After her welcoming radiance of the day before, Valerie looked pale and weary, and when, with solicitude, he asked her whether she were not tired, she confessed to having slept badly.

"She's changed, you know," Sir Basil said to Mrs. Pakenham, when they were settled in their seats, and Valerie, beside him, was engaged in pointing out people to Tom Pakenham. "It's been frightfully hard on her, all this, I'm sure."

"She's as charming as ever," said Mrs. Pakenham.

"Oh, well, that could never change. But what a shame that she should have had, all along, such a lot to go through." Sir Basil, as a matter of course, had the deepest antipathy for the late Mr. Upton.

The tableaux struck at once the note of success. Saved by Jack's skill from any hint of waxwork or pantomime, their subtle color and tranquil light made each picture a vision of past time, an evocation of Hellenic beauty and dignity.

Cassandra in her car—her face (oh, artful Jack!) turned away,—awful before the door of Agamemnon; Iphigenia, sleeping, on her way to the sacrifice; Helen, before her husband and Hecuba; Alcestis, returning from the grave, and Deianira with the robe. The old world of beauty and sorrow, austere and lovely in its doom, passed before modern eyes against its background of sky, grove, and palace steps.

"And now," said Valerie, when the lights sprang out for the interval, "now for your introduction to Imogen. They have made her the climax, you see."

"He did, you mean. The young man."

"Yes, Jack arranged it all."

"He's the one you wrote of, of course, who admires her so tremendously."

"He is the one."

"In fact he'll carry her off from you some day, soon, eh?" Sir Basil ventured with satisfaction in his own assurance. He, too, felt that Imogen must be "settled."

"I suppose so," said Valerie. "I couldn't trust her to any one more happily. He understands her and cares for her absolutely."

Sir Basil at this ventured a little further, voicing both satisfaction and anxiety with: "So, then, you'll come back—to—to Surrey."

"Yes, then, I think, I can come back to Surrey," Valerie replied.

The heart of her feeling had always remained for him a mystery, and her acquiescence now might mean a great deal, everything, in fact, or it might mean only her gliding composure before a situation that she had power to form as she would. He could observe that her color rose. He knew that she blushed easily. He knew, too, that his own feeling was not hidden from her and that the blush might be for her recognition only; yet he was occupied with the most hopeful interpretations when the curtain rose. A moment after its rising Valerie heard him softly ejaculate, "I say!" She could have echoed the helplessly rudimentary, phrase. She, too, gazed, in a stupor of delight; a primitive emotion in it. The white creature standing there before them, with her forward poise, her downcast yet upgazing face, was her child. Valerie, since her return to her home, had given little time to analysis of her own feeling, the stress of her situation had been too intense for leisurely self-observation. But in the upwelling of a strange, a selfless, joy she knew, now, how often she had feared that all the joy of maternity was dead in her; killed, killed by Imogen.

The joy now was a passing ray. The happy confusion of admiration, wonder, and pride was blotted out by the falling gloom of reality. It was her child who stood there, but the bond between them seemed, but for the ache of rejected maternity at her heart, a pictorial one merely. Tears of bitterness involuntarily filled her eyes as she looked, and Imogen's form seemed to waver in a dim, an alien atmosphere.

When the curtain fell on the Antigone who kept her pose without a tremor, the uproar of applause was so great that it had to rise, not only twice, but three times. At the last, a faint wavering shook slightly the Antigone's sculptured stillness and poor old Oedipus rocked obviously upon his feet.

"What a shame to make her keep it up for so long!" murmured Sir Basil, his face suffused with sympathy. The symptom of human weakness was a final touch to the enchantment.

"Well, it makes one selfish, such loveliness!" said Mrs. Pakenham, flushed with her clapping. "Valerie, dear, she is quite too lovely!"

"Extraordinarily Greek, the whole thing," said Tom Pakenham; "the comparative insignificance of facial expression and the immense significance of attitude and outline."

"But the face!" Sir Basil turned an unseeing eye upon him, still wrapped, it was evident, in the vision that, at last, had disappeared. "The figure is perfect; but the face,—I never saw anything so heavenly."

Indeed, in its slightly downcast pose, the trivial lines of Imogen's nose and chin had been lost; the up-gazing eyes, the sweep of brow and hair, had dominated and transfigured her somewhat tamely perfect countenance.

"Do you know, I'm more afraid of her than ever," said Sir Basil to Valerie on their way home to tea, in the cab. "I wasn't really afraid before. I could have borne up very well; but now—it's like knowing that one is to have tea with a seraph."

Jack, Imogen, and Mary were not yet arrived when they reached the house; but by the time the tea was on the table and Valerie in her place behind the urn, they heard the cab drive up and the feet of the young people on the stairs.

Jack entered alone, saying that Mary and Imogen were gone to take off their wraps. Yes, he assured Valerie, they had promised to keep on their Grecian robes for tea.

Valerie introduced him to the Pakenhams and led the congratulations on his triumph. "For it really is yours, Jack, as much as if you had painted the whole series of pictures."

Jack, looking shy, turned from one to the other as they seconded her enthusiasm,—Mrs. Pakenham, with her elaborately formal head and china-blue eyes; her husband, robust and heavy; Sir Basil, still with his benignant, unseeing quality. Among them all, in spite of Mrs. Wake's keen, familiar visage, in spite of Valerie's soft glow, he felt himself a stranger. He even felt, with a little stab of ill-temper, that there had been truth in Imogen's diagnosis. They were kindly, but they were tremendously indifferent. They didn't at all expect you to be interested in them; but that hardly atoned for the fact that they weren't interested in you. For Jack, life was made up of vigilant, unceasing interest, in himself and in everybody else.

"Ah, were they all taken from your pictures?" Sir Basil asked him, strolling up to the mantelpiece to examine a photograph of Imogen that stood there.

Jack explained that he could claim no such gallery of achievement. He had made a few sketches for each tableau; his work had been, in the main, that of stage-manager.

"Oh, I see," said Sir Basil, not at all abashed by his blunder. "Nicer than lay figures to work with, eh? all those pretty young women."

"I don't use lay figures, at any time. I'm a landscape painter," Jack explained, somewhat stiffly. He surmised that had he been introduced as Velasquez Sir Basil would have been quite as unmoved, just as he would have been quite as genially inclined had he been introduced as a scene-painter.

"I used to think I'd go in for something of that sort in my young days," said Sir Basil, holding Imogen's photograph; "and I dabbled a bit in water-color for a time. Do you remember that little sketch of the Hall, done from the beech avenue, Mrs. Upton? Not so bad, was it?"

"Not at all bad," said Valerie; "but we can't use such negatives for Jack's work. It's very seriously good, you know. It's anything but dabbling."

"Oh, yes; I know that you are a real artist," Sir Basil smiled at Jack from the photograph. "This doesn't do her justice, does it?"

"Imogen? No; it's a frightful thing," said Jack over-emphatically.

Mrs. Pakenham asked to see it and pronounced that, for her part, she thought it excellent.

"You ought to paint her portrait," Sir Basil continued, looking at Jack, who had, once more, to explain that landscape was his only subject. He guessed from the something at once benign and faintly quizzical in Sir Basil's regard, that to all these people he was significant, in the main, as Imogen's lover, and the intuition vexed him still further.

Imogen's entrance, startling in its splendid incongruity, put an end to his self-consciousness and absorbed him in contemplation.

Imogen revealed herself newly, even to him, to-day. It wasn't the old Imogen of stateliness, graciousness, placidity, nor the later one of gloom and anger. This Imogen, lovely, with her flushed cheeks and sparkling eyes, was deeply excited, deeply self-forgetful. She, too, was absorbed in her intense curiosity, her feverish watchfulness.

She said nothing while her mother introduced her to the new-comers, who all looked a little taken aback, as though the resuscitated Grecian heroine were indeed among them, and stood silently alert near the tea-table, handing the cups of tea, the cakes and scones, for Jack and Sir Basil to pass round. Her arms were bare and her slender bare feet, laced with gold-clasped fastenings, showed on her white sandals. Jack saw that Sir Basil's eyes were fixed on her with an expression of wonder.

He asked her, as he took the last cup from her, if she were not cold, and, gentle, though unsmiling, Imogen replied, "Oh, no!" glancing at the roaring wood fire, that illuminated her whiteness as if with a sacrificial glow.

"Do sit down and have your tea, Imogen; you must be very tired," her mother said, with something of the chill that the scene at the lunch-table had diffused still in her voice.

"Not very, thanks, mama dear," said Imogen; and, more incongruous in loveliness than before, she sat down in a high-backed chair at some little distance from the tea-table. Sir Basil, as if with a sort of helplessness, remained beside her.

"Yes, it was a great success, wasn't it?" Jack heard her replying presently, while she drank the tea with which Sir Basil had eagerly supplied her. "I'm so glad."

"You liked doing it, didn't you? You couldn't have done it, like that—looked like that, if you hadn't cared a lot about it," Sir Basil pursued.

Imogen smiled a little and said that she didn't know that she had liked doing her part particularly,—it was of her crippled children that she was thinking. "We'll be able to get the Home now," she said.

"It was for cripple children?"

"Didn't you know? I should have thought mama would have told you. Yes, it all meant that, only that, to me. We gave the tableaux to get enough money to buy a country home for them."

"You go in a lot for good works, I know," said Sir Basil, and Imogen, smiling again, with the lightness rooted in excitement, answered: "They go in for me, rather. All the appeals of suffering seem to come to one and seize one, don't they? One never needs to seek causes."

Jack watched them talk, Imogen, the daughter of the dead, rejected husband, and Sir Basil, her mother's suitor.

Mary had come in now, late from changing her dress, which at the last moment she had felt too shy to appear in. She was talking to Mrs. Wake and the Pakenhams.

Standing, a somewhat brooding onlooker, becoming conscious, indeed, of the sense, stronger than ever, of loneliness and bereavement, he heard Mrs. Upton near him say, "Sit down here, Jack."

