"Lo! he comes!" she cried. "Save me! ah, save me! I am so young to die."

Then Perseus darted high above her and for an instant hung poised like a hawk that is about to strike. Then, like the hawk that cannot miss its prey, swiftly did he swoop down and smote with his sword the devouring monster of the ocean. Not once, but again and again he smote, until all the water round the rock was churned into slime and blood-stained froth, and until his loathsome combatant floated on its back, mere carrion for the scavengers of the sea.

Then Perseus hewed off the chains that held Andromeda, and in his arms he held her tenderly as he flew with her to her father's land.

Who so grateful then as the king and queen of Ethiopia? and who so happy as Andromeda? for Perseus, her deliverer, dearest and greatest hero to her in all the world, not only had given her her freedom, but had given her his heart.

Willingly and joyfully her father agreed to give her to Perseus for his wife. No marriage feast so splendid had ever been held in Ethiopia in the memory of man, but as it went on, an angry man with a band of sullen-faced followers strode into the banqueting-hall. It was Phineus, he who had been betrothed to Andromeda, yet who had not dared to strike a blow for her rescue. Straight at Perseus they rushed, and fierce was the fight that then began. But of a sudden, from the goatskin where it lay hid, Perseus drew forth the head of Medusa, and Phineus and his warriors were turned into stone.

For seven days the marriage feast lasted, but on the eighth night Pallas Athene came to Perseus in a dream.

"Nobly and well hast thou played the hero, O son of Zeus!" she said; "but now that thy toil is near an end and thy sorrows have ended in joy, I come to claim the shoes of Hermes, the helmet of Pluto, the sword, and the shield that is mine own. Yet the head of the Gorgon must thou yet guard awhile, for I would have it laid in my temple at Seriphos that I may wear it on my shield for evermore."

As she ceased to speak, Perseus awoke, and lo, the shield and helmet and the sword and winged shoes were gone, so that he knew that his dream was no false vision.

Then did Perseus and Andromeda, in a red-prowed galley made by cunning craftsmen from Phoenicia, sail away westward, until at length they came to the blue water of the AEgean Sea, and saw rising out of the waves before them the rocks of Seriphos. And when the rowers rested on their long oars, and the red-prowed ship ground on the pebbles of the beach, Perseus and his bride sought Danae, the fair mother of Perseus.

Black grew the brow of the son of Danae when she told him what cruel things she had suffered in his absence from the hands of Polydectes the king. Straight to the palace Perseus strode, and there found the king and his friends at their revels. For seven years had Perseus been away, and now it was no longer a stripling who stood in the palace hall, but a man in stature and bearing like one of the gods. Polydectes alone knew him, and from his wine he looked up with mocking gaze.

"So thou hast returned? oh nameless son of a deathless god," he said. "Thou didst boast, but methinks thy boast was an empty one!"

But even as he spoke, the jeering smile froze on his face, and the faces of those who sat with him stiffened in horror.

"O king," Perseus said, "I swore that, the gods helping me, thou shouldst have the head of Medusa. The gods have helped me. Behold the Gorgon's head."

Wild horror in their eyes, Polydectes and his friends gazed on the unspeakable thing, and as they gazed they turned into stone—a ring of grey stones that still sit on a hillside of Seriphos.

With his wife and his mother, Perseus then sailed away, for he had a great longing to take Danae back to the land of her birth and to see if her father, Acrisius, still lived and might not now repent of his cruelty to her and to his grandson. But there he found that the sins of Acrisius had been punished and that he had been driven from his throne and his own land by a usurper. Not for long did the sword of Perseus dwell in its scabbard, and speedily was the usurper cast forth, and all the men of Argos acclaimed Perseus as their glorious king. But Perseus would not be their king.

"I go to seek Acrisius," he said. "My mother's father is your king."

Again his galley sailed away, and at last, up the long Euboean Sea they came to the town of Larissa, where the old king now dwelt.

A feast and sports were going on when they got there, and beside the king of the land sat Acrisius, an aged man, yet a kingly one indeed.

And Perseus thought, "If I, a stranger, take part in the sports and carry away prizes from the men of Larissa, surely the heart of Acrisius must soften towards me."

Thus did he take off his helmet and cuirass, and stood unclothed beside the youths of Larissa, and so godlike was he that they all said, amazed, "Surely this stranger comes from Olympus and is one of the Immortals."

In his hand he took a discus, and full five fathoms beyond those of the others he cast it, and a great shout arose from those who watched, and Acrisius cried out as loudly as all the rest.

"Further still!" they cried. "Further still canst thou hurl! thou art a hero indeed!"

And Perseus, putting forth all his strength, hurled once again, and the discus flew from his hand like a bolt from the hand of Zeus. The watchers held their breath and made ready for a shout of delight as they saw it speed on, further than mortal man had ever hurled before. But joy died in their hearts when a gust of wind caught the discus as it sped and hurled it against Acrisius, the king. And with a sigh like the sigh that passes through the leaves of a tree as the woodman fells it and it crashes to the earth, so did Acrisius fall and lie prone. To his side rushed Perseus, and lifted him tenderly in his arms. But the spirit of Acrisius had fled. And with a great cry of sorrow Perseus called to the people:

"Behold me! I am Perseus, grandson of the man I have slain! Who can avoid the decree of the gods?"

For many a year thereafter Perseus reigned as king, and to him and to his fair wife were born four sons and three daughters. Wisely and well he reigned, and when, at a good old age, Death took him and the wife of his heart, the gods, who had always held him dear, took him up among the stars to live for ever and ever. And there still, on clear and starry nights, we may see him holding the Gorgon's head. Near him are the father and mother of Andromeda—Cepheus and Cassiopeia, and close beside him stands Andromeda with her white arms spread out across the blue sky as in the days when she stood chained to the rock. And those who sail the watery ways look up for guidance to one whose voyaging is done and whose warfare is accomplished, and take their bearings from the constellation of Cassiopeia.



NIOBE

"... Like Niobe, all tears."

Shakespeare.

The quotation is an overworked quotation, like many another of those from Hamlet; yet, have half of those whose lips utter it more than the vaguest acquaintance with the story of Niobe and the cause of her tears? The noble group—attributed to Praxiteles—of Niobe and her last remaining child, in the Uffizi Palace at Florence, has been so often reproduced that it also has helped to make the anguished figure of the Theban queen a familiar one in pictorial tragedy, so that as long as the works of those Titans of art, Shakespeare and Praxiteles, endure, no other monument is wanted for the memory of Niobe.

Like many of the tales of mythology, her tragedy is a story of vengeance wreaked upon a mortal by an angry god. She was the daughter of Tantalus, and her husband was Amphion, King of Thebes, himself a son of Zeus. To her were born seven fair daughters and seven beautiful and gallant sons, and it was not because of her own beauty, nor her husband's fame, nor their proud descent and the greatness of their kingdom, that the Queen of Thebes was arrogant in her pride. Very sure she was that no woman had ever borne children like her own children, whose peers were not to be found on earth nor in heaven. Even in our own day there are mortal mothers who feel as Niobe felt.

But amongst the Immortals there was also a mother with children whom she counted as peerless. Latona, mother of Apollo and Diana, was magnificently certain that in all time, nor in eternity to come, could there be a son and daughter so perfect in beauty, in wisdom, and in power as the two that were her own. Loudly did she proclaim her proud belief, and when Niobe heard it she laughed in scorn.

"The goddess has a son and a daughter," she said. "Beautiful and wise and powerful they may be, but I have borne seven daughters and seven sons, and each son is more than the peer of Apollo, each daughter more than the equal of Diana, the moon-goddess!"

And to her boastful words Latona gave ear, and anger began to grow in her heart.

Each year the people of Thebes were wont to hold a great festival in honour of Latona and her son and daughter, and it was an evil day for Niobe when she came upon the adoring crowd that, laurel-crowned, bore frankincense to lay before the altars of the gods whose glories they had assembled together to celebrate.

"Oh foolish ones!" she said, and her voice was full of scorn, "am I not greater than Latona? I am the daughter of a goddess, my husband, the king, the son of a god. Am I not fair? am I not queenly as Latona herself? And, of a surety, I am richer by far than the goddess who has but one daughter and one son. Look on my seven noble sons! behold the beauty of my seven daughters, and see if they in beauty and all else do not equal the dwellers in Olympus!"

And when the people looked, and shouted aloud, for in truth Niobe and her children were like unto gods, their queen said, "Do not waste thy worship, my people. Rather make the prayers to thy king and to me and to my children who buttress us round and make our strength so great, that fearlessly we can despise the gods."

In her home on the Cynthian mountain top, Latona heard the arrogant words of the queen of Thebes, and even as a gust of wind blows smouldering ashes into a consuming fire, her growing anger flamed into rage. She called Apollo and Diana to her, and commanded them to avenge the blasphemous insult which had been given to them and to their mother. And the twin gods listened with burning hearts.

"Truly shalt thou be avenged!" cried Apollo. "The shameless one shall learn that not unscathed goes she who profanes the honour of the mother of the deathless gods!"

And with their silver bows in their hands, Apollo, the smiter from afar, and Diana, the virgin huntress, hasted to Thebes. There they found all the noble youths of the kingdom pursuing their sports. Some rode, some were having chariot-races, and excelling in all things were the seven sons of Niobe.

Apollo lost no time. A shaft from his quiver flew, as flies a bolt from the hand of Zeus, and the first-born of Niobe fell, like a young pine broken by the wind, on the floor of his winning chariot. His brother, who followed him, went on the heels of his comrade swiftly down to the Shades. Two of the other sons of Niobe were wrestling together, their great muscles moving under the skin of white satin that covered their perfect bodies, and as they gripped each other, yet another shaft was driven from the bow of Apollo, and both lads fell, joined by one arrow, on the earth, and there breathed their lives away.

