The square of pavement was so small and the walls about it were so high, that it was a good deal like looking down a well. Four tall buildings backed upon the same court and made a kind of shaft, with flagstones at the bottom, and at the top a square of dark blue with some stars in it. At the bottom of the shaft Eastman saw a black figure, a man in a caped coat and a tall hat stealing cautiously around, not across the square of pavement, keeping close to the dark wall and avoiding the streak of light that fell on the flagstones from a window in the opposite house. Seen from that height he was of course fore-shortened and probably looked more shambling and decrepit than he was. He picked his way along with exaggerated care and looked like a silly old cat crossing a wet street. When he reached the gate that led into an alley way between two buildings, he felt about for the latch, opened the door a mere crack, and then shot out under the feeble lamp that burned in the brick arch over the gateway. The door closed after him.

"He'll get run in," Eastman remarked curtly, turning away from the window. "That door shouldn't be left unlocked. Any crook could come in. I'll speak to the janitor about it, if you don't mind," he added sarcastically.

"Wish you would." Cavenaugh stood brushing down the front of his jacket, first with his right hand and then with his left. "You saw him, didn't you?"

"Enough of him. Seems eccentric. I have to see a lot of buggy people. They don't take me in any more. But I'm keeping you and I'm in a hurry myself. Good night."

Cavenaugh put out his hand detainingly and started to say something; but Eastman rudely turned his back and went down the hall and out of the door. He had never felt anything shady about Cavenaugh before, and he was sorry he had gone down for the dictionary. In five minutes he was deep in his papers; but in the half hour when he was loafing before he dressed to go out, the young man's curious behavior came into his mind again.

Eastman had merely a neighborly acquaintance with Cavenaugh. He had been to a supper at the young man's rooms once, but he didn't particularly like Cavenaugh's friends; so the next time he was asked, he had another engagement. He liked Cavenaugh himself, if for nothing else than because he was so cheerful and trim and ruddy. A good complexion is always at a premium in New York, especially when it shines reassuringly on a man who does everything in the world to lose it. It encourages fellow mortals as to the inherent vigor of the human organism and the amount of bad treatment it will stand for. "Footprints that perhaps another," etc.

Cavenaugh, he knew, had plenty of money. He was the son of a Pennsylvania preacher, who died soon after he discovered that his ancestral acres were full of petroleum, and Kier had come to New York to burn some of the oil. He was thirty-two and was still at it; spent his life, literally, among the breakers. His motor hit the Park every morning as if it were the first time ever. He took people out to supper every night. He went from restaurant to restaurant, sometimes to half-a-dozen in an evening. The head waiters were his hosts and their cordiality made him happy. They made a life-line for him up Broadway and down Fifth Avenue. Cavenaugh was still fresh and smooth, round and plump, with a lustre to his hair and white teeth and a clear look in his round eyes. He seemed absolutely unwearied and unimpaired; never bored and never carried away.

Eastman always smiled when he met Cavenaugh in the entrance hall, serenely going forth to or returning from gladiatorial combats with joy, or when he saw him rolling smoothly up to the door in his car in the morning after a restful night in one of the remarkable new roadhouses he was always finding. Eastman had seen a good many young men disappear on Cavenaugh's route, and he admired this young man's endurance.

To-night, for the first time, he had got a whiff of something unwholesome about the fellow—bad nerves, bad company, something on hand that he was ashamed of, a visitor old and vicious, who must have had a key to Cavenaugh's apartment, for he was evidently there when Cavenaugh returned at seven o'clock. Probably it was the same man Cavenaugh had seen in the hansom. He must have been able to let himself in, for Cavenaugh kept no man but his chauffeur; or perhaps the janitor had been instructed to let him in. In either case, and whoever he was, it was clear enough that Cavenaugh was ashamed of him and was mixing up in questionable business of some kind.

Eastman sent Cavenaugh's book back by Rollins, and for the next few weeks he had no word with him beyond a casual greeting when they happened to meet in the hall or the elevator. One Sunday morning Cavenaugh telephoned up to him to ask if he could motor out to a roadhouse in Connecticut that afternoon and have supper; but when Eastman found there were to be other guests he declined.

* * * * *

On New Year's eve Eastman dined at the University Club at six o'clock and hurried home before the usual manifestations of insanity had begun in the streets. When Rollins brought his smoking coat, he asked him whether he wouldn't like to get off early.

"Yes, sir. But won't you be dressing, Mr. Eastman?" he inquired.

"Not to-night." Eastman handed him a bill. "Bring some change in the morning. There'll be fees."

Rollins lost no time in putting everything to rights for the night, and Eastman couldn't help wishing that he were in such a hurry to be off somewhere himself. When he heard the hall door close softly, he wondered if there were any place, after all, that he wanted to go. From his window he looked down at the long lines of motors and taxis waiting for a signal to cross Broadway. He thought of some of their probable destinations and decided that none of those places pulled him very hard. The night was warm and wet, the air was drizzly. Vapor hung in clouds about the Times Building, half hid the top of it, and made a luminous haze along Broadway. While he was looking down at the army of wet, black carriage-tops and their reflected headlights and tail-lights, Eastman heard a ring at his door. He deliberated. If it were a caller, the hall porter would have telephoned up. It must be the janitor. When he opened the door, there stood a rosy young man in a tuxedo, without a coat or hat.

"Pardon. Should I have telephoned? I half thought you wouldn't be in."

Eastman laughed. "Come in, Cavenaugh. You weren't sure whether you wanted company or not, eh, and you were trying to let chance decide it? That was exactly my state of mind. Let's accept the verdict." When they emerged from the narrow hall into his sitting-room, he pointed out a seat by the fire to his guest. He brought a tray of decanters and soda bottles and placed it on his writing table.

Cavenaugh hesitated, standing by the fire. "Sure you weren't starting for somewhere?"

"Do I look it? No, I was just making up my mind to stick it out alone when you rang. Have one?" he picked up a tall tumbler.

"Yes, thank you. I always do."

Eastman chuckled. "Lucky boy! So will I. I had a very early dinner. New York is the most arid place on holidays," he continued as he rattled the ice in the glasses. "When one gets too old to hit the rapids down there, and tired of gobbling food to heathenish dance music, there is absolutely no place where you can get a chop and some milk toast in peace, unless you have strong ties of blood brotherhood on upper Fifth Avenue. But you, why aren't you starting for somewhere?"

The young man sipped his soda and shook his head as he replied:

"Oh, I couldn't get a chop, either. I know only flashy people, of course." He looked up at his host with such a grave and candid expression that Eastman decided there couldn't be anything very crooked about the fellow. His smooth cheeks were positively cherubic.

"Well, what's the matter with them? Aren't they flashing to-night?"

"Only the very new ones seem to flash on New Year's eve. The older ones fade away. Maybe they are hunting a chop, too."

"Well"—Eastman sat down—"holidays do dash one. I was just about to write a letter to a pair of maiden aunts in my old home town, up-state; old coasting hill, snow-covered pines, lights in the church windows. That's what you've saved me from."

Cavenaugh shook himself. "Oh, I'm sure that wouldn't have been good for you. Pardon me," he rose and took a photograph from the bookcase, a handsome man in shooting clothes. "Dudley, isn't it? Did you know him well?"

"Yes. An old friend. Terrible thing, wasn't it? I haven't got over the jolt yet."

"His suicide? Yes, terrible! Did you know his wife?"

"Slightly. Well enough to admire her very much. She must be terribly broken up. I wonder Dudley didn't think of that."

Cavenaugh replaced the photograph carefully, lit a cigarette, and standing before the fire began to smoke. "Would you mind telling me about him? I never met him, but of course I'd read a lot about him, and I can't help feeling interested. It was a queer thing."

Eastman took out his cigar case and leaned back in his deep chair. "In the days when I knew him best he hadn't any story, like the happy nations. Everything was properly arranged for him before he was born. He came into the world happy, healthy, clever, straight, with the right sort of connections and the right kind of fortune, neither too large nor too small. He helped to make the world an agreeable place to live in until he was twenty-six. Then he married as he should have married. His wife was a Californian, educated abroad. Beautiful. You have seen her picture?"

Cavenaugh nodded. "Oh, many of them."

"She was interesting, too. Though she was distinctly a person of the world, she had retained something, just enough of the large Western manner. She had the habit of authority, of calling out a special train if she needed it, of using all our ingenious mechanical contrivances lightly and easily, without over-rating them. She and Dudley knew how to live better than most people. Their house was the most charming one I have ever known in New York. You felt freedom there, and a zest of life, and safety—absolute sanctuary—from everything sordid or petty. A whole society like that would justify the creation of man and would make our planet shine with a soft, peculiar radiance among the constellations. You think I'm putting it on thick?"

The young man sighed gently. "Oh, no! One has always felt there must be people like that. I've never known any."

"They had two children, beautiful ones. After they had been married for eight years, Rosina met this Spaniard. He must have amounted to something. She wasn't a flighty woman. She came home and told Dudley how matters stood. He persuaded her to stay at home for six months and try to pull up. They were both fair-minded people, and I'm as sure as if I were the Almighty, that she did try. But at the end of the time, Rosina went quietly off to Spain, and Dudley went to hunt in the Canadian Rockies. I met his party out there. I didn't know his wife had left him and talked about her a good deal. I noticed that he never drank anything, and his light used to shine through the log chinks of his room until all hours, even after a hard day's hunting. When I got back to New York, rumors were creeping about. Dudley did not come back. He bought a ranch in Wyoming, built a big log house and kept splendid dogs and horses. One of his sisters went out to keep house for him, and the children were there when they were not in school. He had a great many visitors, and everyone who came back talked about how well Dudley kept things going.