She showed him a chair beside her, in the corner, between her tea-table, the window, and the fire. She, too, was for the moment isolated; she, too, no doubt, had been watching; and now she talked to him, not at all as if she had felt that he were lonely and were making it up to him, but, once more, like the child happily gathering and holding out nosegays to another child.

A controlled excitement was in her, too; and he felt still that slight strain of the lunch-table, as if Imogen's catafalque had marred some too-trustful assurance; but a growing warmth was diffused through it, and, as her eyes turned once or twice on Imogen and Sir Basil, he saw the cause.

The possibility that her daughter might make friends with her suitor, the solvent, soothing possibility that, if realized, would so smooth her path, had come to her. And in their quiet fire-lit corner, shut the closer into their isolation by the talk that made only a confused murmur about them, he felt a new frankness in her, as though the hope of the hour effaced ominous memories and melted her reserves and discretions, making it wholly natural to draw near him in the implied avowal of shared outlooks.

"I believe that Imogen and Sir Basil are going to get on together," she said; "I believe that she likes him already. I so want them to be friends. He is such a friend of mine."

"They look friendly," said Jack; "I think I can always tell when Imogen is going to like people." He did not add that, with his new insight about Imogen, he had observed that it was people over whom she had power that Imogen liked. And already he seemed to see that Imogen would have some sort of power over Sir Basil.

"And I can always tell when he is going to like people. He thinks her wonderful," said Valerie. She exchanged her knowledge with him; it was touching, the way in which, blind to deep change in him, she took for granted his greater claim to the interpretation of Imogen. She added: "It is a very propitious beginning, I think."

"How long is Sir Basil going to stay here?" Jack asked.

"All summer. He goes to Canada with the Pakenhams, and out to the West, for a glimpse of the changes since he was here years and years ago; and then I want him to come to Vermont, to us. You and Imogen will both get to know him well there. Of course you are coming; Imogen told me that she asked you long ago."

"Yes; I shall enjoy that immensely," the young man answered, with, for his own consciousness, a touch of irrepressible gloom. He didn't look forward to the continuation of the drama, to his own lame and merely negative part in it, at the close quarters of a house-party among the Vermont hills.

And as if Valerie bad felt the inner doubt she added suddenly, on a different key, "You really will enjoy it, won't you?"

He looked up at her. Her face, illuminated by the firelight, though dimmed against the evening blue outside, was turned on him with its sudden intentness and penetration of gaze.

"Why, of course," he almost stammered, confused by the unexpected scrutiny.

"I shall love having you, you know," she said.

"I shall love being with you," he answered, now without a single inner reserve.

Her intentness seemed to soften, there was solicitude and a sort of persuasiveness in it. "And you will have a much better chance of really adjusting things there—your friendship with Imogen, I mean. The country smoothes things out. Things get sweet and simple."

He didn't know what to say. Her mistake, if it were one, was so inevitable.

"Imogen will have taken her bearings by then," she went on. "She has had so much to get accustomed to, to bear with, poor child; her great bereavement, and—and a mother who, in some ways, must always be a trial to her."

"Oh, a trial!"—Jack lamely murmured.

"I recognize it, Jack. I think that you do. But when she makes up her mind to me, and discovers that, at all events, I don't interfere with anything that she really cares about, she will be able to take up all her old threads again."

"I—I suppose so," Jack murmured.

He had dropped his eyes, for he knew that hers were on him. And now, in a lowered voice, he heard her say, "Jack, I hope that you will help me with Imogen."

"Help you? How do you mean?" startled, he looked up.

"You know. Interpret me to her now and then, when you can, with kindliness. You understand me so much more kindly than she does."

His eyes fixed on hers, deeply flushing—"Oh, but,"—he breathed out with almost a long sigh,—"that's what I have done, you see, ever since—"

"Ever since what?"

"Since I came to understand you so much better than she does."

There was a long pause now and, the firelight flickering low, he could hardly see her face. But he recognized change in her voice as she said: "You have? I don't mean, you know, taking my side in disputes."

"I know; I don't mean that, either, though, perhaps, I can't help doing it; for," said Jack, "it's on your side that I am, you know."

The change in her voice, but controlled, kept down, she answered quickly,

"Ah, but, dear Jack, I don't want to have a side. It's that that I want her to realize. I want her to feel that my side is hers. I want you to help me in making her feel it."

"But she'll never feel it!" Jack breathed out again. Behind the barrier of the tea-table, in the flickering dimness, they were speaking suddenly with a murmuring, yet so sharp a confidence; a confidence that in broad daylight, or in complete solitude, might have seemed impossible. All sorts of things must steal out in that persuasive, that peopled yet solitary, twilight.

He knew that Valerie's eyes dwelt on him with anxiety and that it was with a faint, forced smile that she asked him: "She doesn't think that I'll ever reach her side?"

"I don't believe you ever will," said Jack. Then, for he couldn't bear that she should misunderstand him for another moment, misunderstanding when they had come so far was too unendurable, he went on in a hurried undertone: "You aren't on her side, really. You can never be on her side. You can never be like her, or see like her. And I don't want you to. It's you who see clearly, not she. It's you who are all right."

Her long silence, after this, seemed to him like the hovering of hands upon him; as though, in darkness, she sought by touch to recognize some strange object put before her.

"But then,—" she, too, only breathed it out at last,—"but then,—you are not on her side."

"That's just it," said Jack. He did not look at her and she was silent once more before his confession.

"But," she again took up the search, "that is terrible for her, if she feels it."

"And for me, too, isn't it?" he questioned, as if he turned the surfaces of the object beneath her fingers.

The soft, frightened hover seemed to go all over it, to recognize it finally, and to draw back, terrified, from recognition.

"Most terrible of all for me, if I have come between you," she said.

Her pain pierced him so, that he put out his hand and took hers. Don't think that; you mustn't think that, not for a moment. It's not that you came between us. It's only that, because of you, I began to see things—as I hadn't seen them. It was just,—well, just like seeing one color change when another is put beside it. Imogen's blue, now that your gold has come, is turned to green; that's all that has happened."

"All that has happened! Do you know what you are saying, Jack! If my gold were gone, would the blue come back again?"

"The blue will never come back," said Jack.

He felt, as her hand tightened on his, that he would have liked to put his head down on her knees and sob like a little boy; but when she said, "And the green you cannot care for?" his own hand tightened as if they clutched some secret together, some secret that neither must dare look at. "You mustn't think that—you mustn't. And I mustn't." He said it with all the revolt and all the strength of his will and loyalty; with all his longing, too. "The real truth is that the green can't care for me unless I will see it back to blue again—and as I can't do that, and as it won't accept my present vision, there is a sort of dead-lock."

For a long moment her hand continued to grasp his, before, as if taking in the ambiguous comfort of his final definiteness, it relaxed and she drew it away.

"Perhaps she will care enough," she said.

"To accept my vision? To forego blue? To consent that I shall see her as green?"

"Yes, when she has taken up all the threads."

"Perhaps she will," said Jack.



XVI

It was a few days after this, just before Jack's return to Boston—and the parting now was to be until they met in Vermont—that he and Imogen had another walk, another talk together.

The mid-May had become seasonably mild and, at Jack's suggestion, they had taken the elevated cars up to Central Park for the purpose of there seeing the wistaria in its full bloom.

They strolled in the sunlight under arbors rippling all over with the exquisite purple, dark and pale, the thin fine leaves of a strange olive-green, the delicate tendrils; they passed into open spaces where, on gray rocks, it streamed like the tresses of a cascade; it climbed and heaped itself on wayside trellises and ran nimbly, in a shower of fragile color, up the trunks, along the branches, of the trees. Jack always afterward associated the soft, falling purple, the soft, languorous fragrance, the almost uncanny beauty of the wistaria, with melancholy and presage.

Imogen, for the first time since her father's death, showed a concession to the year's revival in a transparent band of white at her neck and wrists. Her little hat, too, was of transparent black, its crape put aside. But, though she and the day shared in bloom and youthfulness, Jack had never seen her look more heavily bodeful; had never seen her eyes more fixed, her lips more cold and stern. The excitement that he had felt in her was gone. Her curiosity, her watchfulness, had been satisfied, and grimly rewarded. She faced sinister facts. Jack felt himself ready to face them, too.

They had spoken little in the clattering car, and for a long time after they reached the park and walked hither and thither among its paths, following at random the beckoning purple of the wistaria, neither spoke of anything but commonplaces; indicating points of view, or assenting to appreciations. But Imogen said at last, and he knew that with the words she led him up to those facts: "Do you remember, Jack, the day we met mama, you and I, on the docks?"

Jack replied that he did.

"What a different day from this," said Imogen, "with its frosty glory, its challenge, its strength."

"Very different."

"And how different our lives are," said Imogen.

He did not reply for some moments, and it was then to say gently that he hoped they were not so different as, perhaps, they seemed.

"It is not I who have changed, Jack," said Imogen, looking before her. And going on, as though she wished to hear no reply to this: "Do you remember how we felt as the steamer came in? We determined that she should change nothing, that we wouldn't yield to any menace of the things we were then united in holding dear. It's strange, isn't it, to see how subtly she has changed everything? It's as if our frosty, sparkling landscape, all wind and vigor and discipline, were suddenly transformed to this,—" Imogen looked about her at the limpid day,—"to soft yielding, soft color, soft perfume,—it's like mama, that fragrance of the wistaria,—to something smiling, languid, alluring. This is the sort of day on which one drifts. Our past day was a day of steering."

As much as for the meaning of her careful words, Jack felt rising in him an anger against the sense of a readiness prepared beforehand. "You describe it all very prettily, Imogen," he answered, mastering the anger. "But I don't agree with you."

"You seldom do now, Jack. Perhaps it's because I've remained in my own climate while you have been borne by the 'warm, sweet, harmless' current into this one."

"I am not conscious of any tendency to drift, Imogen. I still steer. I intend, very firmly, always to steer."

"To what, may I ask?"

