|
"William, I don't think it would hurt you to let the boys go to that circus in town to-morrow."
William continued to read his farm paper, but it was not Hester's custom to wait for an answer. She usually divined his arguments and assailed them one by one before he uttered them.
"You've been short of hands all summer, and you've worked the boys hard, and a man ought use his own flesh and blood as well as he does his hired hands. We're plenty able to afford it, and it's little enough our boys ever spend. I don't see how you can expect 'em to be steady and hard workin', unless you encourage 'em a little. I never could see much harm in circuses, and our boys have never been to one. Oh, I know Jim Howley's boys get drunk an' carry on when they go, but our boys ain't that sort, an' you know it, William. The animals are real instructive, an' our boys don't get to see much out here on the prairie. It was different where we were raised, but the boys have got no advantages here, an' if you don't take care, they'll grow up to be greenhorns."
Hester paused a moment, and William folded up his paper, but vouchsafed no remark. His sisters in Virginia had often said that only a quiet man like William could ever have lived with Hester Perkins. Secretly, William was rather proud of his wife's "gift of speech," and of the fact that she could talk in prayer meeting as fluently as a man. He confined his own efforts in that line to a brief prayer at Covenant meetings.
Hester shook out another sock and went on.
"Nobody was ever hurt by goin' to a circus. Why, law me! I remember I went to one myself once, when I was little. I had most forgot about it. It was over at Pewtown, an' I remember how I had set my heart on going. I don't think I'd ever forgiven my father if he hadn't taken me, though that red clay road was in a frightful way after the rain. I mind they had an elephant and six poll parrots, an' a Rocky Mountain lion, an' a cage of monkeys, an' two camels. My! but they were a sight to me then!"
Hester dropped the black sock and shook her head and smiled at the recollection. She was not expecting anything from William yet, and she was fairly startled when he said gravely, in much the same tone in which he announced the hymns in prayer meeting:
"No, there was only one camel. The other was a dromedary."
She peered around the lamp and looked at him keenly.
"Why, William, how come you to know?"
William folded his paper and answered with some hesitation, "I was there, too."
Hester's interest flashed up.—"Well, I never, William! To think of my finding it out after all these years! Why, you couldn't have been much bigger'n our Billy then. It seems queer I never saw you when you was little, to remember about you. But then you Back Creek folks never have anything to do with us Gap people. But how come you to go? Your father was stricter with you than you are with your boys."
"I reckon I shouldn't 'a gone," he said slowly, "but boys will do foolish things. I had done a good deal of fox hunting the winter before, and father let me keep the bounty money. I hired Tom Smith's Tap to weed the corn for me, an' I slipped off unbeknownst to father an' went to the show."
Hester spoke up warmly: "Nonsense, William! It didn't do you no harm, I guess. You was always worked hard enough. It must have been a big sight for a little fellow. That clown must have just tickled you to death."
William crossed his knees and leaned back in his chair.
"I reckon I could tell all that fool's jokes now. Sometimes I can't help thinkin' about 'em in meetin' when the sermon's long. I mind I had on a pair of new boots that hurt me like the mischief, but I forgot all about 'em when that fellow rode the donkey. I recall I had to take them boots off as soon as I got out of sight o' town, and walked home in the mud barefoot."
"O poor little fellow!" Hester ejaculated, drawing her chair nearer and leaning her elbows on the table. "What cruel shoes they did use to make for children. I remember I went up to Back Creek to see the circus wagons go by. They came down from Romney, you know. The circus men stopped at the creek to water the animals, an' the elephant got stubborn an' broke a big limb off the yellow willow tree that grew there by the toll house porch, an' the Scribners were 'fraid as death he'd pull the house down. But this much I saw him do; he waded in the creek an' filled his trunk with water, and squirted it in at the window and nearly ruined Ellen Scribner's pink lawn dress that she had just ironed an' laid out on the bed ready to wear to the circus."
"I reckon that must have been a trial to Ellen," chuckled William, "for she was mighty prim in them days."
Hester drew her chair still nearer William's. Since the children had begun growing up, her conversation with her husband had been almost wholly confined to questions of economy and expense. Their relationship had become purely a business one, like that between landlord and tenant. In her desire to indulge her boys she had unconsciously assumed a defensive and almost hostile attitude towards her husband. No debtor ever haggled with his usurer more doggedly than did Hester with her husband in behalf of her sons. The strategic contest had gone on so long that it had almost crowded out the memory of a closer relationship. This exchange of confidences to-night, when common recollections took them unawares and opened their hearts, had all the miracle of romance. They talked on and on; of old neighbors, of old familiar faces in the valley where they had grown up, of long forgotten incidents of their youth—weddings, picnics, sleighing parties and baptizings. For years they had talked of nothing else but butter and eggs and the prices of things, and now they had as much to say to each other as people who meet after a long separation.
When the clock struck ten, William rose and went over to his walnut secretary and unlocked it. From his red leather wallet he took out a ten dollar bill and laid it on the table beside Hester.
"Tell the boys not to stay late, an' not to drive the horses hard," he said quietly, and went off to bed.
Hester blew out the lamp and sat still in the dark a long time. She left the bill lying on the table where William had placed it. She had a painful sense of having missed something, or lost something; she felt that somehow the years had cheated her.
The little locust trees that grew by the fence were white with blossoms. Their heavy odor floated in to her on the night wind and recalled a night long ago, when the first whip-poor-Will of the Spring was heard, and the rough, buxom girls of Hawkins Gap had held her laughing and struggling under the locust trees, and searched in her bosom for a lock of her sweetheart's hair, which is supposed to be on every girl's breast when the first whip-poor-Will sings. Two of those same girls had been her bridesmaids. Hester had been a very happy bride. She rose and went softly into the room where William lay. He was sleeping heavily, but occasionally moved his hand before his face to ward off the flies. Hester went into the parlor and took the piece of mosquito net from the basket of wax apples and pears that her sister had made before she died. One of the boys had brought it all the way from Virginia, packed in a tin pail, since Hester would not risk shipping so precious an ornament by freight. She went back to the bed room and spread the net over William's head.
Then she sat down by the bed and listened to his deep, regular breathing until she heard the boys returning. She went out to meet them and warn them not to waken their father.
"I'll be up early to get your breakfast, boys. Your father says you can go to the show." As she handed the money to the eldest, she felt a sudden throb of allegiance to her husband and said sharply, "And you be careful of that, an' don't waste it. Your father works hard for his money."
The boys looked at each other in astonishment and felt that they had lost a powerful ally.
Library, May 12, 1900
The Namesake
Seven of us, students, sat one evening in Hartwell's studio on the Boulevard St. Michel. We were all fellow-countrymen; one from New Hampshire, one from Colorado, another from Nevada, several from the farm lands of the Middle West, and I myself from California. Lyon Hartwell, though born abroad, was simply, as every one knew, "from America." He seemed, almost more than any other one living man, to mean all of it—from ocean to ocean. When he was in Paris, his studio was always open to the seven of us who were there that evening, and we intruded upon his leisure as often as we thought permissible.
Although we were within the terms of the easiest of all intimacies, and although the great sculptor, even when he was more than usually silent, was at all times the most gravely cordial of hosts, yet, on that long remembered evening, as the sunlight died on the burnished brown of the horse-chestnuts below the windows, a perceptible dullness yawned through our conversation.
We were, indeed, somewhat low in spirit, for one of our number, Charley Bentley, was leaving us indefinitely, in response to an imperative summons from home. To-morrow his studio, just across the hall from Hartwell's, was to pass into other hands, and Bentley's luggage was even now piled in discouraged resignation before his door. The various bales and boxes seemed literally to weigh upon us as we sat in his neighbor's hospitable rooms, drearily putting in the time until he should leave us to catch the ten o'clock express for Dieppe.
The day we had got through very comfortably, for Bentley made it the occasion of a somewhat pretentious luncheon at Maxim's. There had been twelve of us at table, and the two young Poles were thirsty, the Gascon so fabulously entertaining, that it was near upon five o'clock when we put down our liqueur glasses for the last time, and the red, perspiring waiter, having pocketed the reward of his arduous and protracted services, bowed us affably to the door, flourishing his napkin and brushing back the streaks of wet, black hair from his rosy forehead. Our guests having betaken themselves belated to their respective engagements, the rest of us returned with Bentley—only to be confronted by the depressing array before his door. A glance about his denuded rooms had sufficed to chill the glow of the afternoon, and we fled across the hall in a body and begged Lyon Hartwell to take us in.
Bentley had said very little about it, but we all knew what it meant to him to be called home. Each of us knew what it would mean to himself, and each had felt something of that quickened sense of opportunity which comes at seeing another man in any way counted out of the race. Never had the game seemed so enchanting, the chance to play it such a piece of unmerited, unbelievable good fortune.
It must have been, I think, about the middle of October, for I remember that the sycamores were almost bare in the Luxembourg Gardens that morning, and the terrace about the queens of France were strewn with crackling brown leaves. The fat red roses, out the summer long on the stand of the old flower woman at the corner, had given place to dahlias and purple asters. First glimpses of autumn toilettes flashed from the carriages; wonderful little bonnets nodded at one along the Champs-Elysees; and in the Quarter an occasional feather boa, red or black or white, brushed one's coat sleeve in the gay twilight of the early evening. The crisp, sunny autumn air was all day full of the stir of people and carriages and of the cheer of salutations; greetings of the students, returned brown and bearded from their holiday, gossip of people come back from Trouville, from St. Valery, from Dieppe, from all over Brittany and the Norman coast. Everywhere was the joyousness of return, the taking up again of life and work and play.