"He put in two years out there. Then, last month, he had to come back on business. A trust fund had to be settled up, and he was administrator. I saw him at the club; same light, quick step, same gracious handshake. He was getting gray, and there was something softer in his manner; but he had a fine red tan on his face and said he found it delightful to be here in the season when everything is going hard. The Madison Avenue house had been closed since Rosina left it. He went there to get some things his sister wanted. That, of course, was the mistake. He went alone, in the afternoon, and didn't go out for dinner—found some sherry and tins of biscuit in the sideboard. He shot himself sometime that night. There were pistols in his smoking-room. They found burnt out candles beside him in the morning. The gas and electricity were shut off. I suppose there, in his own house, among his own things, it was too much for him. He left no letters."

Cavenaugh blinked and brushed the lapel of his coat. "I suppose," he said slowly, "that every suicide is logical and reasonable, if one knew all the facts."

Eastman roused himself. "No, I don't think so. I've known too many fellows who went off like that—more than I deserve, I think—and some of them were absolutely inexplicable. I can understand Dudley; but I can't see why healthy bachelors, with money enough, like ourselves, need such a device. It reminds me of what Dr. Johnson said, that the most discouraging thing about life is the number of fads and hobbies and fake religions it takes to put people through a few years of it."

"Dr. Johnson? The specialist? Oh, the old fellow!" said Cavenaugh imperturbably. "Yes, that's interesting. Still, I fancy if one knew the facts—Did you know about Wyatt?"

"I don't think so."

"You wouldn't, probably. He was just a fellow about town who spent money. He wasn't one of the forestieri, though. Had connections here and owned a fine old place over on Staten Island. He went in for botany, and had been all over, hunting things; rusts, I believe. He had a yacht and used to take a gay crowd down about the South Seas, botanizing. He really did botanize, I believe. I never knew such a spender—only not flashy. He helped a lot of fellows and he was awfully good to girls, the kind who come down here to get a little fun, who don't like to work and still aren't really tough, the kind you see talking hard for their dinner. Nobody knows what becomes of them, or what they get out of it, and there are hundreds of new ones every year. He helped dozens of 'em; it was he who got me curious about the little shop girls. Well, one afternoon when his tea was brought, he took prussic acid instead. He didn't leave any letters, either; people of any taste don't. They wouldn't leave any material reminder if they could help it. His lawyers found that he had just $314.72 above his debts when he died. He had planned to spend all his money, and then take his tea; he had worked it out carefully."

Eastman reached for his pipe and pushed his chair away from the fire. "That looks like a considered case, but I don't think philosophical suicides like that are common. I think they usually come from stress of feeling and are really, as the newspapers call them, desperate acts; done without a motive. You remember when Anna Karenina was under the wheels, she kept saying, 'Why am I here?'"

Cavenaugh rubbed his upper lip with his pink finger and made an effort to wrinkle his brows. "May I, please?" reaching for the whiskey. "But have you," he asked, blinking as the soda flew at him, "have you ever known, yourself, cases that were really inexplicable?"

"A few too many. I was in Washington just before Captain Jack Purden was married and I saw a good deal of him. Popular army man, fine record in the Philippines, married a charming girl with lots of money; mutual devotion. It was the gayest wedding of the winter, and they started for Japan. They stopped in San Francisco for a week and missed their boat because, as the bride wrote back to Washington, they were too happy to move. They took the next boat, were both good sailors, had exceptional weather. After they had been out for two weeks, Jack got up from his deck chair one afternoon, yawned, put down his book, and stood before his wife. 'Stop reading for a moment and look at me.' She laughed and asked him why. 'Because you happen to be good to look at.' He nodded to her, went back to the stern and was never seen again. Must have gone down to the lower deck and slipped overboard, behind the machinery. It was the luncheon hour, not many people about; steamer cutting through a soft green sea. That's one of the most baffling cases I know. His friends raked up his past, and it was as trim as a cottage garden. If he'd so much as dropped an ink spot on his fatigue uniform, they'd have found it. He wasn't emotional or moody; wasn't, indeed, very interesting; simply a good soldier, fond of all the pompous little formalities that make up a military man's life. What do you make of that, my boy?"

Cavenaugh stroked his chin. "It's very puzzling, I admit. Still, if one knew everything——"

"But we do know everything. His friends wanted to find something to help them out, to help the girl out, to help the case of the human creature."

"Oh, I don't mean things that people could unearth," said Cavenaugh uneasily. "But possibly there were things that couldn't be found out."

Eastman shrugged his shoulders. "It's my experience that when there are 'things' as you call them, they're very apt to be found. There is no such thing as a secret. To make any move at all one has to employ human agencies, employ at least one human agent. Even when the pirates killed the men who buried their gold for them, the bones told the story."

Cavenaugh rubbed his hands together and smiled his sunny smile.

"I like that idea. It's reassuring. If we can have no secrets, it means that we can't, after all, go so far afield as we might," he hesitated, "yes, as we might."

Eastman looked at him sourly. "Cavenaugh, when you've practised law in New York for twelve years, you find that people can't go far in any direction, except—" He thrust his forefinger sharply at the floor. "Even in that direction, few people can do anything out of the ordinary. Our range is limited. Skip a few baths, and we become personally objectionable. The slightest carelessness can rot a man's integrity or give him ptomaine poisoning. We keep up only by incessant cleansing operations, of mind and body. What we call character, is held together by all sorts of tacks and strings and glue."

Cavenaugh looked startled. "Come now, it's not so bad as that, is it? I've always thought that a serious man, like you, must know a lot of Launcelots." When Eastman only laughed, the younger man squirmed about in his chair. He spoke again hastily, as if he were embarrassed. "Your military friend may have had personal experiences, however, that his friends couldn't possibly get a line on. He may accidentally have come to a place where he saw himself in too unpleasant a light. I believe people can be chilled by a draft from outside, somewhere."

"Outside?" Eastman echoed. "Ah, you mean the far outside! Ghosts, delusions, eh?"

Cavenaugh winced. "That's putting it strong. Why not say tips from the outside? Delusions belong to a diseased mind, don't they? There are some of us who have no minds to speak of, who yet have had experiences. I've had a little something in that line myself and I don't look it, do I?"

Eastman looked at the bland countenance turned toward him. "Not exactly. What's your delusion?"

"It's not a delusion. It's a haunt."

The lawyer chuckled. "Soul of a lost Casino girl?"

"No; an old gentleman. A most unattractive old gentleman, who follows me about."

"Does he want money?"

Cavenaugh sat up straight. "No. I wish to God he wanted anything—but the pleasure of my society! I'd let him clean me out to be rid of him. He's a real article. You saw him yourself that night when you came to my rooms to borrow a dictionary, and he went down the fire-escape. You saw him down in the court."

"Well, I saw somebody down in the court, but I'm too cautious to take it for granted that I saw what you saw. Why, anyhow, should I see your haunt? If it was your friend I saw, he impressed me disagreeably. How did you pick him up?"

Cavenaugh looked gloomy. "That was queer, too. Charley Burke and I had motored out to Long Beach, about a year ago, sometime in October, I think. We had supper and stayed until late. When we were coming home, my car broke down. We had a lot of girls along who had to get back for morning rehearsals and things; so I sent them all into town in Charley's car, and he was to send a man back to tow me home. I was driving myself, and didn't want to leave my machine. We had not taken a direct road back; so I was stuck in a lonesome, woody place, no houses about. I got chilly and made a fire, and was putting in the time comfortably enough, when this old party steps up. He was in shabby evening clothes and a top hat, and had on his usual white gloves. How he got there, at three o'clock in the morning, miles from any town or railway, I'll leave it to you to figure out. He surely had no car. When I saw him coming up to the fire, I disliked him. He had a silly, apologetic walk. His teeth were chattering, and I asked him to sit down. He got down like a clothes-horse folding up. I offered him a cigarette, and when he took off his gloves I couldn't help noticing how knotted and spotty his hands were. He was asthmatic, and took his breath with a wheeze. 'Haven't you got anything—refreshing in there?' he asked, nodding at the car. When I told him I hadn't, he sighed. 'Ah, you young fellows are greedy. You drink it all up. You drink it all up, all up—up!' he kept chewing it over."

Cavenaugh paused and looked embarrassed again. "The thing that was most unpleasant is difficult to explain. The old man sat there by the fire and leered at me with a silly sort of admiration that was—well, more than humiliating. 'Gay boy, gay dog!' he would mutter, and when he grinned he showed his teeth, worn and yellow—shells. I remembered that it was better to talk casually to insane people; so I remarked carelessly that I had been out with a party and got stuck.

"'Oh yes, I remember,' he said, 'Flora and Lottie and Maybelle and Marcelline, and poor Kate.'

"He had named them correctly; so I began to think I had been hitting the bright waters too hard.

"Things I drank never had seemed to make me woody; but you can never tell when trouble is going to hit you. I pulled my hat down and tried to look as uncommunicative as possible; but he kept croaking on from time to time, like this: 'Poor Kate! Splendid arms, but dope got her. She took up with Eastern religions after she had her hair dyed. Got to going to a Swami's joint, and smoking opium. Temple of the Lotus, it was called, and the police raided it.'