He was silent for a moment; then said, lifting eyes in which she read all that new steeliness of opposition, with, yet, in it, through it, the sadness of hopeless appeal: "I believe in all our ideals—just as I used to."

To this Imogen made no rejoinder.

"Do you like Sir Basil?" she asked presently, after, for some time, they had turned along the windings of a long path in a heavy silence.

"I've hardly seen him." Jack's voice had a forced lightness, as though for relief at the change of subject; but he guessed that the change was only apparent. "He is very nice; very delightful looking."

"Yes; very delightful looking. Do you happen to remember what I said to you about him, long ago, in the winter? About him and mama?"

"Yes"; Jack flushed; "I remember."

"I told you to wait."

"Yes; you told me to wait."

"You will own now, I hope, that I was right."

"Right in thinking that he—that they were more than friends?"

"Right in thinking that he was in love with her; that she allowed it."

"I suppose you were right."

"I was right. And it's more than that now. I have every reason to believe that she intends to marry him."

He ignored her portentous pause and drop of the voice, walking on with downcast eyes. "You mean, it's an accepted thing?"

"Oh, no! not yet accepted. Mama respects the black edge, you know. But I heard Mrs. Wake and Mrs. Pakenham talking about it."

"Heard? How could you have heard?" Jack's eyes, stern with accusation, were now upon her.

It was impossible for Imogen to lie consciously, and though she had not, in her eagerness that he should own her right and share her reprobation, foreseen this confrontation, she held, before it, all the dignity of full sincerity.

"You are changed, indeed, Jack, when you can suspect me of eavesdropping! I was asleep on the sofa in the library, worn out with work, and I woke to hear them talking in the next room, with the door ajar. I did not realize, for some moments, what was being said. And then they went out."

"Of course I don't suspect you; of course I don't think that you would eavesdrop; though I do hate—hearing," Jack muttered.

"I hope you realize that I share your hatred," said Imogen. "But your opinion of me is not, here, to the point. I only wish to put before you what I have now to bear, Mrs. Pakenham said that she wagered that before the year was out Sir Basil would have married mama." Imogen paused, breathing deeply.

Jack walked on beside her, not knowing what to say. "I think so, too, and wish her joy," would have been the truest rendering of his feeling.

He curbed it to ask cautiously, "And you mind so much?"

"Mind!" she repeated, a thunderous echo.

"You dislike it so?"

"Dislike? You use strangely inapt words."

He had another parenthetic shoot of impatience with her dreadful articulateness; had Imogen always talked so much like the heroine of a novel with a purpose?

"I only meant—can't you put up with it?"

"Put up with it? Can I do anything else? What power have I over her? You don't seem to understand. I have passed beyond caring that she makes herself petty, ridiculous; as a woman of her age must in marrying again—the clutch of fading life at the happiness it has forfeited. Let her clutch if she chooses; let her marry if she chooses, whom she chooses, yes, when she chooses. But don't you see how it shatters my every hope of her,—my every ideal of her? And don't you see how my heart is pierced by the presence of that man in my father's house, the house that she abandoned and cast a shadow upon? How filled with bitter shame and anguish I am when I see him there, in that house, sacred to my grief and to my memories—making love to my mother?"

No, really, never, never had he heard Imogen so fluent and so dramatically telling; and never had he been so unmoved by the feeling under the fluency. It was as if he could believe in none.

He remained silent and Imogen continued: "When she came back, I believed that it was with an impulse of penitence; with the wish, shallow though I knew that it must be in such a nature, to atone to me for the ruin that she had made in his life. I was all tenderness and sympathy for her, all a longing to help and sustain her—as you must remember. But now! It fulfils all that I had feared and suspected in her—and more than all! She left England, she came here, that the conventions might be observed; and, considering them observed enough for her purpose, she receives her suitor, eight months after my father's lonely death,-in the house where my heart breaks and bleeds for him, where I mourn for him, where I—alone, it seems—feel him flouted and betrayed! And she talks of her love for me!"

Jack was wondering that her coherent passion did not beat him into helpless acquiescence; but, instead, he found himself at once replying, "You don't see fairly. You exaggerate it all. She was unhappy with your father. For years he made her unhappy. And now, if she can care for a man who can make her happy, she has a right, a perfect right, to take her happiness. As for her loving you, I don't believe that any one loves you more truly. It's your chance, now, to show your love for her."

Imogen stood still and looked at him from the black disk of her parasol.

"I think I've suspected this of you, too, Jack," she said. "Yes, I've suspected, in dreadful moments of revelation, how far your undermining has gone. And you say you are not changed!"

"Would you ask your mother never to marry again?"

"I would—if she were in any way to redeem her image in my eyes. But, granting to the full that one must make concessions to such creatures of the senses, I would ask her, at the very least, to have waited."

"Creatures of the senses!" Jack repeated in a helpless gasp; such words, in their austere vocabulary, were hardly credible. "Do you know what you are saying, you arrogant, you heartless girl?"

Her face seemed to flash at him like lightning from a black cloud, and with the lightning a reality that had lacked before to leap to her voice:

"Ah! At last—at last you are saying what you have felt for a long time! At last I know what you think of me! So be it! I don't retract one jot or tittle of what I say. Mama is a perfectly moral woman, if you actually imagine some base imputation; but she lives for the pleasant, the pretty, the easy. She doesn't love this man's soul—nor care if he has one. Her love for him is a parody of the love that my father taught me to understand and to hold sacred. She loves his love for her; his 'delightful' appearance. She loves his place and name and all the power and leisure of the life he can give her. She loves the world—in him; and in that I mean and repeat that she is a creature of the senses. And if, for this, you think me arrogant and heartless, you do not trouble in one whit my vision of myself, but you do, forever, mar my vision of you."

They stood face to face in the soft sweet air under an arch of wistaria; it seemed a place to plight a troth, not to break one; but Jack knew that, if he would, he could not have kept the truth from her. It held him, looked from him; he was, at last, inevitably, to speak it.

"Imogen," he said, "I don't want to talk to you about your mother; I don't want to defend her to you; I'm past that. I'll say nothing of your summing up of her character,—it's grotesque, it's piteous, such assurance! But I do tell you straight what I've come to feel of you—that you are a cold-blooded, self-righteous, self-centered girl. And I'll say more: I think that your bringing-up, the artificiality, the complacent theory of it, is your best excuse; and I think that you'll never find any one so generous and so understanding of you as your mother. If this mars me in your eyes, I can't help it."

For a moment, in her deep anger,—horror running through it, too, as though the very bottom had dropped out of things and she saw emptiness beneath her,—she thought that she would tell him to leave her there, forever. But Imogen's intelligence was at times a fairly efficacious substitute for deeper promptings; and humiliation, instead of enwrapping her mind in a flare of passionate vanity, seemed, when such intellectual apprehension accompanied it, to clarify, to steady her thoughts. She saw, now, in the sudden uncanny illumination, that in all her vehemence of this afternoon there had been something fictitious. The sorrow, the resentment on her father's account, she had, indeed, long felt; too long to feel keenly. Her disapproval of the second marriage was already tinctured by a certain satisfaction; it would free her of a thorn in the flesh, for such her mother's presence in her life had become, and it would justify forever her sense of superiority. It was all the clearest cause for indignation that her mother had given her, and, seeing it as such, she had longed to make Jack share her secure reprobation; but she hadn't, really, been able to feel it as she saw it. It solved too many problems and salved too many hurts. So now, standing there under the arch of wistaria, she saw through herself; saw, at the very basis of her impulse, the dislocation that had made its demonstration dramatic and unconvincing. Dreadful as the humiliation was, her lips growing parched, her throat hot and dry with it, her intelligence saw its cause too clearly for her to resent it as she would have resented one less justified. There was, perhaps, something to be said for Jack, disastrously wrong though he was; and, with all her essential Tightness, there was, perhaps, something to be said against her. She could not break, without further reflection, the threads that still held them together.

So, at the moment of their deepest hostility, Jack was to have his sweetest impression of her. She didn't order him away in tragic tones, as he almost expected; she didn't overwhelm him with an icy torrent of reproach and argument. Instead, as she stood there against her halo of black, the long regard of her white face fixed on him, her eyes suddenly filled with tears. She didn't acquiesce for a moment, or, for a moment, imply him anything but miserably, pitiably wrong; but in a voice from which every trace of anger had faded she said: "Oh Jack, how you hurt me!"

The shock of his surprise was so great that his cheeks flamed as though she had struck him. Answering tears sprang to his eyes. He stammered, could not speak at first, then got out: "Forgive me. I'd no business to say it. It's lovely of you, Imogen, not just to send me off."

She felt her triumph, her half-triumph, at once. "Why, Jack, if you think it, why should I forgive you for saying what, to you, seems the truth? You have forgotten me, Jack, almost altogether; but don't forget that truth is the thing that I care most for. If you must think these things of me—and not only of me, of a dearer self, for I understand all that you meant—I must accept the sorrow and pain of it. When we care for people we must accept suffering because of them. Perhaps, in time, you may come to see differently."

He knew, though she made him feel so abashed, that he could take back none of the "things" he thought; but as she had smiled faintly at him he answered with a wavering smile, putting out his hand to hers and holding it while he said: "Shall we agree, then, to say nothing more about it! To be as good friends—as the truth will let us?"

He had never hurt her as at that moment of gentleness, compunction, and inflexibility, and thought, for a moment, was obscured by a rush of bitter pain that could almost have cast her upon his breast, weeping and suppliant for all that his words shut the door on—perhaps forever.

But such impulses were swiftly mastered in poor Imogen. Gravely pressing his hand, she accepted the cutting compact, and, over her breathless sense of loss, held firm to the spiritual advantage of magnanimity and courage. He judged himself, not her, in letting her go, if he was really letting her go; and she must see him wander away into the darkness, alone, leaving her alone. It was tragic; it was nearly unendurable; but this was one of life's hard lessons; her father had so often told her that they must be unflinchingly faced, unflinchingly conquered. So she triumphed over the weak crying out of human need.