I had felt ever since early morning that this was the saddest of all possible seasons for saying good-by to that old, old city of youth, and to that little corner of it on the south shore which since the Dark Ages themselves—yes, and before—has been so peculiarly the land of the young.
I can recall our very postures as we lounged about Hartwell's rooms that evening, with Bentley making occasional hurried trips to his desolated workrooms across the hall—as if haunted by a feeling of having forgotten something—or stopping to poke nervously at his perroquets, which he had bequeathed to Hartwell, gilt cage and all. Our host himself sat on the couch, his big, bronze-like shoulders backed up against the window, his shaggy head, beaked nose, and long chin cut clean against the gray light.
Our drowsing interest, in so far as it could be said to be fixed upon anything, was centered upon Hartwell's new figure, which stood on the block ready to be cast in bronze, intended as a monument for some American battlefield. He called it "The Color Sergeant." It was the figure of a young soldier running, clutching the folds of a flag, the staff of which had been shot away. We had known it in all the stages of its growth, and the splendid action and feeling of the thing had come to have a kind of special significance for the half dozen of us who often gathered at Hartwell's rooms—though, in truth, there was as much to dishearten one as to inflame, in the case of a man who had done so much in a field so amazingly difficult; who had thrown up in bronze all the restless, teeming force of that adventurous wave still climbing westward in our own land across the waters. We recalled his "Scout," his "Pioneer," his "Gold Seekers," and those monuments in which he had invested one and another of the heroes of the Civil War with such convincing dignity and power.
"Where in the world does he get the heat to make an idea like that carry?" Bentley remarked morosely, scowling at the clay figure. "Hang me, Hartwell, if I don't think it's just because you're not really an American at all, that you can look at it like that."
The big man shifted uneasily against the window. "Yes," he replied smiling, "perhaps there is something in that. My citizenship was somewhat belated and emotional in its flowering. I've half a mind to tell you about it, Bentley." He rose uncertainly, and, after hesitating a moment, went back into his workroom, where he began fumbling among the litter in the corners.
At the prospect of any sort of personal expression from Hartwell, we glanced questioningly at one another; for although he made us feel that he liked to have us about, we were always held at a distance by a certain diffidence of his. There were rare occasions—when he was in the heat of work or of ideas—when he forgot to be shy, but they were so exceptional that no flattery was quite so seductive as being taken for a moment into Hartwell's confidence. Even in the matter of opinions—the commonest of currency in our circle—he was niggardly and prone to qualify. No man ever guarded his mystery more effectually. There was a singular, intense spell, therefore, about those few evenings when he had broken through this excessive modesty, or shyness, or melancholy, and had, as it were, committed himself.
When Hartwell returned from the back room, he brought with him an unframed canvas which he put on an easel near his clay figure. We drew close about it, for the darkness was rapidly coming on. Despite the dullness of the light, we instantly recognized the boy of Hartwell's "Color Sergeant." It was the portrait of a very handsome lad in uniform, standing beside a charger impossibly rearing. Not only in his radiant countenance and flashing eyes, but in every line of his young body there was an energy, a gallantry, a joy of life, that arrested and challenged one.
"Yes, that's where I got the notion," Hartwell remarked, wandering back to his seat in the window. "I've wanted to do it for years, but I've never felt quite sure of myself. I was afraid of missing it. He was an uncle of mine, my father's half-brother, and I was named for him. He was killed in one of the big battles of Sixty-four, when I was a child. I never saw him—never knew him until he had been dead for twenty years. And then, one night, I came to know him as we sometimes do living persons—intimately, in a single moment."
He paused to knock the ashes out of his short pipe, refilled it, and puffed at it thoughtfully for a few moments with his hands on his knees. Then, settling back heavily among the cushions and looking absently out of the window, he began his story. As he proceeded further and further into the experience which he was trying to convey to us, his voice sank so low and was sometimes so charged with feeling, that I almost thought he had forgotten our presence and was remembering aloud. Even Bentley forgot his nervousness in astonishment and sat breathless under the spell of the man's thus breathing his memories out into the dusk.
"It was just fifteen years ago this last spring that I first went home, and Bentley's having to cut away like this brings it all back to me.
"I was born, you know, in Italy. My father was a sculptor, though I dare say you've not heard of him. He was one of those first fellows who went over after Story and Powers,—went to Italy for 'Art,' quite simply; to lift from its native bough the willing, iridescent bird. Their story is told, informingly enough, by some of those ingenuous marble things at the Metropolitan. My father came over some time before the outbreak of the Civil War, and was regarded as a renegade by his family because he did not go home to enter the army. His half-brother, the only child of my grandfather's second marriage, enlisted at fifteen and was killed the next year. I was ten years old when the news of his death reached us. My mother died the following winter, and I was sent away to a Jesuit school, while my father, already ill himself, stayed on at Rome, chipping away at his Indian maidens and marble goddesses, still gloomily seeking the thing for which he had made himself the most unhappy of exiles.
"He died when I was fourteen, but even before that I had been put to work under an Italian sculptor. He had an almost morbid desire that I should carry on his work, under, as he often pointed out to me, conditions so much more auspicious. He left me in the charge of his one intimate friend, an American gentleman in the consulate at Rome, and his instructions were that I was to be educated there and to live there until I was twenty-one. After I was of age, I came to Paris and studied under one master after another until I was nearly thirty. Then, almost for the first time, I was confronted by a duty which was not my pleasure.
"My grandfather's death, at an advanced age, left an invalid maiden sister of my father's quite alone in the world. She had suffered for years from a cerebral disease, a slow decay of the faculties which rendered her almost helpless. I decided to go to America and, if possible, bring her back to Paris, where I seemed on my way toward what my poor father had wished for me.
"On my arrival at my father's birthplace, however, I found that this was not to be thought of. To tear this timid, feeble, shrinking creature, doubly aged by years and illness, from the spot where she had been rooted for a lifetime, would have been little short of brutality. To leave her to the care of strangers seemed equally heartless. There was clearly nothing for me to do but to remain and wait for that slow and painless malady to run its course. I was there something over two years.
"My grandfather's home, his father's homestead before him, lay on the high banks of a river in Western Pennsylvania. The little town twelve miles down the stream, whither my great-grandfather used to drive his ox-wagon on market days, had become, in two generations, one of the largest manufacturing cities in the world. For hundreds of miles about us the gentle hill slopes were honeycombed with gas wells and coal shafts; oil derricks creaked in every valley and meadow; the brooks were sluggish and discolored with crude petroleum, and the air was impregnated by its searching odor. The great glass and iron manufactories had come up and up the river almost to our very door; their smoky exhalations brooded over us, and their crashing was always in our ears. I was plunged into the very incandescence of human energy. But, though my nerves tingled with the feverish, passionate endeavor which snapped in the very air about me, none of these great arteries seemed to feed me; this tumultuous life did not warm me. On every side were the great muddy rivers, the ragged mountains from which the timber was being ruthlessly torn away, the vast tracts of wild country, and the gulches that were like wounds in the earth; everywhere the glare of that relentless energy which followed me like a searchlight and seemed to scorch and consume me. I could only hide myself in the tangled garden, where the dropping of a leaf or the whistle of a bird was the only incident.
"The Hartwell homestead had been sold away little by little, until all that remained of it was garden and orchard. The house, a square brick structure, stood in the midst of a great garden which sloped toward the river, ending in a grassy bank which fell some forty feet to the water's edge. The garden was now little more than a tangle of neglected shrubbery; damp, rank, and of that intense blue-green peculiar to vegetation in smoky places where the sun shines but rarely, and the mists form early in the evening and hang late in the morning.
"I shall never forget it as I saw it first, when I arrived there in the chill of a backward June. The long, rank grass, thick and soft and falling in billows, was always wet until midday. The gravel walks were bordered with great lilac-bushes, mock-orange, and bridal-wreath. Back of the house was a neglected rose garden, surrounded by a low stone wall over which the long suckers trailed and matted. They had wound their pink, thorny tentacles, layer upon layer, about the lock and the hinges of the rusty iron gate. Even the porches of the house, and the very windows, were damp and heavy with growth: wistaria, clematis, honeysuckle, and trumpet vine. The garden was grown up with trees, especially that part of it which lay above the river. The bark of the old locusts was blackened by the smoke that crept continually up the valley, and their feathery foliage, so merry in its movement and so yellow and joyous in its color, seemed peculiarly precious under that somber sky. There were sycamores and copper beeches; gnarled apple-trees, too old to bear; and fall pear-trees, hung with a sharp, hard fruit in October; all with a leafage singularly rich and luxuriant, and peculiarly vivid in color. The oaks about the house had been old trees when my great-grandfather built his cabin there, more than a century before, and this garden was almost the only spot for miles along the river where any of the original forest growth still survived. The smoke from the mills was fatal to trees of the larger sort, and even these had the look of doomed things—bent a little toward the town and seemed to wait with head inclined before that on-coming, shrieking force.
"About the river, too, there was a strange hush, a tragic submission—it was so leaden and sullen in its color, and it flowed so soundlessly forever past our door.
"I sat there every evening, on the high veranda overlooking it, watching the dim outlines of the steep hills on the other shore, the flicker of the lights on the island, where there was a boat-house, and listening to the call of the boatmen through the mist. The mist came as certainly as night, whitened by moonshine or starshine. The tin water-pipes went splash, splash, with it all evening, and the wind, when it rose at all, was little more than a sighing of the old boughs and a troubled breath in the heavy grasses.