"This was nonsense, of course; the young woman was in the pink of condition. I let him rave, but I decided that if something didn't come out for me pretty soon, I'd foot it across Long Island. There wasn't room enough for the two of us. I got up and took another try at my car. He hopped right after me.

"'Good car,' he wheezed, 'better than the little Ford.'

"I'd had a Ford before, but so has everybody; that was a safe guess.

"'Still,' he went on, 'that run in from Huntington Bay in the rain wasn't bad. Arrested for speeding, he-he.'

"It was true I had made such a run, under rather unusual circumstances, and had been arrested. When at last I heard my life-boat snorting up the road, my visitor got up, sighed, and stepped back into the shadow of the trees. I didn't wait to see what became of him, you may believe. That was visitation number one. What do you think of it?"

Cavenaugh looked at his host defiantly. Eastman smiled.

"I think you'd better change your mode of life, Cavenaugh. Had many returns?" he inquired.

"Too many, by far." The young man took a turn about the room and came back to the fire. Standing by the mantel he lit another cigarette before going on with his story:

"The second visitation happened in the street, early in the evening, about eight o'clock. I was held up in a traffic block before the Plaza. My chauffeur was driving. Old Nibbs steps up out of the crowd, opens the door of my car, gets in and sits down beside me. He had on wilted evening clothes, same as before, and there was some sort of heavy scent about him. Such an unpleasant old party! A thorough-going rotter; you knew it at once. This time he wasn't talkative, as he had been when I first saw him. He leaned back in the car as if he owned it, crossed his hands on his stick and looked out at the crowd—sort of hungrily.

"I own I really felt a loathing compassion for him. We got down the avenue slowly. I kept looking out at the mounted police. But what could I do? Have him pulled? I was afraid to. I was awfully afraid of getting him into the papers.

"'I'm going to the New Astor,' I said at last. 'Can I take you anywhere?'

"'No, thank you,' says he. 'I get out when you do. I'm due on West 44th. I'm dining to-night with Marcelline—all that is left of her!'

"He put his hand to his hat brim with a grewsome salute. Such a scandalous, foolish old face as he had! When we pulled up at the Astor, I stuck my hand in my pocket and asked him if he'd like a little loan.

"'No, thank you, but'—he leaned over and whispered, ugh!—'but save a little, save a little. Forty years from now—a little—comes in handy. Save a little.'

"His eyes fairly glittered as he made his remark. I jumped out. I'd have jumped into the North River. When he tripped off, I asked my chauffeur if he'd noticed the man who got into the car with me. He said he knew someone was with me, but he hadn't noticed just when he got in. Want to hear any more?"

Cavenaugh dropped into his chair again. His plump cheeks were a trifle more flushed than usual, but he was perfectly calm. Eastman felt that the young man believed what he was telling him.

"Of course I do. It's very interesting. I don't see quite where you are coming out though."

Cavenaugh sniffed. "No more do I. I really feel that I've been put upon. I haven't deserved it any more than any other fellow of my kind. Doesn't it impress you disagreeably?"

"Well, rather so. Has anyone else seen your friend?"

"You saw him."

"We won't count that. As I said, there's no certainty that you and I saw the same person in the court that night. Has anyone else had a look in?"

"People sense him rather than see him. He usually crops up when I'm alone or in a crowd on the street. He never approaches me when I'm with people I know, though I've seen him hanging about the doors of theatres when I come out with a party; loafing around the stage exit, under a wall; or across the street, in a doorway. To be frank, I'm not anxious to introduce him. The third time, it was I who came upon him. In November my driver, Harry, had a sudden attack of appendicitis. I took him to the Presbyterian Hospital in the car, early in the evening. When I came home, I found the old villain in my rooms. I offered him a drink, and he sat down. It was the first time I had seen him in a steady light, with his hat off.

"His face is lined like a railway map, and as to color—Lord, what a liver! His scalp grows tight to his skull, and his hair is dyed until it's perfectly dead, like a piece of black cloth."

Cavenaugh ran his fingers through his own neatly trimmed thatch, and seemed to forget where he was for a moment.

"I had a twin brother, Brian, who died when we were sixteen. I have a photograph of him on my wall, an enlargement from a kodak of him, doing a high jump, rather good thing, full of action. It seemed to annoy the old gentleman. He kept looking at it and lifting his eyebrows, and finally he got up, tip-toed across the room, and turned the picture to the wall.

"'Poor Brian! Fine fellow, but died young,' says he.

"Next morning, there was the picture, still reversed."

"Did he stay long?" Eastman asked interestedly.

"Half an hour, by the clock."

"Did he talk?"

"Well, he rambled."

"What about?"

Cavenaugh rubbed his pale eyebrows before answering.

"About things that an old man ought to want to forget. His conversation is highly objectionable. Of course he knows me like a book; everything I've ever done or thought. But when he recalls them, he throws a bad light on them, somehow. Things that weren't much off color, look rotten. He doesn't leave one a shred of self-respect, he really doesn't. That's the amount of it." The young man whipped out his handkerchief and wiped his face.

"You mean he really talks about things that none of your friends know?"

"Oh, dear, yes! Recalls things that happened in school. Anything disagreeable. Funny thing, he always turns Brian's picture to the wall."

"Does he come often?"

"Yes, oftener, now. Of course I don't know how he gets in down-stairs. The hall boys never see him. But he has a key to my door. I don't know how he got it, but I can hear him turn it in the lock."

"Why don't you keep your driver with you, or telephone for me to come down?"

"He'd only grin and go down the fire escape as he did before. He's often done it when Harry's come in suddenly. Everybody has to be alone sometimes, you know. Besides, I don't want anybody to see him. He has me there."

"But why not? Why do you feel responsible for him?"

Cavenaugh smiled wearily. "That's rather the point, isn't it? Why do I? But I absolutely do. That identifies him, more than his knowing all about my life and my affairs."

Eastman looked at Cavenaugh thoughtfully. "Well, I should advise you to go in for something altogether different and new, and go in for it hard; business, engineering, metallurgy, something this old fellow wouldn't be interested in. See if you can make him remember logarithms."

Cavenaugh sighed. "No, he has me there, too. People never really change; they go on being themselves. But I would never make much trouble. Why can't they let me alone, damn it! I'd never hurt anybody, except, perhaps——"

"Except your old gentleman, eh?" Eastman laughed. "Seriously, Cavenaugh, if you want to shake him, I think a year on a ranch would do it. He would never be coaxed far from his favorite haunts. He would dread Montana."

Cavenaugh pursed up his lips. "So do I!"

"Oh, you think you do. Try it, and you'll find out. A gun and a horse beats all this sort of thing. Besides losing your haunt, you'd be putting ten years in the bank for yourself. I know a good ranch where they take people, if you want to try it."

"Thank you. I'll consider. Do you think I'm batty?"

"No, but I think you've been doing one sort of thing too long. You need big horizons. Get out of this."

Cavenaugh smiled meekly. He rose lazily and yawned behind his hand. "It's late, and I've taken your whole evening." He strolled over to the window and looked out. "Queer place, New York; rough on the little fellows. Don't you feel sorry for them, the girls especially? I do. What a fight they put up for a little fun! Why, even that old goat is sorry for them, the only decent thing he kept."

Eastman followed him to the door and stood in the hall, while Cavenaugh waited for the elevator. When the car came up Cavenaugh extended his pink, warm hand. "Good night."

The cage sank and his rosy countenance disappeared, his round-eyed smile being the last thing to go.

* * * * *

Weeks passed before Eastman saw Cavenaugh again. One morning, just as he was starting for Washington to argue a case before the Supreme Court, Cavenaugh telephoned him at his office to ask him about the Montana ranch he had recommended; said he meant to take his advice and go out there for the spring and summer.

When Eastman got back from Washington, he saw dusty trunks, just up from the trunk room, before Cavenaugh's door. Next morning, when he stopped to see what the young man was about, he found Cavenaugh in his shirt sleeves, packing.

"I'm really going; off to-morrow night. You didn't think it of me, did you?" he asked gaily.

"Oh, I've always had hopes of you!" Eastman declared. "But you are in a hurry, it seems to me."

"Yes, I am in a hurry." Cavenaugh shot a pair of leggings into one of the open trunks. "I telegraphed your ranch people, used your name, and they said it would be all right. By the way, some of my crowd are giving a little dinner for me at Rector's to-night. Couldn't you be persuaded, as it's a farewell occasion?" Cavenaugh looked at him hopefully.

Eastman laughed and shook his head. "Sorry, Cavenaugh, but that's too gay a world for me. I've got too much work lined up before me. I wish I had time to stop and look at your guns, though. You seem to know something about guns. You've more than you'll need, but nobody can have too many good ones." He put down one of the revolvers regretfully. "I'll drop in to see you in the morning, if you're up."

"I shall be up, all right. I've warned my crowd that I'll cut away before midnight."

"You won't, though," Eastman called back over his shoulder as he hurried down-stairs.

The next morning, while Eastman was dressing, Rollins came in greatly excited.

"I'm a little late, sir. I was stopped by Harry, Mr. Cavenaugh's driver. Mr. Cavenaugh shot himself last night, sir."

Eastman dropped his vest and sat down on his shoe-box. "You're drunk, Rollins," he shouted. "He's going away to-day!"

"Yes, sir. Harry found him this morning. Ah, he's quite dead, sir. Harry's telephoned for the coroner. Harry don't know what to do with the ticket."

Eastman pulled on his coat and ran down the stairway. Cavenaugh's trunks were strapped and piled before the door. Harry was walking up and down the hall with a long green railroad ticket in his hand and a look of complete stupidity on his face.