They walked on slowly again, both feeling a little "done." Neither spoke until, at the entrance of the park, and just before leaving its poetry for the screaming prose of the great city, Imogen said: "One thing I want to tell you, Jack, and that is that you may trust mama to me. Whatever I may think of this happiness that she is reaching out for, I shall not make it difficult or painful for her to take it. My pain shall cast no shadow on her gladness."

Jack's face still showed its flush and his voice had all the steadiness of his own interpretation, the steadiness of his refusal to accept hers, as he answered, "Thanks, Imogen; that's very right of you."



XVII

Imogen and Sir Basil were walking down a woodland path under the sky of American summer, a vast, high, cloudless dome of blue. Trees, tall and delicate, in early June foliage, grew closely on the hillside; the grass of the open glades was thick with wild Solomon's-seal, and fragile clusters of wild columbine grew in the niches and crannies of the rocks, their pale-red chalices filled with fantastically fretted gold.

Imogen, dressed in thin black lawn, fine plaitings of white at throat and wrists, her golden head uncovered, walked a little before Sir Basil with her long, light, deliberate step. She had an errand in the village two miles away, and her mother had suggested that Sir Basil should go with her and have some first impressions of rural New England. He had only arrived the night before. Miss Bocock and the Pottses were expected this afternoon, and Mrs. Wake had been for a fortnight established in her tiny cottage on the opposite hillside.

"Tell me about your village here," Sir Basil had said, and Imogen, with punctual courtesy and kindness, the carrying out of her promise to Jack, had rejoined: "It would be rather uneventful annals that I should have to tell you. The people are palely prosperous. They lead monotonous lives. They look forward for variety and interest, I think, to the summer, when all of us are here. One does all one can, then, to make some color for them. I have organized a kindergarten for the tiny children, and a girls' club for debates and reading; it will help to an awakening I believe. I'm going to the club this afternoon. I'm very grateful to my girls for helping me as they do to be of use to them. It's quite wonderful what they have done already. Our village life is in no sense like yours in England, you know; these people are all very proud and independent. It's as a friend, not as a Lady Bountiful, that I go among them."

"I see," said Sir Basil, with interest, "that's awfully nice all round. I wish we could get rid of a lot of stupid ways of thought at home. I'll see something of these friends of yours at the house, then. I'm immensely interested in all these differences, you know."

"You won't see them at the house. Our relation is friendly, not social. That is a froth that doesn't count."

"Oh! and they don't mind that—not having the social relation, I mean—if they are friends?"

"Why should they? I am not hurt because they do not ask me to their picnics and parties, nor are they because I don't ask them to my dinners and teas. We both understand that all that is a matter of manner and accident; that in essentials we are equal."

"I see; but," Sir Basil still queried, "you wouldn't care about their parties, I suppose, and don't you think they might like your dinners? At least that's the way it would work out, I'm afraid, at home."

"Ah, it doesn't here. They are too civilized for that. Neither of us would feel fitted to the superficial aspects of the others' lives."

"We have that sort of thing in England, too, you know; only perhaps we look at it more from the other side, and recognize difference rather than sameness."

"Very much more, I think," said Imogen with a slight smile. "I should think that there was very little resemblance. Your social structure is a wholesome, natural growth, embodying ideals that, in the main, are unconscious. We started from that and have been building ever since toward conscious ideals."

"Well,"—Sir Basil passed over this simile, a little perplexed,—"it's very wonderful that they shouldn't feel—inferior, you know, in our ugly sense of the word, if they only get one side of friendship and not the other. Now that's how we manage in England, you see; but then I'm afraid it doesn't work out as you say it does here; I'm afraid they do feel inferior, after a fashion."

"Only the truly inferior could feel inferiority, since they get the real side of friendship," said Imogen, with gentle authority. "And I can't think that, in our sense of the word, the real side is given with you. There is conscious condescension, conscious adaptation to a standard supposed lower."

"I see; I see"; Sir Basil murmured, looking, while still perplexed, rather conscience-stricken; "yes, I suppose you're right."

Imogen looked as though she more than supposed it, and, feeling himself quite worsted, Sir Basil went on to ask her further questions about the club and kindergarten.

"What a lot of work it must all mean for you," he said.

"That, I think, is one's only right to the advantages one has—education, taste, inherited traditions," said Imogen, willing to enlighten this charmingly civilized, yet spiritually barbarous, interlocutor who followed her, tall, in his delightfully outdoor-looking garments, his tie and the tilt of his Panama hat answering her nicest sense of fitness, and his handsome brown face, quizzical, yet very attentive, meeting her eyes on its leafy background whenever she turned her head. "If they are not made instruments to use for others they rust in our hands and poison us," she said. "That's the only real significance of an aristocracy, a class fitted to serve, with the highest service, the needs of all. Of course, much of our best and deepest thought about these things is English; don't imagine me ungrateful to the noble thinkers of your—of my—race,—they have moulded and inspired us; but, there is the strange paradox of your civilization, your thought reacts so little on your life. Your idealists and seers count only for your culture, and even in your culture affect so little the automatic existence of your people. They form a little isolated class, a leaven that lies outside the lump. Now, with us, thought rises, works, ferments through every section of our common life."

Quite without fire, almost indolently, she spoke; very simply, too, glancing round at him, as though she could not expect much understanding from such an alien listener.

"I'm awfully glad, you know, to get you to talk to me like this," said Sir Basil, after a meditative pause; "I saw a good bit of you in New York, but you never talked much with me."

"You had mama to talk to."

"But I want to talk to you, too. You do a lot of thinking, I can see that."

"I try to"; she smiled a little at his naivete.

"Your mother told me so much about you that I'm tremendously eager to know you for myself."

"Well, I hope that you may come to, for mama's pictures of me are not likely to be accurate," said Imogen mildly. "We don't think in the same way or see things in the same way and, though we are so fond of each other, we are not interested in the same things. Perhaps that is why I don't interest her particular friends. They would not find much in common between mama and me"; but her smile was now a little humorous and she was quite prepared for his "Oh, but, I assure you, I am interested in you."

Already, with her unerring instinct for power, Imogen knew that Sir Basil was interested in her. There was only, to be sure, a languid pleasure in the sense of power over a person already, as it were, so bespoken, so in bondage to other altars; but, though without a trace of coquetry, the smile quietly claimed him as a partial, a damaged convert. Imogen always knew when people were capable of being, as she expressed it to herself, "Hers." She made small effort for those who were without the capacity. She never misdirected such smiles upon Rose, or Miss Bocock, or Mrs. Wake. And now, as Sir Basil went on to asseverate, just behind her shoulder, his pleasant tones quite touched with eagerness, that the more he saw of her the more interested he became, she allowed him to draw her into a playful argument on the subject.

"Yes, I quite believe that you would like me—if you came to know me"—she was willing to concede at last; "but, no, indeed no, I don't think that you would ever feel much interest in me."

"You mean because I'm not sufficiently interesting myself? Is that it, eh?" Sir Basil acutely asked, reflecting that he had never seen a girl walk so beautifully or dress so exquisitely. The sunlight glittered in her hair.

"I don't mean that at all," said Imogen; "although I don't fancy that you are interested so deeply, and in so many things, as I am."

"Now, really! Why not? You haven't given me a chance to show you. Of course I'm not clever."

"I meant nothing petty, like cleverness."

"You mean that I don't take life seriously enough to please you?"

"Not that, exactly. It's that we face in opposite directions, as it were. Life isn't to you what it is to me, it isn't to you such a big, beautiful thing, with so many wonderful vistas in it—such far, high peaks."

She was very grave now, and the gravity, the assurance, and, with them, the sweetness, of this young girl were charming and perplexing to Sir Basil. Girls so assured he had found harsh, disagreeable and, almost always, ugly; they had been the sort of girl one avoided. And girls so lovely had usually been coy and foolish. This girl walked like a queen, looked at one like a philosopher, smiled at one like an angel. He fixed his mind on her last words, rallying his sense of quizzical paternity to meet such disconcerting statements.

"Well, but you are very young; life looks like that—peaks, you know, and vistas, and all the rest—when one is young. You've not had time to find it out, to be disappointed," said Sir Basil.

Imogen's calm eye rested upon him, and even before she spoke he knew that he had made a very false step. It was as if, sunken to the knees in his foolish bog, he stood before her while she replied:

"Ah, it's that that is shallow in you, or, let us say, undeveloped, still to be able to think of life in those terms. They are the thoughts of an unawakened person, and some people, I know, go all through life without awaking. You imagine, I suppose, that I think of life as something that is going to give me happiness, to fulfil sentimental, girlish dreams. You are mistaken. I have known bitter disappointments, bitter losses, bitter shatterings of hope. But life is wonderful and beautiful to me because we can be our best and do our best in it, and for it, if we try. It's an immense adventure of the soul, an adventure that can disappoint only in the frivolous sense you were thinking of. Such joys are not the objects of our quest. One is disappointed with oneself, often, for falling so short of one's vision, and people whom we love and trust may fail us and give us piercing pain; but life, in all its oneness, is good and beautiful if we wake to its deepest reality and give our hearts to the highest that we know."

She spoke sadly, softly, surely, thinking of her own deep wounds, and to speak such words was almost like repeating a familiar lesson,—how often she had heard them on her father's lips,—and Sir Basil listened, while he looked at the golden head, at the white hand stretched out now and then to put aside a branch or sapling—listened with an amazement half baffled and wholly admiring. He had never heard a girl talk like that. He had heard such words before, often, of course, but they had never sounded like this; they seemed fresh, and sparkling with a heavenly dew, spoken so quietly, with such indifference to their effect, such calmness of conviction. The first impression of her, that always hovered near, grew more strongly upon him. There was something heavenly about this girl. It was as though he had heard an angel singing in the woods, and a feeling of humility stole over him. It was usual for Sir Basil, who rarely thought about himself, to feel modest, but very unusual for him to feel humble.