"At first it was to think of my distant friends and my old life that I used to sit there; but after awhile it was simply to watch the days and weeks go by, like the river which seemed to carry them away.
"Within the house I was never at home. Month followed month, and yet I could feel no sense of kinship with anything there. Under the roof where my father and grandfather were born, I remained utterly detached. The somber rooms never spoke to me, the old furniture never seemed tinctured with race. This portrait of my boy uncle was the only thing to which I could draw near, the only link with anything I had ever known before.
"There is a good deal of my father in the face, but it is my father transformed and glorified; his hesitating discontent drowned in a kind of triumph. From my first day in that house, I continually turned to this handsome kinsman of mine, wondering in what terms he had lived and had his hope; what he had found there to look like that, to bound at one, after all those years, so joyously out of the canvas.
"From the timid, clouded old woman over whose life I had come to watch, I learned that in the backyard, near the old rose garden, there was a locust-tree which my uncle had planted. After his death, while it was still a slender sapling, his mother had a seat built round it, and she used to sit there on summer evenings. His grave was under the apple-trees in the old orchard.
"My aunt could tell me little more than this. There were days when she seemed not to remember him at all.
"It was from an old soldier in the village that I learned the boy's story. Lyon was, the old man told me, but fourteen when the first enlistment occurred, but was even then eager to go. He was in the court-house square every evening to watch the recruits at their drill, and when the home company was ordered off he rode into the city on his pony to see the men board the train and to wave them good-by. The next year he spent at home with a tutor, but when he was fifteen he held his parents to their promise and went into the army. He was color sergeant of his regiment and fell in a charge upon the breastworks of a fort about a year after his enlistment.
"The veteran showed me an account of this charge which had been written for the village paper by one of my uncle's comrades who had seen his part in the engagement. It seems that as his company were running at full speed across the bottom lands toward the fortified hill, a shell burst over them. This comrade, running beside my uncle, saw the colors waver and sink as if falling, and looked to see that the boy's hand and forearm had been torn away by the exploding shrapnel. The boy, he thought, did not realize the extent of his injury, for he laughed, shouted something which his comrade did not catch, caught the flag in his left hand, and ran on up the hill. They went splendidly up over the breastworks, but just as my uncle, his colors flying, reached the top of the embankment, a second shell carried away his left arm at the arm-pit, and he fell over the wall with the flag settling about him.
"It was because this story was ever present with me, because I was unable to shake it off, that I began to read such books as my grandfather had collected upon the Civil War. I found that this war was fought largely by boys, that more men enlisted at eighteen than at any other age. When I thought of those battlefields—and I thought of them much in those days—there was always that glory of youth above them, that impetuous, generous passion stirring the long lines on the march, the blue battalions in the plain. The bugle, whenever I have heard it since, has always seemed to me the very golden throat of that boyhood which spent itself so gaily, so incredibly.
"I used often to wonder how it was that this uncle of mine, who seemed to have possessed all the charm and brilliancy allotted to his family and to have lived up its vitality in one splendid hour, had left so little trace in the house where he was born and where he had awaited his destiny. Look as I would, I could find no letters from him, no clothing or books that might have been his. He had been dead but twenty years, and yet nothing seemed to have survived except the tree he had planted. It seemed incredible and cruel that no physical memory of him should linger to be cherished among his kindred,—nothing but the dull image in the brain of that aged sister. I used to pace the garden walks in the evening, wondering that no breath of his, no echo of his laugh, of his call to his pony or his whistle to his dogs, should linger about those shaded paths where the pale roses exhaled their dewy, country smell. Sometimes, in the dim starlight, I have thought that I heard on the grasses beside me the stir of a footfall lighter than my own, and under the black arch of the lilacs I have fancied that he bore me company.
"There was, I found, one day in the year for which my old aunt waited, and which stood out from the months that were all of a sameness to her. On the thirtieth of May she insisted that I should bring down the big flag from the attic and run it up upon the tall flagstaff beside Lyon's tree in the garden. Later in the morning she went with me to carry some of the garden flowers to the grave in the orchard,—a grave scarcely larger than a child's.
"I had noticed, when I was hunting for the flag in the attic, a leather trunk with my own name stamped upon it, but was unable to find the key. My aunt was all day less apathetic than usual; she seemed to realize more clearly who I was, and to wish me to be with her. I did not have an opportunity to return to the attic until after dinner that evening, when I carried a lamp up-stairs and easily forced the lock of the trunk. I found all the things that I had looked for; put away, doubtless, by his mother, and still smelling faintly of lavender and rose leaves; his clothes, his exercise books, his letters from the army, his first boots, his riding-whip, some of his toys, even. I took them out and replaced them gently. As I was about to shut the lid, I picked up a copy of the AEneid, on the fly-leaf of which was written in a slanting, boyish hand,
Lyon Hartwell, January, 1862.
He had gone to the wars in Sixty-three, I remembered.
"My uncle, I gathered, was none too apt at his Latin, for the pages were dog-eared and rubbed and interlined, the margins mottled with pencil sketches—bugles, stacked bayonets, and artillery carriages. In the act of putting the book down, I happened to run over the pages to the end, and on the fly-leaf at the back I saw his name again, and a drawing—with his initials and a date—of the Federal flag; above it, written in a kind of arch and in the same unformed hand:
'Oh, say, can you see by the dawn's early light What so proudly we hailed at the twilight's last gleaming?'
It was a stiff, wooden sketch, not unlike a detail from some Egyptian inscription, but, the moment I saw it, wind and color seemed to touch it. I caught up the book, blew out the lamp, and rushed down into the garden.
"I seemed, somehow, at last to have known him; to have been with him in that careless, unconscious moment and to have known him as he was then.
"As I sat there in the rush of this realization, the wind began to rise, stirring the light foliage of the locust over my head and bringing, fresher than before, the woody odor of the pale roses that overran the little neglected garden. Then, as it grew stronger, it brought the sound of something sighing and stirring over my head in the perfumed darkness.
"I thought of that sad one of the Destinies who, as the Greeks believed, watched from birth over those marked for a violent or untimely death. Oh, I could see him, there in the shine of the morning, his book idly on his knee, his flashing eyes looking straight before him, and at his side that grave figure, hidden in her draperies, her eyes following his, but seeing so much farther—seeing what he never saw, that great moment at the end, when he swayed above his comrades on the earthen wall.
"All the while, the bunting I had run up in the morning flapped fold against fold, heaving and tossing softly in the dark—against a sky so black with rain clouds that I could see above me only the blur of something in soft, troubled motion.
"The experience of that night, coming so overwhelmingly to a man so dead, almost rent me in pieces. It was the same feeling that artists know when we, rarely, achieve truth in our work; the feeling of union with some great force, of purpose and security, of being glad that we have lived. For the first time I felt the pull of race and blood and kindred, and felt beating within me things that had not begun with me. It was as if the earth under my feet had grasped and rooted me, and were pouring its essence into me. I sat there until the dawn of morning, and all night long my life seemed to be pouring out of me and running into the ground."
* * * * *
Hartwell drew a long breath that lifted his heavy shoulders, and then let them fall again. He shifted a little and faced more squarely the scattered, silent company before him. The darkness had made us almost invisible to each other, and, except for the occasional red circuit of a cigarette end traveling upward from the arm of a chair, he might have supposed us all asleep.
"And so," Hartwell added thoughtfully, "I naturally feel an interest in fellows who are going home. It's always an experience."
No one said anything, and in a moment there was a loud rap at the door,—the concierge, come to take down Bentley's luggage and to announce that the cab was below. Bentley got his hat and coat, enjoined Hartwell to take good care of his perroquets, gave each of us a grip of the hand, and went briskly down the long flights of stairs. We followed him into the street, calling our good wishes, and saw him start on his drive across the lighted city to the Gare St. Lazare.
McClure's, March 1907
The Enchanted Bluff
We had our swim before sundown, and while we were cooking our supper the oblique rays of light made a dazzling glare on the white sand about us. The translucent red ball itself sank behind the brown stretches of corn field as we sat down to eat, and the warm layer of air that had rested over the water and our clean sand-bar grew fresher and smelled of the rank ironweed and sunflowers growing on the flatter shore. The river was brown and sluggish, like any other of the half-dozen streams that water the Nebraska corn lands. On one shore was an irregular line of bald clay bluffs where a few scrub-oaks with thick trunks and flat, twisted tops threw light shadows on the long grass. The western shore was low and level, with corn fields that stretched to the sky-line, and all along the water's edge were little sandy coves and beaches where slim cottonwoods and willow saplings flickered.
The turbulence of the river in spring-time discouraged milling, and, beyond keeping the old red bridge in repair, the busy farmers did not concern themselves with the stream; so the Sandtown boys were left in undisputed possession. In the autumn we hunted quail through the miles of stubble and fodder land along the flat shore, and, after the winter skating season was over and the ice had gone out, the spring freshets and flooded bottoms gave us our great excitement of the year. The channel was never the same for two successive seasons. Every spring the swollen stream undermined a bluff to the east, or bit out a few acres of corn field to the west and whirled the soil away to deposit it in spumy mud banks somewhere else. When the water fell low in midsummer, new sand-bars were thus exposed to dry and whiten in the August sun. Sometimes these were banked so firmly that the fury of the next freshet failed to unseat them; the little willow seedlings emerged triumphantly from the yellow froth, broke into spring leaf, shot up into summer growth, and with their mesh of roots bound together the moist sand beneath them against the batterings of another April. Here and there a cottonwood soon glittered among them, quivering in the low current of air that, even on breathless days when the dust hung like smoke above the wagon road, trembled along the face of the water.
