sow, and the harvester looks forward to the time of sheaves and shoutings. For strengthening the body the shepherd leads forth his flocks and herds, and for its raiment the weaver makes the looms and spindles fly. For the body all the trains go speeding in and out, bringing fruits from the sunny south, and furs from the frozen north. All the lower virtues and integrities spring from its desires. As an engine, lying loose in a great ship, would have no value, but, fastened down with bolts, drives the great hull through the water, so the body fastens and bolts the spirit to field, forest, and city, and makes it useful and productive. Material life and civilization may be said to literally rest upon man's bones and sinews.

The body is also the channel of all the knowledges. How scant is the child's understanding of the world-house in which he lives! There are shelves enough, but they are all empty. In the interest of intelligence his mind is sheathed in this sensitive body and the world forces without report themselves to this sensitive nerve mechanism. Fire comes in to burn man's fingers and teach him how to make the fire smite vapor from water. Cold comes in to nip his ears and pinch his cheeks until he learns the economy of ice, snow and rain. Steel cuts his fingers and the blood oozes out. Thenceforth he turns the axe toward the trees and the scythe toward the standing grain. The stone falling bruises him, compelling a knowledge of gravity and the use of trip-hammer, weights and pulleys. Looking downward the eye discerns the handwriting on the rocks and the mind reads earth's romantic story. Looking upward, the vision runs along the milky way for measuring the starry masses and searching out their movements. The ear strains out sweet sounds, and St. Cecilia hears melodies from the sky. Bending over the cradle, the parent marvels at God's bounty in the face of a babe. When the little one goes away the parent copies its face in rude colors, or carves its form in marble. Thus all the arts, sciences and inventions are gifts of the body to man's mental and moral life.

There is a beautiful story of a company of celestial beings, who, in disguise, entered an ancient city upon a mission of mercy. Departing hurriedly, in some way a fair young child was left behind and lost. In the morning when men came upon the streets they found a sweet boy with sunny hair sitting upon the steps of the temple. Language had he none. He answered questions with streaming eyes and frightened face. While men wondered a slave drew near, carrying a harp. Then the heavenly child signaled for the instrument, for this language he could speak. He threw his arms about the harp as the child about its mother's neck. He touched one string. Upon the hushed air there stole out a note pure, clear, and sweet as though amethysts and pearls were melted into liquid melodies. It was music, but not such music as mortals give to mortals. It was such a song as spirit would sing to spirit, signaling across the streets of heaven. It was a hymn to the mother whom he had loved and lost. With tearful eye and smiling face the little stranger and the harp together wept, and laughed, and sobbed out their grief and song. It was the speech of a child homesick for heaven. What that harp was to the silent boy, the human body is to man's soul within. The soul teemed with thoughts. Fancies surged and thronged within. Then God gave the soul a body, as a harp of many strings. Through it the soul finds voice and pours forth its rich thoughts and varied emotions.

Consider, also, how nature has ordained the body as a system of moral registration. Nature has a record of all men's deeds, keeping her accounts on fleshly tablets. The mind may forget, the body never. The brain sees to it that the thoughts within do immediately dispose of facial tissue without. Mental brightness gives facial illumination. The right act or true thought sets its stamp of beauty in the features; the wrong act or foul thought sets its seal of distortion. Moral purity and sweetness refine and beautify the countenance. The body is a show window, advertising and exhibiting the soul's stock of goods. Nature condenses bough, bud and shrub into black coal; compacts the rich forces of air and sun and soil into peach and pear. In the kingdom of morals, there are people who seem to be of virtue, truth and goodness all compact. Contrariwise, every day you will meet men upon our streets who are solid bestiality and villainy done up in flesh and skin. Each feature is as eloquent of rascality as an ape's of idiocy. Experts skilled in physiognomy need no confession from impish lips, but read the life-history from page to page written on features "dimmed by sensuality, convulsed by passion, branded by remorse; the body consumed with sloth and dishonored with selfish uses; the bones full of the sins of youth, the face hideous with secret vices, the roots dried up beneath and the branches cut off above." It is as natural and necessary for hidden thoughts and deeds to reveal themselves through cuticle as for root or bud in spring to unroll themselves into sight and observation. Here and now everything tends to obscure nature's handwriting and to veil it in mist and disguise. But the body is God's canvas, and nature's handwriting goes ever on. Each faculty is a brush, and with it reason thinks out the portrait. Even the wolf may give something to the features, and also the snake and scorpion. Soon will come an hour when men will hear not the voice of the sirens singing praises in the ear, nor the plaudits of men of low deeds and conscience, but an hour when men shall stand in the presence of the all-revealing light and see themselves as they are and review the life they have embodied and emportraited. Happy, thrice happy, those who have traversed all life's pathway and come at last to the hour when they stand face to face with themselves, then to find therein a divine image like unto the comeliness and completion of Him whose face was transfigured and shone as the light.

At length has dawned the day when science strengthens the argument for immortality. The dream of the prophet and seer is confirmed in the light of modern knowledge. "Each new discovery," says John Fiske, "but places man upon a higher pinnacle than ever, and lights the future with the radiant color of hope." Leaving his body behind, man journeys on toward an immortal destiny. Science has emptied a thousand new meanings into the words of Socrates: "The destruction of the harp does not argue the death of the harpist." Nature decrees that the flower must fall when the fruit swells. If the winged creature is to come forth and increase, the chrysalis must perish and decrease. When the long journey is over it is natural that the box in which the richly carved and precious statue is packed should be tossed aside. Swiftly youth goes on toward maturity, age toward old age, and the scythe awaits all. But sickness and trouble can do nothing more than dim the eye, dull the ear, weaken the hand. Dying and death avail not for injuring reason, affection, or hope, or love.

At the close of a long and arduous career the famous Lyman Beecher passed under a mental cloud. The great man became as a little child. One day after his son, Henry Ward, had preached a striking sermon, his father entered the pulpit and beginning to speak wandered in his words. With great tenderness the preacher laid his hand upon his father's shoulder and said to the audience: "My father is like a man who, having long dwelt in an old house, has made preparations for entering a new and larger home. Anticipating a speedy removal, he sent on beforehand much of his soul-furniture. When later the day of removal was postponed the interval seemed so brief as to render it unnecessary to bring back his mental goods." Oh, beautiful words describing those whose strength is declining, whose spirit is ebbing and senses failing, because God is packing up their soul-furniture that they may be ready for the long journey that awaits us all. But man's journey is not unto the grave. Dying is transmutation. Dying is not folding of the wings; but pluming the pinions for new and larger flight. Dying is not striking an unseen rock, but a speedy entrance into an open harbor. Death is no enemy, letting the arrow fly toward one who sits at life's banquet-table. Death is a friend coming on an errand of release and divine convoy. For God's children "to be death-called is to be God-called; to be God-called is to be Christ-found; to be Christ-found is hope and home and heaven."

FOOTNOTES:

[3] See Symposium on Evolution, Homiletic Review, May, 1894.



THE MIND: AND THE DUTY OF RIGHT THINKING

"All ye who possess the power of thought, prize it well! Remember that its flight is infinite; it winds about over so many mountain tops, and so runs from poetry to eloquence, it so flies from star to star, it so dreams, so loves, so aspires, so hangs both over mystery and fact, that we may well call it the effort of man to explore the home, the infinite palace of his heavenly Father."—Swing.

"Men with empires in their brains."—Lowell.

"'Tis the mind that makes the body rich."—Taming of the Shrew.

"Like thoughts whose very sweetness yieldeth proof That they were born for immortality."—Wordsworth.

"Neither years nor books have yet availed to extirpate a prejudice then rooted in me that a scholar is the favorite of heaven and earth, the excellency of his country, the happiest of men."—Emerson.

"Happy is the man that findeth wisdom, for the merchandise of it is better than the merchandise of silver, and the gain thereof than fine gold."—Solomon.



V

THE MIND; AND THE DUTY OF RIGHT THINKING

With fine imagery the seer of old likened the mind unto a tree. The tree shakes down its fruits, and the mind sheds forth its thoughts. The boughs of the one will cover the land with forests; the faculties of the other will sow the world with harvests that blight or harvests that bless. The measure of personal worth, therefore, is the number and quality of thoughts issuing from man's mind. For all the doing called commerce, and all the speaking called conversation and books, begin with the thinking called ideas. Each thing was first a thought. A loom is Arkwright's thought dressed up in iron clothes. Books are the scholar's thoughts caught and fastened upon the white page. As our planet and the harvests that cover it are the thoughts of God rushing into visible expression, so all houses and ships, all cities and institutions, are man's inner thoughts, taking on outer and material embodiment.