Their elder brother ran to their aid, and to him, too, came death, swift and sure. The two youngest, even as they cried for mercy to an unknown god, were hurried after them by the unerring arrows of Apollo. The cries of those who watched this terrible slaying were not long in bringing Niobe to the place where her sons lay dead. Yet, even then, her pride was unconquered, and she defied the gods, and Latona, to whose jealousy she ascribed the fate of her "seven spears."

"Not yet hast thou conquered, Latona!" she cried. "My seven sons lie dead, yet to me still remain the seven perfect lovelinesses that I have borne. Try to match them, if thou canst, with the beauty of thy two! Still am I richer than thou, O cruel and envious mother of one daughter and one son!"

But even as she spoke, Diana had drawn her bow, and as the scythe of a mower quickly cuts down, one after the other, the tall white blossoms in the meadow, so did her arrows slay the daughters of Niobe. When one only remained, the pride of Niobe was broken. With her arms round the little slender frame of her golden-haired youngest born, she looked up to heaven, and cried upon all the gods for mercy.

"She is so little!" she wailed. "So young—so dear! Ah, spare me one," she said, "only one out of so many!"

But the gods laughed. Like a harsh note of music sounded the twang of Diana's bow. Pierced by a silver arrow, the little girl lay dead. The dignity of Latona was avenged.

Overwhelmed by despair, King Amphion killed himself, and Niobe was left alone to gaze on the ruin around her. For nine days she sat, a Greek Rachel, weeping for her children and refusing to be comforted, because they were not. On the tenth day, the sight was too much even for the superhuman hearts of the gods to endure. They turned the bodies into stone and themselves buried them. And when they looked on the face of Niobe and saw on it a bleeding anguish that no human hand could stay nor the word of any god comfort, the gods were merciful. Her grief was immortalised, for Niobe, at their will, became a stone, and was carried by a wailing tempest to the summit of Mount Sipylus, in Lydia, where a spring of Argos bore her name. Yet although a rock was Niobe, from her blind eyes of stone the tears still flowed, a clear stream of running water, symbol of a mother's anguish and never-ending grief.



HYACINTHUS

... "The sad death Of Hyacinthus, when the cruel breath Of Zephyr slew him—Zephyr penitent Who now, ere Phoebus mounts the firmament, Fondles the flower amid the sobbing rain."

Keats.

"Whom the gods love die young"—truly it would seem so, as we read the old tales of men and of women beloved of the gods. To those men who were deemed worthy of being companions of the gods, seemingly no good fortune came. Yet, after all, if even in a brief span of life they had tasted god-given happiness, was their fate one to be pitied? Rather let us keep our tears for those who, in a colourless grey world, have seen the dull days go past laden with trifling duties, unnecessary cares and ever-narrowing ideals, and have reached old age and the grave—no narrower than their lives—without ever having known a fulness of happiness, such as the Olympians knew, or ever having dared to reach upwards and to hold fellowship with the Immortals.

Hyacinthus was a Spartan youth, son of Clio, one of the Muses, and of the mortal with whom she had mated, and from mother, or father, or from the gods themselves, he had received the gift of beauty. It chanced one day that as Apollo drove his chariot on its all-conquering round, he saw the boy. Hyacinthus was as fair to look upon as the fairest of women, yet he was not only full of grace, but was muscular, and strong as a straight young pine on Mount Olympus that fears not the blind rage of the North Wind nor the angry tempests of the South.

When Apollo had spoken with him he found that the face of Hyacinthus did not belie the heart within him, and gladly the god felt that at last he had found the perfect companion, the ever courageous and joyous young mate, whose mood was always ready to meet his own. Did Apollo desire to hunt, with merry shout Hyacinthus called the hounds. Did the great god deign to fish, Hyacinthus was ready to fetch the nets and to throw himself, whole-souled, into the great affair of chasing and of landing the silvery fishes. When Apollo wished to climb the mountains, to heights so lonely that not even the moving of an eagle's wing broke the everlasting stillness, Hyacinthus—his strong limbs too perfect for the chisel of any sculptor worthily to reproduce—was ready and eager for the climb. And when, on the mountain top, Apollo gazed in silence over illimitable space, and watched the silver car of his sister Diana rising slowly into the deep blue of the sky, silvering land and water as she passed, it was never Hyacinthus who was the first to speak—with words to break the spell of Nature's perfect beauty, shared in perfect companionship. There were times, too, when Apollo would play his lyre, and when naught but the music of his own making could fulfil his longing. And when those times came, Hyacinthus would lie at the feet of his friend—of the friend who was a god—and would listen, with eyes of rapturous joy, to the music that his master made. A very perfect friend was this friend of the sun-god.

Nor was it Apollo alone who desired the friendship of Hyacinthus. Zephyrus, god of the South Wind, had known him before Apollo crossed his path and had eagerly desired him for a friend. But who could stand against Apollo? Sulkily Zephyrus marked their ever-ripening friendship, and in his heart jealousy grew into hatred, and hatred whispered to him of revenge. Hyacinthus excelled at all sports, and when he played quoits it was sheer joy for Apollo, who loved all things beautiful, to watch him as he stood to throw the disc, his taut muscles making him look like Hermes, ready to spurn the cumbering earth from off his feet. Further even than the god, his friend, could Hyacinthus throw, and always his merry laugh when he succeeded made the god feel that nor man nor god could ever grow old. And so there came that day, fore-ordained by the Fates, when Apollo and Hyacinthus played a match together. Hyacinthus made a valiant throw, and Apollo took his place, and cast the discus high and far. Hyacinthus ran forward eager to measure the distance, shouting with excitement over a throw that had indeed been worthy of a god. Thus did Zephyrus gain his opportunity. Swiftly through the tree-tops ran the murmuring South Wind, and smote the discus of Apollo with a cruel hand. Against the forehead of Hyacinthus it dashed, smiting the locks that lay upon it, crashing through skin and flesh and bone, felling him to the earth. Apollo ran towards him and raised him in his arms. But the head of Hyacinthus fell over on the god's shoulder, like the head of a lily whose stem is broken. The red blood gushed to the ground, an unquenchable stream, and darkness fell on the eyes of Hyacinthus, and, with the flow of his life's blood, his gallant young soul passed away.

"Would that I could die for thee, Hyacinthus!" cried the god, his god's heart near breaking. "I have robbed thee of thy youth. Thine is the suffering, mine the crime. I shall sing thee ever—oh perfect friend! And evermore shalt thou live as a flower that will speak to the hearts of men of spring, of everlasting youth—of life that lives forever."

As he spoke, there sprang from the blood-drops at his feet a cluster of flowers, blue as the sky in spring, yet hanging their heads as if in sorrow.[4]



And still, when winter is ended, and the song of birds tell us of the promise of spring, if we go to the woods, we find traces of the vow of the sun-god. The trees are budding in buds of rosy hue, the willow branches are decked with silvery catkins powdered with gold. The larches, like slender dryads, wear a feathery garb of tender green, and under the trees of the woods the primroses look up, like fallen stars. Along the woodland path we go, treading on fragrant pine-needles and on the beech leaves of last year that have not yet lost their radiant amber. And, at a turn of the way, the sun-god suddenly shines through the great dark branches of the giants of the forest, and before us lies a patch of exquisite blue, as though a god had robbed the sky and torn from it a precious fragment that seems alive and moving, between the sun and the shadow.

And, as we look, the sun caresses it, and the South Wind gently moves the little bell-shaped flowers of the wild hyacinth as it softly sweeps across them. So does Hyacinthus live on; so do Apollo and Zephyrus still love and mourn their friend.

FOOTNOTE:

[4] Legend says that on the petals of the hyacinth Apollo transcribed the letters "Ai,"—"Alas!"



KING MIDAS OF THE GOLDEN TOUCH

In the plays of Shakespeare we have three distinct divisions—three separate volumes. One deals with Tragedy, another with Comedy, a third with History; and a mistake made by the young in their aspect of life is that they do the same thing, and keep tragedy and comedy severely apart, relegating them to separate volumes that, so they think, have nothing to do with each other. But those who have passed many milestones on the road know that "History" is the only right label for the Book of Life's many parts, and that the actors in the great play are in truth tragic comedians.

This is the story of Midas, one of the chief tragic comedians of mythology.

Once upon a time the kingdom of Phrygia lacked a king, and in much perplexity, the people sought help from an oracle. The answer was very definite:

"The first man who enters your city riding in a car shall be your king."

That day there came slowly jogging into the city in their heavy, wooden-wheeled wain, the peasant Gordias and his wife and son, whose destination was the marketplace, and whose business was to sell the produce of their little farm and vineyard—fowls, a goat or two, and a couple of skinsful of strong, purple-red wine. An eager crowd awaited their entry, and a loud shout of welcome greeted them. And their eyes grew round and their mouths fell open in amaze when they were hailed as King and Queen and Prince of Phrygia.

The gods had indeed bestowed upon Gordias, the low-born peasant, a surprising gift, but he showed his gratitude by dedicating his wagon to the deity of the oracle and tying it up in its place with the wiliest knot that his simple wisdom knew, pulled as tight as his brawny arms and strong rough hands could pull. Nor could anyone untie the famous Gordian knot, and therefore become, as the oracle promised, lord of all Asia, until centuries had passed, and Alexander the Great came to Phrygia and sliced through the knot with his all-conquering sword.

In time Midas, the son of Gordias, came to inherit the throne and crown of Phrygia. Like many another not born and bred to the purple, his honours sat heavily upon him. From the day that his father's wain had entered the city amidst the acclamations of the people, he had learned the value of power, and therefore, from his boyhood onward, power, always more power, was what he coveted. Also his peasant father had taught him that gold could buy power, and so Midas ever longed for more gold, that could buy him a place in the world that no descendant of a long race of kings should be able to contest. And from Olympus the gods looked down and smiled, and vowed that Midas should have the chance of realising his heart's desire.

