|
"Chuck punishment altogether," I said. "You don't need it; it is always the resort of a weak teacher."
"I couldn't do without it," he said.
"All right then," I said wearily, "but I want you to realise that your punishments are making Geordie a cripple for life."
* * * * *
I went down and had a talk with Geordie's father. He was not very pleasant about it; indeed he was almost unpleasant.
"There's nothing wrong wi' the laddie," he said aggressively. "He's a wee bit lassie-like and he has no pluck."
Here Geordie entered the kitchen, and his father turned on him harshly.
"Started to yer lessons yet?" he demanded.
Geordie muttered something about having had to feed his rabbits.
"I'll rabbit ye! Get yer books oot this minute!" and Geordie crept to a corner and rummaged among some old clothes for his school-bag.
I tried to be as amiable as I could, and avoided controversy. I soon saw that father and mother were not pulling well together, and I suspected that the father's harshness to Geordie was often a weapon to wound the fond mother. I saw that nothing I could say would do any good, and I took my departure.
Later I went to see Dauvit, and found him alone. I asked him to tell me about the Wylies.
"Tarn Wylie is wan o' the stupidest men in a ten mile radius," said Dauvit. "But he's no stupid whaur money is concerned; they tell me that he drinks aboot half his week's wages, and his puir wife has to suffer. That laddie o' theirs, he was born afore the marriage, and they tell me that Tarn wud never ha' married her if he hadna been fell drunk the nicht he put in the banns."
This case of poor Geordie shows what a complexity there is in human affairs. His father has a mental conflict, and he drinks so that he may get away from reality. The father's drinking and the son's reading of romances are fundamentally the same thing; each is trying to get away from a reality he dare not face. No treatment of Geordie could be satisfactory unless at the same time the parents were being treated.
V.
Carrotty Broon, one of my old scholars, came to Dauvit's shop to-night, and he talked about his pigeons . . . his doos he calls them. He keeps a pigeon loft of homers, and he spends a considerable amount in training them.
"Some fowk think," he said, "that a homer will flee hame if ye throw it up five hunder miles awa."
"I've read of flights of seven hundred miles," I said.
Carrotty Broon chuckled.
"I mind o' a homer I had," he went on. "He was a beauty, a reid chequer. His father had flown frae London to Glasgow, and his mither was a flier too. Weel, I took him doon to Monibreck on my bike, and let him off. I never saw him again; five mile, and he cudna find his way hame!"
"He must ha' been shot," said Dauvit, "for thae homers find their way hame by instinct."
"Na, na, Dauvit," said Broon, "they flee by sicht. When ye train a homer ye tak it a mile the first day, syne three miles, syne maybe seven, ten, twenty, fifty, and so on. Send the purest bred homer fower mile without trainin' and ye'll never see him again."
Carrotty Broon told us many interesting things about doos and their ways. We listened to him because he was an authority and we knew little about the subject.
"The only thing I ken aboot doos," said Dauvit with a laugh, "is that when I was a laddie auld Peter Smith and John Wylie keepit homers and they were aye trying compeetitions in fleein'. John was gaein' to London for his summer holiday, and so him and Peter made a bargain that they wud flee twa homers from London. Weel, John he got to London, and he thocht to himsell that seein' they had a bet o' twa pund on the race, he wud mak sure o' winnin', and so what does he do but tak a pair o' shears and cut the wing o' Peter's doo.
"When John cam hame after a fortnight's trip he met auld Peter at the station.
"'Weel, Peter,' says he, 'wha won the race?'
"'You,' said Peter; 'your doo cam hame the next day, but mine only got hame this mornin'. And it has corns on its feet like tatties.'"
* * * * *
To-day was Macdonald's Inspection Day, and at dinner time he brought over Mr. J. F. Mackenzie, H.M.I.S., a middle-aged man and Mr. L. P. Smart, assistant I.S., a cheery youth fresh from Oxford. When inspectors dine with the village dominie they never mention the word education. These two talked a lot, and all their conversation was about mountain-climbing in Switzerland. They swopped long prosy yarns about dull incidents, and I was very much bored. So was Mac, but he pretended to be interested, but then he was to see them again, and I wasn't . . . at least I prayed that I might not. After a time I began to feel that I was being left out of the conversation, and I waited until Mackenzie paused for a breath.
"Switzerland is very beautiful," I remarked, "but you should see the Andes."
Mackenzie looked at me coldly.
"I haven't been to South America," he said.
"Same here," said I cheerfully, "but I remember seeing pictures of them in the geography book at school."
Mackenzie looked at me more coldly than before. I don't think he liked me, and when the younger man chuckled Mackenzie glared at him. Smart had a sense of humour.
"I'm afraid we have been boring you," he said to me with a smile.
"I'd rather listen to you two talking education," I confessed.
Mackenzie waved the suggestion away.
"I leave education behind when I walk out of the school," he said in grand manner. "Most excellent rhubarb, Mrs. Macdonald. Home grown?" And then we had ten minutes of garden products versus shop greens. I admit that this inspector had a genius for small talk. We dismissed greens and I led the conversation to hens and ducks. Mackenzie did not know much about them, and he confirmed my opinion of his genius for small talk by saying: "Buff Orpingtons! They are named after Orpington in Kent. I remember staying a night there before I went to Switzerland . . ." and the dirty dog took the conversation back to his mountain climbing.
I made a gesture to the younger man and got him out into the garden.
"Why does he waste precious time talking about cabbages and dreary Swiss inns?" I asked.
Smart laughed shortly.
"You know how rich folk talk at table when the servants are present?"
I nodded.
"Well, that's the Chief's attitude to teachers; he never says anything of any importance whatever."
"But why?"
"He is of the old school. He has been inspecting schools for forty years. In the olden days an inspector was a sort of Almighty; teachers quaked before him because with a stroke of his pen he could reduce their money grant. To this day the old man treats teachers as a king treats his subjects—with kindness but with distance."
"Has he any views on education?" I asked.
Smart shook his head.
"None, but he has heaps of views on instruction and discipline. By the way, he thinks that Macdonald's discipline is very good."
"And you?"
"I think it rotten," he said ruefully, "but what can I do? A junior inspector is a nobody; if he has any views of his own he has to pocket them. I would chuck out all this discipline rot and go in for the Montessori stunt. Take my tip and never accept an inspectorship."
"I won't," I said hastily.
I liked Smart, and I wish we had more of his stamp in the inspectorate.
When we returned to the dining-room Mackenzie looked at me with interest.
"I didn't know that you were the Dominie's Log man till Mr. Macdonald told me two minutes ago," he said. "I am delighted to meet you. I enjoyed your book very much indeed. Very amusing."
He was quite affable now. Writing a book gives a man a certain standing. I fancy it is the dignity of print that does it, and we all have the print superstition. I find myself accepting statements in books, whereas if someone said the same things to me over a dinner-table I should refute them with scorn. "If it is in John Bull it is so!" Mr. Bottomley is a sound psychologist.
When they were departing I said to Smart: "Yes, he's very amiable and all that, but I am jolly glad I had Frank Michie and not him as my chief inspector when I wrote my Log."
Smart laughed.
"My dear chap, Mackenzie would have let you run your school in your own way."
"But," I cried, "he doesn't believe in freedom!"
"He doesn't, but don't you see that he simply couldn't have jumped on you? He would have thought you either a lunatic or a genius, and he would have feared to condemn you in case you might turn out to be the latter. I know an art critic in London, and, believe me, the poor devil lives in terror lest he should damn the work of a new Augustus John. The Futurists aren't flourishing on their merits; they are flourishing because the critics are in a holy funk to condemn them in case they might be artists after all."
I want to meet Smart again. I like his style.
* * * * *
I am indeed a Dominie in Doubt. What is education striving after? I cannot say, for education is life and what the aim of life is no one knows. Psycho-analysis can clear up a life; it can release bottled up energy, but it cannot say how the released energy is to be used. The analyst cannot advise, because no man can tell another how to live his life. Freud clears up the past, but he cannot clear up the future.
Is there such a thing as Re-incarnation? I wonder. Am I living the life that my past lives on earth fitted me for? If so analysis is wrong. If I am suffering from a severe neurosis it is because I earned this punishment in my past lives, and Freud has no right to cure me. He is interfering with the plans of the Almighty. If, as I have heard a Theosophist declare, the children in the slums are miserable because they failed to learn their lesson in previous lives, then the people who try to abolish slums are all wrong. I think my Theosophist would argue that the charitable person is growing in grace, thereby rising above his previous lives. And thus one soul helps another to rise to perfection. It may be, and I hope it is so, for then life would have a meaning. Pain and war would then be less terrible, for they would be but incidents in the eternal unfolding of perfection.
Yet I find myself doubting. If I am William Shakespeare born again I do not know it, and I am left in doubt as to whether I may not have been Charles Peace instead. Possibly I was both.
Then there is psychical research. I have been to a medium and have heard things that all the psycho-analysis in the world cannot account for. I want to believe that the dead can speak to us, but where are the dead? I have read Sir Oliver Lodge's Raymond, and the description of the next world given there. Frankly I don't fancy it, and I have no desire to go there.
How then can I attempt to educate children when the ultimate solution of life is denied me? I can only stand by and give them freedom to unfold. I do not know whither they are going, but that is all the more a reason why I ought not to try to guide their footsteps. This is the final argument for the abolition of authority. We may beat and break a horse because we selfishly require a horse's service, and according to the accepted view a horse has no immortal soul. We dare not beat and break a child, for a child is going to an end that we cannot know.
I like the Theosophist schools, although I do not like all Theosophists. Some of them seem to be living the higher life consciously, and repressing their lower natures. Most of them do not smoke or drink or eat meat or swear or go to music-halls. That may be living on a higher plane, but it is not living fully. Still, in many ways they are broad-minded. In their schools they do not force Theosophy down the children's throats; they allow a great amount of freedom, but their schools are not free schools. There is a definite attempt to mould character chiefly by insisting on good taste. I am quite sure that no head-master of a Theosophical School would take his children to see a Charlie Chaplin film. Charlie is not obviously living the higher life; he stands for the vulgar side of life; he picks up girls and gets drunk (in the play) and is sea-sick and very vulgar about soda-water.