It was on such an island, in the third summer of its yellow green, that we built our watch-fire; not in the thicket of dancing willow wands, but on the level terrace of fine sand which had been added that spring; a little new bit of world, beautifully ridged with ripple marks, and strewn with the tiny skeletons of turtles and fish, all as white and dry as if they had been expertly cured. We had been careful not to mar the freshness of the place, although we often swam out to it on summer evenings and lay on the sand to rest.
This was our last watch-fire of the year, and there were reasons why I should remember it better than any of the others. Next week the other boys were to file back to their old places in the Sandtown High School, but I was to go up to the Divide to teach my first country school in the Norwegian district. I was already homesick at the thought of quitting the boys with whom I had always played; of leaving the river, and going up into a windy plain that was all windmills and corn fields and big pastures; where there was nothing wilful or unmanageable in the landscape, no new islands, and no chance of unfamiliar birds—such as often followed the watercourses.
Other boys came and went and used the river for fishing or skating, but we six were sworn to the spirit of the stream, and we were friends mainly because of the river. There were the two Hassler boys, Fritz and Otto, sons of the little German tailor. They were the youngest of us; ragged boys of ten and twelve, with sunburned hair, weather-stained faces, and pale blue eyes. Otto, the elder, was the best mathematician in school, and clever at his books, but he always dropped out in the spring term as if the river could not get on without him. He and Fritz caught the fat, horned catfish and sold them about the town, and they lived so much in the water that they were as brown and sandy as the river itself.
There was Percy Pound, a fat, freckled boy with chubby cheeks, who took half a dozen boys' story-papers and was always being kept in for reading detective stories behind his desk. There was Tip Smith, destined by his freckles and red hair to be the buffoon in all our games, though he walked like a timid little old man and had a funny, cracked laugh. Tip worked hard in his father's grocery store every afternoon, and swept it out before school in the morning. Even his recreations were laborious. He collected cigarette cards and tin tobacco-tags indefatigably, and would sit for hours humped up over a snarling little scroll-saw which he kept in his attic. His dearest possessions were some little pill-bottles that purported to contain grains of wheat from the Holy Land, water from the Jordan and the Dead Sea, and earth from the Mount of Olives. His father had bought these dull things from a Baptist missionary who peddled them, and Tip seemed to derive great satisfaction from their remote origin.
The tall boy was Arthur Adams. He had fine hazel eyes that were almost too reflective and sympathetic for a boy, and such a pleasant voice that we all loved to hear him read aloud. Even when he had to read poetry aloud at school, no one ever thought of laughing. To be sure, he was not at school very much of the time. He was seventeen and should have finished the High School the year before, but he was always off somewhere with his gun. Arthur's mother was dead, and his father, who was feverishly absorbed in promoting schemes, wanted to send the boy away to school and get him off his hands; but Arthur always begged off for another year and promised to study. I remember him as a tall, brown boy with an intelligent face, always lounging among a lot of us little fellows, laughing at us oftener than with us, but such a soft, satisfied laugh that we felt rather flattered when we provoked it. In after-years people said that Arthur had been given to evil ways even as a lad, and it is true that we often saw him with the gambler's sons and with old Spanish Fanny's boy, but if he learned anything ugly in their company he never betrayed it to us. We would have followed Arthur anywhere, and I am bound to say that he led us into no worse places than the cattail marshes and the stubble fields. These, then, were the boys who camped with me that summer night upon the sand-bar.
After we finished our supper we beat the willow thicket for driftwood. By the time we had collected enough, night had fallen, and the pungent, weedy smell from the shore increased with the coolness. We threw ourselves down about the fire and made another futile effort to show Percy Pound the Little Dipper. We had tried it often before, but he could never be got past the big one.
"You see those three big stars just below the handle, with the bright one in the middle?" said Otto Hassler; "that's Orion's belt, and the bright one is the clasp." I crawled behind Otto's shoulder and sighted up his arm to the star that seemed perched upon the tip of his steady forefinger. The Hassler boys did seine-fishing at night, and they knew a good many stars.
Percy gave up the Little Dipper and lay back on the sand, his hands clasped under his head. "I can see the North Star," he announced, contentedly, pointing toward it with his big toe. "Any one might get lost and need to know that."
We all looked up at it.
"How do you suppose Columbus felt when his compass didn't point north any more?" Tip asked.
Otto shook his head. "My father says that there was another North Star once, and that maybe this one won't last always. I wonder what would happen to us down here if anything went wrong with it?"
Arthur chuckled. "I wouldn't worry, Ott. Nothing's apt to happen to it in your time. Look at the Milky Way! There must be lots of good dead Indians."
We lay back and looked, meditating, at the dark cover of the world. The gurgle of the water had become heavier. We had often noticed a mutinous, complaining note in it at night, quite different from its cheerful daytime chuckle, and seeming like the voice of a much deeper and more powerful stream. Our water had always these two moods: the one of sunny complaisance, the other of inconsolable, passionate regret.
"Queer how the stars are all in sort of diagrams," remarked Otto. "You could do most any proposition in geometry with 'em. They always look as if they meant something. Some folks say everybody's fortune is all written out in the stars, don't they?"
"They believe so in the old country," Fritz affirmed.
But Arthur only laughed at him. "You're thinking of Napoleon, Fritzey. He had a star that went out when he began to lose battles. I guess the stars don't keep any close tally on Sandtown folks."
We were speculating on how many times we could count a hundred before the evening star went down behind the corn fields, when some one cried, "There comes the moon, and it's as big as a cart wheel!"
We all jumped up to greet it as it swam over the bluffs behind us. It came up like a galleon in full sail; an enormous, barbaric thing, red as an angry heathen god.
"When the moon came up red like that, the Aztecs used to sacrifice their prisoners on the temple top," Percy announced.
"Go on, Perce. You got that out of Golden Days. Do you believe that, Arthur?" I appealed.
Arthur answered, quite seriously: "Like as not. The moon was one of their gods. When my father was in Mexico City he saw the stone where they used to sacrifice their prisoners."
As we dropped down by the fire again some one asked whether the Mound-Builders were older than the Aztecs. When we once got upon the Mound-Builders we never willingly got away from them, and we were still conjecturing when we heard a loud splash in the water.
"Must have been a big cat jumping," said Fritz. "They do sometimes. They must see bugs in the dark. Look what a track the moon makes!"
There was a long, silvery streak on the water, and where the current fretted over a big log it boiled up like gold pieces.
"Suppose there ever was any gold hid away in this old river?" Fritz asked. He lay like a little brown Indian, close to the fire, his chin on his hand and his bare feet in the air. His brother laughed at him, but Arthur took his suggestion seriously.
"Some of the Spaniards thought there was gold up here somewhere. Seven cities chuck full of gold, they had it, and Coronado and his men came up to hunt it. The Spaniards were all over this country once."
Percy looked interested. "Was that before the Mormons went through?"
We all laughed at this.
"Long enough before. Before the Pilgrim Fathers, Perce. Maybe they came along this very river. They always followed the watercourses."
"I wonder where this river really does begin?" Tip mused. That was an old and a favorite mystery which the map did not clearly explain. On the map the little black line stopped somewhere in western Kansas; but since rivers generally rose in mountains, it was only reasonable to suppose that ours came from the Rockies. Its destination, we knew, was the Missouri, and the Hassler boys always maintained that we could embark at Sandtown in flood-time, follow our noses, and eventually arrive at New Orleans. Now they took up their old argument. "If us boys had grit enough to try it, it wouldn't take no time to get to Kansas City and St. Joe."
We began to talk about the places we wanted to go to. The Hassler boys wanted to see the stock-yards in Kansas City, and Percy wanted to see a big store in Chicago. Arthur was interlocutor and did not betray himself.
"Now it's your turn, Tip."
Tip rolled over on his elbow and poked the fire, and his eyes looked shyly out of his queer, tight little face. "My place is awful far away. My uncle Bill told me about it."
Tip's Uncle Bill was a wanderer, bitten with mining fever, who had drifted into Sandtown with a broken arm, and when it was well had drifted out again.
"Where is it?"
"Aw, it's down in New Mexico somewheres. There aren't no railroads or anything. You have to go on mules, and you run out of water before you get there and have to drink canned tomatoes."
"Well, go on, kid. What's it like when you do get there?"
Tip sat up and excitedly began his story.
"There's a big red rock there that goes right up out of the sand for about nine hundred feet. The country's flat all around it, and this here rock goes up all by itself, like a monument. They call it the Enchanted Bluff down there, because no white man has ever been on top of it. The sides are smooth rock, and straight up, like a wall. The Indians say that hundreds of years ago, before the Spaniards came, there was a village away up there in the air. The tribe that lived there had some sort of steps, made out of wood and bark, hung down over the face of the bluff, and the braves went down to hunt and carried water up in big jars swung on their backs. They kept a big supply of water and dried meat up there, and never went down except to hunt. They were a peaceful tribe that made cloth and pottery, and they went up there to get out of the wars. You see, they could pick off any war party that tried to get up their little steps. The Indians say they were a handsome people, and they had some sort of a queer religion. Uncle Bill thinks they were Cliff-Dwellers who had got into trouble and left home. They weren't fighters, anyhow.