"You make me believe it, when you say it," he murmured. "I'm afraid you think me a dreadfully earthy, commonplace person."

Imogen, at the change of note in his voice, looked round at him, more really aware of him than she had been at all, and when she met his glance the prophet's calm fervor rose in her to answer the faith that she felt in him. She paused, letting him come abreast of her in the narrow path, and they both stood still, looking at each other.

"You are not earthy; you are not commonplace," said Imogen, then, as a result of her contemplation. "I believe that you are a very big person, Sir Basil."

"A big person? How do you mean?" He absolutely flushed, half abashed, half delighted.

Imogen continued to gaze, clearly and deeply. "There are all sorts of possibilities in you."

"Oh, come now! At my age! Why, any possibilities are over, except for a cheerful kind of vegetating."

"You have vegetated all your life, I can see that. No one has ever waked you. You have hardly used your soul at all. It's with you as it is with your country, whose life is built strongly and sanely with body and brain but who has not felt nationally, as a whole, its spirit. Like it, you have a spirit; like it, you are full of possibilities."

"Miss Upton, you aren't like anybody I've ever known. What sort of possibilities?"

She walked on now, feeling his thrill echo in herself, symptomatic of the passing forth of power and its return as enrichment of life and inspiration to helpfulness. "Of service," she said. "Of devotion to great needs; courage in great causes. I don't think that you have ever had a chance."

Sir Basil, keeping his eyes on her straight, pale profile, groping and confused in this new flood of light, wondered if he had.

"You are an extraordinary young woman," he said at last. "You make me believe in everything you say, though it's so awfully queer, you know, to think in that way about myself. If you talk to me often like this, about needs and causes, will it give me more of a chance, do you think?"

"We must all win to the light for ourselves," said Imogen very gently, "but we can help one another."

They had come now to the edge of the wood and out upon the white road that curved from the village up to the blue of the hills they had descended. A tiny brook ran with a sharp, silvery tinkle on its farther edge and it was bordered by a light barrier of white railing. Beyond were spacious, half-cultivated meadows, stretched out for miles in the lap of low-lying hills.

Serene yet inhuman the landscape looked, a background to the thinnest of histories, significant only of its own dreaming solitude; and the village, among its elms, a little farther on, suggested the barest past, the most barren future. The road led on into its main street, where the elms made a stately avenue, arching over scattered frame houses of buff and gray and white. Imogen told Sir Basil that some of these houses were old, and pointed out an austere classic facade with pediment and pillars; explained to him, too, the pathetic condition of so much of abandoned New England. Sir Basil was thinking more of her last words in the woods than of local color, but he had, while he listened, a fairly definite impression of pinchbeck shops; of shabby awnings slanting in the sunlight over heaps of tumbled fruit and vegetables; of "buggies," slip-shod, with dust-whitened wheels, the long-tailed, long-maned, slightly harnessed horses hitched to posts along the pavements. The faces that passed were indolent yet eager. The jaws of many worked mechanically at some unappeasing task of mastication.

Sir Basil had traveled since his arrival in America, had seen the luxuries of the Atlantic seacoast, the purposeful energy of Chicago, California's Eden-like abundance, and had seen other New England villages where beauty was cherished and made permanent. He hardly needed Imogen's further comments to establish his sense of contrast.

"This was always a poor enough little place. Any people who made it count left it long ago. But even here," she went on, "even in its stagnation, one can find some of the things we care for in our country, some of the things we live for."

Some of these things seemed personified in the figure of the young woman who met them in the girls' club, among the shelves of books and the numerous framed photographs from the old masters. Imogen introduced Sir Basil to her and he watched her with interest while she and Imogen discussed some business matters. She was slender and upright, perhaps too upright; she was, in manner, unaffected and assured, perhaps too assured, but that Sir Basil did not observe. He found her voice unpleasant and her pronunciation faulty, but thought that she expressed herself with great force and fluency. Her eyes were bright, her skin sallow, she smiled gravely, and her calmness and her smile reminded Sir Basil a little of Imogen; perhaps they were racial. She was dressed in a simple gray cotton frock with neat lawn collar and cuffs, and her hair was raised in a lustrous "pompadour," a wide comb traversing it behind and combs at the sides of her head upholding it in front. Toward Sir Basil she behaved with gracious stateliness of demeanor, so that he wondered anew at the anomalies of a country of ideals where a young person so well-appearing should not be asked to dinner.

Several other girls came in while they were there, and they all surrounded Imogen with eager familiarity of manner; all displayed toward himself, as he was introduced, variations of Miss Hickson's stateliness. He thought it most delightful and interesting and the young women very remarkable persons. One discordant note, only, was struck in the harmony, and that discord was barely discerned by his untrained ear. While Imogen was talking, a girl appeared in the doorway, hesitated, then, with an indifferent and forbidding manner, strolled across the room to the book-shelves, where she selected a book, strolling out again with the barest nod of sullen recognition. She was a swarthy girl, robust and ample of form, with black eyes and dusky cheeks. Her torn red blouse and untidy hair marked her out from the sleek and social group. Sir Basil thought her very interesting looking. He asked Imogen, as they walked away under the elms, who she was. "That artistic young person, with the dark hair."

"Artistic? Do you mean Mattie Smith?—the girl with the bad manners?" asked Imogen, smiling tolerantly.

"Yes, she looked like a clever young person. She belongs to the club?"

"She hardly counts as one of its members, though we welcome everyone, and, like all the girls of the village, she enjoys the use of our library. She is not clever, however. She is an envious and a rather ill-tempered girl, with very little of the spirit of sisterhood in her. And she nurses her defect of isolation and self-sufficiency. I hope that we may win her over to wider, sweeter outlooks some day."

Mattie Smith, however, was one of the people upon whom Imogen wasted no smiles. On the Uptons first coming to spend their summers near Hamborough, Imogen had found this indolent yet forcible personality barring her path of benignant activity. Mattie Smith, unaided, undirected, ignorant of the Time Spirit's high demands upon the individual, had already formed a club of sorts, a tawdry little room hung with bright bunting and adorned with colored pictures from the cheaper magazines, pictures of over-elegant, amorously inclined young couples in ball-rooms or on yachts and beaches. Here the girls read poor literature, played games, made candy over the stove and gossiped about their young men. Imogen deeply disapproved of the place; its ventilation was atrocious and its moral influence harmful; it relaxed and did not discipline,—so she had expressed it to her father. It soon withered under her rival beams. Mattie Smith's members drifted by degrees into the more advantageous alliance. Mattie Smith had resented this triumphant placing of the higher standard and took pains, as Imogen, with the calm displeasure of the successful, observed, to make difficulties for her and to treat her with ostentatious disregard. Imogen guessed very accurately at the seething of anger and jealousy that bubbled in Mattie Smith's breast; it was typical of so much of the lamentable spirit displayed by rudimentary natures when feeling the pressure of an ideal they did not share or when brought into contact with a more finished manner of life from which they were excluded. Imogen, too, could not have borne a rival ascendancy; but she was ascendant through right divine, and, while so acutely understanding Mattie Smith's state of mind, she could not recognize a certain sameness of nature. She hoped that Mattie Smith would "grow," but she felt that, essentially, she was not of the sort from which "hers" were made.



XVIII

It was almost four o'clock by the time that Imogen and Sir Basil reached the summit of one of the lower hills, and, among the trees, came upon the white glimmer of the Upton's summer home. It stood in a wide clearing surrounded on three sides by the woods, the higher ranges rising about it, its lawn running down to slopes of long grass, thick with tall daisies and buttercups. Farther on was an orchard, and then, beyond the dip of a valley, the blue, undulating distance, bathed in a crystalline quivering. The house, of rough white stucco, had lintels and window-frames of dark wood, a roof of gray shingles, and bright green shutters. A wide veranda ran around it, wreathed in vines and creepers, and borders of flowers grew to the edges of the woods. Sir Basil thought that he had never seen anything prettier. Valerie, dressed in thin black, was sitting on the veranda, and beside her Miss Bocock, still in traveling dress, looked incongruously ungraceful. She had arrived an hour before with the Pottses, who had gone to their rooms, and said, in answer to Imogen's kindly queries, that the journey hadn't been bad, though the train was very stuffy. Then it appeared that Miss Bocock and Sir Basil were acquainted; they recollected each other, shook hands heartily, and asked and answered local questions. Miss Bocock's people lived not so many miles from Thremdon Hall, and, though she had been little at home of late years, she and Sir Basil had country memories in common. She said presently that she, too, would like to tidy for the tea, and Imogen, taking her to her room, sat with her while she smoothed out one section of her hair and tonged the other, and while she put on a very stiff holland skirt and a blouse distressing to Imogen's sensitive taste, a crude pink blouse, irrelevantly adorned about the shoulders with a deep frill of imitation lace. While she dressed she talked, in her high-pitched, cheerful voice, of the recent very successful lectures she had given in Boston and the acquaintances she had made there.

"I hope that my letters of introduction proved useful," said Imogen. She considered Miss Bocock her protegee, but Miss Bocock, very vexatiously, seemed always oblivious of that fact; so that Imogen, though feeling that she had secured a guest who conferred luster, couldn't resist, now and then, trying to bring her to a slightly clearer sense of obligation.

Miss Bocock said that, yes, they had been very useful, and Imogen watched her select from the graceful nosegay on her dressing-table two red roses which she pinned to her pink blouse with a heavy silver brooch representing, in an encircling bough, a mother bird hovering with outstretched wings over a precariously placed nest.

"Let me get you a white rose," Imogen suggested; but Miss Bocock said, no, thanks, she was very fond of that shade of red.

"So you know Sir Basil," said Imogen, repressing her sense of irritation.

"Know him? Yes, of course. Everybody in the county knows him. He is the big man thereabouts, you see. The old squire, his father, was very fond of my father, and we go to a garden-party at the hall once a year or so. It's a nice old place."

Imogen felt some perplexity. "But if your father and his were such friends why don't you see more of each other?"