I find myself insisting on the inclusion of Charlie in any scheme of education because no one ought to be taught to be shocked at sea-sickness and soda-water squirting. Charlie to me is the antidote to the higher-plane crowd; he and his kind are as essential as Shelley. I admit that reading Shelley is a higher kind of pleasure than watching "Champion Charlie," but no human being can safely live on the higher plane, and no child wants to. Education must deal with all life; a higher plane diet will produce hot-house plants, beautiful perhaps, but delicate and artificial.
* * * * *
Old Willie Murray the cobbler had been bed-ridden for over a year, and when I dropped into Dauvit's shop this morning Mary Rickart was telling Dauvit that his old master was dead.
"Aye, Dauvit," she was saying when I entered, "I'm no the kind that speaks ill o' the deid, but I will say this, that Wull Murray had his faults. Aye, and though he's a corp the day, I canna pertend that he was ony freend o' mine."
When Mary had gone Dauvit turned to me with a queer smile.
"Dominie, you tell me that you have studied the science o' the mind, psy—what is't you call it?"
"Psychology," I said.
"That's the word. Weel then, dominie, just tell me why Mary Rickart had sic a pick at auld Willie Murray."
I smoked for a time thoughtfully.
"It's difficult, Dauvit. I haven't got enough evidence. However I think I can make a good guess."
"Weel?"
"Mary and Willie sat in the same class at school?"
"Good!" said Dauvit, "they did."
"And Mary was Willie's first sweetheart?"
"Imphm!"
"Mary loved Willie and he loved her. They were sweethearts for a long time, but another damsel came and stole Willie's heart away. Mary wept bitter tears, but in time she repressed her love . . . and it changed into hate."
Dauvit chuckled.
"A very nice story," he said, "but, ye ken, it's just a story. You cudna guess the real reason why Mary hated him so much."
"Then what was the real reason, Dauvit?"
He laughed.
"Mary hated Willie Murray because he aince telt her that she was a silly woman to think that she cud wear a number fower shoe on a number acht foot."
We laughed together, and then I said:
"Dauvit, why did you never marry? You like women I fancy."
My remark made him thoughtful.
"Man," he said, "I've often speered the same question o' mysel. As a young man I was gye fond o' the lassies, but . . . I dinna ken!" and he broke off suddenly and took up a boot. "Thae soles are just paper noo-a-days," he growled.
I refused to let him run away from the subject.
"Had you a sweetheart?" I asked.
He laughed boisterously to hide his confusion.
"Dozens o' them!" he cried.
"Then why didn't you marry one of them?"
He shook his head.
"Dominie, that's the question." He stared at the grate for a while. "There was Maggie Adams, a bonny lassie she was. Man, I mind when I took her to Kirriemair Market . . ." He sighed. "Aye, man, dominie, I liked Maggie mair than ony o' the others."
"Did she love someone else?" I asked softly.
Dauvit took some time to reply.
"No, man, Maggie wanted me."
"Then the fault lay on your side? You didn't love her!"
Dauvit brought his hand down on the board.
"Goad, man, but I did!"
I could not understand.
"Man, on the road hame frae Kirrie Market I was to speer if she wud marry me . . . but I didna."
We smoked silently for a long minute.
"Ye see," he went on slowly, "Maggie was a bonny lassie and I liked to kiss and cuddle her, but kissin' and cuddlin' are a very sma' part o' marriage, dominie. There was something in Maggie that I was aye lookin' for, but cud never find. Aye, I tried to find it in other lassies, but I never fund it."
"What was it you wanted to find, Dauvit?"
Dauvit paused.
"Ye micht call it a soul," he said. "Oh, aye," he went on, "Maggie was a bonny lassie wi' a heart o' gold, but she hadna a soul. Wud ye like to ken what stoppit me speerin' her that nicht as we cam through Zoar? Man, I said to mysel: When we come to the toll bar I'll tak Maggie in my arms and say: 'Maggie, I want ye, lassie!'"
He had to light his pipe here.
"Weelaweel, we got to the toll bar and I said: 'Maggie, we'll sit doon on the bank for a while.' So we sat doon, and I was just tryin' to screw up my courage when she pointed to the settin' sun. 'I'd like a dress like that, only bonnier,' she said. Man, dominie, I looked at that sunset wi' its gold and purple . . . and syne I kent that Maggie was nae wife for me. I kent that she had nae soul."
After a time I remarked: "And so, Dauvit, you are a bachelor because you were a poet!"
He busied himself with the paper sole.
"Maggie married Bob Wilson the farmer o' East Mains. Aye, and the marriage turned oot a happy one, for Bob never rose abune neeps and tatties in his life." Dauvit sighed. "But I sometimes used to look at the twa o' them when their bairns were roond their knees, and syne I used to gie a big Dawm! and ging back to my wee hoose and mak my ain tea."
"It doesna pay to hae a soul, dominie," he added with a short laugh.
"Perhaps you could have given her a soul, Dauvit," I said.
He shook his head with decision.
"Na, dominie, a soul is something ye're born wi'; if it isna there it canna be put there. You say that I'm a poet, and you may be richt; there may be a wee bit o' the artist in me, and ye never heard o' an artist that was happily married. Wumman and art are opposites, and a man canna marry both."
"That is true, Dauvit. But art is the feminine side of a man's nature; it is the woman in him . . . and the woman is superfluous to him, for she becomes the rival of the woman in himself."
This thought impressed Dauvit.
"Noo I understand Rabbie Burns," he cried. "Rabbie cudna love a wumman because he loved the wumman in himsel. She was the wife that bore his bairns—his poems." He paused, and a pained look came to his face. "There may be a poet in me, dominie," he said ruefully, "but she has borne me nae bairns. I am ane o' the mute inglorious Miltons . . . and I wud ha' been better if I had married Maggie and talked aboot neeps and tatties a' my life."
"You couldn't have done it, Dauvit," I said as I rose to go.
From the door I looked back at the old man as he stared at the fender.
* * * * *
One of the analysts says that the flirt is suffering from a mother complex. He has never got over his infantile love for his mother, and he is always trying to find the mother again in women. Hence he is like a bee, sipping at one flower and then flying on to another.
I suspect that many a bachelor is a bachelor because his early love is fixed on the mother. Few mothers realise the danger of coddling their children. I have heard grown men dying in pain call on their mothers. It is a hard task for parents, but they must always try to break their children's fixation upon them.
Women having father-complexes are common. The other day I met a girl who had no interest in young men; all her interest was in men with beards. No matter what the conversation was about she managed to mention her father. . . "Father says!" She will probably marry a man twice her age. It is well-known that boys of seventeen often fall in love with women of thirty, while adolescent girls usually fall in love with men of thirty. They are not really in love; they are looking for a substitute for the mother or father.
The psychology of the man of forty who falls in love with the girl of sixteen is more difficult to grasp. I think that in most cases the man's love interest is fixed away back in childhood; often the girl of sixteen is a substitute for a beloved sister. Perhaps on the other hand, a man of forty's paternal instinct has been starved so long that he wants to find at once a wife and a child.
Few of us realise how much of our love interest is fixed in the past. Think of the men who want to be mothered by their wives . . . they generally address their wives as "Mother." I know happily married men who are psychically children; "mother" won't allow them to carry coals or wash dishes or brush clothes; she treats them as they unconsciously desire to be treated—as babes.
It may be that Dauvit has a strong mother complex. He often talks of his mother, and more than once I have heard him say that she was the best woman he had ever known. It may be that he was unconsciously looking for the mother in Maggie and the other girls, and failed to find her. Maggie's remark about the sunset and the dress was not enough to stifle his love declaration. The soul he longed to find in Maggie may have been the soul of the mother he knew as an infant . . . the soul of his ideal woman.
The more I see of men the less importance I pay to their conscious reasons for attitudes. "I hate Brown; he never washes"; "I dislike Mrs. Smith; she uses bad language." "Murphy is a rotter; he has no manners." Statements like these are rationalisations; the real reason for the dislike lies deeper in every case.
VI
The law courts have re-introduced flogging for criminals. To the best of my knowledge no member of the law profession has protested. If there is a reform movement within the law I never heard of it.
The curse of law is that it works according to precedent, and it is therefore conservative. Our judges hand out sentences in blissful ignorance of later psychology. Last week a boy of eleven was birched for holding up another boy of nine on the highway and demanding tuppence or his life. The attitude of the bench is that fear of another flogging will prevent that boy from turning highwayman again. I admit that fear will cure him of that special vice, but what the bench does not know is that the boy's anti-social energy will take another form. Every act of man is prompted by a wish, and very often this wish is unconscious. And all the birching in the world will not destroy a wish; the most it can do is to change its form.
Without an analysis of the boy no one can tell what unconscious wish impelled him to turn highwayman, but speaking generally a boy expresses his self-assertion in terms of anti-social behaviour only when his education has been bad. I believe that all juvenile delinquency is due to bad education. Our schools enforce passivity on the child; his creative energy is bottled up. No boy who has tools and a bench to work with will express himself by smashing windows. Delinquency is merely displaced social conduct; the motive of the little boy who turned highwayman was essentially the motive of the boy who builds a boat.
Ah! but we have Industrial Schools for bad boys!
I spent an evening with an Industrial School boy of thirteen not long ago. It was an unlovely tale he told me of his life in school. I got the impression of a building half-prison, half-barracks. No one was allowed to go out unless to football matches when the school team was playing. Punishment was stern and frequent.
"One old guy, 'e sends you to the boss for punishment and says you gave 'im an insubordinate look, and you ain't allowed to deny wot 'e says."
"Look here, Jim," I said, "suppose I took you to a free school to-morrow, a school where you could do what you liked, what's the first thing you would do?"
A wild look came into his eyes.
"I'd lay out the blarsted staff," he said tensely.
"But," I laughed, "what would be the point of laying me out if I gave you freedom? What have you got against me?"
"Oh," he said, "I thought you meant if I got freedom in the Industrial School!"
That school is condemned; if a school produces one boy who hates and fears its teachers, it is a bad school.
I think of the other way, the Homer Lane way.
Homer Lane was superintendent of the little Commonwealth in Dorset. He attended the juvenile courts and begged the magistrates to hand over to him the worst cases they had. He took the children down to Dorset and gave them freedom. He refused to lay down any laws, and naturally the beginning of the Commonwealth was chaos. Lane joined in the anti-social behaviour; he became one of the gang. When the citizens thought that their best way of expressing themselves was to smash windows, Lane helped them to smash them. His marvellous psychological insight will best be illustrated by the story of Jabez.