"One time the braves were down hunting and an awful storm came up—a kind of waterspout—and when they got back to their rock they found their little staircase had been all broken to pieces, and only a few steps were left hanging away up in the air. While they were camped at the foot of the rock, wondering what to do, a war party from the north came along and massacred 'em to a man, with all the old folks and women looking on from the rock. Then the war party went on south and left the village to get down the best way they could. Of course they never got down. They starved to death up there, and when the war party came back on their way north, they could hear the children crying from the edge of the bluff where they had crawled out, but they didn't see a sign of a grown Indian, and nobody has ever been up there since."
We exclaimed at this dolorous legend and sat up.
"There couldn't have been many people up there," Percy demurred. "How big is the top, Tip?"
"Oh, pretty big. Big enough so that the rock doesn't look nearly as tall as it is. The top's bigger than the base. The bluff is sort of worn away for several hundred feet up. That's one reason it's so hard to climb."
I asked how the Indians got up, in the first place.
"Nobody knows how they got up or when. A hunting party came along once and saw that there was a town up there, and that was all."
Otto rubbed his chin and looked thoughtful. "Of course there must be some way to get up there. Couldn't people get a rope over someway and pull a ladder up?"
Tip's little eyes were shining with excitement. "I know a way. Me and Uncle Bill talked it all over. There's a kind of rocket that would take a rope over—life-savers use 'em—and then you could hoist a rope-ladder and peg it down at the bottom and make it tight with guy-ropes on the other side. I'm going to climb that there bluff, and I've got it all planned out."
Fritz asked what he expected to find when he got up there.
"Bones, maybe, or the ruins of their town, or pottery, or some of their idols. There might be 'most anything up there. Anyhow, I want to see."
"Sure nobody else has been up there, Tip?" Arthur asked.
"Dead sure. Hardly anybody ever goes down there. Some hunters tried to cut steps in the rock once, but they didn't get higher than a man can reach. The Bluff's all red granite, and Uncle Bill thinks it's a boulder the glaciers left. It's a queer place, anyhow. Nothing but cactus and desert for hundreds of miles, and yet right under the bluff there's good water and plenty of grass. That's why the bison used to go down there."
Suddenly we heard a scream above our fire, and jumped up to see a dark, slim bird floating southward far above us—a whooping-crane, we knew by her cry and her long neck. We ran to the edge of the island, hoping we might see her alight, but she wavered southward along the rivercourse until we lost her. The Hassler boys declared that by the look of the heavens it must be after midnight, so we threw more wood on our fire, put on our jackets, and curled down in the warm sand. Several of us pretended to doze, but I fancy we were really thinking about Tip's Bluff and the extinct people. Over in the wood the ring-doves were calling mournfully to one another, and once we heard a dog bark, far away. "Somebody getting into old Tommy's melon patch," Fritz murmured, sleepily, but nobody answered him. By and by Percy spoke out of the shadow.
"Say, Tip, when you go down there will you take me with you?"
"Maybe."
"Suppose one of us beats you down there, Tip?"
"Whoever gets to the Bluff first has got to promise to tell the rest of us exactly what he finds," remarked one of the Hassler boys, and to this we all readily assented.
Somewhat reassured, I dropped off to sleep. I must have dreamed about a race for the Bluff, for I awoke in a kind of fear that other people were getting ahead of me and that I was losing my chance. I sat up in my damp clothes and looked at the other boys, who lay tumbled in uneasy attitudes about the dead fire. It was still dark, but the sky was blue with the last wonderful azure of night. The stars glistened like crystal globes, and trembled as if they shone through a depth of clear water. Even as I watched, they began to pale and the sky brightened. Day came suddenly, almost instantaneously. I turned for another look at the blue night, and it was gone. Everywhere the birds began to call, and all manner of little insects began to chirp and hop about in the willows. A breeze sprang up from the west and brought the heavy smell of ripened corn. The boys rolled over and shook themselves. We stripped and plunged into the river just as the sun came up over the windy bluffs.
When I came home to Sandtown at Christmas time, we skated out to our island and talked over the whole project of the Enchanted Bluff, renewing our resolution to find it.
* * * * *
Although that was twenty years ago, none of us have ever climbed the Enchanted Bluff. Percy Pound is a stockbroker in Kansas City and will go nowhere that his red touring-car cannot carry him. Otto Hassler went on the railroad and lost his foot braking; after which he and Fritz succeeded their father as the town tailors.
Arthur sat about the sleepy little town all his life—he died before he was twenty-five. The last time I saw him, when I was home on one of my college vacations, he was sitting in a steamer-chair under a cottonwood tree in the little yard behind one of the two Sandtown saloons. He was very untidy and his hand was not steady, but when he rose, unabashed, to greet me, his eyes were as clear and warm as ever. When I had talked with him for an hour and heard him laugh again, I wondered how it was that when Nature had taken such pains with a man, from his hands to the arch of his long foot, she had ever lost him in Sandtown. He joked about Tip Smith's Bluff, and declared he was going down there just as soon as the weather got cooler; he thought the Grand Canyon might be worth while, too.
I was perfectly sure when I left him that he would never get beyond the high plank fence and the comfortable shade of the cottonwood. And, indeed, it was under that very tree that he died one summer morning.
Tip Smith still talks about going to New Mexico. He married a slatternly, unthrifty country girl, has been much tied to a perambulator, and has grown stooped and gray from irregular meals and broken sleep. But the worst of his difficulties are now over, and he has, as he says, come into easy water. When I was last in Sandtown I walked home with him late one moonlight night, after he had balanced his cash and shut up his store. We took the long way around and sat down on the schoolhouse steps, and between us we quite revived the romance of the lone red rock and the extinct people. Tip insists that he still means to go down there, but he thinks now he will wait until his boy, Bert, is old enough to go with him. Bert has been let into the story, and thinks of nothing but the Enchanted Bluff.
Harper's, April 1909
The Joy of Nelly Deane
Nell and I were almost ready to go on for the last act of "Queen Esther," and we had for the moment got rid of our three patient dressers, Mrs. Dow, Mrs. Freeze, and Mrs. Spinny. Nell was peering over my shoulder into the little cracked looking-glass that Mrs. Dow had taken from its nail on her kitchen wall and brought down to the church under her shawl that morning. When she realized that we were alone, Nell whispered to me in the quick, fierce way she had:
"Say, Peggy, won't you go up and stay with me to-night? Scott Spinny's asked to take me home, and I don't want to walk up with him alone."
"I guess so, if you'll ask my mother."
"Oh, I'll fix her!" Nell laughed, with a toss of her head which meant that she usually got what she wanted, even from people much less tractable than my mother.
In a moment our tiring-women were back again. The three old ladies—at least they seemed old to us—fluttered about us, more agitated than we were ourselves. It seemed as though they would never leave off patting Nell and touching her up. They kept trying things this way and that, never able in the end to decide which way was best. They wouldn't hear to her using rouge, and as they powdered her neck and arms, Mrs. Freeze murmured that she hoped we wouldn't get into the habit of using such things. Mrs. Spinny divided her time between pulling up and tucking down the "illusion" that filled in the square neck of Nelly's dress. She didn't like things much low, she said; but after she had pulled it up, she stood back and looked at Nell thoughtfully through her glasses. While the excited girl was reaching for this and that, buttoning a slipper, pinning down a curl, Mrs. Spinny's smile softened more and more until, just before Esther made her entrance, the old lady tiptoed up to her and softly tucked the illusion down as far as it would go.
"She's so pink; it seems a pity not," she whispered apologetically to Mrs. Dow.
Every one admitted that Nelly was the prettiest girl in Riverbend, and the gayest—oh, the gayest! When she was not singing, she was laughing. When she was not laid up with a broken arm, the outcome of a foolhardy coasting feat, or suspended from school because she ran away at recess to go buggy-riding with Guy Franklin, she was sure to be up to mischief of some sort. Twice she broke through the ice and got soused in the river because she never looked where she skated or cared what happened so long as she went fast enough. After the second of these duckings our three dressers declared that she was trying to be a Baptist despite herself.
Mrs. Spinny and Mrs. Freeze and Mrs. Dow, who were always hovering about Nelly, often whispered to me their hope that she would eventually come into our church and not "go with the Methodists"; her family were Wesleyans. But to me these artless plans of theirs never wholly explained their watchful affection. They had good daughters themselves,—except Mrs. Spinny, who had only the sullen Scott,—and they loved their plain girls and thanked God for them. But they loved Nelly differently. They were proud of her pretty figure and yellow-brown eyes, which dilated so easily and sparkled with a kind of golden effervescence. They were always making pretty things for her, always coaxing her to come to the sewing-circle, where she knotted her thread, and put in the wrong sleeve, and laughed and chattered and said a great many things that she should not have said, and somehow always warmed their hearts. I think they loved her for her unquenchable joy.
All the Baptist ladies liked Nell, even those who criticized her most severely, but the three who were first in fighting the battles of our little church, who held it together by their prayers and the labor of their hands, watched over her as they did over Mrs. Dow's century-plant before it blossomed. They looked for her on Sunday morning and smiled at her as she hurried, always a little late, up to the choir. When she rose and stood behind the organ and sang "There Is a Green Hill," one could see Mrs. Dow and Mrs. Freeze settle back in their accustomed seats and look up at her as if she had just come from that hill and had brought them glad tidings.