Therefore one day when he and his court were sitting in the solemn state that Midas required, there rode into their midst, tipsily swaying on the back of a gentle full-fed old grey ass, ivy-crowned, jovial and foolish, the satyr Silenus, guardian of the young god Bacchus.

With all the deference due to the friend of a god Midas treated this disreputable old pedagogue, and for ten days and nights on end he feasted him royally. On the eleventh day Bacchus came in search of his preceptor, and in deep gratitude bade Midas demand of him what he would, because he had done Silenus honour when to dishonour him lay in his power.

Not even for a moment did Midas ponder.

"I would have gold," he said hastily—"much gold. I would have that touch by which all common and valueless things become golden treasures."

And Bacchus, knowing that here spoke the son of peasants who many times had gone empty to bed after a day of toilful striving on the rocky uplands of Phrygia, looked a little sadly in the eager face of Midas, and answered: "Be it as thou wilt. Thine shall be the golden touch."

Then Bacchus and Silenus went away, a rout of singing revellers at their heels, and Midas quickly put to proof the words of Bacchus.

An olive tree grew near where he stood, and from it he picked a little twig decked with leaves of softest grey, and lo, it grew heavy as he held it, and glittered like a piece of his crown. He stooped to touch the green turf on which some fragrant violets grew, and turf grew into cloth of gold, and violets lost their fragrance and became hard, solid, golden things. He touched an apple whose cheek grew rosy in the sun, and at once it became like the golden fruit in the Garden of the Hesperides. The stone pillars of his palace as he brushed past them on entering, blazed like a sunset sky. The gods had not deceived him. Midas had the Golden Touch. Joyously he strode into the palace and commanded a feast to be prepared—a feast worthy of an occasion so magnificent.

But when Midas, with the healthy appetite of the peasant-born, would have eaten largely of the savoury food that his cooks prepared, he found that his teeth only touched roast kid to turn it into a slab of gold, that garlic lost its flavour and became gritty as he chewed, that rice turned into golden grains, and curdled milk became a dower fit for a princess, entirely unnegotiable for the digestion of man. Baffled and miserable, Midas seized his cup of wine, but the red wine had become one with the golden vessel that held it; nor could he quench his thirst, for even the limpid water from the fountain was melted gold when it touched his dry lips. Only for a very few days was Midas able to bear the affliction of his wealth. There was nothing now for him to live for. He could buy the whole earth if he pleased, but even children shrank in terror from his touch, and hungry and thirsty and sick at heart he wearily dragged along his weighty robes of gold. Gold was power, he knew well, yet of what worth was gold while he starved? Gold could not buy him life and health and happiness.

In despair, at length he cried to the god who had given him the gift that he hated.

"Save me, O Bacchus!" he said. "A witless one am I, and the folly of my desire has been my undoing. Take away from me the accursed Golden Touch, and faithfully and well shall I serve thee forever."

Then Bacchus, very pitiful for him, told Midas to go to Sardis, the chief city of his worshippers, and to trace to its source the river upon which it was built. And in that pool, when he found it, he was to plunge his head, and so he would, for evermore, be freed from the Golden Touch.

It was a long journey that Midas then took, and a weary and a starving man was he when at length he reached the spring where the river Pactolus had its source. He crawled forward, and timidly plunged in his head and shoulders. Almost he expected to feel the harsh grit of golden water, but instead there was the joy he had known as a peasant boy when he laved his face and drank at a cool spring when his day's toil was ended. And when he raised his face from the pool, he knew that his hateful power had passed from him, but under the water he saw grains of gold glittering in the sand, and from that time forth the river Pactolus was noted for its gold.

One lesson the peasant king had learnt by paying in suffering for a mistake, but there was yet more suffering in store for the tragic comedian.

He had now no wish for golden riches, nor even for power. He wished to lead the simple life and to listen to the pipings of Pan along with the goat-herds on the mountains or the wild creatures in the woods. Thus it befell that he was present one day at a contest between Pan and Apollo himself. It was a day of merry-making for nymphs and fauns and dryads, and all those who lived in the lonely solitudes of Phrygia came to listen to the music of the god who ruled them. For as Pan sat in the shade of a forest one night and piped on his reeds until the very shadows danced, and the water of the stream by which he sat leapt high over the mossy stones it passed, and laughed aloud in its glee, the god had so gloried in his own power that he cried:

"Who speaks of Apollo and his lyre? Some of the gods may be well pleased with his music, and mayhap a bloodless man or two. But my music strikes to the heart of the earth itself. It stirs with rapture the very sap of the trees, and awakes to life and joy the innermost soul of all things mortal."

Apollo heard his boast, and heard it angrily.

"Oh, thou whose soul is the soul of the untilled ground!" he said, "wouldst thou place thy music, that is like the wind in the reeds, beside my music, which is as the music of the spheres?"

And Pan, splashing with his goat's feet amongst the water-lilies of the stream on the bank of which he sat, laughed loudly and cried:

"Yea, would I, Apollo! Willingly would I play thee a match—thou on thy golden lyre—I on my reeds from the river."

Thus did it come to pass that Apollo and Pan matched against each other their music, and King Midas was one of the judges.

First of all Pan took his fragile reeds, and as he played, the leaves on the trees shivered, and the sleeping lilies raised their heads, and the birds ceased their song to listen and then flew straight to their mates. And all the beauty of the world grew more beautiful, and all its terror grew yet more grim, and still Pan piped on, and laughed to see the nymphs and the fauns first dance in joyousness and then tremble in fear, and the buds to blossom, and the stags to bellow in their lordship of the hills. When he ceased, it was as though a tensely-drawn string had broken, and all the earth lay breathless and mute. And Pan turned proudly to the golden-haired god who had listened as he had spoken through the hearts of reeds to the hearts of men.

"Canst, then, make music like unto my music, Apollo?" he said.

Then Apollo, his purple robes barely hiding the perfection of his limbs, a wreath of laurel crowning his yellow curls, looked down at Pan from his godlike height and smiled in silence. For a moment his hand silently played over the golden strings of his lyre, and then his finger-tips gently touched them. And every creature there who had a soul, felt that that soul had wings, and the wings sped them straight to Olympus. Far away from all earth-bound creatures they flew, and dwelt in magnificent serenity amongst the Immortals. No longer was there strife, or any dispeace. No more was there fierce warring between the actual and the unknown. The green fields and thick woods had faded into nothingness, and their creatures, and the fair nymphs and dryads, and the wild fauns and centaurs longed and fought no more, and man had ceased to desire the impossible. Throbbing nature and passionately desiring life faded into dust before the melody that Apollo called forth, and when his strings had ceased to quiver and only the faintly remembered echo of his music remained, it was as though the earth had passed away and all things had become new.

For the space of many seconds all was silence.

Then, in low voice, Apollo asked:

"Ye who listen—who is the victor?"

And earth and sea and sky, and all the creatures of earth and sky, and of the deep, replied as one:

"The victory is thine, Divine Apollo."

Yet was there one dissentient voice.

Midas, sorely puzzled, utterly un-understanding, was relieved when the music of Apollo ceased. "If only Pan would play again," he murmured to himself. "I wish to live, and Pan's music gives me life. I love the woolly vine-buds and the fragrant pine-leaves, and the scent of the violets in the spring. The smell of the fresh-ploughed earth is dear to me, the breath of the kine that have grazed in the meadows of wild parsley and of asphodel. I want to drink red wine and to eat and love and fight and work and be joyous and sad, fierce and strong, and very weary, and to sleep the dead sleep of men who live only as weak mortals do."

Therefore he raised his voice, and called very loud: "Pan's music is sweeter and truer and greater than the music of Apollo. Pan is the victor, and I, King Midas, give him the victor's crown!"

With scorn ineffable the sun-god turned upon Midas, his peasant's face transfigured by his proud decision. For a little he gazed at him in silence, and his look might have turned a sunbeam to an icicle.

Then he spoke:

"The ears of an ass have heard my music," he said. "Henceforth shall Midas have ass's ears."

And when Midas, in terror, clapped his hands to his crisp black hair, he found growing far beyond it, the long, pointed ears of an ass. Perhaps what hurt him most, as he fled away, was the shout of merriment that came from Pan. And fauns and nymphs and satyrs echoed that shout most joyously.

Willingly would he have hidden in the woods, but there he found no hiding-place. The trees and shrubs and flowering things seemed to shake in cruel mockery. Back to his court he went and sent for the court hairdresser, that he might bribe him to devise a covering for these long, peaked, hairy symbols of his folly. Gladly the hairdresser accepted many and many oboli, many and many golden gifts, and all Phrygia wondered, while it copied, the strange headdress of the king.

But although much gold had bought his silence, the court barber was unquiet of heart. All day and all through the night he was tormented by his weighty secret. And then, at length, silence was to him a torture too great to be borne; he sought a lonely place, there dug a deep hole, and, kneeling by it, softly whispered to the damp earth: "King Midas has ass's ears."

Greatly relieved, he hastened home, and was well content until, on the spot where his secret lay buried, rushes grew up. And when the winds blew through them, the rushes whispered for all those who passed by to hear: "King Midas has ass's ears! King Midas has ass's ears!" Those who listen very carefully to what the green rushes in marshy places whisper as the wind passes through them, may hear the same thing to this day. And those who hear the whisper of the rushes may, perhaps, give a pitying thought to Midas—the tragic comedian of mythology.



CEYX AND HALCYONE

"St. Martin's summer, halcyon days."

King Henry VI, i. 2, 131.

"Halcyon days"—how often is the expression made use of, how seldom do its users realise from whence they have borrowed it.