When thoughts compacted into habits have determined character and destiny for the individual, they go on and secure their social progress. When God would order a great upward movement for society, He drops a great idea into the mind of some leader. Such energies divine have these thoughts that they create new epochs in history. Through Luther the thought of liberty in church and state set tyrants trembling and thrones tottering. Through Cromwell the thought of personal rights became a weapon powerful enough utterly to destroy that citadel of iniquity named the divine right of kings. It was a great moral thought called the "Golden Rule" that shotted the cannon of the North for victory and spiked the cannon of the South for defeat. Measureless is the might of a moral idea. It exceeds the force of earthquakes and the might of tidal waves. The reason why no scholar or historian can forecast the events and institutions of the next century is that none can tell what great idea God will drop into the soul of some man ordained to be its voice and prophet.

Now the omnipotence of thoughts is not without reason. Man is the child of genius because he is the child of God. Those beautiful words, "made in His image," tell us that the human mechanism is patterned after the divine. Reason and memory in man answer to those faculties in God, as do conscience and the moral sentiments. In creative genius man alone is a sharer with God. As the Infinite One passing through space leaves behind those shining footsteps called suns and stars, glowing and sparkling upon planets innumerable, so man's mind, moving through life, leaves behind a pathway all shining with books, laws, liberties and homes. Of all the wonderful things God hath made, man the wonderer is himself the most wonderful. No casket owned by a king, filled with gems and sparkling jewels, ever held such treasure as God hath put into this casket of bones and sinew. The imagination cannot paint in colors too rich this being, who is a miniature edition of infinity. It is not fiction, but fact, to say that reason is a loom; only where Jacquard's mechanism weaves a few yards of silk and satin, reason weaves conversation, sympathy, songs, poems, eloquence—textures all immortal. And memory is a gallery; only where the Louvre holds a few pictures of the past, memory waving her wonder-working wand brings back all faces, living and dead, causing mountains and battle-fields, with all distant scenes, to pass before the mind in solemn procession.

The Bank of England has indeed a mechanism that tests coins and throws out all light weights. But judgment is an instrument testing things invisible, weighing arguments and motives, testing principles and characters. And the desires, are they not like unto the richly laden argosies of commerce? And fancy, hath it not the skill of artist and architect? Imagination, working in the realm of the useful, turns iron into engines. Imagination, working in realms of the beautiful, turns pigments into pictures. Imagination, working in the realms of thought, can turn things true into sciences, and things good into ethical systems. Well did the philosopher say that the greatest star is the one standing at the little end of the telescope, the one looking, not looked at nor looked for. When some Agassiz dredging the Atlantic tells us what animals lived there a million years ago, the scientist's mind seems an abyss deeper than the sea itself; and when Tyndall, climbing to the top of the Matterhorn, reads on that rock-page all the events of the ancient world, the mountain is dwarfed to an ant hill and becomes insignificant in the presence of the mountain-minded scholar. Hunters tell us that when crossing a swamp they leap from one hummock of grass to another. But Herschel and Proctor, exploring the heavenly world, step from star to star. The husbandman, squeezing a cluster of grapes in his cup, does but interpret to us the way in which the scholar squeezes planets and suns to brim the cup of knowledge for man's thirsting soul. This vast and wondrous world without is matched by man's rich and various mind within! Well did Emerson exclaim, "Man, thou palace of sight and sound, carrying in thy senses the nights and mornings, the summers and winters; carrying in thy brain the geometry of the City of God, in thy heart all the bowers of love, and all the realms of right and wrong."

Such being the nature of the mind, consider its prodigious fruitfulness in thought. If all the processes of the mind were reduced to material volume, the thoughts of each moment would fill a page, the thoughts of each hour would fill a chapter, the thoughts of each day would fill a volume, the emotions of a year would fill a small library of many volumes. Value might be wanting, but not bulk. It is given to the eye to behold the harvests wrought by the secret force of roots and sunbeams. But if all the products of the soul could be made visible to the eye and ear, how marvelous would be these exhalations, rising and filling all the air. Were all the emotions and passions and dreams of one single day fully revealed, what dramas would there be beyond all the tragedies man's hand hath ever indicated! Consider what fertility the mind hath! Consider how many trains of thought reason takes up each hour. Consider all that belongs to a man as an animal, his fears and passions, defensory in nature. Consider his social equipment, with all the possible moods and combinations of affections. Consider the vast activities of his reason working outward, and the imagination working upward. Sometimes in the morning man's thoughts are for number and strength like unto the strength of armies. Sometimes in the night his aspirations exhale heavenward with all the purity and beauty of the clouds. Consider also how life's conflicts and warfare inflame man's faculties and hasten their process.

Consider how courage, despondency, hope and fear, friendship and enmity, increase the activities. Consider man's ambitions—steeds of the sun with incredible swiftness dragging forward the soul's chariot. Consider the rivalries among men. What intensities of thought are induced thereby! Consider that toward one's friends the mind sends forth thoughts that are almoners of bounty and angels of mercy. But consider that man is over against his enemy, with a mind like unto a walled city filled with armed men. Consider how in life's conflicts, thoughts become the swords of anger, the clubs of envy, stings for hissing hatred. Consider that in times of great excitement the soul literally blazes and burns, exhaling emotions and thoughts as a planet exhales light and heat. Wondrous the power of the loom newly invented, that with marvelous swiftness weaves in silk figures of flowers and trees and birds. But the uttermost speed of those flying shuttles is slowness itself compared to the swiftness of the mental loom, that without noise or clangor weaves fabrics eternal out of the warp and woof of affection and thought, of passion and purpose. Consider that every man is not simply two men, but a score of men. All the climatic disturbances in nature, all distemperatures through heat and cold, wet and dry, summer and winter, do but answer in number and variety to the moods in man's brain. Not the all-producing summer is so rich in bounty as the mind is rich in thought when working its regnant and creative moods. Vast are the buildings man's hands have reared; sweet are the songs man's mind hath sung; lovely the faces man's hand hath painted; but the silent songs the soul hears, the invisible pictures the mind sees, the secret buildings the imagination rears, these are a thousand-fold more beautiful than any as yet embodied in this material world.

The Spanish have a proverb that "He who sows thoughts will reap acts, habits, and character," for destiny itself is determined by thinking. Life is won or lost by its master thoughts. As nothing reveals character like the company we like and keep, so nothing foretells futurity like the thoughts over which we brood. It was said of John Keats that his face was the face of one who had seen a vision. So long had his inner eye been fixed upon beauty, so long had he loved that vision splendid, so long had he lived with it, that not only did his soul take on the loveliness of what he contemplated, but the very lines of the poet's face were chiseled into beauty by those sculptors called thoughts and ideals. When Wordsworth speaks of the girl's beauty as "born of murmuring sound," the poet indicates his belief that the girl's long love of the sweet briar and the thrush's song, her tender care of her favorite flowers, had ended in the saturation of her own face with sweetness. Swiftly do we become like the thoughts we love. Scholars have noticed that old persons who have "lived long together, 'midst sunshine and 'midst cloudy weather," come at length to look as nearly alike as do brother and sister: Emerson explains this likeness by saying that long thinking the same thoughts and loving the same objects mould similarity into the features. Nor is there any beauty in the face of youth or maiden that can long survive sourness in the disposition or discontent in the heart.

Contrariwise, all have seen faces very plain naturally that have become positively radiant because the beautiful soul that is enmeshed in and stands behind the muscles has shone through and beautified all of the facial tissues. Two of our great novelists have made a special study of the architectural power of thoughts. Dickens exhibits Monks as beginning his career as an innocent and beautiful child; but as ending his life as a mass of solid bestiality, a mere chunk of fleshed iniquity. It was thinking upon vice and vulgarity that transformed the angel's face into the countenance of a demon. Hawthorne has made a similar study of Chillingworth, whose moral deterioration began through evil thinking when face and physique were fully matured. Chillingworth stood forth in middle life a thoughtful, earnest, and just man; but, during his absence, he suffered a grievous wrong. Not knowing the identity of his enemy, the physician came to suspect his friend. By skillful questions he digged into Dimmesdale's heart as the sexton might delve into the grave in search of a possible jewel upon a dead man's breast. When suspicion had strengthened into certainty, enmity became hatred. Then, for two years, Chillingworth tortured his victim as once inquisitors tortured men by tweaking the flesh with red-hot pincers. Soon the face of the physician, once so gentle and just, took on an aspect sinister and malign. Children feared him, men shivered in his presence—they knew not why. Once the magistrate saw the light glimmering in his eyes "with flames that burned blue, like the ghastly fire that darted out of Bunyan's awful doorway on the hillside and quivered in the Pilgrim's face." All this is Hawthorne's way of telling us how thoughts determine character and shape destiny. He who thinks of mean and ugly things will soon show mud in the bottom of his eye. Ugliness within soon fouls the facial tissues. But he who thinks of "things true and just and lovely" will, by his thinking, be transformed into the image of the ideal he contemplates, even as the rose becomes red by exposing its bosom to the sunbeams and soaking each petal in the sun's fine rays.