Miss Bocock looked cheerfully at her. "Why, because he is big and we aren't. We are middle-class and he very much upper; it's a very old family, the Thremdons,—I forget for how many generations they have been in Surrey. Now my dear old dad was only a country doctor," Miss Bocock went on, seated in a rocking-chair—she liked rocking-chairs—with her knees crossed, her horribly shaped patent-leather shoes displayed and her clear eyes, through their glasses, fixed on Imogen while she made these unshrinking statements; "and a country doctor's family hasn't much to do with county people."

"What an ugly thing," said Imogen, while, swiftly, her mind adjusted itself to this new seeing of Miss Bocock. By its illumination Miss Bocock's assurance toward herself grew more irritating than before, and the fact that Miss Bocock's flavor was very different from Sir Basil's became apparent.

"Not at all," said Miss Bocock. "It's a natural crystallization. You are working toward the same sort of thing over here—only not in such a wholesome way, I think."

Imogen flushed a little. "Our crystallizations, when they aren't artificially brought about by apings of your civilization, take place through real superiority and fitness. A woman of your intellectual ability is anybody's equal in America."

"Oh, as far as that goes, in that sense, I'm anybody's equal in England, too," said Miss Bocock, unperturbed and unimpressed.

Imogen rather wished she could make her feel that, since crystallizations were a fact, the Uptons, in that sense, were as much above her as the Thremdons. Idealist democrat as she counted herself, she had these quick glances at a standard kept, as it were, for private use; as if, from under an altar in the temple of humanity, its priest were to draw out for some personal reassurance a hidden yard-measure.

Tea, when they went down again, was served on the veranda and Imogen could observe, during its progress, that Miss Bocock showed none of the disposition to fawn on Sir Basil that one might have expected from a person of the middle-class. She contradicted him as cheerfully as she did Imogen herself.

Mr. and Mrs. Potts had gone for a little ramble in the lower woods, but they soon appeared, Mr. Potts seating himself limply on the steps and fanning himself with his broad straw hat—a hat that in its very largeness and looseness seemed to express the inflexible ideals of non-conformity—while Mrs. Potts, very firmly busked and bridled, her head very sleek, her smile very tight, took a chair between Mrs. Upton and Sir Basil, and soon showed, in her whole demeanor, a consciousness of the latter's small titular decoration that placed her more definitely for Imogen's eye than she had ever been placed before. The Pottses were middle-class with a vengeance. Imogen's irritation grew as she watched these limpet-like friends, one sprawling and ill-at-ease for all his careful languor, the other quite dreadfully well-mannered, sipping her tea, arching her brows and assuming all sorts of perilous elegancies of pronunciation that Imogen had never before heard her attempt. It was an additional vexation to have them display toward herself, with even more exaggeration than usual, their tenacious tenderness; listening, with a grave turning of head and eye when she spoke, and receiving each remark with an over-emphasis of feeling on their over-mobile features.

There was, indeed, an odd irony in the Pottses being there at all. They had, in her father's lifetime, only been asked with a horde of their kind, the whole uplifted batch thus worked off together, and Imogen had really not expected her mother to agree to her suggestion that they should be invited to pay the annual visit during Sir Basil's stay. She would not own to herself that her suggestion had been made from a vague wish to put her mother to a test, to force her into a definite declaration against the incongruous guests; she had thought of the suggestion, rather, as an upholding of her father's banner before the oncoming betrayal; but, instead of refusal, she had met with an instant, happy acquiescence, and it was now surely the climax of irony to see how her mother, for her sake, bore with them. More than for her sake, perhaps. Imogen detected in those seemingly indolent, yet so observant, eyes a keen reading of the Pottses' perturbed condition, and in her manner, so easy and so apt, the sweetest, lightest kindness. She turned corners and drew veils for them, spread a warm haze of interest and serenity about their clumsy and obtruding personalities. Imogen could even see that the Pottses were reconsidering, with some confusion of mind, their old verdict on her mother.

This realization brought to her brooding thoughts a sudden pang of self-reproach. It wouldn't do for the Pottses to find in her mother the cordiality they might miss in herself. She confessed that, for a moment, she had allowed the banner to trail in the dust of worldly thoughts, the banner to which the Pottses, poor dears, had rallied for so many loyal years. She summoned once more all her funds of spiritual appreciation and patience. As for Miss Bocock, she made not the slightest attempt to talk to the Pottses. She had come up with them from the station,—they had not found each other on the train,—and she had probably had her fill of them in that time. Once or twice, in the act of helping herself plentifully to cake, she paused to listen to them, and after that looked away, over their heads or through them, as if she finally dismissed them from the field of her attention. Mrs. Potts was questioning Sir Basil about his possible knowledge of her own English ancestry. "We came over in the Mayflower, you know," she said.

"Really," said Sir Basil, all courteous interest.

"The Claremonts, you know," said Mrs. Potts, modestly, yet firmly, too. "My father was in direct descent; we have it all worked out in our family tree."

"Oh, really," said Sir Basil again.

"I've no doubt," said Mrs. Potts, "that your forebears and mine, Sir Basil, were friends and comrades in the spacious times of good Queen Bess."

Imogen, at this, glanced swiftly at her mother; but she caught no trace of wavering on that mild countenance.

"Oh, well, no," Sir Basil answered. "My people were very little country squires in those days; we didn't have much to do with the Dukes of Claremont. We only began to go up, you see, a good bit after you were on the top."

Imogen fixed a calm but a very cold eye upon Mrs. Potts. She had heard of the Dukes of Claremont for many years; so had everybody who knew Mrs. Potts; they were an innocent, an ingrained illusion of the good lady's, but to-day they seemed less innocent and more irritating than usual. Imogen felt that she could have boxed Mrs. Potts's silly ears. In Sir Basil's pleasant disclaimers, too, there was an echo of Miss Bocock's matter-of-fact acknowledgments that seemed to set them both leagues away from the Pottses and to make their likeness greater than their difference.

"Well, of course," Mrs. Potts was going on, her pince-nez and all her small features mingled, as it were, in the vividest glitter, "for me, I confess, it's blood, above all and beyond all, that counts; and you and I, Sir Basil, know that it is in the squirearchy that some of the best blood in England is found. We don't recognize an aristocracy in our country, Sir Basil, but, though not recognized, it rules,—blood must rule; one often, in a democracy, feels that as one's problem."

"It's only through service that it rules," Mr. Potts suddenly ejaculated from where he sat doubled on the steps looking with a gloomy gaze into the distance. "Service; service—that's our watchword. Lend a hand."

Imogen saw a latent boredom piercing Sir Basil's affability. Great truths uttered by some lips might be made to seem very unefficacious. She proposed to him that she should show him the wonderful display of mountain-laurel that grew higher up among the pine-woods. He rose with alacrity, but Mrs. Potts rose too. Imogen could hardly control her vexation when, nipping the crumbs from her lap and smoothing the folds at her waist, she declared that she was just in the humor for a walk and must see the laurel with them.

"You mustn't tire yourself. Wouldn't you rather stay and have another cup of tea and talk to me?" Mrs. Upton interposed, so that Imogen felt a dart of keen gratitude for such comprehension; but Mrs. Potts was not to be turned aside from her purpose. "Thank you so much, dear Mrs. Upton," she answered; "we must have many, many talks indeed; but I do want to see my precious Imogen, and to see the laurel with her. You are one of those rare beings, darling Imogen, with whom one can share nature. Will you come, too, Delancy, dear?" she asked her husband, "or will you stay and talk to Mrs. Upton and Miss Bocock? I'm sure that they will be eager to hear of this new peace committee of ours and zestful to help on the cause."

Mr. Potts rather sulkily said that he would stay and talk to Mrs. Upton and Miss Bocock about the committee, and Imogen felt that it was in a manner of atonement to him for her monopolization of a lustrous past that Mrs. Potts presently, as they began the steep ascent along a winding, mossy path, told Sir Basil that her husband, too, knew the responsibility and burden of "blood." And as, for a moment, they went before her, Imogen fancied that she heard the murmur of quite a new great name casting its agis about Mr. Potts. Very spiritual people could, she reflected, become strangely mendacious when borne along on the wings of ardor and exaltation.

Mrs. Potts's presence was really quite intolerable, and, as she walked behind her and listened to her murmur, Imogen bethought her of an amusing, though rather ruthless, plan of elimination. Imogen was very capable of ruthlessness when circumstances demanded it. Turning, therefore, suddenly to the right, she led them into a steep and rocky path that, as she well knew, would eventually prove impassable to Mrs. Potts's short legs and stiff, fat person. Indeed, Mrs. Potts soon began to pant and sigh. Her recital of the family annals became disconnected; she paused to take off and rub her eyeglasses and presently asked, in extenuated tones, if this were the usual path to the laurel.

"It's the one I always take, dear Mrs. Potts; it's the one I wanted Sir Basil to see, it's so far the lovelier. One gets the most wonderful, steep views down into far depths of blue," Imogen, perched like a slender Valkyrie on the summit of a crag above, thus addressed her perturbed friend.

She couldn't really but be amused by Mrs. Potts's pertinacity, for, not yet relinquishing her purpose, she continued, in silence now, her lips compressed, her forehead beaded with moisture, to scale the difficult way, showing a resolute nimbleness amazing in one so ill-formed for feats of agility. Sir Basil gave her a succoring hand while Imogen soared ahead, confident of the moment when Mrs. Potts, perforce, must fall back.

"Tiresome woman!" she thought, but she couldn't help smiling while she thought it, and heard Mrs. Potts's deep breath laboring up behind her. It was, perhaps, rather a shame to balk her in this way; but, after all, she was to have a full fortnight of Sir Basil and she, Imogen, felt that on this day, the day of a new friendship, Sir Basil's claim on her was paramount. She had something for him, a light, a strengthening, and she must keep the hour sacred to that stir of awakening. Among the pines and laurels she would say a few more words of help to him. So that Mrs. Potts must be made to go.

