A Collection of

Stories, Reviews and Essays

by

Willa Cather



CONTENTS

PART I: STORIES

Peter On the Divide Eric Hermannson's Soul The Sentimentality of William Tavener The Namesake The Enchanted Bluff The Joy of Nelly Deane The Bohemian Girl Consequences The Bookkeeper's Wife Ardessa Her Boss

PART II: REVIEWS AND ESSAYS

Mark Twain William Dean Howells Edgar Allan Poe Walt Whitman Henry James Harold Frederic Kate Chopin Stephen Crane Frank Norris When I Knew Stephen Crane On the Art of Fiction



PART I

STORIES



Peter

"No, Antone, I have told thee many times, no, thou shalt not sell it until I am gone."

"But I need money; what good is that old fiddle to thee? The very crows laugh at thee when thou art trying to play. Thy hand trembles so thou canst scarce hold the bow. Thou shalt go with me to the Blue to cut wood to-morrow. See to it thou art up early."

"What, on the Sabbath, Antone, when it is so cold? I get so very cold, my son, let us not go to-morrow."

"Yes, to-morrow, thou lazy old man. Do not I cut wood upon the Sabbath? Care I how cold it is? Wood thou shalt cut, and haul it too, and as for the fiddle, I tell thee I will sell it yet." Antone pulled his ragged cap down over his low heavy brow, and went out. The old man drew his stool up nearer the fire, and sat stroking his violin with trembling fingers and muttering, "Not while I live, not while I live."

Five years ago they had come here, Peter Sadelack, and his wife, and oldest son Antone, and countless smaller Sadelacks, here to the dreariest part of south-western Nebraska, and had taken up a homestead. Antone was the acknowledged master of the premises, and people said he was a likely youth, and would do well. That he was mean and untrustworthy every one knew, but that made little difference. His corn was better tended than any in the county, and his wheat always yielded more than other men's.

Of Peter no one knew much, nor had any one a good word to say for him. He drank whenever he could get out of Antone's sight long enough to pawn his hat or coat for whiskey. Indeed there were but two things he would not pawn, his pipe and his violin. He was a lazy, absent minded old fellow, who liked to fiddle better than to plow, though Antone surely got work enough out of them all, for that matter. In the house of which Antone was master there was no one, from the little boy three years old, to the old man of sixty, who did not earn his bread. Still people said that Peter was worthless, and was a great drag on Antone, his son, who never drank, and was a much better man than his father had ever been. Peter did not care what people said. He did not like the country, nor the people, least of all he liked the plowing. He was very homesick for Bohemia. Long ago, only eight years ago by the calendar, but it seemed eight centuries to Peter, he had been a second violinist in the great theatre at Prague. He had gone into the theatre very young, and had been there all his life, until he had a stroke of paralysis, which made his arm so weak that his bowing was uncertain. Then they told him he could go. Those were great days at the theatre. He had plenty to drink then, and wore a dress coat every evening, and there were always parties after the play. He could play in those days, ay, that he could! He could never read the notes well, so he did not play first; but his touch, he had a touch indeed, so Herr Mikilsdoff, who led the orchestra, had said. Sometimes now Peter thought he could plow better if he could only bow as he used to. He had seen all the lovely women in the world there, all the great singers and the great players. He was in the orchestra when Rachel played, and he heard Liszt play when the Countess d'Agoult sat in the stage box and threw the master white lilies. Once, a French woman came and played for weeks, he did not remember her name now. He did not remember her face very well either, for it changed so, it was never twice the same. But the beauty of it, and the great hunger men felt at the sight of it, that he remembered. Most of all he remembered her voice. He did not know French, and could not understand a word she said, but it seemed to him that she must be talking the music of Chopin. And her voice, he thought he should know that in the other world. The last night she played a play in which a man touched her arm, and she stabbed him. As Peter sat among the smoking gas jets down below the footlights with his fiddle on his knee, and looked up at her, he thought he would like to die too, if he could touch her arm once, and have her stab him so. Peter went home to his wife very drunk that night. Even in those days he was a foolish fellow, who cared for nothing but music and pretty faces.

It was all different now. He had nothing to drink and little to eat, and here, there was nothing but sun, and grass, and sky. He had forgotten almost everything, but some things he remembered well enough. He loved his violin and the holy Mary, and above all else he feared the Evil One, and his son Antone.

The fire was low, and it grew cold. Still Peter sat by the fire remembering. He dared not throw more cobs on the fire; Antone would be angry. He did not want to cut wood tomorrow, it would be Sunday, and he wanted to go to mass. Antone might let him do that. He held his violin under his wrinkled chin, his white hair fell over it, and he began to play "Ave Maria." His hand shook more than ever before, and at last refused to work the bow at all. He sat stupefied for a while, then arose, and taking his violin with him, stole out into the old sod stable. He took Antone's shot-gun down from its peg, and loaded it by the moonlight which streamed in through the door. He sat down on the dirt floor, and leaned back against the dirt wall. He heard the wolves howling in the distance, and the night wind screaming as it swept over the snow. Near him he heard the regular breathing of the horses in the dark. He put his crucifix above his heart, and folding his hands said brokenly all the Latin he had ever known, "Pater noster, qui in caelum est." Then he raised his head and sighed, "Not one kreutzer will Antone pay them to pray for my soul, not one kreutzer, he is so careful of his money, is Antone, he does not waste it in drink, he is a better man than I, but hard sometimes. He works the girls too hard, women were not made to work so. But he shall not sell thee, my fiddle, I can play thee no more, but they shall not part us. We have seen it all together, and we will forget it together, the French woman and all." He held his fiddle under his chin a moment, where it had lain so often, then put it across his knee and broke it through the middle. He pulled off his old boot, held the gun between his knees with the muzzle against his forehead, and pressed the trigger with his toe.

In the morning Antone found him stiff, frozen fast in a pool of blood. They could not straighten him out enough to fit a coffin, so they buried him in a pine box. Before the funeral Antone carried to town the fiddle-bow which Peter had forgotten to break. Antone was very thrifty, and a better man than his father had been.

The Mahogany Tree, May 21, 1892



On the Divide

Near Rattlesnake Creek, on the side of a little draw stood Canute's shanty. North, east, south, stretched the level Nebraska plain of long rust-red grass that undulated constantly in the wind. To the west the ground was broken and rough, and a narrow strip of timber wound along the turbid, muddy little stream that had scarcely ambition enough to crawl over its black bottom. If it had not been for the few stunted cottonwoods and elms that grew along its banks, Canute would have shot himself years ago. The Norwegians are a timber-loving people, and if there is even a turtle pond with a few plum bushes around it they seem irresistibly drawn toward it.

As to the shanty itself, Canute had built it without aid of any kind, for when he first squatted along the banks of Rattlesnake Creek there was not a human being within twenty miles. It was built of logs split in halves, the chinks stopped with mud and plaster. The roof was covered with earth and was supported by one gigantic beam curved in the shape of a round arch. It was almost impossible that any tree had ever grown in that shape. The Norwegians used to say that Canute had taken the log across his knee and bent it into the shape he wished. There were two rooms, or rather there was one room with a partition made of ash saplings interwoven and bound together like big straw basket work. In one corner there was a cook stove, rusted and broken. In the other a bed made of unplaned planks and poles. It was fully eight feet long, and upon it was a heap of dark bed clothing. There was a chair and a bench of colossal proportions. There was an ordinary kitchen cupboard with a few cracked dirty dishes in it, and beside it on a tall box a tin wash-basin. Under the bed was a pile of pint flasks, some broken, some whole, all empty. On the wood box lay a pair of shoes of almost incredible dimensions. On the wall hung a saddle, a gun, and some ragged clothing, conspicuous among which was a suit of dark cloth, apparently new, with a paper collar carefully wrapped in a red silk handkerchief and pinned to the sleeve. Over the door hung a wolf and a badger skin, and on the door itself a brace of thirty or forty snake skins whose noisy tails rattled ominously every time it opened. The strangest things in the shanty were the wide window-sills. At first glance they looked as though they had been ruthlessly hacked and mutilated with a hatchet, but on closer inspection all the notches and holes in the wood took form and shape. There seemed to be a series of pictures. They were, in a rough way, artistic, but the figures were heavy and labored, as though they had been cut very slowly and with very awkward instruments. There were men plowing with little horned imps sitting on their shoulders and on their horses' heads. There were men praying with a skull hanging over their heads and little demons behind them mocking their attitudes. There were men fighting with big serpents, and skeletons dancing together. All about these pictures were blooming vines and foliage such as never grew in this world, and coiled among the branches of the vines there was always the scaly body of a serpent, and behind every flower there was a serpent's head. It was a veritable Dance of Death by one who had felt its sting. In the wood box lay some boards, and every inch of them was cut up in the same manner. Sometimes the work was very rude and careless, and looked as though the hand of the workman had trembled. It would sometimes have been hard to distinguish the men from their evil geniuses but for one fact, the men were always grave and were either toiling or praying, while the devils were always smiling and dancing. Several of these boards had been split for kindling and it was evident that the artist did not value his work highly.