Jabez was a thoroughly bad character; he had been thief and highwayman, a bully who could fight with science. He came to the Commonwealth and was astonished. He found boys and girls working hard all day, and making their own laws at their citizen meetings at night. Jabez could not understand it, and not understanding he felt hostile.
The citizens lived in cottages, and one night Lane went over to the cottage in which Jabez lived. They were having tea, and Lane sat down beside Jabez.
"What are you always grousing about, Jabez?" he asked. "Don't you like the Commonwealth?"
"No," said Jabez viciously.
"What's wrong with it?"
"It's too respectable for me," said Jabez, and his eyes wandered to the table. "Them fancy cups and saucers! Wot's the good o' things like that to me? I'd like to smash the whole lot o' them."
Lane rose from the table, walked to the fireplace, took up the poker and handed it to Jabez.
"Smash them," he said.
Jabez had all eyes turned towards him. He seized the poker and smashed his cup and saucer.
"Excellent!" cried Lane, "Jabez is making the Commonwealth a better place," and he pushed forward another cup and saucer. These were at once smashed, and Lane proceeded to shove forward the other dishes. But by this time Jabez was beginning to feel queer. Breaking dishes was good fun when you were breaking laws, but here there was no law to break, and Jabez felt that he was doing a foolish thing. He wanted to stop, but he could not see how he was to stop with dignity. Fortunately one of the other inmates of the cottage came to his aid.
"It's all very well for you, Mr. Lane," she said, "but this isn't your cottage, and you are making Jabez break our dishes."
Jabez hailed the idea with delight; he now had an excellent excuse for stopping.
"Right you are!" cried Lane cheerfully, "Jabez will break something else," and he took out his gold watch and placed it on the table.
"Smash that, Jabez."
"No," said Jabez, "I won't smash your watch."
Now Jabez had a saying that if a man were dared to do a thing and he didn't do it he was a coward.
"I dare you to smash the watch."
Jabez seized the poker again.
"What! You dare me!"
"Yes, I dare you."
He looked at the watch for a few seconds; then he threw down the poker and rushed from the room.
Poor Jabez was killed in France. I saw the letters that he wrote to Lane from the front, and they were the letters of a decent, good boy.
The early history of Jabez was one of constant suppression. Authority was always stepping in and saying: "Don't do that!" As a result Jabez at the age of seventeen was psychically an infant. The infantile desire to break things was suppressed, but it lived on in the unconscious, and years later Jabez found himself behaving like a child of three. The cure was to encourage him to act in his infantile way; by smashing a few cups Jabez got rid of his long pent up infantile wish to destroy. Discipline would have kept the childish wish underground; freedom led to the expression of the wish.
Homer Lane is the apostle of Release. He holds that Authority is fatal for the child; suppression is bad; the only way is to allow the child freedom to express itself in the way it wants to. And because I count among my friends boys and girls who once went to the Little Commonwealth as criminals, I believe that Lane is right. I also believe that the schools will come to see that he was right . . . somewhere about the year 2500.
* * * * *
Conversation to-night in Dauvit's shop turned on Spiritualism. Dauvit is a firm believer, and he often goes to Dundee and Aberdeen to attend seances.
"It's just a lot o' blethers," said Jake Tosh contemptuously. "When ye're deid ye're deid, and that's a' aboot it. Na, na, Dauvit, them that sees ghosts is either drunk or daft."
"That's just yer ignorance, Jake," said Dauvit. "Do ye ken whaur Brazil is?"
"Wha is he?" asked Jake puzzled.
"It's no a he; it's a place. I asked ye that question just to prove that a man that doesna ken his ain world canna speak wi' ony authority o' the next world. Yer mind's ower narrow, Jake; ye've no vision."
"Na, na, Dauvit," laughed Jake, "it winna do. Spooks and things is just a curran nonsense, and no sane man wud believe in them. What do you say, dominie?"
"I am willing to believe that the dead do communicate," I said.
Jake was thoroughly amused.
"It's a queer thing," he said musingly, "that the more eddication a man has the more he believes in rubbish. Here's Dauvit here, a man that reads Shakespeare and Burns and Carlyle, and the dominie there that went through a college, and the both o' you believe things that I stoppit believin' when I was sax year auld. Then there's Sir Oliver Lodge, and Conan Doyle. Oh, aye, the Bible was quite richt when it said: Much learning hath made them mad."
"What do you think happens to the dead, Jake?" I asked.
"As the tree falleth so it lies," quoted Jake. "There's only the twa places after death; if ye're good ye go to Heaven; if ye're bad ye go to Hell. And that's why I say that thae messages from the deid are rubbish, cos if a man's in Heaven he's no going to leave a place like that to come doon to speak to a daft auld cobbler like Dauvit in a wee room doon in Dundee. And if a man's in Hell the Devil will tak good care that he doesna get oot."
I wondered to find that Dauvit had no answer to this. I guessed that Dauvit's silence was due to his early training. He was brought up in the old stern Scots way, and although he has now rejected the old beliefs intellectually, his unconscious still clings to them emotionally. I fancy that if I were very very ill I might go back to my childish fear of Hell-fire, for, in illness old emotions return, and intellect flees. Dauvit would no doubt react in the same way.
* * * * *
Many people seem to have a decided fear of psycho-analysis. A mother writes me from London saying that she would like to send her girl to my new school, only she is afraid that I shall attempt to analyse the children.
The fear of psycho-analysis comes from the general belief that Freud traces every neurosis to early sex experiences. Whether Freud is right or not does not concern the teacher; he deals with normal children, and to try to analyse a normal child appears to me to be unnecessary. The teacher's job is to see that the children are free from fear and free to create; if he does his task well he is preventing neurosis.
A neurosis is the outcome of repression; the neurotic is a person whose libido or life force is bottled up; he can be cured only by letting his pent up emotions free. The aim of education is to allow emotional release, so that there will be no bottling up, and no future neurosis; and this release comes through interest. The boy who hates algebra and has to work examples is getting no release whatever, for his mind is divided; his attention goes to his quadratic equations, but his interest is elsewhere.
Hence I do not think analysis is necessary when children are being freely educated. In an exceptional case a little analysis will do good. If I see a child unhappy, moody, anti-social, a thief, a bully, I consider it my job to make an attempt to find out what is at the back of his mind. With a young boy it is not advisable to tell him the whole truth about himself; the teacher discovers the truth by watching the child at play, by studying his wishes as expressed in his writing, by noting his attitude to his playmates. When he has made his diagnosis the teacher can then make the necessary changes in the boy's environment.
I recall the case of Tommy, aged ten. His class was constructing a Play Town after the fashion set by Caldwell Cook in his delightful book The Play Way. Tommy worked with enthusiasm, too much enthusiasm, for he pinched the girls' sand for his railway track. The girls objected, and a regular wordy battle took place. Tommy felt that he was beaten, and he ceased work.
I was not very much surprised when the girls came and told me that Tommy was shying bricks at the railway line he had been so keen on constructing. Tommy was brought up before the assembled class, and they voted unanimously that he be forbidden to approach within ten yards of Play Town. Tommy grinned maliciously. That night the town appeared to have been the victim of an earthquake.
I went to Tommy.
"Why don't you like the Play Town?" I asked.
"Because the girls are too bossy," he said. "It was my town; I began it, and I don't see why they should be in it at all."
"And you want a Play Town all to yourself?" I asked.
"Yes."
"Right ho," I said easily. "Why not start to build one?"
His eyes lit up, and away he ran to lay his foundations. He worked eagerly all day, but at night he seemed dissatisfied.
"I haven't got any railway or houses; Christo won't lend me a bit of his railway, and Gerda has all the houses."
I left him to work out his problem. In the morning he solved it; Christo wouldn't lend him any rails, but if Tommy liked he, Christo, would run his line up to Tommy's town from the class town. Tommy readily agreed. In a week's time Tommy's town was a suburb of the bigger town, and Tommy was appointed President of the whole state. He spent many an hour building his bridges and digging his tunnels. At first he would allow no one to enter his suburb, but in a few days he ceased to claim it as his own, and he worked as a member of the gang.
I think that most anti-social children are like Tommy: when their self-assertion is threatened they react with hostility. The cure for them is to direct their self-assertion to things instead of people. No boy will try to break up a ball game if he has a rabbit hutch to construct.
The danger is that the teacher will often step in when the boy ought to be left to his companions. The gang is the best disciplinarian.
One day a class and I were writing five-minute essays. I would call out a word or a phrase, and we would all start to write. The children loved the method; it allowed so much play for originality. For example, when I gave the word "broken" one girl wrote of her broken doll, another of a broken tramp, another of a broken heart; a boy wrote a witty essay on being stoney broke, another wrote of a broken window.
On this day Wolodia, a boy of eleven, did not want to write essays. I called out a word, and we started to write. Wolodia began to talk loudly.
"Stop it, man," I said impatiently, "you're spoiling our essay."
He grinned and went on talking.
"Oh, shut up!" cried Joy.
"Shan't!" he snapped, and he went on talking.
Diana rose with a determined air.
"We'll chuck him out," she said grimly, and the class seized him and heaved him out. Then they barricaded the door with desks. Wolodia made a big row by hammering on the door, and as a result we could not proceed with our writing.
"Let him in," I suggested.
The class protested.
"He'll sit like a lamb for the rest of the period," I said.
They took away the desk and Wolodia came in. He went to his seat . . . and not a sound came from him during the rest of the period. This incident impressed me greatly; my complaint, Joy's complaint did not affect him, but when the gang was against him he was defeated. It was a beautiful instance of the force of public opinion.
Cases of stealing should be treated by analysis. Moral lectures are useless; the cause lies in the unconscious, and the moral lecture does not touch the unconscious. Nor does punishment affect the root cause of the delinquency. The teacher must dig down into the child's unconscious in order to find the cause.
An illuminating book for all teachers and parents to read is Healy's Mental Disorders and Misconduct. He shows that stealing is very often a symptomatic act. The mechanism of many cases is something like this: a child has been punished for sexual activities; later he breaks into a store and steals an article. Sex activities and thieving have this in common, that they are both forbidden, but the boy has found that much more ado is made about sex activities than about stealing. So when he is actuated by a sexual urge he dare not indulge it; but his sexual wish finds a substitute; it goes out to the associated forbidden thing . . . the article on the store counter.
We see the same sort of mechanism in the neurotic patient; she fears her own sex impulses, and because she dare not admit her sex wishes into consciousness she projects her fear on to dogs or mice or rats. All phobias—fear of closed places, fear of open places, fear of heights—are displaced fears; the sufferer is really afraid of his own unconscious wishes.