Not only are thoughts the builders of character for the individual; they are also the architects of states and nations. All this wonderful fabric lying over our land like a beautiful garment is a fabric spun and woven out of ideas. Each outer substance was builded by an inner sentiment. What the eye sees are stone and brick and iron united by masons and carpenters, but the forces that hold these material things together are not iron bands, but thoughts and beliefs. Destroy the life-nerve running up through the tree, and the rings of wood will soon fall apart. Destroy the thoughts and beliefs of our people, and its homes, colleges and institutions will decline and decay. Thrust a million Mohammedans into our land, and their inner thoughts will realize themselves in mosques, minarets, and harems. But thrust a million Americans into Asia Minor and straightway their thoughts will take on these visible shapes called houses and factories, temples of learning, altars of praise and prayer. For what we call Saxon civilization is only a magnificent incarnation of a certain mental type and a moral character. Not only individuals, but nations are such stuff as thoughts are made of.

In his famous story of archery Virgil represents Acestes as shooting his arrow with such force that it took fire as it flew and went up into the air all aflame, thus opening from the place where the archer stood a pathway of light into the heavens. Now it is given to man's thoughts to fulfill this beautiful story, in that they open up shining pathways along which the human steps may move. On the practical side, it is by the thinking alone that man solves his bread-winning problem. Standing, each in his place, using his strongest faculty and working in the line of least resistance, each must conquer for himself food and support. To say that society owes us a living or to consume more than we produce is to sink to the level of pauper and parasite. The successful man is one whose thoughts about his bread-winning problem have been wise thoughts; paupers and tramps, with their hunger and rags, are men who have thought foolishly about how they could best earn a livelihood.

He who has one strong faculty, the using of which would give delight and success, yet passes it by, to use a weaker faculty, is doomed to mediocrity and heart-breaking failure. The eagle has powerful muscles under the wings, but slender and feeble legs; the fawn lacks the weight of the draught horse, but has limbs for swiftness. Now, if an eagle should become a competitor in a walking race and if the fawn should enter the list of draught horses, we should have that which answers precisely to the way in which some men seek to gain their livelihood, by tying up their strongest gift and using their feeblest faculties. When it is said that only five merchants out of a hundred succeed we perceive that the great majority of men do not think to any purpose in choosing an occupation. Recalling his friends who had misfitted themselves, Sidney Smith once said: "If we represent the occupations of life by holes in a table, some round, some square, some oblong, and persons by bits of wood of like shapes, we shall generally find that the triangular person has got into the square hole, the oblong into the triangular, while the square person has squeezed himself into the round hole." For lack of wise thinking beforehand, multitudes have died of broken hearts midst failure and misery who might have achieved great happiness and success had they used their thoughts in choosing their life-work. He who approaches his task with a leaden heart is out of the race before he is in it. Success means that the heart loves what the hand does. The bread-winning problem is the one that touches us first and most closely, and to wise thoughts only is it given to solve that problem.

The number and value of our thoughts determine a man's value to society. No investments bring so high a rate of interest as investments of brain. Hand work earns little, but head work much. In a Western camp one miner put his lower brain into the pickaxe and earned $2.00 a day; another miner put his higher brain into the stamp-mill and soon was receiving a score of dollars daily for his work; a third youth, toiling in the same mine, put his genius into an electric process for extracting ore, and sold his invention for a fortune. It seems that wealth was not in the pick, but in the thoughts that handled it. Had God intended man to do his work through the body, man's legs would have been long enough to cover leagues at a stride, his biceps would have been strong enough to turn the crank for steamships, his back would have been Atlantean for carrying freight cars across the plains.

But, instead of giving man long legs, God gave him a mind able to make locomotives. Instead of telescopic eyes, he gave man mind to invent far-seeing glasses. Instead of a thousand fingers for weaving, he gave man five fingers and genius for inventing a thousand steel fingers to do his spinning. Wealth is not in things, but in the brain that shapes raw material. Vast was the sum of gold taken out of California, but this nation might well pay down a hundred Californias for a man to invent a process to make coal drive the engine without the intervention of steam. That inventor would enable the street cars for one cent to carry the people of the tenement-house district ten miles into the country in ten minutes, and thereby, through sunshine and fresh air and solitude, would solve a hundred problems that now vex the statesman and the moralist. A young botanist in Kansas has just announced his purpose to cross the milkweed and the strawberry, so that hereafter strawberries and cream may grow upon the same bush. His task may be doomed to failure, but that youth at least understands that thought turned the wild rice into wheat; thought turned the sweet briar into the crimson rose; brains mixed the pigments for Paul Veronese, and gave the canvas worth a few florins the value of tens of thousand of dollars. Already wise thoughts have turned the barbarian into a gentleman and citizen, and some glad day thoughts will crown man with the attributes and qualities of God.

Of old, the Greek philosopher described the origin of man. One day Ceres, in crossing a stream, saw a human face emerging from the soil. It was the face of a man. Standing by this earth-born creature, the goddess extricated his head and chest; but left his legs fastened in the soil. Now, the invisible friends that free man from his earth fetters are those divine visitors called ideas and thoughts. God hath made thoughts to be golden chariots, in which the soul is swept upward into the heavenly heights.

When thoughts have sown man's pathway with happiness and peace they go on to determine character and futurity. Each life memorable for goodness and nobility has for its motive power some noble thought. Each hero has climbed up to immortality upon those golden rounds called good thoughts. Here is that cathedral spirit, John Milton. In his loneliness and blindness his mind was his kingdom. He loved to think of things true and pure and of good report. Oft at midnight upon the poet's ear there fell the sound of celestial music, that afterward he transposed into his "Paradise Regained." Dying, it was given him to proudly say: "I am not one of those who have disgraced beauty of sentiment by deformity of conduct, nor the maxims of the freeman by the actions of the slave, but by the grace of God, I have kept my soul unsullied." Here is the immortal Bunyan, spending his best years in Bedford jail because he insisted on giving men the message God had first given him; but he, too, opened his mind only to good thoughts. For him, also, dawned the heavenly vision. As the prison doors opened before Peter and the angel, so the dungeon walls parted before his thoughts. Walking about in glad freedom, he crossed the portals of the Palace Beautiful. From its marble steps he saw afar off the Delectable Mountains. Hard by ran the River of the Water of Life. The breezes of the hills of Paradise cooled his hot temples and lifted his hair. His regal thoughts crowned the Bedford tinker and made him king in English literature.

Here also is the carpenter's Son rising before each earthly pilgrim like a star in the night. A man of truly colossal intellect, incomparable as He strides across the realms and ages, yet always thinking the gentlest, kindliest thoughts; thoughts of mildness as well as of majesty; thoughts of humanity as well as divinity. His thoughts were medicines for hurt hearts; His thoughts were wings to all the low-flying; His thoughts freed those who had been snared in the thickets; His thoughts set an angel down beside each cradle; His thoughts of the incarnation rendered the human body forever sacred; His thoughts of the grave sanctified the tomb. Dying and rising, His thoughts clove an open pathway through the sky. Taught by Him, the people have learned to think—not only great thoughts, but good ones, and also how to turn thoughts into life.

Bringing their thoughts to God, God has turned thinking into character. Each spinner who in modesty and fidelity tends his loom, spins indeed, garments for others, but also weaves himself invisible garments of everlasting life. Each shipbuilder fastening his timbers together with honest thoughts will find that his thoughts have become ships carrying him over the sea to the harbor of God. Each worker putting integrity into gold and silver will find that he has carved his own character into a beauty beyond that of gems and sapphires. For his thoughts drag into futurity after them. So deeply was St. George Mivart impressed by this that he said: "The old pauper woman whom I saw to-day in the poorhouse, in her hunger saving her apple to give to the little orphan just brought in, and unraveling her stocking and bending her twisted old fingers to knit its yarn into socks for the blue feet of the child will, I verily believe, begin her life at death with more intellectual genius—mark the words, intellectual genius—than will begin that second life any statesman or prime minister or man famed in our day. For I know of none who hath been faithful in his much after the fashion of the pauper woman's fidelity with her little."

For intellect weighs light as punk against the gold of character. Should God give us to choose between goodness and genius, we may well say, "Give genius to Lucifer, let mine be the better part." Intellect is cold as the ice-palace in Quebec. Heart-broken and weary-worn by life's battle, men draw near to some great-hearted men, as pilgrims crowd close to the winter's fire. Men neither draw their chairs close around a block of ice, nor about a brilliant intellect. Our quarrel with the foolish scientist is that he makes God out as infinite brain. We rejoice at the revelation of Christ, because He portrays God as heart and not genius.