It was the first day of winter on the Divide. Canute stumbled into his shanty carrying a basket of cobs, and after filling the stove, sat down on a stool and crouched his seven foot frame over the fire, staring drearily out of the window at the wide gray sky. He knew by heart every individual clump of bunch grass in the miles of red shaggy prairie that stretched before his cabin. He knew it in all the deceitful loveliness of its early summer, in all the bitter barrenness of its autumn. He had seen it smitten by all the plagues of Egypt. He had seen it parched by drought, and sogged by rain, beaten by hail, and swept by fire, and in the grasshopper years he had seen it eaten as bare and clean as bones that the vultures have left. After the great fires he had seen it stretch for miles and miles, black and smoking as the floor of hell.

He rose slowly and crossed the room, dragging his big feet heavily as though they were burdens to him. He looked out of the window into the hog corral and saw the pigs burying themselves in the straw before the shed. The leaden gray clouds were beginning to spill themselves, and the snowflakes were settling down over the white leprous patches of frozen earth where the hogs had gnawed even the sod away. He shuddered and began to walk, tramping heavily with his ungainly feet. He was the wreck of ten winters on the Divide and he knew what they meant. Men fear the winters of the Divide as a child fears night or as men in the North Seas fear the still dark cold of the polar twilight.

His eyes fell upon his gun, and he took it down from the wall and looked it over. He sat down on the edge of his bed and held the barrel towards his face, letting his forehead rest upon it, and laid his finger on the trigger. He was perfectly calm, there was neither passion nor despair in his face, but the thoughtful look of a man who is considering. Presently he laid down the gun, and reaching into the cupboard, drew out a pint bottle of raw white alcohol. Lifting it to his lips, he drank greedily. He washed his face in the tin basin and combed his rough hair and shaggy blond beard. Then he stood in uncertainty before the suit of dark clothes that hung on the wall. For the fiftieth time he took them in his hands and tried to summon courage to put them on. He took the paper collar that was pinned to the sleeve of the coat and cautiously slipped it under his rough beard, looking with timid expectancy into the cracked, splashed glass that hung over the bench. With a short laugh he threw it down on the bed, and pulling on his old black hat, he went out, striking off across the level.

It was a physical necessity for him to get away from his cabin once in a while. He had been there for ten years, digging and plowing and sowing, and reaping what little the hail and the hot winds and the frosts left him to reap. Insanity and suicide are very common things on the Divide. They come on like an epidemic in the hot wind season. Those scorching dusty winds that blow up over the bluffs from Kansas seem to dry up the blood in men's veins as they do the sap in the corn leaves. Whenever the yellow scorch creeps down over the tender inside leaves about the ear, then the coroners prepare for active duty; for the oil of the country is burned out and it does not take long for the flame to eat up the wick. It causes no great sensation there when a Dane is found swinging to his own windmill tower, and most of the Poles after they have become too careless and discouraged to shave themselves keep their razors to cut their throats with.

It may be that the next generation on the Divide will be very happy, but the present one came too late in life. It is useless for men that have cut hemlocks among the mountains of Sweden for forty years to try to be happy in a country as flat and gray and as naked as the sea. It is not easy for men that have spent their youths fishing in the Northern seas to be content with following a plow, and men that have served in the Austrian army hate hard work and coarse clothing and the loneliness of the plains, and long for marches and excitement and tavern company and pretty barmaids. After a man has passed his fortieth birthday it is not easy for him to change the habits and conditions of his life. Most men bring with them to the Divide only the dregs of the lives that they have squandered in other lands and among other peoples.

Canute Canuteson was as mad as any of them, but his madness did not take the form of suicide or religion but of alcohol. He had always taken liquor when he wanted it, as all Norwegians do, but after his first year of solitary life he settled down to it steadily. He exhausted whisky after a while, and went to alcohol, because its effects were speedier and surer. He was a big man with a terrible amount of resistant force, and it took a great deal of alcohol even to move him. After nine years of drinking, the quantities he could take would seem fabulous to an ordinary drinking man. He never let it interfere with his work, he generally drank at night and on Sundays. Every night, as soon as his chores were done, he began to drink. While he was able to sit up he would play on his mouth harp or hack away at his window sills with his jack knife. When the liquor went to his head he would lie down on his bed and stare out of the window until he went to sleep. He drank alone and in solitude not for pleasure or good cheer, but to forget the awful loneliness and level of the Divide. Milton made a sad blunder when he put mountains in hell. Mountains postulate faith and aspiration. All mountain peoples are religious. It was the cities of the plains that, because of their utter lack of spirituality and the mad caprice of their vice, were cursed of God.

Alcohol is perfectly consistent in its effects upon man. Drunkenness is merely an exaggeration. A foolish man drunk becomes maudlin; a bloody man, vicious; a coarse man, vulgar. Canute was none of these, but he was morose and gloomy, and liquor took him through all the hells of Dante. As he lay on his giant's bed all the horrors of this world and every other were laid bare to his chilled senses. He was a man who knew no joy, a man who toiled in silence and bitterness. The skull and the serpent were always before him, the symbols of eternal futileness and of eternal hate.

When the first Norwegians near enough to be called neighbors came, Canute rejoiced, and planned to escape from his bosom vice. But he was not a social man by nature and had not the power of drawing out the social side of other people. His new neighbors rather feared him because of his great strength and size, his silence and his lowering brows. Perhaps, too, they knew that he was mad, mad from the eternal treachery of the plains, which every spring stretch green and rustle with the promises of Eden, showing long grassy lagoons full of clear water and cattle whose hoofs are stained with wild roses. Before autumn the lagoons are dried up, and the ground is burnt dry and hard until it blisters and cracks open.

So instead of becoming a friend and neighbor to the men that settled about him, Canute became a mystery and a terror. They told awful stories of his size and strength and of the alcohol he drank. They said that one night, when he went out to see to his horses just before he went to bed, his steps were unsteady and the rotten planks of the floor gave way and threw him behind the feet of a fiery young stallion. His foot was caught fast in the floor, and the nervous horse began kicking frantically. When Canute felt the blood trickling down in his eyes from a scalp wound in his head, he roused himself from his kingly indifference, and with the quiet stoical courage of a drunken man leaned forward and wound his arms about the horse's hind legs and held them against his breast with crushing embrace. All through the darkness and cold of the night he lay there, matching strength against strength. When little Jim Peterson went over the next morning at four o'clock to go with him to the Blue to cut wood, he found him so, and the horse was on its fore knees, trembling and whinnying with fear. This is the story the Norwegians tell of him, and if it is true it is no wonder that they feared and hated this Holder of the Heels of Horses.

One spring there moved to the next "eighty" a family that made a great change in Canute's life. Ole Yensen was too drunk most of the time to be afraid of any one, and his wife Mary was too garrulous to be afraid of any one who listened to her talk, and Lena, their pretty daughter, was not afraid of man nor devil. So it came about that Canute went over to take his alcohol with Ole oftener than he took it alone. After a while the report spread that he was going to marry Yensen's daughter, and the Norwegian girls began to tease Lena about the great bear she was going to keep house for. No one could quite see how the affair had come about, for Canute's tactics of courtship were somewhat peculiar. He apparently never spoke to her at all: he would sit for hours with Mary chattering on one side of him and Ole drinking on the other and watch Lena at her work. She teased him, and threw flour in his face and put vinegar in his coffee, but he took her rough jokes with silent wonder, never even smiling. He took her to church occasionally, but the most watchful and curious people never saw him speak to her. He would sit staring at her while she giggled and flirted with the other men.

Next spring Mary Lee went to town to work in a steam laundry. She came home every Sunday, and always ran across to Yensens to startle Lena with stories of ten cent theaters, firemen's dances, and all the other esthetic delights of metropolitan life. In a few weeks Lena's head was completely turned, and she gave her father no rest until he let her go to town to seek her fortune at the ironing board. From the time she came home on her first visit she began to treat Canute with contempt. She had bought a plush cloak and kid gloves, had her clothes made by the dress-maker, and assumed airs and graces that made the other women of the neighborhood cordially detest her. She generally brought with her a young man from town who waxed his mustache and wore a red necktie, and she did not even introduce him to Canute.

The neighbors teased Canute a good deal until he knocked one of them down. He gave no sign of suffering from her neglect except that he drank more and avoided the other Norwegians more carefully than ever. He lay around in his den and no one knew what he felt or thought, but little Jim Peterson, who had seen him glowering at Lena in church one Sunday when she was there with the town man, said that he would not give an acre of his wheat for Lena's life or the town chap's either; and Jim's wheat was so wondrously worthless that the statement was an exceedingly strong one.

Canute had bought a new suit of clothes that looked as nearly like the town man's as possible. They had cost him half a millet crop; for tailors are not accustomed to fitting giants and they charge for it. He had hung those clothes in his shanty two months ago and had never put them on, partly from fear of ridicule, partly from discouragement, and partly because there was something in his own soul that revolted at the littleness of the device.

Lena was at home just at this time. Work was slack in the laundry and Mary had not been well, so Lena stayed at home, glad enough to get an opportunity to torment Canute once more.

She was washing in the side kitchen, singing loudly as she worked. Mary was on her knees, blacking the stove and scolding violently about the young man who was coming out from town that night. The young man had committed the fatal error of laughing at Mary's ceaseless babble and had never been forgiven.