It was because I sang contralto, or, as we said, alto, in the Baptist choir that Nell and I became friends. She was so gay and grown up, so busy with parties and dances and picnics, that I would scarcely have seen much of her had we not sung together. She liked me better than she did any of the older girls, who tried clumsily to be like her, and I felt almost as solicitous and admiring as did Mrs. Dow and Mrs. Spinny. I think even then I must have loved to see her bloom and glow, and I loved to hear her sing, in "The Ninety and Nine,"
But one was out on the hills away
in her sweet, strong voice. Nell had never had a singing lesson, but she had sung from the time she could talk, and Mrs. Dow used fondly to say that it was singing so much that made her figure so pretty.
After I went into the choir it was found to be easier to get Nelly to choir practice. If I stopped outside her gate on my way to church and coaxed her, she usually laughed, ran in for her hat and jacket, and went along with me. The three old ladies fostered our friendship, and because I was "quiet," they esteemed me a good influence for Nelly. This view was propounded in a sewing-circle discussion and, leaking down to us through our mothers, greatly amused us. Dear old ladies! It was so manifestly for what Nell was that they loved her, and yet they were always looking for "influences" to change her.
The "Queen Esther" performance had cost us three months of hard practice, and it was not easy to keep Nell up to attending the tedious rehearsals. Some of the boys we knew were in the chorus of Assyrian youths, but the solo cast was made up of older people, and Nell found them very poky. We gave the cantata in the Baptist church on Christmas eve, "to a crowded house," as the Riverbend "Messenger" truly chronicled. The country folk for miles about had come in through a deep snow, and their teams and wagons stood in a long row at the hitch-bars on each side of the church door. It was certainly Nelly's night, for however much the tenor—he was her schoolmaster, and naturally thought poorly of her—might try to eclipse her in his dolorous solos about the rivers of Babylon, there could be no doubt as to whom the people had come to hear—and to see.
After the performance was over, our fathers and mothers came back to the dressing-rooms—the little rooms behind the baptistry where the candidates for baptism were robed—to congratulate us, and Nell persuaded my mother to let me go home with her. This arrangement may not have been wholly agreeable to Scott Spinny, who stood glumly waiting at the baptistry door; though I used to think he dogged Nell's steps not so much for any pleasure he got from being with her as for the pleasure of keeping other people away. Dear little Mrs. Spinny was perpetually in a state of humiliation on account of his bad manners, and she tried by a very special tenderness to make up to Nelly for the remissness of her ungracious son.
Scott was a spare, muscular fellow, good-looking, but with a face so set and dark that I used to think it very like the castings he sold. He was taciturn and domineering, and Nell rather liked to provoke him. Her father was so easy with her that she seemed to enjoy being ordered about now and then. That night, when every one was praising her and telling her how well she sang and how pretty she looked, Scott only said, as we came out of the dressing-room:
"Have you got your high shoes on?"
"No; but I've got rubbers on over my low ones. Mother doesn't care."
"Well, you just go back and put 'em on as fast as you can."
Nell made a face at him and ran back, laughing. Her mother, fat, comfortable Mrs. Deane, was immensely amused at this.
"That's right, Scott," she chuckled. "You can do enough more with her than I can. She walks right over me an' Jud."
Scott grinned. If he was proud of Nelly, the last thing he wished to do was to show it. When she came back he began to nag again. "What are you going to do with all those flowers? They'll freeze stiff as pokers."
"Well, there won't none of your flowers freeze, Scott Spinny, so there!" Nell snapped. She had the best of him that time, and the Assyrian youths rejoiced. They were most of them high-school boys, and the poorest of them had "chipped in" and sent all the way to Denver for Queen Esther's flowers. There were bouquets from half a dozen townspeople, too, but none from Scott. Scott was a prosperous hardware merchant and notoriously penurious, though he saved his face, as the boys said, by giving liberally to the church.
"There's no use freezing the fool things, anyhow. You get me some newspapers, and I'll wrap 'em up." Scott took from his pocket a folded copy of the Riverbend "Messenger" and began laboriously to wrap up one of the bouquets. When we left the church door he bore three large newspaper bundles, carrying them as carefully as if they had been so many newly frosted wedding-cakes, and left Nell and me to shift for ourselves as we floundered along the snow-burdened sidewalk.
Although it was after midnight, lights were shining from many of the little wooden houses, and the roofs and shrubbery were so deep in snow that Riverbend looked as if it had been tucked down into a warm bed. The companies of people, all coming from church, tramping this way and that toward their homes and calling "Good night" and "Merry Christmas" as they parted company, all seemed to us very unusual and exciting.
When we got home, Mrs. Deane had a cold supper ready, and Jud Deane had already taken off his shoes and fallen to on his fried chicken and pie. He was so proud of his pretty daughter that he must give her her Christmas presents then and there, and he went into the sleeping-chamber behind the dining-room and from the depths of his wife's closet brought out a short sealskin jacket and a round cap and made Nelly put them on.
Mrs. Deane, who sat busy between a plate of spice cake and a tray piled with her famous whipped-cream tarts, laughed inordinately at his behavior.
"Ain't he worse than any kid you ever see? He's been running to that closet like a cat shut away from her kittens. I wonder Nell ain't caught on before this. I did think he'd make out now to keep 'em till Christmas morning; but he's never made out to keep anything yet."
That was true enough, and fortunately Jud's inability to keep anything seemed always to present a highly humorous aspect to his wife. Mrs. Deane put her heart into her cooking, and said that so long as a man was a good provider she had no cause to complain. Other people were not so charitable toward Jud's failing. I remember how many strictures were passed upon that little sealskin and how he was censured for his extravagance. But what a public-spirited thing, after all, it was for him to do! How, the winter through, we all enjoyed seeing Nell skating on the river or running about the town with the brown collar turned up about her bright cheeks and her hair blowing out from under the round cap! "No seal," Mrs. Dow said, "would have begrudged it to her. Why should we?" This was at the sewing-circle, when the new coat was under grave discussion.
At last Nelly and I got up-stairs and undressed, and the pad of Jud's slippered feet about the kitchen premises—where he was carrying up from the cellar things that might freeze—ceased. He called "Good night, daughter," from the foot of the stairs, and the house grew quiet. But one is not a prima donna the first time for nothing, and it seemed as if we could not go to bed. Our light must have burned long after every other in Riverbend was out. The muslin curtains of Nell's bed were drawn back; Mrs. Deane had turned down the white counterpane and taken off the shams and smoothed the pillows for us. But their fair plumpness offered no temptation to two such hot young heads. We could not let go of life even for a little while. We sat and talked in Nell's cozy room, where there was a tiny, white fur rug—the only one in Riverbend—before the bed; and there were white sash curtains, and the prettiest little desk and dressing-table I had ever seen. It was a warm, gay little room, flooded all day long with sunlight from east and south windows that had climbing-roses all about them in summer. About the dresser were photographs of adoring high-school boys; and one of Guy Franklin, much groomed and barbered, in a dress-coat and a boutonniere. I never liked to see that photograph there. The home boys looked properly modest and bashful on the dresser, but he seemed to be staring impudently all the time.
I knew nothing definite against Guy, but in Riverbend all "traveling-men" were considered worldly and wicked. He traveled for a Chicago dry-goods firm, and our fathers didn't like him because he put extravagant ideas into our mothers' heads. He had very smooth and nattering ways, and he introduced into our simple community a great variety of perfumes and scented soaps, and he always reminded me of the merchants in Caesar, who brought into Gaul "those things which effeminate the mind," as we translated that delightfully easy passage.
Nell was silting before the dressing-table in her nightgown, holding the new fur coat and rubbing her cheek against it, when I saw a sudden gleam of tears in her eyes. "You know, Peggy," she said in her quick, impetuous way, "this makes me feel bad. I've got a secret from my daddy."
I can see her now, so pink and eager, her brown hair in two springy braids down her back, and her eyes shining with tears and with something even softer and more tremulous.
"I'm engaged, Peggy," she whispered, "really and truly."
She leaned forward, unbuttoning her nightgown, and there on her breast, hung by a little gold chain about her neck, was a diamond ring—Guy Franklin's solitaire; every one in Riverbend knew it well.
"I'm going to live in Chicago, and take singing lessons, and go to operas, and do all those nice things—oh, everything! I know you don't like him, Peggy, but you know you are a kid. You'll see how it is yourself when you grow up. He's so different from our boys, and he's just terribly in love with me. And then, Peggy,"—flushing all down over her soft shoulders,—"I'm awfully fond of him, too. Awfully."
"Are you, Nell, truly?" I whispered. She seemed so changed to me by the warm light in her eyes and that delicate suffusion of color. I felt as I did when I got up early on picnic mornings in summer, and saw the dawn come up in the breathless sky above the river meadows and make all the cornfields golden.
"Sure I do, Peggy; don't look so solemn. It's nothing to look that way about, kid. It's nice." She threw her arms about me suddenly and hugged me.
"I hate to think about your going so far away from us all, Nell."
"Oh, you'll love to come and visit me. Just you wait."
She began breathlessly to go over things Guy Franklin had told her about Chicago, until I seemed to see it all looming up out there under the stars that kept watch over our little sleeping town. We had neither of us ever been to a city, but we knew what it would be like. We heard it throbbing like great engines, and calling to us, that far-away world. Even after we had opened the windows and scurried into bed, we seemed to feel a pulsation across all the miles of snow. The winter silence trembled with it, and the air was full of something new that seemed to break over us in soft waves. In that snug, warm little bed I had a sense of imminent change and danger. I was somehow afraid for Nelly when I heard her breathing so quickly beside me, and I put my arm about her protectingly as we drifted toward sleep.