"These were halcyon days," says the old man, and his memory wanders back to a time when for him

"All the world is young, lad, And all the trees are green; And every goose a swan, lad, And every lass a queen."

Yet the story of Halcyone is one best to be understood by the heavy-hearted woman who wanders along the bleak sea-beach and strains her weary eyes for the brown sail of the fishing-boat that will never more return.

Over the kingdom of Thessaly, in the days of long ago, there reigned a king whose name was Ceyx, son of Hesperus, the Day Star, and almost as radiant in grace and beauty as was his father. His wife was the fair Halcyone, daughter of AEolus, ruler of the winds, and most perfectly did this king and queen love one another. Their happiness was unmarred until there came a day when Ceyx had to mourn for the loss of a brother. Following close on the heels of this disaster came direful prodigies which led Ceyx to fear that in some way he must have incurred the hostility of the gods. To him there was no way in which to discover wherein lay his fault, and to make atonement for it, but by going to consult the oracle of Apollo at Claros, in Ionia. When he told Halcyone what he must do, she knew well that she must not try to turn him from his solemn purpose, yet there hung over her heart a black shadow of fear and of evil foreboding that no loving words of assurance could drive away. Most piteously she begged him to take her with him, but the king knew too well the dangers of the treacherous AEgean Sea to risk on it the life of the woman that he loved so well.

"I promise," he said, "by the rays of my Father the Day Star, that if fate permits I will return before the moon shall have twice rounded her orb."

Down by the shore the sailors of King Ceyx awaited his coming, and when with passionately tender love he and Halcyone had taken farewell of each other, the rowers sat down on the benches and dipped their long oars into the water.

With rhythmic swing they drove the great ship over the grey sea, while Ceyx stood on deck and gazed back at his wife until his eyes could no longer distinguish her from the rocks on the shore, nor could she any longer see the white sails of the ship as it crested the restless waves. Heavier still was her heart when she turned away from the shore, and yet more heavy it grew as the day wore on and dark night descended. For the air was full of the clamorous wailings of the fierce winds whose joy it is to lash the waves into rage and to strew with dead men and broken timber the angry, surf-beaten shore.

"My King," she sighed to herself. "My King! my Own!" And through the weary hours she prayed to the gods to bring him safely back to her, and many times she offered fragrant incense to Juno, protectress of women, that she might have pity on a woman whose husband and true lover was out in the storm, a plaything for ruthless winds and waves.

A helpless plaything was the king of Thessaly. Long ere the dim evening light had made of the shore of his own land a faint, grey line, the white-maned horses of Poseidon, king of the seas, began to rear their heads, and as night fell, a black curtain, blotting out every landmark, and all home-like things, the East Wind rushed across the AEgean Sea, smiting the sea-horses into madness, seizing the sails with cruel grasp and casting them in tatters before it, snapping the mast as though it were but a dry reed by the river. Before so mighty a tempest no oars could be of any avail, and for a little time only the winds and waves gambolled like a half-sated wolf-pack over their helpless prey. With hungry roar the great weight of black water stove in the deck and swept the sailors out of the ship to choke them in its icy depths; and ever it would lift the wounded thing high up on its foaming white crests, as though to toss it to the dark sky, and ever again would suck it down into the blackness, while the shrieking winds drove it onward with howling taunts and mocking laughter. While life stayed in him, Ceyx thought only of Halcyone. He had no fear, only the fear of the grief his death must bring to her who loved him as he loved her, his peerless queen, his Halcyone. His prayers to the gods were prayers for her. For himself he asked one thing only—that the waves might bear his body to her sight, so that her gentle hands might lay him in his tomb. With shout of triumph that they had slain a king, winds and waves seized him even as he prayed, and the Day Star that was hidden behind the black pall of the sky knew that his son, a brave king and a faithful lover, had gone down to the Shades.

When Dawn, the rosy-fingered, had come to Thessaly, Halcyone, white-faced and tired-eyed, anxiously watched the sea, that still was tossing in half-savage mood. Eagerly she gazed at the place where last the white sail had been seen. Was it not possible that Ceyx, having weathered the gale, might for the present have foregone his voyage to Ionia, and was returning to her to bring peace to her heart? But the sea-beach was strewn with wrack and the winds still blew bits of tattered surf along the shore, and for her there was only the heavy labour of waiting, of waiting and of watching for the ship that never came. The incense from her altars blew out, in heavy sweetness, to meet the bitter-sweet tang of the seaweed that was carried in by the tide, for Halcyone prayed on, fearful, yet hoping that her prayers might still keep safe her man—her king—her lover. She busied herself in laying out the garments he would wear on his return, and in choosing the clothes in which she might be fairest in his eyes. This robe, as blue as the sky in spring—silver-bordered, as the sea in kind mood is bordered with a feathery silver fringe. She could recall just how Ceyx looked when first he saw her wear it. She could hear his very tones as he told her that of all queens she was the peeress, of all women the most beautiful, of all wives the most dear. Almost she forgot the horrors of the night, so certain did it seem that his dear voice must soon again tell her the words that have been love's litany since ever time began.

In the ears of Juno those petitions for him whose dead body was even then being tossed hither and thither by the restless waves, his murderers, came at last to be more than even she could bear. She gave command to her handmaiden Iris to go to the palace of Somnus, god of Sleep and brother of Death, and to bid him send to Halcyone a vision, in the form of Ceyx, to tell her that all her weary waiting was in vain.

In a valley among the black Cimmerian mountains the death-god Somnus had his abode. In her rainbow-hued robes, Iris darted through the sky at her mistress's bidding, tingeing, as she sped through them, the clouds that she passed. It was a silent valley that she reached at last. Here the sun never came, nor was there ever any sound to break the silence. From the ground the noiseless grey clouds, whose work it is to hide the sun and moon, rose softly and rolled away up to the mountain tops and down to the lowest valleys, to work the will of the gods. All around the cave lurked the long dark shadows that bring fear to the heart of children, and that, at nightfall, hasten the steps of the timid wayfarer. No noise was there, but from far down the valley there came a murmur so faint and so infinitely soothing that it was less a sound than of a lullaby remembered in dreams. For past the valley of Sleep flow the waters of Lethe, the river of Forgetfulness. Close up to the door of the cave where dwelt the twin brothers, Sleep and Death, blood-red poppies grew, and at the door itself stood shadowy forms, their fingers on their lips, enjoining silence on all those who would enter in, amaranth-crowned, and softly waving sheaves of poppies that bring dreams from which there is no awakening. There was there no gate with hinges to creak or bars to clang, and into the stilly darkness Iris walked unhindered. From outer cave to inner cave she went, and each cave she left behind was less dark than the one that she entered. In the innermost room of all, on an ebony couch draped with sable curtains, the god of sleep lay drowsing. His garments were black, strewn with golden stars. A wreath of half-opened poppies crowned his sleepy head, and he leaned on the strong shoulder of Morpheus, his favourite son. All round his bed hovered pleasant dreams, gently stooping over him to whisper their messages, like a field of wheat swayed by the breeze, or willows that bow their silver heads and murmur to each other the secrets that no one ever knows. Brushing the idle dreams aside, as a ray of sunshine brushes away the grey wisps of mist that hang to the hillside, Iris walked up to the couch where Somnus lay. The light from her rainbow-hued robe lit up the darkness of the cave, yet Somnus lazily only half-opened his eyes, moved his head so that it rested more easily, and in a sleepy voice asked of her what might be her errand. "Somnus," she said, "gentlest of gods, tranquilliser of minds and soother of careworn hearts, Juno sends you her commands that you despatch a dream to Halcyone in the city of Trachine, representing her lost husband and all the events of the wreck."

Her message delivered, Iris hastened away, for it seemed to her that already her eyelids grew heavy, and that there were creeping upon her limbs, throwing silver dust in her eyes, lulling into peaceful slumber her mind, those sprites born of the blood-red poppies that bring to weary mortals rest and sweet forgetfulness.

Only rousing himself sufficiently to give his orders, Somnus entrusted to Morpheus the task imposed upon him by Juno, and then, with a yawn, turned over on his downy pillow, and gave himself up to exquisite slumber.

When he had winged his way to Trachine, Morpheus took upon himself the form of Ceyx and sought the room where Halcyone slept. She had watched the far horizon many hours that day. For many an hour had she vainly burned incense to the gods. Tired in heart and soul, in body and in mind, she laid herself down on her couch at last, hoping for the gift of sleep. Not long had she slept, in the dead-still sleep that weariness and a stricken heart bring with them, when Morpheus came and stood by her side. He was only a dream, yet his face was the face of Ceyx. Not the radiant, beautiful son of the Day Star was the Ceyx who stood by her now and gazed on her with piteous, pitying dead eyes. His clothing dripped sea-water; in his hair was tangled the weed of the sea, uprooted by the storm. Pale, pale was his face, and his white hands gripped the stones and sand that had failed him in his dying agony.

Halcyone whimpered in her sleep as she looked on him, and Morpheus stooped over her and spoke the words that he had been told to say.

"I am thy husband, Ceyx, Halcyone. No more do prayers and the blue-curling smoke of incense avail me. Dead am I, slain by the storm and the waves. On my dead, white face the skies look down and the restless sea tosses my chill body that still seeks thee, seeking a haven in thy dear arms, seeking rest on thy warm, loving heart."

With a cry Halcyone started up, but Morpheus had fled, and there were no wet footprints nor drops of sea-water on the floor, marking, as she had hoped, the way that her lord had taken. Not again did Sleep visit her that night.

A grey, cold morning dawned and found her on the seashore. As ever, her eyes sought the far horizon, but no white sail, a messenger of hope, was there to greet her. Yet surely she saw something—a black speck, like a ship driven on by the long oars of mariners who knew well the path to home through the watery ways. From far away in the grey it hasted towards her, and then there came to Halcyone the knowledge that no ship was this thing, but a lifeless body, swept onwards by the hurrying waves. Nearer and nearer it came, until at length she could recognise the form of this flotsam and jetsam of the sea. With heart that broke as she uttered the words, she stretched out her arms and cried aloud: "O Ceyx! my Beloved! is it thus that thou returnest to me?"