"He is no good, and you will come to a bad end by running with him! I do not see why a daughter of mine should act so. I do not see why the Lord should visit such a punishment upon me as to give me such a daughter. There are plenty of good men you can marry."

Lena tossed her head and answered curtly, "I don't happen to want to marry any man right away, and so long as Dick dresses nice and has plenty of money to spend, there is no harm in my going with him."

"Money to spend? Yes, and that is all he does with it I'll be bound. You think it very fine now, but you will change your tune when you have been married five years and see your children running naked and your cupboard empty. Did Anne Hermanson come to any good end by marrying a town man?"

"I don't know anything about Anne Hermanson, but I know any of the laundry girls would have Dick quick enough if they could get him."

"Yes, and a nice lot of store clothes huzzies you are too. Now there is Canuteson who has an 'eighty' proved up and fifty head of cattle and——"

"And hair that ain't been cut since he was a baby, and a big dirty beard, and he wears overalls on Sundays, and drinks like a pig. Besides he will keep. I can have all the fun I want, and when I am old and ugly like you he can have me and take care of me. The Lord knows there ain't nobody else going to marry him."

Canute drew his hand back from the latch as though it were red hot. He was not the kind of a man to make a good eavesdropper, and he wished he had knocked sooner. He pulled himself together and struck the door like a battering ram. Mary jumped and opened it with a screech.

"God! Canute, how you scared us! I thought it was crazy Lou,—he has been tearing around the neighborhood trying to convert folks. I am afraid as death of him. He ought to be sent off, I think. He is just as liable as not to kill us all, or burn the barn, or poison the dogs. He has been worrying even the poor minister to death, and he laid up with the rheumatism, too! Did you notice that he was too sick to preach last Sunday? But don't stand there in the cold,—come in. Yensen isn't here, but he just went over to Sorenson's for the mail; he won't be gone long. Walk right in the other room and sit down."

Canute followed her, looking steadily in front of him and not noticing Lena as he passed her. But Lena's vanity would not allow him to pass unmolested. She took the wet sheet she was wringing out and cracked him across the face with it, and ran giggling to the other side of the room. The blow stung his cheeks and the soapy water flew in his eyes, and he involuntarily began rubbing them with his hands. Lena giggled with delight at his discomfiture, and the wrath in Canute's face grew blacker than ever. A big man humiliated is vastly more undignified than a little one. He forgot the sting of his face in the bitter consciousness that he had made a fool of himself. He stumbled blindly into the living room, knocking his head against the door jamb because he forgot to stoop. He dropped into a chair behind the stove, thrusting his big feet back helplessly on either side of him.

Ole was a long time in coming, and Canute sat there, still and silent, with his hands clenched on his knees, and the skin of his face seemed to have shriveled up into little wrinkles that trembled when he lowered his brows. His life had been one long lethargy of solitude and alcohol, but now he was awakening, and it was as when the dumb stagnant heat of summer breaks out into thunder.

When Ole came staggering in, heavy with liquor, Canute rose at once.

"Yensen," he said quietly, "I have come to see if you will let me marry your daughter today."

"Today!" gasped Ole.

"Yes, I will not wait until tomorrow. I am tired of living alone."

Ole braced his staggering knees against the bedstead, and stammered eloquently: "Do you think I will marry my daughter to a drunkard? a man who drinks raw alcohol? a man who sleeps with rattle snakes? Get out of my house or I will kick you out for your impudence." And Ole began looking anxiously for his feet.

Canute answered not a word, but he put on his hat and went out into the kitchen. He went up to Lena and said without looking at her, "Get your things on and come with me!"

The tones of his voice startled her, and she said angrily, dropping the soap, "Are you drunk?"

"If you do not come with me, I will take you,—you had better come," said Canute quietly.

She lifted a sheet to strike him, but he caught her arm roughly and wrenched the sheet from her. He turned to the wall and took down a hood and shawl that hung there, and began wrapping her up. Lena scratched and fought like a wild thing. Ole stood in the door, cursing, and Mary howled and screeched at the top of her voice. As for Canute, he lifted the girl in his arms and went out of the house. She kicked and struggled, but the helpless wailing of Mary and Ole soon died away in the distance, and her face was held down tightly on Canute's shoulder so that she could not see whither he was taking her. She was conscious only of the north wind whistling in her ears, and of rapid steady motion and of a great breast that heaved beneath her in quick, irregular breaths. The harder she struggled the tighter those iron arms that had held the heels of horses crushed about her, until she felt as if they would crush the breath from her, and lay still with fear. Canute was striding across the level fields at a pace at which man never went before, drawing the stinging north wind into his lungs in great gulps. He walked with his eyes half closed and looking straight in front of him, only lowering them when he bent his head to blow away the snow flakes that settled on her hair. So it was that Canute took her to his home, even as his bearded barbarian ancestors took the fair frivolous women of the South in their hairy arms and bore them down to their war ships. For ever and anon the soul becomes weary of the conventions that are not of it, and with a single stroke shatters the civilized lies with which it is unable to cope, and the strong arm reaches out and takes by force what it cannot win by cunning.

When Canute reached his shanty he placed the girl upon a chair, where she sat sobbing. He stayed only a few minutes. He filled the stove with wood and lit the lamp, drank a huge swallow of alcohol and put the bottle in his pocket. He paused a moment, staring heavily at the weeping girl, then he went off and locked the door and disappeared in the gathering gloom of the night.

Wrapped in flannels and soaked with turpentine, the little Norwegian preacher sat reading his Bible, when he heard a thundering knock at his door, and Canute entered, covered with snow and with his beard frozen fast to his coat.

"Come in, Canute, you must be frozen," said the little man, shoving a chair towards his visitor.

Canute remained standing with his hat on and said quietly, "I want you to come over to my house tonight to marry me to Lena Yensen."

"Have you got a license, Canute?"

"No, I don't want a license. I want to be married."

"But I can't marry you without a license, man. It would not be legal."

A dangerous light came in the big Norwegian's eye. "I want you to come over to my house to marry me to Lena Yensen."

"No, I can't, it would kill an ox to go out in a storm like this, and my rheumatism is bad tonight."

"Then if you will not go I must take you," said Canute with a sigh.

He took down the preacher's bearskin coat and bade him put it on while he hitched up his buggy. He went out and closed the door softly after him. Presently he returned and found the frightened minister crouching before the fire with his coat lying beside him. Canute helped him put it on and gently wrapped his head in his big muffler. Then he picked him up and carried him out and placed him in his buggy. As he tucked the buffalo robes around him he said: "Your horse is old, he might flounder or lose his way in this storm. I will lead him."

The minister took the reins feebly in his hands and sat shivering with the cold. Sometimes when there was a lull in the wind, he could see the horse struggling through the snow with the man plodding steadily beside him. Again the blowing snow would hide them from him altogether. He had no idea where they were or what direction they were going. He felt as though he were being whirled away in the heart of the storm, and he said all the prayers he knew. But at last the long four miles were over, and Canute set him down in the snow while he unlocked the door. He saw the bride sitting by the fire with her eyes red and swollen as though she had been weeping. Canute placed a huge chair for him, and said roughly,—

"Warm yourself."

Lena began to cry and moan afresh, begging the minister to take her home. He looked helplessly at Canute. Canute said simply,—

"If you are warm now, you can marry us."

"My daughter, do you take this step of your own free will?" asked the minister in a trembling voice.

"No sir, I don't, and it is disgraceful he should force me into it! I won't marry him."

"Then, Canute, I cannot marry you," said the minister, standing as straight as his rheumatic limbs would let him.

"Are you ready to marry us now, sir?" said Canute, laying one iron hand on his stooped shoulder. The little preacher was a good man, but like most men of weak body he was a coward and had a horror of physical suffering, although he had known so much of it. So with many qualms of conscience he began to repeat the marriage service. Lena sat sullenly in her chair, staring at the fire. Canute stood beside her, listening with his head bent reverently and his hands folded on his breast. When the little man had prayed and said amen, Canute began bundling him up again.

"I will take you home, now," he said as he carried him out and placed him in his buggy, and started off with him through the fury of the storm, floundering among the snow drifts that brought even the giant himself to his knees.

After she was left alone, Lena soon ceased weeping. She was not of a particularly sensitive temperament, and had little pride beyond that of vanity. After the first bitter anger wore itself out, she felt nothing more than a healthy sense of humiliation and defeat. She had no inclination to run away, for she was married now, and in her eyes that was final and all rebellion was useless. She knew nothing about a license, but she knew that a preacher married folks. She consoled herself by thinking that she had always intended to marry Canute some day, any way.

She grew tired of crying and looking into the fire, so she got up and began to look about her. She had heard queer tales about the inside of Canute's shanty, and her curiosity soon got the better of her rage. One of the first things she noticed was the new black suit of clothes hanging on the wall. She was dull, but it did not take a vain woman long to interpret anything so decidedly flattering, and she was pleased in spite of herself. As she looked through the cupboard, the general air of neglect and discomfort made her pity the man who lived there.

"Poor fellow, no wonder he wants to get married to get somebody to wash up his dishes. Batchin's pretty hard on a man."

It is easy to pity when once one's vanity has been tickled. She looked at the window sill and gave a little shudder and wondered if the man were crazy. Then she sat down again and sat a long time wondering what her Dick and Ole would do.