I do not say that all juvenile stealing is due to repressed sex. Stealing may mean to a boy a method of self-assertion; it may mean that thus he rebels against authority of father and teacher; it may be the result of any one of a dozen causes. But whatever the cause stealing is always associated with unhappiness, and the teacher must try to cure the unhappiness.
In my Dominie's Log I confessed that I liked to cheat the railway company, and I excused it on the ground that "a ten-mile journey without a ticket is the only romantic experience left in a drab world." That was a delightful bit of rationalisation. The real reason for my delinquency lay in my unconscious. As a child I impotently rebelled against the authority of parents and teachers. Later in life I unconsciously identified the railway company with the authorities of my infancy. Authority said: "Don't do that or you will be smacked"; the railway company put up a notice saying: "Don't travel without a ticket or you'll be fined forty shillings."
My rebellion was really a rebellion against authority. This may seem to be a far-fetched explanation, but the fact remains that now that I have discovered the reason I have no more desire to cheat the railway company.
* * * * *
Old Jeems Broon was buried to-day, and Dauvit went to the funeral. He came back chuckling.
"What's the joke, Dauvit?" I asked.
"The burial service," laughed Dauvit. "You ken what sort o' a man Jeems was; an auld sinner if there ever was a sinner in Tarbonny, a bad auld scoondrel. Weel, Jeems hadna been at the kirk for twenty years, and of coorse the minister didna ken ony thing aboot him. So when he gave the funeral prayer he referred to auld Jeems as 'this holy man whose life stands as an example to those still tarrying in the flesh.' Goad, but I burst oot laughin'! I did that!"
"Had I been the minister," said I, "I should certainly have made a few inquiries about Jeems."
"But there's a better story than that aboot the minister," went on Dauvit with a laugh. "Mag Currie's little lassie had the diphtheria, and at the end o' the week the minister was asked to come oot to tak' a burial service in Mag's bed room. Man, he was eloquent! He spoke earnestly aboot this flower plucked before it had reached its full bloom, this innocent life so sadly cut off; he was most touchin' when he turned to Mag and her man and said: 'Mourn not for those hands that never did wrong, the lisping tongue that never spoke evil, the wide pure eyes that looked their love for you.'"
"I suppose the parents broke down at that," I said.
"Not they!" chuckled Dauvit, "for the corpse wasna their lassie ava; it was auld Drucken Findlay the lodger."
I always like to hear Dauvit talk about ministers, and I encouraged him to go on.
"It's a very queer thing, dominie, that a body ay wants to laugh at the wrong time. In the kirk and at a funeral—that's when I want to laugh.
"I mind when the minister was awa' for his holidays, and there was an auld minister frae the Heelands cam' to tak' his place. This auld man had a habit o' readin' a verse and syne stoppin' to explain it to the congregation.
"Weel aweel, wan Sunday he was readin' a chapter frae the Auld Testament, and he cam' to the words: 'And the Angel of the Lord appeared unto Hosea.' So he looks at the congregation ower his specs and he says: 'The Angel of the Lord appeared unto Hosea.' Now, prethren, we must ask ourselves this important question: Was Hosea afraid? No, Hosea was not afraid. You would have been afraid, prethren; I would have been afraid. You and I would have begun to quake and tremble, but Hosea was not afraid; he was a prave man, a pold man. When we are in trouble let us remember that Hosea was not afraid.'
"So the auld man he turns ower the page and reads the next verse: 'And Hosea was sore afraid.'"
"What did he say then?" I asked.
"He was a cunnin' auld deevil," said Dauvit, "for he gave a bit cough and says: 'Prethren, that is a wrong translation from the original Hebrew.'"
"I don't think you like ministers, Dauvit," I said.
He paused in his efforts to place a new needle in his sewing-machine.
"No, man, I do not," he said slowly. "Nowadays the kirk is just a job like anything else; men go in for it for the loaves and fishes mostly, and their prayers never get past the roof. And as for the congregation, the kirk is just a respectable sort o' society. I tell ye, dominie, that releegion is deid. At least, Christianity is deid. That was bound to come; flowers, folk, hooses, trees, horses, aye, and nations, have a birth, a youth, middle age, auld age, and then death. It's the law o' nature, and a religion is no exception."
"True, O philosopher!" I said, "but there is always new life, and new life comes from the old. The flower dies and its seed lives; man dies and his seed inherit the earth. Christianity dies and—and what?"
"That may be," he said thoughtfully. "It may be that the new religion will grow from the seed o' the deid Christianity; that I canna say. What I do say is that ministers are oot-o'-date; they are doin' useless labour . . . when they're no fishin' and curlin'."
VII.
Duncan came over to-night, and he asked my advice about books.
"What books would you advise a teacher to buy?" he asked.
"There are scores of good books," I replied, "but no teacher can afford to buy them."
"I know," he said crossly; "I've had a row with the Income Tax people. I asked for a rebate of ten pounds for necessary school books, and they wouldn't allow it, although I'm told that if a London merchant buys a London Directory he gets a rebate for the amount."
"I agree that it is unjust," I said, "but the new Income Tax proposals allow twenty pounds a year for teachers' books."
"Just tell us what you would advise a teacher to spend his twenty quid on," said Macdonald.
"It depends on his tastes," I said. "If his subject is History he will buy history books; if his subject is behaviour, he'll buy psychology books."
"Give us an idea of your own library," said Duncan.
I sat down and wrote out a list from memory.
It ran as follows:—
BOOKS ON EDUCATION:— The Play Way, by Caldwell Cook. The Path to Freedom in the School, by Norman MacMunn. What Is and What Might Be, by Edmond Holmes. Montessori's three volumes. An Adventure in Education, by J. H. Simpson.
BOOKS ON PSYCHO-ANALYSIS AND PSYCHOLOGY: Freud's Interpretation of Dreams, Psychopathology of Everyday Life, Three Contributions to the Sexual Theory. Jung's Psychology of the Unconscious, Studies in Word Association, Analytical Psychology. Frink's Morbid Fears and Compulsions. Maurice Nicoll's Dream Psychology. Morton Prince's The Unconscious. Pfister's The Psycho-analytic Method. Ernest Jones' Psycho-analysis. Ferenczi's Contributions to Psycho-analysis. Wilfred Lay's The Child's Unconscious Mind. Moll's The Sexual Life of the Child. Adler's The Neurotic Constitution. Bernard Hart's The Psychology of Insanity.
CROWD PSYCHOLOGY:— The Crowd in Peace and War, Martin Conway. Instincts of the Herd in Peace and War, Trotter. The Crowd, Gustave le Bon.
GENERAL PSYCHOLOGY:— Psychology and Everyday Life, Swift. Textbook of Psychology, James. The Boy and His Gang, Puffer. Mental Conflicts and Misconduct, Healy. The Individual Delinquent, Healy. Rational Sex Ethics, Robie. Social Psychology, McDougall. The Play of Man, Groos.
"That's too much for me," said Duncan. "I couldn't afford a quarter of these books. What books would you recommend if you had to choose half a dozen for a hard-up dominie?"
I thought for a little, and then I replied: "Bernard Hart's The Psychology of Insanity, two bob; Frink's Morbid Fears and Compulsions, a first-rate book on analysis, a guinea; The Crowd in Peace and War, by Sir Martin Conway, eight and six; Healy's Mental Conflicts and Misconduct, ten and six; and Wilfred Lay's The Child's Unconscious Mind, ten and six."
"But," cried Duncan, "I don't want to set up an asylum! What's the good of books on insanity and morbid fears to a teacher?"
I explained that the titles of Hart's and Frink's books were misleading, although the difference between the mind of the lunatic and the mind of the average man is merely one of degree. Bernard Hart shows that the lunatic has the same faults as we have, only more so. Frink's book is badly named; it is an excellent work on mind mechanisms. Any teacher who reads these six books with understanding will never again use a strap on a pupil. If I were Education Minister, I should present every school in Britain with a copy of each of the six.
Macdonald asked if I had any books on hypnotism and suggestion.
"No," I said, "but I have read them through a library. I don't believe in either because they do not touch root causes. We are all suffering from bottled up infantile emotion, and analysis goes to the root of the matter; it makes what is unconscious conscious, and enables the patient to re-educate himself, to use the old repressed emotion up in his daily life. Analysis means release. Suggestion does not touch the root repressed emotion, and I fancy that after suggestion the symptom merely changes. A man has a phobia of cats. By suggestion I can dispel his fear of cats, but the fear is transferred to something else, and he then has an exaggerated fear of catching tuberculosis. Unless the ancient cause becomes conscious it is not released.
"We see suggestion working in our schools daily. By suggestion parents and teachers force the child to inhibit his gross sexual wishes, and in a short time the child accepts the ideals of his masters. At first he inhibits a desire because father thinks it naughty; later he inhibits it because he himself thinks it naughty. But the gross sexual wish lives on in the unconscious . . . hence the neurosis, hence the respectable old men who are imprisoned for showing gross pictures to children, hence the frequent indecent assaults on children. All these unfortunate people are suffering from the results of early suggestion—the suggestion that sex is sin. That primitive sex impulses can be sublimated I admit, but the teacher's job is not to preach that sex activities are evil; his job is to help the child to use up his primitive sex energy in creative work."
* * * * *
What is education's chief aim? The reply generally given is that education's aim is to help a child to live its life fully. Yet it seems to me that that reply does not go far enough; I think that the aim should be to help a child to live its cosmic life fully, to live for others. Every human is egocentric, selfish. No human ever rises above selfishness, only there are degrees of selfishness. I buy a motor-cycle because I am selfish; and you found a hospital for orphans because you are selfish. It is my pleasure to have a Sunbeam; it is yours to help the poor. Your selfishness has become altruism; that is, in pleasing yourself you have managed to please others. The aim in education is not to abolish selfishness; it is to educe the selfishness that is altruistic. Hence it may be said that education's chief aim is to teach one how to love. No, that won't do; no one can teach another how to love; the teacher's job is to evoke love. This he can do only by loving. If I hate my pupils I evoke hate from them; if I love them I evoke love from them in return.
Is it possible to love your neighbour as yourself? It is when you know yourself. You hate in others what you hate in yourself, and you love in others what is lovable in yourself. So that in loving your neighbour you are loving yourself.