To break the fierce assaults of sea and of storm there had been built out from the shore a mole, and on to this barrier leapt the distraught Halcyone. She ran along it, and when the dead, white body of the man she loved was still out of reach, she prayed her last prayer—a wordless prayer of anguish to the gods.

"Only let me get near him," she breathed. "Grant only that I nestle close against his dear breast. Let me show him that, living or dead, I am his, and he mine forever."

And to Halcyone a great miracle was then vouchsafed, for from out of her snowy shoulders grew snow-white pinions, and with them she skimmed over the waves until she reached the rigid body of Ceyx, drifting, a helpless burden for the conquering waves, in with the swift-flowing tide. As she flew, she uttered cries of love and of longing, but only strange raucous cries came from the throat that had once only made music. And when she reached the body of Ceyx and would fain have kissed his marble lips, Halcyone found that no longer were her own lips like the petals of a fair red rose warmed by the sun. For the gods had heard her prayer, and her horny beak seemed to the watchers on the shore to be fiercely tearing at the face of him who had been king of Thessaly.



Yet the gods were not merciless—or, perhaps, the love of Halcyone was an all-conquering love. For as the soul of Halcyone had passed into the body of a white-winged sea-bird, so also passed the soul of her husband the king. And for evermore Halcyone and her mate, known as the Halcyon birds, defied the storm and tempest, and proudly breasted, side by side, the angriest waves of the raging seas.

To them, too, did the gods grant a boon: that, for seven days before the shortest day of the year, and for seven days after it, there should reign over the sea a great calm in which Halcyone, in her floating nest, should hatch her young. And to those days of calm and sunshine, the name of the Halcyon Days was given.

And still, as a storm approaches, the white-winged birds come flying inland with shrill cries of warning to the mariners whose ships they pass in their flight.

"Ceyx!" they cry. "Remember Ceyx!"

And hastily the fishermen fill their sails, and the smacks drive homeward to the haven where the blue smoke curls upwards from the chimneys of their homesteads, and where the red poppies are nodding sleepily amongst the yellow corn.

* * * * *

Note.—The kingfisher is commonly known as the real "Halcyon" bird. Of it Socrates says: "The bird is not great, but it has received great honour from the gods because of its lovingness; for while it is making its nest, all the world has the happy days which it calls halcyonidae, excelling all others in their calmness."



ARISTAEUS THE BEE-KEEPER

"... Every sound is sweet; Myriads of rivers hurrying thro' the lawn, The moan of doves in immemorial elms, And murmuring of innumerable bees."

Tennyson.

In the fragrance of the blossom of the limes the bees are gleaning a luscious harvest. Their busy humming sounds like the surf on a reef heard from very far away, and would almost lull to sleep those who lazily, drowsily spend the sunny summer afternoon in the shadow of the trees. That line of bee-hives by the sweet-pea hedge shows where they store their treasure that men may rob them of it, but out on the uplands where the heather is purple, the wild bees hum in and out of the honey-laden bells and carry home their spoils to their own free fastnesses, from which none can drive them unless there comes a foray against them from the brown men of the moors.

How many of us who watch their ardent labours know the story of Aristaeus—he who first brought the art of bee-keeping to perfection in his own dear land of Greece, and whose followers are those men in veils of blue and green, that motley throng who beat fire-irons and create a hideous clamour in order that the queen bee and her excited followers may be checked in their perilous voyagings and beguiled to swarm in the sanctuary of a hive.

Aristaeus was a shepherd, the son of Cyrene, a water nymph, and to him there had come one day, as he listened to the wild bees humming amongst the wild thyme, the great thought that he might conquer these busy workers and make their toil his gain. He knew that hollow trees or a hole in a rock were used as the storage houses of their treasure, and so the wily shepherd lad provided for them the homes he knew that they would covet, and near them placed all the food that they most desired. Soon Aristaeus became noted as a tamer of bees, and even in Olympus they spoke of his honey as a thing that was food for the gods. All might have gone well with Aristaeus had there not come for him the fateful day when he saw the beautiful Eurydice and to her lost his heart. She fled before the fiery protestations of his love, and trod upon the serpent whose bite brought her down to the Shades. The gods were angry with Aristaeus, and as punishment they slew his bees. His hives stood empty and silent, and no more did "the murmuring of innumerable bees" drowse the ears of the herds who watched their flocks cropping the red clover and the asphodel of the meadows.

Underneath the swift-flowing water of a deep river, the nymph who was the mother of Aristaeus sat on her throne. Fishes darted round her white feet, and beside her sat her attendants, spinning the fine strong green cords that twine themselves round the throats of those who perish when their arms can no longer fight against the force of the rushing current. A nymph sang as she worked, an old, old song, that told one of the old, old tales of man's weakness and the power of the creatures of water, but above her song those who listened heard a man's voice, calling loudly and pitifully.

The voice was that of Aristaeus, calling aloud for his mother. Then his mother gave command, and the waters of the river rolled asunder and let Aristaeus pass down far below to where the fountains of the great rivers lie. A mighty roar of many waters dinned in his ears as the rivers started on the race that was to bring them all at last to their restless haven, the Ocean. To Cyrene he came at length, and to her told his sorrowful tale:

"To men who live their little lives and work and die as I myself—though son of a nymph and of a god—must do," he said, "I have brought two great gifts, oh my mother. I have taught them that from the grey olives they can reap a priceless harvest, and from me they have learned that the little brown bees that hum in and out of the flowers may be made slaves that bring to them the sweetest riches of which Nature may be robbed."

"This do I already know, my son," said Cyrene, and smiled upon Aristaeus.

"Yet dost thou not know," said Aristaeus, "the doom that has overtaken my army of busy workers. No longer does there come from my city of bees the boom of many wings and many busy little feet as they fly, swift and strong, hither and thither, to bring back to the hives their honeyed treasure. The comb is empty. The bees are all dead—or, if not dead, they have forsaken me forever."

Then spoke Cyrene. "Hast heard, my son," she said, "of Proteus? It is he who herds the flocks of the boundless sea. On days when the South Wind and the North Wind wrestle together, and when the Wind from the East smites the West Wind in shame before him, thou mayst see him raise his snowy head and long white beard above the grey-green waves of the sea, and lash the white-maned, unbridled, fierce sea-horses into fury before him. Proteus only—none but Proteus—can tell thee by what art thou canst win thy bees back once more."

Then Aristaeus with eagerness questioned his mother how he might find Proteus and gain from him the knowledge that he sought, and Cyrene answered: "No matter how piteously thou dost entreat him, never, save by force, wilt thou gain his secret from Proteus. Only if thou canst chain him by guile as he sleeps and hold fast the chains, undaunted by the shapes into which he has the power to change himself, wilt thou win his knowledge from him."

Then Cyrene sprinkled her son with the nectar of the deathless gods, and in his heart there was born a noble courage and through him a new life seemed to run.

"Lead me now to Proteus, oh my mother!" he said, and Cyrene left her throne and led him to the cave where Proteus, herdsman of the seas, had his dwelling. Behind the seaweed-covered rocks Aristaeus concealed himself, while the nymph used the fleecy clouds for her covering. And when Apollo drove his chariot across the high heavens at noon, and all land and all sea were hot as molten gold, Proteus with his flocks returned to the shade of his great cave by the sobbing sea, and on its sandy floor he stretched himself, and soon lay, his limbs all lax and restful, in the exquisite joy of a dreamless sleep. From behind the rocks Aristaeus watched him, and when, at length, he saw that Proteus slept too soundly to wake gently he stepped forward, and on the sleep-drowsed limbs of Proteus fixed the fetters that made him his captive. Then, in joy and pride at having been the undoing of the shepherd of the seas, Aristaeus shouted aloud. And Proteus, awaking, swiftly turned himself into a wild boar with white tusks that lusted to thrust themselves into the thighs of Aristaeus. But Aristaeus, unflinching, kept his firm hold of the chain. Next did he become a tiger, tawny and velvet black, and fierce to devour. And still Aristaeus held the chain, and never let his eye fall before the glare of the beast that sought to devour him. A scaly dragon came next, breathing out flames, and yet Aristaeus held him. Then came a lion, its yellow pelt scented with the lust of killing, and while Aristaeus yet strove against him there came to terrify his listening ears the sound of fire that lapped up and thirstily devoured all things that would stand against it. And ere the crackle of the flames and their great sigh of fierce desire had ceased, there came in his ears the sound of many waters, the booming rush of an angry river in furious flood, the irresistible command of the almighty waves of the sea. Yet still Aristaeus held the chains, and at last Proteus took his own shape again, and with a sigh like the sigh of winds and waves on the desolate places where ships become wrecks, and men perish and there is never a human soul to save or to pity them, he spoke to Aristaeus.

"Puny one!" he said, "and puny are thy wishes! Because thou didst by thy foolish wooing send the beautiful Eurydice swiftly down to the Shades and break the heart of Orpheus, whose music is the music of the Immortals, the bees that thou hast treasured have left their hives empty and silent. So little are the bees! so great, O Aristaeus, the bliss or woe of Orpheus and Eurydice! Yet, because by guile thou hast won the power to gain from me the knowledge that thou dost seek, hearken to me now, Aristaeus! Four bulls must thou find—four cows of equal beauty. Then must thou build in a leafy grove four altars, and to Orpheus and Eurydice pay such funeral honours as may allay their resentment. At the end of nine days, when thou hast fulfilled thy pious task, return and see what the gods have sent thee."