"It is queer Dick didn't come right over after me. He surely came, for he would have left town before the storm began and he might just as well come right on as go back. If he'd hurried he would have gotten here before the preacher came. I suppose he was afraid to come, for he knew Canuteson could pound him to jelly, the coward!" Her eyes flashed angrily.

The weary hours wore on and Lena began to grow horribly lonesome. It was an uncanny night and this was an uncanny place to be in. She could hear the coyotes howling hungrily a little way from the cabin, and more terrible still were all the unknown noises of the storm. She remembered the tales they told of the big log overhead and she was afraid of those snaky things on the window sills. She remembered the man who had been killed in the draw, and she wondered what she would do if she saw crazy Lou's white face glaring into the window. The rattling of the door became unbearable, she thought the latch must be loose and took the lamp to look at it. Then for the first time she saw the ugly brown snake skins whose death rattle sounded every time the wind jarred the door.

"Canute, Canute!" she screamed in terror.

Outside the door she heard a heavy sound as of a big dog getting up and shaking himself. The door opened and Canute stood before her, white as a snow drift.

"What is it?" he asked kindly.

"I am cold," she faltered.

He went out and got an armful of wood and a basket of cobs and filled the stove. Then he went out and lay in the snow before the door. Presently he heard her calling again.

"What is it?" he said, sitting up.

"I'm so lonesome, I'm afraid to stay in here all alone."

"I will go over and get your mother." And he got up.

"She won't come."

"I'll bring her," said Canute grimly.

"No, no. I don't want her, she will scold all the time."

"Well, I will bring your father."

She spoke again and it seemed as though her mouth was close up to the key-hole. She spoke lower than he had ever heard her speak before, so low that he had to put his ear up to the lock to hear her.

"I don't want him either, Canute,—I'd rather have you."

For a moment she heard no noise at all, then something like a groan. With a cry of fear she opened the door, and saw Canute stretched in the snow at her feet, his face in his hands, sobbing on the door step.

Overland Monthly, January 1896



Eric Hermannson's Soul

I.

It was a great night at the Lone Star schoolhouse—a night when the Spirit was present with power and when God was very near to man. So it seemed to Asa Skinner, servant of God and Free Gospeller. The schoolhouse was crowded with the saved and sanctified, robust men and women, trembling and quailing before the power of some mysterious psychic force. Here and there among this cowering, sweating multitude crouched some poor wretch who had felt the pangs of an awakened conscience, but had not yet experienced that complete divestment of reason, that frenzy born of a convulsion of the mind, which, in the parlance of the Free Gospellers, is termed "the Light." On the floor, before the mourners' bench, lay the unconscious figure of a man in whom outraged nature had sought her last resort. This "trance" state is the highest evidence of grace among the Free Gospellers, and indicates a close walking with God.

Before the desk stood Asa Skinner, shouting of the mercy and vengeance of God, and in his eyes shone a terrible earnestness, an almost prophetic flame. Asa was a converted train gambler who used to run between Omaha and Denver. He was a man made for the extremes of life; from the most debauched of men he had become the most ascetic. His was a bestial face, a face that bore the stamp of Nature's eternal injustice. The forehead was low, projecting over the eyes, and the sandy hair was plastered down over it and then brushed back at an abrupt right angle. The chin was heavy, the nostrils were low and wide, and the lower lip hung loosely except in his moments of spasmodic earnestness, when it shut like a steel trap. Yet about those coarse features there were deep, rugged furrows, the scars of many a hand-to-hand struggle with the weakness of the flesh, and about that drooping lip were sharp, strenuous lines that had conquered it and taught it to pray. Over those seamed cheeks there was a certain pallor, a grayness caught from many a vigil. It was as though, after Nature had done her worst with that face, some fine chisel had gone over it, chastening and almost transfiguring it. To-night, as his muscles twitched with emotion, and the perspiration dropped from his hair and chin, there was a certain convincing power in the man. For Asa Skinner was a man possessed of a belief, of that sentiment of the sublime before which all inequalities are leveled, that transport of conviction which seems superior to all laws of condition, under which debauchees have become martyrs; which made a tinker an artist and a camel-driver the founder of an empire. This was with Asa Skinner to-night, as he stood proclaiming the vengeance of God.

It might have occurred to an impartial observer that Asa Skinner's God was indeed a vengeful God if he could reserve vengeance for those of his creatures who were packed into the Lone Star schoolhouse that night. Poor exiles of all nations; men from the south and the north, peasants from almost every country of Europe, most of them from the mountainous, night-bound coast of Norway. Honest men for the most part, but men with whom the world had dealt hardly; the failures of all countries, men sobered by toil and saddened by exile, who had been driven to fight for the dominion of an untoward soil, to sow where others should gather, the advance-guard of a mighty civilization to be.

Never had Asa Skinner spoken more earnestly than now. He felt that the Lord had this night a special work for him to do. To-night Eric Hermannson, the wildest lad on all the Divide, sat in his audience with a fiddle on his knee, just as he had dropped in on his way to play for some dance. The violin is an object of particular abhorrence to the Free Gospellers. Their antagonism to the church organ is bitter enough, but the fiddle they regard as a very incarnation of evil desires, singing forever of worldly pleasures and inseparably associated with all forbidden things.

Eric Hermannson had long been the object of the prayers of the revivalists. His mother had felt the power of the Spirit weeks ago, and special prayer-meetings had been held at her house for her son. But Eric had only gone his ways laughing, the ways of youth, which are short enough at best, and none too flowery on the Divide. He slipped away from the prayer-meetings to meet the Campbell boys in Genereau's saloon, or hug the plump little French girls at Chevalier's dances, and sometimes, of a summer night, he even went across the dewy cornfields and through the wild-plum thicket to play the fiddle for Lena Hanson, whose name was a reproach through all the Divide country, where the women are usually too plain and too busy and too tired to depart from the ways of virtue. On such occasions Lena, attired in a pink wrapper and silk stockings and tiny pink slippers, would sing to him, accompanying herself on a battered guitar. It gave him a delicious sense of freedom and experience to be with a woman who, no matter how, had lived in big cities and knew the ways of town-folk, who had never worked in the fields and had kept her hands white and soft, her throat fair and tender, who had heard great singers in Denver and Salt Lake, and who knew the strange language of flattery and idleness and mirth.

Yet, careless as he seemed, the frantic prayers of his mother were not altogether without their effect upon Eric. For days he had been fleeing before them as a criminal from his pursuers, and over his pleasures had fallen the shadow of something dark and terrible that dogged his steps. The harder he danced, the louder he sang, the more was he conscious that this phantom was gaining upon him, that in time it would track him down. One Sunday afternoon, late in the fall, when he had been drinking beer with Lena Hanson and listening to a song which made his cheeks burn, a rattlesnake had crawled out of the side of the sod house and thrust its ugly head in under the screen door. He was not afraid of snakes, but he knew enough of Gospellism to feel the significance of the reptile lying coiled there upon her doorstep. His lips were cold when he kissed Lena good-by, and he went there no more.

The final barrier between Eric and his mother's faith was his violin, and to that he clung as a man sometimes will cling to his dearest sin, to the weakness more precious to him than all his strength. In the great world beauty comes to men in many guises, and art in a hundred forms, but for Eric there was only his violin. It stood, to him, for all the manifestations of art; it was his only bridge into the kingdom of the soul.

It was to Eric Hermannson that the evangelist directed his impassioned pleading that night.

"Saul, Saul, why persecutest thou me? Is there a Saul here to-night who has stopped his ears to that gentle pleading, who has thrust a spear into that bleeding side? Think of it, my brother; you are offered this wonderful love and you prefer the worm that dieth not and the fire which will not be quenched. What right have you to lose one of God's precious souls? Saul, Saul, why persecutest thou me?"

A great joy dawned in Asa Skinner's pale face, for he saw that Eric Hermannson was swaying to and fro in his seat. The minister fell upon his knees and threw his long arms up over his head.

"O my brothers! I feel it coming, the blessing we have prayed for. I tell you the Spirit is coming! Just a little more prayer, brothers, a little more zeal, and he will be here. I can feel his cooling wing upon my brow. Glory be to God forever and ever, amen!"

The whole congregation groaned under the pressure of this spiritual panic. Shouts and hallelujahs went up from every lip. Another figure fell prostrate upon the floor. From the mourners' bench rose a chant of terror and rapture:

"Eating honey and drinking wine, Glory to the bleeding Lamb! I am my Lord's and he is mine, Glory to the bleeding Lamb!"

The hymn was sung in a dozen dialects and voiced all the vague yearning of these hungry lives, of these people who had starved all the passions so long, only to fall victims to the basest of them all, fear.

A groan of ultimate anguish rose from Eric Hermannson's bowed head, and the sound was like the groan of a great tree when it falls in the forest.

The minister rose suddenly to his feet and threw back his head, crying in a loud voice:

"Lazarus, come forth! Eric Hermannson, you are lost, going down at sea. In the name of God, and Jesus Christ his Son, I throw you the life-line. Take hold! Almighty God, my soul for his!" The minister threw his arms out and lifted his quivering face.

Eric Hermannson rose to his feet; his lips were set and the lightning was in his eyes. He took his violin by the neck and crushed it to splinters across his knee, and to Asa Skinner the sound was like the shackles of sin broken audibly asunder.