"What shall I do about this ticket, Mr. Eastman?" he whispered. "And what about his trunks? He had me tell the transfer people to come early. They may be here any minute. Yes, sir. I brought him home in the car last night, before twelve, as cheerful as could be."

"Be quiet, Harry. Where is he?"

"In his bed, sir."

Eastman went into Cavenaugh's sleeping-room. When he came back to the sitting-room, he looked over the writing table; railway folders, time-tables, receipted bills, nothing else. He looked up for the photograph of Cavenaugh's twin brother. There it was, turned to the wall. Eastman took it down and looked at it; a boy in track clothes, half lying in the air, going over the string shoulders first, above the heads of a crowd of lads who were running and cheering. The face was somewhat blurred by the motion and the bright sunlight. Eastman put the picture back, as he found it. Had Cavenaugh entertained his visitor last night, and had the old man been more convincing than usual? "Well, at any rate, he's seen to it that the old man can't establish identity. What a soft lot they are, fellows like poor Cavenaugh!" Eastman thought of his office as a delightful place.

McClure's, November 1915



The Bookkeeper's Wife

Nobody but the janitor was stirring about the offices of the Remsen Paper Company, and still Percy Bixby sat at his desk, crouched on his high stool and staring out at the tops of the tall buildings flushed with the winter sunset, at the hundreds of windows, so many rectangles of white electric light, flashing against the broad waves of violet that ebbed across the sky. His ledgers were all in their places, his desk was in order, his office coat on its peg, and yet Percy's smooth, thin face wore the look of anxiety and strain which usually meant that he was behind in his work. He was trying to persuade himself to accept a loan from the company without the company's knowledge. As a matter of fact, he had already accepted it. His books were fixed, the money, in a black-leather bill-book, was already inside his waistcoat pocket.

He had still time to change his mind, to rectify the false figures in his ledger, and to tell Stella Brown that they couldn't possibly get married next month. There he always halted in his reasoning, and went back to the beginning.

The Remsen Paper Company was a very wealthy concern, with easy, old-fashioned working methods. They did a longtime credit business with safe customers, who never thought of paying up very close on their large indebtedness. From the payments on these large accounts Percy had taken a hundred dollars here and two hundred there until he had made up the thousand he needed. So long as he stayed by the books himself and attended to the mail-orders he couldn't possibly be found out. He could move these little shortages about from account to account indefinitely. He could have all the time he needed to pay back the deficit, and more time than he needed.

Although he was so far along in one course of action, his mind still clung resolutely to the other. He did not believe he was going to do it. He was the least of a sharper in the world. Being scrupulously honest even in the most trifling matters was a pleasure to him. He was the sort of young man that Socialists hate more than they hate capitalists. He loved his desk, he loved his books, which had no handwriting in them but his own. He never thought of resenting the fact that he had written away in those books the good red years between twenty-one and twenty-seven. He would have hated to let any one else put so much as a pen-scratch in them. He liked all the boys about the office; his desk, worn smooth by the sleeves of his alpaca coat; his rulers and inks and pens and calendars. He had a great pride in working economics, and he always got so far ahead when supplies were distributed that he had drawers full of pencils and pens and rubber bands against a rainy day.

Percy liked regularity: to get his work done on time, to have his half-day off every Saturday, to go to the theater Saturday night, to buy a new necktie twice a month, to appear in a new straw hat on the right day in May, and to know what was going on in New York. He read the morning and evening papers coming and going on the elevated, and preferred journals of approximate reliability. He got excited about ballgames and elections and business failures, was not above an interest in murders and divorce scandals, and he checked the news off as neatly as he checked his mail-orders. In short, Percy Bixby was like the model pupil who is satisfied with his lessons and his teachers and his holidays, and who would gladly go to school all his life. He had never wanted anything outside his routine until he wanted Stella Brown to marry him, and that had upset everything.

It wasn't, he told himself for the hundredth time, that she was extravagant. Not a bit of it. She was like all girls. Moreover, she made good money, and why should she marry unless she could better herself? The trouble was that he had lied to her about his salary. There were a lot of fellows rushing Mrs. Brown's five daughters, and they all seemed to have fixed on Stella as first choice and this or that one of the sisters as second. Mrs. Brown thought it proper to drop an occasional hint in the presence of these young men to the effect that she expected Stella to "do well." It went without saying that hair and complexion like Stella's could scarcely be expected to do poorly. Most of the boys who went to the house and took the girls out in a bunch to dances and movies seemed to realize this. They merely wanted a whirl with Stella before they settled down to one of her sisters. It was tacitly understood that she came too high for them. Percy had sensed all this through those slumbering instincts which awake in us all to befriend us in love or in danger.

But there was one of his rivals, he knew, who was a man to be reckoned with. Charley Greengay was a young salesman who wore tailor-made clothes and spotted waistcoats, and had a necktie for every day in the month. His air was that of a young man who is out for things that come high and who is going to get them. Mrs. Brown was ever and again dropping a word before Percy about how the girl that took Charley would have her flat furnished by the best furniture people, and her china-closet stocked with the best ware, and would have nothing to worry about but nicks and scratches. It was because he felt himself pitted against this pulling power of Greengay's that Percy had brazenly lied to Mrs. Brown, and told her that his salary had been raised to fifty a week, and that now he wanted to get married.

When he threw out this challenge to Mother Brown, Percy was getting thirty-five dollars a week, and he knew well enough that there were several hundred thousand young men in New York who would do his work as well as he did for thirty.

These were the factors in Percy's present situation. He went over them again and again as he sat stooping on his tall stool. He had quite lost track of time when he heard the janitor call good night to the watchman. Without thinking what he was doing, he slid into his overcoat, caught his hat, and rushed out to the elevator, which was waiting for the janitor. The moment the car dropped, it occurred to him that the thing was decided without his having made up his mind at all. The familiar floors passed him, ten, nine, eight, seven. By the time he reached the fifth, there was no possibility of going back; the click of the drop-lever seemed to settle that. The money was in his pocket. Now, he told himself as he hurried out into the exciting clamor of the street, he was not going to worry about it any more.

* * * * *

When Percy reached the Browns' flat on 123d Street that evening he felt just the slightest chill in Stella's greeting. He could make that all right, he told himself, as he kissed her lightly in the dark three-by-four entrance-hall. Percy's courting had been prosecuted mainly in the Bronx or in winged pursuit of a Broadway car. When he entered the crowded sitting-room he greeted Mrs. Brown respectfully and the four girls playfully. They were all piled on one couch, reading the continued story in the evening paper, and they didn't think it necessary to assume more formal attitudes for Percy. They looked up over the smeary pink sheets of paper, and handed him, as Percy said, the same old jolly:

"Hullo, Perc'! Come to see me, ain't you? So flattered!"

"Any sweet goods on you, Perc'? Anything doing in the bong-bong line to-night?"

"Look at his new neckwear! Say, Perc', remember me. That tie would go lovely with my new tailored waist."

"Quit your kiddin', girls!" called Mrs. Brown, who was drying shirt-waists on the dining-room radiator. "And, Percy, mind the rugs when you're steppin' round among them gum-drops."

Percy fired his last shot at the recumbent figures, and followed Stella into the dining-room, where the table and two large easy-chairs formed, in Mrs. Brown's estimation, a proper background for a serious suitor.

"I say, Stell'," he began as he walked about the table with his hands in his pockets, "seems to me we ought to begin buying our stuff." She brightened perceptibly. "Ah," Percy thought, "so that was the trouble!" "To-morrow's Saturday; why can't we make an afternoon of it?" he went on cheerfully. "Shop till we're tired, then go to Houtin's for dinner, and end up at the theater."

As they bent over the lists she had made of things needed, Percy glanced at her face. She was very much out of her sisters' class and out of his, and he kept congratulating himself on his nerve. He was going in for something much too handsome and expensive and distinguished for him, he felt, and it took courage to be a plunger. To begin with, Stella was the sort of girl who had to be well dressed. She had pale primrose hair, with bluish tones in it, very soft and fine, so that it lay smooth however she dressed it, and pale-blue eyes, with blond eyebrows and long, dark lashes. She would have been a little too remote and languid even for the fastidious Percy had it not been for her hard, practical mouth, with lips that always kept their pink even when the rest of her face was pale. Her employers, who at first might be struck by her indifference, understood that anybody with that sort of mouth would get through the work.

After the shopping-lists had been gone over, Percy took up the question of the honeymoon. Stella said she had been thinking of Atlantic City. Percy met her with firmness. Whatever happened, he couldn't leave his books now.

"I want to do my traveling right here on Forty-second Street, with a high-price show every night," he declared. He made out an itinerary, punctuated by theaters and restaurants, which Stella consented to accept as a substitute for Atlantic City.

"They give your fellows a week off when they're married, don't they?" she asked.

"Yes, but I'll want to drop into the office every morning to look after my mail. That's only businesslike."

"I'd like to have you treated as well as the others, though." Stella turned the rings about on her pale hand and looked at her polished finger-tips.

"I'll look out for that. What do you say to a little walk, Stell'?" Percy put the question coaxingly. When Stella was pleased with him she went to walk with him, since that was the only way in which Percy could ever see her alone. When she was displeased, she said she was too tired to go out. To-night she smiled at him incredulously, and went to put on her hat and gray fur piece.