God be thanked for great thoughts, but a thousand times more, God be praised for good thoughts! They are fuel for the fires of enthusiasm. They are rudders that guide us heavenward. They are seeds for great harvests of joy. They fulfill the tale of the fairies who in the night while men slept bridged chasms, builded palaces, laid out streets and lined them with homes, built the city around with walls. For every thought is a builder, every purpose a mansion, and every affection a carpenter. As the builders of the Cologne Cathedral were guided by the plan and pattern of Von Rile, so man's thoughts are builded after that matchless model, Jesus Christ. And while our thoughts work, His thoughts work, also adding beauty to the soul's strength. In the olden tale the artist pupil through very weariness fell asleep before the picture that disappointed him. While he slept his master stole into the room, and with a few swift touches corrected the errors and brought out the lines of lustrous beauty, kindling new hope within the boy's heart. And there are unexpected providences in life, strange influences, interventions and voices in the night. These events over which we have no control, these thoughts of the Master above, shape us not less than the thoughts that build from within. It seems that not one, but two are working upon the soul's structure. As one day in the presence of his master Michael Angelo pulled down the scaffolding in the Sistine Chapel, and the workmen cleared away the ropes and plaster and litter, and looking up men saw the faces of angels and seraphs, with their lustrous and immortal beauty, so some glad day will that angel named Death pull down life's scaffolding and set forever in the sunlight that structure built of thoughts, the stately mansion reared in the mind, the building not made with hands, the character, eternal in the heavens.



THE MORAL USES OF MEMORY

"Without memory, man is a perpetual infant."—Locke.

"The memory plays a great part in ranking men. Quintilian reckoned it the measure of genius. The poets represented the muses as the daughters of memory."—Emerson.

"Recollection is the only paradise from which we cannot be turned out."—Richter.

"A land of promise, a land of memory, A land of promise flowing with the milk And honey of delicious memories." —Tennyson.

"I have a room wherein no one enters save I myself alone; There sits a blessed memory on a throne. There my life centers." —C.G. Rosetti.



VI

THE MORAL USES OF MEMORY

The soul is a monarch whose rule includes three realms. Its throne is in the present, but its scepter extends backward over yesterday and forward over to-morrow. The divinity that presides over the past is memory; to-day is ruled by reason, to-morrow is under the regency of hope. In every age memory has been an unpopular goddess. The poet Byron pictures this divinity as sitting sorrowing midst mouldering ruins and withering leaves. But the orators unveil the future as a tropic realm, magical, mysterious and surpassingly rich. The temple where hope is worshiped is always crowded; her shrines are never without gifts of flowers and sweet songs.

But at length has come a day when man perceives that the vast treasure to which the present has fallen heir was bequeathed by that friend called yesterday. The soul increases in knowledge and culture, because as it passes through life's rich fields memory plucks the ripe treasure on either hand, leaving behind no golden sheaf. Philosophy, therefore, opposes that form of poetry that portrays yesterday by the falling tower, the yellow leaf, the setting sun. Memory is a gallery holding pictures of the past. Memory is a library holding wisdom for to-morrow's emergencies. Memory is a banqueting-hall on whose walls are the shields of vanquished enemies. Memory is a granary holding bread for to-morrow's hunger, seed for to-morrow's sowing. That man alone has a great to-morrow who has back of him a multitude of great yesterdays.

Aristotle used memory as a measure of genius. He believed that every great man was possessed of a great memory in his own department. He was the great artist whose mind searched out and whose memory retained the beauty of each sweet child, the loveliness of each maiden and mother. He was the great scientist who remembered all the facts, forgot no exception, and grouped all under laws. The great orator was he whose memory stood ready to furnish all truths gleaned from books and conversation, from travel and experience—weapons these with which the orator faces his hearers in a noble cause, controls and conquers them.

After driving through Windsor Park, Dore, the artist, recognized his debt to memory by observing that he could recall every tree he had passed, and draw each shrub from memory. We are indebted to the mechanical genius of Watt for the steam engine; but, before beginning his work, the inventive faculty asked memory to bring forward all objects, forces and facts suggested by and relating to that steaming tea kettle. Genius cannot create without material upon which to work. It is given to the eye and the ear and the reason to obtain the facts; memory stores these treasures away until they are needed; and, selecting therefrom, the inventive faculty fashions physical things into tools, beautiful things into pictures, ideas into intellectual philosophies, morals into ethical systems. The architect is helpless unless he remembers where are the quarries and what their kinds; where the marbles and what their colors; where the forests and what their trees.

Thus all the creative minds, from Phidias to Shakespeare, have united strength of memory with fertility of invention. As the Gobelin tapestry, depicting the siege of Troy, is woven out of myriads of tinted threads, so each Hamlet and each "In Memoriam" is an intellectual texture woven out of ideas and aspirations furnished by memory. Indeed, without this faculty there could be no knowledge or culture. Destroy memory and man would remain a perpetual infant. Because the mind carries forward each new idea and experience, there comes a day when the youth stands forth a master in his chosen craft or profession. It is memory that unifies man's life and thought, and binds all his experiences into one bundle.

In a large sense civilization itself is a kind of racial memory. Moving backward toward the dawn of history, we come to a time when man stood forth as a savage, his house a cave, his clothes a leather girdle, his food locusts and berries. But to-day he is surrounded by home, and books and pictures, by looms and trains and ships. Now yesterday was the friend that gave man all this rich treasure. We pluck clusters from vines other generations planted. We ride in trains and ships other thinkers invented. We admire pictures and statues other hands painted and carved. Our happiness is through laws and institutions for which other multitudes died. We sing songs that the past did write, and speak a language that generations long dead did fashion.

When De Tocqueville visited our country, he journeyed westward until he stood upon the very frontier of civilization. Before him lay the forests and prairies, stretching for thousands of miles toward the setting sun. But what impressed him most deeply was the civilization behind him, reaching to the Atlantic—a civilization including towns and villages, with free institutions, with schoolroom and church and library. With joy he reflected that the mental and moral harvests behind him were sufficient to sow the vast unconquered land with treasure. Thus each to-day is a frontier line upon which the soul stands. It is the necessity of life for man to journey backward into the past for food and seed with which to sow the unconquered future. For each individual yesterday holds the beginnings of art and architecture. Yesterday holds the beginnings of reform and philanthropy. Yesterday contains the rise and victory of freedom. Yesterday holds the first schoolroom and college and library. Yesterday holds the cross and all its victories over ignorance and sin. Yesterday is a river pouring its rich floods forward, lending majesty and momentum to all man's enterprises. Yesterday is a temple whose high domes and wide walls and flaming altars other hands and hearts have built. For the individual, memory is a granary for mental treasure; and, for the race, civilization is a kind of social memory.

Consider the task laid upon memory. The activity and fruitfulness of the human mind are immeasurable. Reason does not so much weave thoughts as exhale them. Objects march in caravans through the eye gate and the ear gate, each provoking its own train of thought. And the unconscious processes of the mind are of even greater number. The silent songs that genius hears, the invisible pictures that genius paints, the hidden castles that genius builds—no building of a city without can compare for wonder and beauty and richness with the building processes of the soul within. If some angelic reporter could reduce all man's thoughts to physical volume, how vast the book would be! Thoughts do not go single, but march in armies. Feelings and aspirations move like flocks of caroling songsters. Desires swarm forth from the soul like bees from a hive. The soul is a city through whose gates troop innumerable caravans, bearing treasure within, carrying treasure forth without. No Great Eastern ever carried a cargo that was comparable for vastness and richness with that voyaging forward in the mind.

Now the power and skill of God is nowhere more manifest than in this. He has endowed the mind with full power to carry forward all its joys, its friendships and victories. It is given to man to journey in a single summer over that pathway along which the human race has walked. For happiness and culture the traveler lingers by some Runnymede or Marston Moor; stays by castle or cathedral, remains long in gallery or museum. It is the necessity of his body for the traveler to leave the mountain behind him when he returns to the city in the plain. But it is the privilege of the mind to take up these sights and scenes and carry them away as so much treasure made portable by memory. By a secret process mountains and valleys and palaces are reduced in size, photographed and put away ready to be enlarged to the original proportions.

We have already heard of the inventor who planned an engine that laid its track and took it up again while it journeyed forward. But this mechanical dream is literally fulfilled in memory. Grown old and blind, each Milton may pass before his mind all the panorama of the past, to find the events of childhood more helpful in memory than they were in reality. Looking backward, Longfellow reflected that the paths of childhood had lost their roughness; each way was bordered with flowers; sweet songs were in the air; the old home was more beautiful than king's palaces that had opened to his manhood's touch.