II.

For more than two years Eric Hermannson kept the austere faith to which he had sworn himself, kept it until a girl from the East came to spend a week on the Nebraska Divide. She was a girl of other manners and conditions, and there were greater distances between her life and Eric's than all the miles which separated Rattlesnake Creek from New York city. Indeed, she had no business to be in the West at all; but ah! across what leagues of land and sea, by what improbable chances, do the unrelenting gods bring to us our fate!

It was in a year of financial depression that Wyllis Elliot came to Nebraska to buy cheap land and revisit the country where he had spent a year of his youth. When he had graduated from Harvard it was still customary for moneyed gentlemen to send their scapegrace sons to rough it on ranches in the wilds of Nebraska or Dakota, or to consign them to a living death in the sage-brush of the Black Hills. These young men did not always return to the ways of civilized life. But Wyllis Elliot had not married a half-breed, nor been shot in a cow-punchers' brawl, nor wrecked by bad whisky, nor appropriated by a smirched adventuress. He had been saved from these things by a girl, his sister, who had been very near to his life ever since the days when they read fairy tales together and dreamed the dreams that never come true. On this, his first visit to his father's ranch since he left it six years before, he brought her with him. She had been laid up half the winter from a sprain received while skating, and had had too much time for reflection during those months. She was restless and filled with a desire to see something of the wild country of which her brother had told her so much. She was to be married the next winter, and Wyllis understood her when she begged him to take her with him on this long, aimless jaunt across the continent, to taste the last of their freedom together. It comes to all women of her type—that desire to taste the unknown which allures and terrifies, to run one's whole soul's length out to the wind—just once.

It had been an eventful journey. Wyllis somehow understood that strain of gypsy blood in his sister, and he knew where to take her. They had slept in sod houses on the Platte River, made the acquaintance of the personnel of a third-rate opera company on the train to Deadwood, dined in a camp of railroad constructors at the world's end beyond New Castle, gone through the Black Hills on horseback, fished for trout in Dome Lake, watched a dance at Cripple Creek, where the lost souls who hide in the hills gathered for their besotted revelry. And now, last of all, before the return to thraldom, there was this little shack, anchored on the windy crest of the Divide, a little black dot against the flaming sunsets, a scented sea of cornland bathed in opalescent air and blinding sunlight.

Margaret Elliot was one of those women of whom there are so many in this day, when old order, passing, giveth place to new; beautiful, talented, critical, unsatisfied, tired of the world at twenty-four. For the moment the life and people of the Divide interested her. She was there but a week; perhaps had she stayed longer, that inexorable ennui which travels faster even than the Vestibule Limited would have overtaken her. The week she tarried there was the week that Eric Hermannson was helping Jerry Lockhart thresh; a week earlier or a week later, and there would have been no story to write.

It was on Thursday and they were to leave on Saturday. Wyllis and his sister were sitting on the wide piazza of the ranchhouse, staring out into the afternoon sunlight and protesting against the gusts of hot wind that blew up from the sandy river-bottom twenty miles to the southward.

The young man pulled his cap lower over his eyes and remarked:

"This wind is the real thing; you don't strike it anywhere else. You remember we had a touch of it in Algiers and I told you it came from Kansas. It's the key-note of this country."

Wyllis touched her hand that lay on the hammock and continued gently:

"I hope it's paid you, Sis. Roughing it's dangerous business; it takes the taste out of things."

She shut her fingers firmly over the brown hand that was so like her own.

"Paid? Why, Wyllis, I haven't been so happy since we were children and were going to discover the ruins of Troy together some day. Do you know, I believe I could just stay on here forever and let the world go on its own gait. It seems as though the tension and strain we used to talk of last winter were gone for good, as though one could never give one's strength out to such petty things any more."

Wyllis brushed the ashes of his pipe away from the silk handkerchief that was knotted about his neck and stared moodily off at the sky-line.

"No, you're mistaken. This would bore you after a while. You can't shake the fever of the other life. I've tried it. There was a time when the gay fellows of Rome could trot down into the Thebaid and burrow into the sandhills and get rid of it. But it's all too complex now. You see we've made our dissipations so dainty and respectable that they've gone further in than the flesh, and taken hold of the ego proper. You couldn't rest, even here. The war-cry would follow you."

"You don't waste words, Wyllis, but you never miss fire. I talk more than you do, without saying half so much. You must have learned the art of silence from these taciturn Norwegians. I think I like silent men."

"Naturally," said Wyllis, "since you have decided to marry the most brilliant talker you know."

Both were silent for a time, listening to the sighing of the hot wind through the parched morning-glory vines. Margaret spoke first.

"Tell me, Wyllis, were many of the Norwegians you used to know as interesting as Eric Hermannson?"

"Who, Siegfried? Well, no. He used to be the flower of the Norwegian youth in my day, and he's rather an exception, even now. He has retrograded, though. The bonds of the soil have tightened on him, I fancy."

"Siegfried? Come, that's rather good, Wyllis. He looks like a dragon-slayer. What is it that makes him so different from the others? I can talk to him; he seems quite like a human being."

"Well," said Wyllis, meditatively, "I don't read Bourget as much as my cultured sister, and I'm not so well up in analysis, but I fancy it's because one keeps cherishing a perfectly unwarranted suspicion that under that big, hulking anatomy of his, he may conceal a soul somewhere. Nicht wahr?"

"Something like that," said Margaret, thoughtfully, "except that it's more than a suspicion, and it isn't groundless. He has one, and he makes it known, somehow, without speaking."

"I always have my doubts about loquacious souls," Wyllis remarked, with the unbelieving smile that had grown habitual with him.

Margaret went on, not heeding the interruption. "I knew it from the first, when he told me about the suicide of his cousin, the Bernstein boy. That kind of blunt pathos can't be summoned at will in anybody. The earlier novelists rose to it, sometimes, unconsciously. But last night when I sang for him I was doubly sure. Oh, I haven't told you about that yet! Better light your pipe again. You see, he stumbled in on me in the dark when I was pumping away at that old parlor organ to please Mrs. Lockhart. It's her household fetish and I've forgotten how many pounds of butter she made and sold to buy it. Well, Eric stumbled in, and in some inarticulate manner made me understand that he wanted me to sing for him. I sang just the old things, of course. It's queer to sing familiar things here at the world's end. It makes one think how the hearts of men have carried them around the world, into the wastes of Iceland and the jungles of Africa and the islands of the Pacific. I think if one lived here long enough one would quite forget how to be trivial, and would read only the great books that we never get time to read in the world, and would remember only the great music, and the things that are really worth while would stand out clearly against that horizon over there. And of course I played the intermezzo from 'Cavalleria Rusticana' for him; it goes rather better on an organ than most things do. He shuffled his feet and twisted his big hands up into knots and blurted out that he didn't know there was any music like that in the world. Why, there were tears in his voice, Wyllis! Yes, like Rossetti, I heard his tears. Then it dawned upon me that it was probably the first good music he had ever heard in all his life. Think of it, to care for music as he does and never to hear it, never to know that it exists on earth! To long for it as we long for other perfect experiences that never come. I can't tell you what music means to that man. I never saw any one so susceptible to it. It gave him speech, he became alive. When I had finished the intermezzo, he began telling me about a little crippled brother who died and whom he loved and used to carry everywhere in his arms. He did not wait for encouragement. He took up the story and told it slowly, as if to himself, just sort of rose up and told his own woe to answer Mascagni's. It overcame me."

"Poor devil," said Wyllis, looking at her with mysterious eyes, "and so you've given him a new woe. Now he'll go on wanting Grieg and Schubert the rest of his days and never getting them. That's a girl's philanthropy for you!"

Jerry Lockhart came out of the house screwing his chin over the unusual luxury of a stiff white collar, which his wife insisted upon as a necessary article of toilet while Miss Elliot was at the house. Jerry sat down on the step and smiled his broad, red smile at Margaret.

"Well, I've got the music for your dance, Miss Elliot. Olaf Oleson will bring his accordion and Mollie will play the organ, when she isn't lookin' after the grub, and a little chap from Frenchtown will bring his fiddle—though the French don't mix with the Norwegians much."

"Delightful! Mr. Lockhart, that dance will be the feature of our trip, and it's so nice of you to get it up for us. We'll see the Norwegians in character at last," cried Margaret, cordially.

"See here, Lockhart, I'll settle with you for backing her in this scheme," said Wyllis, sitting up and knocking the ashes out of his pipe. "She's done crazy things enough on this trip, but to talk of dancing all night with a gang of half-mad Norwegians and taking the carriage at four to catch the six o'clock train out of Riverton—well, it's tommy-rot, that's what it is!"

"Wyllis, I leave it to your sovereign power of reason to decide whether it isn't easier to stay up all night than to get up at three in the morning. To get up at three, think what that means! No, sir, I prefer to keep my vigil and then get into a sleeper."

"But what do you want with the Norwegians? I thought you were tired of dancing."

"So I am, with some people. But I want to see a Norwegian dance, and I intend to. Come, Wyllis, you know how seldom it is that one really wants to do anything nowadays. I wonder when I have really wanted to go to a party before. It will be something to remember next month at Newport, when we have to and don't want to. Remember your own theory that contrast is about the only thing that makes life endurable. This is my party and Mr. Lockhart's; your whole duty to-morrow night will consist in being nice to the Norwegian girls. I'll warrant you were adept enough at it once. And you'd better be very nice indeed, for if there are many such young valkyrs as Eric's sister among them, they would simply tie you up in a knot if they suspected you were guying them."