Once they were outside, Percy turned into a shadowy side street that was only partly built up, a dreary waste of derricks and foundation holes, but comparatively solitary. Stella liked Percy's steady, sympathetic silences; she was not a chatterbox herself. She often wondered why she was going to marry Bixby instead of Charley Greengay. She knew that Charley would go further in the world. Indeed, she had often coolly told herself that Percy would never go very far. But, as she admitted with a shrug, she was "weak to Percy." In the capable New York stenographer, who estimated values coldly and got the most for the least outlay, there was something left that belonged to another kind of woman—something that liked the very things in Percy that were not good business assets. However much she dwelt upon the effectiveness of Greengay's dash and color and assurance, her mind always came back to Percy's neat little head, his clean-cut face, and warm, clear, gray eyes, and she liked them better than Charley's fullness and blurred floridness. Having reckoned up their respective chances with no doubtful result, she opposed a mild obstinacy to her own good sense. "I guess I'll take Percy, anyway," she said simply, and that was all the good her clever business brain did her.

* * * * *

Percy spent a night of torment, lying tense on his bed in the dark, and figuring out how long it would take him to pay back the money he was advancing to himself. Any fool could do it in five years, he reasoned, but he was going to do it in three. The trouble was that his expensive courtship had taken every penny of his salary. With competitors like Charley Greengay, you had to spend money or drop out. Certain birds, he reflected ruefully, are supplied with more attractive plumage when they are courting, but nature hadn't been so thoughtful for men. When Percy reached the office in the morning he climbed on his tall stool and leaned his arms on his ledger. He was so glad to feel it there that he was faint and weak-kneed.

* * * * *

Oliver Remsen, Junior, had brought new blood into the Remsen Paper Company. He married shortly after Percy Bixby did, and in the five succeeding years he had considerably enlarged the company's business and profits. He had been particularly successful in encouraging efficiency and loyalty in the employees. From the time he came into the office he had stood for shorter hours, longer holidays, and a generous consideration of men's necessities. He came out of college on the wave of economic reform, and he continued to read and think a good deal about how the machinery of labor is operated. He knew more about the men who worked for him than their mere office records.

Young Remsen was troubled about Percy Bixby because he took no summer vacations—always asked for the two weeks' extra pay instead. Other men in the office had skipped a vacation now and then, but Percy had stuck to his desk for five years, had tottered to his stool through attacks of grippe and tonsilitis. He seemed to have grown fast to his ledger, and it was to this that Oliver objected. He liked his men to stay men, to look like men and live like men. He remembered how alert and wide-awake Bixby had seemed to him when he himself first came into the office. He had picked Bixby out as the most intelligent and interested of his father's employees, and since then had often wondered why he never seemed to see chances to forge ahead. Promotions, of course, went to the men who went after them. When Percy's baby died, he went to the funeral, and asked Percy to call on him if he needed money. Once when he chanced to sit down by Bixby on the elevated and found him reading Bryce's "American Commonwealth," he asked him to make use of his own large office library. Percy thanked him, but he never came for any books. Oliver wondered whether his bookkeeper really tried to avoid him.

One evening Oliver met the Bixbys in the lobby of a theater. He introduced Mrs. Remsen to them, and held them for some moments in conversation. When they got into their motor, Mrs. Remsen said:

"Is that little man afraid of you, Oliver? He looked like a scared rabbit."

Oliver snapped the door, and said with a shade of irritation:

"I don't know what's the matter with him. He's the fellow I've told you about who never takes a vacation. I half believe it's his wife. She looks pitiless enough for anything."

"She's very pretty of her kind," mused Mrs. Remsen, "but rather chilling. One can see that she has ideas about elegance."

"Rather unfortunate ones for a bookkeeper's wife. I surmise that Percy felt she was overdressed, and that made him awkward with me. I've always suspected that fellow of good taste."

After that, when Remsen passed the counting-room and saw Percy screwed up over his ledger, he often remembered Mrs. Bixby, with her cold, pale eyes and long lashes, and her expression that was something between indifference and discontent. She rose behind Percy's bent shoulders like an apparition.

One spring afternoon Remsen was closeted in his private office with his lawyer until a late hour. As he came down the long hall in the dusk he glanced through the glass partition into the counting-room, and saw Percy Bixby huddled up on his tall stool, though it was too dark to work. Indeed, Bixby's ledger was closed, and he sat with his two arms resting on the brown cover. He did not move a muscle when young Remsen entered.

"You are late, Bixby, and so am I," Oliver began genially as he crossed to the front of the room and looked out at the lighted windows of other tall buildings. "The fact is, I've been doing something that men have a foolish way of putting off. I've been making my will."

"Yes, sir." Percy brought it out with a deep breath.

"Glad to be through with it," Oliver went on. "Mr. Melton will bring the paper back to-morrow, and I'd like to ask you to be one of the witnesses."

"I'd be very proud, Mr. Remsen."

"Thank you, Bixby. Good night." Remsen took up his hat just as Percy slid down from his stool.

"Mr. Remsen, I'm told you're going to have the books gone over."

"Why, yes, Bixby. Don't let that trouble you. I'm taking in a new partner, you know, an old college friend. Just because he is a friend, I insist upon all the usual formalities. But it is a formality, and I'll guarantee the expert won't make a scratch on your books. Good night. You'd better be coming, too." Remsen had reached the door when he heard "Mr. Remsen!" in a desperate voice behind him. He turned, and saw Bixby standing uncertainly at one end of the desk, his hand still on his ledger, his uneven shoulders drooping forward and his head hanging as if he were seasick. Remsen came back and stood at the other end of the long desk. It was too dark to see Bixby's face clearly.

"What is it, Bixby?"

"Mr. Remsen, five years ago, just before I was married, I falsified the books a thousand dollars, and I used the money." Percy leaned forward against his desk, which took him just across the chest.

"What's that, Bixby?" Young Remsen spoke in a tone of polite surprise. He felt painfully embarrassed.

"Yes, sir. I thought I'd get it all paid back before this. I've put back three hundred, but the books are still seven hundred out of true. I've played the shortages about from account to account these five years, but an expert would find 'em in twenty-four hours."

"I don't just understand how—" Oliver stopped and shook his head.

"I held it out of the Western remittances, Mr. Remsen. They were coming in heavy just then. I was up against it. I hadn't saved anything to marry on, and my wife thought I was getting more money than I was. Since we've been married, I've never had the nerve to tell her. I could have paid it all back if it hadn't been for the unforeseen expenses."

Remsen sighed.

"Being married is largely unforeseen expenses, Percy. There's only one way to fix this up: I'll give you seven hundred dollars in cash to-morrow, and you can give me your personal note, with the understanding that I hold ten dollars a week out of your pay-check until it is paid. I think you ought to tell your wife exactly how you are fixed, though. You can't expect her to help you much when she doesn't know."

* * * * *

That night Mrs. Bixby was sitting in their flat, waiting for her husband. She was dressed for a bridge party, and often looked with impatience from her paper to the Mission clock, as big as a coffin and with nothing but two weights dangling in its hollow framework. Percy had been loath to buy the clock when they got their furniture, and he had hated it ever since. Stella had changed very little since she came into the flat a bride. Then she wore her hair in a Floradora pompadour; now she wore it hooded close about her head like a scarf, in a rather smeary manner, like an Impressionist's brush-work. She heard her husband come in and close the door softly. While he was taking off his hat in the narrow tunnel of a hall, she called to him:

"I hope you've had something to eat down-town. You'll have to dress right away." Percy came in and sat down. She looked up from the evening paper she was reading. "You've no time to sit down. We must start in fifteen minutes."

He shaded his eyes from the glaring overhead light.

"I'm afraid I can't go anywhere to-night. I'm all in."

Mrs. Bixby rattled her paper, and turned from the theatrical page to the fashions.

"You'll feel better after you dress. We won't stay late."

Her even persistence usually conquered her husband. She never forgot anything she had once decided to do. Her manner of following it up grew more chilly, but never weaker. To-night there was no spring in Percy. He closed his eyes and replied without moving:

"I can't go. You had better telephone the Burks we aren't coming. I have to tell you something disagreeable."

Stella rose.

"I certainly am not going to disappoint the Burks and stay at home to talk about anything disagreeable."

"You're not very sympathetic, Stella."

She turned away.

"If I were, you'd soon settle down into a pretty dull proposition. We'd have no social life now if I didn't keep at you."

Percy roused himself a little.

"Social life? Well, we'll have to trim that pretty close for a while. I'm in debt to the company. We've been living beyond our means ever since we were married."

"We can't live on less than we do," Stella said quietly. "No use in taking that up again."

Percy sat up, clutching the arms of his chair.

"We'll have to take it up. I'm seven hundred dollars short, and the books are to be audited to-morrow. I told young Remsen and he's going to take my note and hold the money out of my pay-checks. He could send me to jail, of course."

Stella turned and looked down at him with a gleam of interest.

"Oh, you've been playing solitaire with the books, have you? And he's found you out! I hope I'll never see that man again. Sugar face!" She said this with intense acrimony. Her forehead flushed delicately, and her eyes were full of hate. Young Remsen was not her idea of a "business man."

Stella went into the other room. When she came back she wore her evening coat and carried long gloves and a black scarf. This she began to arrange over her hair before the mirror above the false fireplace. Percy lay inert in the Morris chair and watched her. Yes, he understood; it was very difficult for a woman with hair like that to be shabby and to go without things. Her hair made her conspicuous, and it had to be lived up to. It had been the deciding factor in his fate.

Stella caught the lace over one ear with a large gold hairpin. She repeated this until she got a good effect. Then turning to Percy, she began to draw on her gloves.