If, then, the teacher's first aim is to evoke the love of his pupils, he must know himself, and knowing must love himself. Every day pupils are suffering because of the teacher's hatred of himself.
Dominie Brown rises in the morning surly and unhappy. He complains about the bacon and eggs at breakfast . . . no, the red herring; dominies cannot afford bacon and eggs . . . and Mrs. Brown makes unpleasant remarks. Brown crosses the road to school with thunder on his face, and the children shiver in terror all morning.
If Brown could sit down calmly to think out his bad mood, he would realise that he was punishing the children because he was worsted in his word battle with his wife. And he would be quite wrong. The truth would be that he was punishing the children because he was at war with himself. His early morning ugly mood betrayed a mental conflict. Hating himself, he hated his wife; his hate evoked her hate . . . and thus the circle was completed.
We might trace all the futilities, all the stupidities of mankind, all the wars and crimes and injustices to man's ignorance of self. To know all is to forgive all. Christ condemned no one because he was at peace with himself. Yet, I suddenly remember that He whipped the money-changers out of the Temple. This incident is comforting, for it shows that the most lovable man who ever lived betrayed one human frailty on one occasion at least. But now I am preaching again.
* * * * *
I went to see Charlie Chaplin in "Shoulder Arms" last night. Charlie is an artist of high quality; for once I think as the crowd thinks. But I leave the crowd when it comes to appreciating the "moving human dramas" in five parts.
The cinema must be reckoned with in any educational scheme. One may learn more about crowd psychology from attendance at cinemas than from reading books on crowd psychology. The cinema is popular because it encourages day-dreaming or phantasy. There are two kinds of thinking, reality thinking and phantasy or day-dreaming. Phantasying is the easier of the two; I can sit for hours building castles in Spain, and I never grow tired; but if I have to sit down and think out the Theory of Quadratics I soon become weary. In reality thinking the intellect is active, but in day-dreaming emotion is in control. Day-dreaming gets nowhere; the asylums are full of day-dreamers who spend their hours constructing beautiful phantasies. In childhood phantasy is supreme. Bobby turns the nursery into a jungle; the sofa is a tiger, the chairs are lions, the rocking-horse is an elephant. It is all real to him. And in later years Bobby often returns to his childish phantasying. We all do. What young lover has not phantasied a burning mansion where his lady love is imprisoned? Have we not all clambered up the water pipes and rescued her from the flames?
The world of the theatre is a phantasy world. With the rising of the curtain we forget our outside life; we live the part of the hero or the heroine. To this day I always leave a theatre with a vague depression of spirits; everyday humdrum life chills me when I come out to the street. Reality is always difficult to face. The great popularity of the cinema is due to this human desire for make-believe. Cinema-going is a regression to the infantile; we return to the childish phase where the wish was all powerful. In the cinema the villain is always worsted; the wronged heroine always falls into the hero's arms at the end. Life for most of us means trials and sorrows and conflicts, and we long to return to the nursery phase where life was what we wished it to be. The cinema and the public-house are the most convenient doors by which we can regress.
The "moving drama" is the other side of the industrial picture. Life for the masses means dirt and disease, ugly factories, sordid homes, mean streets. The moving drama takes the masses away from grim reality; they see beautifully gowned women in drawing-rooms; they see the King reviewing his regiments; they see wild and free cowboys chasing Red Indians. For two hours they live . . . and then they go out again into their world of mere existence. And it is all wrong, tragically wrong. The cinema craze means that life is too ugly to face; it means that the masses are fleeing from reality and to flee from reality is fatal. Day-dreams are laudable only when they come true. If the masses day-dreamed of an economic Utopia and forthwith set about building a New Jerusalem, their phantasies would become realities; but the moving human drama never leads to building; it is raw whisky swallowed to bring oblivion. The moving human drama will live and flourish so long as mankind tolerates the slavery of industrialism. It is a powerful weapon for capitalism; like the church and the public-house, it keeps the wage-slaves quiet.
* * * * *
To-night the conversation in Dauvit's shop turned to the subject of honours.
"They tell me," said Jake Tosh, "that you can buy a knighthood, or a peerage for that matter."
"Yea, man!" said Willie Simpson, the joiner and undertaker from Tillymains.
"So there's no muckle chance o' you getting ane, Willie," said Dauvit.
The joiner smoked thoughtfully for a while.
"Na, Dauvit," he said, "there's little chance o' an undertaker gettin' a title. You would think na that the man that coffined the likes o' Lloyd George wud get a knighthood."
Dauvit cackled.
"Honours are sold, as Jake says; they are never given for public services."
I am afraid the joke was lost on most of the assembly. Jake failed to see it. It is said that Jake has been known to laugh at a joke only once, and that was when the earth gave way beneath the minister's feet when he was conducting a service at a grave-side, and he fell into the open grave.
"Undertakin'," continued the joiner, "is a verra queer trade."
Jake shivered.
"I dinna ken how ye can do it," he said; "man, it wud gie me the scunners."
"Man, ye soon get accustomed to it," said the joiner. "Of course, it has its limitations; ye canna verra weel advertise in the front page o' The Daily Mail, but, man, it's what ye micht call a safe trade."
"How safe?" I asked.
"Oh, ye never need to worry aboot yer custom; it's aye there. Noo in other lines the laws o' supply and demand are tricky. I mind a gey puckle years syne there was a craze for walkin'-sticks wi' ebony handles. Weel, I went doon to Dundee and bocht ten pund worth o' ebony, and afore the wood was delivered the fashion had changed, and the men were all buyin' cheese-cutter bonnets, so here was I left wi' ten pund worth o' ebony on my hands . . . and if I hadna sold it to Davie Lamb the cabinet-maker for thirteen pund I micht ha' lost the money. Noo, in my trade there's no sudden change o' fashion as ye micht say; the demand is what ye micht call constant, and that's what makes me say it is a safe trade."
Dauvit winked to me surreptitiously.
"Noo, joiner," he said, "will ye tell me wan thing? I want to ken the inner workin's o' an undertakker's mind. When somebody is verra ill, what's your attitude? I mean to say, do ye sort o' look on the illness wi' hope or what? When ye see a fine set-up man on the road, do ye look at him wi' a professional eye and say to yersell: 'Sax feet by twa; a bonny corp!'?"
"I'm no so bad as that, Dauvit," he laughed, "though I dinna mind sayin' that I've sometimes been a wee bit disappointed when somebody got better. On the other hand, when big Tamson was badly, I keepit prayin' that he wud get better."
"An unbusinesslike thing to do," I laughed.
"Aweel," said the joiner, "big Tamson weighed aboot saxteen stone, and at the time I hadna the wood."
"I dinna like to hear aboot things like that," said Jake Tosh nervously; "things like that give me the creeps, and besides it's no a proper way to speak."
Dauvit turned to me.
"Man, dominie, it's a queer thing, but the more religious a man is the less he likes to hear aboot death. Jake here is an elder o' the auld kirk; he's on the straight and narrow path; he's going straight to heaven when he dees . . . and I never saw onybody so feared o' death as Jake is. How wud ye explain that?"
"I think," I replied, "that it is due to the fact that Jake has been brought up in the fear of the Lord."
"Exactly," nodded Dauvit. "It's my belief that most religious fowk are religious not becos they want specially to play harps in the next world, but becos they dinna want to be roasted."
Dauvit's philosophy comes pretty near that of Edmond Holmes. In What Is and What Might Be Holmes argues that our education system is founded on the Old Testament. Man is a sinner, prone to evil; a stern angry God chastises him when he transgresses. Education treats children as sinners; it punishes the wrongdoer. I believe Holmes is right, only he does not trace back education far enough. The God of the Old Testament was a man-made God (Jung says that man makes his God in his own image; his God is his ego-ideal).
The genesis of education is not the God of the Old Testament; it is the unconscious wish of the primitive men who invented that God. The religion of the Old Testament is a father complex religion; God is the hated and feared father, the authority who punishes, the provider of food and clothing, the maker of laws. Authority always makes the governed inferior and dependent; the man with a father complex cannot stand alone; he must always flee to his father or father substitute when he meets a difficulty. Thus does the Christian act; he seeks the Father; he places his burden on the Lord; he avoids responsibility. The Hebraic religion and our modern education both demand that the individual shall avoid responsibility; the good Christian and the good schoolboy must obey the Law. I think that if the world is to be free the church and the school must aim at breaking the power of the Father.
* * * * *
"Look here, Mac," I said last night, "I am going to pay you for my board."
Mac protested vigorously.
"You'll do nothing of the kind," he said firmly.
I went to the kitchen and made the offer to his wife, and she also protested.
This morning I cycled to Dundee and bought a knife-cleaner and a vacuum cleaner. They arrived to-night, and Mrs. Mac gave a gasp of delight. Mac tried to frown, but he could not manage it. Both protested against what they called my idiotic kindness, but their protests were half-hearted.
It is a strange thing that money itself is considered a sordid thing. Why should Mac refuse five pounds with anger, and accept a ten pound gift with pleasure? If anyone wants to study the psychological meaning of money I recommend Chapter XL. in Dr. Ernest Jones' Psycho-analysis. In the unconscious, at any rate, money is assuredly "filthy lucre."
* * * * *
A teacher should know very little about the subject he professes to teach. In my London school I succeeded a line of excellent teachers of drawing. I had not been long in the school when Di, aged 15, looked over my shoulder one day and said: "Rotten! You can't draw for nuts!"
A week later Malcolm looked at a water colour of mine.
"You've got a horrible sense of colour," he said brightly.
Then I began to wonder why everyone in school was much more keen on drawing and painting than they had ever been in the days of the skilled teachers. The conclusion I came to was that my bad drawing encouraged the children. I remembered the beautiful copy-book headlines of my boyhood, and I recalled the hopelessness of ever reaching the standard set by the lithographers. No child should have perfection put before him. The teacher should never try to teach; he should work alongside the children; he should be a co-worker, not a model.
Most teachers set themselves on a pedestal. They think that they lose dignity if they are not able to answer every question that a child puts to them. One result is that the child develops a dangerous inferiority complex. I knew one boy who was a duffer at mathematics. His weakness was due to the inferiority he felt when he saw the learned mathematical master juggle with figures as easily as a conjurer juggles with billiard balls. The little chap lost all hope, and when he worked problems he worked solely to escape punishment.
The difficulty is that if a teacher works at a subject year after year he is bound to become an expert. The only remedy I can think of is to make each teacher take up a new subject at the beginning of every school year. By the time that he had been master of Mathematics, History, Drawing, English, French, German, Latin, Geography, Chemistry, Physics, Psychology, Physiology, Eurhythmics, Music, Woodwork, it would be time to retire . . . with a pension or a psychosis. The late Sir William Osier said that a man was too old at forty; my experience leads me to conclude that many a teacher is too old at twenty.
I sometimes think that every man has a certain definite psychic age fixed for him by the Almighty before he is born. I know a man of seventy who is psychically five years old, and he will never grow older. I know a boy of ten who is psychically sixty years old, and he will never grow younger.
Psycho-analysis is doing a lot of good, but I fear that it may do a lot of harm, for, one fine day Professor Freud or Dr. Jung will get hold of Peter Pan, take him by the back of the neck, and say: "My lad, you've got a fixation somewhere; you are the super-regression-to-the-infantile specimen; you've got to be analysed." And then Peter will grow up and read The Daily News and own an allotment and a season ticket.
When we know all about psychology, the world will be rather dull. The Freudians have said that the play of Hamlet is the result of Shakespeare's Oedipus Complex. If Shakespeare had not had an unconscious hatred of his father, Hamlet would never have been written. In other words, if Bacon had discovered the psychology of the unconscious, Shakespeare might have been analysed and forthwith might have gone in for keeping bees instead of writing plays.
It is the neurotic who leads the world; he is a rebel and he is an idealist. Yet when you analyse him you find what a poor devil he is. His noble crusade against vivisection is due to the abnormal strain of cruelty he is repressing in himself; his passion for Socialism comes from his infant fear of and rebellion against his father. The ardent suffragette who smashes windows in a just cause is merely doing so because the vote is a symbol of freedom from an arrogant husband.
What I want to know is this: In the year 5000, when everyone is free from repressions and suppressions, will there be any rebels to spur humanity on? But then if humanity is free from unconscious urges there will be no need for rebels, for there will be no crime or prison or wars or politicians. Every man will be a superman.
I firmly believe that Freud's discovery will have a greater influence on the evolution of humanity than any discovery of the last ten centuries. Freud has begun the road that leads to superman, and, although Jung and Adler and others have begun to lead sideroads off the main track, the sideroads are all leading forward. Theirs is a great message of hope.
And yet, nineteen hundred years ago Jesus Christ gave the world a New Psychology . . . and none of us have tried to apply it to our souls.
VIII.
Mac came across a vulgar word in a composition he was correcting to-night, and it seemed to alarm him. He could not understand why I laughed, and I explained to him that I liked vulgarity.
I remember when a high-minded mother came into my class-room in Hampstead. The highest class was writing essays. On her asking what the subject was, I replied that each pupil had a different subject. She walked round and looked over their shoulders. I saw the lady's eyebrows go up as she read titles such as these:—"I Grow Forty Feet high in One Night"; "I Edit the Greenland Morning Frost" (the news this boy gave was delightful); "I Interview Noah for the Daily Mail" (photos on back page). She nodded approvingly when she read the titles of the more serious essays. Then I saw her adjust her spectacles in great haste; she was looking over Muriel's shoulder.
"Mr. Neill," she gasped, "do you think this a suitable subject for a girl?"
I glanced at the title; it was; "Autobiography of My Nose."
"Er—what's wrong with it?" I said falteringly.
"It lends itself too readily to vulgarity," she said.
I picked up the book, and together we read the opening words.
"When first I began to run . . . ."
The high-minded lady left the room hurriedly.
I loved that class. Often I wish that I had kept their essays. One day we had a five minute essay on the subject: Waiting for My Cue. Lawrence wrote of standing on the steps in a cold sweat of fear. He had only five words to say—"The carriage waits, my lord," but he had never acted before. His cue was: "Ho! Who comes here?"
"At last," he wrote, "I heard the fateful words: 'Ho! Who comes here?' I could not move; I stood trembling on the stairs.
"'Get on, you idiot!' whispered the stage manager savagely, but still I could not move.
"'Ho! Who comes here?' repeated the fool on the stage. Still I could not move a step.
"'Ho! Who comes here?'
"Suddenly I became aware of a disturbance in the auditorium. The noise increased, and then I heard the agonising words: 'Fire! Fire!' Panic followed, and cries of terror rang out.
"But I . . . I jumped on the stage and cried: 'Hurrah! Hoo-blinking-rah!' It was the happiest moment of my life."
Sydney took a different line. Her cue was the sound of a stage kiss. Boldly she walked on, and the stage lovers glared at her, for she arrived before the kiss was finished or rather properly begun. The audience chuckled. At the next performance she determined to be less punctual. She heard the smack of the kiss, but she did not move. As she waited she heard the audience roaring with laughter, and then she realised that the poor lovers had been standing kissing each other for a full five minutes.
I must write to these dear old children to ask if they kept their essays.
* * * * *
Duncan was in to-night, and he told a school story that was new to me.
In a certain council school it was the custom for teachers to write down on the blackboard any instructions they might have for the janitor before they left at night. One night he came in and read the words: Find the L.C.M.
"Good gracious!" he growled, "has that dam thing gone and got lost again?"
That version was new to me. My own version ran thus:—
Little Willie is doing his home lessons, and he asks his father to help him with a sum. The father takes the slate in his hand and reads the words: Find the G.C.M.
"Good heavens!" he cries, "haven't they found that blamed thing yet? They were hunting for it when I was at school."
I think both versions are very good.
* * * * *
I have a strong Montessori complex. I find myself being critical of her system, and I have often wondered why. I used to think that my dislike of Montessori was a projection: I disliked a lady who raved about Montessori, and I fancied that I had transferred my dislike of the lady to poor Montessori. But now I refuse to accept that explanation; it is not good enough for me; there must be something deeper. I shall try to discover that something deeper.
When I first read Montessori's books I said to myself: "She is devoid of humour." This to me suggests a limitation in art, and I feel that Montessori is always a scientist but never an artist. Her system is highly intellectual, but sadly lacking in emotionalism. This is seen in her attitude to phantasy. She would probably argue that phantasy is bad for a child, but it is a fact that much of a child's life is lived in phantasy. Phantasy is a means of gratifying an unfulfilled wish. The kitchen-maid in her day-dream marries a prince, and, as Maurice Nicoll says in his Dream Psychology, to destroy her phantasy without putting something in its place is dangerous.
To a child, as to Cinderella, phantasy is a means of overcoming reality. Father bullies Willie and the boy retires into a day-dream world where he becomes an all-powerful person . . . hence the fairy tales of giants (fathers) killed by little Jacks. In later life Willie takes to drink or identifies himself with the hero of a cinema drama.
The extreme form of phantasy is insanity, where the patient completely goes over to the unreal world and becomes the Queen of the World. And it might be objected that phantasying is the first stage of insanity. Yes, but it is the last stage of poetry. Coleridge's Kubla Khan, one of the most glorious poems in the language, is pure phantasy. I rather fear that one day a grown-up Montessori child will prove conclusively that the feet of Maud did not, when they touched the meadows, leave the daisies rosy.
No, the Montessori world is too scientific for me; it is too orderly, too didactic. The name "didactic apparatus" frightens me.
I quote a sentence from The New Children, by Mrs. Radice.
"'Per carita! Get up at once!' she (Montessori) has exclaimed before now to a conscientious teacher found dishevelled on the ground with a class of little Bolshevists sitting on top of her."
In heaven's name, I ask, why get up? Life is more than meat, and education is more than matching colours and fitting cylinders into holes.
Montessori was thinking of the conscious mind of the child when she evolved her system, and the apparatus does not satisfy the whole of the child's unconscious mind. Noise is suppressed in a Montessori school, but every child should be allowed to make a noise, for noise means power to him, and he will use it only as long as it means power to him. I have watched Norman MacMunn's war orphans at Tiptree Hall at work. MacMunn, the author of A Path to Freedom in the School, did not say "Hush!"; his boys filled the room with noisy talk as they worked, and never have I seen children do more work with so much joy.
The Montessori teacher, when she finds that Jimmy is interfering with the work of Alice, segregates the bad Jimmy, and treats him as a sick person. But the right thing to do is to solve Jimmy's problem as well as Alice's. What is behind Jimmy's aggressiveness? Jimmy does not know, nor does the Montessori teacher, because she has been trained in the psychology of the conscious only.
Another reason why I am not wholly on the side of Montessori is, I fancy, that her religious attitude repels me. She is a church woman; she has a definite idea of right and wrong. Thus, although she allows children freedom to choose their own occupations, she allows them no freedom to challenge adult morality. But for a child to accept a ready-made code of morals is dangerous; education in morality is a thousand times more important than intellectual education with a didactic apparatus.
* * * * *
To-night Duncan came in, and as usual we talked education. I took up the subject of punishment, and condemned it on the ground that it treats effect instead of cause. After a little persuasion Duncan seemed inclined to agree with me.
"I see what you mean," he said, "but what I say is that if you abolish punishment you must also abolish reward."
"Why not?" I said. "The case against rewards is just as simple. A child should do a lesson for the joy of doing it. Milton certainly did not write Paradise Lost for the five pounds he got for it."
"Yes, I see that," said Duncan thoughtfully, "but what about competition? The prize at the end introduces a breezy struggle for place."
I shook my head.
"No competition! I won't have it. It makes the chap at the top of the class a prig, and gives the poor chap at the bottom an inferiority complex. No, we want to encourage not competition but co-operation. Competition leads naturally to another world war, as competition between British and American capital is doing now."
Then Duncan floored me.
"And would you discourage football because it introduces the idea of competition?" he asked.
"Of course not," I replied
"Then why discourage it in arithmetic?" he asked.
It was an arresting question, and I had to grope for an answer that would convince not only Duncan but myself. That every healthy boy likes to try his strength against his fellows is a fact that we cannot ignore. Mr. Arthur Balfour's desire to beat his golfing partner and Jock Broon's desire to spit farther than Jake Tosh are fundamentally the same desire, the desire for self-assertion. And I see that the man who comes in last in the quarter-mile race is in the same position of inferiority as the boy who is always at the bottom of the class. Yet I condemn competition in school-work while I appreciate competition in games. Why?
I think I should leave it to the children. Obviously they like to compete in games and races, but they have no natural desire to compete in lessons. It appears that some things naturally lend themselves to competition—racing, boxing, billiards, jumping, football and so on. Other things do not encourage competition. Bernard Shaw and G. K. Chesterton do not compete in the output of books; Freud and Jung do not struggle to publish the record number of analysis cases; George Robey and Little Tich do not appear together on the stage of the Palladium and try to prove which is the funnier. Rivalry there always is, but it remains only rivalry until The Daily Mail offers a prize for the biggest cabbage or sweet-pea, and then competition seizes suburbia.
I should therefore leave the children to discover for themselves what interests lend themselves to competition, and what interests do not. I know beforehand that of their own accord they will not introduce it into school subjects. This is in accord with my views on the authority question. I insist that the teacher will impose nothing; that his task is to watch the children find their own solution.
* * * * *
I must write down a wise saying that came from Dauvit. A rambling and ill-informed discussion of Bolshevism arose in his shop to-night. Dauvit took no part in it, but when we rose to go he said: "Tak' my word for it, Bolshevism is wrong."
"How do you make that out, Dauvit?" I asked.
"Because it's a success," he said shortly.
* * * * *
To-night the Rev. Mr. Smith, the U.F. minister, came in. He is one of the unco' guid, and to him all pleasures are sinful. It happened that I was telling Macdonald the Freudian theory of dreams when he entered, and when Mac told him what the conversation had been about, he begged me to continue. It was evident that he had never heard of dream interpretation, and he was surprised.
"And every dream has a meaning?" he asked.
"Yes," I said.
"I had a dream last night," he began, but I held up a warning hand.
"You shouldn't tell your dreams in public," I said hastily; "they may give things away that you don't want others to know."
He laughed.
"I don't mind that," he said, "I'll take the risk. Last night I dreamt that I was in a public-house among a lot of men who were telling most obscene stories. According to Freud every dream is the fulfilment of a wish. Do you mean to tell me that I wish to be in such a company?"
I explained that the dream as told is not the dream in reality, the meaning lies behind the symbolism, and it can be got at by the method of free association. I also explained that I did not believe the Freud theory, that the dream is always a wish, and suggested that Jung was a surer guide.
"According to Jung," I said, "the dream is often compensatory. In your own case you are consciously living the higher life, but there is another side of life that you are ignoring, and that is the vulgar pub side. Your dream is a hint that the vulgar side of life cannot be ignored. You may ignore it consciously, but your unconscious will seek the other side in your dreams."
This seemed to make him think.
"But the saints and martyrs!" he cried. "Think of the thousands who crucified the flesh so that they might win the everlasting crown! Do you tell me that they were all wrong?"
I lit my pipe.
"I think they were," I said, "for they merely repressed their animal life. They thought that they had conquered it, but they only buried it. The real saint is the man who faces his flesh boldly and loves it too, just as much as he loves his God."
Then the minister fled.
The interpretation of dreams is one of the most fascinating studies in the world. The method as evolved by Freud is simple, although the interpretation is anything but simple. Obviously the average dream has no meaning. You dream that a horse speaks to you, and then it turns into your brother. It is all nonsense, yet behind the nonsense is a serious meaning. Not long ago I was analysing a girl of sixteen. About a week after the analysis began she brought a dream which began thus: "I am invisible, and I have a tail that I can take off or put on."
Following the method of free association I said to her: "What comes into your mind about being invisible?"
"Oh, I've often wanted to be invisible, for then I could do what I liked; then I would be free."
Being invisible therefore meant being free.
Then I asked her associations to the tail part.
"Tail . . . monkeys at the Zoo; they are poor things always kept behind bars. Just like me. I forgot to say that my tail wasn't on in the dream."
Tail therefore meant something associated with confinement and restriction. It is significant that her tail was unattached. I took it to mean a wish-fulfilment dream; in it she got free from her neurosis.
The following night she dreamt that she was being driven in a motor car by a swanky chauffeur. They came to the bottom of a hill, and the car stopped, and she got out and walked. Her first association was: "The chauffeur had a big green coat on, one just like the coat you wear."
"So I was the chauffeur?" I asked.
She brightened at once.
"I see it!" she cried. "The car is the analysis; you are driving me away from my old life!"
"Excellent!" I said, "but don't forget that the car stopped at the bottom of the hill. What does the word hill give you?"
"Something difficult to climb. I hated climbing it and thought it a shame that the motor didn't take me up."
"Well?"
"I've got to climb to get better, haven't I?"
"That's right," I said. "I told you the other night that no analyst should give advice, and I refused when you asked me for it. In your unconscious you realise that the chauffeur is not going to take you up the hill; in other words you've got to do most of the work."
Freud holds that there is a censor standing between the conscious and the unconscious. Primitive wishes seek to come from the unconscious, but the censor holds up his hand. "No," he says, "that's too disgusting; the conscious mind couldn't stand that; it would be shocked. You must disguise yourself in harmless form!" And so the infantile sex wish is changed into a harmless dog or cycle. But if this is the case why should my little girl dream of me as a chauffeur? There was nothing disgusting about me, nothing that her conscious mind could not face.
I prefer Jung's theory. He says that we dream in symbols because symbolism is the oldest language in the world, and, as the unconscious is primitive it uses this language. We all dream of shocking things, and if the endopsychic censor were really on duty he would never allow these disgusting dreams to get through.
If I dream that my father is dead the Freudians declare that I either wish or, in the past, have wished unconsciously for my father's death. But surely so alarming a wish would be changed into a harmless form if there were a censor. One night I dreamt that an acquaintance, Murray, was dead. The first association to Murray was: "He's a lazy sort of chap." I think that all he stood for was laziness, and he was merely my own laziness symbolised. The dream was a hint to me to be up and doing, for I had been neglecting a task that I should have undertaken.
There is what might be called the cheese-and-tripe supper theory of the dream held by many people.
"There's nothing in dreams," they say, "nothing but the disorders following late supper."
A cheese-and-tripe supper will cause queer dreams, but the advocates of this theory cannot explain why a tripe supper should make me dream of—say—a tiger. Why not a lion or a mouse?
It is an accepted fact now in psychology that the dream is the working of the unconscious. Some theosophists claim that during sleep your spirit leaves your body and seeks the astral plane, but I have never seen anything resembling evidence of this. It may be a fact for all that.
Concerning the prophetic aspect of dreams I know nothing. I have heard that the night before the Tay Bridge disaster a woman dreamt that it was to take place, and she persuaded her husband not to travel by that ill-fated train, but I cannot vouch for the story. I believe, however, that the dream is prophetic in that the unconscious during the night is working out the problems of the next day. The popular saying about sleeping over a problem shows that there is a real belief in this aspect. I know a lady who was undergoing analysis. She was suffering from a father complex, that is, her infantile fixation on the father had remained with her, and unconsciously she was approving or disapproving of every man she met according as he did or did not in some way resemble her father.
For a few weeks after the analysis began she was always dreaming that she was back in her childhood home, and in her dreams she was always trying to get away from home and her father was always restraining her from going. Often the figure in the dream was not the father, but the associations always showed that the figure was standing for the father. One night the figure was the King, and her first association was: "The King's name is George. . . . That's father's name too."
This seems to be a case where the unconscious is striving to find a solution.
The way the unconscious does things is wonderful. I remember one night listening to a lecture by Homer Lane. He brought forward a new theory about education, and it was so deep that I did not quite grasp its meaning. At the time Alan, Homer Lane's youngest child, was one of the pupils in the school in which I taught. That night I dreamt that I was standing before a class. Alan was sitting in the front seat, and behind him was a boy whom in the dream I called "Homer Lane's youngest child." The new theory had become in the language of symbolism Alan's younger brother . . . in short, Lane's latest. Here again I cannot see why any censor should change a theory into a child.
* * * * * In my Log I make a very, very poor statement about sex instruction. I say that children should be encouraged to believe in the stork theory of birth until the age of nine. That was a wrong belief, but then at that time I had not read Freud or Bloch or Moll. I see now that the child should be told the truth about sex whenever he asks for information. But I fear, that many modern mothers think that they have sexually educated their child when they tell him where babies come from. The physiological side of sex is the less important; you can take a child through all the usual stages—pollination of plants, fertilisation of eggs, right up to human birth, but the child will find no help in these informations when he faces his sex instinct at adolescence. Sex instruction should be psychological; it should deal with the sex instinct as one form of life force or libido. The child should be led to face it openly. It should be entirely dissociated from sin, and moral lectures should not be given.
Who is to give the instruction? That is the difficulty. Most parents and teachers cannot do it because their own sex instinct is all wrong. Make a remark about sex in the company of adults, and it will be reacted to in two ways; some will grin and laugh; others will be shocked. I hasten to add that the shocked ones are worse than the laughers. The laugh is a release of sex repressions; the shocked appearance is a compensation for an unconscious over-interest in sex. Anyway neither type is capable of talking about sex to children, and since humanity is roughly divided into prudes and sinners (not saints and sinners), there is little hope of a frank sex education for kiddies.
Many people say: "Oh, leave it to the doctors," but personally I haven't enough faith in doctors. Their attitude to sex is usually no better than the attitude of the layman. I know doctors who could give excellent instruction to children on the physiology of sex, but the only doctors of my acquaintance who could teach the psychological side are psycho-analysts or psycho-therapists of some sort.
Teachers can tackle the sex problem negatively. Sex activity is a form of life force or interest, and if a child is not finding life interesting enough there is a danger that he will regress to what is called auto-eroticism. When we remember that the sexual instinct is the creative instinct, and that creation in dancing or music or poetry or art of any kind is sublimated sex, that is sex raised to a higher power, we can readily see that one of the most important parts of a teacher's job is to provide ways and means for creation. I realise that this is not enough, but, as I say, I cannot see the way to a good sex education, until every teacher and parent has discovered his or her own sex complexes. Co-education helps, for then the commingling of the sexes affords a harmless and unconscious outlet for sex interest. But co-education is no panacea, for the sex problems of the individual child in a co-educational school are almost as immediate as those of the child from the segregated school.
IX.
This morning I was setting off for Dundee when Willie Marshall entered the compartment. He was dressed in his Sunday best, and I wondered why he was going to Dundee on a Wednesday.
"Hullo, Willie!" I cried, "what's on to-day?"
He looked troubled and angry.
"I've been summoned to serve on the jury that's tryin' that dawmed rat that stailt ten pund frae the minister," he said viciously, "and I had little need to lose a day, for I hae far mair work than I can dae. Mossbank's twa cairts cam in yestreen, and he's swearin' like onything that he maun hae them by the nicht." Willie is a joiner, and most of his work is building and repairing carts.