Wyllis groaned and sank back into the hammock to consider his fate, while his sister went on.

"And the guests, Mr. Lockhart, did they accept?"

Lockhart took out his knife and began sharpening it on the sole of his plowshoe.

"Well, I guess we'll have a couple dozen. You see it's pretty hard to get a crowd together here any more. Most of 'em have gone over to the Free Gospellers, and they'd rather put their feet in the fire than shake 'em to a fiddle."

Margaret made a gesture of impatience.

"Those Free Gospellers have just cast an evil spell over this country, haven't they?"

"Well," said Lockhart, cautiously, "I don't just like to pass judgment on any Christian sect, but if you're to know the chosen by their works, the Gospellers can't make a very proud showin', an' that's a fact. They're responsible for a few suicides, and they've sent a good-sized delegation to the state insane asylum, an' I don't see as they've made the rest of us much better than we were before. I had a little herdboy last spring, as square a little Dane as I want to work for me, but after the Gospellers got hold of him and sanctified him, the little beggar used to get down on his knees out on the prairie and pray by the hour and let the cattle get into the corn, an' I had to fire him. That's about the way it goes. Now there's Eric; that chap used to be a hustler and the spryest dancer in all this section—called all the dances. Now he's got no ambition and he's glum as a preacher. I don't suppose we can even get him to come in to-morrow night."

"Eric? Why, he must dance, we can't let him off," said Margaret, quickly. "Why, I intend to dance with him myself!"

"I'm afraid he won't dance. I asked him this morning if he'd help us out and he said, 'I don't dance now, any more,'" said Lockhart, imitating the labored English of the Norwegian.

"'The Miller of Hoffbau, the Miller of Hoffbau, O my Princess!'" chirped Wyllis, cheerfully, from his hammock.

The red on his sister's cheek deepened a little, and she laughed mischievously. "We'll see about that, sir. I'll not admit that I am beaten until I have asked him myself."

Every night Eric rode over to St. Anne, a little village in the heart of the French settlement, for the mail. As the road lay through the most attractive part of the Divide country, on several occasions Margaret Elliot and her brother had accompanied him. To-night Wyllis had business with Lockhart, and Margaret rode with Eric, mounted on a frisky little mustang that Mrs. Lockhart had broken to the side-saddle. Margaret regarded her escort very much as she did the servant who always accompanied her on long rides at home, and the ride to the village was a silent one. She was occupied with thoughts of another world, and Eric was wrestling with more thoughts than had ever been crowded into his head before. He rode with his eyes riveted on that slight figure before him, as though he wished to absorb it through the optic nerves and hold it in his brain forever. He understood the situation perfectly. His brain worked slowly, but he had a keen sense of the values of things. This girl represented an entirely new species of humanity to him, but he knew where to place her. The prophets of old, when an angel first appeared unto them, never doubted its high origin.

Eric was patient under the adverse conditions of his life, but he was not servile. The Norse blood in him had not entirely lost its self-reliance. He came of a proud fisher line, men who were not afraid of anything but the ice and the devil, and he had prospects before him when his father went down off the North Cape in the long Arctic night, and his mother, seized by a violent horror of seafaring life, had followed her brother to America. Eric was eighteen then, handsome as young Siegfried, a giant in stature, with a skin singularly pure and delicate, like a Swede's; hair as yellow as the locks of Tennyson's amorous Prince, and eyes of a fierce, burning blue, whose flash was most dangerous to women. He had in those days a certain pride of bearing, a certain confidence of approach, that usually accompanies physical perfection. It was even said of him then that he was in love with life, and inclined to levity, a vice most unusual on the Divide. But the sad history of those Norwegian exiles, transplanted in an arid soil and under a scorching sun, had repeated itself in his case. Toil and isolation had sobered him, and he grew more and more like the clods among which he labored. It was as though some red-hot instrument had touched for a moment those delicate fibers of the brain which respond to acute pain or pleasure, in which lies the power of exquisite sensation, and had seared them quite away. It is a painful thing to watch the light die out of the eyes of those Norsemen, leaving an expression of impenetrable sadness, quite passive, quite hopeless, a shadow that is never lifted. With some this change comes almost at once, in the first bitterness of homesickness, with others it comes more slowly, according to the time it takes each man's heart to die.

Oh, those poor Northmen of the Divide! They are dead many a year before they are put to rest in the little graveyard on the windy hill where exiles of all nations grow akin.

The peculiar species of hypochondria to which the exiles of his people sooner or later succumb had not developed in Eric until that night at the Lone Star schoolhouse, when he had broken his violin across his knee. After that, the gloom of his people settled down upon him, and the gospel of maceration began its work. "If thine eye offend thee, pluck it out," et cetera. The pagan smile that once hovered about his lips was gone, and he was one with sorrow. Religion heals a hundred hearts for one that it embitters, but when it destroys, its work is quick and deadly, and where the agony of the cross has been, joy will not come again. This man understood things literally: one must live without pleasure to die without fear; to save the soul it was necessary to starve the soul.

The sun hung low above the cornfields when Margaret and her cavalier left St. Anne. South of the town there is a stretch of road that runs for some three miles through the French settlement, where the prairie is as level as the surface of a lake. There the fields of flax and wheat and rye are bordered by precise rows of slender, tapering Lombard poplars. It was a yellow world that Margaret Elliot saw under the wide light of the setting sun.

The girl gathered up her reins and called back to Eric, "It will be safe to run the horses here, won't it?"

"Yes, I think so, now," he answered, touching his spur to his pony's flank. They were off like the wind. It is an old saying in the West that new-comers always ride a horse or two to death before they get broken in to the country. They are tempted by the great open spaces and try to outride the horizon, to get to the end of something. Margaret galloped over the level road, and Eric, from behind, saw her long veil fluttering in the wind. It had fluttered just so in his dreams last night and the night before. With a sudden inspiration of courage he overtook her and rode beside her, looking intently at her half-averted face. Before, he had only stolen occasional glances at it, seen it in blinding flashes, always with more or less embarrassment, but now he determined to let every line of it sink into his memory. Men of the world would have said that it was an unusual face, nervous, finely cut, with clear, elegant lines that betokened ancestry. Men of letters would have called it a historic face, and would have conjectured at what old passions, long asleep, what old sorrows forgotten time out of mind, doing battle together in ages gone, had curved those delicate nostrils, left their unconscious memory in those eyes. But Eric read no meaning in these details. To him this beauty was something more than color and line; it was as a flash of white light, in which one cannot distinguish color because all colors are there. To him it was a complete revelation, an embodiment of those dreams of impossible loveliness that linger by a young man's pillow on midsummer nights; yet, because it held something more than the attraction of health and youth and shapeliness, it troubled him, and in its presence he felt as the Goths before the white marbles in the Roman Capitol, not knowing whether they were men or gods. At times he felt like uncovering his head before it, again the fury seized him to break and despoil, to find the clay in this spirit-thing and stamp upon it. Away from her, he longed to strike out with his arms, and take and hold; it maddened him that this woman whom he could break in his hands should be so much stronger than he. But near her, he never questioned this strength; he admitted its potentiality as he admitted the miracles of the Bible; it enervated and conquered him. To-night, when he rode so close to her that he could have touched her, he knew that he might as well reach out his hand to take a star.

Margaret stirred uneasily under his gaze and turned questioningly in her saddle.

"This wind puts me a little out of breath when we ride fast," she said.

Eric turned his eyes away.

"I want to ask you if I go to New York to work, if I maybe hear music like you sang last night? I been a purty good hand to work," he asked, timidly.

Margaret looked at him with surprise, and then, as she studied the outline of his face, pityingly.

"Well, you might—but you'd lose a good deal else. I shouldn't like you to go to New York—and be poor, you'd be out of atmosphere, some way," she said, slowly. Inwardly she was thinking: "There he would be altogether sordid, impossible—a machine who would carry one's trunks upstairs, perhaps. Here he is every inch a man, rather picturesque; why is it?" "No," she added aloud, "I shouldn't like that."

"Then I not go," said Eric, decidedly.

Margaret turned her face to hide a smile. She was a trifle amused and a trifle annoyed. Suddenly she spoke again.

"But I'll tell you what I do want you to do, Eric. I want you to dance with us to-morrow night and teach me some of the Norwegian dances; they say you know them all. Won't you?"

Eric straightened himself in his saddle and his eyes flashed as they had done in the Lone Star schoolhouse when he broke his violin across his knee.

"Yes, I will," he said, quietly, and he believed that he delivered his soul to hell as he said it.

They had reached the rougher country now, where the road wound through a narrow cut in one of the bluffs along the creek, when a beat of hoofs ahead and the sharp neighing of horses made the ponies start and Eric rose in his stirrups. Then down the gulch in front of them and over the steep clay banks thundered a herd of wild ponies, nimble as monkeys and wild as rabbits, such as horse-traders drive east from the plains of Montana to sell in the farming country. Margaret's pony made a shrill sound, a neigh that was almost a scream, and started up the clay bank to meet them, all the wild blood of the range breaking out in an instant. Margaret called to Eric just as he threw himself out of the saddle and caught her pony's bit. But the wiry little animal had gone mad and was kicking and biting like a devil. Her wild brothers of the range were all about her, neighing, and pawing the earth, and striking her with their fore feet and snapping at her flanks. It was the old liberty of the range that the little beast fought for.