The moment came. A shoulder of rock overhung the way and the only passage was over its almost perpendicular surface. Imogen, as if unconscious of difficulty, with a stride, a leap, a swift clutch of her firm white hand, was at the top, smiling down at them and saying: "Now here the view is our very loveliest. One looks down for miles."

"But—my dear Imogen—is there no other way, round it, perhaps?" Mrs. Potts looked desperately into the thick underbrush on either side.

"No other way," said Imogen. "But you can manage it. This is only the beginning,—there's some real climbing farther on. Put your foot where I did—no, higher—near the little fern—your hand here, look, do you see? Take a firm hold of that—then a good spring—and here you are."

Poor Mrs. Potts laid a faltering hand on the high ledge that was only a first stage in the chamois-like feat, and Imogen saw unwilling relinquishment in her eye.

"I don't see as I can do it," she murmured, relapsing, in her distress, into a helpless vernacular.

"Oh, yes, this is nothing. Sir Basil will give you a push. I'll pull you and he will push you," Imogen, with kindest solicitude, suggested.

"Oh, I don't see as I can," Mrs. Potts repeated, looking rather wild at the vision of such a push. She didn't at all lend herself to pushes, and yet, facing even the indignities of that method, she did, though faltering, place herself in position; did lay a desperate hold of the high ledge, place her small, fat, tightly buttoned foot high beside the fern; allow Sir Basil, with a hand under each armpit, to kindly count "One-two-three—now for it!"—did even, at the word of command, make a passionate jump, only to lose hold, scrape lamentably down the surface of the rock, and collapse into his arms.

"Oh, I'm so sorry!" said Imogen, looking down upon them while Sir Basil placed Mrs. Potts upon her feet, and while Mrs. Potts, angered almost to tears, rubbed with her handkerchief at the damage done to her dress. "I'm so very sorry, dear Mrs. Potts. I see that it is a little too steep for you. And I did so want you to see this view."

"I shall have to go back. I am very tired, quite exhausted," said Mrs. Potts, in a voice that slightly shook. "I wish you had taken the usual path. I never dreamed that we were setting out on such a—such a violent expedition."

"But this is my usual path," said Imogen, opening her eyes. "I've never found it hard. And I wanted you and Sir Basil to see my view. But, dear Mrs. Potts, let me go back with you. Sir Basil won't mind finding his way alone, I'm sure."

"Oh, no, thanks! No, I couldn't think of spoiling your walk. No, I will go back," and Mrs. Potts, turning away, began to retrace her steps.

"Be sure and lie down and rest; take a little nap before dinner," Imogen called after her.

Mrs. Potts disappeared, and Imogen, when she and Sir Basil stood together on the fortunate obstacle, said: "Poor, excellent creature. I am sorry. She is displeased with me. I ought to have remembered that this was too rough for her and taken the other path." Indeed, she had felt rather guilty as Mrs. Potts's back, the ridge of its high stays strongly marked by the slanting sunlight, descended among the sylvan scenery.

"Yes, and she did so want to come, awfully keen on it," said Sir Basil; "but I hope you won't think me very brutal if I confess that I'm not sorry. I want to talk to you, you see," Sir Basil beamed.

"I would rather talk to you, too," Imogen smiled. "My good old friend can be very wearisome. But it was thoughtless of me to have brought her on this way."

They rested for a little while on their rock, looking down into the distance that was, indeed, worth any amount of climbing. And afterward, when they reached the fairyland where the laurel drifted through the pine woods, and as she quoted "Wood-Notes" to him and pointed out to him the delicate splendors of the polished green, the clear, cold pink, on a background of gray rock, Imogen could but feel her little naughtiness well justified. It was delightful to be there in solitude with Sir Basil, and the sense of sympathy that grew between her and this supplanter of her father's was strange, but not unsweet. It wasn't only that she could help him, and that that was always a claim to which one must respond, but she liked helping him.

On the downward way, a little tired from the rapidity of her ascent, she often gave her hand to Sir Basil as she leaped from rock to rock, and they smiled at each other without speaking, already like the best of friends.

That evening, as she was going down to dinner, Imogen met her mother on the stairs. They spoke little to each other during these days. Imogen felt that her neutrality of attitude could best be maintained by silence.

"Mrs. Potts came back," her mother said, smiling a little, and, Imogen fancied, with the old touch of timidity that she remembered in her. "She said that you took her on a most fearful climb."

"What foolishness, poor dear Mrs. Potts! I took her along the upper path."

"The upper path! Is there an upper path?" Mrs. Upton descended beside her daughter. "I thought that it was the usual path that had proved too much for her."

"I wanted them to see the view from the rock," said Imogen; "I forgot that poor Mrs. Potts would find it too difficult a climb."

"Oh, I remember, now, the rock! That is a difficult climb," said Mrs. Upton.

Imogen wondered if her mother guessed at why Mrs. Potts had been taken on it. She must feel it of good augury, if she did, that her daughter should already like Sir Basil enough to indulge in such an uncharitable freak. Imogen felt her color rise a little as she suspected herself and her motives revealed. It was not that she wasn't quite ready to own to a friendship with Sir Basil; but she didn't want friendship to be confused with condonation, and she didn't like her mother to guess that she could use Mrs. Potts uncharitably.



XIX

Her magnanimity toward Jack—so Imogen more and more clearly saw it to have been—at the time of their parting, had made it inevitable that he should hold to his engagement to visit them that summer, and even because of that magnanimity, she felt, in thinking over again and again the things that Jack had said of her and to her, a deepening of the cold indignation that the magnanimity had quelled at the moment of his speaking them. Mingling with the sense of snapped and bleeding ties was a longing, irrepressible, profound, violent, that he might be humiliated, punished, brought to his knees in penitence and abasement.

Her friendship with Sir Basil, his devotion to her, must be, though by no means humiliating, something of a coal of fire laid on Jack's traitorous head; and she saw at once that he was pleased, touched, but perplexed, by what must seem to him an unforeseen smoothing of her mother's path. He was there, she guessed, far more to see that her mother's path was made smooth than to try and straighten out their own twisted and separate ways. He had come for her mother, not for her; and Imogen did not know whether it was more pain or anger that the realization gave her.

What puzzled him, what must have puzzled her mother, must puzzle, indeed, anyone who perceived it,—except, no doubt, the innocent Sir Basil himself,—was that this friendship took up most of Sir Basil's time.

To Sir Basil she stood for something lofty and exquisite that did not, of course, clash with more rudimentary, if deeper, affections, but that, perforce, made them stand aside for the little interlude where it soared and sang. There was, for Imogen, a sharp sweetness in this fact and in Jack's bewildered appreciation of it, though for her own consciousness the triumph was no satisfying one. After all, of what use was it to soar and sing if Sir Basil were to drop to earth so inevitably and so soon? Outwardly, at all events, this unforeseen change in the situation gave her all the advantage in her meeting with Jack. She was not the reproved and isolated creature that he might have expected to find. She was not the helpless girl, subjugated by an alien mother and cast off by a faithless lover. No; calm, benignant, lovely, she had turned to other needs; one was not helpless while one helped; not small when others looked up to one.

Under her calm was the lament; under her unfaltering smile, the loneliness and the burning of that bitter indignation; but Jack could not guess at that, and if both felt difficulty in the neatly balanced friendship pledged under the wisteria, if there was a breathlessness for both in the tight-rope performance,—where one false step might topple one over into open hostility, or else, who knew, into complete surrender,—it was Imogen who gained composure from Jack's nervousness, and while he walked the rope with a fluttering breath and an anxious eye she herself could show the most graceful slides and posturings in midair.

It was evident enough to everybody that the relation was a changed, a precarious one, but all the seeming danger was Jack's alone.

Imogen, while she swung and balanced, often found her mother's eye fixed on her with a deep preoccupation, and guessed that it was owing to her mother's tactics that most of her tete-a-tetes with Jack were due. Her poor mother might imagine that she thus secured the solid foundation of the earth for their footsteps, but Imogen knew that never was the rope so dizzily swung as when she and Jack were thus gently coerced into solitude together.

It was, however, a few days after Jack's arrival, and a few days before the Pottses' departure, that an interest came to her of such an absorbing nature that it wrapped her mind away from the chill or scorching sense of her own wrongs. It was with the Pottses that the plan originated, and though the Pottses were proving more trying than they had ever been, they caught some of the radiance of their own proposal. As instruments in a great purpose, she could look upon them more patiently, though, more than ever, it would need tact to prevent them from shadowing the brightness that they offered. The plan, apparently, had been with them for some time, its disclosure delayed until the moment suited to its seriousness and sanctity, and it was then, between the three, mapped out and discussed carefully before they felt it ripe for further publicity. Then it was Imogen who told them that the time had come for the unfolding to her mother, and Imogen who led them, on a sunny afternoon, into her mother's little sitting-room where she sat writing at her desk.

Jack was there, reading near the window that opened upon the veranda, but his presence was not one to make the occasion less intimate, and Imogen was glad of it. It was well that he should be a witness to what she felt to be a confession of faith, a confession that needed explicit defining, and of a faith that he and all the others, by common consent, seemed banded together to ignore.

So, with something of the air of a lovely verger, she led her primed pair into the room and pointed out two chairs to them.

Valerie, in her thin black draperies, looked pale and jaded. She turned from her desk, keeping her pen in her hand, and Imogen detected in her eye, as it rested upon the Pottses, a certain impatience.

Tison, suddenly awakening, broke into passionate barking; he had from the moment of Mr. Potts's arrival shown toward him a pronounced aversion, and, backed under the safe refuge of his mistress's chair, his sharp hostility disturbed the ceremonious entrance.

"Please put the dog out, Jack," said Imogen; "we have a very serious matter to talk over with mama." But Valerie, stooping, caught him up, keeping a soothing hand on his still defiant head, while Mr. Potts unfolded the plan before her.

The wonderful purpose, the wonderful project, was that Mr. Potts, aided by Imogen, should write the life of the late Mr. Upton; and as the curtain was drawn from before the shrined intention, Imogen saw that her mother flushed deeply.