"I'm not worrying any, because I'm going back into business," she said firmly. "I meant to, anyway, if you didn't get a raise the first of the year. I have the offer of a good position, and we can live in an apartment hotel."

Percy was on his feet in an instant.

"I won't have you grinding in any office. That's flat."

Stella's lower lip quivered in a commiserating smile. "Oh, I won't lose my health. Charley Greengay's a partner in his concern now, and he wants a private secretary."

Percy drew back.

"You can't work for Greengay. He's got too bad a reputation. You've more pride than that, Stella."

The thin sweep of color he knew so well went over Stella's face.

"His business reputation seems to be all right," she commented, working the kid on with her left hand.

"What if it is?" Percy broke out. "He's the cheapest kind of a skate. He gets into scrapes with the girls in his own office. The last one got into the newspapers, and he had to pay the girl a wad."

"He don't get into scrapes with his books, anyway, and he seems to be able to stand getting into the papers. I excuse Charley. His wife's a pill."

"I suppose you think he'd have been all right if he'd married you," said Percy, bitterly.

"Yes, I do." Stella buttoned her glove with an air of finishing something, and then looked at Percy without animosity. "Charley and I both have sporty tastes, and we like excitement. You might as well live in Newark if you're going to sit at home in the evening. You oughtn't to have married a business woman; you need somebody domestic. There's nothing in this sort of life for either of us."

"That means, I suppose, that you're going around with Greengay and his crowd?"

"Yes, that's my sort of crowd, and you never did fit into it. You're too intellectual. I've always been proud of you, Percy. You're better style than Charley, but that gets tiresome. You will never burn much red fire in New York, now, will you?"

Percy did not reply. He sat looking at the minute-hand of the eviscerated Mission clock. His wife almost never took the trouble to argue with him.

"You're old style, Percy," she went on. "Of course everybody marries and wishes they hadn't, but nowadays people get over it. Some women go ahead on the quiet, but I'm giving it to you straight. I'm going to work for Greengay. I like his line of business, and I meet people well. Now I'm going to the Burks'."

Percy dropped his hands limply between his knees.

"I suppose," he brought out, "the real trouble is that you've decided my earning power is not very great."

"That's part of it, and part of it is you're old-fashioned." Stella paused at the door and looked back. "What made you rush me, anyway, Percy?" she asked indulgently. "What did you go and pretend to be a spender and get tied up with me for?"

"I guess everybody wants to be a spender when he's in love," Percy replied.

Stella shook her head mournfully.

"No, you're a spender or you're not. Greengay has been broke three times, fired, down and out, black-listed. But he's always come back, and he always will. You will never be fired, but you'll always be poor." She turned and looked back again before she went out.

* * * * *

Six months later Bixby came to young Oliver Remsen one afternoon and said he would like to have twenty dollars a week held out of his pay until his debt was cleared off.

Oliver looked up at his sallow employee and asked him how he could spare as much as that.

"My expenses are lighter," Bixby replied. "My wife has gone into business with a ready-to-wear firm. She is not living with me any more."

Oliver looked annoyed, and asked him if nothing could be done to readjust his domestic affairs. Bixby said no; they would probably remain as they were.

"But where are you living, Bixby? How have you arranged things?" the young man asked impatiently.

"I'm very comfortable. I live in a boarding-house and have my own furniture. There are several fellows there who are fixed the same way. Their wives went back into business, and they drifted apart."

With a baffled expression Remsen stared at the uneven shoulders under the skin-fitting alpaca desk coat as his bookkeeper went out. He had meant to do something for Percy, but somehow, he reflected, one never did do anything for a fellow who had been stung as hard as that.

Century, May 1916



Ardessa

The grand-mannered old man who sat at a desk in the reception-room of "The Outcry" offices to receive visitors and incidentally to keep the time-book of the employees, looked up as Miss Devine entered at ten minutes past ten and condescendingly wished him good morning. He bowed profoundly as she minced past his desk, and with an indifferent air took her course down the corridor that led to the editorial offices. Mechanically he opened the flat, black book at his elbow and placed his finger on D, running his eye along the line of figures after the name Devine. "It's banker's hours she keeps, indeed," he muttered. What was the use of entering so capricious a record? Nevertheless, with his usual preliminary flourish he wrote 10:10 under this, the fourth day of May.

The employee who kept banker's hours rustled on down the corridor to her private room, hung up her lavender jacket and her trim spring hat, and readjusted her side combs by the mirror inside her closet door. Glancing at her desk, she rang for an office boy, and reproved him because he had not dusted more carefully and because there were lumps in her paste. When he disappeared with the paste-jar, she sat down to decide which of her employer's letters he should see and which he should not.

Ardessa was not young and she was certainly not handsome. The coquettish angle at which she carried her head was a mannerism surviving from a time when it was more becoming. She shuddered at the cold candor of the new business woman, and was insinuatingly feminine.

Ardessa's employer, like young Lochinvar, had come out of the West, and he had done a great many contradictory things before he became proprietor and editor of "The Outcry." Before he decided to go to New York and make the East take notice of him, O'Mally had acquired a punctual, reliable silver-mine in South Dakota. This silent friend in the background made his journalistic success comparatively easy. He had figured out, when he was a rich nobody in Nevada, that the quickest way to cut into the known world was through the printing-press. He arrived in New York, bought a highly respectable publication, and turned it into a red-hot magazine of protest, which he called "The Outcry." He knew what the West wanted, and it proved to be what everybody secretly wanted. In six years he had done the thing that had hitherto seemed impossible: built up a national weekly, out on the news-stands the same day in New York and San Francisco; a magazine the people howled for, a moving-picture film of their real tastes and interests.

O'Mally bought "The Outcry" to make a stir, not to make a career, but he had got built into the thing more than he ever intended. It had made him a public man and put him into politics. He found the publicity game diverting, and it held him longer than any other game had ever done. He had built up about him an organization of which he was somewhat afraid and with which he was vastly bored. On his staff there were five famous men, and he had made every one of them. At first it amused him to manufacture celebrities. He found he could take an average reporter from the daily press, give him a "line" to follow, a trust to fight, a vice to expose,—this was all in that good time when people were eager to read about their own wickedness,—and in two years the reporter would be recognized as an authority. Other people—Napoleon, Disraeli, Sarah Bernhardt—had discovered that advertising would go a long way; but Marcus O'Mally discovered that in America it would go all the way—as far as you wished to pay its passage. Any human countenance, plastered in three-sheet posters from sea to sea, would be revered by the American people. The strangest thing was that the owners of these grave countenances, staring at their own faces on newsstands and billboards, fell to venerating themselves; and even he, O'Mally, was more or less constrained by these reputations that he had created out of cheap paper and cheap ink.

Constraint was the last thing O'Mally liked. The most engaging and unusual thing about the man was that he couldn't be fooled by the success of his own methods, and no amount of "recognition" could make a stuffed shirt of him. No matter how much he was advertised as a great medicine-man in the councils of the nation, he knew that he was a born gambler and a soldier of fortune. He left his dignified office to take care of itself for a good many months of the year while he played about on the outskirts of social order. He liked being a great man from the East in rough-and-tumble Western cities where he had once been merely an unconsidered spender.

O'Mally's long absences constituted one of the supreme advantages of Ardessa Devine's position. When he was at his post her duties were not heavy, but when he was giving balls in Goldfield, Nevada, she lived an ideal life. She came to the office every day, indeed, to forward such of O'Mally's letters as she thought best, to attend to his club notices and tradesmen's bills, and to taste the sense of her high connections. The great men of the staff were all about her, as contemplative as Buddhas in their private offices, each meditating upon the particular trust or form of vice confided to his care. Thus surrounded, Ardessa had a pleasant sense of being at the heart of things. It was like a mental massage, exercise without exertion. She read and she embroidered. Her room was pleasant, and she liked to be seen at ladylike tasks and to feel herself a graceful contrast to the crude girls in the advertising and circulation departments across the hall. The younger stenographers, who had to get through with the enormous office correspondence, and who rushed about from one editor to another with wire baskets full of letters, made faces as they passed Ardessa's door and saw her cool and cloistered, daintily plying her needle. But no matter how hard the other stenographers were driven, no one, not even one of the five oracles of the staff, dared dictate so much as a letter to Ardessa. Like a sultan's bride, she was inviolate in her lord's absence; she had to be kept for him.

Naturally the other young women employed in "The Outcry" offices disliked Miss Devine. They were all competent girls, trained in the exacting methods of modern business, and they had to make good every day in the week, had to get through with a great deal of work or lose their position. O'Mally's private secretary was a mystery to them. Her exemptions and privileges, her patronizing remarks, formed an exhaustless subject of conversation at the lunch-hour. Ardessa had, indeed, as they knew she must have, a kind of "purchase" on her employer.

When O'Mally first came to New York to break into publicity, he engaged Miss Devine upon the recommendation of the editor whose ailing publication he bought and rechristened. That editor was a conservative, scholarly gentleman of the old school, who was retiring because he felt out of place in the world of brighter, breezier magazines that had been flowering since the new century came in. He believed that in this vehement world young O'Mally would make himself heard and that Miss Devine's training in an editorial office would be of use to him.