"This will I do most faithfully, O Proteus," said Aristaeus, and gravely loosened the chains and returned to where his mother awaited him, and thence travelled to his own sunny land of Greece.

Most faithfully, as he had said, did Aristaeus perform his vow. And when, on the ninth day, he returned to the grove of sacrifice, a sound greeted him which made his heart stop and then go on beating and throbbing as the heart of a man who has striven valiantly in a great fight and to whom the battle is assured.

For, from the carcase of one of the animals offered for sacrifice, and whose clean white bones now gleamed in the rays of the sun that forced its way through the thick shade of the grove of grey olives, there came the "murmuring of innumerable bees."

"Out of the eater came forth meat, out of the strong came forth sweetness."

And Aristaeus, a Samson of the old Greek days, rejoiced exceedingly, knowing that his thoughtless sin was pardoned, and that for evermore to him belonged the pride of giving to all men the power of taming bees, the glory of mastering the little brown creatures that pillage from the fragrant, bright-hued flowers their most precious treasure.



PROSERPINE

"Sacred Goddess, Mother Earth, Thou from whose immortal bosom, Gods, and men, and beasts have birth, Leaf and blade, and bud and blossom, Breathe thine influence most divine On thine own child, Proserpine.

If with mists of evening dew Thou dost nourish those young flowers Till they grow, in scent and hue, Fairest children of the hours, Breathe thine influence most divine On thine own child, Proserpine."

Shelley.

The story of Persephone—of Proserpine—is a story of spring. When the sun is warming the bare brown earth, and the pale primroses look up through the snowy blackthorns at a kind, blue sky, almost can we hear the soft wind murmur a name as it gently sways the daffodils and breathes through the honey sweetness of the gold-powdered catkins on the grey willows by the river—"Persephone! Persephone!"

Now once there was a time when there was no spring, neither summer nor autumn, nor chilly winter with its black frosts and cruel gales and brief, dark days. Always was there sunshine and warmth, ever were there flowers and corn and fruit, and nowhere did the flowers grow with more dazzling colours and more fragrant perfume than in the fair garden of Sicily.

To Demeter, the Earth Mother, was born a daughter more fair than any flower that grew, and ever more dear to her became her child, the lovely Proserpine. By the blue sea, in the Sicilian meadows, Proserpine and the fair nymphs who were her companions spent their happy days. Too short were the days for all their joy, and Demeter made the earth yet fairer than it was that she might bring more gladness to her daughter Proserpine. Each day the blossoms that the nymphs twined into garlands grew more perfect in form and in hue, but from the anemones of royal purple and crimson, and the riotous red of geraniums, Proserpine turned one morning with a cry of gladness, for there stood before her beside a little stream, on one erect, slim stem, a wonderful narcissus, with a hundred blossoms. Her eager hand was stretched out to pluck it, when a sudden black cloud overshadowed the land, and the nymphs, with shrieks of fear, fled swiftly away. And as the cloud descended, there was heard a terrible sound, as of the rushing of many waters or the roll of the heavy wheels of the chariot of one who comes to slay. Then was the earth cleft open, and from it there arose the four coal-black horses of Pluto, neighing aloud in their eagerness, while the dark-browed god urged them on, standing erect in his car of gold.

"'The coal-black horses rise—they rise, O mother, mother!' low she cries— Persephone—Persephone! 'O light, light, light!' she cries, 'farewell; The coal-black horses wait for me. O shade of shades, where I must dwell, Demeter, mother, far from thee!'"[5]

In cold, strong arms Pluto seized her—in that mighty grasp that will not be denied, and Proserpine wept childish tears as she shivered at his icy touch, and sobbed because she had dropped the flowers she had picked, and had never picked the flower she most desired. While still she saw the fair light of day, the little oddly-shaped rocky hills, the vineyards and olive groves and flowery meadows of Sicily, she did not lose hope. Surely the King of Terrors could not steal one so young, so happy, and so fair. She had only tasted the joy of living, and fain she would drink deeper in the coming years. Her mother must surely save her—her mother who had never yet failed her—her mother, and the gods.

But ruthless as the mower whose scythe cuts down the seeded grass and the half-opened flower and lays them in swathes on the meadow, Pluto drove on. His iron-coloured reins were loose on the black manes of his horses, and he urged them forward by name till the froth flew from their mouths like the foam that the furious surf of the sea drives before it in a storm. Across the bay and along the bank of the river Anapus they galloped, until, at the river head, they came to the pool of Cyane. He smote the water with his trident, and downward into the blackness of darkness his horses passed, and Proserpine knew no more the pleasant light of day.

"What ails her that she comes not home? Demeter seeks her far and wide, And gloomy-browed doth ceaseless roam From many a morn till eventide. 'My life, immortal though it be, Is nought,' she cries, 'for want of thee, Persephone—Persephone!'"

So, to the great Earth Mother came the pangs that have drawn tears of blood from many a mortal mother's heart for a child borne off to the Shades.

"'My life is nought for want of thee,— Persephone! Persephone!'" ...

The cry is borne down through the ages, to echo and re-echo so long as mothers love and Death is still unchained.

Over land and sea, from where Dawn, the rosy-fingered, rises in the East, to where Apollo cools the fiery wheels of his chariot in the waters of far western seas, the goddess sought her daughter. With a black robe over her head and carrying a flaming torch in either hand, for nine dreary days she sought her loved one. And yet, for nine more weary days and nine sleepless nights the goddess, racked by human sorrow, sat in hopeless misery. The hot sun beat upon her by day. By night the silver rays from Diana's car smote her more gently, and the dew drenched her hair and her black garments and mingled with the saltness of her bitter tears. At the grey dawning of the tenth day her elder daughter, Hecate, stood beside her. Queen of ghosts and shades was she, and to her all dark places of the earth were known.

"Let us go to the Sun God," said Hecate. "Surely he hath seen the god who stole away the little Proserpine. Soon his chariot will drive across the heavens. Come, let us ask him to guide us to the place where she is hidden."

Thus did they come to the chariot of the glorious Apollo, and standing by the heads of his horses like two grey clouds that bar the passage of the sun, they begged him to tell them the name of him who had stolen fair Proserpine.

"No less a thief was he," said Apollo, "than Pluto, King of Darkness and robber of Life itself. Mourn not, Demeter. Thy daughter is safe in his keeping. The little nymph who played in the meadows is now Queen of the Shades. Nor does Pluto love her vainly. She is now in love with Death."

No comfort did the words of the Sun God bring to the longing soul of Demeter. And her wounded heart grew bitter. Because she suffered, others must suffer as well. Because she mourned, all the world must mourn. The fragrant flowers spoke to her only of Persephone, the purple grapes reminded her of a vintage when the white fingers of her child had plucked the fruit. The waving golden grain told her that Persephone was as an ear of wheat that is reaped before its time.

Then upon the earth did there come dearth and drought and barrenness.

"The wheat Was blighted in the ear, the purple grapes Blushed no more on the vines, and all the gods Were sorrowful ..."

Lewis Morris.

Gods and men alike suffered from the sorrow of Demeter. To her, in pity for the barren earth, Zeus sent an embassy, but in vain it came. Merciless was the great Earth Mother, who had been robbed of what she held most dear.

"Give me back my child!" she said. "Gladly I watch the sufferings of men, for no sorrow is as my sorrow. Give me back my child, and the earth shall grow fertile once more."

Unwillingly Zeus granted the request of Demeter.

"She shall come back," he said at last, "and with thee dwell on earth forever. Yet only on one condition do I grant thy fond request. Persephone must eat no food through all the time of her sojourn in the realm of Pluto, else must thy beseeching be all in vain."

Then did Demeter gladly leave Olympus and hasten down to the darkness of the shadowy land that once again she might hold, in her strong mother's arms, her who had once been her little clinging child.

But in the dark kingdom of Pluto a strange thing had happened. No longer had the pale-faced god, with dark locks, and eyes like the sunless pools of a mountain stream, any terrors for Proserpine. He was strong, and cruel had she thought him, yet now she knew that the touch of his strong, cold hands was a touch of infinite tenderness. When, knowing the fiat of the ruler of Olympus, Pluto gave to his stolen bride a pomegranate, red in heart as the heart of a man, she had taken it from his hand, and, because he willed it, had eaten of the sweet seeds. Then, in truth, it was too late for Demeter to save her child. She "had eaten of Love's seed" and "changed into another."

"He takes the cleft pomegranate seeds: 'Love, eat with me this parting day;' Then bids them fetch the coal-black steeds— 'Demeter's daughter, wouldst away?' The gates of Hades set her free; 'She will return full soon,' saith he— 'My wife, my wife Persephone.'"

Ingelow.

Dark, dark was the kingdom of Pluto. Its rivers never mirrored a sunbeam, and ever moaned low as an earthly river moans before a coming flood, and the feet that trod the gloomy Cocytus valley were the feet of those who never again would tread on the soft grass and flowers of an earthly meadow. Yet when Demeter had braved all the shadows of Hades, only in part was her end accomplished. In part only was Proserpine now her child, for while half her heart was in the sunshine, rejoicing in the beauties of earth, the other half was with the god who had taken her down to the Land of Darkness and there had won her for his own. Back to the flowery island of Sicily her mother brought her, and the peach trees and the almonds blossomed snowily as she passed. The olives decked themselves with their soft grey leaves, the corn sprang up, green and lush and strong. The lemon and orange groves grew golden with luscious fruit, and all the land was carpeted with flowers. For six months of the year she stayed, and gods and men rejoiced at the bringing back of Proserpine. For six months she left her green and pleasant land for the dark kingdom of him whom she loved, and through those months the trees were bare, and the earth chill and brown, and under the earth the flowers hid themselves in fear and awaited the return of the fair daughter of Demeter.