"His name must not be allowed to die from among us, Mrs. Upton. His ideals must become more widely the ideals of his countrymen." Mr. Potts, crossing his knees and throwing back his shoulders, wrapped one hand, while he spoke, in a turn of his flowing beard. "They are in crying need of such a message, now, when the tides of social materialism and political corruption are at their height. We may well say, to paraphrase the great poet's words: 'Upton! thou shouldst be living at this hour; New York hath need of thee.' And this need is one that it is our duty, and our high privilege, to satisfy." Mr. Potts's eye, heavy with its responsibility, dwelt on Valerie's downcast face. "No one, I may say it frankly, Mrs. Upton, is more fitted than I to satisfy that need and to hand on that message. No one had more opportunity than I for understanding that radiant personality in its public aspects. No one can feel more deeply than I that duty and that privilege. Every American child should know the name of Upton; every American man and woman should count him among the prophets of his generation. He did not ask for fame, and we, his followers, ask none for him. No marble temple, no effulgent light of stained glass;—no. But the violets and lilies of childhood laid upon his grave; the tearful, yet joyous whisper of those who come to share his spirit:—'I, too, am of his race. I, too, can with him strive and with him achieve.'" Mr. Potts's voice had risen, and Tison, once more, gave a couple of hoarse, smothered barks.

Imogen, though reared on verbal bombast, had found some difficulty in maintaining her expression of uplifted approbation while Mr. Potts's rhetoric rolled; her willingness that Mr. Potts should serve the cause did not blind her to his inadequacy unless kept under the most careful control; and now, though incensed by Tison's interjection, she felt it as something of a relief, seizing the opportunity of Mr. Potts's momentary confusion to suggest, in a gentle and guarded voice:—"You might tell mama now, Mr. Potts, how we want her to help us."

"I am coming to that, Miss Imogen," said Mr. Potts, with a drop from sonority to dryness;—"I was approaching that point when the dog interrupted me"; and Mr. Potts cast a very venomous glance upon Tison.

"Had not the dog better be removed, Mrs. Upton?" Mrs. Potts, under her breath, murmured, leaning, as if in a pew and above prayer books, forward in her chair. But Mrs. Upton seemed deaf to the suggestion.

Mr. Potts cleared his throat and resumed somewhat tersely:—"This is our project, Mrs. Upton, and we have come this afternoon to ask you for your furtherance of it. You, of course, can provide me and Miss Imogen with many materials, inaccessible otherwise, for this our work of love. Early letters, to you;—early photographs;—reminiscences of his younger days, and so on. Any suggestion as to the form and scope of the book we will be glad, very glad, to consider."

Valerie had listened without a word or gesture, her pen still held in one hand, Tison pressed to her by the other, as she sat sideways to the writing-table. Imogen read in her face a mingled embarrassment and displeasure.

"I am sure we must all be very grateful to Mr. Potts for this great idea of his, mama dear," she said. "I thought of it, of course, as soon as papa died; I knew that we all owed it to him, and to the country that he loved and served so well; but I did not see my way, and have not seen it till now. I've so little technical knowledge. But now I shall contribute a little memoir to the biography and, in any other way, give Mr. Potts all the aid I can. And we hope that you will, too. Papa's name is one that must not be allowed to fade."

"I would rather talk of this at some other time, and with Mr. Potts alone," Valerie now said, not raising her eyes.

"But mama, this is my work, too. I must be present when it is talked of."

"No, Jack, don't go," said Valerie, looking up at the young man, who had made a gesture of rising. "You and I, Imogen, will speak of this together, and I will find an hour, later, when I will be free to talk to Mr. Potts."

"Mama darling," said Imogen, masking her rising anger in patient playfulness, "you are a lazy, postponing person. You are not a bit busy, and this is just the time to talk it over with us all. Of course Jack must stay; we want his advice, too, severe critic as we know him to be. Come, dear, put down that pen." She bent over her and drew the pen from her hand while Mr. Potts watched the little scene, old suspicions clouding his countenance.

"My time is limited, Mrs. Upton," he observed; "Mrs. Potts and I take our departure to-morrow and, if I have heard aright, you expect acquaintances to dinner. Therefore, if you will pardon me, I must ask you to let us have the benefit, here and now, of your suggestions."

Valerie had not responded by any smile to Imogen's rather baleful lightness, nor did she, by any penitence of look, respond to Mr. Potts's urgency. She sat silent for a moment, and when she spoke it was in a changed voice, dulled, monotonous. "If you insist on my speaking, now—and openly,—I must say to you that I altogether disapprove of your project. You will never," said Valerie, with a rising color, "gain my consent to it."

A heavy silence followed her words, the only sound that of Tison's faint sniffings, as, his nose outstretched and moving from side to side, he cautiously savored the air in Mr. Potts's direction. Mrs. Potts stirred slightly, and uttered a sharp, "Tht—tht." Mr. Potts, his hand still stayed in his beard, gazed from under the fringed penthouse of his brows with an arrested, bovine look.

It was Imogen who broke the silence. Standing beside her mother she had felt the shock of a curious fulfilment go through her, as if she had almost expected to hear what she now heard. She mastered her voice to ask:—"We must demand your reasons for this—this very strange attitude, mama."

Her mother did not raise her eyes. "I don't think that your father was a man of sufficient distinction to justify the publishing of his biography."

At this Mr. Potts breathed a deep, indignant volume of sound, louder than a sigh, less articulate than a groan, through the forests of his beard.

"Sufficient distinction, Mrs. Upton! Sufficient distinction! You evidently are quite ignorant of how great was the distinction of your late husband. Ask us what that distinction was—ask any of his large circle of friends. It was a distinction not of mind only, nor of birth and breeding—though that was of the highest that this country has fostered—but it was a distinction also of soul and spirit. Your husband, Mrs. Upton, fought with speech and pen the iniquities of his country, the country that, as Miss Imogen has said, he loved and served. He served, he loved, with mind and heart and hand. He was the moving spirit in all the great causes of his day, the vitalizing influence that poured faith and will-power into them. He founded the cooperative community of Clackville; he organized the society of the 'Doers' among our young men;—he was a patron of the arts; talent was fostered, cheered on its way by him;—I can speak personally of three young friends of mine—noble boys—whom he sent to Paris at his own expense for the study of music and painting; when the great American picture is painted, the great American symphony composed, it will be, in all probability, to your husband that the country will owe the unveiling of its power. And above all, Mrs. Upton, above all,"—Mr. Potts's voice dropped to a thunderous solemnity,—"his character, his personality, his spirit, were as a light shining in darkness to all who had the good fortune to know him, and that light cannot, shall not, be cribbed, cabined and confined to a merely private capacity. It is a public possession and belongs to his country and to his age."

Tison, all unheeded now, had leapt to the floor and, during this address, had stood directly in front of the speaker, barking furiously until Imogen, her lips compressed, her forehead flushed, stooped, picked him up, and flung him out of the room.

Mrs. Upton had sat quite motionless, only lifting her glance now and then to Mr. Potts's shaking beard and flashing eye. And, after another pause, in which only Mr. Potts's deep breathing was heard,—and the desperate scratching at the door of the banished Tison,—she said in somber tones:—"I think you forget, Mr. Potts, that I was never one of my husband's appreciators. I am sorry to be forced to recall this fact to your memory."

It had been in all their memories, of course, a vague, hovering uncertainty, a dark suspicion that one put aside and would not look at. But to have it now placed before them, and in these cold, these somber tones, was to receive an icy douche of reality, to be convicted of over-ready hope, over-generous confidence.

It was Imogen, again, who found words for the indignant deputation: "Is that lamentable fact any reason why those who do appreciate him should not share their knowledge with others?"

"I think it is;—I hope so, Imogen," her mother replied, not raising her eyes to her.

"You tell us that your own ignorance and blindness is to prevent us from writing my father's life?"

"My opinion of your father's relative insignificance is, I think, a sufficient reason."

"Do you quite realize the arrogance of that attitude?"

"I accept all its responsibility, Imogen."

"But we cannot accept it in you," said Imogen, her voice sinking to the hard quiver of reality that Jack well knew;—"we can't fail in our duty to him because you have always failed in yours. We are in no way bound to consider you-who never considered him."

"Imogen," said her mother, raising her eyes with a look of command; "you forget yourself. Be still."

Imogen's face froze to stone. Such words, such a look, she had never met before. She stood silent, helpless, rage and despair at her heart.

But Mr. Potts did not lag behind his duty. His hand still wrapped, Moses-like, in his beard, his eyes bent in holy wrath upon his hostess, he rose to his feet, and Mrs. Potts, in recounting the scene—one of the most thrilling of her life—always said that never had she seen Delancy so superbly true, never had she seen blood so tell.

"I must say to you, Mrs. Upton, with the deepest pain," he said, "that I agree with Miss Imogen. I must inform you, Mrs. Upton, that you have no right, legal or moral, to bind us by your own shortcoming. Miss Imogen and I may do our duty without your help or consent."

"I have nothing more to say to you, Mr. Potts," Valerie replied. She had, unseeingly, taken up her pen again and, with a gesture habitual to her, was drawing squares and crosses on the blotter under her hand. The lines trembled. The angles of the squares would not meet.

"But I have still something to say to you, Mrs. Upton," said Mr. Potts; "I have still to say to you that, much as you have shocked and pained us in the past, you have never so shocked and pained us as now. We had hoped for better things in you,—wider lights, deeper insights, the unsealing of your eyes to error and wrong in yourself; we had hoped that sorrow would work its sacred discipline and that, with your daughter's hand to guide you, you were preparing to follow, from however far a distance, in the footsteps of him who is gone. This must count for us, always, as a dark day of life, when we have seen a human soul turn wilfully from the good held out to it and choose deliberately the evil. I speak for myself and for Mrs. Potts—and in sorrow rather than in wrath, Mrs. Upton. I say nothing of your daughter; I bow my head before that sacred filial grief. I—"