When O'Mally first sat down at a desk to be an editor, all the cards that were brought in looked pretty much alike to him. Ardessa was at his elbow. She had long been steeped in literary distinctions and in the social distinctions which used to count for much more than they do now. She knew all the great men, all the nephews and clients of great men. She knew which must be seen, which must be made welcome, and which could safely be sent away. She could give O'Mally on the instant the former rating in magazine offices of nearly every name that was brought in to him. She could give him an idea of the man's connections, of the price his work commanded, and insinuate whether he ought to be met with the old punctiliousness or with the new joviality. She was useful in explaining to her employer the significance of various invitations, and the standing of clubs and associations. At first she was virtually the social mentor of the bullet-headed young Westerner who wanted to break into everything, the solitary person about the office of the humming new magazine who knew anything about the editorial traditions of the eighties and nineties which, antiquated as they now were, gave an editor, as O'Mally said, a background.

Despite her indolence, Ardessa was useful to O'Mally as a social reminder. She was the card catalogue of his ever-changing personal relations. O'Mally went in for everything and got tired of everything; that was why he made a good editor. After he was through with people, Ardessa was very skilful in covering his retreat. She read and answered the letters of admirers who had begun to bore him. When great authors, who had been dined and feted the month before, were suddenly left to cool their heels in the reception-room, thrown upon the suave hospitality of the grand old man at the desk, it was Ardessa who went out and made soothing and plausible explanations as to why the editor could not see them. She was the brake that checked the too-eager neophyte, the emollient that eased the severing of relationships, the gentle extinguisher of the lights that failed. When there were no longer messages of hope and cheer to be sent to ardent young writers and reformers, Ardessa delivered, as sweetly as possible, whatever messages were left.

In handling these people with whom O'Mally was quite through, Ardessa had gradually developed an industry which was immensely gratifying to her own vanity. Not only did she not crush them; she even fostered them a little. She continued to advise them in the reception-room and "personally" received their manuscripts long after O'Mally had declared that he would never read another line they wrote. She let them outline their plans for stories and articles to her, promising to bring these suggestions to the editor's attention. She denied herself to nobody, was gracious even to the Shakspere-Bacon man, the perpetual-motion man, the travel-article man, the ghosts which haunt every magazine office. The writers who had had their happy hour of O'Mally's favor kept feeling that Ardessa might reinstate them. She answered their letters of inquiry in her most polished and elegant style, and even gave them hints as to the subjects in which the restless editor was or was not interested at the moment: she feared it would be useless to send him an article on "How to Trap Lions," because he had just bought an article on "Elephant-Shooting in Majuba Land," etc.

So when O'Mally plunged into his office at 11:30 on this, the fourth day of May, having just got back from three-days' fishing, he found Ardessa in the reception-room, surrounded by a little court of discards. This was annoying, for he always wanted his stenographer at once. Telling the office boy to give her a hint that she was needed, he threw off his hat and topcoat and began to race through the pile of letters Ardessa had put on his desk. When she entered, he did not wait for her polite inquiries about his trip, but broke in at once.

"What is that fellow who writes about phossy jaw still hanging round here for? I don't want any articles on phossy jaw, and if I did, I wouldn't want his."

"He has just sold an article on the match industry to 'The New Age,' Mr. O'Mally," Ardessa replied as she took her seat at the editor's right.

"Why does he have to come and tell us about it? We've nothing to do with 'The New Age.' And that prison-reform guy, what's he loafing about for?"

Ardessa bridled.

"You remember, Mr. O'Mally, he brought letters of introduction from Governor Harper, the reform Governor of Mississippi."

O'Mally jumped up, kicking over his waste-basket in his impatience.

"That was months ago. I went through his letters and went through him, too. He hasn't got anything we want. I've been through with Governor Harper a long while. We're asleep at the switch in here. And let me tell you, if I catch sight of that causes-of-blindness-in-babies woman around here again, I'll do something violent. Clear them out, Miss Devine! Clear them out! We need a traffic policeman in this office. Have you got that article on 'Stealing Our National Water Power' ready for me?"

"Mr. Gerrard took it back to make modifications. He gave it to me at noon on Saturday, just before the office closed. I will have it ready for you to-morrow morning, Mr. O'Mally, if you have not too many letters for me this afternoon," Ardessa replied pointedly.

"Holy Mike!" muttered O'Mally, "we need a traffic policeman for the staff, too. Gerrard's modified that thing half a dozen times already. Why don't they get accurate information in the first place?"

He began to dictate his morning mail, walking briskly up and down the floor by way of giving his stenographer an energetic example. Her indolence and her ladylike deportment weighed on him. He wanted to take her by the elbows and run her around the block. He didn't mind that she loafed when he was away, but it was becoming harder and harder to speed her up when he was on the spot. He knew his correspondence was not enough to keep her busy, so when he was in town he made her type his own breezy editorials and various articles by members of his staff.

Transcribing editorial copy is always laborious, and the only way to make it easy is to farm it out. This Ardessa was usually clever enough to do. When she returned to her own room after O'Mally had gone out to lunch, Ardessa rang for an office boy and said languidly, "James, call Becky, please."

In a moment a thin, tense-faced Hebrew girl of eighteen or nineteen came rushing in, carrying a wire basket full of typewritten sheets. She was as gaunt as a plucked spring chicken, and her cheap, gaudy clothes might have been thrown on her. She looked as if she were running to catch a train and in mortal dread of missing it. While Miss Devine examined the pages in the basket, Becky stood with her shoulders drawn up and her elbows drawn in, apparently trying to hide herself in her insufficient open-work waist. Her wild, black eyes followed Miss Devine's hands desperately. Ardessa sighed.

"This seems to be very smeary copy again, Becky. You don't keep your mind on your work, and so you have to erase continually."

Becky spoke up in wailing self-vindication.

"It ain't that, Miss Devine. It's so many hard words he uses that I have to be at the dictionary all the time. Look! Look!" She produced a bunch of manuscript faintly scrawled in pencil, and thrust it under Ardessa's eyes. "He don't write out the words at all. He just begins a word, and then makes waves for you to guess."

"I see you haven't always guessed correctly, Becky," said Ardessa, with a weary smile. "There are a great many words here that would surprise Mr. Gerrard, I am afraid."

"And the inserts," Becky persisted. "How is anybody to tell where they go, Miss Devine? It's mostly inserts; see, all over the top and sides and back."

Ardessa turned her head away.

"Don't claw the pages like that, Becky. You make me nervous. Mr. Gerrard has not time to dot his i's and cross his t's. That is what we keep copyists for. I will correct these sheets for you,—it would be terrible if Mr. O'Mally saw them,—and then you can copy them over again. It must be done by to-morrow morning, so you may have to work late. See that your hands are clean and dry, and then you will not smear it."

"Yes, ma'am. Thank you, Miss Devine. Will you tell the janitor, please, it's all right if I have to stay? He was cross because I was here Saturday afternoon doing this. He said it was a holiday, and when everybody else was gone I ought to—"

"That will do, Becky. Yes, I will speak to the janitor for you. You may go to lunch now."

Becky turned on one heel and then swung back.

"Miss Devine," she said anxiously, "will it be all right if I get white shoes for now?"

Ardessa gave her kind consideration.

"For office wear, you mean? No, Becky. With only one pair, you could not keep them properly clean; and black shoes are much less conspicuous. Tan, if you prefer."

Becky looked down at her feet. They were too large, and her skirt was as much too short as her legs were too long.

"Nearly all the girls I know wear white shoes to business," she pleaded.

"They are probably little girls who work in factories or department stores, and that is quite another matter. Since you raise the question, Becky, I ought to speak to you about your new waist. Don't wear it to the office again, please. Those cheap open-work waists are not appropriate in an office like this. They are all very well for little chorus girls."

"But Miss Kalski wears expensive waists to business more open than this, and jewelry—"

Ardessa interrupted. Her face grew hard.

"Miss Kalski," she said coldly, "works for the business department. You are employed in the editorial offices. There is a great difference. You see, Becky, I might have to call you in here at any time when a scientist or a great writer or the president of a university is here talking over editorial matters, and such clothes as you have on to-day would make a bad impression. Nearly all our connections are with important people of that kind, and we ought to be well, but quietly, dressed."

"Yes, Miss Devine. Thank you," Becky gasped and disappeared. Heaven knew she had no need to be further impressed with the greatness of "The Outcry" office. During the year and a half she had been there she had never ceased to tremble. She knew the prices all the authors got as well as Miss Devine did, and everything seemed to her to be done on a magnificent scale. She hadn't a good memory for long technical words, but she never forgot dates or prices or initials or telephone numbers.

Becky felt that her job depended on Miss Devine, and she was so glad to have it that she scarcely realized she was being bullied. Besides, she was grateful for all that she had learned from Ardessa; Ardessa had taught her to do most of the things that she was supposed to do herself. Becky wanted to learn, she had to learn; that was the train she was always running for. Her father, Isaac Tietelbaum, the tailor, who pressed Miss Devine's skirts and kept her ladylike suits in order, had come to his client two years ago and told her he had a bright girl just out of a commercial high school. He implored Ardessa to find some office position for his daughter. Ardessa told an appealing story to O'Mally, and brought Becky into the office, at a salary of six dollars a week, to help with the copying and to learn business routine. When Becky first came she was as ignorant as a young savage. She was rapid at her shorthand and typing, but a Kafir girl would have known as much about the English language. Nobody ever wanted to learn more than Becky. She fairly wore the dictionary out. She dug up her old school grammar and worked over it at night. She faithfully mastered Miss Devine's fussy system of punctuation.