And evermore has she come and gone, and seedtime and harvest have never failed, and the cold, sleeping world has awaked and rejoiced, and heralded with the song of birds, and the bursting of green buds and the blooming of flowers, the resurrection from the dead—the coming of spring.

"Time calls, and Change Commands both men and gods, and speeds us on We know not whither; but the old earth smiles Spring after spring, and the seed bursts again Out of its prison mould, and the dead lives Renew themselves, and rise aloft and soar And are transformed, clothing themselves with change, Till the last change be done."

Lewis Morris.

FOOTNOTE:

[5] Jean Ingelow.



LATONA AND THE RUSTICS

Through the tropic nights their sonorous, bell-like booming can be heard coming up from the marshes, and when they are unseen, the song of the bull-frogs would suggest creatures full of solemn dignity. The croak of their lesser brethren is less impressive, yet there is no escape from it on those evenings when the dragon-flies' iridescent wings are folded in sleep, and the birds in the branches are still, when the lilies on the pond have closed their golden hearts, and even the late-feeding trout have ceased to plop and to make eddies in the quiet water. "Krroak! krroak! krroak!" they go—"krroak! krroak! krroak!"

It is unceasing, unending. It goes on like the whirr of the wheels of a great clock that can never run down—a melancholy complaint against the hardships of destiny—a raucous protest against things as they are.

This is the story of the frogs that have helped to point the gibes of Aristophanes, the morals of AEsop, and which have always been, more or less, regarded as the low comedians of the animal world.

Latona, or Leto, was the goddess of dark nights, and upon her the mighty Zeus bestowed the doubtful favour of his errant love. Great was the wrath of Hera, his queen, when she found that she was no longer the dearest wife of her omnipotent lord, and with furious upbraidings she banished her rival to earth. And when Latona had reached the place of her exile she found that the vengeful goddess had sworn that she would place her everlasting ban upon anyone, mortal or immortal, who dared to show any kindness or pity to her whose only fault had been that Zeus loved her. From place to place she wandered, an outcast even among men, until, at length, she came to Lycia.

One evening, as the darkness of which she was goddess had just begun to fall, she reached a green and pleasant valley. The soft, cool grass was a delight to her tired feet, and when she saw the silvery gleam of water she rejoiced, for her throat was parched and her lips dry and she was very weary. By the side of this still pond, where the lilies floated, there grew lithe grey willows and fresh green osiers, and these were being cut by a crowd of chattering rustics.

Humbly, for many a rude word and harsh rebuff had the dictum of Hera brought her during her wanderings, Latona went to the edge of the pond, and, kneeling down, was most thankfully about to drink, when the peasants espied her. Roughly and rudely they told her to begone, nor dare to drink unbidden of the clear water beside which their willows grew. Very pitifully Latona looked up in their churlish faces, and her eyes were as the eyes of a doe that the hunters have pressed very hard.

"Surely, good people," she said, and her voice was sad and low, "water is free to all. Very far have I travelled, and I am aweary almost to death. Only grant that I dip my lips in the water for one deep draught. Of thy pity grant me this boon, for I perish of thirst."

Harsh and coarse were the mocking voices that made answer. Coarser still were the jests that they made. Then one, bolder than his fellows, spurned her kneeling figure with his foot, while another brushed before her and stepping into the pond, defiled its clarity by churning up the mud that lay below with his great splay feet.

Loudly the peasants laughed at this merry jest, and they quickly followed his lead, as brainless sheep will follow the one that scrambles through a gap. Soon they were all joyously stamping and dancing in what had so lately been a pellucid pool. The water-lilies and blue forget-me-nots were trodden down, the fish that had their homes under the mossy stones in terror fled away. Only the mud came up, filthy, defiling, and the rustics laughed in loud and foolish laughter to see the havoc they had wrought.

The goddess Latona rose from her knees. No longer did she seem a mere woman, very weary, hungry and athirst, travelled over far. In their surprised eyes she grew to a stature that was as that of the deathless gods. And her eyes were dark as an angry sea at even.

"Shameless ones!" she said, in a voice as the voice of a storm that sweeps destroyingly over forest and mountain. "Ah! shameless ones! Is it thus that thou wouldst defy one who has dwelt on Olympus? Behold from henceforth shalt thou have thy dwelling in the mud of the green-scummed pools, thy homes in the water that thy flat feet have defiled."

As she spoke, a change, strange and terrible, passed over the forms of the trampling peasants. Their stature shrank. They grew squat and fat. Their hands and feet were webbed, and their grinning mouths became great, sad, gaping openings by which to swallow worms and flies. Green and yellow and brown were their skins, and when they would fain have cried aloud for mercy, from their throats there would come only the "Krroak! krroak! krroak!" that we know so well.

And when, that night, the goddess of darkness was wrapped in peace in the black, silver star bespangled robe that none could take from her, there arose from the pond over which the grey willows hung, weeping, the clamour of a great lamentation. Yet no piteous words were there, only the incessant, harsh complaint of the frogs that we hear in the marshes.

From that time the world went well with Latona. Down to the seashore she came, and when she held out her arms in longing appeal to the AEgean islands that lay like purple flowers strewn, far apart, on a soft carpet of limpid blue, Zeus heard her prayer. He asked Poseidon to send a dolphin to carry the woman he loved to the floating island of Delos, and when she had been borne there in safety, he chained the island with chains of adamant to the golden-sanded floor of the sea.

And on this sanctuary there were born to Latona twin children, thereafter to be amongst the most famed of the deathless gods—the god and goddess, Apollo and Diana.

"... Those hinds that were transformed to frogs Railed at Latona's twin-born progeny, Which after held the sun and moon in fee."

Milton.

Yet are there times, as we look at the squat, bronze bodies of the frogs—green-bronze, dark brown spotted, and all flecked with gold, the turned-down corners of their wistful mouths, their very exquisite black velvety eyes with golden rims—when the piteous croaks that come forth from their throats of pale daffodil colour do indeed awake a sympathy with their appeal against the inexorable decrees of destiny.

"We did not know! We did not understand! Pity us! Ah, pity us! Krroak! krroak! krroak!"



ECHO AND NARCISSUS

In the solitudes of the hills we find her, and yet we may come on her unawares in the din of a noisy city. She will answer us where the waves are lashing themselves against the rugged cliffs of our own British coast, or we may find her where the great yellow pillars of fallen temples lie hot in the sun close to the vivid blue water of the African sea. At nightfall, on the lonely northern moors, she mimics the cry of a wailing bird that calls for its mate, but it is she who prolongs the roll of the great organ in a vast cathedral, she who repeats the rattle and crack and boom of the guns, no matter in what land the war may be raging. In the desolate Australian bush she makes the crash of the falling limb of a dead gum tree go on and on, and tortures the human being who is lost, hopelessly lost, and facing a cruel death, by repeating his despairing calls for help. Through the night, in old country-houses, she sports at will and gives new life to sad old tales of the restless dead who restlessly walk. But she echoes the children's voices as they play by the seashore or pick primroses in the woods in spring, and when they greet her with laughter, she laughs in merry response. They may fear her when the sun has gone down, and when they are left all alone they begin to dread her mockery. Yet the nymph who sought for love and failed to gain what she sought must surely find some comfort on those bright days of summer and of spring when she gives the little children happiness and they give her their love.

When all the world was young, and nymphs and fauns and dryads dwelt in the forests, there was no nymph more lovely and more gay than she whose name was Echo. Diana would smile on her for her fleetness of foot when she followed her in the chase, and those whom she met in the leafy pathways of the dim, green woods, would pass on smiling at the remembrance of her merry chatter and her tricksy humour.

It was an evil day for Echo when she crossed the path of Hera, queen of the gods. The jealous goddess sought her errant husband, who was amusing himself with some nymphs, and Echo, full of mischievous glee, kept her in talk until the nymphs had fled to safety. Hera was furious indeed when she found out that a frolicsome nymph had dared to play on her such a trick, and ruthlessly she spoke fair Echo's doom.

"Henceforth," she said, "the tongue with which thou hast cheated me shall be in bonds. No longer wilt thou have the power to speak in greeting. To the tongues of others shall thy tongue be slave, and from this day until time shall cease thou shalt speak only to repeat the last words that have fallen on thine ears."

A maimed nymph indeed was Echo then, yet whole in all that matters most, in that her merry heart was still her own. But only for a little while did this endure.

Narcissus, the beautiful son of a nymph and a river god, was hunting in a lonely forest one day when Echo saw him pass. To her he seemed more fair than god or man, and once she had seen him she knew that she must gain his love or die. From that day on, she haunted him like his shadow, gliding from tree to tree, nestling down amongst thick fern and undergrowth, motionless as one who stalks a wild thing, watching him afar off while he rested, gladdening her eyes with his beauty. So did she feed her hungering heart, and sought to find contentment by looking on his face each day.

To her at length came a perfect moment when Narcissus was separated from his companions in the chase and, stopping suddenly where the evening sun chequered the pathway of the forest with black and gold, heard the nymph's soft footfall on the rustling leaves.

"Who's here?" he called.

"Here!" answered Echo.

Narcissus, peering amongst the trees' long shadows and seeing no one, called "Come!"

And "Come!" called the glad voice of Echo, while the nymph, with fast-beating heart, felt that her day of happiness had come indeed.

"Why do you shun me?" then called Narcissus.

"Why do you shun me?" Echo repeated.

"Let us join one another," said the lad, and the simple words seemed turned into song when Echo said them over.

"Let us join one another!" she said, and not Eos herself, as with rosy fingers she turns aside the dark clouds of night, could be fairer than was the nymph as she pushed aside the leaves of the trackless wood, and ran forward with white arms outstretched to him who was lord of her life.



With cold eyes and colder heart the one she loved beheld her.

"Away!" he cried, shrinking back as if from something that he hated. "Away! I would rather die than that you should have me!"