Similarly, Dante, storm-beaten, harassed, weary of selfishness, voyaged and traveled into that foreign land that he called "youth." There he hid himself until the storms were passed. For him memory held so much that was bright and beautiful that it became to him a portfolio of engravings, a gallery of pictures, a palace of many chambers. Hidden therein, earth's troubles became as harmless as hail and snow upon tiled castle roofs. Men wonder oft how statesmen and generals and reformers, oppressed beyond endurance, have borne up under their burdens. This is their secret: they have sheltered themselves in the past, found medicines in memory, bathed themselves in old-time scenes that refreshed and cleansed away life's grime. From the chill of arctic enmity, it is given to the soul through memory to rise above the storm and cold and in a moment to enter the tropic atmosphere of noble friendship, where are fragrance and beauty, perpetual warmth and wealth.

It was a favorite principle with Socrates that the lesser man never comprehends the latent strength in his reason or imagination until he witnesses its skill in the greatest. He implies that the eloquence, art, and skill that crown the children of genius exist in rudimentary form in all men. In order, therefore, to understand memory in its ordinary processes, let us consider its functions in those in whom it is unique. Fortunately scholars in every age have preserved important facts concerning the power of recollection. The classic orators contain repeated reference to traveling singers, who could recite the entire Iliad and Odyssey. In his "Declamations," speaking of the inroads disease had made upon him, Seneca remarks that he could speak two thousand words and names in the order read to him, and that one morning he listened to the reading of two hundred verses of poetry, and in the afternoon recited them in their order and without mistake.

Muretus remarks that the stories of Seneca's memory seemed to him almost incredible, until he witnessed a still more marvelous occurrence. The sum of his statement is that at Padua there dwelt a young Corsican, a brilliant and distinguished student of civil law. Having heard of his marvelous faculty of memory a company of gentlemen requested from him an exhibition of his power. Six Venetian noblemen were judges, though there were many other witnesses of the feat. Muretus dictated words, Latin, Greek, barbaric, disconnected and connected, until he wearied himself and the man who wrote them down, and the audience who were present. Afterward the young man repeated the entire list of words in the same order, then backward, then every other word, then every fifth word, etc., and all without error.

Sir William Hamilton says that the librarian for the Grand Duke of Tuscany read every book and pamphlet in his master's library and took a mental photograph of each page. When asked where a certain passage was to be found, he would name the alcove, shelf, book, page containing the passage in question. Scaliger, the scholar, who has been called the most learned man that ever lived, committed the Iliad to memory in three weeks and mastered all the Greek poets in four months. Ben Jonson could repeat all he had ever written and many volumes he had read, as could Niebuhr, the historian. Macaulay believed that he had never forgotten anything he had ever read, seen, or thought. Coleridge tells of an ignorant family servant, who in moments of unconsciousness through fever, recited passages of Greek and Hebrew. The explanation was that the servant had been long in the family of an old clergyman whose habit it was to read aloud the Bible in the originals.

Physicians have noted instances where a foreigner coming to this country at the age of four or five has completely forgotten his native tongue. Grown old and gray, in moments of unconsciousness through fever, the aged man has talked in the forgotten language of infancy. Our best students of mental philosophy believe that no thought or feeling, no enmity or aspiration, is ever forgotten. The sentiments written on clay harden into granite. Dormant memories are not dead. At a touch they return in their old-time power and vigor. Science tells us that the flight of a bird, the falling of a leaf, the laughter of a child, the vibration of song, changes the whole universe. The boy shying a stone from one tree to another alters the center of gravity for the earth. And if the movements of dead leaves and stones are events unchangeably written down in nature, how much more are living hopes and thoughts. The soul is more sensitive than the thermometer, more delicate than the barometer, and all its processes are registered. Thoughts are events that stain the mind through in fast colors. Did man but know it, no event falls through memory's net.

It helps us to understand the immortality of memory to notice the provision made in nature for revealing hidden facts and forces. To-day chemistry shows us how events done in darkness shall be revealed in light, and the deeds of the closet be proclaimed from the housetop. In olden times princes communicated with each other by messengers. Then it was necessary to guard against the dispatch falling into the hands of the enemy, so between the lines of the apparent message was a dispatch traced in letters as colorless as water. But when the sheet was held before the blazing fire, the secret writing appeared. Thus in the kingdom of the soul, nature has provided for causing events to stand forth from the past. Under stimulus the memory performs the most astonishing feats. Excitement is a fire that causes the dim record to stand forth in clearness.

A distinguished lawyer of an Eastern city relates that while engaged in an argument upon which vast issues depended he suddenly realized that he had forgotten to guard a most important point. In that hour of excitement his faculties became greatly stimulated. Decisions, authorities and precedents long since forgotten began to return to his mind. Dimly outlined at first, they slowly grew plain, until at length he read them with perfect distinctness. Mr. Beecher had a similar experience when he fronted the mob in Liverpool. He said that all events, arguments and appeals that he had ever heard or read or written passed before his mind as oratorical weapons, and standing there he had but to reach forth his hand and seize the weapons as they went smoking by. All public men have had similar experiences—witness the testimony of Pitt, Burke and Wendell Phillips. But what event has such power to restore the records of memory as that secret excitement when the soul is like an ambassador returned home from a foreign mission to report before the throne of God? Thus, giving in its account, what sacred stimulus will fall upon memory!

In every age poets and philosophers have made much of associations as a restorer of dim memories. Porter has a story of a dinner party in which a reference to Benedict Arnold was immediately followed by someone asking the value of the Roman denarius. Reflection shows that the question was directly suggested by the topic under discussion. Benedict Arnold suggested Judas Iscariot and the thirty pieces of silver given him, and therefore the value of the coin which he received as reward. Similarly there is a tradition that Peter's face was clouded with sorrow whenever he heard the crowing of a cock. Bulwer Lytton represents Eugene Aram as scarcely able to restrain a scream of agony when a friend chanced to drive in near the spot where in murderous hate he had struck a fatal blow.

Thus, no sin is ever buried, save as a murderer buries his victim under a layer of thin sand. But let him pass that way, and a skeleton arm starts up and points to heaven and to the evil doer. The philosopher affirms that the "memory of the past can never perish until the tree or the river or the sea" with which the dark memory is associated has been blotted out of existence. Thus, the law of association ever works to bring back the ghastly phantom, to chill the blood and sear the brain. Nothing is ever forgotten. One touch, one sight, one sound, the murmur of the stream, the sound of a distant bell, the barking of a dog in the still evening, the green path in the wood with the sunlight glinting on it, the way of the moon upon the waters, the candlestick of the Bishop for Jean Valjean, the passing of a convict for Dean Maitland, the drop of blood for Donatello—these may, through the events associated therewith, turn the heart to stone and fill the life with a dumb agony of remorse.

Moreover, Shakespeare indicates how conscience in its magisterial aspects has skill for reviving forgotten deeds. In the laboratory scientists take two glasses, each containing a liquid colorless as water and pour them together, when lo! they unite and form a substance blacker than the blackest ink. As the chemical bath brings out the picture that was latent in the photographic plate, so in its higher moods events half-remembered and half-forgotten rise into perfect recollection. History tells us of the Oriental despot who in an hour of revelry commanded his butler to slay a prophet whom he had imprisoned and bring the pale head in upon a charger. Long afterward there came a day when, sitting in the seclusion of his palace, a soldier told those around the banqueting-table the story of a wonder-worker whom he had seen upon his journey. When the banqueters were wondering who this man was, suddenly the king arose pale and trembling and cried out. "I know! It is John the Baptist whom I have beheaded; he is risen from the dead!"

This old-time story tells us that dormant memories are not dead, but are like hibernating serpents that with warmth lift their heads to strike. It fulfills, as has been said, the old-time story of the man groping along the wall until his fingers hit upon a hidden spring, when the concealed door flew open and revealed the hidden skeleton. It tells us that much may be forgotten in the sense of being out of mind, but nothing is forgotten in the sense that it cannot be recalled. Every thought the mind thinks moves forward in character, even as foods long forgotten report themselves in flesh and blood. Memory is a canvas above and the man works beneath it. Every faculty is a brush with which man thinks out his portrait. Here and now, deceived by siren's song, each Macbeth thinks himself better than he is. But the time comes at last when memory cleanses the portrait and causes his face to stand forth ineffaceable in full revelation.