* * * * *
In the following spring we were both graduated from the Riverbend high school, and I went away to college. My family moved to Denver, and during the next four years I heard very little of Nelly Deane. My life was crowded with new people and new experiences, and I am afraid I held her little in mind. I heard indirectly that Jud Deane had lost what little property he owned in a luckless venture in Cripple Creek, and that he had been able to keep his house in Riverbend only through the clemency of his creditors. Guy Franklin had his route changed and did not go to Riverbend any more. He married the daughter of a rich cattle-man out near Long Pine, and ran a dry-goods store of his own. Mrs. Dow wrote me a long letter about once a year, and in one of these she told me that Nelly was teaching in the sixth grade in the Riverbend school.
"Dear Nelly does not like teaching very well. The children try her, and she is so pretty it seems a pity for her to be tied down to uncongenial employment. Scott is still very attentive, and I have noticed him look up at the window of Nelly's room in a very determined way as he goes home to dinner. Scott continues prosperous; he has made money during these hard times and now owns both our hardware stores. He is close, but a very honorable fellow. Nelly seems to hold off, but I think Mrs. Spinny has hopes. Nothing would please her more. If Scott were more careful about his appearance, it would help. He of course gets black about his business, and Nelly, you know, is very dainty. People do say his mother does his courting for him, she is so eager. If only Scott does not turn out hard and penurious like his father! We must all have our schooling in this life, but I don't want Nelly's to be too severe. She is a dear girl, and keeps her color."
Mrs. Dow's own schooling had been none too easy. Her husband had long been crippled with rheumatism, and was bitter and faultfinding. Her daughters had married poorly, and one of her sons had fallen into evil ways. But her letters were always cheerful, and in one of them she gently remonstrated with me because I "seemed inclined to take a sad view of life."
In the winter vacation of my senior year I stopped on my way home to visit Mrs. Dow. The first thing she told me when I got into her old buckboard at the station was that "Scott had at last prevailed," and that Nelly was to marry him in the spring. As a preliminary step, Nelly was about to join the Baptist church. "Just think, you will be here for her baptizing! How that will please Nelly! She is to be immersed to-morrow night."
I met Scott Spinny in the post-office that morning, and he gave me a hard grip with one black hand. There was something grim and saturnine about his powerful body and bearded face and his strong, cold hands. I wondered what perverse fate had driven him for eight years to dog the footsteps of a girl whose charm was due to qualities naturally distasteful to him. It still seems strange to me that in easy-going Riverbend, where there were so many boys who could have lived contentedly enough with my little grasshopper, it was the pushing ant who must have her and all her careless ways.
By a kind of unformulated etiquette one did not call upon candidates for baptism on the day of the ceremony, so I had my first glimpse of Nelly that evening. The baptistry was a cemented pit directly under the pulpit rostrum, over which we had our stage when we sang "Queen Esther." I sat through the sermon somewhat nervously. After the minister, in his long, black gown, had gone down into the water and the choir had finished singing, the door from the dressing-room opened, and, led by one of the deacons, Nelly came down the steps into the pool. Oh, she looked so little and meek and chastened! Her white cashmere robe clung about her, and her brown hair was brushed straight back and hung in two soft braids from a little head bent humbly. As she stepped down into the water I shivered with the cold of it, and I remembered sharply how much I had loved her. She went down until the water was well above her waist, and stood white and small, with her hands crossed on her breast, while the minister said the words about being buried with Christ in baptism. Then, lying in his arm, she disappeared under the dark water. "It will be like that when she dies," I thought, and a quick pain caught my heart. The choir began to sing "Washed in the Blood of the Lamb" as she rose again, the door behind the baptistry opened, revealing those three dear guardians, Mrs. Dow, Mrs. Freeze, and Mrs. Spinny, and she went up into their arms.
I went to see Nell next day, up in the little room of many memories. Such a sad, sad visit! She seemed changed—a little embarrassed and quietly despairing. We talked of many of the old Riverbend girls and boys, but she did not mention Guy Franklin or Scott Spinny, except to say that her father had got work in Scott's hardware store. She begged me, putting her hands on my shoulders with something of her old impulsiveness, to come and stay a few days with her. But I was afraid—afraid of what she might tell me and of what I might say. When I sat in that room with all her trinkets, the foolish harvest of her girlhood, lying about, and the white curtains and the little white rug, I thought of Scott Spinny with positive terror and could feel his hard grip on my hand again. I made the best excuse I could about having to hurry on to Denver; but she gave me one quick look, and her eyes ceased to plead. I saw that she understood me perfectly. We had known each other so well. Just once, when I got up to go and had trouble with my veil, she laughed her old merry laugh and told me there were some things I would never learn, for all my schooling.
The next day, when Mrs. Dow drove me down to the station to catch the morning train for Denver, I saw Nelly hurrying to school with several books under her arm. She had been working up her lessons at home, I thought. She was never quick at her books, dear Nell.
* * * * *
It was ten years before I again visited Riverbend. I had been in Rome for a long time, and had fallen into bitter homesickness. One morning, sitting among the dahlias and asters that bloom so bravely upon those gigantic heaps of earth-red ruins that were once the palaces of the Caesars, I broke the seal of one of Mrs. Dow's long yearly letters. It brought so much sad news that I resolved then and there to go home to Riverbend, the only place that had ever really been home to me. Mrs. Dow wrote me that her husband, after years of illness, had died in the cold spell last March. "So good and patient toward the last," she wrote, "and so afraid of giving extra trouble." There was another thing she saved until the last. She wrote on and on, dear woman, about new babies and village improvements, as if she could not bear to tell me; and then it came:
"You will be sad to hear that two months ago our dear Nelly left us. It was a terrible blow to us all. I cannot write about it yet, I fear. I wake up every morning feeling that I ought to go to her. She went three days after her little boy was born. The baby is a fine child and will live, I think, in spite of everything. He and her little girl, now eight years old, whom she named Margaret, after you, have gone to Mrs. Spinny's. She loves them more than if they were her own. It seems as if already they had made her quite young again. I wish you could see Nelly's children."
Ah, that was what I wanted, to see Nelly's children! The wish came aching from my heart along with the bitter homesick tears; along with a quick, torturing recollection that flashed upon me, as I looked about and tried to collect myself, of how we two had sat in our sunny seat in the corner of the old bare school-room one September afternoon and learned the names of the seven hills together. In that place, at that moment, after so many years, how it all came back to me—the warm sun on my back, the chattering girl beside me, the curly hair, the laughing yellow eyes, the stubby little finger on the page! I felt as if even then, when we sat in the sun with our heads together, it was all arranged, written out like a story, that at this moment I should be sitting among the crumbling bricks and drying grass, and she should be lying in the place I knew so well, on that green hill far away.
* * * * *
Mrs. Dow sat with her Christmas sewing in the familiar sitting-room, where the carpet and the wall-paper and the table-cover had all faded into soft, dull colors, and even the chromo of Hagar and Ishmael had been toned to the sobriety of age. In the bay-window the tall wire flower-stand still bore its little terraces of potted plants, and the big fuchsia and the Martha Washington geranium had blossomed for Christmas-tide. Mrs. Dow herself did not look greatly changed to me. Her hair, thin ever since I could remember it, was now quite white, but her spare, wiry little person had all its old activity, and her eyes gleamed with the old friendliness behind her silver-bowed glasses. Her gray house-dress seemed just like those she used to wear when I ran in after school to take her angel-food cake down to the church supper.
The house sat on a hill, and from behind the geraniums I could see pretty much all of Riverbend, tucked down in the soft snow, and the air above was full of big, loose flakes, falling from a gray sky which betokened settled weather. Indoors the hard-coal burner made a tropical temperature, and glowed a warm orange from its isinglass sides. We sat and visited, the two of us, with a great sense of comfort and completeness. I had reached Riverbend only that morning, and Mrs. Dow, who had been haunted by thoughts of shipwreck and suffering upon wintry seas, kept urging me to draw nearer to the fire and suggesting incidental refreshment. We had chattered all through the winter morning and most of the afternoon, taking up one after another of the Riverbend girls and boys, and agreeing that we had reason to be well satisfied with most of them. Finally, after a long pause in which I had listened to the contented ticking of the clock and the crackle of the coal, I put the question I had until then held back:
"And now, Mrs. Dow, tell me about the one we loved best of all. Since I got your letter I've thought of her every day. Tell me all about Scott and Nelly."
The tears flashed behind her glasses, and she smoothed the little pink bag on her knee.
"Well, dear, I'm afraid Scott proved to be a hard man, like his father. But we must remember that Nelly always had Mrs. Spinny. I never saw anything like the love there was between those two. After Nelly lost her own father and mother, she looked to Mrs. Spinny for everything. When Scott was too unreasonable, his mother could 'most always prevail upon him. She never lifted a hand to fight her own battles with Scott's father, but she was never afraid to speak up for Nelly. And then Nelly took great comfort of her little girl. Such a lovely child!"
"Had she been very ill before the little baby came?"
"No, Margaret; I'm afraid 't was all because they had the wrong doctor. I feel confident that either Doctor Tom or Doctor Jones could have brought her through. But, you see, Scott had offended them both, and they'd stopped trading at his store, so he would have young Doctor Fox, a boy just out of college and a stranger. He got scared and didn't know what to do. Mrs. Spinny felt he wasn't doing right, so she sent for Mrs. Freeze and me. It seemed like Nelly had got discouraged. Scott would move into their big new house before the plastering was dry, and though 't was summer, she had taken a terrible cold that seemed to have drained her, and she took no interest in fixing the place up. Mrs. Spinny had been down with her back again and wasn't able to help, and things was just anyway. We won't talk about that, Margaret; I think 't would hurt Mrs. Spinny to have you know. She nearly died of mortification when she sent for us, and blamed her poor back. We did get Nelly fixed up nicely before she died. I prevailed upon Doctor Tom to come in at the last, and it 'most broke his heart. 'Why, Mis' Dow,' he said, 'if you'd only have come and told me how 't was, I'd have come and carried her right off in my arms.'"