"Have me!" cried Echo pitifully, but she pled in vain. Narcissus had no love to give her, and his scorn filled her with shame. Thenceforth in the forest revels she never more was seen, and the nymphs danced gaily as ever, with never a care for her who had faded and gone away as completely as though she were a blossom in the passing of spring. In the solitude of mountain cliffs and caves and rocky places, and in the loneliest depths of the forest, Echo hid her grief, and when the winds blew through the dark branches of the trees at night, moaning and sighing, they could hear far below them the voice of Echo repeating their lamentations. For her, long nights followed hopeless days, and nights and days only told her that her love was all in vain. Then came a night when the winds no longer saw the figure of the nymph, white and frail as a broken flower, crouching close to the rocks they passed over. Grief had slain the body of Echo. Only her voice was left to repeat their mocking laughter, their wistful sighs—only her voice that lives on still though all the old gods are gone, and but few there are who know her story.

Heartwhole and happy, Narcissus, slayer of happiness, went on his way, and other nymphs besides fair Echo suffered from loving him in vain. One nymph, less gentle than Echo, poured the tale of her love that was scorned into the sympathetic ears of the goddess of Love, and implored her to punish Narcissus.

Hot and tired from the chase, Narcissus sought one day a lonely pool in the woods, there to rest and to quench his thirst.

"In some delicious ramble, he had found A little space, with boughs all woven round; And in the midst of all, a clearer pool Than e'er reflected in its pleasant cool The blue sky here, and there, serenely peeping Through tendril wreaths fantastically creeping."

As he stooped down to drink, a face looked at his through the crystal clear water, and a pair of beautiful eyes met his own. His surprise and joy at the sight of what he felt sure must be the most beautiful creature on earth, was evidently shared by the nymph of the pool, who gazed fearlessly up at him.

Round her head she had a nimbus of curls than which that of Adonis—nay, of the sun-god himself, was not more perfect, while her eyes were like the brown pools of water in a rippling mountain stream, flecked with sunshine, yet with depths untold. When Narcissus smiled at her in rapture, her red lips also parted in a smile. He stretched out his arms towards her, and her arms were stretched to him. Almost trembling in his delight, he slowly stooped to kiss her. Nearer she drew to him, nearer still, but when his mouth would have given itself to that other mouth that was formed like the bow of Eros—a thing to slay hearts—only the chilly water of the pool touched his lips, and the thing of his delight vanished away. In passionate disappointment Narcissus waited for her to return, and as soon as the water of the pool grew still, once more he saw her exquisite face gazing wistfully up into his. Passionately he pled with the beautiful creature—spoke of his love—besought her to have pity on him, but although the face in the pool reflected his every look of adoration and of longing, time and again he vainly tried to clasp in his arms what was but the mirrored likeness of himself.

In full measure had the avenging goddess meted out to Narcissus the restless longing of unsatisfied love. By day and by night he haunted the forest pool, and ere long the face that looked back at his was pale as a lily in the dawn. When the moonbeams came straying down through the branches and all the night was still, they found him kneeling by the pool, and the white face that the water mirrored had the eyes of one of the things of the woods to which a huntsman has given a mortal wound. Mortally wounded he truly was, slain, like many another since his day, by a hopeless love for what was in truth but an image, and that an image of his own creation. Even when his shade passed across the dark Stygian river, it stooped over the side of the boat that it might try to catch a glimpse of the beloved one in the inky waters.

Echo and the other nymphs were avenged, yet when they looked on the beautiful dead Narcissus, they were filled with sorrow, and when they filled the air with their lamentations, most piteously did the voice of Echo repeat each mournful cry. Even the gods were pitiful, and when the nymphs would have burned the body on a funeral pyre which their own fair hands had built for him, they sought it in vain. For the Olympians had turned Narcissus into a white flower, the flower that still bears his name and keeps his memory sweet.

"A lonely flower he spied, A meek and forlorn flower, with naught of pride, Drooping its beauty o'er the watery clearness, To woo its own sad image into nearness; Deaf to light Zephyrus it would not move, But still would seem to droop, to pine, to love."

Keats.



ICARUS

Fourteen years only have passed since our twentieth century began. In those fourteen years how many a father's and mother's heart has bled for the death of gallant sons, greatly-promising, greatly-daring, who have sought to rule the skies? With wings not well enough tried, they have soared dauntlessly aloft, only to add more names to the tragic list of those whose lives have been sacrificed in order that the groping hands of science may become sure, so that in time the sons of men may sail through the heavens as fearlessly as their fathers sailed through the seas.

High overhead we watch the monoplane, the great, swooping thing, like a monster black-winged bird, and our minds travel back to the story of Icarus, who died so many years ago that there are those who say that his story is but a foolish fable, an idle myth.

Daedalus, grandson of a king of Athens, was the greatest artificer of his day. Not only as an architect was he great, but as a sculptor he had the creative power, not only to make men and women and animals that looked alive, but to cause them to move and to be, to all appearances, endowed with life. To him the artificers who followed him owed the invention of the axe, the wedge, the wimble, and the carpenter's level, and his restless mind was ever busy with new inventions. To his nephew, Talus, or Perdrix, he taught all that he himself knew of all the mechanical arts. Soon it seemed that the nephew, though he might not excel his uncle, equalled Daedalus in his inventive power. As he walked by the seashore, the lad picked up the spine of a fish, and, having pondered its possibilities, he took it home, imitated it in iron, and so invented the saw. A still greater invention followed this. While those who had always thought that there could be none greater than Daedalus were still acclaiming the lad, there came to him the idea of putting two pieces of iron together, connecting them at one end with a rivet, and sharpening both ends, and a pair of compasses was made. Louder still were the acclamations of the people. Surely greater than Daedalus was here. Too much was this for the artist's jealous spirit.

One day they stood together on the top of the Acropolis, and Daedalus, murder that comes from jealousy in his heart, threw his nephew down. Down, down he fell, knowing well that he was going to meet a cruel death, but Pallas Athene, protectress of all clever craftsmen, came to his rescue. By her Perdrix was turned into the bird that still bears his name, and Daedalus beheld Perdrix, the partridge, rapidly winging his way to the far-off fields. Since then, no partridge has ever built or roosted in a high place, but has nestled in the hedge-roots and amongst the standing corn, and as we mark it we can see that its flight is always low.

For his crime Daedalus was banished from Athens, and in the court of Minos, king of Crete, he found a refuge. He put all his mighty powers at the service of Minos, and for him designed an intricate labyrinth which, like the river Meander, had neither beginning nor ending, but ever returned on itself in hopeless intricacy. Soon he stood high in the favour of the king, but, ever greedy for power, he incurred, by one of his daring inventions, the wrath of Minos. The angry monarch threw him into prison, and imprisoned along with him his son, Icarus. But prison bars and locks did not exist that were strong enough to baffle this master craftsman, and from the tower in which they were shut, Daedalus and his son were not long in making their escape. To escape from Crete was a less easy matter. There were many places in that wild island where it was easy for the father and son to hide, but the subjects of Minos were mostly mariners, and Daedalus knew well that all along the shore they kept watch lest he should make him a boat, hoist on it one of the sails of which he was part inventor, and speed away to safety like a sea-bird driven before the gale. Then did there come to Daedalus, the pioneer of inventions, the great idea that by his skill he might make a way for himself and his son through another element than water. And he laughed aloud in his hiding place amongst the cypresses on the hillside at the thought of how he would baffle the simple sailormen who watched each creek and beach down on the shore. Mockingly, too, did he think of King Minos, who had dared to pit his power against the wits and skill of Daedalus, the mighty craftsman.

Many a Cretan bird was sacrificed before the task which the inventor had set himself was accomplished. In a shady forest on the mountains he fashioned light wooden frames and decked them with feathers, until at length they looked like the pinions of a great eagle, or of a swan that flaps its majestic way from lake to river. Each feather was bound on with wax, and the mechanism of the wings was so perfect a reproduction of that of the wings from which the feathers had been plucked, that on the first day that he fastened them to his back and spread them out, Daedalus found that he could fly even as the bird flew. Two pairs he made; having tested one pair, a second pair was made for Icarus, and, circling round him like a mother bird that teaches her nestlings how to fly, Daedalus, his heart big with the pride of invention, showed Icarus how he might best soar upwards to the sun or dive down to the blue sea far below, and how he might conquer the winds and the air currents of the sky and make them his servants.

That was a joyous day for father and son, for the father had never before drunk deeper of the intoxicating wine of the gods—Success—and for the lad it was all pure joy. Never before had he known freedom and power so utterly glorious. As a little child he had watched the birds fly far away over the blue hills to where the sun was setting, and had longed for wings that he might follow them in their flight. At times, in his dreams, he had known the power, and in his dreaming fancy had risen from the cumbering earth and soared high above the trees and fields on strong pinions that bore him away to the fair land of heart's desire—to the Islands of the Blessed. But when Sleep left him and the dreams silently slipped out before the coming of the light of day, and the boy sprang from his couch and eagerly spread his arms as, in his dreams, he had done, he could no longer fly. Disappointment and unsatisfied longing ever came with his waking hours. Now all that had come to an end, and Daedalus was glad and proud as well to watch his son's joy and his fearless daring. One word of counsel only did he give him.

"Beware, dear son of my heart," he said, "lest in thy new-found power thou seekest to soar even to the gates of Olympus. For as surely as the scorching rays from the burnished wheels of the chariot of Apollo smite thy wings, the wax that binds on thy feathers will melt, and then will come upon thee and on me woe unutterable."

In his dreams that night Icarus flew, and when he awoke, fearing to find only the haunting remembrance of a dream, he found his father standing by the side of his bed of soft leaves under the shadowy cypresses, ready to bind on his willing shoulders the great pinions that he had made.