But memory also hath aspects gracious and most inspiring. "I have lived well yesterday," said the poet; "let to-morrow do its worst." To this sentiment the statesman added: "I have done what I could for my fellows, and my memories thereof are more precious than gold and pearls." Thus all they who have loved wisdom and goodness will find their treasures safe in memory's care. Perhaps some precious things do perish out of life. The melody trembling on the chords after the song is sung sinks away into silence. The light lingering in the clouds after the day is done at last dies out in darkness. But as the soul is consciously immortal through personality, it has an unconscious immortality through its tool or teaching, through its example or influence. Time avails not for destroying. God and the soul never forget.

Wisdom comes to all young hearts who as yet have no past, before whose feet lies the stream of life, waiting to bear them into the future, and bids them reflect that maturity, full of successes, is only the place where the tides of youth have emptied their rich treasures. He whose yesterday is full of industry and ambition, full of books and conversation and culture, will find his to-morrow full of worth, happiness and friendship. But he who gives his memory no treasure to be garnered, will find his hopes to be only the mirage in the desert, where burning sands take on the aspect of lake and river. Wisdom comes also to those who in their maturity realize that the morrow is veiled in uncertainty, and their tomb is not far distant. It bids them reflect that their yesterdays are safe, that nothing is forgotten; that no worthy deed has fallen out of life; that yesterday is a refuge from conflict, anxiety and fear.

To patriot and parent, to reformer and teacher, comes the inspiring thought that God garners in His memory every helpful act. No good influence is lost out of life. Are David and Dante dead? Are not Tennyson and Milton a thousandfold more alive to-day than when they walked this earth? Death does but multiply the single voice and strengthen it. God causes each life to fulfill the legend of the Grecian traveler, who, bearing homeward a sack of corn, sorrowed because some had been lost out through a tiny hole; but, years afterward, fleeing before his enemies along that way, he found that the seed had sprung up and multiplied into harvests for his hunger. Thus yesterday feeds in each pilgrim heart the faith that goodness shall triumph. For memory that is little in man is large in God. The Infinite One forgets nothing save human frailty and sin. Remembering the great mind, the eloquent tongue, the large purse, God remembers also the cup of cold water, and causes the humblest deed to follow its doer unto the heavenly shores.



THE IMAGINATION AS THE ARCHITECT OF MANHOOD

"Imagination rules the world."—Napoleon.

"The imagination is the very secret and marrow of civilization. It is the very eye of faith. The soul without imagination is what an observatory would be without a telescope."—Beecher.

"In such natures the imagination seems to spire up like a Gothic cathedral over a prodigiously solid crypt of common sense, so that its lightness stands secure on the consciousness of an immovable basis."—Lowell.

"Man's reason is overhung by the imagination. It rains rich treasures for fertilizing the barren soul."—Anon.

"By faith Abraham went forth, not knowing whither he went."—Hebrews.



VII

THE IMAGINATION AS THE ARCHITECT OF MANHOOD

Measured by whatsoever standard, Moses was the one colossal man of antiquity. It may be doubted whether nature has ever produced a greater mind. When we consider that law, government and education took their rise in his single brain; when we remember that the commonwealths of to-day rest upon foundations reared by this jurist of the desert; when we recall his poetic and literary skill, Moses stands forth clothed with the proportions and grandeur of an all-comprehending genius. His intellect seems the more titanic by reason of the obstacles and romantic contrasts in his career. He was born in the hut of a slave, but so strikingly did his genius flame forth that he won the approbation of the great, and passed swiftly from the slave market to the splendor of Pharaoh's palace.

Fortunately, his youth was not without the refinements and accomplishments of the schools. For then Egypt was the one radiant spot upon earth. At a time when Greece was a den of robbers and Rome was unheard of, Memphis was gloriously attractive. Schools of art and science stood along the banks of the Nile. From Thebes Pythagoras carried mathematics into Greece. From Memphis Solon derived his wise political precepts. In Luxor, architecture and sculpture took their rise. From Cleopatra's kingdom men stole the obelisks now in New York and London. Moses' opportunities were fully equaled by his energy and ambition to excel. Even in his youth he must have been renowned for his administrative genius.

But his moral grandeur exceeded his mentality. When events compelled a choice between the luxury of the court and the love of his own people, he did not hesitate, for he was every inch a hero. In that crisis he forsook the palace, allied himself with his enslaved brethren, and went forth an exile of the desert. Nor could any event be more dramatic than the manner of his return to Pharaoh's palace. Single-handed, he undertook the emancipation of a nation. Our leaders, through vast armies, achieved the freedom of our slaves; this soldier, single-handed, freed three millions of bondsmen. Other generals, with cannon, have captured castles; this man beat castles down with his naked fists. And when he had achieved freedom for his people he led them into the desert, and taught the crude and servile slaves the principles of law, liberty and government. Under his guidance the mob became an army; the slaves became patriots and citizens; the savages were clothed with customs and institutions. His mind became a university for millions. And from that day until now the columns of society have followed the name of Moses, as of old the pilgrims followed the pillar of cloud by day and the pillar of fire by night. Greater name history does not hold, save only the Name that is above every name.

Wise men will ask, where were the hidings of this man's power? Whence came his herculean strength? Moses was the father of a race of giants. He was the representative of brave men in every age, who have laid foundations upon which others have builded; he was the prototype of noble leaders who have scattered everywhere the seeds of civilization, and left others to reap the harvests; he was the forerunner of innumerable reformers and inventors, to whom it was never given to enter into the fruit of their labors; of soldiers and heroes who perished on the scaffold that others might be emancipated; of men like Huss and Cranmer, whose overthrow and defeat paved the way for others' victories. Dying, no other man has left behind influences that have wrought so powerfully or so continuously through the centuries. But when we search out the springs of his power we are amazed at his secret. We are told that he endured his tremendous burdens and achieved the impossible through the sight of the invisible. The sense of future victory sustained him in present defeat. Through the right use of the vision faculty he conquered.

Imagination was the telescope by which he saw victory afar off. Imagination was the tool with which he digged and quarried his foundations. Imagination was the castle and tower under which he found refuge from the storms, attacks and afflictions of life. No wing ever had such power for lifting, no spring ever had such tides for assuaging thirst. He bore with savages, because afar off he saw the slaves clothed with the qualities of patriots. He endured the desert, because imagination revealed a fruitful land flowing with milk and honey. He survived lawlessness, because he foresaw the day of law and liberty. He bore up under weight of cares, discouragements and responsibilities heavy enough to have crushed a score of men, because he foresaw the day of final triumph. Of old, when that legendary hero was in the thick of his fight against his enemies, an invisible friend hovered above the warrior, handing forth spear and sword as they were needed. So for the great jurist imagination reached up even into the heavenly armory and plucked such weapons as the hero needed.

Our intellectual tread will be firmer if we define the imagination and consider its uses. The soul is a city; and the external senses are gateways through which sweep all the caravans of truth and beauty. Through the eye gate pass all faces, cities and landscapes. Through the ear gate pass all sweet sounds. But when the facts of land and sea and sky have reported themselves to the soul, reason sweeps these intellectual harvests into the granary of memory for future sowing. But these harvests must be arranged. In the Orient the merchant who keeps a general store puts the swords and spears upon one shelf; the tapestries and rugs upon another; the books and manuscripts upon a third; and each thing has its own shelf and drawer. So judgment comes in to sort knowledges, and puts things useful into one intellectual shelf, things beautiful upon another shelf, and puts things true apart by themselves.

Afterward when the under-servant, called reason, has accumulated the materials, when memory has taken care of them, and judgment has classified all, then the constructive imagination comes in to create new objects. Working in iron and steel, the imagination of Watt organizes an engine; working midst the colors beautiful, the imagination paints pictures; working upon marble it carves statues; working in wood and stone it rears cathedrals; working in sound it creates symphonies; working with ideas it fashions intellectual systems; working in morals it constructs ethical principles; working toward immortality, it bids all cooling streams, fruitful trees, sweet sounds, all noble friendships, report themselves beyond the grave. For faith itself is but the imagination allied with confidence that God is able to realize man's highest ideals. Imagination therefore is a prophet. It is a seer for the soul. It toils as artist and architect and creator. It plants hard problems as seeds, rears these germs into trees, and from them garners the ripe fruit. It wins victory before battles are fought. Without it, civilization would be impossible. What we call progress is but society following after and realizing the visions, plans and patterns of the imagination.

Now our busy, bustling age is inclined to under-estimate the imagination. Men cavil at castle-building. The pragmatist jeers at reveries. Men believe in stores, and goods in them; in factories, and wealth by them; men believe in houses and horses, but not in ideals. Nevertheless, thoughts and dreams are the stuff out of which towns and cities are builded. We may despise the silent dreamer, but in the last analysis he appears the real architect of states! Immeasurable the practical power of the vision faculty! The heroes of yesterday have all been sustained—not by swords and guns, but by the sight of the invisible!