"Oh, Mrs. Dow," I cried, "then it needn't have been?"
Mrs. Dow dropped her needle and clasped her hands quickly. "We mustn't look at it that way, dear," she said tremulously and a little sternly; "we mustn't let ourselves. We must just feel that our Lord wanted her then, and took her to Himself. When it was all over, she did look so like a child of God, young and trusting, like she did on her baptizing night, you remember?"
I felt that Mrs. Dow did not want to talk any more about Nelly then, and, indeed, I had little heart to listen; so I told her I would go for a walk, and suggested that I might stop at Mrs. Spinny's to see the children.
Mrs. Dow looked up thoughtfully at the clock. "I doubt if you'll find little Margaret there now. It's half-past four, and she'll have been out of school an hour and more. She'll be most likely coasting on Lupton's Hill. She usually makes for it with her sled the minute she is out of the school-house door. You know, it's the old hill where you all used to slide. If you stop in at the church about six o'clock, you'll likely find Mrs. Spinny there with the baby. I promised to go down and help Mrs. Freeze finish up the tree, and Mrs. Spinny said she'd run in with the baby, if 't wasn't too bitter. She won't leave him alone with the Swede girl. She's like a young woman with her first."
Lupton's Hill was at the other end of town, and when I got there the dusk was thickening, drawing blue shadows over the snowy fields. There were perhaps twenty children creeping up the hill or whizzing down the packed sled-track. When I had been watching them for some minutes, I heard a lusty shout, and a little red sled shot past me into the deep snow-drift beyond. The child was quite buried for a moment, then she struggled out and stood dusting the snow from her short coat and red woolen comforter. She wore a brown fur cap, which was too big for her and of an old-fashioned shape, such as girls wore long ago, but I would have known her without the cap. Mrs. Dow had said a beautiful child, and there would not be two like this in Riverbend. She was off before I had time to speak to her, going up the hill at a trot, her sturdy little legs plowing through the trampled snow. When she reached the top she never paused to take breath, but threw herself upon her sled and came down with a whoop that was quenched only by the deep drift at the end.
"Are you Margaret Spinny?" I asked as she struggled out in a cloud of snow.
"Yes, 'm." She approached me with frank curiosity, pulling her little sled behind her. "Are you the strange lady staying at Mrs. Dow's?" I nodded, and she began to look my clothes over with respectful interest.
"Your grandmother is to be at the church at six o'clock, isn't she?"
"Yes, 'm."
"Well, suppose we walk up there now. It's nearly six, and all the other children are going home." She hesitated, and looked up at the faintly gleaming track on the hill-slope. "Do you want another slide? Is that it?" I asked.
"Do you mind?" she asked shyly.
"No. I'll wait for you. Take your time; don't run."
Two little boys were still hanging about the slide, and they cheered her as she came down, her comforter streaming in the wind.
"Now," she announced, getting up out of the drift, "I'll show you where the church is."
"Shall I tie your comforter again?"
"No, 'm, thanks. I'm plenty warm." She put her mittened hand confidingly in mine and trudged along beside me.
Mrs. Dow must have heard us tramping up the snowy steps of the church, for she met us at the door. Every one had gone except the old ladies. A kerosene lamp flickered over the Sunday-school chart, with the lesson-picture of the Wise Men, and the little barrel-stove threw out a deep glow over the three white heads that bent above the baby. There the three friends sat, patting him, and smoothing his dress, and playing with his hands, which made theirs look so brown.
"You ain't seen nothing finer in all your travels," said Mrs. Spinny, and they all laughed.
They showed me his full chest and how strong his back was; had me feel the golden fuzz on his head, and made him look at me with his round, bright eyes. He laughed and reared himself in my arms as I took him up and held him close to me. He was so warm and tingling with life, and he had the flush of new beginnings, of the new morning and the new rose. He seemed to have come so lately from his mother's heart! It was as if I held her youth and all her young joy. As I put my cheek down against his, he spied a pink flower in my hat, and making a gleeful sound, he lunged at it with both fists.
"Don't let him spoil it," murmured Mrs. Spinny. "He loves color so—like Nelly."
Century, October 1911
The Bohemian Girl
The Trans-continental Express swung along the windings of the Sand River Valley, and in the rear seat of the observation car a young man sat greatly at his ease, not in the least discomfited by the fierce sunlight which beat in upon his brown face and neck and strong back. There was a look of relaxation and of great passivity about his broad shoulders, which seemed almost too heavy until he stood up and squared them. He wore a pale flannel shirt and a blue silk necktie with loose ends. His trousers were wide and belted at the waist, and his short sack-coat hung open. His heavy shoes had seen good service. His reddish-brown hair, like his clothes, had a foreign cut. He had deep-set, dark blue eyes under heavy reddish eyebrows. His face was kept clean only by close shaving, and even the sharpest razor left a glint of yellow in the smooth brown of his skin. His teeth and the palms of his hands were very white. His head, which looked hard and stubborn, lay indolently in the green cushion of the wicker chair, and as he looked out at the ripe summer country a teasing, not unkindly smile played over his lips. Once, as he basked thus comfortably, a quick light flashed in his eyes, curiously dilating the pupils, and his mouth became a hard, straight line, gradually relaxing into its former smile of rather kindly mockery. He told himself, apparently, that there was no point in getting excited; and he seemed a master hand at taking his ease when he could. Neither the sharp whistle of the locomotive nor the brakeman's call disturbed him. It was not until after the train had stopped that he rose, put on a Panama hat, took from the rack a small valise and a flute-case, and stepped deliberately to the station platform. The baggage was already unloaded, and the stranger presented a check for a battered sole-leather steamer-trunk.
"Can you keep it here for a day or two?" he asked the agent. "I may send for it, and I may not."
"Depends on whether you like the country, I suppose?" demanded the agent in a challenging tone.
"Just so."
The agent shrugged his shoulders, looked scornfully at the small trunk, which was marked "N.E.," and handed out a claim check without further comment. The stranger watched him as he caught one end of the trunk and dragged it into the express room. The agent's manner seemed to remind him of something amusing. "Doesn't seem to be a very big place," he remarked, looking about.
"It's big enough for us," snapped the agent, as he banged the trunk into a corner.
That remark, apparently, was what Nils Ericson had wanted. He chuckled quietly as he took a leather strap from his pocket and swung his valise around his shoulder. Then he settled his Panama securely on his head, turned up his trousers, tucked the flute-case under his arm, and started off across the fields. He gave the town, as he would have said, a wide berth, and cut through a great fenced pasture, emerging, when he rolled under the barbed wire at the farther corner, upon a white dusty road which ran straight up from the river valley to the high prairies, where the ripe wheat stood yellow and the tin roofs and weather-cocks were twinkling in the fierce sunlight. By the time Nils had done three miles, the sun was sinking and the farm-wagons on their way home from town came rattling by, covering him with dust and making him sneeze. When one of the farmers pulled up and offered to give him a lift, he clambered in willingly. The driver was a thin, grizzled old man with a long lean neck and a foolish sort of beard, like a goat's. "How fur ye goin'?" he asked, as he clucked to his horses and started off.
"Do you go by the Ericson place?"
"Which Ericson?" The old man drew in his reins as if he expected to stop again.
"Preacher Ericson's."
"Oh, the Old Lady Ericson's!" He turned and looked at Nils. "La, me! If you're goin' out there you might 'a' rid out in the automobile. That's a pity, now. The Old Lady Ericson was in town with her auto. You might 'a' heard it snortin' anywhere about the post-office er the butcher-shop."
"Has she a motor?" asked the stranger absently.
"'Deed an' she has! She runs into town every night about this time for her mail and meat for supper. Some folks say she's afraid her auto won't get exercise enough, but I say that's jealousy."
"Aren't there any other motors about here?"
"Oh, yes! we have fourteen in all. But nobody else gets around like the Old Lady Ericson. She's out, rain er shine, over the whole county, chargin' into town and out amongst her farms, an' up to her sons' places. Sure you ain't goin' to the wrong place?" He craned his neck and looked at Nils' flute-case with eager curiosity. "The old woman ain't got any piany that I knows on. Olaf, he has a grand. His wife's musical; took lessons in Chicago."
"I'm going up there to-morrow," said Nils imperturbably. He saw that the driver took him for a piano-tuner.
"Oh, I see!" The old man screwed up his eyes mysteriously. He was a little dashed by the stranger's non-communicativeness, but he soon broke out again.
"I'm one o' Mis' Ericson's tenants. Look after one of her places. I did own the place myself oncet, but I lost it a while back, in the bad years just after the World's Fair. Just as well, too, I say. Lets you out o' payin' taxes. The Ericsons do own most of the county now. I remember the old preacher's fav'rite text used to be, 'To them that hath shall be given.' They've spread something wonderful—run over this here country like bindweed. But I ain't one that begretches it to 'em. Folks is entitled to what they kin git; and they're hustlers. Olaf, he's in the Legislature now, and a likely man fur Congress. Listen, if that ain't the old woman comin' now. Want I should stop her?" |
|