There were eight children at home, younger than Becky, and they were all eager to learn. They wanted to get their mother out of the three dark rooms behind the tailor shop and to move into a flat up-stairs, where they could, as Becky said, "live private." The young Tietelbaums doubted their father's ability to bring this change about, for the more things he declared himself ready to do in his window placards, the fewer were brought to him to be done. "Dyeing, Cleaning, Ladies' Furs Remodeled"—it did no good.

Rebecca was out to "improve herself," as her father had told her she must. Ardessa had easy way with her. It was one of those rare relationships from which both persons profit. The more Becky could learn from Ardessa, the happier she was; and the more Ardessa could unload on Becky, the greater was her contentment. She easily broke Becky of the gum-chewing habit, taught her to walk quietly, to efface herself at the proper moment, and to hold her tongue. Becky had been raised to eight dollars a week; but she didn't care half so much about that as she did about her own increasing efficiency. The more work Miss Devine handed over to her the happier she was, and the faster she was able to eat it up. She tested and tried herself in every possible way. She now had full confidence that she would surely one day be a high-priced stenographer, a real "business woman."

Becky would have corrupted a really industrious person, but a bilious temperament like Ardessa's couldn't make even a feeble stand against such willingness. Ardessa had grown soft and had lost the knack of turning out work. Sometimes, in her importance and serenity, she shivered. What if O'Mally should die, and she were thrust out into the world to work in competition with the brazen, competent young women she saw about her everywhere? She believed herself indispensable, but she knew that in such a mischanceful world as this the very powers of darkness might rise to separate her from this pearl among jobs.

When Becky came in from lunch she went down the long hall to the wash-room, where all the little girls who worked in the advertising and circulation departments kept their hats and jackets. There were shelves and shelves of bright spring hats, piled on top of one another, all as stiff as sheet-iron and trimmed with gay flowers. At the marble wash-stand stood Rena Kalski, the right bower of the business manager, polishing her diamond rings with a nail-brush.

"Hullo, kid," she called over her shoulder to Becky. "I've got a ticket for you for Thursday afternoon."

Becky's black eyes glowed, but the strained look on her face drew tighter than ever.

"I'll never ask her, Miss Kalski," she said rapidly. "I don't dare. I have to stay late to-night again; and I know she'd be hard to please after, if I was to try to get off on a week-day. I thank you, Miss Kalski, but I'd better not."

Miss Kalski laughed. She was a slender young Hebrew, handsome in an impudent, Tenderloin sort of way, with a small head, reddish-brown almond eyes, a trifle tilted, a rapacious mouth, and a beautiful chin.

"Ain't you under that woman's thumb, though! Call her bluff. She isn't half the prima donna she thinks she is. On my side of the hall we know who's who about this place."

The business and editorial departments of "The Outcry" were separated by a long corridor and a great contempt. Miss Kalski dried her rings with tissue-paper and studied them with an appraising eye.

"Well, since you're such a 'fraidy-calf,'" she went on, "maybe I can get a rise out of her myself. Now I've got you a ticket out of that shirt-front, I want you to go. I'll drop in on Devine this afternoon."

When Miss Kalski went back to her desk in the business manager's private office, she turned to him familiarly, but not impertinently.

"Mr. Henderson, I want to send a kid over in the editorial stenographers' to the Palace Thursday afternoon. She's a nice kid, only she's scared out of her skin all the time. Miss Devine's her boss, and she'll be just mean enough not to let the young one off. Would you say a word to her?"

The business manager lit a cigar.

"I'm not saying words to any of the high-brows over there. Try it out with Devine yourself. You're not bashful."

Miss Kalski shrugged her shoulders and smiled.

"Oh, very well." She serpentined out of the room and crossed the Rubicon into the editorial offices. She found Ardessa typing O'Mally's letters and wearing a pained expression.

"Good afternoon, Miss Devine," she said carelessly. "Can we borrow Becky over there for Thursday afternoon? We're short."

Miss Devine looked piqued and tilted her head.

"I don't think it's customary, Miss Kalski, for the business department to use our people. We never have girls enough here to do the work. Of course if Mr. Henderson feels justified—"

"Thanks awfully, Miss Devine,"—Miss Kalski interrupted her with the perfectly smooth, good-natured tone which never betrayed a hint of the scorn every line of her sinuous figure expressed,—"I will tell Mr. Henderson. Perhaps we can do something for you some day." Whether this was a threat, a kind wish, or an insinuation, no mortal could have told. Miss Kalski's face was always suggesting insolence without being quite insolent. As she returned to her own domain she met the cashier's head clerk in the hall. "That Devine woman's a crime," she murmured. The head clerk laughed tolerantly.

That afternoon as Miss Kalski was leaving the office at 5:15, on her way down the corridor she heard a typewriter clicking away in the empty, echoing editorial offices. She looked in, and found Becky bending forward over the machine as if she were about to swallow it.

"Hello, kid. Do you sleep with that?" she called. She walked up to Becky and glanced at her copy. "What do you let 'em keep you up nights over that stuff for?" she asked contemptuously. "The world wouldn't suffer if that stuff never got printed."

Rebecca looked up wildly. Not even Miss Kalski's French pansy hat or her ear-rings and landscape veil could loosen Becky's tenacious mind from Mr. Gerrard's article on water power. She scarcely knew what Miss Kalski had said to her, certainly not what she meant.

"But I must make progress already, Miss Kalski," she panted.

Miss Kalski gave her low, siren laugh.

"I should say you must!" she ejaculated.

* * * * *

Ardessa decided to take her vacation in June, and she arranged that Miss Milligan should do O'Mally's work while she was away. Miss Milligan was blunt and noisy, rapid and inaccurate. It would be just as well for O'Mally to work with a coarse instrument for a time; he would be more appreciative, perhaps, of certain qualities to which he had seemed insensible of late. Ardessa was to leave for East Hampton on Sunday, and she spent Saturday morning instructing her substitute as to the state of the correspondence. At noon O'Mally burst into her room. All the morning he had been closeted with a new writer of mystery-stories just over from England.

"Can you stay and take my letters this afternoon, Miss Devine? You 're not leaving until to-morrow."

Ardessa pouted, and tilted her head at the angle he was tired of.

"I'm sorry, Mr. O'Mally, but I've left all my shopping for this afternoon. I think Becky Tietelbaum could do them for you. I will tell her to be careful."

"Oh, all right." O'Mally bounced out with a reflection of Ardessa's disdainful expression on his face. Saturday afternoon was always a half-holiday, to be sure, but since she had weeks of freedom when he was away—However—

At two o'clock Becky Tietelbaum appeared at his door, clad in the sober office suit which Miss Devine insisted she should wear, her note-book in her hand, and so frightened that her fingers were cold and her lips were pale. She had never taken dictation from the editor before. It was a great and terrifying occasion.

"Sit down," he said encouragingly. He began dictating while he shook from his bag the manuscripts he had snatched away from the amazed English author that morning. Presently he looked up.

"Do I go too fast?"

"No, sir," Becky found strength to say.

At the end of an hour he told her to go and type as many of the letters as she could while he went over the bunch of stuff he had torn from the Englishman. He was with the Hindu detective in an opium den in Shanghai when Becky returned and placed a pile of papers on his desk.

"How many?" he asked, without looking up.

"All you gave me, sir."

"All, so soon? Wait a minute and let me see how many mistakes." He went over the letters rapidly, signing them as he read. "They seem to be all right. I thought you were the girl that made so many mistakes."

Rebecca was never too frightened to vindicate herself.

"Mr. O'Mally, sir, I don't make mistakes with letters. It's only copying the articles that have so many long words, and when the writing isn't plain, like Mr. Gerrard's. I never make many mistakes with Mr. Johnson's articles, or with yours I don't."

O'Mally wheeled round in his chair, looked with curiosity at her long, tense face, her black eyes, and straight brows.

"Oh, so you sometimes copy articles, do you? How does that happen?"

"Yes, sir. Always Miss Devine gives me the articles to do. It's good practice for me."

"I see." O'Mally shrugged his shoulders. He was thinking that he could get a rise out of the whole American public any day easier than he could get a rise out of Ardessa. "What editorials of mine have you copied lately, for instance?"

Rebecca blazed out at him, reciting rapidly:

"Oh, 'A Word about the Rosenbaums,' 'Useless Navy-Yards,' 'Who Killed Cock Robin'—"

"Wait a minute." O'Mally checked her flow. "What was that one about—Cock Robin?"

"It was all about why the secretary of the interior dismissed—"

"All right, all right. Copy those letters, and put them down the chute as you go out. Come in here for a minute on Monday morning."

Becky hurried home to tell her father that she had taken the editor's letters and had made no mistakes. On Monday she learned that she was to do O'Mally's work for a few days. He disliked Miss Milligan, and he was annoyed with Ardessa for trying to put her over on him when there was better material at hand. With Rebecca he got on very well; she was impersonal, unreproachful, and she fairly panted for work. Everything was done almost before he told her what he wanted. She raced ahead with him; it was like riding a good modern bicycle after pumping along on an old hard tire.

On the day before Miss Devine's return O'Mally strolled over for a chat with the business office.

"Henderson, your people are taking vacations now, I suppose? Could you use an extra girl?"

"If it's that thin black one, I can."

O'Mally gave him a wise smile.

"It isn't. To be honest, I want to put one over on you. I want you to take Miss Devine over here for a while and speed her up. I can't do anything. She's got the upper hand of me. I don't want to fire her, you understand, but she makes my life too difficult. It's my fault, of course. I've pampered her. Give her a chance over here; maybe she'll come back. You can be firm with 'em, can't you?"