"Drop the reins and hold tight, tight!" Eric called, throwing all his weight upon the bit, struggling under those frantic fore feet that now beat at his breast, and now kicked at the wild mustangs that surged and tossed about him. He succeeded in wrenching the pony's head toward him and crowding her withers against the clay bank, so that she could not roll.

"Hold tight, tight!" he shouted again, launching a kick at a snorting animal that reared back against Margaret's saddle. If she should lose her courage and fall now, under those hoofs——He struck out again and again, kicking right and left with all his might. Already the negligent drivers had galloped into the cut, and their long quirts were whistling over the heads of the herd. As suddenly as it had come, the struggling, frantic wave of wild life swept up out of the gulch and on across the open prairie, and with a long despairing whinny of farewell the pony dropped her head and stood trembling in her sweat, shaking the foam and blood from her bit.

Eric stepped close to Margaret's side and laid his hand on her saddle. "You are not hurt?" he asked, hoarsely. As he raised his face in the soft starlight she saw that it was white and drawn and that his lips were working nervously.

"No, no, not at all. But you, you are suffering; they struck you!" she cried in sharp alarm.

He stepped back and drew his hand across his brow.

"No, it is not that," he spoke rapidly now, with his hands clenched at his side. "But if they had hurt you, I would beat their brains out with my hands, I would kill them all. I was never afraid before. You are the only beautiful thing that has ever come close to me. You came like an angel out of the sky. You are like the music you sing, you are like the stars and the snow on the mountains where I played when I was a little boy. You are like all that I wanted once and never had, you are all that they have killed in me. I die for you to-night, to-morrow, for all eternity. I am not a coward; I was afraid because I love you more than Christ who died for me, more than I am afraid of hell, or hope for heaven. I was never afraid before. If you had fallen—oh, my God!" he threw his arms out blindly and dropped his head upon the pony's mane, leaning limply against the animal like a man struck by some sickness. His shoulders rose and fell perceptibly with his labored breathing. The horse stood cowed with exhaustion and fear. Presently Margaret laid her hand on Eric's head and said gently:

"You are better now, shall we go on? Can you get your horse?"

"No, he has gone with the herd. I will lead yours, she is not safe. I will not frighten you again." His voice was still husky, but it was steady now. He took hold of the bit and tramped home in silence.

When they reached the house, Eric stood stolidly by the pony's head until Wyllis came to lift his sister from the saddle.

"The horses were badly frightened, Wyllis. I think I was pretty thoroughly scared myself," she said as she took her brother's arm and went slowly up the hill toward the house. "No, I'm not hurt, thanks to Eric. You must thank him for taking such good care of me. He's a mighty fine fellow. I'll tell you all about it in the morning, dear. I was pretty well shaken up and I'm going right to bed now. Good-night."

When she reached the low room in which she slept, she sank upon the bed in her riding-dress face downward.

"Oh, I pity him! I pity him!" she murmured, with a long sigh of exhaustion. She must have slept a little. When she rose again, she took from her dress a letter that had been waiting for her at the village post-office. It was closely written in a long, angular hand, covering a dozen pages of foreign note-paper, and began:—

"My Dearest Margaret: If I should attempt to say how like a winter hath thine absence been, I should incur the risk of being tedious. Really, it takes the sparkle out of everything. Having nothing better to do, and not caring to go anywhere in particular without you, I remained in the city until Jack Courtwell noted my general despondency and brought me down here to his place on the sound to manage some open-air theatricals he is getting up. 'As You Like It' is of course the piece selected. Miss Harrison plays Rosalind. I wish you had been here to take the part. Miss Harrison reads her lines well, but she is either a maiden-all-forlorn or a tomboy; insists on reading into the part all sorts of deeper meanings and highly colored suggestions wholly out of harmony with the pastoral setting. Like most of the professionals, she exaggerates the emotional element and quite fails to do justice to Rosalind's facile wit and really brilliant mental qualities. Gerard will do Orlando, but rumor says he is epris of your sometime friend, Miss Meredith, and his memory is treacherous and his interest fitful.

"My new pictures arrived last week on the 'Gascogne.' The Puvis de Chavannes is even more beautiful than I thought it in Paris. A pale dream-maiden sits by a pale dream-cow, and a stream of anemic water flows at her feet. The Constant, you will remember, I got because you admired it. It is here in all its florid splendor, the whole dominated by a glowing sensuosity. The drapery of the female figure is as wonderful as you said; the fabric all barbaric pearl and gold, painted with an easy, effortless voluptuousness, and that white, gleaming line of African coast in the background recalls memories of you very precious to me. But it is useless to deny that Constant irritates me. Though I cannot prove the charge against him, his brilliancy always makes me suspect him of cheapness."

Here Margaret stopped and glanced at the remaining pages of this strange love-letter. They seemed to be filled chiefly with discussions of pictures and books, and with a slow smile she laid them by.

She rose and began undressing. Before she lay down she went to open the window. With her hand on the sill, she hesitated, feeling suddenly as though some danger were lurking outside, some inordinate desire waiting to spring upon her in the darkness. She stood there for a long time, gazing at the infinite sweep of the sky.

"Oh, it is all so little, so little there," she murmured. "When everything else is so dwarfed, why should one expect love to be great? Why should one try to read highly colored suggestions into a life like that? If only I could find one thing in it all that mattered greatly, one thing that would warm me when I am alone! Will life never give me that one great moment?"

As she raised the window, she heard a sound in the plum-bushes outside. It was only the house-dog roused from his sleep, but Margaret started violently and trembled so that she caught the foot of the bed for support. Again she felt herself pursued by some overwhelming longing, some desperate necessity for herself, like the outstretching of helpless, unseen arms in the darkness, and the air seemed heavy with sighs of yearning. She fled to her bed with the words, "I love you more than Christ, who died for me!" ringing in her ears.

III.

About midnight the dance at Lockhart's was at its height. Even the old men who had come to "look on" caught the spirit of revelry and stamped the floor with the vigor of old Silenus. Eric took the violin from the Frenchman, and Minna Oleson sat at the organ, and the music grew more and more characteristic—rude, half-mournful music, made up of the folk-songs of the North, that the villagers sing through the long night in hamlets by the sea, when they are thinking of the sun, and the spring, and the fishermen so long away. To Margaret some of it sounded like Grieg's Peer Gynt music. She found something irresistibly infectious in the mirth of these people who were so seldom merry, and she felt almost one of them. Something seemed struggling for freedom in them to-night, something of the joyous childhood of the nations which exile had not killed. The girls were all boisterous with delight. Pleasure came to them but rarely, and when it came, they caught at it wildly and crushed its fluttering wings in their strong brown fingers. They had a hard life enough, most of them. Torrid summers and freezing winters, labor and drudgery and ignorance, were the portion of their girlhood; a short wooing, a hasty, loveless marriage, unlimited maternity, thankless sons, premature age and ugliness, were the dower of their womanhood. But what matter? To-night there was hot liquor in the glass and hot blood in the heart; to-night they danced.

To-night Eric Hermannson had renewed his youth. He was no longer the big, silent Norwegian who had sat at Margaret's feet and looked hopelessly into her eyes. To-night he was a man, with a man's rights and a man's power. To-night he was Siegfried indeed. His hair was yellow as the heavy wheat in the ripe of summer, and his eyes flashed like the blue water between the ice-packs in the North Seas. He was not afraid of Margaret to-night, and when he danced with her he held her firmly. She was tired and dragged on his arm a little, but the strength of the man was like an all-pervading fluid, stealing through her veins, awakening under her heart some nameless, unsuspected existence that had slumbered there all these years and that went out through her throbbing fingertips to his that answered. She wondered if the hoydenish blood of some lawless ancestor, long asleep, were calling out in her to-night, some drop of a hotter fluid that the centuries had failed to cool, and why, if this curse were in her, it had not spoken before. But was it a curse, this awakening, this wealth before undiscovered, this music set free? For the first time in her life her heart held something stronger than herself, was not this worth while? Then she ceased to wonder. She lost sight of the lights and the faces, and the music was drowned by the beating of her own arteries. She saw only the blue eyes that flashed above her, felt only the warmth of that throbbing hand which held hers and which the blood of his heart fed. Dimly, as in a dream, she saw the drooping shoulders, high white forehead and tight, cynical mouth of the man she was to marry in December. For an hour she had been crowding back the memory of that face with all her strength.

"Let us stop, this is enough," she whispered. His only answer was to tighten the arm behind her. She sighed and let that masterful strength bear her where it would. She forgot that this man was little more than a savage, that they would part at dawn. The blood has no memories, no reflections, no regrets for the past, no consideration of the future.

"Let us go out where it is cooler," she said when the music stopped; thinking, "I am growing faint here, I shall be all right in the open air." They stepped out into the cool, blue air of the night.

Since the older folk had begun dancing, the young Norwegians had been slipping out in couples to climb the windmill tower into the cooler atmosphere, as is their custom.