Here is the old hero in his dungeon in Florence. While he dozed, the night before he was to be burned, the jailer saw a rare, sweet smile upon his face. "What is it?" the guard asked. "I hear the sounds of falling chains, and their clangor is like sweet music in my ears." Then, with smiling face he went to his martyrdom. And here is Michael Angelo. Grown old and blind, he gropes his way into the gallery of the Vatican, where with uplifted face his fingers feel their way over the torso of Phidias. Lingering by him one day the Cardinal Farnese heard the old sculptor say: "Great is this marble; greater still the hand that carved it; greatest of all, the God who fashioned the sculptor. I still learn! I still learn!" And he too went forward sustained by his vision of perfect beauty.

And here is John Huss, looking between the iron bars of his prison upon an army of pikes and spears, massed before his jail; but the martyr endured his danger by the foresight of the day when the swords then wielded for repression of liberty of thought would flash for its emancipation. And here is Walter Scott ruined by the failure of his publishers, just at the hour when nature whispered that he had fulfilled his task and earned his respite. But he girded himself anew for the battle, and sustained his grievous loss through the foresight of the hour when the last debt would be paid and his again would be a spotless name. And here is that youth, Emerson, looking out upon a world full of noise and strife, full of the cries of slaves and the warfare of zealots. He was sustained by the foresight of a day when God would breathe peace o'er all the scene. With hope shining in his face, he began to "take down men's idols with such reverence that it seemed an act of worship." And what shall we more say? By the sight of the invisible, Dante endured his scaffold; the heroes, hunted like partridges upon the mountains, endured their caves and the winter's cold; martyrs endured the scourge and fagot. In every age, the great, by the sight of the invisible, have been lifted into the realms of tranquillity. Outwardly, there may have been the roar and boom of guns, but inwardly men were lutes with singing harps. As the householder sitting by his blazing hearth thinks not of the sleet and hail falling on the roof of slate, so the soul abides in peace over which has been reared the castle and covert of God's presence.

How signal a place does the imagination hold in the realm of science and invention! Reason itself is only an under-servant. It has no creative skill. Memory makes no discoveries. But the imagination is a wonder-worker. One day, chancing upon a large bone of the mammoth in the Black Forest, Oken, the German naturalist, exclaimed: "This is a part of a spinal column." The eyes of the scientist saw only one of the vertebrae, but to that one bone his imagination added frame, limb and head, then clothed the skeleton with skin, and saw the giant of animals moving through the forest. In that hour the imagination wrought a revolution in the science of anatomy. Similarly, this creative faculty in Goethe gave botany a new scientific basis. Sitting in his favorite seat near the castle of Heidelberg one day, the great poet was picking in pieces an oak leaf. Suddenly his imagination transformed the leaf. Under its touch the central stalk lifted itself up and became the trunk of the tree; the veins of the leaf were extended and became boughs and branches; each filament became a leaf and spray; the imagination revealed each petal and stamen and pistil, as after the leaf type, and gave a new philosophy to the science of herbs and shrubs. When a pistachio tree in Paris with only female blossoms suddenly bore nuts, the mind of a scientist suggested that some other rich man had imported a tree with male flowers, and careful search revealed that tree many miles away.

And in every department of science this faculty bridges over chasms between discovered truths. Even Newton's discovery was the gift of imagination. When the eyes of the scientist saw the falling apple it was his vision faculty that leaped through space and saw the falling moon. When the western trade winds, blowing for weeks, had cast the drift wood upon the shores of Spain, Columbus' eyes fell not only upon the strange wood but also upon a pebble caught in the crevice. But his imagination leaped from the pebble to the Western continent of which the stone was a part, and from the tree to the forest in which it grew.

This faculty has performed a similar work in the realm of mechanics. Watt tells us that his engine worked in his mind years before it worked in his shop. In his biography, Milton recognizes the beauty of the trees and flowers he culled from earth's landscapes and gardens, but in his "Paradise Lost," his imagination beheld an Eden fairer than any scene ever found on earth. Napoleon believed that every battle was won by the imagination. While his soldiers slept, the great Corsican marshaled his troops, hurled them against the enemy, and won the victory in his mind the night before the battle was fought. Even the orator like Webster must be described as one who sees his argument in the air before he writes it upon the page, just as Handel thought he heard the music falling from the sky more rapidly than his hand could fasten the notes upon the musical bars. Thus every new tool and picture, every new temple or law or reform, has been the imagination's gift to man.

Nor has the case been different with men in the humbler walks of life. Multitudes are doomed to delve and dig. Three-fourths of the race live on the verge of poverty. The energies of most men are consumed in supporting the wants of the body. It is given to multitudes to descend into the coal mine ere the day is risen, to emerge only when night has fallen. Other multitudes toil in the smithy or tend the loom. The division of labor has closed many avenues for happiness and culture. The time was when the village cobbler was primarily a citizen, and only incidentally a shoemaker. In the old New England days the cobbler owned his garden and knew the orchard; owned his horse and knew the care of animals; had his special duties in relation to school and church, and, therefore, was a student of all public questions. But tending a machine that clinches tacks, cabins and confines the soul. The man who begins as a citizen ends an appendage to a wheel. The life of many becomes a treadmill existence. Year in and year out they tend some spindle. Now this drudgery of modern life threatens happiness and manhood. Therefore it was ordained that while the hand digs the mind may soar.

While Henry Clay's hands were hoeing corn in that field in Kentucky, through his imagination the young orator was standing in the halls of Congress. What orations he wrote! What arguments he fashioned! Each time his hoe cut down a weed, his mind with an argument hewed down an opponent. Never was there a tool for hoeing corn like unto the imagination! Christine Nilsson tells that once she toiled as a flower girl at the country fairs in Sweden. But all the time she delved she was dreaming, and by her very dreams making herself strong against the day when she would charm vast audiences with celestial music. What battles the plowboys have fought in dreams! What orations they have pronounced! What reforms they have achieved! What tools invented! What books written! What business reared! Thus the imagination shortens the hours of labor and sweetens toil. While the body tires, the soul soars and sings.

This young foreigner newly arrived in our city digs downward with his spade, but his imagination works upward into the realm of the invisible. He endures the ditch and the spade through foresight of the day when his playmate will come over the sea; when together they will own a little house, and have a garden with vines and flowers, with a little path leading down to "the spring where the water bubbles out day and night like a little poem from the heart of the earth;" when they will have a little competence, so that the sweet babe shall not want for knowledge. By that dream the youth sustains his loneliness and poverty; by that dream he conquers his vices and passions; at last through that dream he is lifted up to the rank of a patriot and worthy citizen. Nor shall you find one hard-worked man caught to-morrow in life's swirl who does not endure the strife, the rivalry and the selfishness of the street with this gift divine. It is the noblest instrument of the soul. Thereby are the heavens opened. Imagination is the poor man's friend and saviour. Imagination is God whispering to the soul what shall be when time and the divine resources have accomplished their work upon man.

And when imagination has achieved for man, his progress, happiness, and culture, it goes on to help him to gain personal worth and character. Above every noble soul hangs a vision of things higher, better and sweeter. It causes the best men even in their best moods to feel that better things still are possible. By sweet visions it tempts men upward, just as of old the bees were lured onward by the honey dropped through the hunter's hands. The vision of a higher manhood discontents men with to-day's achievement and takes the flavor out of yesterday's victory. In such hours it is not enough that men have bread and raiment, or are better than their fellows. The soul is filled with nameless yearnings and longings. The deeper convictions, long hidden, begin to stir and strain, even as in June the seed aches with its hidden harvest.

Though the youth still pursues, he never overtakes his ideal. In the process of transmutation into life the ideal is injured and dwarfed. Just as the poet's vision is transcendently more beautiful than the song he writes upon the page; as the artist's dream is a glorious-creation, but his picture is only a photograph thereof; as the musician's song or symphony is but an echo of the ethereal music he heard in his soul, so every purpose and ideal is marred in the effort to give it expression and embodiment.

These children of aspiration hold the secret of all progress for society. Just as of old artists drew the outline of glowing and glorious pictures, and then with bits of colored glass and precious stones filled up the mosaic, causing angels and seraphs to stand forth in lustrous beauty, so imagination lifts up before the youth its glowing plans and purposes, and asks him to give himself to the details of life in filling it up and perfecting a glorious character. The patterns of life are only given upon that holy mount where, midst clouds and darkness, dwell God and the higher imagination.

But if the imagination has its use, it has its abuse also. If visions of truth and beauty can exalt, visions of vice can debase and degrade. In that picture where Faust and Satan battle together for the scholar's soul, the angels share in the conflict. Plucking the roses of Paradise, they fling them over the battlements down upon the heads of the combatants. When the roses fall on Faust they heal his wounds; when they fall on Satan they turn into coals of fire. Thus the imagination casts inspirations down upon the pure, but smites the evil into the abyss. The miseries of men of genius like Burns are perpetual warnings to youth against the riotings of imagination. There are poems, also novels and lurid scenes in the city, hanging pictures before the imagination and scorching the soul like flames of fire. For as of old so now, what a man imagineth in his heart that he is. For not what a man does outwardly, but what he dreams inwardly, determines his character.

Most men are better than we think, but some men are worse. As steam in the boiler makes itself known by hisses, so the evil imaginings heave and strain, seeking escape. Many forbear vice and crime through fear; their conscience is cowardice; if they dared they would riot through life like the beasts of the field; if all their inner imaginings were to take an outward expression in deeds, they would be scourges, plagues and pests. In the silence of the soul they commit every vice. But they who sow the wind shall reap the whirlwind; the revealing day will come when the films of life shall be withdrawn, and the character shall appear faithful as a portrait, and then all the meanness and sliminess shall be seen to have given something to the soul's picture. Oh, be warned against these dreams, all ye young hearts! The indulgence of the imagination is like the sultriness of a summer's day; what began so fair ends with sharp lightnings and thunder. How terrible is this word to evil-doers! "As a man thinketh in his heart, so is he."

It is also given to this vision faculty to redeem men out of oppression and misfortune, and through its intimations of royalty to lend victory and peace. Oft the days are full of storms and turbulence; oft events grow bad as heart can wish; full oft the next step promises the precipice. There are periods in every career when troubles are so strangely increased that the world seems like an orb let loose to wander widely through space. In these dark hours some endure their pain and trouble through dogged, stoical toughness. Then men imitate the turtle as it draws in its head and neck, saying to misfortune: "Behold the shell, and beat on that." But, God be thanked! victory over trouble has been ordained. In the blackest hour of the storm it is given to the vision faculty to lift man into the realm of tranquillity. As travelers in the jungle climb the trees at night and draw the ladder up after them, and dwell above the reach of wild beasts and serpents, so the soul in its higher moods ascends into the realms of peace and rest. In that dark hour just before Jesus Christ entered into the cloud and darkness, and fronted His grievous suffering, He called His disciples about Him and uttered that discourse beginning: "Let not your hearts be troubled." Strange wonder words; words of matchless genius and beauty.

Moreover, the vision faculty furnishes man his idea and picture of God. Many suppose that all that is necessary to understand the divine nature is that it should be stated distinctly in language. Greater error there could not be. There can be no language for causing a little child to understand the larger truths of heroism, art or government. The unripe cannot understand the mature. Each mind must paint its own picture of God. Nature itself is but a palette upon which God draws her portrait. Reason furnishes the materials and truths about God, and the imagination unites them in some noble conception of His all-helpful nature. Everything in nature that has power or beauty or benefit has received it from God. Moving along the Alpine valleys the traveler sees huge bowlders lying in the stream, and, looking to the mountain side, his eye rests upon the very cliff from which the bowlder fell. Thus discerning the noble qualities in mother or patriot, in hero or friend, we trace their beautiful qualities back to God, from whom all noble souls borrow their excellence. In the largest sense all the elements of power in sea and sky and sun, all the beauty of the fields and forests, of summers and winters, are letters in nature's alphabet for spelling out the name of God. As a diamond has many facets, and every one reflects the sun, so the universe itself is a gem whose every facet reflects the mind and genius of God.

When reason has culled out of life and nature everything that excites awe or admiration, everything that represents bounty and beauty, then imagination lifts up all these ideals and sweeps them together and melts them into one glowing and glorious conception of the God of power, wisdom and love. But even then the heart whispers: "He is that, and infinitely more than that, even as the sun is more than the little taper man has made." But if the reason and memory, through misuse, furnish but few of the truths about God, and if the imagination has been weakened in its power, then how poor the picture the soul paints!

What scant, feeble portraits of God some men have! What can an Eskimo, whose highest conception of summer is a stunted bush, know of tropical orchards, of luscious peach, pear and plum? If the student has seen only the broken fragments of Phidias, what can he know of the Parthenon as it once stood in the zenith of its perfection, in the splendor of its beauty? But if man's reason can cull out all the lustrous facts of nature and history, and if his imagination has strength and skill to bring them all together, then how beautiful will be the face and name of God! That name will fill his soul with music. That thought will set his heart vibrating with tumultuous joy. If all the air were filled with invisible bells, and angels were the ringers, and music fell in waves as sweet as melted amethyst and pearl, we should have that which would answer to the sweetness that by day and night rains down upon the hearts of those who approach God—not through the eye nor ear, not through argument nor judgment, but through the heart, through the imagination, as they endure, beholding Him who is invisible.



THE ENTHUSIASM OF FRIENDSHIP

"He that walketh with wise men shall be wise."—Solomon.

"The only way to have a friend is to be one."—Emerson.

"A talent is perfected in solitude; a character in the stream of the world."—Goethe.

"It is certain that either wise bearing or ignorant carriage is caught as men take diseases, one of another; therefore let men take heed of their company."—Shakespeare.

"Beyond all wealth, honor or even health, is the attachment we form to noble souls, because to become one with the good, generous and true, is to become, in a measure, good, generous and true ourselves."—Thomas Arnold.

"Cicero said: 'Friendship can make riches splendid.' Friendship can plan many things for its wealth to execute. It can plan a good winter evening for a group, and it can plan an afternoon for a hundred children. It can roll in a Christmas log for a large hearth. It can spread happiness to the right and left. It can spend money most beautifully and make gold to shine. Civilization itself is of the heart."—Swing.



VIII

THE ENTHUSIASM OF FRIENDSHIP

Destiny is determined by friendship. Fortune is made or marred when the youth selects his companions. Friendship has ever been the master-passion ruling the forum, the court, the camp. The power of love is God-breathed, and life has nothing like love for majesty and beauty. Civilization itself is more of the heart than of the mind. As an eagle cannot rise with one wing, so the soul ascends borne up equally by reason and affection. Plato found the measure of greatness in a man's capacity for exalted friendship. All the great ones of history stand forth as unique in some master passion as in their intellectual supremacy. Witness David and Jonathan, with love surpassing the love of women. Witness Socrates and his group of immortal friends. Witness Dante and his deathless love for Beatrice. Witness Tennyson and his refrain for Arthur Hallam. Witness the disciples and Christ, with "love as strong as death."

Sweetness is not more truly the essence of music than is love the very soul of a deep, strong, harmonious manhood. Friendship cheers like a sunbeam; charms like a good story; inspires like a brave leader; binds like a golden chain; guides like a heavenly vision. To love alone is it given to wrestle victoriously with death.

Lord Bacon said: "He who loves solitude is either a wild beast or a god." The normal man is gregarious. He wants companionship. The very cattle go in herds. The fishes go in shoals. The bees go in swarms. And men come together in families and cities. As men go up toward greatness their need of friendship increases. No mind of the first order was ever a hermit. Modern literature enshrines the friendships of the great and makes them memorable. While letters last, society will never forget Charles Lamb and his companions; Dr. Johnson and his immortal group; Petrarch and his helpless dependence upon Laura; while the letters of Abelard and Heloise enshrine them in everlasting remembrance.

In all literature there is no more touching death-bed scene than that of the patriarch Jacob. Dying, the Prince forgot his gold and silver, his herds and lands. Lifted up upon his pillows, in tremulous excitement he took upon his lips two names—God and Rachel. More than a score of years had passed since her death, but in that memorable hour the great man built a monument to her who had fed his joy and deepened his life.

Friendship carries a certain fertilizing force. All biographers tell us that each epoch in a hero's life was ushered in by a new friend. When Schiller met Goethe every latent talent awakened. The poet's friendship caused the youth to grow by leaps and bounds. Once, returning home after a brief visit to Goethe's house, one exclaimed: "I am amazed by the progress Schiller can make within a single fortnight!" Perhaps this explains why the great seem to come in groups. Thrust an Emerson into any Concord, and his pungent presence will penetrate the entire region. Soon all who come within the radius of his life respond to his presence, as flowers and trees respond with boughs brilliant and fragrant to the sunshine when spring replaces the icy winter. After a little time, each Emerson stands girt about with Hawthornes, Whittiers, Holmeses, and Lowells. The greatness of each Milton lingers in his friends, Cromwell and Hampden, as the sun lingers in the clouds after the day is done. Therefore the great epics and dramas, from the Iliad to the Idylls of the King, are stories of friendships. Take love out of our greatest literature, and it is like taking a sweet babe out of the clothes that cover it. Man listens eagerly to tales of eloquence and heroism, but loves most of all the stories of the heart. God is not more truly the life of dead matter than is love the very life of man.

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