"So you think that Nosie Broon is guilty?" I said with a smile.
"Of coorse he is," he cried with emphasis.
"But," I said seriously, "you'll maybe alter your mind when you hear the evidence."
He grunted.
"Dawn nae fear! I'll show him that he's no to drag me awa frae ma work for nothing!"
He opened his Dundee Courier, and I sat and thought of the trial by jury method. I would not condemn it on the strength of Willie's dangerous misunderstanding of what it means, but I do condemn it on other grounds. Weighing evidence is a difficult enough business even for the specialist, for it is almost impossible to eliminate emotion in forming a judgment. With a jury of citizens, some of them possibly illiterate, too much depends on the advocates, or on outside causes.
During the war there was a glaring instance of this. A soldier shot the man who had been trying to steal his wife's love . . . and the verdict of the jury was Not Guilty. The emotional factor in this case was that the dead man was a German. I am not arguing that the prisoner should have been hanged or imprisoned, for I think both procedures are bad; I merely point out that in the eyes of legalism the soldier was guilty, yet the jury threw legalism overboard.
Another instance of the emotional factor over-ruling legalism is seen in the trial of the man who shot Jaures. He was acquitted. . . . Not Guilty . . . the man who slew one of the best men in Europe. On the other hand the youth who attempted to assassinate Clemenceau was sentenced to death, pardoned, and sent to penal servitude. In France therefore it is a crime to kill a politician of the right, but a virtue to kill one of the Socialist left.
Abstract justice is a figment. No jury and no judge can be impartial. The other day a man was charged with striking a Socialist orator with an ice-pick. The judge lectured the orator on his Bolshevism, and then gave the accused imprisonment for a short term in the second division. Suppose that the Bolshevist had used an ice-pick on a Cabinet Minister!
I do not think that our judges and magistrates ever consciously show partiality. They are an upright class of men, men above suspicion. It is their unconscious that shows partiality just as mine does. The army colonels who tried Conscientious Objectors were upright men, but it was wrong to imagine that they could possibly see the C.O.'s point of view. So it was with the regular R.A.M.C. doctors. To some of them the neurotic patient was a swinger of the lead, a malingerer. They had never heard of the new psychiatry, and the neurotic was a strange creature to them. Their ignorance supplemented their prejudice, and they could not possibly have treated these men with justice.
The truth is that we all make up our minds according as our buried complexes impel us. If I saw a Frenchman fighting a Scot I should take the Scot's side, because I have a Scot complex. Occasionally our complexes work in the opposite way. I fancy that the few people who sided with the Germans in the war were suffering from an "agin the government" complex, which, if you trace it deep enough is usually found to be an infantile rebellion against the father. In this case the State represented the father, and Germany was the outside helper who should conquer the father (or mother) country. Had Germany won, the unpatriotic man would immediately have turned his hate against Prussia, for then Prussia would have been the father substitute.
Our loves and hates and fears are within ourselves. I know a man who has a nagging wife; she has a constant wish for new things. He bought her a hat, and for two days she was happy; then she nagged, and he bought her a dress. Three days later she demanded a necklace, and he gave her a necklace. He may continue giving her everything she asks for, but if he buys her a Rolls Royce and a house in Park Lane she will be a dissatisfied woman, for "the fault, dear Brutus, lies not in our stars but in ourselves." I advised him to spend his money on having her psycho-analysed.
* * * * *
To-night Tammas Lownie the joiner came into Dauvit's shop. He is an infrequent attender at Dauvit's parliament, and Dauvit seemed slightly surprised at his entry.
"Weel, Tammas," he said, "it's no often that we see you here. What's brocht ye here the nicht?"
Tammas spat in the grate.
"Oh, it was a fine nicht, and I thought I'd just tak a daunder yont," he said easily.
Dauvit looked at him searchingly.
"Na, na, Tammas, it winna dae! It wasna the fine nicht that brocht ye yont. Ye've got some news I'm thinkin'."
Tammas laughed loudly.
"Dauvit, ye're oncanny!" he cried. "Ye seem to read what's at the back o' a man's held. But I have nae news to gie ye."
Dauvit chuckled.
"I wudna wonder if ye didna come yont to tell me aboot the eldership," he said slowly.
The expression on Tammas's face showed that he had come to tell us that the minister had asked him to become an elder.
"'Od, Dauvit, noo that ye come to mention it I wud like to hear yer advice aboot the matter. I dinna see how I can tak an eldership, Dauvit."
"How no?" asked Dauvit in surprise.
Then he added: "But maybe ye ken whether ye've got a sinfu' heart or no."
"It's no that," said Tammas hastily, "I'm nae worse than some other elders I ken," and he glanced at Jake Tosh. "No, it's no the sin I'm thinkin' o'; it's my trade."
"But," I put in, "why shouldn't a joiner be an elder?"
Tammas bit off a chunk of Bogie Roll.
"That may as may be, dominie, but I'm mair than a joiner; I'm an undertakker."
"Weel," said Dauvit, "what aboot that?"
Tammas shook his head sadly.
"An undertakker canna be an elder, Dauvit. Suppose the minister was awa preachin' or at the Assembly, and ane o' his congregation was deein', me as an elder micht hae to ging to the bedside and offer up a bit prayer."
"There's nothing in that," said Jake proudly; "I've offered up a bit prayer afore noo when the minister was awa."
"Aye, Jake," said Tammas, "but ye see you're a roadman. But an undertakker is a different matter. Goad, lads, I canna gie a man a bit prayer at sax o'clock and syne measure him for his coffin at acht. That wud look like mixin' religion wi' business."
The assembly thought over this aspect.
"All the same," said the smith, "Dr. Hall is an elder, and naebody ever thinks o' accusin' him o' mixin' religion wi' his business."
We all considered this statement.
"Tammas," said Dauvit, "if ye want to be an elder tak it, and never mind the undertakkin'. But if ever ye have to gie a prayer just get Jake here to tak on the job."
He began to laugh here.
"I mind o' Jeemie Ritchie when he got his eldership. The minister gaed awa to the Assembly in Edinbro, and as it happened auld Jess Tosh was deein', so Jeemie was asked to come up and gie her a prayer. Jeemie was in my shop when the lassie Tosh cam for him, and I never saw a man in sic a state.
"'Dauvit,' he cries, 'I canna dae it! I never offered up a prayer in my life!'
"'Hoots, Jeemie,' says I, 'it's easy; just bring in a few bitties frae the Bible.'
"Auld Jeemie he scarted his heid.
"'Man, Dauvit,' says he, 'I cudna say twa words o' the Bible.'
"Weel-a-weel, I had to shove him oot o' the shop, and I tell ye, boys, he was shakin' like a shakky-trummly.
"Weel, in aboot half-an-hour Jeemie cam back, and he was smilin' like onything.
"'Hoo did ye get on?' I speered.
"'Graund!' he cried, '. . . she was deid afore I got there!'"
* * * * *
When I published my Log a correspondent wrote accusing me of being disloyal to my colleagues in the teaching profession.
"Where is your professional etiquette?" he wrote.
I had lots of letters from teachers, some flattering, some not. One man wrote me from Croydon:—
"Dear Sir,—Are you a fool or merely a silly ass?"
"Both," I replied, "else I should not have paid 2d. for your letter."
In haste the poor man hastened to forward two penny stamps, and to apologise for not having stamped the letter he sent me.
"I really thought that I had stamped it," he wrote.
Then I wrote him a nice letter telling him that the mistake was mine, for his first letter had had a stamp on it after all. He never replied to that, and I suppose that now he goes about telling his friends that I am a fool, a silly ass, and a typical Scot.
Authors hear queer things about themselves. The other day a friend of mine asked for my Log in a West End library. As the librarian handed over the book she shook her head sadly.
"Isn't it sad about the man who wrote that book?" she said.
My friend was startled.
"Sad! What do you mean?"
"Oh, haven't you heard?" asked the librarian in surprise; "he's a confirmed drunkard now."
"Impossible!" cried my friend, "with whisky at ten and six a bottle!"
But I meant to write about colleagues. One day a class was holding a self-government meeting, and they sent for me. I was annoyed because I was having my after-dinner smoke in the staff-room. However I went up.
"Hullo!" I said as I entered, "what do you want?"
Eglantine the chairman said: "A member of this class has insulted you."
"Impossible!" I cried.
Then Mary got up.
"I did," she blurted out nervously; "I said you were just a silly ass."
"That's all right!" I said cheerfully, "I am," and I made for the door. Then the class got excited.
"Aren't you going to do anything?" asked Ian in surprise.
"Good Lord, no!" I cried. "Why should I?"
"You're on the staff," said Ian.
"Look here," I said impatiently, "I hereby authorise the crowd of you to call me any name you like."
The class became indignant.
"You can't criticise the staff," said one.
"Why not?" I asked, and they looked at each other in alarm. This was carrying self-government too far.
Suddenly Mary jumped up.
"Then if we can criticise the staff here goes! I accuse Miss Brown of favouritism."
It was a bombshell. Everyone jumped up, and some cried: "Shame! Withdraw!" The chairman appealed to me.
"I have nothing to do with it," I protested.
Then bitter words flew. They told me that I, as a member of the staff, should squash Mary. Voices became louder, but then the bell rang and the class had to go to its own class-room to work.
My colleagues when they heard the story agreed with the children; they held that I acted wrongly in listening to an accusation against a colleague. My argument was that I was a guest at a meeting; I had no vote, nor would I have interfered had I been a member of the meeting. I was quite sure that if the bell had not broken up the meeting somebody would have made the discovery that Miss Brown was the proper person to make the accusation to. When they thought that Mary insulted me they sent for me, and I fully expected they would send for Miss Brown. Again I argued that if Miss Brown had favourites the class had a right to criticise her. If she had no favourites let her arraign the class before a meeting of the whole school and accuse them of libel.
Looking back I still think my attitude was right, for unless the staff can lay aside all dignity and become members of the gang education is not free. Yet I see now that I was secretly exulting in the discomfiture of a colleague . . . a common human failing which none of us care to recognise in ourselves. It is a sad fact but a true one that however much Dr. A. protests when a patient tells him that Dr. B. is a clumsy fool, unconsciously at least Dr. A. is gratified at the criticism of his rival. Psycho-analysts, that is people who are supposed to know the contents of their unconscious, are just as guilty in this respect as other doctors, and if anyone doubts this let him ask a Freudian what he thinks of the Jungian in the next street. |
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