"You like to go up?" asked Eric, close to her ear.

She turned and looked at him with suppressed amusement. "How high is it?"

"Forty feet, about. I not let you fall." There was a note of irresistible pleading in his voice, and she felt that he tremendously wished her to go. Well, why not? This was a night of the unusual, when she was not herself at all, but was living an unreality. To-morrow, yes, in a few hours, there would be the Vestibule Limited and the world.

"Well, if you'll take good care of me. I used to be able to climb, when I was a little girl."

Once at the top and seated on the platform, they were silent. Margaret wondered if she would not hunger for that scene all her life, through all the routine of the days to come. Above them stretched the great Western sky, serenely blue, even in the night, with its big, burning stars, never so cold and dead and far away as in denser atmospheres. The moon would not be up for twenty minutes yet, and all about the horizon, that wide horizon, which seemed to reach around the world, lingered a pale, white light, as of a universal dawn. The weary wind brought up to them the heavy odors of the cornfields. The music of the dance sounded faintly from below. Eric leaned on his elbow beside her, his legs swinging down on the ladder. His great shoulders looked more than ever like those of the stone Doryphorus, who stands in his perfect, reposeful strength in the Louvre, and had often made her wonder if such men died forever with the youth of Greece.

"How sweet the corn smells at night," said Margaret nervously.

"Yes, like the flowers that grow in paradise, I think."

She was somewhat startled by this reply, and more startled when this taciturn man spoke again.

"You go away to-morrow?"

"Yes, we have stayed longer than we thought to now."

"You not come back any more?"

"No, I expect not. You see, it is a long trip; half-way across the continent."

"You soon forget about this country, I guess." It seemed to him now a little thing to lose his soul for this woman, but that she should utterly forget this night into which he threw all his life and all his eternity, that was a bitter thought.

"No, Eric, I will not forget. You have all been too kind to me for that. And you won't be sorry you danced this one night, will you?"

"I never be sorry. I have not been so happy before. I not be so happy again, ever. You will be happy many nights yet, I only this one. I will dream sometimes, maybe."

The mighty resignation of his tone alarmed and touched her. It was as when some great animal composes itself for death, as when a great ship goes down at sea.

She sighed, but did not answer him. He drew a little closer and looked into her eyes.

"You are not always happy, too?" he asked.

"No, not always, Eric; not very often, I think."

"You have a trouble?"

"Yes, but I cannot put it into words. Perhaps if I could do that, I could cure it."

He clasped his hands together over his heart, as children do when they pray, and said falteringly, "If I own all the world, I give him you."

Margaret felt a sudden moisture in her eyes, and laid her hand on his.

"Thank you, Eric; I believe you would. But perhaps even then I should not be happy. Perhaps I have too much of it already."

She did not take her hand away from him; she did not dare. She sat still and waited for the traditions in which she had always believed to speak and save her. But they were dumb. She belonged to an ultra-refined civilization which tries to cheat nature with elegant sophistries. Cheat nature? Bah! One generation may do it, perhaps two, but the third—— Can we ever rise above nature or sink below her? Did she not turn on Jerusalem as upon Sodom, upon St. Anthony in his desert as upon Nero in his seraglio? Does she not always cry in brutal triumph: "I am here still, at the bottom of things, warming the roots of life; you cannot starve me nor tame me nor thwart me; I made the world, I rule it, and I am its destiny."

This woman, on a windmill tower at the world's end with a giant barbarian, heard that cry to-night, and she was afraid! Ah! the terror and the delight of that moment when first we fear ourselves! Until then we have not lived.

"Come, Eric, let us go down; the moon is up and the music has begun again," she said.

He rose silently and stepped down upon the ladder, putting his arm about her to help her. That arm could have thrown Thor's hammer out in the cornfields yonder, yet it scarcely touched her, and his hand trembled as it had done in the dance. His face was level with hers now and the moonlight fell sharply upon it. All her life she had searched the faces of men for the look that lay in his eyes. She knew that that look had never shone for her before, would never shine for her on earth again, that such love comes to one only in dreams or in impossible places like this, unattainable always. This was Love's self, in a moment it would die. Stung by the agonized appeal that emanated from the man's whole being, she leaned forward and laid her lips on his. Once, twice and again she heard the deep respirations rattle in his throat while she held them there, and the riotous force under her heart became an engulfing weakness. He drew her up to him until he felt all the resistance go out of her body, until every nerve relaxed and yielded. When she drew her face back from his, it was white with fear.

"Let us go down, oh, my God! let us go down!" she muttered. And the drunken stars up yonder seemed reeling to some appointed doom as she clung to the rounds of the ladder. All that she was to know of love she had left upon his lips.

"The devil is loose again," whispered Olaf Oleson, as he saw Eric dancing a moment later, his eyes blazing.

But Eric was thinking with an almost savage exultation of the time when he should pay for this. Ah, there would be no quailing then! If ever a soul went fearlessly, proudly down to the gates infernal, his should go. For a moment he fancied he was there already, treading down the tempest of flame, hugging the fiery hurricane to his breast. He wondered whether in ages gone, all the countless years of sinning in which men had sold and lost and flung their souls away, any man had ever so cheated Satan, had ever bartered his soul for so great a price.

It seemed but a little while till dawn.

The carriage was brought to the door and Wyllis Elliot and his sister said good-by. She could not meet Eric's eyes as she gave him her hand, but as he stood by the horse's head, just as the carriage moved off, she gave him one swift glance that said, "I will not forget." In a moment the carriage was gone.

Eric changed his coat and plunged his head into the watertank and went to the barn to hook up his team. As he led his horses to the door, a shadow fell across his path, and he saw Skinner rising in his stirrups. His rugged face was pale and worn with looking after his wayward flock, with dragging men into the way of salvation.

"Good-morning, Eric. There was a dance here last night?" he asked, sternly.

"A dance? Oh, yes, a dance," replied Eric, cheerfully.

"Certainly you did not dance, Eric?"

"Yes, I danced. I danced all the time."

The minister's shoulders drooped, and an expression of profound discouragement settled over his haggard face. There was almost anguish in the yearning he felt for this soul.

"Eric, I didn't look for this from you. I thought God had set his mark on you if he ever had on any man. And it is for things like this that you set your soul back a thousand years from God. O foolish and perverse generation!"

Eric drew himself up to his full height and looked off to where the new day was gilding the corn-tassels and flooding the uplands with light. As his nostrils drew in the breath of the dew and the morning, something from the only poetry he had ever read flashed across his mind, and he murmured, half to himself, with dreamy exultation:

"'And a day shall be as a thousand years, and a thousand years as a day.'"

Cosmopolitan, April 1900



The Sentimentality of William Tavener

It takes a strong woman to make any sort of success of living in the West, and Hester undoubtedly was that. When people spoke of William Tavener as the most prosperous farmer in McPherson County, they usually added that his wife was a "good manager." She was an executive woman, quick of tongue and something of an imperatrix. The only reason her husband did not consult her about his business was that she did not wait to be consulted.

It would have been quite impossible for one man, within the limited sphere of human action, to follow all Hester's advice, but in the end William usually acted upon some of her suggestions. When she incessantly denounced the "shiftlessness" of letting a new threshing machine stand unprotected in the open, he eventually built a shed for it. When she sniffed contemptuously at his notion of fencing a hog corral with sod walls, he made a spiritless beginning on the structure—merely to "show his temper," as she put it—but in the end he went off quietly to town and bought enough barbed wire to complete the fence. When the first heavy rains came on, and the pigs rooted down the sod wall and made little paths all over it to facilitate their ascent, he heard his wife relate with relish the story of the little pig that built a mud house, to the minister at the dinner table, and William's gravity never relaxed for an instant. Silence, indeed, was William's refuge and his strength.

William set his boys a wholesome example to respect their mother. People who knew him very well suspected that he even admired her. He was a hard man towards his neighbors, and even towards his sons; grasping, determined and ambitious.

There was an occasional blue day about the house when William went over the store bills, but he never objected to items relating to his wife's gowns or bonnets. So it came about that many of the foolish, unnecessary little things that Hester bought for boys, she had charged to her personal account.

One spring night Hester sat in a rocking chair by the sitting room window, darning socks. She rocked violently and sent her long needle vigorously back and forth over her gourd, and it took only a very casual glance to see that she was wrought up over something. William sat on the other side of the table reading his farm paper. If he had noticed his wife's agitation, his calm, clean-shaven face betrayed no sign of concern. He must have noticed the sarcastic turn of her remarks at the supper table, and he must have noticed the moody silence of the older boys as they ate. When supper was but half over little Billy, the youngest, had suddenly pushed back his plate and slipped away from the table, manfully trying to swallow a sob. But William Tavener never heeded ominous forecasts in the domestic horizon, and he never looked for a storm until it broke.

After supper the boys had gone to the pond under the willows in the big cattle corral, to get rid of the dust of plowing. Hester could hear an occasional splash and a laugh ringing clear through the stillness of the night, as she sat by the open window. She sat silent for almost an hour reviewing in her mind many plans of attack. But she was too vigorous a woman to be much of a strategist, and she usually came to her point with directness. At last she cut her thread and suddenly put her darning down, saying emphatically: